WEBVTT - EP 112  Of Mice And Men

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<v Speaker 1>When I wrote, y'all all across the usc Compton Watts,

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<v Speaker 1>thank to l A. Come on the California, the Valley.

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<v Speaker 1>We represent that kind of county. So if you're keeping

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<v Speaker 1>it rail on your side of your town, you tune

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<v Speaker 1>into Gangster Chronicles Gangster Chronic Goals. We're gonna tell you

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<v Speaker 1>how we go. If I like my nose, will girl

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<v Speaker 1>like Pinocchio. We're gonna tell you the truth and nothing

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<v Speaker 1>but the truth Gangster Chronicles. This is not your average show.

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<v Speaker 1>You're now tuned into the rail. M C A, Bick

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<v Speaker 1>James and Bix Fails from the Streets. Hello, Welcome to

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<v Speaker 1>the Gangster Chronicles podcast, the production of My Heart Radio

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<v Speaker 1>and Black Effect Podcast Network. Make sure you download the

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<v Speaker 1>I Heart Apple, subscribe to The Gangster Chronicles for my

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<v Speaker 1>Apple users, hit the purple mica on your front screen.

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<v Speaker 1>Subscribe to Against the Chronicles and leave a five star

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<v Speaker 1>rate in the comment. We the welcome every one to

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<v Speaker 1>another episode Against the Chronicles podcast. Now, who want you?

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<v Speaker 1>Try to keep our homeboy, our brother m C eight

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<v Speaker 1>and Prayer. He's doing fine, couldn't be with us the

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<v Speaker 1>night and he's taking care of a medical issue. Nothing

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<v Speaker 1>Bass so don't start the rumors out there. We got

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<v Speaker 1>big jag in the house. Man. Tonight, we got a

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<v Speaker 1>special guest, the Professor, Melly Mayl, the hood professor. Man.

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<v Speaker 1>You know the vibe, Man, I'm just chilling. Man. How

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<v Speaker 1>you doing, James, I'm good, my brother, I'm good. Still

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<v Speaker 1>just told me, man, you probably out riding that motorcycle. Man,

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<v Speaker 1>you know I ain't got the glass, boy, I was,

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<v Speaker 1>I was getting that rest. Yeah, I gotta do that. Man.

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<v Speaker 1>When here, you know, okay, got you. You got a

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<v Speaker 1>lot of energy. I'll be running on any kids. The

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<v Speaker 1>kids don't know. They don't never once them two year

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<v Speaker 1>olds on up, man, they run all day day. One

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<v Speaker 1>of the things we was talking about earlier, what exactly

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<v Speaker 1>is the man code? Fellas? Man? Cold is staying on cold? Man,

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<v Speaker 1>knowing what your what your code of conduct is Man,

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<v Speaker 1>you know what that's you and you get that in

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<v Speaker 1>your culture, conditioning it. But it comes from your father,

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<v Speaker 1>you know what I'm standing. But a lot of these

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<v Speaker 1>guys are being really reared and raised up by women.

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<v Speaker 1>So you know what I mean. It kind of speaks

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<v Speaker 1>for herself. When that when a female element is part

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<v Speaker 1>of a man's thinking, it becomes emotional, very emotional, so

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<v Speaker 1>they don't know how to process like a man or

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<v Speaker 1>like a man with normally, you know what I mean.

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<v Speaker 1>Because times have changing, a lot of women are just

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<v Speaker 1>raising you know, man, boys that my mom's My mom

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<v Speaker 1>reased five, three sons when in the household. You know,

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<v Speaker 1>we pretty much did what we wanted to do, and

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<v Speaker 1>by far, you know, none of her sons were timid,

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<v Speaker 1>you know what I'm saying. And and you know, I

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<v Speaker 1>give a credit for raising five. But you know, I

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<v Speaker 1>think without the dad, you know, we ain't afraid of nothing.

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<v Speaker 1>So we we we tend to bul off into our

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<v Speaker 1>own ship and start doing what we see in the streets.

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<v Speaker 1>And that's what that's true. That's true though, James. But

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<v Speaker 1>doing your time, you had uncle's granddaddy. You had somebody

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<v Speaker 1>coming through, man, you know what I mean, there was

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<v Speaker 1>somebody that was right there, you know what I mean.

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<v Speaker 1>So that we're talking, we're talking about two different eras,

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<v Speaker 1>you know what I mean? Where this era right here? Man?

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<v Speaker 1>This this generation z man? Come on, man, they man,

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<v Speaker 1>they they don't. We used to just smoke weed and

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<v Speaker 1>drink a little drink. Now they're doing Molly's uh sir,

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<v Speaker 1>you know drink, you know what I mean, A little PCP,

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<v Speaker 1>a little little power that can hide different things. The

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<v Speaker 1>doors is open for being taught. I'm three cold supposed

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<v Speaker 1>to learning and thinking for yourself, you know what I'm saying.

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<v Speaker 1>And you know we knew what time to head back

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<v Speaker 1>to the house, you know what I'm saying. Oh yeah,

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<v Speaker 1>we definitely had that. Yeah, you know what I'm saying.

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<v Speaker 1>So these cats today are totally different. You know, we

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<v Speaker 1>have the lack of loyalty because don't nobody understand what

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<v Speaker 1>that means. They didn't grow up with that, so they

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<v Speaker 1>don't they're not conditioned for that. Uh, you know, just

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<v Speaker 1>just you don't have that one hunter like you used

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<v Speaker 1>to have when we was growing up back in the days.

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<v Speaker 1>You know, you got kids knocking on those shooting at

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<v Speaker 1>the parents. Parents ain't got ship to do with gang

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<v Speaker 1>banging and these things that you know, being up close

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<v Speaker 1>and personal. That was that was one of the rules.

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<v Speaker 1>You don't you know that then we had respect for

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<v Speaker 1>the churches, even though we were fucking monsters and and

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<v Speaker 1>and doing the street. We didn't go and tag on

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<v Speaker 1>a church, you know what I'm saying. Just certain things

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<v Speaker 1>we didn't do opposed to everything they're doing today, you

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<v Speaker 1>know what I'm saying. And we can tell can wait

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<v Speaker 1>because the daddy went there. I mean, we can honestly

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<v Speaker 1>say that. But the kids these days, some of them

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<v Speaker 1>got both of their parents, you know what I'm saying.

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<v Speaker 1>That's true, but still out there doing the same monkey

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<v Speaker 1>as ship that everybody else is doing right, right, right right,

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<v Speaker 1>they're not thinking. There's a book, man, It's called The Man. Hello, yeah, oh,

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<v Speaker 1>keep on, okay, there's a book called The Man Not

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<v Speaker 1>Right and it's my guy named Tommy Jake Curry. Man.

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<v Speaker 1>It is a great reading. It kind of just it

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<v Speaker 1>taps into a lot of different areas of manhood. With manhood,

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<v Speaker 1>isn't with manhood? It's not I lovet my mic for

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<v Speaker 1>a second. Let me say, come back home, you're good. Yeah.

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<v Speaker 1>I'm gonna write a book called think for Yourself than

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<v Speaker 1>a lot of mother fuckers don't think for yourself? There

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<v Speaker 1>there there. You know, it's one thing of being taught

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<v Speaker 1>right and wrong, and then there's another thing to be taught, um,

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<v Speaker 1>just being stupid a foolish way. And a lot of kids,

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<v Speaker 1>a lot of these cats out here have been taught

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<v Speaker 1>a foolish way like our nephews. My nephews I want

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<v Speaker 1>to be game bangers, but they see what had done

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<v Speaker 1>to uncles and cousins and the uncle's homeboys. But they

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<v Speaker 1>still want to be a part of everybody. Everybody want

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<v Speaker 1>to play and have a position and nothing. You know

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<v Speaker 1>what I'm saying. And I just I just called it.

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<v Speaker 1>Just think for yourself if you can see and and

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<v Speaker 1>absorbed the ship that's been going on watching uncles because

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<v Speaker 1>unties didn't let the kids. So we thought our nieces,

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<v Speaker 1>the nephews would be involved in this type of ship.

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<v Speaker 1>Just like in compting down today you got the homies

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<v Speaker 1>kids killing each other. You see what I'm saying. We

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<v Speaker 1>all grew up together, but our kids are at board

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<v Speaker 1>and the only thing to separate them is a boulevard

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<v Speaker 1>right uh street. That's it, because they said virtually in

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<v Speaker 1>the same proxibility of one another. They went to the

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<v Speaker 1>same schools, They they see each other, they go to

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<v Speaker 1>the look store, they share the look of story in

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<v Speaker 1>the gas station. So how did we get there? Uh James?

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<v Speaker 1>Every year ship breaks down in the neighborhood, all the

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<v Speaker 1>all the cats that we call big homies or whatever

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<v Speaker 1>are gone. The ones that are here may be strong

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<v Speaker 1>on drugs. The younger kids, younger generation don't respect, don't

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<v Speaker 1>know how to respect, the olders, the elders, the big homies.

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<v Speaker 1>Howevery you choose the word um, they don't respect mama.

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<v Speaker 1>You know what I'm saying, because now they believe that

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<v Speaker 1>the homies got their backup post to their mama having

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<v Speaker 1>their back. You know, family, the hood turns into the family.

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<v Speaker 1>The street cold of today is the homies. And what

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<v Speaker 1>the homies do? You know, nobody out there. And these

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<v Speaker 1>kids have never been taught how to think for itself,

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<v Speaker 1>so it don't matter that you know, they never broke

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<v Speaker 1>bread with each other, the big homies. We all grew

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<v Speaker 1>up breaking bread with each other. But these kids that

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<v Speaker 1>never broke bread with each other, you feel me. So

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<v Speaker 1>it's just a lack of And then that you got

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<v Speaker 1>in the hood of you know, fifty and over, forty

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<v Speaker 1>five and over, they they become the big homie. Now

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<v Speaker 1>that's why they still trapped where they at because they

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<v Speaker 1>want to be the big homies. But they don't get it.

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<v Speaker 1>So how can the blind lead the blind? Yeah, you know,

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<v Speaker 1>y'all both said something really like, um, stuff that's just real.

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<v Speaker 1>On point, Millie Mayo said something. He mentioned something earlier

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<v Speaker 1>that a lot of these guys don't have a father

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<v Speaker 1>figure in the house. And see, I think with their

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<v Speaker 1>father figure, you know, like even though my pops weren't

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<v Speaker 1>physically in the house with me, I had a stepdaddy,

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<v Speaker 1>right there was real, no nonsense. And I had uncles

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<v Speaker 1>that was coming home from prison or whatever like that

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<v Speaker 1>telling me there ain't no place that you want to go.

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<v Speaker 1>So they pretty much gave me what the definition of

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<v Speaker 1>a man was. You know, the news didn't sit in

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<v Speaker 1>the ass all day and you know what I'm saying,

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<v Speaker 1>and and just chill. They went out of work and

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<v Speaker 1>had jobs and ship, had hustles, had ship. You know.

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<v Speaker 1>So I was talking from early age. And the man

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<v Speaker 1>is supposed to provide for his household. A man is

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<v Speaker 1>supposed to do this. I got certain tendencies to day,

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<v Speaker 1>Like if I see my wife taking out trash, I

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<v Speaker 1>get my son's ass. I'll be like, you know, what

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<v Speaker 1>is your mama doing taking trash outside? That's show job, right,

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<v Speaker 1>that show job at the house of somebody breaking house.

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<v Speaker 1>What we're gonna do stay upstairs and hide the woman

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<v Speaker 1>go downstairs and hold it down. You know, no, I

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<v Speaker 1>don't work like that. That would break the cycle what

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<v Speaker 1>you're doing with your kids at home today you're there.

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<v Speaker 1>That breaks the cycle of how you grew up. You

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<v Speaker 1>know what I'm saying, The ship that I'm doing raising grandkids.

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<v Speaker 1>You know I ain't supposed to be raising my grandkids.

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<v Speaker 1>My kids supposed to be raising their own kids. You're

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<v Speaker 1>supposed to come with granddad and my mom on the weekend. Yeah,

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<v Speaker 1>you know what I'm saying. So I got a question

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<v Speaker 1>for both of you, guys. What's that? What is the

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<v Speaker 1>hardest good in the world, the hardest good doing right,

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<v Speaker 1>the hardest hood in the world. I'm no good, the

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<v Speaker 1>hardest in the world. Skill jeans eight, y'all neggas better

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<v Speaker 1>give me my fire Donald, I put that on a shet.

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<v Speaker 1>I need to go get me some wanna merrow my

0:11:07.679 --> 0:11:11.679
<v Speaker 1>motherfucking feet fucking with me. Gangster Chronicles of my ass

0:11:12.040 --> 0:11:15.800
<v Speaker 1>pay granted her money. This Gangster Granny, y'all know me?

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<v Speaker 1>Where you at? Where you at? This is o G

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<v Speaker 1>Gangster Granny and the Gangster Chronicles podcast is back in effect.

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<v Speaker 1>Getting ready for some of that G ship and blaze

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<v Speaker 1>up some wanna merrow the exactly. That's the hardest hood

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<v Speaker 1>in the world. Man, it's the hardest because I'm gonna

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<v Speaker 1>tell you this too right here. I think sometimes I've

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<v Speaker 1>been too We've been too good at parents because I

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<v Speaker 1>look at my kids. Sometimes it's just like little stuff

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<v Speaker 1>like you know, my wife would say she's going the

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<v Speaker 1>grocery store to buy something to cook for dinner. Right

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<v Speaker 1>the kids just be on some ship like, oh, we

0:11:54.720 --> 0:11:58.400
<v Speaker 1>want you potally, we won't you know Chick fil A.

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<v Speaker 1>When I was a kid, that's she was luxury. We

0:12:01.000 --> 0:12:03.680
<v Speaker 1>want to McDonald's. It was like a luxury you man,

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<v Speaker 1>you get to go to McDonald's. And to day, man,

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<v Speaker 1>these kids just looking ship like that, like it's supposed

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<v Speaker 1>to happen, you know what I mean. No, that's called

0:12:10.760 --> 0:12:14.720
<v Speaker 1>pacifying dogs. We pacified kids and give them what they want,

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<v Speaker 1>you know what I'm saying. Like me, I try to

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<v Speaker 1>give my kids and my grandkids when I didn't get

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<v Speaker 1>from my father, when I didn't get from my mother.

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<v Speaker 1>And at the end of the day, you wind up

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<v Speaker 1>hurting them because you pacified. Now they become adults and

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<v Speaker 1>they still want and think you're supposed to give m so'.

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<v Speaker 1>Also what's also interesting is how these kids are hard

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<v Speaker 1>wired to dismiss the facts that we are laying out

0:12:44.679 --> 0:12:46.920
<v Speaker 1>because of their own local feaking. The facts that we

0:12:46.960 --> 0:12:48.960
<v Speaker 1>are laying out right here, the fact that we sit

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<v Speaker 1>on this live and we're given straight up datas fact statistics.

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<v Speaker 1>They're hard wire in their minds did this simply dismiss it? Right?

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<v Speaker 1>It's like, you know, sometimes I tell my sons some

0:13:04.000 --> 0:13:06.400
<v Speaker 1>ship that I haven't been through already and then look

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<v Speaker 1>at me. Well it was different back then, pops. I

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<v Speaker 1>was like, what's different? You know? You know, you know

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<v Speaker 1>what that's all? Yeah, you know? And what I've noticed

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<v Speaker 1>with these and you know it ain't all bad. You've

0:13:16.760 --> 0:13:19.200
<v Speaker 1>got some young kids out of the handling their business, right.

0:13:20.559 --> 0:13:22.520
<v Speaker 1>I noticed, for the most part, man, we live in

0:13:22.559 --> 0:13:25.040
<v Speaker 1>the area where dudes can't take no kind of in

0:13:25.280 --> 0:13:28.240
<v Speaker 1>this hot, slightest little in the resistance. They're ready to

0:13:28.280 --> 0:13:29.920
<v Speaker 1>give up on some ship, you know what I mean?

0:13:30.280 --> 0:13:32.360
<v Speaker 1>And I tell my kids every day life is hard

0:13:32.360 --> 0:13:34.480
<v Speaker 1>as a motherfucker. I said, you think I like doing

0:13:34.559 --> 0:13:37.000
<v Speaker 1>half the ship? I do, but it's what it is,

0:13:37.040 --> 0:13:38.680
<v Speaker 1>you know, It's what you have to do is with

0:13:38.679 --> 0:13:40.240
<v Speaker 1>with your purpose he is. You know what I mean.

0:13:40.400 --> 0:13:42.760
<v Speaker 1>You know you got card notes, you got mortgages, you

0:13:42.840 --> 0:13:44.600
<v Speaker 1>got ship to pay for, so you gotta get off

0:13:44.600 --> 0:13:49.160
<v Speaker 1>your ass. The world is moving, man, because every moment,

0:13:49.280 --> 0:13:53.800
<v Speaker 1>every day, new second changes occurring. Whether you want to

0:13:53.800 --> 0:13:55.760
<v Speaker 1>be a part of it or not, it is happening.

0:13:56.080 --> 0:13:58.240
<v Speaker 1>So you gotta get with the program. And you know

0:13:58.280 --> 0:14:00.640
<v Speaker 1>what I mean, You look like the dude that's standing

0:14:00.679 --> 0:14:03.120
<v Speaker 1>down on the corner in front of acing store with

0:14:03.200 --> 0:14:06.439
<v Speaker 1>the body hounds, still got a Jerry Curl telling about

0:14:06.480 --> 0:14:08.560
<v Speaker 1>he he from the hood. Are you got the dude

0:14:08.559 --> 0:14:10.920
<v Speaker 1>over sending town of blocks stand in front of Brownies

0:14:11.280 --> 0:14:14.280
<v Speaker 1>on the back side with the body hounds talking about

0:14:14.360 --> 0:14:16.720
<v Speaker 1>Yeah man, I'm down for the hood. You got them

0:14:16.800 --> 0:14:20.120
<v Speaker 1>cats right there, and then you got these junctions looking

0:14:20.160 --> 0:14:24.200
<v Speaker 1>at that. But they don't realize that's the horrid movie

0:14:24.520 --> 0:14:26.960
<v Speaker 1>right there in front of their face that's gonna be

0:14:27.040 --> 0:14:29.440
<v Speaker 1>to them in ten years. But they don't. They don't

0:14:29.440 --> 0:14:31.840
<v Speaker 1>seem to take that into account. You know what I mean,

0:14:31.880 --> 0:14:35.160
<v Speaker 1>because we all these eyes right here. Your eyes is

0:14:35.200 --> 0:14:39.360
<v Speaker 1>the lends to the movie that you're filming right You're

0:14:39.440 --> 0:14:41.720
<v Speaker 1>right here right now, you know, So you want to

0:14:41.760 --> 0:14:44.840
<v Speaker 1>be the best version of yourself at all times, you

0:14:44.880 --> 0:14:47.160
<v Speaker 1>know what I mean. But people don't. People just take

0:14:47.200 --> 0:14:51.000
<v Speaker 1>things for for granted in our communities that theseus do

0:14:51.160 --> 0:14:53.480
<v Speaker 1>somehow it's just gonna work itself out. They don't have

0:14:53.520 --> 0:14:56.200
<v Speaker 1>to put no time and energy into working it out.

