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Speaker 1: Welcome to Drink Champs, the production of The Black Effect

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Speaker 1: and I Heart Radio and His Drinks has motherfucking podcast.

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Speaker 1: He's a legendary queen's rapper. He's agree. It's your boy

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Speaker 1: in no R He's a Miami hippop pioneer. Up is

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Speaker 1: d J e FN. Together they drink it up with

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Speaker 1: some of the biggest players in the most professional unprofessional

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Speaker 1: podcast and you're number one sorts for drunk Drink is

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Speaker 1: New year Z. That's time for Drink Champs. Trink Up?

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Speaker 1: Would it could be? Hopefully what it should be? It's

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Speaker 1: your boy in a O. What up is d J

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Speaker 1: e f N and his Drinks has motherfucker? Y'all make love?

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Speaker 1: Are you get to astraate lee? Um? And right now

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Speaker 1: when we talk about legends, man uh, this is one

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Speaker 1: of the brothers. Run of the very few brothers who

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Speaker 1: got records with Biggie Smalls, Tupop, Big pun and easy

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Speaker 1: Holy Moley, guacamole, not to mention a right carry lout John,

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Speaker 1: all types of hits with all all those people. You know,

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Speaker 1: Collion his own hits, his own god damn hits. Just

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Speaker 1: one every first of the month. You're supposed to hear

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Speaker 1: this record. In fact, every thirty year, we came up

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Speaker 1: with an idea that you every first of the month,

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Speaker 1: we should be counted down until it actually hits the

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Speaker 1: first and household. But in case you don't know, this

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Speaker 1: is a legend of legend out here, monkey foot in

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Speaker 1: the game. We heard he got legal lean. That's not lean,

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Speaker 1: but it's like lean, but it's not lean. But to

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Speaker 1: get your lean. In case you don't know who that

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Speaker 1: we talked about, we talked about crazy motherfucking yeah, what'sover now?

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Speaker 1: I want to get straight to that. To that point,

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Speaker 1: there's not there's not a lot of artists in this world.

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Speaker 1: I could say they worked with Big and Pop, just

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Speaker 1: just that. Yeah, man, then there's not artists I can

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Speaker 1: say I worked with Easy Yeah, Big One, Holy moti

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Speaker 1: Waker Mode. So let's start. Obviously, I looked at the documentary,

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Speaker 1: looked at you know, Google everything. Did you guys really

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Speaker 1: get on the bus to me easy one way, great

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Speaker 1: help bus? And I was wondering, what was a great help? Okay, okay, okay,

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Speaker 1: y'all had a meeting set up though, no, bro, we

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Speaker 1: didn't have nothing. What happened was flesh fless. What was

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Speaker 1: actually going to school county and he was going to

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Speaker 1: different parties and he was like, man, I'm running into

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Speaker 1: so many celebrities are here. This is where y'all need

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Speaker 1: to be. Yeah, okay. So he came back home and

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Speaker 1: you know, like we just started hustling. We started hustling

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Speaker 1: to get one way bus tickets and we was like, yeah,

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Speaker 1: we just go. We didn't have nowhere that, we didn't

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Speaker 1: have nowhere to live. We were just like we could

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Speaker 1: have go ahead and meet Easy. It was our mission.

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Speaker 1: It was it was the whole plan to go get

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Speaker 1: signed to Rufus record. Wow, so y'all have that already premeditate,

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Speaker 1: like this is what we want to be. That was

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Speaker 1: the whole play. We were like, we're going to sound

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Speaker 1: because because we was fans of n w A and

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Speaker 1: they do when they broke up, we felt like Easy

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Speaker 1: he was the underdog. We're like, so Easy need the

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Speaker 1: most help. Let's go help. And you know what I'm saying, Like,

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Speaker 1: so it was like, let's go sign the Easy, so

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Speaker 1: easy Easy. You know, obviously I'll never get a chance

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Speaker 1: to interview the So I want to ask you a

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Speaker 1: little bit more questions. You know, he's he's meeting the

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Speaker 1: whole first meeting and when y'all get to me, because

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Speaker 1: what you said he was calling his assistant. Yeah okay,

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Speaker 1: Kesha Anderson. Okay, I love that you remember our name.

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Speaker 1: Yeah yeah. Man, hey, let's see, she's still the home

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Speaker 1: girl to this day. So she's still a home girl.

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Speaker 1: So like man, we have been when we first of all,

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Speaker 1: we got the number one from one of our dudes

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Speaker 1: in Cleveland. He was a promoter and he called and

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Speaker 1: he gave us a number the Roofles with Regors, and

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Speaker 1: we started calling every single day and she would answer

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Speaker 1: the phone like like damn, y'all call him again. So

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Speaker 1: then like we called one day and she was like,

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Speaker 1: you know what I'm telling y'all, nigga's calling every day.

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Speaker 1: I'm gonna make sure Eric calls y'all back today, I

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Speaker 1: promise you. And we was like okay, cool, And then

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Speaker 1: the phone rang and Busy answered the phone and uh,

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Speaker 1: Easy was like let me speak the bone and Busy

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Speaker 1: was like who was this? He was like it's just

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Speaker 1: easy eat and then Busy's like, oh ship. Busy threw

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Speaker 1: the phone to me and was like rap, and I

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Speaker 1: just started busting on the phone that you can't kick

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Speaker 1: that rap right now? Oh yeah, let's that a little bit,

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Speaker 1: a little bit. It was a well listen, the nigga,

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Speaker 1: the nigga, the nigga did wants to again the niggas

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Speaker 1: they pick up their pin. They're trying to get temperance

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Speaker 1: too that they win this dead mac tea and this blast.

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Speaker 1: Then pick you're winning enough from nigga sass and pop

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Speaker 1: up my clipping you asking who when the was that mask? Man?

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Speaker 1: The nigger just put it in the ticker read this

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Speaker 1: because I'm slimmer. They figured they bigger. But when you

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Speaker 1: considered but killing this, pilling your cap downe with the nigga,

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Speaker 1: they're wunning to pack their steps. So pack your guys.

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Speaker 1: I see you like I see with the murder serving

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Speaker 1: you're up under cover of your fuck nigga getting never

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Speaker 1: heard that buck, So how old are you when man

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Speaker 1: was like eighteen? Because one of the things, I'm sorry

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Speaker 1: because one of the things that struck us immediately, I

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Speaker 1: was from the East Coast. We had never heard of

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Speaker 1: style like that. And then when we see you guys,

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Speaker 1: like the perms and the braids were actually first impression

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Speaker 1: West Coast school exactly. Man, it was especially you guys affiliation. Yeah. Yeah,

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Speaker 1: but it's crazy though. It's crazy because East Coast hip

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Speaker 1: hop raised us, you know what shows like I know

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Speaker 1: everything about every m sea that ever came up because

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Speaker 1: because I was like a student that like, so I

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Speaker 1: followed everybody that came up from the East Coast. It's

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Speaker 1: just that when in w A and Easy he came out,

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Speaker 1: we related more to them in the lifestyle it was

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Speaker 1: living because that's how we was on the streets in Cleveland,

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Speaker 1: you know what I'm so we rerelated more than them,

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Speaker 1: and we just attracted to more how they lived on

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Speaker 1: the West Coast. Yeah, because because was it was it

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Speaker 1: intentionally where dickies at the time. I mean, I mean

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Speaker 1: that's that's what we were in Cleveland, Like we were

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Speaker 1: the flannels, the fouls in the in the in the

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Speaker 1: skull caps and you know what I'm saying, Like we

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Speaker 1: walked around like that. So we was like, okay, yeah,

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Speaker 1: we want to be what he's eating them on the

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Speaker 1: west Was that style? Like was it other people doing

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Speaker 1: the cleaning just y'all? But just us just I'm gonna

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Speaker 1: tell you, like we may with influenced the whole style,

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Speaker 1: and I got a chance to talk to him and

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Speaker 1: turn him this was big Dirty came one of my

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Speaker 1: favorite rappers. And I'm saying one of my favorite rappers.

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Speaker 1: I should think I was Big Jay came back in

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Speaker 1: the day nor Yeah, okay, cutting the brows over I

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Speaker 1: cuts yeah, saying so so um I was. I was

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Speaker 1: locked up in the county jail one time and I

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Speaker 1: was listening to I was watching like I think it

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Speaker 1: was like h rap City with the mayor on it,

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Speaker 1: and he played like a big Daddy Kane video and

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Speaker 1: can't spent one rome he was like and he stopped

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Speaker 1: and I was like, yo, somebody tod that and they

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Speaker 1: did the whole entire versetw to be insane. So I

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Speaker 1: just like, I went my sale and had now the papers.

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Speaker 1: I wrote the rhyme on the toilet on the toilet

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Speaker 1: piece of toilet paper, and I just went like, and

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Speaker 1: that's the same rap I said for easy on the phone.

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Speaker 1: The raptor got up. Sound like the toilet paper right now,

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Speaker 1: that's happened. That's that toilet paper got down. Holy, So

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Speaker 1: you talked too easy, then what's what happens after that? Man?

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Speaker 1: He was like, uh, he was like yo. First of all,

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Speaker 1: he was in he was in the office with I

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Speaker 1: think um Jerry Hello was in the office, and I

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Speaker 1: think Um Hutch from a button loger was in there.

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Speaker 1: Because after I finished rapping, he was like, man, hold

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Speaker 1: on from one second, hold on one second, like where y'all.

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Speaker 1: Friend was like, we're from Cleveland, because I hold on

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Speaker 1: one second. Then he walked in another room and put

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Speaker 1: me on speaker and he was like, say that rap again,

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Speaker 1: and then I said it again, and I heard him

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Speaker 1: in the background like damn, you know what something like

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Speaker 1: you know, like like where y'all from? So we was like,

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Speaker 1: we're from Cleveland. Easy, was like, I gotta showing Cleveland

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Speaker 1: in two weeks. So I'm gonna call y'all back in

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Speaker 1: two hours and we can talk. But but at the time,

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Speaker 1: the people we were staying with, the female, she leaves

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Speaker 1: the house and she locks the phone in the room

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Speaker 1: like she going the whole day, like the all day

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Speaker 1: we're here in the phone like just could be easy.

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Speaker 1: We need to kick this doing. But we're like, you know,

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Speaker 1: we ain't got nowhere to live out here in the

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Speaker 1: you know. Like so so he was like you know,

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Speaker 1: he said he was gonna be in Cleveland. We went

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Speaker 1: straight to hustle up. We got to call in our family, like, yo,

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Speaker 1: we need money to get back to Cleveland, because to

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Speaker 1: do the game was a number. He told us. He

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Speaker 1: was like, if y'all make it back to Cleveland, I

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Speaker 1: can guarantee y'all to open the spot on the show.

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Speaker 1: And he was like trying to get with him, but

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Speaker 1: he's saying, they got a spot and Cleveland in two weeks. Yeah,

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Speaker 1: and you say guaranteed if you get back to Cleveland,

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Speaker 1: yeah you're gonna open up. Yeah, yeah, we may. We

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Speaker 1: managed to get back. It was a crazy bus rap back.

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Speaker 1: We don't had no money riding back on the on

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Speaker 1: on the Grayhound and she was crazy, you was saying,

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Speaker 1: on this bus starving and ships. So we get back.

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Speaker 1: We opened up the show and we're go on stage

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Speaker 1: and then Easy don't go on stage. And then after

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Speaker 1: Easy then went off. We we we just blended like

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Speaker 1: we was part of the entourage and made it to

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Speaker 1: the back made it made to the backstage area, but

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Speaker 1: I didn't make it in the dressing room. So we

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Speaker 1: outsat the door and yellow Yellow Boy come up sat

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Speaker 1: and we're like, yo, man can be wrapped for you

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Speaker 1: and he's like, yeah, go ahead, and so we started

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Speaker 1: busting the wrap we did on the phone and Easy

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Speaker 1: stuck his head out, was like, yo, y'all the dudes

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Speaker 1: I talked to on the phone and he was like, hell, yeah,

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Speaker 1: that's us and he was like me, we had the

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Speaker 1: hotel after and then after that it was a wrap wow.

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Speaker 1: And that was during the height of the beef right already.

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Speaker 1: For Yeah, I was just about to ask you what

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Speaker 1: time is this, Easy, because especially when we watched the

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Speaker 1: movie and you see uh, the ttermorial drey leaving and Drake,

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Speaker 1: this is when Dre is what this is. Aftermath is

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Speaker 1: like aftermath. This is when death Row was for him.

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Speaker 1: Yea yeah, yeah, yea yea yeah because great, um, because

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Speaker 1: because the chronic that came out, it was out and

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Speaker 1: that yeah, okay, yeah he's on death He's on death Row. Yeah,

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Speaker 1: and um and Easy. This was a little while after

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Speaker 1: Easy had dropped the real compen cyg because we we

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Speaker 1: was on some of those shows with him at the time,

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Speaker 1: like when y'all was this and Dre to keep no

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Speaker 1: no no, no, no, I mean, don't get it twisted.

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Speaker 1: Like we we signed up for it, Like we was like, yo, bro,

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Speaker 1: Like even even though Easy told us he was like,

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Speaker 1: I don't want y'all involved with this because this is

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Speaker 1: like people think this is a uh death row ruthless thing.

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Speaker 1: This is simply a dr dre Easy he misunderstand. He

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Speaker 1: was like, I don't want y'all like really involved with

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Speaker 1: this because I mean they had plans to do other things,

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Speaker 1: man like Easy to do what they had plans to

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Speaker 1: do other things like and a lot. You know what

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Speaker 1: I'm saying, Like Easy really wanted to n w a reunion,

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Speaker 1: but he really really in the movie that's not playing

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Speaker 1: around when they said, oh really, I he was serious

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Speaker 1: about that life. When you know what we've seen in

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Speaker 1: the movie, I thought that was just like Hollywood antics.

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Speaker 1: I didn't know they were really before he passed away.

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Speaker 1: There was because because when he got rid of Jerry Heller,

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Speaker 1: he started to realize you know, you know, like y'a

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Speaker 1: met Jerry Heller. Correct, Yeah, okay, So to keep from

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Speaker 1: that when he got really hell yeah, you know, he

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Speaker 1: started feeling a certain kind of weight lot, you know,

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Speaker 1: like this was rob He was like, you know what

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Speaker 1: I'm saying. So it's like I think when he saw that,

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Speaker 1: you know, he wanted to pass the funk with the

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Speaker 1: rest of the Fellers man, and and it was all

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Speaker 1: down man, you know what I'm saying. It just didn't

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Speaker 1: like things just didn't line up at the proper time

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Speaker 1: to like to make it happen. But yeah, definitely. And

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Speaker 1: did you get to meet Cuban Dre back then or no? No, no,

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Speaker 1: we actually met um. We actually Mad Cube after Easy

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Speaker 1: passed away. We actually made yeah Dre after Um No, no, no,

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Speaker 1: we actually met Dre one night when we first signed

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Speaker 1: the Easy and we was we performed at the Princess

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Speaker 1: Club the Metropolis I think was um and we performed

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Speaker 1: that jet and Dr Dre came backstage and he was like, yo, yeah,

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Speaker 1: so I heard y'all supposed to be the ship right

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Speaker 1: And even though there was beefing, we was like Dr

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Speaker 1: Drake said, we supposed to be. They're talking about it,

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Speaker 1: you know what I'm saying. So, man, we was high.

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Speaker 1: God dam let's make some noise for that. I'm not

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Speaker 1: gonna lie. I feel like it's shot time. Let's do it, man.

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Speaker 1: And you're gonna stick with the hard brown because all

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Speaker 1: show it's about getting people flowers, pass me some some rock,

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Speaker 1: watermelon whatever water might he not than what you drink

249
00:13:06,880 --> 00:13:09,760
Speaker 1: about Mowana. I don't drink that ship. Whatever you do

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00:13:09,880 --> 00:13:18,200
Speaker 1: after just homemade ship. I don't recommend it. It's homemade ship.

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Speaker 1: Don't recommend it. Man. So all show is about giving

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Speaker 1: people flowers. Crazy won't and we gotta give you flowers,

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Speaker 1: broc show. You gonna do a seperate, separate one over

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Speaker 1: there because that's your drink. Yeah, you know you got

255
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Speaker 1: take a shot, just a little shot. Yeah, yeah, okay, cool,

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Speaker 1: let's go. Let's go. Let's go. Take it down, Take

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Speaker 1: it down, Take it down, Take it down. How you

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Speaker 1: do it? So now we spoke about Easy. I want

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Speaker 1: to get more than the depth of Easy later, but

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Speaker 1: we spoke about Easy. It's not only like you guys

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Speaker 1: worked with Big and Pop, but it almost seemed like

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Speaker 1: you guys was the only ones to work with Big impoc. Wow,

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Speaker 1: they would beef. Is that true? All my outside of

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Speaker 1: looking and looking yeah, yeah it really. I mean it

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Speaker 1: may be like some other rappers out there that maybe dead,

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Speaker 1: you know what I'm saying, But as far as I know,

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Speaker 1: we don't. In the group. You're like get a chance

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Speaker 1: to work with don't like why like you don't want

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Speaker 1: to to both beefing and everything, and we managed to

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Speaker 1: stay clear and the whole yep, bef like like and

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Speaker 1: this is this was a time when you couldn't send

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Speaker 1: the record. You'll had to beat in the studio. Yeah,

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Speaker 1: oh yeah, right now what no email and sending records? Man,

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Speaker 1: you had to be there, you know, like Puff Callers

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Speaker 1: and was like, yo, Big once y'all here and he

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Speaker 1: was like, let's go, let's do at the time. Yeah, okay,

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Speaker 1: So so what happens then you can fly to New York? No, no,

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Speaker 1: we actually in l A and uh and it was

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Speaker 1: out in l A and Puff call Steve you know yo,

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Speaker 1: big big one, the fellers on the albums. Can can

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Speaker 1: they come through? It was like, bro, say no more

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Speaker 1: we did. We jumped up when right over there when

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Speaker 1: the studio, Big had to sat out and Big Head

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Speaker 1: like hennessee the weed fors win this nigga session and

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Speaker 1: indulged in passing out but passed out in the session. Um,

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Speaker 1: I think this is the first time a real will

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Speaker 1: East Coast rapper because he kind of is it called

288
00:15:14,400 --> 00:15:19,360
Speaker 1: emulated y'all like he was he was deliberately like y'all

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Speaker 1: fit perfectly, like trying to sound like at first, did

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Speaker 1: it sound weird because he's like damn, like he's getting

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Speaker 1: it hard. It didn't sound weird at all because like

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Speaker 1: actually in the in the um because I told you,

293
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Speaker 1: like we had fail to sleep in the studio and

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Speaker 1: like like we woke up no no, no, Big at

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Speaker 1: Steve like the nig is cool. Was like yeah, yeah, yeah,

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Speaker 1: they're cool, and they're like or something drinking drinking smoking.

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Speaker 1: But then like like as soon as we woke up,

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Speaker 1: like we jumped right up and win in the booth,

299
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Speaker 1: we all win and and later off versus like bam

300
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Speaker 1: bam man and Big was in there. It's like, you know,

301
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Speaker 1: these mothers just sleep on the couch and didn't even

302
00:15:58,680 --> 00:16:01,200
Speaker 1: just went the of the verses like that. He was

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Speaker 1: like yo, So we sat there with the beat. He

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Speaker 1: told Puff, He was like, yo, I'm gonna take the

305
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Speaker 1: ship back to New York women and they're like so

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00:16:07,200 --> 00:16:10,400
Speaker 1: he didn't lay his verse. He took the ship, studied

307
00:16:10,440 --> 00:16:12,760
Speaker 1: it went back and and we didn't hear the verse

308
00:16:12,920 --> 00:16:16,960
Speaker 1: after he passed away. Yeah yeah, yeah, yeah, we heard.

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00:16:17,000 --> 00:16:19,520
Speaker 1: We heard the album like when it came out and

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Speaker 1: that's when we heard the verse, Like we didn't hear

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00:16:21,000 --> 00:16:23,040
Speaker 1: him too, and yeah, we were sitting there like yo,

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00:16:23,160 --> 00:16:25,800
Speaker 1: this it's crazy, like he killed the ship. Like I'm like, yo,

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Speaker 1: this thing just came all the way in and just

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00:16:28,080 --> 00:16:31,040
Speaker 1: killed it for really, Okay, now I'm not moving on.

315
00:16:33,720 --> 00:16:36,520
Speaker 1: There's very few beats in hip hop that when I

316
00:16:36,680 --> 00:16:44,240
Speaker 1: hear it, I get nervous. I just wanted, I just wanted.

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Speaker 1: I don't know, I just want to shoos just shooting

318
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Speaker 1: all the other wack. It's nothing. They don't stop shooting

319
00:16:53,320 --> 00:17:00,480
Speaker 1: even all the shot. That's crazy. What was that y'all beat?

320
00:17:00,520 --> 00:17:03,160
Speaker 1: Or that was his beat? Who was the boss? Who? Actually?

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Speaker 1: Uh d unique made to beat? And it's crazy because

322
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Speaker 1: the beat was for Easy Eat. It was a beat

323
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Speaker 1: we had actually wrote a song for Easy It was

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Speaker 1: called Artillery Shop and it was easy No no, no,

325
00:17:17,240 --> 00:17:19,840
Speaker 1: no no no, no, okay no easy stock. Yeah yeah,

326
00:17:19,920 --> 00:17:23,480
Speaker 1: yeah we wrote it for him. But like when Easy

327
00:17:23,720 --> 00:17:26,280
Speaker 1: uh passed and you know, like whatever was going on,

328
00:17:26,520 --> 00:17:29,480
Speaker 1: Like Busy had run in the pop out of traffic

329
00:17:29,520 --> 00:17:31,000
Speaker 1: in l A. And you know that every time we

330
00:17:31,040 --> 00:17:32,760
Speaker 1: saw him here we had been talking about like doing

331
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Speaker 1: some doing some music. So they finally got in the

332
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Speaker 1: studio and Unique was like, Yo, this was the first

333
00:17:38,480 --> 00:17:40,240
Speaker 1: beat I played, and Popple like, that's the one. Let's go.

334
00:17:41,000 --> 00:17:43,600
Speaker 1: He didn't waste no time after you can tell to

335
00:17:43,640 --> 00:17:45,359
Speaker 1: no other beat. He was like, that's the one. Let's go.

336
00:17:45,840 --> 00:17:47,720
Speaker 1: Dropped this version as it was done, and then we

337
00:17:47,840 --> 00:17:49,600
Speaker 1: came in later and heard and was like, oh, Ship,

338
00:17:50,160 --> 00:17:51,720
Speaker 1: put it down. But Busy was in the studio with

339
00:17:51,800 --> 00:17:54,920
Speaker 1: Pop when the when that song was done, so y'all

340
00:17:55,040 --> 00:17:58,399
Speaker 1: wasn't We were talking before you got here, and he

341
00:17:58,480 --> 00:18:00,920
Speaker 1: was saying about the name of the track. You just

342
00:18:01,000 --> 00:18:04,359
Speaker 1: said reminded me of you guys wearing fatigues, and you

343
00:18:04,400 --> 00:18:06,880
Speaker 1: were saying, how like you were surprised they were wearing

344
00:18:06,920 --> 00:18:10,119
Speaker 1: fatigues before. You know what's crazy? Before CNN like, what's

345
00:18:10,160 --> 00:18:14,840
Speaker 1: the we came out ninety seven, We came out, you know,

346
00:18:14,960 --> 00:18:18,239
Speaker 1: Doug Niggers. Yeah, I was in jail at ninety four

347
00:18:18,320 --> 00:18:20,920
Speaker 1: when you came out, so I heard, but I didn't

348
00:18:20,960 --> 00:18:23,840
Speaker 1: get to feeling the whole experience. So when I'm doing

349
00:18:23,880 --> 00:18:26,720
Speaker 1: the research on you today, I'm just going to go

350
00:18:26,840 --> 00:18:28,720
Speaker 1: and I'm like, damn, these niggers did all that Ship

351
00:18:28,760 --> 00:18:31,840
Speaker 1: before like I had to give you process. You know,

352
00:18:31,920 --> 00:18:33,640
Speaker 1: if you don't see it, you think you're the first one.

353
00:18:34,000 --> 00:18:37,240
Speaker 1: But from the army fatigues, from you smoking weeds, you

354
00:18:37,320 --> 00:18:41,000
Speaker 1: mother's getting arrested, Your motherfucker's do Like y'all was really

355
00:18:41,320 --> 00:18:45,320
Speaker 1: really living that dog life, bro, really really into it, man,

356
00:18:45,480 --> 00:18:48,359
Speaker 1: And like the whole army fatigue thing came so much

357
00:18:48,520 --> 00:18:51,160
Speaker 1: just being like he was always on like some milisant

358
00:18:51,200 --> 00:18:53,640
Speaker 1: mind and ship like you know, you know, like going

359
00:18:53,680 --> 00:18:56,280
Speaker 1: against the police just you know, like because in the hood,

360
00:18:56,359 --> 00:18:58,399
Speaker 1: it's it's it's the same ship. You don't like police harassed, man,

361
00:18:58,440 --> 00:19:00,040
Speaker 1: you know what I'm saying. So it was like he

362
00:19:00,160 --> 00:19:03,440
Speaker 1: was totally against that. We was like, um man, we

363
00:19:03,560 --> 00:19:08,120
Speaker 1: were just like proactive with any anything, uh to move

364
00:19:08,240 --> 00:19:11,600
Speaker 1: like the struggle. Bro. It was like basically like black Panthers,

365
00:19:11,680 --> 00:19:14,480
Speaker 1: but wasn't black panthers. We we was to tug that

366
00:19:14,680 --> 00:19:18,400
Speaker 1: version of like you know what I'm saying, Like we said, man, yeah,

367
00:19:18,440 --> 00:19:20,680
Speaker 1: like I mean we've been doing that man, like we

368
00:19:20,960 --> 00:19:23,000
Speaker 1: we I mean, we just we just wanted to wear

369
00:19:23,040 --> 00:19:24,959
Speaker 1: the army fatigued. And we was like because we soldiers,

370
00:19:25,040 --> 00:19:27,760
Speaker 1: like we talked about being soldiers hood soldiers and be like,

371
00:19:28,080 --> 00:19:31,600
Speaker 1: the Fatigues is our ship. So let me ask you.

372
00:19:31,680 --> 00:19:35,200
Speaker 1: I spoke to a promote a while ago, and this

373
00:19:35,359 --> 00:19:38,000
Speaker 1: phot had been out for thirty years. So I asked them,

374
00:19:38,359 --> 00:19:41,920
Speaker 1: what was the hardest group to ever book? And his

375
00:19:42,080 --> 00:19:47,280
Speaker 1: first it's like harmony, like like they get three of y'all,

376
00:19:48,080 --> 00:19:53,959
Speaker 1: they'll get four y'all. Man, it's crazy, yeah, man, yo yo, man,

377
00:19:54,000 --> 00:19:57,359
Speaker 1: it's just crazy. Man. It's just like I tell like

378
00:19:57,440 --> 00:20:00,040
Speaker 1: being a being in bone, It's like it's crazy, the

379
00:20:00,320 --> 00:20:03,680
Speaker 1: ups and downs, blessings and curses, you know what I'm saying.

380
00:20:03,720 --> 00:20:07,680
Speaker 1: So it's like family ship, real family man, And that's

381
00:20:07,720 --> 00:20:09,879
Speaker 1: why that's why we always come back together. Like no

382
00:20:10,000 --> 00:20:13,040
Speaker 1: matter if we're bigger, we argue. I mean, brothers and

383
00:20:13,119 --> 00:20:14,760
Speaker 1: sisters do that, you know what I'm saying. But there's

384
00:20:14,800 --> 00:20:17,240
Speaker 1: never nothing that serious to like it's gonna make us.

385
00:20:17,280 --> 00:20:19,359
Speaker 1: But you know, I've never sucking with you ever again,

386
00:20:19,400 --> 00:20:21,200
Speaker 1: you know what I'm saying, Like, yeah, but but how

387
00:20:21,280 --> 00:20:24,000
Speaker 1: hard was that? Like you know, to here promoters say that,

388
00:20:24,119 --> 00:20:26,800
Speaker 1: like to get all of y'all, Like, oh man, I

389
00:20:26,880 --> 00:20:30,199
Speaker 1: believe them. Ship. We wouldn't know easy niggers to deal

390
00:20:30,280 --> 00:20:34,399
Speaker 1: with like a motherfucker, because the thing was like we

391
00:20:34,560 --> 00:20:37,840
Speaker 1: was just like you said, like we was like we

392
00:20:38,040 --> 00:20:41,000
Speaker 1: was real niggas, Like we didn't even realize the fame

393
00:20:41,080 --> 00:20:43,240
Speaker 1: and like what we had accumulated that we were just

394
00:20:43,359 --> 00:20:44,960
Speaker 1: niggas on the streets. And we was like, Okay, we

395
00:20:45,119 --> 00:20:47,720
Speaker 1: made it, nigga, we got money. We don't saying niggas

396
00:20:47,720 --> 00:20:49,600
Speaker 1: like we wouldn't realize and okay, y'all can suck this

397
00:20:49,800 --> 00:20:52,560
Speaker 1: up if you'll like quit being like this. You know,

398
00:20:52,720 --> 00:20:54,720
Speaker 1: it took us a whiler like to, you know, because

399
00:20:54,720 --> 00:20:57,080
Speaker 1: we still had one ft in the game, one ft

400
00:20:57,119 --> 00:20:59,680
Speaker 1: on the street, and we had to learn, like everybody else,

401
00:20:59,720 --> 00:21:01,160
Speaker 1: they can't be like that, you know what I'm saying,

402
00:21:01,160 --> 00:21:04,080
Speaker 1: Like you gotta choose one. You gotta choose, you gotta

403
00:21:04,160 --> 00:21:07,520
Speaker 1: choose the street, so you gotta choose this business. We've

404
00:21:07,520 --> 00:21:09,679
Speaker 1: been the street round, but we get try to get

405
00:21:09,720 --> 00:21:11,480
Speaker 1: away from there, you know. Like it was like, man,

406
00:21:11,520 --> 00:21:13,879
Speaker 1: we just like I had to make that decision for real,

407
00:21:14,240 --> 00:21:16,000
Speaker 1: even for us. We thought we almost had all y'all

408
00:21:16,200 --> 00:21:19,959
Speaker 1: drink chumps here too, b Yeah, and then something happened

409
00:21:19,960 --> 00:21:22,880
Speaker 1: that day we were here. We were ready to rock. Yeah, yeah,

410
00:21:22,960 --> 00:21:29,920
Speaker 1: I tell people, man, you get all bone man. Okay.

