WEBVTT - 7 | The Fallout

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<v Speaker 1>M hmmm.

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<v Speaker 2>I knew that Anna was looking for a way out

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<v Speaker 2>of her life in LA before coming to the island,

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<v Speaker 2>just like I've been looking for a way out of

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<v Speaker 2>my life in New York.

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<v Speaker 3>Mm hmmm mmmm, that's nice.

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<v Speaker 4>Hmmm.

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<v Speaker 5>I didn't ask you, just give me what I need.

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<v Speaker 2>Oh shit, I thought Marcus was the ex that had

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<v Speaker 2>Anna on the run, but she'd actually been trying to

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<v Speaker 2>escape Jordan.

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<v Speaker 5>Be serious, after all the business have sent your way.

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<v Speaker 5>You gotta over like this.

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<v Speaker 6>No, I'm good for it.

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<v Speaker 5>Man, Who do you think you are?

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<v Speaker 3>Hey, what's going on? Everything?

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<v Speaker 5>Use that time with me? You could be so fucking condescending.

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<v Speaker 3>Sorry, I just you just seem upset.

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<v Speaker 5>I upset. But Plug's being an asshole?

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<v Speaker 3>Why do you still owe him?

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<v Speaker 1>Or he's saying he can't get my ship before the

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<v Speaker 1>weekend apparently supplies a fucked up.

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<v Speaker 3>Oh well, I mean, I guess it's probably best not

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<v Speaker 3>to risk it.

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<v Speaker 5>Then, right, are you trying to tell me what to do?

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<v Speaker 3>No, I'm saying I think that.

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<v Speaker 5>Your thoughts to yourself.

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<v Speaker 3>Okay, please just back up what.

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<v Speaker 5>You have a friend to leave again, go right ahead.

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<v Speaker 5>You can't sell your songs without my contacts.

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<v Speaker 3>And without my songs, you'd have funck all to sell.

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<v Speaker 3>I'm the only thing keeping you in the black Jordan,

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<v Speaker 3>and we both know it. I'm sorry I shouldn't have.

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<v Speaker 1>What's you just keep when you're mad? Without my songs

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<v Speaker 1>to fuck all to sell? You should be grateful for

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<v Speaker 1>you ten percent. No, every producer would be that general said.

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<v Speaker 6>He you know.

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<v Speaker 3>About that?

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<v Speaker 5>This doesn't sound.

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<v Speaker 1>Like the start of conversation I want to have.

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<v Speaker 3>I need to take out some money for what.

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<v Speaker 5>Don't I give you everything you need? Babe?

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<v Speaker 3>Well I heard from some event producers that are putting

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<v Speaker 3>on a memorial concert for my mom, and I want

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<v Speaker 3>me to perform. Did you hear a word?

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<v Speaker 5>I just said, hold on, test my backup? What the

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<v Speaker 5>fuck are you talking about?

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<v Speaker 3>I just need some money to book a flight, or

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<v Speaker 3>you could let me take it out myself and see.

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<v Speaker 1>This is why it's better that I handle your finances.

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<v Speaker 1>If I left you to your devices, you'd have blown

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<v Speaker 1>more vacations.

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<v Speaker 3>This wouldn't be a vacation. It would be a way

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<v Speaker 3>to honor my mom say goodbye.

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<v Speaker 1>It would be a distraction. You better call those producers

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<v Speaker 1>and telling you can't make it.

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<v Speaker 3>But I want to do it.

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<v Speaker 5>You're not a performer, honor.

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<v Speaker 1>How many times you have to tell you you're just

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<v Speaker 1>embarrass yourself.

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<v Speaker 3>I don't think you're worried about me embarrassing myself, Jordan.

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<v Speaker 5>Have you questioned my mercis now?

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<v Speaker 3>I have been for a while. Yeah? Is there even

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<v Speaker 3>anything between us other than a business arrangement? Was there ever?

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<v Speaker 3>Or have you always just kept me around to exploit

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<v Speaker 3>my talents?

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<v Speaker 5>It fol's so terrible for the fuck you're still doing here.

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<v Speaker 3>I really don't know anymore. It sure as hell not

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<v Speaker 3>for you.

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<v Speaker 5>Get out the fuck us.

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<v Speaker 2>By the time I was a teenager, I had learned

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<v Speaker 2>that the people I love most were destined to get hurt.

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<v Speaker 2>But Anna has spent her entire life learning that she

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<v Speaker 2>was destined to get hurt by the people.

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<v Speaker 4>That she loved most.

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<v Speaker 2>Well, let me tell you, I wouldn't wish either of

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<v Speaker 2>those curses on anybody.

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<v Speaker 3>That's all Dan, And I'm just here to get my things.

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<v Speaker 3>Hello Jordan, Hello Jordan, Jordan, what are you? Oh my god?

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<v Speaker 7>Fuck?

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<v Speaker 5>Was it cut?

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<v Speaker 3>What's something I told you not to mess with this?

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<v Speaker 3>Just hold on, I'll call nine one one?

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<v Speaker 7>What Hello?

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<v Speaker 3>Anyone there?

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<v Speaker 8>Underwater?

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<v Speaker 6>Episode seven.

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<v Speaker 8>The fallout.

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<v Speaker 6>Damn you were not an easy man to get alan.

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<v Speaker 4>Are you mana teo?

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<v Speaker 5>What you doing here?

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<v Speaker 9>You?

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<v Speaker 6>Calm down, Calm down, I just wanna talk.

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<v Speaker 4>You can get back here. You pay off them guards

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<v Speaker 4>or something.

