1
00:00:00,080 --> 00:00:00,560
Speaker 1: M hmmm.

2
00:00:18,120 --> 00:00:19,760
Speaker 2: I knew that Anna was looking for a way out

3
00:00:19,760 --> 00:00:21,680
Speaker 2: of her life in LA before coming to the island,

4
00:00:22,480 --> 00:00:23,880
Speaker 2: just like I've been looking for a way out of

5
00:00:23,880 --> 00:00:25,040
Speaker 2: my life in New York.

6
00:00:25,880 --> 00:00:31,840
Speaker 3: Mm hmmm mmmm, that's nice.

7
00:00:32,760 --> 00:00:33,080
Speaker 4: Hmmm.

8
00:00:33,200 --> 00:00:36,120
Speaker 5: I didn't ask you, just give me what I need.

9
00:00:36,800 --> 00:00:40,239
Speaker 2: Oh shit, I thought Marcus was the ex that had

10
00:00:40,280 --> 00:00:43,320
Speaker 2: Anna on the run, but she'd actually been trying to

11
00:00:43,479 --> 00:00:44,800
Speaker 2: escape Jordan.

12
00:00:45,159 --> 00:00:47,879
Speaker 5: Be serious, after all the business have sent your way.

13
00:00:47,920 --> 00:00:49,159
Speaker 5: You gotta over like this.

14
00:00:50,680 --> 00:00:51,360
Speaker 6: No, I'm good for it.

15
00:00:51,440 --> 00:00:54,000
Speaker 5: Man, Who do you think you are?

16
00:00:56,920 --> 00:00:58,880
Speaker 3: Hey, what's going on? Everything?

17
00:00:58,960 --> 00:01:01,960
Speaker 5: Use that time with me? You could be so fucking condescending.

18
00:01:02,080 --> 00:01:04,600
Speaker 3: Sorry, I just you just seem upset.

19
00:01:04,160 --> 00:01:07,080
Speaker 5: I upset. But Plug's being an asshole?

20
00:01:07,280 --> 00:01:08,920
Speaker 3: Why do you still owe him?

21
00:01:09,240 --> 00:01:11,880
Speaker 1: Or he's saying he can't get my ship before the

22
00:01:11,880 --> 00:01:14,559
Speaker 1: weekend apparently supplies a fucked up.

23
00:01:15,040 --> 00:01:18,440
Speaker 3: Oh well, I mean, I guess it's probably best not

24
00:01:18,520 --> 00:01:18,959
Speaker 3: to risk it.

25
00:01:19,000 --> 00:01:20,600
Speaker 5: Then, right, are you trying to tell me what to do?

26
00:01:20,920 --> 00:01:22,880
Speaker 3: No, I'm saying I think that.

27
00:01:23,040 --> 00:01:24,480
Speaker 5: Your thoughts to yourself.

28
00:01:25,120 --> 00:01:27,600
Speaker 3: Okay, please just back up what.

29
00:01:29,440 --> 00:01:32,400
Speaker 5: You have a friend to leave again, go right ahead.

30
00:01:32,840 --> 00:01:34,640
Speaker 5: You can't sell your songs without my contacts.

31
00:01:34,680 --> 00:01:37,080
Speaker 3: And without my songs, you'd have funck all to sell.

32
00:01:37,319 --> 00:01:39,240
Speaker 3: I'm the only thing keeping you in the black Jordan,

33
00:01:39,319 --> 00:01:45,679
Speaker 3: and we both know it. I'm sorry I shouldn't have.

34
00:01:47,640 --> 00:01:51,559
Speaker 1: What's you just keep when you're mad? Without my songs

35
00:01:51,560 --> 00:01:56,800
Speaker 1: to fuck all to sell? You should be grateful for

36
00:01:56,840 --> 00:02:00,040
Speaker 1: you ten percent. No, every producer would be that general said.

37
00:01:59,920 --> 00:02:00,400
Speaker 6: He you know.

38
00:02:02,800 --> 00:02:03,280
Speaker 3: About that?

39
00:02:04,640 --> 00:02:06,600
Speaker 5: This doesn't sound.

40
00:02:06,400 --> 00:02:08,720
Speaker 1: Like the start of conversation I want to have.

41
00:02:09,800 --> 00:02:11,480
Speaker 3: I need to take out some money for what.

42
00:02:13,160 --> 00:02:14,720
Speaker 5: Don't I give you everything you need? Babe?

43
00:02:15,000 --> 00:02:17,959
Speaker 3: Well I heard from some event producers that are putting

44
00:02:17,960 --> 00:02:22,200
Speaker 3: on a memorial concert for my mom, and I want

45
00:02:22,240 --> 00:02:27,800
Speaker 3: me to perform. Did you hear a word?

46
00:02:27,880 --> 00:02:33,640
Speaker 5: I just said, hold on, test my backup? What the

47
00:02:33,639 --> 00:02:34,440
Speaker 5: fuck are you talking about?

48
00:02:34,520 --> 00:02:36,640
Speaker 3: I just need some money to book a flight, or

49
00:02:36,760 --> 00:02:40,800
Speaker 3: you could let me take it out myself and see.

50
00:02:41,080 --> 00:02:43,400
Speaker 1: This is why it's better that I handle your finances.

51
00:02:44,000 --> 00:02:45,960
Speaker 1: If I left you to your devices, you'd have blown

52
00:02:46,080 --> 00:02:46,919
Speaker 1: more vacations.

53
00:02:47,240 --> 00:02:49,040
Speaker 3: This wouldn't be a vacation. It would be a way

54
00:02:49,080 --> 00:02:51,919
Speaker 3: to honor my mom say goodbye.

55
00:02:52,080 --> 00:02:55,600
Speaker 1: It would be a distraction. You better call those producers

56
00:02:55,800 --> 00:02:56,800
Speaker 1: and telling you can't make it.

57
00:02:56,919 --> 00:02:58,200
Speaker 3: But I want to do it.

58
00:02:58,240 --> 00:02:59,560
Speaker 5: You're not a performer, honor.

59
00:03:00,240 --> 00:03:02,520
Speaker 1: How many times you have to tell you you're just

60
00:03:02,560 --> 00:03:03,480
Speaker 1: embarrass yourself.

61
00:03:03,680 --> 00:03:06,600
Speaker 3: I don't think you're worried about me embarrassing myself, Jordan.

62
00:03:06,919 --> 00:03:08,359
Speaker 5: Have you questioned my mercis now?

63
00:03:08,680 --> 00:03:11,880
Speaker 3: I have been for a while. Yeah? Is there even

64
00:03:11,960 --> 00:03:16,560
Speaker 3: anything between us other than a business arrangement? Was there ever?

65
00:03:17,400 --> 00:03:19,880
Speaker 3: Or have you always just kept me around to exploit

66
00:03:19,919 --> 00:03:20,440
Speaker 3: my talents?

67
00:03:20,480 --> 00:03:23,320
Speaker 5: It fol's so terrible for the fuck you're still doing here.

