WEBVTT - QLS Classic: Kevin Liles

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio. This classic

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<v Speaker 1>episode was produced by the team at Pandora.

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<v Speaker 2>Hey, what's up y'all? Leten you man Fonte fonticawiciclo and

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<v Speaker 2>right now, this is yet another Quest Love Supreme classic

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<v Speaker 2>from February first, twenty seventeen pre Rome when we sat

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<v Speaker 2>down with hip hop mogul Kevin Loud where he talked

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<v Speaker 2>about the early Baltimore scene, his rise to president of

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<v Speaker 2>Deaf Jam, and the value of hard work and also

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<v Speaker 2>a lot of people didn't know his his very little

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<v Speaker 2>known role in writing a song called Girl. You know

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<v Speaker 2>it's true. This is an amazing episode, so listen check

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<v Speaker 2>it out. Y'all know where to get it. Fontikolo Quest

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<v Speaker 2>of Supreme Classic Deserve.

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<v Speaker 3>Supremo, Suprema Roll Call, Suprema su Suprema roll call, Suprema

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<v Speaker 3>Son Supprea role call Suprema something something.

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<v Speaker 2>Suprema roll card.

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<v Speaker 1>I am Quest Loved Girl, Yeah, I am Quest Love Girl.

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<v Speaker 2>Yeah, I am Quesse loved Girl. Yeah. And this is true.

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<v Speaker 3>No supprima, roll call, Suprema Son Son Suprema Rod.

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<v Speaker 2>My name is Fante, Yeah, feed me Seymour. Yeah. Shout

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<v Speaker 2>out to all my Yeah, niggas out and be more.

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<v Speaker 3>Suprema roll call Suprema Sun Suprema.

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<v Speaker 4>Roll call.

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<v Speaker 5>Name is Sugar Yeah with Kevin Lyles. Yeah, Quest loves Suprema. Yeah,

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<v Speaker 5>don't change that time Rod.

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<v Speaker 3>Suprema son Son Suprema, roll call Suprema so something Suprema roll.

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<v Speaker 6>Called pay Bill Yeah, going wild Yeah, Quest love Supreme.

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<v Speaker 2>Yeah, Kevin Loud roll.

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<v Speaker 3>Call Suprema Suprema, roll call Suprema.

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<v Speaker 7>So Suprema roll call.

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<v Speaker 4>It's like yeah, m yeah, I have another ladies. Yeah,

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<v Speaker 4>these dudes, God damn roll.

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<v Speaker 3>Supreme Rod Suprema Suprema roll calls.

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<v Speaker 2>Receive his whack, yeah, says Bob Bill. Yeah yeah I

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<v Speaker 2>said that ship. Yeah, just keeping it. Roll call Supreme,

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<v Speaker 2>roll call.

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<v Speaker 8>My name is Kevin.

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<v Speaker 7>Yeah, I guess I'm here.

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<v Speaker 8>Yeah, I want to tell you.

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<v Speaker 2>Yeah, I have no fear.

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<v Speaker 3>Roll call Suprema Suprema, roll call Suprema Suprema.

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<v Speaker 2>Rolls were.

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<v Speaker 8>Roll up.

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<v Speaker 2>Roll Oh man, that's so much just happened.

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<v Speaker 1>That's first fucking.

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<v Speaker 2>Comown. Ladies and gentlemen walking.

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<v Speaker 9>Into the engineer all up in your video.

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<v Speaker 2>Calm down, come to question, smoking, Come on, ladies.

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<v Speaker 1>And gentlemen, welcome to another edition, our first February Black

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<v Speaker 1>History Month Editionbruary to uh question, Love Supreme?

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<v Speaker 2>Did I say February with a Brew?

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<v Speaker 1>I don't know, because I say February but without the Brew.

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<v Speaker 2>Yeah, yeah, February. This is weird Wednesday. Those are like

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<v Speaker 2>names that like it's like a black teenage mother name those.

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<v Speaker 2>This is all these extra letters in that part of

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<v Speaker 2>Africa's in February come from.

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<v Speaker 1>I stole that from the pound cake speech from Bill Cosby.

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<v Speaker 5>That Bill Cosby, he's a.

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<v Speaker 2>Oh my god.

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<v Speaker 1>H well you know this this is uh well, it's

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<v Speaker 1>not necessarily a special addition to quest Love Supreme, but

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<v Speaker 1>we have a very special guest who, in my opinion, uh,

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<v Speaker 1>he's the example of excellence and tireless determination and work

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<v Speaker 1>and long hours. From interning in the mail room to

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<v Speaker 1>ordering in the lunch room.

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<v Speaker 2>I feel like Jesse Jackson.

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<v Speaker 10>In the mail room, to order in the lunch room,

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<v Speaker 10>to the ball room, to meetings in the late meeting.

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<v Speaker 2>In fire and iron in the boardroom.

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<v Speaker 1>Ladies and gentlemen, please give it up for mister Kevin Laws.

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<v Speaker 2>I welcome and welcome man. Okay.

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<v Speaker 1>I have to say, first of all, thank you for

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<v Speaker 1>accepting and clearing your schedule because you are probably the

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<v Speaker 1>hardest working executive I've ever known.

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<v Speaker 8>I can tell you no, So I.

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<v Speaker 2>Do my research.

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<v Speaker 1>Really, I mean to me, the difference between you and

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<v Speaker 1>another well known public figure, CEO is that you're not

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<v Speaker 1>about the spotlight.

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<v Speaker 2>You're the one that didn't want to be up on

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<v Speaker 2>all the videos and dance.

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<v Speaker 1>Can I ask you, once you realize that that was allowed,

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<v Speaker 1>did you like regret like, well, I'm the one that

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<v Speaker 1>actually had to hit can't.

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<v Speaker 8>I can't dance? So I'm good? No, I'm good. I

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<v Speaker 8>enjoy the culture, I enjoy the opportunity that that that

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<v Speaker 8>God gives me, and I miss the work. You know,

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<v Speaker 8>I don't. I think you lead by example. You don't

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<v Speaker 8>just do it for the job or do it for

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<v Speaker 8>the glory. I think there's a lot of gut before

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<v Speaker 8>the glory, you know what I mean. So that's me,

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<v Speaker 8>you know.

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<v Speaker 1>I mean, just based on your history and where you

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<v Speaker 1>know a lot of your lean years, the work that

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<v Speaker 1>you put in, I have to also say that you

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<v Speaker 1>also might be a glutton for punishment. Because we're going

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<v Speaker 1>to get into that. We're going to get into that.

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<v Speaker 1>Take a little bro what happy uh February.

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<v Speaker 4>Happy February.

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<v Speaker 2>It is black history buff right, Why is it? I

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<v Speaker 2>thought we were last month?

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<v Speaker 4>Because because I'm black, you know, real black, so have

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<v Speaker 4>you know, just you in this room.

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<v Speaker 2>You blackness gets to claim a whole month.

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<v Speaker 4>Episode.

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<v Speaker 2>It is still about Quansas because that was a long

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<v Speaker 2>time ago.

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<v Speaker 1>We regret that because I had to look up who

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<v Speaker 1>uh uh that who's no the person that you doctor

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<v Speaker 1>York Coolery.

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<v Speaker 4>No, Miles, what happened on a previous episode was that

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<v Speaker 4>Fante like to compare the founder of Doctor York and Scamra.

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<v Speaker 1>That's the that's the rabbit fl down Joe How come

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<v Speaker 1>I are you late? Yeah?

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<v Speaker 2>I was late.

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<v Speaker 1>I'm also in my forties. Would have to know about

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<v Speaker 1>Joey and this camera?

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<v Speaker 2>Yeah, I only know just from Twitter that you know.

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<v Speaker 2>That was how I found out.

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<v Speaker 4>Butt research on you see. That's why it's like your

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<v Speaker 4>mom because I'm black.

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<v Speaker 2>I mean, you know.

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<v Speaker 1>Once Chuck Woolery agreed with the Fante, then off and

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<v Speaker 1>we'll be back into Okay, okay, okay, anyway, mister Lyles,

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<v Speaker 1>we usually start with the timeline of the beginning.

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<v Speaker 2>So you're you're from.

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<v Speaker 1>Be more correct, yes, be more you're claiming Baltimore too.

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<v Speaker 4>I'm sorry, sir, I should say yes because I went

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<v Speaker 4>to Morgan State, so every city it's thirty minutes away.

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<v Speaker 2>But DC in Baltimore, don't.

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<v Speaker 4>They're very different.

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<v Speaker 8>Well, cousins their cousins. You know, we're family doesn't always

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<v Speaker 8>like each other, right, shout out to Glizzie. You know,

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<v Speaker 8>I'm I'm. I got a lot of family in d C.

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<v Speaker 8>You know, a lot of family and be more. The

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<v Speaker 8>whole d m V is like I made my tracks there,

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<v Speaker 8>so you know, I love all of it.

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<v Speaker 4>You know, you know, I'm surprised you still have your

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<v Speaker 4>Baltimore accent, Like I still hear your two's and you're

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<v Speaker 4>do you.

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<v Speaker 8>Cut me up and I be more? You know that

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<v Speaker 8>that's just what it is. And I've been accepted uh

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<v Speaker 8>here in New York I made for twenty five years,

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<v Speaker 8>so it's like, you know, I'm guess some from New

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<v Speaker 8>York too, you know what I mean? So but you

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<v Speaker 8>cut me open them be more forever.

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<v Speaker 2>I didn't know that too. And you that that's a jow,

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<v Speaker 2>that's a jawn, or that's I.

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<v Speaker 4>Don't think Baltimore has a jawn. It's just the what

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<v Speaker 4>do you call the you know what tho?

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<v Speaker 1>Okay, not that I should hold near and dear what see.

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<v Speaker 1>I don't want to be that person that references the

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<v Speaker 1>wire like, well on the wire I saw. But I

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<v Speaker 1>actually heard Snoop's character use the word jawn when describing.

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<v Speaker 2>Like wiggle it jiggle it came on young young Wait

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<v Speaker 2>he was, Yes, he was. Did you say that you

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<v Speaker 2>were still there, that I was there? Okay? I thought

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<v Speaker 2>I was because of Baltimore. You were there? I was

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<v Speaker 2>there at that time?

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<v Speaker 8>To you?

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<v Speaker 2>Okay?

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<v Speaker 1>Well yeah, basically like Snoop use the word jawn.

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<v Speaker 4>She might have said Joe because Joe is kind of like,

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<v Speaker 4>but no.

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<v Speaker 8>She meant like that's my joint. Yeah, we used that too. Yeah, Yo,

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<v Speaker 8>you know.

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<v Speaker 4>Y'all use yo for everything.

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<v Speaker 2>I thought it was a New York then asn't it.

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<v Speaker 4>But I appreciate you because you you still go back.

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<v Speaker 4>You would just at Morgan like writing that recently, Like

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<v Speaker 4>you constantly go back and give back to Morgan State.

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<v Speaker 8>Yeah. And I try to tell people you nothing without

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<v Speaker 8>bringing people with you. So I just go as a

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<v Speaker 8>beacon of light. We're raising two hundred and fifty million

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<v Speaker 8>dollars for Morgan and if you go there. When I

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<v Speaker 8>went there, you know, we stated Cummings and now it's

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<v Speaker 8>like one of the top you know, five universities for engineers,

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<v Speaker 8>the number one African American university for engineers, you know

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<v Speaker 8>what I mean. So I'm a former engineer, so it's

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<v Speaker 8>a blessing to go back all the time. My whole

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<v Speaker 8>family's there too, so it's like.

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<v Speaker 4>The most up north HBCU as well.

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<v Speaker 1>Yes, yes, man, you are really giving back, Like I

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<v Speaker 1>feel bad, Like I think I gave a drum set

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<v Speaker 1>to my high school.

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<v Speaker 4>In Baltimore. You are there, oh yeah, yeah and everything.

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<v Speaker 8>Yeah, that's my city. You know. One thing when you

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<v Speaker 8>come from humble beginnings and you know, like I tell people,

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<v Speaker 8>most of my journey comes from real life shit, you

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<v Speaker 8>know what I mean. So like I didn't, I've been

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<v Speaker 8>in it. You know, you talk about the why that

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<v Speaker 8>was my that was the error, you know what I

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<v Speaker 8>mean of like you know, my uncles and everybody, and

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<v Speaker 8>for me to be here and just talk about it

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<v Speaker 8>still talk about my city. Just recently Kean Copperta who

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<v Speaker 8>went to Woodland after me, younger than me, but I

0:11:22.840 --> 0:11:25.320
<v Speaker 8>built the stadium. He would always pay for the Falcons.

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<v Speaker 8>He came home. He would always do a class for

0:11:28.679 --> 0:11:30.880
<v Speaker 8>kids who wanted to play football, track and field and

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<v Speaker 8>things like that, and developed a great friendship. And one

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<v Speaker 8>thing about Baltimore. If something ever happened in Baltimore, I

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<v Speaker 8>get it. I get it. So not to start off

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<v Speaker 8>in a but you know, I always gotta be spiritual.

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<v Speaker 8>So he was playing for Son, and you love this

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<v Speaker 8>quest in a way, but you also it was a

0:11:49.280 --> 0:11:51.719
<v Speaker 8>sad moment. But playing for Son, made a mistake and

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<v Speaker 8>hit his head, went into a coma and at you know,

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<v Speaker 8>thirty nine years old. Past. Now tell that story, because

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<v Speaker 8>when you talk about Baltimore, you owe it to where

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<v Speaker 8>you're from, to always go back because something it's going

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<v Speaker 8>to happen to somebody at some point in time, and

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<v Speaker 8>people need light, they need something positive, They need something.

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<v Speaker 8>One of the reasons why you do the show, you

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<v Speaker 8>know what I mean. People need light, people need guidance.

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<v Speaker 8>And you know when people speak about Baltimore, that's like

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<v Speaker 8>that's my city, that's like it's really my city, you

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<v Speaker 8>know what I'm saying. So to me, I just love

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<v Speaker 8>and I don't know how I went there and there,

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<v Speaker 8>I guess it was on my heart, so fuck it.

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<v Speaker 2>So how did you?

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<v Speaker 8>No?

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<v Speaker 1>No, no, I mean, but I want to talk about that,

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<v Speaker 1>like my depiction, Like I used to go to Baltimore

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<v Speaker 1>a lot, Like I had an uncle and aunt down there.

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<v Speaker 1>We go like summertimes, you know, weekends, they're.

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<v Speaker 2>Sort of things.

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<v Speaker 1>And I didn't see the Baltimore that's you know, depicted

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<v Speaker 1>on TV. I mean, like does it do you feel

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<v Speaker 1>some sort of way when you hear the I guess

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<v Speaker 1>there's somewhat fetishizing of the Wire culture with other I mean,

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<v Speaker 1>the inside joke is always like more white people love

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<v Speaker 1>the Wire than black people, do you know, like they will.

0:13:11.559 --> 0:13:14.920
<v Speaker 1>I've seen many Wire references in every like high brow

0:13:15.200 --> 0:13:18.280
<v Speaker 1>comedy show on TV or whatever. It's just always like

0:13:18.320 --> 0:13:20.719
<v Speaker 1>some inside joke about it. But you know, it's a

0:13:20.760 --> 0:13:25.120
<v Speaker 1>lot of people the Wire is like what they feel

0:13:26.160 --> 0:13:26.920
<v Speaker 1>is Baltimore.

0:13:27.080 --> 0:13:29.000
<v Speaker 2>And like, how do you, I mean, how did you?

0:13:30.160 --> 0:13:34.040
<v Speaker 1>What was your Baltimore you growing up and and like

0:13:34.120 --> 0:13:35.800
<v Speaker 1>your experiences with the city.

0:13:35.679 --> 0:13:39.920
<v Speaker 8>All at all that all that, and I have to

0:13:39.960 --> 0:13:44.160
<v Speaker 8>be honest with you. So when I grew up, it

0:13:44.280 --> 0:13:48.160
<v Speaker 8>was probably highlight you know, well the dope scene, you

0:13:48.160 --> 0:13:52.880
<v Speaker 8>know what I mean? And you know, if you want,

0:13:54.080 --> 0:13:56.280
<v Speaker 8>it was there. It was everywhere. I always say, you know,

0:13:56.800 --> 0:14:02.080
<v Speaker 8>you have the drug store, the liquor store, the church,

0:14:02.280 --> 0:14:05.120
<v Speaker 8>in the dope corner. It was there. It was just there.

0:14:05.160 --> 0:14:07.440
<v Speaker 8>So that's what people talked about. That's what people were.

0:14:07.720 --> 0:14:10.000
<v Speaker 8>You want to know how to make money. You wanted

0:14:10.000 --> 0:14:11.360
<v Speaker 8>to be with that guy who was on the corner.

0:14:11.360 --> 0:14:13.280
<v Speaker 8>He always had the money and he was giving back

0:14:13.280 --> 0:14:16.000
<v Speaker 8>to the kids. And that all everything that the wire

0:14:16.280 --> 0:14:20.320
<v Speaker 8>trolled a true depiction of what was happening in that

0:14:20.320 --> 0:14:22.880
<v Speaker 8>that the city at the time, to the point where

0:14:23.760 --> 0:14:25.760
<v Speaker 8>when it got to where people were saying, it's the

0:14:25.800 --> 0:14:29.240
<v Speaker 8>home or the wire. Martin O'Malley, who was at that

0:14:29.320 --> 0:14:31.880
<v Speaker 8>time mayor about to go for a governor a friend

0:14:31.920 --> 0:14:35.680
<v Speaker 8>of mine said, that's not what I want us to

0:14:35.680 --> 0:14:39.160
<v Speaker 8>be known for, not under my you know, my jurisdiction.

0:14:39.440 --> 0:14:41.520
<v Speaker 8>And he actually went It was one of the guys

0:14:41.520 --> 0:14:43.800
<v Speaker 8>to say, hey, we shouldn't go, you know, we should

0:14:43.880 --> 0:14:45.880
<v Speaker 8>stop it and do something. And from that point on,

0:14:46.320 --> 0:14:49.560
<v Speaker 8>Rich Carlton Four Seasons turned the whole in a harbor. Johns.

0:14:49.560 --> 0:14:53.080
<v Speaker 8>Hopkins invested into Fell's Point, like so many big things

0:14:53.080 --> 0:14:55.520
<v Speaker 8>in Morgan State, went to a different level. But you know,

0:14:55.680 --> 0:14:59.520
<v Speaker 8>to say why I appreciate life and why I appreciate moments,

0:14:59.760 --> 0:15:02.120
<v Speaker 8>you know, even like this, it's because you know, I

0:15:02.120 --> 0:15:04.040
<v Speaker 8>come from very humble beginnings. I said, I didn't grow

0:15:04.120 --> 0:15:05.760
<v Speaker 8>up with a silver spoon in my mouth. My ship

0:15:05.840 --> 0:15:07.680
<v Speaker 8>was rusted, you know what I mean. So I know

0:15:08.120 --> 0:15:09.600
<v Speaker 8>I know what it is. So it was like that.

0:15:09.640 --> 0:15:12.640
<v Speaker 4>Though, what's crazy is Martin O'Malley was really depicted in

0:15:12.720 --> 0:15:16.280
<v Speaker 4>the wire as Mayor Garcetti, who was very.

0:15:16.240 --> 0:15:20.840
<v Speaker 8>Yes, mess Martin and all, and these are all people,

0:15:21.440 --> 0:15:24.720
<v Speaker 8>you know, we just retired, well she retired herself of

0:15:24.760 --> 0:15:29.880
<v Speaker 8>Senator mccowsky and you know you I'm forty eight now,

0:15:30.040 --> 0:15:31.760
<v Speaker 8>so I've seen it, you know what I mean. Even

0:15:31.800 --> 0:15:35.920
<v Speaker 8>from a very young age, you know, back may of smoke.

0:15:36.440 --> 0:15:38.600
<v Speaker 8>Back then. I was always thought that if if you

0:15:38.680 --> 0:15:41.480
<v Speaker 8>had politics, if you could put yourself with position of

0:15:41.640 --> 0:15:45.400
<v Speaker 8>power by being around that. And so I've been with

0:15:45.480 --> 0:15:49.240
<v Speaker 8>every mayor, governor, city council member, the whole nine. Also,

0:15:49.360 --> 0:15:51.120
<v Speaker 8>when people got in trouble, I can get him out.

0:15:53.080 --> 0:15:55.080
<v Speaker 8>I could always wear some things out. So it's just

0:15:55.120 --> 0:15:57.400
<v Speaker 8>a you know, it's it's the truth. Though I loved

0:15:57.440 --> 0:16:00.360
<v Speaker 8>the Wire, though I loved. It was a homing and

0:16:00.400 --> 0:16:05.680
<v Speaker 8>cultural uh history to me for TV, for HBO. I

0:16:05.680 --> 0:16:08.480
<v Speaker 8>think it was one of those soprano moments for our culture,

0:16:08.600 --> 0:16:09.440
<v Speaker 8>you know, for the while.

0:16:09.760 --> 0:16:14.080
<v Speaker 1>So you saw places and those things, just you saw

0:16:14.200 --> 0:16:15.440
<v Speaker 1>memories and you.

0:16:15.440 --> 0:16:16.880
<v Speaker 8>And I need to go, you not need to take

0:16:16.920 --> 0:16:20.440
<v Speaker 8>a walk Baltimore. And I'm being the way I'm the

0:16:20.480 --> 0:16:24.080
<v Speaker 8>way I'm being serious about because I think I could.

0:16:24.080 --> 0:16:25.480
<v Speaker 8>I could show you the older and new. I can

0:16:25.520 --> 0:16:28.080
<v Speaker 8>show you some of the stuff that was happening back

0:16:28.080 --> 0:16:30.640
<v Speaker 8>then where it's happening now. But also I mean you

0:16:30.680 --> 0:16:32.800
<v Speaker 8>can go have tea at the Four Seasons, you know

0:16:32.800 --> 0:16:34.520
<v Speaker 8>what I mean? And you and I can go and

0:16:35.240 --> 0:16:37.800
<v Speaker 8>visit Johns Hopkins and go to the Morgan to see

0:16:37.800 --> 0:16:39.400
<v Speaker 8>the new engineer and building, you know what I mean.

0:16:39.960 --> 0:16:40.480
<v Speaker 4>Gentrifying.

0:16:40.520 --> 0:16:42.000
<v Speaker 1>Yeah, I was gonna say, is it going through a

0:16:42.080 --> 0:16:46.480
<v Speaker 1>gentle yesifaication? And are they phasing out the residents or

0:16:46.680 --> 0:16:47.560
<v Speaker 1>is it inclusive?

0:16:48.880 --> 0:16:53.760
<v Speaker 8>No comment? Mm hm m, no comment.

0:16:53.640 --> 0:16:55.800
<v Speaker 4>Because my apartment was four hundred and eighty dollars.

0:16:57.560 --> 0:16:58.600
<v Speaker 2>Ain't that nothing.

0:17:00.120 --> 0:17:02.200
<v Speaker 8>I see? I see Let's take a let's take a

0:17:02.240 --> 0:17:03.960
<v Speaker 8>walk this year though, that definitely I would love to.

0:17:03.920 --> 0:17:07.840
<v Speaker 2>Do with you I'm down you joined us, like, yeah,

0:17:07.840 --> 0:17:08.359
<v Speaker 2>I would love to.

0:17:08.600 --> 0:17:10.240
<v Speaker 4>I love to see where Baltimore is gone.

0:17:11.359 --> 0:17:11.639
<v Speaker 2>I'll go.

0:17:12.040 --> 0:17:14.720
<v Speaker 4>I got people in Baltimore you can call if it

0:17:14.760 --> 0:17:15.120
<v Speaker 4>go down.

0:17:15.640 --> 0:17:18.520
<v Speaker 2>Yeah, don't everybody.

0:17:19.880 --> 0:17:21.840
<v Speaker 5>Me and Bill go, but we're staying in our harbor.

0:17:23.720 --> 0:17:24.320
<v Speaker 8>Cool me too.

0:17:26.600 --> 0:17:29.840
<v Speaker 1>So in your in your where does where does music play?

0:17:29.960 --> 0:17:32.560
<v Speaker 1>Because before, I mean, most people know you as an executive,

0:17:32.640 --> 0:17:38.560
<v Speaker 1>but there there might be millennials whatnot, uh that don't

0:17:38.600 --> 0:17:43.560
<v Speaker 1>know that you were actually an artist yourself. So what

0:17:43.640 --> 0:17:46.400
<v Speaker 1>was music music's role in your life? And did did

0:17:46.440 --> 0:17:48.720
<v Speaker 1>Baltimore really have a music culture?

0:17:48.880 --> 0:17:49.880
<v Speaker 8>Like did we Well?

0:17:50.280 --> 0:17:53.280
<v Speaker 1>Okay, I know that there's this whole d M v

0:17:54.640 --> 0:17:57.560
<v Speaker 1>idea of this unity thing, but you know, for most

0:17:57.560 --> 0:17:59.919
<v Speaker 1>people that I speak to from d C, they're just

0:18:00.040 --> 0:18:03.040
<v Speaker 1>claiming Go Go and not Baltimore. And then Baltimore is

0:18:03.080 --> 0:18:05.440
<v Speaker 1>like claiming house music and nothing else.

0:18:05.800 --> 0:18:08.399
<v Speaker 2>And I'm not sure where Virginia and North Carolina falling.

0:18:08.600 --> 0:18:13.439
<v Speaker 2>They trickled down. It was just everything. Yeah, so you

0:18:13.440 --> 0:18:16.439
<v Speaker 2>guys had an active go go. We didn't. Well, we

0:18:16.600 --> 0:18:18.800
<v Speaker 2>had it, but it was it was transplants. I mean

0:18:19.000 --> 0:18:21.600
<v Speaker 2>the thing with North Carolina was that you know, back

0:18:21.640 --> 0:18:25.200
<v Speaker 2>to what Kevin was saying with the drug trade, Uh,

0:18:25.600 --> 0:18:28.399
<v Speaker 2>North Carolina was you know, it was on the route

0:18:28.400 --> 0:18:31.520
<v Speaker 2>if you were going south, so pretty much. And we

0:18:31.640 --> 0:18:33.840
<v Speaker 2>had where I grew up in Greensboro, we had like

0:18:33.880 --> 0:18:35.840
<v Speaker 2>a lot of colleges. It was a college town, so

0:18:35.880 --> 0:18:38.040
<v Speaker 2>you had a lot of Northerners coming up and going

0:18:38.080 --> 0:18:40.320
<v Speaker 2>to school down south, and they were bringing their music

0:18:40.359 --> 0:18:43.480
<v Speaker 2>with them. So go go, I mean, go go was

0:18:43.560 --> 0:18:44.280
<v Speaker 2>like crazy.

0:18:44.359 --> 0:18:47.679
<v Speaker 4>I mean the reason that college was the reason go

0:18:47.680 --> 0:18:48.640
<v Speaker 4>go Coultur, Yeah.

0:18:48.440 --> 0:18:50.119
<v Speaker 2>So alloted all the go go then, I mean all

0:18:50.160 --> 0:18:53.160
<v Speaker 2>the classic you know early eighties, you know New York

0:18:53.320 --> 0:18:55.080
<v Speaker 2>hip hop stuff. I mean that's what we would listening to.

0:18:55.280 --> 0:18:57.120
<v Speaker 2>So that was why, like when we came out as

0:18:57.119 --> 0:18:59.000
<v Speaker 2>a little brother, they were like, y'all don't sound like

0:18:59.040 --> 0:19:00.640
<v Speaker 2>y'all from the South, and it was, well the South

0:19:00.640 --> 0:19:04.560
<v Speaker 2>that we were from. That's what we listened to because

0:19:04.600 --> 0:19:07.000
<v Speaker 2>that was that was our biggest influence. That's coming down

0:19:07.040 --> 0:19:07.520
<v Speaker 2>the seaboard.

0:19:07.560 --> 0:19:09.720
<v Speaker 4>Baltimore Club, our house music was that.

0:19:09.680 --> 0:19:11.920
<v Speaker 2>Didn't make it. The Baltimore Club didn't make it. I didn't.

0:19:12.040 --> 0:19:13.840
<v Speaker 2>I didn't figure out the Baltimore Club until it was

0:19:13.880 --> 0:19:16.919
<v Speaker 2>later because that was like really hate what I know

0:19:17.040 --> 0:19:18.440
<v Speaker 2>as Baltimore house music.

0:19:18.480 --> 0:19:21.840
<v Speaker 1>That made it sort of entry in hipster's lives, like

0:19:22.200 --> 0:19:24.520
<v Speaker 1>two thousand and two, two thousand and three, was.

0:19:24.480 --> 0:19:28.880
<v Speaker 2>That always a thing, always a thing, always the thing.

0:19:29.040 --> 0:19:30.640
<v Speaker 2>So how far.

0:19:30.440 --> 0:19:33.160
<v Speaker 8>Back depends what you saw you want to go. I mean,

0:19:33.280 --> 0:19:37.240
<v Speaker 8>like so with me, i'm a I started as an MC,

0:19:37.400 --> 0:19:40.120
<v Speaker 8>but also DJ our whole thing with new marks. Uh.

0:19:40.240 --> 0:19:44.040
<v Speaker 8>We had ten turntables and so we would mix. We

0:19:44.040 --> 0:19:46.240
<v Speaker 8>would do our mixes with ten turntables, you know. I mean,

0:19:46.280 --> 0:19:48.719
<v Speaker 8>somebody would play the bass beat and then people scratched

0:19:48.760 --> 0:19:50.560
<v Speaker 8>records over top of it and blended and we went

0:19:50.600 --> 0:19:54.800
<v Speaker 8>around doing that. And then the whole rap thing came

0:19:54.960 --> 0:19:57.160
<v Speaker 8>with run DMC and thing, and it was like yo,

0:19:57.320 --> 0:19:59.440
<v Speaker 8>my man said, yo you rap. I said, no, I

0:19:59.520 --> 0:20:02.920
<v Speaker 8>write poetry. He said, well, so we're gonna be Roden

0:20:03.000 --> 0:20:05.879
<v Speaker 8>KG and I was KG, and I was like cool.

0:20:06.000 --> 0:20:09.080
<v Speaker 8>And then this was back when in Baltimore there was

0:20:09.119 --> 0:20:13.240
<v Speaker 8>a group called We Rock Crew Charm City Crew and

0:20:13.359 --> 0:20:15.480
<v Speaker 8>a couple of them, and we would battle all over

0:20:15.800 --> 0:20:19.080
<v Speaker 8>the city, you know what I mean. And so I

0:20:19.080 --> 0:20:22.399
<v Speaker 8>don't want to say the house music thing. You know,

0:20:22.480 --> 0:20:23.840
<v Speaker 8>I did all that too. I mean, you can go

0:20:24.040 --> 0:20:26.359
<v Speaker 8>like North Avenue record I made about the street that

0:20:26.440 --> 0:20:31.040
<v Speaker 8>we used to run up and down with the cars.

0:20:31.480 --> 0:20:34.199
<v Speaker 8>I love that because that was Baltimore music. But what

0:20:34.359 --> 0:20:36.560
<v Speaker 8>was really in me was hip hop. And I was

0:20:36.560 --> 0:20:39.439
<v Speaker 8>like a true Fano. I lost my mind when I

0:20:39.480 --> 0:20:42.960
<v Speaker 8>heard some records. And you know, so I can take

0:20:43.000 --> 0:20:46.600
<v Speaker 8>you back to when the radio station was w EBB

0:20:47.240 --> 0:20:50.960
<v Speaker 8>and all they played was for four hours is the

0:20:51.000 --> 0:20:54.520
<v Speaker 8>Mac James Show. To now every radio station talking about

0:20:54.520 --> 0:20:56.720
<v Speaker 8>the station. Hip hop and R and B. It's all day.

0:20:56.760 --> 0:20:58.040
<v Speaker 8>You know, they played every day, you know, I mean

0:20:58.040 --> 0:21:01.320
<v Speaker 8>that's everywhere now. But back then I had to slept

0:21:01.320 --> 0:21:05.040
<v Speaker 8>on the floor mixed wrapped. I opened up. You loved this,

0:21:05.200 --> 0:21:08.600
<v Speaker 8>So I think my record got a little big or whatever.

0:21:08.680 --> 0:21:12.240
<v Speaker 8>And so LLLL was coming to a place called forty

0:21:12.280 --> 0:21:15.439
<v Speaker 8>six or four Liberty Heights, and so I opened up

0:21:15.440 --> 0:21:20.080
<v Speaker 8>for l L No. I'm on, somebody pulled a gun.

0:21:20.200 --> 0:21:24.439
<v Speaker 8>They started shooting in there, and up in the judgment

0:21:24.520 --> 0:21:29.120
<v Speaker 8>with Tar, he said, yo, y'all crazy. I said, that's

0:21:29.280 --> 0:21:32.000
<v Speaker 8>you good, don't don't worry about it. So but not

0:21:32.080 --> 0:21:34.800
<v Speaker 8>just him, run DMC. I opened up for Salt and Pepper.

0:21:34.840 --> 0:21:39.399
<v Speaker 8>I opened up for Rob Base, Rob Base and the

0:21:39.520 --> 0:21:41.479
<v Speaker 8>vert I went on tour with. I mean like when

0:21:41.520 --> 0:21:43.080
<v Speaker 8>you when you talk about it, it's like, this is

0:21:43.080 --> 0:21:44.720
<v Speaker 8>why I know how to treat an artist, because I

0:21:44.760 --> 0:21:45.960
<v Speaker 8>know what it is. I know how I wanted to

0:21:45.960 --> 0:21:47.600
<v Speaker 8>be treated. Will Smith.

0:21:47.760 --> 0:21:50.440
<v Speaker 2>They actually they they would actually let.

0:21:50.280 --> 0:21:53.480
<v Speaker 8>You let me. I was big in the city quest

0:21:53.520 --> 0:21:59.879
<v Speaker 8>I was big, arena big throwing your hands in the air.

0:22:00.080 --> 0:22:00.800
<v Speaker 8>I was arena big.

0:22:03.119 --> 0:22:07.199
<v Speaker 1>Well, no, just like today artists, I mean not even today,

0:22:07.640 --> 0:22:10.800
<v Speaker 1>like you just come in, you get on the mic,

0:22:10.880 --> 0:22:13.200
<v Speaker 1>and then you out, like I can't remember the last

0:22:13.200 --> 0:22:18.040
<v Speaker 1>time the other big in I met little Brother because

0:22:18.080 --> 0:22:19.720
<v Speaker 1>like the Route show got rained out and I was like,

0:22:19.720 --> 0:22:21.240
<v Speaker 1>all right, let me walk in the audience and shake

0:22:21.280 --> 0:22:26.040
<v Speaker 1>some hands. When I was there, Yeah, I want to

0:22:26.080 --> 0:22:28.280
<v Speaker 1>got the demo and I wanted to tweet about it

0:22:28.359 --> 0:22:28.879
<v Speaker 1>or tweet it.

0:22:28.880 --> 0:22:33.400
<v Speaker 2>Well okay, playered about it. But I'm just.

0:22:33.359 --> 0:22:38.200
<v Speaker 1>Saying that what what made you well, not what made

0:22:38.240 --> 0:22:40.359
<v Speaker 1>you want to in your mind. Were you like, Okay,

0:22:40.359 --> 0:22:42.720
<v Speaker 1>I'm going to be a diplomat to these you know,

0:22:43.040 --> 0:22:46.399
<v Speaker 1>for the city and and give it these artists or

0:22:46.440 --> 0:22:48.960
<v Speaker 1>it was just like hip hop was so scarce in

0:22:49.040 --> 0:22:53.600
<v Speaker 1>the mid to late eighties that you just had to

0:22:53.600 --> 0:22:56.600
<v Speaker 1>know every MC or act that came down.

0:22:56.680 --> 0:23:00.040
<v Speaker 8>No, you know what, you know what it was, I

0:23:00.119 --> 0:23:02.040
<v Speaker 8>ran the streets, so it's like I knew everybody, and

0:23:02.080 --> 0:23:05.480
<v Speaker 8>then the promoters would tell artists, Hey, you're gonna do

0:23:05.480 --> 0:23:06.840
<v Speaker 8>the show where we got to put this group New

0:23:06.840 --> 0:23:10.520
<v Speaker 8>Marks on because they local, they're gonna bring about, you know,

0:23:11.000 --> 0:23:12.840
<v Speaker 8>tickets and things that, so you should put them on.

0:23:12.960 --> 0:23:16.120
<v Speaker 8>And the way we used to run because we DJ'ed

0:23:16.160 --> 0:23:18.040
<v Speaker 8>on the radio for four or five hours and we

0:23:18.160 --> 0:23:21.359
<v Speaker 8>used to do shows. We kind of like ran the

0:23:21.400 --> 0:23:23.040
<v Speaker 8>city when it came to music, you know what I mean.

0:23:23.080 --> 0:23:26.560
<v Speaker 8>So it's like they just loved having us open up.

0:23:26.560 --> 0:23:28.520
<v Speaker 8>And then me always treated it like a business, you

0:23:28.560 --> 0:23:30.200
<v Speaker 8>know what I mean. It wasn't about me hanging out

0:23:30.200 --> 0:23:33.080
<v Speaker 8>with people or just meeting somebody. I wanted to have

0:23:33.119 --> 0:23:36.160
<v Speaker 8>a value proposition, so I made sure when artists came

0:23:36.200 --> 0:23:39.240
<v Speaker 8>down that they felt like they got to be more love,

0:23:39.320 --> 0:23:40.720
<v Speaker 8>you know what I mean. It was something special about

0:23:40.720 --> 0:23:43.560
<v Speaker 8>them coming down. So one artists would tell another artist that, yo,

0:23:43.720 --> 0:23:46.280
<v Speaker 8>them kids, you got to they could take you where

0:23:46.320 --> 0:23:47.880
<v Speaker 8>you got to go. They can get you anything you want,

0:23:48.320 --> 0:23:51.560
<v Speaker 8>and they don't. So that was really my mindset.

0:23:51.320 --> 0:23:52.760
<v Speaker 2>Who always in New Mark. So who were the other

0:23:52.800 --> 0:23:53.440
<v Speaker 2>members of the group.

0:23:54.720 --> 0:23:57.720
<v Speaker 8>One of the original founders was DJ Spen. He still

0:23:57.720 --> 0:24:01.440
<v Speaker 8>plays house music today shout out to Spin and beat Master.

0:24:01.520 --> 0:24:03.800
<v Speaker 8>Moll was a kid named Wayne Mallory. He's married and

0:24:03.840 --> 0:24:07.600
<v Speaker 8>in Florida. Junie Jam was one of my neighbors and

0:24:07.640 --> 0:24:11.080
<v Speaker 8>his cousin Rod was Rod Rod and KG you know me.

0:24:11.400 --> 0:24:12.800
<v Speaker 8>So it was five. It was five of us. And

0:24:13.200 --> 0:24:18.840
<v Speaker 8>when it yeah, kind of, it was at the time

0:24:18.840 --> 0:24:21.679
<v Speaker 8>of I I can truly tell you man that you know,

0:24:21.760 --> 0:24:24.199
<v Speaker 8>being from Baltimore, and they had had a certain soundings

0:24:24.520 --> 0:24:27.560
<v Speaker 8>before the house music thing was hip hop and they

0:24:27.600 --> 0:24:30.399
<v Speaker 8>started to develop back I meant Crystal Waters and the

0:24:30.400 --> 0:24:33.239
<v Speaker 8>Basement Boys and all like. This was all stuff that

0:24:33.320 --> 0:24:36.400
<v Speaker 8>we did. I'm coming up. It was a place called

0:24:36.440 --> 0:24:40.720
<v Speaker 8>Paradox that people used to go to for for club music.

0:24:40.760 --> 0:24:43.719
<v Speaker 8>But then Frank Ski, which you know, you know, he

0:24:44.359 --> 0:24:49.480
<v Speaker 8>used to do this thing called Hammer Jacks. Hammer Jacks

0:24:49.600 --> 0:24:51.399
<v Speaker 8>was a club like it's like a house of blues,

0:24:51.440 --> 0:24:54.960
<v Speaker 8>but it was in Baltimore. And when I tell you,

0:24:55.080 --> 0:24:57.720
<v Speaker 8>we brought you know, and I started interning for Death Jam.

0:24:57.880 --> 0:25:01.360
<v Speaker 8>I brought everybody from DMX man Method Man Blah, blah

0:25:01.400 --> 0:25:04.600
<v Speaker 8>blah everybody as even when I became the president, but

0:25:04.640 --> 0:25:06.639
<v Speaker 8>everybody would come. We had to do Hamma Jacks. It

0:25:06.680 --> 0:25:08.879
<v Speaker 8>was like the spot in the city we had to do. So,

0:25:09.359 --> 0:25:11.239
<v Speaker 8>you know, although I was you know, I grew up

0:25:11.240 --> 0:25:15.280
<v Speaker 8>on the house, hip hop was always like part of it,

0:25:15.280 --> 0:25:17.000
<v Speaker 8>you know what I mean. So I always try to say, Yo, guys,

0:25:17.000 --> 0:25:20.399
<v Speaker 8>we really gotta gotta have that the edge with us,

0:25:20.440 --> 0:25:21.840
<v Speaker 8>that the thing with us, you know what I mean.

0:25:21.880 --> 0:25:23.320
<v Speaker 8>Even though I did the Girdy Knows true thing, it's

0:25:23.320 --> 0:25:25.679
<v Speaker 8>still like, you know, you gotta have that edge, you

0:25:25.680 --> 0:25:26.080
<v Speaker 8>know what I mean.

0:25:26.400 --> 0:25:28.919
<v Speaker 1>All Right, I want to let's let's bring up the

0:25:28.960 --> 0:25:33.600
<v Speaker 1>elephant in the room right now. Let's kid, all right, well,

0:25:33.720 --> 0:25:34.840
<v Speaker 1>let's play the elephant in the.