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<v Speaker 6>You think I'm gonna jump you as you could try.

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<v Speaker 6>I work here, Nico.

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<v Speaker 4>You a cop? Why you ain't say something?

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<v Speaker 9>Because I haven't gotten second alone with you since you

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<v Speaker 9>got back. I figured i'd come take advantage of a

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<v Speaker 9>captive audience, but she wants a word first.

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<v Speaker 4>You're here?

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<v Speaker 3>Where else would I be?

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<v Speaker 4>Honestly thought I was never gonna see you again.

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<v Speaker 3>I'm not here to see you. I'm here to figure

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<v Speaker 3>out what the hell just happened at my concert and ego.

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<v Speaker 4>Oh no, I'm sorry.

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<v Speaker 3>You need to tell me exactly what's going on with

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<v Speaker 3>you and my dad. How do you even know him?

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<v Speaker 4>He's my boss.

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<v Speaker 2>I've worked for him ever since I was a kid,

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<v Speaker 2>and he's.

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<v Speaker 4>The reason why I got off the island.

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<v Speaker 2>Boss.

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<v Speaker 3>Okay, so coming down to the island was part of

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<v Speaker 3>your job?

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<v Speaker 4>Yes?

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<v Speaker 3>And what was the plan?

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<v Speaker 5>Huh?

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<v Speaker 3>What was my dad paying you to do here? The

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<v Speaker 3>least you can do is answer me, Niko.

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<v Speaker 4>He wanted me to find you and get you to

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<v Speaker 4>come back to New York.

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<v Speaker 3>Why did he want me back?

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<v Speaker 8>That?

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<v Speaker 4>I don't know.

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<v Speaker 3>So all of this, everything that's happened between us, it's.

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<v Speaker 7>All just been No.

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<v Speaker 3>You just said.

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<v Speaker 2>It started off as a job, I'll admit, but then

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<v Speaker 2>I got to know you and there was no way

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<v Speaker 2>I was sending you back.

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<v Speaker 3>How am I supposed to believe anything you say to me?

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<v Speaker 5>Nico?

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<v Speaker 4>You have to trust me.

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<v Speaker 3>You just spent the last three is lying to me

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<v Speaker 3>at every turn. You manipulated me. You even slept with

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<v Speaker 3>me to keep me under your.

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<v Speaker 7>That had nothing to do with it.

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<v Speaker 3>You're not the first man who's pulled this shit on me,

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<v Speaker 3>but you sure as hell will be the last.

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<v Speaker 4>Oh no, I really am sorry.

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<v Speaker 3>Yeah, yeah, maybe that's true and it doesn't matter.

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<v Speaker 6>Wow, that was brutal.

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<v Speaker 4>I deserved it.

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<v Speaker 6>Well, yeah, it's better.

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<v Speaker 2>That she doesn't want anything to do with me anyway.

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<v Speaker 2>The best thing I can do for is to stay

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<v Speaker 2>as far away as possible.

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<v Speaker 6>What are you talking about?

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<v Speaker 4>I think I'm in love with her. If I want

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<v Speaker 4>to keep us safe, I need to walk away and

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<v Speaker 4>never look back.

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<v Speaker 9>And for all the bron you've got, absolutely no brains

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<v Speaker 9>to you you're talking about.

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<v Speaker 6>You're about to do the exact same thing to her

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<v Speaker 6>that you did to me.

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<v Speaker 4>What try and save you?

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<v Speaker 6>No abandon her, Maddie.

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<v Speaker 2>After what happened to allives, I had to get myself

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<v Speaker 2>out of here. If I stayed, I would have just gotten.

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<v Speaker 4>You killed too.

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<v Speaker 6>You didn't get a lion's killed.

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<v Speaker 4>Of course I did. It was my idea to try

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<v Speaker 4>to hit up those tours, and.

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<v Speaker 9>They're the ones that shot him. Man, I don't blame

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<v Speaker 9>you for that. What I do blame you for is

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<v Speaker 9>running off on me. You were the only brother.

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<v Speaker 6>I had left. I was trying to protect you, but

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<v Speaker 6>by leaving me behind.

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<v Speaker 4>I'm not safe to keep around. You were better off

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<v Speaker 4>without me?

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<v Speaker 6>Well I beg to different, man, I be honort would too.

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<v Speaker 4>Yeah, I'm not so sure.

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<v Speaker 6>Well then take it from someone who's been in her

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<v Speaker 6>place before.

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<v Speaker 2>From where Elmstead, it looks like you did just fine

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<v Speaker 2>without me.

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<v Speaker 9>Yeah, yeah, sure, I survived, made something of myself, but

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<v Speaker 9>it was a hell of a lot lonelier than it

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<v Speaker 9>needed to be.

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<v Speaker 6>You're free to go from now.

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<v Speaker 9>FBIS are not pressing charges tonight, but you're still a

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<v Speaker 9>person of interest, So stay close.

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<v Speaker 6>You understand me?

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<v Speaker 4>Yeah, all right, officer, She's got every right to.

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<v Speaker 6>Be mad at you. Man.

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<v Speaker 9>At least you could do is give her a chance

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<v Speaker 9>to forgive you. Now, if I could, anyone can.

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<v Speaker 4>Yeah, I think about it. I'm gonna tell you.

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<v Speaker 6>Yeah, thank you of course.

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<v Speaker 5>Bro mm hmmmh m.

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<v Speaker 3>Ha huh, Lord loads come fear in.

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<v Speaker 5>Every portion, Wetsy. Lord knows.

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<v Speaker 4>On then.

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<v Speaker 2>And I may have already had it out, but there

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<v Speaker 2>was still somebody that I needed to clear the airwork.