411
00:21:30,240 --> 00:21:31,879
Speaker 1: So we got this game that we played on on

412
00:21:32,080 --> 00:21:34,960
Speaker 1: Drink Champions called Quick Time and Slide. You can pick

413
00:21:37,359 --> 00:21:39,960
Speaker 1: one or the other if that's what you're feeling. But

414
00:21:40,000 --> 00:21:42,280
Speaker 1: if you're feeling both, you gotta take a shot. If

415
00:21:42,320 --> 00:21:44,800
Speaker 1: you stop feeling either, you gotta take a shot. But

416
00:21:45,080 --> 00:21:49,159
Speaker 1: it's pretty simple. It's pretty simple. But we're gonna get

417
00:21:49,160 --> 00:21:51,080
Speaker 1: your shot glass ready though, we're gonna get you shot glass.

418
00:21:51,080 --> 00:21:53,600
Speaker 1: But we were drinking, were drinking with you. We ain't

419
00:21:53,680 --> 00:21:57,119
Speaker 1: leaving you out there. End of dog. Okay, all the way,

420
00:21:57,160 --> 00:22:01,239
Speaker 1: you're sleeping on the watermelon coolada. It's fantastic. By the way,

421
00:22:01,280 --> 00:22:03,680
Speaker 1: this is Mama Wanna can. No one knows who makes it.

422
00:22:04,040 --> 00:22:10,879
Speaker 1: Don't don't drink that ship not just play just Dominican Finest. Okay,

423
00:22:16,359 --> 00:22:23,399
Speaker 1: now that's what jay z na. Okay, I don't like

424
00:22:23,520 --> 00:22:27,960
Speaker 1: this one, but in my ass, big pun or DMX

425
00:22:30,040 --> 00:22:38,320
Speaker 1: shots right there, brother, don't worry about it. Damn yeah,

426
00:22:38,359 --> 00:22:44,840
Speaker 1: I can play along. Get your okay. I don't know

427
00:22:44,840 --> 00:22:48,080
Speaker 1: where you're gonna go with this one. Ice cubea scarf

428
00:22:48,119 --> 00:22:54,960
Speaker 1: base man coming, give me a drunk. Don't want you

429
00:22:54,960 --> 00:22:59,800
Speaker 1: to win. Tapping to night we're going you god, Salo Salo,

430
00:23:07,760 --> 00:23:12,280
Speaker 1: it should be easy for you podcast radio podcast. Yeah,

431
00:23:12,320 --> 00:23:20,400
Speaker 1: I knew that. I don't like this one either, guys,

432
00:23:22,320 --> 00:23:26,200
Speaker 1: because he has to pick the right way. You gotta

433
00:23:26,200 --> 00:23:28,400
Speaker 1: give him some easy ones. Correct, don't lead him into

434
00:23:28,400 --> 00:23:35,760
Speaker 1: the answer he's easy or dr dre. This this one

435
00:23:35,840 --> 00:23:41,320
Speaker 1: keeps repeating Rick Ross or Jada Kiss, Jada Kiss. Okay,

436
00:23:45,960 --> 00:23:47,320
Speaker 1: I don't know where you're gonna go with this one.

437
00:23:47,760 --> 00:23:50,399
Speaker 1: This is very political. They setting you up over there.

438
00:23:50,440 --> 00:23:52,800
Speaker 1: They get you some easy ones, but they get some

439
00:23:52,880 --> 00:24:01,080
Speaker 1: hard ones. Okay, biggie or tuopap shot. They're good over there.

440
00:24:01,119 --> 00:24:03,240
Speaker 1: They eat some sweet ones and then they come back

441
00:24:03,280 --> 00:24:07,800
Speaker 1: for the attack. Okay, you don't gotta poor heavy Well yeah, yeah,

442
00:24:07,800 --> 00:24:12,560
Speaker 1: I'm bored more heavy because he want the average Okay,

443
00:24:21,720 --> 00:24:28,720
Speaker 1: n w A T I would say, in w A

444
00:24:28,840 --> 00:24:34,280
Speaker 1: just because you know they raised me. Okay for Rale

445
00:24:34,520 --> 00:24:40,080
Speaker 1: or Kanye Kanye, you'd like to dawn that album? I

446
00:24:40,119 --> 00:24:42,520
Speaker 1: haven't heard you ship. It's a gospel album. Oh yeah,

447
00:24:42,560 --> 00:24:45,520
Speaker 1: there's it. It's another one. You know, I like this

448
00:24:46,080 --> 00:24:54,080
Speaker 1: another problem. Let me take a stop for that. Moving on,

449
00:24:55,000 --> 00:25:00,840
Speaker 1: East coast, West coast both both okay, goddamn man, don't

450
00:25:00,840 --> 00:25:10,639
Speaker 1: forget to solve many solot cheers. Can We got the

451
00:25:10,680 --> 00:25:17,600
Speaker 1: soft coming up La Miami, Miami. Man. I thought I

452
00:25:17,640 --> 00:25:20,160
Speaker 1: would be a little that's say too. I'm not gonna

453
00:25:20,160 --> 00:25:23,280
Speaker 1: lie right now. This is one keeps popping up as well,

454
00:25:24,200 --> 00:25:27,280
Speaker 1: and for oh this is actually good because I've got

455
00:25:27,359 --> 00:25:35,000
Speaker 1: your little smoke. The locks of the megoes. The locks okay,

456
00:25:35,720 --> 00:25:39,240
Speaker 1: you know we got the ax y No, I mean

457
00:25:39,280 --> 00:25:42,440
Speaker 1: because they I mean they just made locks of hip hop.

458
00:25:42,520 --> 00:25:46,320
Speaker 1: Man like, that's that's that's that's culture right there, that's culture.

459
00:25:46,400 --> 00:25:47,879
Speaker 1: But you know, I just I just want to protect

460
00:25:47,920 --> 00:25:50,560
Speaker 1: you because the people are gonna say when you say

461
00:25:50,680 --> 00:25:53,760
Speaker 1: the locks is hip hop, you're also implying that the

462
00:25:53,840 --> 00:25:57,439
Speaker 1: megos is not. But I'm saying, where where the lock

463
00:25:57,600 --> 00:26:01,840
Speaker 1: is hip hop? That I sunk with, Yeah, that's that's

464
00:26:01,840 --> 00:26:08,119
Speaker 1: a great idea. Yes, I accept, Okay, except I was

465
00:26:08,200 --> 00:26:11,240
Speaker 1: trying to force that into a shot. It doesn't work.

466
00:26:11,240 --> 00:26:15,680
Speaker 1: It doesn't work. Okay, this one, I know, I don't

467
00:26:15,720 --> 00:26:19,879
Speaker 1: know what you're gonna go outcast a U G K

468
00:26:21,240 --> 00:26:29,760
Speaker 1: Man sign both come on sign come on? Okay classic

469
00:26:29,800 --> 00:26:33,200
Speaker 1: both of them. I wouldn't be able to pick neither

470
00:26:33,280 --> 00:26:44,920
Speaker 1: for real. Okay, Nikki or Cardi b Niki okay, Queen Latifa,

471
00:26:45,080 --> 00:26:52,440
Speaker 1: em c light God. They almost to save people to men.

472
00:26:53,280 --> 00:26:56,600
Speaker 1: You know what I'm saying a little both of them? Yes, Yes,

473
00:26:57,000 --> 00:27:12,040
Speaker 1: because I little Yeah o G or sobur diesel o G.

474
00:27:12,680 --> 00:27:25,080
Speaker 1: I knew he was gonna go there. Booty or juvenile. Uh,

475
00:27:28,760 --> 00:27:33,680
Speaker 1: I'm gonna say boosy okay, mob deep or dog power

476
00:27:34,600 --> 00:27:42,000
Speaker 1: mom deep Okay, loyalty or respect? Uh? Lord, I know

477
00:27:42,040 --> 00:27:45,639
Speaker 1: where you're going with this one. Lebron or Jordan le

478
00:27:45,760 --> 00:28:03,639
Speaker 1: Bron because chick yo yo or the Lady of Rage

479
00:28:05,000 --> 00:28:09,840
Speaker 1: Lady of Rage Okay, cash money or no limit, no

480
00:28:10,080 --> 00:28:15,640
Speaker 1: limit Wayne or Drake nineties verse two thousand, Hip hop

481
00:28:17,280 --> 00:28:24,680
Speaker 1: nineties Okay, Little Kim or Foxy Brown Kim Pop Daddy

482
00:28:24,760 --> 00:28:31,000
Speaker 1: versus masterp Pete. Okay, Let's make some boy. We talked

483
00:28:31,040 --> 00:28:34,040
Speaker 1: to Tom got jamming Holy Mode Guacamo and he was

484
00:28:34,080 --> 00:28:35,760
Speaker 1: quick about it. He was quick about it, was quick

485
00:28:35,760 --> 00:28:37,439
Speaker 1: about it, and he took his shot as quick as

486
00:28:37,440 --> 00:28:39,680
Speaker 1: it was. Yeah, he took a shot. He took a shot.

487
00:28:39,760 --> 00:28:42,239
Speaker 1: Got damn Holy Moe Guacamole. So what's your favorite part

488
00:28:42,280 --> 00:28:44,400
Speaker 1: of the game. Is it making the music or performing

489
00:28:44,400 --> 00:28:49,160
Speaker 1: in music. Um, both of those everything else that's shop

490
00:28:49,240 --> 00:28:54,440
Speaker 1: of that then, I mean, I mean you still I

491
00:28:54,520 --> 00:28:56,200
Speaker 1: thought we quit, but you want to keep it going.

492
00:28:56,280 --> 00:29:04,960
Speaker 1: You want to yeah, man, you got a point of Yeah,

493
00:29:05,000 --> 00:29:07,800
Speaker 1: everything else, everything gets in between those two and shitty man,

494
00:29:07,880 --> 00:29:10,240
Speaker 1: like the business, you know, like you got to deal

495
00:29:10,360 --> 00:29:12,440
Speaker 1: with you just take the shots of the count. Okay,

496
00:29:12,640 --> 00:29:16,720
Speaker 1: all right, yeah, continue to you. I'm sorry the business

497
00:29:16,800 --> 00:29:19,640
Speaker 1: and you know so I find like the most fun

498
00:29:19,760 --> 00:29:22,360
Speaker 1: and like creating a song and thedn't getting to go

499
00:29:22,480 --> 00:29:24,479
Speaker 1: performing for the people, you know what like that, that's

500
00:29:24,520 --> 00:29:26,800
Speaker 1: the enjoyment you get out of this whole ship. Energy

501
00:29:26,840 --> 00:29:29,920
Speaker 1: back from exactly you said something that just touched me

502
00:29:30,040 --> 00:29:32,280
Speaker 1: just now. You said the business and all that. I

503
00:29:32,960 --> 00:29:35,760
Speaker 1: because you know, tragedy who put me on right and

504
00:29:36,040 --> 00:29:38,680
Speaker 1: you know, me and him out great with great friends now.

505
00:29:39,080 --> 00:29:41,120
Speaker 1: But you know it was a discripor scene for us

506
00:29:41,360 --> 00:29:43,720
Speaker 1: when I found out how contracts worked, when I found

507
00:29:43,720 --> 00:29:46,720
Speaker 1: out publishing work and to a certain extent, you know

508
00:29:46,880 --> 00:29:49,280
Speaker 1: again with great now with great friends. But I was

509
00:29:49,320 --> 00:29:52,480
Speaker 1: a little disappointed when I found out, like like not

510
00:29:52,640 --> 00:29:54,120
Speaker 1: that I don't want to say that he jerked me,

511
00:29:54,160 --> 00:29:57,440
Speaker 1: but he just did the standard industry contract as opposed

512
00:29:57,480 --> 00:30:00,080
Speaker 1: to you know, I'm your homie, dude, Like you know

513
00:30:00,080 --> 00:30:02,040
Speaker 1: what I'm saying, like we're want to block. Did you

514
00:30:02,120 --> 00:30:04,720
Speaker 1: ever go through something like that? Yeah, I mean I

515
00:30:04,800 --> 00:30:06,840
Speaker 1: mean not really, but like I get what you're saying.

516
00:30:06,880 --> 00:30:09,960
Speaker 1: But because that's that's that's that's one thing, Like you know,

517
00:30:10,080 --> 00:30:13,440
Speaker 1: I'm tired of hand like these like like these labels

518
00:30:13,480 --> 00:30:15,880
Speaker 1: saying they're black owned and you know what they're doing

519
00:30:15,920 --> 00:30:17,760
Speaker 1: all this, but they're treating their artists the same way,

520
00:30:17,880 --> 00:30:20,480
Speaker 1: like the cycle is not being broken. You know what

521
00:30:20,480 --> 00:30:22,440
Speaker 1: I'm saying. It's like, okay, like if you want to

522
00:30:22,520 --> 00:30:24,800
Speaker 1: be black going, then this cycle has to be broken

523
00:30:24,840 --> 00:30:26,880
Speaker 1: like the way these artists has been treated, Like you

524
00:30:26,960 --> 00:30:29,440
Speaker 1: can't treat your artists the same way you got treated

525
00:30:29,480 --> 00:30:30,800
Speaker 1: like you posted learning. But you know what, I ain't

526
00:30:30,800 --> 00:30:33,080
Speaker 1: gonna I ain't I ain't gonna treat mine like that,

527
00:30:33,120 --> 00:30:34,479
Speaker 1: you know, like just like wh when you when when

528
00:30:34,520 --> 00:30:36,640
Speaker 1: you when you grew up, you have a funked up life.

529
00:30:36,680 --> 00:30:38,600
Speaker 1: You had kids like you know what, my kids come

530
00:30:38,600 --> 00:30:40,640
Speaker 1: away better like to me. So that's how the ship

531
00:30:40,720 --> 00:30:42,280
Speaker 1: should be like because that's the only way that cycle

532
00:30:42,360 --> 00:30:44,160
Speaker 1: is gonna get broken. And these artists gonna start to

533
00:30:44,160 --> 00:30:47,400
Speaker 1: flourish and turn from artists to bosses to keep putting

534
00:30:47,480 --> 00:30:50,080
Speaker 1: other people on what I'm saying. So it's like that

535
00:30:50,600 --> 00:30:52,920
Speaker 1: that that part of the game frustrating me because like

536
00:30:52,960 --> 00:30:55,040
Speaker 1: niggas always on screen but not gonna independent, but they

537
00:30:55,040 --> 00:30:58,560
Speaker 1: ain't really doing nothing for the acting some something in

538
00:30:58,640 --> 00:31:01,400
Speaker 1: certainty the situations that worse than than the labels. That

539
00:31:01,480 --> 00:31:05,200
Speaker 1: was exactly exactly, And they're taking advantage because you know,

540
00:31:05,440 --> 00:31:07,760
Speaker 1: you could you could actually say you my homie, you're

541
00:31:07,800 --> 00:31:10,720
Speaker 1: my family, like when you say your black owned. It's easier.

542
00:31:10,920 --> 00:31:12,840
Speaker 1: It's easier to trick me, you know what I'm saying

543
00:31:12,920 --> 00:31:18,080
Speaker 1: when um exactly. Yeah, But okay, so all right, moving on.

544
00:31:19,960 --> 00:31:21,959
Speaker 1: We talked about the person of not in death right

545
00:31:22,840 --> 00:31:25,440
Speaker 1: what so we just spoke about it and we don't

546
00:31:25,480 --> 00:31:31,920
Speaker 1: speak about you niggas is in the studio? Mm hmm.

547
00:31:32,720 --> 00:31:35,960
Speaker 1: What make y'all say? It's the first of the mind.

548
00:31:36,840 --> 00:31:40,480
Speaker 1: First of all, we had that, we had the song

549
00:31:40,720 --> 00:31:44,120
Speaker 1: like most of what you heard on Our Creeping on

550
00:31:44,200 --> 00:31:47,080
Speaker 1: the come Up album, the first EP and that second

551
00:31:47,120 --> 00:31:51,280
Speaker 1: album Eternal. We had all that ship pre reading about

552
00:31:51,320 --> 00:31:55,360
Speaker 1: that you had everything and we had I mean imagine

553
00:31:55,400 --> 00:31:59,640
Speaker 1: the verse he spent. He broke the chain already had

554
00:31:59,720 --> 00:32:03,160
Speaker 1: first of the month organized, and the people joint was, um,

555
00:32:04,040 --> 00:32:07,320
Speaker 1: what I'm saying. I know what I'm saying. Imagine that.

556
00:32:07,480 --> 00:32:10,240
Speaker 1: I imagine they had all these records already done. Yeah, okay,

557
00:32:10,440 --> 00:32:12,480
Speaker 1: but how the first of the first of months special? Yeah?

558
00:32:12,520 --> 00:32:15,400
Speaker 1: Because but me, me and Busy we were sitting there,

559
00:32:15,440 --> 00:32:17,800
Speaker 1: my mom was from Porch and Busy was like, bro,

560
00:32:18,080 --> 00:32:20,880
Speaker 1: I gotta I got an idea for a song about

561
00:32:20,920 --> 00:32:22,840
Speaker 1: the first of the month when people get their checks.

562
00:32:23,320 --> 00:32:26,280
Speaker 1: I was like, that's dope. And then he started saying like,

563
00:32:26,800 --> 00:32:30,240
Speaker 1: it's the first of that so cashing checks, and I

564
00:32:30,360 --> 00:32:32,120
Speaker 1: was like, that's dope. And then I stayed there and

565
00:32:32,160 --> 00:32:34,320
Speaker 1: then I had to wake up, wake Up, wake Up,

566
00:32:34,480 --> 00:32:36,520
Speaker 1: wake up, because I was listening to the Marvin Gate

567
00:32:36,640 --> 00:32:38,920
Speaker 1: song one day and I was like, yeah, we need

568
00:32:38,960 --> 00:32:40,800
Speaker 1: to put that in there, like to wake up, wake up.

569
00:32:40,840 --> 00:32:42,200
Speaker 1: You know what I'm saying. And so we had the

570
00:32:42,880 --> 00:32:46,440
Speaker 1: versus and the hook before we even met Easy, before

571
00:32:46,440 --> 00:32:48,560
Speaker 1: we even knew Easy, like all this stuff we had

572
00:32:48,600 --> 00:32:49,680
Speaker 1: in our heads. So when we used to go in

573
00:32:49,680 --> 00:32:52,560
Speaker 1: the studio and they would put up beats, We're going

574
00:32:52,600 --> 00:32:54,760
Speaker 1: there like they're sitting there and there like, yo, how

575
00:32:54,840 --> 00:32:58,120
Speaker 1: the fund y'all? Was that the first single? Uh? No, no?

576
00:32:58,280 --> 00:33:00,720
Speaker 1: What was the first single off? Yeah? Yah yah it

577
00:33:00,720 --> 00:33:03,280
Speaker 1: was the first thingle right who produced that record? These

578
00:33:03,320 --> 00:33:07,080
Speaker 1: are unique and you went and I imagine that with

579
00:33:07,240 --> 00:33:11,760
Speaker 1: Platinum about the game bro like crazy like Brocord, Oh

580
00:33:11,840 --> 00:33:14,320
Speaker 1: yeah yeah yeah, who can't relate to the first of

581
00:33:14,400 --> 00:33:17,160
Speaker 1: the month? Bro? People went crazy on that Rekord. I

582
00:33:17,240 --> 00:33:20,400
Speaker 1: was like yeo, like we were getting you got to

583
00:33:20,400 --> 00:33:24,360
Speaker 1: think about it. It was crack dealer's anthem everybody, everybody, everybody.

584
00:33:24,440 --> 00:33:28,000
Speaker 1: It was people who can live the newspapers anthem everybody. No,

585
00:33:28,600 --> 00:33:32,000
Speaker 1: it was like, this is a universal first of the month.

586
00:33:32,040 --> 00:33:35,760
Speaker 1: Everyone gets paid on the first of the month, They

587
00:33:35,800 --> 00:33:37,440
Speaker 1: get their welfare checks on the first of the month,

588
00:33:38,080 --> 00:33:40,840
Speaker 1: they get that free che on the front of the

589
00:33:40,920 --> 00:33:44,800
Speaker 1: durst of the month. Holy walk up on and take

590
00:33:44,840 --> 00:33:46,160
Speaker 1: a shot for the first of the month, man, and

591
00:33:46,320 --> 00:33:55,160
Speaker 1: we CoA to the first tomorrow tomorrow, my constant. Let's

592
00:33:56,480 --> 00:33:58,520
Speaker 1: what's my own cup? Okay, here we go, that's it.

593
00:33:58,600 --> 00:34:02,200
Speaker 1: We ain't got no more. Okay, first of taking a

594
00:34:02,200 --> 00:34:07,440
Speaker 1: shot for the first of the month. Yeah yeah, Now

595
00:34:07,480 --> 00:34:17,279
Speaker 1: I get the bather so my weeds, gone's yours? What

596
00:34:17,360 --> 00:34:19,239
Speaker 1: you got over there? Okay, I got a little bit

597
00:34:19,880 --> 00:34:23,480
Speaker 1: horrst coming up over the voice over. There's the Luis

598
00:34:23,560 --> 00:34:35,200
Speaker 1: Papa cheat. So first of the month comes out successful,

599
00:34:35,920 --> 00:34:42,120
Speaker 1: hugely successful, hugely successful. Are you guys knowing what you

600
00:34:42,280 --> 00:34:45,560
Speaker 1: guys are into or this is like, man, we're young.

601
00:34:46,640 --> 00:34:49,239
Speaker 1: We didn't really I mean, I mean, yeah, yeah, I

602
00:34:49,280 --> 00:34:52,200
Speaker 1: mean has success and that's your CEO. So I'm sure

603
00:34:52,280 --> 00:34:54,520
Speaker 1: he has to come to you and say, your motherfucker's

604
00:34:54,600 --> 00:34:56,319
Speaker 1: is out of here. Yeah, oh yeah, yeah, I'm gonna

605
00:34:56,320 --> 00:35:00,160
Speaker 1: make it in Cleveland. Because when we started blowing up

606
00:35:00,280 --> 00:35:01,840
Speaker 1: in Cleveland, like we was the ship, like, so we

607
00:35:02,000 --> 00:35:05,880
Speaker 1: was like, we don't get about nowhere else, just as

608
00:35:05,880 --> 00:35:07,640
Speaker 1: we didn't said that at home, like we weren't even tripping,

609
00:35:07,680 --> 00:35:10,800
Speaker 1: like we weren't even thinking about how the how the

610
00:35:10,880 --> 00:35:13,279
Speaker 1: rest of the world like perceived us, because we was

611
00:35:13,320 --> 00:35:17,480
Speaker 1: so in our bubble in Cleveland just like just enjoying

612
00:35:17,520 --> 00:35:19,600
Speaker 1: our success and they're be like, oh, y'all sound the easy.

613
00:35:20,360 --> 00:35:22,880
Speaker 1: Like when we stepped up and started doing shows and

614
00:35:22,960 --> 00:35:26,000
Speaker 1: we saw the crowd reaction, like we're sitting there sometimes

615
00:35:26,080 --> 00:35:28,360
Speaker 1: like like you know what the fund is wrong with

616
00:35:28,440 --> 00:35:32,239
Speaker 1: the people, like because girls was like tripping, like girls

617
00:35:32,320 --> 00:35:36,400
Speaker 1: was like passing. I was like, God, you know in

618
00:35:36,440 --> 00:35:39,640
Speaker 1: the black community, you got good head. You're like, he

619
00:35:39,760 --> 00:35:42,320
Speaker 1: got good head. He got any of his family. You

620
00:35:42,360 --> 00:35:46,719
Speaker 1: know you got any of this family. All y'all had

621
00:35:46,760 --> 00:35:49,440
Speaker 1: good head. I'm saying, I'm sorry, I got a little wind.

622
00:35:50,920 --> 00:35:55,080
Speaker 1: It was too much, too fast. Y'all expected to quickly. No,

623
00:35:55,160 --> 00:35:57,359
Speaker 1: we didn't expect that ship that was growing the years

624
00:35:57,440 --> 00:35:59,480
Speaker 1: before that. Hell yeah, but they were still real young.

625
00:36:00,000 --> 00:36:02,680
Speaker 1: What I'm saying happened kind of quickly in that time period.

626
00:36:03,080 --> 00:36:06,320
Speaker 1: I mean, the ground force was a long time. But

627
00:36:06,440 --> 00:36:08,560
Speaker 1: then when we got we finally got with easy, like

628
00:36:08,640 --> 00:36:10,480
Speaker 1: somebody that could really take us there. The ship was

629
00:36:10,560 --> 00:36:13,120
Speaker 1: like damn man. One day we was in the studio.

630
00:36:13,239 --> 00:36:15,320
Speaker 1: Next day he called us like turn the radio on.

631
00:36:16,000 --> 00:36:17,440
Speaker 1: Your song was on the radio, and it was like

632
00:36:17,920 --> 00:36:19,680
Speaker 1: and we was in l A. We called him up

633
00:36:19,880 --> 00:36:22,520
Speaker 1: in Cleveland, like we didn't. We're on the radio in Cleveland.

634
00:36:22,560 --> 00:36:25,839
Speaker 1: They're like, what were you talking about? Like they were

635
00:36:25,880 --> 00:36:28,919
Speaker 1: on the radio, listen turn this stead of there, Like, oh, ship,

636
00:36:29,360 --> 00:36:31,680
Speaker 1: why don't playing in Cleveland? Y'all ain't made it yet.

637
00:36:32,680 --> 00:36:38,040
Speaker 1: He was only playing in Cleveland on Cleveland something like,

638
00:36:38,280 --> 00:36:45,160
Speaker 1: she was on the radio power, I'm out of the game.

639
00:36:50,280 --> 00:36:53,520
Speaker 1: I'm out of the game. The game got there. So

640
00:36:54,320 --> 00:36:57,439
Speaker 1: all right, where are you at when you first heard

641
00:36:57,480 --> 00:36:59,840
Speaker 1: your record on the radio? Was that that situation? Just

642
00:37:00,000 --> 00:37:02,600
Speaker 1: scribed yeah, yeah, yeah yeah. So we was in a hotel.

643
00:37:02,680 --> 00:37:06,000
Speaker 1: It was in the hotel room in California and snooty

644
00:37:06,040 --> 00:37:09,480
Speaker 1: fox no, no, no, had I don't know why through

645
00:37:09,480 --> 00:37:14,960
Speaker 1: the snooty Foxy some of y'all niggers is looking back

646
00:37:15,120 --> 00:37:18,000
Speaker 1: like what yeah, what if you know? Man, if you know,

647
00:37:18,160 --> 00:37:30,200
Speaker 1: you know, say this snwty fox baby, that's that's how

648
00:37:30,239 --> 00:37:33,560
Speaker 1: you know I was. I was a little out of control.

649
00:37:33,560 --> 00:37:35,560
Speaker 1: I was hanging out the snooty fox. Man. I knew,

650
00:37:35,560 --> 00:37:37,279
Speaker 1: I knew I wasn't in the right place, man, but

651
00:37:37,400 --> 00:37:39,080
Speaker 1: I was there. I was there. I was there with

652
00:37:39,160 --> 00:37:42,480
Speaker 1: the crazy West ahead. So what hotel you was? That?

653
00:37:43,360 --> 00:37:45,759
Speaker 1: I forgot, man, because we say so many hotels out there.

654
00:37:45,840 --> 00:37:49,319
Speaker 1: But we're in the hotel and easy callers like yo,

655
00:37:49,960 --> 00:37:54,239
Speaker 1: turn on the radio and we turned the little clock radio,

656
00:37:54,239 --> 00:37:56,040
Speaker 1: returned the one for going and turned to the townel

657
00:37:56,040 --> 00:37:59,000
Speaker 1: that she was like, it's the Duggs Rugg and We're like, yeah,

658
00:37:59,040 --> 00:38:02,520
Speaker 1: we told that hotel up something like it up like

659
00:38:02,680 --> 00:38:07,040
Speaker 1: yo song on the radio made it like Roy TV.