0:25:34.920 --> 0:25:35.440
<v Speaker 2>Room right now.

0:25:35.480 --> 0:25:37.080
<v Speaker 4>Oh, let's do it. So what are you doing that?

0:25:38.520 --> 0:25:41.040
<v Speaker 8>Well, a setback and thought about the things we used

0:25:41.080 --> 0:25:44.600
<v Speaker 8>to do together. They really meant a lot to me.

0:25:46.800 --> 0:25:51.200
<v Speaker 7>Yes, you know it's true.

0:25:53.920 --> 0:26:01.240
<v Speaker 1>No, even even though I've heard this on and off

0:26:03.160 --> 0:26:05.240
<v Speaker 1>since I found out that you were the author of

0:26:05.240 --> 0:26:09.840
<v Speaker 1>A Girl, you know it's true. But in preparing for

0:26:09.880 --> 0:26:14.960
<v Speaker 1>this interview and listening to it about a good three times,

0:26:15.560 --> 0:26:18.240
<v Speaker 1>that was a well crafted song.

0:26:18.440 --> 0:26:18.760
<v Speaker 8>Thank you.

0:26:18.880 --> 0:26:23.080
<v Speaker 1>Now this is the other thing, Uh, everyone knows about

0:26:23.080 --> 0:26:27.840
<v Speaker 1>my Soul Train addictions. And I happened to be watching

0:26:28.240 --> 0:26:32.960
<v Speaker 1>an eighty six episode of.

0:26:31.800 --> 0:26:33.160
<v Speaker 2>Soul Train with Star Point.

0:26:34.480 --> 0:26:37.560
<v Speaker 1>And Don and then we're talking about you know, they

0:26:37.600 --> 0:26:39.640
<v Speaker 1>were just making a big thing of Maryland and Baltimore

0:26:39.640 --> 0:26:41.240
<v Speaker 1>and everything, like you guys are the biggest thing to

0:26:41.240 --> 0:26:43.479
<v Speaker 1>come out there, and you know what I mean, they

0:26:43.480 --> 0:26:45.360
<v Speaker 1>were embellisting like, yeah, you know, we can't even walk

0:26:45.359 --> 0:26:46.080
<v Speaker 1>in the malls.

0:26:45.920 --> 0:26:46.880
<v Speaker 2>All people asked Bar.

0:26:49.920 --> 0:26:51.760
<v Speaker 1>And then May at the end of the interview they

0:26:51.760 --> 0:26:53.560
<v Speaker 1>were like, yeah, you know, we want to develop more

0:26:53.600 --> 0:26:56.159
<v Speaker 1>acts and everything. Like they really played it like they

0:26:56.200 --> 0:27:00.600
<v Speaker 1>were the bell, the ball of Baltimore area. And I mean,

0:27:00.680 --> 0:27:03.640
<v Speaker 1>you know, they had object they had hits. I think

0:27:04.160 --> 0:27:07.399
<v Speaker 1>they were the next show He Wants My Body? Or

0:27:07.520 --> 0:27:08.960
<v Speaker 1>what was the joint with Teddy Roley?

0:27:09.359 --> 0:27:12.000
<v Speaker 2>I want you? You want you don't?

0:27:12.440 --> 0:27:16.040
<v Speaker 1>You don't, I can't Teddy Roley produced their eighty A joints.

0:27:16.080 --> 0:27:22.000
<v Speaker 1>But my point was that, like, were there being as

0:27:22.040 --> 0:27:24.800
<v Speaker 1>though they were the biggest act of the eighties, Were

0:27:24.840 --> 0:27:27.200
<v Speaker 1>they at a presence at all in.

0:27:29.040 --> 0:27:31.880
<v Speaker 2>And were they at all in your radar like during

0:27:31.880 --> 0:27:32.560
<v Speaker 2>that time period?

0:27:32.640 --> 0:27:35.040
<v Speaker 8>So you. You want to hear the craziest thing. There's

0:27:35.080 --> 0:27:38.840
<v Speaker 8>a guy and stopped pointing in Kai, Yeah, Kai, did

0:27:40.240 --> 0:27:40.800
<v Speaker 8>I love you?

0:27:42.440 --> 0:27:43.479
<v Speaker 2>I wait what?

0:27:45.359 --> 0:27:47.119
<v Speaker 8>Seriously he wrote the lyric.

0:27:48.880 --> 0:27:49.760
<v Speaker 2>I love you.

0:27:53.000 --> 0:27:55.680
<v Speaker 7>Exclusive exclusive.

0:27:58.320 --> 0:28:02.560
<v Speaker 1>Wow, wait a minute. I I just thought my whole

0:28:02.560 --> 0:28:05.480
<v Speaker 1>point was that, like star Boy was really playing, like yeah,

0:28:05.520 --> 0:28:08.600
<v Speaker 1>we were thinking Baltimore. I didn't even know that y'all

0:28:08.600 --> 0:28:09.320
<v Speaker 1>cross baths.

0:28:09.359 --> 0:28:12.000
<v Speaker 8>I was just the did we cross bas Bill Petaway,

0:28:13.000 --> 0:28:16.919
<v Speaker 8>who works with Tim land Now, had this let's tell

0:28:16.920 --> 0:28:18.439
<v Speaker 8>you a little bit about the record, had this record

0:28:18.480 --> 0:28:21.879
<v Speaker 8>this track, and you know, I was a rapper, so

0:28:21.880 --> 0:28:24.240
<v Speaker 8>I wouldn't really didn't write the songs, so you know,

0:28:24.280 --> 0:28:28.040
<v Speaker 8>I do all that. But he said, yo, we probably

0:28:28.080 --> 0:28:30.160
<v Speaker 8>need Ki to help us to say ky. I didn't

0:28:30.200 --> 0:28:32.080
<v Speaker 8>really know like that, you know what I mean? So

0:28:32.600 --> 0:28:34.680
<v Speaker 8>he said yeah stop. I said, oh, okay, cool, I

0:28:34.720 --> 0:28:36.159
<v Speaker 8>think I some hits that this is right there. So

0:28:36.240 --> 0:28:39.120
<v Speaker 8>he wrote that part of the record and it's one

0:28:39.120 --> 0:28:41.800
<v Speaker 8>of the That's why I say the group I have

0:28:41.880 --> 0:28:44.080
<v Speaker 8>to give him pay respect. And the other other group

0:28:44.200 --> 0:28:46.840
<v Speaker 8>was rations you know what I mean. They the Drumma,

0:28:46.880 --> 0:28:49.440
<v Speaker 8>the drummer from RASCS was my engineer for my first album.

0:28:49.520 --> 0:28:51.280
<v Speaker 8>I mean, I actually made an album too, but I

0:28:51.320 --> 0:28:52.640
<v Speaker 8>think we can. You can look that up.

0:28:57.080 --> 0:28:59.040
<v Speaker 4>You recorded in the Oxen Hill, Maryland right.

0:28:58.960 --> 0:29:01.400
<v Speaker 8>Oxen Hill, Maryland Studio Records, yep.

0:29:02.320 --> 0:29:04.280
<v Speaker 4>The last record that was made in Auxton Hill, Maryland.

0:29:04.640 --> 0:29:07.600
<v Speaker 1>Last work, all right, I got to do more homework.

0:29:09.040 --> 0:29:11.400
<v Speaker 2>I have to do more homework. Yeah, actually.

0:29:14.120 --> 0:29:18.640
<v Speaker 1>We got it, don't We don't have a turn here

0:29:19.040 --> 0:29:24.640
<v Speaker 1>getting on war Yeah, shout out to Ard war So.

0:29:26.040 --> 0:29:31.760
<v Speaker 2>Explained to me the journey of Girl you not. It's true.

0:29:33.400 --> 0:29:38.080
<v Speaker 1>For our fans that are.

0:29:36.640 --> 0:29:41.280
<v Speaker 2>Born after nineteen it's a lot.

0:29:43.080 --> 0:29:47.120
<v Speaker 1>I mean, this song was bigger than life and basically

0:29:47.520 --> 0:29:52.080
<v Speaker 1>pretty much it was one of the biggest singles of

0:29:52.880 --> 0:29:57.240
<v Speaker 1>nineteen eighty eight for the Aristo label and caused an empire,

0:29:57.840 --> 0:30:01.600
<v Speaker 1>Like just the entire story, Like I want to know

0:30:01.640 --> 0:30:04.280
<v Speaker 1>the journey of the song, but then I just want

0:30:04.320 --> 0:30:08.720
<v Speaker 1>to know what your reaction was that you helped build

0:30:09.440 --> 0:30:12.800
<v Speaker 1>an empire and the fall of that empire and the

0:30:12.800 --> 0:30:16.040
<v Speaker 1>scandal that broke out, And I mean, how many times

0:30:16.120 --> 0:30:18.240
<v Speaker 1>were you like but that's me, Like how many people

0:30:18.240 --> 0:30:20.280
<v Speaker 1>came up to you, Like I thought you were a

0:30:20.280 --> 0:30:23.920
<v Speaker 1>gazillionaire because your song? First of all, why didn't you

0:30:24.560 --> 0:30:28.440
<v Speaker 1>or did you like, how close were you guys to

0:30:28.480 --> 0:30:32.840
<v Speaker 1>actually trying to bring this to a major or take

0:30:32.880 --> 0:30:35.840
<v Speaker 1>it to a major label. And cause it's a well

0:30:35.920 --> 0:30:39.280
<v Speaker 1>crafted song for a local record, it is a very

0:30:39.280 --> 0:30:40.160
<v Speaker 1>well crafted song.

0:30:40.240 --> 0:30:43.720
<v Speaker 8>So here's the thing. It was inspired by I Need Love.

0:30:44.320 --> 0:30:51.240
<v Speaker 8>I'm taught ell and I I wasn't doing it to

0:30:51.320 --> 0:30:53.280
<v Speaker 8>be a big artist like that, to be honest with you,

0:30:53.280 --> 0:30:55.480
<v Speaker 8>you know what I mean. I was doing it because

0:30:55.480 --> 0:30:55.840
<v Speaker 8>I like.

0:30:55.840 --> 0:30:59.120
<v Speaker 1>On purpose, or you just didn't think, oh, this song

0:30:59.160 --> 0:31:03.240
<v Speaker 1>could actually with one hundred kids through college.

0:31:02.960 --> 0:31:06.680
<v Speaker 8>Or honestly, it was just another another record. There's actually

0:31:06.880 --> 0:31:10.760
<v Speaker 8>another record I love more than it. But when creating

0:31:10.760 --> 0:31:12.520
<v Speaker 8>that record, I knew it was special. I knew it

0:31:12.560 --> 0:31:16.360
<v Speaker 8>was special. Every time we would play it, people would

0:31:16.400 --> 0:31:18.000
<v Speaker 8>just freak out over and then I knew when we

0:31:18.160 --> 0:31:21.880
<v Speaker 8>performed it, it's like the whole crowd saying yeah, I

0:31:21.920 --> 0:31:23.640
<v Speaker 8>knew it was special. So we sold like one hundred

0:31:23.640 --> 0:31:29.760
<v Speaker 8>thousand copies with Studio records. And I remember I'm home

0:31:29.960 --> 0:31:33.840
<v Speaker 8>chilling and with this girl and I said, they turn

0:31:33.920 --> 0:31:35.840
<v Speaker 8>the radio off, and she said, that's not the radio.

0:31:35.960 --> 0:31:37.400
<v Speaker 8>I said, what do you mean, it's not the radio off?

0:31:37.440 --> 0:31:40.080
<v Speaker 8>She said, no, I said, baby, it's the radio. I

0:31:40.080 --> 0:31:42.120
<v Speaker 8>don't have a video for the record. She said, I

0:31:42.160 --> 0:31:44.280
<v Speaker 8>know that's not you, but that's that's that's your record

0:31:44.360 --> 0:31:47.400
<v Speaker 8>right there. And it was really really performing my record.

0:31:47.640 --> 0:31:51.040
<v Speaker 8>That's how I found out on TV.

0:31:51.200 --> 0:31:54.960
<v Speaker 2>So so Frank Farion for those that don't know, going

0:31:55.000 --> 0:31:57.280
<v Speaker 2>in there. All right, So here's the deal.

0:31:57.400 --> 0:32:01.240
<v Speaker 1>So Frank Farian was a producer and a member of

0:32:01.280 --> 0:32:07.520
<v Speaker 1>a seventies funk outfit called Bonie M. Steve's laughing because

0:32:07.520 --> 0:32:10.880
<v Speaker 1>he knows the story I'm gonna tell. Side note, I

0:32:11.040 --> 0:32:15.040
<v Speaker 1>once thought I was hired to do a Bonie M

0:32:15.080 --> 0:32:17.560
<v Speaker 1>record in the late two thousand.

0:32:17.760 --> 0:32:21.040
<v Speaker 2>Then fucking around was Bonie James. Now I can't get

0:32:21.120 --> 0:32:24.360
<v Speaker 2>rid of him. He's my BF. But at the time

0:32:24.400 --> 0:32:26.840
<v Speaker 2>I thought I was doing a Bony M session. I

0:32:26.880 --> 0:32:29.840
<v Speaker 2>was like, wait a minute, it smooth jazz, like what.

0:32:31.520 --> 0:32:38.560
<v Speaker 1>Marcus Miller anyway, Yeah he I guess he heard this

0:32:38.680 --> 0:32:41.280
<v Speaker 1>on a German night club and an army base or

0:32:41.280 --> 0:32:41.720
<v Speaker 1>something like.

0:32:42.440 --> 0:32:50.360
<v Speaker 8>So. Unbeknownst to me, my label Studio Records, we're getting

0:32:50.360 --> 0:32:53.160
<v Speaker 8>calls off all over the world for Grave Nose True

0:32:53.320 --> 0:32:58.360
<v Speaker 8>the New Box right, and instead we want Chrysalis Records.

0:32:58.360 --> 0:33:00.840
<v Speaker 8>Came and said, we want to pick you guys up.

0:33:01.240 --> 0:33:02.520
<v Speaker 8>I didn't. This is I didn't. This is all I

0:33:02.520 --> 0:33:07.040
<v Speaker 8>found out afterwards through the court. And he he said, well,

0:33:08.240 --> 0:33:11.240
<v Speaker 8>I want money, and so he wanted to cash advance

0:33:11.240 --> 0:33:14.560
<v Speaker 8>and Bluebird, whoever the label was, gave him the money.

0:33:14.680 --> 0:33:17.200
<v Speaker 8>But Christlis wanted to develop the group, but he didn't

0:33:17.240 --> 0:33:20.920
<v Speaker 8>care about that part of it. He cared about getting money,

0:33:21.080 --> 0:33:21.480
<v Speaker 8>you know what I mean.

0:33:21.560 --> 0:33:23.960
<v Speaker 2>So the label you released it on, was it your label?

0:33:24.040 --> 0:33:24.400
<v Speaker 2>Per se?

0:33:25.000 --> 0:33:26.320
<v Speaker 8>No? No, no, okay.

0:33:26.360 --> 0:33:27.800
<v Speaker 2>So the person who's the head of.

0:33:27.720 --> 0:33:30.480
<v Speaker 8>The label at that time was a guy named Franco

0:33:30.720 --> 0:33:34.480
<v Speaker 8>something I forgot his name, okay, But he sold it

0:33:34.920 --> 0:33:38.840
<v Speaker 8>to Bluebird. Bluebird didn't distribute it through z y X

0:33:39.280 --> 0:33:46.320
<v Speaker 8>and the what do you call that? Denilux countries in

0:33:46.400 --> 0:33:48.320
<v Speaker 8>Japan and was on some label and France is on

0:33:48.360 --> 0:33:52.360
<v Speaker 8>some label. And in the club they were playing my

0:33:52.440 --> 0:33:57.520
<v Speaker 8>version of the record. And so C W Shaw, who

0:33:58.040 --> 0:34:01.200
<v Speaker 8>was an Army veteran, he was in the Army, he

0:34:01.280 --> 0:34:05.480
<v Speaker 8>sends me this long letter. You don't know me. I

0:34:05.560 --> 0:34:12.520
<v Speaker 8>actually sung your record and Milli Vanilli's singing, acting like

0:34:12.560 --> 0:34:15.880
<v Speaker 8>they singing. He actually I got a letter from C. W. Shaw,

0:34:15.920 --> 0:34:17.560
<v Speaker 8>who actually said I'm the voice.

0:34:17.600 --> 0:34:19.480
<v Speaker 2>So he's that guy that's singing and rapping.

0:34:19.280 --> 0:34:23.440
<v Speaker 8>From here from Houston. He said, I love you guys.

0:34:23.480 --> 0:34:26.399
<v Speaker 8>I love your version of it. They came and asked

0:34:26.440 --> 0:34:28.640
<v Speaker 8>me to re sing the record. He said, it's not

0:34:28.680 --> 0:34:31.160
<v Speaker 8>out yet. And so now this is when the record

0:34:31.200 --> 0:34:34.200
<v Speaker 8>is eighteen many copies and I'm working on the second album.

0:34:34.440 --> 0:34:37.720
<v Speaker 8>You know, I did, I did that one girls true,

0:34:38.280 --> 0:34:40.160
<v Speaker 8>what's my Diane Warren did blame it on the range.

0:34:40.200 --> 0:34:41.719
<v Speaker 8>So we think about what we're gonna do next with

0:34:41.760 --> 0:34:45.360
<v Speaker 8>the next album, and then the whole thing thing blew up.

0:34:45.360 --> 0:34:46.960
<v Speaker 8>You couldn't have wrote the story, you know what I mean.

0:34:46.960 --> 0:34:48.240
<v Speaker 8>You couldn't wrote the characters.

0:34:48.280 --> 0:34:50.359
<v Speaker 2>And so Diane Warren did blame it on the rain

0:34:50.480 --> 0:34:51.399
<v Speaker 2>on New Walks first.

0:34:51.440 --> 0:34:53.879
<v Speaker 8>No no, no, no, no no. I'm saying I met

0:34:53.920 --> 0:34:56.360
<v Speaker 8>her because I had Gery norstru which was the first single,

0:34:56.400 --> 0:34:57.719
<v Speaker 8>and she did blame it on the ring.

0:34:57.840 --> 0:35:00.360
<v Speaker 4>It was only one voice for that was one. I

0:35:00.400 --> 0:35:01.959
<v Speaker 4>didn't even realize that that was one man.

0:35:02.280 --> 0:35:04.440
<v Speaker 8>No, he did, he did, he did this. It was

0:35:04.440 --> 0:35:05.920
<v Speaker 8>really two of them, but I only know the one

0:35:06.840 --> 0:35:09.239
<v Speaker 8>uh c W shot so shout out. You know. He

0:35:09.520 --> 0:35:10.880
<v Speaker 8>told me about it, but I didn't know what was

0:35:10.920 --> 0:35:13.840
<v Speaker 8>going on. I was making money because I sued and

0:35:13.920 --> 0:35:16.680
<v Speaker 8>got my publishing and my writer stuff back.

0:35:16.920 --> 0:35:19.319
<v Speaker 2>I'm saying, like they didn't even clear it with you.

0:35:19.920 --> 0:35:24.120
<v Speaker 8>And I woke up a girl said, that's you on

0:35:24.160 --> 0:35:27.799
<v Speaker 8>the radio on the TV. That's how I found out,

0:35:27.840 --> 0:35:30.480
<v Speaker 8>and so I had to get a lawyer, like that's

0:35:30.520 --> 0:35:35.440
<v Speaker 8>my song. Yeah, hurt beyond. I wasn't. I wasn't mad.

0:35:35.480 --> 0:35:38.600
<v Speaker 8>It was that how can so, how can somebody do that? Like?

0:35:38.960 --> 0:35:40.800
<v Speaker 8>And it was that that moment that I said, I

0:35:40.840 --> 0:35:42.359
<v Speaker 8>don't want to be in the music business. I want

0:35:42.360 --> 0:35:44.120
<v Speaker 8>to be in the business of music. It was at

0:35:44.120 --> 0:35:46.239
<v Speaker 8>that moment and I changed everything the whole folk.

0:35:46.360 --> 0:35:49.360
<v Speaker 1>So that made you want to get behind the camera,

0:35:49.560 --> 0:35:53.280
<v Speaker 1>behind in the boardroom instead of in front of the microphones.

0:35:53.320 --> 0:35:55.160
<v Speaker 8>Yes, I never wanted to happen again. I never wanted

0:35:55.160 --> 0:35:56.680
<v Speaker 8>to happen to anybody again.

0:35:57.000 --> 0:35:59.239
<v Speaker 1>You know, you wanted to be this person because you

0:35:59.280 --> 0:36:06.000
<v Speaker 1>wanted to protect someone from getting ganked and and well

0:36:06.360 --> 0:36:09.719
<v Speaker 1>from the situation that happened to you.

0:36:09.880 --> 0:36:12.799
<v Speaker 8>Yes, yes, it really made me want love the bit

0:36:12.880 --> 0:36:15.840
<v Speaker 8>I started to see things differently than I would go

0:36:15.880 --> 0:36:18.600
<v Speaker 8>to a show and say, damn, that's a lot of

0:36:18.600 --> 0:36:21.839
<v Speaker 8>glows sticks. I wonder how much they cost? Damn the

0:36:21.880 --> 0:36:25.040
<v Speaker 8>tickets price is this? And I would start thinking the

0:36:25.080 --> 0:36:27.680
<v Speaker 8>business of everything around me. And so that's what made

0:36:27.719 --> 0:36:30.880
<v Speaker 8>me go back and said I'm an intern because I

0:36:30.880 --> 0:36:32.359
<v Speaker 8>didn't understand enough, you know what I mean?

0:36:32.560 --> 0:36:37.880
<v Speaker 1>How long for a situation like that, especially without the

0:36:37.920 --> 0:36:41.960
<v Speaker 1>internet or something to help rush the process of information?

0:36:42.920 --> 0:36:47.359
<v Speaker 1>I mean, how long was it of you crying wolf? Like, wait,

0:36:47.440 --> 0:36:51.160
<v Speaker 1>I wrote this song, I wrote the song and getting

0:36:51.160 --> 0:36:55.920
<v Speaker 1>an answer and eventually getting to Clive Davis or like,

0:36:57.239 --> 0:37:01.680
<v Speaker 1>I can't even believe that they would be so careless

0:37:01.840 --> 0:37:06.480
<v Speaker 1>as to release a song, markt a song, sell the

0:37:06.520 --> 0:37:09.120
<v Speaker 1>song without checking to see, if.

0:37:09.960 --> 0:37:11.520
<v Speaker 2>You know, do some research everything.

0:37:11.560 --> 0:37:14.640
<v Speaker 1>I'm clear, it's like with us, like even a minuscule

0:37:14.760 --> 0:37:17.000
<v Speaker 1>sample is a wait that laughing and mirror?

0:37:17.000 --> 0:37:19.720
<v Speaker 2>What's that laughing on that thing? Is that pink Floyd?

0:37:19.760 --> 0:37:24.600
<v Speaker 1>And you know, like you're you gotta So how long

0:37:24.719 --> 0:37:27.120
<v Speaker 1>was it from the moment you heard the record in.

0:37:27.160 --> 0:37:31.319
<v Speaker 2>Eighty eight till like they finally did right by you and.

0:37:31.360 --> 0:37:33.319
<v Speaker 8>Said, well, I don't think I don't think. I don't

0:37:33.320 --> 0:37:36.680
<v Speaker 8>think people ever did did right by say you don't

0:37:36.840 --> 0:37:38.680
<v Speaker 8>when you do right. You do right when you have

0:37:38.719 --> 0:37:40.799
<v Speaker 8>to sue, that's not doing right, you know what I mean.

0:37:40.840 --> 0:37:45.040
<v Speaker 2>So, oh so that was the last resort. Did you say.

0:37:44.960 --> 0:37:45.840
<v Speaker 8>That was the first resort?

0:37:46.360 --> 0:37:47.279
<v Speaker 2>Oh? You just okay?

0:37:47.360 --> 0:37:51.360
<v Speaker 8>I'm phil Asbury. Shout out to phil Asbury, Philadelphia.

0:37:51.040 --> 0:37:52.200
<v Speaker 4>Philadelphia International.

0:37:53.040 --> 0:37:56.520
<v Speaker 8>Phil Asbury showed them what it is to be you know,

0:37:57.040 --> 0:37:59.759
<v Speaker 8>don't don't mess with kids, because I was when I

0:37:59.760 --> 0:38:03.160
<v Speaker 8>wrote the record. I think I was sixteen, version was

0:38:03.360 --> 0:38:07.440
<v Speaker 8>eighty eighty seven seven. I don't even remember, since you're

0:38:07.480 --> 0:38:09.359
<v Speaker 8>right on my record, that was when the album came out.

0:38:09.800 --> 0:38:12.839
<v Speaker 8>Oh okay, so I'm not sure. I'm not somewhere around there.

0:38:13.160 --> 0:38:15.400
<v Speaker 8>I think I wrote it though in eighty three. Wow,

0:38:15.600 --> 0:38:20.520
<v Speaker 8>originally me and my partner and you know, just a

0:38:20.560 --> 0:38:22.359
<v Speaker 8>weird time. But I never I didn't. I didn't play

0:38:22.360 --> 0:38:24.760
<v Speaker 8>with it though. It wasn't It wasn't. It was something

0:38:24.840 --> 0:38:28.759
<v Speaker 8>I felt like, like you said, y' y'all had audacity

0:38:28.840 --> 0:38:30.880
<v Speaker 8>to not check do it?

0:38:31.280 --> 0:38:31.320
<v Speaker 4>So?

0:38:31.520 --> 0:38:32.600
<v Speaker 8>Eighteen million copies?

0:38:32.640 --> 0:38:34.520
<v Speaker 2>And then did they try to deny it?

0:38:35.760 --> 0:38:39.240
<v Speaker 8>No, you couldn't. No, they just well.

0:38:39.200 --> 0:38:41.600
<v Speaker 1>They said, we live in twenty sixteen, where the lies

0:38:41.640 --> 0:38:46.080
<v Speaker 1>of the truth, we are not sixteen at least right

0:38:46.200 --> 0:38:52.720
<v Speaker 1>the lover course, So seventeen seventeen, John seventeen, it's definitely February.

0:38:52.920 --> 0:38:55.239
<v Speaker 2>I forgot where we were. No, I'm just saying, you know,

0:38:55.280 --> 0:38:56.240
<v Speaker 2>the lie could be the truth.

0:38:56.280 --> 0:39:00.359
<v Speaker 1>And you know, Black Heaven Baltimore says, we stole song

0:39:00.480 --> 0:39:01.880
<v Speaker 1>like we're we're an empire.

0:39:02.200 --> 0:39:04.640
<v Speaker 8>It was a little bit and listen at a shout

0:39:04.640 --> 0:39:08.239
<v Speaker 8>out to Cloud and it was never I never faulted them.

0:39:08.280 --> 0:39:11.799
<v Speaker 8>I always fault at Frank Ferrion. I always faulted uh,

0:39:12.239 --> 0:39:16.120
<v Speaker 8>Steve Franco, the owner of Studio Records, because I might

0:39:16.200 --> 0:39:18.560
<v Speaker 8>be sitting here as an artist. You know what I mean,

0:39:18.600 --> 0:39:20.600
<v Speaker 8>if they would have did the right thing, you know

0:39:20.640 --> 0:39:22.919
<v Speaker 8>what I mean, I could have never did for Gerdyos true,

0:39:22.920 --> 0:39:25.440
<v Speaker 8>what Billivy nearly did for Gerdios true. You know what

0:39:25.440 --> 0:39:27.880
<v Speaker 8>I mean. I'm not wearing tight pants, i ain't jumping

0:39:27.960 --> 0:39:31.719
<v Speaker 8>up like that. I'm not doing this and all that.

0:39:31.760 --> 0:39:35.440
<v Speaker 8>Those things that happened, and so I think God made that.

0:39:35.480 --> 0:39:37.640
<v Speaker 2>If anything, this is kind of a blessing in disgust.

0:39:37.960 --> 0:39:40.200
<v Speaker 8>It was, and I always tell people, if I had

0:39:40.200 --> 0:39:42.319
<v Speaker 8>to do it all over again, I would allow it

0:39:42.360 --> 0:39:44.799
<v Speaker 8>to happen because a lot of things came up and

0:39:44.840 --> 0:39:46.600
<v Speaker 8>I made a lot of money at a young age

0:39:47.160 --> 0:39:50.320
<v Speaker 8>off the record, I traveled the world. Off of the record,

0:39:50.400 --> 0:39:53.440
<v Speaker 8>I opened up for people who eventually were signed to me.

0:39:54.719 --> 0:40:00.239
<v Speaker 8>Depth there I developed friendships that to this day we're

0:40:00.280 --> 0:40:04.120
<v Speaker 8>raising kids. Now you know what I mean. I've became

0:40:04.400 --> 0:40:07.120
<v Speaker 8>the I became an intern and was ab come to

0:40:07.160 --> 0:40:10.759
<v Speaker 8>president in seven years of Deftem because I knew how

0:40:10.920 --> 0:40:13.760
<v Speaker 8>artists should be treated because I was one. I traveled,

0:40:13.760 --> 0:40:16.239
<v Speaker 8>I did did everything that they could do. So to me,

0:40:16.920 --> 0:40:19.840
<v Speaker 8>why would I want to write it differently? I couldn't.

0:40:19.960 --> 0:40:22.319
<v Speaker 8>I couldn't imagine doing nothing. Yea, it's still the next

0:40:22.320 --> 0:40:29.960
<v Speaker 8>one too, if you want. You know, all right, this

0:40:30.000 --> 0:40:30.920
<v Speaker 8>is quest of Supreme.

0:40:30.960 --> 0:40:32.799
<v Speaker 1>We're here with Kevin Lyles and he's telling us the

0:40:32.840 --> 0:40:35.520
<v Speaker 1>story behind the song he co wrote called Girl.

0:40:35.560 --> 0:40:36.240
<v Speaker 2>You know it's true?

0:40:37.400 --> 0:40:42.360
<v Speaker 1>So am I to assume that Newmark's kind of imploded

0:40:42.400 --> 0:40:45.600
<v Speaker 1>around this time as well? And nah, so you guys

0:40:45.640 --> 0:40:48.440
<v Speaker 1>still went strong, Like how long did the group last time?

0:40:48.480 --> 0:40:51.480
<v Speaker 8>Well, we went from five members down to three members

0:40:51.680 --> 0:40:55.160
<v Speaker 8>and it became me and uh Rod and DJ Spin

0:40:55.880 --> 0:41:01.400
<v Speaker 8>and we started to do quote unquote more uh Baltimore

0:41:01.719 --> 0:41:04.200
<v Speaker 8>music along with hip hop stuff that I like. There's

0:41:04.239 --> 0:41:06.040
<v Speaker 8>a record that we put out on we put our

0:41:06.040 --> 0:41:07.680
<v Speaker 8>own label because we had a little money then called

0:41:07.719 --> 0:41:10.239
<v Speaker 8>Max Brothers Records, And there was a record we put

0:41:10.239 --> 0:41:13.120
<v Speaker 8>out called drop Down to Your Knees and a record

0:41:13.320 --> 0:41:15.640
<v Speaker 8>we called do You Want To? And they were to

0:41:15.719 --> 0:41:18.880
<v Speaker 8>probably the last records that I made, But we kept

0:41:18.920 --> 0:41:21.520
<v Speaker 8>going and doing it and then again.

0:41:21.600 --> 0:41:22.560
<v Speaker 2>Or what made you?

0:41:22.600 --> 0:41:25.279
<v Speaker 1>Well, what was the deciding factor of this straw that

0:41:25.320 --> 0:41:28.000
<v Speaker 1>broke the camel's back, Like maybe this isn't the route

0:41:28.040 --> 0:41:30.400
<v Speaker 1>to take and I should do something else.

0:41:34.520 --> 0:41:37.319
<v Speaker 8>The Milli Vanilla, the middle of Vanilli thing really paid

0:41:37.480 --> 0:41:41.480
<v Speaker 8>played a role in it. But then the internship at

0:41:41.520 --> 0:41:43.400
<v Speaker 8>Deaf Jam.

0:41:43.800 --> 0:41:45.000
<v Speaker 2>Yeah, so how does that happen?

0:41:45.080 --> 0:41:52.359
<v Speaker 1>Like you're at least a a compensated, established figure and

0:41:53.000 --> 0:41:55.120
<v Speaker 1>how did you How did you get in the sights

0:41:55.120 --> 0:41:57.840
<v Speaker 1>of Russell Simmons for him to say you're going to

0:41:57.920 --> 0:42:00.799
<v Speaker 1>work in the mail room? Was it just a job

0:42:01.000 --> 0:42:03.239
<v Speaker 1>test for you? Like, no, I'm going to start you

0:42:03.280 --> 0:42:07.560
<v Speaker 1>at the very bottom and literally remember Jack the rapper? Yes,

0:42:08.280 --> 0:42:11.160
<v Speaker 1>remember impact on concerts. I used to go there and

0:42:11.200 --> 0:42:15.560
<v Speaker 1>be the mad rapper. Why I know I want to

0:42:15.560 --> 0:42:17.799
<v Speaker 1>sign me? I sold records I did this, y'all know.

0:42:17.840 --> 0:42:20.719
<v Speaker 1>That's why I was mad, you know. And then I

0:42:20.800 --> 0:42:27.360
<v Speaker 1>ran into uh my mentor, Wes Johnson, God rest his soul.

0:42:27.640 --> 0:42:30.920
<v Speaker 8>West says cab man. You know when I was in

0:42:31.000 --> 0:42:32.919
<v Speaker 8>Baltimore used to play your records. I said, yeah, West,

0:42:32.920 --> 0:42:34.520
<v Speaker 8>I know you used to play my records. You know me?

0:42:34.840 --> 0:42:37.239
<v Speaker 8>He said, you know, I'm the senior vice president of

0:42:37.239 --> 0:42:39.600
<v Speaker 8>marketing promotions for death Jam. Now I said, get out

0:42:39.640 --> 0:42:41.759
<v Speaker 8>of here. I said, well, sign me to death Jam.

0:42:42.239 --> 0:42:45.040
<v Speaker 8>He said, I on really sign them in promotions. I said, well,

0:42:45.080 --> 0:42:47.400
<v Speaker 8>give me a job. He said no, but you can

0:42:47.480 --> 0:42:51.200
<v Speaker 8>in turn. Now what you said, I was making money, okay,

0:42:51.520 --> 0:42:59.799
<v Speaker 8>I said, intern in turn deaf Jam intern Cool. So

0:43:00.040 --> 0:43:03.319
<v Speaker 8>Wes Johnson said, you know what I'm had this guy inter.

0:43:03.440 --> 0:43:06.439
<v Speaker 8>He said, By the way, we're hiring a guy named

0:43:06.520 --> 0:43:08.160
<v Speaker 8>Kevin Mitchell from Boston.

0:43:08.520 --> 0:43:10.040
<v Speaker 2>Vin Mitchell. I'm kidding.

0:43:10.040 --> 0:43:14.080
<v Speaker 8>This is that Yes, a guy from Boston, and we're

0:43:14.120 --> 0:43:17.960
<v Speaker 8>gonna put him in the mid Atlantic. We like him. Uh,

0:43:18.080 --> 0:43:19.239
<v Speaker 8>and you can intern for him.

0:43:19.360 --> 0:43:22.400
<v Speaker 2>So I said, you were Kevin Mitchell's intern.

0:43:22.600 --> 0:43:25.320
<v Speaker 8>Kevin Mitchell's interns Mitchell.

0:43:25.440 --> 0:43:27.480
<v Speaker 2>Kevin, all right, I'm thinking the same thing.

0:43:27.480 --> 0:43:29.520
<v Speaker 1>He's gonna let you know, Kevin Mitchell was but for

0:43:29.600 --> 0:43:33.000
<v Speaker 1>the roots if you know, of course, like no roots

0:43:33.000 --> 0:43:36.799
<v Speaker 1>are listening to my radio show, so I will tell

0:43:36.840 --> 0:43:40.680
<v Speaker 1>them about this. When we signed to Geffen, I mean

0:43:40.760 --> 0:43:42.799
<v Speaker 1>basically because.

0:43:42.480 --> 0:43:45.880
<v Speaker 2>There was no staff, but they had millions.

0:43:47.880 --> 0:43:51.160
<v Speaker 1>They did some unheard of shit was basically, here, you

0:43:51.200 --> 0:43:53.600
<v Speaker 1>take the credit cards, show us the receipts.

0:43:53.680 --> 0:43:54.640
<v Speaker 2>Don't overspend.

0:43:54.840 --> 0:43:57.840
<v Speaker 1>Like again, you know, Dale's record was made for like

0:43:57.880 --> 0:44:01.160
<v Speaker 1>twenty thousand, ciper Seals records made for like sixty thousand.

0:44:01.440 --> 0:44:03.200
<v Speaker 2>They just gave us an open credit card.

0:44:03.800 --> 0:44:08.279
<v Speaker 1>And also like two employees from loud RCA and three

0:44:08.320 --> 0:44:12.840
<v Speaker 1>employees from deaf Jet, which were Francesca Spiro, Derreck Jackson,

0:44:13.280 --> 0:44:18.080
<v Speaker 1>and Kevin Mitchell, they would they would uh moonlight uh

0:44:18.560 --> 0:44:19.200
<v Speaker 1>with Geffen.

0:44:19.880 --> 0:44:22.400
<v Speaker 2>And my our experience with Kevin was that he was

0:44:22.440 --> 0:44:23.760
<v Speaker 2>mister McGoo. He was blind.

0:44:23.840 --> 0:44:27.800
<v Speaker 1>He was the cartoon figure that had thick bottle glasses

0:44:27.800 --> 0:44:30.680
<v Speaker 1>when he's driving. One night, he was just asleep at

0:44:30.680 --> 0:44:34.520
<v Speaker 1>the wheel and we were on the other side of

0:44:34.520 --> 0:44:36.400
<v Speaker 1>the road like in dumb and dumber, like he just

0:44:36.480 --> 0:44:40.000
<v Speaker 1>somehow wound up with oncoming traffic at three in the morning.

0:44:40.080 --> 0:44:43.520
<v Speaker 2>We woke up like like we were going to die.

0:44:43.560 --> 0:44:46.600
<v Speaker 1>So yes, But Kevin Mitchell's my man besides trying to

0:44:46.640 --> 0:44:49.880
<v Speaker 1>kill us, he was. He's a really great friend and

0:44:50.239 --> 0:44:52.920
<v Speaker 1>still a friend to us now. But you were his intern.

0:44:53.080 --> 0:44:55.840
<v Speaker 8>I was Kevin's intern. And it was so fun craziest

0:44:55.880 --> 0:44:57.840
<v Speaker 8>thing I've heard in my life. It was you you

0:44:58.239 --> 0:45:02.000
<v Speaker 8>love the story. So keV didn't know Baltimore whatever. So

0:45:02.120 --> 0:45:05.000
<v Speaker 8>keV h hissed me. He said, Wes West said, you're

0:45:05.000 --> 0:45:06.759
<v Speaker 8>gonna help me out. I said, yoh, yeah, whatever you need.

0:45:06.800 --> 0:45:08.960
<v Speaker 8>Wes my man. Now again, I'm making money. I'm good.

0:45:09.000 --> 0:45:12.319
<v Speaker 8>I ain't worried about it wasn't the money thing. So

0:45:12.800 --> 0:45:16.440
<v Speaker 8>Kevin called me and said, Yo, I'm downstairs at V

0:45:16.480 --> 0:45:19.759
<v Speaker 8>one o three, but I can't get upstairs. I said,

0:45:20.040 --> 0:45:22.680
<v Speaker 8>you can't get upstairs? So what you called me for?

0:45:22.680 --> 0:45:24.280
<v Speaker 8>He said, because your man is on Frank.

0:45:24.400 --> 0:45:24.919
<v Speaker 2>I said yeah.

0:45:24.960 --> 0:45:29.200
<v Speaker 8>I said, so you calling me to get you upstairs

0:45:29.239 --> 0:45:31.080
<v Speaker 8>and that's your job and they paying you to do this. Now,

0:45:31.080 --> 0:45:33.840
<v Speaker 8>I had a little attitude about it, I said, So

0:45:33.880 --> 0:45:36.080
<v Speaker 8>I called Frank Frank yo my man. He one of us.

0:45:36.080 --> 0:45:38.360
<v Speaker 8>He good and me and Frank Frank was my wedding.

0:45:38.400 --> 0:45:41.400
<v Speaker 8>That's my guy guy. So he he said, keV, I'll

0:45:41.400 --> 0:45:42.799
<v Speaker 8>see him whatever you want me to do, blah blah

0:45:42.800 --> 0:45:44.840
<v Speaker 8>blah this, And it was that moment where I always

0:45:44.840 --> 0:45:47.760
<v Speaker 8>paid respects to Kevin Mitchell. Kevin got on the conference

0:45:47.760 --> 0:45:49.760
<v Speaker 8>because he will let me listen on the conference calls

0:45:49.920 --> 0:45:56.239
<v Speaker 8>to learn. Kevin said, my intern is going to run

0:45:56.360 --> 0:45:59.839
<v Speaker 8>the company, and y'all gonna act crazy if y'all want,

0:45:59.880 --> 0:46:04.520
<v Speaker 8>because the ship he can pull off. Here I'm and

0:46:04.560 --> 0:46:08.080
<v Speaker 8>so that's really how he let me. He let me live,

0:46:08.480 --> 0:46:10.360
<v Speaker 8>and I did work, but he let me live, you know,

0:46:10.360 --> 0:46:10.840
<v Speaker 8>I mean.