0:14:56.360 --> 0:14:59.120
<v Speaker 1>They just want you like they want Jenny's and maybe

0:14:59.120 --> 0:15:01.320
<v Speaker 1>come fix it or take their head and show them

0:15:01.320 --> 0:15:03.440
<v Speaker 1>with them. Still they want you to do me, you

0:15:03.480 --> 0:15:05.920
<v Speaker 1>know what I mean. They think that somehow we're gonna

0:15:06.040 --> 0:15:09.160
<v Speaker 1>just um going in the backyard to Money three and

0:15:09.240 --> 0:15:12.320
<v Speaker 1>just feeling for him, you know. Yeah, well you know what,

0:15:12.680 --> 0:15:15.040
<v Speaker 1>and and that seems so risk a lot of grown as,

0:15:15.040 --> 0:15:17.760
<v Speaker 1>sorry niggas that think that way. I'm gonna tell y'all, James, No,

0:15:18.360 --> 0:15:21.240
<v Speaker 1>you would be surprised at the amount of phone calls

0:15:21.280 --> 0:15:23.320
<v Speaker 1>I get for people. And I don't mind people calling

0:15:23.320 --> 0:15:25.760
<v Speaker 1>me for help or asking for help if you're willing

0:15:25.800 --> 0:15:28.560
<v Speaker 1>to do forself. But you'll get somebody to call you

0:15:28.640 --> 0:15:30.240
<v Speaker 1>and say, hey, man, I want to put them together

0:15:30.240 --> 0:15:33.200
<v Speaker 1>a podcast, right, I want to do something. You help

0:15:33.280 --> 0:15:34.960
<v Speaker 1>them get it up and get them get it set up.

0:15:35.320 --> 0:15:37.240
<v Speaker 1>Next thing, you know, they're calling you every day because

0:15:37.280 --> 0:15:38.960
<v Speaker 1>they pretty much want you to come and do the

0:15:38.960 --> 0:15:41.920
<v Speaker 1>ship with them, and you don't already put all kinds

0:15:41.920 --> 0:15:44.280
<v Speaker 1>of man hours into them. Don't get it all kinds

0:15:44.280 --> 0:15:46.760
<v Speaker 1>of ship. Don't do it this You now you're getting

0:15:46.760 --> 0:15:49.080
<v Speaker 1>the where you're not just investing your time, but now

0:15:49.200 --> 0:15:51.480
<v Speaker 1>you've investing a little bit of money because it's like

0:15:51.560 --> 0:15:54.240
<v Speaker 1>you know what this and you know this money still

0:15:54.280 --> 0:15:57.080
<v Speaker 1>because if you're spending time over there for free, you're

0:15:57.120 --> 0:16:00.000
<v Speaker 1>losing money where you could be getting money on y'all

0:16:00.000 --> 0:16:02.240
<v Speaker 1>own ship exactly. And that's what I tell people. I

0:16:02.240 --> 0:16:04.800
<v Speaker 1>would say, ship me and James got her own damn platform.

0:16:04.840 --> 0:16:06.360
<v Speaker 1>We could be able there doing that ship. At least

0:16:06.360 --> 0:16:08.040
<v Speaker 1>we know we're getting the dollar from that ship, you know.

0:16:08.600 --> 0:16:10.600
<v Speaker 1>But you would get people in the moment you tell

0:16:10.680 --> 0:16:14.000
<v Speaker 1>these motherfucker's no. It's like watching the reaction to a

0:16:14.000 --> 0:16:16.000
<v Speaker 1>little four year old kid when you tell they can't

0:16:16.000 --> 0:16:18.440
<v Speaker 1>have no more candy cookies or some ship because they

0:16:18.520 --> 0:16:21.360
<v Speaker 1>get mad. Funk are you funny acting? Because see the

0:16:21.440 --> 0:16:23.440
<v Speaker 1>one thing about the nigga and I ain't telling about

0:16:23.440 --> 0:16:26.360
<v Speaker 1>black people. Don't talk about nigas period. You can tell

0:16:26.440 --> 0:16:29.520
<v Speaker 1>him niggas yes, a million motherfucking times. The first time

0:16:29.600 --> 0:16:31.960
<v Speaker 1>you tell them motherfucker's. No, they forget about all the yes,

0:16:32.040 --> 0:16:37.160
<v Speaker 1>and now you all kind of bullshit. Motherfucker's you know,

0:16:37.240 --> 0:16:39.520
<v Speaker 1>you let the motherfucker. You let the motherfucker hold a

0:16:39.600 --> 0:16:41.480
<v Speaker 1>few dollars, right. And this is just a thing about

0:16:41.520 --> 0:16:45.280
<v Speaker 1>being a principle. I was taught coming up. You don't

0:16:45.480 --> 0:16:48.120
<v Speaker 1>borrow from somebody. I ain't know borrowing type of nigga,

0:16:48.160 --> 0:16:49.960
<v Speaker 1>no way. But if I get something from another man,

0:16:50.440 --> 0:16:54.280
<v Speaker 1>you're supposed to get that ship back to him, whether family,

0:16:54.520 --> 0:16:59.360
<v Speaker 1>you know, you know what exactly, whether it's family, whether

0:16:59.440 --> 0:17:02.560
<v Speaker 1>it's what ever. And I tell my kids all the time,

0:17:02.680 --> 0:17:05.280
<v Speaker 1>you know, don't give her that thinking because I gotta

0:17:05.280 --> 0:17:07.080
<v Speaker 1>tell my signs if they come to me, Pop, you've

0:17:07.080 --> 0:17:08.760
<v Speaker 1>got a few dollars, like a borrow, I'll say you

0:17:09.200 --> 0:17:11.520
<v Speaker 1>borrow a hat. It's a difference, you gotta be clear,

0:17:11.840 --> 0:17:14.240
<v Speaker 1>very different, because if you tell me that you're borrowed,

0:17:14.280 --> 0:17:17.879
<v Speaker 1>if that means I'll expect mind back back. It's like

0:17:18.640 --> 0:17:22.800
<v Speaker 1>it's difference between somebody in the streets or somebody at

0:17:22.880 --> 0:17:27.639
<v Speaker 1>home in a sense. Uh. But but it kind of

0:17:27.720 --> 0:17:30.280
<v Speaker 1>falls backs on you. If you know a mothercker ain't

0:17:30.280 --> 0:17:32.120
<v Speaker 1>got a job and he hang on the block, oh

0:17:32.320 --> 0:17:35.760
<v Speaker 1>goddamn day. He ain't doing nothing if he if a mothermucky,

0:17:35.880 --> 0:17:40.159
<v Speaker 1>ain't get enough being productive. And motherfucker came by his

0:17:40.280 --> 0:17:43.919
<v Speaker 1>own drink, his own weed. Everybody got habits, came by

0:17:44.000 --> 0:17:47.679
<v Speaker 1>a cigarette and it's the same motherfucker every day. Let

0:17:47.720 --> 0:17:50.600
<v Speaker 1>me get a smoke, Let me get a smoke. You're

0:17:50.600 --> 0:17:53.800
<v Speaker 1>ready to give them three foot the hollars, but yeah,

0:17:53.920 --> 0:17:57.800
<v Speaker 1>it's homie you give hims. Don't plan on seeing that

0:17:57.920 --> 0:18:02.040
<v Speaker 1>shipped back. Yeah, that's real ship. You already knew, not

0:18:02.200 --> 0:18:05.639
<v Speaker 1>to his mother. You know what my thing is, James,

0:18:05.760 --> 0:18:08.520
<v Speaker 1>with certain motherfucker's and I know their tendencies. I do

0:18:08.640 --> 0:18:10.919
<v Speaker 1>what I call buy them out of my life. If

0:18:11.000 --> 0:18:14.040
<v Speaker 1>I know what motherfucker, that's exactly what happened. He asked

0:18:14.080 --> 0:18:16.440
<v Speaker 1>me for something. Yeah, sure you can borrow that two

0:18:16.640 --> 0:18:18.359
<v Speaker 1>D I'll give it to us as because I know

0:18:18.400 --> 0:18:20.280
<v Speaker 1>I ain't gonna never get from his punk ask again.

0:18:21.400 --> 0:18:25.080
<v Speaker 1>He break his neck when he seen you from trying

0:18:25.160 --> 0:18:29.640
<v Speaker 1>to hide from you because he don't want you, because James,

0:18:30.640 --> 0:18:32.920
<v Speaker 1>because how many times and this fall in the main

0:18:33.040 --> 0:18:36.560
<v Speaker 1>code to me too, because I tell people all the time,

0:18:36.600 --> 0:18:38.600
<v Speaker 1>I ain't never been a gang banger, but I tell

0:18:38.640 --> 0:18:41.520
<v Speaker 1>you why all my friends are gangious, because then most

0:18:41.600 --> 0:18:46.359
<v Speaker 1>of them is the most loyal, trustworthy motherfucker's you can

0:18:46.440 --> 0:18:49.600
<v Speaker 1>meet because they live by a certain code. If they

0:18:49.680 --> 0:18:51.119
<v Speaker 1>get something from it, they can give it back. And

0:18:51.240 --> 0:18:52.920
<v Speaker 1>nine times out of team, they ain't gonna never ask

0:18:52.960 --> 0:18:55.640
<v Speaker 1>you for ship because they got their young You see

0:18:55.640 --> 0:18:59.399
<v Speaker 1>what I'm saying. And it's like it's a lot of

0:18:59.440 --> 0:19:01.120
<v Speaker 1>good brothers out there. You know what I'm saying. It's

0:19:01.119 --> 0:19:03.440
<v Speaker 1>a lot of real sellers, streetcats. And when it comes

0:19:03.440 --> 0:19:06.000
<v Speaker 1>down to man, really, I'm gonna tell you where all

0:19:06.040 --> 0:19:08.720
<v Speaker 1>this ship comes from. Y'all. Remember when the eighties they

0:19:08.800 --> 0:19:11.159
<v Speaker 1>start pushing that line about oh, if your parents is

0:19:11.200 --> 0:19:13.400
<v Speaker 1>whooping your ass at home, you can call this number

0:19:13.480 --> 0:19:15.440
<v Speaker 1>and snick. And remember people are telling them their parents

0:19:15.480 --> 0:19:19.119
<v Speaker 1>and ship like that. But where they missed the market

0:19:19.240 --> 0:19:21.080
<v Speaker 1>with that ship. You had people that was really at

0:19:21.119 --> 0:19:23.119
<v Speaker 1>home getting the views and ship that couldn't get no

0:19:23.200 --> 0:19:25.840
<v Speaker 1>fucking help. But you've got this one motherfucker to the

0:19:25.960 --> 0:19:28.080
<v Speaker 1>call a police every night when he's getting his ass

0:19:28.440 --> 0:19:30.680
<v Speaker 1>fucking up, and they come over the jumping on their

0:19:30.720 --> 0:19:34.000
<v Speaker 1>parents and ship like that. If the ship really got controved,

0:19:34.119 --> 0:19:36.680
<v Speaker 1>man to the fact that where these kids thinking, motherfucker's

0:19:36.680 --> 0:19:39.000
<v Speaker 1>supposed to be their friends when your opinion, you're not

0:19:39.119 --> 0:19:41.040
<v Speaker 1>put on this earth to be a fucking friend. How

0:19:41.119 --> 0:19:44.000
<v Speaker 1>do you Why do they think like that? Because you

0:19:44.119 --> 0:19:47.240
<v Speaker 1>got some things they get hid with their kids that

0:19:47.400 --> 0:19:52.400
<v Speaker 1>come on, let's have a drink. Uh uh, they're doing

0:19:52.480 --> 0:19:54.880
<v Speaker 1>it with the kids over here. Those are the things

0:19:54.960 --> 0:19:58.159
<v Speaker 1>that you don't do with your kids. Man. Exactly, no

0:19:58.280 --> 0:20:01.800
<v Speaker 1>motherfucking marijuana with job because at the end of the day,

0:20:02.600 --> 0:20:06.560
<v Speaker 1>he's getting comfortable with hanging with you, not you being

0:20:06.680 --> 0:20:10.360
<v Speaker 1>my parents, my father. So that's a that's what you're

0:20:10.400 --> 0:20:12.480
<v Speaker 1>just saying. It is a part of staying on cold.

0:20:12.640 --> 0:20:15.200
<v Speaker 1>We know as parents, that's something that you shouldn't do

0:20:15.280 --> 0:20:17.840
<v Speaker 1>with your kids. You gotta stay on cold. You gotta

0:20:17.920 --> 0:20:20.320
<v Speaker 1>stay in parent mode. You don't go from being parent

0:20:20.440 --> 0:20:23.719
<v Speaker 1>to being their bread or being somebody that's passing buns

0:20:23.760 --> 0:20:27.400
<v Speaker 1>between them. You know, you just don't do that. Man. Yeah,

0:20:27.480 --> 0:20:30.280
<v Speaker 1>you don't know. My thing is this because you know

0:20:30.720 --> 0:20:33.000
<v Speaker 1>right now marijuana, we gonna go to the weed a

0:20:33.040 --> 0:20:37.120
<v Speaker 1>little bit. Marijuana is legal now. I smoke every once

0:20:37.119 --> 0:20:39.440
<v Speaker 1>in a while. I smoke me some weeds, but I'll

0:20:39.480 --> 0:20:41.200
<v Speaker 1>be damning from them, sili thin get have one of

0:20:41.280 --> 0:20:45.680
<v Speaker 1>my damn kids. You should no no, but that's just no, no,

0:20:45.800 --> 0:20:47.960
<v Speaker 1>you don't cross the line. And just it's like it

0:20:48.040 --> 0:20:49.800
<v Speaker 1>is this when you're making love with your wife being

0:20:49.880 --> 0:20:51.520
<v Speaker 1>invite him in the room something, watch and see how

0:20:51.640 --> 0:20:53.200
<v Speaker 1>hit that as you might as well if you start

0:20:53.240 --> 0:20:57.040
<v Speaker 1>doing it like that right well, and just at the

0:20:57.160 --> 0:20:59.200
<v Speaker 1>end of the day, man, you when you start doing

0:20:59.320 --> 0:21:02.800
<v Speaker 1>it like that, entertaining yourself with your kids in a

0:21:02.920 --> 0:21:06.680
<v Speaker 1>fashion of that that nature, what happens when your son

0:21:06.800 --> 0:21:09.960
<v Speaker 1>get mad at you. Now you see these niggas just

0:21:10.240 --> 0:21:13.439
<v Speaker 1>nothing up on their daddies, and that's because they've crossed

0:21:13.480 --> 0:21:16.480
<v Speaker 1>that line of somewhere. You got this in the neighborhood today.

0:21:17.760 --> 0:21:21.440
<v Speaker 1>But it's all to me. I think everything that we're

0:21:21.480 --> 0:21:25.119
<v Speaker 1>doing in life is designed. Everything that we do in

0:21:25.200 --> 0:21:28.159
<v Speaker 1>life has a reason to it, and it has a purpose.

0:21:29.960 --> 0:21:34.280
<v Speaker 1>When when when the government, when these people took whooping

0:21:34.320 --> 0:21:37.960
<v Speaker 1>our kids out of the household, and now the kid

0:21:38.160 --> 0:21:43.880
<v Speaker 1>feel more more just just angry because now I can

0:21:43.920 --> 0:21:45.920
<v Speaker 1>call the police and your ask to go to jail.

0:21:46.720 --> 0:21:50.920
<v Speaker 1>Uh whooping your kids? And and you put your kids

0:21:51.000 --> 0:21:53.359
<v Speaker 1>into and our hall system, you gotta pay for it.

0:21:54.119 --> 0:21:57.080
<v Speaker 1>What'd that tell you? Man? If you if I can't

0:21:57.160 --> 0:22:00.520
<v Speaker 1>chastise my son, what happens my son get more and

0:22:00.640 --> 0:22:03.600
<v Speaker 1>more and more batter and batter every day he goes

0:22:03.720 --> 0:22:07.600
<v Speaker 1>out there hanging out. Now he becomes a statistic Now

0:22:07.720 --> 0:22:10.800
<v Speaker 1>he didn't got his as well by the people killed

0:22:10.840 --> 0:22:15.440
<v Speaker 1>by the police. After that law was implemented surely round

0:22:15.480 --> 0:22:18.159
<v Speaker 1>by the the late nineties, early two thousand and when

0:22:18.240 --> 0:22:20.600
<v Speaker 1>you start seeing these kids walking up in the school

0:22:21.200 --> 0:22:25.560
<v Speaker 1>and gunning down the whole classroom. Mm hmm. You know

0:22:25.600 --> 0:22:28.600
<v Speaker 1>what I'm saying, Because that was the parents had that

0:22:28.760 --> 0:22:31.360
<v Speaker 1>had that was no longer no structure within your home.

0:22:31.760 --> 0:22:34.320
<v Speaker 1>You couldn't discipline your child when you know Johnny was

0:22:34.400 --> 0:22:36.920
<v Speaker 1>doing all this. With Johnny was back there killing the cat,

0:22:37.080 --> 0:22:40.119
<v Speaker 1>killing the dog, and doing all this crazy strange stuff,

0:22:40.520 --> 0:22:42.879
<v Speaker 1>you weren't able to stop him and discipline him on that,

0:22:43.080 --> 0:22:44.639
<v Speaker 1>you know what I mean. So you just kind of

0:22:45.160 --> 0:22:47.600
<v Speaker 1>shoved it under the carpet, buried the animal, and just

0:22:47.720 --> 0:22:51.240
<v Speaker 1>pretend like that never happened. So over over a period

0:22:51.280 --> 0:22:55.440
<v Speaker 1>of time, he evolved and the mentality became thirsty for

0:22:55.600 --> 0:22:58.600
<v Speaker 1>something bigger or something a bigger venue. Shopping for a

0:22:58.680 --> 0:23:01.680
<v Speaker 1>bigger venue, and here we go. We now we got

0:23:01.760 --> 0:23:05.840
<v Speaker 1>these kids walking up at school, movie theaters, nightclubs, or whatever,

0:23:06.080 --> 0:23:09.480
<v Speaker 1>what have you, and they just got everybody down. Don't

0:23:09.520 --> 0:23:12.040
<v Speaker 1>even know him, just or walk up into the church

0:23:12.240 --> 0:23:14.679
<v Speaker 1>delling roof, you know what I mean? Then the police

0:23:14.720 --> 0:23:18.080
<v Speaker 1>shows up and apprehending, don't buy a shot, taking the

0:23:18.359 --> 0:23:21.159
<v Speaker 1>burger king and buy the walker and called him off

0:23:21.200 --> 0:23:23.480
<v Speaker 1>the jail like it was just a normal day. Ball

0:23:23.920 --> 0:23:26.560
<v Speaker 1>That's not normal. And man, a man, what do you

0:23:26.680 --> 0:23:30.680
<v Speaker 1>call the kid that can go and commit him murder

0:23:31.440 --> 0:23:34.920
<v Speaker 1>but then fall out and break down, and in the

0:23:35.040 --> 0:23:39.159
<v Speaker 1>court room after the judge then gave him a life sentence, crying,

0:23:40.160 --> 0:23:44.520
<v Speaker 1>what do you call him? Is he misunderstood? No, he's

0:23:44.560 --> 0:23:48.880
<v Speaker 1>not missunderstood, because you just kill somebody, right, he don't

0:23:48.960 --> 0:23:53.359
<v Speaker 1>understand consequences. We didn't understand that for We didn't give

0:23:53.400 --> 0:23:56.679
<v Speaker 1>a funk about that part. Should I say we went

0:23:56.760 --> 0:23:59.320
<v Speaker 1>to jail back then we went to jail. We didn't

0:23:59.320 --> 0:24:02.840
<v Speaker 1>give seventy two hours. You're getting out of jail, don't

0:24:02.840 --> 0:24:06.680
<v Speaker 1>nobody to show up, ain't nobody coming to court? Motherfucker's

0:24:06.760 --> 0:24:09.520
<v Speaker 1>look for that type of ship. And and we we

0:24:09.760 --> 0:24:13.240
<v Speaker 1>we we counted on that. Now these linings just getting

0:24:13.720 --> 0:24:17.880
<v Speaker 1>thirty five forty five to light, and then the majority

0:24:17.880 --> 0:24:19.960
<v Speaker 1>of these cats you see today just sitting in that

0:24:20.080 --> 0:24:25.240
<v Speaker 1>courting him crying, they crying. Do you feel sorry for him? No?