660
00:38:08,040 --> 00:38:13,400
Speaker 1: The Iron Boy finished, I love rock star stories the

661
00:38:13,560 --> 00:38:24,920
Speaker 1: cocaine involved, right, not a little bit? Okay, So boom,

662
00:38:26,440 --> 00:38:32,400
Speaker 1: you guys just did broach to the month. What's the

663
00:38:32,480 --> 00:38:35,360
Speaker 1: second single after the album? The second single of the

664
00:38:35,480 --> 00:38:40,600
Speaker 1: album was we did um It's okay, that's in my

665
00:38:40,719 --> 00:38:45,960
Speaker 1: notes here. It's how that's how you know? Because okay again,

666
00:38:46,560 --> 00:38:51,919
Speaker 1: I'm from ninety seventh Street, ninety seven Dash thirty fifty

667
00:38:51,960 --> 00:38:56,200
Speaker 1: seven abue. The block that we hung in when I

668
00:38:56,320 --> 00:39:00,920
Speaker 1: came home from jail was ninety ninth Street. M So

669
00:39:01,120 --> 00:39:04,120
Speaker 1: when niggas is saying East ninety nine, we claiming, y'all

670
00:39:04,239 --> 00:39:15,759
Speaker 1: like a mother, that's the still blocked used to hang out,

671
00:39:15,800 --> 00:39:19,400
Speaker 1: so inscribed the people from New York from l A

672
00:39:19,640 --> 00:39:21,759
Speaker 1: that it's never been to East nine and nine. Tell

673
00:39:21,840 --> 00:39:24,759
Speaker 1: them what is East n East and nine? You know

674
00:39:25,040 --> 00:39:28,279
Speaker 1: it's a man. That's pretty much what we did, all

675
00:39:28,360 --> 00:39:31,200
Speaker 1: of our like all our dirt said that was that

676
00:39:31,320 --> 00:39:34,200
Speaker 1: was That was the street, like we claimed. Although I

677
00:39:34,320 --> 00:39:36,919
Speaker 1: lived all over St. Clair like I lived all I've

678
00:39:37,400 --> 00:39:39,680
Speaker 1: lived on St. Clair. My whole life. But like I

679
00:39:39,840 --> 00:39:42,759
Speaker 1: was born on I was born Um, I mean I

680
00:39:42,840 --> 00:39:45,560
Speaker 1: was raised on ninety third Street, but then my mom

681
00:39:45,680 --> 00:39:49,400
Speaker 1: moved to ninety nine. But I was like sixteen seventeen,

682
00:39:49,480 --> 00:39:50,719
Speaker 1: and you know what I'm saying, I started cooking with

683
00:39:50,760 --> 00:39:52,960
Speaker 1: them dudes over there, and you know, it was just

684
00:39:53,080 --> 00:39:55,400
Speaker 1: like we just started claiming it. We we called the

685
00:39:55,440 --> 00:39:58,680
Speaker 1: street the double block. We we we shot the blocks

686
00:39:58,680 --> 00:40:00,440
Speaker 1: of nine clock. Yeah, I get it. We got of

687
00:40:00,480 --> 00:40:02,799
Speaker 1: the double blot. People like, yeah, we're on the double blot.

688
00:40:02,880 --> 00:40:04,879
Speaker 1: You know what I'm saying. We we shot. We shot

689
00:40:04,920 --> 00:40:07,120
Speaker 1: the street lights out so the police would never ride

690
00:40:07,160 --> 00:40:08,839
Speaker 1: down on the street. They were right, they were right

691
00:40:08,880 --> 00:40:10,879
Speaker 1: to the end of our street. Shine the lights down

692
00:40:11,239 --> 00:40:16,239
Speaker 1: and keep pushing when they already when they came, we

693
00:40:16,320 --> 00:40:18,080
Speaker 1: just stood behind trees and poles like you know what

694
00:40:18,120 --> 00:40:20,160
Speaker 1: I'm saying, Like when they flashed the lights and they

695
00:40:20,239 --> 00:40:22,840
Speaker 1: kept pushing, they never saw us like so it was

696
00:40:23,200 --> 00:40:24,640
Speaker 1: it was, it was. It was a criz And then

697
00:40:24,680 --> 00:40:25,960
Speaker 1: like we had like a fit. We called it the

698
00:40:26,000 --> 00:40:28,239
Speaker 1: bone yard. We should stand there like when it was

699
00:40:28,320 --> 00:40:29,920
Speaker 1: cold in the winter time, when like burn Barry was

700
00:40:30,000 --> 00:40:32,000
Speaker 1: like to stay warm. When we was out there hustle

701
00:40:32,080 --> 00:40:34,080
Speaker 1: you know what, saying, police should come any time chases

702
00:40:34,360 --> 00:40:36,520
Speaker 1: put our fires out and said, like they leave, we

703
00:40:36,640 --> 00:40:39,560
Speaker 1: come back like the fire right back up? Do I

704
00:40:39,719 --> 00:40:42,160
Speaker 1: think you know what saying like for Jesus so now

705
00:40:42,360 --> 00:40:44,359
Speaker 1: no hold but he said, you said bo. So how

706
00:40:44,400 --> 00:40:49,239
Speaker 1: did the name how y'all come up with the name bone? Yeah? Uh? Man?

707
00:40:49,760 --> 00:40:51,520
Speaker 1: At first, I mean when we was in when we

708
00:40:51,640 --> 00:40:55,840
Speaker 1: was in high school, junior high school together, we formed

709
00:40:55,880 --> 00:40:59,960
Speaker 1: a group called the band Aid Boys. Show you all,

710
00:41:00,120 --> 00:41:11,000
Speaker 1: I'll do my notes look bad day boys. Second, yeah, yeah,

711
00:41:11,280 --> 00:41:15,360
Speaker 1: let me know. Yeah remember just you and Flash. You

712
00:41:15,400 --> 00:41:18,440
Speaker 1: know it was in junior high school. It was me,

713
00:41:19,239 --> 00:41:23,480
Speaker 1: Flash Lazy and another dude named k Chill. He was

714
00:41:23,520 --> 00:41:25,319
Speaker 1: a local artist in Cleveland. Like you know what I'm saying,

715
00:41:25,360 --> 00:41:28,600
Speaker 1: like and so and so we was after after junior

716
00:41:28,680 --> 00:41:30,520
Speaker 1: high school though, like you know that all this man, oh,

717
00:41:31,320 --> 00:41:34,319
Speaker 1: we started hustling. You know what I'm saying That lay

718
00:41:35,280 --> 00:41:37,480
Speaker 1: Lazy had called a case. He got locked up. He went,

719
00:41:37,600 --> 00:41:39,080
Speaker 1: they sent him over with the Texas and they with

720
00:41:39,160 --> 00:41:43,120
Speaker 1: his parents and then when he came back he was like, yo, man,

721
00:41:43,160 --> 00:41:45,320
Speaker 1: I was down there in Texas. I clicked up with

722
00:41:45,360 --> 00:41:47,120
Speaker 1: some niggas and we had this little thing called it

723
00:41:47,239 --> 00:41:51,160
Speaker 1: was called Bone Enterprise, and I was like, oh okay,

724
00:41:51,280 --> 00:41:54,120
Speaker 1: and he was like we all had Bone dames, and

725
00:41:54,239 --> 00:41:58,719
Speaker 1: Lazy Bone was actually Busy Bone. At first he was

726
00:41:58,800 --> 00:42:01,880
Speaker 1: like yeah. He was like my name was Busy Bone.

727
00:42:02,719 --> 00:42:05,200
Speaker 1: Dude was doesn't such bones such and such. He was like,

728
00:42:06,080 --> 00:42:09,040
Speaker 1: I think this should be our name, Bone Enterprise because

729
00:42:09,040 --> 00:42:11,080
Speaker 1: we family and we sid all have a bone name.

730
00:42:11,160 --> 00:42:13,799
Speaker 1: And I was like, okay, I'm Crazy Bone, and then

731
00:42:13,880 --> 00:42:16,520
Speaker 1: he was like I'm Lazy Bone. And from that point

732
00:42:16,600 --> 00:42:19,080
Speaker 1: it was only us too. It was only crazy and Lazy.

733
00:42:19,120 --> 00:42:20,480
Speaker 1: That's why our name is Rhyan because like we was

734
00:42:20,560 --> 00:42:24,160
Speaker 1: the foundation. Like we entered tinding shows together. Nikas called

735
00:42:24,239 --> 00:42:27,399
Speaker 1: us kid and played cris cross because people's light skinned

736
00:42:27,440 --> 00:42:30,600
Speaker 1: darts getting nig they had to hire to high fate.

737
00:42:30,680 --> 00:42:41,759
Speaker 1: I had to raid. He got yeah, bro. So it

738
00:42:41,840 --> 00:42:44,239
Speaker 1: was just me and Late and like um as we

739
00:42:44,360 --> 00:42:47,239
Speaker 1: went on. You know what I'm saying. Um. When we

740
00:42:47,360 --> 00:42:50,600
Speaker 1: got to high school, we met Busy. We met Busy

741
00:42:50,680 --> 00:42:53,360
Speaker 1: Bone and uh he used to tag along with us

742
00:42:54,280 --> 00:42:56,480
Speaker 1: and like lay never wanted to lead him in the group.

743
00:42:56,600 --> 00:42:58,920
Speaker 1: They was like because Busy always wanted to be in

744
00:42:58,960 --> 00:43:00,719
Speaker 1: the group and they was like, I don't know if

745
00:43:00,760 --> 00:43:04,000
Speaker 1: he snicked a little nigg in the group. I was like,

746
00:43:04,239 --> 00:43:06,440
Speaker 1: let the little nig in the group on what I'm saying. Like,

747
00:43:06,480 --> 00:43:08,959
Speaker 1: and Label was like one time we did a talent

748
00:43:09,040 --> 00:43:13,200
Speaker 1: show and we want we we qualified to the finals

749
00:43:13,600 --> 00:43:15,680
Speaker 1: and then we let him get in the group and

750
00:43:15,800 --> 00:43:17,680
Speaker 1: yo man after that and after that we was rocking.

751
00:43:17,800 --> 00:43:20,799
Speaker 1: It was us three. He would he he was busy bone.

752
00:43:20,880 --> 00:43:25,360
Speaker 1: It was lazy bone, busybone and crazy bone. And you know,

753
00:43:25,680 --> 00:43:29,359
Speaker 1: Wishing wish Bone is fleshing bones and lazy bones cousin

754
00:43:29,800 --> 00:43:32,239
Speaker 1: because Flesh and laziest brothers, you know I'm saying, so

755
00:43:32,280 --> 00:43:35,560
Speaker 1: he their cousin. So um, Wish was just always around,

756
00:43:35,600 --> 00:43:39,280
Speaker 1: like Wish was a street always Whish was kicking indoors

757
00:43:39,440 --> 00:43:41,879
Speaker 1: and doing all types of ship you know what I'm saying.

758
00:43:41,920 --> 00:43:45,520
Speaker 1: Like he was just like real real like street like

759
00:43:45,840 --> 00:43:49,040
Speaker 1: for real And so he wasn't really chipping off wrapping

760
00:43:49,120 --> 00:43:51,360
Speaker 1: until he saw how serious we was. And when we

761
00:43:51,400 --> 00:43:53,000
Speaker 1: started leaving the streets alone, he was like, yeah, I

762
00:43:53,080 --> 00:43:55,279
Speaker 1: wanted to do it too. And he was bullshitting for

763
00:43:55,320 --> 00:43:57,080
Speaker 1: a long time, but any funny guest serious. And then

764
00:43:57,160 --> 00:44:02,080
Speaker 1: Flesh in Flesh joined a officially joined Bone after he

765
00:44:02,160 --> 00:44:05,080
Speaker 1: brought us out to l A when he told us

766
00:44:05,160 --> 00:44:08,560
Speaker 1: this world you know where was that like? So yeah,

767
00:44:09,520 --> 00:44:15,360
Speaker 1: so no, no Mold Dog because it seems like Bone

768
00:44:15,440 --> 00:44:18,640
Speaker 1: Dogs was to come out group, right, Old Dog was

769
00:44:18,760 --> 00:44:23,480
Speaker 1: actually fat? Then you have an office? Yeah, bro, all that, bro, bro, everything,

770
00:44:24,040 --> 00:44:26,160
Speaker 1: Like I told you, we had all those songs written,

771
00:44:26,719 --> 00:44:29,279
Speaker 1: every our whole ship we had mapped out. We was like,

772
00:44:29,640 --> 00:44:32,640
Speaker 1: when we make it, We had a whole camp. We said,

773
00:44:32,680 --> 00:44:36,000
Speaker 1: when we make it, whoever makes it first in our camp.

774
00:44:36,080 --> 00:44:38,120
Speaker 1: We said, whoever makes it first, We're gonna come back

775
00:44:38,480 --> 00:44:40,480
Speaker 1: and get the rest of the people. We happen to

776
00:44:40,520 --> 00:44:42,600
Speaker 1: make it first in our camp. So we went back

777
00:44:42,640 --> 00:44:46,319
Speaker 1: and got everybody. We got everybody that that was down

778
00:44:46,400 --> 00:44:47,560
Speaker 1: with us, you know what I'm saying. Like, so we

779
00:44:47,800 --> 00:44:50,240
Speaker 1: like we had this already planned. We already had planned

780
00:44:50,239 --> 00:44:52,880
Speaker 1: when we get on, we're gonna go get them. We're

781
00:44:52,880 --> 00:44:56,120
Speaker 1: gonna put some solo albums out. I mean, duke a

782
00:44:56,200 --> 00:44:58,920
Speaker 1: few group albums and didn't start doing solo albums. We

783
00:44:59,040 --> 00:45:08,400
Speaker 1: had all this playing already. Everything for Real's now I'm

784
00:45:08,400 --> 00:45:12,640
Speaker 1: bouncing around a little bit. I'm coming. Oh, I'll come

785
00:45:12,719 --> 00:45:16,040
Speaker 1: back to this one, right there, but one of the

786
00:45:19,880 --> 00:45:23,680
Speaker 1: you you have so many universal records, so I'm gonna

787
00:45:23,680 --> 00:45:30,319
Speaker 1: get to one of them. And riding dirty to this day,

788
00:45:32,000 --> 00:45:36,160
Speaker 1: everybody getting their call and they know they've got a

789
00:45:36,160 --> 00:45:42,880
Speaker 1: little something, little something sullionaire they put on. And especially

790
00:45:42,880 --> 00:45:44,960
Speaker 1: when you like riding legal dirty, because you know this

791
00:45:45,080 --> 00:45:47,840
Speaker 1: is this is a dirty dirty. It's like a legal dirty,

792
00:45:47,880 --> 00:45:49,839
Speaker 1: like you got your gun is registered, but you still

793
00:45:49,880 --> 00:45:57,120
Speaker 1: got illegal man on them. So dirty. But just the

794
00:45:57,560 --> 00:46:05,719
Speaker 1: same way I'm riding, so you knowing on the nose,

795
00:46:05,880 --> 00:46:12,280
Speaker 1: especially your Florida dig gun licenses, not marijuana license, someway

796
00:46:12,920 --> 00:46:17,080
Speaker 1: and then you got coca. You gotta license, gun license,

797
00:46:17,280 --> 00:46:24,319
Speaker 1: but you got okay, this don't conceal weapon for tacks, sir,

798
00:46:24,680 --> 00:46:35,080
Speaker 1: You're going to t D jacks, t ok couples clean

799
00:46:35,120 --> 00:46:38,440
Speaker 1: to the county. Though let me gets cleaning the county

800
00:46:38,680 --> 00:46:40,439
Speaker 1: being disrespective right now, let me just tell you something.

801
00:46:41,280 --> 00:46:43,520
Speaker 1: T DK t G K t G and I got

802
00:46:43,640 --> 00:46:45,239
Speaker 1: to go there any day before you come and tell

803
00:46:45,280 --> 00:46:48,000
Speaker 1: you what they do. They put the a c up.

804
00:46:48,200 --> 00:46:50,680
Speaker 1: Oh yeah, it's calling the motherfucker. It's like that's how

805
00:46:51,239 --> 00:46:53,920
Speaker 1: c is up. It kills the germs, it does that's

806
00:46:53,920 --> 00:46:56,320
Speaker 1: how you know you're in the fun up jet it

807
00:46:57,280 --> 00:47:03,520
Speaker 1: it's cold, that's the science. It's they don't feel them. Okay,

808
00:47:03,600 --> 00:47:09,879
Speaker 1: so Born come in there is on fire. He's doing

809
00:47:09,960 --> 00:47:12,960
Speaker 1: this thing. But he called you, he said, I want

810
00:47:13,000 --> 00:47:15,160
Speaker 1: you to get on this record. Does he send you

811
00:47:15,239 --> 00:47:17,640
Speaker 1: the record and you're getting the studio together? How is

812
00:47:17,719 --> 00:47:20,520
Speaker 1: this bro? He sent me the like he sent me

813
00:47:20,600 --> 00:47:22,520
Speaker 1: the record for his project even came out, I didn't

814
00:47:22,560 --> 00:47:25,560
Speaker 1: know what the nigger was like, Like, I simply deal

815
00:47:25,680 --> 00:47:27,880
Speaker 1: the record on the strength of the producers, which is

816
00:47:27,920 --> 00:47:36,320
Speaker 1: playing skills. Man, Like there was my little dude, you

817
00:47:36,360 --> 00:47:38,200
Speaker 1: know what I'm saying. Like they came on till with us.

818
00:47:38,320 --> 00:47:41,600
Speaker 1: I watched these little dudes hustle and come up from nothing,

819
00:47:42,520 --> 00:47:44,160
Speaker 1: real hustlers, you know what I'm saying. Like, so like

820
00:47:44,640 --> 00:47:47,320
Speaker 1: they I was in, um, they brought me. They actually

821
00:47:47,400 --> 00:47:49,799
Speaker 1: brought me out to do the song that I did

822
00:47:49,880 --> 00:47:52,560
Speaker 1: with them in the Diana Howard the freaks you know,

823
00:47:52,680 --> 00:47:57,120
Speaker 1: say they brought me out there and yeah, yeah, yeah,

824
00:47:57,680 --> 00:47:59,440
Speaker 1: no no no no no no no, no no no no.

825
00:48:00,000 --> 00:48:02,160
Speaker 1: It brought her in and they did like a remake

826
00:48:02,200 --> 00:48:03,719
Speaker 1: of not a remake of her something. But they made

827
00:48:03,760 --> 00:48:05,239
Speaker 1: a song called freaks and brought her in because she

828
00:48:05,320 --> 00:48:08,839
Speaker 1: had yeah yeah, but yeah. So so I was down

829
00:48:08,880 --> 00:48:10,640
Speaker 1: there doing that song and it was like, yo, it's

830
00:48:11,160 --> 00:48:13,400
Speaker 1: it's just dude out here, just like really like heating

831
00:48:13,480 --> 00:48:16,319
Speaker 1: up out here, like locally like this dude's like blowing

832
00:48:16,400 --> 00:48:18,439
Speaker 1: up and he's a huge Bone fan and he wants

833
00:48:18,480 --> 00:48:21,000
Speaker 1: you to get on the verse. Okay. So because you

834
00:48:21,040 --> 00:48:27,680
Speaker 1: said they're not from the Lando the from Skills, I

835
00:48:27,719 --> 00:48:31,279
Speaker 1: don't know they from Texas Zone, Okay, okay, okay, yeah

836
00:48:31,320 --> 00:48:34,839
Speaker 1: my bad. Yeah. So um so they was like yeah,

837
00:48:34,880 --> 00:48:36,520
Speaker 1: do once you get on. So I was like, cool, yeah,

838
00:48:37,040 --> 00:48:38,719
Speaker 1: let's do it, bro. I went in here and done

839
00:48:38,760 --> 00:48:40,799
Speaker 1: the verse on the strength of the love for them.

840
00:48:40,840 --> 00:48:42,319
Speaker 1: I didn't even think the song was gonna come out

841
00:48:43,120 --> 00:48:44,800
Speaker 1: because I know for me, like you just before, the

842
00:48:44,840 --> 00:48:46,600
Speaker 1: song never come out. I'm like, okay, just do this

843
00:48:46,719 --> 00:48:49,440
Speaker 1: and never come out. Cool. So I did. I went

844
00:48:49,520 --> 00:48:52,359
Speaker 1: to lay my verse like and like at the time,

845
00:48:52,440 --> 00:48:54,000
Speaker 1: it was just a hook on the verse. So that's

846
00:48:54,040 --> 00:48:56,840
Speaker 1: why if you listen to the verse, he talking about

847
00:48:56,880 --> 00:48:59,080
Speaker 1: he's not ritting dirty. I'm talking I'm riding dirty. The

848
00:48:59,120 --> 00:49:02,440
Speaker 1: mother on the san I'm like, goddamny. I didn't know

849
00:49:02,520 --> 00:49:05,279
Speaker 1: you seeing about like I don't like said they have

850
00:49:05,400 --> 00:49:07,440
Speaker 1: to meet it and goddamn what I'm saying, Like but yeah, yeah,

851
00:49:07,480 --> 00:49:09,880
Speaker 1: I'm just like so that's what it was. And then

852
00:49:10,000 --> 00:49:13,160
Speaker 1: like uh so the song, Like we did the song

853
00:49:13,320 --> 00:49:16,719
Speaker 1: and like a few months later playing Skewers called me like, yo, Bro,

854
00:49:16,960 --> 00:49:19,759
Speaker 1: like this um like this, dude, this really blowing up

855
00:49:19,800 --> 00:49:22,640
Speaker 1: with his first single, Like yo, he getting traction out here,

856
00:49:22,719 --> 00:49:24,600
Speaker 1: Like we might be calling you for this video. I said,

857
00:49:24,640 --> 00:49:27,320
Speaker 1: Bro called me whenever you know, I'm down. So like

858
00:49:27,320 --> 00:49:29,200
Speaker 1: a few weeks went past and it was like, yo, bro,

859
00:49:29,440 --> 00:49:32,000
Speaker 1: this is on the radio the song you did. We

860
00:49:32,080 --> 00:49:34,960
Speaker 1: need the video, so they paid for me lazy and

861
00:49:35,000 --> 00:49:37,520
Speaker 1: wished to come down and being a video becamet gotten

862
00:49:37,560 --> 00:49:42,640
Speaker 1: the video if you want. Like months after that, they're like, yo, Bro,

863
00:49:42,719 --> 00:49:44,279
Speaker 1: I need you to come and do these all these

864
00:49:44,280 --> 00:49:46,719
Speaker 1: big shows you're doing, Like just do this, dude, I'm there.

865
00:49:47,120 --> 00:49:50,040
Speaker 1: I did it. Then he comed and say, Bro, I

866
00:49:50,160 --> 00:49:52,600
Speaker 1: needed to come to the Grammy Awards we nominated. I say, Bro,

867
00:49:52,719 --> 00:49:56,000
Speaker 1: you bullshit, like he said, Bro, we wont I say what?

868
00:49:56,640 --> 00:49:59,320
Speaker 1: He said? No? We won? I was like, what we

869
00:49:59,440 --> 00:50:04,759
Speaker 1: want a shot for that? I don't even I don't

870
00:50:04,760 --> 00:50:10,200
Speaker 1: even so in my intro when I introduced you, I

871
00:50:10,280 --> 00:50:14,400
Speaker 1: forgot to say Grammy Award. We absolutely did. I did

872
00:50:14,440 --> 00:50:17,359
Speaker 1: say Grammy. Know you forgot? I forgot. Yeah, So let's

873
00:50:17,400 --> 00:50:22,080
Speaker 1: just take a shot for Grammy Award winner. Holy Mormy

874
00:50:22,200 --> 00:50:27,200
Speaker 1: dropping over. I lost every time I went to the Grammy.

875
00:50:27,239 --> 00:50:33,839
Speaker 1: Just so you know me better, I told you out

876
00:50:35,280 --> 00:50:40,400
Speaker 1: I hate the game at the player. So you win

877
00:50:40,520 --> 00:50:43,719
Speaker 1: a Grammy. This is your first Grammy or no second one?

878
00:50:44,320 --> 00:50:50,399
Speaker 1: First I one with Bone for a Crossroads. Yeah yeah, yeah,

879
00:50:50,440 --> 00:50:52,560
Speaker 1: yeah yeah, and then it is a good into well

880
00:50:53,800 --> 00:51:00,200
Speaker 1: answering my questions before. I like that that I like,

881
00:51:00,280 --> 00:51:02,240
Speaker 1: I like, I like the floor. So your second Grammy,

882
00:51:02,320 --> 00:51:05,080
Speaker 1: What's what happens to your second Grammy? I mean ship

883
00:51:05,239 --> 00:51:08,160
Speaker 1: man like? And this was like at the point where

884
00:51:08,160 --> 00:51:10,920
Speaker 1: people was like, oh, we're having a bone and then

885
00:51:11,040 --> 00:51:15,400
Speaker 1: like it came with this song and it's like Mariah

886
00:51:15,560 --> 00:51:18,719
Speaker 1: came hold you my notes. No no no, no no

887
00:51:18,760 --> 00:51:23,040
Speaker 1: no no no. I'm just saying she reached back. What

888
00:51:23,040 --> 00:51:27,359
Speaker 1: I'm saying, But the whole, the whole thing that set

889
00:51:27,400 --> 00:51:29,239
Speaker 1: it off was the whole thing with Little John too.

890
00:51:29,400 --> 00:51:31,839
Speaker 1: I got what I'm saying. I'm just saying that. I'm

891
00:51:31,840 --> 00:51:39,560
Speaker 1: just saying a little John Catt, you little joll yeah.

892
00:51:40,680 --> 00:51:43,600
Speaker 1: Hold hold okay, okay, I gotta stop you for some second.

893
00:51:45,200 --> 00:51:48,719
Speaker 1: You're too good, You're too experience to experience. Okay, okay,

894
00:51:49,080 --> 00:51:51,160
Speaker 1: let's go with a little John. I don't give a fuck.

895
00:51:51,640 --> 00:51:55,080
Speaker 1: It's crazy, yo. Yeah, still make listen. I'm gonna be honest.

896
00:51:55,600 --> 00:51:58,880
Speaker 1: I don't give out old you get You're going to

897
00:51:59,000 --> 00:52:07,640
Speaker 1: count her that now, that's right, Gondy watch give a

898
00:52:07,680 --> 00:52:11,080
Speaker 1: full bro. So, So this is when I was at

899
00:52:11,160 --> 00:52:13,080
Speaker 1: I was in my I was liking I was living

900
00:52:13,080 --> 00:52:14,680
Speaker 1: in Miami at the time, like when I did this

901
00:52:14,760 --> 00:52:16,799
Speaker 1: record and I was working and did you still live

902
00:52:16,840 --> 00:52:20,560
Speaker 1: at my Yeah? Yeah, yeah, my nigga disco Rick. You

903
00:52:20,640 --> 00:52:23,520
Speaker 1: know what I'm saying. Lesson right there, that's my homiere.

904
00:52:23,560 --> 00:52:24,960
Speaker 1: That's my dude right there. You know what I'm saying.

905
00:52:25,000 --> 00:52:27,440
Speaker 1: So I'm messing with disco Rick. So when I come,

906
00:52:27,520 --> 00:52:30,000
Speaker 1: so Rick tell me to I'm at the house. Rick

907
00:52:30,080 --> 00:52:32,839
Speaker 1: called me like, Yo, come to the studio. John wants

908
00:52:32,840 --> 00:52:36,320
Speaker 1: you on the song. I'll say, he said, mystical Mystico

909
00:52:36,360 --> 00:52:38,680
Speaker 1: just later Verse killed it. So I go in there.

910
00:52:38,760 --> 00:52:42,080
Speaker 1: I go in the studio and later verse John like

911
00:52:42,680 --> 00:52:45,360
Speaker 1: we this is a single. I'm like, okay, yeah, she

912
00:52:45,440 --> 00:52:47,600
Speaker 1: just called me for the video whenever, like like a

913
00:52:47,680 --> 00:52:49,840
Speaker 1: month old later, he called me down in Atlanta to

914
00:52:49,880 --> 00:52:52,279
Speaker 1: shoot the video, bro, And that's it, like was like

915
00:52:52,880 --> 00:52:55,360
Speaker 1: out And it was at the time that Bone was

916
00:52:55,440 --> 00:52:57,759
Speaker 1: on solid moments, so people was like, oh, you know

917
00:52:57,760 --> 00:53:00,719
Speaker 1: what I'm saying. So then like Mariah come calling for

918
00:53:00,880 --> 00:53:05,240
Speaker 1: like a remix. This is not before years solo on Loud,

919
00:53:05,400 --> 00:53:09,439
Speaker 1: is it? Uh no, No, You've already done your stuff,

920
00:53:09,520 --> 00:53:12,960
Speaker 1: right yeah, yeah, yeah, yea yeah. Because that that was

921
00:53:13,000 --> 00:53:14,759
Speaker 1: also hold on because we get to my ride to

922
00:53:15,239 --> 00:53:17,759
Speaker 1: make sure we get back to y. But that's also

923
00:53:17,840 --> 00:53:20,200
Speaker 1: a question I wanted to ask your relationship with Steve Rifkin.