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<v Speaker 4>Hey the Hi, who are you? My name is Nico.

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<v Speaker 4>I'm looking for Diego. Are you his little sisters?

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<v Speaker 5>Yeah?

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<v Speaker 6>I'm Mia.

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<v Speaker 3>This is how What was that for?

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<v Speaker 6>You can't just run your mouth to anyone who shows

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<v Speaker 6>up at the door.

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<v Speaker 10>She's got a point, Diego, somebody named Nico is here

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<v Speaker 10>to see you and come.

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<v Speaker 8>And hit me.

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<v Speaker 3>You were such a snitch.

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<v Speaker 5>What did I say about hand to hand combat before bed?

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<v Speaker 11>Nico?

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<v Speaker 4>Hey, hey, man, you're all right. I thought you were

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<v Speaker 4>a gunnery. That makes the two of us.

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<v Speaker 11>Hey, why don't you do go watch TV?

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<v Speaker 7>That you said?

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<v Speaker 5>It is bedtime?

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<v Speaker 11>This is a special occasion. Okay. Me and Nico got

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<v Speaker 11>a lot to catch up on. Come on.

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<v Speaker 12>I'm sure you could use a drink after the day

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<v Speaker 12>you've had. I appreciate it, you know it. Look, I'm

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<v Speaker 12>sorry I got you mixed up with Marcus. If anything

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<v Speaker 12>happened to you, I don't know what, but it didn't. Okay,

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<v Speaker 12>I'm still here to take care of me and Carmen,

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<v Speaker 12>and that's the most important thing.

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<v Speaker 13>I know.

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<v Speaker 12>You wouldn't have put me in that situation on purpose.

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<v Speaker 12>You've got too good of a.

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<v Speaker 4>Heart for that. Yeah.

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<v Speaker 12>Some people keep telling me, Well, you don't believe them,

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<v Speaker 12>I mean, would you? So what happens now?

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<v Speaker 2>I should just get on the plane, blow off the fast,

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<v Speaker 2>leave Marcus to fit inf his goddamn self, even if

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<v Speaker 2>it means I'll spend the rest of my life looking.

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<v Speaker 4>Over my shoulder.

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<v Speaker 11>What about Honor.

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<v Speaker 4>I wish I could make things right, but I know

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<v Speaker 4>it's better to just let her go.

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<v Speaker 11>Better for who.

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<v Speaker 12>I know you feel it's for the best cutting her loose.

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<v Speaker 12>But I think you're gonna regret it.

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<v Speaker 4>I got plenty of regrets. What's one more? Mind? If

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<v Speaker 4>I lay down somewhere fucking beat.

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<v Speaker 11>Of course, there's a hammock out in the backyard. Go

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<v Speaker 11>take a load off.

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<v Speaker 4>Thanks, man.

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<v Speaker 2>For better or worse. Diggo decided to go roll. As

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<v Speaker 2>soon as I was out of sight, he called the hotel.

0:13:01.559 --> 0:13:03.280
<v Speaker 5>Hello, I'm miss Thompson.

0:13:03.480 --> 0:13:07.320
<v Speaker 3>I mean anna, Diego. How did you get my number?

0:13:07.960 --> 0:13:08.960
<v Speaker 5>Oh?

0:13:09.960 --> 0:13:10.120
<v Speaker 3>Uh?

0:13:10.480 --> 0:13:12.400
<v Speaker 14>I called the resort and asked to be connected to

0:13:12.440 --> 0:13:12.880
<v Speaker 14>your room.

0:13:13.480 --> 0:13:14.719
<v Speaker 4>I just really have to talk to.

0:13:14.679 --> 0:13:15.120
<v Speaker 5>You, please.

0:13:15.280 --> 0:13:16.600
<v Speaker 3>What's going on? Are you okay?

0:13:16.840 --> 0:13:17.319
<v Speaker 4>I'm fine?

0:13:17.480 --> 0:13:20.720
<v Speaker 14>Yeah, but Nikos.

0:13:20.360 --> 0:13:22.560
<v Speaker 3>I really don't want to hear about him.

0:13:22.880 --> 0:13:25.360
<v Speaker 14>Look, I know you're mad, but he's at my place.

0:13:26.040 --> 0:13:27.920
<v Speaker 14>If you came and talked it out, I know you

0:13:27.960 --> 0:13:30.560
<v Speaker 14>could fix this. And you know what they always say,

0:13:31.240 --> 0:13:33.480
<v Speaker 14>the course of true love never did run.

0:13:33.320 --> 0:13:35.760
<v Speaker 3>Smooth, Diego. He made me believe he cared about me

0:13:35.840 --> 0:13:38.840
<v Speaker 3>so he could turn me over to my estranged asshole

0:13:39.000 --> 0:13:41.720
<v Speaker 3>of a father. That sounds like true love to you.

0:13:42.200 --> 0:13:42.880
<v Speaker 13>I know what he did.

0:13:42.920 --> 0:13:45.880
<v Speaker 5>It was fucked, but I just don't think he was

0:13:45.920 --> 0:13:46.600
<v Speaker 5>making it up.

0:13:47.320 --> 0:13:49.280
<v Speaker 6>I can't believe that he was ever going to truly

0:13:49.400 --> 0:13:50.200
<v Speaker 6>double cross you.

0:13:50.600 --> 0:13:53.600
<v Speaker 3>I wish I could believe that. Good Night, Diego.

0:13:53.640 --> 0:13:54.400
<v Speaker 5>Wait, I just wanted to.