68
00:03:25,680 --> 00:03:30,120
Speaker 3: I really don't know anymore. It sure as hell not

69
00:03:30,240 --> 00:03:31,480
Speaker 3: for you.

70
00:03:31,520 --> 00:03:34,000
Speaker 5: Get out the fuck us.

71
00:03:40,800 --> 00:03:42,720
Speaker 2: By the time I was a teenager, I had learned

72
00:03:42,720 --> 00:03:45,680
Speaker 2: that the people I love most were destined to get hurt.

73
00:03:46,360 --> 00:03:48,520
Speaker 2: But Anna has spent her entire life learning that she

74
00:03:48,680 --> 00:03:50,520
Speaker 2: was destined to get hurt by the people.

75
00:03:50,320 --> 00:03:51,080
Speaker 4: That she loved most.

76
00:03:52,080 --> 00:03:54,960
Speaker 2: Well, let me tell you, I wouldn't wish either of

77
00:03:54,960 --> 00:03:58,880
Speaker 2: those curses on anybody.

78
00:03:59,280 --> 00:04:01,480
Speaker 3: That's all Dan, And I'm just here to get my things.

79
00:04:06,840 --> 00:04:18,200
Speaker 3: Hello Jordan, Hello Jordan, Jordan, what are you? Oh my god?

80
00:04:18,600 --> 00:04:18,880
Speaker 7: Fuck?

81
00:04:19,480 --> 00:04:19,840
Speaker 5: Was it cut?

82
00:04:19,920 --> 00:04:21,960
Speaker 3: What's something I told you not to mess with this?

83
00:04:22,839 --> 00:04:31,719
Speaker 3: Just hold on, I'll call nine one one?

84
00:04:33,400 --> 00:04:35,320
Speaker 7: What Hello?

85
00:04:36,400 --> 00:04:37,000
Speaker 3: Anyone there?

86
00:04:50,080 --> 00:04:50,719
Speaker 8: Underwater?

87
00:04:51,720 --> 00:04:52,919
Speaker 6: Episode seven.

88
00:04:54,120 --> 00:05:06,400
Speaker 8: The fallout.

89
00:05:19,080 --> 00:05:21,600
Speaker 6: Damn you were not an easy man to get alan.

90
00:05:21,680 --> 00:05:22,760
Speaker 4: Are you mana teo?

91
00:05:23,600 --> 00:05:24,400
Speaker 5: What you doing here?

92
00:05:24,440 --> 00:05:24,480
Speaker 9: You?

93
00:05:24,600 --> 00:05:27,240
Speaker 6: Calm down, Calm down, I just wanna talk.

94
00:05:27,520 --> 00:05:29,840
Speaker 4: You can get back here. You pay off them guards

95
00:05:29,920 --> 00:05:30,520
Speaker 4: or something.

96
00:05:30,960 --> 00:05:33,000
Speaker 6: You think I'm gonna jump you as you could try.

97
00:05:33,600 --> 00:05:34,960
Speaker 6: I work here, Nico.

98
00:05:35,320 --> 00:05:37,680
Speaker 4: You a cop? Why you ain't say something?

99
00:05:37,720 --> 00:05:39,919
Speaker 9: Because I haven't gotten second alone with you since you

100
00:05:39,960 --> 00:05:42,720
Speaker 9: got back. I figured i'd come take advantage of a

101
00:05:42,760 --> 00:05:46,880
Speaker 9: captive audience, but she wants a word first.

102
00:05:48,760 --> 00:05:49,159
Speaker 4: You're here?

103
00:05:49,680 --> 00:05:50,640
Speaker 3: Where else would I be?

104
00:05:51,960 --> 00:05:53,679
Speaker 4: Honestly thought I was never gonna see you again.

105
00:05:54,520 --> 00:05:56,520
Speaker 3: I'm not here to see you. I'm here to figure

106
00:05:56,520 --> 00:05:59,480
Speaker 3: out what the hell just happened at my concert and ego.

107
00:05:59,640 --> 00:06:01,200
Speaker 4: Oh no, I'm sorry.

108
00:06:02,839 --> 00:06:05,000
Speaker 3: You need to tell me exactly what's going on with

109
00:06:05,080 --> 00:06:08,480
Speaker 3: you and my dad. How do you even know him?

110
00:06:09,800 --> 00:06:10,520
Speaker 4: He's my boss.

111
00:06:11,520 --> 00:06:13,200
Speaker 2: I've worked for him ever since I was a kid,

112
00:06:13,200 --> 00:06:14,680
Speaker 2: and he's.

113
00:06:14,560 --> 00:06:16,000
Speaker 4: The reason why I got off the island.

114
00:06:16,200 --> 00:06:16,400
Speaker 2: Boss.

115
00:06:16,960 --> 00:06:20,560
Speaker 3: Okay, so coming down to the island was part of

116
00:06:20,600 --> 00:06:21,159
Speaker 3: your job?

117
00:06:22,200 --> 00:06:22,440
Speaker 4: Yes?

118
00:06:22,680 --> 00:06:23,560
Speaker 3: And what was the plan?

119
00:06:23,839 --> 00:06:24,880
Speaker 5: Huh?

120
00:06:24,960 --> 00:06:28,800
Speaker 3: What was my dad paying you to do here? The

121
00:06:28,880 --> 00:06:30,520
Speaker 3: least you can do is answer me, Niko.

122
00:06:31,680 --> 00:06:33,599
Speaker 4: He wanted me to find you and get you to

123
00:06:33,600 --> 00:06:34,560
Speaker 4: come back to New York.

124
00:06:35,120 --> 00:06:36,360
Speaker 3: Why did he want me back?

125
00:06:36,560 --> 00:06:36,640
Speaker 8: That?

126
00:06:36,760 --> 00:06:37,320
Speaker 4: I don't know.

127
00:06:37,760 --> 00:06:41,800
Speaker 3: So all of this, everything that's happened between us, it's.

128
00:06:41,640 --> 00:06:42,560
Speaker 7: All just been No.

129
00:06:42,960 --> 00:06:43,720
Speaker 3: You just said.

130
00:06:43,880 --> 00:06:47,360
Speaker 2: It started off as a job, I'll admit, but then

131
00:06:47,400 --> 00:06:49,640
Speaker 2: I got to know you and there was no way

132
00:06:49,640 --> 00:06:50,559
Speaker 2: I was sending you back.

133
00:06:51,600 --> 00:06:53,640
Speaker 3: How am I supposed to believe anything you say to me?

134
00:06:53,720 --> 00:06:54,040
Speaker 5: Nico?

135
00:06:55,920 --> 00:06:56,680
Speaker 4: You have to trust me.

136
00:06:58,560 --> 00:07:00,800
Speaker 3: You just spent the last three is lying to me

137
00:07:00,839 --> 00:07:05,280
Speaker 3: at every turn. You manipulated me. You even slept with

138
00:07:05,360 --> 00:07:07,360
Speaker 3: me to keep me under your.