924
00:53:20,840 --> 00:53:24,080
Speaker 1: I guess he just alluded to that. That was just yes,

925
00:53:24,160 --> 00:53:27,040
Speaker 1: because everything else was on Ruthless, but your solo was

926
00:53:27,080 --> 00:53:32,320
Speaker 1: on Loud. My first solo record was on Mentality was

927
00:53:32,400 --> 00:53:37,520
Speaker 1: on Relativity Records. Relativity okay, yeah, but they didn't do

928
00:53:38,280 --> 00:53:41,160
Speaker 1: took over MLP. Everybody went over there, and who was

929
00:53:41,239 --> 00:53:43,600
Speaker 1: the CEO of Relativity at the time was the ground

930
00:53:43,640 --> 00:53:49,200
Speaker 1: Black And okay, he hired us today. I hadn't been

931
00:53:49,200 --> 00:53:51,440
Speaker 1: around for a minute. That's the only Yeah, yeah, yeah,

932
00:53:51,440 --> 00:53:54,960
Speaker 1: definitely yeah man, but yeah yeah, we yeah for sure.

933
00:53:55,480 --> 00:53:58,120
Speaker 1: And then how did you migrate into Steve Rippin and

934
00:53:58,440 --> 00:54:03,680
Speaker 1: Loud because they took over the company. Actually, you know, um,

935
00:54:05,280 --> 00:54:07,400
Speaker 1: it was like it's kind of it's kind of like

936
00:54:07,760 --> 00:54:09,600
Speaker 1: where it was Steve Ripkin, like when I say that

937
00:54:09,680 --> 00:54:11,040
Speaker 1: you cool, you know what I'm saying, but that it

938
00:54:11,160 --> 00:54:12,640
Speaker 1: was a lot of stuff that didn't go right with

939
00:54:12,719 --> 00:54:15,839
Speaker 1: that project that should have happened. That really like let's

940
00:54:15,840 --> 00:54:20,000
Speaker 1: talk about it. Oh yeah, ok, here like our I

941
00:54:20,239 --> 00:54:23,800
Speaker 1: really don't feel that like Steve Ripkin really understood that

942
00:54:23,920 --> 00:54:28,960
Speaker 1: dynamics of Bone and and I tested, like I tested

943
00:54:29,040 --> 00:54:31,080
Speaker 1: on one time because I'm like, you know, what's your

944
00:54:31,120 --> 00:54:34,040
Speaker 1: favorite song? And of course if you stay cross, what's

945
00:54:34,040 --> 00:54:36,440
Speaker 1: your favorite song? You're just on top of the surface,

946
00:54:36,480 --> 00:54:39,239
Speaker 1: bone fan, You're not really You're not really like you

947
00:54:39,280 --> 00:54:40,640
Speaker 1: know what I'm saying, like a Bone fan. You just

948
00:54:40,800 --> 00:54:44,799
Speaker 1: know what what what our best records are, Like I mean,

949
00:54:44,880 --> 00:54:47,960
Speaker 1: what our most successful records are. So like you know,

950
00:54:48,160 --> 00:54:51,040
Speaker 1: like so I knew they didn't really understand the dynamics

951
00:54:51,080 --> 00:54:53,359
Speaker 1: of Bone throws in Harmony and what we and who

952
00:54:53,440 --> 00:54:56,880
Speaker 1: we were, and you know it was just like, bro,

953
00:54:57,480 --> 00:55:00,399
Speaker 1: it just pissed me off. One time they the add

954
00:55:00,520 --> 00:55:02,160
Speaker 1: one time for my album, for my tug on the

955
00:55:02,239 --> 00:55:05,960
Speaker 1: Lion album and under it was a bunch of scribble scrabble,

956
00:55:06,800 --> 00:55:09,600
Speaker 1: like literally scrible. Wasn't even words where. It was a

957
00:55:09,640 --> 00:55:12,640
Speaker 1: bunch of alphabets, like I didn't say when the album

958
00:55:12,680 --> 00:55:15,000
Speaker 1: can I'm like, your son with us is I'm like

959
00:55:15,800 --> 00:55:18,640
Speaker 1: it was crazy like so and and then and then

960
00:55:18,760 --> 00:55:21,600
Speaker 1: when when when I got worried that Loud was going

961
00:55:21,680 --> 00:55:25,880
Speaker 1: to fold before, like I got word from my attorney like, Yo,

962
00:55:26,000 --> 00:55:29,040
Speaker 1: I'm getting worried the LOUD is going under and you

963
00:55:29,160 --> 00:55:31,759
Speaker 1: in the middle of your project. I was worked. So

964
00:55:31,840 --> 00:55:33,839
Speaker 1: I go to Steve Riskin and I asked and I say, yo, bro,

965
00:55:34,000 --> 00:55:36,879
Speaker 1: like it's this shoe. He said, what, No, not at all,

966
00:55:37,080 --> 00:55:40,360
Speaker 1: not you No, no, no, no. Two weeks later they folded.

967
00:55:40,400 --> 00:55:43,359
Speaker 1: I'm like and I'm like, you know what I'm saying.

968
00:55:43,360 --> 00:55:45,759
Speaker 1: I'm like, bro, I did, just keep it real with me,

969
00:55:45,880 --> 00:55:48,359
Speaker 1: like all the I'm not a soft fastnig. Just tell

970
00:55:48,400 --> 00:55:50,880
Speaker 1: me what the truth is. I can handle it forever,

971
00:55:51,440 --> 00:55:53,759
Speaker 1: like no lah, And it was just like that, you

972
00:55:53,800 --> 00:55:55,040
Speaker 1: know what I'm saying, Like so every time I see

973
00:55:55,080 --> 00:55:56,480
Speaker 1: him the very now. I didn't. He said, you know, like,

974
00:55:56,600 --> 00:55:59,839
Speaker 1: oh you we got a holla, but it's I ain't

975
00:55:59,840 --> 00:56:04,080
Speaker 1: your It's got deep right now. Oh yeah, you don't

976
00:56:04,080 --> 00:56:06,800
Speaker 1: think it was ever because they inherited too many artists

977
00:56:06,840 --> 00:56:09,279
Speaker 1: from the relative Oh yeah, that was probably They didn't.

978
00:56:09,719 --> 00:56:13,200
Speaker 1: They didn't probably, but but but I felt like they

979
00:56:13,239 --> 00:56:16,560
Speaker 1: had the opportunity to let the ones to God what

980
00:56:16,640 --> 00:56:18,160
Speaker 1: and that you know what I'm saying, Like, I think

981
00:56:18,200 --> 00:56:21,000
Speaker 1: they just kept me just for the building, right because

982
00:56:21,000 --> 00:56:23,440
Speaker 1: I traded bone harm and that's going to sell some

983
00:56:23,520 --> 00:56:25,080
Speaker 1: records because I worked the streets for a lot of

984
00:56:25,160 --> 00:56:27,000
Speaker 1: that time we worked your record. He was on the streets.

985
00:56:27,000 --> 00:56:28,839
Speaker 1: He was a young kid. He's got the vine right there.

986
00:56:29,480 --> 00:56:39,560
Speaker 1: And I know that showing we were friends. Yeah, we were,

987
00:56:39,840 --> 00:56:42,040
Speaker 1: we had we was working the records. So but I

988
00:56:42,120 --> 00:56:44,359
Speaker 1: remember it was too much. My homegirl was just right

989
00:56:44,440 --> 00:56:47,040
Speaker 1: here when their girl she was there like the whole time,

990
00:56:47,200 --> 00:56:48,960
Speaker 1: like she used to work for a lot. Like at

991
00:56:48,960 --> 00:56:51,399
Speaker 1: the same time I was remember Buddha that was working. Yeah,

992
00:56:51,680 --> 00:56:56,239
Speaker 1: that was the sty Oh yeah, y'all real hip hop

993
00:56:56,320 --> 00:56:58,640
Speaker 1: right now. I like this ship. I mean, that's the

994
00:56:58,640 --> 00:57:03,759
Speaker 1: industry side of working the ship, Holy Ship. So so

995
00:57:03,960 --> 00:57:07,319
Speaker 1: basically you fun with Steve, but you felt like there

996
00:57:07,360 --> 00:57:11,239
Speaker 1: were things that could have been done better. Definitely for

997
00:57:11,320 --> 00:57:14,520
Speaker 1: so you know, yeah, for sure, for sure. I mean,

998
00:57:14,640 --> 00:57:16,720
Speaker 1: for one, you know, I had a I had a

999
00:57:16,760 --> 00:57:20,160
Speaker 1: single on that album with a man they has never

1000
00:57:20,280 --> 00:57:24,080
Speaker 1: known a rapper ever? Ever, how did you get that?

1001
00:57:24,280 --> 00:57:26,360
Speaker 1: And she cleared this song. Not only did she clear

1002
00:57:26,440 --> 00:57:30,640
Speaker 1: the song, she gave me she she she um gave

1003
00:57:30,760 --> 00:57:34,720
Speaker 1: me the footage to her song to put her silhouettes

1004
00:57:34,840 --> 00:57:37,760
Speaker 1: in my video. So she was actually in the video

1005
00:57:39,040 --> 00:57:41,720
Speaker 1: and like she she has never done it before and

1006
00:57:41,840 --> 00:57:45,800
Speaker 1: she never had since. Then like, no, lie, I'm not

1007
00:57:45,880 --> 00:57:51,040
Speaker 1: gonna lie. You went to Paul but wait, wait, now,

1008
00:57:51,200 --> 00:57:53,440
Speaker 1: hold up. We learned something on Drink Champs and I

1009
00:57:53,480 --> 00:57:55,720
Speaker 1: don't know if it applies to you. Someone was telling

1010
00:57:55,800 --> 00:57:58,680
Speaker 1: us that after a certain amount of years, all the

1011
00:57:58,840 --> 00:58:01,040
Speaker 1: rights of your of your music revert back to your

1012
00:58:01,080 --> 00:58:03,280
Speaker 1: Cameron told you. That's not not what he said. He's no, no,

1013
00:58:03,400 --> 00:58:05,800
Speaker 1: But I'm just wondering that's not doesn't happen in this

1014
00:58:07,160 --> 00:58:11,920
Speaker 1: released this music. It's crazy you said that clears you

1015
00:58:11,960 --> 00:58:15,960
Speaker 1: just said, you just said shot. They gave you original record. Yeah,

1016
00:58:16,120 --> 00:58:19,440
Speaker 1: she gave me. She gave me original footage from her video.

1017
00:58:20,040 --> 00:58:26,600
Speaker 1: This isn't know that, this is no crazy. She gave me, no, no, no, no,

1018
00:58:26,680 --> 00:58:29,560
Speaker 1: I'm sorry, I'm sorry. It was that mama being laid

1019
00:58:29,680 --> 00:58:33,160
Speaker 1: off and we're good papa being laid off. That's something

1020
00:58:33,240 --> 00:58:37,280
Speaker 1: right there. That's it right there. Hard time hustling, yo.

1021
00:58:37,720 --> 00:58:40,360
Speaker 1: And I found out the reason that she really clearly

1022
00:58:40,640 --> 00:58:43,439
Speaker 1: because at the time of her husband was a huge

1023
00:58:43,520 --> 00:58:46,680
Speaker 1: Bone fan and when they went to it, he was like, yo,

1024
00:58:47,160 --> 00:58:51,000
Speaker 1: clear this record, trust me clearing and she cleared it

1025
00:58:51,160 --> 00:58:53,840
Speaker 1: and gave me footge of her in the video. They

1026
00:58:53,920 --> 00:58:56,120
Speaker 1: was like, yo, there was like we did not think

1027
00:58:56,160 --> 00:58:58,600
Speaker 1: we was gonna like and this was Steve Rifkin and

1028
00:58:58,680 --> 00:59:00,240
Speaker 1: they was like, we did not think he was gonna

1029
00:59:00,240 --> 00:59:02,880
Speaker 1: get this record clear at all. And it was like,

1030
00:59:03,040 --> 00:59:05,680
Speaker 1: this is amazing for real. So we're running with it.

1031
00:59:06,040 --> 00:59:08,160
Speaker 1: So do you own the stuff now? Oh yeah, I

1032
00:59:08,240 --> 00:59:11,000
Speaker 1: want the masters to the to those records to my

1033
00:59:11,040 --> 00:59:13,520
Speaker 1: first solo album and say on the master to these,

1034
00:59:13,960 --> 00:59:16,680
Speaker 1: So that is true. They all reverted after Cinemounty, oh yeah,

1035
00:59:16,760 --> 00:59:21,240
Speaker 1: oh yeah, after after thirty years. Oh yeah. So and

1036
00:59:22,840 --> 00:59:26,840
Speaker 1: this is something this is and this is something artists

1037
00:59:26,880 --> 00:59:29,280
Speaker 1: need to know, like read your contract, because the artists

1038
00:59:29,280 --> 00:59:31,120
Speaker 1: read these contracts and they think, like when they lead

1039
00:59:31,160 --> 00:59:33,680
Speaker 1: them labels, it's a rap. You can just leave your

1040
00:59:33,760 --> 00:59:37,040
Speaker 1: stuff over there. No, like there's clauses in there. They

1041
00:59:37,560 --> 00:59:40,640
Speaker 1: legally they can only hold your masters for only so long.

1042
00:59:41,720 --> 00:59:43,640
Speaker 1: But you have to be on. You have to be

1043
00:59:43,760 --> 00:59:45,640
Speaker 1: on a point because if you missed that date to

1044
00:59:45,680 --> 00:59:48,400
Speaker 1: where they revert back to you, then they got a chance.

1045
00:59:48,440 --> 00:59:55,160
Speaker 1: You got That's what we're doing because you see the

1046
00:59:55,480 --> 00:59:58,840
Speaker 1: Soul got their masters back there exactly, exactly all these

1047
00:59:58,960 --> 01:00:04,680
Speaker 1: artists can do that. So is that something that Bone

1048
01:00:04,800 --> 01:00:08,880
Speaker 1: is doing it collectively? Collectively? Yeah, wow, it's beautiful for show.

1049
01:00:09,440 --> 01:00:14,200
Speaker 1: That's beautiful because it was ruthless relativity, ruthless regularly relativity,

1050
01:00:14,320 --> 01:00:20,040
Speaker 1: Sony Columbias, all of the crazy for real. Yeah yeah, y'all,

1051
01:00:20,200 --> 01:00:23,280
Speaker 1: y'all was a lot of labors kidding. Yeah, man, I

1052
01:00:23,320 --> 01:00:25,320
Speaker 1: mean we don't. We haven't really been on every like

1053
01:00:25,600 --> 01:00:29,200
Speaker 1: we've been on Universal Interscope, Sony Colombia, Like we've been

1054
01:00:29,280 --> 01:00:32,280
Speaker 1: like like around you know what it was like we

1055
01:00:32,440 --> 01:00:41,000
Speaker 1: know the game and popped everybody just exactly. It's when

1056
01:00:41,040 --> 01:00:44,880
Speaker 1: we clapping, I'm saying, trying to bring the terminology finger

1057
01:00:44,920 --> 01:00:47,040
Speaker 1: popping back, you know what I'm saying, Like just a terminology,

1058
01:00:47,040 --> 01:00:48,600
Speaker 1: you're not the actual finger popping you know what I

1059
01:00:48,640 --> 01:00:51,840
Speaker 1: mean for the terminology, like you know you hit second base?

1060
01:00:51,960 --> 01:01:02,600
Speaker 1: Ship ship got real? Yeah? Soccer hate soccer? Man hate soccer.

1061
01:01:02,920 --> 01:01:05,960
Speaker 1: I don't know. I don't like like like, I don't

1062
01:01:06,000 --> 01:01:08,360
Speaker 1: like you like soccer. You don't like socker, keep it

1063
01:01:08,400 --> 01:01:13,320
Speaker 1: with cleaning, that mean like no, no, no, I mean

1064
01:01:13,880 --> 01:01:16,680
Speaker 1: you don't crazy. I'm trying to watch it, man, but

1065
01:01:16,680 --> 01:01:18,400
Speaker 1: they still be frust rate, Like they get way down

1066
01:01:18,400 --> 01:01:20,000
Speaker 1: and they don't kick the ball, and I'm like, goddamn,

1067
01:01:20,400 --> 01:01:22,120
Speaker 1: it would be a three hour game for two points

1068
01:01:22,200 --> 01:01:27,400
Speaker 1: the way back down. Look, come on, there's no disrespect.

1069
01:01:27,440 --> 01:01:30,360
Speaker 1: But I just can't watch the ship hockey. Lets take

1070
01:01:30,400 --> 01:01:31,920
Speaker 1: too long that damn. But I just watched the ship

1071
01:01:33,080 --> 01:01:37,080
Speaker 1: motherfucker on hockey on Netflix. Um it's called the Untold

1072
01:01:37,120 --> 01:01:44,479
Speaker 1: Story of Hockey Mafia. Niggas and Hockey Mafia. That's fighting.

1073
01:01:44,560 --> 01:01:47,760
Speaker 1: That they fighting, That's that's what they did. They was

1074
01:01:47,840 --> 01:01:50,120
Speaker 1: the dudes that invented that. As soon as you blow

1075
01:01:50,200 --> 01:01:52,280
Speaker 1: the whistle, who he just take his gloves off and

1076
01:01:52,360 --> 01:01:56,040
Speaker 1: just started. There's no hockey there's no sportsman shipping ball

1077
01:01:58,840 --> 01:02:00,720
Speaker 1: I was watching on Netflix. I just want you to know,

1078
01:02:00,840 --> 01:02:02,080
Speaker 1: like I stay at home. You know what I'm saying.

1079
01:02:02,400 --> 01:02:06,120
Speaker 1: You know what I mean? The Points record the Panther Joint.

1080
01:02:06,280 --> 01:02:08,680
Speaker 1: Oh yeah, man, yeah, y'all were all in the studio

1081
01:02:08,800 --> 01:02:11,200
Speaker 1: that that video was. Bro. That's what's the crazy shit

1082
01:02:11,280 --> 01:02:13,520
Speaker 1: ever be because like this was the first time, like yo,

1083
01:02:14,440 --> 01:02:16,920
Speaker 1: this was the first time we went to that was

1084
01:02:17,000 --> 01:02:19,160
Speaker 1: D and D studios. This is so crazy, bro, because

1085
01:02:19,200 --> 01:02:25,520
Speaker 1: it's like, like what year did they come out? Bro?

1086
01:02:25,840 --> 01:02:29,320
Speaker 1: What's so crazy? What's so crazy is this is when

1087
01:02:29,360 --> 01:02:32,439
Speaker 1: Easy had brought us to New York, like this one Easy,

1088
01:02:32,520 --> 01:02:35,040
Speaker 1: like like this one that um in the movie, I

1089
01:02:35,080 --> 01:02:38,880
Speaker 1: feel when he saw that's when all that happened around

1090
01:02:38,880 --> 01:02:41,520
Speaker 1: the same time. Okay, I went too far. Remember that

1091
01:02:41,680 --> 01:02:45,520
Speaker 1: that story where Cube saw Easy in the club that

1092
01:02:45,640 --> 01:02:47,800
Speaker 1: was in the tunnel, Bro, Bro, Bro, But it was

1093
01:02:47,840 --> 01:02:49,680
Speaker 1: the historical night from I remember that night like it

1094
01:02:49,760 --> 01:02:51,840
Speaker 1: was yesterday because it was historical for me because for one,

1095
01:02:52,240 --> 01:02:55,440
Speaker 1: we would Easy in New York, never been in New

1096
01:02:55,520 --> 01:02:58,240
Speaker 1: York ever. Before you walk into the streets and first

1097
01:02:58,240 --> 01:03:00,240
Speaker 1: of all, Nio Bus all the other jackets. We it's

1098
01:03:00,520 --> 01:03:03,480
Speaker 1: like like n w A for real, like gangster you

1099
01:03:03,520 --> 01:03:05,880
Speaker 1: know what we like Nick, We New York, walking the

1100
01:03:05,920 --> 01:03:08,800
Speaker 1: streets with Easy. He like, we're going to the club tonight.

1101
01:03:09,640 --> 01:03:12,440
Speaker 1: We go to the fucking tunnel. We put up to

1102
01:03:12,520 --> 01:03:15,760
Speaker 1: the tunnel. The nigga Heavy D it's at the front

1103
01:03:15,840 --> 01:03:17,800
Speaker 1: door like he's a bouncer like this. Nigga is like,

1104
01:03:18,040 --> 01:03:21,760
Speaker 1: what's up E. I'm like this Nigga is I'm sitting

1105
01:03:21,800 --> 01:03:23,920
Speaker 1: here like Nigga, this is hedy D right here and Nigga,

1106
01:03:23,960 --> 01:03:25,360
Speaker 1: what the fun is going on? And nigging like, Yo,

1107
01:03:25,440 --> 01:03:27,560
Speaker 1: I heard them. I heard of y'all niggas. Y'all niggas

1108
01:03:27,600 --> 01:03:29,960
Speaker 1: do y'all thing. I'm like, Nigga, this is crazy. So

1109
01:03:30,080 --> 01:03:33,120
Speaker 1: we go in the spot in the tunnel. We're walking

1110
01:03:33,160 --> 01:03:35,800
Speaker 1: through the fucking crowd. I'm walking to the crowd. I

1111
01:03:35,880 --> 01:03:39,720
Speaker 1: feel somebody like pulled my hood. I turned around to Nigga.

1112
01:03:39,840 --> 01:03:44,160
Speaker 1: LLL cool J say, Nigga, what yo this Nigga LLL

1113
01:03:44,280 --> 01:03:47,640
Speaker 1: Yo Yo this Nigga said, Yo, big up son, I'm

1114
01:03:47,640 --> 01:03:50,600
Speaker 1: watching y'all. I say, Nigga, this nigga. LLL Cool Jay

1115
01:03:50,720 --> 01:03:53,000
Speaker 1: just said he watching us. Nigga. So we go in

1116
01:03:53,080 --> 01:03:57,800
Speaker 1: this head and pull your shot for you you just

1117
01:03:57,840 --> 01:04:04,640
Speaker 1: telling the legendary so that you need a shot. So

1118
01:04:05,120 --> 01:04:09,880
Speaker 1: so we walked in and uh we walked in like

1119
01:04:10,000 --> 01:04:13,040
Speaker 1: behind e and like ice cubas in the club. And

1120
01:04:13,080 --> 01:04:15,400
Speaker 1: this is when they was having beef right right, So

1121
01:04:15,760 --> 01:04:19,560
Speaker 1: so we thought we were in the club. Yo, were like, oh,

1122
01:04:19,680 --> 01:04:21,800
Speaker 1: that's when you go down, and be like yo, that's

1123
01:04:21,880 --> 01:04:24,640
Speaker 1: Q and his body go down. These niggas saw each other,

1124
01:04:24,680 --> 01:04:26,120
Speaker 1: but it was like these niggas ain't see each other

1125
01:04:26,160 --> 01:04:29,560
Speaker 1: in years, like long lost brothers, Like oh shit, what's

1126
01:04:29,640 --> 01:04:32,640
Speaker 1: had it? Hugging like kicking it and like I'm like

1127
01:04:33,480 --> 01:04:34,920
Speaker 1: so that part of the movie to me was a

1128
01:04:35,000 --> 01:04:37,040
Speaker 1: little bit, you know, like I didn't really see the

1129
01:04:37,080 --> 01:04:40,360
Speaker 1: standoff like the security of ten and like Nikking saw

1130
01:04:40,360 --> 01:04:43,000
Speaker 1: each other and they was like brothers, bro. They was like, Yo,

1131
01:04:43,520 --> 01:04:45,880
Speaker 1: what's happened? They sat at the table, We sat at

1132
01:04:45,920 --> 01:04:49,240
Speaker 1: another booth while him and Q sat there almost the

1133
01:04:49,320 --> 01:04:52,440
Speaker 1: whole night. He was there chopping it up. They did

1134
01:04:52,520 --> 01:04:53,960
Speaker 1: show that part in the movie, but that was with

1135
01:04:54,120 --> 01:04:57,959
Speaker 1: dre No No, that was I'm talking when they chilled

1136
01:04:57,960 --> 01:05:00,960
Speaker 1: the whole night. Oh ship, Holy moly, I might be

1137
01:05:01,000 --> 01:05:05,720
Speaker 1: bugging in Rank and Cube says the story and he

1138
01:05:05,760 --> 01:05:07,280
Speaker 1: says it like you're saying that the day they just

1139
01:05:07,400 --> 01:05:10,840
Speaker 1: chopped it up. And that was in the tunnel. I

1140
01:05:10,880 --> 01:05:12,840
Speaker 1: didn't know that part, but the movie. I thought it

1141
01:05:12,960 --> 01:05:15,400
Speaker 1: was in the Cali. No, bro, that was the tunnel. No,

1142
01:05:15,480 --> 01:05:16,600
Speaker 1: I know it was in New York. It was in

1143
01:05:16,600 --> 01:05:18,640
Speaker 1: New York. Like he was like, because I remember my

1144
01:05:18,680 --> 01:05:20,520
Speaker 1: first time going in a little bit, was telling her like, yo,

1145
01:05:20,640 --> 01:05:22,640
Speaker 1: just the tunnels, and I'm like, Yo, the tunnels of

1146
01:05:22,720 --> 01:05:25,720
Speaker 1: foul place, all right? No, Yo, they got girls too, yo.

1147
01:05:25,840 --> 01:05:29,440
Speaker 1: Fat Joe Hill Yo wen't wasn't tell you in the

1148
01:05:29,520 --> 01:05:31,680
Speaker 1: next bathroom they were girls too. I was like, what

1149
01:05:31,800 --> 01:05:33,960
Speaker 1: then is going on in here? This is crazy? I

1150
01:05:34,040 --> 01:05:36,320
Speaker 1: know about the tunnel with Fat Joe. One night my

1151
01:05:36,400 --> 01:05:40,120
Speaker 1: nigga like and yo, Terary squad niggas, Yo, talk about it, Yo,

1152
01:05:40,240 --> 01:05:45,280
Speaker 1: They shut that bitch. Damn hey Joe Joe and Terry squad.

1153
01:05:45,360 --> 01:05:47,440
Speaker 1: They set that bitch down like something. I had a

1154
01:05:47,480 --> 01:05:52,240
Speaker 1: beef with this terrace squad. The squad came over there,

1155
01:05:53,000 --> 01:05:56,680
Speaker 1: they say, bom, y'all niggas stand right over here, stay

1156
01:05:56,840 --> 01:06:02,720
Speaker 1: right here, don't move. They told that bitch up nords

1157
01:06:02,760 --> 01:06:10,560
Speaker 1: to my wild Porto Rican. I don't think that's Dominicans

1158
01:06:10,600 --> 01:06:14,200
Speaker 1: and we have to check to check. Yeah, but like

1159
01:06:14,320 --> 01:06:16,760
Speaker 1: you don't like like Joe and like like Joe and

1160
01:06:16,920 --> 01:06:20,080
Speaker 1: like pun then what's the first like rappers like when

1161
01:06:20,080 --> 01:06:21,919
Speaker 1: we got in the game, Like then, what's the first

1162
01:06:22,000 --> 01:06:24,560
Speaker 1: dudes like really took us in? Like the Niggers took

1163
01:06:24,640 --> 01:06:26,320
Speaker 1: us in, took us to the Bronx. We had Joe

1164
01:06:26,400 --> 01:06:29,120
Speaker 1: coming to Cleveland. He was in our videos like so

1165
01:06:29,760 --> 01:06:33,120
Speaker 1: we just them in. Um naughty boy nature like to

1166
01:06:33,280 --> 01:06:37,680
Speaker 1: this day. Family my nigger, that's my nigger for real

1167
01:06:38,400 --> 01:06:42,280
Speaker 1: and one of the hillest rappers is one of my favorite,

1168
01:06:42,520 --> 01:06:46,800
Speaker 1: one of my favorite lyricist. No line he would come back.

1169
01:06:47,360 --> 01:06:49,600
Speaker 1: I think he doesn't get the property. He don't. That

1170
01:06:49,760 --> 01:06:51,680
Speaker 1: boy is a beast and he fokes a lot of

1171
01:06:51,720 --> 01:06:57,840
Speaker 1: bitches too when he was up keeping a lot of

1172
01:06:57,920 --> 01:07:07,920
Speaker 1: more else but he was talking about the people. No

1173
01:07:08,000 --> 01:07:12,840
Speaker 1: skip over, opp come on other people. Pussy is you

1174
01:07:12,920 --> 01:07:23,240
Speaker 1: know you got you're living that ship? Definite. He wants

1175
01:07:23,240 --> 01:07:27,760
Speaker 1: some old p p Yeah you know me. The sniggle

1176
01:07:27,800 --> 01:07:35,080
Speaker 1: was stilling nigga early. Come on bro, that wasself. Come on,

1177
01:07:35,160 --> 01:07:37,959
Speaker 1: come on, Suke, Let's make some mook crazy. Motherfucking bone

1178
01:07:38,000 --> 01:07:52,240
Speaker 1: got dam, let's finish your story. The point is it

1179
01:07:52,400 --> 01:07:54,800
Speaker 1: in D and D Studios or not? Bro, I forgot

1180
01:07:54,880 --> 01:07:57,040
Speaker 1: where it was, but like it was New York. I

1181
01:07:57,120 --> 01:08:00,920
Speaker 1: feel like remember because but it's it was like bam bam,

1182
01:08:01,480 --> 01:08:03,400
Speaker 1: it was the cutting page before it was cutting page.