0:24:25.400 --> 0:24:30.040
<v Speaker 1>I don't. We were lucky. But these little kids today, man,

0:24:31.680 --> 0:24:34.280
<v Speaker 1>they don't. They don't. They never have to deal with consequences,

0:24:35.520 --> 0:24:37.960
<v Speaker 1>you know what I'm saying. So do the big homies.

0:24:39.400 --> 0:24:43.000
<v Speaker 1>How do how do we put how do we change

0:24:43.040 --> 0:24:45.960
<v Speaker 1>the ship? Should? I say? It's hard to do because

0:24:46.560 --> 0:24:50.960
<v Speaker 1>once the motherfucker mind is is conditioned to play a

0:24:51.080 --> 0:24:53.280
<v Speaker 1>certain party, you don't want to play another part. He

0:24:53.320 --> 0:24:55.439
<v Speaker 1>don't want the other role. He don't want the role

0:24:55.520 --> 0:24:58.320
<v Speaker 1>of a good guy because now he believed that all

0:24:58.400 --> 0:25:01.680
<v Speaker 1>the homies is looking down on him because he's thinking

0:25:01.760 --> 0:25:04.640
<v Speaker 1>the right way. So the right way will never show.

0:25:05.680 --> 0:25:09.679
<v Speaker 1>We'll never put on that game face. I wouldn't wear

0:25:09.760 --> 0:25:11.399
<v Speaker 1>that game face because I didn't want to help me

0:25:11.520 --> 0:25:14.080
<v Speaker 1>to think that I was slacking up, I was getting

0:25:14.160 --> 0:25:17.800
<v Speaker 1>soft or whatever. You because if a motherfucker think you're

0:25:17.840 --> 0:25:20.359
<v Speaker 1>getting soft out there, the cold thing about it is

0:25:21.040 --> 0:25:27.800
<v Speaker 1>they're gonna try you. Please believe it. What happened, I said,

0:25:27.840 --> 0:25:32.439
<v Speaker 1>please believe it? Yeah, So you know, I think guys

0:25:32.520 --> 0:25:38.359
<v Speaker 1>are just against all of us, and we we don't

0:25:38.359 --> 0:25:40.639
<v Speaker 1>pay attention and we we don't want to see that

0:25:40.920 --> 0:25:44.879
<v Speaker 1>or here that part of the story, you know. We

0:25:45.119 --> 0:25:50.080
<v Speaker 1>we we want to believe all the bullshit that were

0:25:50.160 --> 0:25:55.680
<v Speaker 1>here and see opposed to thinking and and seeing what's

0:25:55.840 --> 0:26:01.840
<v Speaker 1>right and wrong. Yeah, they for ourselves. Well, if you

0:26:01.960 --> 0:26:05.280
<v Speaker 1>notice today, man, a big part of what's going on

0:26:05.400 --> 0:26:09.520
<v Speaker 1>today too is people don't Men don't communicate with each

0:26:09.520 --> 0:26:13.840
<v Speaker 1>other no more. This is the typical scenario nowadays. I

0:26:13.960 --> 0:26:17.120
<v Speaker 1>got a problem with James. I have james phone number.

0:26:17.160 --> 0:26:20.479
<v Speaker 1>Instead of calling him, I go on Instagram and make

0:26:20.520 --> 0:26:22.560
<v Speaker 1>a post about it, but don't never say his name.

0:26:22.640 --> 0:26:24.560
<v Speaker 1>But you know what I'm talking about him? Well you

0:26:24.640 --> 0:26:26.840
<v Speaker 1>know this and that instead of me picking up the

0:26:26.880 --> 0:26:31.280
<v Speaker 1>phone and calling him, I'll do that. And and you know,

0:26:31.440 --> 0:26:34.320
<v Speaker 1>no offense to our women listeners out there or my feathers.

0:26:34.400 --> 0:26:37.920
<v Speaker 1>But to me, that's really feminine. That's not the way

0:26:37.960 --> 0:26:40.399
<v Speaker 1>of men conduct themselves. If you got a problem with somebody,

0:26:40.480 --> 0:26:43.040
<v Speaker 1>you call that person and you work it out with them,

0:26:43.400 --> 0:26:47.200
<v Speaker 1>even on the back of the box. Communication is the

0:26:47.359 --> 0:26:52.200
<v Speaker 1>main component of getting to understand it. Without communication, you

0:26:52.359 --> 0:26:55.080
<v Speaker 1>can't have an understand it. So that's just something that

0:26:55.200 --> 0:26:59.600
<v Speaker 1>just has to happen, you know, Yeah, it has happened

0:26:59.640 --> 0:27:02.240
<v Speaker 1>under the said for sure, because I know y'all see

0:27:02.240 --> 0:27:04.520
<v Speaker 1>it the mine. It's like, and I'm not gonna going

0:27:04.560 --> 0:27:07.760
<v Speaker 1>to the whole Charlotte Magne thing. Right. Um, there was

0:27:07.840 --> 0:27:12.000
<v Speaker 1>reporting on a brother what's the guy's name, Kama Karma Brown,

0:27:13.480 --> 0:27:15.880
<v Speaker 1>Charlotte Maagne. You know, he went a little bit extra

0:27:16.000 --> 0:27:18.080
<v Speaker 1>with it and saying some stuff about the thing to

0:27:18.160 --> 0:27:21.160
<v Speaker 1>do when hammers, when bunkers. Charlotta Magne wanted this show

0:27:21.200 --> 0:27:26.760
<v Speaker 1>and apologize today. I think that's a manion ship right there.

0:27:26.800 --> 0:27:29.560
<v Speaker 1>He said, you know what, I funked up. I shouldn't

0:27:29.600 --> 0:27:31.720
<v Speaker 1>said that and miss and that he apologized about it.

0:27:32.080 --> 0:27:33.639
<v Speaker 1>A lot of niggas that they're gonna do that, a

0:27:33.680 --> 0:27:35.920
<v Speaker 1>lot of niggas. You know, they're wrong as motherfucking three

0:27:35.960 --> 0:27:38.119
<v Speaker 1>dollar bill. But it's still could carry on with the

0:27:38.200 --> 0:27:41.159
<v Speaker 1>bullshit instead of just the independ may understand you know what,

0:27:41.680 --> 0:27:45.160
<v Speaker 1>my bad, my nigga, I mean no disrespect. At least

0:27:45.240 --> 0:27:48.280
<v Speaker 1>he had the common decency to recognize his and mistake

0:27:48.359 --> 0:27:52.679
<v Speaker 1>and understand why he needed to apologize. You understand, because

0:27:53.160 --> 0:27:57.639
<v Speaker 1>here's the theme. Man, if you think about the NBA right, well,

0:27:57.800 --> 0:28:00.080
<v Speaker 1>look at the world. There's seven over saddling bill and

0:28:00.200 --> 0:28:04.879
<v Speaker 1>people on this planet right maybe five hundred professional basketball

0:28:04.920 --> 0:28:08.280
<v Speaker 1>players with those were centags. The livelihood that anybody making

0:28:08.359 --> 0:28:12.639
<v Speaker 1>to the NBA, it's slim and ned. So if Steven A.

0:28:12.880 --> 0:28:17.760
<v Speaker 1>Smith and Steven Jackson and Mac Barnes and give it arenuses,

0:28:18.400 --> 0:28:20.760
<v Speaker 1>it's jumping on this fool because they don't feel like

0:28:21.880 --> 0:28:25.719
<v Speaker 1>he didn't play to their understanding of or what they

0:28:25.800 --> 0:28:29.359
<v Speaker 1>think he should have played too. That's their problem, you

0:28:29.480 --> 0:28:32.399
<v Speaker 1>understand for them to still be talking about that twenty

0:28:32.480 --> 0:28:35.800
<v Speaker 1>years lady, it's restarted. Man, they didn't have nothing else

0:28:35.880 --> 0:28:39.480
<v Speaker 1>better to talk about. Yeah, that's real ship. You know

0:28:39.640 --> 0:28:41.719
<v Speaker 1>one thing that we gotta stop doing, though, And I'm

0:28:41.760 --> 0:28:44.200
<v Speaker 1>gonna tell you one thing, and I try to practice

0:28:44.640 --> 0:28:50.120
<v Speaker 1>practice this myself, is we gotta stop trying to knock

0:28:50.200 --> 0:28:52.600
<v Speaker 1>the next brother down is doing some ship over Damn

0:28:53.880 --> 0:28:57.000
<v Speaker 1>always us whenever you see somebody talking about it and

0:28:57.040 --> 0:28:59.240
<v Speaker 1>ain't a white boy on TV, the ain't this person,

0:28:59.320 --> 0:29:01.479
<v Speaker 1>ain't a mix of doing it. It's one of us.

0:29:02.680 --> 0:29:05.080
<v Speaker 1>They think they gotta going on. I'm about the tim

0:29:05.360 --> 0:29:07.720
<v Speaker 1>I'm their favorite words, I'm exposed some ship. What the

0:29:07.760 --> 0:29:13.720
<v Speaker 1>fund are you going exposed? No, that's that's we We

0:29:14.040 --> 0:29:16.760
<v Speaker 1>we hate what we see where we can't get for ourselves,

0:29:17.200 --> 0:29:20.520
<v Speaker 1>so we hate the next man. They got it. We

0:29:20.680 --> 0:29:22.640
<v Speaker 1>hate the fact that he got it and I don't.

0:29:23.440 --> 0:29:25.840
<v Speaker 1>And you see a lot of motherfucker's like that. Ma'll

0:29:25.920 --> 0:29:27.800
<v Speaker 1>but tell you way back in the days, and nigga

0:29:27.880 --> 0:29:31.480
<v Speaker 1>hated another motherfucker because this low rider looked better than his.

0:29:31.640 --> 0:29:35.040
<v Speaker 1>I didn't have datings. So now nigga say, the only

0:29:35.080 --> 0:29:37.080
<v Speaker 1>way I can get those datings is to go out

0:29:37.120 --> 0:29:40.320
<v Speaker 1>there and kill the motherfucker for him. No datons was

0:29:40.480 --> 0:29:44.680
<v Speaker 1>easy to get. Everybody had a hustler in the grind,

0:29:45.120 --> 0:29:47.960
<v Speaker 1>but motherfucker's didn't want to. Boyd. We hate on each

0:29:48.000 --> 0:29:51.600
<v Speaker 1>other just because of what we see, but we don't

0:29:51.680 --> 0:29:55.240
<v Speaker 1>have right here. We hate each other because bitches is

0:29:55.360 --> 0:29:57.840
<v Speaker 1>looking at that nigga saying that motherfucker is with it

0:29:57.920 --> 0:30:00.920
<v Speaker 1>that nigga pretty now, And I hate this nigga because

0:30:00.960 --> 0:30:04.520
<v Speaker 1>the bitch is blank. You hate each other just on

0:30:04.640 --> 0:30:11.280
<v Speaker 1>the stress of of of nickerism. What you mentioned that

0:30:11.880 --> 0:30:16.160
<v Speaker 1>people hated Bartender for that man. Bartender was a nice

0:30:16.240 --> 0:30:19.720
<v Speaker 1>looking young man, and all the women, no matter where

0:30:19.760 --> 0:30:24.640
<v Speaker 1>he was from, love that dude. Dude from even his

0:30:24.760 --> 0:30:29.200
<v Speaker 1>own sextional dudes from obviously other sextions hated even just

0:30:29.320 --> 0:30:33.080
<v Speaker 1>for that reason alone. You know exactly did moret they

0:30:33.120 --> 0:30:36.640
<v Speaker 1>women around their motherfucking know nothing. But what I'm saying

0:30:36.760 --> 0:30:42.120
<v Speaker 1>is is we hate what we're not right, we hate

0:30:42.160 --> 0:30:45.360
<v Speaker 1>what we can't beat, but we're seeing somebody else and

0:30:46.160 --> 0:30:50.400
<v Speaker 1>we hate the fact that another motherfucker made it. We

0:30:50.560 --> 0:30:53.520
<v Speaker 1>hate the fact that a black man accomplished something, or

0:30:53.640 --> 0:30:55.840
<v Speaker 1>niggas came from the hood and they're doing this now.

0:30:55.920 --> 0:30:58.480
<v Speaker 1>Oh he thinking this ship. He made it out the hood.

0:30:59.000 --> 0:31:02.440
<v Speaker 1>But look why says for making it? It ain't watching

0:31:02.720 --> 0:31:05.400
<v Speaker 1>somebody walked out to the neighborhood. You know what I'm saying,

0:31:05.480 --> 0:31:09.440
<v Speaker 1>Man watching this, James, There's a guy. His name is

0:31:09.600 --> 0:31:13.840
<v Speaker 1>U Napoleon Hill. Napoleon Hill said one of the most

0:31:13.920 --> 0:31:17.160
<v Speaker 1>powerful emotions that a man has a desire to have sex.

0:31:17.480 --> 0:31:21.120
<v Speaker 1>But if he harness that energy and transmute it into

0:31:21.160 --> 0:31:25.680
<v Speaker 1>a monetary equipment equivalent, he'd be that much further head

0:31:25.760 --> 0:31:28.280
<v Speaker 1>in life. Other words, when he was explaining is that

0:31:28.760 --> 0:31:31.360
<v Speaker 1>if you put your time and energy into building your

0:31:31.440 --> 0:31:35.560
<v Speaker 1>foundation in your life. You don't have no time for

0:31:35.680 --> 0:31:38.040
<v Speaker 1>all that stuff. And then at that point you don't

0:31:38.080 --> 0:31:39.920
<v Speaker 1>have to look for no woman, and the woman gonna

0:31:39.920 --> 0:31:43.160
<v Speaker 1>be looking for you. You understanding, because now you don't

0:31:43.200 --> 0:31:47.600
<v Speaker 1>build this life up and you gotta you gotta stable now,

0:31:48.080 --> 0:31:50.680
<v Speaker 1>you know. But what will happen to are you or

0:31:50.800 --> 0:31:52.440
<v Speaker 1>are some of the people who come up the time

0:31:52.840 --> 0:31:55.240
<v Speaker 1>they put the they put the buggy in front of

0:31:55.320 --> 0:31:58.280
<v Speaker 1>the heart, they start chasing women are doing all this stuff.

0:31:58.520 --> 0:32:01.440
<v Speaker 1>They don't realize that they're losing precious time because they

0:32:01.480 --> 0:32:03.760
<v Speaker 1>could spend that time building their life. And once you

0:32:03.840 --> 0:32:07.720
<v Speaker 1>have your life together, then women come, they come. You

0:32:07.720 --> 0:32:11.200
<v Speaker 1>don't have to look for That's some real ship right there.

0:32:11.480 --> 0:32:13.520
<v Speaker 1>That that's the real ship. But you know what though, man,

0:32:14.040 --> 0:32:17.840
<v Speaker 1>and I know James ain't big on conspiracies, me and

0:32:17.960 --> 0:32:20.600
<v Speaker 1>you are a little bit mal if you look at

0:32:20.680 --> 0:32:23.920
<v Speaker 1>this man, now, let's take it back. If you go

0:32:24.160 --> 0:32:25.920
<v Speaker 1>back and look at the program. And it was on

0:32:26.040 --> 0:32:29.880
<v Speaker 1>TV in the seventies and the eighties, right, it was

0:32:30.040 --> 0:32:33.000
<v Speaker 1>always a play kind of to where the dad was,

0:32:33.080 --> 0:32:35.960
<v Speaker 1>the house was a buffoon, almost like a fool, the

0:32:36.120 --> 0:32:38.720
<v Speaker 1>keys jokes on them and stuff, the mama talking to

0:32:38.880 --> 0:32:42.280
<v Speaker 1>him crazy. You had good times where thelm I was

0:32:42.320 --> 0:32:43.920
<v Speaker 1>talking to the house from that man in this house

0:32:43.960 --> 0:32:45.520
<v Speaker 1>and talk crazy to him or whatever. You know what

0:32:45.560 --> 0:32:47.920
<v Speaker 1>I'm saying. When you had the Jeffersons to where the

0:32:47.960 --> 0:32:50.040
<v Speaker 1>woman come over his house and talk crazy to him,

0:32:50.080 --> 0:32:52.240
<v Speaker 1>you see what I'm saying. They had to listen with

0:32:52.360 --> 0:32:55.080
<v Speaker 1>the white guy. It was all kind of little subliminal

0:32:55.120 --> 0:32:57.840
<v Speaker 1>ship and they always made the man look like a

0:32:58.000 --> 0:33:01.200
<v Speaker 1>damn fool. Well that that was the beginning of the

0:33:01.360 --> 0:33:04.720
<v Speaker 1>feminist movement. That was because of the feminists that started

0:33:04.720 --> 0:33:06.960
<v Speaker 1>all that stuff. It was all it was the slight

0:33:07.080 --> 0:33:10.440
<v Speaker 1>of a hand and subliminal course. But it was due

0:33:10.520 --> 0:33:13.880
<v Speaker 1>to that feminist movement that they felt like women was

0:33:14.040 --> 0:33:19.000
<v Speaker 1>equal to men. But women got to realize that you live,

0:33:19.160 --> 0:33:22.120
<v Speaker 1>you living in the world at me and build see

0:33:22.120 --> 0:33:26.040
<v Speaker 1>because the woman can't run the electoral kain or run

0:33:26.160 --> 0:33:30.760
<v Speaker 1>the up keep uh the infrastructure in this country. That's

0:33:30.760 --> 0:33:33.200
<v Speaker 1>not when we're doing the job already. Women have to

0:33:33.400 --> 0:33:35.920
<v Speaker 1>learn not to do that, you understand. So you took

0:33:35.920 --> 0:33:39.080
<v Speaker 1>all the men away, what would the women do? Yes?

0:33:39.200 --> 0:33:41.560
<v Speaker 1>That and women to our women fans out there, there

0:33:41.680 --> 0:33:52.600
<v Speaker 1>was many miles sce I still in that, you know.

0:33:52.960 --> 0:33:54.960
<v Speaker 1>But the thing was, though, bro, if you go back

0:33:55.000 --> 0:33:58.320
<v Speaker 1>and look at it, the man was always made and

0:33:58.400 --> 0:34:00.480
<v Speaker 1>look like a fool. It's like, if you think about it,

0:34:00.520 --> 0:34:02.560
<v Speaker 1>Married with Children, that was one of the biggest shows

0:34:02.640 --> 0:34:06.000
<v Speaker 1>on TV. Al Bundy was a shoe salesman, right, he

0:34:06.120 --> 0:34:08.960
<v Speaker 1>had a job, but it always showed him just like

0:34:09.120 --> 0:34:11.319
<v Speaker 1>he was just a fool all the time because never

0:34:12.719 --> 0:34:15.680
<v Speaker 1>still did dealing with the feelings movement though still it's

0:34:15.680 --> 0:34:18.000
<v Speaker 1>still it's all a part of it, you know what

0:34:18.040 --> 0:34:20.919
<v Speaker 1>I'm saying. Nothing is exempt from that. We just gotta

0:34:21.080 --> 0:34:25.759
<v Speaker 1>understand why the wise you understand now both of y'all

0:34:26.040 --> 0:34:28.400
<v Speaker 1>you know whether they was good in the end or not.