0:13:56.400 --> 0:14:00.559
<v Speaker 3>We could leave together the second my concert is over tonight.

0:14:00.640 --> 0:14:01.839
<v Speaker 3>We could just get on a place.

0:14:01.920 --> 0:14:02.760
<v Speaker 4>It's gonna work.

0:14:02.800 --> 0:14:03.520
<v Speaker 7>We can't why not?

0:14:03.760 --> 0:14:04.120
<v Speaker 8>Why not?

0:14:04.240 --> 0:14:06.840
<v Speaker 3>There's nothing for me back in LA. I mean maybe

0:14:06.880 --> 0:14:09.160
<v Speaker 3>I could come back to New York with you.

0:14:09.200 --> 0:14:12.560
<v Speaker 2>No, no, no, no, wherever you go from here, don't

0:14:12.640 --> 0:14:13.400
<v Speaker 2>let it be New York.

0:14:13.679 --> 0:14:14.880
<v Speaker 4>Don't let it be please.

0:14:18.200 --> 0:14:18.840
<v Speaker 5>Oh my god.

0:14:27.480 --> 0:14:29.360
<v Speaker 2>I was just about to drift off at Diego's when

0:14:29.400 --> 0:14:34.040
<v Speaker 2>she showed up. For a second, I wasn't sure if

0:14:34.040 --> 0:14:37.360
<v Speaker 2>I was awake of dreaming, what are you doing here?

0:14:37.800 --> 0:14:38.640
<v Speaker 3>I had to see you?

0:14:39.160 --> 0:14:39.920
<v Speaker 4>How'd you find me?

0:14:40.240 --> 0:14:46.000
<v Speaker 3>Diego called? Yeah, it's quite the loyal wing man you've got. Yeah,

0:14:47.000 --> 0:14:50.240
<v Speaker 3>he is a real You really weren't going to bring

0:14:50.280 --> 0:14:51.840
<v Speaker 3>me back to New York, were you?

0:14:51.880 --> 0:14:53.520
<v Speaker 4>No? I wasn't.

0:14:56.320 --> 0:14:58.000
<v Speaker 3>I'm sorry I doubted you.

0:14:58.000 --> 0:15:02.080
<v Speaker 4>You don't have anything to be sorry about. I wouldn't

0:15:02.120 --> 0:15:02.720
<v Speaker 4>trust me either.

0:15:02.960 --> 0:15:09.120
<v Speaker 3>It's my dad. I don't trust, well, not exactly on

0:15:09.200 --> 0:15:10.000
<v Speaker 3>the best terms.

0:15:10.000 --> 0:15:13.800
<v Speaker 2>If you couldn't tell, Yeah, there's a lot of bad

0:15:13.840 --> 0:15:16.200
<v Speaker 2>blood for two people who are actually blood.

0:15:16.760 --> 0:15:18.760
<v Speaker 4>Can I ask what happened?

0:15:19.000 --> 0:15:20.000
<v Speaker 3>How long have you got?

0:15:20.440 --> 0:15:21.360
<v Speaker 4>As long as it takes?

0:15:29.640 --> 0:15:35.840
<v Speaker 3>Yeah, I hardly ever saw the guy, but he still

0:15:35.880 --> 0:15:41.320
<v Speaker 3>managed to control my life, Sanderin. He was the reason

0:15:41.360 --> 0:15:44.320
<v Speaker 3>we moved to New York. My mom gave up everything

0:15:44.360 --> 0:15:46.080
<v Speaker 3>she had here on the island so I could have

0:15:46.080 --> 0:15:47.600
<v Speaker 3>a relationship with my dad.

0:15:48.840 --> 0:15:52.920
<v Speaker 7>Good to see you, kiddo, and I get you one

0:15:52.920 --> 0:15:53.200
<v Speaker 7>of these.

0:15:53.760 --> 0:15:56.680
<v Speaker 3>You do know I'm still nineteen, right, and he still

0:15:56.720 --> 0:15:57.600
<v Speaker 3>couldn't be bothered.

0:15:58.440 --> 0:16:01.840
<v Speaker 15>I didn't realize raised such a stickler for the rules.

0:16:02.160 --> 0:16:05.440
<v Speaker 15>You didn't shooting the killer.

0:16:05.520 --> 0:16:08.560
<v Speaker 3>Uh, just talking it like it is. It's not like

0:16:08.600 --> 0:16:11.240
<v Speaker 3>my mom and I ever wanted anything from him. She

0:16:11.360 --> 0:16:13.240
<v Speaker 3>had her own money. We were doing fine.

0:16:13.880 --> 0:16:16.480
<v Speaker 15>So what are you doing down here? Other than busting

0:16:16.560 --> 0:16:17.080
<v Speaker 15>my boss?

0:16:17.800 --> 0:16:21.120
<v Speaker 3>I wanted to give you something. There's only one thing

0:16:21.160 --> 0:16:22.960
<v Speaker 3>I ever asked of him when I was younger.

0:16:23.400 --> 0:16:25.400
<v Speaker 8>Oh did you.

0:16:25.480 --> 0:16:27.560
<v Speaker 7>Make me a mixed CV kinda?

0:16:29.000 --> 0:16:34.080
<v Speaker 3>It's a demo. It's my demo, honor.

0:16:35.480 --> 0:16:37.040
<v Speaker 7>I thought I made myself clear.

0:16:37.320 --> 0:16:38.600
<v Speaker 3>Well, if you'd listen to my demo.

0:16:39.920 --> 0:16:42.040
<v Speaker 7>If you want to ruin your life by going after

0:16:42.120 --> 0:16:44.520
<v Speaker 7>a music career, you can do it on your own.