1183
01:08:03,440 --> 01:08:06,320
Speaker 1: It was like, okay, you shoot, you do your verse

1184
01:08:07,680 --> 01:08:10,880
Speaker 1: time the radio. Bro, we did our verse, went in

1185
01:08:11,040 --> 01:08:13,360
Speaker 1: this room and bro, bro, if you go back and

1186
01:08:13,400 --> 01:08:16,960
Speaker 1: listen to the song, the four lines I used, it

1187
01:08:17,000 --> 01:08:19,479
Speaker 1: is the lines I told I said to you, like

1188
01:08:19,600 --> 01:08:24,960
Speaker 1: right yeah, yeah, oh yeah, it's sounded familiar. Used the

1189
01:08:25,000 --> 01:08:26,800
Speaker 1: first four balls in there because it was Russian, was

1190
01:08:26,840 --> 01:08:29,599
Speaker 1: like come on, come on, I would come on, we're done.

1191
01:08:29,840 --> 01:08:33,600
Speaker 1: They was like, oh that's a dope piece, you know

1192
01:08:33,640 --> 01:08:37,320
Speaker 1: what I'm saying, Like history, right, feel like it was

1193
01:08:37,560 --> 01:08:40,600
Speaker 1: this the first time I'm used the bathroom before e

1194
01:08:40,800 --> 01:08:48,760
Speaker 1: f the first time. Soon you get back, I'm did

1195
01:08:48,840 --> 01:08:51,960
Speaker 1: y'all feel it like you felt it was in the moment? Yeah,

1196
01:08:52,040 --> 01:08:53,400
Speaker 1: hell yeah, bro, because like we was in there like

1197
01:08:53,479 --> 01:08:56,360
Speaker 1: you all these motherfucker's like were rocked withood. Like I

1198
01:08:56,479 --> 01:09:00,960
Speaker 1: just remember standing outside like this is my most like

1199
01:09:01,120 --> 01:09:03,599
Speaker 1: this is the the most remember the most and standing

1200
01:09:03,640 --> 01:09:08,320
Speaker 1: outside watching Red Man shoot his part inside that gate

1201
01:09:09,040 --> 01:09:11,920
Speaker 1: a little fizy behind. I remember standing there watching that

1202
01:09:11,960 --> 01:09:13,720
Speaker 1: ship like, yo, if they could killing that ship, like

1203
01:09:14,800 --> 01:09:17,120
Speaker 1: like they just read Man like going in. You know

1204
01:09:17,120 --> 01:09:18,680
Speaker 1: what I'm saying. I remember watching that ship. They're like,

1205
01:09:19,120 --> 01:09:21,000
Speaker 1: this song's gonna be crazy. And then when I heard it,

1206
01:09:21,080 --> 01:09:23,800
Speaker 1: I was like, Nick, we on this check with some

1207
01:09:23,920 --> 01:09:27,400
Speaker 1: legendary biggest part on it, like he was there when

1208
01:09:27,400 --> 01:09:29,720
Speaker 1: he was doing it. Yes, everybody was like in and

1209
01:09:29,800 --> 01:09:32,360
Speaker 1: out like it had to be dn D haws, you

1210
01:09:32,400 --> 01:09:33,840
Speaker 1: can't check it. It was dn D. I feel like

1211
01:09:33,920 --> 01:09:37,680
Speaker 1: it was DND Studios And that's easy Mode Be produced that.

1212
01:09:37,760 --> 01:09:40,439
Speaker 1: Who produced that record? Do you know? I ain't sure

1213
01:09:40,479 --> 01:09:45,479
Speaker 1: who produced that? It was easy Mob. Yeah. I feel

1214
01:09:45,520 --> 01:09:48,040
Speaker 1: like that's one of the first post because of like

1215
01:09:48,120 --> 01:09:51,840
Speaker 1: I mean besides obviously like like a self destruction and yeah,

1216
01:09:52,160 --> 01:09:54,880
Speaker 1: that's like one of the first like that. Yeah, hell

1217
01:09:54,920 --> 01:09:56,920
Speaker 1: y it is. It is. That's why I was so

1218
01:09:57,080 --> 01:09:58,320
Speaker 1: down with it because I was a big fan of

1219
01:09:58,320 --> 01:10:00,960
Speaker 1: the other ones, like all in the same game except destruction.

1220
01:10:01,040 --> 01:10:03,360
Speaker 1: I like, did y'all feel like y'all were different? Because

1221
01:10:03,600 --> 01:10:05,880
Speaker 1: everybody's I think from New York and that record. Yeah,

1222
01:10:06,920 --> 01:10:11,400
Speaker 1: it was like outside, isn't it. Yeah, But we did

1223
01:10:11,520 --> 01:10:13,240
Speaker 1: feel like we was like we was honored that. We

1224
01:10:13,320 --> 01:10:15,680
Speaker 1: were like, yo, like should they notice? Is enough to

1225
01:10:15,720 --> 01:10:17,400
Speaker 1: have us of this motherfucker? Like it's cool? You know

1226
01:10:17,439 --> 01:10:23,120
Speaker 1: what I'm saying. It was like, yeah, definitely, that's crazy. Man.

1227
01:10:23,960 --> 01:10:25,960
Speaker 1: So this is one of the things I've been wondering.

1228
01:10:26,000 --> 01:10:28,519
Speaker 1: So when y'all came out and you said you had

1229
01:10:28,560 --> 01:10:31,760
Speaker 1: the plan to go back and bring everybody on and

1230
01:10:31,840 --> 01:10:34,120
Speaker 1: put everybody on do the record label. This is prior

1231
01:10:34,200 --> 01:10:36,880
Speaker 1: to even when Wu tang I thought of doing that

1232
01:10:37,000 --> 01:10:40,400
Speaker 1: their separate deals. Did you did you think the plan

1233
01:10:40,520 --> 01:10:43,880
Speaker 1: that you had held together? Like what went wrong with

1234
01:10:44,000 --> 01:10:46,160
Speaker 1: the plan at one point? To a certain extent, Yeah,

1235
01:10:46,200 --> 01:10:49,599
Speaker 1: yeah it did. I mean we the plan of them

1236
01:10:49,680 --> 01:10:52,040
Speaker 1: having all like like their business structure, to go back

1237
01:10:52,400 --> 01:10:55,519
Speaker 1: and put on all the other groups to a certain Yeah,

1238
01:10:55,800 --> 01:10:57,639
Speaker 1: to a certain extent, we did. You know what I'm saying,

1239
01:10:57,720 --> 01:11:01,160
Speaker 1: But we went wrong. Think like, what did you learn

1240
01:11:01,200 --> 01:11:02,920
Speaker 1: from that? From that whole lesson, you know, it's like

1241
01:11:03,040 --> 01:11:05,320
Speaker 1: dealing with doing the more thunk thing. I learned that

1242
01:11:05,439 --> 01:11:09,280
Speaker 1: we uh that we needed to hire professional people that

1243
01:11:09,439 --> 01:11:11,200
Speaker 1: knew about the business. You know what I'm saying, because

1244
01:11:11,240 --> 01:11:14,080
Speaker 1: like when we first started this business, but like Easy

1245
01:11:14,320 --> 01:11:16,880
Speaker 1: had died, we was only what what people don't know

1246
01:11:17,000 --> 01:11:21,920
Speaker 1: is we were only with Easy for one year, and

1247
01:11:22,040 --> 01:11:25,439
Speaker 1: everything we accumulated from that one year we had to

1248
01:11:25,600 --> 01:11:29,160
Speaker 1: like put to use from us picking from him picking

1249
01:11:29,240 --> 01:11:32,320
Speaker 1: us up in his beings and driving us to the studios.

1250
01:11:32,439 --> 01:11:35,200
Speaker 1: And we emulated all that ship with our artists picking

1251
01:11:35,280 --> 01:11:38,479
Speaker 1: them up like that's all we knew different that's what

1252
01:11:38,560 --> 01:11:40,040
Speaker 1: he did for us, So we say, this is what

1253
01:11:40,160 --> 01:11:43,080
Speaker 1: we're gonna do for our artists. But it wasn't enough

1254
01:11:43,160 --> 01:11:47,160
Speaker 1: because we didn't have the actual knowledge of the music business.

1255
01:11:47,680 --> 01:11:50,880
Speaker 1: We we knew what we saw, but that wasn't enough

1256
01:11:50,920 --> 01:11:52,519
Speaker 1: to take us where the funk we needed to beat.

1257
01:11:52,760 --> 01:11:55,760
Speaker 1: We we needed to sit down and like okay, Paul's dad,

1258
01:11:56,560 --> 01:11:58,439
Speaker 1: we shouldn't be trying to putting the artists out right now.

1259
01:11:58,720 --> 01:12:02,439
Speaker 1: We need to make sure our careers are steady and

1260
01:12:02,960 --> 01:12:06,760
Speaker 1: come back right and then come back. I feel like

1261
01:12:06,840 --> 01:12:10,000
Speaker 1: we've done everything like premature because he was moving so fast,

1262
01:12:10,439 --> 01:12:13,120
Speaker 1: we didn't have a chance to learn what was what,

1263
01:12:13,640 --> 01:12:16,240
Speaker 1: who was who? Don't do this, don't do that? And

1264
01:12:16,360 --> 01:12:19,320
Speaker 1: I think us losing easy. I feel like he would

1265
01:12:19,320 --> 01:12:22,479
Speaker 1: have told us that, he would have showed us that, right, So,

1266
01:12:22,720 --> 01:12:24,840
Speaker 1: like we didn't have no after he passed away, We

1267
01:12:24,880 --> 01:12:27,040
Speaker 1: didn't have no mentors. It was just us. We was

1268
01:12:27,200 --> 01:12:32,360
Speaker 1: mentoring each other. You cross Roads after that, right, Yeah,

1269
01:12:32,400 --> 01:12:36,280
Speaker 1: definitely was that what the inspiration was. I mean, yeah,

1270
01:12:36,320 --> 01:12:38,960
Speaker 1: the inspiration was, like I mean the first Crossroads we

1271
01:12:39,080 --> 01:12:40,960
Speaker 1: made if people don't know that, we did across Roads

1272
01:12:41,000 --> 01:12:43,320
Speaker 1: original one that was on our album, and that was

1273
01:12:43,400 --> 01:12:45,439
Speaker 1: for one of our homies that passed away in the hood.

1274
01:12:45,520 --> 01:12:49,080
Speaker 1: He was actually damn near a part of our group.

1275
01:12:49,160 --> 01:12:52,040
Speaker 1: You know he no no, no, no, you know you

1276
01:12:52,080 --> 01:12:53,600
Speaker 1: know how you have a dude, it's like he's not

1277
01:12:53,720 --> 01:12:56,439
Speaker 1: in the group, but he helps you do everything to

1278
01:12:56,600 --> 01:12:59,080
Speaker 1: further the group. That was that. I think he's in

1279
01:12:59,160 --> 01:13:05,240
Speaker 1: the documentary that made and Mike and he like you

1280
01:13:05,240 --> 01:13:07,400
Speaker 1: know what I'm saying, Like he was always like like supported,

1281
01:13:07,520 --> 01:13:09,920
Speaker 1: gave us right, he made sure we made all our

1282
01:13:10,000 --> 01:13:12,200
Speaker 1: shows like nigga, y'all know, y'all gotta make it. Come on.

1283
01:13:12,640 --> 01:13:15,680
Speaker 1: He was that nigger. So he got killed trying to

1284
01:13:15,720 --> 01:13:17,040
Speaker 1: break up a fight. You know what I'm saying. He

1285
01:13:17,120 --> 01:13:20,639
Speaker 1: got killed, and so we did the song for him.

1286
01:13:21,600 --> 01:13:24,040
Speaker 1: But after we got at the Easy signed us like

1287
01:13:24,160 --> 01:13:26,800
Speaker 1: we had started losing, like a lot of our people,

1288
01:13:26,880 --> 01:13:31,640
Speaker 1: like Wishbone Uncle Charles got robbed and killed. You know

1289
01:13:31,640 --> 01:13:38,880
Speaker 1: what I'm saying, Lazy Bone lost his child. Um My cousin,

1290
01:13:39,120 --> 01:13:43,000
Speaker 1: My cousin was murdered, one of our closest friends was murdered.

1291
01:13:43,040 --> 01:13:45,840
Speaker 1: And this is my brother in law. Yeah, my brother

1292
01:13:45,840 --> 01:13:48,880
Speaker 1: in law was murdered. And every last one of them

1293
01:13:49,000 --> 01:13:53,120
Speaker 1: shot in the head, every last one of them except

1294
01:13:53,160 --> 01:13:55,920
Speaker 1: for Lazies unborn child, every last one of them shot

1295
01:13:56,000 --> 01:13:58,320
Speaker 1: in the head, and nobody never found for the murder.

1296
01:13:58,720 --> 01:14:00,360
Speaker 1: So he was like, yo, it's like yo, bro, we

1297
01:14:00,840 --> 01:14:03,160
Speaker 1: we get on and we're doing all this positive stuff,

1298
01:14:03,200 --> 01:14:05,320
Speaker 1: but all this negative ship has happened to us, Like

1299
01:14:05,400 --> 01:14:08,639
Speaker 1: we like fun's going on. So we're like, we gotta

1300
01:14:08,680 --> 01:14:13,400
Speaker 1: pay homage. Let's remix the song and pay them homage

1301
01:14:13,479 --> 01:14:15,120
Speaker 1: that we didn't. We didn't do this song trying to

1302
01:14:15,160 --> 01:14:17,360
Speaker 1: win grand music. We like, we're doing this song for

1303
01:14:17,439 --> 01:14:20,160
Speaker 1: the people that passed away and for us to heal

1304
01:14:20,280 --> 01:14:23,840
Speaker 1: and their families. And that ship just was like the

1305
01:14:24,000 --> 01:14:27,400
Speaker 1: cross roads actually mean what does that word actually? Man?

1306
01:14:27,479 --> 01:14:31,080
Speaker 1: Cross Roads Like It's kind of funny because like you know,

1307
01:14:31,280 --> 01:14:36,240
Speaker 1: like when we did this song, it's like like it's

1308
01:14:36,880 --> 01:14:39,040
Speaker 1: the song cross roads actually, like you're going to see

1309
01:14:39,080 --> 01:14:41,600
Speaker 1: the person again and some cross roads and stuff like

1310
01:14:42,240 --> 01:14:43,760
Speaker 1: you're gonna cross together, you know what I'm saying. But

1311
01:14:44,080 --> 01:14:46,720
Speaker 1: had I had I had the knowledge I have now,

1312
01:14:47,320 --> 01:14:50,200
Speaker 1: I probably never would have made the song because I

1313
01:14:50,240 --> 01:14:52,040
Speaker 1: don't I don't know what I'm saying. I don't like

1314
01:14:52,160 --> 01:14:55,720
Speaker 1: subscribe to that. Yeah, ever, because you believe a lot

1315
01:14:55,800 --> 01:14:59,280
Speaker 1: more knowledge right now, you know what I'm saying. That's

1316
01:14:59,320 --> 01:15:01,600
Speaker 1: that's that's for the Wikimpedia. You they said you you

1317
01:15:02,040 --> 01:15:04,679
Speaker 1: like a littleminity or you you think nigga you don't

1318
01:15:04,720 --> 01:15:07,479
Speaker 1: like them niggas and rappers in a little what not?

1319
01:15:07,760 --> 01:15:16,639
Speaker 1: Have that? The Wikipedia wrote that the thing I think

1320
01:15:16,720 --> 01:15:19,960
Speaker 1: the little minati is the most I think it's bullshit

1321
01:15:20,040 --> 01:15:22,479
Speaker 1: and propaganda bro like, because like, how come, how can

1322
01:15:22,479 --> 01:15:24,200
Speaker 1: we niggas make money? They gotta be some part of

1323
01:15:24,200 --> 01:15:27,400
Speaker 1: the I'm like, why can't niggas just make money just

1324
01:15:27,680 --> 01:15:30,600
Speaker 1: making money because of what they do? Why they got

1325
01:15:30,680 --> 01:15:34,480
Speaker 1: to be part of some super kill somebody. Yeah, conspiracy

1326
01:15:34,640 --> 01:15:37,960
Speaker 1: is the conspiracy. Yeah, Like that's like I a don't

1327
01:15:37,960 --> 01:15:40,320
Speaker 1: even like on my podcast, like I went down there

1328
01:15:40,360 --> 01:15:41,840
Speaker 1: one a lot of times. But when I started doing

1329
01:15:41,880 --> 01:15:43,519
Speaker 1: the research, I was like, my na, I'm not about

1330
01:15:43,520 --> 01:15:47,080
Speaker 1: to go off speculation. I'm only going on facts. Y'all

1331
01:15:47,160 --> 01:15:50,240
Speaker 1: niggas speculating all day. I'm like, show me the facts,

1332
01:15:50,280 --> 01:15:51,960
Speaker 1: and we're talking about like we got to take another

1333
01:15:52,000 --> 01:15:54,679
Speaker 1: shot for that. I'm staring it out there. I feel

1334
01:15:54,680 --> 01:15:57,519
Speaker 1: like you just want to take a shot training it

1335
01:15:57,640 --> 01:16:01,360
Speaker 1: out just now. Wikipedia pages grazy for real. As soon

1336
01:16:01,400 --> 01:16:03,320
Speaker 1: as we went they said, he believes in the luminality,

1337
01:16:03,439 --> 01:16:15,320
Speaker 1: said and leaves in the luminary shot, like you believe

1338
01:16:15,400 --> 01:16:19,280
Speaker 1: rappers in the mominality? Oh no, no, no, okay, so

1339
01:16:19,320 --> 01:16:23,080
Speaker 1: they watched my podcast. Okay, this is what this is.

1340
01:16:23,920 --> 01:16:26,920
Speaker 1: This is what I believe. I said on my podcast

1341
01:16:26,960 --> 01:16:31,240
Speaker 1: what I do with my dude without different countor I said, like,

1342
01:16:31,479 --> 01:16:34,800
Speaker 1: because they asked me if I think like rappers are

1343
01:16:34,880 --> 01:16:37,000
Speaker 1: part of the illuminati, I was like, Yo, that's not

1344
01:16:37,200 --> 01:16:39,840
Speaker 1: my place to place them there, but I'm saying if

1345
01:16:39,960 --> 01:16:44,799
Speaker 1: people are, if you are purposely throwing up signs talking

1346
01:16:44,920 --> 01:16:49,680
Speaker 1: ship that's affiliated that you know that is affiliated with

1347
01:16:49,800 --> 01:16:52,840
Speaker 1: this organization, then like I mean, come on, I'm like,

1348
01:16:53,560 --> 01:16:56,320
Speaker 1: what the fuck If you're purposely doing it? What then

1349
01:16:56,439 --> 01:16:58,160
Speaker 1: is everybody wants to think because I kind of know

1350
01:16:58,240 --> 01:17:00,680
Speaker 1: a blood sign and the crypt sign on a Loominity

1351
01:17:00,760 --> 01:17:06,960
Speaker 1: sign what some bro like, it's bro? Honestly, I don't know.

1352
01:17:09,080 --> 01:17:14,559
Speaker 1: This is what's crazy apparently so apparently like it's all

1353
01:17:14,640 --> 01:17:18,200
Speaker 1: this type of ship. But I never knew that we

1354
01:17:18,320 --> 01:17:21,720
Speaker 1: were indulged in. Bro, this is what's crazy. Heard that

1355
01:17:21,760 --> 01:17:23,519
Speaker 1: I'm not even supposed to be the good guys because

1356
01:17:23,560 --> 01:17:25,599
Speaker 1: if you look at our album covers and ship, if

1357
01:17:25,640 --> 01:17:28,000
Speaker 1: you look at our album curvers, they're always some mystic ship,

1358
01:17:28,400 --> 01:17:31,320
Speaker 1: always some crazy ship talking about both of Yeah, I

1359
01:17:31,600 --> 01:17:34,320
Speaker 1: never knew what this ship was that you was putting

1360
01:17:34,320 --> 01:17:38,200
Speaker 1: out No No, our first album, We get Deep and

1361
01:17:38,240 --> 01:17:49,560
Speaker 1: then the Thunder's coming Deep. We gotta watch out after this?

1362
01:17:52,400 --> 01:17:54,800
Speaker 1: Where you going it with you? Whatever you say, I

1363
01:17:54,920 --> 01:17:59,479
Speaker 1: believe it, let's go. We're taking the shot crazy phones

1364
01:18:00,040 --> 01:18:02,160
Speaker 1: never thought he want to go with it. I'm going

1365
01:18:02,240 --> 01:18:05,679
Speaker 1: with him. I'm going with him. Nothing. What I'm saying

1366
01:18:05,880 --> 01:18:09,719
Speaker 1: was like like we didn't really understand like all those

1367
01:18:09,840 --> 01:18:12,559
Speaker 1: like signs and you got to take it for they

1368
01:18:12,680 --> 01:18:16,880
Speaker 1: don't have to take it. Man from each thing together.

1369
01:18:17,280 --> 01:18:20,240
Speaker 1: Come on, he gotta work after this too. Yeah, we

1370
01:18:20,520 --> 01:18:22,640
Speaker 1: is too. We're gonna be DJ and ship. You know,

1371
01:18:23,360 --> 01:18:27,120
Speaker 1: come on. We didn't really understand like what all the

1372
01:18:27,240 --> 01:18:29,679
Speaker 1: sayings was if you look at my fucking tub mental

1373
01:18:29,760 --> 01:18:31,840
Speaker 1: of the album, but they had a nigger and this

1374
01:18:32,000 --> 01:18:33,240
Speaker 1: was none of mine. Then they was like, Yo, this

1375
01:18:33,280 --> 01:18:36,000
Speaker 1: ship looks good for the Bone who's saying this to

1376
01:18:36,040 --> 01:18:38,400
Speaker 1: you guys? And this looks good regular label. They're like, Yo,

1377
01:18:38,439 --> 01:18:41,080
Speaker 1: this ship is dope, and you like, come on, So

1378
01:18:41,479 --> 01:18:44,120
Speaker 1: I'm doing this ship not even knowing like what these

1379
01:18:44,200 --> 01:18:46,800
Speaker 1: horns mean, none of this ship. I'm like, Yo, this

1380
01:18:46,800 --> 01:18:49,639
Speaker 1: ship is look dopest it looked like the Bones Devil ship.

1381
01:18:49,960 --> 01:18:53,840
Speaker 1: It looks like Bone crazy ship. Yeah yeah yeah, I'm

1382
01:18:53,840 --> 01:18:56,879
Speaker 1: actually like it looks like Bones sounds. I'm like, oh goddamn,

1383
01:18:57,520 --> 01:19:00,680
Speaker 1: it sucked up. It's fun up when I'm actually look

1384
01:19:00,760 --> 01:19:02,479
Speaker 1: like Bones sound. So I'm down with it. Let's go,

1385
01:19:02,640 --> 01:19:06,880
Speaker 1: let's go take it. So like years later, i want

1386
01:19:06,920 --> 01:19:10,240
Speaker 1: my podcast doing the fucking shot about the little Manaty

1387
01:19:10,280 --> 01:19:12,880
Speaker 1: and I'm looking at the images. I'm like, wait a minute,

1388
01:19:12,920 --> 01:19:17,160
Speaker 1: It's like, yo, god, damnit, waiting these things done. I've

1389
01:19:17,160 --> 01:19:22,559
Speaker 1: been bamboos, what the fun is going on? Like Yo,

1390
01:19:22,800 --> 01:19:24,560
Speaker 1: I'm like something like what the fun is going on?

1391
01:19:24,720 --> 01:19:27,160
Speaker 1: Like all these ship matches with this and me and

1392
01:19:27,200 --> 01:19:30,479
Speaker 1: my NIGG was talking like yo, okay, I was tricked, y'all. Yeah,

1393
01:19:31,120 --> 01:19:33,240
Speaker 1: I'll keep you hunted. I didn't know when it was

1394
01:19:33,360 --> 01:19:36,320
Speaker 1: leading me. You think people are purposely putting symbols in

1395
01:19:36,400 --> 01:19:42,040
Speaker 1: your ship? Purposely? Because because I think people guy that twisted,

1396
01:19:42,160 --> 01:19:48,840
Speaker 1: like like, let's go, I believe we we rap about

1397
01:19:49,320 --> 01:19:55,080
Speaker 1: bro ain't nothing we we don't like, we can't. We

1398
01:19:55,240 --> 01:19:57,760
Speaker 1: can't wrap about ship we don't know about. It's it's

1399
01:19:57,840 --> 01:20:00,880
Speaker 1: impossible to us to go want to booth and rap

1400
01:20:00,960 --> 01:20:04,040
Speaker 1: about something we don't. I don't even have a passion

1401
01:20:04,080 --> 01:20:06,320
Speaker 1: to write about you. I don't know, right, So it's

1402
01:20:06,400 --> 01:20:09,120
Speaker 1: like I only write about ship I lived, I see

1403
01:20:09,160 --> 01:20:12,800
Speaker 1: our experience or no motherfucker's didn't went through it. So

1404
01:20:13,040 --> 01:20:16,400
Speaker 1: like when we did this song the Luigi Luigi Board,

1405
01:20:17,439 --> 01:20:20,400
Speaker 1: you've done Luigi board before? Hold on, hold on, I

1406
01:20:20,439 --> 01:20:23,639
Speaker 1: just want to ask um, you guys name the song

1407
01:20:23,760 --> 01:20:28,519
Speaker 1: called Uigi Board and then I don't continue and what

1408
01:20:28,680 --> 01:20:32,960
Speaker 1: happens after this? So look, we had a song called

1409
01:20:33,680 --> 01:20:39,519
Speaker 1: shipping right now manic watch American horror stories. It's my favorite.

1410
01:20:39,800 --> 01:20:43,519
Speaker 1: We're about to man. So we did a song called

1411
01:20:43,560 --> 01:20:48,160
Speaker 1: Weigi like we played with the Uigi board at one

1412
01:20:48,200 --> 01:20:50,080
Speaker 1: point like it was a video. No no, no, no no.

1413
01:20:50,320 --> 01:20:54,880
Speaker 1: This this even made it like we played with Duigi board.

1414
01:20:55,200 --> 01:20:58,880
Speaker 1: One time, Busy and Lazy came to my house. These yo,

1415
01:20:58,960 --> 01:21:01,519
Speaker 1: these things came to out and said, we gotta talk

1416
01:21:01,600 --> 01:21:03,720
Speaker 1: to you. I say, talk to me about what we

1417
01:21:03,800 --> 01:21:08,040
Speaker 1: got to talk to the boar no to do the

1418
01:21:08,120 --> 01:21:10,920
Speaker 1: way Lazy and Busy came to my house one day

1419
01:21:10,960 --> 01:21:13,879
Speaker 1: and say, yo, we need to talk. I say, okay,

1420
01:21:14,280 --> 01:21:18,320
Speaker 1: talk about what they're like. Yo, come upstairs and my

1421
01:21:18,680 --> 01:21:21,680
Speaker 1: my room was in the attic. My room was in

1422
01:21:21,720 --> 01:21:23,280
Speaker 1: the attic at my mama house. So we go up

1423
01:21:23,320 --> 01:21:26,120
Speaker 1: stage us and then put out of Weiji board. Me.

1424
01:21:26,640 --> 01:21:29,679
Speaker 1: I was raised as a job was witnessed. So I'm

1425
01:21:29,680 --> 01:21:33,160
Speaker 1: already knowing at the top, nigga, what is that? What

1426
01:21:33,280 --> 01:21:36,600
Speaker 1: did you do with that? And he didn't you know

1427
01:21:36,600 --> 01:21:41,360
Speaker 1: what I'm saying. I was trying to but being young

1428
01:21:41,479 --> 01:21:45,920
Speaker 1: the sixteen, I'm like, okay, come on, let's playing. Everybody

1429
01:21:45,960 --> 01:21:47,240
Speaker 1: told me not to do it. I want to know

1430
01:21:47,280 --> 01:21:49,040
Speaker 1: what they said. Don't do it as a kid. You

1431
01:21:49,080 --> 01:21:50,599
Speaker 1: know what I'm saying. I wonder why you say don't

1432
01:21:50,600 --> 01:21:53,559
Speaker 1: do it. So we started we'll get hooked on cocaine stories.

1433
01:21:53,640 --> 01:21:56,280
Speaker 1: There's the same sex, way different different thing, but okay,

1434
01:21:56,360 --> 01:21:58,160
Speaker 1: most people don't get it hit on and then they

1435
01:21:58,240 --> 01:22:03,519
Speaker 1: do it. Okay, imagine that Caine. I really didn't make

1436
01:22:03,520 --> 01:22:08,240
Speaker 1: a story. Yeah. So so they came to the house

1437
01:22:08,320 --> 01:22:10,760
Speaker 1: and they're like, you'll be able to show you something.

1438
01:22:11,520 --> 01:22:14,320
Speaker 1: I said, Okay, so I stay, this is crazy right now.

1439
01:22:15,800 --> 01:22:20,280
Speaker 1: Range So they're like attention, so they like to the

1440
01:22:20,360 --> 01:22:24,200
Speaker 1: atmosphere and so they started doing like the this is

1441
01:22:24,280 --> 01:22:26,439
Speaker 1: what I said, This is why the song starts off.