0:34:28.640 --> 0:34:31.680
<v Speaker 1>You know, we all had men in the household, right,

0:34:32.280 --> 0:34:36.000
<v Speaker 1>I mean also with any of your daddy is a

0:34:36.040 --> 0:34:38.200
<v Speaker 1>step daddies and let some broad coming to the house

0:34:38.280 --> 0:34:42.040
<v Speaker 1>and talk to him crazy. It wouldn't have went down

0:34:42.120 --> 0:34:45.879
<v Speaker 1>to my house because the first thing Willie would have said,

0:34:46.000 --> 0:34:49.120
<v Speaker 1>my step up the last name I karding. He'd have

0:34:49.200 --> 0:34:51.120
<v Speaker 1>told my mama. He would have put this bitch and

0:34:51.200 --> 0:34:53.800
<v Speaker 1>ship you know what I'm saying, or or or my

0:34:53.920 --> 0:34:56.120
<v Speaker 1>hamlet you know what I mean, she ain't gonna being

0:34:56.160 --> 0:34:57.759
<v Speaker 1>here talking crazy to me. You're talking to me any

0:34:57.840 --> 0:34:59.960
<v Speaker 1>kind of way. I remember a woman told my stepdaddy,

0:35:00.280 --> 0:35:02.040
<v Speaker 1>you need to put some shoes on. He said, when

0:35:02.040 --> 0:35:04.359
<v Speaker 1>you start peeing some bells around his motherfucker big thing,

0:35:04.360 --> 0:35:06.200
<v Speaker 1>you can talk to me until then. You ain't gotta

0:35:06.200 --> 0:35:09.160
<v Speaker 1>say ship to me. And I said, damn. I thought

0:35:09.200 --> 0:35:10.520
<v Speaker 1>it was kind of harsh at the time. But what

0:35:10.640 --> 0:35:13.200
<v Speaker 1>he was doing is he was putting the check down.

0:35:14.000 --> 0:35:17.880
<v Speaker 1>So what about daddy overflowing his ass? And then my

0:35:18.000 --> 0:35:21.640
<v Speaker 1>mama shot my father, you ain't putting your hands over

0:35:21.719 --> 0:35:23.839
<v Speaker 1>no more. You ain't talking to me like that no more.

0:35:24.280 --> 0:35:26.680
<v Speaker 1>So the motherucker thought he was gonna go out with

0:35:26.760 --> 0:35:29.960
<v Speaker 1>his bitches at the motorcycle club and come back in

0:35:30.000 --> 0:35:34.000
<v Speaker 1>the house. And and that's that. She set her motherfucking

0:35:34.040 --> 0:35:36.080
<v Speaker 1>ass in the chair with a child on her lap.

0:35:36.280 --> 0:35:38.959
<v Speaker 1>It piss up under the top when that thing opened

0:35:39.000 --> 0:35:43.760
<v Speaker 1>the door. What I thought that was the most gangster

0:35:44.000 --> 0:35:46.879
<v Speaker 1>ship I ever seen. But you know what, though, that's

0:35:46.880 --> 0:35:55.200
<v Speaker 1>what I don't know because he got you together. Though, James,

0:35:56.400 --> 0:35:58.280
<v Speaker 1>I'm gonna tell you this, Stough, that's a pet peeve

0:35:58.320 --> 0:36:01.840
<v Speaker 1>of mine because my thing is this, It ain't no

0:36:01.960 --> 0:36:05.000
<v Speaker 1>way on God's green Earth. No nigga got no reason

0:36:05.040 --> 0:36:07.200
<v Speaker 1>to be putting her hands and the feemale. I tell

0:36:07.320 --> 0:36:10.120
<v Speaker 1>everybody this, if she's making you want whoop her, ask

0:36:10.160 --> 0:36:14.360
<v Speaker 1>and all that she's the right one. That's true. She

0:36:14.400 --> 0:36:16.320
<v Speaker 1>seems the right one. Because I'm gonna tell you a

0:36:16.400 --> 0:36:18.600
<v Speaker 1>woman today, a woman wants me to fight with her ass.

0:36:18.680 --> 0:36:20.520
<v Speaker 1>If my wife liked to fighting all that ship, we

0:36:20.560 --> 0:36:23.200
<v Speaker 1>wouldn't be together. I'm not doing it though, with some

0:36:23.320 --> 0:36:26.800
<v Speaker 1>women like that. Some women like to fight. My my

0:36:27.040 --> 0:36:35.680
<v Speaker 1>uncle's uh, my uncle's girl. She was at the project. Yeah,

0:36:36.719 --> 0:36:40.919
<v Speaker 1>of course I watched her go down with my uncle

0:36:41.000 --> 0:36:45.600
<v Speaker 1>Plo like one nigga come get it, and he was

0:36:45.760 --> 0:36:48.480
<v Speaker 1>busting her ass up. But she was with the business.

0:36:49.239 --> 0:36:51.319
<v Speaker 1>You got some women out there that they ain't gonna

0:36:51.360 --> 0:36:55.160
<v Speaker 1>take that nigga ship. Ain't going for it at all.

0:36:56.040 --> 0:36:58.560
<v Speaker 1>Who wants to? Man. Let me tell you something, I

0:36:59.719 --> 0:37:02.640
<v Speaker 1>don't need a woman. If Nick's three nickas trying to

0:37:02.760 --> 0:37:05.680
<v Speaker 1>jump me and she just stand there holling and hooping

0:37:06.600 --> 0:37:13.480
<v Speaker 1>she joined in, I don't need her. I don't need it.

0:37:14.160 --> 0:37:17.799
<v Speaker 1>But also I don't want my girls fighting fighting. Right,

0:37:18.280 --> 0:37:21.040
<v Speaker 1>every every woman I had in my life, man was

0:37:21.120 --> 0:37:24.560
<v Speaker 1>with the business. My my my ex wife on the

0:37:24.600 --> 0:37:28.800
<v Speaker 1>motorcycle set. I had to tell her, put your motherfucking

0:37:28.880 --> 0:37:31.120
<v Speaker 1>gun back in your tit. I don't have to fight

0:37:31.239 --> 0:37:35.000
<v Speaker 1>every time of Nicka run his mother. She's coming out.

0:37:35.120 --> 0:37:37.719
<v Speaker 1>She's whipping that motherfucking dude five out, ready to pop

0:37:37.719 --> 0:37:43.759
<v Speaker 1>a nigga. My daughter's mama from south Side Pam like Nick,

0:37:43.800 --> 0:37:45.640
<v Speaker 1>if you're gonna fight my nick, and you gotta fight

0:37:45.719 --> 0:37:48.879
<v Speaker 1>me too. I have women that was ready to fight.

0:37:49.000 --> 0:37:51.680
<v Speaker 1>What they do that don't make her a bad woman,

0:37:51.760 --> 0:37:56.640
<v Speaker 1>because I mean, my my oldest son, Mama old lights

0:37:56.719 --> 0:38:01.880
<v Speaker 1>getting motherfucker, pretty as motherfucker, but she ready fight. She

0:38:02.040 --> 0:38:05.440
<v Speaker 1>loved her dude nicking. Y'all ain't gonna do that, feel me.

0:38:05.640 --> 0:38:12.520
<v Speaker 1>My sisters said the j J new Berries with the

0:38:12.600 --> 0:38:20.560
<v Speaker 1>prominentes are as serious robbing too. I don't whatever against

0:38:20.600 --> 0:38:28.120
<v Speaker 1>the woman. Remember huh remember my death? Yeah yeah, man,

0:38:28.200 --> 0:38:32.920
<v Speaker 1>I was right there. Man, right here. Here's the difference

0:38:33.000 --> 0:38:38.359
<v Speaker 1>between a man got a lot of men out there

0:38:38.440 --> 0:38:40.719
<v Speaker 1>that that that let another nigga call him a bit

0:38:41.280 --> 0:38:43.640
<v Speaker 1>or slap him up or push him and kick him around,

0:38:44.440 --> 0:38:46.839
<v Speaker 1>but then he takes that aggression and being because he mad,

0:38:47.280 --> 0:38:50.600
<v Speaker 1>he's gonna go home and call his woman a bitch. No,

0:38:51.800 --> 0:38:54.320
<v Speaker 1>if you ain't mad enough to fight another man for

0:38:54.480 --> 0:38:57.759
<v Speaker 1>disrespecting you, you shouldn't say shipped to your woman for

0:38:57.920 --> 0:39:01.759
<v Speaker 1>disrespecting you. That's the problem here. You got a lot

0:39:01.800 --> 0:39:03.520
<v Speaker 1>of men that all that will beat the ship out

0:39:03.560 --> 0:39:07.680
<v Speaker 1>of a woman, but they are afraid of the big homie,

0:39:07.760 --> 0:39:10.200
<v Speaker 1>the little homie are, or just a man in general.

0:39:11.440 --> 0:39:14.720
<v Speaker 1>That's the problem with motherfucker's. They need to learn their rods.

0:39:15.400 --> 0:39:17.719
<v Speaker 1>If you're a motherfucking man and you're out there with

0:39:17.880 --> 0:39:19.719
<v Speaker 1>the next man, and that man call you a bit

0:39:20.200 --> 0:39:23.239
<v Speaker 1>hand to your business. But if your wife don't cook

0:39:23.640 --> 0:39:25.840
<v Speaker 1>or your girl don't cook dinner, had dinner for you,

0:39:26.239 --> 0:39:28.439
<v Speaker 1>now you want to roll up and be mad? Oh bit,

0:39:28.600 --> 0:39:32.920
<v Speaker 1>you shouldn't know. It's a difference. Some niggas as bitch

0:39:33.000 --> 0:39:35.359
<v Speaker 1>as too, and niggas don't understand that ship. And I'm

0:39:35.360 --> 0:39:37.320
<v Speaker 1>gonna keep in one, honey. There's a whole lot of

0:39:37.440 --> 0:39:41.320
<v Speaker 1>bus niggers out here, a whole lot of them. And

0:39:41.400 --> 0:39:43.640
<v Speaker 1>the difference of that, you got some niggas out of

0:39:43.680 --> 0:39:46.520
<v Speaker 1>here that are fighting anything on the planet. But he

0:39:46.640 --> 0:39:50.520
<v Speaker 1>is still going home and beat up his bron Can't

0:39:50.520 --> 0:39:53.719
<v Speaker 1>you be mad at that nigg putting in the same

0:39:53.800 --> 0:39:56.440
<v Speaker 1>boat as a busy Look what you can be. And

0:39:56.520 --> 0:39:59.280
<v Speaker 1>you ain't gotta beat your girl up like that, true,

0:39:59.360 --> 0:40:01.760
<v Speaker 1>because at that point you ain't gotta prove a motherfucking

0:40:01.840 --> 0:40:05.080
<v Speaker 1>thing to your woman. If your woman is supposed to

0:40:05.120 --> 0:40:10.080
<v Speaker 1>feel safe around you, secure. Yeah, that's what me and

0:40:10.160 --> 0:40:12.880
<v Speaker 1>are with me and are the maintaining the protectives of

0:40:12.960 --> 0:40:16.640
<v Speaker 1>women and children. That's just our petitions. That's our natural position, right,

0:40:17.480 --> 0:40:19.840
<v Speaker 1>That's that's that's that's supposed to be our strength. But

0:40:20.000 --> 0:40:22.560
<v Speaker 1>we don't do that. We don't do that. We don't

0:40:22.640 --> 0:40:24.919
<v Speaker 1>let that ship go so far it's just out of hand.

0:40:25.360 --> 0:40:28.319
<v Speaker 1>So how do we get that ship back? We gotta

0:40:28.440 --> 0:40:32.080
<v Speaker 1>learn and condition ourselves. You know what I'm saying. It

0:40:32.160 --> 0:40:34.520
<v Speaker 1>took me to get to my late forties, my my

0:40:34.719 --> 0:40:38.080
<v Speaker 1>fifties for me to understand what what what type of

0:40:38.200 --> 0:40:40.800
<v Speaker 1>person I wanted to be or or now, And I

0:40:40.880 --> 0:40:44.399
<v Speaker 1>can honestly stand up and tell the next motherfucker I'm

0:40:44.440 --> 0:40:46.000
<v Speaker 1>a man. I know I'm a man. I know what

0:40:46.080 --> 0:40:48.880
<v Speaker 1>a man is now I'd have been through it, but

0:40:49.040 --> 0:40:51.120
<v Speaker 1>I know what the fucking man is. And can't nobody

0:40:51.239 --> 0:40:56.120
<v Speaker 1>take that from you? Can't nobody touch that, and I'm

0:40:56.160 --> 0:40:59.480
<v Speaker 1>gonna protect any and everything that's in my circle. And

0:40:59.600 --> 0:41:04.680
<v Speaker 1>that's me. You feel me absolutely understand and learning that part,

0:41:05.239 --> 0:41:08.640
<v Speaker 1>then I think we'd be better as black man. You

0:41:08.719 --> 0:41:12.959
<v Speaker 1>know what I'm saying? Yeah, absolutely little, Because I'm gonna

0:41:12.960 --> 0:41:16.400
<v Speaker 1>tell you I had one of the coaches y'all know

0:41:16.520 --> 0:41:20.360
<v Speaker 1>my son played football for USC and one of the

0:41:20.440 --> 0:41:23.040
<v Speaker 1>coaches that told my me and my wife that y'all

0:41:23.080 --> 0:41:25.440
<v Speaker 1>are the best parents I've ever seen. Y'all really be

0:41:25.560 --> 0:41:29.640
<v Speaker 1>there for y'all kids. Right. My thing is this, I

0:41:29.840 --> 0:41:32.640
<v Speaker 1>reward my kids for they when they're doing something excellent.

0:41:33.160 --> 0:41:35.520
<v Speaker 1>When they're doing something that's not excellent, they don't give

0:41:35.560 --> 0:41:38.080
<v Speaker 1>rewarded for the stuff, right. I look at it like this.

0:41:40.200 --> 0:41:42.320
<v Speaker 1>We paid for our oldest son to go to college.

0:41:42.840 --> 0:41:44.960
<v Speaker 1>We didn't have to pay for my middle son to

0:41:45.040 --> 0:41:46.800
<v Speaker 1>go to school because he did what he's supposed to

0:41:46.840 --> 0:41:49.360
<v Speaker 1>do with his grades and football and got himself in

0:41:49.440 --> 0:41:51.560
<v Speaker 1>the school. Rewarded that we got in a car, right,

0:41:52.800 --> 0:41:55.359
<v Speaker 1>My oldest son did right, he wanted got him some ship.

0:41:55.680 --> 0:41:57.520
<v Speaker 1>My daughter she on her way so she would get

0:41:57.520 --> 0:42:00.000
<v Speaker 1>her some stuff. If they wasn't here enough, that wouldn't

0:42:00.000 --> 0:42:04.279
<v Speaker 1>happened like that. But even with that being said, I

0:42:04.440 --> 0:42:09.719
<v Speaker 1>always leot my keys know that you're not obligated to

0:42:09.800 --> 0:42:12.440
<v Speaker 1>shift for you doing what you're supposed to do. I'm

0:42:12.520 --> 0:42:15.040
<v Speaker 1>doing this because as a reward for you. But this

0:42:15.160 --> 0:42:16.799
<v Speaker 1>is what you're supposed to do. You supposed to want

0:42:16.920 --> 0:42:18.920
<v Speaker 1>to be good for yourself in life. You see what

0:42:18.960 --> 0:42:21.640
<v Speaker 1>I'm saying. But but but until a certain point, you're

0:42:21.680 --> 0:42:23.960
<v Speaker 1>doing it because you're a parent. And this is what

0:42:24.160 --> 0:42:28.399
<v Speaker 1>parents do. They make their kids great. Your sons want

0:42:28.440 --> 0:42:30.920
<v Speaker 1>to be like dad because dad is doing My dad

0:42:31.000 --> 0:42:33.000
<v Speaker 1>is still here with my mama, so I want to

0:42:33.080 --> 0:42:38.680
<v Speaker 1>be like him. M So let's take Thatt's take it

0:42:38.719 --> 0:42:42.640
<v Speaker 1>a little deeper. So why is it that allows of

0:42:42.760 --> 0:42:46.560
<v Speaker 1>Ball get criticized for doing such an excellent job with

0:42:46.719 --> 0:42:53.479
<v Speaker 1>his three sons? But yeah, the media is only because Yeah,

0:42:54.280 --> 0:42:55.800
<v Speaker 1>that's what I was gonna say. You know what the

0:42:55.840 --> 0:42:58.200
<v Speaker 1>problem with the you know what the problem with the

0:42:58.280 --> 0:43:01.160
<v Speaker 1>media they got with him is he's a black man

0:43:01.280 --> 0:43:04.480
<v Speaker 1>that breaks every stereo type they ever had. This motherfucker

0:43:04.600 --> 0:43:08.000
<v Speaker 1>loved his sons to death. And what you want to say,

0:43:08.160 --> 0:43:10.600
<v Speaker 1>because I'm trying to get one to the NFL, This

0:43:10.760 --> 0:43:13.799
<v Speaker 1>nigga don't got all his kids. The one kid lead.

0:43:13.880 --> 0:43:16.759
<v Speaker 1>He don't got what do you see league or whatever,

0:43:17.080 --> 0:43:20.200
<v Speaker 1>He's still basketball that. I don't want to blame it

0:43:20.320 --> 0:43:24.200
<v Speaker 1>on white people, but I want to say this, Uh,

0:43:25.040 --> 0:43:27.840
<v Speaker 1>people do not want to see black men with with

0:43:28.000 --> 0:43:30.880
<v Speaker 1>strength and power like that that raised their kids and

0:43:31.160 --> 0:43:34.120
<v Speaker 1>and and let the whole world know that I got

0:43:34.239 --> 0:43:37.040
<v Speaker 1>their back. My kids are good. My kids ain't bad,

0:43:37.480 --> 0:43:41.359
<v Speaker 1>and they're there. If every father, if the world's seen

0:43:41.480 --> 0:43:45.719
<v Speaker 1>every black man as a father out there for their

0:43:45.840 --> 0:43:48.239
<v Speaker 1>kids like that, we wouldn't have a problem. If we

0:43:48.360 --> 0:43:53.279
<v Speaker 1>have a date he opened his mouth. Oh no, we

0:43:53.320 --> 0:43:55.040
<v Speaker 1>don't need niggas to act like that. We don't need

0:43:55.080 --> 0:43:58.320
<v Speaker 1>him out of the public like that. So this is

0:43:58.400 --> 0:44:01.560
<v Speaker 1>why it is so important that we control our own media,

0:44:01.680 --> 0:44:04.480
<v Speaker 1>because if we control our own media, we get to

0:44:04.800 --> 0:44:08.239
<v Speaker 1>put the images out there that that is respectful to see,

0:44:08.360 --> 0:44:11.040
<v Speaker 1>that show black men doing these type of things and

0:44:11.200 --> 0:44:13.880
<v Speaker 1>not and they don't be in the hands of individuals

0:44:13.960 --> 0:44:16.640
<v Speaker 1>that don't have our best interest because it's still the

0:44:16.719 --> 0:44:18.960
<v Speaker 1>Willie Lynch syndrome going on, because they want to put

0:44:19.000 --> 0:44:22.520
<v Speaker 1>out the people that that's not so doing so well

0:44:22.640 --> 0:44:24.759
<v Speaker 1>or going through the society, but they don't want to

0:44:24.840 --> 0:44:27.840
<v Speaker 1>highlight and showcase the lines of the Balls, the Steals,

0:44:27.960 --> 0:44:29.880
<v Speaker 1>the James and the Melly Mills. They don't want to

0:44:29.920 --> 0:44:33.360
<v Speaker 1>do that because then then they got to change the subject.