0:16:45.400 --> 0:16:47.120
<v Speaker 7>I'm not gonna have that on my conscience.

0:16:48.360 --> 0:16:50.680
<v Speaker 3>Now, you grow a conscience just in time to completely

0:16:50.720 --> 0:16:51.400
<v Speaker 3>take my career.

0:16:51.520 --> 0:16:54.240
<v Speaker 7>You don't have a career. You're nineteen.

0:16:54.400 --> 0:16:56.360
<v Speaker 3>I could have a career if you'd lift a finger

0:16:56.360 --> 0:16:59.080
<v Speaker 3>to help me. Plenty of singer songwriters have the first

0:16:59.080 --> 0:17:00.520
<v Speaker 3>albums out before there my age.

0:17:00.720 --> 0:17:04.280
<v Speaker 15>Yeah, and do they seem like healthy, well adjusted people

0:17:04.280 --> 0:17:04.560
<v Speaker 15>to you?

0:17:04.960 --> 0:17:06.920
<v Speaker 3>Mom put her first album out when she was younger

0:17:06.920 --> 0:17:09.680
<v Speaker 3>than I am, so I risked my case. Don't talk

0:17:09.720 --> 0:17:11.800
<v Speaker 3>about her like that. You don't have any right to

0:17:11.920 --> 0:17:12.360
<v Speaker 3>judge her.

0:17:12.480 --> 0:17:14.000
<v Speaker 7>Don't jump down my throat.

0:17:14.680 --> 0:17:18.160
<v Speaker 4>Jesus, I really do take it after her.

0:17:19.320 --> 0:17:22.000
<v Speaker 15>Your mom knows what getting started too young in this

0:17:22.119 --> 0:17:24.520
<v Speaker 15>business can do to a person, and I've seen it

0:17:24.640 --> 0:17:27.679
<v Speaker 15>enough to back that up. If you come to your

0:17:27.760 --> 0:17:30.879
<v Speaker 15>senses and pursue a career that isn't going to chew

0:17:30.960 --> 0:17:34.600
<v Speaker 15>you up and spit you out, I promise you my

0:17:34.840 --> 0:17:35.640
<v Speaker 15>full support.

0:17:35.800 --> 0:17:38.879
<v Speaker 3>Oh, because you're so great at keeping your promises.

0:17:38.520 --> 0:17:42.720
<v Speaker 15>Right, I gotta tell you, I'm getting a little tired

0:17:42.760 --> 0:17:43.480
<v Speaker 15>of this attitude.

0:17:43.760 --> 0:17:46.120
<v Speaker 3>If you call me young lady, I swear.

0:17:45.880 --> 0:17:47.920
<v Speaker 7>What exactly do you want from me? Here?

0:17:48.720 --> 0:17:50.399
<v Speaker 15>You get pissed at me for try and act like

0:17:50.440 --> 0:17:52.320
<v Speaker 15>your dad, and pissed at me when I don't.

0:17:52.359 --> 0:17:54.000
<v Speaker 3>I don't want you to act like my dad. I

0:17:54.040 --> 0:17:56.200
<v Speaker 3>want you to beat my dad.

0:17:56.520 --> 0:17:57.679
<v Speaker 7>I don't know what that means.

0:17:58.040 --> 0:18:02.120
<v Speaker 3>Yeah, no shit, Marcus, Yeah, just forget it. I don't

0:18:02.119 --> 0:18:03.840
<v Speaker 3>know why I even bothered coming down here.

0:18:04.680 --> 0:18:08.199
<v Speaker 7>If you want to stop acting like a child, we

0:18:08.240 --> 0:18:09.120
<v Speaker 7>can talk about this.

0:18:09.480 --> 0:18:20.440
<v Speaker 3>I have nothing to say to you. And that was

0:18:20.440 --> 0:18:23.520
<v Speaker 3>the last time we saw each other before tonight.

0:18:23.600 --> 0:18:28.879
<v Speaker 4>That is, I'm sorry. I so fucked up.

0:18:29.160 --> 0:18:31.639
<v Speaker 3>Yeah, I shouldn't complain knowing what happened to your parents.

0:18:31.840 --> 0:18:34.639
<v Speaker 4>Don't do that. Pain is pain.

0:18:35.040 --> 0:18:41.600
<v Speaker 3>Yeah, yeah, it certainly is. I wasn't going to give

0:18:41.680 --> 0:18:44.679
<v Speaker 3>up that easy, though. I started sending my songs to

0:18:44.720 --> 0:18:49.160
<v Speaker 3>every producer in LA, praying that someone would bite. That's

0:18:49.160 --> 0:18:50.760
<v Speaker 3>how I met my ex Jordan.

0:18:51.480 --> 0:18:52.760
<v Speaker 4>He's who you're running from.

0:18:52.920 --> 0:18:56.840
<v Speaker 3>Yeah. I should have known he was bad news when

0:18:56.840 --> 0:18:59.400
<v Speaker 3>he offered to fly me out to LA just after

0:18:59.480 --> 0:19:02.840
<v Speaker 3>hearing my demo. But I was a kid. I didn't

0:19:02.840 --> 0:19:06.120
<v Speaker 3>know any better, and once I was out there with him,

0:19:06.160 --> 0:19:12.239
<v Speaker 3>I just I never left. Before I knew it, I

0:19:12.280 --> 0:19:14.639
<v Speaker 3>was living with him, writing songs for him, letting him

0:19:14.640 --> 0:19:17.119
<v Speaker 3>control my career, my money, my whole life.