139
00:07:07,440 --> 00:07:08,680
Speaker 7: That had nothing to do with it.

140
00:07:10,520 --> 00:07:12,520
Speaker 3: You're not the first man who's pulled this shit on me,

141
00:07:13,600 --> 00:07:15,320
Speaker 3: but you sure as hell will be the last.

142
00:07:16,080 --> 00:07:19,440
Speaker 4: Oh no, I really am sorry.

143
00:07:19,760 --> 00:07:25,520
Speaker 3: Yeah, yeah, maybe that's true and it doesn't matter.

144
00:07:30,120 --> 00:07:32,120
Speaker 6: Wow, that was brutal.

145
00:07:32,600 --> 00:07:33,360
Speaker 4: I deserved it.

146
00:07:33,440 --> 00:07:36,040
Speaker 6: Well, yeah, it's better.

147
00:07:35,800 --> 00:07:37,480
Speaker 2: That she doesn't want anything to do with me anyway.

148
00:07:38,000 --> 00:07:40,600
Speaker 2: The best thing I can do for is to stay

149
00:07:40,600 --> 00:07:41,800
Speaker 2: as far away as possible.

150
00:07:42,000 --> 00:07:43,240
Speaker 6: What are you talking about?

151
00:07:43,520 --> 00:07:46,160
Speaker 4: I think I'm in love with her. If I want

152
00:07:46,200 --> 00:07:50,960
Speaker 4: to keep us safe, I need to walk away and

153
00:07:51,080 --> 00:07:51,800
Speaker 4: never look back.

154
00:07:53,240 --> 00:07:56,080
Speaker 9: And for all the bron you've got, absolutely no brains

155
00:07:56,120 --> 00:07:57,960
Speaker 9: to you you're talking about.

156
00:07:57,800 --> 00:07:59,600
Speaker 6: You're about to do the exact same thing to her

157
00:08:00,040 --> 00:08:00,680
Speaker 6: that you did to me.

158
00:08:01,360 --> 00:08:03,480
Speaker 4: What try and save you?

159
00:08:03,520 --> 00:08:06,600
Speaker 6: No abandon her, Maddie.

160
00:08:06,800 --> 00:08:09,840
Speaker 2: After what happened to allives, I had to get myself

161
00:08:09,840 --> 00:08:14,320
Speaker 2: out of here. If I stayed, I would have just gotten.

162
00:08:14,080 --> 00:08:14,680
Speaker 4: You killed too.

163
00:08:14,880 --> 00:08:16,040
Speaker 6: You didn't get a lion's killed.

164
00:08:16,040 --> 00:08:18,560
Speaker 4: Of course I did. It was my idea to try

165
00:08:18,560 --> 00:08:19,680
Speaker 4: to hit up those tours, and.

166
00:08:19,600 --> 00:08:24,480
Speaker 9: They're the ones that shot him. Man, I don't blame

167
00:08:24,520 --> 00:08:29,480
Speaker 9: you for that. What I do blame you for is

168
00:08:29,560 --> 00:08:33,439
Speaker 9: running off on me. You were the only brother.

169
00:08:33,200 --> 00:08:34,840
Speaker 6: I had left. I was trying to protect you, but

170
00:08:34,840 --> 00:08:36,160
Speaker 6: by leaving me behind.

171
00:08:36,360 --> 00:08:39,400
Speaker 4: I'm not safe to keep around. You were better off

172
00:08:39,440 --> 00:08:39,880
Speaker 4: without me?

173
00:08:39,960 --> 00:08:45,200
Speaker 6: Well I beg to different, man, I be honort would too.

174
00:08:46,000 --> 00:08:46,960
Speaker 4: Yeah, I'm not so sure.

175
00:08:47,000 --> 00:08:48,560
Speaker 6: Well then take it from someone who's been in her

176
00:08:48,559 --> 00:08:49,200
Speaker 6: place before.

177
00:08:50,120 --> 00:08:52,480
Speaker 2: From where Elmstead, it looks like you did just fine

178
00:08:52,520 --> 00:08:52,920
Speaker 2: without me.

179
00:08:53,440 --> 00:09:00,720
Speaker 9: Yeah, yeah, sure, I survived, made something of myself, but

180
00:09:00,800 --> 00:09:02,360
Speaker 9: it was a hell of a lot lonelier than it

181
00:09:02,400 --> 00:09:02,840
Speaker 9: needed to be.

182
00:09:04,880 --> 00:09:05,880
Speaker 6: You're free to go from now.

183
00:09:07,040 --> 00:09:09,280
Speaker 9: FBIS are not pressing charges tonight, but you're still a

184
00:09:09,320 --> 00:09:10,720
Speaker 9: person of interest, So stay close.

185
00:09:11,480 --> 00:09:12,200
Speaker 6: You understand me?

186
00:09:12,880 --> 00:09:18,360
Speaker 4: Yeah, all right, officer, She's got every right to.

187
00:09:18,320 --> 00:09:19,079
Speaker 6: Be mad at you. Man.

188
00:09:21,120 --> 00:09:22,560
Speaker 9: At least you could do is give her a chance

189
00:09:22,559 --> 00:09:27,839
Speaker 9: to forgive you. Now, if I could, anyone can.

190
00:09:30,000 --> 00:09:32,440
Speaker 4: Yeah, I think about it. I'm gonna tell you.

191
00:09:33,120 --> 00:09:36,480
Speaker 6: Yeah, thank you of course.

192
00:09:38,360 --> 00:09:41,880
Speaker 5: Bro mm hmmmh m.

193
00:09:43,400 --> 00:09:46,640
Speaker 3: Ha huh, Lord loads come fear in.

194
00:09:46,640 --> 00:09:50,520
Speaker 5: Every portion, Wetsy. Lord knows.

195
00:10:08,400 --> 00:10:08,720
Speaker 4: On then.

196
00:10:08,720 --> 00:10:11,439
Speaker 2: And I may have already had it out, but there

197
00:10:11,520 --> 00:10:20,640
Speaker 2: was still somebody that I needed to clear the airwork.

198
00:10:21,320 --> 00:10:25,240
Speaker 4: Hey the Hi, who are you? My name is Nico.

199
00:10:25,760 --> 00:10:28,760
Speaker 4: I'm looking for Diego. Are you his little sisters?

200
00:10:28,840 --> 00:10:29,280
Speaker 5: Yeah?

201
00:10:29,720 --> 00:10:30,200
Speaker 6: I'm Mia.

202
00:10:30,800 --> 00:10:33,280
Speaker 3: This is how What was that for?

203
00:10:33,559 --> 00:10:35,360
Speaker 6: You can't just run your mouth to anyone who shows

204
00:10:35,440 --> 00:10:36,040
Speaker 6: up at the door.

205
00:10:37,320 --> 00:10:40,920
Speaker 10: She's got a point, Diego, somebody named Nico is here

206
00:10:40,960 --> 00:10:42,760
Speaker 10: to see you and come.