0:44:33.440 --> 0:44:35.960
<v Speaker 1>That's the topic has got the change the way to

0:44:36.239 --> 0:44:39.560
<v Speaker 1>how we are being defined in this society. So that's

0:44:39.560 --> 0:44:42.040
<v Speaker 1>why it's important that we get on stay on code,

0:44:42.560 --> 0:44:46.200
<v Speaker 1>and we gain access to our own controling our all media.

0:44:46.320 --> 0:44:50.320
<v Speaker 1>That's why when I'm doing the Hood Postman, I always

0:44:50.400 --> 0:44:55.759
<v Speaker 1>say I take individuals that turn negatives into positives. That's

0:44:55.760 --> 0:45:02.759
<v Speaker 1>what I'm interested in exact. So Linzo Ball, we need

0:45:02.840 --> 0:45:04.359
<v Speaker 1>you want to show a big dog, I'm gonna get

0:45:04.360 --> 0:45:09.000
<v Speaker 1>actual people. He comes back that he come to speak

0:45:09.040 --> 0:45:11.400
<v Speaker 1>that truth, man, because we're gonna get you on here,

0:45:11.440 --> 0:45:13.680
<v Speaker 1>bro and get your flowers. Wingo gets you on here

0:45:13.680 --> 0:45:15.720
<v Speaker 1>to talk about that because that man is a great

0:45:15.800 --> 0:45:18.880
<v Speaker 1>father and he's a great us. I'm gonna tell you,

0:45:19.080 --> 0:45:21.880
<v Speaker 1>I'll fought with that little show. That man's wife had

0:45:21.920 --> 0:45:25.279
<v Speaker 1>a stroke. He take care of that woman, built a

0:45:25.360 --> 0:45:27.520
<v Speaker 1>little park in the backyard. He take care of them kid,

0:45:27.560 --> 0:45:30.719
<v Speaker 1>and he loved his keys dog. What's wrong? You know

0:45:30.800 --> 0:45:33.120
<v Speaker 1>if he hadn't took care of her, she'd be dead

0:45:33.239 --> 0:45:35.839
<v Speaker 1>based on how the medical people treat our people when

0:45:35.880 --> 0:45:38.680
<v Speaker 1>they go in the hospital, she'd be dead by them

0:45:38.960 --> 0:45:43.080
<v Speaker 1>depending on them people, right exactly. That man took that

0:45:43.280 --> 0:45:46.479
<v Speaker 1>safe circumstance in that situation to his own hand and said,

0:45:46.640 --> 0:45:49.640
<v Speaker 1>I'm gonna get these bugs. I'm gonna get these alternative medicines.

0:45:49.800 --> 0:45:51.719
<v Speaker 1>Where are that, I'm going to get my wife. I'm

0:45:51.800 --> 0:45:53.960
<v Speaker 1>gonna take care of my wife. Don't don't worries. I

0:45:54.000 --> 0:45:56.440
<v Speaker 1>don't need y'all. Hill, let me take care of this

0:45:57.239 --> 0:45:59.600
<v Speaker 1>because you know what I told somebody, and see this

0:45:59.760 --> 0:46:01.960
<v Speaker 1>is what I mean. That's why getting me so piste

0:46:02.000 --> 0:46:04.600
<v Speaker 1>off when I see us attacking each other. As soon

0:46:04.680 --> 0:46:07.000
<v Speaker 1>as the man had put his own his sons all

0:46:07.160 --> 0:46:10.480
<v Speaker 1>had their own clothing brands. He made their own tennis shoes.

0:46:10.520 --> 0:46:13.000
<v Speaker 1>The first thing you see niggas, oh them shoes. Utherly

0:46:13.320 --> 0:46:16.160
<v Speaker 1>they're too expensive. Oh man, ain't nobody can wear those.

0:46:16.320 --> 0:46:18.680
<v Speaker 1>It's like, man, why don't you just if you don't

0:46:18.719 --> 0:46:21.200
<v Speaker 1>want to buy them, don't go buy. But don't try

0:46:21.239 --> 0:46:23.960
<v Speaker 1>to stop everybody else from supporting the brothers. They want

0:46:23.960 --> 0:46:25.920
<v Speaker 1>to do some ship and that's the biggest problem with us.

0:46:26.000 --> 0:46:30.480
<v Speaker 1>Dog another black man that didn't look like man, I

0:46:30.480 --> 0:46:34.920
<v Speaker 1>shouldn't have bought ship, but we we support well. I

0:46:35.000 --> 0:46:39.480
<v Speaker 1>don't buy them motherfucker's by Michael Jordan's motherfucker by tennis

0:46:39.480 --> 0:46:42.080
<v Speaker 1>shoes because they want to they want to look like that.

0:46:42.480 --> 0:46:45.360
<v Speaker 1>They got tennis shoes out there five six dollars today.

0:46:46.120 --> 0:46:50.360
<v Speaker 1>I wish you would. I wouldn't, I wish I would,

0:46:53.480 --> 0:46:55.640
<v Speaker 1>But but check this out those y'all. I'm gonna tell

0:46:55.640 --> 0:46:59.640
<v Speaker 1>you what motherfucker's will do. What's his name? And them um,

0:47:00.120 --> 0:47:02.279
<v Speaker 1>she and them could call us niggas behind our back

0:47:03.080 --> 0:47:05.879
<v Speaker 1>and could do all this ship put the um put

0:47:05.960 --> 0:47:08.680
<v Speaker 1>the depict the black people with the watermelon and the

0:47:08.760 --> 0:47:10.839
<v Speaker 1>big lips and all that ship. They can do that ship.

0:47:11.600 --> 0:47:13.359
<v Speaker 1>It can come out to day that goof she hate

0:47:13.400 --> 0:47:16.160
<v Speaker 1>black people, the motherfucker's still gonna sell a big in

0:47:16.239 --> 0:47:19.520
<v Speaker 1>dollars works ship to black people because guess what, these

0:47:19.600 --> 0:47:22.439
<v Speaker 1>punk ask rappers go stealbo water wear the ship. These

0:47:22.600 --> 0:47:24.719
<v Speaker 1>entertains little steal water wear the ship. So there for

0:47:24.840 --> 0:47:26.520
<v Speaker 1>them kids will water wear because they don't give a

0:47:26.520 --> 0:47:28.000
<v Speaker 1>funk at the end of the day. At the end

0:47:28.040 --> 0:47:30.240
<v Speaker 1>of the day, niggas hate niggas. Though I really believe

0:47:30.320 --> 0:47:33.160
<v Speaker 1>that alright, James say she was gonna say, I said,

0:47:33.200 --> 0:47:36.640
<v Speaker 1>it ain't. That is we don't understand how much problem

0:47:36.719 --> 0:47:39.759
<v Speaker 1>we have in our neighborhoods, in our community. We you know,

0:47:40.040 --> 0:47:43.880
<v Speaker 1>a liquor store couldn't stand there, couldn't stay open if

0:47:43.920 --> 0:47:46.920
<v Speaker 1>we didn't go in that motherfucker. You know what I'm saying.

0:47:47.440 --> 0:47:51.239
<v Speaker 1>We got motherfucker's and liquor stores coming out and point

0:47:51.360 --> 0:47:54.120
<v Speaker 1>guns at you. Get the funk out of my store

0:47:54.320 --> 0:47:57.480
<v Speaker 1>or away from the parking line. This is part of

0:47:57.520 --> 0:48:01.000
<v Speaker 1>our neighborhood. But we we support the motherfucker's still and

0:48:01.200 --> 0:48:03.200
<v Speaker 1>you see if they could walk right past you after

0:48:03.239 --> 0:48:05.759
<v Speaker 1>they're talking all that ship and don't want to serve

0:48:05.880 --> 0:48:09.319
<v Speaker 1>you nothing, but we're still walking. That motherfucker's throwing by.

0:48:10.480 --> 0:48:13.759
<v Speaker 1>That's a real ship. That's that's that's that bullshit is

0:48:13.840 --> 0:48:16.200
<v Speaker 1>on us. We gotta see how much problem we had

0:48:16.600 --> 0:48:19.000
<v Speaker 1>now y'all won't be here if we didn't sunk with y'all.

0:48:19.760 --> 0:48:21.640
<v Speaker 1>So let's not funk with him. Let's get him out

0:48:21.680 --> 0:48:23.320
<v Speaker 1>of there, because they ain't bringing that money back to

0:48:23.400 --> 0:48:26.400
<v Speaker 1>the neighborhood and helping with the school or parking. No

0:48:26.560 --> 0:48:29.640
<v Speaker 1>ship like that. They're taking that ship back home or

0:48:29.719 --> 0:48:33.200
<v Speaker 1>back to their country. Yeah, that's some real ship. You know.

0:48:33.480 --> 0:48:37.080
<v Speaker 1>He helps everybody, but but us, we don't help each other.

0:48:37.200 --> 0:48:40.320
<v Speaker 1>We don't help us. And you know what I do

0:48:40.440 --> 0:48:43.359
<v Speaker 1>want to do and I want to be example of that. Man.

0:48:43.880 --> 0:48:47.839
<v Speaker 1>On another note, this kid had reached out to UM.

0:48:48.160 --> 0:48:50.640
<v Speaker 1>I think he reached out to all of us on Instagram. Right.

0:48:51.360 --> 0:48:53.640
<v Speaker 1>This kid is twelve years old and has its own

0:48:53.719 --> 0:48:58.520
<v Speaker 1>clothing brand. UM, it's the Resign twenty four. They sent

0:48:58.600 --> 0:49:02.600
<v Speaker 1>you some stuff, James. Now, yeah, they're gonna be sending

0:49:02.640 --> 0:49:05.160
<v Speaker 1>you to check your imbox on your thing. They gotta

0:49:05.160 --> 0:49:07.840
<v Speaker 1>clothe you, gotta cloth brand Resigned twenty four. We go

0:49:08.040 --> 0:49:10.400
<v Speaker 1>post some pictures of this stuff on our Instagram page

0:49:10.440 --> 0:49:12.440
<v Speaker 1>and stuff like that. But he sent us, He sent

0:49:12.640 --> 0:49:15.279
<v Speaker 1>us all individually a package. And I'm hook you up

0:49:15.280 --> 0:49:17.200
<v Speaker 1>because that mama been trying to she's probably trying to

0:49:17.200 --> 0:49:20.879
<v Speaker 1>get actually, James, but this kid is twelve years old, man,

0:49:21.000 --> 0:49:24.160
<v Speaker 1>and designed this stuff. The mama asked me when you

0:49:24.239 --> 0:49:26.440
<v Speaker 1>supported I know this ain't the perfect thing of it,

0:49:26.840 --> 0:49:29.200
<v Speaker 1>but he got some those stuff. Man twelve years old

0:49:29.239 --> 0:49:32.399
<v Speaker 1>got a clothing brand. How would I look like? Yeah?

0:49:32.480 --> 0:49:34.360
<v Speaker 1>How would I look as a brother? And the older

0:49:34.440 --> 0:49:40.080
<v Speaker 1>brother this preach black excellence, to deny him of that,

0:49:40.280 --> 0:49:43.280
<v Speaker 1>you noticed, to expose him to people in our platform

0:49:43.320 --> 0:49:45.160
<v Speaker 1>and stuff like that. Man, I thought that was incredible.

0:49:45.200 --> 0:49:47.560
<v Speaker 1>So shout out to re sign man. Y'all gonna check

0:49:47.600 --> 0:49:52.040
<v Speaker 1>his page out and everything. But at the serial wo Mac.

0:49:52.480 --> 0:49:56.560
<v Speaker 1>That's his Instagram page in a s e er wooll Mac.

0:49:57.320 --> 0:50:01.200
<v Speaker 1>The man and I just thought that was real. Like,

0:50:01.600 --> 0:50:03.640
<v Speaker 1>I thought that was incredible. Man. I said, this dude

0:50:03.719 --> 0:50:09.640
<v Speaker 1>twelve years old and got his own clothing brain and actually, yeah,

0:50:09.680 --> 0:50:12.040
<v Speaker 1>now I see it. Woman. He actor, he young kid

0:50:12.120 --> 0:50:14.600
<v Speaker 1>from Long Beach man out there doing this thing. Man,

0:50:14.680 --> 0:50:16.759
<v Speaker 1>shout out to him, Man, we appreciate your little brother.

0:50:16.880 --> 0:50:20.960
<v Speaker 1>Keep going STROMP. You know, but if we start supporting

0:50:21.000 --> 0:50:23.160
<v Speaker 1>our own man like and I keep telling people, I

0:50:23.200 --> 0:50:25.160
<v Speaker 1>don't say it a couple of episodes and hopefully we

0:50:25.280 --> 0:50:28.600
<v Speaker 1>can do it one day. If every black man, woman

0:50:28.640 --> 0:50:31.239
<v Speaker 1>and child in this country decided two days, we're not

0:50:31.320 --> 0:50:33.239
<v Speaker 1>gonna spend no money with nobody else. If we go

0:50:33.280 --> 0:50:37.320
<v Speaker 1>to the grocery store, hell, go to fifty four, go

0:50:37.400 --> 0:50:39.799
<v Speaker 1>to the Missing Story. You know what I mean. We're

0:50:39.840 --> 0:50:42.239
<v Speaker 1>not going the Walmark. We're not spend the money. On

0:50:42.360 --> 0:50:45.319
<v Speaker 1>target on mcdownalds. I'm gonna tell you this motherfucker would

0:50:45.320 --> 0:50:47.120
<v Speaker 1>be shut down. They would have to bow down on us,

0:50:47.160 --> 0:50:48.919
<v Speaker 1>but we'd not ever be able to do it because

0:50:48.920 --> 0:50:51.399
<v Speaker 1>it's always gonna be a motherfucker's saying. Oh, I don't

0:50:51.440 --> 0:50:53.239
<v Speaker 1>give a funk about that ship that nig is talking

0:50:53.280 --> 0:50:55.360
<v Speaker 1>about over there. I'm gonna go get my coffee, but

0:50:55.440 --> 0:50:59.080
<v Speaker 1>I'm gonna go over and get this. I got another

0:50:59.239 --> 0:51:02.640
<v Speaker 1>question for you and James and m Hopefully you guys

0:51:02.719 --> 0:51:06.600
<v Speaker 1>get up talk about it or at least give us

0:51:06.680 --> 0:51:09.200
<v Speaker 1>some insight on it. What do you think about these

0:51:09.360 --> 0:51:14.080
<v Speaker 1>rappers that claimed neighborhoods, they claimed tribes in Compton, l

0:51:14.160 --> 0:51:17.960
<v Speaker 1>A and Watch. What's what's your take on that? You

0:51:18.080 --> 0:51:22.000
<v Speaker 1>know what, man? You want to go first, James, this

0:51:22.160 --> 0:51:24.640
<v Speaker 1>is what I think about it, man. I think brothers

0:51:24.719 --> 0:51:29.160
<v Speaker 1>need to be true to who they are because the

0:51:29.360 --> 0:51:32.600
<v Speaker 1>real cripts and bloods. I know the rappers they made

0:51:32.680 --> 0:51:34.520
<v Speaker 1>mixing to hear in these songs, but it ain't they

0:51:34.600 --> 0:51:37.399
<v Speaker 1>whole thing. It ain't they whold. You feel what I'm saying,

0:51:37.400 --> 0:51:39.560
<v Speaker 1>They don't go overboard with it. You feel what I'm saying.

0:51:40.360 --> 0:51:43.600
<v Speaker 1>I know one of the biggest um blood exists in

0:51:43.640 --> 0:51:45.719
<v Speaker 1>the game. Man. That's where I've never heard this dude

0:51:45.719 --> 0:51:49.399
<v Speaker 1>say blood one time. I ain't never heard James say

0:51:49.440 --> 0:51:53.239
<v Speaker 1>blood before. So the real king that's got what I'm

0:51:53.280 --> 0:51:55.320
<v Speaker 1>talking I'm talking about the dudes that grew up in

0:51:55.480 --> 0:51:59.399
<v Speaker 1>these these uh suburban homes, that grew up in upper

0:51:59.440 --> 0:52:03.919
<v Speaker 1>middle class asked suburbia, never knew anything about the game,

0:52:04.560 --> 0:52:08.239
<v Speaker 1>but somehow got got only made a think uh hit

0:52:08.320 --> 0:52:11.840
<v Speaker 1>record wrap and then they decide, well, I'm gonna go

0:52:11.920 --> 0:52:15.600
<v Speaker 1>to Compton and I'm gonna go claim mob. I'm gonna

0:52:15.640 --> 0:52:18.279
<v Speaker 1>go claim cent Town. I'm gonna go clain Proof Town.

0:52:18.400 --> 0:52:21.399
<v Speaker 1>I'm talking about those in the business. A lot of guys,

0:52:21.560 --> 0:52:24.440
<v Speaker 1>A lot of those guys, they sit back, listen to

0:52:25.000 --> 0:52:29.120
<v Speaker 1>your MTV raps and then just like this, they figured

0:52:29.120 --> 0:52:31.840
<v Speaker 1>out they have a challenge. They know the rap, but

0:52:32.000 --> 0:52:34.239
<v Speaker 1>with the talent going out there and trying to get

0:52:34.280 --> 0:52:38.560
<v Speaker 1>a record deal, get sound or heard, motherfucker's realized they

0:52:38.680 --> 0:52:44.000
<v Speaker 1>need a image. They need to the image that you

0:52:44.120 --> 0:52:48.160
<v Speaker 1>see with with most gangster rappers. They feel that they

0:52:48.239 --> 0:52:52.479
<v Speaker 1>need that, so they reach out to the gangsters. Let's

0:52:52.480 --> 0:52:56.000
<v Speaker 1>say you know, a certain individual knew that he didn't

0:52:56.000 --> 0:52:59.680
<v Speaker 1>have an in him too pull it off and do this.

0:53:00.000 --> 0:53:02.879
<v Speaker 1>So I needed real gangs that I needed these motherfucker's

0:53:03.320 --> 0:53:07.640
<v Speaker 1>to make my dream come true. You know, rap, whether

0:53:07.760 --> 0:53:10.600
<v Speaker 1>he didn't rap, whatever, he knew that he had to

0:53:10.719 --> 0:53:13.680
<v Speaker 1>have that image. And a lot of these cats coming

0:53:13.719 --> 0:53:17.000
<v Speaker 1>from Beverly Hills, these white boys want to be rappers.

0:53:17.520 --> 0:53:21.200
<v Speaker 1>They know that they need an image. They need to

0:53:21.360 --> 0:53:23.680
<v Speaker 1>go to a hood. That's the only way they can

0:53:23.760 --> 0:53:26.960
<v Speaker 1>pull it off. And the money played a big part

0:53:27.000 --> 0:53:29.279
<v Speaker 1>of that because a lot of the guys in the

0:53:29.360 --> 0:53:32.600
<v Speaker 1>hood don't gonna have a way out already. So what

0:53:33.000 --> 0:53:37.000
<v Speaker 1>why shouldn't not let his motherfucker slide in and and

0:53:37.160 --> 0:53:40.800
<v Speaker 1>play that party, payed forward that and and that's and

0:53:40.920 --> 0:53:44.719
<v Speaker 1>that's what my point is that that's blind. But we

0:53:44.840 --> 0:53:47.360
<v Speaker 1>need to get a nune to score your agreement from you,

0:53:47.760 --> 0:53:50.399
<v Speaker 1>so we don't get to get to Kasi six nine

0:53:50.480 --> 0:53:52.960
<v Speaker 1>by you if you decide to go the other way,

0:53:53.239 --> 0:53:56.120
<v Speaker 1>because we need to be compensated in a way that

0:53:56.280 --> 0:53:59.239
<v Speaker 1>fits this tribe situation. You know what I mean, Because

0:53:59.680 --> 0:54:01.920
<v Speaker 1>you all this money, but then you want to run

0:54:02.000 --> 0:54:06.840
<v Speaker 1>away from the circumstances you play it self. Destruction is

0:54:07.640 --> 0:54:10.759
<v Speaker 1>already in the hood. We already got our fingers on

0:54:10.800 --> 0:54:14.680
<v Speaker 1>the destruction button. To be a hood and to be

0:54:15.000 --> 0:54:19.600
<v Speaker 1>certified in the hood. We should never allow motherfucker's to

0:54:19.719 --> 0:54:24.120
<v Speaker 1>come in our motherfucking neighborhoods and perpetrate anything a rapper,

0:54:24.719 --> 0:54:29.520
<v Speaker 1>uh actor or whomever. If you ain't coming to my

0:54:29.640 --> 0:54:33.200
<v Speaker 1>hood to say I think you got talent, let me

0:54:33.320 --> 0:54:36.399
<v Speaker 1>put you in the movie funck having niggas come and say,

0:54:36.600 --> 0:54:38.440
<v Speaker 1>I want to be from your hood. I'm gonna go

0:54:38.600 --> 0:54:41.080
<v Speaker 1>thirty thousand, They go ten thousand. I want to be

0:54:41.200 --> 0:54:45.239
<v Speaker 1>from the hood. What he do out there represents everybody

0:54:45.920 --> 0:54:50.239
<v Speaker 1>in that hood, just like just uh six nine jakasshu

0:54:51.440 --> 0:54:54.200
<v Speaker 1>think that that dude did. The homies opened the door

0:54:54.280 --> 0:54:56.640
<v Speaker 1>for that ship, and then now they allow it because

0:54:57.160 --> 0:55:01.560
<v Speaker 1>the money has blinded us. Now that ain't no hoodship

0:55:01.680 --> 0:55:06.520
<v Speaker 1>no more. Now now niggas is on survival mode. Now

0:55:06.640 --> 0:55:11.680
<v Speaker 1>niggas are doing fifteen and twenty in prison because of

0:55:11.760 --> 0:55:16.000
<v Speaker 1>the consequences because we allow people to infantrate what we

0:55:16.120 --> 0:55:20.680
<v Speaker 1>are and perpetrate what we are and they're not. So

0:55:20.840 --> 0:55:24.360
<v Speaker 1>it ain't uh six nine, motherfucking fault. It ain't sure

0:55:24.520 --> 0:55:27.120
<v Speaker 1>knife fall, it ain't it ain't none of these other

0:55:27.200 --> 0:55:30.399
<v Speaker 1>guys that in the hood trying to be from the hood.

0:55:30.440 --> 0:55:32.279
<v Speaker 1>They don't want to be from the hood. They just

0:55:32.440 --> 0:55:36.000
<v Speaker 1>need the hood to get big, right, So they're using

0:55:36.040 --> 0:55:39.960
<v Speaker 1>the hood for a purpose. That's all it is. And

0:55:40.040 --> 0:55:42.919
<v Speaker 1>but motherfucker ain't and and broke bread in the hood

0:55:43.239 --> 0:55:45.960
<v Speaker 1>and spill no blood in the hood. You could never

0:55:46.160 --> 0:55:50.239
<v Speaker 1>be a lott nigga period. You can never be. I

0:55:50.239 --> 0:55:51.839
<v Speaker 1>don't give a funk what you do and how much

0:55:51.880 --> 0:55:56.520
<v Speaker 1>money you got because he's not here. It's not here.

0:55:57.520 --> 0:56:00.360
<v Speaker 1>You don't even know how to think like a motherfucking gainster.

0:56:01.320 --> 0:56:05.640
<v Speaker 1>You can perpetrate a fraud all day because then niggas

0:56:05.680 --> 0:56:08.160
<v Speaker 1>ain't looking because they already got their blind bowls on

0:56:08.280 --> 0:56:11.279
<v Speaker 1>because they're getting paid. So when the ship get real,

0:56:11.400 --> 0:56:14.040
<v Speaker 1>then that's when you see the real that was really

0:56:14.160 --> 0:56:17.400
<v Speaker 1>in them, that was something for in an alien to

0:56:17.560 --> 0:56:23.040
<v Speaker 1>what you had. Survival mode is a motherfucker. Anybody, anybody

0:56:23.120 --> 0:56:25.440
<v Speaker 1>that feels threatened and see that the ship is coming,

0:56:25.760 --> 0:56:29.480
<v Speaker 1>they're gonna either crawl up, they're gonna ball up, roll up,

0:56:29.840 --> 0:56:31.719
<v Speaker 1>or they're gonna try to get the funk out of there,

0:56:32.000 --> 0:56:35.360
<v Speaker 1>or they're gonna give it up. Survival motive is a

0:56:35.440 --> 0:56:38.840
<v Speaker 1>motherfucker and it comes in all shape, size and forms

0:56:38.920 --> 0:56:42.760
<v Speaker 1>the whole mine. If you ain't something made, if gainst

0:56:42.760 --> 0:56:46.040
<v Speaker 1>somebody nature, not by choice, If you don't understand what

0:56:46.280 --> 0:56:49.600
<v Speaker 1>you are and where you're going with what you're doing,

0:56:50.239 --> 0:56:54.040
<v Speaker 1>you ain't ship. You ain't ship you. You're just walking

0:56:54.080 --> 0:56:58.080
<v Speaker 1>into motherfucking on the in the dead alley. One way

0:56:58.160 --> 0:57:01.120
<v Speaker 1>to go, one way out. Now when you get to

0:57:01.160 --> 0:57:02.759
<v Speaker 1>the end, and then had to come back, what you're

0:57:02.760 --> 0:57:04.640
<v Speaker 1>gonna do, because you know these motherfucker's at the end

0:57:04.680 --> 0:57:08.879
<v Speaker 1>of this motherfucker waiting for you. They don't they don't

0:57:08.920 --> 0:57:11.880
<v Speaker 1>even anticipate that. The niggers that they they're rolling with

0:57:12.120 --> 0:57:15.799
<v Speaker 1>got tune stone mind so sets and grave yard dispositions

0:57:16.000 --> 0:57:22.560
<v Speaker 1>for real, for every situation. The two motherfucker's that they

0:57:22.600 --> 0:57:25.000
<v Speaker 1>sought out and they looked for to get to help

0:57:25.120 --> 0:57:27.360
<v Speaker 1>them get to where they want or help them build

0:57:27.920 --> 0:57:30.960
<v Speaker 1>their their their their repertoire, whatever the case might be.

0:57:31.600 --> 0:57:34.920
<v Speaker 1>Them the two motherfucker's in the hood thinking we hustlick,

0:57:35.400 --> 0:57:37.680
<v Speaker 1>we're gonna talk this, and they got this paper, we're

0:57:37.720 --> 0:57:40.560
<v Speaker 1>gonna get this money. Y'alla, y'alla, And at the end

0:57:40.600 --> 0:57:42.560
<v Speaker 1>of the day, everybody that tried to do that and

0:57:42.720 --> 0:57:46.720
<v Speaker 1>back by it on their ass, yea, and back by

0:57:46.760 --> 0:57:53.640
<v Speaker 1>it on it because number one, ie, motherfucker's what I

0:57:53.840 --> 0:57:56.960
<v Speaker 1>think I should give you. That was when I'm down

0:57:57.120 --> 0:58:00.680
<v Speaker 1>for us. We got what we what he thought we deserved,

0:58:00.720 --> 0:58:03.240
<v Speaker 1>of what we was gonna get. It was never intended

0:58:03.280 --> 0:58:06.280
<v Speaker 1>for us to get bitch or after hood. It was

0:58:06.360 --> 0:58:09.920
<v Speaker 1>only intended for us to come and and and and

0:58:10.080 --> 0:58:12.400
<v Speaker 1>school him on what he wanted to be and what

0:58:12.600 --> 0:58:19.520
<v Speaker 1>he wanted to see exactly explain. Yeah, So that's that's

0:58:19.640 --> 0:58:21.680
<v Speaker 1>that's what that is. And and you know, I just

0:58:21.800 --> 0:58:24.640
<v Speaker 1>think that if you're from the hood, man, the certain

0:58:24.720 --> 0:58:28.120
<v Speaker 1>rules that you just don't allow you don't allow anybody

0:58:28.200 --> 0:58:30.800
<v Speaker 1>to come in the hood because it's a disrespect that

0:58:30.920 --> 0:58:34.320
<v Speaker 1>every homey that died on the block right in prison

0:58:35.080 --> 0:58:38.280
<v Speaker 1>should let him come in infantrate or portray to be

0:58:38.800 --> 0:58:41.760
<v Speaker 1>a thud nigga and we know he's not right right

0:58:41.960 --> 0:58:47.600
<v Speaker 1>right or that ship and and talk about nigga. This

0:58:47.720 --> 0:58:51.760
<v Speaker 1>Santana nigga. You're from Milwaukee. You ain't never been in

0:58:51.800 --> 0:58:54.160
<v Speaker 1>the hood, you ain't never broke bread. How can you

0:58:54.320 --> 0:58:56.600
<v Speaker 1>claim this? How can you put that on your body

0:58:58.000 --> 0:59:01.280
<v Speaker 1>that's not for you, and that's disrespect you. Every hoomi

0:59:01.320 --> 0:59:03.760
<v Speaker 1>that's won't get and living, every nigga that even thought

0:59:03.760 --> 0:59:07.200
<v Speaker 1>about being a cripuck blood should be mad at that ship.

0:59:08.880 --> 0:59:11.960
<v Speaker 1>We live our life. We wake up put on not drawings. Something.

0:59:12.000 --> 0:59:16.360
<v Speaker 1>Niggas won't even wear blue underwear because they so blooded out. Something.

0:59:16.400 --> 0:59:18.320
<v Speaker 1>You don't even put on the red t shirt off

0:59:18.640 --> 0:59:21.800
<v Speaker 1>or use red toothpage because they're so cript out of

0:59:21.840 --> 0:59:25.320
<v Speaker 1>lowed out. But you're lit uh, light skinned version of

0:59:25.920 --> 0:59:29.160
<v Speaker 1>Michael Jackson coming this motherfucker and say let's beat it,

0:59:29.320 --> 0:59:32.480
<v Speaker 1>and let's this, let's work. And now you don't dodge

0:59:32.520 --> 0:59:35.680
<v Speaker 1>your motherfucking hair. Now you don't play this nigga game.

0:59:36.000 --> 0:59:38.760
<v Speaker 1>And now you man, let me not get started. Man,

0:59:39.160 --> 0:59:44.840
<v Speaker 1>it ain't working. Man on that note, Man, that's a

0:59:44.920 --> 0:59:47.800
<v Speaker 1>perfect way man in this man, Milly mao, Man, we

0:59:47.920 --> 0:59:52.000
<v Speaker 1>appreciate you coming in man and sit with us. Man. Man,

0:59:52.880 --> 0:59:58.120
<v Speaker 1>let me give me, let me get my info out there. Man. Yeah,

0:59:58.120 --> 1:00:00.360
<v Speaker 1>but that's a melly man on the Hood po Man.

1:00:00.480 --> 1:00:06.680
<v Speaker 1>Go follow me on YouTube, Instagram, the Hood Postman on Twitter, Twitter,

1:00:06.880 --> 1:00:10.720
<v Speaker 1>The Hood post Man and Milly Gibson on Facebook. Man,

1:00:10.800 --> 1:00:13.280
<v Speaker 1>be sure to follow me, man, I we're gonna get

1:00:13.320 --> 1:00:15.600
<v Speaker 1>this same popping man. We're gonna get it together because

1:00:16.800 --> 1:00:21.000
<v Speaker 1>big still James m c a man. They stay on

1:00:21.160 --> 1:00:25.120
<v Speaker 1>cold Man. Thanks the chronic post right the shore. And

1:00:25.200 --> 1:00:27.560
<v Speaker 1>we appreciate you. Man. We got James, you know, I

1:00:27.640 --> 1:00:28.920
<v Speaker 1>know it's a little bit and he was about to

1:00:28.960 --> 1:00:30.880
<v Speaker 1>say some movies you're gonna say migg No. I was

1:00:30.960 --> 1:00:34.360
<v Speaker 1>just saying, man, everybody got to hear Millie Mayo. When

1:00:34.360 --> 1:00:36.960
<v Speaker 1>I first heard you, I was like, this motherfucker he

1:00:37.080 --> 1:00:41.200
<v Speaker 1>got he got some hood knowledge he understand and not

1:00:41.400 --> 1:00:44.160
<v Speaker 1>for the people on the outside, but the people on

1:00:44.240 --> 1:00:47.840
<v Speaker 1>the inside and the hood mail. These cats need to

1:00:47.920 --> 1:00:50.640
<v Speaker 1>hear that that that voice. These cats need to hear

1:00:50.720 --> 1:00:55.000
<v Speaker 1>that knowledge or what the hood is. I appreciate that, James, man.

1:00:55.120 --> 1:00:57.240
<v Speaker 1>They need to they need to get it because a

1:00:57.320 --> 1:00:59.920
<v Speaker 1>lot of cats is walking with depends halfway off their

1:01:00.000 --> 1:01:02.320
<v Speaker 1>as and don't even know why they're doing it. These

1:01:02.400 --> 1:01:05.560
<v Speaker 1>niggas ain't taught ship, ain't learned ship. And that's why

1:01:05.680 --> 1:01:08.680
<v Speaker 1>gag banging is fucked up today because they don't got

1:01:08.880 --> 1:01:12.120
<v Speaker 1>and they can't absorb the knowledge that you're putting out there.

1:01:12.760 --> 1:01:17.560
<v Speaker 1>They don't understand the ship and I tell each and everybody, Man,

1:01:17.640 --> 1:01:20.000
<v Speaker 1>don't wait till you fifty seven years old to say

1:01:20.040 --> 1:01:23.760
<v Speaker 1>I give. Man. I gave a long time ago, but

1:01:23.840 --> 1:01:25.600
<v Speaker 1>I didn't know how to. I didn't know how to

1:01:25.640 --> 1:01:28.320
<v Speaker 1>throw my hands up and surrender my brothers. But now

1:01:28.320 --> 1:01:31.320
<v Speaker 1>that I know, and if it is what it is

1:01:31.600 --> 1:01:34.480
<v Speaker 1>on that man, I said, both of your brothers. Man,

1:01:34.880 --> 1:01:44.320
<v Speaker 1>I'm about with James mcjo still an m c A tonight.

1:01:44.400 --> 1:01:47.160
<v Speaker 1>We have special guests in here. He's the former CEO

1:01:47.240 --> 1:01:50.320
<v Speaker 1>of No Limit Records. Mr Toben Corson. Are you doing

1:01:50.400 --> 1:01:53.400
<v Speaker 1>like Toby Hey, are you doing? Norms? Good to see still.

1:01:54.160 --> 1:01:56.240
<v Speaker 1>Thanks for having me on the show, man, I mean

1:01:56.320 --> 1:01:58.720
<v Speaker 1>I've been waiting. You got all the all the hottest,

1:01:58.960 --> 1:02:00.840
<v Speaker 1>hottest people on the show us. So I was like, Man,

1:02:00.960 --> 1:02:02.720
<v Speaker 1>the fact he reached out to me to be on it,

1:02:02.800 --> 1:02:05.680
<v Speaker 1>I'm I'm blessed and I appreciate that. Oh for sure, Man,

1:02:05.760 --> 1:02:07.840
<v Speaker 1>We're glad they have you on the show, Man, because

1:02:08.320 --> 1:02:10.720
<v Speaker 1>you know, and looking at the No Limit chronicles like

1:02:10.800 --> 1:02:12.680
<v Speaker 1>everybody else in the comfory at the time when it

1:02:12.760 --> 1:02:15.080
<v Speaker 1>came out. I think, like everybody else in the comfort

1:02:15.200 --> 1:02:17.880
<v Speaker 1>the time, I was, you know, binging No Limit back

1:02:17.920 --> 1:02:20.920
<v Speaker 1>in the day, just like everybody else. Yes, how did

1:02:21.000 --> 1:02:23.600
<v Speaker 1>you initially hook up? What was your background? Like, how

1:02:23.640 --> 1:02:25.800
<v Speaker 1>did you guys like connect? Well, you know, I was

1:02:25.920 --> 1:02:29.160
<v Speaker 1>in UH. I was in college radio, spinning records and UH.

1:02:29.800 --> 1:02:33.280
<v Speaker 1>I actually UH was doing a show and this is

1:02:33.360 --> 1:02:37.600
<v Speaker 1>about ninety two, and I had my god brother used

1:02:37.600 --> 1:02:40.440
<v Speaker 1>to UH used to work at the foot locker. He

1:02:40.520 --> 1:02:42.440
<v Speaker 1>was the manager at the foot lockers, so he used

1:02:42.440 --> 1:02:44.439
<v Speaker 1>to go in there all the time and my tennis shoes.

1:02:45.000 --> 1:02:46.520
<v Speaker 1>So I was trying to do a show and had

1:02:46.560 --> 1:02:48.720
<v Speaker 1>a rapper dawn out on me at the last minute,

1:02:48.760 --> 1:02:50.320
<v Speaker 1>and I just had to be talking to my god

1:02:50.400 --> 1:02:53.040
<v Speaker 1>brother and he was like, man, I got this cat

1:02:53.200 --> 1:02:55.560
<v Speaker 1>master P. I know he'll show up to do a

1:02:55.600 --> 1:02:57.959
<v Speaker 1>show for you. And I hadn't you know, I didn't

1:02:58.000 --> 1:03:00.320
<v Speaker 1>know who he was. I didn't know what, no anything

1:03:00.360 --> 1:03:02.760
<v Speaker 1>about him other than I just needed a rapper to

1:03:02.840 --> 1:03:05.600
<v Speaker 1>do a show. And he came out. I had a

1:03:05.640 --> 1:03:07.840
<v Speaker 1>couple of dollars, put a couple of dollars in his pocket.

1:03:07.920 --> 1:03:09.960
<v Speaker 1>But he came out here at the T shirts and

1:03:10.240 --> 1:03:12.400
<v Speaker 1>did a cool show. And then we met each other

1:03:12.520 --> 1:03:15.480
<v Speaker 1>and kind of just hit it off. So we just

1:03:15.640 --> 1:03:18.240
<v Speaker 1>kind of kept in contact during that time, and I

1:03:18.240 --> 1:03:20.560
<v Speaker 1>would do He would send me stuff and I promote

1:03:20.720 --> 1:03:23.880
<v Speaker 1>and and play, you know, play music on the radio

1:03:24.000 --> 1:03:25.480
<v Speaker 1>and that kind of stuff. He'd had to send me

1:03:25.520 --> 1:03:28.200
<v Speaker 1>these cassette tapes and I played these cassette tapes and

1:03:28.320 --> 1:03:31.240
<v Speaker 1>I do some giveaway stuff. And that's how we kind

1:03:31.280 --> 1:03:36.760
<v Speaker 1>of built a relationship. And it wasn't until it is

1:03:36.840 --> 1:03:39.640
<v Speaker 1>when I kind of came off board and just really

1:03:39.720 --> 1:03:44.160
<v Speaker 1>started working working for No Limit in a variety capacity.

1:03:44.760 --> 1:03:49.440
<v Speaker 1>And then at that time in I had already known St. Charles,

1:03:49.600 --> 1:03:53.440
<v Speaker 1>who Forty's uncle was always sending me promotional stuff for

1:03:53.520 --> 1:03:55.880
<v Speaker 1>me to promote, and I was promoting Forty and The

1:03:55.960 --> 1:04:00.920
<v Speaker 1>Click and all those guys. And actually St. Charles was

1:04:01.000 --> 1:04:03.640
<v Speaker 1>the one who had told Pete man, you really need

1:04:03.720 --> 1:04:06.800
<v Speaker 1>to get Tobin to run the label and be your

1:04:06.880 --> 1:04:09.640
<v Speaker 1>manager because you really need to show that kind of

1:04:09.720 --> 1:04:13.600
<v Speaker 1>professional business side. And at that point he just said, yeah,

1:04:13.760 --> 1:04:16.560
<v Speaker 1>you know, let's do this. Because I had already cultivated

1:04:16.600 --> 1:04:20.000
<v Speaker 1>a good relationship. I had all these ideas about marketing

1:04:20.200 --> 1:04:23.320
<v Speaker 1>and different strategy and how to how to get more

1:04:23.400 --> 1:04:27.240
<v Speaker 1>positioning in retail and really how to try to sell

1:04:27.360 --> 1:04:31.120
<v Speaker 1>records without necessarily having that radio play and going through

1:04:31.240 --> 1:04:34.200
<v Speaker 1>college radio and get and kind of building that buzz

1:04:34.280 --> 1:04:37.560
<v Speaker 1>and building that name. And then at that time when St.

1:04:37.640 --> 1:04:40.560
<v Speaker 1>Charles reached out to and St. Charles was talking to

1:04:40.640 --> 1:04:43.600
<v Speaker 1>Pete Man, you really need to get with Toben. He's

1:04:43.640 --> 1:04:45.720
<v Speaker 1>the one that said, Okay, you're gonna run the label.

1:04:45.800 --> 1:04:49.480
<v Speaker 1>You're gonna be my manager, business and personal manager. And

1:04:49.840 --> 1:04:51.840
<v Speaker 1>and that's kind of how things kind of took off

1:04:51.920 --> 1:04:54.919
<v Speaker 1>from there, because if you look at how no limit

1:04:55.000 --> 1:04:59.080
<v Speaker 1>was structured prior to that point and be coming out board,

1:04:59.160 --> 1:05:02.400
<v Speaker 1>he put out probably about seventeen different projects that no

1:05:02.520 --> 1:05:06.000
<v Speaker 1>one was really checking for. And then when we got

1:05:06.120 --> 1:05:09.240
<v Speaker 1>together and we did the Ghettos Trying to Kill Me

1:05:09.760 --> 1:05:12.240
<v Speaker 1>and then we put together the West Coast Bad Boys,

1:05:12.320 --> 1:05:14.600
<v Speaker 1>that's what things started to take off from there. Let

1:05:14.680 --> 1:05:18.040
<v Speaker 1>me So, what do you think it was that wasn't

1:05:18.040 --> 1:05:20.840
<v Speaker 1>orisonate with the people about Peas music at first? Well?

1:05:20.920 --> 1:05:24.280
<v Speaker 1>I think it was. You gotta understand that that he

1:05:24.600 --> 1:05:27.840
<v Speaker 1>quite didn't have his have his own sound. If you

1:05:27.960 --> 1:05:30.440
<v Speaker 1>listen to all the old stuff prior to the Ghettos

1:05:30.480 --> 1:05:34.000
<v Speaker 1>Trying to Kill Me, production was it was okay, but

1:05:34.160 --> 1:05:37.160
<v Speaker 1>it wasn't really at that professional level. So when people

1:05:37.200 --> 1:05:38.840
<v Speaker 1>would listen to it, they were kind of like, well,

1:05:39.760 --> 1:05:42.640
<v Speaker 1>they would listen to it, but they weren't really like, Okay,

1:05:42.680 --> 1:05:45.400
<v Speaker 1>I gotta buy this record. And I think what happened

1:05:45.560 --> 1:05:49.400
<v Speaker 1>was when we started to to work with folks like

1:05:49.680 --> 1:05:53.040
<v Speaker 1>you know, Al Eden and Keim Franklin and really start

1:05:53.160 --> 1:05:56.560
<v Speaker 1>developing that West Coast sound, that's what people wanted to

1:05:57.280 --> 1:06:00.360
<v Speaker 1>listen to. More of what he was doing, like e. A.

1:06:00.560 --> 1:06:04.680
<v Speaker 1>Ski and his production. That's when people started really like, okay,

1:06:04.800 --> 1:06:07.520
<v Speaker 1>this is we taken our production game to another level.

1:06:07.920 --> 1:06:10.240
<v Speaker 1>And then people wanted to hear what he was doing

1:06:10.560 --> 1:06:12.960
<v Speaker 1>because he sure seemed like he came out of nowhere.

1:06:13.040 --> 1:06:16.120
<v Speaker 1>So he had seventeen He had seventeen full length albums

1:06:16.120 --> 1:06:19.040
<v Speaker 1>out before that, but they weren't full leaks, but they

1:06:19.080 --> 1:06:22.560
<v Speaker 1>were singles, EPs, albums, all kinds of projects he was

1:06:22.680 --> 1:06:25.840
<v Speaker 1>doing prior to So, like anyone who watches the No

1:06:26.000 --> 1:06:29.240
<v Speaker 1>Limit Chronicles to see, it started off from a retail

1:06:29.320 --> 1:06:32.160
<v Speaker 1>store and it was doing shows and opening up for

1:06:32.280 --> 1:06:36.040
<v Speaker 1>people and doing promotion and it took a it took

1:06:36.040 --> 1:06:38.360
<v Speaker 1>a while. It was years. So if you think about

1:06:39.480 --> 1:06:43.960
<v Speaker 1>eighty nine, when when when No Limits started to ninety two,

1:06:44.120 --> 1:06:46.400
<v Speaker 1>when I kind of came on board to ninety three

1:06:46.480 --> 1:06:49.520
<v Speaker 1>when we started to get regional success, and by the

1:06:49.680 --> 1:06:52.840
<v Speaker 1>time we came out in ninety four with the West

1:06:52.920 --> 1:06:56.880
<v Speaker 1>Coast Bad Boys, that's what put P on the map nationally.

1:06:57.240 --> 1:06:59.919
<v Speaker 1>So even though it was a West Coast record, people

1:07:00.200 --> 1:07:03.720
<v Speaker 1>from the Midwest and Pardon the South started to want

1:07:03.760 --> 1:07:06.240
<v Speaker 1>to check out this West because bad boy sound and

1:07:06.320 --> 1:07:09.280
<v Speaker 1>what what we were doing. So let me ask you this,

1:07:09.680 --> 1:07:12.720
<v Speaker 1>when did you guys first realized that she was something?

1:07:13.000 --> 1:07:15.200
<v Speaker 1>I think when we did that, I think you know,

1:07:15.360 --> 1:07:18.400
<v Speaker 1>P always had belief in himself and what he was doing.

1:07:19.000 --> 1:07:22.880
<v Speaker 1>I think what we realized when we had something specials

1:07:22.920 --> 1:07:24.960
<v Speaker 1>when we did the Ghettos Trying to Kill Me. So

1:07:25.040 --> 1:07:27.320
<v Speaker 1>if you look at the Ghettos Trying to Kill Me album,

1:07:27.960 --> 1:07:31.080
<v Speaker 1>it was P M bad with this woman. Uh it

1:07:31.280 --> 1:07:33.360
<v Speaker 1>was King George was in the back with a gun,

1:07:33.640 --> 1:07:36.320
<v Speaker 1>kind of portraying the ghetto. And when people saw that

1:07:36.480 --> 1:07:39.120
<v Speaker 1>concept of the ghettos trying to kill me and we

1:07:39.280 --> 1:07:42.720
<v Speaker 1>did this record called to eleven, uh talk about Robin

1:07:42.800 --> 1:07:46.560
<v Speaker 1>liquor stores, that's when we started to see we have something.

1:07:47.040 --> 1:07:49.200
<v Speaker 1>And then what happened was there was this guy that

1:07:49.400 --> 1:07:52.280
<v Speaker 1>was going around robbing liquor stores, and he was robbing

1:07:52.560 --> 1:07:55.000
<v Speaker 1>h people at a t M S. And when he

1:07:55.080 --> 1:07:58.760
<v Speaker 1>got arrested, he had told people that the master p

1:07:59.040 --> 1:08:01.960
<v Speaker 1>record to allow then is what made him go out

1:08:02.040 --> 1:08:04.600
<v Speaker 1>and rob these people, because every time he listened to

1:08:04.680 --> 1:08:07.120
<v Speaker 1>the Red before he robbed people, he would go listen

1:08:07.200 --> 1:08:09.440
<v Speaker 1>to the record or you have to record and take that,

1:08:09.880 --> 1:08:12.080
<v Speaker 1>and he was listening to it before he robbed people.

1:08:12.360 --> 1:08:16.120
<v Speaker 1>So then at that point is when folks started to

1:08:16.200 --> 1:08:18.280
<v Speaker 1>really know who we were and we started to kind

1:08:18.280 --> 1:08:21.479
<v Speaker 1>of build that name. So that was really you know,

1:08:21.600 --> 1:08:24.040
<v Speaker 1>when we knew, like, wow, we have something. When we

1:08:24.160 --> 1:08:27.439
<v Speaker 1>got when we were affecting people and their cool thought

1:08:27.520 --> 1:08:29.960
<v Speaker 1>process and what they're doing, and we started to be

1:08:30.040 --> 1:08:33.479
<v Speaker 1>in the newspaper and on television, and that's when we knew, okay,

1:08:33.560 --> 1:08:36.720
<v Speaker 1>we could really make something big out of it. And

1:08:36.880 --> 1:08:39.880
<v Speaker 1>peace also he started to kind of form his own identity.

1:08:40.040 --> 1:08:43.840
<v Speaker 1>Absolutely at that point he started to realize, you know,

1:08:43.880 --> 1:08:46.560
<v Speaker 1>because because before that he was kind of taking a

1:08:46.640 --> 1:08:49.120
<v Speaker 1>little bit of sound from this artist and that artist

1:08:49.240 --> 1:08:51.840
<v Speaker 1>and wasn't sure which direction to go. But by the

1:08:52.000 --> 1:08:56.000
<v Speaker 1>time we did the by the time we went through

1:08:56.040 --> 1:08:58.800
<v Speaker 1>that process and did that record to get us trying

1:08:58.800 --> 1:09:01.720
<v Speaker 1>to kill me, and then we started to put things

1:09:01.800 --> 1:09:06.080
<v Speaker 1>together for the West Coast Bad Boys. That's when ultimately

1:09:06.600 --> 1:09:09.120
<v Speaker 1>we knew we had something and things were starting to move.

1:09:09.479 --> 1:09:11.360
<v Speaker 1>And by the time we put that West Coast Bad

1:09:11.439 --> 1:09:14.080
<v Speaker 1>Boys record out and it hit billboard charts and it

1:09:14.240 --> 1:09:16.960
<v Speaker 1>was on for consecutive weeks. And then next year, what

1:09:17.000 --> 1:09:19.960
<v Speaker 1>everyone's calling us and wanting to do something with this

1:09:20.120 --> 1:09:22.160
<v Speaker 1>because we had we were not only were selling all

1:09:22.200 --> 1:09:25.120
<v Speaker 1>the records, but we were on the billboard charts. That's

1:09:25.160 --> 1:09:28.479
<v Speaker 1>when folks started to kind of just say, Okay, master

1:09:28.640 --> 1:09:31.280
<v Speaker 1>P is doing something different and what we're doing at

1:09:31.320 --> 1:09:34.479
<v Speaker 1>no limited special? What made you guys go in the direction?

1:09:34.560 --> 1:09:37.160
<v Speaker 1>Because I noticed on West Coast Bad Boys and stuff,

1:09:37.160 --> 1:09:39.040
<v Speaker 1>you guys were working with a lot of different producers,

1:09:39.479 --> 1:09:43.000
<v Speaker 1>most of the big area producers. When was it decided?

1:09:43.479 --> 1:09:45.400
<v Speaker 1>When do you think it was decided that they would

1:09:45.400 --> 1:09:47.280
<v Speaker 1>go to route and bring them like a beats and

1:09:47.320 --> 1:09:50.479
<v Speaker 1>by the pound, like like who decided that? Well, I

1:09:50.600 --> 1:09:53.400
<v Speaker 1>think it was lower about having a home bed. So

1:09:53.600 --> 1:09:57.080
<v Speaker 1>if you looked at master P, master P had was

1:09:57.160 --> 1:10:00.679
<v Speaker 1>sell records up in the Northwest and Seattle, in Portland,

1:10:00.720 --> 1:10:03.680
<v Speaker 1>in that area in the Midwest, so you you talk

1:10:03.760 --> 1:10:07.760
<v Speaker 1>about Kansas City, Missouri, Iowa. We were selling records there,

1:10:08.040 --> 1:10:10.920
<v Speaker 1>parts in the South and parts in the West Coast,

1:10:11.680 --> 1:10:14.519
<v Speaker 1>and to make sure we had a home base, because

1:10:14.560 --> 1:10:17.880
<v Speaker 1>if you think about most popular rappers, they have a

1:10:18.000 --> 1:10:20.680
<v Speaker 1>home base, whether they're from parts of New York or

1:10:20.680 --> 1:10:23.599
<v Speaker 1>they're from Newisiana, they're protected wherever they have a home base.

1:10:23.880 --> 1:10:26.760
<v Speaker 1>And at that point, he was kind of an outsider

1:10:26.920 --> 1:10:29.640
<v Speaker 1>because he wasn't you know, he didn't sound like a

1:10:29.760 --> 1:10:32.040
<v Speaker 1>West Coast rapper because he had he had this real

1:10:32.320 --> 1:10:35.760
<v Speaker 1>Southern accident and he really, you know, even though we

1:10:35.880 --> 1:10:39.280
<v Speaker 1>spent time in in Richmond and in the Bay Area,

1:10:40.160 --> 1:10:43.120
<v Speaker 1>he represented the Bay Area with the West Coast bad boys,

1:10:43.400 --> 1:10:46.960
<v Speaker 1>but people didn't really you know, know he as being

1:10:47.040 --> 1:10:50.599
<v Speaker 1>a California guy, because all the California folks were like, oh,

1:10:50.720 --> 1:10:54.479
<v Speaker 1>you're not from out here, you country. So going back

1:10:54.560 --> 1:10:58.519
<v Speaker 1>south was I think, well, ultimately what we decided to do,

1:10:58.800 --> 1:11:01.000
<v Speaker 1>and even bringing off Beast the power that has to

1:11:01.120 --> 1:11:05.080
<v Speaker 1>do with with with Mr Sturvan and his relationship with

1:11:05.320 --> 1:11:09.840
<v Speaker 1>KLC and then also Moby Dick being peace cousin and

1:11:09.920 --> 1:11:12.679
<v Speaker 1>then building a relationship with me and X. We knew

1:11:12.720 --> 1:11:15.479
<v Speaker 1>we had to have that Southern sound. But the reason

1:11:15.600 --> 1:11:18.840
<v Speaker 1>why we went to the South was to build that

1:11:19.040 --> 1:11:22.240
<v Speaker 1>home base. And then, just to be frank, a dollar

1:11:22.360 --> 1:11:26.240
<v Speaker 1>went a lot further in Louisiana, Mississippi, Alabama and Tennessee

1:11:26.360 --> 1:11:29.200
<v Speaker 1>than it did in California. Like I could spend five

1:11:29.240 --> 1:11:32.280
<v Speaker 1>thousand dollars in California and that's not gonna get you

1:11:32.439 --> 1:11:36.080
<v Speaker 1>as much as if you spend five thousand dollars in Louisiana, Texas,

1:11:36.200 --> 1:11:41.120
<v Speaker 1>Mrs Sipia, Alabama. So from a financial standpoint, we had

1:11:41.280 --> 1:11:44.280
<v Speaker 1>more to work with from a budgetary standpoint in the South.

1:11:44.840 --> 1:11:47.200
<v Speaker 1>He was from the South, so he wanted to go home.

1:11:47.640 --> 1:11:50.800
<v Speaker 1>We spent a lot of time down there, his relationship

1:11:50.920 --> 1:11:54.760
<v Speaker 1>with me a x uh Serve on KLC Moby Dick.

1:11:55.120 --> 1:11:58.240
<v Speaker 1>It just made sense that we do something with the South,

1:11:58.600 --> 1:12:01.280
<v Speaker 1>and the South had that really deep base, that sound

1:12:01.360 --> 1:12:04.200
<v Speaker 1>that we were looking for at that time. Man, you

1:12:04.320 --> 1:12:07.240
<v Speaker 1>know him coming from the Bay area, like you said,

1:12:07.320 --> 1:12:10.280
<v Speaker 1>he sounded like a Louisiana kid. So I'm pretty sure

1:12:10.320 --> 1:12:11.960
<v Speaker 1>it was some kind of resistance if there. Did you

1:12:12.000 --> 1:12:14.400
<v Speaker 1>get a lot of hate in Bay Yeah, I would

1:12:14.439 --> 1:12:17.840
<v Speaker 1>say I would say not from the fans, but some

1:12:17.960 --> 1:12:19.840
<v Speaker 1>of the artists had a problem that P came on

1:12:19.960 --> 1:12:22.559
<v Speaker 1>the scene. So think about this. We do the West

1:12:22.600 --> 1:12:25.720
<v Speaker 1>Coast Bad Boys. We take all the popular rappers on

1:12:25.760 --> 1:12:28.400
<v Speaker 1>the West Coast throughout the Bay Area and we put

1:12:28.479 --> 1:12:31.200
<v Speaker 1>them on an album. We put Master P Presents on

1:12:31.320 --> 1:12:33.720
<v Speaker 1>the top of that album. So everybody thought Master P

1:12:33.960 --> 1:12:36.160
<v Speaker 1>was the leader of all these folks. So who do

1:12:36.200 --> 1:12:38.720
<v Speaker 1>you have on there? You have folks like for Sacramento,

1:12:38.840 --> 1:12:41.200
<v Speaker 1>like c Boat, you have Jay to the biggest figure.

1:12:41.439 --> 1:12:44.160
<v Speaker 1>You have the delinquents. Uh. You know, when you start

1:12:44.280 --> 1:12:47.479
<v Speaker 1>thinking about these artists that are on we had Rapping Forte.

1:12:48.000 --> 1:12:51.960
<v Speaker 1>So all of these rappers that are popular in their hoods,

1:12:52.400 --> 1:12:55.519
<v Speaker 1>and Master P is presented as the leader of this crew.

1:12:56.280 --> 1:12:59.560
<v Speaker 1>So at that point we put all these records we

1:12:59.680 --> 1:13:01.479
<v Speaker 1>are we get on on the inside of the West

1:13:01.560 --> 1:13:05.040
<v Speaker 1>Coast Bad Boys. So people were like, man, he is

1:13:05.120 --> 1:13:07.360
<v Speaker 1>representing the West Coast Bad Boys, and that kind of

1:13:07.439 --> 1:13:10.439
<v Speaker 1>built that built a name for us. So I would

1:13:10.479 --> 1:13:12.519
<v Speaker 1>say that there were artists out there was just like, man,

1:13:12.560 --> 1:13:15.200
<v Speaker 1>who did he think he is? He's not from here.