0:19:17.480 --> 0:19:19.640
<v Speaker 4>I thought you were letting him do any of that shit.

0:19:20.040 --> 0:19:25.440
<v Speaker 3>No, I suppose not. But Jordan never wanted me to

0:19:25.480 --> 0:19:28.439
<v Speaker 3>be a performer. He just wanted me to keep writing

0:19:28.440 --> 0:19:29.440
<v Speaker 3>songs he could sell.

0:19:29.960 --> 0:19:32.399
<v Speaker 4>Wait, he was taking your money.

0:19:32.560 --> 0:19:34.600
<v Speaker 3>Yeah, he was generous enough to give me a ten

0:19:34.640 --> 0:19:37.760
<v Speaker 3>percent cut. Of course, he kept it in an account

0:19:37.800 --> 0:19:41.879
<v Speaker 3>I wasn't allowed to access without his permission. He wouldn't

0:19:41.920 --> 0:19:44.159
<v Speaker 3>even tell me which bank he'd opened the account at.

0:19:44.200 --> 0:19:47.480
<v Speaker 3>He was that paranoid about giving me control over my

0:19:47.520 --> 0:19:51.840
<v Speaker 3>own goddamn money. What's that look?

0:19:52.119 --> 0:19:55.040
<v Speaker 2>Sorry, this is hard for me to wrap my head

0:19:55.080 --> 0:19:56.640
<v Speaker 2>around you being in that situation.

0:19:58.520 --> 0:19:59.400
<v Speaker 4>You're strong as hell.

0:19:59.560 --> 0:20:02.840
<v Speaker 3>Plenty of strong people have ended up in situations like that, Nico,

0:20:03.119 --> 0:20:08.320
<v Speaker 3>more than you'd ever imagine. It didn't happen overnight. In

0:20:08.359 --> 0:20:11.920
<v Speaker 3>the beginning. I love Jordan. I mean I practically grew

0:20:12.000 --> 0:20:16.760
<v Speaker 3>up with him. I trusted him with my life, which

0:20:16.760 --> 0:20:18.640
<v Speaker 3>is why he knew exactly how to take it away

0:20:18.640 --> 0:20:22.080
<v Speaker 3>from me. And when I finally realized how bad things

0:20:22.119 --> 0:20:24.240
<v Speaker 3>had gotten, I tailed him to the bank to figure

0:20:24.240 --> 0:20:26.320
<v Speaker 3>out where he was keeping my money, and I emptied

0:20:26.359 --> 0:20:30.239
<v Speaker 3>that whole account to come down here. That's how I've

0:20:30.240 --> 0:20:31.720
<v Speaker 3>been footing the bill here at Dustino.

0:20:32.560 --> 0:20:33.840
<v Speaker 4>So why did he change his tone?

0:20:34.000 --> 0:20:37.399
<v Speaker 3>He didn't. Just before I left, I came home to

0:20:37.440 --> 0:20:39.480
<v Speaker 3>our apartment after a fight, and I found him ode.

0:20:40.760 --> 0:20:40.920
<v Speaker 2>Yeah.

0:20:41.160 --> 0:20:42.920
<v Speaker 3>I was about to call for help, but instead I

0:20:45.840 --> 0:20:50.280
<v Speaker 3>just left him there. I'm sure you must think that

0:20:50.320 --> 0:20:51.280
<v Speaker 3>makes me a monster.

0:20:51.680 --> 0:20:55.160
<v Speaker 4>Hey, he's the only monster in this story. He did

0:20:55.200 --> 0:20:55.840
<v Speaker 4>what you had to do.

0:20:56.119 --> 0:20:59.240
<v Speaker 3>I don't think you'd see it that way. But I

0:20:59.280 --> 0:21:02.240
<v Speaker 3>can't go back, not after tonight, being up there in

0:21:02.240 --> 0:21:06.480
<v Speaker 3>front of the crowd, actually sharing my music. Now that

0:21:06.520 --> 0:21:09.360
<v Speaker 3>I've had it, I'm not giving that up for anything.

0:21:09.760 --> 0:21:13.600
<v Speaker 4>No, You're born to be up there. He can't keep

0:21:13.600 --> 0:21:16.359
<v Speaker 4>you from that. You deserve everything that you want.

0:21:16.960 --> 0:21:18.919
<v Speaker 3>There's only one thing I want right now, Nico.

0:21:19.280 --> 0:21:20.919
<v Speaker 4>You don't want the shit that comes with being with me.

0:21:21.240 --> 0:21:22.680
<v Speaker 3>That's for me to say.

0:21:23.760 --> 0:21:28.840
<v Speaker 4>Please, I'm still trying to protect you from what from me.

0:21:30.960 --> 0:21:33.400
<v Speaker 4>Everybody that I've ever cared about it gets hurt.

0:21:34.640 --> 0:21:35.800
<v Speaker 3>So you do care about me.

0:21:36.520 --> 0:21:37.720
<v Speaker 4>Of course I care about you.

0:21:38.440 --> 0:21:42.160
<v Speaker 3>And look at that I'm still here. That's the thing

0:21:42.160 --> 0:21:47.240
<v Speaker 3>about curses, They're made to be broken.

0:21:48.119 --> 0:21:50.359
<v Speaker 4>I need you to know that I do anything to

0:21:50.480 --> 0:21:53.920
<v Speaker 4>keep you safe. Promise, I promise.

0:22:26.480 --> 0:22:33.040
<v Speaker 3>God did we fall asleep by Niko Nko?

0:22:38.240 --> 0:22:39.480
<v Speaker 7>You have one you.