1442
01:22:26,680 --> 01:22:29,000
Speaker 1: Wheat y'are you wheat y'all? You with me? Because he

1443
01:22:29,160 --> 01:22:34,200
Speaker 1: was like, why are you with me? It was like,

1444
01:22:34,280 --> 01:22:36,720
Speaker 1: I feel like we should have a right listen. They're

1445
01:22:36,720 --> 01:22:39,800
Speaker 1: sitting here like they're sitting here like, and I'm looking like,

1446
01:22:40,600 --> 01:22:45,519
Speaker 1: who y'all talking to? You don't understand that you didn't

1447
01:22:45,520 --> 01:22:47,960
Speaker 1: know what it was? No, no, no to the other side.

1448
01:22:48,200 --> 01:22:50,160
Speaker 1: I knew the board, I knew of the boy, but

1449
01:22:50,200 --> 01:22:52,200
Speaker 1: I'm like, waiting, okay, now who you're talking to? Like,

1450
01:22:52,600 --> 01:22:54,160
Speaker 1: is there somebody in here with us, let me know.

1451
01:22:54,320 --> 01:22:56,639
Speaker 1: So they like talking and they're like yo, they're asking

1452
01:22:56,680 --> 01:23:00,479
Speaker 1: the questions and like Jamal, like your hand was all

1453
01:23:00,520 --> 01:23:02,880
Speaker 1: that your fingers and no no no, no, no no no,

1454
01:23:06,000 --> 01:23:07,800
Speaker 1: I'm looking at them to see if it's if they're

1455
01:23:07,840 --> 01:23:09,680
Speaker 1: moving them. I'm like, you think it's trying to trick me.

1456
01:23:09,760 --> 01:23:12,280
Speaker 1: I'm like, but you know what I'm saying, Like it

1457
01:23:12,400 --> 01:23:16,080
Speaker 1: was just crazy, bro Like, So we talk about everything

1458
01:23:16,200 --> 01:23:19,120
Speaker 1: we've experienced. We have some experiences with that. Wigi bo

1459
01:23:19,160 --> 01:23:21,479
Speaker 1: I don'tly ain't gonna talk about it because it's you

1460
01:23:21,560 --> 01:23:23,800
Speaker 1: talk about everything but the Weiji boy. Yeah, I'm not yeah,

1461
01:23:24,439 --> 01:23:27,000
Speaker 1: because I don't really like I'm totally against all that.

1462
01:23:27,400 --> 01:23:29,880
Speaker 1: I'm not like we've done that as young kids, as

1463
01:23:29,960 --> 01:23:34,920
Speaker 1: young stupid, young and dumb kids. Me as a man, now,

1464
01:23:34,920 --> 01:23:36,400
Speaker 1: I would never you know, I'm saying, I would never

1465
01:23:36,520 --> 01:23:38,560
Speaker 1: indulge in anything like that because I know when it

1466
01:23:38,640 --> 01:23:40,880
Speaker 1: brings to your life, you know what I'm saying. But

1467
01:23:41,000 --> 01:23:42,840
Speaker 1: like at that time, we was like, you know, like

1468
01:23:43,040 --> 01:23:45,640
Speaker 1: let's do it, and so we experienced with it. So

1469
01:23:46,000 --> 01:23:48,040
Speaker 1: we made the experience and people start talking about we

1470
01:23:48,200 --> 01:23:51,680
Speaker 1: was devil worshipers. I'm like, my dude, Like, I'm like,

1471
01:23:52,840 --> 01:23:55,760
Speaker 1: so when you talk about what you experience, like you

1472
01:23:56,160 --> 01:24:00,360
Speaker 1: you automatical label like the Mall and Mansons of hip hop,

1473
01:24:00,680 --> 01:24:04,439
Speaker 1: the original hardcore. Yeah, I'm like, bro, like we did.

1474
01:24:04,520 --> 01:24:07,040
Speaker 1: It's like you know, like this we just like we

1475
01:24:07,160 --> 01:24:11,800
Speaker 1: talked just like no, no, no, no, I mean we

1476
01:24:12,400 --> 01:24:14,680
Speaker 1: we funk with it, but it was like, Okay, this

1477
01:24:14,840 --> 01:24:17,400
Speaker 1: ain't for us. We figured out where to come from.

1478
01:24:17,640 --> 01:24:20,360
Speaker 1: We're cool, and it was just like, like like I said,

1479
01:24:20,400 --> 01:24:23,080
Speaker 1: it was just a time in our past, like something

1480
01:24:23,120 --> 01:24:24,320
Speaker 1: we went through, you know what I'm saying, Like just

1481
01:24:24,400 --> 01:24:26,000
Speaker 1: a phase we went through and it was like, okay,

1482
01:24:26,040 --> 01:24:28,720
Speaker 1: we're done with that. And we never even looked back

1483
01:24:28,760 --> 01:24:30,880
Speaker 1: to that ship. Nobody was like, let's go worship the

1484
01:24:30,960 --> 01:24:33,759
Speaker 1: devil like ever. But then they put it in your graphics.

1485
01:24:33,880 --> 01:24:39,920
Speaker 1: Oh yeah yeah no no, they did though, because they

1486
01:24:40,000 --> 01:24:42,200
Speaker 1: heard our lyrics and it was like yo, this is yo,

1487
01:24:42,320 --> 01:24:43,720
Speaker 1: and this is what I feel like. I feel like

1488
01:24:43,840 --> 01:24:46,320
Speaker 1: Bone was blackballed in the game because I felt like,

1489
01:24:47,400 --> 01:24:51,640
Speaker 1: I feel like they were going to use us, They

1490
01:24:51,680 --> 01:24:53,960
Speaker 1: were gonna use us for something, but when we didn't,

1491
01:24:54,880 --> 01:24:58,320
Speaker 1: when we didn't like that line, when they found out

1492
01:24:58,400 --> 01:25:01,479
Speaker 1: that we couldn't be trained or t aimed. Oh them

1493
01:25:01,560 --> 01:25:06,400
Speaker 1: nigga's dysfunction, though, we can't work with them. They on drugs?

1494
01:25:07,040 --> 01:25:12,640
Speaker 1: Who on drugs? Them? Like like what like yeah, like

1495
01:25:12,760 --> 01:25:16,000
Speaker 1: niggas use alcohol? What drugs you're talking about? Like, niggas

1496
01:25:16,000 --> 01:25:18,320
Speaker 1: ain't never used no drugs, not even my nigga Busy

1497
01:25:19,320 --> 01:25:23,240
Speaker 1: and he admitted his alcoholism. He's good now. But they're

1498
01:25:23,240 --> 01:25:24,800
Speaker 1: trying to make it seem like we was just like

1499
01:25:24,920 --> 01:25:27,040
Speaker 1: out here, just like, oh, these niggas out of hand

1500
01:25:27,040 --> 01:25:29,200
Speaker 1: and Nigga, no, we ain't. You're not going to control us.

1501
01:25:29,479 --> 01:25:32,599
Speaker 1: You're not gonna tell us how we need to sound

1502
01:25:33,160 --> 01:25:36,080
Speaker 1: or how we need to move. It's not going to happen.

1503
01:25:41,760 --> 01:25:47,080
Speaker 1: It's not gonna happen, man, It's it's got good. Shoutout

1504
01:25:47,120 --> 01:25:51,200
Speaker 1: to Organic foodcase. Yes, yeah, I just want to take

1505
01:25:51,240 --> 01:25:54,160
Speaker 1: a shot for crazy right now. I just want to

1506
01:25:54,160 --> 01:25:56,000
Speaker 1: take a shot. Man. He's gonna finish that bottom. We

1507
01:25:56,080 --> 01:26:02,360
Speaker 1: want you to listen at man. We know your style, bro.

1508
01:26:02,479 --> 01:26:05,040
Speaker 1: You went before me. It's the first time the first

1509
01:26:05,120 --> 01:26:11,160
Speaker 1: time I'm drinking beer. Man, it goes right through me. Yo, listen,

1510
01:26:11,439 --> 01:26:14,519
Speaker 1: Crazy Bone. I want you to know. Our show is

1511
01:26:14,520 --> 01:26:19,439
Speaker 1: about giving people their flowers. You are not only a legend,

1512
01:26:19,600 --> 01:26:21,160
Speaker 1: you're a super a legend. You know how they say this,

1513
01:26:21,360 --> 01:26:23,960
Speaker 1: it's food and it's super food like weak grass and

1514
01:26:24,000 --> 01:26:29,080
Speaker 1: super fool like the wheat grass rappers. You're a super

1515
01:26:29,160 --> 01:26:36,000
Speaker 1: fool nigg You know what I'm saying. I'll be back.

1516
01:26:40,520 --> 01:26:47,640
Speaker 1: Ah she got real. I gotta I gotta get my

1517
01:26:47,720 --> 01:26:50,000
Speaker 1: life together. Got you know I got notes? Who funked

1518
01:26:50,040 --> 01:26:54,880
Speaker 1: up my notes? You suck up my notes? Just Red

1519
01:26:54,920 --> 01:27:02,679
Speaker 1: Cafe makes your bread cafe out there, Red Cafe. Okay.

1520
01:27:06,040 --> 01:27:07,680
Speaker 1: You know what I don't want to talk about the

1521
01:27:09,040 --> 01:27:13,000
Speaker 1: home economics lazy bones is that is that I'm going

1522
01:27:13,080 --> 01:27:18,080
Speaker 1: too far. Now that's the beginning, right, Oh, this thing

1523
01:27:18,160 --> 01:27:22,439
Speaker 1: is at home economics. Wow, ain't done this research? I

1524
01:27:22,560 --> 01:27:26,560
Speaker 1: like this ship. Yeah dug deep dug deep home economics.

1525
01:27:26,720 --> 01:27:30,679
Speaker 1: Wow like your first song? Right, yes, no, that that's

1526
01:27:30,840 --> 01:27:33,920
Speaker 1: that's why. That's why I first met lazy was in

1527
01:27:34,040 --> 01:27:39,080
Speaker 1: home economics class. Oh my bad, that's what I mean.

1528
01:27:39,479 --> 01:27:43,640
Speaker 1: Yeah no no no, no bro bro no no no

1529
01:27:44,320 --> 01:27:53,240
Speaker 1: no bro bro bro bro. My research. Literally home economics class,

1530
01:27:53,400 --> 01:27:56,120
Speaker 1: seventh grade. It's where I met this nigger. Like we

1531
01:27:56,320 --> 01:27:58,680
Speaker 1: was like, you're not gonna make noise for me come on,

1532
01:27:58,800 --> 01:28:07,640
Speaker 1: come on, I'm a busy nigga. Homemakom. I don't know

1533
01:28:07,720 --> 01:28:11,000
Speaker 1: what it is, like what the home homemaking is the

1534
01:28:11,080 --> 01:28:14,360
Speaker 1: class that they teach you how to cooking ship like exactly,

1535
01:28:14,479 --> 01:28:18,280
Speaker 1: yeah to cooking. Okay, yeah you know it like so

1536
01:28:18,640 --> 01:28:23,080
Speaker 1: we're ha exactly skip you. I ain't cooking too much

1537
01:28:23,120 --> 01:28:24,920
Speaker 1: in that Montherfu either, And I ain't you know what

1538
01:28:25,040 --> 01:28:27,920
Speaker 1: I was into. I was in the science and Global

1539
01:28:28,040 --> 01:28:31,920
Speaker 1: studies for real, I wouldn't it ain' supposed to be.

1540
01:28:31,960 --> 01:28:33,960
Speaker 1: That's why I wanted to be there with a hoodie

1541
01:28:34,000 --> 01:28:37,680
Speaker 1: on like this, because I was into the ship like

1542
01:28:37,760 --> 01:28:42,840
Speaker 1: your nerve. I'm sorry. My favorite stuff was pe that's it.

1543
01:28:43,439 --> 01:28:47,200
Speaker 1: But yeah that's like Jim, Yeah yeah, Jim, that's it.

1544
01:28:47,840 --> 01:28:53,599
Speaker 1: They get into played the fun everything else. They shoot.

1545
01:28:54,200 --> 01:29:01,519
Speaker 1: God is coming from y'all Nia for this. Take it

1546
01:29:01,560 --> 01:29:04,599
Speaker 1: to the shot shot. I'm with it. I'm gonna take

1547
01:29:04,600 --> 01:29:08,479
Speaker 1: a little shot. Feel crazy, man, We love you crazy.

1548
01:29:09,920 --> 01:29:15,800
Speaker 1: You came to my homie studio right there, came to

1549
01:29:15,840 --> 01:29:22,360
Speaker 1: the studio. Goddamn, Okay, we wait were you wait from me? Dog?

1550
01:29:24,680 --> 01:29:29,560
Speaker 1: Do another mom home? Holy moly? After this, Oh this

1551
01:29:29,760 --> 01:29:32,800
Speaker 1: rain is crazy, said, let me just all right, I

1552
01:29:32,880 --> 01:29:34,920
Speaker 1: know I'm changing the subject a little bit. What was

1553
01:29:34,960 --> 01:29:38,519
Speaker 1: the subding before? We don't even know. Let's go, but

1554
01:29:38,720 --> 01:29:45,960
Speaker 1: Bone Dogs gotta be the most legendary group that reached

1555
01:29:46,560 --> 01:29:59,120
Speaker 1: every category like y'all's top, forty, top, rhythmic, top, every

1556
01:29:59,200 --> 01:30:05,240
Speaker 1: motherfucking thing. I met Janet Jackson before. Uh No. I

1557
01:30:05,400 --> 01:30:09,840
Speaker 1: actually I saw jennexasted for from it at an award

1558
01:30:09,920 --> 01:30:12,559
Speaker 1: show and I was saying, They're like, Yo, that's Michael

1559
01:30:12,640 --> 01:30:16,040
Speaker 1: Jackson's sister son what I'm saying. And I actually done

1560
01:30:16,080 --> 01:30:19,040
Speaker 1: a remix of one of her songs, but the ship

1561
01:30:19,320 --> 01:30:23,080
Speaker 1: never came out, and I don't know that she had

1562
01:30:23,120 --> 01:30:25,920
Speaker 1: you on no no, no, no no, that the producer

1563
01:30:26,000 --> 01:30:29,240
Speaker 1: of the song did. And I've never heard the ship again.

1564
01:30:29,320 --> 01:30:32,080
Speaker 1: So I'm like, and it was hypered, but They're like, Yo,

1565
01:30:32,160 --> 01:30:33,760
Speaker 1: this ship about to be crazy and I've never heard

1566
01:30:33,800 --> 01:30:38,760
Speaker 1: nothing else about it. How about m J Michael Jackson, yo, bro,

1567
01:30:38,880 --> 01:30:41,920
Speaker 1: Like honestly, like, that's the only artist. That's the only

1568
01:30:42,080 --> 01:30:45,479
Speaker 1: artist I say that I'm I want to I wanted

1569
01:30:45,520 --> 01:30:48,479
Speaker 1: to work with life because that's the inspired me to

1570
01:30:48,520 --> 01:30:52,800
Speaker 1: get into the to do music period. Michael Jackson was

1571
01:30:52,920 --> 01:30:59,080
Speaker 1: my inspiration. Any other thing among any other artists Hi,

1572
01:30:59,200 --> 01:31:02,760
Speaker 1: Pop R and B. Michael Jackson was to do that,

1573
01:31:02,960 --> 01:31:06,479
Speaker 1: like I was like generationally did that? He did that? Yeah, Yeah,

1574
01:31:06,800 --> 01:31:11,000
Speaker 1: it's a main question. You had the zipper jacket, Jackie,

1575
01:31:11,000 --> 01:31:13,479
Speaker 1: with the zippers. I couldn't afford it. I couldn't afford it.

1576
01:31:13,520 --> 01:31:19,479
Speaker 1: But if I wouldn't glove, I made my own for real,

1577
01:31:20,200 --> 01:31:23,280
Speaker 1: my own for real, you know what I'm saying, because

1578
01:31:23,280 --> 01:31:26,599
Speaker 1: I just to imitate the n everybody did. I said dancing,

1579
01:31:26,720 --> 01:31:29,000
Speaker 1: and Yo, my nigga, when I tell you, I used

1580
01:31:29,040 --> 01:31:31,040
Speaker 1: to dance like the nigga and I used to dance.

1581
01:31:31,080 --> 01:31:34,200
Speaker 1: I used to dance, I get around. I was nig

1582
01:31:34,320 --> 01:31:37,000
Speaker 1: I did and I used to mc hammer ship my nigga,

1583
01:31:37,880 --> 01:31:42,080
Speaker 1: keep it, keep one em. I was into the whole

1584
01:31:42,200 --> 01:31:45,400
Speaker 1: hip hop ship, the dancing, the wrapping everything. I just

1585
01:31:45,520 --> 01:31:47,760
Speaker 1: need to put you what you're saying. Did you have

1586
01:31:47,880 --> 01:31:59,240
Speaker 1: to pass? Yeah? Listen, listen. You went from Hammon to

1587
01:31:59,280 --> 01:32:03,400
Speaker 1: Michael mean over there, so I know you was in.

1588
01:32:04,439 --> 01:32:06,000
Speaker 1: You had to have a letter jacket and we had

1589
01:32:06,040 --> 01:32:12,920
Speaker 1: a leather jacket, Michael. I couldn't afford I wanted one,

1590
01:32:13,520 --> 01:32:16,320
Speaker 1: but Nick, my parents wouldn't have in Like what mean

1591
01:32:16,600 --> 01:32:18,640
Speaker 1: you can really get school closed. Nigger, you better be

1592
01:32:18,680 --> 01:32:25,040
Speaker 1: happy with dad. What about Prince? Oh, bro brot him though, huh,

1593
01:32:25,520 --> 01:32:28,120
Speaker 1: we've had some legendary princes. You ain't spoke this whole time.

1594
01:32:28,120 --> 01:32:33,280
Speaker 1: We're gonna get you call you got bro, you got

1595
01:32:33,600 --> 01:32:37,760
Speaker 1: chip in case you want joints. Okay, good, bring you

1596
01:32:37,800 --> 01:32:40,400
Speaker 1: back to the Eastern I got them, bring you back

1597
01:32:40,400 --> 01:32:43,880
Speaker 1: to the East nine. I made Prince one time. Wait

1598
01:32:44,360 --> 01:32:50,320
Speaker 1: a minute, you're going I gotta relax. Yeah, I don't

1599
01:32:50,320 --> 01:32:57,920
Speaker 1: know what you no, No, you're good, cafe. Tell us

1600
01:32:57,960 --> 01:33:01,679
Speaker 1: your Prince story, please please, I mean anyway, like nothing extra,

1601
01:33:02,120 --> 01:33:05,160
Speaker 1: like you know, I was flying into the Burbank Airport

1602
01:33:05,680 --> 01:33:09,400
Speaker 1: that's California. Yeah, it's just like years ago. Like and yo,

1603
01:33:10,120 --> 01:33:13,200
Speaker 1: so um came in. I m sat, went from my

1604
01:33:13,280 --> 01:33:15,840
Speaker 1: car to pull up and like people is in a

1605
01:33:15,920 --> 01:33:18,960
Speaker 1: frenzy like, yo, that's pret that's Prince. And I looked out.

1606
01:33:19,160 --> 01:33:21,679
Speaker 1: I said, yo, that's nick yo yo yo. This nigga,

1607
01:33:22,000 --> 01:33:23,840
Speaker 1: this nigg was like short in the mouth on me.

1608
01:33:23,920 --> 01:33:28,360
Speaker 1: So I'm like short and easy to the you know,

1609
01:33:28,479 --> 01:33:32,880
Speaker 1: like short, and the nigga had purple, No you don't white,

1610
01:33:33,400 --> 01:33:35,840
Speaker 1: And the nigga was like yeah, I don't say. He

1611
01:33:35,960 --> 01:33:39,400
Speaker 1: had on heels and he was still short platforms called

1612
01:33:39,479 --> 01:33:44,760
Speaker 1: mills like and then like like people like um, I

1613
01:33:44,880 --> 01:33:47,839
Speaker 1: walked into I was like, what's up, bro, like crazy

1614
01:33:47,920 --> 01:33:49,360
Speaker 1: bone for both us at home, and he was like,

1615
01:33:49,439 --> 01:33:54,400
Speaker 1: I heard about you. That's all you. That's all okay, cool,

1616
01:33:54,800 --> 01:33:59,800
Speaker 1: that's it, that's cool. That's cool. You know nigga and

1617
01:33:59,880 --> 01:34:02,160
Speaker 1: heard it about me. I'm cool with That's all I

1618
01:34:02,200 --> 01:34:04,519
Speaker 1: need to know. You heard about me for real, you know? So,

1619
01:34:04,720 --> 01:34:08,160
Speaker 1: I mean it was cool that hell yeah, I'm sorry.

1620
01:34:08,160 --> 01:34:09,960
Speaker 1: I got to get the shop for that. I'm sorry,

1621
01:34:10,080 --> 01:34:14,479
Speaker 1: come on, sorry, can't hear about us here? About frist

1622
01:34:14,479 --> 01:34:18,640
Speaker 1: ain't sunk with us? He had asked the chaps out right,

1623
01:34:18,720 --> 01:34:21,040
Speaker 1: let's just be clear what you say, asked the chaps.

1624
01:34:21,160 --> 01:34:26,360
Speaker 1: You know what is that? Asked? Listen chats. That's how

1625
01:34:26,840 --> 01:34:37,720
Speaker 1: Prince used to brawl. Come on, man, right now, to

1626
01:34:37,800 --> 01:34:40,240
Speaker 1: the top too. I'm going my ship to the top

1627
01:34:40,320 --> 01:34:55,360
Speaker 1: two true, yeah, crazy ball, it's the last album you bought,

1628
01:34:56,600 --> 01:35:03,080
Speaker 1: last album bault Yeah, and that wanted to listen to, man, okay, wait,

1629
01:35:05,920 --> 01:35:09,960
Speaker 1: that's out of my baul. I love you over there,

1630
01:35:10,320 --> 01:35:12,760
Speaker 1: and I wanted to listen to and you wanted to

1631
01:35:12,840 --> 01:35:19,400
Speaker 1: listen to mm hmm or downloaded, don't have to be fought.

1632
01:35:19,520 --> 01:35:23,639
Speaker 1: That's kind of outdated. Man, they're going to come back,

1633
01:35:24,400 --> 01:35:27,720
Speaker 1: come back with that. Ain't a lot of motherfuckers like that. Bro,

1634
01:35:28,640 --> 01:35:34,320
Speaker 1: what's the newest ship you're listening? No new dudes, I

1635
01:35:34,439 --> 01:35:37,160
Speaker 1: listened to I Folk with the Baby Tough. I think

1636
01:35:37,200 --> 01:35:40,080
Speaker 1: that shitty going through its bullshit right, Keep it one hunting,

1637
01:35:40,320 --> 01:35:44,960
Speaker 1: Keep it one hunting, Uh, little dirt. You know what

1638
01:35:44,960 --> 01:35:49,840
Speaker 1: I'm saying, Um, I folk with a little Wayne like

1639
01:35:50,040 --> 01:35:52,360
Speaker 1: t I ship, I'm messed with like a lot of dudes, Bro,

1640
01:35:52,479 --> 01:35:54,479
Speaker 1: you know what I'm saying, Like like I just like

1641
01:35:55,000 --> 01:35:57,240
Speaker 1: I like real hippo. I don't. I don't like dudes

1642
01:35:57,360 --> 01:35:59,920
Speaker 1: just sound like other people. So what happened with you

1643
01:36:00,000 --> 01:36:05,400
Speaker 1: all the mets? Because at some point it was like

1644
01:36:05,520 --> 01:36:09,600
Speaker 1: a bone dougs, I don't, I don't, I don't know,

1645
01:36:10,040 --> 01:36:13,600
Speaker 1: but like to keep it one hunting journalist, that's the

1646
01:36:13,600 --> 01:36:16,120
Speaker 1: show a little bit. That's that's that's the course thing

1647
01:36:16,160 --> 01:36:18,840
Speaker 1: you would have to ask, lazy Bone, because honestly, I'm

1648
01:36:18,840 --> 01:36:21,240
Speaker 1: gonna keep it one hunting, like I don't have I

1649
01:36:21,360 --> 01:36:26,800
Speaker 1: have no problem with nobody in the industry because like,

1650
01:36:27,320 --> 01:36:31,360
Speaker 1: but it wasn't a problem. It was a discripancy. And

1651
01:36:31,439 --> 01:36:34,719
Speaker 1: I feel like which I which I expressed the lazy bone,

1652
01:36:34,800 --> 01:36:36,920
Speaker 1: like just like bro because what was it? They said?

1653
01:36:38,479 --> 01:36:40,960
Speaker 1: The greatest, the great and I'm like, my nigga like

1654
01:36:41,320 --> 01:36:43,960
Speaker 1: and I'm like, this is what I'm saying, Like what

1655
01:36:44,280 --> 01:36:47,080
Speaker 1: rapper do you know? It doesn't need to the greatest

1656
01:36:47,120 --> 01:36:51,960
Speaker 1: group of all times in history. First of all, hip

1657
01:36:52,000 --> 01:36:58,519
Speaker 1: hop is a is a very arrogant form of music. Anyway.

1658
01:36:59,200 --> 01:37:02,360
Speaker 1: Hip hop has been in the very arrogant for in

1659
01:37:02,520 --> 01:37:05,719
Speaker 1: music from the jump, Like even with Sicker Hill Game,

1660
01:37:06,280 --> 01:37:09,680
Speaker 1: I'm the best, there's no rapper better than me, Like

1661
01:37:09,880 --> 01:37:12,720
Speaker 1: that's that's that's that's the gist of like hip hop

1662
01:37:12,840 --> 01:37:15,560
Speaker 1: songs like you always talking about nobody funk with you,

1663
01:37:16,120 --> 01:37:19,280
Speaker 1: I'm the best, can't nobody see me? That's part of

1664
01:37:19,360 --> 01:37:22,920
Speaker 1: hip hop. So like I feel like it's it's kind

1665
01:37:22,960 --> 01:37:27,000
Speaker 1: of hypocritical when we sit up and say, is that

1666
01:37:27,080 --> 01:37:30,679
Speaker 1: all you're gonna talk about is money and jury? When

1667
01:37:30,960 --> 01:37:34,000
Speaker 1: the niggas before, all y'all talked about was I'm the best,

1668
01:37:34,880 --> 01:37:38,080
Speaker 1: I'm the best, can nobody see me? This and that

1669
01:37:38,400 --> 01:37:40,479
Speaker 1: and then the other. You know, what I'm saying. So

1670
01:37:41,120 --> 01:37:44,600
Speaker 1: it's like, Um, it's just like, Bro, like, we just

1671
01:37:44,720 --> 01:37:47,080
Speaker 1: have to respect the culture, bro, because it's like hip

1672
01:37:47,120 --> 01:37:49,559
Speaker 1: hop with it. Hip Hop ain't never been like any

1673
01:37:49,640 --> 01:37:52,280
Speaker 1: other genre in music. It's not like that, so you

1674
01:37:52,360 --> 01:37:55,840
Speaker 1: can't compare us to any other genre. The only thing

1675
01:37:55,920 --> 01:37:58,360
Speaker 1: I would say about hip hop is I wish we

1676
01:37:58,439 --> 01:38:02,599
Speaker 1: would respect our legends and our pioneers and more. That's

1677
01:38:02,600 --> 01:38:04,479
Speaker 1: what we do. Look out for them, what we do

1678
01:38:04,760 --> 01:38:07,919
Speaker 1: way more than we do because that's the only way architects.

1679
01:38:08,439 --> 01:38:10,680
Speaker 1: She just wanted to continue. If we don't look out

1680
01:38:10,760 --> 01:38:13,320
Speaker 1: for the motherfucker's then started this ship like we didn't

1681
01:38:13,360 --> 01:38:15,479
Speaker 1: gonna happen to me? Like, that's what I'm saying, what's

1682
01:38:15,479 --> 01:38:17,880
Speaker 1: gonna happen to you if you don't take care of

1683
01:38:18,000 --> 01:38:20,640
Speaker 1: the ones before you? But Bro, like to me, like

1684
01:38:21,640 --> 01:38:24,040
Speaker 1: the word hip hop shouldn't even be spoke up without

1685
01:38:24,160 --> 01:38:30,200
Speaker 1: knowing who DJ hurt her. It shouldn't even be it

1686
01:38:30,240 --> 01:38:33,000
Speaker 1: shouldn't even be spoken you think of hip hop. The

1687
01:38:33,160 --> 01:38:37,200
Speaker 1: nigga's pictures should be blam, blam, these are niggas right here,

1688
01:38:37,640 --> 01:38:44,719
Speaker 1: like if history because how did how did it feel?

1689
01:38:44,800 --> 01:38:48,800
Speaker 1: When it felt like for one week it was a

1690
01:38:48,960 --> 01:38:53,240
Speaker 1: me goes against bone dugs. Then that week, that week,

1691
01:38:53,400 --> 01:38:57,200
Speaker 1: not not in general, but honestly, I'm gonna tell you,

1692
01:38:57,280 --> 01:39:00,599
Speaker 1: like this competition. I love it because don't think nobody

1693
01:39:00,600 --> 01:39:04,400
Speaker 1: can see Bob. I'm gonna keep one hunted. And that's

1694
01:39:04,400 --> 01:39:10,920
Speaker 1: one just scale on wrong. That's that's something. That's that's

1695
01:39:10,960 --> 01:39:13,760
Speaker 1: one just scale alone, bro, Like, because we study this,

1696
01:39:13,880 --> 01:39:16,599
Speaker 1: were students of the where people don't realize this, we're

1697
01:39:16,640 --> 01:39:20,800
Speaker 1: students of this. I understand. I understand hip hop. I

1698
01:39:20,920 --> 01:39:24,080
Speaker 1: talked to k RST one. I understand hip hop. I

1699
01:39:24,240 --> 01:39:28,040
Speaker 1: understand it to the fullest. Bro. I was a student.

