1 00:00:00,160 --> 00:00:01,639 Speaker 1: Looking at theug case right. 2 00:00:03,720 --> 00:00:07,320 Speaker 2: This is Atlanta rapper Jeffrey Lamar Williams, or as most 3 00:00:07,400 --> 00:00:11,080 Speaker 2: know him as Young Thug, performing on NBC's Saturday Night 4 00:00:11,160 --> 00:00:13,880 Speaker 2: Live back in twenty twenty one. In the same year, 5 00:00:14,000 --> 00:00:17,440 Speaker 2: his album Punk would end up on Complex and Rolling 6 00:00:17,480 --> 00:00:20,560 Speaker 2: Stones's Best Album of the Year lists. But in twenty 7 00:00:20,600 --> 00:00:24,800 Speaker 2: twenty two, police raided Williams's home, arresting him, setting off 8 00:00:24,800 --> 00:00:28,600 Speaker 2: a fifty six count reco case against Young Thug, prominent 9 00:00:28,680 --> 00:00:32,199 Speaker 2: rapper Gunna, and twenty six other members of their music 10 00:00:32,240 --> 00:00:33,600 Speaker 2: collective hys L. 11 00:00:35,960 --> 00:00:39,480 Speaker 3: They still gonna walk some dying there to their courthouse 12 00:00:39,600 --> 00:00:42,320 Speaker 3: and on their stad because. 13 00:00:41,920 --> 00:00:45,320 Speaker 1: They know the shame they're going with that. Even the 14 00:00:45,440 --> 00:00:46,159 Speaker 1: DA know the. 15 00:00:46,240 --> 00:00:49,400 Speaker 3: Shame that you got your partner that's right here, that 16 00:00:49,640 --> 00:00:54,640 Speaker 3: changed their lives. You Mick in particular, all us on 17 00:00:54,720 --> 00:00:57,200 Speaker 3: our side, we just watching from now side. 18 00:00:57,240 --> 00:01:00,760 Speaker 4: But it's a couple of it's in particular love that 19 00:01:01,080 --> 00:01:06,800 Speaker 4: was in the bently together that dish gonna broke up 20 00:01:06,840 --> 00:01:07,480 Speaker 4: the family. 21 00:01:09,520 --> 00:01:13,080 Speaker 3: See y'all looking at a lawyer. These dudes creating narratives. 22 00:01:13,400 --> 00:01:16,240 Speaker 3: These dudes debunk narratives. That's why I have a high 23 00:01:16,360 --> 00:01:18,039 Speaker 3: level of respect for lawyers. 24 00:01:19,840 --> 00:01:20,440 Speaker 2: That was not. 25 00:01:22,520 --> 00:01:28,320 Speaker 1: With fog Major Jeffrey thug and mean sa Jeffrey something 26 00:01:31,319 --> 00:01:35,000 Speaker 1: very personal. It was his path. 27 00:01:36,480 --> 00:01:40,720 Speaker 5: He could ever make it. 28 00:01:39,240 --> 00:01:40,800 Speaker 1: As a musical artist. 29 00:01:42,640 --> 00:01:47,920 Speaker 2: And help the family, himself and his many others out 30 00:01:48,360 --> 00:01:51,600 Speaker 2: of this endless cycle. 31 00:01:55,240 --> 00:02:04,800 Speaker 1: Of hopeuses it would be truly humble under God. That's 32 00:02:04,880 --> 00:02:05,880 Speaker 1: what thund is. 33 00:02:08,000 --> 00:02:11,400 Speaker 3: So when you're dealing with Brian Steele, you know, if 34 00:02:11,400 --> 00:02:15,600 Speaker 3: he got time to prepares like be a Belichick, he 35 00:02:15,720 --> 00:02:18,160 Speaker 3: may figure out I can flatten the balls. 36 00:02:20,080 --> 00:02:22,000 Speaker 1: And it ain't nothing in the hand. But to say 37 00:02:22,040 --> 00:02:22,960 Speaker 1: that that's illegal. 38 00:02:24,919 --> 00:02:27,240 Speaker 3: I want you to know if you're operating in the streets, 39 00:02:27,840 --> 00:02:31,240 Speaker 3: you're looking for a black cat in a dog room. 40 00:02:31,280 --> 00:02:33,560 Speaker 3: It's unfortunate because some of y'all was born in that 41 00:02:33,720 --> 00:02:37,799 Speaker 3: dog room and told to look for that cat. That's 42 00:02:37,840 --> 00:02:39,960 Speaker 3: the only way out this room. Look for that cat. 43 00:02:40,560 --> 00:02:44,680 Speaker 3: You know, that cat. That's the only way some must 44 00:02:44,680 --> 00:02:45,600 Speaker 3: done got out of here. 45 00:02:47,280 --> 00:02:49,640 Speaker 1: So some of y'all was told that instead of looking 46 00:02:49,680 --> 00:02:50,600 Speaker 1: for the light switch. 47 00:03:06,639 --> 00:03:08,240 Speaker 3: You know what made me give up on the so 48 00:03:08,440 --> 00:03:14,240 Speaker 3: called street life, because these niggas are let the fizz 49 00:03:14,280 --> 00:03:16,680 Speaker 3: in the DA and the state sack the quarterback. 50 00:03:19,880 --> 00:03:22,400 Speaker 1: You in position, you tell them niggas, hold the line. 51 00:03:22,440 --> 00:03:26,280 Speaker 3: All you got to do is stay strong, Just stay strong, 52 00:03:26,440 --> 00:03:33,360 Speaker 3: hold the line. But somebody gonna fold. Every time they 53 00:03:33,520 --> 00:03:36,160 Speaker 3: round all them niggas up, put them in and padded wagon. 54 00:03:37,560 --> 00:03:39,839 Speaker 3: And that's when all their gang gang shit go out 55 00:03:39,840 --> 00:03:42,480 Speaker 3: the window. That's when niggas go to thinking about they 56 00:03:42,560 --> 00:03:46,040 Speaker 3: slf self survive or self sufficient. Niggas going to self 57 00:03:46,080 --> 00:03:49,800 Speaker 3: serving mode. And all you got to do is hold 58 00:03:49,840 --> 00:03:56,320 Speaker 3: the line. And sometimes somebody gotta go, Sometimes a few 59 00:03:56,360 --> 00:03:59,880 Speaker 3: people gotta go. A loss got to be two, but 60 00:04:00,080 --> 00:04:03,480 Speaker 3: they'll bring the whole ship down. And that's what doesn't change. 61 00:04:04,160 --> 00:04:08,320 Speaker 3: Then people figure out number one. Make the jail sell 62 00:04:09,000 --> 00:04:13,080 Speaker 3: hard to deal with, Put some information in that, put 63 00:04:13,080 --> 00:04:16,880 Speaker 3: some study in. Make these walls brick, make this metal, 64 00:04:16,960 --> 00:04:19,520 Speaker 3: make this, feed them this, make sure this is in 65 00:04:19,560 --> 00:04:23,719 Speaker 3: the drink, make sure this is right, keeping agenda in place. 66 00:04:24,360 --> 00:04:28,760 Speaker 3: It's fucked up because they'll let them sack the quarterback. Now, 67 00:04:28,800 --> 00:04:34,400 Speaker 3: the quarterback analogy is interesting right here, because what I'm 68 00:04:34,440 --> 00:04:39,680 Speaker 3: insinuating is that when the team moves, everybody moves. 69 00:04:39,800 --> 00:04:40,040 Speaker 1: Right. 70 00:04:40,320 --> 00:04:42,440 Speaker 3: When we get y'all say we get a first down, 71 00:04:42,480 --> 00:04:47,039 Speaker 3: the entire team the sticks move. Nigga even the sideline move. 72 00:04:48,600 --> 00:04:49,080 Speaker 1: You see that. 73 00:04:51,040 --> 00:04:56,240 Speaker 3: You see that, nigga, even the sideline move when the 74 00:04:56,320 --> 00:04:59,480 Speaker 3: quarterback make the right decision and we get the right playoff, 75 00:05:00,360 --> 00:05:02,640 Speaker 3: get some yards, the whole team get. 76 00:05:02,520 --> 00:05:03,479 Speaker 1: A chance to move. 77 00:05:05,440 --> 00:05:07,960 Speaker 3: And so it's beneficial to be a part of something 78 00:05:08,000 --> 00:05:10,640 Speaker 3: at that moment. But when it's detrimental to be a 79 00:05:10,680 --> 00:05:13,320 Speaker 3: part of that same thing, do you standing in that 80 00:05:13,360 --> 00:05:19,680 Speaker 3: same situation? You see that because benefit turns the detriment, 81 00:05:19,920 --> 00:05:22,960 Speaker 3: And do you hold steady? Do you hold that line? 82 00:05:23,120 --> 00:05:25,240 Speaker 3: That's all a nigga asks a nigga. That's why I 83 00:05:25,360 --> 00:05:27,440 Speaker 3: be by myself. It's like a nigga come up out 84 00:05:27,520 --> 00:05:30,640 Speaker 3: the woods. You see a wolf. You ever seen a 85 00:05:30,640 --> 00:05:35,920 Speaker 3: wolf done left the pack? You see him come about 86 00:05:35,920 --> 00:05:42,279 Speaker 3: the wood by itself. He knows something, he knows something, 87 00:05:43,839 --> 00:05:45,919 Speaker 3: or even I can say it's like a lion that 88 00:05:46,120 --> 00:05:47,039 Speaker 3: just come you dig. 89 00:05:47,760 --> 00:05:50,400 Speaker 1: And I'm speaking on this because I'm looking at. 90 00:05:50,279 --> 00:05:54,279 Speaker 3: Thug case right His trial is in process right now, 91 00:05:55,520 --> 00:05:57,599 Speaker 3: and we got a lot of I'm gonna talk about today, right, 92 00:05:57,640 --> 00:06:01,599 Speaker 3: We back in that bag. I'm saying, we backing that bag. 93 00:06:01,880 --> 00:06:06,880 Speaker 3: You hit me, you hit me, We back in that bag. 94 00:06:14,839 --> 00:06:21,159 Speaker 3: I was looking at thug trial interesting situation because as 95 00:06:21,160 --> 00:06:24,520 Speaker 3: I see Thug sitting there with his lawyer, the indictments 96 00:06:24,560 --> 00:06:27,440 Speaker 3: started in a very interesting place, right and for those 97 00:06:27,480 --> 00:06:31,120 Speaker 3: who are underwere you know, Thug was indicted on rico 98 00:06:31,279 --> 00:06:34,000 Speaker 3: charges as well as people on why sal or label. 99 00:06:34,920 --> 00:06:37,200 Speaker 3: This was in May of twenty and twenty two. I 100 00:06:37,240 --> 00:06:42,479 Speaker 3: believe it was twenty seven people that was indicted on charges. 