0:22:41.560 --> 0:22:46.320
<v Speaker 4>Good morning, beautiful. By the time you get this, I'll

0:22:46.359 --> 0:22:47.200
<v Speaker 4>already be gone.

0:22:47.840 --> 0:22:50.359
<v Speaker 3>No.

0:22:50.359 --> 0:22:52.360
<v Speaker 4>No, thank you for coming to see me last night.

0:22:52.560 --> 0:22:52.840
<v Speaker 15>You know.

0:22:54.440 --> 0:22:55.280
<v Speaker 6>It met everything.

0:22:55.680 --> 0:22:57.520
<v Speaker 4>Having those last moments with you.

0:22:58.200 --> 0:22:59.879
<v Speaker 2>But I promise you that I do anything to keep

0:22:59.880 --> 0:23:02.760
<v Speaker 2>you safe, even if it's the last thing in the

0:23:02.800 --> 0:23:06.320
<v Speaker 2>world that I want to do. Right now, that means

0:23:06.320 --> 0:23:09.399
<v Speaker 2>walking away from you. Now, you gotta promise me that

0:23:09.440 --> 0:23:13.840
<v Speaker 2>you'll let me go. And maybe you're right, Maybe the

0:23:13.880 --> 0:23:16.879
<v Speaker 2>curse is all in my head. Maybe you could have

0:23:16.880 --> 0:23:19.560
<v Speaker 2>been the one to finally break you. But I can't

0:23:19.640 --> 0:23:24.840
<v Speaker 2>risk that now. I can't risk you for what it's worth.

0:23:26.200 --> 0:23:29.240
<v Speaker 2>I do love you. I hope one day you understand.

0:23:29.240 --> 0:23:31.800
<v Speaker 2>That's why I have to do this. Take care of yourself.

0:23:32.640 --> 0:23:36.360
<v Speaker 12>Okay, Hey, love birds, I've got some coffee going if

0:23:36.400 --> 0:23:36.840
<v Speaker 12>you want.

0:23:38.440 --> 0:23:39.520
<v Speaker 11>Where's Nico?

0:23:40.600 --> 0:23:44.120
<v Speaker 3>He's gone and it's over.

0:23:46.960 --> 0:23:47.399
<v Speaker 6>Do you go?

0:23:47.960 --> 0:23:48.680
<v Speaker 12>What is it, Honor?

0:23:49.640 --> 0:23:50.600
<v Speaker 3>Can you take me home?

0:23:50.960 --> 0:23:52.080
<v Speaker 4>Yeah? Yeah, of course.

0:23:54.160 --> 0:24:01.600
<v Speaker 10>You're better off alone. You're better off alone. I don't

0:24:01.680 --> 0:24:06.520
<v Speaker 10>want to live without your baby.

0:24:06.560 --> 0:24:07.360
<v Speaker 6>Ms Thompson.

0:24:08.080 --> 0:24:12.280
<v Speaker 7>I heard your concert yesterday was quite the triumph.

0:24:12.480 --> 0:24:15.760
<v Speaker 3>Yeah, thank you, Sebastian. It was something, all.

0:24:15.720 --> 0:24:19.439
<v Speaker 6>Right, Well, enjoy the rest of your day, You've earned it.

0:24:19.800 --> 0:24:24.040
<v Speaker 3>I will, but I think this will be my last

0:24:24.119 --> 0:24:24.560
<v Speaker 3>night here.

0:24:25.000 --> 0:24:26.720
<v Speaker 6>Oh you're checking out?

0:24:27.080 --> 0:24:30.200
<v Speaker 3>Yeah, yeah, it's time, of course.

0:24:29.960 --> 0:24:30.800
<v Speaker 6>But we'll be sad.

0:24:30.840 --> 0:24:32.679
<v Speaker 3>To see you go here?

0:24:32.880 --> 0:24:35.360
<v Speaker 13>Well, come see me tomorrow and I'll get you all

0:24:35.400 --> 0:24:37.080
<v Speaker 13>squared away till then.

0:24:47.200 --> 0:24:52.520
<v Speaker 1>Hi Anna, miss me Jordan, how'd you like to walk

0:24:52.560 --> 0:24:55.040
<v Speaker 1>down here when no one else is around?

0:24:55.880 --> 0:24:55.960
<v Speaker 2>You?

0:24:56.000 --> 0:24:56.200
<v Speaker 11>Mind?

0:24:56.200 --> 0:25:02.960
<v Speaker 5>If I join you?

0:25:02.960 --> 0:25:10.800
<v Speaker 10>You better off alone? You're better off better. You'd probably

0:25:10.880 --> 0:25:16.440
<v Speaker 10>thank you fucking crazy, but you better off the better off.

0:25:17.240 --> 0:25:20.399
<v Speaker 13>Underwater is an Interval Presents original production with Temple Hill

0:25:20.520 --> 0:25:25.439
<v Speaker 13>Entertainment and Clamor, starring Jason Derulo and Alexandra Shipp. Written

0:25:25.440 --> 0:25:28.600
<v Speaker 13>by Katrina Day, directed by Pat Kelly and Chris Kelly.

0:25:29.280 --> 0:25:34.080
<v Speaker 13>Executive producer Jason Derulo, executive producers from Interval Presents, Alan

0:25:34.119 --> 0:25:37.840
<v Speaker 13>Coy and Jay Kleinberg executive producers from Temple Hill Entertainment,

0:25:38.240 --> 0:25:42.600
<v Speaker 13>Marty Bowen, Wick Godfrey and Alex Addison executive producers from Clamor.