1700
01:39:28,520 --> 01:39:32,400
Speaker 1: I knew these dudes before people in Cleveland even knew

1701
01:39:32,439 --> 01:39:35,720
Speaker 1: who these dudes were, right, Like, so I know who

1702
01:39:35,760 --> 01:39:37,920
Speaker 1: these dudes are, and I understand what hip hop is,

1703
01:39:37,960 --> 01:39:42,719
Speaker 1: and I understand. Go ahead, go ahead, go ahead without

1704
01:39:42,880 --> 01:39:48,959
Speaker 1: like you know, it's my frame. What happened was basically

1705
01:39:49,960 --> 01:39:52,360
Speaker 1: I think Migo said they was the greatest group of

1706
01:39:52,439 --> 01:40:00,280
Speaker 1: all times? Yes, indeed, busy? Was it? Busy? Lazy? Lazy? Relax? Yeah,

1707
01:40:02,200 --> 01:40:04,200
Speaker 1: I think it's just back and forth. Yeah, it's back

1708
01:40:04,240 --> 01:40:08,880
Speaker 1: and forth. And where were you at your mind? Frame?

1709
01:40:09,000 --> 01:40:12,600
Speaker 1: Like you you you not the group just you. My

1710
01:40:12,760 --> 01:40:17,120
Speaker 1: mind frame was like, funk that dumbship. My mind frame

1711
01:40:17,240 --> 01:40:19,400
Speaker 1: was like, nigga, who gives a funk with them? Nigga,

1712
01:40:19,760 --> 01:40:23,679
Speaker 1: that nigga. What I just told you, niggas is supposed

1713
01:40:23,720 --> 01:40:27,760
Speaker 1: to think they're the best. What what MC ever got

1714
01:40:27,840 --> 01:40:30,400
Speaker 1: into the bind is that you heard rapp and say, oh,

1715
01:40:30,920 --> 01:40:32,719
Speaker 1: it's such a stuff that I think I'm the best,

1716
01:40:33,840 --> 01:40:38,800
Speaker 1: I'm almost the best, I may be the best. It's like, nigga,

1717
01:40:39,240 --> 01:40:42,839
Speaker 1: I'm the best. They can't nobody funk with me period.

1718
01:40:44,240 --> 01:40:48,120
Speaker 1: It's like hip hop has always been arrogant. You have

1719
01:40:48,280 --> 01:40:52,160
Speaker 1: to you have to say the same thing, were the

1720
01:40:52,200 --> 01:40:55,240
Speaker 1: best exactly, that's part of that's part of the car

1721
01:40:55,479 --> 01:40:57,519
Speaker 1: and that's what they said. He said, no, no, nigga,

1722
01:40:57,720 --> 01:41:00,960
Speaker 1: we're not. But I'm like, my thing is like, we

1723
01:41:01,040 --> 01:41:05,559
Speaker 1: don't set the lesson dary status. Why even talk? Why

1724
01:41:05,680 --> 01:41:10,599
Speaker 1: even why even see that's true? Why even speak? What's

1725
01:41:11,040 --> 01:41:15,880
Speaker 1: understood don't need to be explained ever. And that's saying

1726
01:41:15,880 --> 01:41:19,719
Speaker 1: it's so real. That's what I was sitting back like, okay, okay,

1727
01:41:20,840 --> 01:41:24,479
Speaker 1: say that then, but if you step in the ring

1728
01:41:24,600 --> 01:41:26,960
Speaker 1: with me, unless it's a main event, you step in

1729
01:41:27,000 --> 01:41:29,519
Speaker 1: the ring with me, it's it's going to be a

1730
01:41:29,600 --> 01:41:33,600
Speaker 1: different outcome asking me and that question. Let me just

1731
01:41:34,160 --> 01:41:39,799
Speaker 1: be straight up now, I'm a different thing. I'm a journalist.

1732
01:41:39,920 --> 01:41:56,080
Speaker 1: Right now, I'm gonna ask against the meagles right now

1733
01:41:58,600 --> 01:42:04,840
Speaker 1: on versus persons. Yeah, it would be, and I think it.

1734
01:42:05,040 --> 01:42:07,400
Speaker 1: I mean, I think it'll be epic. I don't think

1735
01:42:07,400 --> 01:42:10,360
Speaker 1: it'll be negative. I think it be positive. I mean

1736
01:42:10,720 --> 01:42:12,960
Speaker 1: it would be. But but this is my thing and

1737
01:42:13,000 --> 01:42:17,320
Speaker 1: I'm gonna keep on hunting people. Would it be about

1738
01:42:17,400 --> 01:42:20,800
Speaker 1: actual skill and it won't be No, no, no, no, no,

1739
01:42:20,920 --> 01:42:23,320
Speaker 1: no no. I'm listening because just the only way we

1740
01:42:23,360 --> 01:42:29,160
Speaker 1: would accept it if it's about you, about actual skill,

1741
01:42:32,400 --> 01:42:34,519
Speaker 1: because I know what like, if it's if it's actually

1742
01:42:34,560 --> 01:42:37,800
Speaker 1: about skill and talent, because I know a lot of

1743
01:42:37,840 --> 01:42:40,559
Speaker 1: the niggas have got a lot of money for wrapping, right,

1744
01:42:41,080 --> 01:42:44,200
Speaker 1: but it's that actual talent, I'll keep it in one

1745
01:42:44,280 --> 01:42:47,680
Speaker 1: hunted Like, I don't like I'm I'm not trying to

1746
01:42:47,720 --> 01:42:51,519
Speaker 1: offend nobody, but what I'm saying it's bound too. I

1747
01:42:51,640 --> 01:42:54,640
Speaker 1: can't help that. But that would be for versus to

1748
01:42:54,720 --> 01:42:59,000
Speaker 1: decide in the sense the audience to the side. Yeah, yeah, yeah, definitely.

1749
01:42:59,040 --> 01:43:02,639
Speaker 1: But I'm like but I think y'all should. That would

1750
01:43:02,640 --> 01:43:04,840
Speaker 1: be dope if y'all did it, because it would be like,

1751
01:43:05,160 --> 01:43:08,519
Speaker 1: we're coming in this as hip hop to generate two

1752
01:43:08,560 --> 01:43:12,759
Speaker 1: different generations, and we're just gonna let the audience decide

1753
01:43:12,760 --> 01:43:15,840
Speaker 1: what they look. That's why we could never battle because

1754
01:43:15,880 --> 01:43:20,120
Speaker 1: we come from a different generation. Our morals and standards

1755
01:43:20,200 --> 01:43:24,439
Speaker 1: are different. We don't we don't. We don't get funk

1756
01:43:24,479 --> 01:43:26,400
Speaker 1: about money. Because you can't have all the money in

1757
01:43:26,439 --> 01:43:29,200
Speaker 1: the world. I'm still gonna suck you up. It's not money.

1758
01:43:29,280 --> 01:43:33,840
Speaker 1: That's why as an MC, how much money you put

1759
01:43:33,920 --> 01:43:36,719
Speaker 1: on the table, if you ain't got skilled, I'm gonna

1760
01:43:36,800 --> 01:43:41,120
Speaker 1: suck you up as an MC. Bottom line, bottom line,

1761
01:43:41,680 --> 01:43:45,880
Speaker 1: that's bottom line. Now. That's why I think it would

1762
01:43:45,880 --> 01:43:50,280
Speaker 1: be a dope versus I think the dope definitely be

1763
01:43:50,560 --> 01:44:06,720
Speaker 1: educational versus I'm in I don't know say, And it

1764
01:44:06,840 --> 01:44:08,600
Speaker 1: was a beautiful day right before we walk into the

1765
01:44:08,640 --> 01:44:12,120
Speaker 1: motherfucking that's a beautiful day. Right now, I got only

1766
01:44:12,200 --> 01:44:15,120
Speaker 1: molly walking on. I'm going to take another shot. What's

1767
01:44:15,120 --> 01:44:20,559
Speaker 1: good for you? Come on? Back's it's not backing now

1768
01:44:22,520 --> 01:44:25,240
Speaker 1: some way you're gonna say, relax, come on, we do

1769
01:44:25,400 --> 01:44:28,680
Speaker 1: that O good. Okay, look at look at my look

1770
01:44:28,720 --> 01:44:30,720
Speaker 1: at my shot. Oh wait wait wait wait wait wait,

1771
01:44:30,800 --> 01:44:39,599
Speaker 1: let me let me match you. You enjoy yourself? He said, yeah,

1772
01:44:40,400 --> 01:44:55,880
Speaker 1: we cannot do that. Brother, Yeah mood check you walk

1773
01:44:55,920 --> 01:44:57,880
Speaker 1: a dance right now? Yo, listen, I love how he

1774
01:44:58,520 --> 01:45:02,120
Speaker 1: You know what that's funs favorite bear. You know what's

1775
01:45:02,120 --> 01:45:06,639
Speaker 1: funny because what it is the course And they stepped

1776
01:45:06,640 --> 01:45:09,800
Speaker 1: to us to and at first I was like I

1777
01:45:09,880 --> 01:45:12,240
Speaker 1: don't know, and then I told him that. I told

1778
01:45:12,280 --> 01:45:14,360
Speaker 1: course like, I was like, you know what it makes?

1779
01:45:14,479 --> 01:45:17,920
Speaker 1: It is there is synergy here. So let's let's hear

1780
01:45:17,920 --> 01:45:22,000
Speaker 1: your punch story. Bro. Nigga, my nigger we knew this

1781
01:45:22,080 --> 01:45:25,240
Speaker 1: nigga punk, my nigga. We knew this nigga punk when

1782
01:45:25,280 --> 01:45:28,760
Speaker 1: this nigga, Yeah, when this nigga was just like like

1783
01:45:28,920 --> 01:45:33,400
Speaker 1: it's just like the humblest nigga. Like like following like

1784
01:45:34,040 --> 01:45:38,160
Speaker 1: like I said, we first click with Joe because of

1785
01:45:38,200 --> 01:45:43,160
Speaker 1: Steve lot Bell shout at a little busy mans life.

1786
01:45:43,880 --> 01:45:47,639
Speaker 1: Everybody has my nigga for real, Like yo, yo, when

1787
01:45:47,680 --> 01:45:49,760
Speaker 1: the movie come out, people don't know how much the

1788
01:45:49,960 --> 01:45:56,679
Speaker 1: little Bill had in bone folks history for real, spill

1789
01:45:57,920 --> 01:46:02,720
Speaker 1: spill like he's he's real deal like that dude, Like

1790
01:46:02,920 --> 01:46:05,960
Speaker 1: that's my dude, bro, a real brother. Like we me

1791
01:46:06,040 --> 01:46:09,439
Speaker 1: and him been through so much like good and bad

1792
01:46:09,600 --> 01:46:12,320
Speaker 1: to where we like came nothing without our relationship right now,

1793
01:46:13,000 --> 01:46:16,360
Speaker 1: like real talk, that's my duty. That's my dude for really,

1794
01:46:16,400 --> 01:46:19,000
Speaker 1: you know what I'm saying. So it's like, um, yeah, man,

1795
01:46:19,040 --> 01:46:24,080
Speaker 1: so told me talk about again, Okay, yeah, Big pulls

1796
01:46:24,120 --> 01:46:28,080
Speaker 1: so so like like I told you earlier, like Fat Joe,

1797
01:46:28,680 --> 01:46:31,840
Speaker 1: like Chess Squad was the first motherfucker's to put us

1798
01:46:31,880 --> 01:46:35,960
Speaker 1: in so like we was with them everywhereld like we

1799
01:46:36,080 --> 01:46:39,439
Speaker 1: knew Big Pulling when he was like when he was

1800
01:46:39,560 --> 01:46:42,720
Speaker 1: just like trying to get on, he was like yo, bro,

1801
01:46:42,840 --> 01:46:45,280
Speaker 1: when I get on, I sweating kind him a niggas

1802
01:46:45,280 --> 01:46:47,719
Speaker 1: that did it. That's why he on Fleshing Bones album.

1803
01:46:48,040 --> 01:46:51,320
Speaker 1: That's why he on my ship because that nigga, yo, bro,

1804
01:46:51,479 --> 01:46:55,360
Speaker 1: And like nigg didn't pay montherfucker's nothing like nigga don't

1805
01:46:55,360 --> 01:46:59,640
Speaker 1: pay me nothing. We funk with y'all like period and

1806
01:46:59,760 --> 01:47:03,559
Speaker 1: like that, that's why we're sucking the nigger like that nigga,

1807
01:47:03,720 --> 01:47:06,320
Speaker 1: that nigga Fat Joe, That that nigga Fat Joe. My

1808
01:47:06,400 --> 01:47:10,320
Speaker 1: nigga that niggas as as real as they say he is,

1809
01:47:11,160 --> 01:47:15,400
Speaker 1: That's what I know from him. He always been a

1810
01:47:15,520 --> 01:47:19,800
Speaker 1: stand up motherfucker for Bone. He always has. They're always

1811
01:47:19,880 --> 01:47:22,000
Speaker 1: been there for niggas, my nigga, like for real, like

1812
01:47:22,160 --> 01:47:24,840
Speaker 1: he always been Like no, y'all, ain't like even when

1813
01:47:24,880 --> 01:47:27,559
Speaker 1: we had this little beef with like Utang and that's

1814
01:47:27,560 --> 01:47:31,640
Speaker 1: who we jumped on. That nigga was like he was

1815
01:47:31,760 --> 01:47:35,200
Speaker 1: the only thing standing in between us and them clashing.

1816
01:47:35,640 --> 01:47:39,439
Speaker 1: He said, it's not gonna happen. It's not going to happen.

1817
01:47:40,479 --> 01:47:43,000
Speaker 1: He's bone niggas, my niggas, y'all, my niggas, It's not

1818
01:47:43,120 --> 01:47:46,840
Speaker 1: gonna happen. And Joe is a real motherfucker for that

1819
01:47:47,040 --> 01:48:03,240
Speaker 1: for real. That's my nigga for really. Jot shot right now,

1820
01:48:09,600 --> 01:48:14,800
Speaker 1: take another shot. Come on, crazy, let me just tell

1821
01:48:14,800 --> 01:48:23,040
Speaker 1: yourselthing lighter money right Sorry, Yeah, the most one of

1822
01:48:23,120 --> 01:48:28,960
Speaker 1: the most legendary groups all time. When I researched you brothers,

1823
01:48:29,960 --> 01:48:36,640
Speaker 1: I couldn't we Like, I didn't realize how much this

1824
01:48:36,760 --> 01:48:42,160
Speaker 1: is dramatic. Motherfucker's it's not. It's perfect. It's perfect. That's perfect.

1825
01:48:42,880 --> 01:48:46,320
Speaker 1: That's my favorite sit right now. I watched You don't

1826
01:48:46,320 --> 01:48:48,360
Speaker 1: watch that ship. That ship is that's just off the chain.

1827
01:48:48,400 --> 01:48:52,040
Speaker 1: I love that love that six right now, you're just

1828
01:48:52,160 --> 01:48:55,800
Speaker 1: watching it. Now I'll be winding. I went back to

1829
01:48:55,880 --> 01:48:59,240
Speaker 1: the essens. Tell me it's a good. Yeah, I funk

1830
01:48:59,280 --> 01:49:04,200
Speaker 1: with it all bout. Not every season is good. But

1831
01:49:04,760 --> 01:49:06,080
Speaker 1: let me just tell you something. Let me let me

1832
01:49:06,120 --> 01:49:09,600
Speaker 1: just be clear with you. Clear, take you account. I

1833
01:49:09,680 --> 01:49:13,679
Speaker 1: got you. So I was just in terms and kegs

1834
01:49:16,760 --> 01:49:19,280
Speaker 1: come about that, so as I was in ters and

1835
01:49:19,360 --> 01:49:24,519
Speaker 1: k goes right. I got this little bath room. I'm

1836
01:49:24,560 --> 01:49:28,160
Speaker 1: in the master bedroom. That's a little bathroom. The bathroom

1837
01:49:28,960 --> 01:49:33,760
Speaker 1: it's a heated toilet seat. I don't really appreciate it

1838
01:49:36,360 --> 01:49:40,080
Speaker 1: because I can cheat. I can ship regular you need to.

1839
01:49:42,840 --> 01:49:47,320
Speaker 1: But I've been in rich Nicken houses. They just want

1840
01:49:47,320 --> 01:49:53,320
Speaker 1: to have it. Fuck these things. But I'm in the

1841
01:49:53,400 --> 01:49:58,240
Speaker 1: neat it. Every morning I'm waking up. Is a little

1842
01:49:58,320 --> 01:50:02,439
Speaker 1: white girl on a swing? What are you on? The movie?

1843
01:50:06,000 --> 01:50:08,800
Speaker 1: On my instant story? You saw her for real? Real's

1844
01:50:09,160 --> 01:50:12,800
Speaker 1: were a little white girl. She's just swinging. Nah, I

1845
01:50:12,880 --> 01:50:19,000
Speaker 1: swear to and sunny just swinging. She's a little white girl.

1846
01:50:19,479 --> 01:50:23,720
Speaker 1: Looks like he's scared brow He's still scared crazy. We

1847
01:50:23,800 --> 01:50:29,280
Speaker 1: got we got paid. She's swinging. I'm looking like this

1848
01:50:29,439 --> 01:50:33,240
Speaker 1: is this is exactly how American horror story starts. Exactly.

1849
01:50:33,560 --> 01:50:37,600
Speaker 1: It's a little white girl by herself, no parents. So

1850
01:50:37,720 --> 01:50:40,960
Speaker 1: this is what I thought was gonna happen. I was wrong?

1851
01:50:43,120 --> 01:50:47,639
Speaker 1: What what's wrong? What was gonna happen? You've never seen

1852
01:50:47,680 --> 01:50:49,479
Speaker 1: a little white girl with no birl. What was gonna

1853
01:50:49,520 --> 01:50:53,400
Speaker 1: happen after you never watched American hard story? Was that

1854
01:50:53,479 --> 01:50:57,519
Speaker 1: he didn't toilet gonna burn you? What was gonna happen? Yes,

1855
01:50:59,040 --> 01:51:01,960
Speaker 1: that's exactly what makes It's a red cafe and the

1856
01:51:02,040 --> 01:51:12,800
Speaker 1: motherfucker b w every ready and you were another shot.

1857
01:51:13,640 --> 01:51:15,920
Speaker 1: I just feel like it's just I just feel like

1858
01:51:15,960 --> 01:51:19,160
Speaker 1: it's appropriate. It's appropriate. One for the part, it's appropriate.

1859
01:51:20,680 --> 01:51:23,559
Speaker 1: So that how was it? Mariah Carry called you, bro?

1860
01:51:24,479 --> 01:51:30,920
Speaker 1: Did you think he was gonna take out down? Oh

1861
01:51:31,000 --> 01:51:38,800
Speaker 1: he's leading in huh okay, little naughty. You can't tell

1862
01:51:38,880 --> 01:51:44,960
Speaker 1: him that he take out I'm gonna take the shot.

1863
01:51:48,840 --> 01:51:52,080
Speaker 1: I think going with them for anything. Take this alf

1864
01:51:52,280 --> 01:51:55,280
Speaker 1: you talk to me now. Some Mariah called you so yeah,

1865
01:51:55,960 --> 01:51:58,519
Speaker 1: like this was some different ship money we like yo,

1866
01:51:59,320 --> 01:52:01,120
Speaker 1: my nigga. And when I tell you. We were so

1867
01:52:01,320 --> 01:52:06,639
Speaker 1: much into our Cleveland ship to where at that point

1868
01:52:07,479 --> 01:52:09,479
Speaker 1: if Michael Jackson would have called us and be like

1869
01:52:09,680 --> 01:52:14,160
Speaker 1: nigga company with like nigga, what we didn't leaving Cleveland.

1870
01:52:14,200 --> 01:52:18,800
Speaker 1: Nigga were hot in Cleveland, my nigga. It was that nigga.

1871
01:52:19,000 --> 01:52:21,719
Speaker 1: Nigga we hot. That's all we gave a funk about

1872
01:52:21,840 --> 01:52:24,680
Speaker 1: because there was so many niggas that told us you

1873
01:52:24,880 --> 01:52:28,360
Speaker 1: niggas ain't gonna be ship. We was in there like nigga,

1874
01:52:28,439 --> 01:52:32,000
Speaker 1: fuck you and you and you and you and you're here.

1875
01:52:35,680 --> 01:52:38,360
Speaker 1: We don't talk Mark Nigga like said. We was on

1876
01:52:38,479 --> 01:52:41,599
Speaker 1: that ship. We was like yo, like okay, like I said.

1877
01:52:41,600 --> 01:52:44,840
Speaker 1: When so when Maria called it, he was like, we

1878
01:52:44,960 --> 01:52:48,760
Speaker 1: were so much in our ship. Me and wish it's

1879
01:52:48,800 --> 01:52:51,840
Speaker 1: the only niggascount on the plane like me and which

1880
01:52:51,920 --> 01:52:53,800
Speaker 1: is on the plane, my nigga. This is no lie.

1881
01:52:55,160 --> 01:52:57,040
Speaker 1: I tell the story all the time. This is no lie.

1882
01:52:57,439 --> 01:53:02,479
Speaker 1: Tell the story again. We're going to motherfucker the fuck

1883
01:53:02,640 --> 01:53:08,160
Speaker 1: met a gas star. Come on, you please phrase that again,

1884
01:53:08,200 --> 01:53:09,600
Speaker 1: because you said you're just going to New York. The

1885
01:53:10,080 --> 01:53:15,559
Speaker 1: ride he never said, the fun my ride. He said

1886
01:53:16,520 --> 01:53:20,840
Speaker 1: he meant with but he didn't say how you said,

1887
01:53:21,720 --> 01:53:25,160
Speaker 1: let's just tell you New York to funk with marid

1888
01:53:27,240 --> 01:53:32,040
Speaker 1: w You need the remix, do the song, my nigga,

1889
01:53:32,520 --> 01:53:37,000
Speaker 1: this is the conversation. This is the conversation. No, lie,

1890
01:53:37,360 --> 01:53:40,040
Speaker 1: It's just this is how much we wouldn't realize and

1891
01:53:40,479 --> 01:53:44,280
Speaker 1: who the funk we were. We're on the plane first class,

1892
01:53:44,400 --> 01:53:48,559
Speaker 1: my nigga, Me and Wish on the plane. I'm sitting

1893
01:53:48,600 --> 01:53:53,799
Speaker 1: here like this. I said, who the fund is Maride

1894
01:53:53,880 --> 01:54:00,720
Speaker 1: carry anywhere? This nigga saying, I don't know. Some bitch yo,

1895
01:54:02,720 --> 01:54:06,040
Speaker 1: keeping one hunted like this is the tooth though, he said,

1896
01:54:06,080 --> 01:54:12,639
Speaker 1: I don't know something. I said, I heard this keeping hunted,

1897
01:54:13,560 --> 01:54:17,600
Speaker 1: keeping with hunting. My nig I got to you, I

1898
01:54:17,800 --> 01:54:21,639
Speaker 1: love you, I love you. But I say, nigger, I say,

1899
01:54:22,400 --> 01:54:32,360
Speaker 1: who then is this bit? My nigga? Straight up? I said,

1900
01:54:32,440 --> 01:54:36,480
Speaker 1: who this bit? Yo? Me and my niggas, me and

1901
01:54:36,560 --> 01:54:40,000
Speaker 1: my nigga, which we sat here and contemplated because we

1902
01:54:40,080 --> 01:54:43,400
Speaker 1: were so like we was hot boys in Cleveland. So

1903
01:54:43,520 --> 01:54:46,200
Speaker 1: we was kind of playing like do we really want

1904
01:54:46,200 --> 01:54:49,640
Speaker 1: to go to New York and leave all of this

1905
01:54:49,920 --> 01:54:55,880
Speaker 1: and like cleand like we're on fire in Cleveland. Nigga

1906
01:54:55,880 --> 01:54:58,440
Speaker 1: ain't a loving us do we want to go here?

1907
01:54:58,520 --> 01:55:03,880
Speaker 1: And like like, who the fuck it's Maria? No Bell

1908
01:55:04,040 --> 01:55:07,120
Speaker 1: carters like y'all on the plane. You can give a

1909
01:55:07,440 --> 01:55:12,840
Speaker 1: little bit. You're y'all on the plane. Yeah, we're on

1910
01:55:12,920 --> 01:55:17,760
Speaker 1: the plane. I say we should get off as my friend. Yea,

1911
01:55:17,880 --> 01:55:22,320
Speaker 1: I say we should get off, man funue no Bell, like, Bro,

1912
01:55:23,120 --> 01:55:25,520
Speaker 1: do not get off this point? I would say, Bro,

1913
01:55:25,720 --> 01:55:29,440
Speaker 1: like who is she again? He's like, Bro, this is

1914
01:55:29,560 --> 01:55:35,600
Speaker 1: fucking Mariah Carey. Bro, come to New York. I said, okay, Bro, cool.

1915
01:55:36,400 --> 01:55:38,280
Speaker 1: When I hug up the phone, We're should getting up

1916
01:55:38,400 --> 01:55:43,400
Speaker 1: like I'm this, I'm like, I say, wait, wait, wait, wait, wait,

1917
01:55:44,280 --> 01:55:47,320
Speaker 1: let's go. Let's go. He said what I said, talis

1918
01:55:47,360 --> 01:55:50,440
Speaker 1: going man, Yeah, we went to this slumfucker, took off

1919
01:55:50,480 --> 01:55:53,280
Speaker 1: on the plane. God. There they picked us up, went

1920
01:55:53,320 --> 01:55:57,560
Speaker 1: to the studio the same ship with Biggie. Yo. Mariah

1921
01:55:57,680 --> 01:56:01,680
Speaker 1: had this ship. Yo. She had to motherfucking weed on

1922
01:56:01,840 --> 01:56:05,160
Speaker 1: a silver platter. Yo. She had the weed and the

1923
01:56:05,280 --> 01:56:10,600
Speaker 1: hennessee my nigger on a silver on a silver platter.

1924
01:56:11,640 --> 01:56:16,440
Speaker 1: She was like set it out in this bits like

1925
01:56:16,680 --> 01:56:24,600
Speaker 1: oh ship we hey, Maray is a Jesus Yo, Bro,

1926
01:56:24,960 --> 01:56:27,280
Speaker 1: so so she played the song forward, We're going this

1927
01:56:27,400 --> 01:56:32,000
Speaker 1: motherfucker like to like Stevie J puffing the motherfucker me

1928
01:56:32,120 --> 01:56:35,320
Speaker 1: and their mother Like, oh bro, we went to motherfucker

1929
01:56:35,360 --> 01:56:37,960
Speaker 1: bro knocked that ship out. She was like, Yo, this

1930
01:56:38,160 --> 01:56:44,280
Speaker 1: is my single. This is my single because she went

1931
01:56:44,360 --> 01:56:49,760
Speaker 1: to Tommy Mantola from what I understand, and she was like,

1932
01:56:49,920 --> 01:56:53,800
Speaker 1: who is these dudes that's knocking me out? That's knocking

1933
01:56:53,880 --> 01:57:00,200
Speaker 1: me out the first place a cross roads, crossroads to

1934
01:57:00,240 --> 01:57:04,840
Speaker 1: everybody out? Yeah, She's like, who is these motherfucker's? Like,

1935
01:57:05,160 --> 01:57:08,880
Speaker 1: you know who's these motherfucker blood? Okay? What she learned?

1936
01:57:08,880 --> 01:57:11,440
Speaker 1: Who he was? I want to work with them? Smart?

1937
01:57:11,960 --> 01:57:16,360
Speaker 1: And we was like, hit after hit after hitting. That's

1938
01:57:16,440 --> 01:57:20,680
Speaker 1: the home girl. That's the home girl. Come on, got that?

1939
01:57:20,960 --> 01:57:29,520
Speaker 1: Thanks Lee, We're back. Motherfucker. Crazy Bone makes Yeah, so

1940
01:57:31,000 --> 01:57:36,000
Speaker 1: it's crazy Bone. You had. You had an arrow with

1941
01:57:36,240 --> 01:57:41,000
Speaker 1: Bone Dogs, that arrow with Dodgers Drever. Easy, have an

1942
01:57:41,120 --> 01:57:46,640
Speaker 1: arrow with fucking Big one Pack. Who was your most

1943
01:57:46,760 --> 01:57:52,320
Speaker 1: shocking and easy? Excuse me? What was your most shocking?

1944
01:57:52,440 --> 01:57:54,680
Speaker 1: Like when anyone who wanted to work with you, what

1945
01:57:54,760 --> 01:57:57,240
Speaker 1: was the most time the person says that I want

1946
01:57:57,280 --> 01:58:00,480
Speaker 1: to work with you and You're like, what the fun's

1947
01:58:00,560 --> 01:58:04,480
Speaker 1: going on? It ain't even hip hop. It's like nigga

1948
01:58:04,520 --> 01:58:10,160
Speaker 1: Phil Collins. You linked with Phil Collins, Phil bro we

1949
01:58:10,240 --> 01:58:24,320
Speaker 1: got colle no but bro man Collins. I just think

1950
01:58:24,360 --> 01:58:29,200
Speaker 1: of cocaine, cowboys Miami. So like Phil Collins was like

1951
01:58:29,640 --> 01:58:34,240
Speaker 1: so like I had a song like my father is.