101 00:06:42,520 --> 00:06:45,640 Speaker 3: I think it's down to seven, six, five maybe going 102 00:06:45,680 --> 00:06:53,640 Speaker 3: to trial. And so the interest that's presented because you 103 00:06:53,640 --> 00:06:56,719 Speaker 3: will catch the DA holding the line. They'll all for 104 00:06:56,800 --> 00:07:01,080 Speaker 3: each other, they'll make it look a certain way, all 105 00:07:01,080 --> 00:07:03,640 Speaker 3: in the name of getting the goal accomplished. And so 106 00:07:03,839 --> 00:07:07,440 Speaker 3: just watching the Thug trial is interesting. There's a lot 107 00:07:07,440 --> 00:07:10,040 Speaker 3: of objections. There's a lot of things being said done 108 00:07:10,120 --> 00:07:15,560 Speaker 3: in trial. I think that will be examined, if not 109 00:07:15,600 --> 00:07:20,720 Speaker 3: in the near future, in the process that the trial 110 00:07:20,800 --> 00:07:23,280 Speaker 3: doesn't go in the way in thugs favor. I think 111 00:07:23,360 --> 00:07:26,640 Speaker 3: some of this stuff will be revisited as it pertains 112 00:07:26,640 --> 00:07:28,920 Speaker 3: to how the state has handled, some of the evidence, 113 00:07:29,520 --> 00:07:33,560 Speaker 3: handled some of the proceedings that's been motions filed, as 114 00:07:33,560 --> 00:07:39,880 Speaker 3: it pertains to their conduct and what I would say 115 00:07:39,960 --> 00:07:45,080 Speaker 3: doesn't fall short of lying by our omission. Right, these 116 00:07:45,080 --> 00:07:47,880 Speaker 3: are games being played in court that's at a very 117 00:07:47,960 --> 00:07:48,920 Speaker 3: high level. 118 00:07:49,120 --> 00:07:52,160 Speaker 1: It's the sneak attack, because. 119 00:07:51,880 --> 00:07:55,320 Speaker 3: When you're dealing with a guy like Brian Steele, you're 120 00:07:55,320 --> 00:08:00,240 Speaker 3: dealing with a marksman. You're dealing with a specialist. See 121 00:08:00,280 --> 00:08:04,120 Speaker 3: y'all looking at a lawyer. These dudes creating narratives. These 122 00:08:04,240 --> 00:08:07,080 Speaker 3: dudes debunk narratives. That's why I have a high level 123 00:08:07,120 --> 00:08:10,720 Speaker 3: of respect for lawyers. You see met people that go 124 00:08:10,800 --> 00:08:14,040 Speaker 3: in there in that environment and fight in the within 125 00:08:14,120 --> 00:08:17,400 Speaker 3: those lines where everything gotta lead to something and make 126 00:08:17,480 --> 00:08:20,520 Speaker 3: this kind of it's just all kind of game being played. 127 00:08:20,920 --> 00:08:24,360 Speaker 3: So when you're dealing with Brian Steele, you know, if 128 00:08:24,360 --> 00:08:28,520 Speaker 3: he got time to prepare shit like Bill Belichick, he 129 00:08:28,640 --> 00:08:33,240 Speaker 3: may figure out I can flatten the balls and it 130 00:08:33,280 --> 00:08:34,280 Speaker 3: ain't nothing in the hand. 131 00:08:34,360 --> 00:08:35,600 Speaker 1: But to say that that's. 132 00:08:35,360 --> 00:08:38,640 Speaker 3: Illegal moving forward up, we didn't know that and we 133 00:08:38,679 --> 00:08:41,199 Speaker 3: didn't tell nobody to do that. That happened to happen 134 00:08:41,320 --> 00:08:46,680 Speaker 3: by right, I'm telling you high level game. And so 135 00:08:47,240 --> 00:08:50,720 Speaker 3: just in opening statements, they had they had withheld certain 136 00:08:50,760 --> 00:08:54,040 Speaker 3: things that the judge has ordered them to share with 137 00:08:54,120 --> 00:08:58,959 Speaker 3: Thugs Team. So Thugs Team, since the opening statement slides 138 00:08:59,040 --> 00:09:02,840 Speaker 3: everything they're dealing with with the state only sends a 139 00:09:02,840 --> 00:09:05,080 Speaker 3: little bit. Now, let me give you some game about that. 140 00:09:05,440 --> 00:09:09,960 Speaker 3: It's two ways to look at this. One way you 141 00:09:10,000 --> 00:09:12,640 Speaker 3: can say, yo, the state is playing the game, which 142 00:09:12,679 --> 00:09:14,960 Speaker 3: is the narrative I think needs to be painted to 143 00:09:15,040 --> 00:09:18,120 Speaker 3: help thug because they have made this a shit show. 144 00:09:18,160 --> 00:09:19,040 Speaker 1: This has been a. 145 00:09:18,920 --> 00:09:25,960 Speaker 3: Circus and I'm not speaking about what has happened the 146 00:09:26,040 --> 00:09:29,280 Speaker 3: crimes is being committed because I'm a grown man, right, 147 00:09:29,360 --> 00:09:32,640 Speaker 3: so I always want to shed light on Yo, y'all children, 148 00:09:32,760 --> 00:09:36,320 Speaker 3: is listening to me win apologiest for criminal behavior. I 149 00:09:36,360 --> 00:09:38,280 Speaker 3: want you to know it's another way. I know how 150 00:09:38,320 --> 00:09:40,320 Speaker 3: you can get stuck in that Maids, So I try 151 00:09:40,360 --> 00:09:42,359 Speaker 3: to tell you come up out of it in Maids 152 00:09:42,720 --> 00:09:45,200 Speaker 3: in the eventure. Not doing that, I become just a 153 00:09:45,320 --> 00:09:48,480 Speaker 3: voice to try to lend some kind of understanding on 154 00:09:48,520 --> 00:09:54,000 Speaker 3: your pathway. So what I'm talking about is how the 155 00:09:54,040 --> 00:09:58,080 Speaker 3: state has handled this evidence has handled this case. It'll 156 00:09:58,120 --> 00:10:00,880 Speaker 3: be equivalent to a basketball play coming out and he 157 00:10:01,400 --> 00:10:04,280 Speaker 3: dribbled like this because this is what's comfortable for him, 158 00:10:04,960 --> 00:10:08,320 Speaker 3: this is what gives him the advantage. Well, unfortunately, the 159 00:10:08,400 --> 00:10:11,480 Speaker 3: game don't allow you to dribble that way. And when 160 00:10:11,480 --> 00:10:13,520 Speaker 3: you come and dribble that way, it ain't nobody. Yo, 161 00:10:13,600 --> 00:10:14,840 Speaker 3: you gotta call that. 162 00:10:14,520 --> 00:10:19,160 Speaker 1: That ain't that ain't what we agreed to. That that 163 00:10:19,200 --> 00:10:20,040 Speaker 1: ain't a dribble. 164 00:10:20,800 --> 00:10:25,480 Speaker 3: And so the conduct attached to the constituents of the 165 00:10:25,520 --> 00:10:30,920 Speaker 3: state has been less than professional. Let's say that. That 166 00:10:31,000 --> 00:10:34,360 Speaker 3: can be one perspective. The other perspective can be Again, 167 00:10:36,559 --> 00:10:41,640 Speaker 3: Bill Belichick, I'm looking at the law. I'm looking at 168 00:10:41,679 --> 00:10:44,280 Speaker 3: what even the judge said, and he left a gray area. 169 00:10:44,400 --> 00:10:48,360 Speaker 3: I utilize that gray area to set the standard. I 170 00:10:48,400 --> 00:10:50,960 Speaker 3: know you didn't send that because it is specifically say 171 00:10:51,080 --> 00:10:53,160 Speaker 3: sending that, But if I send you byd it's set 172 00:10:53,200 --> 00:10:55,240 Speaker 3: the president, you may think, and. 173 00:10:55,240 --> 00:10:57,200 Speaker 1: He's sending us more than we sent him. We got 174 00:10:57,200 --> 00:10:57,760 Speaker 1: a nugget. 175 00:10:57,800 --> 00:10:59,440 Speaker 3: Now when we get in court, I'm gonna say, now 176 00:10:59,480 --> 00:11:01,560 Speaker 3: here they are, y'alla, they ain't sent us or nothing. 177 00:11:02,920 --> 00:11:04,640 Speaker 1: Now they playing some kind of game. 178 00:11:08,280 --> 00:11:10,640 Speaker 3: I'm telling you the level of game that can happen. 179 00:11:13,600 --> 00:11:15,240 Speaker 3: So there's two different ways. 180 00:11:14,920 --> 00:11:16,160 Speaker 1: To look at this. 181 00:11:16,160 --> 00:11:17,959 Speaker 3: This is why I tell you when you deal with 182 00:11:19,240 --> 00:11:25,240 Speaker 3: a good lawyer, they operate in a certain way. They 183 00:11:25,280 --> 00:11:29,079 Speaker 3: got a certain style, a certain charisma, and you can 184 00:11:29,120 --> 00:11:34,800 Speaker 3: tell Brian Still on opening day, came out Firn when 185 00:11:34,840 --> 00:11:37,240 Speaker 3: he needed to be firm. Ain't none of this win, 186 00:11:37,240 --> 00:11:41,840 Speaker 3: ain't win, ain't cooling him. They got somebody life on 187 00:11:41,880 --> 00:11:45,080 Speaker 3: the line. He's That's how his energy is, and that's 188 00:11:45,120 --> 00:11:47,160 Speaker 3: what you want to see if you're paying your lawyer 189 00:11:47,320 --> 00:11:49,640 Speaker 3: like that. But I think that relationship with him and 190 00:11:49,720 --> 00:11:51,800 Speaker 3: Thug may go a little deeper than that. Put that 191 00:11:51,800 --> 00:11:53,920 Speaker 3: to the side. I want to deal back with the 192 00:11:54,040 --> 00:11:57,360 Speaker 3: particulars of what's been happening. I know they have called 193 00:11:57,440 --> 00:12:03,640 Speaker 3: upwards of two hundred witnesses in a reco case to testify. 