207
00:10:42,559 --> 00:10:43,080
Speaker 8: And hit me.

208
00:10:43,520 --> 00:10:44,920
Speaker 3: You were such a snitch.

209
00:10:45,800 --> 00:10:48,520
Speaker 5: What did I say about hand to hand combat before bed?

210
00:10:50,280 --> 00:10:50,640
Speaker 11: Nico?

211
00:10:51,600 --> 00:10:57,760
Speaker 4: Hey, hey, man, you're all right. I thought you were

212
00:10:57,760 --> 00:11:01,199
Speaker 4: a gunnery. That makes the two of us.

213
00:11:02,559 --> 00:11:04,560
Speaker 11: Hey, why don't you do go watch TV?

214
00:11:05,080 --> 00:11:05,560
Speaker 7: That you said?

215
00:11:05,600 --> 00:11:06,360
Speaker 5: It is bedtime?

216
00:11:06,800 --> 00:11:09,720
Speaker 11: This is a special occasion. Okay. Me and Nico got

217
00:11:09,760 --> 00:11:12,120
Speaker 11: a lot to catch up on. Come on.

218
00:11:13,240 --> 00:11:14,959
Speaker 12: I'm sure you could use a drink after the day

219
00:11:15,000 --> 00:11:33,800
Speaker 12: you've had. I appreciate it, you know it. Look, I'm

220
00:11:33,840 --> 00:11:36,600
Speaker 12: sorry I got you mixed up with Marcus. If anything

221
00:11:36,679 --> 00:11:39,520
Speaker 12: happened to you, I don't know what, but it didn't. Okay,

222
00:11:40,080 --> 00:11:42,240
Speaker 12: I'm still here to take care of me and Carmen,

223
00:11:42,600 --> 00:11:43,960
Speaker 12: and that's the most important thing.

224
00:11:46,679 --> 00:11:46,880
Speaker 13: I know.

225
00:11:46,960 --> 00:11:49,000
Speaker 12: You wouldn't have put me in that situation on purpose.

226
00:11:50,240 --> 00:11:51,160
Speaker 12: You've got too good of a.

227
00:11:51,160 --> 00:11:52,400
Speaker 4: Heart for that. Yeah.

228
00:11:53,520 --> 00:11:56,240
Speaker 12: Some people keep telling me, Well, you don't believe them,

229
00:11:56,360 --> 00:12:04,120
Speaker 12: I mean, would you? So what happens now?

230
00:12:04,760 --> 00:12:07,679
Speaker 2: I should just get on the plane, blow off the fast,

231
00:12:08,080 --> 00:12:10,720
Speaker 2: leave Marcus to fit inf his goddamn self, even if

232
00:12:10,760 --> 00:12:12,560
Speaker 2: it means I'll spend the rest of my life looking.

233
00:12:12,320 --> 00:12:13,040
Speaker 4: Over my shoulder.

234
00:12:13,559 --> 00:12:14,320
Speaker 11: What about Honor.

235
00:12:15,320 --> 00:12:18,680
Speaker 4: I wish I could make things right, but I know

236
00:12:18,760 --> 00:12:20,480
Speaker 4: it's better to just let her go.

237
00:12:20,760 --> 00:12:21,600
Speaker 11: Better for who.

238
00:12:24,000 --> 00:12:26,720
Speaker 12: I know you feel it's for the best cutting her loose.

239
00:12:26,800 --> 00:12:29,199
Speaker 12: But I think you're gonna regret it.

240
00:12:29,520 --> 00:12:36,280
Speaker 4: I got plenty of regrets. What's one more? Mind? If

241
00:12:36,320 --> 00:12:39,280
Speaker 4: I lay down somewhere fucking beat.

242
00:12:39,679 --> 00:12:42,760
Speaker 11: Of course, there's a hammock out in the backyard. Go

243
00:12:42,880 --> 00:12:43,559
Speaker 11: take a load off.

244
00:12:44,160 --> 00:12:44,800
Speaker 4: Thanks, man.

245
00:12:49,280 --> 00:12:52,800
Speaker 2: For better or worse. Diggo decided to go roll. As

246
00:12:52,840 --> 00:12:56,000
Speaker 2: soon as I was out of sight, he called the hotel.

247
00:13:01,559 --> 00:13:03,280
Speaker 5: Hello, I'm miss Thompson.

248
00:13:03,480 --> 00:13:07,320
Speaker 3: I mean anna, Diego. How did you get my number?

249
00:13:07,960 --> 00:13:08,960
Speaker 5: Oh?

250
00:13:09,960 --> 00:13:10,120
Speaker 3: Uh?

251
00:13:10,480 --> 00:13:12,400
Speaker 14: I called the resort and asked to be connected to

252
00:13:12,440 --> 00:13:12,880
Speaker 14: your room.

253
00:13:13,480 --> 00:13:14,719
Speaker 4: I just really have to talk to.

254
00:13:14,679 --> 00:13:15,120
Speaker 5: You, please.

255
00:13:15,280 --> 00:13:16,600
Speaker 3: What's going on? Are you okay?

256
00:13:16,840 --> 00:13:17,319
Speaker 4: I'm fine?

257
00:13:17,480 --> 00:13:20,720
Speaker 14: Yeah, but Nikos.

258
00:13:20,360 --> 00:13:22,560
Speaker 3: I really don't want to hear about him.

259
00:13:22,880 --> 00:13:25,360
Speaker 14: Look, I know you're mad, but he's at my place.

260
00:13:26,040 --> 00:13:27,920
Speaker 14: If you came and talked it out, I know you

261
00:13:27,960 --> 00:13:30,560
Speaker 14: could fix this. And you know what they always say,

262
00:13:31,240 --> 00:13:33,480
Speaker 14: the course of true love never did run.

263
00:13:33,320 --> 00:13:35,760
Speaker 3: Smooth, Diego. He made me believe he cared about me

264
00:13:35,840 --> 00:13:38,840
Speaker 3: so he could turn me over to my estranged asshole

265
00:13:39,000 --> 00:13:41,720
Speaker 3: of a father. That sounds like true love to you.

266
00:13:42,200 --> 00:13:42,880
Speaker 13: I know what he did.

267
00:13:42,920 --> 00:13:45,880
Speaker 5: It was fucked, but I just don't think he was

268
00:13:45,920 --> 00:13:46,600
Speaker 5: making it up.

269
00:13:47,320 --> 00:13:49,280
Speaker 6: I can't believe that he was ever going to truly

270
00:13:49,400 --> 00:13:50,200
Speaker 6: double cross you.

271
00:13:50,600 --> 00:13:53,600
Speaker 3: I wish I could believe that. Good Night, Diego.

272
00:13:53,640 --> 00:13:54,400
Speaker 5: Wait, I just wanted to.

273
00:13:56,400 --> 00:14:00,559
Speaker 3: We could leave together the second my concert is over tonight.