1952
01:58:34,880 --> 01:58:38,080
Speaker 1: My father was a music for this. Nigga didn't sing

1953
01:58:38,200 --> 01:58:42,040
Speaker 1: what he could sing, you know, like my father could

1954
01:58:42,080 --> 01:58:45,120
Speaker 1: sing what he I don't know if he didn't know

1955
01:58:45,320 --> 01:58:48,840
Speaker 1: he could sing or nobody really told him. Pursue that.

1956
01:58:49,120 --> 01:58:53,840
Speaker 1: I understand everything you're saying, but that's what but that's

1957
01:58:53,880 --> 01:58:56,400
Speaker 1: what in me, That's where it comes from. That's where

1958
01:58:56,400 --> 01:59:01,000
Speaker 1: it comes from. So like bro like, it's like real

1959
01:59:01,120 --> 01:59:04,400
Speaker 1: bro like. It's like he like inspired me to like

1960
01:59:04,560 --> 01:59:08,120
Speaker 1: to do so much stuff like as far as the

1961
01:59:08,240 --> 01:59:13,760
Speaker 1: melodies wait, Phil Callers or your like my father played

1962
01:59:13,960 --> 01:59:18,600
Speaker 1: your father this music. My father played like so much music.

1963
01:59:18,760 --> 01:59:20,840
Speaker 1: My father used to play music and he would get

1964
01:59:20,920 --> 01:59:25,080
Speaker 1: up in the morning and sweet they cleaned the house

1965
01:59:25,640 --> 01:59:28,640
Speaker 1: like and he the poor boy, and I would wake up,

1966
01:59:30,040 --> 01:59:33,200
Speaker 1: yo yo, I would wake up. This is where we

1967
01:59:33,280 --> 01:59:37,400
Speaker 1: were waking up to like yo oh Jameson Yo this

1968
01:59:37,520 --> 01:59:40,160
Speaker 1: is like, I'm like, yo, this is like just a vibe.

1969
01:59:40,920 --> 01:59:45,040
Speaker 1: My father is who put me on the music. As

1970
01:59:45,080 --> 01:59:48,240
Speaker 1: far as the old school, my mom my mom was

1971
01:59:48,360 --> 01:59:52,440
Speaker 1: more into yo, my mom with hip hop ship. My

1972
01:59:52,520 --> 01:59:54,360
Speaker 1: mom used to but I wish she was loving to

1973
01:59:54,600 --> 02:00:00,680
Speaker 1: more d My mom loved Danna Dane like slick. Come on, mom,

1974
02:00:00,760 --> 02:00:06,360
Speaker 1: take a shot for moms. Mama, let's take a show

1975
02:00:06,400 --> 02:00:09,400
Speaker 1: with mama. We were hennessy yet let's do it right here,

1976
02:00:09,680 --> 02:00:15,120
Speaker 1: right here, right My mama got damned sorry, I'm sorry.

1977
02:00:15,160 --> 02:00:17,240
Speaker 1: I saw my mom looked at me like this thing

1978
02:00:17,440 --> 02:00:25,320
Speaker 1: is a jock my mama for real. So my mom

1979
02:00:25,520 --> 02:00:29,440
Speaker 1: was like she was like, yo, how funk with what

1980
02:00:29,560 --> 02:00:33,400
Speaker 1: she doing? My pops like, my papa was on some

1981
02:00:33,920 --> 02:00:36,040
Speaker 1: my pops tucker when I'm doing right now, my papas

1982
02:00:36,080 --> 02:00:38,320
Speaker 1: just call me right now. I'm just crazy. He just

1983
02:00:38,440 --> 02:00:41,800
Speaker 1: hit me, my papsucker, what I what's sucking with what

1984
02:00:41,920 --> 02:00:44,760
Speaker 1: I did? My mom My papas knew that I could be,

1985
02:00:44,960 --> 02:00:49,080
Speaker 1: like he knew my mom My pops knew my mom

1986
02:00:49,160 --> 02:00:52,200
Speaker 1: My pops like yo, something like you could be so

1987
02:00:52,440 --> 02:00:58,640
Speaker 1: much more. But I'm like, what's what's some more music?

1988
02:00:58,760 --> 02:01:02,240
Speaker 1: I'm like and I'm mind. What's more than music? There's

1989
02:01:02,320 --> 02:01:06,600
Speaker 1: nothing more than that. Like music is what it's what

1990
02:01:06,800 --> 02:01:10,760
Speaker 1: reaches people. Music is what that's what it is. I

1991
02:01:10,800 --> 02:01:14,040
Speaker 1: don't get nobody like music has always been to me,

1992
02:01:15,280 --> 02:01:20,080
Speaker 1: like music has always been like to me, it's too

1993
02:01:22,240 --> 02:01:26,480
Speaker 1: like explain it, but it's like ship you can't do

1994
02:01:26,800 --> 02:01:31,360
Speaker 1: you can do. That's what music symbolizes to me. Music

1995
02:01:31,560 --> 02:01:34,320
Speaker 1: is that place to where they say you can't do it,

1996
02:01:34,880 --> 02:01:38,120
Speaker 1: but you really can't. That's how I look at music.

1997
02:01:38,160 --> 02:01:39,680
Speaker 1: You know what I'm saying, I don't like, but but

1998
02:01:39,800 --> 02:01:47,240
Speaker 1: like it's the dog bone? How dog is sucking bone? Dog?

1999
02:01:48,640 --> 02:01:52,880
Speaker 1: Come on that one? Dog is buck bomb? Bro, come

2000
02:01:52,920 --> 02:01:57,880
Speaker 1: on with That was the weirdest transition ever heard him. Okay,

2001
02:01:57,920 --> 02:02:00,360
Speaker 1: so let me tell you how we met her nigger.

2002
02:02:00,760 --> 02:02:06,120
Speaker 1: So we had this song already done. The song we

2003
02:02:07,800 --> 02:02:12,640
Speaker 1: we was actually singing the part thugs ruggers weren't singing it.

2004
02:02:13,320 --> 02:02:18,080
Speaker 1: Dug ship it's the dugget rugg is bone, but it's

2005
02:02:18,240 --> 02:02:31,840
Speaker 1: the rugger is bone, so bron't sing it. Bro. So

2006
02:02:32,040 --> 02:02:35,720
Speaker 1: we we actually outside, Bro, we say okay, let's take

2007
02:02:35,760 --> 02:02:39,560
Speaker 1: this break. We take a smoop break and we go outside.

2008
02:02:41,280 --> 02:02:43,920
Speaker 1: We all sat smoking cigarettes and ship bro like smoking.

2009
02:02:43,960 --> 02:02:47,840
Speaker 1: We were like, so this female walked up. She liked,

2010
02:02:48,360 --> 02:02:53,360
Speaker 1: she liked we all sat the studio. She liked, what's

2011
02:02:53,440 --> 02:02:56,640
Speaker 1: this place right here? We're like, this is a studio?

2012
02:02:57,520 --> 02:03:02,960
Speaker 1: She like for real? We yeah, She's like, I can sing.

2013
02:03:03,480 --> 02:03:07,640
Speaker 1: It was like random like that though, bro, like she

2014
02:03:09,520 --> 02:03:13,120
Speaker 1: is random. She was like I can see. We said, okay,

2015
02:03:14,960 --> 02:03:19,840
Speaker 1: sing bro, because we this is how. This is how

2016
02:03:19,920 --> 02:03:23,600
Speaker 1: the chorus line to Tucking Shuker's Bones sounded before she

2017
02:03:23,760 --> 02:03:30,400
Speaker 1: sing it. It's the duck is bone, It's the duck

2018
02:03:30,560 --> 02:03:37,240
Speaker 1: strugg is bone, it's the That's what the chorus line was.

2019
02:03:38,520 --> 02:03:42,720
Speaker 1: And we told her, can you sing this? It's the

2020
02:03:42,920 --> 02:03:46,600
Speaker 1: duck is She was like, it's the dug right. We

2021
02:03:46,800 --> 02:03:52,800
Speaker 1: was like, my n We was like yeah. So we say, okay,

2022
02:03:53,120 --> 02:03:57,480
Speaker 1: wait a minute. We went it was at the studio.

2023
02:03:58,920 --> 02:04:01,760
Speaker 1: We're like, e come here, what's her name again? What's

2024
02:04:01,760 --> 02:04:04,800
Speaker 1: her name again? Just what so her name? So we

2025
02:04:04,840 --> 02:04:07,440
Speaker 1: don't get it, so we make sure, but let's just

2026
02:04:07,560 --> 02:04:12,840
Speaker 1: be clear when you say that's my home girl, easy

2027
02:04:13,720 --> 02:04:22,760
Speaker 1: apologize my homegirl shout flats Avenue. So when this motherfucker

2028
02:04:24,160 --> 02:04:28,360
Speaker 1: like she like like so, We're like, okay, so easy,

2029
02:04:28,520 --> 02:04:32,880
Speaker 1: like she come into studio easy like easy. Hear her spit.

2030
02:04:33,040 --> 02:04:38,400
Speaker 1: She like, we're like seeing this. She like, do we

2031
02:04:38,640 --> 02:04:48,000
Speaker 1: like easy, like record her right now? You know, he says.

2032
02:04:48,560 --> 02:04:54,520
Speaker 1: He says, I'm fucking genius. He said, record her right now. Yeah,

2033
02:04:56,200 --> 02:05:01,640
Speaker 1: fucking genius. N No love. We're here like okay. She like, yo,

2034
02:05:02,640 --> 02:05:06,960
Speaker 1: you're easy, like Yo, this is the single we like.

2035
02:05:08,320 --> 02:05:13,920
Speaker 1: And she came in off the streets, my nigga, off

2036
02:05:14,000 --> 02:05:16,960
Speaker 1: the streets, and we said, singing this. No, she had

2037
02:05:17,000 --> 02:05:20,080
Speaker 1: no recording history, no, no, bro. She put up on us,

2038
02:05:20,120 --> 02:05:23,600
Speaker 1: like what's this place here? He said, this is a

2039
02:05:23,640 --> 02:05:27,120
Speaker 1: recording studio and she was like really, She was like,

2040
02:05:27,240 --> 02:05:29,520
Speaker 1: look I seen. She was like listen, listen to this.

2041
02:05:29,680 --> 02:05:32,640
Speaker 1: She was like and she sang something for us and

2042
02:05:32,720 --> 02:05:36,840
Speaker 1: he was like, okay, singing this, We said, sing this

2043
02:05:37,600 --> 02:05:45,320
Speaker 1: is the Dugges hrugged is bone. She said, yo, broz

2044
02:05:45,800 --> 02:05:48,400
Speaker 1: the way she was saying it, we was like we

2045
02:05:48,560 --> 02:05:56,240
Speaker 1: all still there, like we said, yo, coming coming, haid Yo.

2046
02:05:56,600 --> 02:06:00,720
Speaker 1: It's so crazy, We said, coming that studio. Yo. We

2047
02:06:00,880 --> 02:06:06,160
Speaker 1: took her. He was like, and he said, because he

2048
02:06:06,320 --> 02:06:13,360
Speaker 1: real pie, He said, who is this bitch? Said? He said, listen,

2049
02:06:13,600 --> 02:06:18,600
Speaker 1: listen he said he listen, listen Yo. He said, okay,

2050
02:06:18,640 --> 02:06:21,760
Speaker 1: play the track Unique. Do you say Unique? Play the track?

2051
02:06:22,440 --> 02:06:28,400
Speaker 1: She was like, it's the Easy was like Easy was like, YO,

2052
02:06:28,840 --> 02:06:35,920
Speaker 1: record her right now. He said, record her right, I

2053
02:06:35,960 --> 02:06:39,400
Speaker 1: don't give record her now and he was like bam.

2054
02:06:39,600 --> 02:06:43,920
Speaker 1: She was like it's the yes, yes, But I was like, Yo,

2055
02:06:44,960 --> 02:06:50,800
Speaker 1: Easy was like this is the one Yo. A few

2056
02:06:50,880 --> 02:06:56,640
Speaker 1: weeks later, that ship was mixed and Easy called us

2057
02:06:56,760 --> 02:07:03,800
Speaker 1: like nigger, turn on the radio now that She was like,

2058
02:07:04,240 --> 02:07:07,760
Speaker 1: you know people's calling us like yo, Yo, it's I

2059
02:07:07,920 --> 02:07:11,280
Speaker 1: was like, nigga, are you serious? It was crazy like

2060
02:07:11,400 --> 02:07:17,720
Speaker 1: it was history after that, Done deal, Done deal? What

2061
02:07:19,760 --> 02:07:23,320
Speaker 1: shut out? Easy Man? He's a motherfucker genius, Yo, ge man,

2062
02:07:23,440 --> 02:07:27,800
Speaker 1: that's Yo Easy for real nigger. A lot of motherfucker's

2063
02:07:27,800 --> 02:07:29,320
Speaker 1: talk shit about like you know what I'm saying. Like,

2064
02:07:29,400 --> 02:07:32,000
Speaker 1: but if it wasn't for Easy to eat, a lot

2065
02:07:32,080 --> 02:07:37,240
Speaker 1: of ship we see today wouldn't have even happened period.

2066
02:07:38,080 --> 02:07:41,240
Speaker 1: That's why we funk with the right one day. We

2067
02:07:41,440 --> 02:07:51,240
Speaker 1: funk with the right one real talk. We'll talk. She's

2068
02:07:51,280 --> 02:07:59,560
Speaker 1: Louise Papa cheese. Yeah, oh, I just want to This

2069
02:07:59,680 --> 02:08:05,800
Speaker 1: is my ask questions, where do you place Bone Thugs

2070
02:08:07,160 --> 02:08:17,760
Speaker 1: enough last five groups? Ever, where do you place bone Thugs?

2071
02:08:18,120 --> 02:08:23,800
Speaker 1: I place Bone Thugs as the most influential group ever

2072
02:08:25,320 --> 02:08:30,440
Speaker 1: because if you think about it, because if you think

2073
02:08:30,520 --> 02:08:37,360
Speaker 1: about it, like like like people like you know, like

2074
02:08:37,560 --> 02:08:42,440
Speaker 1: emulate styles all the time all the time, Like bone

2075
02:08:42,440 --> 02:08:47,160
Speaker 1: Thugs in Harmony has been the most emulated style period.

2076
02:08:48,080 --> 02:08:51,760
Speaker 1: I don't even I don't care where you started from.

2077
02:08:52,880 --> 02:08:57,400
Speaker 1: Bone Thugs in Harmony is the most. Like I credit

2078
02:08:57,640 --> 02:09:00,240
Speaker 1: n w A as being the most dangerous as a

2079
02:09:00,280 --> 02:09:04,320
Speaker 1: group and hire hop because them niggas made y'all think different.

2080
02:09:05,800 --> 02:09:09,760
Speaker 1: N w A made you think different, like Nigga Funk.

2081
02:09:09,840 --> 02:09:14,040
Speaker 1: Were they telling you this is what it is. You

2082
02:09:14,200 --> 02:09:17,240
Speaker 1: think like this, That's why I fun with them. But

2083
02:09:17,360 --> 02:09:24,040
Speaker 1: bone Thus in Harmony we came in telling y'all like

2084
02:09:26,200 --> 02:09:30,120
Speaker 1: and we was. We were so hardcore with it. We

2085
02:09:30,320 --> 02:09:33,720
Speaker 1: came in telling y'all peace. We came in telling y'all

2086
02:09:33,800 --> 02:09:37,800
Speaker 1: peace loving harmony. But it was, but we were so

2087
02:09:38,040 --> 02:09:41,840
Speaker 1: hardcore with it. We understand that it's not always peace,

2088
02:09:41,880 --> 02:09:46,520
Speaker 1: love and harmony. You have to ride for that. You

2089
02:09:46,680 --> 02:09:49,800
Speaker 1: have to ride for peace, love and harmony, like it

2090
02:09:49,920 --> 02:09:53,080
Speaker 1: ain't nothing that's given to you. Like me and my niggas.

2091
02:09:53,120 --> 02:09:56,680
Speaker 1: We've been through so much. People think we don't like

2092
02:09:56,840 --> 02:10:01,240
Speaker 1: each other. People think bones like this, Bone is my nigger.

2093
02:10:02,800 --> 02:10:06,560
Speaker 1: That's the one that actually started the drama between y'all

2094
02:10:07,040 --> 02:10:11,080
Speaker 1: at one point, busy bonus my nigger, lazy bonus my

2095
02:10:11,280 --> 02:10:15,120
Speaker 1: nigga flesh and bonus my nigga. Wish Bone is my nigga.

2096
02:10:15,920 --> 02:10:19,400
Speaker 1: I don't care take your family family, I don't care

2097
02:10:19,400 --> 02:10:23,000
Speaker 1: about some nigger really talk my nigger. Let's take shots, man.

2098
02:10:23,320 --> 02:10:25,640
Speaker 1: Let's take shots man, because you know what we need

2099
02:10:25,720 --> 02:10:30,160
Speaker 1: to hear. That that that that at harmony. You don't

2100
02:10:30,160 --> 02:10:33,680
Speaker 1: got no motherfucking be it ain't my nigga, no matter,

2101
02:10:35,040 --> 02:10:42,120
Speaker 1: come on, no matter, no matter how they try to

2102
02:10:42,200 --> 02:10:45,520
Speaker 1: make us, look how they try to say, we together,

2103
02:10:45,760 --> 02:10:50,000
Speaker 1: my nigger, we always have an understanding amongst each other.

2104
02:10:51,120 --> 02:10:55,920
Speaker 1: I love that fun. This business. Them niggas like them

2105
02:10:56,000 --> 02:10:59,080
Speaker 1: niggas only see what they see from bone. Me and

2106
02:10:59,200 --> 02:11:09,480
Speaker 1: my niggas is brothers like and we're gonna die brothers, crazy, crazy, lazy,

2107
02:11:09,880 --> 02:11:14,320
Speaker 1: busy wishing fun. We're gonna die brothers. I don't give fun.

2108
02:11:14,800 --> 02:11:17,520
Speaker 1: If y'all catch us on our first day, if y'all

2109
02:11:17,560 --> 02:11:21,280
Speaker 1: catch us on our worst day, y'all just catching me

2110
02:11:21,400 --> 02:11:26,680
Speaker 1: beefing with my brother. Enjoy that. Enjoy it because me

2111
02:11:26,760 --> 02:11:30,840
Speaker 1: and my niggas, we know what we stand and I

2112
02:11:30,920 --> 02:11:33,440
Speaker 1: would never sell none of my niggas out for none

2113
02:11:33,440 --> 02:11:37,280
Speaker 1: of his music. Ship, and we all feel like that,

2114
02:11:37,480 --> 02:11:40,920
Speaker 1: we would never like y'all, y'all followers, y'all know where

2115
02:11:40,960 --> 02:11:43,080
Speaker 1: we go through. Y'all know me and my niggas, we

2116
02:11:43,160 --> 02:11:46,560
Speaker 1: go through ship. But this ship ain't this. It ain't

2117
02:11:46,920 --> 02:11:50,960
Speaker 1: never above me and my nigga. Ever, it's bumped up

2118
02:11:51,040 --> 02:11:55,560
Speaker 1: till we die, and y'all will see that. And you

2119
02:11:55,640 --> 02:11:59,680
Speaker 1: know what, on y'all worst day, y'all legends, that's it

2120
02:12:00,000 --> 02:12:04,240
Speaker 1: real talk, that's all it is. And I yo, brog

2121
02:12:04,800 --> 02:12:08,560
Speaker 1: because listen, listen. I just want you to know something.

2122
02:12:09,040 --> 02:12:12,560
Speaker 1: Come on home and Red Cafe is here too, but

2123
02:12:12,680 --> 02:12:15,480
Speaker 1: I want you to know something. This is your platform.

2124
02:12:18,160 --> 02:12:21,320
Speaker 1: When we built this, we built this to show love

2125
02:12:21,400 --> 02:12:24,880
Speaker 1: to people that that got this, love that that's been

2126
02:12:24,960 --> 02:12:27,840
Speaker 1: in this game the way it's the way, it's us

2127
02:12:27,960 --> 02:12:30,160
Speaker 1: and this is your platform. So anytime you want the

2128
02:12:30,240 --> 02:12:33,120
Speaker 1: motherfucker you want to talk about anything, you want to

2129
02:12:33,120 --> 02:12:38,880
Speaker 1: talk about, Yeah, whatever do you want to talk about?

2130
02:12:38,960 --> 02:12:42,000
Speaker 1: I know we're here. God damnit. He wants to get shot.

2131
02:12:43,080 --> 02:12:54,160
Speaker 1: Comes to the top, Little my siter to the top.

2132
02:12:54,480 --> 02:12:58,720
Speaker 1: The crazy ball has been out here doing the biggest

2133
02:12:58,720 --> 02:13:03,600
Speaker 1: shots in the world. But he's not by himself. M hmm,

2134
02:13:07,040 --> 02:13:16,400
Speaker 1: I'm sounds crazy Bone. We gotta we gotta sort of

2135
02:13:16,440 --> 02:13:24,480
Speaker 1: love Crazy Bone brot you really a legend out Yeah,

2136
02:13:24,760 --> 02:13:28,880
Speaker 1: that's really so. How is it doing four songs on

2137
02:13:29,080 --> 02:13:36,520
Speaker 1: four legends m Biggie, Tupac, Big Pun and Easy Jeez, Luise,

2138
02:13:37,120 --> 02:13:42,240
Speaker 1: I can't. I can't relate to that. It's it's love work.

2139
02:13:43,160 --> 02:13:45,440
Speaker 1: Just so y'all know, me and my nigga DJ Paul,

2140
02:13:45,520 --> 02:13:49,840
Speaker 1: we're working on the album right now, Me and my nigga. Yo,

2141
02:13:49,960 --> 02:13:52,920
Speaker 1: when you hear this album, nigger, you're gonna know you

2142
02:13:53,120 --> 02:13:57,640
Speaker 1: understand why we do what we do. Juicy J, my nigga,

2143
02:13:58,640 --> 02:14:04,760
Speaker 1: DJ Paul, my nigga, my nigga Country Black. I love

2144
02:14:04,800 --> 02:14:08,760
Speaker 1: all these niggas, nigga like we had beet, bro these

2145
02:14:08,840 --> 02:14:13,280
Speaker 1: my people like this, this family now just like dog pounds,

2146
02:14:13,400 --> 02:14:19,520
Speaker 1: like Dash corrupt nigger. Then my niggers like they got beef.

2147
02:14:19,600 --> 02:14:25,400
Speaker 1: We got beef. It's like that Bama with sup my nigga. Snup, nigger,

2148
02:14:25,400 --> 02:14:28,440
Speaker 1: you got people stup, you got snipped with bone. We

2149
02:14:28,640 --> 02:14:31,800
Speaker 1: funk with each other like that for real. No boys

2150
02:14:31,800 --> 02:14:34,600
Speaker 1: says like we funk with each other like that all day.

2151
02:14:35,560 --> 02:14:39,880
Speaker 1: Hit that. Yeah, I want to. I want to. He's

2152
02:14:39,920 --> 02:14:46,640
Speaker 1: a little naty out. They tell me that you you

2153
02:14:46,760 --> 02:14:53,480
Speaker 1: love a little naughty What what what they told me?

2154
02:14:55,240 --> 02:14:57,400
Speaker 1: But we already talked about the little nati bro the

2155
02:14:57,480 --> 02:15:06,760
Speaker 1: thunder at you like, my nigga, I love a number

2156
02:15:09,600 --> 02:15:11,760
Speaker 1: my nigga. I'm gonna tell you like this my name.

2157
02:15:14,320 --> 02:15:19,920
Speaker 1: I don't even believe in this. I think that motherfucker's

2158
02:15:20,120 --> 02:15:25,600
Speaker 1: make us think like I don't even like why do niggas?

2159
02:15:26,320 --> 02:15:28,720
Speaker 1: Why would niggas make money? You gotta be a numerality.

2160
02:15:30,040 --> 02:15:34,960
Speaker 1: Why wouldn't we start making money? It got to be crooked.

2161
02:15:37,200 --> 02:15:39,640
Speaker 1: That's the same ship they say, Bro, my nigga, like

2162
02:15:40,440 --> 02:15:43,680
Speaker 1: they're making money. It has to be cooking nowhere. It

2163
02:15:43,760 --> 02:15:47,360
Speaker 1: don't just because we don't agree with the way y'all

2164
02:15:47,520 --> 02:15:51,600
Speaker 1: make money. Nigga, Like what my nigga, No, it don't

2165
02:15:53,480 --> 02:15:58,800
Speaker 1: real talk like that's really That's how I feel about

2166
02:15:58,840 --> 02:16:02,840
Speaker 1: this ship. The funk out of here with that ship nigga, Like,

2167
02:16:02,880 --> 02:16:04,720
Speaker 1: you know what I'm saying. We can all make money.

2168
02:16:05,400 --> 02:16:10,720
Speaker 1: We don't have to be on the same page. Money

2169
02:16:10,800 --> 02:16:16,120
Speaker 1: ain't never Money ain't never said I'm black. Money has

2170
02:16:16,200 --> 02:16:22,240
Speaker 1: never said I'm black, I'm white, I'm Mexican, Like, money

2171
02:16:22,320 --> 02:16:25,800
Speaker 1: has never said that. Money has never said that, So

2172
02:16:26,120 --> 02:16:40,520
Speaker 1: why said we said never? Never? Like it's like, on

2173
02:16:40,680 --> 02:16:45,560
Speaker 1: top of that, I funk with everybody, Like, Nigga, if

2174
02:16:45,560 --> 02:16:49,480
Speaker 1: you knew my family I have, my family is so

2175
02:16:49,760 --> 02:16:55,720
Speaker 1: fucking diverted. I have white people, I am Jamaicans, I

2176
02:16:55,879 --> 02:17:02,440
Speaker 1: have my nick My family is diverse, you would be like,

2177
02:17:03,200 --> 02:17:08,880
Speaker 1: nigga for real. That's why I can't. It's impossible for

2178
02:17:09,000 --> 02:17:14,800
Speaker 1: me to be presidice because all these people my people

2179
02:17:14,840 --> 02:17:18,920
Speaker 1: in mind. Then I'm like, like, how how can you

2180
02:17:19,920 --> 02:17:24,480
Speaker 1: There's no race on earth and it's pure. There is

2181
02:17:24,560 --> 02:17:29,720
Speaker 1: no race on earth that is pure. How can you

2182
02:17:29,840 --> 02:17:33,240
Speaker 1: be like that when there's no race that's pure. How

2183
02:17:33,320 --> 02:17:37,560
Speaker 1: can you be like, Oh, Nigga, I'm better than you. Nigga,

2184
02:17:37,600 --> 02:17:40,120
Speaker 1: where you come from? They can't even explain where they

2185
02:17:40,200 --> 02:17:45,400
Speaker 1: come from. They can't Nigga, where you come from? I

2186
02:17:45,520 --> 02:17:50,800
Speaker 1: don't know? Then shut the funk up. Real talk like

2187
02:17:51,400 --> 02:17:55,280
Speaker 1: we cannot have an argument unless we actually know where

2188
02:17:55,360 --> 02:17:59,680
Speaker 1: we come from. Where you come from, I don't know.

2189
02:18:00,440 --> 02:18:11,160
Speaker 1: Then check the funk out, yeah he said, yea, and

2190
02:18:13,680 --> 02:18:18,200
Speaker 1: I want to send the funk up. And let's take

2191
02:18:18,200 --> 02:18:22,039
Speaker 1: get the picture and listen to the fun up. Let's go, come,

2192
02:18:22,800 --> 02:18:27,880
Speaker 1: Let's do it. Let's thanks for joining us for another

2193
02:18:27,920 --> 02:18:30,520
Speaker 1: episode of Drink Champs, hosted by Yours truly, d J

2194
02:18:30,680 --> 02:18:33,000
Speaker 1: e f N and n O R E. Please make

2195
02:18:33,040 --> 02:18:35,280
Speaker 1: sure to follow us on all our socials. Let's add

2196
02:18:35,320 --> 02:18:38,840
Speaker 1: drink Champs across all platforms at the Real Noriegon, I

2197
02:18:39,000 --> 02:18:42,680
Speaker 1: g at Noriega on Twitter, mine is at Who's Crazy

2198
02:18:42,879 --> 02:18:45,760
Speaker 1: on I g at d J E f N on Twitter,

2199
02:18:46,160 --> 02:18:48,680
Speaker 1: and most importantly, stay up to date with the latest releases,

2200
02:18:49,080 --> 02:18:52,280
Speaker 1: news and merch by going to drink champs dot com.

2201
02:18:56,720 --> 02:18:59,920
Speaker 1: For more podcasts from my heart Radio, visit the heart Rate,

2202
02:19:00,040 --> 02:19:03,360
Speaker 1: your app, Apple podcast, or wherever you listen to your

2203
02:19:03,400 --> 02:19:04,080
Speaker 1: favorite shows.