0:46:10.680 --> 0:46:14.279
<v Speaker 1>All right, I'm gonna let you know something because most

0:46:14.280 --> 0:46:18.840
<v Speaker 1>of the industry folklore that at least people my age

0:46:18.920 --> 0:46:23.759
<v Speaker 1>know about is the story of Sean Combe's getting on

0:46:23.760 --> 0:46:26.560
<v Speaker 1>a train every day at Howard and going to New

0:46:26.640 --> 0:46:27.879
<v Speaker 1>York every day and you.

0:46:27.760 --> 0:46:30.759
<v Speaker 2>Know, uptown records blah blah blah blah blah. But I'm

0:46:30.760 --> 0:46:31.479
<v Speaker 2>gonna tell you something.

0:46:32.520 --> 0:46:37.680
<v Speaker 1>There's two stories I always heard that set or at

0:46:37.760 --> 0:46:42.200
<v Speaker 1>least set me on the path for how I dealt

0:46:42.280 --> 0:46:44.719
<v Speaker 1>with interns. You don't even know this. You don't even

0:46:44.760 --> 0:46:48.440
<v Speaker 1>know this one was you. You always heard stories of

0:46:48.520 --> 0:46:50.680
<v Speaker 1>James Brown. James Brown used to always tell like all

0:46:50.760 --> 0:46:54.680
<v Speaker 1>his band members, find the the the lowest.

0:46:54.880 --> 0:46:56.759
<v Speaker 2>He would call him the coffee boy, the water boy.

0:46:57.200 --> 0:46:59.520
<v Speaker 1>He says, they don't I guess the term intern wasn't

0:46:59.600 --> 0:47:02.279
<v Speaker 1>out back in the fifties or sixties, but James Brown

0:47:02.400 --> 0:47:05.080
<v Speaker 1>used to always say, find the coffee boy, the water boy,

0:47:05.200 --> 0:47:07.000
<v Speaker 1>and make him feel like he's on top of the world,

0:47:07.080 --> 0:47:09.960
<v Speaker 1>because one day, in twelve years, he's.

0:47:09.719 --> 0:47:10.920
<v Speaker 2>Going to be signing your checks.

0:47:12.920 --> 0:47:17.520
<v Speaker 1>My my an r Wendy Goldstein told me a story

0:47:17.880 --> 0:47:20.400
<v Speaker 1>where she was like, look, we're gonna have to do

0:47:20.440 --> 0:47:23.759
<v Speaker 1>real grassroots stuff. It's not gonna be glamorous whatever. You're

0:47:23.760 --> 0:47:26.319
<v Speaker 1>going to do these college radio shows and stuff, you know,

0:47:26.360 --> 0:47:27.840
<v Speaker 1>because then we had lofty goals.

0:47:28.080 --> 0:47:28.879
<v Speaker 2>It was ninety four.

0:47:29.160 --> 0:47:32.239
<v Speaker 1>You're seeing all these videos and everything, and you're like, well,

0:47:33.120 --> 0:47:35.680
<v Speaker 1>when's our hype William's video moment going to happen, and

0:47:36.120 --> 0:47:37.920
<v Speaker 1>you know, we're like nineteen to a van and all

0:47:37.920 --> 0:47:40.360
<v Speaker 1>that stuff. And she just told me like, look, patients,

0:47:40.719 --> 0:47:45.000
<v Speaker 1>stay the course and whatever you do, always be nice

0:47:45.040 --> 0:47:47.840
<v Speaker 1>to the interns and the lowly people because it's going

0:47:47.920 --> 0:47:50.520
<v Speaker 1>to pay off in ways you don't know. And she

0:47:50.600 --> 0:47:53.200
<v Speaker 1>told me a story. You know, Kevin Long, he wrote

0:47:53.239 --> 0:47:56.440
<v Speaker 1>col you know it's true and still was there. She

0:47:56.440 --> 0:47:59.000
<v Speaker 1>would tell me the stories of like, I guess your

0:47:59.080 --> 0:48:02.040
<v Speaker 1>reputation was that you would show up to work earlier

0:48:02.080 --> 0:48:03.840
<v Speaker 1>than anyone.

0:48:03.360 --> 0:48:07.399
<v Speaker 2>And lead the latest just to let them know. And

0:48:07.480 --> 0:48:11.600
<v Speaker 2>she told me that, and like that stuck with me.

0:48:11.680 --> 0:48:14.440
<v Speaker 1>It's not like I was like WHOA, Okay, well be

0:48:14.600 --> 0:48:17.160
<v Speaker 1>nice to but because it just always stuck with me.

0:48:17.840 --> 0:48:22.000
<v Speaker 2>And I'll say to this day, every CEO.

0:48:23.239 --> 0:48:25.399
<v Speaker 1>Or a head of a company that I've ever done

0:48:25.440 --> 0:48:28.760
<v Speaker 1>business with, at least in the last ten years between

0:48:29.160 --> 0:48:31.960
<v Speaker 1>two thousand and six and twenty sixteen, and I've done

0:48:32.040 --> 0:48:35.840
<v Speaker 1>a lot of business like pay my mom a house

0:48:35.880 --> 0:48:39.800
<v Speaker 1>off business, they it all starts with the same story

0:48:39.840 --> 0:48:42.040
<v Speaker 1>that I forget, which is, hey, I don't know you

0:48:42.040 --> 0:48:45.239
<v Speaker 1>don't remember this, but this is one time we were

0:48:45.239 --> 0:48:47.640
<v Speaker 1>at Brown University, and you know, I was interned at

0:48:47.640 --> 0:48:50.399
<v Speaker 1>this college media station and I asked you if I.

0:48:50.320 --> 0:48:51.000
<v Speaker 2>Could do an interview.

0:48:51.000 --> 0:48:54.359
<v Speaker 1>You gave me like a nine hour interview, only one

0:48:54.400 --> 0:48:55.239
<v Speaker 1>in five minutes and no.

0:48:55.239 --> 0:48:55.359
<v Speaker 3>No.

0:48:55.600 --> 0:49:00.800
<v Speaker 2>And that's because I always remember it really shocked the

0:49:00.880 --> 0:49:06.040
<v Speaker 2>host of the podcast. Yeah, well, I'm like, okay, I'm

0:49:06.120 --> 0:49:12.320
<v Speaker 2>I'm chatty, but I'm just saying that Heaven.

0:49:12.600 --> 0:49:16.759
<v Speaker 1>Kevin and Wendy and Franchessica and Derek like always tell

0:49:16.840 --> 0:49:19.440
<v Speaker 1>me make sure that when you go to these colleges

0:49:19.520 --> 0:49:22.000
<v Speaker 1>you treat the intern like that stuck with me and

0:49:22.040 --> 0:49:27.319
<v Speaker 1>you were like always their example. So I mean you

0:49:27.680 --> 0:49:32.480
<v Speaker 1>entered death Chamman in ninety one, ninety one, so this period.

0:49:33.239 --> 0:49:35.960
<v Speaker 2>Dark days Man, not quite. I feel like it was

0:49:36.000 --> 0:49:38.720
<v Speaker 2>the last. I feel like ninety one is the last

0:49:39.040 --> 0:49:43.520
<v Speaker 2>good year of the of the old death jam woman.

0:49:43.560 --> 0:49:43.680
<v Speaker 3>You know.

0:49:44.680 --> 0:49:46.719
<v Speaker 2>Yeah that was not for real, that was like the

0:49:46.840 --> 0:49:49.520
<v Speaker 2>classic logo death Jammy. That was the last period.

0:49:50.040 --> 0:49:53.960
<v Speaker 1>So when you were there, what were your duties as intern?

0:49:54.560 --> 0:49:57.239
<v Speaker 8>Well, you know, I was still in Baltimore, so was

0:49:57.360 --> 0:50:00.680
<v Speaker 8>whatever Kevin Mitchell needed, you know what I mean. And

0:50:00.840 --> 0:50:03.640
<v Speaker 8>at that time was Deaf Comedy Jam was coming and

0:50:03.719 --> 0:50:07.560
<v Speaker 8>all these things were being created and Fat Farm and all.

0:50:07.760 --> 0:50:10.680
<v Speaker 1>So so Russell's having you work all the products, not

0:50:11.040 --> 0:50:13.880
<v Speaker 1>just yeah. Yeah, it was to shut them down, remix

0:50:13.920 --> 0:50:15.279
<v Speaker 1>and make sure these DJs get it.

0:50:15.880 --> 0:50:19.960
<v Speaker 8>We used everything for everything. So we used to do

0:50:20.080 --> 0:50:23.360
<v Speaker 8>radio programs where we fly people into Deaf Comedy Jam.

0:50:23.600 --> 0:50:27.320
<v Speaker 8>So I flopped fire all the program directors, artists, everybody

0:50:27.360 --> 0:50:31.040
<v Speaker 8>in promotion. They wanted to close the wear so it

0:50:31.040 --> 0:50:33.920
<v Speaker 8>would give them fat fat farm. You know, so we

0:50:33.920 --> 0:50:36.920
<v Speaker 8>we did everything. It kept evolving, so it wasn't and

0:50:37.160 --> 0:50:39.200
<v Speaker 8>it wasn't work quest. To be honest with you, I

0:50:39.239 --> 0:50:39.840
<v Speaker 8>got to wear.

0:50:39.920 --> 0:50:42.680
<v Speaker 1>So you wanted to remember names and shake hands and

0:50:42.760 --> 0:50:43.480
<v Speaker 1>kiss babies.

0:50:43.560 --> 0:50:47.680
<v Speaker 8>And I wanted to make people feel like they met me,

0:50:48.760 --> 0:50:49.879
<v Speaker 8>not like they shook my hand.

0:50:50.880 --> 0:50:52.560
<v Speaker 2>But what was the end game for you?

0:50:53.640 --> 0:50:56.080
<v Speaker 1>Like back in ninety one, if you're like, Okay, I'm

0:50:56.120 --> 0:50:56.920
<v Speaker 1>meeting this figure and.

0:50:56.920 --> 0:50:58.000
<v Speaker 2>Da da da da da da da.

0:50:58.120 --> 0:51:00.239
<v Speaker 1>Are you singing down the line like one day I'll

0:51:00.280 --> 0:51:02.480
<v Speaker 1>start my own label or not.

0:51:02.760 --> 0:51:07.280
<v Speaker 8>I just I'm that's a different dude. If I'm cooking,

0:51:07.360 --> 0:51:10.160
<v Speaker 8>I want to make the best meal. If I'm intern,

0:51:10.239 --> 0:51:15.480
<v Speaker 8>I want to be the best intern. If I'm rapping,

0:51:15.520 --> 0:51:16.920
<v Speaker 8>I want to be the I just wanted to be

0:51:16.920 --> 0:51:19.480
<v Speaker 8>the best. So I never thought about being the president.

0:51:20.200 --> 0:51:22.880
<v Speaker 8>Do you think coming from Baltimore that I would be

0:51:22.920 --> 0:51:27.719
<v Speaker 8>the president CEO? No, nobody knew me. I don't have

0:51:27.760 --> 0:51:28.680
<v Speaker 8>family in any.

0:51:28.960 --> 0:51:33.200
<v Speaker 1>But the thing is that because you were kept because

0:51:33.280 --> 0:51:37.600
<v Speaker 1>that you were Kevin Mitchell's intern in ninety one, and

0:51:37.640 --> 0:51:40.560
<v Speaker 1>byen ninety nine you're the president of the damn label

0:51:41.600 --> 0:51:44.400
<v Speaker 1>that tells me that you had a.

0:51:44.440 --> 0:51:48.120
<v Speaker 2>Very marksmanlike determination and ambition.

0:51:48.840 --> 0:51:52.040
<v Speaker 1>I'm sorry where you well, No, no, no no, I don't

0:51:52.040 --> 0:51:54.839
<v Speaker 1>mean like a a scandalous way.

0:51:54.880 --> 0:51:56.680
<v Speaker 8>I'll give you some point. I never I never wanted

0:51:56.680 --> 0:51:57.280
<v Speaker 8>to be president.

0:51:57.840 --> 0:51:58.120
<v Speaker 2>I never.

0:51:58.280 --> 0:52:00.239
<v Speaker 8>I never knew what it was, to be honest, which

0:52:00.280 --> 0:52:02.320
<v Speaker 8>I never didn't know what it was. I thought Russell

0:52:02.360 --> 0:52:05.440
<v Speaker 8>would be there forever. I thought thought Leo would be that.

0:52:05.480 --> 0:52:08.160
<v Speaker 8>I never knew that was attainable from a kid from me.

0:52:08.400 --> 0:52:11.360
<v Speaker 2>But what told you, first of all is that folklore

0:52:11.360 --> 0:52:13.800
<v Speaker 2>I heard that was true. Mitchell would say.

0:52:13.640 --> 0:52:16.640
<v Speaker 1>Like you'd show up at eight in the morning like

0:52:16.840 --> 0:52:19.000
<v Speaker 1>most people get into ten eleven.

0:52:19.239 --> 0:52:19.920
<v Speaker 8>I'm serious.

0:52:20.880 --> 0:52:24.040
<v Speaker 1>So what tells you I need to be there at

0:52:24.280 --> 0:52:27.719
<v Speaker 1>eight thirty a m. Every day before everyone gets there.

0:52:28.400 --> 0:52:30.520
<v Speaker 8>I went to school to be an electrical engineer. My

0:52:30.560 --> 0:52:34.279
<v Speaker 8>scholarship was from Nassau. I wasn't playing with.

0:52:37.760 --> 0:52:39.839
<v Speaker 2>From Baltimore CPI.

0:52:41.200 --> 0:52:45.799
<v Speaker 8>No, I was. I was again I was. I guess

0:52:45.800 --> 0:52:47.359
<v Speaker 8>I was a cool NERD you know what I mean.

0:52:47.719 --> 0:52:50.280
<v Speaker 8>I always wanted to be the best, and I remember

0:52:50.680 --> 0:52:52.719
<v Speaker 8>when I came to death sand was the joke that

0:52:52.719 --> 0:52:54.560
<v Speaker 8>I would say, oh, come in when I came to

0:52:54.640 --> 0:52:57.440
<v Speaker 8>New York, and I'm like, why people come here at

0:52:57.480 --> 0:53:00.880
<v Speaker 8>ten thirty eleven o'clock You missed the radio station is

0:53:00.920 --> 0:53:02.520
<v Speaker 8>on twenty four hours a day, seven days a week.

0:53:02.719 --> 0:53:03.839
<v Speaker 2>Why you what you mean?

0:53:03.920 --> 0:53:05.560
<v Speaker 8>And then by the time you get there, get your coffee,

0:53:05.560 --> 0:53:09.200
<v Speaker 8>head of water cooler. Movement to lunch was there was there.

0:53:09.200 --> 0:53:15.280
<v Speaker 1>A teacher's pet kind of uh uh scarlet letter attached

0:53:15.320 --> 0:53:19.879
<v Speaker 1>to your shoulder, like you know, Kevin, like they us.

0:53:19.880 --> 0:53:22.000
<v Speaker 8>Look. They tried to throw me out the building a

0:53:22.000 --> 0:53:24.080
<v Speaker 8>couple of times. People would tell on me. I had

0:53:24.080 --> 0:53:27.759
<v Speaker 8>people flip over desk in front of me. I had

0:53:28.080 --> 0:53:33.000
<v Speaker 8>somebody tried to get me fired at Howard because I

0:53:33.080 --> 0:53:36.040
<v Speaker 8>left them because they were late and I had to

0:53:36.040 --> 0:53:38.839
<v Speaker 8>get the group to the radio station. So I don't

0:53:38.840 --> 0:53:42.360
<v Speaker 8>play that. I'm about the group doing what they're supposed

0:53:42.400 --> 0:53:43.759
<v Speaker 8>to do. So I left them. So they sent this

0:53:43.840 --> 0:53:45.880
<v Speaker 8>long letter, and so I had to be you know,

0:53:46.239 --> 0:53:48.480
<v Speaker 8>being an engineer, you know you you do weird stuff.

0:53:48.480 --> 0:53:50.560
<v Speaker 8>So I had to write a response to that letter.

0:53:52.040 --> 0:53:58.520
<v Speaker 8>Mine was like this this after every single thing it was,

0:53:59.080 --> 0:54:02.600
<v Speaker 8>you kept notes weirdo, I kept it was weird. Oh shit,

0:54:02.880 --> 0:54:04.680
<v Speaker 8>you know what I mean? But but I tell you,

0:54:04.719 --> 0:54:07.759
<v Speaker 8>but it taught me all the engineering I used to

0:54:07.840 --> 0:54:11.640
<v Speaker 8>manage a telemarketing office of four hundred people three different shifts.

0:54:12.000 --> 0:54:15.879
<v Speaker 8>Taught me how to rate, how to communicate. Engineering taught

0:54:15.880 --> 0:54:18.480
<v Speaker 8>me to be thoughtful, and being an artist that's taught

0:54:18.640 --> 0:54:21.279
<v Speaker 8>taught me how to treat people how you know I

0:54:21.320 --> 0:54:25.400
<v Speaker 8>want to be treated and so I would really work hard.

0:54:25.640 --> 0:54:27.239
<v Speaker 8>Like I said, it wasn't easy because they tried to

0:54:27.239 --> 0:54:30.440
<v Speaker 8>throw me out the building. I remember my first mistake,

0:54:30.520 --> 0:54:32.280
<v Speaker 8>well not my first stake, well one of the mistakes

0:54:32.280 --> 0:54:35.360
<v Speaker 8>they almost got me looked at crazy. I did a

0:54:35.400 --> 0:54:40.120
<v Speaker 8>show with Biggie Small's method Man, Redman, Onyx and somebody.

0:54:40.400 --> 0:54:43.120
<v Speaker 8>But I did it in a museum doing Howard Homecoming,

0:54:43.200 --> 0:54:49.400
<v Speaker 8>Oh logo on the building, Death College jam on the building.

0:54:51.160 --> 0:54:53.920
<v Speaker 8>Three hundred thousand dollars. Later, after they destroyed the place,

0:54:56.239 --> 0:55:00.399
<v Speaker 8>come on and I had to explain why I would

0:55:00.440 --> 0:55:05.200
<v Speaker 8>think doing a show in the museum displaying the rationale.

0:55:05.239 --> 0:55:07.360
<v Speaker 8>So I said, well, first off, nobody would throw a

0:55:07.400 --> 0:55:09.200
<v Speaker 8>show a museum, and I think hip hop is art.

0:55:09.400 --> 0:55:12.799
<v Speaker 8>Hip hop deserves to be in the museum. Secondly, I

0:55:12.840 --> 0:55:14.879
<v Speaker 8>feel like if you shine your logo like a bad

0:55:14.920 --> 0:55:17.120
<v Speaker 8>time people come to it, So I had two thousand

0:55:17.160 --> 0:55:20.520
<v Speaker 8>people out inside and another three thousand people outside. Thirdly,

0:55:20.920 --> 0:55:23.840
<v Speaker 8>I thought by having Biggie Smalls and method Man performed

0:55:23.840 --> 0:55:28.120
<v Speaker 8>the what for the first time had this opportunity that

0:55:28.160 --> 0:55:32.279
<v Speaker 8>I thought it would be a moment. The other time,

0:55:32.360 --> 0:55:39.600
<v Speaker 8>honest never been in the museum, so it was just

0:55:39.640 --> 0:55:43.359
<v Speaker 8>a moment of time. And and Leor said, what did

0:55:43.360 --> 0:55:45.640
<v Speaker 8>you learn? I said, I learned that I would do

0:55:45.680 --> 0:55:47.200
<v Speaker 8>it again, but I would have insurance.

0:55:48.640 --> 0:55:50.600
<v Speaker 4>And what does it feel like twenty years later when

0:55:50.840 --> 0:55:52.600
<v Speaker 4>Picasso Baby comes out and it's.

0:55:52.440 --> 0:55:55.719
<v Speaker 8>Like, I'm only I'm only telling you. Like I, it's like,

0:56:00.120 --> 0:56:03.279
<v Speaker 8>wanted to be That's not to interrupt you. Sorry, I

0:56:03.320 --> 0:56:05.520
<v Speaker 8>never wanted to be president. Matter of fact, in ninety

0:56:05.600 --> 0:56:07.319
<v Speaker 8>six they came to me and said, you know, we

0:56:07.360 --> 0:56:08.839
<v Speaker 8>want to make you president. I said, but I don't

0:56:08.840 --> 0:56:11.239
<v Speaker 8>know the world. I don't I don't how can I

0:56:11.280 --> 0:56:13.399
<v Speaker 8>be president? And I don't know the world. I don't

0:56:13.440 --> 0:56:16.000
<v Speaker 8>know what hip hop looks like in London or in Paris,

0:56:16.080 --> 0:56:18.160
<v Speaker 8>and in Japan, I don't really know what it looks like.

0:56:18.239 --> 0:56:21.520
<v Speaker 8>So I need more time. So then ninety seven came

0:56:21.560 --> 0:56:24.600
<v Speaker 8>around and it was like, yo, you really have to,

0:56:25.719 --> 0:56:28.800
<v Speaker 8>we really want to, you know, And then in ninety

0:56:28.800 --> 0:56:30.240
<v Speaker 8>eight I said, you know, I'm ready.

0:56:30.320 --> 0:56:35.640
<v Speaker 2>Now, Okay, there's a common denominator for this show.

0:56:36.480 --> 0:56:41.719
<v Speaker 1>We're still a baby, and I feel like next to

0:56:43.480 --> 0:56:47.920
<v Speaker 1>Stories of the Tunnel. For New York Rappers, the second

0:56:48.000 --> 0:56:54.320
<v Speaker 1>common denominator is the leor element, either imitating leor or

0:56:55.000 --> 0:56:55.760
<v Speaker 1>kind of.

0:56:55.719 --> 0:56:59.000
<v Speaker 2>What did Lee or leor yeah? Whatever has leor ever

0:56:59.040 --> 0:57:00.000
<v Speaker 2>thrown anything at you?

0:57:01.640 --> 0:57:04.080
<v Speaker 8>I don't believe you saying this question.

0:57:07.040 --> 0:57:07.840
<v Speaker 2>Over here. Question?

0:57:12.000 --> 0:57:17.560
<v Speaker 1>So of course you you got to work in uh

0:57:19.160 --> 0:57:25.480
<v Speaker 1>pre yoga, Russell's deaf jam, uh maybe lunch.

0:57:25.240 --> 0:57:27.560
<v Speaker 2>Throwing lee Or's deaf jam?

0:57:28.240 --> 0:57:33.920
<v Speaker 1>What was okay aside from working in Baltimore. I mean,

0:57:33.960 --> 0:57:36.480
<v Speaker 1>I'm sure there were a few times you stepped in

0:57:36.560 --> 0:57:38.920
<v Speaker 1>the actual building in New York Elizabeth.

0:57:39.440 --> 0:57:39.880
<v Speaker 2>I was there.

0:57:39.880 --> 0:57:42.680
<v Speaker 8>I was when Russell used to live on top of

0:57:42.720 --> 0:57:43.760
<v Speaker 8>Tower records. You know what I mean.

0:57:43.880 --> 0:57:45.480
<v Speaker 2>I was, I was.

0:57:45.560 --> 0:57:48.240
<v Speaker 8>I was in Baltimore. But I was doing so well

0:57:48.360 --> 0:57:49.960
<v Speaker 8>that they would say, come up to New York and

0:57:50.040 --> 0:57:53.080
<v Speaker 8>help with this program, will help with this, or.

0:57:52.840 --> 0:57:54.600
<v Speaker 2>See you work outside of your markets.

0:57:55.360 --> 0:57:58.760
<v Speaker 8>Yo. I remember Mike Caser love my man. He said, Yo,

0:57:59.200 --> 0:58:03.520
<v Speaker 8>I don't have my life, and shit, can you come

0:58:03.600 --> 0:58:08.480
<v Speaker 8>up and get the eighteen passed the van and bring

0:58:08.480 --> 0:58:10.520
<v Speaker 8>Whodini down? Then you know who don He wasn't no

0:58:10.600 --> 0:58:14.000
<v Speaker 8>death Dann but we managed him rush. So I actually

0:58:14.040 --> 0:58:16.320
<v Speaker 8>drove up came to pick the group up in and

0:58:16.360 --> 0:58:18.000
<v Speaker 8>this is how like again I didn't have to do it,

0:58:18.040 --> 0:58:20.840
<v Speaker 8>I'm the intern, but it was a way for me

0:58:20.880 --> 0:58:23.439
<v Speaker 8>to meet who Deini get it in the rush, talk

0:58:23.480 --> 0:58:26.600
<v Speaker 8>tough and do something for somebody who was a friend

0:58:26.640 --> 0:58:28.840
<v Speaker 8>of mine. Gods, you know what I mean. So I

0:58:28.880 --> 0:58:30.240
<v Speaker 8>did that, you know what I mean? So to me,

0:58:30.280 --> 0:58:31.720
<v Speaker 8>it wasn't everything.

0:58:31.760 --> 0:58:35.360
<v Speaker 2>So what was what was the building? Like I try

0:58:35.400 --> 0:58:36.800
<v Speaker 2>to ask Faith.

0:58:36.920 --> 0:58:40.600
<v Speaker 1>I try to ask Faith Newman this question, and she's

0:58:40.720 --> 0:58:47.920
<v Speaker 1>rather diplomatic and not too descriptive. But I mean for

0:58:48.080 --> 0:58:50.800
<v Speaker 1>a person, and you know this is not this is

0:58:50.840 --> 0:58:52.600
<v Speaker 1>not about like throwing people under the bus or whatever.

0:58:52.720 --> 0:58:57.640
<v Speaker 1>But it's just that I've heard so many stories of

0:58:57.760 --> 0:59:04.040
<v Speaker 1>like deaf jam but between eighty five in ninety or

0:59:04.160 --> 0:59:08.560
<v Speaker 1>pre PolyGram so ninety one ninety two, the Christmas parties,

0:59:08.640 --> 0:59:12.720
<v Speaker 1>the you know which which model is now working in

0:59:13.280 --> 0:59:19.280
<v Speaker 1>the room, you know, during the whole griff JDL situation

0:59:19.440 --> 0:59:21.240
<v Speaker 1>and all the guards that had to be out front

0:59:21.280 --> 0:59:25.800
<v Speaker 1>and all that stuff, and just like, what was it like,

0:59:26.000 --> 0:59:31.520
<v Speaker 1>give me a deaf jam, an old politically incorrect death jam.

0:59:31.640 --> 0:59:38.480
<v Speaker 2>Story, like wow that you won't get arrested for a while.

0:59:39.880 --> 0:59:42.080
<v Speaker 8>Rock and roll? Man, I mean, I mean, every every

0:59:42.080 --> 0:59:48.040
<v Speaker 8>bit of everything you could imagine. I never really considered it.

0:59:48.040 --> 0:59:50.520
<v Speaker 8>It just it was. It was really. When I tell

0:59:50.560 --> 0:59:54.640
<v Speaker 8>you rock and roll, everything was happening that could ever happen.

0:59:56.760 --> 0:59:58.040
<v Speaker 8>I'm gonna give you a story. I'm just trying to

0:59:58.080 --> 0:59:58.800
<v Speaker 8>get you to.

0:59:58.840 --> 1:00:00.640
<v Speaker 2>The story said.

1:00:01.960 --> 1:00:04.880
<v Speaker 1>When when the roots finally got to like the industry,

1:00:05.680 --> 1:00:10.919
<v Speaker 1>everything just stopped, Like nineteen ninety five, everybody was like vegetarian.

1:00:10.400 --> 1:00:15.880
<v Speaker 2>Y'all missed the party, and you know the word platonic gotten.

1:00:15.960 --> 1:00:19.880
<v Speaker 1>It's just my paler over there.

1:00:19.960 --> 1:00:20.240
<v Speaker 2>You know.

1:00:21.720 --> 1:00:26.480
<v Speaker 8>Now listen, all like I say, is this there were

1:00:26.520 --> 1:00:33.440
<v Speaker 8>no rules, You were morally incorrect, period, This was nothing.

1:00:34.040 --> 1:00:36.360
<v Speaker 8>The only thing we would know we had to do

1:00:36.440 --> 1:00:39.920
<v Speaker 8>was work hard. That's what the mindset was. Work harder

1:00:39.920 --> 1:00:44.800
<v Speaker 8>than anybody else. But when I tell you, sodam more,

1:00:48.200 --> 1:00:51.320
<v Speaker 8>I'd have seen so much stuff. And but it's understand

1:00:51.320 --> 1:00:55.040
<v Speaker 8>we were kids too, so we and with money and

1:00:55.160 --> 1:00:57.920
<v Speaker 8>you know, growing and people having people growing up together.

1:00:57.920 --> 1:01:00.720
<v Speaker 8>I got I have friends. So I've been to me

1:01:00.760 --> 1:01:05.840
<v Speaker 8>and Learr's twenty five years now, so he was twenty three, no,

1:01:06.320 --> 1:01:08.960
<v Speaker 8>thirty somewhere around there and I was twenty three.

1:01:10.200 --> 1:01:13.960
<v Speaker 1>Would you think you weren't intimidated about Leor? Because I

1:01:14.000 --> 1:01:17.240
<v Speaker 1>even the even people that love and respect, even people

1:01:17.280 --> 1:01:21.520
<v Speaker 1>that respect Leor, if I first, if I gained the

1:01:21.600 --> 1:01:24.600
<v Speaker 1>trust and first mentioned his name, I mean, at least

1:01:24.640 --> 1:01:30.480
<v Speaker 1>a minuscule eye roll happens like Leor, Like the thing

1:01:30.520 --> 1:01:34.240
<v Speaker 1>is like people have their Have you dealt with Leor

1:01:34.320 --> 1:01:35.280
<v Speaker 1>when you guys were Atlantic?

1:01:35.440 --> 1:01:35.800
<v Speaker 8>We did.

1:01:36.000 --> 1:01:39.280
<v Speaker 2>We had a meeting with him. Uh it was interesting,

1:01:40.640 --> 1:01:43.120
<v Speaker 2>you know, I be real with you like I mean,

1:01:43.680 --> 1:01:45.280
<v Speaker 2>and I hopefully we haven't on the show. He probably

1:01:45.480 --> 1:01:47.959
<v Speaker 2>remember the joint. But for me, my meeting with Leo

1:01:48.200 --> 1:01:50.040
<v Speaker 2>was very much to bring it back to the wire.

1:01:50.480 --> 1:01:54.880
<v Speaker 2>It was the canard that's Omar. That was my moment.

1:01:54.960 --> 1:01:57.840
<v Speaker 2>I was, it was like that's Omar because to me,

1:01:58.120 --> 1:02:00.960
<v Speaker 2>like he was like we were talking about it was

1:02:01.000 --> 1:02:03.000
<v Speaker 2>around the town when our album, I think Mitchell Show

1:02:03.040 --> 1:02:06.320
<v Speaker 2>had just came out, and so we had a meeting

1:02:06.480 --> 1:02:09.040
<v Speaker 2>with him and it was just very impromptble. We were

1:02:09.080 --> 1:02:11.320
<v Speaker 2>just like in the hallway and he was like eating

1:02:11.360 --> 1:02:13.240
<v Speaker 2>a sandwich or something and he was just kind of

1:02:13.240 --> 1:02:16.600
<v Speaker 2>standing up. And you know, again from seeing him like

1:02:16.600 --> 1:02:19.080
<v Speaker 2>in documentaries and stuff, he's like a very like intense,

1:02:19.120 --> 1:02:21.000
<v Speaker 2>like he looks like that kind of guy. But then

1:02:21.040 --> 1:02:23.080
<v Speaker 2>I met him and he was just like, oh, yes,

1:02:23.160 --> 1:02:26.040
<v Speaker 2>so Kanye Drife slow. I loved that song, like I

1:02:26.120 --> 1:02:29.280
<v Speaker 2>left Kanye and I was just like, oh, yeah, that's

1:02:29.320 --> 1:02:32.160
<v Speaker 2>a cool song. But our album about come out a nigga,

1:02:32.160 --> 1:02:35.280
<v Speaker 2>what You're gonna do? And so it was just you

1:02:35.360 --> 1:02:37.280
<v Speaker 2>know whatever. I remember it was me, it was it

1:02:37.280 --> 1:02:38.520
<v Speaker 2>was all of us. It was three of us, me,

1:02:38.640 --> 1:02:42.480
<v Speaker 2>Poo and Knife and manager though, and then James Lopez

1:02:42.640 --> 1:02:45.520
<v Speaker 2>who used to be and he was there. Yeah, and

1:02:45.600 --> 1:02:48.600
<v Speaker 2>so we just had that brief interaction and then we

1:02:48.640 --> 1:02:50.520
<v Speaker 2>walked off and I remember asking James, I said, man,

1:02:50.560 --> 1:02:53.280
<v Speaker 2>what do you think that is what just happened? Yeah,

1:02:53.320 --> 1:02:54.400
<v Speaker 2>I was like, what do you think is gonna mean?

1:02:54.520 --> 1:02:57.280
<v Speaker 2>He was just like, man, I don't know. And that

1:02:57.400 --> 1:02:58.920
<v Speaker 2>was it, you know what I'm saying. But that was

1:02:58.920 --> 1:03:01.360
<v Speaker 2>the only real time I had had amusement. But the

1:03:01.360 --> 1:03:04.040
<v Speaker 2>times I had just that one instance and then he

1:03:04.120 --> 1:03:05.880
<v Speaker 2>came to our show the opening night we did it,

1:03:06.000 --> 1:03:08.960
<v Speaker 2>uh at bb King's. Uh, there was like a released

1:03:09.600 --> 1:03:11.440
<v Speaker 2>party or something like that. I can't remember, but we

1:03:11.320 --> 1:03:13.360
<v Speaker 2>were on tour when the album just came out, and

1:03:13.440 --> 1:03:16.360
<v Speaker 2>I mean sold out show. How many minutes? How many

1:03:16.400 --> 1:03:19.320
<v Speaker 2>minutes did he stay? Yeah, I want to say he

1:03:19.480 --> 1:03:22.120
<v Speaker 2>stayed for like a good he stayed. Maybe called like

1:03:22.120 --> 1:03:23.880
<v Speaker 2>the opening set. He probably be called like the first

1:03:23.880 --> 1:03:27.040
<v Speaker 2>like fifteen to twenty minutes. Wow, I think yeah, because he

1:03:27.120 --> 1:03:29.320
<v Speaker 2>you want to know my death jam president minute?

1:03:30.480 --> 1:03:31.200
<v Speaker 8>I love a minute.

1:03:37.760 --> 1:03:41.360
<v Speaker 2>I think. I think jay Z and Beyonce watched one

1:03:41.520 --> 1:03:52.280
<v Speaker 2>verse ship and I turned you know, black man, what happened?

1:03:52.680 --> 1:03:55.360
<v Speaker 2>You said? I can't. Yeah, yeah, they Yeah, they came,

1:03:55.440 --> 1:03:57.160
<v Speaker 2>he gave. I want to say, I don't know if

1:03:57.200 --> 1:03:59.160
<v Speaker 2>you were there. I know the time that me and

1:03:59.280 --> 1:04:01.960
<v Speaker 2>Kevin it was when we did the Uh it was

1:04:02.000 --> 1:04:04.480
<v Speaker 2>a listening part and it was somewhere downtown. I can't remember,

1:04:04.720 --> 1:04:08.240
<v Speaker 2>but apparently, like I remember, the fire alarms kept going

1:04:08.280 --> 1:04:10.000
<v Speaker 2>off that night and we had to cut it short.

1:04:10.160 --> 1:04:12.200
<v Speaker 2>But Uh, that was the first time that me and

1:04:12.240 --> 1:04:14.400
<v Speaker 2>you had met outside the office, and I remember you

1:04:14.440 --> 1:04:17.000
<v Speaker 2>came up and uh, but yeah, I mean my time

1:04:17.040 --> 1:04:20.120
<v Speaker 2>working with him. Again, this is post ninety. You know,

1:04:20.160 --> 1:04:23.520
<v Speaker 2>everybody you know, stop start doing yoga, stop doing cocing shit.

1:04:23.640 --> 1:04:24.320
<v Speaker 2>So it's different.

1:04:24.760 --> 1:04:31.080
<v Speaker 1>But so wait if you if you're just shooting in

1:04:31.080 --> 1:04:32.480
<v Speaker 1>the request love Supremum, been doing.

1:04:32.520 --> 1:04:33.520
<v Speaker 2>We're here with Kevin Lownes.

1:04:33.880 --> 1:04:33.960
<v Speaker 3>Uh.

1:04:34.040 --> 1:04:37.320
<v Speaker 2>We're trying to get uh le Or Cohen stories.

1:04:38.120 --> 1:04:43.320
<v Speaker 1>The thing is, I you know, I respect Leor. I know,

1:04:43.440 --> 1:04:47.080
<v Speaker 1>like it's basically I've heard everything about le Or Cohen.

1:04:47.760 --> 1:04:50.360
<v Speaker 1>He's liar Cohen, or he's an asshole, or he's a

1:04:50.400 --> 1:04:53.480
<v Speaker 1>good businessman, or he's honest with you. I mean, I

1:04:53.520 --> 1:04:58.280
<v Speaker 1>respect because the people in my circle are so blunt

1:04:58.480 --> 1:05:03.200
<v Speaker 1>and so you know, just outright with what they are,

1:05:03.400 --> 1:05:05.800
<v Speaker 1>like they don't hide the truth or anything.

1:05:06.160 --> 1:05:07.280
<v Speaker 2>I meant I can respect that.

1:05:08.040 --> 1:05:11.480
<v Speaker 1>So for for you, what was it about lear I mean,

1:05:11.560 --> 1:05:13.440
<v Speaker 1>did Leor intimidate you in the beginning?

1:05:13.640 --> 1:05:17.440
<v Speaker 8>Or I always said, man that it just must be

1:05:17.560 --> 1:05:25.400
<v Speaker 8>some brotherly love or such respect. He never and this

1:05:25.640 --> 1:05:27.680
<v Speaker 8>might sound weird to you, guys, Learr never yelled at me.

1:05:29.600 --> 1:05:34.120
<v Speaker 7>What did you do to not get from Baltimore?

1:05:34.120 --> 1:05:34.560
<v Speaker 2>Maybe he was?

1:05:34.680 --> 1:05:37.920
<v Speaker 1>And where and be honest with yourself, what was the perception.

1:05:38.760 --> 1:05:41.640
<v Speaker 1>What's the perception of you as you're slowly First of all,

1:05:42.440 --> 1:05:45.520
<v Speaker 1>how long did you intern before they said this guy's

1:05:45.600 --> 1:05:47.560
<v Speaker 1>kind of valuable, let's cut him a check.

1:05:48.040 --> 1:05:48.640
<v Speaker 8>Two years.

1:05:49.920 --> 1:05:52.560
<v Speaker 1>It took two years for them to finally and you

1:05:52.560 --> 1:05:55.240
<v Speaker 1>didn't complain once already?

1:05:55.440 --> 1:05:57.640
<v Speaker 2>No, I didn't. I did like it, really I was.

1:05:57.640 --> 1:05:59.840
<v Speaker 8>I was doing it for the experience and be honest

1:05:59.840 --> 1:05:59.960
<v Speaker 8>with you.

1:06:00.280 --> 1:06:04.520
<v Speaker 1>So if Onyx is throwing oranges at you because the

1:06:04.560 --> 1:06:09.120
<v Speaker 1>Shifty single didn't get added the MTV or something, you're

1:06:09.160 --> 1:06:11.280
<v Speaker 1>not having a They don't pay me enough for this moment.

1:06:11.560 --> 1:06:15.920
<v Speaker 1>Like I looked at not making fun of you, because.

1:06:15.680 --> 1:06:17.439
<v Speaker 8>I looked at it. They were all they were all

1:06:17.920 --> 1:06:21.080
<v Speaker 8>counterparts to me. They were colleagues. I wasn't working for them,

1:06:21.120 --> 1:06:24.160
<v Speaker 8>and I just looked at it differently. It's like, yo,

1:06:24.240 --> 1:06:26.360
<v Speaker 8>I know what you need. I'm gonna go. I'm gonna

1:06:26.360 --> 1:06:28.800
<v Speaker 8>get it done. I'm gonna make sure. Because I was

1:06:28.920 --> 1:06:31.280
<v Speaker 8>like by we, I felt like I'm living. You understand

1:06:31.280 --> 1:06:33.760
<v Speaker 8>some once you're an artist and then you get on

1:06:33.760 --> 1:06:38.480
<v Speaker 8>the other side. I'm really living through all of them.

1:06:38.520 --> 1:06:40.560
<v Speaker 8>So the songs they make when they throwing the guns

1:06:40.600 --> 1:06:43.120
<v Speaker 8>in there and m met A and they read I'm

1:06:43.160 --> 1:06:45.400
<v Speaker 8>living when I say I would be on stage. And

1:06:45.520 --> 1:06:46.920
<v Speaker 8>the joke is even to this day. If you ask

1:06:46.960 --> 1:06:48.920
<v Speaker 8>for what a my artists, they saw, where's Kevin stage?

1:06:48.960 --> 1:06:49.160
<v Speaker 2>Right?

1:06:50.480 --> 1:06:53.080
<v Speaker 8>I said, I alway, sudden, YO, tell me what the

1:06:53.120 --> 1:06:55.959
<v Speaker 8>ad lib you need me to make? If they jumped

1:06:55.960 --> 1:06:57.360
<v Speaker 8>in the crowd, I would jump in the crowd after

1:06:57.880 --> 1:07:00.760
<v Speaker 8>I was just it was just a fatherly kind of like, yo,

1:07:01.360 --> 1:07:04.080
<v Speaker 8>we cruise. So I never I never looked at it

1:07:04.160 --> 1:07:06.000
<v Speaker 8>like that. The time I got was kind of funny.