274
00:14:00,640 --> 00:14:01,839
Speaker 3: We could just get on a place.

275
00:14:01,920 --> 00:14:02,760
Speaker 4: It's gonna work.

276
00:14:02,800 --> 00:14:03,520
Speaker 7: We can't why not?

277
00:14:03,760 --> 00:14:04,120
Speaker 8: Why not?

278
00:14:04,240 --> 00:14:06,840
Speaker 3: There's nothing for me back in LA. I mean maybe

279
00:14:06,880 --> 00:14:09,160
Speaker 3: I could come back to New York with you.

280
00:14:09,200 --> 00:14:12,560
Speaker 2: No, no, no, no, wherever you go from here, don't

281
00:14:12,640 --> 00:14:13,400
Speaker 2: let it be New York.

282
00:14:13,679 --> 00:14:14,880
Speaker 4: Don't let it be please.

283
00:14:18,200 --> 00:14:18,840
Speaker 5: Oh my god.

284
00:14:27,480 --> 00:14:29,360
Speaker 2: I was just about to drift off at Diego's when

285
00:14:29,400 --> 00:14:34,040
Speaker 2: she showed up. For a second, I wasn't sure if

286
00:14:34,040 --> 00:14:37,360
Speaker 2: I was awake of dreaming, what are you doing here?

287
00:14:37,800 --> 00:14:38,640
Speaker 3: I had to see you?

288
00:14:39,160 --> 00:14:39,920
Speaker 4: How'd you find me?

289
00:14:40,240 --> 00:14:46,000
Speaker 3: Diego called? Yeah, it's quite the loyal wing man you've got. Yeah,

290
00:14:47,000 --> 00:14:50,240
Speaker 3: he is a real You really weren't going to bring

291
00:14:50,280 --> 00:14:51,840
Speaker 3: me back to New York, were you?

292
00:14:51,880 --> 00:14:53,520
Speaker 4: No? I wasn't.

293
00:14:56,320 --> 00:14:58,000
Speaker 3: I'm sorry I doubted you.

294
00:14:58,000 --> 00:15:02,080
Speaker 4: You don't have anything to be sorry about. I wouldn't

295
00:15:02,120 --> 00:15:02,720
Speaker 4: trust me either.

296
00:15:02,960 --> 00:15:09,120
Speaker 3: It's my dad. I don't trust, well, not exactly on

297
00:15:09,200 --> 00:15:10,000
Speaker 3: the best terms.

298
00:15:10,000 --> 00:15:13,800
Speaker 2: If you couldn't tell, Yeah, there's a lot of bad

299
00:15:13,840 --> 00:15:16,200
Speaker 2: blood for two people who are actually blood.

300
00:15:16,760 --> 00:15:18,760
Speaker 4: Can I ask what happened?

301
00:15:19,000 --> 00:15:20,000
Speaker 3: How long have you got?

302
00:15:20,440 --> 00:15:21,360
Speaker 4: As long as it takes?

303
00:15:29,640 --> 00:15:35,840
Speaker 3: Yeah, I hardly ever saw the guy, but he still

304
00:15:35,880 --> 00:15:41,320
Speaker 3: managed to control my life, Sanderin. He was the reason

305
00:15:41,360 --> 00:15:44,320
Speaker 3: we moved to New York. My mom gave up everything

306
00:15:44,360 --> 00:15:46,080
Speaker 3: she had here on the island so I could have

307
00:15:46,080 --> 00:15:47,600
Speaker 3: a relationship with my dad.

308
00:15:48,840 --> 00:15:52,920
Speaker 7: Good to see you, kiddo, and I get you one

309
00:15:52,920 --> 00:15:53,200
Speaker 7: of these.

310
00:15:53,760 --> 00:15:56,680
Speaker 3: You do know I'm still nineteen, right, and he still

311
00:15:56,720 --> 00:15:57,600
Speaker 3: couldn't be bothered.

312
00:15:58,440 --> 00:16:01,840
Speaker 15: I didn't realize raised such a stickler for the rules.

313
00:16:02,160 --> 00:16:05,440
Speaker 15: You didn't shooting the killer.

314
00:16:05,520 --> 00:16:08,560
Speaker 3: Uh, just talking it like it is. It's not like

315
00:16:08,600 --> 00:16:11,240
Speaker 3: my mom and I ever wanted anything from him. She

316
00:16:11,360 --> 00:16:13,240
Speaker 3: had her own money. We were doing fine.

317
00:16:13,880 --> 00:16:16,480
Speaker 15: So what are you doing down here? Other than busting

318
00:16:16,560 --> 00:16:17,080
Speaker 15: my boss?

319
00:16:17,800 --> 00:16:21,120
Speaker 3: I wanted to give you something. There's only one thing

320
00:16:21,160 --> 00:16:22,960
Speaker 3: I ever asked of him when I was younger.

321
00:16:23,400 --> 00:16:25,400
Speaker 8: Oh did you.

322
00:16:25,480 --> 00:16:27,560
Speaker 7: Make me a mixed CV kinda?

323
00:16:29,000 --> 00:16:34,080
Speaker 3: It's a demo. It's my demo, honor.

324
00:16:35,480 --> 00:16:37,040
Speaker 7: I thought I made myself clear.

325
00:16:37,320 --> 00:16:38,600
Speaker 3: Well, if you'd listen to my demo.

326
00:16:39,920 --> 00:16:42,040
Speaker 7: If you want to ruin your life by going after

327
00:16:42,120 --> 00:16:44,520
Speaker 7: a music career, you can do it on your own.

328
00:16:45,400 --> 00:16:47,120
Speaker 7: I'm not gonna have that on my conscience.

329
00:16:48,360 --> 00:16:50,680
Speaker 3: Now, you grow a conscience just in time to completely

330
00:16:50,720 --> 00:16:51,400
Speaker 3: take my career.

331
00:16:51,520 --> 00:16:54,240
Speaker 7: You don't have a career. You're nineteen.

332
00:16:54,400 --> 00:16:56,360
Speaker 3: I could have a career if you'd lift a finger

333
00:16:56,360 --> 00:16:59,080
Speaker 3: to help me. Plenty of singer songwriters have the first

334
00:16:59,080 --> 00:17:00,520
Speaker 3: albums out before there my age.

335
00:17:00,720 --> 00:17:04,280
Speaker 15: Yeah, and do they seem like healthy, well adjusted people

336
00:17:04,280 --> 00:17:04,560
Speaker 15: to you?

337
00:17:04,960 --> 00:17:06,920
Speaker 3: Mom put her first album out when she was younger

338
00:17:06,920 --> 00:17:09,680
Speaker 3: than I am, so I risked my case. Don't talk

339
00:17:09,720 --> 00:17:11,800
Speaker 3: about her like that. You don't have any right to

340
00:17:11,920 --> 00:17:12,360
Speaker 3: judge her.

341
00:17:12,480 --> 00:17:14,000
Speaker 7: Don't jump down my throat.

