WEBVTT - R&B Money Essence Fest Experience

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<v Speaker 1>I don't building money so because its.

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<v Speaker 2>Trading day after.

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<v Speaker 3>Hey, what's going on out there, y'all?

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<v Speaker 2>There's a long welcome to the A, C and T stage.

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<v Speaker 3>We dream in black. That'll makes some noise in AT

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<v Speaker 3>and T.

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<v Speaker 4>People want authenticity, People want want truth in music, and ultimately,

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<v Speaker 4>as we can see by how much nineties music, how

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<v Speaker 4>much eighties music is being sampled and winning, people really

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<v Speaker 4>do want that feeling again.

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<v Speaker 3>Rather than put all the.

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<v Speaker 4>Pressure on us, okay, okay, to have this conversation, what

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<v Speaker 4>we're gonna do, we want to do something special today.

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<v Speaker 4>Normally we have a celebrity sit right here, a singer, songwriter, producers, stylist, choreographer.

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<v Speaker 4>We have them sit right there and talk R and

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<v Speaker 4>B with us based on their experiences. But today we're

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<v Speaker 4>gonna get some people from the audience, yeah, to sit

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<v Speaker 4>with us and talk R and B in terms of

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<v Speaker 4>what you grew up on, your top five, your votron,

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<v Speaker 4>your I ain't saying no names.

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<v Speaker 3>Yeah, yeah, we go.

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<v Speaker 4>So we need to look out here and see who

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<v Speaker 4>wants to be on.

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<v Speaker 3>Podcast.

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<v Speaker 2>You gotta come up here with some real information though,

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<v Speaker 2>you real okay, right, I mean, we're gonna do two.

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<v Speaker 2>We'll do one or two? Okay, one? Come on? What's

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<v Speaker 2>your Kelly? Come on, Kelly, y'all make some noise.

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<v Speaker 3>Bring Kelly, Kelly. Where you from?

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<v Speaker 4>I am from Baltimore, Baltimore at Themore in the Builder,

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<v Speaker 4>d m V.

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<v Speaker 3>I'm DM, I'm d m V. I'm cheering with you,

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<v Speaker 3>I know, cheering with you. Let's talk R and B. Kelly.

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<v Speaker 5>Let's do it.

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<v Speaker 3>What is your favorite time period for R and B?

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<v Speaker 4>Nineties early.

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<v Speaker 2>That's the Tank era.

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<v Speaker 3>That's the day.

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<v Speaker 6>Yeah, I don't want you now then I can't have

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<v Speaker 6>it at all. If I got a big forward with it, I.

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<v Speaker 5>Gotta I have y'all don't know Tank.

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<v Speaker 4>Yeah, that's the intro early two thousands and why the

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<v Speaker 4>early two thousands it just felt good.

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<v Speaker 5>I mean I was in high school.

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<v Speaker 4>But it felt you were in high school. I was, oh,

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<v Speaker 4>stop it, I'm your uncle.

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<v Speaker 5>You can be my.

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<v Speaker 4>Uncle Tank, Uncle Tank. But I'm thirty five, you're thirty five. Okay, okay, So,

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<v Speaker 4>as we have this conversation in terms of the differences

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<v Speaker 4>from nineties R and B or two thousands R and

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<v Speaker 4>but let's start with your two thousands R and B

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<v Speaker 4>to what's being heard and played. Now, what do you

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<v Speaker 4>feel other differences in your mind?

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<v Speaker 6>I feel like the content is uh, it's trash. The

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<v Speaker 6>content is trash.

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<v Speaker 2>The content is trash.

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<v Speaker 5>It's not love making. Were just gonna bone.

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<v Speaker 2>We're gonna bang it out, just gonna bone.

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<v Speaker 5>We're gonna bone. We don't need that.

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<v Speaker 6>We like slow, take your time with me, and I'm

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<v Speaker 6>gonna take my time with you. Hello, we don't want them,

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<v Speaker 6>we don't want to rush. We need some Ford play,

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<v Speaker 6>take your time, build.

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<v Speaker 5>It up, it up.

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<v Speaker 2>You got to have low.

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<v Speaker 5>But tank. You had a song called close Close. You

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<v Speaker 5>came a little quick.

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<v Speaker 3>Huh huh.

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<v Speaker 5>It was good. It came quick.

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<v Speaker 4>It happens. We're not perfect here. We're not perfect here.

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<v Speaker 4>Just give me time to hydrate. I'll be back. That's

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<v Speaker 4>a very good point. Goes back to what we were

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<v Speaker 4>saying earlier, like taking your time in music, creating it,

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<v Speaker 4>but also taking your time with the experiences that create

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<v Speaker 4>the music. You know what I mean. We're so much

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<v Speaker 4>in a rush, We're so in a rush to close

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<v Speaker 4>the deal. We're so in a rush to get to

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<v Speaker 4>the end that we never get a chance to fall

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<v Speaker 4>in love with the journey of of people, of meeting you,

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<v Speaker 4>of saying hi, of taking you out on a date,

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<v Speaker 4>of getting to know you, getting to know your past,

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<v Speaker 4>getting to know your hurts, the things that you're healing from,

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<v Speaker 4>and figuring out how I can help, how I can

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<v Speaker 4>be of service to you before figuring out how to

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<v Speaker 4>get something from you. Yeah, yeah, how to be of

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<v Speaker 4>service to you before service you want to surface you?

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<v Speaker 3>Ah, my mind.

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<v Speaker 5>That's a word.

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<v Speaker 2>I got a question since we are on the AT

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<v Speaker 2>and T stage, if you could call any R and

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<v Speaker 2>B singer, who would it be.

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<v Speaker 5>Like right now?

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<v Speaker 3>If you could call him?

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<v Speaker 2>Like if it's just like if who you want to

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<v Speaker 2>talk to?

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<v Speaker 5>Give me Usher?

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<v Speaker 2>Mmm, you're gonna call? What you're gonna say to Usher

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<v Speaker 2>when you get on the phone. What're you gonna say

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<v Speaker 2>to him?

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<v Speaker 5>Thank you for the journey?

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<v Speaker 3>Yeah, thank you.

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<v Speaker 6>For the timeline of just progression in your music journey.

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<v Speaker 6>For giving us quality music even when people didn't support

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<v Speaker 6>him for that short time period. I did some of

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<v Speaker 6>them albums that weren't listened to as much because people

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<v Speaker 6>didn't like him for whatever reason. That was quality music.

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<v Speaker 6>Here I Stand was a quality album.

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<v Speaker 2>Absolutely absolutely.

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<v Speaker 5>Hard to Love was a quality album.

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<v Speaker 2>Okay, okay, okay, oh yeah, you know her are stuff Yeah,

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<v Speaker 2>RelA I sugar one of iced tea.

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<v Speaker 3>Wow.

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<v Speaker 4>Okay, let's let's do something with you real quick. Let's

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<v Speaker 4>do something. Everybody ready, We all gonna do this together.

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<v Speaker 2>Toop five?

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<v Speaker 3>Your top five?

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<v Speaker 5>Top five?

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<v Speaker 3>Your top five?

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<v Speaker 2>What is it? R and B singers? R and B songs?

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<v Speaker 4>Here we're gonna SUPR different all right? Your top five

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<v Speaker 4>R and B singers.

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<v Speaker 5>No particular order.

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<v Speaker 6>I mean you are sitting next to me, so Tanks sure.

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<v Speaker 2>Dixon yeah yeah.

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<v Speaker 6>Uh, Avery will soon yes, And I'm a go Beyonce

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<v Speaker 6>because I mean the queen.

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<v Speaker 4>I'm in the hive. Top five R and B songs?

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<v Speaker 5>Can we talk? Can you help me?

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<v Speaker 2>By usher A?

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<v Speaker 6>I gotta do the sex, love and pain intro?

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<v Speaker 3>Mmm? This you do? You just singing? You just singing.

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<v Speaker 3>I'm my apologies, thank you.

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<v Speaker 2>H Oh.

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<v Speaker 3>It's tough.

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<v Speaker 5>It is.

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<v Speaker 2>It's easy when you're watching it on TV on your phone.

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<v Speaker 3>Yep.

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<v Speaker 2>See I'll be talking about that. They taking so long.

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<v Speaker 2>They should have They don't really watch the show.

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<v Speaker 6>Beyonces four that just give me a whole album, Give

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<v Speaker 6>me a whole album, underrated album?

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<v Speaker 5>Shoot Chris Brown with you?

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<v Speaker 4>Yes, yes, Yeah, I like what you're doing. I like

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<v Speaker 4>what you're doing. Okay, can we do a vultron with her?

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<v Speaker 4>Can we do a vultron? All right, we're making a vultron.

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<v Speaker 4>Let's build it. We're making your super R and B singer.

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<v Speaker 4>Who are you gonna get the vocal from the performance style,

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<v Speaker 4>the styling and the passion of the artists to make

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<v Speaker 4>your super artist?

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<v Speaker 3>Who's vocal? Are you using.

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<v Speaker 6>Donnie Hathaway?

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<v Speaker 2>Yeah, Layla said, don't nobody sound like her daddy?

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<v Speaker 5>Nobody, But that's what she said.

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<v Speaker 4>She said, it's the pain in his voice, the performance style.

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<v Speaker 2>So so he gonna have an apple hat on and

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<v Speaker 2>he gonna be doing dance moves, jumping off, are getting

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<v Speaker 2>stuck in on the little things like Chris, what.