1:07:06.000 --> 1:07:08.960
<v Speaker 8>When a Kevin Mitchell was moving up, you know, he

1:07:09.080 --> 1:07:11.200
<v Speaker 8>did such a great job in the mid Atlantic, moving

1:07:11.320 --> 1:07:15.400
<v Speaker 8>up to Nashville, take Barbido's job right at Mickshew. So

1:07:16.320 --> 1:07:19.320
<v Speaker 8>they said, well, Kevin, you know you should come interview

1:07:19.320 --> 1:07:24.440
<v Speaker 8>for the job. I've been interning for two years doing

1:07:24.480 --> 1:07:27.840
<v Speaker 8>the job and y'all want me to come interview for

1:07:27.960 --> 1:07:33.160
<v Speaker 8>the job. Cool. So engineer keV had to come back out.

1:07:33.840 --> 1:07:35.920
<v Speaker 8>So I put my whole pack, I got my briefcases,

1:07:35.960 --> 1:07:38.600
<v Speaker 8>put my suit on, got my whole discography of everything,

1:07:38.680 --> 1:07:41.040
<v Speaker 8>got everything I did. I go up there. I'm sitting

1:07:41.080 --> 1:07:43.320
<v Speaker 8>in the room, so everybody laughing at me.

1:07:43.760 --> 1:07:46.320
<v Speaker 2>Y'all in a suit was in a briefcase.

1:07:46.360 --> 1:07:49.480
<v Speaker 8>I said, I came here to take the job. That's

1:07:49.560 --> 1:07:50.960
<v Speaker 8>what I came here to do. I'm gonna show him

1:07:50.960 --> 1:07:54.160
<v Speaker 8>everything that I've done. They said, well, you know, good interview,

1:07:54.480 --> 1:07:57.880
<v Speaker 8>you know great, and appreciate all the paperwork. One month

1:07:57.920 --> 1:08:00.360
<v Speaker 8>go by, two months go by, three months go by. Uh.

1:08:00.480 --> 1:08:02.920
<v Speaker 8>I'm starting to feel a certain way, right because I

1:08:02.960 --> 1:08:05.200
<v Speaker 8>know it's nobody better than me, especially in that area.

1:08:05.320 --> 1:08:08.520
<v Speaker 8>Nobody's better than me in that Philadelphia, DC, Baltimore, Virginia.

1:08:09.480 --> 1:08:11.840
<v Speaker 8>So then I get a call. I remember, Julie calls

1:08:11.840 --> 1:08:15.760
<v Speaker 8>me and says, Kevin Lowles was that of a marketing gig?

1:08:15.840 --> 1:08:22.080
<v Speaker 8>She said, this is Julie from Deaf jam and West's assistant.

1:08:22.400 --> 1:08:24.920
<v Speaker 8>We we think we want you to We want you

1:08:24.960 --> 1:08:28.080
<v Speaker 8>to come work with us. I said, great, I said.

1:08:28.120 --> 1:08:30.080
<v Speaker 8>She said, well, we want to pay you thirty thousand

1:08:30.160 --> 1:08:33.280
<v Speaker 8>dollars like you realize.

1:08:33.880 --> 1:08:34.679
<v Speaker 2>Make it okay?

1:08:34.720 --> 1:08:39.960
<v Speaker 8>Okay? I said, well, I said, well I can work

1:08:40.000 --> 1:08:42.000
<v Speaker 8>with y'all for that. Julie said, no, you'll work for

1:08:42.080 --> 1:08:46.400
<v Speaker 8>us for that. That's my Julie's story. Yeah, so we

1:08:46.680 --> 1:08:49.599
<v Speaker 8>it's I just never worried about it. Man, What about

1:08:49.600 --> 1:08:50.479
<v Speaker 8>the money? Anything? To me?

1:08:50.640 --> 1:08:53.519
<v Speaker 1>That's interesting to hear because I, at least for me

1:08:54.880 --> 1:09:00.000
<v Speaker 1>Le or Lyles, Julie sometimes Mike, Like, all your names

1:09:00.200 --> 1:09:03.599
<v Speaker 1>are synonymous with each other. So you guys all started

1:09:03.600 --> 1:09:07.160
<v Speaker 1>together at death Jam minus Lee or at at in

1:09:07.240 --> 1:09:10.040
<v Speaker 1>lower positions, like when Julie came in?

1:09:10.920 --> 1:09:11.599
<v Speaker 2>When did she.

1:09:11.800 --> 1:09:17.680
<v Speaker 8>Julie was Wes's was Julie was interning and working at Rush.

1:09:17.800 --> 1:09:22.080
<v Speaker 8>Then when when Leo went over to death Jam, Julie

1:09:22.160 --> 1:09:25.360
<v Speaker 8>came was working with Wes assistant Leo a little bit

1:09:25.439 --> 1:09:29.439
<v Speaker 8>and then started working with Wes. Mike Coser was working

1:09:29.439 --> 1:09:32.720
<v Speaker 8>at at Tower Records, and Russell lived on top of Tower.

1:09:33.800 --> 1:09:35.240
<v Speaker 2>Wait, that's how Mike got hurt.

1:09:35.640 --> 1:09:38.559
<v Speaker 8>So he said, yo, you do you do a good

1:09:38.640 --> 1:09:39.680
<v Speaker 8>job with that? You know you want to do?

1:09:39.760 --> 1:09:41.160
<v Speaker 7>Ready all wait a.

1:09:41.160 --> 1:09:49.360
<v Speaker 11>Minute, I'm editing the story a little bit.

1:09:49.400 --> 1:09:53.160
<v Speaker 8>But that's he met him in Tower Records and we

1:09:53.360 --> 1:09:56.240
<v Speaker 8>that's how he started. We read. I remember said I

1:09:56.280 --> 1:10:00.760
<v Speaker 8>was in Baltimore in I remember them saying, yo, you're

1:10:00.760 --> 1:10:04.000
<v Speaker 8>gonna do rhythm radio. And I'm like, well, damn, rhythm

1:10:04.040 --> 1:10:05.680
<v Speaker 8>radio is white. Why do you give it to the

1:10:05.800 --> 1:10:07.800
<v Speaker 8>car Why do they give it them? But they put

1:10:07.800 --> 1:10:09.880
<v Speaker 8>guys in the desks and so you're gonna do rhythm radio.

1:10:09.960 --> 1:10:11.920
<v Speaker 8>He became one of the number one rhythm radio you

1:10:11.920 --> 1:10:12.840
<v Speaker 8>know people out there.

1:10:12.840 --> 1:10:14.679
<v Speaker 2>And that's that's my I mean, did he have experience.

1:10:15.200 --> 1:10:18.400
<v Speaker 8>He worked at Tower Records, like research.

1:10:20.280 --> 1:10:21.559
<v Speaker 2>You know, that's the that's that's the truth.

1:10:21.560 --> 1:10:24.639
<v Speaker 8>But yeah, but you gotta understand something with so every

1:10:24.640 --> 1:10:28.000
<v Speaker 8>time Julie went you know me, we were like brother

1:10:28.040 --> 1:10:29.439
<v Speaker 8>and sisters, you know what I mean. So it's like

1:10:30.120 --> 1:10:33.040
<v Speaker 8>that's like fam Like people talk about Lee. I never

1:10:33.920 --> 1:10:36.040
<v Speaker 8>I Leeo's the kind of guy if we went to

1:10:36.120 --> 1:10:39.799
<v Speaker 8>war today, he's gonna be throw me the fucking bullets.

1:10:39.840 --> 1:10:42.360
<v Speaker 8>I don't take offense to that because we're war.

1:10:42.920 --> 1:10:43.479
<v Speaker 2>I understand.

1:10:43.560 --> 1:10:45.879
<v Speaker 8>And it's intense that I understand.

1:10:45.920 --> 1:10:46.200
<v Speaker 2>I don't.

1:10:46.280 --> 1:10:50.360
<v Speaker 8>That's not you know what I mean, Not no idiot,

1:10:50.640 --> 1:10:52.960
<v Speaker 8>I say, that's he just never went there with me.

1:10:53.040 --> 1:10:55.240
<v Speaker 8>And but here's the other thing though, when he looked

1:10:55.280 --> 1:10:57.920
<v Speaker 8>to his right, when he looked stage right, he know

1:10:57.960 --> 1:11:00.640
<v Speaker 8>he ain't worry about that either. That's the different I'm not.

1:11:00.960 --> 1:11:03.000
<v Speaker 8>I'm gonna be there before him. I'm gonna make sure

1:11:03.200 --> 1:11:05.960
<v Speaker 8>everything's right to this day. I'm gonna make sure it's right.

1:11:06.240 --> 1:11:06.599
<v Speaker 2>Russell.

1:11:06.680 --> 1:11:08.280
<v Speaker 8>I'm gonna make sure it's right to this day. They

1:11:08.400 --> 1:11:11.320
<v Speaker 8>changed my life. They change the trajectory of my family,

1:11:11.360 --> 1:11:16.559
<v Speaker 8>They changed they they gave me first generation money something else, baby,

1:11:16.760 --> 1:11:18.360
<v Speaker 8>So I'm not always pay respect.

1:11:18.120 --> 1:11:21.360
<v Speaker 2>To was did you really did you have a relationship

1:11:21.360 --> 1:11:21.880
<v Speaker 2>with Russell?

1:11:21.960 --> 1:11:26.000
<v Speaker 1>And where is Like if you think def Jam, you're

1:11:26.000 --> 1:11:29.479
<v Speaker 1>always gonna think Russell Simmons. But you know, I know

1:11:29.560 --> 1:11:33.640
<v Speaker 1>that in ninety one he had sort of this octopus

1:11:33.720 --> 1:11:40.600
<v Speaker 1>vision of developing the closed line and developing uh, defy

1:11:40.800 --> 1:11:43.760
<v Speaker 1>def comedy Jam was like more than ninety two ninety three, Yeah,

1:11:44.439 --> 1:11:50.200
<v Speaker 1>but still, uh, I know that the higher upset Sony

1:11:52.000 --> 1:11:57.160
<v Speaker 1>were kind of indifferent And then like, can you explain

1:11:57.280 --> 1:12:03.799
<v Speaker 1>the the ral here because the russ associate labels period.

1:12:03.840 --> 1:12:06.639
<v Speaker 2>Because from my point.

1:12:06.479 --> 1:12:10.760
<v Speaker 1>Of view, as a fan who always read Billboard every

1:12:10.800 --> 1:12:13.960
<v Speaker 1>week and charted stuff, I always loved the fact and

1:12:14.160 --> 1:12:16.639
<v Speaker 1>kind of hated the fact that you guys dep GM

1:12:16.920 --> 1:12:19.599
<v Speaker 1>used to formally flaunt well, you know, we've only been

1:12:19.640 --> 1:12:21.920
<v Speaker 1>out for five years with five artists, and you know

1:12:21.960 --> 1:12:24.800
<v Speaker 1>it's just like ll the slick rick and that's it,

1:12:24.840 --> 1:12:27.280
<v Speaker 1>and then third base and then that's it. And then

1:12:27.320 --> 1:12:30.280
<v Speaker 1>one day in nineteen ninety it was like all these

1:12:30.360 --> 1:12:32.920
<v Speaker 1>Rust associated artists came.

1:12:32.760 --> 1:12:36.840
<v Speaker 2>Through the door Resident Alien and the Dawn. Yeah yeah,

1:12:36.640 --> 1:12:37.960
<v Speaker 2>oh yeah, yeah yeah.

1:12:38.000 --> 1:12:42.320
<v Speaker 1>So with all with suddening, like twelve to thirteen acts

1:12:42.320 --> 1:12:46.559
<v Speaker 1>to deal with and kind of losing their uniqueness, what.

1:12:48.080 --> 1:12:49.760
<v Speaker 2>Do you know what the environment.

1:12:49.520 --> 1:12:53.120
<v Speaker 1>Was with with with Matola and Donnie Iron and the

1:12:53.200 --> 1:12:57.600
<v Speaker 1>Sony higher ups with def Jam and what caused the

1:12:57.640 --> 1:13:02.120
<v Speaker 1>eventual exodus to PolyGram was next correct, So what was

1:13:02.760 --> 1:13:06.679
<v Speaker 1>that period between ninety one and ninety three where things

1:13:06.680 --> 1:13:11.720
<v Speaker 1>were a little cloudy with what made def Jam wants

1:13:11.760 --> 1:13:13.280
<v Speaker 1>just the powerhouse.

1:13:12.680 --> 1:13:13.960
<v Speaker 2>That it was like?

1:13:14.000 --> 1:13:16.920
<v Speaker 1>What was what was that environment like, especially like with

1:13:16.960 --> 1:13:20.200
<v Speaker 1>you and Russ, were you more a Leor guy or

1:13:20.360 --> 1:13:20.920
<v Speaker 1>a Rust guy?

1:13:20.960 --> 1:13:23.559
<v Speaker 2>Like was Russ the Beatles? And Leor was the Rolling Stones?

1:13:23.560 --> 1:13:27.519
<v Speaker 8>And you had to choose, never had to choose, because

1:13:27.640 --> 1:13:33.559
<v Speaker 8>Russell was a visionary Leor was tasked with. All I

1:13:33.560 --> 1:13:36.479
<v Speaker 8>wanted to do was be the greatest recommend He didn't

1:13:36.479 --> 1:13:39.920
<v Speaker 8>care about fat farm or comedy. That wasn't his thing.

1:13:39.960 --> 1:13:42.679
<v Speaker 8>You know. He really wanted to build a great American

1:13:42.720 --> 1:13:45.720
<v Speaker 8>record company, and at that time it was he got

1:13:45.720 --> 1:13:49.639
<v Speaker 8>the rock. So Russe associated labels quote unquote Russell and Leor.

1:13:50.920 --> 1:13:59.520
<v Speaker 2>That's what I never knew that.

1:13:58.880 --> 1:14:02.760
<v Speaker 8>It was Russell, that the Russell lear So it was

1:14:02.920 --> 1:14:05.240
<v Speaker 8>just before it's time. Now, I'm gonna sound kind of

1:14:05.840 --> 1:14:16.320
<v Speaker 8>nerdy here. Sometimes as visionaries you try to put things

1:14:16.360 --> 1:14:20.599
<v Speaker 8>into uh play that it's not just time. We didn't

1:14:20.640 --> 1:14:25.000
<v Speaker 8>have the infrastructure built to support a quote unquote associated

1:14:25.080 --> 1:14:27.920
<v Speaker 8>label venture. But if you think about four or five

1:14:28.000 --> 1:14:31.320
<v Speaker 8>years later, after the infrastructure stability, people came to work

1:14:31.360 --> 1:14:33.640
<v Speaker 8>and all that kind of stuff, we were able to

1:14:33.640 --> 1:14:36.479
<v Speaker 8>do Rockefeller America and piece it was. It was a

1:14:36.520 --> 1:14:39.840
<v Speaker 8>great vision, but the in too early, too early at

1:14:39.840 --> 1:14:41.240
<v Speaker 8>the time because the infrastructure.

1:14:41.280 --> 1:14:42.120
<v Speaker 2>It gave me hope.

1:14:43.960 --> 1:14:47.400
<v Speaker 8>The infrastructure wasn't right, but it was those days. Man,

1:14:47.520 --> 1:14:49.920
<v Speaker 8>Like I said, everybody want you know, Rick was gone

1:14:49.960 --> 1:14:52.200
<v Speaker 8>and everybody wanted to prove they were the next upgrade

1:14:52.240 --> 1:14:54.320
<v Speaker 8>an R and this one knew this one. But the

1:14:54.400 --> 1:14:56.320
<v Speaker 8>real fact that most of the artists that I've ever

1:14:56.400 --> 1:15:00.200
<v Speaker 8>signed in my life were referred to me by other artists.

1:15:00.479 --> 1:15:05.280
<v Speaker 7>Hmm, like, wait, we're not going to get there, he

1:15:05.400 --> 1:15:05.760
<v Speaker 7>let me.

1:15:05.800 --> 1:15:08.160
<v Speaker 8>Did you say, I'm saying like that? That was really like,

1:15:08.479 --> 1:15:12.439
<v Speaker 8>if you think about it, to me, a six degrees

1:15:12.479 --> 1:15:15.320
<v Speaker 8>of separation you want to you got E. P and

1:15:15.400 --> 1:15:19.240
<v Speaker 8>D on the road and his kid kurrn uh scratches crates.

1:15:19.280 --> 1:15:23.479
<v Speaker 8>His name is Redman. Yeah, I mean I can you

1:15:23.520 --> 1:15:27.160
<v Speaker 8>know Shaka Zulu, who we both know worked for me,

1:15:27.360 --> 1:15:30.120
<v Speaker 8>was at the college radio station. He had a friend

1:15:30.280 --> 1:15:34.000
<v Speaker 8>called Chris Love of Lover who was on the radio.

1:15:36.000 --> 1:15:37.479
<v Speaker 8>He wanted to you know.

1:15:38.520 --> 1:15:39.680
<v Speaker 2>You lived in Atlanta as well.

1:15:40.360 --> 1:15:45.280
<v Speaker 4>I transferred from Morgan and went to see a three

1:15:45.439 --> 1:15:47.599
<v Speaker 4>for Brad Street where he was. He was against Chris

1:15:47.640 --> 1:15:49.920
<v Speaker 4>Love a Lover and Poon Daddy and La.

1:15:50.160 --> 1:15:52.920
<v Speaker 1>I don't trust nobody that has more than twelve addresses before.

1:15:54.760 --> 1:15:56.719
<v Speaker 2>By the way, I'm going to continue.

1:15:57.439 --> 1:16:00.880
<v Speaker 8>So no, it's like, so I always met people through

1:16:01.200 --> 1:16:06.439
<v Speaker 8>other people, and it wasn't until the whole research thing

1:16:06.520 --> 1:16:10.360
<v Speaker 8>came that I started to see things outside of the

1:16:10.360 --> 1:16:13.760
<v Speaker 8>people that I knew. But I knew everybody who knew

1:16:14.600 --> 1:16:18.679
<v Speaker 8>you could touch somebody with any you know. We just uh,

1:16:18.720 --> 1:16:21.320
<v Speaker 8>I can't say. But there's this kid that is going

1:16:21.400 --> 1:16:23.519
<v Speaker 8>up someplace right now and we just did a big

1:16:24.520 --> 1:16:28.720
<v Speaker 8>did a deal with him and it's we heard it.

1:16:28.800 --> 1:16:31.080
<v Speaker 8>Somebody said it was popping and we got in and

1:16:31.120 --> 1:16:33.960
<v Speaker 8>got it, you know first. So it's like it's changing now.

1:16:34.040 --> 1:16:36.200
<v Speaker 8>But I really believe we got to I got to

1:16:36.240 --> 1:16:39.679
<v Speaker 8>kill Johnny Stevens from Holly Suspect rock band, number one

1:16:39.840 --> 1:16:43.640
<v Speaker 8>rock record right now. I believe he's gonna find the

1:16:43.680 --> 1:16:46.720
<v Speaker 8>next star in rock. I believe that we did the

1:16:46.760 --> 1:16:49.240
<v Speaker 8>deal with Young Thug for ys L. I believe that

1:16:50.000 --> 1:16:52.960
<v Speaker 8>Young Thug puts out so much music and everybody wants

1:16:53.000 --> 1:16:55.040
<v Speaker 8>to held track he is.

1:16:55.280 --> 1:16:57.880
<v Speaker 1>And so I just believe you believe you believe in

1:16:57.920 --> 1:17:00.920
<v Speaker 1>connectors and bridges. Yes, yes, that's an important thing.

1:17:01.479 --> 1:17:02.280
<v Speaker 2>It is important.

1:17:03.520 --> 1:17:08.400
<v Speaker 1>So when def jam, what was the what was the

1:17:09.520 --> 1:17:13.320
<v Speaker 1>transferring from leaving Sony to PolyGram?

1:17:13.360 --> 1:17:15.080
<v Speaker 2>Were you at all worried.

1:17:14.880 --> 1:17:19.360
<v Speaker 1>That you guys might lose your cachet or your uniqueness,

1:17:19.520 --> 1:17:22.760
<v Speaker 1>or that it might go under or having to deal

1:17:22.840 --> 1:17:26.200
<v Speaker 1>with like who is who is the Matola in the

1:17:26.200 --> 1:17:29.920
<v Speaker 1>the Donnie iron Or of PolyGram at this point when

1:17:29.960 --> 1:17:32.559
<v Speaker 1>you guys go there in ninety four.

1:17:33.920 --> 1:17:41.840
<v Speaker 8>Mm, Wow, the Hitten distribution was Jim Capeo. I think, uh,

1:17:41.880 --> 1:17:45.759
<v Speaker 8>who is the Wow? I really, honestly, I can't remember.

1:17:46.040 --> 1:17:46.840
<v Speaker 2>Damn is that bad?

1:17:47.040 --> 1:17:48.439
<v Speaker 8>That bad? My mind is that bad?

1:17:49.680 --> 1:17:49.960
<v Speaker 2>Okay?

1:17:50.160 --> 1:17:52.120
<v Speaker 8>I can't remember. Let me tell you what I never

1:17:54.200 --> 1:17:58.040
<v Speaker 8>you put you put Leo and Russell together. I don't

1:17:58.080 --> 1:18:03.559
<v Speaker 8>see how you feel. So I never didn't. I see.

1:18:03.600 --> 1:18:06.640
<v Speaker 2>How was it that Sony just didn't understand them or No?

1:18:06.840 --> 1:18:10.280
<v Speaker 8>I think it was we were welcome. You can yell

1:18:10.320 --> 1:18:15.080
<v Speaker 8>at people so much to a point where people might

1:18:15.120 --> 1:18:19.599
<v Speaker 8>and you understand, this was early early days of our culture,

1:18:20.400 --> 1:18:23.759
<v Speaker 8>you know. And so you're going up into Tommy's.

1:18:26.400 --> 1:18:31.719
<v Speaker 1>Has there been a Tommy Lee or a moment of

1:18:33.080 --> 1:18:34.400
<v Speaker 1>sandwiches exchanged?

1:18:35.360 --> 1:18:38.160
<v Speaker 8>I never saw. I never saw it. Heard about some conversations,

1:18:38.200 --> 1:18:39.880
<v Speaker 8>you know, I heard Russell flipped over a couple of

1:18:39.880 --> 1:18:43.000
<v Speaker 8>deaths and things like that, but I never never experienced myself.

1:18:43.560 --> 1:18:49.360
<v Speaker 1>Wow, Okay, So I know that at least my perception

1:18:49.479 --> 1:18:56.200
<v Speaker 1>is that in ninety four, the the anchor record of

1:18:56.560 --> 1:19:00.400
<v Speaker 1>that year that really established def jam to the next

1:19:00.439 --> 1:19:03.280
<v Speaker 1>decade was Orange's album.

1:19:03.600 --> 1:19:05.640
<v Speaker 8>Now it was written let me tell you really what

1:19:05.680 --> 1:19:11.479
<v Speaker 8>it was, the first record we released from Columbia to

1:19:13.439 --> 1:19:19.040
<v Speaker 8>program something the PolyGram Domino. It was Saturday Morning, Yeah,

1:19:19.040 --> 1:19:20.439
<v Speaker 8>Ghetto Jam, Ghetto Jam.

1:19:20.520 --> 1:19:21.840
<v Speaker 2>Yeah. Okay.

1:19:21.920 --> 1:19:26.720
<v Speaker 1>So by that point, you know, you were heavy at

1:19:26.800 --> 1:19:31.200
<v Speaker 1>least in your your knowledge of East Coast from you know,

1:19:31.479 --> 1:19:34.120
<v Speaker 1>the Baltimore. I would assume that you were the d

1:19:34.200 --> 1:19:37.240
<v Speaker 1>m V guy, the Tri State area guy you might

1:19:37.240 --> 1:19:40.240
<v Speaker 1>have known down south markets. Did you know West Coast

1:19:40.240 --> 1:19:43.280
<v Speaker 1>at all? Like who was there to really let you

1:19:43.320 --> 1:19:47.120
<v Speaker 1>guys know? Or was it just like the chronics ripple

1:19:47.280 --> 1:19:49.479
<v Speaker 1>was so strong that it was like we gotta grab

1:19:50.360 --> 1:19:51.559
<v Speaker 1>whoever guessed.

1:19:51.360 --> 1:19:54.439
<v Speaker 2>It on Doctor Dre's chronic record and give them a deal. Now, Like.

1:19:55.840 --> 1:19:59.760
<v Speaker 8>I mean, I'm saying I can't put it so you

1:19:59.840 --> 1:20:03.200
<v Speaker 8>can me open them hip hop So n w A,

1:20:04.000 --> 1:20:07.080
<v Speaker 8>you couldn't talk too short that. I'm like, I was fan.

1:20:07.240 --> 1:20:09.559
<v Speaker 8>I was a fan. I'm young still I'm a fan.

1:20:09.840 --> 1:20:15.080
<v Speaker 1>So to me, wait, I just want to say, as

1:20:15.080 --> 1:20:17.880
<v Speaker 1>an East Coaster, I want to meet a person that

1:20:17.960 --> 1:20:21.480
<v Speaker 1>had my my viewpoint on what the West Coast.

1:20:21.240 --> 1:20:24.439
<v Speaker 2>Was because I wasn't getting I wasn't open to West

1:20:24.439 --> 1:20:25.040
<v Speaker 2>Coast hippop.

1:20:25.120 --> 1:20:27.320
<v Speaker 1>I mean until I mean I heard fuck the police,

1:20:27.760 --> 1:20:29.760
<v Speaker 1>and like I gave him. Okay, I'll give you guys

1:20:29.800 --> 1:20:33.120
<v Speaker 1>an exception and ice cue working with the bomb squad,

1:20:33.240 --> 1:20:36.960
<v Speaker 1>But like, for the most part, there's no way you

1:20:37.000 --> 1:20:39.200
<v Speaker 1>could tell me that the West Coast was going to

1:20:39.240 --> 1:20:42.240
<v Speaker 1>outdo the East Coast ever culturally.

1:20:41.920 --> 1:20:43.400
<v Speaker 2>Or sales wise.

1:20:43.560 --> 1:20:47.040
<v Speaker 1>And then suddenly one day it was like New York

1:20:47.200 --> 1:20:50.200
<v Speaker 1>just lost it's it's it's steemed.

1:20:50.320 --> 1:20:52.919
<v Speaker 8>Yeah, but why can't you tell I never looked again.

1:20:52.800 --> 1:20:56.439
<v Speaker 12>Well, I was young and dumb, weirdo, because I looked

1:20:56.439 --> 1:20:59.439
<v Speaker 12>at it the story that needed to be told needed

1:20:59.439 --> 1:21:03.960
<v Speaker 12>to be told by different tongues, and a Baltimore story

1:21:03.960 --> 1:21:04.719
<v Speaker 12>in New York story.

1:21:04.760 --> 1:21:07.840
<v Speaker 8>There's still a ghetto story in the West everywhere you know,

1:21:07.960 --> 1:21:11.000
<v Speaker 8>never where you go. And so to me, I really

1:21:11.000 --> 1:21:14.320
<v Speaker 8>looked at it as storytelling. Now one was a joke,

1:21:14.400 --> 1:21:17.080
<v Speaker 8>but then there was the police, but they both saying

1:21:17.240 --> 1:21:19.080
<v Speaker 8>kind of the same thing to me. So I really

1:21:19.120 --> 1:21:23.479
<v Speaker 8>looked at it as storytelling. And we went into it

1:21:23.840 --> 1:21:28.400
<v Speaker 8>with def jam West Paul Stewart. UH hired P and

1:21:28.479 --> 1:21:34.880
<v Speaker 8>P hired him. First record I think was this is

1:21:34.920 --> 1:21:39.400
<v Speaker 8>how we do it. But prior to that, this is

1:21:39.400 --> 1:21:41.439
<v Speaker 8>how I learned the West Coast. There was a group

1:21:41.520 --> 1:21:45.040
<v Speaker 8>called a guy called Mellow from Compton and a group

1:21:45.080 --> 1:21:53.240
<v Speaker 8>called South Central Cartel Original. So they said they want

1:21:53.280 --> 1:21:55.200
<v Speaker 8>to do a West Coast promo tour and they loved

1:21:55.200 --> 1:21:58.760
<v Speaker 8>how I put together promo toys. UH and so I

1:21:58.760 --> 1:22:02.559
<v Speaker 8>got in a car. We went from Seattle all the

1:22:02.600 --> 1:22:07.440
<v Speaker 8>way down to San Diego. Over to Phoenix in Colorado.

1:22:08.840 --> 1:22:10.320
<v Speaker 8>You canna tell me nothing about that. I know the

1:22:10.320 --> 1:22:13.920
<v Speaker 8>West Coast, I wrote the Bible of what should be done.

1:22:14.080 --> 1:22:16.040
<v Speaker 8>But I hung. I was in Compton. I remember my

1:22:16.080 --> 1:22:17.800
<v Speaker 8>first I'm gonna tell you what. Sorry, I'm gonna let

1:22:17.800 --> 1:22:23.960
<v Speaker 8>you go. I'm in Compton and it we call but

1:22:24.080 --> 1:22:29.559
<v Speaker 8>you know their version of the bodega. So I'm getting

1:22:29.680 --> 1:22:34.040
<v Speaker 8>some ice tea back then, and bottles started checking. So

1:22:34.080 --> 1:22:36.439
<v Speaker 8>I'm like, who the fuck is back there? What the

1:22:36.479 --> 1:22:39.479
<v Speaker 8>fuck are you doing? I'm mad, Like, yo, stop sucking

1:22:39.520 --> 1:22:42.040
<v Speaker 8>with me. The lady said, in the middle of an earthquake,

1:22:49.000 --> 1:22:50.600
<v Speaker 8>And that was the north Ridge.

1:22:51.640 --> 1:22:54.679
<v Speaker 4>Big So you was in the corner store.

1:22:56.800 --> 1:23:02.840
<v Speaker 7>I was in Compton. I said, what you know why?

1:23:03.920 --> 1:23:04.880
<v Speaker 2>Because I got them started.

1:23:05.200 --> 1:23:13.479
<v Speaker 1>Damn you know every references commercial goodness.

1:23:13.840 --> 1:23:15.200
<v Speaker 8>I don't know I told that story but that. But

1:23:15.200 --> 1:23:17.799
<v Speaker 8>that's my love, my love for I lived there twice

1:23:18.320 --> 1:23:21.719
<v Speaker 8>in my life, and now I just appreciate storytellers being

1:23:21.760 --> 1:23:23.840
<v Speaker 8>able to tell that, no matter what it was. I

1:23:23.880 --> 1:23:25.519
<v Speaker 8>just appreciated people telling the story.

1:23:26.040 --> 1:23:30.479
<v Speaker 1>So, I mean you had no Internet back then. I

1:23:30.520 --> 1:23:33.519
<v Speaker 1>mean now anyone could have the power. I mean the

1:23:33.560 --> 1:23:37.120
<v Speaker 1>power that you had googling something finding out? Okay, where

1:23:37.120 --> 1:23:40.599
<v Speaker 1>can I, uh you know, where can I promote this

1:23:40.640 --> 1:23:43.719
<v Speaker 1>record or hang these posters or or bring my group

1:23:43.800 --> 1:23:45.360
<v Speaker 1>to meet those things?

1:23:46.000 --> 1:23:47.120
<v Speaker 2>But you you're.

1:23:46.960 --> 1:23:49.080
<v Speaker 1>Saying you're writing the Bible on this, Like how do

1:23:49.240 --> 1:23:53.360
<v Speaker 1>who's giving you your research to know this particular market?

1:23:53.400 --> 1:23:55.520
<v Speaker 1>That particular market, this particular market.

1:23:55.240 --> 1:23:59.080
<v Speaker 8>Like touching the people? You tell you you you find

1:23:59.120 --> 1:24:03.400
<v Speaker 8>a hot girl and the god the hustler, and you

1:24:03.560 --> 1:24:05.639
<v Speaker 8>go and you go to the mall. You say, where

1:24:05.680 --> 1:24:06.160
<v Speaker 8>y'all going to?

1:24:06.520 --> 1:24:09.040
<v Speaker 2>This was real? You generally like people.

1:24:11.640 --> 1:24:16.000
<v Speaker 7>Because because we were to take.

1:24:15.960 --> 1:24:18.120
<v Speaker 1>We were to take a quest Love Supremes. All right,

1:24:18.960 --> 1:24:22.960
<v Speaker 1>Slight Detour Special World twenty.

1:24:23.960 --> 1:24:24.759
<v Speaker 2>Do you like people?

1:24:25.280 --> 1:24:29.639
<v Speaker 1>Oh, sugar Steve, do you like people?

1:24:29.720 --> 1:24:31.920
<v Speaker 5>I love good people. I hate shitheads.

1:24:33.960 --> 1:24:38.880
<v Speaker 2>You're lying out already know you hate people everyone?

1:24:40.560 --> 1:24:41.200
<v Speaker 4>I love people?

1:24:41.240 --> 1:24:41.640
<v Speaker 2>You know I do?

1:24:41.720 --> 1:24:42.160
<v Speaker 4>I love people?

1:24:43.920 --> 1:24:46.960
<v Speaker 2>Bill? Do you believe it? I don't believe anything, she says, Margaret.

1:24:47.040 --> 1:24:56.599
<v Speaker 6>I mean you've lived in too many places to tell perk.

1:24:56.880 --> 1:24:59.280
<v Speaker 1>I think I think unpaid Bill is the only person

1:24:59.320 --> 1:25:01.479
<v Speaker 1>in the circle that actually likes.

1:25:01.920 --> 1:25:04.040
<v Speaker 2>But you know what I think. I mean just from

1:25:04.040 --> 1:25:05.840
<v Speaker 2>my people for the record. Now I'm with you. I

1:25:06.120 --> 1:25:08.880
<v Speaker 2>love you guys, not with you this what's the same

1:25:09.000 --> 1:25:12.679
<v Speaker 2>hell as other people. But no, I think from listening

1:25:12.680 --> 1:25:14.760
<v Speaker 2>to what he's saying, from what he was saying, you

1:25:14.760 --> 1:25:17.720
<v Speaker 2>know when you're talking about how it wasn't about you know,

1:25:17.720 --> 1:25:19.600
<v Speaker 2>I plan to be the president. You just want to

1:25:19.600 --> 1:25:23.360
<v Speaker 2>add value to a situation, that value proposition.

1:25:22.920 --> 1:25:23.280
<v Speaker 8>You know what I mean.

1:25:23.320 --> 1:25:25.240
<v Speaker 2>And so to me, like I'm in that way, like

1:25:25.320 --> 1:25:27.400
<v Speaker 2>I don't do I like people know, but if you

1:25:27.439 --> 1:25:29.880
<v Speaker 2>give me a job and say do this job, then

1:25:29.920 --> 1:25:31.680
<v Speaker 2>I'll do what I gotta do because I want to

1:25:31.680 --> 1:25:33.479
<v Speaker 2>deliver on the job. So if I got to go

1:25:33.520 --> 1:25:36.240
<v Speaker 2>talk to people, if I can't, just look how many

1:25:36.280 --> 1:25:38.839
<v Speaker 2>followers through this, nigga got like I gotta really actually

1:25:38.840 --> 1:25:40.479
<v Speaker 2>do that, I would do that. So it makes it

1:25:40.520 --> 1:25:42.479
<v Speaker 2>makes sense. My joint is like, all.

1:25:42.479 --> 1:25:48.360
<v Speaker 1>Right, my my goal And this is not like a

1:25:48.360 --> 1:25:51.160
<v Speaker 1>thing where you're singing riches and all that stuff. But

1:25:51.439 --> 1:25:55.800
<v Speaker 1>in general, my thing was always like, yo, I just

1:25:55.800 --> 1:25:59.560
<v Speaker 1>want to take care of my mom.

1:25:58.120 --> 1:26:00.200
<v Speaker 2>And sugar Steve.

1:26:03.880 --> 1:26:06.840
<v Speaker 5>Reparations for the diabetes.

1:26:07.200 --> 1:26:12.280
<v Speaker 1>No, just take care of my mom. Put out some fires. Yeah,

1:26:12.280 --> 1:26:15.200
<v Speaker 1>and sure Steve put out some fires. Was basically take

1:26:15.240 --> 1:26:19.759
<v Speaker 1>care of If you're black, you're automatically taking carefully seven

1:26:20.160 --> 1:26:22.760
<v Speaker 1>to fourteen people in your life just to put out

1:26:22.760 --> 1:26:29.640
<v Speaker 1>the fire, you know, Like, did I think back in

1:26:30.160 --> 1:26:32.800
<v Speaker 1>nineteen ninety eight, like okay, let me, oh, I'm gonna

1:26:32.840 --> 1:26:34.840
<v Speaker 1>be on the late night show one time? You know, No,

1:26:35.000 --> 1:26:39.200
<v Speaker 1>hell no, I didn't. Somebody sees that far though, I

1:26:39.240 --> 1:26:44.160
<v Speaker 1>get you not seeing that, but you do kind of

1:26:44.200 --> 1:26:48.679
<v Speaker 1>have this live each day's the fullest connect with people,

1:26:49.360 --> 1:26:55.600
<v Speaker 1>remember names, you know, and never burn a bridge.

1:26:56.880 --> 1:26:58.639
<v Speaker 2>At like I don't hear.

1:27:00.080 --> 1:27:03.160
<v Speaker 1>Kevin Lowell stories like I hear and I'm gonna get

1:27:03.200 --> 1:27:07.679
<v Speaker 1>to you and dame history, but I never hear Kevin

1:27:07.720 --> 1:27:09.080
<v Speaker 1>Lowle stories like I hear.

1:27:11.200 --> 1:27:12.920
<v Speaker 4>Like is he really that nice as he perceives?

1:27:14.040 --> 1:27:14.719
<v Speaker 2>Not even nice?

1:27:14.760 --> 1:27:21.120
<v Speaker 1>But I mean, like your reputation even even if like

1:27:21.120 --> 1:27:24.719
<v Speaker 1>like there's not even rumors about you doing someone shady

1:27:24.960 --> 1:27:25.559
<v Speaker 1>or any.

1:27:25.400 --> 1:27:26.040
<v Speaker 2>Of those things.

1:27:26.320 --> 1:27:31.559
<v Speaker 8>I tell you, so some people with Here's what I

1:27:31.600 --> 1:27:37.040
<v Speaker 8>get from people. I might not remember everybody's name, but

1:27:38.280 --> 1:27:42.200
<v Speaker 8>obviously it's like like tonight, I have to get something

1:27:42.200 --> 1:27:45.160
<v Speaker 8>from each one of you guys, or why be in

1:27:45.160 --> 1:27:49.840
<v Speaker 8>the room. So I'm meeting you and sharing things, and

1:27:49.880 --> 1:27:54.160
<v Speaker 8>I'm meeting people all over the world but obviously God

1:27:54.160 --> 1:27:56.280
<v Speaker 8>put me in that place for reasons, so I have

1:27:56.360 --> 1:27:58.600
<v Speaker 8>to share a part of myself. So I wear my

1:27:58.640 --> 1:28:00.960
<v Speaker 8>heart on my sleeve. When you wear your hard and

1:28:00.960 --> 1:28:04.160
<v Speaker 8>the sleeve, you fear none. You just don't worry about

1:28:04.200 --> 1:28:08.439
<v Speaker 8>You just make people feel like they met you, not

1:28:08.560 --> 1:28:08.800
<v Speaker 8>like you.

1:28:09.040 --> 1:28:10.679
<v Speaker 2>Just But what about the ship heads.

1:28:11.439 --> 1:28:13.480
<v Speaker 5>You're not talking about the ship heads.

1:28:13.439 --> 1:28:16.400
<v Speaker 8>So so let me tell you about ship I met

1:28:16.479 --> 1:28:20.800
<v Speaker 8>a couple of of ship heads. But but I even

1:28:20.960 --> 1:28:25.679
<v Speaker 8>understand them. Some people that's the only way they could survive.

1:28:27.040 --> 1:28:30.000
<v Speaker 8>And so, and I'm not trying to get philosophical, will

1:28:30.040 --> 1:28:33.120
<v Speaker 8>be this is what we do. I just, I just

1:28:33.640 --> 1:28:36.559
<v Speaker 8>I really believe that I was put here for a

1:28:36.600 --> 1:28:44.200
<v Speaker 8>greater purpose, and that purpose might Jesus. Jesus walked amongst

1:28:44.240 --> 1:28:51.599
<v Speaker 8>the thieves, the killers, the liars to make away ship

1:28:51.600 --> 1:28:53.920
<v Speaker 8>here's cool' You're not gonna change. You're not gonna change

1:28:53.920 --> 1:28:56.479
<v Speaker 8>who I am. Matter of fact, I'm gonna work on

1:28:56.640 --> 1:29:03.080
<v Speaker 8>being so nice, so nice that hopefully you understand that

1:29:03.520 --> 1:29:05.759
<v Speaker 8>you don't need to be as much of a ship.

1:29:05.640 --> 1:29:10.439
<v Speaker 2>Hit as well. I wish I knew you. Is that

1:29:10.520 --> 1:29:14.120
<v Speaker 2>like where my first GM audition?

1:29:15.479 --> 1:29:17.559
<v Speaker 6>Anyway, I want to get some motivational speaking from lyles

1:29:17.560 --> 1:29:18.640
<v Speaker 6>like in the morning when awake up.

1:29:18.720 --> 1:29:21.280
<v Speaker 4>Yeah, exactly, But seriously, how do you maintain that? Is

1:29:21.280 --> 1:29:25.200
<v Speaker 4>that is that motivation? Motivation? Is medita or was that

1:29:25.280 --> 1:29:26.599
<v Speaker 4>you was it?

1:29:26.640 --> 1:29:30.200
<v Speaker 1>Is this hindsight speaking or is this in nineteen ninety four?