342
00:17:14,680 --> 00:17:18,160
Speaker 4: Jesus, I really do take it after her.

343
00:17:19,320 --> 00:17:22,000
Speaker 15: Your mom knows what getting started too young in this

344
00:17:22,119 --> 00:17:24,520
Speaker 15: business can do to a person, and I've seen it

345
00:17:24,640 --> 00:17:27,679
Speaker 15: enough to back that up. If you come to your

346
00:17:27,760 --> 00:17:30,879
Speaker 15: senses and pursue a career that isn't going to chew

347
00:17:30,960 --> 00:17:34,600
Speaker 15: you up and spit you out, I promise you my

348
00:17:34,840 --> 00:17:35,640
Speaker 15: full support.

349
00:17:35,800 --> 00:17:38,879
Speaker 3: Oh, because you're so great at keeping your promises.

350
00:17:38,520 --> 00:17:42,720
Speaker 15: Right, I gotta tell you, I'm getting a little tired

351
00:17:42,760 --> 00:17:43,480
Speaker 15: of this attitude.

352
00:17:43,760 --> 00:17:46,120
Speaker 3: If you call me young lady, I swear.

353
00:17:45,880 --> 00:17:47,920
Speaker 7: What exactly do you want from me? Here?

354
00:17:48,720 --> 00:17:50,399
Speaker 15: You get pissed at me for try and act like

355
00:17:50,440 --> 00:17:52,320
Speaker 15: your dad, and pissed at me when I don't.

356
00:17:52,359 --> 00:17:54,000
Speaker 3: I don't want you to act like my dad. I

357
00:17:54,040 --> 00:17:56,200
Speaker 3: want you to beat my dad.

358
00:17:56,520 --> 00:17:57,679
Speaker 7: I don't know what that means.

359
00:17:58,040 --> 00:18:02,120
Speaker 3: Yeah, no shit, Marcus, Yeah, just forget it. I don't

360
00:18:02,119 --> 00:18:03,840
Speaker 3: know why I even bothered coming down here.

361
00:18:04,680 --> 00:18:08,199
Speaker 7: If you want to stop acting like a child, we

362
00:18:08,240 --> 00:18:09,120
Speaker 7: can talk about this.

363
00:18:09,480 --> 00:18:20,440
Speaker 3: I have nothing to say to you. And that was

364
00:18:20,440 --> 00:18:23,520
Speaker 3: the last time we saw each other before tonight.

365
00:18:23,600 --> 00:18:28,879
Speaker 4: That is, I'm sorry. I so fucked up.

366
00:18:29,160 --> 00:18:31,639
Speaker 3: Yeah, I shouldn't complain knowing what happened to your parents.

367
00:18:31,840 --> 00:18:34,639
Speaker 4: Don't do that. Pain is pain.

368
00:18:35,040 --> 00:18:41,600
Speaker 3: Yeah, yeah, it certainly is. I wasn't going to give

369
00:18:41,680 --> 00:18:44,679
Speaker 3: up that easy, though. I started sending my songs to

370
00:18:44,720 --> 00:18:49,160
Speaker 3: every producer in LA, praying that someone would bite. That's

371
00:18:49,160 --> 00:18:50,760
Speaker 3: how I met my ex Jordan.

372
00:18:51,480 --> 00:18:52,760
Speaker 4: He's who you're running from.

373
00:18:52,920 --> 00:18:56,840
Speaker 3: Yeah. I should have known he was bad news when

374
00:18:56,840 --> 00:18:59,400
Speaker 3: he offered to fly me out to LA just after

375
00:18:59,480 --> 00:19:02,840
Speaker 3: hearing my demo. But I was a kid. I didn't

376
00:19:02,840 --> 00:19:06,120
Speaker 3: know any better, and once I was out there with him,

377
00:19:06,160 --> 00:19:12,239
Speaker 3: I just I never left. Before I knew it, I

378
00:19:12,280 --> 00:19:14,639
Speaker 3: was living with him, writing songs for him, letting him

379
00:19:14,640 --> 00:19:17,119
Speaker 3: control my career, my money, my whole life.

380
00:19:17,480 --> 00:19:19,640
Speaker 4: I thought you were letting him do any of that shit.

381
00:19:20,040 --> 00:19:25,440
Speaker 3: No, I suppose not. But Jordan never wanted me to

382
00:19:25,480 --> 00:19:28,439
Speaker 3: be a performer. He just wanted me to keep writing

383
00:19:28,440 --> 00:19:29,440
Speaker 3: songs he could sell.

384
00:19:29,960 --> 00:19:32,399
Speaker 4: Wait, he was taking your money.

385
00:19:32,560 --> 00:19:34,600
Speaker 3: Yeah, he was generous enough to give me a ten

386
00:19:34,640 --> 00:19:37,760
Speaker 3: percent cut. Of course, he kept it in an account

387
00:19:37,800 --> 00:19:41,879
Speaker 3: I wasn't allowed to access without his permission. He wouldn't

388
00:19:41,920 --> 00:19:44,159
Speaker 3: even tell me which bank he'd opened the account at.

389
00:19:44,200 --> 00:19:47,480
Speaker 3: He was that paranoid about giving me control over my

390
00:19:47,520 --> 00:19:51,840
Speaker 3: own goddamn money. What's that look?

391
00:19:52,119 --> 00:19:55,040
Speaker 2: Sorry, this is hard for me to wrap my head

392
00:19:55,080 --> 00:19:56,640
Speaker 2: around you being in that situation.

393
00:19:58,520 --> 00:19:59,400
Speaker 4: You're strong as hell.

394
00:19:59,560 --> 00:20:02,840
Speaker 3: Plenty of strong people have ended up in situations like that, Nico,

395
00:20:03,119 --> 00:20:08,320
Speaker 3: more than you'd ever imagine. It didn't happen overnight. In

396
00:20:08,359 --> 00:20:11,920
Speaker 3: the beginning. I love Jordan. I mean I practically grew

397
00:20:12,000 --> 00:20:16,760
Speaker 3: up with him. I trusted him with my life, which

398
00:20:16,760 --> 00:20:18,640
Speaker 3: is why he knew exactly how to take it away

399
00:20:18,640 --> 00:20:22,080
Speaker 3: from me. And when I finally realized how bad things

400
00:20:22,119 --> 00:20:24,240
Speaker 3: had gotten, I tailed him to the bank to figure

401
00:20:24,240 --> 00:20:26,320
Speaker 3: out where he was keeping my money, and I emptied

402
00:20:26,359 --> 00:20:30,239
Speaker 3: that whole account to come down here. That's how I've

403
00:20:30,240 --> 00:20:31,720
Speaker 3: been footing the bill here at Dustino.

404
00:20:32,560 --> 00:20:33,840
Speaker 4: So why did he change his tone?

405
00:20:34,000 --> 00:20:37,399
Speaker 3: He didn't. Just before I left, I came home to

406
00:20:37,440 --> 00:20:39,480
Speaker 3: our apartment after a fight, and I found him ode.