194 00:12:04,240 --> 00:12:07,280 Speaker 3: I've heard them use jogging like when someone gets in trouble, 195 00:12:07,600 --> 00:12:11,839 Speaker 3: the first person they call is king slime, And unfortunately 196 00:12:12,120 --> 00:12:15,600 Speaker 3: they're able to use that terminology on the record, if 197 00:12:15,640 --> 00:12:19,520 Speaker 3: I'm not mistaken. I think that's very detrimental to the 198 00:12:19,600 --> 00:12:24,040 Speaker 3: overall image that's being painted as it pertains to just 199 00:12:24,120 --> 00:12:25,040 Speaker 3: court proceedings. 200 00:12:25,120 --> 00:12:25,320 Speaker 1: Right. 201 00:12:25,480 --> 00:12:28,520 Speaker 3: I want you to know I'm not emotionally involved because 202 00:12:28,920 --> 00:12:31,640 Speaker 3: whatever has happened in Atlanta, my family ain't have to 203 00:12:31,640 --> 00:12:34,800 Speaker 3: deal with it, so it's important I say that you did. 204 00:12:35,480 --> 00:12:38,520 Speaker 3: But I'm looking at how we being treated as a whole, right, 205 00:12:38,720 --> 00:12:42,120 Speaker 3: and what's going on as it pertains to this particular case. 206 00:12:44,800 --> 00:12:47,200 Speaker 3: But you want to feel like your lawyer moving with 207 00:12:47,240 --> 00:12:50,440 Speaker 3: your life on the line. He got something, men, And 208 00:12:50,440 --> 00:12:53,480 Speaker 3: it ain't just shits some giggles. He ain't just took 209 00:12:53,559 --> 00:12:55,640 Speaker 3: my money and come back to me. Take a plea. 210 00:12:55,760 --> 00:12:57,640 Speaker 1: That's a whole another. We can get to that in 211 00:12:57,679 --> 00:12:58,079 Speaker 1: a minute. 212 00:12:58,080 --> 00:12:58,200 Speaker 6: Man. 213 00:12:58,240 --> 00:13:01,080 Speaker 3: We got so much to talk about today. Man, we 214 00:13:01,120 --> 00:13:04,200 Speaker 3: can get to that in a minute. So you give 215 00:13:04,280 --> 00:13:08,439 Speaker 3: a good lawyer, you give them time. 216 00:13:10,679 --> 00:13:11,040 Speaker 1: Now here. 217 00:13:11,080 --> 00:13:14,480 Speaker 3: You are over here building your strengths. We got three 218 00:13:14,559 --> 00:13:16,520 Speaker 3: hundred dish, we got five hundred dish. We got da 219 00:13:16,600 --> 00:13:18,920 Speaker 3: da da. They on the other side, they got to 220 00:13:18,960 --> 00:13:21,640 Speaker 3: take that and turn that into what that looks like 221 00:13:21,720 --> 00:13:28,240 Speaker 3: for us? Maybe overzealous? Why so many people? What's going on? 222 00:13:31,000 --> 00:13:33,040 Speaker 3: You indicted the president? Let's get into that. 223 00:13:33,040 --> 00:13:33,600 Speaker 6: A little bit. 224 00:13:34,840 --> 00:13:38,360 Speaker 3: The conversations to be had. I think there's things just room. 225 00:13:39,600 --> 00:13:43,240 Speaker 3: That's been a flurry of mishaps as it pertains to 226 00:13:43,280 --> 00:13:46,640 Speaker 3: the handling of the case. And again I won't speak 227 00:13:46,679 --> 00:13:49,640 Speaker 3: to the overall evidence and how it's being used. I 228 00:13:49,640 --> 00:13:52,040 Speaker 3: mean lyrics are and now that's something I can say 229 00:13:52,120 --> 00:13:55,360 Speaker 3: is I don't really feel I don't really feel good 230 00:13:55,400 --> 00:14:00,000 Speaker 3: about lyrics being in a trial. I also don't feel 231 00:14:00,120 --> 00:14:02,600 Speaker 3: good about us rapping about things that can put us 232 00:14:02,640 --> 00:14:05,040 Speaker 3: in a position where our lyrics should be in tried. 233 00:14:07,040 --> 00:14:09,559 Speaker 3: I also don't like how the culture don't react if 234 00:14:09,559 --> 00:14:12,440 Speaker 3: they don't know that it's something I'm rapping that really happened. 235 00:14:13,880 --> 00:14:15,640 Speaker 3: I don't like how they box me in the maze 236 00:14:15,679 --> 00:14:17,640 Speaker 3: where if it don't happen, I ain't got no business 237 00:14:17,760 --> 00:14:18,160 Speaker 3: rapping it. 238 00:14:19,320 --> 00:14:22,760 Speaker 1: I live that life. I'm up here balling with the suckers. 239 00:14:24,880 --> 00:14:26,960 Speaker 3: Nine times I'm out of ten, I'm gonna live a 240 00:14:27,000 --> 00:14:31,360 Speaker 3: next door to a squall. Worked hard as I work, 241 00:14:31,520 --> 00:14:34,400 Speaker 3: I'm gonna live next door to a squall nine times 242 00:14:34,440 --> 00:14:36,640 Speaker 3: out of ten, I'm gonna live a next door to 243 00:14:36,680 --> 00:14:40,320 Speaker 3: somebody that are called the police. It ain't too many 244 00:14:40,400 --> 00:14:44,200 Speaker 3: real niggas up through here. It's just what I'm trying 245 00:14:44,200 --> 00:14:47,840 Speaker 3: to get you niggas done. Understand the real niggas getting 246 00:14:47,880 --> 00:14:51,960 Speaker 3: lost somewhere. Eye there, and let me clarify real nigga. 247 00:14:52,800 --> 00:14:55,120 Speaker 3: I want you to know, if you're operating in the streets, 248 00:14:55,720 --> 00:14:58,960 Speaker 3: you're looking for a black cat in a dog room. 249 00:14:59,120 --> 00:15:01,400 Speaker 3: It's unfortunately, because some of y'all was born in that 250 00:15:01,600 --> 00:15:05,680 Speaker 3: dog room and told to look for that cat. That's 251 00:15:05,680 --> 00:15:07,840 Speaker 3: the only way out this room. Look for that cat. 252 00:15:08,440 --> 00:15:12,000 Speaker 3: You know that cat I was That's the only way 253 00:15:12,080 --> 00:15:15,640 Speaker 3: some mus done got out of here. So some of 254 00:15:15,680 --> 00:15:18,480 Speaker 3: y'all was told that instead of looking for the light switch, 255 00:15:21,080 --> 00:15:22,320 Speaker 3: turn the light on in the. 256 00:15:22,320 --> 00:15:24,600 Speaker 1: Room in this thug case. 257 00:15:24,720 --> 00:15:27,560 Speaker 3: Right, they came out and they said, Yo, every time 258 00:15:27,640 --> 00:15:30,040 Speaker 3: somebody get in trouble, guess who they call. They called 259 00:15:30,160 --> 00:15:35,400 Speaker 3: Kingslide a couple of things they said, and it's now 260 00:15:35,440 --> 00:15:37,480 Speaker 3: get off of this. This wasn't even on the docket 261 00:15:37,560 --> 00:15:41,320 Speaker 3: for today, but we're just getting to it. But when 262 00:15:41,320 --> 00:15:45,040 Speaker 3: they say that their famous rich homeboy that made it 263 00:15:45,080 --> 00:15:48,240 Speaker 3: out the ghetto is the first person they called when 264 00:15:48,240 --> 00:15:50,920 Speaker 3: they get in trouble, they say, that's what makes them 265 00:15:50,960 --> 00:15:52,840 Speaker 3: the gang leader. And see, that's what I'm saying. We 266 00:15:52,960 --> 00:15:55,360 Speaker 3: operate in this gray area where two things can be 267 00:15:55,440 --> 00:16:01,560 Speaker 3: true or both of us can be bullshit. That I 268 00:16:01,640 --> 00:16:03,800 Speaker 3: may just be the only nigga with the resources to 269 00:16:03,840 --> 00:16:09,280 Speaker 3: help niggas out and I ain't win bullge on them forward, 270 00:16:11,800 --> 00:16:14,440 Speaker 3: Really the game set up to go buoge on your people? 271 00:16:14,760 --> 00:16:15,840 Speaker 1: I ain't bullshit. 272 00:16:16,760 --> 00:16:18,800 Speaker 3: They donet really set the game up to get in 273 00:16:18,840 --> 00:16:21,280 Speaker 3: and go bullge on your people, because the closer you 274 00:16:21,480 --> 00:16:23,680 Speaker 3: is to what you come from is how you get 275 00:16:23,680 --> 00:16:25,720 Speaker 3: the conspiracy. 276 00:16:26,320 --> 00:16:27,160 Speaker 1: Ain't that a bitch? 277 00:16:27,800 --> 00:16:30,120 Speaker 3: You come through help, and the young niggas bought guns 278 00:16:30,160 --> 00:16:31,840 Speaker 3: with the money you bought them through that, the young 279 00:16:31,920 --> 00:16:35,800 Speaker 3: niggas took the hood. When you came through and gave money, nigga, 280 00:16:35,840 --> 00:16:39,760 Speaker 3: the violence went up in the neighborhood. Now some kind 281 00:16:39,800 --> 00:16:42,320 Speaker 3: of way you digging. All you was doing was man, 282 00:16:42,360 --> 00:16:45,040 Speaker 3: I'd have made it. Man, he go a nugget. Hopefully 283 00:16:45,120 --> 00:16:48,000 Speaker 3: y'all got a plan. I can't babysit, but it get 284 00:16:48,080 --> 00:16:52,800 Speaker 3: easy to lock you in that conspiracy. And so when 285 00:16:52,800 --> 00:16:55,560 Speaker 3: they said that, I'm just like, yo, man, Cause the 286 00:16:55,640 --> 00:17:01,160 Speaker 3: reason I'm watching this because they can be talking about me. Brother, Yo, 287 00:17:01,240 --> 00:17:05,080 Speaker 3: I'm the young thug of my family. I ain't talking 288 00:17:05,080 --> 00:17:07,800 Speaker 3: about criminals. I'm talking about when something happened, They calling 289 00:17:07,880 --> 00:17:11,120 Speaker 3: me when they need even direction on something. 