1:29:31.080 --> 1:29:33.560
<v Speaker 1>I'm not well, Okay, Now I want to get to

1:29:33.640 --> 1:29:38.360
<v Speaker 1>the artist you have to deal with because or you

1:29:38.360 --> 1:29:41.000
<v Speaker 1>got to put on that ship to use right, because

1:29:41.040 --> 1:29:45.439
<v Speaker 1>I'm saying that as an artist, I know the the

1:29:45.479 --> 1:29:48.360
<v Speaker 1>plight of the artist, and I know the plight of

1:29:48.479 --> 1:29:52.960
<v Speaker 1>employee at the label and management company. And some of

1:29:52.960 --> 1:29:57.400
<v Speaker 1>the biggest clashes ever in mankind are are with artists

1:29:57.439 --> 1:30:00.320
<v Speaker 1>and managers or the other side of the table. So

1:30:00.600 --> 1:30:07.400
<v Speaker 1>that said, uh, okay, now that def jam is ten

1:30:07.479 --> 1:30:11.160
<v Speaker 1>years old at least in this timeline, how are the

1:30:11.760 --> 1:30:17.400
<v Speaker 1>older established well minus Ll who actually weird enough, had

1:30:18.000 --> 1:30:21.559
<v Speaker 1>the biggest mark of his career ten years into his career.

1:30:22.520 --> 1:30:25.360
<v Speaker 1>I mean, I assume that missus Smith's surpassed. Mama said,

1:30:25.439 --> 1:30:28.600
<v Speaker 1>knock you out as far as comebacks to concerned. But

1:30:28.920 --> 1:30:31.400
<v Speaker 1>I mean, at this rate, a lot of your first

1:30:31.439 --> 1:30:34.080
<v Speaker 1>generation acts, you guys were dealing with Slick Rick and

1:30:34.160 --> 1:30:36.400
<v Speaker 1>his his jail incidents.

1:30:36.560 --> 1:30:37.639
<v Speaker 2>First of all, how.

1:30:39.840 --> 1:30:44.919
<v Speaker 1>How did you guys even manage to get eighteen songs

1:30:44.960 --> 1:30:49.400
<v Speaker 1>out of Slick Rick with six weeks of his life

1:30:49.400 --> 1:30:52.720
<v Speaker 1>before he's about to do five years or herd?

1:30:52.920 --> 1:30:53.000
<v Speaker 8>Like?

1:30:53.080 --> 1:30:54.519
<v Speaker 2>What was that? What was that period?

1:30:54.760 --> 1:30:59.040
<v Speaker 8>Like? I was a that was more so like a

1:30:59.240 --> 1:31:02.120
<v Speaker 8>intern period. It for me, you know, I was just

1:31:02.160 --> 1:31:07.120
<v Speaker 8>coming up and the Slick Rick story was. Rick was

1:31:07.120 --> 1:31:09.880
<v Speaker 8>a storyteller, so he just knew he had to do

1:31:10.479 --> 1:31:14.600
<v Speaker 8>write a lot of records. And it was man. He

1:31:14.680 --> 1:31:16.960
<v Speaker 8>would no, he would listen when I tell you Rick

1:31:17.439 --> 1:31:20.439
<v Speaker 8>and Rick is a good, good friend. And I hope

1:31:20.479 --> 1:31:22.320
<v Speaker 8>I answered the question right because it's I'm gonna go

1:31:22.400 --> 1:31:25.719
<v Speaker 8>outside of Rick. I think my job at that time

1:31:25.960 --> 1:31:31.680
<v Speaker 8>was to preserve legacy with those guys and understand that

1:31:31.680 --> 1:31:34.800
<v Speaker 8>that tired. You put the D in death jam, public enemy,

1:31:34.840 --> 1:31:36.960
<v Speaker 8>you put the E in death jam, Slick Rick, you

1:31:36.960 --> 1:31:39.120
<v Speaker 8>put the F in death jam. You know I had

1:31:39.160 --> 1:31:41.760
<v Speaker 8>to so I treated them like that. I didn't treat

1:31:41.800 --> 1:31:44.640
<v Speaker 8>them like they were old. I didn't treat them like

1:31:44.680 --> 1:31:48.000
<v Speaker 8>they were yesterday. I treat them like they were important

1:31:48.040 --> 1:31:50.400
<v Speaker 8>and today. And this is why to this day, you know,

1:31:51.439 --> 1:31:53.160
<v Speaker 8>Rick and Mandya called me and say hey, we just

1:31:53.160 --> 1:31:55.200
<v Speaker 8>wanted to tell you we love you. Tired to say yo,

1:31:55.760 --> 1:31:59.320
<v Speaker 8>you know, come me and Simone doing this chucker hit

1:31:59.400 --> 1:32:02.840
<v Speaker 8>me and say yo podcasts with you know, I still

1:32:02.840 --> 1:32:05.840
<v Speaker 8>get and and so that moment. And I remember when

1:32:06.960 --> 1:32:09.880
<v Speaker 8>we did behind Bars, he was like, you.

1:32:09.800 --> 1:32:13.720
<v Speaker 2>Know, yeah, war you know that was my ship man.

1:32:13.800 --> 1:32:15.840
<v Speaker 2>I love that joy. That was.

1:32:17.760 --> 1:32:20.880
<v Speaker 8>How'd y'all do that? How'd y'all make a record? And

1:32:20.920 --> 1:32:25.439
<v Speaker 8>then I did it again with Sean when he was

1:32:25.800 --> 1:32:27.599
<v Speaker 8>behind Bars. I did his.

1:32:27.600 --> 1:32:29.880
<v Speaker 2>Uh that the Godfather Buried Alive?

1:32:29.960 --> 1:32:31.920
<v Speaker 8>Yes, I did it.

1:32:32.479 --> 1:32:36.559
<v Speaker 1>And when they're recording under this dress, like how I'm

1:32:36.560 --> 1:32:38.800
<v Speaker 1>just trying to figure out, how are they able to

1:32:39.120 --> 1:32:48.160
<v Speaker 1>even produce uh results with with with that imaginary guns

1:32:48.160 --> 1:32:49.559
<v Speaker 1>in their head like they have to.

1:32:50.840 --> 1:32:52.840
<v Speaker 8>I don't think when you when it's when it's it's

1:32:52.880 --> 1:32:55.120
<v Speaker 8>what you do. It's like saying telling a guy you

1:32:55.160 --> 1:32:58.840
<v Speaker 8>got to build a house in the set of a year,

1:32:58.880 --> 1:33:00.760
<v Speaker 8>you got to build it in six month. It might

1:33:00.760 --> 1:33:02.519
<v Speaker 8>be impossibly, he still knows how to build a house.

1:33:03.120 --> 1:33:04.360
<v Speaker 8>And so I think that I think that at the

1:33:04.439 --> 1:33:07.360
<v Speaker 8>end of the day, these uh, these kids, I think

1:33:07.360 --> 1:33:10.679
<v Speaker 8>that the day they they felt that they gonna decide

1:33:10.680 --> 1:33:12.880
<v Speaker 8>to feed their family. And when you how you when

1:33:12.920 --> 1:33:16.280
<v Speaker 8>you're working to feed your family, you're not writing records right,

1:33:17.000 --> 1:33:18.240
<v Speaker 8>you're surviving, you know. Well.

1:33:18.280 --> 1:33:21.040
<v Speaker 1>Speaking of behind Bars, I gotta give a shout out

1:33:21.080 --> 1:33:22.560
<v Speaker 1>to the warrant you remix to.

1:33:24.320 --> 1:33:26.360
<v Speaker 2>This is behind Bars on Quest Love Supreme.

1:33:26.400 --> 1:33:32.439
<v Speaker 1>We're here with U, super Guru, Kevin question of Supreme.

1:33:32.760 --> 1:33:35.200
<v Speaker 11>You are bro check this out this warn g you

1:33:35.280 --> 1:33:37.680
<v Speaker 11>know what I'm saying. Chilling with my man slick Rick,

1:33:37.760 --> 1:33:39.559
<v Speaker 11>you know, and we're gonna give y'all a little tail

1:33:39.640 --> 1:33:42.120
<v Speaker 11>about that jail stuff. You know, So, Rick, why don't

1:33:42.120 --> 1:33:43.160
<v Speaker 11>you running homie kids?

1:33:43.400 --> 1:33:46.360
<v Speaker 12>Then Islamic colord, I'm innocent, Lord played which he wasn't

1:33:46.400 --> 1:33:48.200
<v Speaker 12>having anything out and raised the lads.

1:33:49.200 --> 1:33:52.639
<v Speaker 2>Situation seemed mad and Roles, Hey your money?

1:33:52.640 --> 1:33:53.160
<v Speaker 8>What size?

1:33:53.560 --> 1:34:00.600
<v Speaker 1>Neither pony to one of us sprang up. That was

1:34:00.960 --> 1:34:04.880
<v Speaker 1>behind bars by a slick Rick. That's right, the Warren

1:34:04.960 --> 1:34:09.240
<v Speaker 1>g remix of behind Bars on Questlove Supreme. There's one

1:34:09.280 --> 1:34:14.000
<v Speaker 1>question I want to ask you. So by this point

1:34:14.080 --> 1:34:17.000
<v Speaker 1>in ninety four, I can say that you're safely in

1:34:17.040 --> 1:34:19.200
<v Speaker 1>the death Sham office not an intern.

1:34:21.160 --> 1:34:22.000
<v Speaker 2>What was.

1:34:23.880 --> 1:34:28.360
<v Speaker 1>What was you guys reaction to music.

1:34:28.120 --> 1:34:32.040
<v Speaker 2>In our message by Public Enemy. Oh my god, because.

1:34:31.800 --> 1:34:36.679
<v Speaker 1>I remember the day. I remember the day that Ursula

1:34:36.760 --> 1:34:42.720
<v Speaker 1>Smith and well back when Set to Run, you guys

1:34:42.800 --> 1:34:48.200
<v Speaker 1>had so many Rush associated companies, but when Ursula became

1:34:48.240 --> 1:34:53.719
<v Speaker 1>her own publicity firm, she was our first, the roots

1:34:53.720 --> 1:34:57.200
<v Speaker 1>first publicist, and I used to just always hang out

1:34:57.240 --> 1:35:00.320
<v Speaker 1>her office and she called me in says or I

1:35:00.360 --> 1:35:02.160
<v Speaker 1>got the new Public Enemy album, you want to hear it?

1:35:03.080 --> 1:35:05.200
<v Speaker 2>And that was.

1:35:07.120 --> 1:35:10.360
<v Speaker 1>That was one of the most coldest days ever because

1:35:11.520 --> 1:35:17.160
<v Speaker 1>because every Public Enemy album from nation to millions, well

1:35:17.200 --> 1:35:23.200
<v Speaker 1>every there's three right, yeah, before I forgot what even

1:35:23.760 --> 1:35:27.000
<v Speaker 1>with bum rust the show, Like every time I listened

1:35:27.040 --> 1:35:28.640
<v Speaker 1>to a Public Enemy album for the first time, it

1:35:28.760 --> 1:35:32.000
<v Speaker 1>was such a life changing moment and for me it

1:35:32.080 --> 1:35:33.120
<v Speaker 1>was like, wow, can.

1:35:32.920 --> 1:35:36.000
<v Speaker 2>They do this to me for a fifth time? The no,

1:35:36.479 --> 1:35:41.120
<v Speaker 2>the answer was yes, but it was it was in

1:35:41.160 --> 1:35:43.479
<v Speaker 2>the wrong way. But in hindsight.

1:35:45.200 --> 1:35:48.200
<v Speaker 1>They were onto something because they were five years before

1:35:49.120 --> 1:35:52.200
<v Speaker 1>the rage against the machine, you know rock wrap thing.

1:35:52.640 --> 1:35:56.320
<v Speaker 1>But I mean I had the same reaction that had

1:35:56.360 --> 1:36:00.479
<v Speaker 1>the same open mouth drawl jopped are they allowed to

1:36:00.520 --> 1:36:00.840
<v Speaker 1>do this?

1:36:01.040 --> 1:36:01.160
<v Speaker 2>Like?

1:36:01.200 --> 1:36:05.760
<v Speaker 1>It was such a radical album? What were you guys?

1:36:06.280 --> 1:36:07.840
<v Speaker 1>Please be explained.

1:36:08.160 --> 1:36:09.560
<v Speaker 2>Chuck's been very honest.

1:36:09.280 --> 1:36:13.240
<v Speaker 1>About how you guys felt about it when you got

1:36:13.280 --> 1:36:13.799
<v Speaker 1>the record.

1:36:15.840 --> 1:36:17.639
<v Speaker 2>What did y'all talk.

1:36:17.479 --> 1:36:19.000
<v Speaker 8>About didn't know what to do?

1:36:21.200 --> 1:36:23.280
<v Speaker 1>Like did Chuck played in front of you guys and

1:36:23.320 --> 1:36:26.040
<v Speaker 1>looked at your faces or just like didn't know what

1:36:26.080 --> 1:36:34.800
<v Speaker 1>to do because at least like, okay, figure that I

1:36:34.800 --> 1:36:35.479
<v Speaker 1>can work with that.

1:36:35.600 --> 1:36:37.560
<v Speaker 8>I don't know what but but but but here's the

1:36:37.600 --> 1:36:43.719
<v Speaker 8>great thing about Gren about deaf Tam. Once you proved yourself,

1:36:44.880 --> 1:36:49.720
<v Speaker 8>who am I to judge? That's where we're going. I

1:36:49.840 --> 1:36:54.360
<v Speaker 8>don't know what to do, but okay, we're gonna see

1:36:54.400 --> 1:36:54.680
<v Speaker 8>what it is.

1:36:54.760 --> 1:36:57.280
<v Speaker 1>Well, it was also well not the second the last album,

1:36:57.280 --> 1:37:01.920
<v Speaker 1>because that was he got game. But well, like there

1:37:01.960 --> 1:37:05.280
<v Speaker 1>was there was just no precedent for I mean, there

1:37:05.280 --> 1:37:08.120
<v Speaker 1>was the Goats. You know, the Goats were kind of mixing,

1:37:08.840 --> 1:37:10.960
<v Speaker 1>they were rocking and wrapped and raised against the machine,

1:37:11.080 --> 1:37:16.720
<v Speaker 1>had one album out beforehand. But did you guys at

1:37:16.760 --> 1:37:22.040
<v Speaker 1>least have a warning that you know, because by that point,

1:37:22.160 --> 1:37:26.640
<v Speaker 1>even even though I mean, Wu Tang still wasn't a

1:37:26.720 --> 1:37:31.439
<v Speaker 1>fully formed figurehead and you know, the group that we

1:37:31.520 --> 1:37:35.960
<v Speaker 1>will worship, so in my mind, like Public Enemy still

1:37:36.000 --> 1:37:39.720
<v Speaker 1>had run DMC status to that point.

1:37:39.479 --> 1:37:41.800
<v Speaker 2>In ninety four and then.

1:37:43.400 --> 1:37:46.320
<v Speaker 1>I don't know, maybe I just felt they were so

1:37:46.680 --> 1:37:49.679
<v Speaker 1>angry at Were they angry at you guys?

1:37:49.720 --> 1:37:50.439
<v Speaker 2>Were they angry?

1:37:50.960 --> 1:37:53.720
<v Speaker 8>Was it just like a lot of anger, a lot

1:37:53.720 --> 1:37:54.080
<v Speaker 8>of anger.

1:37:54.960 --> 1:37:56.200
<v Speaker 2>What was the relationship like?

1:37:56.240 --> 1:38:00.400
<v Speaker 1>Because I would think that they were your crown jewel,

1:38:00.520 --> 1:38:03.439
<v Speaker 1>like you know this, this is the group that gets

1:38:03.640 --> 1:38:05.840
<v Speaker 1>the white critics respect, and.

1:38:06.600 --> 1:38:09.280
<v Speaker 8>They always they always would be the crown jewel. But

1:38:09.400 --> 1:38:14.760
<v Speaker 8>you you gotta understand when when your kids and you

1:38:14.800 --> 1:38:18.599
<v Speaker 8>grow up together, sometimes a big brother little brother thing

1:38:18.840 --> 1:38:22.600
<v Speaker 8>comes into to play. And when you finally got a

1:38:22.600 --> 1:38:24.280
<v Speaker 8>point where you sold the Left records, you want to

1:38:24.280 --> 1:38:26.840
<v Speaker 8>do what you want to do too, So a lot

1:38:26.840 --> 1:38:30.360
<v Speaker 8>of that has to had to you gotta they were

1:38:30.360 --> 1:38:33.280
<v Speaker 8>young kids, man, you're talking about back then, you know

1:38:33.560 --> 1:38:38.280
<v Speaker 8>Todd fifteen sixteen, and they going all over the world,

1:38:38.400 --> 1:38:42.240
<v Speaker 8>you know what I mean, public enemy, you know, people

1:38:42.280 --> 1:38:45.040
<v Speaker 8>with them, people not with them, people against them, people

1:38:45.080 --> 1:38:48.760
<v Speaker 8>they fighting wars that you know, Griff, I guess it's

1:38:49.000 --> 1:38:52.320
<v Speaker 8>so much so you had to allow that to happen.

1:38:52.439 --> 1:38:54.760
<v Speaker 8>And what I I'll see and talk to you about it.

1:38:54.800 --> 1:38:58.800
<v Speaker 8>But when a rock act or a pop act, when

1:38:58.840 --> 1:39:03.200
<v Speaker 8>they make that album that you don't what's that. We

1:39:03.360 --> 1:39:06.320
<v Speaker 8>just say it was just a time for them. Republican

1:39:06.680 --> 1:39:10.000
<v Speaker 8>had that moment again. They were early. I'm with you,

1:39:10.000 --> 1:39:12.400
<v Speaker 8>they were just early and we wasn't built for that.

1:39:13.120 --> 1:39:14.559
<v Speaker 8>We just wasn't built for it. And that was the

1:39:14.880 --> 1:39:17.400
<v Speaker 8>and but that was the expression. So who were we

1:39:17.479 --> 1:39:18.000
<v Speaker 8>to judge?

1:39:19.520 --> 1:39:22.800
<v Speaker 1>Was their disappointment and their end of you guys not

1:39:23.080 --> 1:39:26.719
<v Speaker 1>finding because even then I just thought like, oh, they're over,

1:39:26.880 --> 1:39:27.680
<v Speaker 1>they lost.

1:39:27.439 --> 1:39:33.160
<v Speaker 2>It, and I had no clue that. It was later.

1:39:33.040 --> 1:39:36.440
<v Speaker 1>When I found out, like, oh, because Ursula, their publicists

1:39:36.720 --> 1:39:39.839
<v Speaker 1>had to figure out how to market them, and somehow

1:39:39.840 --> 1:39:43.120
<v Speaker 1>she got glowing reviews out of Vibe magazine and the

1:39:44.240 --> 1:39:47.040
<v Speaker 1>well tore roasted them with like a two star review

1:39:47.040 --> 1:39:51.280
<v Speaker 1>of Rolling Stone. But for the most part, she got

1:39:51.280 --> 1:39:54.880
<v Speaker 1>a lot of rock alternative press love that I wasn't

1:39:54.920 --> 1:39:59.439
<v Speaker 1>even expecting them to get. And thus they started slowly

1:39:59.479 --> 1:40:04.559
<v Speaker 1>creeping in to alternative tours out the norm that lane

1:40:04.600 --> 1:40:07.320
<v Speaker 1>for them, right, not just rap sures like like oh okay,

1:40:07.360 --> 1:40:10.240
<v Speaker 1>there are see white people and rockheads that want.

1:40:10.120 --> 1:40:13.800
<v Speaker 2>To hear bring the noise right this stuff And I didn't.

1:40:13.880 --> 1:40:19.000
<v Speaker 8>That was that was the message to you. You could

1:40:20.320 --> 1:40:23.599
<v Speaker 8>in hip hop create many lanes and what they did

1:40:23.840 --> 1:40:27.519
<v Speaker 8>was you got to think back then, nobody was thinking that,

1:40:27.600 --> 1:40:32.439
<v Speaker 8>even with Beastie being what it was, nobody would ever

1:40:32.479 --> 1:40:34.200
<v Speaker 8>think Pee would go there. You know what I mean,

1:40:34.200 --> 1:40:35.880
<v Speaker 8>you got a certain thing from Pe. You know what

1:40:35.920 --> 1:40:38.040
<v Speaker 8>I mean, nobody ever thought they would go there. But

1:40:38.080 --> 1:40:42.360
<v Speaker 8>what what I just Chuck was saying, And again I

1:40:42.360 --> 1:40:45.640
<v Speaker 8>can't quote it because I don't remember that this is

1:40:45.680 --> 1:40:48.679
<v Speaker 8>where we are. It's just where we are.

1:40:49.840 --> 1:40:53.760
<v Speaker 1>One of the more amazing comeback stories in my mind

1:40:53.800 --> 1:40:59.720
<v Speaker 1>for Death Chair was that mister Smith album and I

1:40:59.800 --> 1:41:03.200
<v Speaker 1>did I personally didn't think he could do it a

1:41:03.240 --> 1:41:08.559
<v Speaker 1>third time. You know, it's like no, well, it's like yes, yes,

1:41:08.880 --> 1:41:12.600
<v Speaker 1>initial well his initial l nel l elness run And

1:41:12.960 --> 1:41:15.120
<v Speaker 1>even though I was a fan of walking with the Panther.

1:41:15.520 --> 1:41:17.000
<v Speaker 2>They were the only one in the room.

1:41:18.479 --> 1:41:20.400
<v Speaker 1>Look, it came out the last day of school. It

1:41:20.560 --> 1:41:23.519
<v Speaker 1>was a special home and I graduated. That was my

1:41:23.640 --> 1:41:24.679
<v Speaker 1>soundtrack of the summer.

1:41:24.840 --> 1:41:25.680
<v Speaker 2>I like dropping them.

1:41:26.320 --> 1:41:29.880
<v Speaker 1>And then and then uh, you know, mom said, knock

1:41:29.920 --> 1:41:32.040
<v Speaker 1>you Out was like the comeback, even though we weren't

1:41:32.040 --> 1:41:32.720
<v Speaker 1>supposed to call that.

1:41:33.560 --> 1:41:36.440
<v Speaker 2>And then, you know, once.

1:41:37.920 --> 1:41:42.839
<v Speaker 1>The thing was I read the source review of fourteen

1:41:42.840 --> 1:41:44.120
<v Speaker 1>Shots Shots.

1:41:45.360 --> 1:41:47.840
<v Speaker 8>Which Backseat was on fourteen.

1:41:48.280 --> 1:41:51.439
<v Speaker 2>Yeah, backseat and how coming? What was the other scene?

1:41:52.960 --> 1:41:55.120
<v Speaker 1>But not that remix? The remix was not on that record.

1:41:55.120 --> 1:41:57.439
<v Speaker 1>The remix wasn't had that remix, but on the record.

1:41:57.439 --> 1:42:00.680
<v Speaker 1>I would have gave it something different and the right

1:42:00.720 --> 1:42:04.400
<v Speaker 1>I would get a half. But you know, I mean,

1:42:04.439 --> 1:42:06.680
<v Speaker 1>the legend is that Russell lost his mind at the

1:42:06.720 --> 1:42:10.639
<v Speaker 1>Source review and words were exchanged and all this stuff.

1:42:10.680 --> 1:42:12.519
<v Speaker 8>But all that happened pretty much.

1:42:12.520 --> 1:42:18.120
<v Speaker 1>People counted Ell out, and I guess he wisely just

1:42:18.479 --> 1:42:21.320
<v Speaker 1>stayed silent for a year, all of ninety four, and

1:42:21.360 --> 1:42:25.160
<v Speaker 1>then uh, the first we saw him with his new

1:42:25.200 --> 1:42:27.040
<v Speaker 1>ball head and stuff was in the Flavor in Your

1:42:27.040 --> 1:42:32.200
<v Speaker 1>Ear remix. So was there was there a marketing plan too.

1:42:33.600 --> 1:42:38.240
<v Speaker 2>Two bring Ll back? Or was it just like there's some.

1:42:38.240 --> 1:42:42.040
<v Speaker 1>Spaghetti and throw it on the wall and see what sticks.

1:42:42.040 --> 1:42:45.240
<v Speaker 8>Todd And if you speak to him, he'll tell you.

1:42:45.360 --> 1:42:50.720
<v Speaker 2>Let me tell you something phenomenal, phenomenal.

1:42:53.720 --> 1:42:57.639
<v Speaker 8>He was like his good luck charm and the Smith,

1:42:57.720 --> 1:43:04.960
<v Speaker 8>mister Smith, you know, Chris. That was the last Todd

1:43:04.960 --> 1:43:10.479
<v Speaker 8>album we worked on together because he left soon after that.

1:43:14.160 --> 1:43:18.719
<v Speaker 8>You gotta understand something L L Cool day is hot.

1:43:18.840 --> 1:43:21.320
<v Speaker 8>I usually DJ Man you couldn't tell me now, no,

1:43:21.479 --> 1:43:24.000
<v Speaker 8>rapp up, I was a fan fan, So you mean

1:43:24.080 --> 1:43:30.640
<v Speaker 8>to tell me that llll no, that's he's He was

1:43:31.000 --> 1:43:35.160
<v Speaker 8>hakon to me. I wanted to Todd, So there was

1:43:35.200 --> 1:43:39.360
<v Speaker 8>no way that he was then. He was that. He

1:43:39.479 --> 1:43:41.680
<v Speaker 8>was always going to be this to me, To me,

1:43:42.080 --> 1:43:43.240
<v Speaker 8>so I treated him like that.

1:43:43.600 --> 1:43:46.320
<v Speaker 1>And you're saying this means you're pointing up on a

1:43:46.360 --> 1:43:46.920
<v Speaker 1>higher level.

1:43:46.960 --> 1:43:50.960
<v Speaker 8>Yeah, he God, he was always that to me and

1:43:51.000 --> 1:43:56.479
<v Speaker 8>so to me. I never looked at it as him

1:43:57.040 --> 1:44:00.640
<v Speaker 8>making a comeback. I thought every album was an experimentation

1:44:00.760 --> 1:44:04.280
<v Speaker 8>of where he was as an artist and certain things

1:44:04.320 --> 1:44:05.960
<v Speaker 8>he tried. You know what I mean, because even on

1:44:06.000 --> 1:44:08.160
<v Speaker 8>fourteen Shots, you know, I was trying to say, your

1:44:08.240 --> 1:44:10.320
<v Speaker 8>back back seat is the record, you guys, is the

1:44:10.400 --> 1:44:13.320
<v Speaker 8>back seat is the record? I said that Pink Cookie,

1:44:13.560 --> 1:44:15.719
<v Speaker 8>what we talked talk We gotta have a conversation about.

1:44:15.479 --> 1:44:19.760
<v Speaker 1>That, that backseat.

1:44:20.200 --> 1:44:25.160
<v Speaker 8>Yeah, I said, we had that real conversation, but it

1:44:25.200 --> 1:44:28.680
<v Speaker 8>was I have to be honest with you. That is

1:44:28.720 --> 1:44:34.280
<v Speaker 8>why today we're still friends, because we went through every

1:44:34.280 --> 1:44:37.280
<v Speaker 8>moment that you can go through. I remember when when

1:44:37.960 --> 1:44:45.519
<v Speaker 8>he dropped Headstrong uh record and he uh that was

1:44:45.520 --> 1:44:48.640
<v Speaker 8>his last number one album, two hundred thousand copies, and

1:44:48.680 --> 1:44:51.680
<v Speaker 8>he called me and said, you always believed in me.

1:44:52.880 --> 1:44:56.720
<v Speaker 8>You never stopped believing in me. I'm gonna love you

1:44:56.800 --> 1:45:02.880
<v Speaker 8>better record, he said, you never stopped until this day.

1:45:02.920 --> 1:45:04.880
<v Speaker 8>Just so I never looked at it like come back

1:45:04.960 --> 1:45:07.360
<v Speaker 8>and come that. I never looked because again, these were

1:45:08.040 --> 1:45:11.160
<v Speaker 8>they were friends too. So what you know now, do

1:45:11.280 --> 1:45:12.680
<v Speaker 8>we have to go to work? Do we have to

1:45:12.680 --> 1:45:14.960
<v Speaker 8>do things differently? Do we had to go see different Yeah?

1:45:14.960 --> 1:45:17.519
<v Speaker 8>We had to do that. But that's what it's all about.

1:45:17.680 --> 1:45:19.519
<v Speaker 8>To me, That's what evolution is all about. It's not

1:45:19.560 --> 1:45:22.439
<v Speaker 8>about I'd rather have the hard time. How about this?

1:45:23.439 --> 1:45:25.640
<v Speaker 8>Let me do that because you can remember me. You

1:45:25.720 --> 1:45:27.920
<v Speaker 8>gonna know I went there, was with you the whole

1:45:27.960 --> 1:45:30.000
<v Speaker 8>time and figured it out with you.

1:45:30.479 --> 1:45:35.120
<v Speaker 1>So for a record like mister Smith, and for the

1:45:35.160 --> 1:45:40.000
<v Speaker 1>potential singles that it had, there's one important element in

1:45:40.040 --> 1:45:43.640
<v Speaker 1>the story that we kind of didn't mention, which was

1:45:43.760 --> 1:45:49.639
<v Speaker 1>the the the uprise and the power that a certain

1:45:49.680 --> 1:45:53.840
<v Speaker 1>New York radio station had, which was Hot ninety seven.

1:45:54.240 --> 1:45:55.920
<v Speaker 2>Hope I'm allowed to say that, you know.

1:45:57.520 --> 1:46:01.559
<v Speaker 1>On my own show, Scott Ye was that allowed?

1:46:01.920 --> 1:46:04.679
<v Speaker 2>They're good? Okay? Okay? I just need to be technical.

1:46:09.600 --> 1:46:12.679
<v Speaker 1>Not that I would expect you to give me the

1:46:13.720 --> 1:46:21.320
<v Speaker 1>dirty low down, but I mean, by this point, especially

1:46:21.360 --> 1:46:23.559
<v Speaker 1>with nineteen ninety six coming up in the race, what's

1:46:23.600 --> 1:46:25.160
<v Speaker 1>the telecommunications that?

1:46:25.640 --> 1:46:25.840
<v Speaker 2>Yeah?

1:46:26.160 --> 1:46:36.479
<v Speaker 10>Tell god, what the fuck? You like a paralegal? You

1:46:37.439 --> 1:46:38.840
<v Speaker 10>you deserve your own noise?

1:46:38.880 --> 1:46:44.680
<v Speaker 2>Don't for a fact check? That was and then you

1:46:44.720 --> 1:46:49.920
<v Speaker 2>looked at the fact checker.

1:46:50.520 --> 1:46:55.320
<v Speaker 1>I know that you guys were playing to win. I

1:46:55.360 --> 1:46:59.840
<v Speaker 1>know that by this point bad boys really established, trying

1:46:59.880 --> 1:47:02.840
<v Speaker 1>to established themselves as as the sheriff of the block.

1:47:04.080 --> 1:47:06.840
<v Speaker 2>Oh god, I didn't even mention death Row.

1:47:08.920 --> 1:47:11.760
<v Speaker 1>You know, there are other labels that are vying for

1:47:11.800 --> 1:47:15.160
<v Speaker 1>that number one spot, and we know that. And for

1:47:15.200 --> 1:47:19.559
<v Speaker 1>the most part, in an hour, you could probably squeeze

1:47:19.600 --> 1:47:23.920
<v Speaker 1>in six to seven songs. You guys are starting your

1:47:24.000 --> 1:47:28.160
<v Speaker 1>muscle period at least of you know of about to

1:47:28.880 --> 1:47:30.600
<v Speaker 1>you know, show what No.

1:47:30.760 --> 1:47:33.760
<v Speaker 7>But I'm just saying that it's true though.

1:47:35.000 --> 1:47:36.200
<v Speaker 4>That's a nice way to say it.

1:47:38.200 --> 1:47:41.800
<v Speaker 1>You know, is this some Mars Levy Part two?

1:47:41.920 --> 1:47:42.360
<v Speaker 2>Things like.

1:47:43.920 --> 1:47:48.280
<v Speaker 1>How do you muscle radio to stay on your side?

1:47:48.680 --> 1:47:48.760
<v Speaker 2>Like?

1:47:48.920 --> 1:47:49.160
<v Speaker 8>Is it?

1:47:49.280 --> 1:47:49.400
<v Speaker 2>Like?

1:47:49.760 --> 1:47:52.400
<v Speaker 1>Yo, I'm really feeling that song doing it? Okay, I'm

1:47:52.400 --> 1:47:54.759
<v Speaker 1>gonna just play it a whole forty two billion times?

1:47:56.439 --> 1:48:00.680
<v Speaker 1>Or is it a new level of taking hands and

1:48:00.720 --> 1:48:03.759
<v Speaker 1>kiss some babies that you probably can't technically get into?

1:48:05.240 --> 1:48:07.880
<v Speaker 2>Like has that ever stopped? U?

1:48:08.200 --> 1:48:12.160
<v Speaker 8>Let me let me say this to you. And I

1:48:12.160 --> 1:48:16.479
<v Speaker 8>couldn't say this, not one thing but Hot ninety seven

1:48:17.560 --> 1:48:21.840
<v Speaker 8>with okay with I'm telling him he's actually about how

1:48:21.840 --> 1:48:23.160
<v Speaker 8>we talked Hot ninety.

1:48:22.920 --> 1:48:25.320
<v Speaker 1>Seven right, Well yeah, I mean, well, you know, we

1:48:25.360 --> 1:48:28.000
<v Speaker 1>live in New York City and Hot ninety seven is

1:48:28.040 --> 1:48:32.960
<v Speaker 1>the station that if flex is feeling it, then chances.

1:48:32.600 --> 1:48:35.200
<v Speaker 2>Are that the ripple effect's going to happen.

1:48:35.240 --> 1:48:37.600
<v Speaker 1>And this guy in Cleveland's going to play it, this

1:48:37.680 --> 1:48:39.200
<v Speaker 1>station Seattle's going to play it.

1:48:39.520 --> 1:48:40.839
<v Speaker 2>But the thing is is that.

1:48:43.040 --> 1:48:48.719
<v Speaker 1>I I wouldn't believe that. Okay, a fan is calling in, Yes,

1:48:49.000 --> 1:48:51.240
<v Speaker 1>I need to hear doing it by llo Like.

1:48:52.200 --> 1:48:54.639
<v Speaker 8>Again, let me give you the truth though, So.

1:48:54.920 --> 1:48:57.360
<v Speaker 1>Like you, you're you're a guy that had hits, You

1:48:57.400 --> 1:49:00.200
<v Speaker 1>have hits under your belt. How do you make sure

1:49:00.280 --> 1:49:04.080
<v Speaker 1>those hits keep coming and that they're and I mean,

1:49:04.200 --> 1:49:09.080
<v Speaker 1>like a song for you, A good day of radio

1:49:09.360 --> 1:49:13.120
<v Speaker 1>rotation is how many times at its height, how many

1:49:13.160 --> 1:49:16.240
<v Speaker 1>times do you want your hit song played?

1:49:17.080 --> 1:49:20.400
<v Speaker 2>A day on one station? Is it thirty five times

1:49:20.400 --> 1:49:20.760
<v Speaker 2>a day?

1:49:21.120 --> 1:49:24.200
<v Speaker 8>I don't think any one particular record will play thirty

1:49:24.200 --> 1:49:26.040
<v Speaker 8>five times a day, because if it did, it would

1:49:26.080 --> 1:49:29.479
<v Speaker 8>play thirty five times seven whatever. But let me give

1:49:29.479 --> 1:49:30.120
<v Speaker 8>you this.

1:49:30.040 --> 1:49:33.120
<v Speaker 1>And I'm not This is not a hostile gotcha question, No,

1:49:33.800 --> 1:49:35.559
<v Speaker 1>I just I just want to know that the science

1:49:35.680 --> 1:49:42.120
<v Speaker 1>of how like for me growing up and remembering radio,

1:49:42.240 --> 1:49:44.439
<v Speaker 1>it was like the DJ wants to be the cool dude,

1:49:44.439 --> 1:49:46.599
<v Speaker 1>and hey, I'm gonna put you onto this record. Oh,

1:49:46.640 --> 1:49:49.519
<v Speaker 1>I might play this album cut where Now it's like,

1:49:49.560 --> 1:49:52.639
<v Speaker 1>I don't think you know you guys, A label would

1:49:52.640 --> 1:49:54.760
<v Speaker 1>frown on an album cut, Like if it were up

1:49:54.800 --> 1:49:58.479
<v Speaker 1>to me playing mister Smith, I would play that no airplay,

1:49:58.800 --> 1:50:08.160
<v Speaker 1>play right airplace you wouldn't play, y'all, No, I see,

1:50:08.200 --> 1:50:11.519
<v Speaker 1>I would play the Eric Eric Sarmon remix the thing

1:50:12.320 --> 1:50:14.760
<v Speaker 1>I actually girl, you know it's true and didn't get

1:50:14.840 --> 1:50:16.519
<v Speaker 1>caught and I don't want to mention it and get

1:50:16.520 --> 1:50:23.240
<v Speaker 1>a lawsuit on I'm going to say that. Okay, a

1:50:23.320 --> 1:50:30.880
<v Speaker 1>record like doing it, what are you expecting? Hot ninety seven?

1:50:31.600 --> 1:50:33.080
<v Speaker 1>How many times do you want to hear it in

1:50:33.120 --> 1:50:35.720
<v Speaker 1>a twenty four hour period? Heavy rotation I mean, is

1:50:35.760 --> 1:50:36.880
<v Speaker 1>that eighteen times a day?

1:50:37.760 --> 1:50:40.879
<v Speaker 8>So I think at that particular time that was probably

1:50:41.160 --> 1:50:43.320
<v Speaker 8>most probably sixty two times in a week.

1:50:43.800 --> 1:50:45.400
<v Speaker 2>So if you oh, so you're going by week, you're

1:50:45.400 --> 1:50:45.960
<v Speaker 2>not going by.

1:50:45.920 --> 1:50:50.639
<v Speaker 8>Daily, no, because that you because program changed over the weekend.

1:50:50.680 --> 1:50:54.120
<v Speaker 8>They go to weekend programming. It's it's different stuff. And

1:50:54.160 --> 1:50:55.760
<v Speaker 8>back then it was call out, you know what I mean?

1:50:55.840 --> 1:50:57.920
<v Speaker 8>Where if the record called out? And then it still

1:50:57.960 --> 1:51:00.200
<v Speaker 8>is now and now it's PPM and all these ferent

1:51:00.240 --> 1:51:02.360
<v Speaker 8>kind of metrics and that are going on. But I

1:51:02.439 --> 1:51:05.920
<v Speaker 8>have to say what people forgot and what we try

1:51:05.960 --> 1:51:10.160
<v Speaker 8>to radio was the last stop with us. Okay, we're

1:51:10.160 --> 1:51:13.280
<v Speaker 8>doing it of ques. If you came to the tunnel

1:51:13.320 --> 1:51:18.479
<v Speaker 8>with me and heard what cap did God rest his

1:51:18.560 --> 1:51:24.519
<v Speaker 8>soul in the walking hour? And then what flex did

1:51:25.240 --> 1:51:28.839
<v Speaker 8>doing it? Drinks got spilled everys soon as that beginning

1:51:28.880 --> 1:51:31.360
<v Speaker 8>came on, it was and we made all made sure

1:51:31.439 --> 1:51:35.360
<v Speaker 8>all our records that we went to radio with they

1:51:35.479 --> 1:51:38.760
<v Speaker 8>had to get. We called it the tunnel tests. If

1:51:38.800 --> 1:51:41.479
<v Speaker 8>you play between twelve and three o'clock and the tunnel

1:51:43.120 --> 1:51:45.880
<v Speaker 8>get at me dog. When we dropped out of the door,

1:51:45.880 --> 1:51:49.400
<v Speaker 8>we knew it wasn't going to be a big radio record,

1:51:49.560 --> 1:51:53.200
<v Speaker 8>but it lit the tunnel up redmen the method man

1:51:55.720 --> 1:52:01.519
<v Speaker 8>how no no, yeah, rock water those the two verses

1:52:01.560 --> 1:52:06.000
<v Speaker 8>and the but you go when you went to the

1:52:06.000 --> 1:52:10.439
<v Speaker 8>tunnel the place with And so my thing is, so,

1:52:10.479 --> 1:52:11.080
<v Speaker 8>who do you.

1:52:11.040 --> 1:52:15.200
<v Speaker 1>Have to convince at whatever radios? And I'm not even

1:52:15.240 --> 1:52:17.200
<v Speaker 1>gonna sing on Hot ninety seven, who do you have

1:52:17.280 --> 1:52:17.839
<v Speaker 1>to convince?

1:52:18.479 --> 1:52:18.719
<v Speaker 2>At?

1:52:18.880 --> 1:52:22.479
<v Speaker 1>First of all, are you at this point talking to

1:52:22.840 --> 1:52:27.160
<v Speaker 1>a Clear Channel person who control or who controls one

1:52:27.200 --> 1:52:29.200
<v Speaker 1>hundred staces across the area.

1:52:29.280 --> 1:52:33.719
<v Speaker 8>Then back then, so you had individual individual program directors.

1:52:33.720 --> 1:52:35.920
<v Speaker 8>So back then it was Steve Smith and Tracy Clardy

1:52:35.960 --> 1:52:40.000
<v Speaker 8>at Hot ninety seven. Today is THEO Mitcham and g

1:52:40.200 --> 1:52:43.519
<v Speaker 8>where's at power one oh five? Just for New York.

1:52:43.520 --> 1:52:45.120
<v Speaker 8>I mean there's a lot of but then there's now

1:52:45.120 --> 1:52:49.040
<v Speaker 8>there's clusters too. So THEA runs a cluster, and there's

1:52:49.320 --> 1:52:51.479
<v Speaker 8>Doc Winner who runs the urban cluster for all of

1:52:51.920 --> 1:52:58.200
<v Speaker 8>Clear Channel, and then there's Jay Stevens for Radio one cluster,

1:52:58.520 --> 1:53:03.160
<v Speaker 8>and then Ken Johnsen and foot one of those down

1:53:03.200 --> 1:53:05.920
<v Speaker 8>the south whatever. So it's it's clustered now, but back

1:53:05.920 --> 1:53:08.439
<v Speaker 8>then it was individual program director. Is the music directors?