407
00:20:40,760 --> 00:20:40,920
Speaker 2: Yeah.

408
00:20:41,160 --> 00:20:42,920
Speaker 3: I was about to call for help, but instead I

409
00:20:45,840 --> 00:20:50,280
Speaker 3: just left him there. I'm sure you must think that

410
00:20:50,320 --> 00:20:51,280
Speaker 3: makes me a monster.

411
00:20:51,680 --> 00:20:55,160
Speaker 4: Hey, he's the only monster in this story. He did

412
00:20:55,200 --> 00:20:55,840
Speaker 4: what you had to do.

413
00:20:56,119 --> 00:20:59,240
Speaker 3: I don't think you'd see it that way. But I

414
00:20:59,280 --> 00:21:02,240
Speaker 3: can't go back, not after tonight, being up there in

415
00:21:02,240 --> 00:21:06,480
Speaker 3: front of the crowd, actually sharing my music. Now that

416
00:21:06,520 --> 00:21:09,360
Speaker 3: I've had it, I'm not giving that up for anything.

417
00:21:09,760 --> 00:21:13,600
Speaker 4: No, You're born to be up there. He can't keep

418
00:21:13,600 --> 00:21:16,359
Speaker 4: you from that. You deserve everything that you want.

419
00:21:16,960 --> 00:21:18,919
Speaker 3: There's only one thing I want right now, Nico.

420
00:21:19,280 --> 00:21:20,919
Speaker 4: You don't want the shit that comes with being with me.

421
00:21:21,240 --> 00:21:22,680
Speaker 3: That's for me to say.

422
00:21:23,760 --> 00:21:28,840
Speaker 4: Please, I'm still trying to protect you from what from me.

423
00:21:30,960 --> 00:21:33,400
Speaker 4: Everybody that I've ever cared about it gets hurt.

424
00:21:34,640 --> 00:21:35,800
Speaker 3: So you do care about me.

425
00:21:36,520 --> 00:21:37,720
Speaker 4: Of course I care about you.

426
00:21:38,440 --> 00:21:42,160
Speaker 3: And look at that I'm still here. That's the thing

427
00:21:42,160 --> 00:21:47,240
Speaker 3: about curses, They're made to be broken.

428
00:21:48,119 --> 00:21:50,359
Speaker 4: I need you to know that I do anything to

429
00:21:50,480 --> 00:21:53,920
Speaker 4: keep you safe. Promise, I promise.

430
00:22:26,480 --> 00:22:33,040
Speaker 3: God did we fall asleep by Niko Nko?

431
00:22:38,240 --> 00:22:39,480
Speaker 7: You have one you.

432
00:22:41,560 --> 00:22:46,320
Speaker 4: Good morning, beautiful. By the time you get this, I'll

433
00:22:46,359 --> 00:22:47,200
Speaker 4: already be gone.

434
00:22:47,840 --> 00:22:50,359
Speaker 3: No.

435
00:22:50,359 --> 00:22:52,360
Speaker 4: No, thank you for coming to see me last night.

436
00:22:52,560 --> 00:22:52,840
Speaker 15: You know.

437
00:22:54,440 --> 00:22:55,280
Speaker 6: It met everything.

438
00:22:55,680 --> 00:22:57,520
Speaker 4: Having those last moments with you.

439
00:22:58,200 --> 00:22:59,879
Speaker 2: But I promise you that I do anything to keep

440
00:22:59,880 --> 00:23:02,760
Speaker 2: you safe, even if it's the last thing in the

441
00:23:02,800 --> 00:23:06,320
Speaker 2: world that I want to do. Right now, that means

442
00:23:06,320 --> 00:23:09,399
Speaker 2: walking away from you. Now, you gotta promise me that

443
00:23:09,440 --> 00:23:13,840
Speaker 2: you'll let me go. And maybe you're right, Maybe the

444
00:23:13,880 --> 00:23:16,879
Speaker 2: curse is all in my head. Maybe you could have

445
00:23:16,880 --> 00:23:19,560
Speaker 2: been the one to finally break you. But I can't

446
00:23:19,640 --> 00:23:24,840
Speaker 2: risk that now. I can't risk you for what it's worth.

447
00:23:26,200 --> 00:23:29,240
Speaker 2: I do love you. I hope one day you understand.

448
00:23:29,240 --> 00:23:31,800
Speaker 2: That's why I have to do this. Take care of yourself.

449
00:23:32,640 --> 00:23:36,360
Speaker 12: Okay, Hey, love birds, I've got some coffee going if

450
00:23:36,400 --> 00:23:36,840
Speaker 12: you want.

451
00:23:38,440 --> 00:23:39,520
Speaker 11: Where's Nico?

452
00:23:40,600 --> 00:23:44,120
Speaker 3: He's gone and it's over.

453
00:23:46,960 --> 00:23:47,399
Speaker 6: Do you go?

454
00:23:47,960 --> 00:23:48,680
Speaker 12: What is it, Honor?

455
00:23:49,640 --> 00:23:50,600
Speaker 3: Can you take me home?

456
00:23:50,960 --> 00:23:52,080
Speaker 4: Yeah? Yeah, of course.

457
00:23:54,160 --> 00:24:01,600
Speaker 10: You're better off alone. You're better off alone. I don't

458
00:24:01,680 --> 00:24:06,520
Speaker 10: want to live without your baby.

459
00:24:06,560 --> 00:24:07,360
Speaker 6: Ms Thompson.

460
00:24:08,080 --> 00:24:12,280
Speaker 7: I heard your concert yesterday was quite the triumph.

461
00:24:12,480 --> 00:24:15,760
Speaker 3: Yeah, thank you, Sebastian. It was something, all.

462
00:24:15,720 --> 00:24:19,439
Speaker 6: Right, Well, enjoy the rest of your day, You've earned it.

463
00:24:19,800 --> 00:24:24,040
Speaker 3: I will, but I think this will be my last

464
00:24:24,119 --> 00:24:24,560
Speaker 3: night here.

465
00:24:25,000 --> 00:24:26,720
Speaker 6: Oh you're checking out?

466
00:24:27,080 --> 00:24:30,200
Speaker 3: Yeah, yeah, it's time, of course.

467
00:24:29,960 --> 00:24:30,800
Speaker 6: But we'll be sad.

468
00:24:30,840 --> 00:24:32,679
Speaker 3: To see you go here?

469
00:24:32,880 --> 00:24:35,360
Speaker 13: Well, come see me tomorrow and I'll get you all

470
00:24:35,400 --> 00:24:37,080
Speaker 13: squared away till then.

471
00:24:47,200 --> 00:24:52,520
Speaker 1: Hi Anna, miss me Jordan, how'd you like to walk

472
00:24:52,560 --> 00:24:55,040
Speaker 1: down here when no one else is around?

473
00:24:55,880 --> 00:24:55,960
Speaker 2: You?