290 00:17:11,200 --> 00:17:11,360 Speaker 2: Yo. 291 00:17:13,119 --> 00:17:15,680 Speaker 3: Man, They at my job asking me about such and such. 292 00:17:16,320 --> 00:17:18,880 Speaker 3: What you think I should tell them? Listen? Then what 293 00:17:18,920 --> 00:17:21,399 Speaker 3: you do? This, what you don't do. I'm always handing 294 00:17:21,480 --> 00:17:24,520 Speaker 3: something to somebody. But it seemed like the game is 295 00:17:24,560 --> 00:17:30,000 Speaker 3: set up for me. To resist being resourceful. I gotta 296 00:17:30,080 --> 00:17:35,760 Speaker 3: resist being resourceful to doctor Rico. Now look at our 297 00:17:35,800 --> 00:17:38,600 Speaker 3: counterpause on the other side, I don't see it being 298 00:17:38,760 --> 00:17:43,000 Speaker 3: like that. I don't know if it's been one indictment 299 00:17:43,040 --> 00:17:47,800 Speaker 3: as it pertains to any other genre of music. The 300 00:17:47,880 --> 00:17:50,800 Speaker 3: other thing they said, I think they're prepared for, and 301 00:17:50,880 --> 00:17:52,400 Speaker 3: let me give you all this and then we'll get 302 00:17:52,400 --> 00:17:55,640 Speaker 3: into the show. The other thing they said, I think 303 00:17:55,640 --> 00:17:58,000 Speaker 3: they're prepared for is for people to now come in 304 00:17:58,080 --> 00:18:00,880 Speaker 3: and say, I ain't snitching. I don't remember, I don't know. 305 00:18:01,160 --> 00:18:04,040 Speaker 3: I don't think I said that. I misunderstood what you 306 00:18:04,080 --> 00:18:07,919 Speaker 3: were saying. So, in my opinion, that's a setup for 307 00:18:07,960 --> 00:18:12,000 Speaker 3: the people that took them, that took a lot of 308 00:18:12,040 --> 00:18:14,679 Speaker 3: them pleased, that said that if they're called to the stand, 309 00:18:14,880 --> 00:18:17,760 Speaker 3: they gonna bring you niggas on the stand to humiliate 310 00:18:17,840 --> 00:18:21,840 Speaker 3: you niggas. This way, that shit finna bite a nigga 311 00:18:21,880 --> 00:18:24,639 Speaker 3: in the ass. They finna walk them niggas on the stand, 312 00:18:24,880 --> 00:18:28,359 Speaker 3: and then everybody that they already preparing the courts for 313 00:18:28,480 --> 00:18:31,200 Speaker 3: niggas to come up there and say, I don't remember. 314 00:18:31,840 --> 00:18:34,480 Speaker 3: They just told the courts and their opening statements, people 315 00:18:34,560 --> 00:18:37,520 Speaker 3: gonna come up there and be embarrassed. People gonna come 316 00:18:37,600 --> 00:18:42,679 Speaker 3: up there and not remember, not wanna remember. With that 317 00:18:42,800 --> 00:18:47,200 Speaker 3: in mind, they still gonna walk some niggas dying there 318 00:18:47,240 --> 00:18:51,080 Speaker 3: to that courthouse and on their stand because they know 319 00:18:51,200 --> 00:18:54,760 Speaker 3: the shame they going with that. Even the DA know 320 00:18:54,840 --> 00:18:57,880 Speaker 3: the shame that you got your partner. This that's right 321 00:18:57,920 --> 00:19:02,960 Speaker 3: here to change niggas lives. You niggas in particular, all 322 00:19:03,119 --> 00:19:05,840 Speaker 3: us on our side, We just watching from our side. 323 00:19:06,040 --> 00:19:09,560 Speaker 3: But it's a couple of it's niggas in particular that 324 00:19:09,840 --> 00:19:15,359 Speaker 3: was in the Bentley together that this shit Donne broke 325 00:19:15,480 --> 00:19:18,760 Speaker 3: up the family. You know how many families the DA 326 00:19:18,920 --> 00:19:23,080 Speaker 3: donet coming broke up. Everybody told you they was ready 327 00:19:23,080 --> 00:19:25,440 Speaker 3: for war. They just didn't tell you where they come. 328 00:19:25,600 --> 00:19:29,960 Speaker 3: Was gonna be pointed. It ain't never no clarification. When 329 00:19:30,040 --> 00:19:32,159 Speaker 3: niggas get to talking to each other about all this 330 00:19:32,320 --> 00:19:35,360 Speaker 3: gangster shit, it's just a whole bunch of vague quotes. 331 00:19:35,640 --> 00:19:38,960 Speaker 1: I'm a riot twin, i'ma you my twin, nigga. 332 00:19:39,000 --> 00:19:45,000 Speaker 3: What that mean? When them people come nigga, we gang nigga? 333 00:19:45,040 --> 00:19:47,240 Speaker 3: What the fuck that mean? When the DA knock on 334 00:19:47,320 --> 00:19:51,040 Speaker 3: the door, nigga and they trying to paint this shit 335 00:19:51,160 --> 00:19:53,399 Speaker 3: to something. They a little bit right, but it's a 336 00:19:53,440 --> 00:19:57,240 Speaker 3: lot of wrong getting that. And we gotta hold that 337 00:19:57,440 --> 00:20:00,399 Speaker 3: line I was talking about, like a defensive line protect 338 00:20:00,440 --> 00:20:02,600 Speaker 3: the quarterback. Ain's you niggas gonna let the state in 339 00:20:02,640 --> 00:20:05,200 Speaker 3: the DA sack the quarterback. 340 00:20:07,480 --> 00:20:08,040 Speaker 1: Whole time. 341 00:20:08,119 --> 00:20:12,040 Speaker 3: Niggas being benefiting when a nigga make or play. The 342 00:20:12,080 --> 00:20:13,680 Speaker 3: whole team nigga, even the. 343 00:20:13,840 --> 00:20:18,600 Speaker 1: Side line move. You hear me, Man, watch. 344 00:20:18,400 --> 00:20:21,040 Speaker 3: The NFL A nigga, the whole team move, when the 345 00:20:21,160 --> 00:20:25,120 Speaker 3: quarterback make the right day, the whole sideline, everybody get 346 00:20:25,160 --> 00:20:25,639 Speaker 3: to move. 347 00:20:26,840 --> 00:20:29,520 Speaker 1: That shit hard to deal with that. Why I come 348 00:20:29,560 --> 00:20:30,679 Speaker 1: about the jungle by. 349 00:20:30,560 --> 00:20:37,000 Speaker 3: Myself, Tarzan, we bragging, boast each other out Lord to 350 00:20:38,200 --> 00:20:41,160 Speaker 3: keeping it real, staying solid when a lot of time 351 00:20:41,280 --> 00:20:47,960 Speaker 3: niggas don't even know what that means. And man, it's 352 00:20:47,960 --> 00:20:51,560 Speaker 3: some niggas that's gonna hold that line too. It's getting 353 00:20:51,560 --> 00:20:53,920 Speaker 3: It's gonna get rough though, as them days go by, 354 00:20:55,720 --> 00:20:58,719 Speaker 3: as them holidays go by, it's them birthdays go by, 355 00:20:58,760 --> 00:21:02,520 Speaker 3: its them calendars keep rolling. It's gonna get hard and 356 00:21:02,600 --> 00:21:07,840 Speaker 3: harder the whole deadline. And they know that it's by 357 00:21:07,920 --> 00:21:11,639 Speaker 3: design and the way that most times it's set up. 358 00:21:11,640 --> 00:21:13,640 Speaker 3: They gonna force the nigga at the top to hold 359 00:21:13,720 --> 00:21:19,720 Speaker 3: the line, so it's gonna ultimately turn to a quarterback sneak. Anyway, 360 00:21:20,680 --> 00:21:22,760 Speaker 3: I want to talk about forty two. Doug went on 361 00:21:22,840 --> 00:21:26,919 Speaker 3: million dollars worth a game. Shout out four two, the 362 00:21:26,960 --> 00:21:30,439 Speaker 3: whole four PR family shut out Wallo, Gilly million are 363 00:21:30,520 --> 00:21:31,120 Speaker 3: worth a game. 364 00:21:33,040 --> 00:21:34,720 Speaker 1: FOK two just got out man. 365 00:21:34,800 --> 00:21:37,840 Speaker 3: So it was a good look for him, right, just 366 00:21:37,880 --> 00:21:40,280 Speaker 3: being happy that he out, Just trying to get his 367 00:21:40,280 --> 00:21:44,119 Speaker 3: footback playing on solid ground. He elaborated on his case, 368 00:21:44,320 --> 00:21:47,800 Speaker 3: very interesting case, right. He spoke to a few things. 369 00:21:47,800 --> 00:21:49,560 Speaker 3: I want to play a couple of clips. I want 370 00:21:49,560 --> 00:21:52,400 Speaker 3: to react to him. I think I think they're spacing 371 00:21:52,480 --> 00:21:55,000 Speaker 3: opportunity for some conversation right in some games. 372 00:21:55,040 --> 00:21:58,520 Speaker 1: So let's listen to four two, one million dollars worth 373 00:21:58,520 --> 00:21:58,840 Speaker 1: a game. 374 00:21:59,359 --> 00:22:01,440 Speaker 7: You know, we grew up in the ghetto, and growing 375 00:22:01,480 --> 00:22:03,840 Speaker 7: up in the ghetto, no matter what we got right now, 376 00:22:04,119 --> 00:22:05,960 Speaker 7: a lot of times we think about the times we 377 00:22:05,960 --> 00:22:08,280 Speaker 7: was fucked up. A Llamas was fucked up with popping 378 00:22:08,359 --> 00:22:10,679 Speaker 7: the PENITENTI and we ain't had so even though we 379 00:22:10,720 --> 00:22:13,720 Speaker 7: got it, we still see that in us and we 380 00:22:13,920 --> 00:22:18,159 Speaker 7: like everybody and it's a vulnerable state because we be 381 00:22:18,240 --> 00:22:20,359 Speaker 7: so real and so tough out here. We don't know 382 00:22:20,359 --> 00:22:22,560 Speaker 7: how to be human beings no more so. The vulnerable 383 00:22:22,560 --> 00:22:25,280 Speaker 7: state is I want to be accepted by my people, 384 00:22:25,640 --> 00:22:30,400 Speaker 7: by my hood, by the ogi over there. Ain't nothing 385 00:22:30,400 --> 00:22:34,600 Speaker 7: wrong with that, as human by your people. But because 386 00:22:34,680 --> 00:22:38,760 Speaker 7: because it's the fear of getting hurt and getting rejected 387 00:22:39,000 --> 00:22:41,119 Speaker 7: by the people that you grew up in the environment 388 00:22:41,240 --> 00:22:42,600 Speaker 7: you grew up, because when you were a kid, you 389 00:22:42,680 --> 00:22:44,520 Speaker 7: looking at Mike and like, oh he Mike had the benzes. 