1:53:08.600 --> 1:53:08.920
<v Speaker 2>Okay?

1:53:09.000 --> 1:53:13.599
<v Speaker 1>So I'll say a few episodes back, we have Former

1:53:13.760 --> 1:53:20.080
<v Speaker 1>President Beat Former Still President and BT.

1:53:18.600 --> 1:53:19.679
<v Speaker 2>No I'm sorry.

1:53:19.720 --> 1:53:29.400
<v Speaker 1>It is February and Stephen Hill mentioned one of his

1:53:29.479 --> 1:53:33.280
<v Speaker 1>regrets when he first worked at MTV was that he

1:53:33.800 --> 1:53:36.679
<v Speaker 1>probably could have lit a fire under them to really

1:53:36.800 --> 1:53:39.920
<v Speaker 1>give more support to your all. I need to get

1:53:39.920 --> 1:53:43.800
<v Speaker 1>by by Method Man and Marriag J Blige and now

1:53:43.800 --> 1:53:45.839
<v Speaker 1>in my head, I was like, wait, that record was everywhere,

1:53:45.960 --> 1:53:48.280
<v Speaker 1>So of course he's like nope, He's like, it could

1:53:48.320 --> 1:53:51.719
<v Speaker 1>have been even stronger. It could have been so much

1:53:51.760 --> 1:53:56.799
<v Speaker 1>more and bigger and way ubiquitous. So for a record

1:53:57.040 --> 1:54:05.360
<v Speaker 1>like that, you know, how do you convince? First of all,

1:54:05.360 --> 1:54:08.400
<v Speaker 1>why would people resist? Why would people have resistance to

1:54:08.439 --> 1:54:12.320
<v Speaker 1>it because it was just an unorthodox sounding street song.

1:54:12.439 --> 1:54:15.719
<v Speaker 8>Or I think method Man had more to do why

1:54:15.760 --> 1:54:20.120
<v Speaker 8>people didn't go immediately on that record.

1:54:20.120 --> 1:54:21.720
<v Speaker 1>I was just like, oh, this is an instant hit.

1:54:22.000 --> 1:54:24.799
<v Speaker 8>It was an instant hit. But you got to understand something.

1:54:24.960 --> 1:54:33.160
<v Speaker 8>So back then people wanted to be safe, and method

1:54:33.200 --> 1:54:34.240
<v Speaker 8>Man wasn't safe for them.

1:54:34.720 --> 1:54:35.560
<v Speaker 2>That wasn't safe.

1:54:35.760 --> 1:54:46.320
<v Speaker 8>The record was safe. Method Man the personality also, yes, yes, yes, listen,

1:54:46.360 --> 1:54:49.920
<v Speaker 8>I had a record. So I'm gonna give you a

1:54:52.000 --> 1:54:56.320
<v Speaker 8>uh I would say, what you know, migos right now,

1:54:56.560 --> 1:54:58.600
<v Speaker 8>record bad bad, and Bougie.

1:54:58.640 --> 1:55:02.440
<v Speaker 1>About to say, yes, life has changed for you since

1:55:02.480 --> 1:55:07.720
<v Speaker 1>Donald Glover a long time ago during the one or

1:55:07.720 --> 1:55:11.040
<v Speaker 1>two back gave a shout out now, shout out.

1:55:10.920 --> 1:55:19.040
<v Speaker 8>To Donald Glover. G So we couldn't get migos on

1:55:19.600 --> 1:55:20.320
<v Speaker 8>late night TV.

1:55:21.160 --> 1:55:26.200
<v Speaker 2>Mm hmm, bro, I'll talk to you about that.

1:55:26.240 --> 1:55:29.560
<v Speaker 8>But we couldn't. We couldn't.

1:55:29.640 --> 1:55:30.280
<v Speaker 2>I would love them.

1:55:30.520 --> 1:55:36.240
<v Speaker 8>Magazines couldn't get certain things, and so the group was like,

1:55:36.240 --> 1:55:38.920
<v Speaker 8>well why can't, why can't we? And then a moment

1:55:38.960 --> 1:55:43.800
<v Speaker 8>happened and now everybody fighting over everybody, And so I

1:55:43.840 --> 1:55:49.760
<v Speaker 8>can only say this to you to say Radio didn't

1:55:49.800 --> 1:55:52.640
<v Speaker 8>see them. There's a club group. You know. Radio didn't

1:55:52.640 --> 1:55:55.320
<v Speaker 8>see them a certain way. TV didn't see him a

1:55:55.320 --> 1:55:57.920
<v Speaker 8>certain way. And you gotta think about method man.

1:56:00.120 --> 1:56:04.040
<v Speaker 4>At that time, he was kind of dirty looking.

1:56:04.400 --> 1:56:05.960
<v Speaker 8>He started to cook. That was the moment we started

1:56:05.960 --> 1:56:06.520
<v Speaker 8>to clean them up.

1:56:07.120 --> 1:56:09.640
<v Speaker 2>I thought he was the accessible.

1:56:09.320 --> 1:56:11.080
<v Speaker 4>But can I just say, just for the record, somebody

1:56:11.240 --> 1:56:14.200
<v Speaker 4>pred told me once that the Roots didn't have enough personality,

1:56:14.200 --> 1:56:15.960
<v Speaker 4>Like if you really think that is not like that?

1:56:16.400 --> 1:56:17.960
<v Speaker 4>It's like really, And I was like, what are you

1:56:18.040 --> 1:56:23.440
<v Speaker 4>talking about that. I told you that, like what are

1:56:23.480 --> 1:56:25.959
<v Speaker 4>you talking about? But does this and you'd be surprised

1:56:25.960 --> 1:56:27.080
<v Speaker 4>that the whole personality thing.

1:56:27.040 --> 1:56:31.520
<v Speaker 1>Just well, that's the thing, like what really determines a hit?

1:56:31.840 --> 1:56:35.560
<v Speaker 1>Like can we because you know, I came from an

1:56:35.600 --> 1:56:38.320
<v Speaker 1>era where it was like, hey, if we just get

1:56:38.360 --> 1:56:41.920
<v Speaker 1>somebody sing some R and b H, you guys are

1:56:41.920 --> 1:56:45.880
<v Speaker 1>going to have a hit. And that's not necessarily the case.

1:56:46.280 --> 1:56:49.760
<v Speaker 1>And then you know it's like if you fall into

1:56:50.080 --> 1:56:51.200
<v Speaker 1>a nepotism loop.

1:56:52.360 --> 1:56:53.720
<v Speaker 2>Okay, let's take Foxy.

1:56:53.400 --> 1:57:01.040
<v Speaker 1>Brownsment I shot you was her first appearance or was it?

1:57:01.080 --> 1:57:05.280
<v Speaker 2>Ain't? No, Like no, got shot you? Was not anything five.

1:57:05.360 --> 1:57:07.480
<v Speaker 8>I think I think that shot to be honest with you,

1:57:07.560 --> 1:57:12.680
<v Speaker 8>I think her first appearance was I shot you and

1:57:12.720 --> 1:57:15.360
<v Speaker 8>then it was ain't. No. It's twenty years ago, so it.

1:57:15.320 --> 1:57:18.080
<v Speaker 1>Would have been would have been a hard sale for

1:57:18.160 --> 1:57:21.800
<v Speaker 1>you guys to push got to get you home or

1:57:21.960 --> 1:57:25.240
<v Speaker 1>or uh uh uh, I'll be good, I'll be the

1:57:26.440 --> 1:57:30.160
<v Speaker 1>angel right. Would have been harder for you guys to

1:57:30.600 --> 1:57:36.560
<v Speaker 1>promote her had she not had the nepotism association of

1:57:36.880 --> 1:57:40.680
<v Speaker 1>being on a Posse cut, doing first, doing a good

1:57:40.760 --> 1:57:42.520
<v Speaker 1>job on a Possey cut. But I don't even think

1:57:42.960 --> 1:57:45.600
<v Speaker 1>doing a good job or doing a bad job even

1:57:45.640 --> 1:57:50.280
<v Speaker 1>matters today in two thousand and six times, But no,

1:57:50.360 --> 1:57:53.720
<v Speaker 1>back then, it was like, oh shit, she right and

1:57:53.760 --> 1:57:56.879
<v Speaker 1>she looked good. So this is a can't lose situation,

1:57:57.520 --> 1:58:01.000
<v Speaker 1>like to break out an artist of that level? Was

1:58:01.040 --> 1:58:03.920
<v Speaker 1>it a hard cell? Like do you have to have

1:58:04.880 --> 1:58:10.200
<v Speaker 1>pinpoint board and whiteboard and do all these like mathematic

1:58:10.440 --> 1:58:14.600
<v Speaker 1>theories for radio programmers to see your vision on a

1:58:14.640 --> 1:58:17.800
<v Speaker 1>Foxy Brown or a job someone to unprove it.

1:58:17.840 --> 1:58:24.320
<v Speaker 8>So it's okay. So our secret sauce was we never

1:58:24.440 --> 1:58:27.880
<v Speaker 8>worked just the record. We always believed we were working

1:58:27.880 --> 1:58:35.080
<v Speaker 8>a brand. So Foxy wasn't about what was the record, uh,

1:58:35.600 --> 1:58:39.120
<v Speaker 8>the big record get your Home? It wasn't just get

1:58:39.160 --> 1:58:41.120
<v Speaker 8>you home. It was about as much as get you

1:58:41.160 --> 1:58:44.160
<v Speaker 8>home as a shatcha. It was both. It was the

1:58:44.200 --> 1:58:46.680
<v Speaker 8>same amount of effort because we were building a brand,

1:58:47.120 --> 1:58:50.040
<v Speaker 8>and in building a brand you gotta lay a solid foundation.

1:58:50.520 --> 1:58:52.960
<v Speaker 8>So it's never about radio. To me, it was just

1:58:52.960 --> 1:58:55.480
<v Speaker 8>not the radio became Okay, I got the street lot,

1:58:55.560 --> 1:58:57.760
<v Speaker 8>I got the sheet. People respect it. Okay, we put

1:58:57.800 --> 1:58:59.920
<v Speaker 8>it with this person, Okay, we put on this tour. Okay,

1:59:00.080 --> 1:59:01.080
<v Speaker 8>now we ready for.

1:59:01.040 --> 1:59:03.040
<v Speaker 1>That, But does it help to also have the deft

1:59:03.080 --> 1:59:08.480
<v Speaker 1>cham logo in other words like uh, well not.

1:59:10.440 --> 1:59:13.960
<v Speaker 2>Have you ever got what's what's it? What's what's a.

1:59:14.000 --> 1:59:20.800
<v Speaker 1>Heartbreaking know that you got during your stretch? Okay, Jay

1:59:20.920 --> 1:59:23.839
<v Speaker 1>hates and I think he does it just to be asshole.

1:59:23.880 --> 1:59:29.640
<v Speaker 1>Sometimes he hates in my lifetime, like just the I

1:59:29.800 --> 1:59:31.240
<v Speaker 1>think you know.

1:59:30.840 --> 1:59:35.480
<v Speaker 2>I don't like it. Whatever Volume one, Volume one, yeah, yeah, yeah,

1:59:35.520 --> 1:59:36.360
<v Speaker 2>well no, no.

1:59:36.200 --> 1:59:40.160
<v Speaker 8>No, is that the one that had touched my heart?

1:59:40.960 --> 1:59:41.160
<v Speaker 2>Yeah?

1:59:41.160 --> 1:59:46.840
<v Speaker 1>Sunshine now doing like Sunshine? How are you guys working Sunshine?

1:59:47.920 --> 1:59:51.000
<v Speaker 1>And to the point where now Dame's like, yo, we

1:59:51.080 --> 1:59:54.480
<v Speaker 1>got to make a street movie real quick and get

1:59:54.560 --> 1:59:57.680
<v Speaker 1>him back to home base and establish the street cred

1:59:57.960 --> 2:00:01.080
<v Speaker 1>because I didn't even see it as like, oh, you're

2:00:01.080 --> 2:00:04.560
<v Speaker 1>losing your street cred by rhyming over with Babyface.

2:00:04.720 --> 2:00:12.400
<v Speaker 8>It was reach but wait, it's.

2:00:12.600 --> 2:00:16.160
<v Speaker 1>It's almost like I'm sorry only because the Flaming Lips

2:00:16.840 --> 2:00:19.520
<v Speaker 1>were recently on The Tonight Show a long time ago,

2:00:19.800 --> 2:00:24.080
<v Speaker 1>and I think about the whole New I think about

2:00:24.080 --> 2:00:28.560
<v Speaker 1>the whole New Rock Uh Flaming Lips video fiasco where

2:00:28.560 --> 2:00:32.800
<v Speaker 1>it's like where it was like that was, and I'm like,

2:00:32.840 --> 2:00:35.160
<v Speaker 1>you shot the video with him, like, how did you

2:00:35.200 --> 2:00:38.800
<v Speaker 1>not know that? But for me, he recorded the record,

2:00:39.600 --> 2:00:43.000
<v Speaker 1>he made the video and he was obviously reaching.

2:00:43.160 --> 2:00:43.360
<v Speaker 3>Yeah.

2:00:43.360 --> 2:00:45.200
<v Speaker 2>It's like it's a committee. Like Nick, It's like saying

2:00:45.240 --> 2:00:47.600
<v Speaker 2>I accidentally posted a picture Instagram. I know you didn't

2:00:47.640 --> 2:00:49.600
<v Speaker 2>you know how many steps to take the post picture Instagram?

2:00:49.600 --> 2:00:54.200
<v Speaker 8>I think he experimented, made made a record.

2:00:55.880 --> 2:00:59.120
<v Speaker 1>But why could a song like Sunshine, which by the

2:00:59.200 --> 2:01:02.400
<v Speaker 1>numbers should have won.

2:01:02.680 --> 2:01:04.720
<v Speaker 2>But that's just wasn't a good song though like that,

2:01:04.800 --> 2:01:07.880
<v Speaker 2>but what is a good song? During that period? It

2:01:07.960 --> 2:01:10.800
<v Speaker 2>effective or not right that it was ineffective.

2:01:11.120 --> 2:01:17.120
<v Speaker 1>But the thing is is that Okay, give me, okay,

2:01:17.760 --> 2:01:21.640
<v Speaker 1>what's that I'm.

2:01:21.440 --> 2:01:23.400
<v Speaker 2>Trying to think, give me, give me, give me a job.

2:01:23.440 --> 2:01:25.800
<v Speaker 2>Will either put it on me or I mean all

2:01:25.840 --> 2:01:30.960
<v Speaker 2>of them, job put on me? You want to do?

2:01:31.000 --> 2:01:35.360
<v Speaker 2>I do sample everybody living it up? That was the

2:01:35.400 --> 2:01:36.919
<v Speaker 2>living it up. It's the formula.

2:01:37.040 --> 2:01:39.800
<v Speaker 1>Okay, okay, let's take a living I actually would give

2:01:39.800 --> 2:01:45.680
<v Speaker 1>the advantage to living it up. But I'm trying to

2:01:45.680 --> 2:01:48.520
<v Speaker 1>think of like just a hit for def Jam that.

2:01:48.760 --> 2:01:55.040
<v Speaker 2>Was like it's a hit. Uh, okay, let's go with

2:01:55.640 --> 2:01:59.080
<v Speaker 2>Gotta Get You Home? That was That was a jam.

2:01:59.360 --> 2:02:01.960
<v Speaker 2>Well it was it because it was a hit. It

2:02:02.040 --> 2:02:06.040
<v Speaker 2>was like you were told Illmatic was a classic? Was

2:02:06.080 --> 2:02:08.720
<v Speaker 2>it a classic? You instantly?

2:02:08.920 --> 2:02:12.000
<v Speaker 1>You were told instantly I read it Illmatic right, it

2:02:12.040 --> 2:02:13.640
<v Speaker 1>was like it's almost.

2:02:13.400 --> 2:02:15.920
<v Speaker 2>Like like your hand was forced on it.

2:02:15.920 --> 2:02:21.520
<v Speaker 1>Like why why wasn't Why wasn't the machine that built

2:02:22.080 --> 2:02:25.960
<v Speaker 1>by nineteen ninety seven, you guys had a formula so

2:02:26.840 --> 2:02:28.640
<v Speaker 1>amazingly like bulletproof.

2:02:29.680 --> 2:02:31.240
<v Speaker 2>Why couldn't that work for Sunshine?

2:02:33.000 --> 2:02:39.840
<v Speaker 8>Because I believe good records work and bad ones don't.

2:02:41.760 --> 2:02:44.680
<v Speaker 2>Wow, that shit won't.

2:02:47.120 --> 2:02:52.040
<v Speaker 8>And by the way, like the record, and I worked

2:02:52.040 --> 2:02:54.040
<v Speaker 8>the record, I was mad at people, y'all not gonna

2:02:54.080 --> 2:02:58.000
<v Speaker 8>play Babyface Foxy and y'all not gonna play that, and

2:02:58.040 --> 2:03:01.520
<v Speaker 8>I took offense to it. But the art of being

2:03:01.560 --> 2:03:06.120
<v Speaker 8>a promo guy, there will be another record. I'm never

2:03:06.120 --> 2:03:10.440
<v Speaker 8>worried about whether people would uh play the record or not,

2:03:10.440 --> 2:03:12.880
<v Speaker 8>because I'm gonna come back with him back and guess

2:03:12.920 --> 2:03:17.960
<v Speaker 8>what Jay's next album. I reminded him.

2:03:17.480 --> 2:03:20.640
<v Speaker 1>Okay, wait, wait, wait, time out time, because I really

2:03:20.640 --> 2:03:23.280
<v Speaker 1>want to talk to you about your rock and feller

2:03:23.360 --> 2:03:25.480
<v Speaker 1>relationship with Damon Dash and I know you're so tired

2:03:25.520 --> 2:03:28.880
<v Speaker 1>of talking about the jackets and argument.

2:03:28.920 --> 2:03:30.600
<v Speaker 8>I was never tired of talking about the jackets.

2:03:30.720 --> 2:03:31.320
<v Speaker 2>He was.

2:03:34.120 --> 2:03:34.400
<v Speaker 8>To day.

2:03:34.880 --> 2:03:42.000
<v Speaker 1>So he comes at you, guys with the song that's

2:03:42.040 --> 2:03:48.000
<v Speaker 1>like seventy seven beats per minute. It wasn't even it

2:03:48.040 --> 2:03:53.600
<v Speaker 1>wasn't even a jam. So right, life, what in my

2:03:53.720 --> 2:03:59.000
<v Speaker 1>life is a hard song to blend in mixing. It's

2:03:59.120 --> 2:04:02.920
<v Speaker 1>very slow in today's environment where the average song is

2:04:02.960 --> 2:04:08.400
<v Speaker 1>eighty two. Yeah, like she could work in twenty sixteen,

2:04:09.080 --> 2:04:13.160
<v Speaker 1>but back in nineteen ninety eight, there was no the

2:04:13.280 --> 2:04:17.960
<v Speaker 1>average meter was was was ninety seven, ninety eight, ninety nine.

2:04:18.360 --> 2:04:20.960
<v Speaker 1>He's coming at you with the record that's eighty two bpms.

2:04:21.240 --> 2:04:22.520
<v Speaker 1>There's a bunch of kids singing.

2:04:23.240 --> 2:04:25.320
<v Speaker 2>You know. It was a risk, like a Broadway song.

2:04:26.240 --> 2:04:26.960
<v Speaker 8>Delivery is weird.

2:04:28.040 --> 2:04:31.960
<v Speaker 2>Yeah, how did you guys? Now? That? To me was

2:04:32.000 --> 2:04:34.160
<v Speaker 2>the hell Mary throw of all hell Marys.

2:04:34.200 --> 2:04:35.880
<v Speaker 9>I think the novelty was part of it, just because

2:04:35.920 --> 2:04:37.560
<v Speaker 9>of the fact that it was a very slow song

2:04:37.600 --> 2:04:38.160
<v Speaker 9>with the whole.

2:04:38.200 --> 2:04:41.400
<v Speaker 2>The ironic song, because he tried it again with anything

2:04:41.440 --> 2:04:42.240
<v Speaker 2>that didn't work.

2:04:42.320 --> 2:04:46.440
<v Speaker 8>Yeah, I think it was a moment in time. I

2:04:46.440 --> 2:04:49.080
<v Speaker 8>don't think that could ever be repeated, and it was

2:04:49.120 --> 2:04:50.760
<v Speaker 8>a jay Z moment.

2:04:51.040 --> 2:04:56.800
<v Speaker 2>But was there what do you call it? Catalyst when

2:04:56.840 --> 2:04:57.520
<v Speaker 2>you when you're a gun?

2:04:58.120 --> 2:05:00.760
<v Speaker 1>Was there a sort of a gun side thing like

2:05:00.840 --> 2:05:05.040
<v Speaker 1>we can't fumble this one and wait because let's not even.

2:05:04.960 --> 2:05:07.000
<v Speaker 2>Look at it as a fumble because the album went platinum.

2:05:07.120 --> 2:05:09.080
<v Speaker 8>Yeah, I don't think it would. To be honest with

2:05:09.120 --> 2:05:13.280
<v Speaker 8>you again, I never looked at it. Jay Z's brand

2:05:13.640 --> 2:05:16.480
<v Speaker 8>to us, Rockefeller's brand to us, because we had things

2:05:16.520 --> 2:05:19.000
<v Speaker 8>that was very successful and then we had things that

2:05:19.000 --> 2:05:22.480
<v Speaker 8>didn't work, you know, but his brand was so important

2:05:23.320 --> 2:05:25.680
<v Speaker 8>to us, his friendship was so important to us that

2:05:25.880 --> 2:05:29.160
<v Speaker 8>it just wasn't about one particular record. I know would

2:05:29.200 --> 2:05:34.280
<v Speaker 8>hove He's gonna always make that record because I believe

2:05:34.360 --> 2:05:36.800
<v Speaker 8>he's that guy. That's another one of those you know

2:05:36.840 --> 2:05:40.160
<v Speaker 8>what I mean that that I that I would do

2:05:40.200 --> 2:05:45.400
<v Speaker 8>anything for it because I know his he's he's it's

2:05:45.480 --> 2:05:48.400
<v Speaker 8>just as an EMC that he won of those man

2:05:48.400 --> 2:05:50.640
<v Speaker 8>and heart knocked like you got that couldn't work for everybody.

2:05:50.840 --> 2:05:54.240
<v Speaker 8>Everybody couldn't do They couldn't do that that they couldn't do,

2:05:54.720 --> 2:05:56.000
<v Speaker 8>and so he was just it was the one on

2:05:56.000 --> 2:06:01.360
<v Speaker 8>one for him.

2:06:01.640 --> 2:06:03.600
<v Speaker 1>If you're just suiting him, we're heading to our final

2:06:03.640 --> 2:06:06.120
<v Speaker 1>hour with Kevin Lowne was talking about his time as

2:06:06.160 --> 2:06:09.080
<v Speaker 1>president of def JAM at the turn of the century.

2:06:11.560 --> 2:06:17.360
<v Speaker 1>What was it like daily just dealing with Dame dash

2:06:17.600 --> 2:06:21.800
<v Speaker 1>and on on one line? By this point, I know

2:06:22.680 --> 2:06:26.680
<v Speaker 1>it was IRV got it a hard uh. I know

2:06:26.720 --> 2:06:28.400
<v Speaker 1>you're gonna say that nobody was hard to.

2:06:28.560 --> 2:06:32.919
<v Speaker 8>Know, I'm gonna tell you, but intensely Dame was challenging.

2:06:33.480 --> 2:06:34.440
<v Speaker 2>Okay, good.

2:06:35.840 --> 2:06:38.920
<v Speaker 8>IRV. And if you talk to him to this day,

2:06:39.120 --> 2:06:47.000
<v Speaker 8>IRV to me when I left, if IRV didn't implode

2:06:47.000 --> 2:06:49.680
<v Speaker 8>the way he did around his whole thing and Dame

2:06:49.720 --> 2:06:52.280
<v Speaker 8>didn't implode the way he did, they were being prime

2:06:53.040 --> 2:06:57.000
<v Speaker 8>to take over. And I'm just today would they were

2:06:57.040 --> 2:06:58.680
<v Speaker 8>real record gud? I mean, I'm being honest.

2:06:58.680 --> 2:07:01.200
<v Speaker 1>Do you still feel that they have have the business

2:07:01.280 --> 2:07:07.000
<v Speaker 1>acumen too? At least advance the wisdom that they've gained,

2:07:07.000 --> 2:07:11.560
<v Speaker 1>because I just refuse to believe that they're that damn disposable.

2:07:11.760 --> 2:07:13.520
<v Speaker 2>Right, It was like a moment in time.

2:07:13.600 --> 2:07:15.080
<v Speaker 8>I don't I don't think they I don't think they

2:07:15.160 --> 2:07:18.160
<v Speaker 8>moment in times. I think they made choices and decisions

2:07:18.160 --> 2:07:20.640
<v Speaker 8>that they have to live by. And I think if

2:07:20.680 --> 2:07:24.760
<v Speaker 8>IRV wanted to be in the business, he could be

2:07:24.840 --> 2:07:27.240
<v Speaker 8>in the business. I think that Dame has chosen a

2:07:27.280 --> 2:07:30.240
<v Speaker 8>different You got to understand something Dame came it was

2:07:30.320 --> 2:07:32.640
<v Speaker 8>it was atrofected with them, you know what I mean.

2:07:32.720 --> 2:07:35.320
<v Speaker 8>So I'm sure that goes through you know, some people.

2:07:35.360 --> 2:07:37.040
<v Speaker 8>It's like I said, I know I can do it

2:07:37.080 --> 2:07:38.920
<v Speaker 8>by myself, but I don't want to do it by myself.

2:07:38.920 --> 2:07:41.000
<v Speaker 8>That's why me and they have been together, you know,

2:07:41.080 --> 2:07:44.800
<v Speaker 8>my whole career per se. So some people don't want

2:07:44.800 --> 2:07:46.600
<v Speaker 8>to do it byself. I really don't think Dame wants

2:07:46.640 --> 2:07:49.640
<v Speaker 8>to do it byself. And that's just to be quite honest.

2:07:49.720 --> 2:07:52.320
<v Speaker 8>You know, I'm not sure why. But and Irv I

2:07:52.360 --> 2:07:54.960
<v Speaker 8>talk to every day. We we we were friends.

2:07:55.080 --> 2:07:58.240
<v Speaker 1>Well, not to put you on the spot, but if

2:07:59.640 --> 2:08:04.480
<v Speaker 1>he I'm saying there's a mail room position that three

2:08:04.560 --> 2:08:13.440
<v Speaker 1>hundreds right right, I don't mean that. But are there

2:08:13.520 --> 2:08:17.920
<v Speaker 1>people in this industry that you would rather not choose

2:08:17.960 --> 2:08:21.760
<v Speaker 1>to work with again? Or is it just like you'll

2:08:21.840 --> 2:08:23.800
<v Speaker 1>find where your system is right now?

2:08:23.840 --> 2:08:27.640
<v Speaker 8>And let me I'm gonna try to put this in

2:08:27.680 --> 2:08:28.080
<v Speaker 8>the right.

2:08:28.000 --> 2:08:31.000
<v Speaker 2>Way because I want to know, like the genius and the.

2:08:34.400 --> 2:08:38.720
<v Speaker 1>Stronghold of Rockefeller, I'm trying to figure out if that

2:08:38.960 --> 2:08:46.839
<v Speaker 1>was Dame's constant intensity or was that jay Z's lucky streak,

2:08:48.360 --> 2:08:51.240
<v Speaker 1>like who had the fifty one to forty nine advantage.

2:08:51.320 --> 2:08:57.520
<v Speaker 8>I think it's always gonna be Hole because he was

2:08:57.560 --> 2:09:01.520
<v Speaker 8>the one that kept the lights on building. But every

2:09:01.600 --> 2:09:08.080
<v Speaker 8>team needs a Dennis Robin And I think Jay wasn't

2:09:08.080 --> 2:09:11.840
<v Speaker 8>a big talker. Dame did the talking. Biggs wasn't a

2:09:11.840 --> 2:09:13.880
<v Speaker 8>big talker at all. He didn't really talk, you know

2:09:13.920 --> 2:09:16.960
<v Speaker 8>what I mean, he just you know, did did not

2:09:17.200 --> 2:09:17.880
<v Speaker 8>and say yo.

2:09:18.560 --> 2:09:22.440
<v Speaker 13>So that's a well that said if okay, let's let's

2:09:22.480 --> 2:09:26.720
<v Speaker 13>trade off. Let's take Let's take Dash out of the situation.

2:09:27.360 --> 2:09:30.400
<v Speaker 13>Let's put Chris Lighty in that situation. Now, Chris Lighty

2:09:30.560 --> 2:09:31.760
<v Speaker 13>is the right hand to Hove.

2:09:33.000 --> 2:09:35.560
<v Speaker 1>Will we have the same results or do you need

2:09:35.640 --> 2:09:42.000
<v Speaker 1>someone that is just the flavor to a chuck.

2:09:41.880 --> 2:09:44.760
<v Speaker 8>D like a Let me let me say this to you.

2:09:45.080 --> 2:09:51.080
<v Speaker 8>I think there's a lot of things that put that

2:09:51.160 --> 2:09:56.160
<v Speaker 8>whole situation uh into the stratosphere at where it was

2:09:56.200 --> 2:10:00.200
<v Speaker 8>at that particular time. I'll be I'll be a a

2:10:00.240 --> 2:10:04.200
<v Speaker 8>sucker and a bitch if I didn't sit and say

2:10:04.240 --> 2:10:09.520
<v Speaker 8>that Dame's contribution to Rockefeller was not a lot I'll

2:10:09.560 --> 2:10:15.000
<v Speaker 8>be corny and whack to say that Biggs didn't, and

2:10:15.080 --> 2:10:19.160
<v Speaker 8>I also be disrespectful to say Hove was not the reason.

2:10:19.880 --> 2:10:21.480
<v Speaker 8>You know what I'm saying. So you can't, you can't,

2:10:22.280 --> 2:10:24.200
<v Speaker 8>you can't put.

2:10:24.640 --> 2:10:27.200
<v Speaker 1>You don't do because I wouldn't know that because I've

2:10:27.280 --> 2:10:31.200
<v Speaker 1>never seen. I know Jay's very ambitious, and I know

2:10:31.280 --> 2:10:34.280
<v Speaker 1>that he it's kind of a chess player and thinks

2:10:35.200 --> 2:10:36.240
<v Speaker 1>in terms of moves.

2:10:36.280 --> 2:10:38.920
<v Speaker 2>But I always thought, like you.

2:10:38.880 --> 2:10:44.000
<v Speaker 1>Need you needed a trojan horse or a battering ram

2:10:44.920 --> 2:10:50.920
<v Speaker 1>to at least how be it revisioned as history or not.

2:10:51.400 --> 2:10:53.440
<v Speaker 1>I mean you you'll hear everyone's tale.

2:10:53.240 --> 2:10:55.920
<v Speaker 2>Of well I made it happen. Well I made it happen.

2:10:57.080 --> 2:10:58.960
<v Speaker 2>You know, you hear like all these versions of it.

2:10:59.040 --> 2:10:59.800
<v Speaker 2>So it's just like.

2:11:00.040 --> 2:11:02.200
<v Speaker 8>We never looked at it like that. I think them

2:11:02.680 --> 2:11:06.800
<v Speaker 8>being with us helped a lot. I think we provided

2:11:06.800 --> 2:11:09.840
<v Speaker 8>a platform to them to be great entrepreneurs. We gave

2:11:09.880 --> 2:11:13.160
<v Speaker 8>them a lot of opportunity, taught them a lot of things,

2:11:13.400 --> 2:11:15.880
<v Speaker 8>and to be quite honest, they taught us some things.

2:11:16.960 --> 2:11:20.320
<v Speaker 8>Taught us about taking risks, taught us about just believe that. Again,

2:11:20.640 --> 2:11:23.960
<v Speaker 8>it might sound funny, but from all them guys, I

2:11:24.040 --> 2:11:26.320
<v Speaker 8>really feel like we were just meant to be the

2:11:26.360 --> 2:11:29.640
<v Speaker 8>reason we ran the boards, because we were meant to

2:11:29.720 --> 2:11:32.080
<v Speaker 8>be together, meant to be together. I'm talking you talking

2:11:32.080 --> 2:11:33.720
<v Speaker 8>about wars, we'd have minded some things.

2:11:33.760 --> 2:11:36.000
<v Speaker 1>Yeah, I was gonna say, knowing that your history, were

2:11:36.040 --> 2:11:37.760
<v Speaker 1>you meditating at this point at least?

2:11:38.000 --> 2:11:38.080
<v Speaker 11>Like?

2:11:39.080 --> 2:11:40.240
<v Speaker 2>How are you surviving?

2:11:40.520 --> 2:11:46.720
<v Speaker 1>Because I mean, I'm I'm probably a passive aggressive boss

2:11:46.920 --> 2:11:48.640
<v Speaker 1>in at least twelve.

2:11:48.400 --> 2:11:52.520
<v Speaker 2>Of my ventures. I just you know, what are you

2:11:52.560 --> 2:11:56.200
<v Speaker 2>pointing me for? No? This is the Have I been

2:11:56.200 --> 2:12:00.000
<v Speaker 2>aggressive to you? Have I been aggressive to you?

2:12:00.120 --> 2:12:00.360
<v Speaker 8>You'll have.

2:12:04.000 --> 2:12:06.040
<v Speaker 2>Yes, I have been very aggressive.

2:12:08.200 --> 2:12:09.880
<v Speaker 4>Said you are a passive aggresive boss. Yes, that is

2:12:09.880 --> 2:12:11.080
<v Speaker 4>the truth. You already said it's school.

2:12:11.280 --> 2:12:13.000
<v Speaker 2>Oh well you had to intensify to.

2:12:13.040 --> 2:12:15.400
<v Speaker 4>That level for a witness. I just want you to

2:12:15.440 --> 2:12:15.800
<v Speaker 4>know there was.

2:12:15.840 --> 2:12:19.720
<v Speaker 2>Yeah, you didn't have to agree that dare anyway.

2:12:20.320 --> 2:12:24.240
<v Speaker 1>But my point is that how how does this not

2:12:24.440 --> 2:12:26.920
<v Speaker 1>land you in the hospital? How's this not?

2:12:27.320 --> 2:12:27.720
<v Speaker 8>Actually?

2:12:27.720 --> 2:12:30.240
<v Speaker 2>Did should? I did not know that?

2:12:32.160 --> 2:12:32.200
<v Speaker 4>Not?

2:12:32.480 --> 2:12:35.200
<v Speaker 8>Not not? I didn't realize it that at the time.

2:12:37.880 --> 2:12:41.040
<v Speaker 8>But when you work with my life, you know, And

2:12:41.720 --> 2:12:46.280
<v Speaker 8>I'd gotten so big I was three hundred and twenty pounds.

2:12:46.400 --> 2:12:48.000
<v Speaker 2>Jesus Christ I totally forgot.

2:12:47.800 --> 2:12:52.040
<v Speaker 8>That all that, and so the issue I realized my

2:12:52.040 --> 2:12:57.160
<v Speaker 8>my addiction was food and the reason and because I

2:12:57.160 --> 2:12:58.560
<v Speaker 8>was on the road all the time, I never really

2:12:58.560 --> 2:13:01.160
<v Speaker 8>cared about I just ate in the eight and eight

2:13:01.440 --> 2:13:03.800
<v Speaker 8>stress and then I started stressed, you know, And so

2:13:04.200 --> 2:13:09.880
<v Speaker 8>I started to realize that ship something wrong. Blood clot

2:13:09.960 --> 2:13:12.720
<v Speaker 8>here bye by this And I remember Leo said this,

2:13:12.960 --> 2:13:17.760
<v Speaker 8>he said, I went to think about this. They had

2:13:17.800 --> 2:13:20.920
<v Speaker 8>five hundred million dollars. Am I going to give it

2:13:20.960 --> 2:13:24.760
<v Speaker 8>to you fat fuck? Or am I gonna give it

2:13:24.760 --> 2:13:30.080
<v Speaker 8>to the healthy guy? Wow? Moment moment. And so I

2:13:30.600 --> 2:13:33.000
<v Speaker 8>only say that I didn't realize that at that time.

2:13:33.040 --> 2:13:35.120
<v Speaker 8>And sometimes you don't realize what you're going through. But

2:13:35.280 --> 2:13:40.360
<v Speaker 8>that addiction to food stress eating is, as people called it,

2:13:40.400 --> 2:13:43.440
<v Speaker 8>almost cost him my life. Diabetes the whole thing.

2:13:43.560 --> 2:13:46.960
<v Speaker 2>So where you diagnosed with diabetes? Yeah? All that?

2:13:47.040 --> 2:13:52.480
<v Speaker 8>Yeah, when I was in digestion problems, I was, I

2:13:52.520 --> 2:13:54.880
<v Speaker 8>was at when I tell you, you know, a very

2:13:55.040 --> 2:13:58.080
<v Speaker 8>reggie red, very big cap. All these guys were overweight,

2:13:59.640 --> 2:14:03.080
<v Speaker 8>dieing in the whole nine How old are you at

2:14:03.120 --> 2:14:06.560
<v Speaker 8>this time? At my biggest probably thirty two?

2:14:06.880 --> 2:14:10.320
<v Speaker 4>Wow, that was a big yeah, because your initial weight

2:14:10.360 --> 2:14:13.040
<v Speaker 4>loss was a lot, Like you dropped a lot of pounds.

2:14:13.040 --> 2:14:17.440
<v Speaker 8>I went from three twenty I'm now where one ninety.

2:14:18.440 --> 2:14:22.880
<v Speaker 2>Wow, that's like, oh no, I'm current, I'm five down.

2:14:24.400 --> 2:14:27.040
<v Speaker 2>That a small No. Yeah.

2:14:27.320 --> 2:14:30.320
<v Speaker 1>I had a similar scare. And I'm like in my

2:14:30.760 --> 2:14:38.000
<v Speaker 1>second month of being a vegan, which I got to ask,

2:14:38.640 --> 2:14:40.680
<v Speaker 1>is there ever a time where you just stopped counting

2:14:40.680 --> 2:14:41.680
<v Speaker 1>the days like a prisoner?

2:14:44.360 --> 2:14:48.040
<v Speaker 2>Like I dream of pancakes vegan?

2:14:48.080 --> 2:14:50.720
<v Speaker 1>But every I have a diary and I'm like day

2:14:50.880 --> 2:14:54.080
<v Speaker 1>forty four, like I'm that series like in Blood.

2:14:54.280 --> 2:15:00.000
<v Speaker 8>I changed it's lifestyle now it's I look at food.

2:15:00.040 --> 2:15:01.080
<v Speaker 8>I eat food for energy.

2:15:01.440 --> 2:15:03.880
<v Speaker 4>So you're not a no sugar, no dairy anymore because

2:15:03.880 --> 2:15:04.080
<v Speaker 4>you were.

2:15:04.200 --> 2:15:09.200
<v Speaker 8>It was a no sugar still fr no fried foods,

2:15:12.320 --> 2:15:16.800
<v Speaker 8>dairy and cheese. You know what I mean? I do?

2:15:17.200 --> 2:15:19.960
<v Speaker 8>I'm people know me. I eat the same thing every day,

2:15:20.120 --> 2:15:25.960
<v Speaker 8>you know what I mean? So egg whites in the morning, mushrooms, onions, peppers,

2:15:26.640 --> 2:15:28.640
<v Speaker 8>sliced turkey, meat inside.

2:15:29.320 --> 2:15:30.760
<v Speaker 2>Sumer look like Kevin.

2:15:32.520 --> 2:15:33.520
<v Speaker 4>Let's get to lunch now.

2:15:34.480 --> 2:15:40.520
<v Speaker 8>Lunches normally fish and Brussels sprouts or broccoli rob and

2:15:40.560 --> 2:15:44.240
<v Speaker 8>then then I'll eat some seafood Weber shrimp, Alaskan king

2:15:44.280 --> 2:15:47.400
<v Speaker 8>krab legs, but always protein and vegetables the same. And

2:15:47.840 --> 2:15:50.280
<v Speaker 8>now I made a commitment, you know, forty eight by fifty,

2:15:50.280 --> 2:15:51.600
<v Speaker 8>I want to be in the best shape in my life.

2:15:51.640 --> 2:15:54.840
<v Speaker 8>So I'm doing CrossFit three days a week and I'm

2:15:54.880 --> 2:15:57.080
<v Speaker 8>doing rowing every day. You know what I mean?

2:15:57.280 --> 2:16:01.440
<v Speaker 2>I hate rowing. Do you do that machine where you

2:16:01.440 --> 2:16:02.600
<v Speaker 2>have to do the two thousand?

2:16:04.560 --> 2:16:08.720
<v Speaker 8>Yeah? Yeah, yeah, I love so much that I put

2:16:08.760 --> 2:16:09.880
<v Speaker 8>it in my house. I bought one from my.

2:16:12.400 --> 2:16:13.120
<v Speaker 2>Yes, exactly.

2:16:14.440 --> 2:16:17.520
<v Speaker 1>Yeah, I purposely try to break the chair on that machine.

2:16:19.720 --> 2:16:22.360
<v Speaker 8>Shout out the coach, Greg, I'll be there to mariw o'clock.

2:16:24.160 --> 2:16:24.680
<v Speaker 4>Inspiration.

2:16:25.760 --> 2:16:32.040
<v Speaker 2>Jesus, So I got that answer you asked, But.

2:16:32.240 --> 2:16:34.560
<v Speaker 8>I'm gonna tell you question that's on the weight thing.