474
00:24:56,000 --> 00:24:56,200
Speaker 11: Mind?

475
00:24:56,200 --> 00:25:02,960
Speaker 5: If I join you?

476
00:25:02,960 --> 00:25:10,800
Speaker 10: You better off alone? You're better off better. You'd probably

477
00:25:10,880 --> 00:25:16,440
Speaker 10: thank you fucking crazy, but you better off the better off.

478
00:25:17,240 --> 00:25:20,399
Speaker 13: Underwater is an Interval Presents original production with Temple Hill

479
00:25:20,520 --> 00:25:25,439
Speaker 13: Entertainment and Clamor, starring Jason Derulo and Alexandra Shipp. Written

480
00:25:25,440 --> 00:25:28,600
Speaker 13: by Katrina Day, directed by Pat Kelly and Chris Kelly.

481
00:25:29,280 --> 00:25:34,080
Speaker 13: Executive producer Jason Derulo, executive producers from Interval Presents, Alan

482
00:25:34,119 --> 00:25:37,840
Speaker 13: Coy and Jay Kleinberg executive producers from Temple Hill Entertainment,

483
00:25:38,240 --> 00:25:42,600
Speaker 13: Marty Bowen, Wick Godfrey and Alex Addison executive producers from Clamor.

484
00:25:43,040 --> 00:25:48,120
Speaker 13: Rich Statter, Aaron Hilliard, Adam Reynolds and Alison Cheno. Executive

485
00:25:48,160 --> 00:25:53,200
Speaker 13: produced by Katerina Day. Executive producer from Future History Frank Harris.

486
00:25:53,240 --> 00:25:57,240
Speaker 13: Special thanks to Henry de Sources Marketing Lead Samara Still,

487
00:25:57,920 --> 00:26:03,040
Speaker 13: Business development Lead Cheffy Ellen Sweg Meggie, and Operations lead Serriu.

488
00:26:03,400 --> 00:26:06,960
Speaker 13: Post production audio services by Kelly and Kelly sound design

489
00:26:07,040 --> 00:26:11,200
Speaker 13: and mixed by Paul Teteskini. Dialogue edited by Max Collins.

490
00:26:11,720 --> 00:26:15,280
Speaker 13: Original music by Genevieve Vincent. Songs arranged by Genevieve Vincent.

491
00:26:15,880 --> 00:26:19,600
Speaker 13: The cast includes Jason Derulo as Nico, Alexandra Ship as Anna,

492
00:26:19,880 --> 00:26:23,520
Speaker 13: Carrie Alexander as bank teller and additional voices, Bo Bridgeland

493
00:26:23,520 --> 00:26:26,560
Speaker 13: as Jordan, Michael Darry as credit reader and additional voices,

494
00:26:26,800 --> 00:26:30,880
Speaker 13: Anisia Dubois Dahlia and Young Dahlia, Andrew Frankel as stranger

495
00:26:30,880 --> 00:26:34,200
Speaker 13: in additional voices, Walter Gray the Fourth as male tourist

496
00:26:34,240 --> 00:26:38,760
Speaker 13: and additional voices, Melissa Greenspan as female tourist and additional voices,

497
00:26:39,200 --> 00:26:43,959
Speaker 13: Alice Hunter as Elena, Jeremy Jordan as Gabriel, Josh Keaton

498
00:26:44,160 --> 00:26:48,160
Speaker 13: as Matteo, Taara Langela as female guest and additional voices,

499
00:26:48,520 --> 00:26:53,320
Speaker 13: Jonathan Leon as Young Matteo, Donnis Leonard Junior as Elias Parker,

500
00:26:53,359 --> 00:26:57,359
Speaker 13: James Logi as young boy, Emily Martinez as Carman, Michael

501
00:26:57,400 --> 00:27:02,320
Speaker 13: McLoone as Marcus, Carlo Renata as bartender, John Carlos Sabagal

502
00:27:02,480 --> 00:27:06,160
Speaker 13: as Diego, David Shatraw as male guest and additional voices

503
00:27:06,359 --> 00:27:10,800
Speaker 13: Andre Siglutzo as Sebastian, Cameron, Jay Wright as Young Nico,

504
00:27:10,840 --> 00:27:11,600
Speaker 13: and Hannah.

505
00:27:11,320 --> 00:27:12,280
Speaker 4: Zamora as Mia.

506
00:27:12,880 --> 00:27:16,680
Speaker 13: Produced by Lillian Holman, post produced by Justin Schoe and

507
00:27:16,760 --> 00:27:21,800
Speaker 13: Lauren Berkovich. Associate producer Erica Lowe. Music supervision by Melanie Mitchell.

508
00:27:22,040 --> 00:27:26,760
Speaker 13: Music clearances by Deborah Mannis Gardner DMG Clearances Incorporated. Audio

509
00:27:26,800 --> 00:27:29,920
Speaker 13: engineered by Ian Fogerty and Ed mcintye at Gold Diggers,

510
00:27:30,240 --> 00:27:32,919
Speaker 13: Brett Tuban at the Relic Room and Jordan Sweet at

511
00:27:32,960 --> 00:27:38,040
Speaker 13: Chalice Recording Studio. Assistant engineered by Derek mcgroene and Amperorzerdi.

512
00:27:38,880 --> 00:27:43,080
Speaker 13: Vocal coaching by Bianca Blush Atterbury. Casting by Marlice Gussenhauer,

513
00:27:43,200 --> 00:27:47,280
Speaker 13: Sibby Kersch and Brentegata. Additional casting by Melissa Berger, Brennan,

514
00:27:47,560 --> 00:27:51,879
Speaker 13: Salem Everett and Scott Forbes at CESD. Talent Script supervisor

515
00:27:51,960 --> 00:27:57,560
Speaker 13: Tamara Black, Production supervisor Lizzie Sam Production coordinators Ethan Aronson

516
00:27:57,720 --> 00:28:03,440
Speaker 13: and Sean Green, Productioniststince, Chelsea Perry, and Samara Malik. Additional

517
00:28:03,480 --> 00:28:08,000
Speaker 13: special thanks to Riley Fulsom and Maxim Carlick. Underwater was

518
00:28:08,040 --> 00:28:09,760
Speaker 13: recorded at Gold Diggers in Los Angeles.

519
00:28:09,760 --> 00:28:10,280
Speaker 4: California.

520
00:28:10,920 --> 00:28:12,320
Speaker 6: Chellis Recording Studio.

521
00:28:12,000 --> 00:28:15,360
Speaker 13: In Los Angeles, California, in the Relic Room in New York,

522
00:28:15,400 --> 00:28:19,080
Speaker 13: New York. Make sure to follow Underwater and listen on

523
00:28:19,119 --> 00:28:24,199
Speaker 13: Apple Podcasts, Spotify, Amazon Music, Sirius XM, or wherever you

524
00:28:24,240 --> 00:28:32,080
Speaker 13: get your podcasts.