390 00:22:44,600 --> 00:22:46,480 Speaker 7: Yet I want to be like Mike, So I got 391 00:22:46,480 --> 00:22:48,520 Speaker 7: to come and get that same reaction. We want our 392 00:22:48,520 --> 00:22:50,960 Speaker 7: people to love us the most. But I'm gonna touch 393 00:22:51,000 --> 00:22:52,320 Speaker 7: on something you say, and I'm gonna touch on it 394 00:22:52,359 --> 00:22:53,120 Speaker 7: because it's important. 395 00:22:53,160 --> 00:22:55,000 Speaker 3: I want to speak to the young nigga out there, 396 00:22:55,200 --> 00:22:57,600 Speaker 3: even just the man out there, the woman out there, 397 00:22:57,680 --> 00:23:02,680 Speaker 3: the young person out there that want to feel seen. 398 00:23:04,480 --> 00:23:06,760 Speaker 3: A lot of times, the position is I just want 399 00:23:06,760 --> 00:23:11,639 Speaker 3: to be seen, just want to be heard. Some niggas 400 00:23:11,640 --> 00:23:13,639 Speaker 3: that keep going if you just look that way. It 401 00:23:13,680 --> 00:23:16,960 Speaker 3: don't cost you nothing to look that way either. And 402 00:23:16,960 --> 00:23:21,960 Speaker 3: the fame is a hell of a drug. Famer turn 403 00:23:22,000 --> 00:23:24,840 Speaker 3: a regular nigga into a monster. And we're gonna get 404 00:23:24,840 --> 00:23:28,040 Speaker 3: into this, all these lawsuits and all that later in 405 00:23:28,080 --> 00:23:31,320 Speaker 3: the show. But this fame and money shit'll turn a 406 00:23:31,400 --> 00:23:36,320 Speaker 3: nigga to a monster. Nigga become too cool to post 407 00:23:36,359 --> 00:23:40,800 Speaker 3: his family, Nigga become too famous to fuck with this 408 00:23:41,280 --> 00:23:43,879 Speaker 3: the people that fuck with him, people that die for him, 409 00:23:43,960 --> 00:23:48,320 Speaker 3: Nigga become too cool to even acknowledge them. Folks, the 410 00:23:48,440 --> 00:23:51,919 Speaker 3: fame will make you a monster, not even because you 411 00:23:52,119 --> 00:23:57,520 Speaker 3: done anything wrong. It's just the attributes that the fame has. 412 00:23:59,520 --> 00:24:03,399 Speaker 3: It's just the inner workings other fame. It'll make you 413 00:24:03,480 --> 00:24:06,000 Speaker 3: not even fuck with people on social media that you 414 00:24:06,119 --> 00:24:09,560 Speaker 3: fuck with in real life. I try my best not 415 00:24:09,640 --> 00:24:13,320 Speaker 3: to ignore the obligation to pour into this culture. 416 00:24:13,359 --> 00:24:13,479 Speaker 6: Man. 417 00:24:13,520 --> 00:24:16,439 Speaker 3: That's why I'm still doing this right. It's like an obligation, bro, 418 00:24:16,480 --> 00:24:18,000 Speaker 3: you gotta pass some of that down. 419 00:24:20,280 --> 00:24:21,800 Speaker 1: But the issue is that. 420 00:24:23,200 --> 00:24:26,320 Speaker 3: You'll get adults that are getting this industry and then 421 00:24:26,359 --> 00:24:31,199 Speaker 3: they'll start to edit their real life for likes. You 422 00:24:31,280 --> 00:24:35,119 Speaker 3: ever seen somebody fall out with you with the community 423 00:24:35,160 --> 00:24:38,120 Speaker 3: before they fall out with you in real life, And 424 00:24:38,160 --> 00:24:41,280 Speaker 3: so if they critics don't want them around you, then 425 00:24:41,320 --> 00:24:46,320 Speaker 3: guess what they don't come around you. That's them editing 426 00:24:46,400 --> 00:24:49,400 Speaker 3: their real life for likes, not if you've done something 427 00:24:49,480 --> 00:24:53,080 Speaker 3: wrong with them, not if you did something to befriend them, 428 00:24:53,720 --> 00:24:56,760 Speaker 3: not if you mishandled the relationship in the slightest bit. 429 00:24:57,080 --> 00:25:00,439 Speaker 3: But the only thing that's altered in that relationship is 430 00:25:00,480 --> 00:25:03,200 Speaker 3: that the critics no longer want to see you two 431 00:25:03,200 --> 00:25:06,520 Speaker 3: around each other, and they can literally edit their real 432 00:25:06,600 --> 00:25:11,320 Speaker 3: life to maintain that social status in those likes. It 433 00:25:11,320 --> 00:25:15,320 Speaker 3: can be a situation where Nigga made you a me. 434 00:25:16,600 --> 00:25:20,159 Speaker 3: I literally put some figures in your pocket, change your life. 435 00:25:20,640 --> 00:25:23,000 Speaker 3: You've called me when you was in binds. You was 436 00:25:23,040 --> 00:25:26,160 Speaker 3: crying on the phone talking to me. And you will 437 00:25:26,240 --> 00:25:29,800 Speaker 3: let the outside influence make you stop fucking with me. 438 00:25:30,760 --> 00:25:33,160 Speaker 3: You will let them people that ain't never done nothing 439 00:25:33,240 --> 00:25:36,600 Speaker 3: for you dictate how I fuck with you when you 440 00:25:36,680 --> 00:25:40,239 Speaker 3: fuck with me. But see, the human being has an 441 00:25:40,320 --> 00:25:43,080 Speaker 3: urge to want to belong. So this isn't just a 442 00:25:43,119 --> 00:25:46,280 Speaker 3: black thing. This is a universal narrative. This is everybody. 443 00:25:46,600 --> 00:25:49,359 Speaker 3: This ain't just us. This everybody They want to belong 444 00:25:49,440 --> 00:25:52,160 Speaker 3: to something, and so I have to breathe life into 445 00:25:52,160 --> 00:25:52,879 Speaker 3: the young niggas. 446 00:25:52,920 --> 00:25:55,359 Speaker 1: That's why my message is nigga. If they don't support you, 447 00:25:55,440 --> 00:26:01,080 Speaker 1: so what then what if they never like nothing? Then 448 00:26:01,240 --> 00:26:01,520 Speaker 1: what what? 449 00:26:01,600 --> 00:26:05,359 Speaker 3: You're gonna roll over and die about it? You gonna 450 00:26:05,359 --> 00:26:09,080 Speaker 3: give up because your soul called homeboy don't support you. Nah, 451 00:26:09,119 --> 00:26:14,200 Speaker 3: You're gonna keep going in spite of them not supporting you. 452 00:26:14,200 --> 00:26:16,359 Speaker 3: You're gonna get it done and make them swallow that 453 00:26:16,440 --> 00:26:21,120 Speaker 3: and come back around, because, trust me, nigga is money. 454 00:26:21,200 --> 00:26:25,280 Speaker 3: Make nigga swallow. They pride. We're gonna seeing the toughest 455 00:26:25,320 --> 00:26:29,200 Speaker 3: nigga swallow. They pride about this money. Huh, you came 456 00:26:29,280 --> 00:26:30,560 Speaker 3: back around there, snitch? 457 00:26:30,640 --> 00:26:34,280 Speaker 1: How you called the boy snitch? You back hanging with him? Huh? 458 00:26:34,680 --> 00:26:36,639 Speaker 1: You donna win broke? Huh? 459 00:26:36,960 --> 00:26:39,280 Speaker 3: You know these club nights and making nigga swallow. They 460 00:26:39,320 --> 00:26:42,920 Speaker 3: pride this money make them swallow. They pride getting in 461 00:26:43,040 --> 00:26:45,720 Speaker 3: these maybacks and make them swallow. They pride these first 462 00:26:45,720 --> 00:26:47,240 Speaker 3: class flights and make them swallow. 463 00:26:47,320 --> 00:26:47,960 Speaker 1: They pride. 464 00:26:49,160 --> 00:26:51,359 Speaker 3: Nigga they used to like you. Now they wanted something. 465 00:26:51,400 --> 00:26:54,199 Speaker 3: Give me somewhere on the band wagon. Shit'll make them swallow. 466 00:26:54,240 --> 00:26:57,639 Speaker 3: They pride. When you get your hustle in order, you 467 00:26:57,720 --> 00:27:00,440 Speaker 3: will see them swallow. They pride in real time that nigga, 468 00:27:00,480 --> 00:27:06,200 Speaker 3: be real quiet. You gotta make them niggas quiet enough 469 00:27:06,240 --> 00:27:10,160 Speaker 3: to where you can hearm swallow they pride. I want 470 00:27:10,160 --> 00:27:14,000 Speaker 3: you niggas quiet enough to why hear you swallow you pride. 471 00:27:14,160 --> 00:27:16,479 Speaker 3: And sometimes you just gotta do the work in spite 472 00:27:16,520 --> 00:27:19,400 Speaker 3: of Sometimes you just gotta put one foot in front 473 00:27:19,359 --> 00:27:19,760 Speaker 3: of the other. 474 00:27:19,840 --> 00:27:22,520 Speaker 1: Believe in yourself no matter what. They know. You do 475 00:27:22,600 --> 00:27:24,159 Speaker 1: a podcast, They don't call you. 476 00:27:24,240 --> 00:27:26,359 Speaker 3: They know you cut hair, they know you lay brick, 477 00:27:26,480 --> 00:27:29,679 Speaker 3: they know you wash cars, they know you cut yards. 478 00:27:29,720 --> 00:27:33,359 Speaker 3: They know you a stylist, they know you a car salesman. 