2:16:37.680 --> 2:16:40.640
<v Speaker 8>So many people look at you and follow you. You

2:16:40.680 --> 2:16:42.920
<v Speaker 8>know what kind of light you would shine if you

2:16:43.000 --> 2:16:45.640
<v Speaker 8>did become healthy. And I'm not saying you're not healthy,

2:16:45.680 --> 2:16:49.560
<v Speaker 8>but just if you did, the light that you would bring.

2:16:50.160 --> 2:16:53.080
<v Speaker 1>To people just where Because people think that I'm now

2:16:53.200 --> 2:16:58.960
<v Speaker 1>the Nazi asshole for like all the health stuff of

2:16:59.040 --> 2:16:59.680
<v Speaker 1>them putting up.

2:17:00.040 --> 2:17:01.840
<v Speaker 4>I do know you, not the people who don't know

2:17:01.920 --> 2:17:03.879
<v Speaker 4>they are looking at you great. Yeah, just us, but

2:17:03.920 --> 2:17:05.640
<v Speaker 4>people more people think it's great.

2:17:06.200 --> 2:17:08.760
<v Speaker 8>I think I think you'd be such an inspiration to people,

2:17:08.800 --> 2:17:11.000
<v Speaker 8>and you touch people's lives. I can't tell you. People

2:17:11.000 --> 2:17:14.720
<v Speaker 8>who send me messages that you know forget me being

2:17:16.000 --> 2:17:17.680
<v Speaker 8>who I am and the things that I've done, just

2:17:18.600 --> 2:17:21.920
<v Speaker 8>the commitment because I've been I've lost weighting. It's now

2:17:21.959 --> 2:17:25.640
<v Speaker 8>going to ten years. I don't count count days or anything.

2:17:25.720 --> 2:17:28.720
<v Speaker 8>I really truly eat for energy. You may only eat

2:17:29.000 --> 2:17:31.920
<v Speaker 8>enough stuff. I don't want to feel full. Fool is

2:17:32.040 --> 2:17:35.920
<v Speaker 8>nasty to me. Full makes me feel sluggish in a

2:17:36.000 --> 2:17:40.119
<v Speaker 8>certain way. So I pray for you, and I hope

2:17:40.160 --> 2:17:44.480
<v Speaker 8>that you find you know the light enough to follow

2:17:44.520 --> 2:17:46.560
<v Speaker 8>the light and shine light on other people.

2:17:47.440 --> 2:17:49.800
<v Speaker 2>Wow. Things I feel like I just got blessed.

2:17:49.480 --> 2:17:53.720
<v Speaker 4>By al would eat is Rick Ross and it's like

2:17:53.720 --> 2:17:54.440
<v Speaker 4>a pure blessing.

2:17:57.280 --> 2:18:04.160
<v Speaker 1>Who the sugar Steve is our resident diabetes.

2:18:04.440 --> 2:18:06.520
<v Speaker 4>Uh got up during that part.

2:18:07.080 --> 2:18:13.680
<v Speaker 1>Yeah, he's probably smoking a cigarette, like eating the cake

2:18:14.040 --> 2:18:15.000
<v Speaker 1>coming like what I mean?

2:18:15.160 --> 2:18:15.360
<v Speaker 2>Yeah?

2:18:15.959 --> 2:18:19.840
<v Speaker 1>So, uh what your your actually Actually the three of

2:18:19.879 --> 2:18:23.160
<v Speaker 1>you left def JAM at the same time.

2:18:23.200 --> 2:18:28.040
<v Speaker 2>Correct two thousand and six. Uh, it was four when

2:18:28.360 --> 2:18:30.400
<v Speaker 2>they were there when we signed to Atlantic.

2:18:30.320 --> 2:18:34.760
<v Speaker 8>So leor left first, I was there at President CEO

2:18:34.959 --> 2:18:39.039
<v Speaker 8>Deaf jam Uh. Julie was there as the execu Press

2:18:39.040 --> 2:18:45.720
<v Speaker 8>President Island President Allen. She left and then and I

2:18:45.720 --> 2:18:47.520
<v Speaker 8>always tell a story, So it's me in l A.

2:18:48.680 --> 2:18:49.720
<v Speaker 8>And I felt like.

2:18:49.920 --> 2:18:52.199
<v Speaker 2>What was was the synergies the same.

2:18:52.879 --> 2:18:55.480
<v Speaker 8>I mean it was it was my company, you know

2:18:55.480 --> 2:18:57.640
<v Speaker 8>what I mean. We ran it. I just so I

2:18:57.640 --> 2:19:01.280
<v Speaker 8>had the keys, but I didn't have the house. So

2:19:01.280 --> 2:19:04.800
<v Speaker 8>So and Doug and them, they just didn't know. They

2:19:04.840 --> 2:19:07.960
<v Speaker 8>didn't trust me enough because I was Lear's guide, you

2:19:08.000 --> 2:19:10.280
<v Speaker 8>know what I mean. And so they told me you

2:19:10.320 --> 2:19:14.120
<v Speaker 8>should come and you know, stay and understand. I said, listen,

2:19:14.879 --> 2:19:17.760
<v Speaker 8>I love La. It's my my friend. It's like somebody

2:19:18.280 --> 2:19:20.280
<v Speaker 8>as another guy that I think the world of, and

2:19:20.360 --> 2:19:21.879
<v Speaker 8>we can do great We don't do the same thing,

2:19:22.040 --> 2:19:23.879
<v Speaker 8>you know what I mean, we can do great things together.

2:19:24.040 --> 2:19:27.120
<v Speaker 2>Were disappointed that they didn't offer you the I wasn't.

2:19:27.200 --> 2:19:29.640
<v Speaker 8>I wasn't say again, I wasn't that it was meant

2:19:29.640 --> 2:19:32.720
<v Speaker 8>to be, so I don't. I don't live in So

2:19:32.800 --> 2:19:33.879
<v Speaker 8>it was the only time I got this point where

2:19:33.879 --> 2:19:35.680
<v Speaker 8>they said, you got y'all gonna give me the job.

2:19:35.720 --> 2:19:37.400
<v Speaker 8>That was the only time I was this point other

2:19:37.440 --> 2:19:39.280
<v Speaker 8>than that, I take life for what it has to

2:19:39.320 --> 2:19:41.560
<v Speaker 8>give me. But that's why I'm so critical on my

2:19:41.680 --> 2:19:45.520
<v Speaker 8>choices and the things that I do and how I

2:19:45.560 --> 2:19:48.200
<v Speaker 8>treat people. So with LA, I looked at it. I said, Yo,

2:19:49.480 --> 2:19:53.720
<v Speaker 8>so I don't want people doing the LA's people and

2:19:53.800 --> 2:19:56.080
<v Speaker 8>Kevin's people. Then I'm not gonna let them do that

2:19:56.080 --> 2:19:59.480
<v Speaker 8>to two African Americans at an institution like death. Jam.

2:20:00.080 --> 2:20:04.600
<v Speaker 8>I can't do that, Yo. So I'm out, my man,

2:20:04.640 --> 2:20:08.200
<v Speaker 8>but I gotta go, he said, Yo, no, no, I

2:20:08.240 --> 2:20:11.119
<v Speaker 8>said no, But I'm doing this for us. I'm doing

2:20:11.160 --> 2:20:14.959
<v Speaker 8>this for us because you deserve and respect for what

2:20:15.040 --> 2:20:17.800
<v Speaker 8>you have and respect what you've done as an executive.

2:20:18.560 --> 2:20:21.800
<v Speaker 8>You don't need a hindrance to you doing what you

2:20:21.840 --> 2:20:24.400
<v Speaker 8>need to do. This is deaf Jam, you know what

2:20:24.400 --> 2:20:26.680
<v Speaker 8>I mean? This is Alan deaf Jam. I need you

2:20:26.760 --> 2:20:29.960
<v Speaker 8>to have full control and anything. So I'm a help

2:20:30.000 --> 2:20:32.480
<v Speaker 8>as much as I can, but I think it's best

2:20:32.520 --> 2:20:35.920
<v Speaker 8>that I give you. You have the house, I give

2:20:35.959 --> 2:20:37.840
<v Speaker 8>you the keys also. So that's what it was.

2:20:38.480 --> 2:20:41.640
<v Speaker 1>So in your success, it was Jay right or Jay?

2:20:42.959 --> 2:20:43.320
<v Speaker 2>Was that?

2:20:43.680 --> 2:20:46.560
<v Speaker 1>What do you think of that period? Like were you

2:20:47.400 --> 2:20:53.240
<v Speaker 1>shocked or did you feel that that was not natural,

2:20:53.320 --> 2:20:56.280
<v Speaker 1>But like was it was it something that you.

2:20:57.760 --> 2:20:58.320
<v Speaker 2>Believed in?

2:20:58.680 --> 2:21:01.000
<v Speaker 8>Or I think it was it was you gotta it

2:21:01.040 --> 2:21:07.960
<v Speaker 8>was necessary. Two, because you gotta understand some I'm ten

2:21:08.040 --> 2:21:11.360
<v Speaker 8>years now, I'm fifteen years there, and so people there's

2:21:11.360 --> 2:21:13.360
<v Speaker 8>some kids who don't know Russell was president in the

2:21:13.400 --> 2:21:16.120
<v Speaker 8>death jam, you know, I mean there's some millennials that

2:21:16.200 --> 2:21:18.200
<v Speaker 8>don't know that. They think it was me. You know,

2:21:18.640 --> 2:21:21.360
<v Speaker 8>I found it in that old thing. So you know

2:21:21.879 --> 2:21:25.600
<v Speaker 8>the issue I think that they had with Liro and

2:21:26.840 --> 2:21:30.120
<v Speaker 8>me not being there. They had to have someone there

2:21:30.160 --> 2:21:38.120
<v Speaker 8>with enough gravitas, enough like the attraction and success that

2:21:38.440 --> 2:21:40.400
<v Speaker 8>would stop the bleeding, you know what I mean.

2:21:40.440 --> 2:21:42.280
<v Speaker 4>But why do you think the art it didn't during

2:21:42.280 --> 2:21:44.680
<v Speaker 4>that time, it seemed like the artists on roster weren't

2:21:44.680 --> 2:21:48.920
<v Speaker 4>as happy as they were before, some of the people

2:21:48.920 --> 2:21:49.840
<v Speaker 4>who had been there for a while.

2:21:50.520 --> 2:21:53.600
<v Speaker 8>I think it's management styles, I think.

2:21:54.600 --> 2:21:56.760
<v Speaker 1>And how do you deal with a fading light like

2:21:57.680 --> 2:22:03.520
<v Speaker 1>EPMD's situation for instance, Like you know, how do you

2:22:04.040 --> 2:22:08.920
<v Speaker 1>take a legacy act that might not necessarily be as open?

2:22:09.040 --> 2:22:11.280
<v Speaker 2>I mean, am I to assume? I don't? I don't,

2:22:11.400 --> 2:22:15.080
<v Speaker 2>like I never know what ELL's processes.

2:22:15.160 --> 2:22:18.760
<v Speaker 1>He just seems to me that he's just open to

2:22:20.120 --> 2:22:24.160
<v Speaker 1>ideas and if it's and if it's a good idea,

2:22:24.240 --> 2:22:24.840
<v Speaker 1>I'll go with it.

2:22:25.120 --> 2:22:26.480
<v Speaker 2>I know plenty of artists.

2:22:26.240 --> 2:22:30.520
<v Speaker 1>That would, you know, turn their back on a hip

2:22:30.840 --> 2:22:33.240
<v Speaker 1>for fear of like I don't want to look bad

2:22:33.360 --> 2:22:35.440
<v Speaker 1>for my boys singing da da Da da da. But

2:22:35.640 --> 2:22:38.840
<v Speaker 1>how do you take a legacy act that was good

2:22:38.879 --> 2:22:42.360
<v Speaker 1>for the label like E p MD or Eric Sermon

2:22:42.480 --> 2:22:46.720
<v Speaker 1>and that sort of thing, like if the expiration is

2:22:46.800 --> 2:22:49.879
<v Speaker 1>up and they're like, okay, well we're back in business

2:22:50.040 --> 2:22:53.640
<v Speaker 1>or that thing like was the Ninetess back in business?

2:22:53.720 --> 2:22:54.279
<v Speaker 2>Out of business?

2:22:55.360 --> 2:22:57.880
<v Speaker 8>I did all those albums, so that could have produce.

2:22:57.959 --> 2:23:00.760
<v Speaker 8>I mean, that's why we're going to It's a question.

2:23:01.280 --> 2:23:05.080
<v Speaker 1>So for that for those comeback records, like are they

2:23:05.120 --> 2:23:08.520
<v Speaker 1>having these like uh, these frothy goals of like ah, man,

2:23:08.520 --> 2:23:12.480
<v Speaker 1>we're back to our you know, our regular platinum status

2:23:12.560 --> 2:23:14.119
<v Speaker 1>and you know the world's gonna know who.

2:23:14.000 --> 2:23:17.560
<v Speaker 8>We are because I said they were never a platinum,

2:23:17.879 --> 2:23:21.920
<v Speaker 8>they were gold. What I'm trying to say is their

2:23:22.040 --> 2:23:26.760
<v Speaker 8>expectation was to be able to go out on the

2:23:26.840 --> 2:23:33.280
<v Speaker 8>road and perform for their fans. Serm Eric Sermon, Uh,

2:23:33.600 --> 2:23:36.480
<v Speaker 8>his expectations was to be the produce you gotta. You

2:23:36.480 --> 2:23:39.480
<v Speaker 8>gotta remember when we did back in business and then

2:23:39.480 --> 2:23:46.640
<v Speaker 8>there was another one out. You know, these were albums

2:23:46.680 --> 2:23:49.200
<v Speaker 8>done out of love. It wasn't like that. It wasn't expectation,

2:23:49.280 --> 2:23:52.320
<v Speaker 8>Oh we're gonna go and get jet. It was not that.

2:23:52.440 --> 2:23:55.080
<v Speaker 8>It was that, Yo, we still want to do it,

2:23:55.120 --> 2:23:58.240
<v Speaker 8>so help us do it. And that's what I That's

2:23:58.240 --> 2:24:01.240
<v Speaker 8>what I did, and I think we did. Eric did

2:24:01.280 --> 2:24:03.560
<v Speaker 8>some great Eric did the four three two one remix

2:24:03.640 --> 2:24:07.240
<v Speaker 8>for me, and I always say, so, if he can

2:24:07.280 --> 2:24:09.240
<v Speaker 8>bless me there, I have to be able to work

2:24:09.280 --> 2:24:11.680
<v Speaker 8>with them. And the joke was the group was called

2:24:11.720 --> 2:24:15.360
<v Speaker 8>k EPM D because I was. I was always stayed

2:24:15.440 --> 2:24:16.960
<v Speaker 8>right with them too, you know what I mean. So

2:24:17.000 --> 2:24:18.720
<v Speaker 8>that was I mean through all that, I went through

2:24:18.720 --> 2:24:20.240
<v Speaker 8>all the thick and so.

2:24:20.160 --> 2:24:21.720
<v Speaker 4>That must have been a part of the culture shot

2:24:21.760 --> 2:24:24.560
<v Speaker 4>because I remember when you left ll it seemed like

2:24:24.680 --> 2:24:28.200
<v Speaker 4>it was definitely a difference in him, like a mirror.

2:24:28.200 --> 2:24:31.320
<v Speaker 4>I'm not not got your moment. However, he definitely made

2:24:31.320 --> 2:24:34.200
<v Speaker 4>it known how he felt about the new administration and

2:24:35.680 --> 2:24:37.040
<v Speaker 4>how did that affect you? Because it just seemed like

2:24:37.040 --> 2:24:40.080
<v Speaker 4>the whole camaraderie, whatever you brought, that joy that you

2:24:40.160 --> 2:24:42.480
<v Speaker 4>brought to that building, it got him done.

2:24:42.920 --> 2:24:45.600
<v Speaker 8>I think it's a different I mean, you got to

2:24:45.600 --> 2:24:49.200
<v Speaker 8>look at different administrations coming every four years, and I

2:24:49.200 --> 2:24:52.800
<v Speaker 8>think that, but you learned how to deal with them.

2:24:53.040 --> 2:24:56.879
<v Speaker 8>I think, Okay, maybe that feeling wasn't there, but Rihanna's dead, right?

2:24:57.120 --> 2:24:57.520
<v Speaker 8>But did he?

2:24:57.879 --> 2:24:58.160
<v Speaker 2>But did?

2:24:58.320 --> 2:24:59.720
<v Speaker 4>I mean y'all are friends, so I'm sure he like

2:24:59.760 --> 2:25:01.200
<v Speaker 4>called you like I can't deal?

2:25:01.320 --> 2:25:06.560
<v Speaker 8>Did you have to? I think people knew, people know

2:25:06.680 --> 2:25:08.879
<v Speaker 8>me and hope you know what I mean. People know

2:25:09.120 --> 2:25:12.959
<v Speaker 8>that if he called me today and said, Yo, I

2:25:13.000 --> 2:25:16.240
<v Speaker 8>need you to to run this or do this, that's

2:25:16.280 --> 2:25:18.480
<v Speaker 8>my guy. I'm gonna do whatever I can for him.

2:25:18.480 --> 2:25:21.520
<v Speaker 8>But vice versa. Like other people can't call him, I

2:25:21.560 --> 2:25:25.039
<v Speaker 8>can call him and say, yo, I need It's not

2:25:25.120 --> 2:25:28.360
<v Speaker 8>money thing, you know, and he'll He'll be there and

2:25:28.400 --> 2:25:29.920
<v Speaker 8>the rest of these kids. I always told him when

2:25:29.920 --> 2:25:32.520
<v Speaker 8>I left, it was emotional for me. You know, you

2:25:32.560 --> 2:25:36.160
<v Speaker 8>got to understand something. I took that badge and the

2:25:36.240 --> 2:25:39.279
<v Speaker 8>only thing I don't have is a tattoo with that jam.

2:25:39.440 --> 2:25:44.119
<v Speaker 8>And these were brothers and sons and daughters that and

2:25:44.200 --> 2:25:48.959
<v Speaker 8>aunts and people who I came up with in the business.

2:25:49.440 --> 2:25:52.200
<v Speaker 8>But at the end of the day, they have to

2:25:52.200 --> 2:25:53.959
<v Speaker 8>do what's best for their families. Like I had to

2:25:53.959 --> 2:25:56.080
<v Speaker 8>do what's best for my families, and I got I

2:25:56.080 --> 2:25:57.800
<v Speaker 8>got some of the calls. But I will always say,

2:25:58.000 --> 2:26:03.080
<v Speaker 8>remember when Rick, and when Rick left, there was Lear

2:26:04.120 --> 2:26:07.879
<v Speaker 8>change the administration. When Lera we grew so big, Lear

2:26:08.000 --> 2:26:12.440
<v Speaker 8>had to have Kevin Lowles change administration. And the same

2:26:12.480 --> 2:26:14.880
<v Speaker 8>way some of the artists people. It's people who felt

2:26:14.879 --> 2:26:16.480
<v Speaker 8>that death jam when I came in. When they named

2:26:16.520 --> 2:26:20.360
<v Speaker 8>me president, some people left, some people threw ship all.

2:26:20.440 --> 2:26:21.519
<v Speaker 8>They couldn't believe.

2:26:21.200 --> 2:26:22.160
<v Speaker 2>How they left.

2:26:22.840 --> 2:26:25.600
<v Speaker 8>They couldn't they couldn't believe how they named me. People

2:26:25.640 --> 2:26:26.840
<v Speaker 8>cried that.

2:26:27.040 --> 2:26:31.600
<v Speaker 1>So so even despite you coming in first and leaving last.

2:26:31.440 --> 2:26:36.440
<v Speaker 8>What wasn't wasn't about that because the culture wasn't about

2:26:37.080 --> 2:26:40.680
<v Speaker 8>how can I say the team? It was more so

2:26:40.760 --> 2:26:43.720
<v Speaker 8>about we death jam and and and what it wasn't.

2:26:44.000 --> 2:26:46.879
<v Speaker 8>And to me, I'm okay with being in the back

2:26:46.959 --> 2:26:49.480
<v Speaker 8>seat driving being I'm gonna being on the roof, put

2:26:49.480 --> 2:26:51.640
<v Speaker 8>me in the trunk. I'm okay with whoever, as long

2:26:51.640 --> 2:26:53.520
<v Speaker 8>as we accomplished the goal and what's the greater good?

2:26:53.520 --> 2:26:55.400
<v Speaker 8>And so I just think it's the difference. When new

2:26:55.400 --> 2:26:59.320
<v Speaker 8>administrations come in, they have to cater to the artists,

2:26:59.760 --> 2:27:04.080
<v Speaker 8>and when you don't cater to art the paint starts appeal.

2:27:04.800 --> 2:27:06.200
<v Speaker 8>And so that's what I think, you.

2:27:06.160 --> 2:27:08.800
<v Speaker 2>Know, I want to I want to ask.

2:27:12.240 --> 2:27:18.080
<v Speaker 1>If you can name me three three artists or three acts.

2:27:18.920 --> 2:27:20.279
<v Speaker 8>Don't get me a trouble question.

2:27:21.800 --> 2:27:27.360
<v Speaker 1>Kevin Lowbes, I love you, man, I'm not got you.

2:27:27.480 --> 2:27:32.879
<v Speaker 1>Name me three acts that got away? I could have

2:27:32.959 --> 2:27:38.119
<v Speaker 1>had blah blah blah, like damn if we just they

2:27:38.280 --> 2:27:42.800
<v Speaker 1>went somewhere else, Like what three acts could you could

2:27:42.800 --> 2:27:45.440
<v Speaker 1>you have signed or had that got away?

2:27:46.160 --> 2:27:46.480
<v Speaker 8>Nelly?

2:27:47.400 --> 2:27:48.160
<v Speaker 2>WHOA?

2:27:49.000 --> 2:27:54.760
<v Speaker 1>How close was Nelly negotiations with Deft Chair and what

2:27:54.959 --> 2:27:58.640
<v Speaker 1>caused it to not happen? I know someone had to say, oh,

2:27:58.720 --> 2:27:59.840
<v Speaker 1>this guy will never sell this.

2:28:00.959 --> 2:28:04.440
<v Speaker 8>I just think it was a time and issue, and

2:28:04.520 --> 2:28:09.200
<v Speaker 8>we were we were a really like coast based label,

2:28:09.720 --> 2:28:13.200
<v Speaker 8>East Coast and West Coast and didn't understand it.

2:28:15.040 --> 2:28:17.760
<v Speaker 2>I think Leard didn't like it.

2:28:18.520 --> 2:28:26.680
<v Speaker 8>I mean, I think fifty Wait a minute, you trying

2:28:26.720 --> 2:28:28.800
<v Speaker 8>to tell me Chris Lidi managed them?

2:28:28.879 --> 2:28:34.680
<v Speaker 2>Yeah, yeah, what had happened? I never thought of that.

2:28:35.160 --> 2:28:38.560
<v Speaker 1>So if Lady would have signed fifty cent Andi Rule

2:28:38.640 --> 2:28:39.800
<v Speaker 1>was on the label at the same time.

2:28:40.240 --> 2:28:43.119
<v Speaker 2>Yeah, that would have been crazy. I didn't.

2:28:44.360 --> 2:28:48.240
<v Speaker 8>Listen or was that an issue? No, the best thing

2:28:48.360 --> 2:28:50.720
<v Speaker 8>for everybody, And again, I deal with a greater good.

2:28:51.959 --> 2:28:56.520
<v Speaker 8>Fifty had an opportunity to be with Dre. I believe

2:28:56.520 --> 2:28:58.600
<v Speaker 8>if fifty would have been with us.

2:28:58.560 --> 2:29:01.320
<v Speaker 1>You mean you had a when he signed the Columbia

2:29:01.360 --> 2:29:03.920
<v Speaker 1>the first time, or like you know, after period after Columbia,

2:29:03.959 --> 2:29:05.840
<v Speaker 1>after y'all could have tooke nim.

2:29:08.240 --> 2:29:09.000
<v Speaker 2>Like mixtape.

2:29:09.120 --> 2:29:14.000
<v Speaker 8>I mean, I mean we could have signed fifty, but

2:29:14.080 --> 2:29:18.320
<v Speaker 8>the greater good called and the greater good was Yo.

2:29:19.040 --> 2:29:22.720
<v Speaker 8>I think that's the better situation. And I think that

2:29:23.840 --> 2:29:25.680
<v Speaker 8>because of doctor Drake, because of the whole thing that

2:29:25.800 --> 2:29:28.560
<v Speaker 8>came along with and I think that because of the

2:29:28.640 --> 2:29:32.920
<v Speaker 8>choice that he made. I think, uh, he became the

2:29:33.000 --> 2:29:34.800
<v Speaker 8>artist that he is. I don't think we could have

2:29:34.800 --> 2:29:38.199
<v Speaker 8>did it as great of a job with with him

2:29:38.360 --> 2:29:41.840
<v Speaker 8>as they did. So I think that was one. And

2:29:41.879 --> 2:29:47.360
<v Speaker 8>then who else said you got me three man?

2:29:47.560 --> 2:29:48.920
<v Speaker 1>I mean, it doesn't have to be hip hop. I'm

2:29:48.959 --> 2:29:52.680
<v Speaker 1>sure there's some singer rock band too, because.

2:29:53.200 --> 2:29:58.160
<v Speaker 8>Let me see, uh, I mean, it ain't that many

2:29:58.160 --> 2:30:03.760
<v Speaker 8>that if we wanted them we didn't get now the brag, No,

2:30:04.000 --> 2:30:07.360
<v Speaker 8>I really like, I'm I can't in doing my era.

2:30:07.480 --> 2:30:12.520
<v Speaker 8>I can't think I'm another number numb act that if

2:30:12.520 --> 2:30:15.800
<v Speaker 8>we really wanted them, that we didn't get him. Fifty, Yeah,

2:30:15.879 --> 2:30:18.119
<v Speaker 8>I would say, and and by the way, they're both

2:30:18.400 --> 2:30:21.800
<v Speaker 8>very good friends. I went on to manage Nelly, you know,

2:30:21.840 --> 2:30:24.240
<v Speaker 8>for a period of time. Of course he did, so

2:30:24.560 --> 2:30:27.160
<v Speaker 8>he's shout out to Nellie, shout out to fifty.

2:30:27.879 --> 2:30:29.720
<v Speaker 4>Do you have a favorite era of deaf Jam? I mean,

2:30:29.680 --> 2:30:31.640
<v Speaker 4>because we didn't even talk about death Show or anything else.

2:30:31.680 --> 2:30:34.320
<v Speaker 4>But I'm just curious because I remember that was like

2:30:34.360 --> 2:30:36.640
<v Speaker 4>a big deal in twenty steath, so so I'm just

2:30:36.640 --> 2:30:39.280
<v Speaker 4>curious you have a I don't.

2:30:39.480 --> 2:30:42.240
<v Speaker 8>I mean, this is great. I don't have a favorite

2:30:42.240 --> 2:30:43.320
<v Speaker 8>era era.

2:30:43.200 --> 2:30:44.920
<v Speaker 4>That meant the most you. I guess the favorite word

2:30:45.000 --> 2:30:46.920
<v Speaker 4>is a.

2:30:46.000 --> 2:30:48.360
<v Speaker 1>Are you one of those like I never looked back once,

2:30:48.400 --> 2:30:50.280
<v Speaker 1>I'm looking towards the touchdown goal?

2:30:50.440 --> 2:30:56.360
<v Speaker 8>Yeah, I said, I'm just I'm not doing this, okay, nothing, no,

2:30:56.360 --> 2:30:59.720
<v Speaker 8>none of that, because I really believe if you stay

2:30:59.720 --> 2:31:04.680
<v Speaker 8>in the state of evolution, you make change. I don't.

2:31:04.800 --> 2:31:08.680
<v Speaker 8>I don't feel like I don't want to be stagnant.

2:31:08.760 --> 2:31:14.080
<v Speaker 8>So therefore, I don't spend my time just reflecting on

2:31:14.120 --> 2:31:16.920
<v Speaker 8>the roses. I smell them, but I don't sit back

2:31:17.000 --> 2:31:20.320
<v Speaker 8>and look, you know at what I what I did.

2:31:20.400 --> 2:31:22.240
<v Speaker 8>That's why I like now I can sit here and say,

2:31:22.959 --> 2:31:25.840
<v Speaker 8>you know, when streaming started and uh, we had the

2:31:25.879 --> 2:31:28.200
<v Speaker 8>first artist of stream a billion streams with fedtie wat.

2:31:28.560 --> 2:31:30.400
<v Speaker 8>I can sit here today and say it got the

2:31:30.440 --> 2:31:32.480
<v Speaker 8>number one rock record with high suspect. I see in

2:31:32.560 --> 2:31:34.720
<v Speaker 8>the day and say I got Migos. I'd rather talk

2:31:34.760 --> 2:31:36.440
<v Speaker 8>I say it and say I got a guy named

2:31:36.480 --> 2:31:39.880
<v Speaker 8>young Doug. That's you know, putting out so many records

2:31:39.879 --> 2:31:43.840
<v Speaker 8>that I can say all these things in a sense.

2:31:44.120 --> 2:31:45.480
<v Speaker 8>But now if you want me to go back and

2:31:45.520 --> 2:31:46.199
<v Speaker 8>talk about.

2:31:45.959 --> 2:31:49.080
<v Speaker 4>It, we can talk about and how you managing and

2:31:49.080 --> 2:31:50.959
<v Speaker 4>having labels at the same time and doing so much.

2:31:51.120 --> 2:31:54.080
<v Speaker 8>Yeah, all that, But you know, I just really look

2:31:54.200 --> 2:32:00.400
<v Speaker 8>forward to what God has prepared, you know. But I

2:32:00.400 --> 2:32:02.400
<v Speaker 8>gotta work at it though, you know. I tell people,

2:32:02.480 --> 2:32:04.520
<v Speaker 8>you really don't want it, if you're not willing to

2:32:04.520 --> 2:32:07.160
<v Speaker 8>give up everything for it, really don't really don't want it.

2:32:07.160 --> 2:32:09.360
<v Speaker 8>And a lot of kids today they don't want it.

2:32:09.360 --> 2:32:11.560
<v Speaker 8>They act like they want it, but they don't want.

2:32:11.400 --> 2:32:13.880
<v Speaker 2>It, they don't want it as and if they don't

2:32:13.879 --> 2:32:15.160
<v Speaker 2>have the drive that you had.

2:32:15.000 --> 2:32:19.080
<v Speaker 8>It's not about It's not about drive. I mean, see,

2:32:19.240 --> 2:32:24.279
<v Speaker 8>I believe, I believe every day I'm I'm I'm trying

2:32:24.280 --> 2:32:28.000
<v Speaker 8>to prove to you that I'm Michael Jordan every day

2:32:28.120 --> 2:32:32.720
<v Speaker 8>still to this day, still Michael Jordan, still Michael Jordan,

2:32:32.840 --> 2:32:38.720
<v Speaker 8>not not no, not coach, no, no, Michael Jordan's I play.

2:32:38.800 --> 2:32:41.040
<v Speaker 8>I play okay, I play hard.

2:32:41.640 --> 2:32:44.280
<v Speaker 1>So in your world like it's not about okay, Well,

2:32:44.480 --> 2:32:47.840
<v Speaker 1>you know I should be in coach position or even

2:32:47.879 --> 2:32:49.039
<v Speaker 1>owner position.

2:32:48.959 --> 2:32:55.680
<v Speaker 8>Or what's funny? Is you gotta I own a piece

2:32:55.720 --> 2:33:00.520
<v Speaker 8>of death jam at twenty eight, I don't know what

2:33:00.600 --> 2:33:01.840
<v Speaker 8>I don't know what it is not to be owner.

2:33:02.320 --> 2:33:06.960
<v Speaker 8>I own Warner Music Group, I own three hundred you know,

2:33:07.879 --> 2:33:09.880
<v Speaker 8>I don't know our own kW I don't know what

2:33:09.879 --> 2:33:11.720
<v Speaker 8>it is not to own, So I don't. I don't,

2:33:12.280 --> 2:33:14.680
<v Speaker 8>but I don't know what I would do if I did,

2:33:14.800 --> 2:33:15.320
<v Speaker 8>couldn't play?

2:33:16.840 --> 2:33:19.280
<v Speaker 4>Do you think your journey could exist in twenty seventeen

2:33:19.360 --> 2:33:22.080
<v Speaker 4>like the way did you started your journey? Continued your journey.

2:33:21.840 --> 2:33:26.440
<v Speaker 1>Like right now that's still at your office making sure

2:33:26.440 --> 2:33:31.160
<v Speaker 1>that so ten years from now.

2:33:31.280 --> 2:33:31.760
<v Speaker 2>We're going to.

2:33:33.240 --> 2:33:34.880
<v Speaker 8>Now. I got I got a lot of a lot

2:33:34.959 --> 2:33:38.280
<v Speaker 8>of young kids who I feel like, do.

2:33:38.280 --> 2:33:42.800
<v Speaker 2>You feel millennials even have that drive at all?

2:33:43.360 --> 2:33:45.920
<v Speaker 8>I think some do. I think some do. Think you

2:33:45.959 --> 2:33:50.080
<v Speaker 8>find the right ones. I think CJ's one. I think

2:33:50.120 --> 2:33:51.960
<v Speaker 8>I got another kid in my office who was like

2:33:52.040 --> 2:33:56.560
<v Speaker 8>the third person that out of Google class and interns.

2:33:57.040 --> 2:34:01.240
<v Speaker 8>I think Ash is one. I think I got another

2:34:01.320 --> 2:34:04.520
<v Speaker 8>marketing person named Raina who's I mean, they're there, you

2:34:04.520 --> 2:34:09.320
<v Speaker 8>know what I mean. But what happened quest is that

2:34:09.520 --> 2:34:13.160
<v Speaker 8>there's a period of time in our culture where mentorship

2:34:15.040 --> 2:34:18.400
<v Speaker 8>was lost because everybody, everybody got everybody got scared for

2:34:18.440 --> 2:34:21.640
<v Speaker 8>their jobs, got selfish, and they got selfish and so.

2:34:23.120 --> 2:34:25.280
<v Speaker 2>And it's it's called flexing.

2:34:26.520 --> 2:34:29.880
<v Speaker 8>The only reason I came reason I came back like

2:34:29.879 --> 2:34:35.800
<v Speaker 8>like like I have it is because I don't need

2:34:36.120 --> 2:34:39.200
<v Speaker 8>If you look at it, all of the diversity and

2:34:39.480 --> 2:34:41.600
<v Speaker 8>the music business and things like that, there's not enough

2:34:41.600 --> 2:34:45.560
<v Speaker 8>of us and and and But I tell people, you

2:34:45.680 --> 2:34:48.880
<v Speaker 8>got to be prepared for the moment. And being prepared

2:34:48.920 --> 2:34:50.680
<v Speaker 8>for the moment is making sure you the best you,

2:34:51.000 --> 2:34:54.360
<v Speaker 8>and you're having the biggest value proposition. And a lot

2:34:54.360 --> 2:34:57.199
<v Speaker 8>of kids that's wasn't there, And so I demand excellence.

2:34:57.200 --> 2:34:59.240
<v Speaker 4>Your teaching and you just use that phrase twice and

2:34:59.240 --> 2:35:01.680
<v Speaker 4>it's this wholes Can you say that again? The value

2:35:01.680 --> 2:35:04.360
<v Speaker 4>people say stuff they don't know what it is, and

2:35:04.400 --> 2:35:04.840
<v Speaker 4>that's kind.

2:35:04.760 --> 2:35:06.320
<v Speaker 8>Of deep, but you just so I believe there's a

2:35:06.400 --> 2:35:09.640
<v Speaker 8>value publish proposition on both sides. People who come to me,

2:35:09.879 --> 2:35:11.280
<v Speaker 8>can you give me a job? I said no, but

2:35:11.320 --> 2:35:15.120
<v Speaker 8>you can create a position with me. What's your value proposition.

2:35:15.480 --> 2:35:16.840
<v Speaker 8>I'm not gonna pay you what You're going to create

2:35:16.879 --> 2:35:19.600
<v Speaker 8>your position and create your position and then we'll talk

2:35:19.640 --> 2:35:20.039
<v Speaker 8>about it.

2:35:20.120 --> 2:35:27.760
<v Speaker 1>So if someone with the gravity ties and nerve that

2:35:28.120 --> 2:35:31.680
<v Speaker 1>Rockefeller had, when I guess they told you guys.

2:35:31.400 --> 2:35:42.520
<v Speaker 8>Like Dame had, not Rockefeller, Okay, but no, no, no, no, no,

2:35:43.240 --> 2:35:48.080
<v Speaker 8>in the way of saying everybody had that role. That

2:35:48.160 --> 2:35:50.720
<v Speaker 8>was it, that was his role and he played well.

2:35:51.120 --> 2:35:53.640
<v Speaker 2>Oh okay, well no, no, no again.

2:35:54.000 --> 2:35:57.000
<v Speaker 1>A lot of this, I'm just going on folklore that

2:35:57.240 --> 2:36:00.320
<v Speaker 1>you know, you always hear stories of, and I just remember,

2:36:00.720 --> 2:36:02.480
<v Speaker 1>at or at least what I was told was that

2:36:02.879 --> 2:36:06.920
<v Speaker 1>when they had the initial death Jam meeting, it was like, no,

2:36:07.080 --> 2:36:10.800
<v Speaker 1>we want to be our own label, not just to

2:36:10.840 --> 2:36:11.480
<v Speaker 1>be an artist.

2:36:11.760 --> 2:36:14.959
<v Speaker 8>J Damon Biggs came to my office. IRV said, Yo,

2:36:15.040 --> 2:36:17.160
<v Speaker 8>y'all want to get your records played, you gotta go

2:36:17.160 --> 2:36:21.160
<v Speaker 8>see Kevin Lows okay. And so they came to my

2:36:21.200 --> 2:36:26.039
<v Speaker 8>office with a bag of money, a brown paper bag

2:36:27.080 --> 2:36:31.960
<v Speaker 8>and whoa. I said, Yo, let me hate the music.

2:36:32.000 --> 2:36:33.400
<v Speaker 8>You know, I just want to know. I know life

2:36:33.440 --> 2:36:35.039
<v Speaker 8>that I heard you know in my lifetime, said let

2:36:35.080 --> 2:36:37.680
<v Speaker 8>me the music. So I said, Yo, why don't you

2:36:37.680 --> 2:36:41.800
<v Speaker 8>try to sign hit? Jay said, we Rockefeller?

2:36:43.480 --> 2:36:43.760
<v Speaker 4>Cool?

2:36:45.320 --> 2:36:48.360
<v Speaker 8>All right, cool? So, but Yo, we should stay in touch.

2:36:48.520 --> 2:36:50.720
<v Speaker 8>And I helped them get the record on the radio,

2:36:51.200 --> 2:36:52.920
<v Speaker 8>and then they did the record with Foxy and we

2:36:52.920 --> 2:36:55.520
<v Speaker 8>put that on Rush Hour soundtrack, the first one in

2:36:55.520 --> 2:36:56.279
<v Speaker 8>the rest is history.

2:36:58.120 --> 2:37:01.359
<v Speaker 2>That's really that's though, because.

2:37:01.360 --> 2:37:04.400
<v Speaker 8>That's listen another time he said it. When we all

2:37:04.400 --> 2:37:08.720
<v Speaker 8>went to the Warner Music Group, Jay said, Yo.

2:37:09.000 --> 2:37:11.360
<v Speaker 1>And how did y'all get him to agree to that?

2:37:13.360 --> 2:37:14.959
<v Speaker 1>He Kevin's all smiles.

2:37:15.000 --> 2:37:17.880
<v Speaker 8>Now, No, it's it's when you it's when you always

2:37:17.879 --> 2:37:22.760
<v Speaker 8>think it a greater good. So, when Jay had the

2:37:22.760 --> 2:37:25.880
<v Speaker 8>opportunity to work with us again, because he got did

2:37:25.879 --> 2:37:28.720
<v Speaker 8>the whole lot next thing, finished his commitment there, he

2:37:28.800 --> 2:37:31.320
<v Speaker 8>brought his album over to us at Atlantic.

2:37:32.360 --> 2:37:37.400
<v Speaker 2>Which the Kingdom come or the UH part three Blueprint

2:37:37.480 --> 2:37:38.039
<v Speaker 2>Blueprint three.

2:37:38.080 --> 2:37:41.280
<v Speaker 8>Okay, And and he didn't have to do that. He

2:37:41.320 --> 2:37:43.520
<v Speaker 8>could have did it anywhere in the world, but he chose.

2:37:44.040 --> 2:37:44.680
<v Speaker 2>He could have.

2:37:45.200 --> 2:37:46.880
<v Speaker 8>You know, he could have did it anywhere in the world.

2:37:46.959 --> 2:37:51.039
<v Speaker 8>And the reality of it was that's because of the

2:37:51.080 --> 2:37:53.320
<v Speaker 8>greater good, you know, man, and I believe we all

2:37:53.360 --> 2:37:56.400
<v Speaker 8>work together again. And I believe I'm now with Lee

2:37:56.480 --> 2:37:58.680
<v Speaker 8>or at YouTube, there's gonna be a lot of opportunity

2:37:58.879 --> 2:38:02.160
<v Speaker 8>for more things to happen, and our culture is going

2:38:02.200 --> 2:38:03.960
<v Speaker 8>to even continue to grow more.

2:38:04.680 --> 2:38:06.920
<v Speaker 1>I just want to wrap up to where you are now,

2:38:06.959 --> 2:38:11.720
<v Speaker 1>which is of course between kW L and three hundred entertainment.

2:38:14.440 --> 2:38:16.560
<v Speaker 2>Why would you want to be a manager?