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<v Speaker 4>The apple is not gonna fall throughout the whole routine.

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<v Speaker 4>It's not gonna happen. The styling of the artists, the

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<v Speaker 4>drip of the artist.

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<v Speaker 5>King On Dixon kind of fly.

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<v Speaker 2>He always gotta fly, fit on.

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<v Speaker 3>He had a furrown at the R and B Money Live.

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<v Speaker 2>Yeah, he definitely had a big fly, okay.

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<v Speaker 3>And the passion the heart of the artists, kim.

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<v Speaker 2>Me Michael Michael Jackson's Passion.

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<v Speaker 4>Chap Nude, Chap Nude, Chap Nude. Michael was always hot. Yeah,

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<v Speaker 4>I think you. I think she was an amazing guest.

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<v Speaker 4>I think you have to. I'll give it up a Kelly,

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<v Speaker 4>please make some girl. That's that's gonna be a tough

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<v Speaker 4>one to follow. Let's do one more. Somebody to know

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<v Speaker 4>about this R and B music.

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<v Speaker 2>I picked the first I picked the first guests. I

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<v Speaker 2>picked the first guest, So I'm letting you pick the

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<v Speaker 2>second guests.

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<v Speaker 4>Well, come on there, since you know, come on, come

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<v Speaker 4>on there, tambourine, Come.

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<v Speaker 2>On see y'all should have brought y'all tambourine got you,

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<v Speaker 2>that would have got you on stage. Oh she has

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<v Speaker 2>her own mic? Oh this is great?

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<v Speaker 3>Is it?

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<v Speaker 2>The t Paine auto tuo?

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<v Speaker 3>Mic?

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<v Speaker 2>Is this the one?

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<v Speaker 3>All right? And what is your name?

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<v Speaker 5>My name is Zada, but they call me my lady.

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<v Speaker 5>I'm my mom and Dad's baby. But I'm a full

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<v Speaker 5>grown woman with it. Wow, I'm half of a century.

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<v Speaker 5>What Meg the Stallion doing I was doing at ninety three?

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<v Speaker 5>I still got Magan these Yeah, yeah, I know all

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<v Speaker 5>my alphabets. Okay, you can't go through the alphabet without

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<v Speaker 5>saying the letter JA. You heard me, and then you

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<v Speaker 5>know if you got them guns, you're most definitely gonna

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<v Speaker 5>need a T A n K.

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<v Speaker 2>Ready when we Okay.

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<v Speaker 5>I'm gonna be quiet. I'm gonna be quiet.

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<v Speaker 4>No, No, do your do your thing, do your stuff.

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<v Speaker 4>Every time I see you, I be when we.

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<v Speaker 5>Cause it's your birthday, birthday. Hey tonight, that's Chris Brown Tank.

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<v Speaker 5>You know, I know it's a chick on.

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<v Speaker 3>He's singing that song to know.

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<v Speaker 5>J Valentine to. You cannot go through the alphabet without

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<v Speaker 5>saying the letter J.

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<v Speaker 3>Okay, So tell us where you're from.

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<v Speaker 5>I was born in New Orleans, raised in Mississippi, but

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<v Speaker 5>I reside in Texas because of my husband pays the mortgage.

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<v Speaker 5>Shout out to Yeah, I reside in Texas because my

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<v Speaker 5>husband pays the mortgage. Shout out to them.

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<v Speaker 2>Shout out to the husbands that pay the mortgages.

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<v Speaker 5>In here, No, he's at home.

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<v Speaker 2>Okay, are the ones that sent you here? Ones that said, she.

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<v Speaker 5>He's a good man. He know, I likes I like,

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<v Speaker 5>I like.

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<v Speaker 3>Did you hear what she just said?

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<v Speaker 4>You have to you got to look at the the underlining,

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<v Speaker 4>the undertone of that she said, I live in Texas

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<v Speaker 4>because my husband pays the mortgage. Let's pull back the

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<v Speaker 4>layers on that. She's not gonna follow a man that's

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<v Speaker 4>not properly leading.

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<v Speaker 5>Correct.

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<v Speaker 4>She felt safe enough and secure enough to go with

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<v Speaker 4>that man to somewhere unfamiliar, somewhere strange, but she knew

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<v Speaker 4>that her man was gonna protect her and keep her safe.

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<v Speaker 1>Oh helllu it's not just the mortgage. It's not just

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<v Speaker 1>the morge. It's not just the mortgage.

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<v Speaker 5>It's not just the ma.

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<v Speaker 2>It's just something that we all can understand.

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<v Speaker 1>Yes, ah, But in the private times, it's the holding

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<v Speaker 1>we play Tank, it's the communication we play Tank.

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<v Speaker 5>He dressed up and all black. I said, baby, go

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<v Speaker 5>be Tank. Xena got Tank, but I got you. But

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<v Speaker 5>play when we I said us. I know we cannot,

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<v Speaker 5>I said, I know my syllables.

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<v Speaker 3>I know.

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<v Speaker 5>I'm just not my first time time.

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<v Speaker 3>I love you.

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<v Speaker 2>Yes, you don't remember.

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<v Speaker 5>I saw you in Dallas. I was the one that

0:14:23.080 --> 0:14:24.840
<v Speaker 5>walked down the middle with that hat on it, with

0:14:24.880 --> 0:14:25.640
<v Speaker 5>the lace that.

0:14:27.240 --> 0:14:27.560
<v Speaker 3>Remember.

0:14:27.680 --> 0:14:34.120
<v Speaker 5>I got pictures of us in my phone. I got

0:14:34.160 --> 0:14:38.720
<v Speaker 5>my own man. We speak every time, Tank, mister Barrell Reel.

0:14:38.880 --> 0:14:39.760
<v Speaker 3>It's not what you think.

0:14:40.040 --> 0:14:40.520
<v Speaker 5>Thank you.

0:14:40.920 --> 0:14:43.440
<v Speaker 2>I'm married, married, we married.

0:14:43.160 --> 0:14:46.760
<v Speaker 5>We Xena is a liberal. It's big libra energy, I know,

0:14:47.880 --> 0:14:48.400
<v Speaker 5>big labor.

0:14:49.120 --> 0:14:51.160
<v Speaker 4>Don't get her hype. Don't get her hype because I

0:14:51.200 --> 0:14:51.840
<v Speaker 4>paid the mortgage.

0:14:51.880 --> 0:14:52.600
<v Speaker 2>Don't get her hip.

0:14:54.080 --> 0:14:57.240
<v Speaker 5>Cina got a good man, Yes, sir, So let's let.

0:14:57.200 --> 0:14:59.320
<v Speaker 3>Me ask you a question. Yes, sir, well, I like

0:14:59.360 --> 0:15:01.400
<v Speaker 3>your question for yes, I like your question.

0:15:01.800 --> 0:15:03.800
<v Speaker 2>Which one was it? I didn't got caught up and

0:15:04.240 --> 0:15:07.720
<v Speaker 2>everything that's I'm I expectator. Tell about to turn my

0:15:07.880 --> 0:15:10.840
<v Speaker 2>chair and just watch the AT and T phone call? Yes,

0:15:10.880 --> 0:15:13.280
<v Speaker 2>oh yeah, yeah, yeah, yeah yeah. Who would be your

0:15:13.360 --> 0:15:17.240
<v Speaker 2>phone call? Your AT and T phone call? In R

0:15:17.280 --> 0:15:21.760
<v Speaker 2>and B music, it would be Tang, it would be Tanke.

0:15:21.960 --> 0:15:22.320
<v Speaker 3>Yes.

0:15:22.400 --> 0:15:24.880
<v Speaker 2>So you're getting all your questions off right now, you're

0:15:24.880 --> 0:15:27.640
<v Speaker 2>getting you getting it off. What you want to ask him?

0:15:28.480 --> 0:15:32.640
<v Speaker 5>How do you handle how do you and Zena handle

0:15:33.040 --> 0:15:37.440
<v Speaker 5>you being such an attractive performer because you can't perform,

0:15:37.840 --> 0:15:40.440
<v Speaker 5>you can sing, you can act. We've seen all of

0:15:40.480 --> 0:15:44.640
<v Speaker 5>those things. So how does she work through that? How

0:15:44.640 --> 0:15:45.640
<v Speaker 5>does she manage?

0:15:45.720 --> 0:15:45.840
<v Speaker 3>Like?

0:15:46.080 --> 0:15:50.400
<v Speaker 5>My man is handsome, he's attractive, he's fine, and not

0:15:50.520 --> 0:15:54.440
<v Speaker 5>that you're using your body as a tool. It is Okay,

0:15:54.720 --> 0:15:56.600
<v Speaker 5>that's up to you and how you tell the truth.

0:15:56.760 --> 0:15:59.640
<v Speaker 5>But how do how does she manage that having an

0:15:59.640 --> 0:16:00.800
<v Speaker 5>attraction husband?

0:16:01.960 --> 0:16:05.080
<v Speaker 4>Well, and I'll just answer the question. I mean, it's

0:16:05.080 --> 0:16:08.200
<v Speaker 4>there's so many layers to that, but I think it's

0:16:08.320 --> 0:16:13.320
<v Speaker 4>up to me again to make her feel safe there

0:16:13.360 --> 0:16:16.600
<v Speaker 4>you go. It's up to me to make sure that

0:16:16.800 --> 0:16:20.720
<v Speaker 4>she knows she has the number one position, because we

0:16:20.840 --> 0:16:25.840
<v Speaker 4>gotta know, like in this social media era, something can

0:16:25.880 --> 0:16:31.040
<v Speaker 4>look like anything, right, and so you don't. You don't

0:16:31.080 --> 0:16:33.160
<v Speaker 4>want your good to be even spoken of, and so

0:16:33.240 --> 0:16:37.080
<v Speaker 4>you have to you have to be smart about.

0:16:36.800 --> 0:16:39.200
<v Speaker 2>Where you go, what you're doing.

0:16:39.000 --> 0:16:44.120
<v Speaker 4>Who you're seeing with, correct, what you're saying, correct all

0:16:44.160 --> 0:16:46.440
<v Speaker 4>of those things. Because that's why I don't go nowhere

0:16:48.840 --> 0:16:54.600
<v Speaker 4>because it gets back really fast. And in a world

0:16:54.960 --> 0:17:00.880
<v Speaker 4>where misery loves company, right, they would to be able

0:17:00.920 --> 0:17:03.920
<v Speaker 4>to send my wife, well, he can't be too much

0:17:03.960 --> 0:17:05.520
<v Speaker 4>of your husband because he was.

0:17:05.640 --> 0:17:07.960
<v Speaker 3>Just blah blah blah, and.

0:17:07.880 --> 0:17:11.040
<v Speaker 4>Here's a picture of it, or here's a DM of it,

0:17:11.400 --> 0:17:12.639
<v Speaker 4>or here's a text of it.

0:17:13.119 --> 0:17:15.399
<v Speaker 2>So a lot of it starts with me.

0:17:15.720 --> 0:17:19.480
<v Speaker 4>I mean, of course, ultimately, she as a woman, as

0:17:19.520 --> 0:17:24.400
<v Speaker 4>she walked into this, I was this before we got married, correct,

0:17:24.760 --> 0:17:27.080
<v Speaker 4>So there has to be a certain level of acceptance

0:17:27.720 --> 0:17:31.520
<v Speaker 4>of what I am before she even decides to partake,

0:17:32.359 --> 0:17:34.800
<v Speaker 4>because it is a lot. But then once we're in

0:17:34.840 --> 0:17:39.240
<v Speaker 4>there again, it's my job to make sure she feels safe.

0:17:39.440 --> 0:17:43.240
<v Speaker 5>So the proper word is discernment. You're using discernment to

0:17:43.320 --> 0:17:46.280
<v Speaker 5>make sure that she's safe. Yes, because we live in

0:17:46.280 --> 0:17:48.959
<v Speaker 5>this world where people can change things around words, and

0:17:49.800 --> 0:17:52.600
<v Speaker 5>a mere picture can be turned into I was with

0:17:52.720 --> 0:17:55.600
<v Speaker 5>your man when it's really mirror a picture.

0:17:55.800 --> 0:17:58.040
<v Speaker 3>Here's a question for you, Yes, sir, same question.

0:17:58.560 --> 0:18:03.080
<v Speaker 4>What do you think the biggest difference for you between well,

0:18:03.080 --> 0:18:04.280
<v Speaker 4>what's your favorite era of music?

0:18:04.320 --> 0:18:07.480
<v Speaker 3>Let's start there in nineties, early two thousands.

0:18:07.200 --> 0:18:08.120
<v Speaker 2>Argon further back.

0:18:08.200 --> 0:18:14.280
<v Speaker 5>Yeah, I like the seventies and the eighties and the nineties.

0:18:14.280 --> 0:18:17.560
<v Speaker 5>The reason for the seventies is because when you go

0:18:17.640 --> 0:18:20.959
<v Speaker 5>back to a man leading and making a woman feel

0:18:21.400 --> 0:18:24.560
<v Speaker 5>safe and provided for. I saw that with my father,

0:18:25.119 --> 0:18:28.440
<v Speaker 5>and so no family is perfect, but in that home

0:18:29.040 --> 0:18:33.280
<v Speaker 5>it was music playing. There was togetherness. We weren't hungry.

0:18:33.359 --> 0:18:35.879
<v Speaker 5>We played together, he said, and watched us play together.

0:18:36.160 --> 0:18:38.520
<v Speaker 5>We didn't know if there were hard times, but I

0:18:38.600 --> 0:18:41.840
<v Speaker 5>remember my mother. She's from New Orleans, Louisiana. So I

0:18:41.920 --> 0:18:46.479
<v Speaker 5>remember her playing Love and Happiness. I remember her playing

0:18:47.240 --> 0:18:49.960
<v Speaker 5>I Love You. I remember Al Green. So I had

0:18:50.000 --> 0:18:52.520
<v Speaker 5>this uncle from New Orleans, right, my uncle Billy. I

0:18:52.600 --> 0:18:56.399
<v Speaker 5>remember him playing Rick James. I did not know Mary Jane.

0:18:56.520 --> 0:18:59.600
<v Speaker 5>I thought that was a woman. I really thought it

0:18:59.680 --> 0:19:04.480
<v Speaker 5>was a so until he passed away. And so they

0:19:04.600 --> 0:19:06.760
<v Speaker 5>was doing Mary Jane in the back and not it.

0:19:06.800 --> 0:19:08.320
<v Speaker 5>But we were in the front. So it's like, I

0:19:08.359 --> 0:19:12.919
<v Speaker 5>remember Rick James, the Mary Jane Girls, Whitney Houston, Luther Vandross.

0:19:13.080 --> 0:19:22.280
<v Speaker 5>Oh my love thoughts from you, it's not worth Winny

0:19:22.359 --> 0:19:28.760
<v Speaker 5>was saying, baby, you give good love to me, so

0:19:29.119 --> 0:19:34.000
<v Speaker 5>good take this hart of mine. Okay, But then we

0:19:34.040 --> 0:19:36.199
<v Speaker 5>got up to like the two thoughts. Oh no, Lie,

0:19:36.200 --> 0:19:38.160
<v Speaker 5>I love my husband. When we was having a hard time,

0:19:38.960 --> 0:19:41.679
<v Speaker 5>we was really I was watching b E T and

0:19:42.000 --> 0:19:44.280
<v Speaker 5>maybe I deserve I'm like, I'm gonna get you the

0:19:44.320 --> 0:19:46.640
<v Speaker 5>I'm gonna get you. Never knew that I would have

0:19:46.760 --> 0:19:50.360
<v Speaker 5>this day and see you several days because even ten

0:19:50.440 --> 0:19:54.840
<v Speaker 5>years ago and at on the world too essence, I

0:19:54.920 --> 0:19:57.080
<v Speaker 5>made my way up to the station because my goal

0:19:57.160 --> 0:19:59.800
<v Speaker 5>is I'm gonna see and touch everybody that I enjoyed.

0:20:00.119 --> 0:20:01.960
<v Speaker 5>He was in Afghanistan. He said, what do you want

0:20:01.960 --> 0:20:03.840
<v Speaker 5>to do for Mother's Day? I'm not here. Take the

0:20:03.920 --> 0:20:07.000
<v Speaker 5>children to six Flags, do the road to Essence Tank

0:20:07.119 --> 0:20:09.280
<v Speaker 5>is gonna be their Seventh Street is gonna be there.

0:20:09.440 --> 0:20:11.240
<v Speaker 5>And we had a good time. So my goal is

0:20:11.520 --> 0:20:14.360
<v Speaker 5>he gives me the things that my dreams are different.

0:20:14.640 --> 0:20:17.600
<v Speaker 5>It's music and laughter, and so every single time that

0:20:17.640 --> 0:20:21.560
<v Speaker 5>I can get a chance, I get my chance appropriately

0:20:21.720 --> 0:20:24.920
<v Speaker 5>because I'm married and that's somebody else's man, and I

0:20:24.960 --> 0:20:27.480
<v Speaker 5>don't want what nobody else has. So my goal is

0:20:27.520 --> 0:20:30.560
<v Speaker 5>if you're making something for us to enjoy. When you

0:20:30.640 --> 0:20:33.960
<v Speaker 5>all are sitting and in the studio all night and

0:20:34.080 --> 0:20:36.720
<v Speaker 5>doing things, I'm like, yeah, we're gonna go all night

0:20:36.760 --> 0:20:40.600
<v Speaker 5>because you are entertaining us. We pay for entertainment. And

0:20:40.640 --> 0:20:43.480
<v Speaker 5>when you all do those things, we're together at home,

0:20:43.520 --> 0:20:46.040
<v Speaker 5>so you're giving up safe spaces at home where we

0:20:46.080 --> 0:20:48.000
<v Speaker 5>don't really have to go out to the club. We

0:20:48.040 --> 0:20:50.119
<v Speaker 5>can do what we do at home to you all's music.

0:20:50.160 --> 0:20:54.240
<v Speaker 5>And that's the thing. Music is my strength. And I

0:20:54.320 --> 0:20:57.680
<v Speaker 5>know that I just don't appreciate you all. We all

0:20:57.720 --> 0:21:01.440
<v Speaker 5>standing up in here appreciate you all. Thank you I'm

0:21:01.480 --> 0:21:04.040
<v Speaker 5>speaking for all of us with that because it pure.

0:21:04.200 --> 0:21:09.520
<v Speaker 5>It brings my heart joy and sadness and excitement. And

0:21:09.600 --> 0:21:12.680
<v Speaker 5>so the day that I leave this earth, I'm gonna

0:21:12.680 --> 0:21:17.200
<v Speaker 5>be singing when we you know what. And the other part,

0:21:17.520 --> 0:21:18.960
<v Speaker 5>I know I'm gonna be old because I'm gonna be

0:21:19.000 --> 0:21:19.840
<v Speaker 5>saying this slow.

0:21:20.160 --> 0:21:22.440
<v Speaker 3>I don't know if they're gonna have that selection in heaven, but.

0:21:24.119 --> 0:21:27.000
<v Speaker 5>Just play it on the slides. Play it on the slides.

0:21:28.520 --> 0:21:31.320
<v Speaker 4>Well, you answered so many, so many questions in that

0:21:31.440 --> 0:21:36.960
<v Speaker 4>one amazing soliloquy. You went crazy. I want to go

0:21:37.080 --> 0:21:39.080
<v Speaker 4>straight to top.

0:21:39.080 --> 0:21:44.800
<v Speaker 1>Five, your top five, my top five.

0:21:44.680 --> 0:21:49.399
<v Speaker 3>Top five R and B singers as a team.

0:21:49.600 --> 0:21:52.480
<v Speaker 5>I love what you two are doing. So you're in there,

0:21:52.640 --> 0:21:54.880
<v Speaker 5>Tank and Jay Valentine. I'm not just saying to get

0:21:54.920 --> 0:21:58.320
<v Speaker 5>anything because I'm up here, but you're in rotation. I

0:21:58.440 --> 0:22:00.639
<v Speaker 5>was at the Soul Train Musical War are sitting up

0:22:00.680 --> 0:22:03.200
<v Speaker 5>from Okay, so you know I know what I'm talking about.

0:22:03.480 --> 0:22:05.480
<v Speaker 5>You came out first, he came out second. That girl

0:22:05.800 --> 0:22:09.600
<v Speaker 5>I told, ma'mna practice. I'm a performer at the house.

0:22:09.960 --> 0:22:16.960
<v Speaker 5>So it's tanking. J Valentine, Trey Songs, Jamie Fox, Chris Brown.

0:22:17.480 --> 0:22:19.520
<v Speaker 5>I think I could dance like Chris in my mind.

0:22:20.720 --> 0:22:24.240
<v Speaker 5>I love Beyonce as well. I like men the most though.

0:22:25.400 --> 0:22:30.240
<v Speaker 5>Five Okay, don't worry. Yeah, I don't wanna go crazy.

0:22:30.960 --> 0:22:34.640
<v Speaker 3>Your top five sweat songs.

0:22:34.400 --> 0:22:42.639
<v Speaker 5>Song, my top five R and B songs, Chris Brown, privacy, privacy,

0:22:43.480 --> 0:22:47.000
<v Speaker 5>I don't give a f Chris Brown. It's when when

0:22:47.080 --> 0:22:50.600
<v Speaker 5>we I most definitely like that. Oh, they don't really know,

0:22:51.320 --> 0:22:55.159
<v Speaker 5>you know, you know. I don't think you're ready. I

0:22:55.200 --> 0:22:57.080
<v Speaker 5>don't think you're ready. Yes and slow.

0:22:59.560 --> 0:23:00.320
<v Speaker 2>It's all Tank.

0:23:00.720 --> 0:23:03.479
<v Speaker 5>It's all tank y'all though, it's all but I play it.

0:23:03.760 --> 0:23:08.320
<v Speaker 4>Thank you, Build your Vultron, your super R and B artists.

0:23:08.480 --> 0:23:11.440
<v Speaker 4>All right, this is what we're gonna do. Okay, we're

0:23:11.440 --> 0:23:15.880
<v Speaker 4>gonna take the vocal from somebody, the performance style from somebody,

0:23:16.200 --> 0:23:20.119
<v Speaker 4>the styling from somebody, and the passion of an artist

0:23:20.280 --> 0:23:23.480
<v Speaker 4>to build one artist. So who would you get the

0:23:23.560 --> 0:23:26.480
<v Speaker 4>vocal from one person to build your super R and

0:23:26.480 --> 0:23:26.920
<v Speaker 4>B artists?

0:23:27.000 --> 0:23:29.720
<v Speaker 5>Ooh, that's rough. I would have the vocals of Tank

0:23:30.359 --> 0:23:31.840
<v Speaker 5>the performing no.

0:23:32.320 --> 0:23:37.719
<v Speaker 1>Tank vocals vocals, Tank vocals, performance style, Chris Brown.

0:23:38.640 --> 0:23:47.760
<v Speaker 2>I can do some of Chris Brown. Okay, styling the clothing, that's.

0:23:47.600 --> 0:23:49.320
<v Speaker 5>Hard, because I'm gonna go back to you. It goes

0:23:49.400 --> 0:23:51.800
<v Speaker 5>back to a person that can make you laugh and

0:23:52.040 --> 0:23:55.840
<v Speaker 5>entertain and perform the cloth. That's what I'm saying. I

0:23:55.960 --> 0:24:01.119
<v Speaker 5>like how you dress. I like how you dress. I

0:24:01.320 --> 0:24:03.200
<v Speaker 5>like how Tank dresses.

0:24:05.200 --> 0:24:07.720
<v Speaker 3>That I got two in there. I got two all right,

0:24:08.080 --> 0:24:09.680
<v Speaker 3>and not a passion of the artists.

0:24:09.680 --> 0:24:13.840
<v Speaker 5>The passion of the arts. Oh my god, it's so seeing.

0:24:14.480 --> 0:24:19.200
<v Speaker 5>When I'm it's still Chris because he's up tempo, up tempo.

0:24:19.840 --> 0:24:22.200
<v Speaker 5>He does something that makes you feel like you can

0:24:22.280 --> 0:24:24.159
<v Speaker 5>do that. Like I'm like, I know I could do

0:24:24.200 --> 0:24:26.960
<v Speaker 5>this left right like him, but it has to do.

0:24:27.119 --> 0:24:28.879
<v Speaker 5>I don't know how else to do unless I go

0:24:28.960 --> 0:24:32.359
<v Speaker 5>back old school. I do like Keith Sweat. There's something

0:24:32.400 --> 0:24:35.240
<v Speaker 5>about Keith Sweat still because it's smooth and the vocals.

0:24:35.240 --> 0:24:38.040
<v Speaker 5>But I'm still a more upbeat girl. I like you

0:24:38.119 --> 0:24:41.879
<v Speaker 5>because you're smooth, you're funny, you're a performer, You're good

0:24:41.920 --> 0:24:45.480
<v Speaker 5>on the eye. Chris is a great performer as well,

0:24:45.800 --> 0:24:48.480
<v Speaker 5>and I like that Keith Sweat is smooth for my time.

0:24:48.960 --> 0:24:51.919
<v Speaker 5>Keith Sweat, Chris Brown, and Tank, that's what I like.

0:24:52.119 --> 0:24:53.879
<v Speaker 4>I love that I'm looking at Jay Dewey. Do we

0:24:53.920 --> 0:24:56.360
<v Speaker 4>do your segment two. You think she got some for us?

0:24:56.440 --> 0:24:57.080
<v Speaker 3>What is it?

0:24:57.119 --> 0:24:57.720
<v Speaker 5>Give it to me?

0:24:58.119 --> 0:25:02.400
<v Speaker 2>So right now, right now, we're going to a very

0:25:02.480 --> 0:25:06.320
<v Speaker 2>important part of the show. Yeah, yeah, it's called I

0:25:06.320 --> 0:25:11.960
<v Speaker 2>ain't saying no names? Will you give us a story? Funny?

0:25:12.600 --> 0:25:17.320
<v Speaker 2>Are messed up? Are funny and messed up? Well? Maybe

0:25:17.520 --> 0:25:19.280
<v Speaker 2>you know because you you go to concerts, you go

0:25:19.359 --> 0:25:23.439
<v Speaker 2>to different things, You've seen some stuff. You tell us

0:25:23.440 --> 0:25:27.320
<v Speaker 2>this story without saying nobody names. That's the only rule

0:25:27.400 --> 0:25:28.080
<v Speaker 2>to the game.

0:25:28.760 --> 0:25:30.600
<v Speaker 5>About a celebrity.

0:25:30.680 --> 0:25:33.560
<v Speaker 2>Yeah, yeah, whatever you Okay, So.

0:25:33.480 --> 0:25:46.280
<v Speaker 5>We went to a concert or the concert of Frankie. Okay,

0:25:46.320 --> 0:25:49.200
<v Speaker 5>So we went to a concert and it was a group.

0:25:50.080 --> 0:25:51.080
<v Speaker 2>They had on all white.

0:25:51.119 --> 0:25:53.959
<v Speaker 5>They had on all white, and so you know, I

0:25:54.040 --> 0:25:56.560
<v Speaker 5>was I was looking nice and I got on stage

0:25:56.600 --> 0:25:58.359
<v Speaker 5>and I said, can my girls come to it? And

0:25:58.400 --> 0:26:00.320
<v Speaker 5>they said yes, and they said We're going to go

0:26:00.320 --> 0:26:02.480
<v Speaker 5>to the room and get dressed. And I'm like, I'm

0:26:02.520 --> 0:26:05.359
<v Speaker 5>the shoulder after party, but you want to see my grandson?

0:26:06.640 --> 0:26:08.800
<v Speaker 5>Like my grandson? He was like, what are you talking

0:26:08.800 --> 0:26:11.080
<v Speaker 5>about that for? I was trying to like, I ain't

0:26:11.119 --> 0:26:13.879
<v Speaker 5>that type of chick. But my friend said, I'll go

0:26:14.000 --> 0:26:15.800
<v Speaker 5>to the room. I said, the next best thing to

0:26:15.920 --> 0:26:19.920
<v Speaker 5>me is her, and they went. I said, I'm gonna

0:26:19.920 --> 0:26:23.560
<v Speaker 5>wait on y'all outside. I started talking about my husband

0:26:23.680 --> 0:26:25.639
<v Speaker 5>and it was like you love him. I was like,

0:26:25.720 --> 0:26:27.520
<v Speaker 5>here the reason why I'm here, But I can't go

0:26:27.600 --> 0:26:29.879
<v Speaker 5>up there with y'all. And I just waited for her

0:26:29.960 --> 0:26:35.879
<v Speaker 5>outside and I'm like, oh, don throwing them and he

0:26:36.200 --> 0:26:39.640
<v Speaker 5>that was them? She grown a single. That was them.

0:26:39.920 --> 0:26:40.240
<v Speaker 2>Wasn't me?

0:26:40.480 --> 0:26:41.280
<v Speaker 5>That was not me.

0:26:41.880 --> 0:26:43.800
<v Speaker 1>I was waiting. I was in the car. I was

0:26:44.119 --> 0:26:49.040
<v Speaker 1>I'm the driver with the music on. I was like,

0:26:49.160 --> 0:26:50.800
<v Speaker 1>they up there playing when.

0:26:50.680 --> 0:26:55.080
<v Speaker 3>We Oh, y'all make some noise?

0:26:55.119 --> 0:26:58.960
<v Speaker 5>What thank you so much?

0:27:02.560 --> 0:27:04.560
<v Speaker 2>At N T said they got some special for us.

0:27:04.560 --> 0:27:05.760
<v Speaker 3>Man at and T.

0:27:05.840 --> 0:27:12.560
<v Speaker 4>He said, they got some special for for y'all and

0:27:12.760 --> 0:27:15.880
<v Speaker 4>for us. First of all, did you enjoy your first

0:27:15.920 --> 0:27:19.560
<v Speaker 4>two guests from out of the They.

0:27:19.520 --> 0:27:20.520
<v Speaker 3>Knew about that. R and B.

0:27:21.440 --> 0:27:25.760
<v Speaker 4>They knew about that R and B. We want to

0:27:25.800 --> 0:27:29.640
<v Speaker 4>do something now which kind of fits into the format

0:27:29.680 --> 0:27:34.879
<v Speaker 4>of what we do. We try to get legendary, uh

0:27:35.080 --> 0:27:40.040
<v Speaker 4>legendary musical icons to sit in this chair and give

0:27:40.119 --> 0:27:44.040
<v Speaker 4>us some of their story, what they've been through, the challenges,

0:27:44.320 --> 0:27:48.480
<v Speaker 4>the winds, the losses, all the nuances that make them.

0:27:48.359 --> 0:27:48.920
<v Speaker 3>Who they are.

0:27:49.760 --> 0:27:52.320
<v Speaker 4>And this, this brother that we got coming up here

0:27:53.000 --> 0:27:58.840
<v Speaker 4>is has one of the greatest voices ever ever, one

0:27:58.920 --> 0:28:03.399
<v Speaker 4>of the greatest songs ever, two of my favorite And

0:28:03.440 --> 0:28:06.320
<v Speaker 4>I'm not gonna make the intro long because we need

0:28:06.320 --> 0:28:09.000
<v Speaker 4>to get him on stage so that he can talk

0:28:09.080 --> 0:28:12.960
<v Speaker 4>that talk. Ladies and gentlemen, come into the stage, please

0:28:13.000 --> 0:28:15.040
<v Speaker 4>make some noise for Kenny Lottimore.

0:28:26.520 --> 0:28:32.080
<v Speaker 2>Are you feeling Hey, Good to see you all. Essence

0:28:32.080 --> 0:28:39.040
<v Speaker 2>It's nothing like Essence fest in the world nowhere. You

0:28:39.040 --> 0:28:43.120
<v Speaker 2>see this beautiful? This is beautiful, a sea of beauty.

0:28:43.920 --> 0:28:46.680
<v Speaker 2>What How many of y'all got married to a Kenny

0:28:46.720 --> 0:28:50.680
<v Speaker 2>Lottimore song? Because it because if I ever get married,

0:28:50.720 --> 0:28:53.280
<v Speaker 2>I'm definitely gonna are you sent the reception dancing where

0:28:53.320 --> 0:28:54.240
<v Speaker 2>you have to be.

0:28:56.040 --> 0:28:58.440
<v Speaker 4>Thank you for those of you all who may not

0:28:58.480 --> 0:29:03.480
<v Speaker 4>have seen Kenny Latimore segment on the Army Money Podcast.

0:29:03.560 --> 0:29:05.200
<v Speaker 3>First of all, thank you for coming. Yes, thank you

0:29:05.240 --> 0:29:05.760
<v Speaker 3>for having me.

0:29:06.600 --> 0:29:12.160
<v Speaker 4>I told a story where I died trying to sing

0:29:12.800 --> 0:29:15.320
<v Speaker 4>his song for you at a wedding.

0:29:16.200 --> 0:29:16.840
<v Speaker 3>It got to the.

0:29:16.800 --> 0:29:20.560
<v Speaker 4>Point to where I just stopped singing the words and

0:29:20.680 --> 0:29:21.880
<v Speaker 4>I just started a libbing.

0:29:23.280 --> 0:29:25.520
<v Speaker 2>It's a lot of words though, stuff that was not

0:29:25.720 --> 0:29:26.040
<v Speaker 2>in the.

0:29:26.040 --> 0:29:32.600
<v Speaker 4>Music for you. It's some Wendy's and some Poppa doos

0:29:36.200 --> 0:29:38.120
<v Speaker 4>anywhere you want to go.

0:29:41.240 --> 0:29:43.680
<v Speaker 2>It's a lot of words in there. It's a lot

0:29:43.680 --> 0:29:48.600
<v Speaker 2>of words. It's a lot of notes you have to control.

0:29:48.960 --> 0:29:55.280
<v Speaker 4>You have to be vocally conditioned for the marathon to

0:29:55.440 --> 0:30:01.280
<v Speaker 4>sing that song top two bottom, I've never done it.

0:30:01.800 --> 0:30:02.720
<v Speaker 3>How do you do it?

0:30:02.920 --> 0:30:03.120
<v Speaker 2>Oh?

0:30:03.240 --> 0:30:03.440
<v Speaker 3>Man?

0:30:03.920 --> 0:30:06.120
<v Speaker 2>I guess it's the practice. Like the more you do something,

0:30:06.120 --> 0:30:08.240
<v Speaker 2>you get better at it. Because I have to admit,

0:30:08.520 --> 0:30:11.480
<v Speaker 2>when I start singing songs, especially if they're new, I

0:30:11.560 --> 0:30:14.560
<v Speaker 2>go through exactly the same thing. I have to figure

0:30:14.560 --> 0:30:17.760
<v Speaker 2>out where the placement is in my entire body so

0:30:17.800 --> 0:30:20.800
<v Speaker 2>that I can keep producing the sound. So I mess

0:30:20.800 --> 0:30:23.680
<v Speaker 2>it up and keep going and going and going until

0:30:23.720 --> 0:30:26.920
<v Speaker 2>I find that place. Once I find that place, sometimes

0:30:26.920 --> 0:30:31.000
<v Speaker 2>the live performance becomes something different. It becomes something that's

0:30:31.040 --> 0:30:34.720
<v Speaker 2>original and its own thing. So is it not alone?

0:30:35.080 --> 0:30:38.719
<v Speaker 4>Is it a thing that it took you a minute

0:30:39.240 --> 0:30:42.240
<v Speaker 4>to process once you started singing it live on stage?

0:30:42.480 --> 0:30:46.160
<v Speaker 2>Yeah? Absolutely, And then once you sing it over and

0:30:46.160 --> 0:30:49.200
<v Speaker 2>over and over again as an artist, sometimes you don't

0:30:49.240 --> 0:30:51.960
<v Speaker 2>want to do it the same way. You ever go

0:30:52.000 --> 0:30:54.400
<v Speaker 2>to a concert and somebody is singing the song totally

0:30:54.440 --> 0:30:59.160
<v Speaker 2>different than the way yes, or is it a different

0:30:59.240 --> 0:31:02.760
<v Speaker 2>key or whatever. But then I learned that you guys

0:31:02.800 --> 0:31:04.240
<v Speaker 2>want to hear it the way you know it.

0:31:04.720 --> 0:31:05.120
<v Speaker 3>Yeah.

0:31:05.280 --> 0:31:07.600
<v Speaker 2>Yeah, So I had to go back and revisit it

0:31:07.640 --> 0:31:10.240
<v Speaker 2>and say, Kenny, you need to find that placement again

0:31:10.760 --> 0:31:13.479
<v Speaker 2>and find out how to breathe and how to get

0:31:13.520 --> 0:31:16.600
<v Speaker 2>all those words out or where to take your breaks

0:31:17.000 --> 0:31:18.120
<v Speaker 2>so that you can produce that.

0:31:18.160 --> 0:31:22.200
<v Speaker 4>Sound Kenny, for the people here, where are you from

0:31:22.480 --> 0:31:29.320
<v Speaker 4>and where were you groomed as the singer, songwriter, producer

0:31:29.400 --> 0:31:29.880
<v Speaker 4>talent that.

0:31:29.840 --> 0:31:34.240
<v Speaker 2>You are from Washington, DC DMV, I might have to

0:31:34.280 --> 0:31:36.280
<v Speaker 2>find somebody from the Bay Area to come up here.

0:31:37.000 --> 0:31:40.240
<v Speaker 2>And I'm the Bay by myself. The Bay Area is

0:31:40.280 --> 0:31:42.800
<v Speaker 2>like the West Coast version of Deep Sea. To me,

0:31:43.360 --> 0:31:47.120
<v Speaker 2>it really is culturally the diversity. Everything the music we

0:31:47.160 --> 0:31:51.680
<v Speaker 2>listened to was exactly the same. But I'm also HU

0:31:51.760 --> 0:31:58.680
<v Speaker 2>Howard University, so I studied from twelve years old. My

0:31:58.720 --> 0:32:02.440
<v Speaker 2>mother discovered I could sing, and I was singing jazz

0:32:02.480 --> 0:32:09.640
<v Speaker 2>stuff like I left my hat in the San Francisco

0:32:10.520 --> 0:32:14.160
<v Speaker 2>at twelve on at twelve because that was the way

0:32:14.200 --> 0:32:16.960
<v Speaker 2>that you learned how to enunciate. So if you ever wondered, wow,

0:32:17.040 --> 0:32:19.920
<v Speaker 2>Kenny talks real proper and he's in. I learned how

0:32:19.920 --> 0:32:23.200
<v Speaker 2>to enunciate and how to breathe and how to properly

0:32:23.200 --> 0:32:26.040
<v Speaker 2>sing because I was a trained singer. Yeah, and I

0:32:26.080 --> 0:32:28.800
<v Speaker 2>sang classical music and I would go out and I

0:32:28.800 --> 0:32:34.040
<v Speaker 2>would do competitions and scholarship board stuff and just you know,

0:32:35.120 --> 0:32:37.560
<v Speaker 2>things that were outside of the box.

0:32:37.400 --> 0:32:38.040
<v Speaker 3>Of R and B.

0:32:38.280 --> 0:32:41.320
<v Speaker 4>Give me a classical complimentative, what is a classical moment?

0:32:42.400 --> 0:32:47.240
<v Speaker 2>Classical? Like this is Italian? Uh almost bell ben I

0:32:47.280 --> 0:32:53.920
<v Speaker 2>started saying the MODI splend the soriso, this stella New

0:32:54.000 --> 0:32:59.920
<v Speaker 2>York toy blue, which is Italian. But come on, yeah, yeah,

0:33:00.000 --> 0:33:03.960
<v Speaker 2>come on, but it's I would do stuff like that,

0:33:04.040 --> 0:33:06.480
<v Speaker 2>and it made me, as a kid, feel like, oh man,

0:33:06.560 --> 0:33:11.280
<v Speaker 2>this is he didn't like it was really easy. Does

0:33:11.320 --> 0:33:16.080
<v Speaker 2>anybody know what he was saying? I'm clearly lost.

0:33:17.840 --> 0:33:18.120
<v Speaker 3>Wow.

0:33:18.240 --> 0:33:20.880
<v Speaker 2>But it helped me to just gain my music saved

0:33:20.920 --> 0:33:24.160
<v Speaker 2>my life because I was definthly shy. I was definitely

0:33:24.200 --> 0:33:28.600
<v Speaker 2>shy growing up and singing classical singing, jazzy, all of

0:33:28.640 --> 0:33:31.080
<v Speaker 2>this stuff made me feel like I had something to

0:33:31.160 --> 0:33:34.440
<v Speaker 2>give and I had a voice. Yeah, so yeah, it

0:33:34.560 --> 0:33:38.240
<v Speaker 2>gave me a place where I felt like my confidence

0:33:38.280 --> 0:33:42.920
<v Speaker 2>was built to give musically. You've been giving us music

0:33:43.000 --> 0:33:45.640
<v Speaker 2>Man for a long time, and we appreciate you for that.

0:33:45.680 --> 0:33:50.160
<v Speaker 2>Thank you so much. Sure man, thank you for the

0:33:50.200 --> 0:33:55.400
<v Speaker 2>podcast absolutely because it has given us an amazing platform

0:33:55.480 --> 0:33:57.560
<v Speaker 2>to tell our stories where we didn't know, we didn't

0:33:57.560 --> 0:34:00.720
<v Speaker 2>have it and people didn't want to what's the story

0:34:00.760 --> 0:34:05.080
<v Speaker 2>behind the music? You know? And for for emerging black artists,

0:34:05.080 --> 0:34:07.160
<v Speaker 2>for established black artists, because I know it started with

0:34:07.200 --> 0:34:11.480
<v Speaker 2>probably more emerging artists, but now you've probably had everybody

0:34:12.480 --> 0:34:14.600
<v Speaker 2>on on the on the podcast. Not yet, not yet.

0:34:14.640 --> 0:34:17.239
<v Speaker 2>We we we getting there, get getting there. We're getting there.

0:34:17.400 --> 0:34:17.799
<v Speaker 3>You will.

0:34:17.840 --> 0:34:20.800
<v Speaker 2>But that's the thing that we are very adamant about

0:34:20.920 --> 0:34:25.960
<v Speaker 2>is that we want to bring everyone on. We want everyone,

0:34:26.320 --> 0:34:29.200
<v Speaker 2>you know, to have their opportunity to come and tell

0:34:29.239 --> 0:34:32.000
<v Speaker 2>their story the way they want to tell their story

0:34:32.239 --> 0:34:35.279
<v Speaker 2>without all the extra clickbait stuff and all that. We

0:34:35.320 --> 0:34:37.799
<v Speaker 2>don't we don't want. That's not what we're about. We're

0:34:37.800 --> 0:34:40.360
<v Speaker 2>about showing love. Were about showing love to the journey,

0:34:40.800 --> 0:34:44.520
<v Speaker 2>and we're about being informative so people can understand how

0:34:44.560 --> 0:34:47.880
<v Speaker 2>they can sing a song like yours without messing up.

0:34:48.920 --> 0:34:50.799
<v Speaker 2>What does it take you know what I mean, what

0:34:50.840 --> 0:34:53.879
<v Speaker 2>does it take us, you know, for for the longest

0:34:54.320 --> 0:34:57.880
<v Speaker 2>I mean obviously we all grew up before Google, Yes.

0:34:57.920 --> 0:34:58.400
<v Speaker 3>So.

0:34:59.760 --> 0:35:03.759
<v Speaker 2>We couldn't find that information the way that people can

0:35:03.880 --> 0:35:07.120
<v Speaker 2>now just click click, you can click and find something.

0:35:07.880 --> 0:35:12.640
<v Speaker 2>But what we found when we thought of doing the

0:35:12.760 --> 0:35:18.000
<v Speaker 2>podcast was that, well, there's not enough information about what

0:35:18.120 --> 0:35:22.200
<v Speaker 2>we do, what we really do, you know what I mean,

0:35:22.239 --> 0:35:26.440
<v Speaker 2>what really goes into it? And we want to and

0:35:26.520 --> 0:35:31.640
<v Speaker 2>we are hopefully putting a spotlight on those things. Yeah, yeah,

0:35:31.680 --> 0:35:33.879
<v Speaker 2>and our job is to make it look easy. We

0:35:33.880 --> 0:35:37.880
<v Speaker 2>were talking earlier about how to put something great together

0:35:37.920 --> 0:35:43.280
<v Speaker 2>for you that the thought and the processing of putting

0:35:43.280 --> 0:35:46.200
<v Speaker 2>something that you're going to remember together, it takes a

0:35:46.239 --> 0:35:48.200
<v Speaker 2>lot more effort. Now, I was up there listening and

0:35:48.200 --> 0:35:49.920
<v Speaker 2>you were saying how long did it take to make

0:35:49.960 --> 0:35:52.279
<v Speaker 2>an album and things like that, and you were saying

0:35:52.320 --> 0:35:56.560
<v Speaker 2>a year or so sometimes to do something great. Michael Jackson,

0:35:56.600 --> 0:35:59.720
<v Speaker 2>It used to take two years or more to do Thriller.

0:35:59.760 --> 0:36:02.880
<v Speaker 2>To have all of those great songs where you start

0:36:02.920 --> 0:36:06.800
<v Speaker 2>to play the album and every single song is a single.

0:36:07.600 --> 0:36:10.800
<v Speaker 2>It takes a lot of time to record those songs,

0:36:10.800 --> 0:36:14.520
<v Speaker 2>See if they translate, see how they compete with the

0:36:14.560 --> 0:36:17.560
<v Speaker 2>other songs. So all of that progression takes time, and

0:36:17.640 --> 0:36:19.960
<v Speaker 2>a lot of that is not happening. So hearing those

0:36:20.040 --> 0:36:23.239
<v Speaker 2>kind of stories, I think helps the next generation as

0:36:23.239 --> 0:36:27.360
<v Speaker 2>they're creating, to know that it's okay. It's okay for

0:36:27.440 --> 0:36:30.680
<v Speaker 2>it not to be perfect the first time, and it's

0:36:30.719 --> 0:36:34.960
<v Speaker 2>okay that we're all like a process, a work in

0:36:35.000 --> 0:36:39.120
<v Speaker 2>progress and process because I'm not the same person I

0:36:39.200 --> 0:36:41.560
<v Speaker 2>wasn't ninety six, whenfore you came out?

0:36:42.160 --> 0:36:43.760
<v Speaker 3>Or weekend in two.

0:36:43.600 --> 0:36:46.799
<v Speaker 2>Thousand, that was in ninety six, wo or take a

0:36:46.840 --> 0:36:50.359
<v Speaker 2>dose which was in you know, two thousand and twenty one,

0:36:50.520 --> 0:36:54.560
<v Speaker 2>twenty two. As we grow and as we become who

0:36:54.600 --> 0:36:58.280
<v Speaker 2>we are for you, we just try to take the time,

0:36:58.760 --> 0:37:01.520
<v Speaker 2>take the time to make it right so that everything

0:37:01.560 --> 0:37:05.520
<v Speaker 2>that you get is worthy of your dollar, of your time,

0:37:06.000 --> 0:37:08.600
<v Speaker 2>and it's relevant for you. So we appreciate you being

0:37:08.600 --> 0:37:12.000
<v Speaker 2>here all y'all that rocked with me specifically since the nineties.

0:37:12.040 --> 0:37:14.600
<v Speaker 2>I appreciate you so much. Are you performing this weekend?

0:37:14.680 --> 0:37:17.640
<v Speaker 2>Are you performing? I performed last night night? Yes, say

0:37:17.680 --> 0:37:22.440
<v Speaker 2>thank you, thank you so much. I performed as a

0:37:22.480 --> 0:37:25.799
<v Speaker 2>part of a radio broadcast. It's going to be broadcasting

0:37:26.000 --> 0:37:30.560
<v Speaker 2>from Essence all this weekend on iHeartRadio. We performed yesterday.

0:37:30.760 --> 0:37:32.960
<v Speaker 4>I want to highlight the fact that the gold for

0:37:33.080 --> 0:37:36.000
<v Speaker 4>me and all of this conversation is that even before

0:37:36.400 --> 0:37:39.640
<v Speaker 4>you became the Kenny Lattimore that we know on the

0:37:39.719 --> 0:37:42.680
<v Speaker 4>radio and with the record deals and all of these things,

0:37:42.920 --> 0:37:43.640
<v Speaker 4>you were ready.

0:37:43.640 --> 0:37:44.680
<v Speaker 3>You were beyond ready.

0:37:44.960 --> 0:37:47.200
<v Speaker 4>You had put in, as we call it, those ten

0:37:47.800 --> 0:37:51.480
<v Speaker 4>twenty thousand hours oh man, yeah, perfecting your gifts.

0:37:51.560 --> 0:37:52.960
<v Speaker 3>Oh yeah, so that by.

0:37:52.880 --> 0:37:56.000
<v Speaker 4>The time it was time to be ready, you were

0:37:56.040 --> 0:37:59.560
<v Speaker 4>already ready. If you can just speak to that, just

0:37:59.600 --> 0:38:04.040
<v Speaker 4>give us a little bit on how it felt, because

0:38:04.040 --> 0:38:06.800
<v Speaker 4>a lot of artists come into this, especially nowadays. Yeah,

0:38:06.840 --> 0:38:10.000
<v Speaker 4>they'll get some traction on ig or get some traction

0:38:10.080 --> 0:38:14.560
<v Speaker 4>on TikTok, and then they're thrown into this thing that

0:38:14.600 --> 0:38:17.600
<v Speaker 4>we call the music business and trying to perform and

0:38:18.200 --> 0:38:19.080
<v Speaker 4>they're not ready.

0:38:19.560 --> 0:38:21.239
<v Speaker 3>Yeah, and they suffer because of that.

0:38:21.360 --> 0:38:23.919
<v Speaker 2>Yeah, that's true, very true. So how about this whole

0:38:23.920 --> 0:38:28.400
<v Speaker 2>concept dreaming black, right? Yeah, dreaming in black to me

0:38:29.520 --> 0:38:32.040
<v Speaker 2>is believing something before you see it, see it before

0:38:32.040 --> 0:38:35.880
<v Speaker 2>you see it. We are people of faith generally in

0:38:35.920 --> 0:38:41.000
<v Speaker 2>our culture and being ready for those moments is about

0:38:41.080 --> 0:38:43.920
<v Speaker 2>dreaming and Black. It's about dreaming and seeing that I

0:38:43.960 --> 0:38:45.719
<v Speaker 2>think I'm going to be on this other side. So

0:38:45.760 --> 0:38:48.880
<v Speaker 2>there's some things that I did as a kid, and

0:38:49.719 --> 0:38:52.760
<v Speaker 2>I wasn't smart enough to know it was something spiritual. Again,

0:38:53.000 --> 0:38:54.560
<v Speaker 2>I wasn't smart enough to know that this is what

0:38:54.640 --> 0:38:58.359
<v Speaker 2>I was doing. But I remember taking speech class at

0:38:58.360 --> 0:39:01.480
<v Speaker 2>Howard because I like, I'm gonna be famous one day.

0:39:02.200 --> 0:39:03.880
<v Speaker 2>I want to be able to stand up here and

0:39:03.960 --> 0:39:08.839
<v Speaker 2>speak and articulate my thoughts to you. Clearly, I'm going

0:39:08.920 --> 0:39:11.680
<v Speaker 2>to take speech to prepare myself. That's a part of

0:39:11.680 --> 0:39:14.960
<v Speaker 2>me dreaming in Black to me because it was preparatd

0:39:15.320 --> 0:39:18.680
<v Speaker 2>the preparation, taking the voice lessons and learning how to

0:39:18.680 --> 0:39:21.560
<v Speaker 2>sing different styles of music, adding to the narrative of

0:39:21.600 --> 0:39:24.640
<v Speaker 2>the story. It's not always about the song. Sometimes people

0:39:24.680 --> 0:39:28.319
<v Speaker 2>are interested in who you are. Sometimes who you are

0:39:29.120 --> 0:39:32.320
<v Speaker 2>draws the people more than your art or what you think.

0:39:33.120 --> 0:39:35.600
<v Speaker 2>Your gift is. Your gift makes room for you and

0:39:35.640 --> 0:39:38.640
<v Speaker 2>it brings you before great people, great men and women.

0:39:39.160 --> 0:39:42.360
<v Speaker 2>So what do you have to give? The more you're dreaming,

0:39:42.400 --> 0:39:44.239
<v Speaker 2>the more that you prepare yourself. But you have to

0:39:44.320 --> 0:39:47.480
<v Speaker 2>believe that you're going to be there. The more that

0:39:47.520 --> 0:39:49.439
<v Speaker 2>you believe that you're going to be there, the more

0:39:49.480 --> 0:39:52.960
<v Speaker 2>prepared you will be. And even if it's not always

0:39:53.000 --> 0:39:58.200
<v Speaker 2>about a rigorous program in your spirit, you will have

0:39:58.280 --> 0:40:00.640
<v Speaker 2>a settledness that you belong because there are a lot

0:40:00.640 --> 0:40:01.920
<v Speaker 2>of people that are going to tell you that you

0:40:01.920 --> 0:40:06.640
<v Speaker 2>don't belong here. Even at the height of your career

0:40:06.719 --> 0:40:09.080
<v Speaker 2>and what you do, people are gonna still tell you

0:40:09.640 --> 0:40:11.920
<v Speaker 2>that you don't belong here. It may be a critic

0:40:12.200 --> 0:40:15.080
<v Speaker 2>that writes an article about you in a magazine or

0:40:15.120 --> 0:40:17.319
<v Speaker 2>a show or something that comes out and somebody tries

0:40:17.360 --> 0:40:20.000
<v Speaker 2>to disqualify you. That's why you got to keep dreaming

0:40:20.040 --> 0:40:23.719
<v Speaker 2>in black, dreaming in black, dreaming in black, and then

0:40:23.760 --> 0:40:27.040
<v Speaker 2>you can stand in the truth of that and you'll

0:40:27.080 --> 0:40:28.200
<v Speaker 2>be prepared at all times.

0:40:29.560 --> 0:40:37.120
<v Speaker 4>Wow, I want to do something different. Since you've done

0:40:37.120 --> 0:40:40.279
<v Speaker 4>your top fives and all you've done those already, I

0:40:40.360 --> 0:40:45.880
<v Speaker 4>want you to give me one artist that influenced you

0:40:45.960 --> 0:40:48.560
<v Speaker 4>the most and why Okay, I.

0:40:48.600 --> 0:40:53.799
<v Speaker 2>Like that, the greatest, greatest, greatest artist that influenced me

0:40:53.840 --> 0:40:56.920
<v Speaker 2>with Stevie Wonder. Come on, give it up with Stevie Wonder.

0:40:57.440 --> 0:40:59.680
<v Speaker 2>But when he sees Tank, he's gonna punch him in

0:40:59.680 --> 0:41:02.280
<v Speaker 2>the face. I want to punch him in his face.

0:41:03.640 --> 0:41:06.360
<v Speaker 2>Why hold up before I before I continue? Why is

0:41:06.360 --> 0:41:09.239
<v Speaker 2>he gonna punch you in the Vince? You gotta beat

0:41:09.280 --> 0:41:09.840
<v Speaker 2>with Stevie.

0:41:10.000 --> 0:41:10.080
<v Speaker 3>No.

0:41:10.680 --> 0:41:15.080
<v Speaker 2>But the reason why for me was I saw Stevie

0:41:15.080 --> 0:41:19.279
<v Speaker 2>as a person that had no boundary. When he would

0:41:19.320 --> 0:41:21.600
<v Speaker 2>sing just like I sang you an Italian song. He'd

0:41:21.640 --> 0:41:25.879
<v Speaker 2>sing different languages, different styles, and he would always make

0:41:25.920 --> 0:41:28.759
<v Speaker 2>it his own thing. And his voice never seemed like

0:41:28.800 --> 0:41:33.759
<v Speaker 2>it had endless it was like endless range, right, But

0:41:33.800 --> 0:41:35.640
<v Speaker 2>that was really I felt like, not only was he

0:41:35.680 --> 0:41:38.719
<v Speaker 2>an incredible singer, but you're talking about a great a

0:41:38.719 --> 0:41:43.880
<v Speaker 2>great producer, a great writer, a person that studies and dreams.

0:41:44.320 --> 0:41:47.560
<v Speaker 2>Yes to this day, I know that Stevie Wonder's still

0:41:47.640 --> 0:41:51.000
<v Speaker 2>dreaming about what's next, even with all of his accomplishments.

0:41:52.200 --> 0:41:54.200
<v Speaker 2>This is not a journey that you go on where

0:41:54.200 --> 0:41:57.880
<v Speaker 2>you arrive. Life is not a journey that you go

0:41:57.920 --> 0:42:01.279
<v Speaker 2>on where you arrive. That's what keeps us dreaming. It's

0:42:01.320 --> 0:42:05.080
<v Speaker 2>the dream that keeps us moving forward. And I've talked

0:42:05.080 --> 0:42:07.120
<v Speaker 2>to Stevie where I can. He's like, Yeah, I want

0:42:07.120 --> 0:42:08.960
<v Speaker 2>to write this kind of song next, and and you're

0:42:08.960 --> 0:42:11.279
<v Speaker 2>thinking of a brother. You've done it all, what you

0:42:11.320 --> 0:42:15.440
<v Speaker 2>don't step aside save some for us?

0:42:15.520 --> 0:42:15.680
<v Speaker 3>Right?

0:42:16.200 --> 0:42:18.839
<v Speaker 2>But that that's my thing. I loved him so much

0:42:18.920 --> 0:42:21.920
<v Speaker 2>because he seems to have no boundaries to his gift.

0:42:22.960 --> 0:42:28.359
<v Speaker 2>I like how you just suddenly just poor Champagne on

0:42:28.400 --> 0:42:30.960
<v Speaker 2>our podcast about how you talk to Stevie because I don't.

0:42:31.000 --> 0:42:35.000
<v Speaker 2>I don't talk to Stevie. I don't. I don't, Stevie,

0:42:35.040 --> 0:42:40.239
<v Speaker 2>if you're listening, I want to talk talk something. But

0:42:40.840 --> 0:42:43.840
<v Speaker 2>he's an incredible He's an incredible person. So I'm thinking

0:42:44.040 --> 0:42:47.720
<v Speaker 2>Stevie would come on the podcast. We're waiting Steve Stevie.

0:42:48.600 --> 0:42:50.600
<v Speaker 2>Y'all make some noise if y'all want to see Stevie

0:42:50.640 --> 0:42:55.759
<v Speaker 2>Wonder on the Army Money podcast Stories Man Motown. I

0:42:55.800 --> 0:43:01.799
<v Speaker 2>can only imagine. I can only imagine another question. Give

0:43:01.880 --> 0:43:07.799
<v Speaker 2>me one song that when that song used to come on.

0:43:10.200 --> 0:43:13.400
<v Speaker 4>You, it just took you to a place where you

0:43:13.480 --> 0:43:16.440
<v Speaker 4>wanted to be on stage singing that song.

0:43:18.360 --> 0:43:20.279
<v Speaker 2>Wow, you know what it was.

0:43:23.040 --> 0:43:25.759
<v Speaker 5>A chair is still a check.

0:43:29.040 --> 0:43:31.319
<v Speaker 2>Even when there's no one.

0:43:32.880 --> 0:43:34.279
<v Speaker 5>Sitting there.

0:43:37.719 --> 0:43:38.840
<v Speaker 2>But a she.

0:43:40.200 --> 0:43:46.440
<v Speaker 5>It's not a hot and a house is not a

0:43:46.560 --> 0:43:49.560
<v Speaker 5>home when there's no one there.

0:43:52.800 --> 0:43:59.680
<v Speaker 2>Told you're tired and no one there. You can't kid

0:44:02.160 --> 0:44:25.560
<v Speaker 2>good night. Yeah. Now, Peter always made me. When I

0:44:25.600 --> 0:44:27.359
<v Speaker 2>heard him sing, I was like, I want to do that.

0:44:28.280 --> 0:44:30.600
<v Speaker 2>I'm trying to figure out how he just sang that

0:44:31.160 --> 0:44:36.280
<v Speaker 2>with that music playing with no inears, no inears.

0:44:38.840 --> 0:44:44.000
<v Speaker 4>Come on, man, come on man, listen one time, one time.

0:44:44.640 --> 0:44:49.399
<v Speaker 4>I need you to celebrate real talent, real work, ethic.

0:44:49.719 --> 0:44:57.120
<v Speaker 3>A real artist, a real one. Ladies and gentlemen.

0:45:02.719 --> 0:45:04.160
<v Speaker 2>I heard she said, I know that's right.

0:45:05.160 --> 0:45:07.120
<v Speaker 3>Why did he act like that? Why does he acting

0:45:07.239 --> 0:45:07.600
<v Speaker 3>like that?

0:45:07.920 --> 0:45:10.840
<v Speaker 2>I thought he was about to say, get it sex. See,

0:45:13.520 --> 0:45:18.839
<v Speaker 2>that's what I would have said. I ain't lying now,

0:45:19.640 --> 0:45:21.480
<v Speaker 2>don't act like y'all. Don't be listening to it though.

0:45:21.680 --> 0:45:24.200
<v Speaker 2>Come on, don't do that, don't do that. I get it,

0:45:24.280 --> 0:45:25.320
<v Speaker 2>I can't get it nowhere.

0:45:25.480 --> 0:45:25.960
<v Speaker 3>I'm thinking.

0:45:26.400 --> 0:45:28.960
<v Speaker 2>I'm just saying, you know yet, Kenny Lotting more in

0:45:29.040 --> 0:45:31.120
<v Speaker 2>Sexy Red, you can't know all right? All right?

0:45:31.160 --> 0:45:31.480
<v Speaker 3>Whatever?

0:45:32.000 --> 0:45:37.240
<v Speaker 2>Only me balance balance, balance.

0:45:36.840 --> 0:45:41.200
<v Speaker 4>Oh my god, listen, I want you all to do

0:45:41.239 --> 0:45:47.000
<v Speaker 4>this for me. First of all, dreaming black absolutely right.

0:45:48.200 --> 0:45:51.120
<v Speaker 4>I want you to see yourself somewhere, and I want

0:45:51.120 --> 0:45:54.080
<v Speaker 4>you to believe that nothing can stop you from getting

0:45:54.080 --> 0:45:57.680
<v Speaker 4>to that place. And then, like Kenny said, I want

0:45:57.719 --> 0:46:01.480
<v Speaker 4>you to take all the necessary steps to prepare yourself

0:46:02.400 --> 0:46:04.279
<v Speaker 4>for that place that you know you're going to be in.

0:46:05.120 --> 0:46:08.839
<v Speaker 3>Can y'all promise me that today?

0:46:09.719 --> 0:46:13.040
<v Speaker 4>And then two, I want you to subscribe to the

0:46:13.160 --> 0:46:14.240
<v Speaker 4>Army Money Podcast.

0:46:17.600 --> 0:46:22.480
<v Speaker 2>Follow everywhere at the Real Tank at Jay Valentine.

0:46:22.640 --> 0:46:24.239
<v Speaker 3>At the Army Money Podcast.

0:46:25.719 --> 0:46:29.399
<v Speaker 4>Subscribe because what we want to do and what we're

0:46:29.440 --> 0:46:34.200
<v Speaker 4>continuing to do is we just two young black men.

0:46:34.200 --> 0:46:37.760
<v Speaker 4>They want to do it the right way. We're taking

0:46:37.800 --> 0:46:41.279
<v Speaker 4>the positive road, which is the longer road, which is

0:46:41.280 --> 0:46:44.279
<v Speaker 4>the steeper side of the mountain. But we're going to

0:46:44.360 --> 0:46:47.120
<v Speaker 4>continue to chart that course no matter how long it

0:46:47.160 --> 0:46:50.920
<v Speaker 4>takes because we want to be inspirational, we want to

0:46:50.920 --> 0:46:55.200
<v Speaker 4>be uplifting. We want to be true leaders in our community.

0:46:55.719 --> 0:46:58.000
<v Speaker 4>We want to we want to really encourage our young

0:46:58.040 --> 0:47:03.400
<v Speaker 4>men to pay their mortgages, yes, mortgage. We want our

0:47:03.400 --> 0:47:05.960
<v Speaker 4>women to feel safe and covered. We want our children

0:47:06.080 --> 0:47:09.640
<v Speaker 4>to feel protected and be raised the right way. This

0:47:09.800 --> 0:47:13.520
<v Speaker 4>is all that we represent. So on behalf of At

0:47:13.640 --> 0:47:17.400
<v Speaker 4>and T Dreaming Black and the Army Money Podcast. My

0:47:17.480 --> 0:47:20.319
<v Speaker 4>name is Tank, I'm Jay Valentine, and this has been

0:47:20.320 --> 0:47:23.600
<v Speaker 4>the Army Money podcast, The Authority, Oh.

0:47:23.480 --> 0:47:31.359
<v Speaker 2>No Things, Army. I want to be Money Money