479 00:27:33,400 --> 00:27:35,720 Speaker 3: They know you a construction worker. They know you got 480 00:27:35,760 --> 00:27:38,840 Speaker 3: that food spot. They don't call you. They go around 481 00:27:38,920 --> 00:27:42,359 Speaker 3: you to get that done. When it's time to spend money, 482 00:27:42,359 --> 00:27:46,680 Speaker 3: they call you about the favors. They hit your phone 483 00:27:46,720 --> 00:27:49,960 Speaker 3: by the all only favors. Don't give me all your 484 00:27:50,000 --> 00:27:54,040 Speaker 3: love and give your money to somebody else. Let your 485 00:27:54,080 --> 00:27:57,480 Speaker 3: money go with your love around here now. I don't 486 00:27:57,520 --> 00:28:00,560 Speaker 3: want nobody bringing nothing but they loved me. Bring your 487 00:28:00,600 --> 00:28:05,119 Speaker 3: money with you. You say you support me. You know 488 00:28:05,160 --> 00:28:06,960 Speaker 3: what I'm fighting. You know I come up out of 489 00:28:07,000 --> 00:28:10,040 Speaker 3: it trying to drive off. Bring your money with your love, 490 00:28:10,160 --> 00:28:12,880 Speaker 3: right now I get to a spot where I only 491 00:28:12,920 --> 00:28:17,960 Speaker 3: need your love. But right now we hustling. You say 492 00:28:18,000 --> 00:28:20,120 Speaker 3: you want to mind how you gonna bring all your love? 493 00:28:20,240 --> 00:28:21,960 Speaker 3: You say you're bringing all your love to me, but 494 00:28:22,000 --> 00:28:24,840 Speaker 3: when it's time to spend your money, you go elsewhere. Now, 495 00:28:24,880 --> 00:28:26,960 Speaker 3: we can't do it like that. I can't respect that. 496 00:28:27,040 --> 00:28:29,840 Speaker 3: I can't be involved in that. We can't evolve like that. 497 00:28:31,440 --> 00:28:32,400 Speaker 3: We can't do that. 498 00:28:33,840 --> 00:28:34,359 Speaker 1: Foe two. 499 00:28:34,400 --> 00:28:38,320 Speaker 3: Doug also spoke about his lyrics being played against him 500 00:28:38,360 --> 00:28:38,720 Speaker 3: in court. 501 00:28:38,800 --> 00:28:39,600 Speaker 1: Let's pay attention. 502 00:28:40,520 --> 00:28:43,760 Speaker 5: I used to think about a lot of now when 503 00:28:43,880 --> 00:28:47,600 Speaker 5: it's like the police gonna step back and let you 504 00:28:47,640 --> 00:28:48,560 Speaker 5: be an entertainer. 505 00:28:48,680 --> 00:28:49,840 Speaker 1: As far as. 506 00:28:51,120 --> 00:28:53,680 Speaker 5: Watching what you rapping about, you know what I'm saying, 507 00:28:54,720 --> 00:29:00,640 Speaker 5: Like they I was thinking, like shit, well grab their 508 00:29:00,640 --> 00:29:02,480 Speaker 5: faolto they let them put out ground their photo on 509 00:29:03,120 --> 00:29:05,320 Speaker 5: you know what I'm saying. And they ain't going to 510 00:29:05,480 --> 00:29:08,480 Speaker 5: jail for you know what I'm saying. 511 00:29:09,200 --> 00:29:11,360 Speaker 6: You know what around shoot, motherfucker's talking. 512 00:29:11,200 --> 00:29:13,680 Speaker 5: Crazy or they ain't going to jail for putting the 513 00:29:13,800 --> 00:29:17,320 Speaker 5: idea out like you should call jack and as like, 514 00:29:17,360 --> 00:29:19,120 Speaker 5: they don't go to jail for that. So I feel 515 00:29:19,120 --> 00:29:20,160 Speaker 5: like for a young they. 516 00:29:20,120 --> 00:29:23,840 Speaker 3: Ain't going to jail for putting that idea out. See that, 517 00:29:24,120 --> 00:29:27,720 Speaker 3: because that's essentially what they're they're critical of rappers of 518 00:29:27,840 --> 00:29:29,640 Speaker 3: doing and putting ideas out. 519 00:29:29,680 --> 00:29:33,400 Speaker 1: That's a deep point. Pay attention, like or. 520 00:29:33,440 --> 00:29:36,440 Speaker 5: Any rapper you feel me like, why would I say it? 521 00:29:36,720 --> 00:29:39,280 Speaker 5: So much of a thing? 522 00:29:39,840 --> 00:29:45,240 Speaker 6: But just keep it real too though, like niggas gotta 523 00:29:45,240 --> 00:29:49,560 Speaker 6: stop telling on themselves. Yeah, like I'm saying, but what 524 00:29:50,160 --> 00:29:53,160 Speaker 6: you do, no, you know what, that's something different because 525 00:29:53,160 --> 00:29:56,160 Speaker 6: if you didn't do it, you not see a lot 526 00:29:56,200 --> 00:29:57,880 Speaker 6: of times it's good to talk about ship. 527 00:29:58,200 --> 00:30:00,920 Speaker 3: Okay, let me step me in right here. I'm gonna 528 00:30:00,920 --> 00:30:04,400 Speaker 3: try to lay some framework around this. I think Gillimore 529 00:30:04,560 --> 00:30:09,560 Speaker 3: so is speaking more so to using lyrics in rhymes 530 00:30:09,560 --> 00:30:12,960 Speaker 3: that you actually are doing. Two, it's saying that some 531 00:30:13,000 --> 00:30:15,920 Speaker 3: of this stuff I'm saying should be framed as entertainment. 532 00:30:16,800 --> 00:30:19,360 Speaker 3: And if that, if we take that premise, then what 533 00:30:19,360 --> 00:30:22,360 Speaker 3: we're saying is that I'm putting out entertainment. So you're 534 00:30:22,400 --> 00:30:25,920 Speaker 3: not punishing me for what I'm saying that I'm actually doing. 535 00:30:26,000 --> 00:30:28,800 Speaker 3: You're punishing me for what I'm saying the idea of 536 00:30:28,840 --> 00:30:29,600 Speaker 3: what I'm saying. 537 00:30:30,120 --> 00:30:31,080 Speaker 1: And he's saying that. 538 00:30:31,120 --> 00:30:34,560 Speaker 3: Yo, GTA puts out the idea that young kids can 539 00:30:34,560 --> 00:30:36,920 Speaker 3: grab an a k take the police to war and 540 00:30:37,000 --> 00:30:41,200 Speaker 3: have five stars and get away. You making kajack an 541 00:30:41,200 --> 00:30:43,640 Speaker 3: old dude, take it for robber, jump in and go 542 00:30:43,840 --> 00:30:46,280 Speaker 3: left right, do your thing, and this is part of 543 00:30:46,320 --> 00:30:49,240 Speaker 3: the game. And so that idea is still being implanet 544 00:30:49,400 --> 00:30:52,920 Speaker 3: in the same way, these young niggas actually talk about 545 00:30:52,920 --> 00:30:56,160 Speaker 3: what they did, then they actually claim the work. 546 00:30:56,400 --> 00:30:59,960 Speaker 6: They actually say nigga been dead for a half hour day. 547 00:31:00,000 --> 00:31:02,840 Speaker 6: They already on the ground, were smoking. 548 00:31:03,040 --> 00:31:05,840 Speaker 5: Charlie. A lot of why I went to jail is 549 00:31:05,880 --> 00:31:07,120 Speaker 5: because of how I rap. 550 00:31:08,240 --> 00:31:11,760 Speaker 3: I feel like, see this is something, this is something 551 00:31:11,760 --> 00:31:13,960 Speaker 3: he trying to get off. This right here is something 552 00:31:13,960 --> 00:31:17,040 Speaker 3: he done. Sat back and thought about FO two and 553 00:31:17,160 --> 00:31:19,320 Speaker 3: sat back and said, man, they got me in here. 554 00:31:19,720 --> 00:31:21,720 Speaker 3: They treated me a certain kind of way because of 555 00:31:21,760 --> 00:31:24,200 Speaker 3: the shit I rap about. They ain't even nailed me 556 00:31:24,280 --> 00:31:26,920 Speaker 3: to the cross about none of that. They ain't even 557 00:31:26,960 --> 00:31:29,160 Speaker 3: send me to prison bout that I'm in prison for 558 00:31:29,200 --> 00:31:32,000 Speaker 3: something else, but they hold me accountable for shit I'm 559 00:31:32,120 --> 00:31:34,600 Speaker 3: rapping about. I just want you all to know that 560 00:31:34,720 --> 00:31:36,960 Speaker 3: this is something near and dear to do. Right now, 561 00:31:37,080 --> 00:31:38,000 Speaker 3: the prosecuted. 562 00:31:38,200 --> 00:31:41,560 Speaker 8: The prosecutor use it against you, not so much of a prosecutor, 563 00:31:41,600 --> 00:31:48,640 Speaker 8: but like, okay, I feel like even giving me a 564 00:31:48,680 --> 00:31:52,600 Speaker 8: federal case, Like come on, man, you know what I'm saying. 565 00:31:53,000 --> 00:31:55,960 Speaker 8: I went to jail, Like my whole federal process was 566 00:31:56,000 --> 00:31:59,560 Speaker 8: because I went to the gun range and somebody recorded me. 567 00:32:00,080 --> 00:32:03,720 Speaker 8: Know okay, it's a feelingly true, you know what I'm saying. 568 00:32:03,800 --> 00:32:07,400 Speaker 8: But it's like, how the fuck y'all even know about this. 569 00:32:08,040 --> 00:32:10,360 Speaker 8: I wasn't big, like you know what I'm saying. I 570 00:32:10,400 --> 00:32:15,360 Speaker 8: was still you know what I'm saying. And when it 571 00:32:15,440 --> 00:32:19,360 Speaker 8: came out of court, they like anonymous caller. First off, 572 00:32:19,360 --> 00:32:20,800 Speaker 8: I'm in a line. I'm from Detroit. 573 00:32:21,560 --> 00:32:23,480 Speaker 5: You know what I'm saying. Don't nobody know I'm down here, 574 00:32:23,960 --> 00:32:26,640 Speaker 5: Like I'm still regular almost you know what I'm saying. 575 00:32:27,320 --> 00:32:30,640 Speaker 5: So and I'm like anonymous, you know what I'm saying. 576 00:32:30,760 --> 00:32:34,080 Speaker 5: It just show you, like THEMB motherfuckers was watching you. 577 00:32:34,320 --> 00:32:35,200 Speaker 6: I'm gonna give you some game. 578 00:32:35,240 --> 00:32:39,240 Speaker 3: Though, so his encounters was altaed by the lyrics presented 579 00:32:39,320 --> 00:32:45,080 Speaker 3: in his music, not even by his charges, and so 580 00:32:45,120 --> 00:32:48,760 Speaker 3: that speaks to the environment, that speaks to the atmosphere 581 00:32:48,800 --> 00:32:51,560 Speaker 3: between the two, the tension between the two. I want 582 00:32:51,560 --> 00:32:54,040 Speaker 3: to be clear to the people out there right the 583 00:32:54,120 --> 00:32:57,680 Speaker 3: relationship between law enforcement and rappers and hip hop music 584 00:32:57,760 --> 00:33:01,760 Speaker 3: in particular, it ceases to exist. There is no relationship. 585 00:33:02,080 --> 00:33:07,640 Speaker 3: It's unfortunate to say that because citizens should be protected. 586 00:33:08,080 --> 00:33:11,760 Speaker 3: But that's a hatred between rappers and law enforcement. Maybe 587 00:33:11,760 --> 00:33:14,600 Speaker 3: it was the NWA movement to fuck the police, they 588 00:33:14,600 --> 00:33:17,800 Speaker 3: try to stop it. Maybe that sid with the taste 589 00:33:17,880 --> 00:33:22,040 Speaker 3: of law enforcement and rappers relationship. But I want my 590 00:33:22,160 --> 00:33:24,080 Speaker 3: voice to be loud when I say this, there is 591 00:33:24,080 --> 00:33:29,360 Speaker 3: no relationship between law enforcement and hip hop culture. Even 592 00:33:29,360 --> 00:33:31,920 Speaker 3: the ones protecting you can't wait to fuck over you. 593 00:33:34,160 --> 00:33:37,280 Speaker 3: It's no longer cops and robbers, its cops and rappers. 594 00:33:38,400 --> 00:33:40,400 Speaker 3: And so I want to be clear with that message 595 00:33:40,440 --> 00:33:44,520 Speaker 3: because even as you hear FOK two Doug speak, it's like, Yo, 596 00:33:44,560 --> 00:33:49,360 Speaker 3: they was treating me bad. Usually rap niggas get good treatment. 597 00:33:49,480 --> 00:33:52,360 Speaker 3: They get treatment well everywhere they go. They go to 598 00:33:52,400 --> 00:33:56,400 Speaker 3: a restaurant, they get to skip lines. But boadway count 599 00:33:56,480 --> 00:34:01,040 Speaker 3: most in that courtroom. Board Every rap tag and play 600 00:34:01,040 --> 00:34:04,840 Speaker 3: a different it gives different in that courtroom. 601 00:34:05,240 --> 00:34:06,360 Speaker 1: And that's the conditioning. 602 00:34:07,960 --> 00:34:12,520 Speaker 3: Because rap has a multitude of angles that it possesses. 603 00:34:13,440 --> 00:34:15,759 Speaker 3: And I think there's a study somewhere, but we may 604 00:34:15,800 --> 00:34:19,320 Speaker 3: have to study the effects of what rock and roll done, 605 00:34:20,360 --> 00:34:24,399 Speaker 3: what hard rock, what punk rock is done. We may 606 00:34:24,440 --> 00:34:27,200 Speaker 3: have to study the effects of you know, that whole 607 00:34:27,280 --> 00:34:30,040 Speaker 3: Merlin Manson wave and all of that. We may have 608 00:34:30,080 --> 00:34:33,040 Speaker 3: to study what that stuff is done and what that 609 00:34:33,239 --> 00:34:38,200 Speaker 3: genre is doing in the eyes of law enforcement. Because 610 00:34:38,239 --> 00:34:41,759 Speaker 3: we appreciate the culture and his raw as form. We 611 00:34:41,840 --> 00:34:44,400 Speaker 3: understand that there's maintenance that needs to be done. We 612 00:34:44,520 --> 00:34:47,920 Speaker 3: understand that, and we need to deplore the right people 613 00:34:48,440 --> 00:34:50,960 Speaker 3: to get that done. And so that's a working process 614 00:34:50,960 --> 00:34:53,399 Speaker 3: for us, and we have to get faster at getting 615 00:34:53,440 --> 00:34:56,240 Speaker 3: that corrected because it's too much money on the line. 616 00:34:56,320 --> 00:34:59,600 Speaker 3: So that's a fact. But there's a hatred between rappers 617 00:35:00,080 --> 00:35:03,160 Speaker 3: and law enforcement. It's no longer cops and robbers, is 618 00:35:03,200 --> 00:35:05,919 Speaker 3: cops and rappers. And so as a recording artist, it's 619 00:35:05,960 --> 00:35:09,160 Speaker 3: like we trapped ourselves in the room because the closer 620 00:35:09,239 --> 00:35:11,799 Speaker 3: you are to it, it's like it give it that 621 00:35:11,880 --> 00:35:15,480 Speaker 3: feel for the young rap culture right gives it a 622 00:35:15,480 --> 00:35:19,760 Speaker 3: certain feel the closer you are to it. And we've 623 00:35:19,800 --> 00:35:23,080 Speaker 3: been taught to stay down. We've been told at least 624 00:35:23,120 --> 00:35:27,560 Speaker 3: to stay down, although a lot of times. Unfortunately, we 625 00:35:27,640 --> 00:35:30,920 Speaker 3: don't hold up to that. But we've heard that the 626 00:35:31,000 --> 00:35:33,960 Speaker 3: echoes of stay down, the echoes of hustle. That's why 627 00:35:34,000 --> 00:35:35,880 Speaker 3: it's a lot of game need to be applied to 628 00:35:35,920 --> 00:35:38,319 Speaker 3: some of this shit. But we done told the young 629 00:35:38,400 --> 00:35:41,680 Speaker 3: niggas the hustle, hustle, hustle, hustle, hustle, hustle. They donet 630 00:35:41,680 --> 00:35:42,840 Speaker 3: pass that to the women. 631 00:35:43,239 --> 00:35:43,399 Speaker 1: Now. 632 00:35:43,440 --> 00:35:46,120 Speaker 3: The women think that everybody think the hustle is all 633 00:35:46,160 --> 00:35:49,480 Speaker 3: you need. Man, they hit it for disaster. But not 634 00:35:49,640 --> 00:35:52,920 Speaker 3: only is it okay to stay down, and there's a 635 00:35:52,960 --> 00:35:55,319 Speaker 3: time to stay down, there's also a time to let go. 636 00:35:55,840 --> 00:35:57,920 Speaker 3: There's also a time to let go. We don't never 637 00:35:58,000 --> 00:36:00,000 Speaker 3: talk to each other about letting go. What it is 638 00:36:00,080 --> 00:36:03,640 Speaker 3: take you to let go. Sometimes you gotta let go. 639 00:36:03,760 --> 00:36:04,440 Speaker 3: It's harm and. 640 00:36:04,440 --> 00:36:05,400 Speaker 1: You hold non to that. 641 00:36:05,520 --> 00:36:06,120 Speaker 6: It's hurting you. 642 00:36:06,239 --> 00:36:09,720 Speaker 1: Hold none of that, costing you everything you got. Hold 643 00:36:09,800 --> 00:36:11,920 Speaker 1: none of that. Look, you're using a lot of your 644 00:36:12,000 --> 00:36:14,279 Speaker 1: band with on. Just hold none of that. 645 00:36:14,920 --> 00:36:17,200 Speaker 3: It's cool to stay down, but it's also cool to 646 00:36:17,280 --> 00:36:20,799 Speaker 3: let go. If they don't know, they will know that 647 00:36:20,880 --> 00:36:24,200 Speaker 3: it's hard to maintain the original essence of a relationship 648 00:36:24,200 --> 00:36:27,480 Speaker 3: when the love is unbalanced. Because I give you all 649 00:36:27,520 --> 00:36:31,440 Speaker 3: of me only to receive little with you. It's the 650 00:36:31,480 --> 00:36:33,480 Speaker 3: same with this. When I fuck with you, it's like 651 00:36:33,560 --> 00:36:37,160 Speaker 3: I'm like Black Friday with the support. I'm like Black 652 00:36:37,200 --> 00:36:39,920 Speaker 3: Friday with the support. Whatever you own, I'm supporting you. 653 00:36:39,960 --> 00:36:43,040 Speaker 3: I'm like Black Friday with it. That's just what kind 654 00:36:43,040 --> 00:36:46,680 Speaker 3: of individual I am. But you will struggle with maintaining 655 00:36:46,680 --> 00:36:50,040 Speaker 3: the original essence of the relationship when the love is unbalanced. 656 00:36:50,480 --> 00:36:52,480 Speaker 3: You can teach these niggas how to fish. Soon as 657 00:36:52,520 --> 00:36:54,360 Speaker 3: they get a fish out the water, they'll take it 658 00:36:54,400 --> 00:36:57,520 Speaker 3: and eat it with someone else. They're gonna split a 659 00:36:57,560 --> 00:37:00,000 Speaker 3: fish sandwich with someone else the first fish they get 660 00:37:00,120 --> 00:37:03,440 Speaker 3: out the water. You brought them niggas to the bank. 661 00:37:05,280 --> 00:37:08,040 Speaker 3: Them niggas use your fishing pole. I allowed you to 662 00:37:08,200 --> 00:37:10,920 Speaker 3: use my river. I brought you the way I know 663 00:37:11,000 --> 00:37:13,960 Speaker 3: the fish. Yet you ain't even have no clue how 664 00:37:13,960 --> 00:37:16,480 Speaker 3: to feed your family. They were going starving over I 665 00:37:16,480 --> 00:37:18,640 Speaker 3: brought you over here to the bank. Let you use 666 00:37:18,719 --> 00:37:21,239 Speaker 3: my fishing rod. Got you and you went and took 667 00:37:21,320 --> 00:37:24,200 Speaker 3: and split the fish with That's how it happened. You 668 00:37:24,239 --> 00:37:27,480 Speaker 3: gotta just psych yourself out. You also got to make 669 00:37:27,520 --> 00:37:31,680 Speaker 3: sure you never be a hater, Do not never be 670 00:37:31,800 --> 00:37:35,960 Speaker 3: find yourself. I mean thout ignore that hater feeling. And 671 00:37:36,000 --> 00:37:39,920 Speaker 3: it tends to come because we have an innate ability 672 00:37:40,400 --> 00:37:44,120 Speaker 3: to only consider things we don't have. We can only 673 00:37:44,160 --> 00:37:47,400 Speaker 3: see or appreciate what's coming or going because we do 674 00:37:47,520 --> 00:37:48,640 Speaker 3: have respect. 