2:38:18.520 --> 2:38:25.320
<v Speaker 1>Which means that I'm certain that your phone are ringing

2:38:26.160 --> 2:38:32.160
<v Speaker 1>off that CJ's already confirming. Do you dread when the

2:38:32.200 --> 2:38:35.959
<v Speaker 1>phone rings between eleven?

2:38:36.320 --> 2:38:40.520
<v Speaker 2>I'm sure you have a batphone, that batphone, which is like, do.

2:38:40.600 --> 2:38:44.080
<v Speaker 1>Not call this phone unless it's an emerged right, Okay,

2:38:44.600 --> 2:38:46.400
<v Speaker 1>you always showed me all forty two billions.

2:38:47.120 --> 2:38:49.959
<v Speaker 2>So when phone number three rings at.

2:38:49.800 --> 2:38:51.280
<v Speaker 8>Two in the morning, that's in a call.

2:38:52.440 --> 2:38:57.959
<v Speaker 2>Are you is there tremors? Are are you?

2:38:58.080 --> 2:39:02.800
<v Speaker 8>Like? Oh God, so where I'm at in my life? People? Now,

2:39:02.800 --> 2:39:05.400
<v Speaker 8>I have a eighteen year old, sixteen year old, five

2:39:05.480 --> 2:39:10.119
<v Speaker 8>year old, two year old, I have a wife. I'm

2:39:10.120 --> 2:39:15.080
<v Speaker 8>not answering the phone at a certain time, but it's

2:39:15.080 --> 2:39:17.440
<v Speaker 8>out of respect. But I make sure before I lay

2:39:17.480 --> 2:39:21.280
<v Speaker 8>down that everything's done. It's not an issue. And if

2:39:21.280 --> 2:39:23.440
<v Speaker 8>I do get a four o'clock in the morning call

2:39:23.480 --> 2:39:29.760
<v Speaker 8>like I did last week, yeah, okay, it's already handled

2:39:29.760 --> 2:39:33.480
<v Speaker 8>to a point that I just got to give the blessing,

2:39:33.800 --> 2:39:36.200
<v Speaker 8>you know, because I got people of a company. It's

2:39:36.200 --> 2:39:37.080
<v Speaker 8>not just just me.

2:39:37.160 --> 2:39:39.760
<v Speaker 2>I have people who are You're at the top of

2:39:39.760 --> 2:39:40.720
<v Speaker 2>the very.

2:39:40.600 --> 2:39:43.800
<v Speaker 8>Competent an and I have to just say I don't

2:39:44.280 --> 2:39:45.960
<v Speaker 8>I never wanted to manage. I don't even feel like

2:39:46.000 --> 2:39:47.480
<v Speaker 8>I managed right now.

2:39:47.520 --> 2:39:49.360
<v Speaker 1>You don't want to manage. You didn't want to be president,

2:39:49.440 --> 2:39:52.400
<v Speaker 1>you didn't want to want artist. What do you want

2:39:52.400 --> 2:39:53.360
<v Speaker 1>to do, Kevin Lowlson?

2:39:55.959 --> 2:39:57.840
<v Speaker 8>Okay, let me tell you really want to do. I

2:39:57.879 --> 2:40:01.320
<v Speaker 8>want to change people's lives, and right now I'm doing

2:40:01.320 --> 2:40:01.920
<v Speaker 8>it through music.

2:40:03.800 --> 2:40:06.199
<v Speaker 2>I can't accept that it's good because.

2:40:05.959 --> 2:40:08.280
<v Speaker 8>The truth, that's all I want to do, and I really,

2:40:08.440 --> 2:40:11.480
<v Speaker 8>honestly I tell you and then we can wrap up.

2:40:11.480 --> 2:40:13.720
<v Speaker 8>So when I left for Warner Music Group, I was

2:40:13.760 --> 2:40:16.440
<v Speaker 8>done with the business. I said, I don't I said,

2:40:16.800 --> 2:40:20.080
<v Speaker 8>you don't want to sign Chris Brown. You're trying to

2:40:20.120 --> 2:40:23.360
<v Speaker 8>tell me about you want to get rid of this artist.

2:40:23.400 --> 2:40:25.640
<v Speaker 8>I said, yeah, I can't do that. So I'm an

2:40:25.640 --> 2:40:28.440
<v Speaker 8>EXECTI vice president, So I don't have a label. I'm

2:40:28.760 --> 2:40:32.720
<v Speaker 8>the whole company, you know. And I said, I think

2:40:32.720 --> 2:40:35.720
<v Speaker 8>it's the business is about the change. I think I

2:40:35.720 --> 2:40:37.760
<v Speaker 8>should look at the new business model. Takes some time off.

2:40:37.879 --> 2:40:42.240
<v Speaker 8>And so I worked out something with Warner and for

2:40:42.640 --> 2:40:45.360
<v Speaker 8>you know, three years, and everything's great. My whole crew

2:40:45.400 --> 2:40:49.440
<v Speaker 8>there and everything. And I met this kid, Trey while

2:40:49.480 --> 2:40:51.680
<v Speaker 8>I was there. He said, yo, I got rid of

2:40:51.760 --> 2:40:56.000
<v Speaker 8>my manager. I said, so, who's your manager? He said Delante.

2:40:56.040 --> 2:40:58.800
<v Speaker 8>I said, Delante was my first intern ever in the

2:40:58.879 --> 2:41:02.800
<v Speaker 8>music business. He said, what's the problem. Well, well, I said, yo,

2:41:03.080 --> 2:41:04.680
<v Speaker 8>He said, keV, I want you to man. I said, yo,

2:41:04.680 --> 2:41:06.560
<v Speaker 8>I'm not manager. I'm not waking up telling you I'm

2:41:06.560 --> 2:41:08.720
<v Speaker 8>not doing nothing that we are y'all talking about management.

2:41:09.480 --> 2:41:13.800
<v Speaker 8>And I said, but go out and talk to everybody

2:41:14.520 --> 2:41:16.240
<v Speaker 8>and then come back and talk to me. And let's

2:41:16.240 --> 2:41:21.039
<v Speaker 8>make a decision. So his mom calls me and says,

2:41:22.640 --> 2:41:26.879
<v Speaker 8>I am keV. My son don't want a manager. He

2:41:26.920 --> 2:41:29.720
<v Speaker 8>wants you. He said. He looks at you as a

2:41:29.840 --> 2:41:35.600
<v Speaker 8>father figure. I said, oh jeez, no he didn't. He

2:41:35.600 --> 2:41:38.800
<v Speaker 8>didn't call me, he said. So then he called and said, yo,

2:41:42.080 --> 2:41:44.160
<v Speaker 8>I promise you. I'm gonna do whatever I need to

2:41:44.200 --> 2:41:47.240
<v Speaker 8>do to be and I'm not going to act up.

2:41:48.040 --> 2:41:49.320
<v Speaker 8>You know what I mean? I said, I don't think

2:41:49.320 --> 2:41:50.640
<v Speaker 8>you're going to act up. I said, but you got

2:41:50.640 --> 2:41:53.359
<v Speaker 8>to understand it's really you have to be my partner.

2:41:53.680 --> 2:41:56.320
<v Speaker 8>I'm not your manager. Really, I'm your partner, and we're

2:41:56.320 --> 2:41:59.640
<v Speaker 8>gonna have to figure it out. And so I agreed

2:41:59.680 --> 2:42:02.160
<v Speaker 8>to do that. And then ten thousand other people called.

2:42:02.480 --> 2:42:06.680
<v Speaker 8>But that was out of necessity. Our friend was out

2:42:06.680 --> 2:42:08.840
<v Speaker 8>of necessity. It wasn't not it was I didn't I

2:42:08.840 --> 2:42:10.840
<v Speaker 8>say I want to man it. It was out of necessity.

2:42:10.879 --> 2:42:13.640
<v Speaker 1>I was about to say, what can we do to

2:42:13.720 --> 2:42:19.400
<v Speaker 1>not make d'angelo's fourth album come out in twenty thirty seven?

2:42:19.560 --> 2:42:22.920
<v Speaker 8>Right label love? Man, I can just I can be

2:42:23.000 --> 2:42:23.680
<v Speaker 8>honest with you.

2:42:25.080 --> 2:42:27.440
<v Speaker 1>I know it's frustrating, you know, and then you see

2:42:27.440 --> 2:42:29.240
<v Speaker 1>it perform and it's like all's forgiven.

2:42:30.280 --> 2:42:30.720
<v Speaker 2>This is me.

2:42:31.080 --> 2:42:35.680
<v Speaker 8>He wanted us listen, relationship, right, it's like a relationship.

2:42:35.680 --> 2:42:37.840
<v Speaker 8>He's one of those I can say, listen, whether he

2:42:37.879 --> 2:42:42.640
<v Speaker 8>makes ten albums, five albums, two albums, for whatever he

2:42:42.720 --> 2:42:45.680
<v Speaker 8>decides to make, it'll be Danzel. It's only one of those.

2:42:46.080 --> 2:42:49.000
<v Speaker 8>And that's how I feel about it. And it's out

2:42:49.000 --> 2:42:51.039
<v Speaker 8>of necessity. That's my brother, you know what I mean.

2:42:51.040 --> 2:42:55.080
<v Speaker 8>That's somebody who like, I'm gonna be there for him,

2:42:55.240 --> 2:42:58.600
<v Speaker 8>you know, whether he's writing music, performing, whatever he's doing,

2:42:58.600 --> 2:43:00.080
<v Speaker 8>I'm gonna be there for him. This is right, but

2:43:00.160 --> 2:43:03.040
<v Speaker 8>stayed right. But but again it's out of necessity. That

2:43:03.160 --> 2:43:05.400
<v Speaker 8>was out of necessity. I have some acts that I

2:43:05.560 --> 2:43:07.360
<v Speaker 8>do because they want to beat but they all want

2:43:07.400 --> 2:43:09.920
<v Speaker 8>to beat me for different reasons, and so it's out

2:43:09.920 --> 2:43:11.000
<v Speaker 8>of necessity, you know.

2:43:11.120 --> 2:43:13.160
<v Speaker 2>With that, Who are the acts that you manage? Now?

2:43:15.560 --> 2:43:21.000
<v Speaker 8>P and B Rock Philly Shout out to Philly. Shout

2:43:21.000 --> 2:43:25.280
<v Speaker 8>out to P and B. Do you still have l No,

2:43:25.600 --> 2:43:27.280
<v Speaker 8>don't have her? K Michelle?

2:43:29.840 --> 2:43:30.200
<v Speaker 2>Who else?

2:43:30.240 --> 2:43:37.040
<v Speaker 8>I well, Wes Walker from another Philly white rap who

2:43:38.200 --> 2:43:42.880
<v Speaker 8>Charles Jenkins Big Pastor out of Chicago. Shout out to Charles.

2:43:42.920 --> 2:43:48.240
<v Speaker 8>I'm forgetting somebody. I'm forgetting somebody, really, oh, London on

2:43:48.240 --> 2:43:53.600
<v Speaker 8>the track and if I forgot you, I'm sorry, it's late.

2:43:54.480 --> 2:43:55.560
<v Speaker 2>I'm sorry.

2:43:55.600 --> 2:43:58.760
<v Speaker 1>Well, I thank you very much. Give it up for

2:43:58.840 --> 2:43:59.360
<v Speaker 1>our guests.

2:44:00.840 --> 2:44:06.119
<v Speaker 2>Kevin le the guru, the guru.

2:44:06.840 --> 2:44:08.920
<v Speaker 8>I'm gonna take that, though I might that may be my.

2:44:10.520 --> 2:44:12.520
<v Speaker 1>I can't be the first person that ever called.

2:44:12.360 --> 2:44:17.560
<v Speaker 8>You a guru. Russell called me a priest. Wow. Rare

2:44:17.959 --> 2:44:21.039
<v Speaker 8>calls me the covenor instead of the governor. That because

2:44:21.080 --> 2:44:25.200
<v Speaker 8>I cover everybody, but you you the first guru definitely.

2:44:25.280 --> 2:44:25.560
<v Speaker 2>Wow.

2:44:25.760 --> 2:44:26.600
<v Speaker 8>Oh. Russell called me.

2:44:26.600 --> 2:44:31.760
<v Speaker 1>Buddha now or fifteen years ago?

2:44:32.240 --> 2:44:35.160
<v Speaker 8>Now, okay, yeah, he said, he said, you don't have

2:44:35.200 --> 2:44:38.800
<v Speaker 8>to I have to meditate because I have to meditate.

2:44:38.840 --> 2:44:39.959
<v Speaker 8>I said, you don't have to. He said, you don't

2:44:39.959 --> 2:44:42.200
<v Speaker 8>have to meditate. You just nice. I said, yeah, I

2:44:42.200 --> 2:44:43.160
<v Speaker 8>said okay, cool.

2:44:44.240 --> 2:44:47.480
<v Speaker 1>Well, much success to you, man. I appreciate your energy

2:44:47.520 --> 2:44:51.360
<v Speaker 1>and and and and your your wisdom and your insight.

2:44:51.440 --> 2:44:53.440
<v Speaker 8>Thank you very much, man, Thank you, guys, bless you off.

2:44:54.400 --> 2:44:54.680
<v Speaker 2>Thank you.

2:44:55.240 --> 2:44:58.800
<v Speaker 1>That was a very enlightening and positive. Do you think

2:44:58.879 --> 2:45:01.760
<v Speaker 1>we will just get one person to tell us the

2:45:01.800 --> 2:45:06.359
<v Speaker 1>most debauchery death jam stories of all time he was about.

2:45:06.080 --> 2:45:07.840
<v Speaker 6>To did you notice that he was He was getting

2:45:07.920 --> 2:45:10.440
<v Speaker 6>up to one, and then we changed the subject. He was, yeah,

2:45:10.680 --> 2:45:11.160
<v Speaker 6>I thought he.

2:45:11.160 --> 2:45:14.160
<v Speaker 2>Was gonna there was he he was.

2:45:14.760 --> 2:45:16.240
<v Speaker 6>What he said was like Solomon Moore. It was like

2:45:16.240 --> 2:45:18.880
<v Speaker 6>bla and then someone sets up else. It was like now'

2:45:18.920 --> 2:45:23.760
<v Speaker 6>not yeah, And I have fish for lunch and fish

2:45:23.800 --> 2:45:26.400
<v Speaker 6>for dinner and fish legs.

2:45:27.560 --> 2:45:34.160
<v Speaker 2>On my home ele vegetables smells of rich vegetables.

2:45:34.280 --> 2:45:37.240
<v Speaker 1>I was praying to ask if he remembered the little

2:45:37.240 --> 2:45:41.680
<v Speaker 1>brother period of was that That.

2:45:41.680 --> 2:45:44.200
<v Speaker 2>Was my first time meeting him. That was my first time.

2:45:44.480 --> 2:45:46.200
<v Speaker 2>But I mean, but a lot of what he was saying,

2:45:46.440 --> 2:45:49.039
<v Speaker 2>you know, and and even you know, to back up

2:45:49.040 --> 2:45:52.760
<v Speaker 2>what he was saying, you know, for for all into

2:45:52.800 --> 2:45:54.480
<v Speaker 2>the purposes. I mean, they let us make the album

2:45:54.520 --> 2:45:57.080
<v Speaker 2>we wanted to make. I mean, that album, regardless of

2:45:57.120 --> 2:46:00.120
<v Speaker 2>what it did, you know, financially, uh number for to

2:46:00.160 --> 2:46:03.120
<v Speaker 2>the mental show. You know, that record came straight out

2:46:03.200 --> 2:46:06.160
<v Speaker 2>of our hard drives to the world. And I don't

2:46:06.200 --> 2:46:08.720
<v Speaker 2>know if too many artists who can really say that,

2:46:08.920 --> 2:46:11.360
<v Speaker 2>you know, certainly at that time, you know what I mean,

2:46:12.480 --> 2:46:15.600
<v Speaker 2>you know, we that album came out exactly the way

2:46:15.720 --> 2:46:18.600
<v Speaker 2>we envisioned it and so uh, you know, they were

2:46:18.680 --> 2:46:21.160
<v Speaker 2>always album cover. It's of an album. We had to

2:46:21.240 --> 2:46:23.879
<v Speaker 2>change some of the album cover. But but other than that,

2:46:24.040 --> 2:46:27.320
<v Speaker 2>I mean, yeah, they were very They let us do us,

2:46:27.360 --> 2:46:29.640
<v Speaker 2>you know what I'm saying. So I always be thankful

2:46:29.760 --> 2:46:35.720
<v Speaker 2>to uh, keV and Julie and Craig. I like to

2:46:35.720 --> 2:46:38.200
<v Speaker 2>get on on on the show. I think Julie would

2:46:38.200 --> 2:46:39.800
<v Speaker 2>be real, raight. I think Julie would be the one

2:46:39.800 --> 2:46:42.840
<v Speaker 2>that will be She would she would give it up wrong.

2:46:43.200 --> 2:46:45.280
<v Speaker 2>I don't know everybody else now is like doing yoga

2:46:45.320 --> 2:46:49.119
<v Speaker 2>and ship. I think Julie. I think Julia would go in.

2:46:49.320 --> 2:46:54.280
<v Speaker 2>Did I ask you what you learned? Oh no, Kevin Lyles,

2:46:54.320 --> 2:46:59.039
<v Speaker 2>what I learned? I learned that to me, the most

2:46:59.120 --> 2:47:00.640
<v Speaker 2>the people that are a lot of times that are

2:47:00.720 --> 2:47:03.080
<v Speaker 2>most successful in the business. You know, when he talks

2:47:03.080 --> 2:47:05.800
<v Speaker 2>about just wanting to add value to things, that's something

2:47:05.800 --> 2:47:08.640
<v Speaker 2>that's very amiable. That's something that I've always kind of

2:47:09.360 --> 2:47:11.280
<v Speaker 2>tried to live my life by and that if I

2:47:11.280 --> 2:47:13.680
<v Speaker 2>don't think I can make something better, it doesn't have

2:47:13.680 --> 2:47:17.040
<v Speaker 2>anything to do with the money or you know whatever.

2:47:17.200 --> 2:47:18.720
<v Speaker 2>It's just like, if I don't think I can make

2:47:18.760 --> 2:47:21.760
<v Speaker 2>this better, then your check really don't mean nothing, you

2:47:21.760 --> 2:47:24.320
<v Speaker 2>know what I'm saying, Because if I'm not adding some

2:47:24.440 --> 2:47:26.520
<v Speaker 2>kind of value to it that I know only I

2:47:26.520 --> 2:47:29.800
<v Speaker 2>can add, then you know I'm doing you a disservice

2:47:29.840 --> 2:47:31.560
<v Speaker 2>by taking the money, and I'm just gonna end up

2:47:31.600 --> 2:47:34.080
<v Speaker 2>making us both look bad. So that was something that

2:47:34.120 --> 2:47:37.000
<v Speaker 2>really ranged out to me, and also to just a

2:47:37.080 --> 2:47:39.480
<v Speaker 2>thing of him just kind of not really playing for

2:47:39.480 --> 2:47:42.400
<v Speaker 2>the paper, but just playing for the position, agreeing to say, hey,

2:47:42.520 --> 2:47:45.400
<v Speaker 2>I'll drive Houdini because of what that's going to mean.

2:47:45.520 --> 2:47:47.840
<v Speaker 2>Not necessarily. There may not be a big payoff in

2:47:47.879 --> 2:47:50.360
<v Speaker 2>it for me immediately, but it may pay off for

2:47:50.440 --> 2:47:52.199
<v Speaker 2>me down the line and him even.

2:47:52.400 --> 2:47:55.040
<v Speaker 1>I'm still trying to digest that though you mean what

2:47:55.080 --> 2:47:58.240
<v Speaker 1>you mean in what way? Well, I mean, I had

2:47:58.280 --> 2:48:02.600
<v Speaker 1>no reason to believe that. You know, he's fibbing to me, right.

2:48:02.720 --> 2:48:06.080
<v Speaker 2>But that's a rare character trait to.

2:48:07.680 --> 2:48:12.200
<v Speaker 1>Uh, I don't know, to be so prepared and so

2:48:13.680 --> 2:48:17.679
<v Speaker 1>willing to work and so on time, and so resourceful

2:48:18.879 --> 2:48:23.640
<v Speaker 1>and so ready without a destination or endgame or even

2:48:23.640 --> 2:48:24.160
<v Speaker 1>a dream.

2:48:24.600 --> 2:48:26.720
<v Speaker 14>Well, I think he said one of the things he

2:48:26.760 --> 2:48:28.640
<v Speaker 14>said was that he wanted to be the best at

2:48:28.720 --> 2:48:31.039
<v Speaker 14>whatever he was whatever, It wasn't necessarily like he was

2:48:31.080 --> 2:48:33.120
<v Speaker 14>looking for the touchdown. It was just like, if this

2:48:33.160 --> 2:48:34.800
<v Speaker 14>is who I am, then I'm going to be the

2:48:34.800 --> 2:48:35.520
<v Speaker 14>best at it.

2:48:36.440 --> 2:48:43.800
<v Speaker 2>That's the same because you have aspirations.

2:48:43.879 --> 2:48:47.360
<v Speaker 4>No, it's just somebody else's story, just a journey different.

2:48:47.760 --> 2:48:51.160
<v Speaker 1>Does that make me a bad person? If I see

2:48:51.200 --> 2:48:54.440
<v Speaker 1>a monetary landing at the end of this.

2:48:54.440 --> 2:48:57.040
<v Speaker 4>Leap, it doesn't make you a bad person. But at

2:48:57.080 --> 2:49:00.280
<v Speaker 4>some point it's got to be something else. And I'm

2:49:00.320 --> 2:49:01.920
<v Speaker 4>with you on that. More than money.

2:49:01.959 --> 2:49:03.600
<v Speaker 2>It's got because after a while, it's like.

2:49:03.920 --> 2:49:06.200
<v Speaker 4>Kevin and helping his people and going to more, you know,

2:49:06.240 --> 2:49:08.800
<v Speaker 4>going to Morgan, being in Baltimore, being available, Like what

2:49:08.920 --> 2:49:09.200
<v Speaker 4>is that?

2:49:09.280 --> 2:49:09.520
<v Speaker 2>Money?

2:49:09.520 --> 2:49:10.720
<v Speaker 4>Don't feed your soul.

2:49:10.520 --> 2:49:16.800
<v Speaker 1>But James Brown says Republican James Brown says in soul

2:49:16.879 --> 2:49:18.959
<v Speaker 1>power and deliberated broke.

2:49:19.440 --> 2:49:21.360
<v Speaker 4>Well, you can do both though. That's what Kevin Lowles

2:49:21.440 --> 2:49:23.480
<v Speaker 4>is doing. That's what Richard Branson is doing.

2:49:23.520 --> 2:49:25.840
<v Speaker 1>Yeah, I'm trying to change lives too, but I definitely

2:49:25.840 --> 2:49:35.320
<v Speaker 1>know that ain't nothing going on but the rent. Okay,

2:49:35.760 --> 2:49:37.160
<v Speaker 1>what any other bill?

2:49:38.680 --> 2:49:40.000
<v Speaker 2>What did you learn this episode?

2:49:40.040 --> 2:49:46.720
<v Speaker 6>What I learned to two things? Kevin Leles, Yes, that's

2:49:47.560 --> 2:49:49.840
<v Speaker 6>there is that which goes off what you were saying.

2:49:49.879 --> 2:49:52.480
<v Speaker 6>It's like, it's like you all getting to the room

2:49:52.520 --> 2:49:54.039
<v Speaker 6>for reason, right, you have a talent or you're in

2:49:54.080 --> 2:49:55.560
<v Speaker 6>the room for reason, but you stay in the room

2:49:55.640 --> 2:49:57.400
<v Speaker 6>because you're fun to hang around with. That's like, I

2:49:57.440 --> 2:49:59.400
<v Speaker 6>feel like that's about everything, And that was kind of

2:49:59.400 --> 2:50:01.199
<v Speaker 6>what he was getting. He's like, he's a nice guy

2:50:01.800 --> 2:50:03.640
<v Speaker 6>and like he would do all this ship and do

2:50:03.680 --> 2:50:06.120
<v Speaker 6>all this crazy stuff, but he succeeded at the end

2:50:06.160 --> 2:50:08.640
<v Speaker 6>of the day so profoundly because he's a good dude.

2:50:08.720 --> 2:50:11.080
<v Speaker 6>He's just like a he's not an asshole. And secondly,

2:50:11.200 --> 2:50:13.200
<v Speaker 6>he kept on saying stuff about storytelling, which I thought

2:50:13.280 --> 2:50:15.280
<v Speaker 6>was interesting, which we were disagreeingb on, which is like

2:50:15.320 --> 2:50:17.680
<v Speaker 6>East Coast versus West Coast, Like it wasn't that one

2:50:17.720 --> 2:50:20.120
<v Speaker 6>thing ended and another thing began. It's just it's just

2:50:20.160 --> 2:50:22.680
<v Speaker 6>that's where it was. And because I feel like I

2:50:22.720 --> 2:50:24.480
<v Speaker 6>was thinking about this as he was saying this, it

2:50:24.520 --> 2:50:26.680
<v Speaker 6>is like our life is like that, Like you're in

2:50:26.760 --> 2:50:28.440
<v Speaker 6>we were into the Hamilton thing for a minute, and

2:50:28.440 --> 2:50:29.960
<v Speaker 6>now that's kind of you know, it's not it's still

2:50:30.000 --> 2:50:31.680
<v Speaker 6>this thing, but it goes away and then something else

2:50:31.760 --> 2:50:33.320
<v Speaker 6>kind of pops up. You just kind of follow around

2:50:33.360 --> 2:50:37.480
<v Speaker 6>this thing and just hope that you can attach yourself

2:50:37.480 --> 2:50:38.880
<v Speaker 6>to the pulse of it as long as you can,

2:50:38.959 --> 2:50:39.920
<v Speaker 6>because that's what we're doing.

2:50:39.959 --> 2:50:42.360
<v Speaker 2>That's artistry, whatever we're doing, you know, And that's I

2:50:42.360 --> 2:50:44.360
<v Speaker 2>thought that was. You just keep working, Yeah, you just

2:50:44.480 --> 2:50:44.960
<v Speaker 2>just keep working.

2:50:45.040 --> 2:50:47.640
<v Speaker 6>Career, just have yes, But but our career is based

2:50:47.640 --> 2:50:49.440
<v Speaker 6>on the fucking weirdest thing in the world.

2:50:49.640 --> 2:50:50.120
<v Speaker 8>Like so.

2:50:51.640 --> 2:50:59.280
<v Speaker 1>Would Learne large Margie.

2:50:57.800 --> 2:50:59.240
<v Speaker 2>Large large.

2:51:00.959 --> 2:51:05.520
<v Speaker 4>All right, yeah, no, minus short, I just learned it.

2:51:05.560 --> 2:51:07.640
<v Speaker 4>I guess you really can be a good guy in

2:51:07.680 --> 2:51:10.440
<v Speaker 4>his business. Although I'm still waiting for a bad story

2:51:10.440 --> 2:51:12.880
<v Speaker 4>about Kevin Lows because it's so hard to believe that

2:51:13.040 --> 2:51:15.480
<v Speaker 4>you can be a good cop. Like that's amazing.

2:51:15.600 --> 2:51:20.800
<v Speaker 1>Yeah, yeah, right, like that's amazing.

2:51:20.879 --> 2:51:23.960
<v Speaker 4>And a sea of le Or and Russell Kevin.

2:51:25.120 --> 2:51:26.920
<v Speaker 2>Yeah, I trust me.

2:51:27.000 --> 2:51:31.160
<v Speaker 1>I've heard Russell Simmons name as Hustle Simmons.

2:51:31.720 --> 2:51:36.960
<v Speaker 2>I've heard lee Or. I've never heard I've never heard

2:51:37.080 --> 2:51:42.000
<v Speaker 2>Kevin Lies. I've never heard that. I've never heard that once.

2:51:43.400 --> 2:51:44.720
<v Speaker 2>Bill me.

2:51:45.080 --> 2:51:48.400
<v Speaker 9>Yeah, Yeah, what did I learn, boss, Bill? I didn't

2:51:48.440 --> 2:51:51.800
<v Speaker 9>really learn anything. I just got a lot of things reinforced.

2:51:52.360 --> 2:51:54.640
<v Speaker 9>I really wish this was a conversation that I could

2:51:54.680 --> 2:51:57.160
<v Speaker 9>have been a part of. On May fourth, two thousand

2:51:57.160 --> 2:52:02.560
<v Speaker 9>and two, before I started my first job music industry, Steve,

2:52:02.600 --> 2:52:03.760
<v Speaker 9>you know what you didn't learn?

2:52:04.800 --> 2:52:07.000
<v Speaker 4>Yeah?

2:52:07.080 --> 2:52:08.600
<v Speaker 2>Do you know what you did not learn?

2:52:09.160 --> 2:52:11.240
<v Speaker 5>How to get back into this room.

2:52:12.560 --> 2:52:13.480
<v Speaker 2>I've been getting.

2:52:13.200 --> 2:52:17.440
<v Speaker 6>Text messages all the way from Steve who every time

2:52:17.640 --> 2:52:18.240
<v Speaker 6>here you.

2:52:18.160 --> 2:52:20.320
<v Speaker 2>Left the room in such a glorious moment.

2:52:20.040 --> 2:52:22.400
<v Speaker 5>For you and create places.

2:52:24.200 --> 2:52:25.640
<v Speaker 4>That's what happened when you were you.

2:52:27.240 --> 2:52:27.400
<v Speaker 8>Did?

2:52:27.600 --> 2:52:28.360
<v Speaker 5>What did I not learn?

2:52:28.440 --> 2:52:30.400
<v Speaker 2>Were you at the window like banging on the window.

2:52:30.560 --> 2:52:31.800
<v Speaker 5>I wish I was that close.

2:52:33.320 --> 2:52:36.120
<v Speaker 4>Elevators because what did I not learn?

2:52:36.200 --> 2:52:37.520
<v Speaker 5>Does he manage Billy Joelis?

2:52:40.640 --> 2:52:41.680
<v Speaker 2>That would be your sugar?

2:52:42.280 --> 2:52:42.440
<v Speaker 8>Oh?

2:52:42.520 --> 2:52:45.039
<v Speaker 2>Yeah, yeah, you guys were brothers.

2:52:45.320 --> 2:52:46.760
<v Speaker 6>And then he talked about his diet, and then we

2:52:46.800 --> 2:52:48.640
<v Speaker 6>made fun of your diet, and then you here that

2:52:48.720 --> 2:52:50.600
<v Speaker 6>was fine, and then yeah, and.

2:52:50.600 --> 2:52:51.520
<v Speaker 4>Then he blessed the mirror.

2:52:51.560 --> 2:52:52.240
<v Speaker 8>It was beautiful.

2:52:52.320 --> 2:52:54.160
<v Speaker 5>It was I did learn some things.

2:52:54.240 --> 2:52:55.920
<v Speaker 2>What did you learn? He wrote?

2:52:59.800 --> 2:53:03.000
<v Speaker 15>Well, Well, I want to hear one of these songs

2:53:03.000 --> 2:53:06.879
<v Speaker 15>with with ten turntables, right, I mean I've put it

2:53:06.920 --> 2:53:09.680
<v Speaker 15>together in my Head's five guys right each with two.

2:53:09.760 --> 2:53:14.120
<v Speaker 6>Good math buddies, good math.

2:53:15.320 --> 2:53:15.920
<v Speaker 2>That's one thing.

2:53:16.120 --> 2:53:18.160
<v Speaker 1>That's the one thing, and that we didn't clearly explain

2:53:18.240 --> 2:53:21.640
<v Speaker 1>that when he was talking about that he kept the bass.

2:53:21.680 --> 2:53:25.840
<v Speaker 1>Like the thing of of Baltimore house music was that

2:53:25.879 --> 2:53:28.720
<v Speaker 1>they would turn any song into a four on the

2:53:28.720 --> 2:53:31.320
<v Speaker 1>floor song. So it doesn't matter. It could be like

2:53:31.480 --> 2:53:34.680
<v Speaker 1>Jump by Van Helen. Somebody would spin Jump by Van Helen.

2:53:38.360 --> 2:53:40.440
<v Speaker 5>That somebody scratching and somebody playing a bassline.

2:53:40.520 --> 2:53:40.640
<v Speaker 11>Right.

2:53:40.879 --> 2:53:42.959
<v Speaker 1>Yeah, So he was saying that his job was just

2:53:43.000 --> 2:53:47.680
<v Speaker 1>to keep the steady eight weight. In Chicago, they would

2:53:47.680 --> 2:53:50.200
<v Speaker 1>actually have a guy play the eight weight live in

2:53:50.240 --> 2:53:51.560
<v Speaker 1>the booth. So I don't know if he had an

2:53:51.600 --> 2:53:54.160
<v Speaker 1>eight weight machine or he was just spinning records that

2:53:54.240 --> 2:53:58.959
<v Speaker 1>had a consistent Yeah, but yeah, you turn you turn

2:53:59.160 --> 2:54:00.960
<v Speaker 1>every song into a four on the floor song.

2:54:01.080 --> 2:54:04.080
<v Speaker 15>So are there albums that the listeners can can reference

2:54:04.320 --> 2:54:06.439
<v Speaker 15>to hear ten turntables playing.

2:54:06.440 --> 2:54:08.119
<v Speaker 2>Well, I mean that's a live experience.

2:54:08.320 --> 2:54:09.879
<v Speaker 4>It's more of a live I'm about to say that, like,

2:54:09.959 --> 2:54:10.960
<v Speaker 4>how did that now?

2:54:11.240 --> 2:54:11.400
<v Speaker 6>Right?

2:54:11.520 --> 2:54:12.800
<v Speaker 4>Like now?

2:54:12.920 --> 2:54:15.840
<v Speaker 1>The only person I've seen that that actually played more

2:54:15.879 --> 2:54:21.240
<v Speaker 1>than four at once? Uh, well, yeah, the scratch pristal

2:54:21.320 --> 2:54:25.320
<v Speaker 1>or or the executioners at one point we're doing that.

2:54:25.959 --> 2:54:29.120
<v Speaker 15>The other stuff I learned was, uh, I think this

2:54:29.200 --> 2:54:31.320
<v Speaker 15>must be the only person in the world who took

2:54:31.320 --> 2:54:33.960
<v Speaker 15>an internship when he had all that money, right, Yeah,

2:54:34.440 --> 2:54:37.000
<v Speaker 15>I mean that's that's something special, you know. I mean,

2:54:37.040 --> 2:54:38.960
<v Speaker 15>obviously you take internships.

2:54:38.360 --> 2:54:42.800
<v Speaker 1>To get your fright the internship without a goal at

2:54:42.800 --> 2:54:43.520
<v Speaker 1>the end too.

2:54:44.480 --> 2:54:45.480
<v Speaker 5>I don't believe that part.

2:54:45.520 --> 2:54:48.240
<v Speaker 6>But then didn't take the boss job for two years

2:54:48.280 --> 2:54:49.840
<v Speaker 6>like in ninety Is that humble?

2:54:50.000 --> 2:54:53.360
<v Speaker 2>Right? He's like, I don't know it yet. I would

2:54:53.400 --> 2:54:55.040
<v Speaker 2>do that. I would do that. I would actually you

2:54:55.080 --> 2:54:57.080
<v Speaker 2>say that, but like, no, I wouldn't do that. But

2:54:57.120 --> 2:54:59.640
<v Speaker 2>that's if you know you're not ready, you're not gonna

2:54:59.640 --> 2:55:01.760
<v Speaker 2>put me in the position up.

2:55:02.360 --> 2:55:03.920
<v Speaker 6>I come from a different places, which is like to

2:55:04.000 --> 2:55:08.359
<v Speaker 6>learn on the job someone.

2:55:06.280 --> 2:55:13.240
<v Speaker 2>That you know, you know, the white thing is you're

2:55:13.280 --> 2:55:15.160
<v Speaker 2>my brother. But I'm just saying like, because the thing

2:55:15.240 --> 2:55:17.480
<v Speaker 2>is if I learn on the job and fuck up

2:55:18.400 --> 2:55:23.640
<v Speaker 2>another nigga for twenty years, me like I'm sucking.

2:55:23.440 --> 2:55:26.160
<v Speaker 14>Up for everybody, but also running a label and crashing

2:55:26.160 --> 2:55:28.280
<v Speaker 14>and burning it. It's a big, high profile thing you

2:55:28.280 --> 2:55:29.040
<v Speaker 14>wouldn't want to do.

2:55:29.200 --> 2:55:31.080
<v Speaker 6>So Telecommunications Act, got it.

2:55:32.800 --> 2:55:37.440
<v Speaker 2>We all remember Andrew Rowe and then the whole motown man. Yeah,

2:55:37.560 --> 2:55:41.760
<v Speaker 2>he never lived. I mean, how many streets did we see?

2:55:41.800 --> 2:55:41.840
<v Speaker 11>Of?

2:55:42.800 --> 2:55:44.480
<v Speaker 2>I remember that? I just have one in my head.

2:55:44.480 --> 2:55:47.520
<v Speaker 2>It's one of It's a shot from behind, sitting there

2:55:47.959 --> 2:55:50.600
<v Speaker 2>with a cigar, with a cigar and the sweater draped

2:55:50.640 --> 2:55:52.680
<v Speaker 2>on the back of the chair. I think his name

2:55:52.720 --> 2:55:56.280
<v Speaker 2>on it. That's all I remember of his tenure. Mood Town.

2:55:56.600 --> 2:55:59.640
<v Speaker 2>That's all I remember to no music, Remember, no jam

2:55:59.720 --> 2:55:59.880
<v Speaker 2>was coming.

2:56:00.600 --> 2:56:01.600
<v Speaker 5>I learned more ship?

2:56:01.879 --> 2:56:09.200
<v Speaker 2>All right, say one thing? Did you yourself that it's

2:56:09.240 --> 2:56:10.680
<v Speaker 2>good stuff? What else did you learn, Steve?

2:56:11.920 --> 2:56:15.199
<v Speaker 15>Well, you know that nice guys don't always finish last.

2:56:15.200 --> 2:56:17.040
<v Speaker 15>This guy seems to be the exception to the rule,

2:56:17.400 --> 2:56:20.000
<v Speaker 15>you know, And that's nice to see, if I mean,

2:56:20.080 --> 2:56:21.119
<v Speaker 15>unless he's playing.

2:56:20.920 --> 2:56:27.280
<v Speaker 5>Us ship and I had I did no, No, I don't,

2:56:27.360 --> 2:56:28.039
<v Speaker 5>I don't, did you.

2:56:31.360 --> 2:56:31.680
<v Speaker 2>I don't.

2:56:31.800 --> 2:56:33.240
<v Speaker 5>I think I think he made it on.

2:56:33.200 --> 2:56:37.920
<v Speaker 15>Humility and and and probably honesty and hard work and

2:56:37.959 --> 2:56:41.080
<v Speaker 15>all these really these nice things that we should all

2:56:41.400 --> 2:56:46.040
<v Speaker 15>people remember you when you yes, yes, people remember that ship.

2:56:46.320 --> 2:56:52.039
<v Speaker 1>Well, what else can I learn more than two three

2:56:52.480 --> 2:56:54.480
<v Speaker 1>things in three hours?

2:56:55.160 --> 2:57:01.240
<v Speaker 2>Steve is talking about supreme mana.

2:57:02.120 --> 2:57:02.840
<v Speaker 5>I had an idea.

2:57:03.120 --> 2:57:04.520
<v Speaker 15>I think if you want to get one of these

2:57:04.680 --> 2:57:07.119
<v Speaker 15>real juicy stories to come out about the deaf jam

2:57:07.200 --> 2:57:09.200
<v Speaker 15>years that you're always trying to get. You got to

2:57:09.240 --> 2:57:11.959
<v Speaker 15>find some cleaning lady who used to work there instead

2:57:12.000 --> 2:57:13.760
<v Speaker 15>of one of these executives.

2:57:14.640 --> 2:57:17.160
<v Speaker 5>Lose and just and then you know we interview her.

2:57:17.440 --> 2:57:21.520
<v Speaker 1>Well, look, you guys definitely echoed the same sentiments about

2:57:21.520 --> 2:57:24.680
<v Speaker 1>what I learned. I definitely know that I want to

2:57:24.720 --> 2:57:29.320
<v Speaker 1>hear uh Dame Dash's side of the story. So I'm

2:57:29.320 --> 2:57:32.520
<v Speaker 1>putting this out there in the atmosphere, Dame Dash, We're

2:57:32.560 --> 2:57:35.720
<v Speaker 1>gunning for you and a cleaning lady and the deaf

2:57:35.800 --> 2:57:37.959
<v Speaker 1>jam Flex will not be here, so don't be afraid.

2:57:41.160 --> 2:57:43.039
<v Speaker 2>Shots damn.

2:57:52.760 --> 2:57:59.680
<v Speaker 1>Everything, Okay, all right on belf Fan, Ticcolo, Sugar, Steve, Boss, Bill.

2:58:00.600 --> 2:58:03.119
<v Speaker 2>Like You aka Angry Margarete.

2:58:05.600 --> 2:58:10.240
<v Speaker 16>Unfaiville and even Scott ya Yo and nice staff here

2:58:10.480 --> 2:58:15.120
<v Speaker 16>w n y C this Quest Love Supreme or Pandora,

2:58:15.280 --> 2:58:17.640
<v Speaker 16>we will see you on the flip side.

2:58:18.000 --> 2:58:28.320
<v Speaker 1>Thank you, Quest Love Supreme. It's a production of iHeartRadio.

2:58:28.840 --> 2:58:32.160
<v Speaker 1>This classic episode was produced by the team at Pandora.

2:58:35.840 --> 2:58:39.120
<v Speaker 1>For more podcasts from iHeart Radio, visit the iHeart Radio app,

2:58:39.360 --> 2:58:42.760
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows