1 00:00:00,160 --> 00:00:05,080 Speaker 1: What is your favorite unpopular opinion? Calls up eight eight 2 00:00:05,120 --> 00:00:07,640 Speaker 1: eight three four three six one eight eight eight three 3 00:00:07,680 --> 00:00:10,960 Speaker 1: four three one six one asked the question because this. 4 00:00:11,320 --> 00:00:14,360 Speaker 2: I really like cereal with ice in it. Plastic surgy 5 00:00:14,440 --> 00:00:18,040 Speaker 2: is kind of sad. We should protect gun rights is 6 00:00:18,040 --> 00:00:20,680 Speaker 2: not a big deal. I don't believe in secret keeping. 7 00:00:21,200 --> 00:00:24,960 Speaker 2: I really don't think that Beyonce is that great. 8 00:00:25,480 --> 00:00:28,280 Speaker 1: I don't think tupakistad. I think to pockets went. 9 00:00:28,640 --> 00:00:31,400 Speaker 2: I don't understand why garbage cans around. They should be 10 00:00:31,480 --> 00:00:33,360 Speaker 2: square so they can fit in a corner. 11 00:00:33,159 --> 00:00:36,200 Speaker 3: Dating as I have made wars. 12 00:00:36,560 --> 00:00:40,519 Speaker 2: I hate Taylor's left. What are these people? 13 00:00:41,159 --> 00:00:44,720 Speaker 1: And what from cut dot com website that's one hundred 14 00:00:44,720 --> 00:00:46,760 Speaker 1: people what their unpopular opinion is, and then they made 15 00:00:46,800 --> 00:00:48,599 Speaker 1: a super cut and put it on YouTube and that's 16 00:00:48,640 --> 00:00:52,599 Speaker 1: gone viral of people sharing their most unpopular opinions. Some 17 00:00:52,640 --> 00:00:54,520 Speaker 1: of those very good. Point. You know, they do makes 18 00:00:54,520 --> 00:00:57,920 Speaker 1: wear garbage cans. You can go find them and buy. 19 00:00:58,960 --> 00:01:01,640 Speaker 2: So I don't think I realiz how triggering this conversation 20 00:01:01,800 --> 00:01:04,800 Speaker 2: can be. Because here we go, guy, yes. 21 00:01:04,920 --> 00:01:07,800 Speaker 1: Call us, what is your unpopular opinion? Eight eight eight 22 00:01:08,200 --> 00:01:10,120 Speaker 1: three four three one oh six one. You can also 23 00:01:10,160 --> 00:01:12,640 Speaker 1: text it in at four one oh six one from 24 00:01:12,640 --> 00:01:14,400 Speaker 1: that audio right there, I'll play a little clip of 25 00:01:14,440 --> 00:01:16,680 Speaker 1: it again. There's one that I just wanted to highlight. 26 00:01:17,040 --> 00:01:20,080 Speaker 2: I really like cereal with ice in it. Plastic surgy 27 00:01:20,120 --> 00:01:23,720 Speaker 2: is kind of sad. We should protect gun rights is 28 00:01:23,760 --> 00:01:26,360 Speaker 2: not a big deal. I don't believe in secret keeping. 29 00:01:26,840 --> 00:01:29,479 Speaker 1: How's that an unpopular opinion of like a couple of those, 30 00:01:29,480 --> 00:01:33,119 Speaker 1: but especially that one. What I don't believe in secret keeping. 31 00:01:33,200 --> 00:01:34,720 Speaker 1: I think a lot of people feel that way. 32 00:01:35,040 --> 00:01:36,600 Speaker 2: But you don't believe in secret keeping? 33 00:01:36,760 --> 00:01:37,080 Speaker 1: Yeah? 34 00:01:37,640 --> 00:01:39,880 Speaker 2: What Why would you not believe in secret keeping? 35 00:01:39,880 --> 00:01:42,160 Speaker 1: Which she's saying, don't keep secrets? Yeah, just be honest, 36 00:01:42,200 --> 00:01:43,039 Speaker 1: put it all out there. 37 00:01:43,200 --> 00:01:45,080 Speaker 2: But I think that if you have secrets, then somebody 38 00:01:45,080 --> 00:01:47,000 Speaker 2: asks you to keep a secret, I think that that's 39 00:01:47,080 --> 00:01:48,920 Speaker 2: kind of an honor that somebody's trusting you, so you 40 00:01:49,000 --> 00:01:49,760 Speaker 2: keep secrets. 41 00:01:50,200 --> 00:01:52,800 Speaker 1: Yeah, if somebody asks me to keep a secret, I 42 00:01:53,240 --> 00:01:55,000 Speaker 1: get that. Also. I just don't think people should have 43 00:01:55,040 --> 00:01:58,000 Speaker 1: secrets just in general, Like you should just be open 44 00:01:58,000 --> 00:01:58,600 Speaker 1: about whatever. 45 00:01:58,720 --> 00:02:00,360 Speaker 2: But what if some things you just want to be 46 00:02:00,360 --> 00:02:02,320 Speaker 2: open with certain people about. You don't need the whole 47 00:02:02,320 --> 00:02:03,600 Speaker 2: world to know everything about you. 48 00:02:03,720 --> 00:02:06,680 Speaker 1: That's understandable. I guess it depends on what the secret is. 49 00:02:07,120 --> 00:02:09,640 Speaker 2: See, I told you this could be very very I 50 00:02:09,680 --> 00:02:11,040 Speaker 2: do believe in secret keeping. 51 00:02:11,360 --> 00:02:18,520 Speaker 1: Yeah, okay, okay, never mind, I stand corrected. I'm okay 52 00:02:18,560 --> 00:02:21,880 Speaker 1: saying I'm wrong. People should be keeping secrets all day. 53 00:02:21,880 --> 00:02:24,480 Speaker 1: I guess call us eight eight eight three four two 54 00:02:24,720 --> 00:02:26,720 Speaker 1: six one text en four one o six one. What 55 00:02:26,880 --> 00:02:30,320 Speaker 1: is your unpopular opinion? Veronica? 56 00:02:31,080 --> 00:02:35,480 Speaker 3: Yes, so my unpopular opinion is that I really hate 57 00:02:35,560 --> 00:02:36,280 Speaker 3: Jack Black. 58 00:02:39,360 --> 00:02:42,920 Speaker 1: Really is that unpopular? He's not my favorite either. He 59 00:02:43,040 --> 00:02:45,839 Speaker 1: is one of the most talented people. I think Jack 60 00:02:45,880 --> 00:02:49,799 Speaker 1: Black is great. But Nina and you, Veronica agree, It's 61 00:02:49,840 --> 00:02:54,040 Speaker 1: like what else really like? Yeah? 62 00:02:55,120 --> 00:02:58,600 Speaker 3: I really hate School of Rock, the best movie where 63 00:02:58,600 --> 00:03:00,920 Speaker 3: he's like, it's an that's that movie. 64 00:03:01,840 --> 00:03:06,239 Speaker 1: Actually watched this movie. No, actually face right now. 65 00:03:07,520 --> 00:03:10,600 Speaker 4: They were making straight A's and they came from the 66 00:03:10,680 --> 00:03:13,960 Speaker 4: dumb Days. That's the best movie that's ever been written. 67 00:03:14,960 --> 00:03:16,040 Speaker 2: I don't think I've happened. 68 00:03:15,880 --> 00:03:17,160 Speaker 3: Literally kidnapped children. 69 00:03:18,360 --> 00:03:21,080 Speaker 1: Small price to pay to move the world along Musically, 70 00:03:23,480 --> 00:03:25,160 Speaker 1: that's right, he did in that movie, didn't he. If 71 00:03:25,160 --> 00:03:27,520 Speaker 1: you didn't see the movie, well, how does he? I 72 00:03:27,520 --> 00:03:29,120 Speaker 1: can't remember how he does it? But I do remember 73 00:03:29,160 --> 00:03:31,760 Speaker 1: a van, Jack black and a bunch of kids, and 74 00:03:31,840 --> 00:03:35,640 Speaker 1: that is Veronica. You just changed our mind on that too. 75 00:03:35,800 --> 00:03:37,640 Speaker 1: I mean even even Brad kind of sugar said for 76 00:03:37,680 --> 00:03:40,400 Speaker 1: a second that's fair. For a second, I was like, wait, 77 00:03:40,400 --> 00:03:41,360 Speaker 1: did he steal kids? 78 00:03:41,960 --> 00:03:44,000 Speaker 4: And it turns out he did, but the kids wanted 79 00:03:44,000 --> 00:03:44,520 Speaker 4: to go. 80 00:03:45,240 --> 00:03:46,000 Speaker 2: Still bad. 81 00:03:48,280 --> 00:03:51,080 Speaker 1: Call us eight eight eight three four three eight eight 82 00:03:51,160 --> 00:03:53,360 Speaker 1: three four three six one text in four one o 83 00:03:53,440 --> 00:03:56,520 Speaker 1: six one. We're asking you what your unpopular opinion is 84 00:03:56,520 --> 00:04:00,000 Speaker 1: because a YouTube video has gone viral from cut Dog 85 00:04:00,400 --> 00:04:06,119 Speaker 1: that asked acts that ask people that same question. Hey, Jeremy, 86 00:04:06,480 --> 00:04:13,680 Speaker 1: what is your unpopular opinion? Long fake eyelashes and long 87 00:04:13,840 --> 00:04:14,680 Speaker 1: fake nails. 88 00:04:14,760 --> 00:04:15,960 Speaker 3: I cannot stand them? 89 00:04:16,360 --> 00:04:16,680 Speaker 1: Really? 90 00:04:18,200 --> 00:04:20,760 Speaker 2: Yes, Okay, is that unpopular? I think a lot of 91 00:04:20,800 --> 00:04:21,800 Speaker 2: people kind of are with that. 92 00:04:22,120 --> 00:04:26,560 Speaker 1: I don't know. I don't know. I like long eyelashes, 93 00:04:27,240 --> 00:04:30,640 Speaker 1: and I like on the person. It's for me. It's 94 00:04:30,800 --> 00:04:32,800 Speaker 1: depends on the person, right, So depends if you can 95 00:04:32,800 --> 00:04:34,800 Speaker 1: pull it off or not. But I do I think 96 00:04:34,839 --> 00:04:37,600 Speaker 1: that long eyelashes are very pretty. 97 00:04:37,920 --> 00:04:39,320 Speaker 2: But I think he's talking about the ones that look 98 00:04:39,360 --> 00:04:40,680 Speaker 2: like spider legs, you know. 99 00:04:41,040 --> 00:04:44,160 Speaker 1: Yeah, if they're too long, really fake looking, then if 100 00:04:44,160 --> 00:04:46,440 Speaker 1: you can tell, yeah, if you can really tell, right, 101 00:04:46,680 --> 00:04:48,200 Speaker 1: but if it's like you look at and you're like, WHOA, 102 00:04:48,279 --> 00:04:52,000 Speaker 1: that's crazy. Are those actually your eyelashes or you know? 103 00:04:52,080 --> 00:04:53,400 Speaker 1: But though there are the ones that you can tell, 104 00:04:53,440 --> 00:04:55,279 Speaker 1: does look like a venus fly trap on your face? 105 00:04:56,880 --> 00:04:57,080 Speaker 2: Right? 106 00:04:57,440 --> 00:05:00,840 Speaker 1: Yeah, Jeremy, thank you? Which it could be a fuck 107 00:05:01,360 --> 00:05:04,400 Speaker 1: a good function. It sounded like I was about to 108 00:05:04,400 --> 00:05:10,520 Speaker 1: swear I was gonna say functional, very functional, but like. 109 00:05:10,680 --> 00:05:12,680 Speaker 2: You start walking around going like this, blinking your eyes. 110 00:05:12,560 --> 00:05:14,880 Speaker 1: Trying to catch things, catch flies, right, if you got 111 00:05:14,920 --> 00:05:17,359 Speaker 1: fly if you got a f fly problem, just use 112 00:05:17,360 --> 00:05:20,200 Speaker 1: your eyebros. I mean, it's not a bad idea. Call 113 00:05:20,279 --> 00:05:23,720 Speaker 1: us up one six one text in four to one 114 00:05:23,720 --> 00:05:25,760 Speaker 1: and six one. How many people looked at their radio 115 00:05:25,839 --> 00:05:30,800 Speaker 1: like uh, when I was trying to say function, here 116 00:05:30,800 --> 00:05:33,720 Speaker 1: we go. Here's here's a little bit more audio from 117 00:05:33,720 --> 00:05:34,159 Speaker 1: that video. 118 00:05:35,200 --> 00:05:39,000 Speaker 2: I really don't think that Beyonce is that great. 119 00:05:39,440 --> 00:05:42,160 Speaker 1: I don't think Tupakista that was the one. Beyonce. I 120 00:05:42,200 --> 00:05:43,880 Speaker 1: don't think Beyonce is that great. That's the one that 121 00:05:43,920 --> 00:05:44,600 Speaker 1: Nina was like, what. 122 00:05:44,760 --> 00:05:46,120 Speaker 2: I did say that? And I looked at the text 123 00:05:46,160 --> 00:05:48,039 Speaker 2: messages and we got a text that says, I agree, 124 00:05:48,080 --> 00:05:49,440 Speaker 2: Beyonce is not all that. 125 00:05:49,760 --> 00:05:51,320 Speaker 4: It was on my list of things that I don't 126 00:05:51,360 --> 00:05:53,640 Speaker 4: I think Beyonce is completely and totally overrated. 127 00:05:53,800 --> 00:05:55,839 Speaker 2: I don't feel like you have to like her music, 128 00:05:56,000 --> 00:05:58,599 Speaker 2: but you have to acknowledge the immense amount of talent 129 00:05:58,640 --> 00:06:00,520 Speaker 2: that just oozes out of everything that she does. 130 00:06:00,800 --> 00:06:03,599 Speaker 1: I don't have to acknowledge that, Brad, you don't. I 131 00:06:03,600 --> 00:06:06,200 Speaker 1: don't think that's talented. People give her credit for it. 132 00:06:06,560 --> 00:06:07,480 Speaker 1: She's definitely talented. 133 00:06:07,680 --> 00:06:10,640 Speaker 4: She has talent, yes, of course, right, but I think 134 00:06:11,040 --> 00:06:14,480 Speaker 4: I don't think that she's any better than the Avri 135 00:06:14,560 --> 00:06:15,440 Speaker 4: Lavins of the world. 136 00:06:15,640 --> 00:06:21,080 Speaker 2: What now, I just don't trust you. Just making sense 137 00:06:21,120 --> 00:06:21,360 Speaker 2: to me. 138 00:06:21,400 --> 00:06:24,000 Speaker 1: Why do you think that about Beyonce. I think she was. 139 00:06:24,040 --> 00:06:26,359 Speaker 4: Part of a trio. I think she got lucky. I 140 00:06:26,360 --> 00:06:29,080 Speaker 4: think she got grabbed. I think I think she got 141 00:06:29,080 --> 00:06:30,920 Speaker 4: grabbed and they said this one is the one we're 142 00:06:30,920 --> 00:06:34,040 Speaker 4: going to continue to earn and make bigger. And she's 143 00:06:34,080 --> 00:06:36,039 Speaker 4: part of his system. And that's about it. 144 00:06:36,800 --> 00:06:37,720 Speaker 2: That makes no sense. 145 00:06:39,120 --> 00:06:43,279 Speaker 1: Terrible. I've never seen her lives, not to save her life, 146 00:06:43,400 --> 00:06:44,600 Speaker 1: which is also a lie. 147 00:06:44,880 --> 00:06:47,800 Speaker 2: I've seen her live multiple times, especially on the Run tour, 148 00:06:47,839 --> 00:06:49,320 Speaker 2: which was great. When she went out with her man. 149 00:06:49,360 --> 00:06:51,839 Speaker 2: And also she has so much. 150 00:06:52,920 --> 00:06:54,800 Speaker 4: She was on the stage hammered doing a bunch of 151 00:06:54,839 --> 00:06:59,240 Speaker 4: people pay hundreds of and she was like she could 152 00:06:59,240 --> 00:07:00,440 Speaker 4: barely put word together. 153 00:07:00,760 --> 00:07:02,800 Speaker 2: Also, don't know what show you saw it, because we 154 00:07:02,960 --> 00:07:06,200 Speaker 2: definitely saw different shows. We can talk about this Beyonce 155 00:07:06,279 --> 00:07:07,880 Speaker 2: stuff more later, But Brad. 156 00:07:08,880 --> 00:07:10,560 Speaker 1: I have a feeling it's gonna be an interesting day 157 00:07:10,560 --> 00:07:13,720 Speaker 1: in studio. I just I'm really glad we brought up 158 00:07:13,720 --> 00:07:17,400 Speaker 1: the unpopular opinion. I'm just gonna grasb some popcorn, sit 159 00:07:17,440 --> 00:07:19,760 Speaker 1: in the corner and just watch you guys go ahead. 160 00:07:19,840 --> 00:07:22,920 Speaker 2: It just makes me not trust anything you say. Like, 161 00:07:23,040 --> 00:07:24,240 Speaker 2: that's what that does to me? 162 00:07:24,480 --> 00:07:27,240 Speaker 1: Call us eight eight eight three four three six one 163 00:07:27,280 --> 00:07:29,160 Speaker 1: eight eight eight three four three one o six one. 164 00:07:29,400 --> 00:07:31,680 Speaker 1: And by the way, if you want to pay a 165 00:07:31,680 --> 00:07:33,280 Speaker 1: thousand bucks, you can buy a ticket right now to 166 00:07:33,280 --> 00:07:37,440 Speaker 1: come sit in the studios and watch the fireworks. I mean, honestly, 167 00:07:37,920 --> 00:07:39,760 Speaker 1: it's worth it. It's gonna be worth the worth the 168 00:07:39,800 --> 00:07:40,760 Speaker 1: price of admission. For sure. 169 00:07:40,920 --> 00:07:42,720 Speaker 2: It's just gonna be silent when we stopped talking on 170 00:07:42,720 --> 00:07:46,720 Speaker 2: the radio. I'm passive aggressive with my anger. It'll be 171 00:07:46,760 --> 00:07:47,280 Speaker 2: signed up. 172 00:07:47,160 --> 00:07:50,200 Speaker 1: For a little while and then yeah, and then it'll 173 00:07:50,240 --> 00:07:56,640 Speaker 1: be like anyway, Beyonce, what's your unpopular opinion? Hit us 174 00:07:56,680 --> 00:08:00,440 Speaker 1: up texted in four one O six one. Relationship are 175 00:08:00,480 --> 00:08:04,840 Speaker 1: a lot like Nascar the Jewbill Show. It feels like 176 00:08:04,960 --> 00:08:08,520 Speaker 1: forever just driving around in circles, and every once in 177 00:08:08,600 --> 00:08:11,080 Speaker 1: a while you get your bumper smashed. That's the nice part. 178 00:08:11,360 --> 00:08:15,600 Speaker 1: But it's a long road that feels like the same 179 00:08:15,640 --> 00:08:19,240 Speaker 1: thing over and over and over and over again. And 180 00:08:19,280 --> 00:08:22,680 Speaker 1: you have to pay attention to all these flags to 181 00:08:22,720 --> 00:08:24,040 Speaker 1: know if you still have a long way to go 182 00:08:24,120 --> 00:08:25,960 Speaker 1: or if you're about to cross the finish line and 183 00:08:26,000 --> 00:08:28,400 Speaker 1: see the checkered flag. Wow, and you're either the winner 184 00:08:28,520 --> 00:08:30,320 Speaker 1: or the loser, but you're done. 185 00:08:30,360 --> 00:08:32,280 Speaker 2: At least that's better than your car exploding. 186 00:08:32,320 --> 00:08:34,000 Speaker 1: So okay, cool, I think I've. 187 00:08:33,880 --> 00:08:37,000 Speaker 4: Heard a more accurate description of relationships with the flags 188 00:08:37,080 --> 00:08:38,040 Speaker 4: and the bumping. 189 00:08:37,880 --> 00:08:41,319 Speaker 1: Yeah, and the never ending long road of just trying 190 00:08:41,320 --> 00:08:48,160 Speaker 1: to navigate the whole confusing things. Yeah. Well, TikTok users 191 00:08:49,040 --> 00:08:52,320 Speaker 1: are convinced that there's a new relationship red flag, and 192 00:08:52,600 --> 00:08:55,560 Speaker 1: body language experts are co signing it. So there's a 193 00:08:55,600 --> 00:08:57,440 Speaker 1: new red flag that you should pay attention to because 194 00:08:57,440 --> 00:08:59,440 Speaker 1: there's all kinds of flags in the dating world. There's 195 00:08:59,480 --> 00:09:03,360 Speaker 1: green flagge is, there's base flags in it just means 196 00:09:03,360 --> 00:09:03,760 Speaker 1: you're boring. 197 00:09:06,040 --> 00:09:07,480 Speaker 2: You're like, the person is just boring. 198 00:09:07,520 --> 00:09:11,040 Speaker 1: Then it's like not really a red flag, but also 199 00:09:12,120 --> 00:09:15,720 Speaker 1: not that interesting. So yeah, yeah there. And there's the 200 00:09:15,760 --> 00:09:18,560 Speaker 1: red flag, which is the most important flag to pay 201 00:09:18,600 --> 00:09:20,640 Speaker 1: attention to in the dating world. And there is a 202 00:09:20,679 --> 00:09:25,679 Speaker 1: red flag that apparently you can tell in someone's body language. 203 00:09:25,920 --> 00:09:30,520 Speaker 1: They're saying that somebody walking ahead of you in a 204 00:09:30,559 --> 00:09:34,000 Speaker 1: relationship is a red flag and you should pay attention 205 00:09:34,040 --> 00:09:36,800 Speaker 1: to it. I also am going to agree with that. 206 00:09:36,840 --> 00:09:39,199 Speaker 1: But what do you guys think, you know, like. 207 00:09:39,520 --> 00:09:41,240 Speaker 2: When like if they're walking ahead of me to go 208 00:09:41,360 --> 00:09:43,959 Speaker 2: open the door, or if they're just like speeding up 209 00:09:44,000 --> 00:09:46,839 Speaker 2: to do what, Like, I don't know. I think that 210 00:09:46,880 --> 00:09:49,560 Speaker 2: there's reasons why sometimes people would walk in front of 211 00:09:49,559 --> 00:09:50,200 Speaker 2: the other person. 212 00:09:50,600 --> 00:09:51,240 Speaker 1: So that's the thing. 213 00:09:51,360 --> 00:09:53,319 Speaker 2: I think. I'm the person that's usually the one walking 214 00:09:53,320 --> 00:09:54,400 Speaker 2: in front of person. 215 00:09:54,840 --> 00:09:57,319 Speaker 1: And he was like, I think that's fine all the time, 216 00:09:57,480 --> 00:09:59,640 Speaker 1: but don't even look at me. 217 00:10:00,600 --> 00:10:03,680 Speaker 2: Don't pay It's just because sometimes I walk really fast 218 00:10:03,760 --> 00:10:05,360 Speaker 2: or I peel have to pee, so like. 219 00:10:05,360 --> 00:10:08,120 Speaker 1: I'm moving, Well, that's okay, that situation, Like, I think 220 00:10:08,160 --> 00:10:11,080 Speaker 1: that there's a lot of red flags and relationships that 221 00:10:11,280 --> 00:10:13,360 Speaker 1: you have to look at the situation around it. There 222 00:10:13,360 --> 00:10:16,920 Speaker 1: are some that are no brainers, right, like definite red flags, 223 00:10:16,960 --> 00:10:19,120 Speaker 1: like you walk away from it right away, but then 224 00:10:19,160 --> 00:10:22,480 Speaker 1: you have to evaluate, you know, and go, okay, let's 225 00:10:22,480 --> 00:10:25,120 Speaker 1: look at things around it. Nina has to pee, Nina's 226 00:10:25,120 --> 00:10:28,440 Speaker 1: walking ahead of me because Nina has to pee. That's fine, 227 00:10:28,520 --> 00:10:29,520 Speaker 1: Nina should go pee. 228 00:10:29,720 --> 00:10:30,520 Speaker 2: It's a red flag. 229 00:10:30,760 --> 00:10:32,320 Speaker 1: It's a red flag if I go get back here 230 00:10:32,320 --> 00:10:33,600 Speaker 1: and walk next to me, I don't care. If you 231 00:10:33,640 --> 00:10:36,120 Speaker 1: have to rode yourself and walk next to me, I'm 232 00:10:36,120 --> 00:10:38,960 Speaker 1: a red flag. At that point, I'm controlling. I would laugh. 233 00:10:39,000 --> 00:10:43,520 Speaker 1: At that point, you should walk back to that person 234 00:10:43,520 --> 00:10:46,200 Speaker 1: and pee on their shoe and go, I'm leaving bye. Right, 235 00:10:46,240 --> 00:10:49,360 Speaker 1: that's a red flag. But in that situation, it's fine. 236 00:10:49,440 --> 00:10:53,040 Speaker 1: But I think they're talking about when someone is always 237 00:10:53,080 --> 00:10:57,440 Speaker 1: walking ahead of you and trying to basically lead you 238 00:10:59,760 --> 00:11:02,640 Speaker 1: and and or or or trying to make you speed 239 00:11:02,720 --> 00:11:05,040 Speaker 1: up to walk with them in a relationship, It is 240 00:11:05,160 --> 00:11:07,400 Speaker 1: kind of interesting when that happens, right. I've been in 241 00:11:07,400 --> 00:11:09,360 Speaker 1: that situation a lot. My last relationship is like that, 242 00:11:09,920 --> 00:11:12,040 Speaker 1: I'm also slow, so people walk ahead of me, right, 243 00:11:12,120 --> 00:11:14,160 Speaker 1: and so I look at it the same way. I'm like, hey, 244 00:11:14,520 --> 00:11:16,000 Speaker 1: go ahead and walk your speed. I don't care. I 245 00:11:16,040 --> 00:11:17,920 Speaker 1: don't try to control people like that. Go ahead and 246 00:11:17,960 --> 00:11:20,680 Speaker 1: walk your speed. Just please don't tell me to walk faster. Yeah, 247 00:11:20,720 --> 00:11:23,920 Speaker 1: you know, but some people do it on purpose because 248 00:11:23,960 --> 00:11:26,560 Speaker 1: they want to exert some sort of power over the 249 00:11:26,600 --> 00:11:27,200 Speaker 1: other person. 250 00:11:27,280 --> 00:11:29,200 Speaker 2: Is that what the flag means? Because if we're seeing 251 00:11:29,240 --> 00:11:30,800 Speaker 2: that somebody is walking ahead of the person, is what 252 00:11:30,840 --> 00:11:32,319 Speaker 2: you want to look like? You're single right now? You 253 00:11:32,400 --> 00:11:35,120 Speaker 2: want to look like you're by yourself, like okay, also 254 00:11:35,240 --> 00:11:38,400 Speaker 2: a problem. But if it's definitely if it's a power play, 255 00:11:39,520 --> 00:11:40,640 Speaker 2: then that is interesting. 256 00:11:40,840 --> 00:11:42,920 Speaker 1: I think it has a lot to do with dominance 257 00:11:43,320 --> 00:11:45,160 Speaker 1: if it's in if it's in the right situation, right, 258 00:11:45,200 --> 00:11:47,160 Speaker 1: if they haven't to pee, they have to peek right, right, 259 00:11:47,600 --> 00:11:47,880 Speaker 1: thank you? 260 00:11:47,920 --> 00:11:49,640 Speaker 4: I mean, I mean we're just talking about like just 261 00:11:49,679 --> 00:11:51,600 Speaker 4: walking down the street next to somebody, right, and then 262 00:11:51,600 --> 00:11:53,960 Speaker 4: you walk ahead of them, Like I'm a fast walker, 263 00:11:54,000 --> 00:11:55,880 Speaker 4: but I do find myself walking at the pace of 264 00:11:55,920 --> 00:11:57,040 Speaker 4: whoever is with me. 265 00:11:57,360 --> 00:11:59,560 Speaker 1: Because you want to walk with the person you're with, right, 266 00:11:59,600 --> 00:12:02,280 Speaker 1: which is nice. Behavior, you know, but there are some 267 00:12:02,320 --> 00:12:04,240 Speaker 1: people that are in a relationship, but they will walk 268 00:12:04,280 --> 00:12:07,000 Speaker 1: ahead of the person because they want to make that 269 00:12:07,080 --> 00:12:12,160 Speaker 1: person walk faster. I see, is at least what some 270 00:12:12,200 --> 00:12:14,640 Speaker 1: of the body language experts are saying on that. 271 00:12:14,720 --> 00:12:16,560 Speaker 2: Because I just feel like for me, I don't even 272 00:12:16,600 --> 00:12:18,400 Speaker 2: think about it as you're trying to make me walk faster. 273 00:12:18,480 --> 00:12:19,719 Speaker 2: I just think you don't want to be with me 274 00:12:19,880 --> 00:12:20,280 Speaker 2: right now? 275 00:12:20,400 --> 00:12:23,320 Speaker 1: That too, right? It's also that So that's another thing 276 00:12:23,320 --> 00:12:26,760 Speaker 1: that the relationship experts are saying about this potential new 277 00:12:26,800 --> 00:12:28,840 Speaker 1: red flat well on top potential. I think I'm going 278 00:12:28,920 --> 00:12:31,679 Speaker 1: to say, fact it is, you should pay attention to it, right, 279 00:12:31,880 --> 00:12:34,120 Speaker 1: but think about the things around it. The body language 280 00:12:34,120 --> 00:12:36,000 Speaker 1: experts are saying, there's other things that go into it too. 281 00:12:36,280 --> 00:12:38,480 Speaker 1: If you're with someone in your oute, Let's say you're 282 00:12:38,520 --> 00:12:41,040 Speaker 1: just going to eat dinner with someone, right yeah, and 283 00:12:41,240 --> 00:12:42,599 Speaker 1: you're walking on the street. Doesn't even have to be 284 00:12:42,640 --> 00:12:46,920 Speaker 1: a romantic relationship. But they're walking ahead of you. Why 285 00:12:46,960 --> 00:12:49,400 Speaker 1: wouldn't they slow down a little bit? You could also 286 00:12:49,480 --> 00:12:51,959 Speaker 1: speed up and you guys could just walk together. You're 287 00:12:52,000 --> 00:12:54,160 Speaker 1: going to dinner together. Why wouldn't you want to walk 288 00:12:54,200 --> 00:12:57,320 Speaker 1: together if you're in a relationship romantically with someone, then 289 00:12:57,679 --> 00:13:02,319 Speaker 1: it shows that they just really don't care about hanging 290 00:13:02,360 --> 00:13:04,439 Speaker 1: out with you that much, right, honestly. 291 00:13:04,120 --> 00:13:06,160 Speaker 2: Then wouldn't you stop and say something at that point? 292 00:13:06,240 --> 00:13:09,520 Speaker 2: Because I would? And then if you look at me 293 00:13:09,559 --> 00:13:11,120 Speaker 2: and be like, because I don't want to walk next 294 00:13:11,120 --> 00:13:13,560 Speaker 2: to you, then you can have dinner by yourself. 295 00:13:14,840 --> 00:13:19,680 Speaker 1: I think that you should do that, right, We're going 296 00:13:19,720 --> 00:13:22,520 Speaker 1: on a date, So wouldn't you want to sit, like 297 00:13:22,640 --> 00:13:24,640 Speaker 1: walk and talk with me? I can, you know, But 298 00:13:24,679 --> 00:13:27,560 Speaker 1: also like I walk slow, and I don't ever expect 299 00:13:27,600 --> 00:13:30,040 Speaker 1: anybody to walk as slow as I do, right, I 300 00:13:30,280 --> 00:13:32,400 Speaker 1: never do. Even I sometimes don't want to walk with 301 00:13:32,480 --> 00:13:37,080 Speaker 1: myself because I'm like, dude, walk a little faster, but 302 00:13:37,200 --> 00:13:39,800 Speaker 1: I will meet you in the middle if like we're together, 303 00:13:39,840 --> 00:13:41,480 Speaker 1: I don't walk. But if you were walking at such 304 00:13:41,480 --> 00:13:43,680 Speaker 1: a fast pace that I literally have to like jog 305 00:13:43,760 --> 00:13:46,080 Speaker 1: to keep up with you, go ahead, because like, I'm 306 00:13:46,080 --> 00:13:47,680 Speaker 1: not going to run to keep up with someone. 307 00:13:47,720 --> 00:13:49,720 Speaker 2: You know, yeah, you shouldn't have to. 308 00:13:50,120 --> 00:13:52,200 Speaker 4: I think it's funny because I'm the friend that like, like, 309 00:13:52,520 --> 00:13:54,559 Speaker 4: I don't know how many times I've heard the following. 310 00:13:54,400 --> 00:13:55,760 Speaker 1: You think we could slid down a little bit. 311 00:13:57,040 --> 00:13:57,840 Speaker 2: Yeah, as a team. 312 00:13:58,720 --> 00:14:01,679 Speaker 1: Yeah, oh yeah, sorry, sorry, yes, we see. That's what 313 00:14:01,720 --> 00:14:03,160 Speaker 1: you pay attention to do too. If you're looking at 314 00:14:03,160 --> 00:14:05,120 Speaker 1: that red flag, if you go, hey, I can't keep 315 00:14:05,200 --> 00:14:06,640 Speaker 1: up with you about a breath, you walk fast, because 316 00:14:06,640 --> 00:14:08,760 Speaker 1: some people just walk fast. If the other person goes, 317 00:14:08,920 --> 00:14:11,200 Speaker 1: oh yeah, sorry, I'll slow down a little bit, that 318 00:14:11,360 --> 00:14:15,240 Speaker 1: means that they actually care about your feelings in that moment, right, 319 00:14:15,240 --> 00:14:16,680 Speaker 1: they care. They don't want you to be out of 320 00:14:16,679 --> 00:14:18,240 Speaker 1: breath and have to walk to keep up with them, 321 00:14:18,360 --> 00:14:19,880 Speaker 1: and they'll slow down. But if it's someone who goes, 322 00:14:20,160 --> 00:14:23,160 Speaker 1: I'm just a fast walker, just deal with it, just 323 00:14:23,200 --> 00:14:25,080 Speaker 1: try to get there. Yeah, But also they want you 324 00:14:25,120 --> 00:14:27,440 Speaker 1: to walk with them, you know, like if they are 325 00:14:27,480 --> 00:14:30,720 Speaker 1: a fast walker and you're like in my situation, right, 326 00:14:30,760 --> 00:14:34,080 Speaker 1: I always go, hey, I walk slow. I don't care 327 00:14:34,120 --> 00:14:35,960 Speaker 1: if you walk like, if you want to walk fast, cool, 328 00:14:36,000 --> 00:14:37,480 Speaker 1: I just probably can't keep up with you, but I'll 329 00:14:37,480 --> 00:14:41,120 Speaker 1: meet you inside. But if they you know, if they 330 00:14:41,520 --> 00:14:43,800 Speaker 1: don't like that, right, if they don't just go inside 331 00:14:43,840 --> 00:14:45,040 Speaker 1: and do their thing and then you meet up with 332 00:14:45,080 --> 00:14:46,720 Speaker 1: them and they have a problem with that, then they 333 00:14:46,720 --> 00:14:48,240 Speaker 1: were trying to get me to walk faster. That's the 334 00:14:48,240 --> 00:14:51,880 Speaker 1: way I look at it. Hey, Amber, Yeah, do you 335 00:14:51,920 --> 00:14:53,640 Speaker 1: think it's a red flag if somebody walks ahead of you? 336 00:14:54,840 --> 00:14:55,640 Speaker 3: Absolutely? 337 00:14:55,840 --> 00:14:57,480 Speaker 4: And I have something to add to. 338 00:14:57,360 --> 00:14:58,800 Speaker 2: It, Okay, that's okay. 339 00:14:59,080 --> 00:15:02,880 Speaker 3: Yeah, I needed a guy who could not follow a 340 00:15:02,920 --> 00:15:05,320 Speaker 3: regular elevator etiquette. 341 00:15:06,280 --> 00:15:09,120 Speaker 2: So normally, if you're in an elevator and you see 342 00:15:09,160 --> 00:15:12,880 Speaker 2: somebody coming towards the elevator, you hold the door open. 343 00:15:13,360 --> 00:15:17,280 Speaker 1: No, yeah, you hit the door. It depends. Sometimes sometimes 344 00:15:17,360 --> 00:15:18,960 Speaker 1: you want to, like when I walk towards the elevator, 345 00:15:18,960 --> 00:15:20,480 Speaker 1: because I would throw a tattoo. I know people are 346 00:15:20,560 --> 00:15:26,080 Speaker 1: hitting the door closed button and it's fine. 347 00:15:25,080 --> 00:15:28,080 Speaker 2: Every time, and it would make it so awkward. He 348 00:15:28,120 --> 00:15:30,360 Speaker 2: would make sure it was in the elevator, which I appreciated, 349 00:15:30,600 --> 00:15:33,760 Speaker 2: But at some point in time, you are going to 350 00:15:33,800 --> 00:15:36,600 Speaker 2: see those people again in the building, in the mall, 351 00:15:36,800 --> 00:15:37,600 Speaker 2: in the office. 352 00:15:38,960 --> 00:15:44,400 Speaker 1: It's so awkward when that happens, though, and you're just like, 353 00:15:44,440 --> 00:15:46,120 Speaker 1: I just close the elevator on then a little while ago, 354 00:15:46,160 --> 00:15:49,400 Speaker 1: and we're not going to talk about it, but everybody 355 00:15:49,480 --> 00:15:56,920 Speaker 1: knows what. Yeah, thank you for your phone call, Amber, Ali. Hello, Ali, Hi, 356 00:15:57,280 --> 00:15:59,800 Speaker 1: Hey do you think you will? Yes? It is Is 357 00:15:59,800 --> 00:16:01,920 Speaker 1: this a dull? Hi? 358 00:16:02,080 --> 00:16:03,000 Speaker 4: Yes, this is Ali. 359 00:16:03,120 --> 00:16:04,640 Speaker 3: I'm such a big fan of you guys. 360 00:16:04,720 --> 00:16:07,080 Speaker 1: Thank you, thank you for calling me. Appreciate it. Do 361 00:16:07,120 --> 00:16:08,720 Speaker 1: you think it's a red flag if someone walks ahead 362 00:16:08,720 --> 00:16:08,920 Speaker 1: of you? 363 00:16:10,680 --> 00:16:14,000 Speaker 3: Well, okay, so this is my predicament. My boyfriend is 364 00:16:14,040 --> 00:16:17,440 Speaker 3: six five and he's a professional track athlete. 365 00:16:17,560 --> 00:16:20,720 Speaker 1: Oh yeah, and the situational naturally. 366 00:16:20,720 --> 00:16:23,760 Speaker 3: Like he walked very fast, and so like, is it 367 00:16:23,800 --> 00:16:25,680 Speaker 3: a red flag that he's always in front of me? 368 00:16:25,800 --> 00:16:28,680 Speaker 3: Or is he just ridiculously tall and naturally fast. 369 00:16:28,760 --> 00:16:30,520 Speaker 1: I don't think that that's a red flag. I have 370 00:16:30,560 --> 00:16:32,520 Speaker 1: a friend, one of my one of my best friends, 371 00:16:32,800 --> 00:16:38,600 Speaker 1: is huge. Like he's what Nina, you've met Noah, Yeah, yeah, yeah, 372 00:16:38,640 --> 00:16:40,920 Speaker 1: he's a big guy. He's very big. He's got long legs. 373 00:16:40,960 --> 00:16:42,560 Speaker 1: And over the weekend I was hanging out with him, 374 00:16:42,560 --> 00:16:45,160 Speaker 1: and lately I've been walking faster. I've been just trying 375 00:16:45,160 --> 00:16:47,120 Speaker 1: to walk faster because I want to walk faster. And 376 00:16:47,160 --> 00:16:49,480 Speaker 1: he was like, hey, man, he has to look down, 377 00:16:49,520 --> 00:16:52,440 Speaker 1: like real far down to talk to me. And he 378 00:16:52,560 --> 00:16:54,960 Speaker 1: was like, you've been walking, you're walking faster. You can 379 00:16:55,040 --> 00:16:56,480 Speaker 1: keep up with me. And I was like, yeah, man, 380 00:16:56,720 --> 00:16:58,920 Speaker 1: I'm just making my stride quicker because of your long legs. 381 00:16:58,960 --> 00:17:00,640 Speaker 1: You know, because he's got long. Your life to me 382 00:17:00,800 --> 00:17:02,600 Speaker 1: is just you know, it is what it is nature. 383 00:17:02,760 --> 00:17:04,480 Speaker 2: The red flag is the part where he doesn't pick 384 00:17:04,520 --> 00:17:06,440 Speaker 2: you up and put his him on my nose back 385 00:17:06,440 --> 00:17:08,119 Speaker 2: where it's like, all right, babe, we'll just go together, 386 00:17:08,960 --> 00:17:11,600 Speaker 2: you know, and he doesn't call me babe like you should. 387 00:17:12,960 --> 00:17:14,080 Speaker 1: All right this time for your phone. 388 00:17:14,440 --> 00:17:17,160 Speaker 3: What you should do is I always hold my boyfriend's 389 00:17:17,160 --> 00:17:18,800 Speaker 3: hand and he kind of pulls me a little bit, 390 00:17:18,840 --> 00:17:20,600 Speaker 3: and so maybe you should hold your friend's hand and 391 00:17:20,920 --> 00:17:21,880 Speaker 3: I'll tell you a little. 392 00:17:22,600 --> 00:17:25,160 Speaker 1: And I'm going to do that next time we hang out. 393 00:17:25,560 --> 00:17:27,879 Speaker 1: I'm gonna happily do that. And he will be so 394 00:17:28,040 --> 00:17:31,119 Speaker 1: uncomfortable with it until until it's long enough and then 395 00:17:31,119 --> 00:17:32,840 Speaker 1: you embrace it. I know that guy. It'll be fun. 396 00:17:33,920 --> 00:17:36,520 Speaker 1: Thank you all went all on this big straw farm. 397 00:17:36,560 --> 00:17:38,800 Speaker 1: And he can just leave me Sarah's jew. 398 00:17:38,720 --> 00:17:41,120 Speaker 2: Both flying down the street. I mean no, I could 399 00:17:41,160 --> 00:17:42,480 Speaker 2: literally pick him up and he'd be like