675 00:37:48,239 --> 00:37:52,160 Speaker 1: For what leaves us. See that there's a respect for 676 00:37:52,280 --> 00:37:53,000 Speaker 1: what leaves you. 677 00:37:54,200 --> 00:37:57,400 Speaker 3: There's a respect for what comes to you, But this 678 00:37:57,640 --> 00:38:01,360 Speaker 3: little respect for what stayed with you. And that's what 679 00:38:01,480 --> 00:38:03,880 Speaker 3: we be fucking up. It's the ones that stay with 680 00:38:04,040 --> 00:38:08,160 Speaker 3: us we look over. It's the fans that stay with us. 681 00:38:08,239 --> 00:38:11,479 Speaker 3: We look over. We're too focused, don't get new fans. 682 00:38:11,560 --> 00:38:13,800 Speaker 3: It's the niggas that ride with us. It's the media 683 00:38:13,840 --> 00:38:16,399 Speaker 3: that stay with us. It's the features that stay with us. 684 00:38:17,880 --> 00:38:21,040 Speaker 3: It's the outlets that stay with us. We forget about 685 00:38:22,160 --> 00:38:24,840 Speaker 3: because we're too busy trying to reach new people instead 686 00:38:24,880 --> 00:38:29,759 Speaker 3: of feed the village, bring people into your village. But 687 00:38:29,920 --> 00:38:32,719 Speaker 3: for some reason, we only respect what's coming up, going, 688 00:38:33,600 --> 00:38:36,360 Speaker 3: and what we have we won't consider. And so I 689 00:38:36,440 --> 00:38:40,120 Speaker 3: try to be cognizant of that, try to place myself 690 00:38:40,160 --> 00:38:46,080 Speaker 3: in a situation to consider the small things. Remember, remember 691 00:38:46,120 --> 00:38:51,280 Speaker 3: what it was like, don't dwell in it. But remember 692 00:38:53,680 --> 00:38:57,640 Speaker 3: because at some point you have to play kingmaker your 693 00:38:57,719 --> 00:39:00,480 Speaker 3: real boss when you when you make other kings, you 694 00:39:00,520 --> 00:39:04,320 Speaker 3: a real boss. Don't tell me how many record deals 695 00:39:04,320 --> 00:39:07,080 Speaker 3: you saying, tell me how many medionaires you made? 696 00:39:09,440 --> 00:39:10,560 Speaker 1: Talk to me nice. 697 00:39:12,640 --> 00:39:15,360 Speaker 3: These niggas are running around. I'm on my third deal, nigga. 698 00:39:15,440 --> 00:39:18,520 Speaker 3: How many millionaires you know made? Everybody around you ain't 699 00:39:18,840 --> 00:39:20,320 Speaker 3: seem like they. 700 00:39:20,320 --> 00:39:20,560 Speaker 1: Man. 701 00:39:20,680 --> 00:39:24,120 Speaker 3: Listen, I try to bind my business. I try to 702 00:39:24,160 --> 00:39:27,160 Speaker 3: mind my y'all. Don't want me peeking into you onentarage 703 00:39:29,360 --> 00:39:31,680 Speaker 3: you know them niggas. I know a lot of these dudes. 704 00:39:31,719 --> 00:39:34,120 Speaker 3: I know in this game. They all they little home 705 00:39:34,239 --> 00:39:34,600 Speaker 3: is rich. 706 00:39:35,960 --> 00:39:36,120 Speaker 2: Ah. 707 00:39:36,160 --> 00:39:39,040 Speaker 3: I'm talking about they little home is having they have 708 00:39:39,200 --> 00:39:43,359 Speaker 3: in they way. So I'm saying, I'm knowing, yo, what 709 00:39:43,400 --> 00:39:45,759 Speaker 3: we're doing with this money on or what we're doing 710 00:39:45,800 --> 00:39:48,399 Speaker 3: with these opportunities. You ain't got this structure right. 711 00:39:48,560 --> 00:39:51,520 Speaker 1: What we're doing. They figure this out. 712 00:39:52,080 --> 00:39:55,520 Speaker 3: I ain't hating on you. I'm hunting for you. When 713 00:39:55,520 --> 00:39:57,920 Speaker 3: you hear me talk about something that I look at 714 00:39:57,960 --> 00:39:59,880 Speaker 3: and don't see you doing, niggas, I ain't hate no, 715 00:40:00,200 --> 00:40:03,560 Speaker 3: I'm hunting for you. I'm trying to bring information over 716 00:40:03,640 --> 00:40:06,680 Speaker 3: to you. You otherwise wouldn't have got because everybody eating 717 00:40:06,680 --> 00:40:09,000 Speaker 3: off for you, they ain't teaching you nothing. Them niggas 718 00:40:09,000 --> 00:40:11,000 Speaker 3: ain't gonna give you no game because the people eating 719 00:40:11,000 --> 00:40:13,040 Speaker 3: off me. Nine times out of ten, the ain't gonna 720 00:40:13,040 --> 00:40:15,040 Speaker 3: get me no game. That's the nature of the beast. 721 00:40:17,440 --> 00:40:20,600 Speaker 3: And that's why the voice become powerful because who else 722 00:40:20,640 --> 00:40:23,000 Speaker 3: at the top of the mountain breaking that down like that? 723 00:40:24,320 --> 00:40:29,680 Speaker 3: And what they doing that for? I can just focus 724 00:40:29,719 --> 00:40:31,680 Speaker 3: on interviews. I don't even got to do this, no 725 00:40:31,760 --> 00:40:34,560 Speaker 3: more love one this for this, this is literally because 726 00:40:34,600 --> 00:40:36,120 Speaker 3: I like to put game next. 727 00:40:35,920 --> 00:40:36,399 Speaker 1: To this shit. 728 00:40:42,040 --> 00:40:45,920 Speaker 5: Think of like shit, well, grind the fat. They let 729 00:40:46,000 --> 00:40:48,120 Speaker 5: them put out, ground their fat off, you know what 730 00:40:48,200 --> 00:40:50,680 Speaker 5: I'm saying. And they ain't gonna jail for. 731 00:40:52,360 --> 00:40:53,240 Speaker 1: You know what I'm saying. 732 00:40:55,320 --> 00:40:56,960 Speaker 5: You know what I'm saying. Don't nobody know I'm down 733 00:40:57,000 --> 00:41:00,440 Speaker 5: here like I'm still regular almost you know what I'm saying. 734 00:41:01,080 --> 00:41:04,360 Speaker 5: So and I'm like anonymous. You know what I'm saying. 735 00:41:04,520 --> 00:41:08,080 Speaker 5: It just show you like them motherfuckers was watching you. 736 00:41:09,320 --> 00:41:13,120 Speaker 3: So his encounters was auto by the lyrics presented in 737 00:41:13,200 --> 00:41:18,960 Speaker 3: his music, not even by his charges, and so that 738 00:41:19,040 --> 00:41:22,920 Speaker 3: speaks to the environment that speaks to the atmosphere between 739 00:41:22,920 --> 00:41:28,520 Speaker 3: the two, the tension between the two. My boys to 740 00:41:28,520 --> 00:41:30,919 Speaker 3: be loud when I say this, there is no relationship 741 00:41:30,920 --> 00:41:36,560 Speaker 3: between law enforcement and hip hop culture. It's no longer 742 00:41:36,680 --> 00:41:41,280 Speaker 3: cops and robbers, is cops and rappers. And it tends 743 00:41:41,320 --> 00:41:45,720 Speaker 3: to come because we have an innate ability to only 744 00:41:45,800 --> 00:41:47,120 Speaker 3: consider things we don't have. 745 00:41:48,280 --> 00:41:49,160 Speaker 1: We can only. 746 00:41:49,000 --> 00:41:52,239 Speaker 3: See or appreciate what's coming or going because we do 747 00:41:52,360 --> 00:41:56,360 Speaker 3: have respect for what leaves us. See that there's a 748 00:41:56,440 --> 00:42:00,200 Speaker 3: respect for what leaves you. There's a respect for what 749 00:42:00,400 --> 00:42:04,240 Speaker 3: comes to you. With this little respect for what stayed 750 00:42:04,280 --> 00:42:09,160 Speaker 3: with you hating on you, I'm hunting for you. When 751 00:42:09,200 --> 00:42:11,560 Speaker 3: you hear me talk about something that I look at 752 00:42:11,600 --> 00:42:12,360 Speaker 3: and don't see. 753 00:42:12,200 --> 00:42:14,320 Speaker 1: You doing, Nigga, I ain't hating on you. I'm hunting 754 00:42:14,320 --> 00:42:14,799 Speaker 1: for you. 755 00:42:16,440 --> 00:42:18,879 Speaker 3: And I know people fight to get these interviews, right. 756 00:42:19,080 --> 00:42:21,640 Speaker 3: I think getting an interview as a podcast, as a 757 00:42:21,719 --> 00:42:23,839 Speaker 3: dude in content is a very strange thing. 758 00:42:23,920 --> 00:42:25,520 Speaker 1: It's a It's a space. 759 00:42:25,280 --> 00:42:27,360 Speaker 3: Where like me, I have a roller dex of people 760 00:42:27,400 --> 00:42:31,839 Speaker 3: like I have people I'm loaded. You know, you say 761 00:42:31,880 --> 00:42:34,480 Speaker 3: what you want, but you kind of with certain things 762 00:42:34,480 --> 00:42:39,319 Speaker 3: and certain people you try to give grace kind of 763 00:42:39,360 --> 00:42:40,040 Speaker 3: like Joe. 764 00:42:39,800 --> 00:42:40,600 Speaker 1: Budden and did it. 765 00:42:41,719 --> 00:42:45,960 Speaker 3: What's unfortunate is that did it A come right through 766 00:42:46,000 --> 00:42:49,560 Speaker 3: New York and not go sit with Joe Budden. But if 767 00:42:49,560 --> 00:42:52,920 Speaker 3: I'm having three four five thousand subscribers on patren, that 768 00:42:53,120 --> 00:42:55,520 Speaker 3: some of these people are hav in fifteen to twenty 769 00:42:55,560 --> 00:42:58,320 Speaker 3: thirty thousand subscribe, this is a lot of people making 770 00:42:58,400 --> 00:43:01,480 Speaker 3: hundreds of thousands of month. They don't have to shield 771 00:43:01,560 --> 00:43:04,480 Speaker 3: anyone when these narratives come. Because what we have to 772 00:43:04,560 --> 00:43:07,719 Speaker 3: understand is some people make their money off creating narratives 773 00:43:07,920 --> 00:43:15,560 Speaker 3: and we don't have to defend them.