0:25:43.040 --> 0:25:48.120
<v Speaker 13>Rich Statter, Aaron Hilliard, Adam Reynolds and Alison Cheno. Executive

0:25:48.160 --> 0:25:53.200
<v Speaker 13>produced by Katerina Day. Executive producer from Future History Frank Harris.

0:25:53.240 --> 0:25:57.240
<v Speaker 13>Special thanks to Henry de Sources Marketing Lead Samara Still,

0:25:57.920 --> 0:26:03.040
<v Speaker 13>Business development Lead Cheffy Ellen Sweg Meggie, and Operations lead Serriu.

0:26:03.400 --> 0:26:06.960
<v Speaker 13>Post production audio services by Kelly and Kelly sound design

0:26:07.040 --> 0:26:11.200
<v Speaker 13>and mixed by Paul Teteskini. Dialogue edited by Max Collins.

0:26:11.720 --> 0:26:15.280
<v Speaker 13>Original music by Genevieve Vincent. Songs arranged by Genevieve Vincent.

0:26:15.880 --> 0:26:19.600
<v Speaker 13>The cast includes Jason Derulo as Nico, Alexandra Ship as Anna,

0:26:19.880 --> 0:26:23.520
<v Speaker 13>Carrie Alexander as bank teller and additional voices, Bo Bridgeland

0:26:23.520 --> 0:26:26.560
<v Speaker 13>as Jordan, Michael Darry as credit reader and additional voices,

0:26:26.800 --> 0:26:30.880
<v Speaker 13>Anisia Dubois Dahlia and Young Dahlia, Andrew Frankel as stranger

0:26:30.880 --> 0:26:34.200
<v Speaker 13>in additional voices, Walter Gray the Fourth as male tourist

0:26:34.240 --> 0:26:38.760
<v Speaker 13>and additional voices, Melissa Greenspan as female tourist and additional voices,

0:26:39.200 --> 0:26:43.959
<v Speaker 13>Alice Hunter as Elena, Jeremy Jordan as Gabriel, Josh Keaton

0:26:44.160 --> 0:26:48.160
<v Speaker 13>as Matteo, Taara Langela as female guest and additional voices,

0:26:48.520 --> 0:26:53.320
<v Speaker 13>Jonathan Leon as Young Matteo, Donnis Leonard Junior as Elias Parker,

0:26:53.359 --> 0:26:57.359
<v Speaker 13>James Logi as young boy, Emily Martinez as Carman, Michael

0:26:57.400 --> 0:27:02.320
<v Speaker 13>McLoone as Marcus, Carlo Renata as bartender, John Carlos Sabagal

0:27:02.480 --> 0:27:06.160
<v Speaker 13>as Diego, David Shatraw as male guest and additional voices

0:27:06.359 --> 0:27:10.800
<v Speaker 13>Andre Siglutzo as Sebastian, Cameron, Jay Wright as Young Nico,

0:27:10.840 --> 0:27:11.600
<v Speaker 13>and Hannah.

0:27:11.320 --> 0:27:12.280
<v Speaker 4>Zamora as Mia.

0:27:12.880 --> 0:27:16.680
<v Speaker 13>Produced by Lillian Holman, post produced by Justin Schoe and

0:27:16.760 --> 0:27:21.800
<v Speaker 13>Lauren Berkovich. Associate producer Erica Lowe. Music supervision by Melanie Mitchell.

0:27:22.040 --> 0:27:26.760
<v Speaker 13>Music clearances by Deborah Mannis Gardner DMG Clearances Incorporated. Audio

0:27:26.800 --> 0:27:29.920
<v Speaker 13>engineered by Ian Fogerty and Ed mcintye at Gold Diggers,

0:27:30.240 --> 0:27:32.919
<v Speaker 13>Brett Tuban at the Relic Room and Jordan Sweet at

0:27:32.960 --> 0:27:38.040
<v Speaker 13>Chalice Recording Studio. Assistant engineered by Derek mcgroene and Amperorzerdi.

0:27:38.880 --> 0:27:43.080
<v Speaker 13>Vocal coaching by Bianca Blush Atterbury. Casting by Marlice Gussenhauer,

0:27:43.200 --> 0:27:47.280
<v Speaker 13>Sibby Kersch and Brentegata. Additional casting by Melissa Berger, Brennan,

0:27:47.560 --> 0:27:51.879
<v Speaker 13>Salem Everett and Scott Forbes at CESD. Talent Script supervisor

0:27:51.960 --> 0:27:57.560
<v Speaker 13>Tamara Black, Production supervisor Lizzie Sam Production coordinators Ethan Aronson

0:27:57.720 --> 0:28:03.440
<v Speaker 13>and Sean Green, Productioniststince, Chelsea Perry, and Samara Malik. Additional

0:28:03.480 --> 0:28:08.000
<v Speaker 13>special thanks to Riley Fulsom and Maxim Carlick. Underwater was

0:28:08.040 --> 0:28:09.760
<v Speaker 13>recorded at Gold Diggers in Los Angeles.

0:28:09.760 --> 0:28:10.280
<v Speaker 4>California.

0:28:10.920 --> 0:28:12.320
<v Speaker 6>Chellis Recording Studio.

0:28:12.000 --> 0:28:15.360
<v Speaker 13>In Los Angeles, California, in the Relic Room in New York,

0:28:15.400 --> 0:28:19.080
<v Speaker 13>New York. Make sure to follow Underwater and listen on

0:28:19.119 --> 0:28:24.199
<v Speaker 13>Apple Podcasts, Spotify, Amazon Music, Sirius XM, or wherever you

0:28:24.240 --> 0:28:32.080
<v Speaker 13>get your podcasts.