1:13:15.479 --> 1:13:18.320
<v Speaker 1>He came here and he's solidified himself with the fans

1:13:18.760 --> 1:13:21.000
<v Speaker 1>by being, you know, the head of the West Coast

1:13:21.040 --> 1:13:24.720
<v Speaker 1>Bad Boys are leading the West Coast Bad Boys. That's dope, man.

1:13:25.120 --> 1:13:27.880
<v Speaker 1>So y'all moving units now, man, y'all starting to sell

1:13:27.920 --> 1:13:30.800
<v Speaker 1>a lot of Rigords and everything. Yes, the attention from

1:13:30.800 --> 1:13:34.240
<v Speaker 1>the Rigord labels coming out right absolutely. Who was the

1:13:34.320 --> 1:13:36.400
<v Speaker 1>first one, who was the first major to hit you

1:13:36.479 --> 1:13:39.960
<v Speaker 1>guys up? Well, Big Beat Atlantic was kind of rushing

1:13:40.040 --> 1:13:44.120
<v Speaker 1>out us pretty hard. Uh M c A was contacting us,

1:13:44.320 --> 1:13:49.200
<v Speaker 1>our c A was contacting us. Um, you know, Universal

1:13:49.400 --> 1:13:51.680
<v Speaker 1>was in the mix at that particular time, but Big

1:13:51.800 --> 1:13:55.719
<v Speaker 1>Beat Atlantic was probably that the label. And Craig Common

1:13:55.840 --> 1:13:57.719
<v Speaker 1>was the one that was pushing so hard from Master

1:13:57.840 --> 1:14:02.120
<v Speaker 1>Peak and what you know, ultimately P would have actually

1:14:02.240 --> 1:14:05.200
<v Speaker 1>signed with them. And I probably the whole thing was

1:14:05.320 --> 1:14:09.240
<v Speaker 1>he was ready to sacrifice the Master P name by

1:14:09.439 --> 1:14:13.519
<v Speaker 1>getting money from Big Beat Atlantic, and the whole plan

1:14:13.680 --> 1:14:15.720
<v Speaker 1>what he wanted to do was he was gonna take

1:14:15.800 --> 1:14:18.320
<v Speaker 1>whatever money he was gonna get from Big Beat Atlantic

1:14:18.920 --> 1:14:20.920
<v Speaker 1>and put that money in the silk the Shocker and

1:14:21.000 --> 1:14:24.800
<v Speaker 1>put that money into No Limit Records. And I was

1:14:24.920 --> 1:14:27.320
<v Speaker 1>the person who said, We're not gonna do that, doesn't

1:14:27.360 --> 1:14:31.240
<v Speaker 1>make sense. We can hold out, because I believe it

1:14:31.400 --> 1:14:33.599
<v Speaker 1>or not. C murder and King George wanted to beat

1:14:33.640 --> 1:14:35.400
<v Speaker 1>me up because they was like I was messing with

1:14:35.479 --> 1:14:37.920
<v Speaker 1>their money, because we were looking at a pretty decent

1:14:38.000 --> 1:14:41.640
<v Speaker 1>sized amount of money. So what we did was we

1:14:41.760 --> 1:14:43.720
<v Speaker 1>kind of rolled it out. We rolled the dice on

1:14:43.920 --> 1:14:46.280
<v Speaker 1>doing the next record. So after the West Coast that

1:14:46.439 --> 1:14:48.960
<v Speaker 1>Voids came out and we were hot, we did another

1:14:49.040 --> 1:14:52.240
<v Speaker 1>record called ninety nine Ways to Die. So when we

1:14:52.680 --> 1:14:54.840
<v Speaker 1>we we he probably if we wouldn't have did ninety

1:14:54.920 --> 1:14:58.240
<v Speaker 1>nine Ways to Die, he may have signed there if

1:14:58.280 --> 1:14:59.960
<v Speaker 1>I wouldn't have said, no, we're not with this whole

1:15:00.040 --> 1:15:03.080
<v Speaker 1>doll let's hold on if they were going to give

1:15:03.160 --> 1:15:05.480
<v Speaker 1>us actually a lot of dollars but a small percentage

1:15:05.960 --> 1:15:08.479
<v Speaker 1>if we hold on. And this is out that we

1:15:08.600 --> 1:15:12.960
<v Speaker 1>had met with uh Leroy Bobbit, who was entertainment attorney

1:15:13.960 --> 1:15:16.840
<v Speaker 1>and uh he was he was a partner at Loebe

1:15:16.880 --> 1:15:19.519
<v Speaker 1>and Lobe, and I met him to a guy named

1:15:19.560 --> 1:15:24.519
<v Speaker 1>Gary Reeves who who is executive producer of a TV

1:15:24.680 --> 1:15:29.519
<v Speaker 1>show called Give TV with Blair Underwood and uh and

1:15:30.000 --> 1:15:33.160
<v Speaker 1>one of the Bush daughters. He's the one who introduced

1:15:33.280 --> 1:15:36.840
<v Speaker 1>me to Mr bobb It and Mr Bobby was kind

1:15:36.840 --> 1:15:39.640
<v Speaker 1>of explaining what kind of deals we could get. So

1:15:40.280 --> 1:15:43.160
<v Speaker 1>between him and then I had some conversations with folks

1:15:43.240 --> 1:15:47.000
<v Speaker 1>like Wendy Day from the Rap Collige, and they bolger

1:15:47.080 --> 1:15:50.519
<v Speaker 1>kind of saying to me, like, you know, here are

1:15:50.560 --> 1:15:53.840
<v Speaker 1>the different type of deals. Here's the production deal, here's

1:15:53.840 --> 1:15:57.599
<v Speaker 1>an artist deal, here's and I kind of just said, well, look,

1:15:57.760 --> 1:16:00.640
<v Speaker 1>and we're selling all these records now in dependently with

1:16:00.800 --> 1:16:05.240
<v Speaker 1>no distribution or with with our distribution national distribution, but

1:16:05.439 --> 1:16:09.519
<v Speaker 1>no no real mechanical arm like an Atlantic Records, or

1:16:09.560 --> 1:16:12.479
<v Speaker 1>no real mechanical arm like a like a Capital or

1:16:12.479 --> 1:16:16.559
<v Speaker 1>a Priority. Just imagine if we could hold on own

1:16:16.640 --> 1:16:20.120
<v Speaker 1>our masters and then start driving business and all we

1:16:20.200 --> 1:16:21.880
<v Speaker 1>need folks to do is just to make sure they're

1:16:21.920 --> 1:16:24.280
<v Speaker 1>in the in the system and in the retail store.

1:16:24.960 --> 1:16:27.400
<v Speaker 1>So when we turned down the big beat Atlantic deal,

1:16:28.000 --> 1:16:31.840
<v Speaker 1>we connected with E. A. Ski. We started talking to Priority,

1:16:32.360 --> 1:16:35.280
<v Speaker 1>and then at that particular time, we did a deal,

1:16:35.560 --> 1:16:38.599
<v Speaker 1>a distribution deal with Priority to do all of our

1:16:38.760 --> 1:16:43.120
<v Speaker 1>to do our albums. So the Ways to Die album

1:16:43.240 --> 1:16:45.240
<v Speaker 1>was out, it was on the Billboard charts. We had

1:16:45.280 --> 1:16:49.120
<v Speaker 1>success with the West Coast bad Boys. Priority was really

1:16:49.200 --> 1:16:51.479
<v Speaker 1>focused on the next album, which was the t r

1:16:51.600 --> 1:16:54.760
<v Speaker 1>U True Album, and the Dallas South Hustles, and that

1:16:54.920 --> 1:16:57.120
<v Speaker 1>was really what they wanted. They wanted the true album

1:16:57.200 --> 1:16:59.920
<v Speaker 1>in the Dallas South Hustlers. But the end, the real

1:17:00.160 --> 1:17:02.479
<v Speaker 1>thing was like the ice ting on the cake was

1:17:02.640 --> 1:17:05.000
<v Speaker 1>the ice Cream Man was the one that we knew

1:17:05.080 --> 1:17:08.479
<v Speaker 1>was gonna be a big record. So that each title

1:17:09.240 --> 1:17:12.360
<v Speaker 1>that you guys have started working on, the ice Cream

1:17:12.400 --> 1:17:15.559
<v Speaker 1>Man that far in advance. Yeah, so we had already

1:17:15.600 --> 1:17:18.160
<v Speaker 1>did the artwork. So one thing about when we were

1:17:18.920 --> 1:17:21.080
<v Speaker 1>the one thing we always did, we always did the

1:17:21.200 --> 1:17:24.280
<v Speaker 1>artwork on the inside. So any album you saw nine

1:17:24.360 --> 1:17:27.600
<v Speaker 1>times out of tend those records weren't recording yet. So

1:17:27.760 --> 1:17:29.880
<v Speaker 1>what we might do was do one or two songs.

1:17:30.000 --> 1:17:32.400
<v Speaker 1>We record some stuff and figure out which song is

1:17:32.439 --> 1:17:35.160
<v Speaker 1>gonna go on which album. So at that particular time,

1:17:35.479 --> 1:17:39.760
<v Speaker 1>the ice Cream Man wasn't done. In fact, we at

1:17:39.800 --> 1:17:41.840
<v Speaker 1>that point we hadn't even done it. We hadn't done

1:17:41.880 --> 1:17:45.160
<v Speaker 1>one song. We have gromoted the ice Cream Man so

1:17:45.439 --> 1:17:48.720
<v Speaker 1>much and we promoted the down South Uster so much

1:17:49.240 --> 1:17:53.680
<v Speaker 1>that the distributors, the retail stores were waiting on the

1:17:53.760 --> 1:17:57.840
<v Speaker 1>album like they wanted that. They wanted that uh ice

1:17:57.920 --> 1:18:01.320
<v Speaker 1>Cream Man, and they wanted that South Husters those albums

1:18:01.400 --> 1:18:05.000
<v Speaker 1>were We were promoting those albums one two years in advance,

1:18:05.560 --> 1:18:08.280
<v Speaker 1>and people were kept waiting on the album. So that's

1:18:08.360 --> 1:18:10.400
<v Speaker 1>really what it was. So by the time we did

1:18:10.560 --> 1:18:15.680
<v Speaker 1>the distribution deal, which was fifteen split, eight percent for

1:18:15.840 --> 1:18:19.640
<v Speaker 1>us the percent for them, they were already waiting on

1:18:19.760 --> 1:18:21.760
<v Speaker 1>the true album. They were waiting on the down South

1:18:21.840 --> 1:18:24.519
<v Speaker 1>Husters and they really wanted that, uh, the ice Cream

1:18:24.520 --> 1:18:27.320
<v Speaker 1>Man album. So yeah, so let me answer this for

1:18:27.360 --> 1:18:30.120
<v Speaker 1>the people that don't know out there. When he went

1:18:30.200 --> 1:18:33.040
<v Speaker 1>to Priority Big the Atlantic, they wanted to give him

1:18:33.120 --> 1:18:35.120
<v Speaker 1>like an artist deal, so they was giving front loading

1:18:35.200 --> 1:18:39.040
<v Speaker 1>with a bunch of money up front. When when you

1:18:39.120 --> 1:18:41.160
<v Speaker 1>guys took the Priority deal, assuming there was no in

1:18:41.280 --> 1:18:45.000
<v Speaker 1>front money. No, So originally there was no advanced money.

1:18:45.160 --> 1:18:48.160
<v Speaker 1>It was we're just gonna do a distribution deal. What

1:18:48.400 --> 1:18:52.200
<v Speaker 1>came after the fact when they wanted to start these albums,

1:18:52.280 --> 1:18:54.880
<v Speaker 1>that's when they came back and they wrote us to check.

1:18:55.360 --> 1:18:57.720
<v Speaker 1>So they wrote us to check for some money, and

1:18:58.200 --> 1:19:01.120
<v Speaker 1>then they really wanted to downs out Hustler album. That

1:19:01.280 --> 1:19:03.599
<v Speaker 1>the question was how much do you need to get

1:19:03.640 --> 1:19:06.640
<v Speaker 1>this down to a Hustler album done? So once they

1:19:06.720 --> 1:19:10.120
<v Speaker 1>gave us money for that, and advance for that. That's

1:19:10.120 --> 1:19:15.320
<v Speaker 1>when the percentages went from to eight twenty, so they

1:19:15.400 --> 1:19:19.120
<v Speaker 1>took five percent. They took five percent that in order

1:19:19.160 --> 1:19:22.200
<v Speaker 1>to advance his money, to finish the UH, to finish

1:19:22.320 --> 1:19:25.160
<v Speaker 1>the ice Cream Man album, to record the ice Cream

1:19:25.160 --> 1:19:27.920
<v Speaker 1>Man album to down South Husters. So we pretty much

1:19:28.000 --> 1:19:31.200
<v Speaker 1>did t r U album, the down South Husters. Ice

1:19:31.240 --> 1:19:34.800
<v Speaker 1>Cream Man mea excess project. Ki had a EP. She

1:19:34.960 --> 1:19:38.080
<v Speaker 1>was doing the whole no Limit thing. Man's just sex

1:19:38.200 --> 1:19:41.519
<v Speaker 1>one of those interest stories because it's a few good

1:19:41.600 --> 1:19:45.439
<v Speaker 1>stories that like Rag Richard, you know, the country Boy goes,

1:19:45.560 --> 1:19:48.760
<v Speaker 1>the Big Signal strikes of rich Man. Yes, y'all had

1:19:48.760 --> 1:19:52.560
<v Speaker 1>an incredible thing going, but eventually to start being some distinction.

1:19:53.040 --> 1:19:55.160
<v Speaker 1>Do you think things changed when the money start really

1:19:55.200 --> 1:19:58.479
<v Speaker 1>coming in. I mean, I don't even know if I

1:19:58.560 --> 1:20:01.000
<v Speaker 1>don't even know if it was just about the money.

1:20:01.200 --> 1:20:05.480
<v Speaker 1>I just think what happens is when people are concerned

1:20:05.680 --> 1:20:09.240
<v Speaker 1>about you know, you know. I think ultimately it wasn't

1:20:09.240 --> 1:20:11.760
<v Speaker 1>even about the money, because for for me, I was

1:20:11.840 --> 1:20:14.120
<v Speaker 1>all in on what we're doing, because I believed in

1:20:14.200 --> 1:20:16.320
<v Speaker 1>what we're doing. I think it was just had to

1:20:16.400 --> 1:20:20.719
<v Speaker 1>do with people start to wonder, um, you know, who's

1:20:20.880 --> 1:20:23.040
<v Speaker 1>who's saying what and doing what, And there's all this

1:20:23.200 --> 1:20:25.960
<v Speaker 1>talk about whose album is gonna come out next, and

1:20:26.520 --> 1:20:28.840
<v Speaker 1>and whether they want to you know, do their own

1:20:28.920 --> 1:20:31.000
<v Speaker 1>thing because their album is not coming out for for

1:20:31.280 --> 1:20:34.360
<v Speaker 1>several months, and we see other people being moved up,

1:20:34.439 --> 1:20:37.240
<v Speaker 1>and I mean, you know, there's just that whole you know,

1:20:37.720 --> 1:20:40.000
<v Speaker 1>at the end of the day, people get frustrated by

1:20:40.080 --> 1:20:42.559
<v Speaker 1>where they are and what place they are in their position.

1:20:43.400 --> 1:20:46.000
<v Speaker 1>And I think that just was the that was the

1:20:46.160 --> 1:20:50.760
<v Speaker 1>dynamic of the frustration of you know, where where my where,

1:20:50.880 --> 1:20:53.240
<v Speaker 1>where's my place in the label and where that goes.

1:20:53.720 --> 1:20:58.080
<v Speaker 1>I think certain artists were probably frustrated financially about where

1:20:58.200 --> 1:21:00.479
<v Speaker 1>money was going and where they think the money ship win.

1:21:00.600 --> 1:21:03.439
<v Speaker 1>But at the end of the day, you know, it

1:21:03.600 --> 1:21:06.840
<v Speaker 1>was No Limit. Master p was the the CEO of

1:21:06.960 --> 1:21:10.240
<v Speaker 1>No Limit. I was the executive vice president and manager

1:21:10.479 --> 1:21:13.759
<v Speaker 1>and ran the label and managed him and and pretty

1:21:13.840 --> 1:21:16.600
<v Speaker 1>much managed the artist. It was a family affair, and

1:21:16.760 --> 1:21:20.280
<v Speaker 1>like anything, when you when you bring money into the falls,

1:21:20.760 --> 1:21:23.360
<v Speaker 1>it does kind of create this this kind of this

1:21:23.560 --> 1:21:26.760
<v Speaker 1>kind of dissension in the ranks. But it's also how

1:21:26.800 --> 1:21:29.760
<v Speaker 1>are we communicating when people's projects are coming out? And

1:21:29.800 --> 1:21:32.280
<v Speaker 1>what that looks like. And there's sometimes there could be

1:21:32.320 --> 1:21:35.040
<v Speaker 1>some frustration around, well, wait a minute, my album is

1:21:35.040 --> 1:21:38.160
<v Speaker 1>supposed to come out at this particular point. I got

1:21:38.280 --> 1:21:40.280
<v Speaker 1>bills to pay, I got things to do. I'm ready

1:21:40.320 --> 1:21:43.439
<v Speaker 1>to blow up. But then I might be moved down

1:21:43.600 --> 1:21:46.800
<v Speaker 1>on the down on the packing water and because for

1:21:46.920 --> 1:21:50.720
<v Speaker 1>whatever reason, maybe it's the sound, maybe maybe the the

1:21:50.880 --> 1:21:54.400
<v Speaker 1>idea or the ideas or the projects, or people are asking, uh,

1:21:54.600 --> 1:21:57.800
<v Speaker 1>distributors asking, or retailers are asking for specific records, and

1:21:57.880 --> 1:22:00.280
<v Speaker 1>people get people get moved out and peck and more.

1:22:00.600 --> 1:22:02.760
<v Speaker 1>It happens like that and tomb your label too, right,

1:22:03.080 --> 1:22:04.439
<v Speaker 1>you know, my I'm was supposed to come out and

1:22:04.520 --> 1:22:06.479
<v Speaker 1>then it gets on the shelf for several months and

1:22:06.880 --> 1:22:08.840
<v Speaker 1>you don't have the right style yet, so we're gonna

1:22:08.880 --> 1:22:10.840
<v Speaker 1>push you back. All of that thing is kind of

1:22:10.920 --> 1:22:16.560
<v Speaker 1>how it works. Well, you know, you can get on

1:22:16.640 --> 1:22:20.040
<v Speaker 1>our website at Tobin tel b I N Coston, c

1:22:20.200 --> 1:22:23.320
<v Speaker 1>os t e n dot com. You can follow me

1:22:23.439 --> 1:22:26.200
<v Speaker 1>on Instagram and Tobin cost and that's probably the best

1:22:26.240 --> 1:22:27.960
<v Speaker 1>way to connect with me. But if you go to

1:22:28.080 --> 1:22:32.160
<v Speaker 1>my website Tobin Costing dot com, uh, people email me.

1:22:32.560 --> 1:22:35.080
<v Speaker 1>You can email me on there, and I usually get

1:22:35.160 --> 1:22:37.800
<v Speaker 1>back to people pretty quick via email or phone number.

1:22:38.080 --> 1:22:40.240
<v Speaker 1>I will just tell people leave your phone number, because

1:22:40.240 --> 1:22:43.000
<v Speaker 1>I'm good with text and calling. I'm a little bit

1:22:43.080 --> 1:22:45.240
<v Speaker 1>better old school with picking up the phone, with calling

1:22:45.280 --> 1:22:48.160
<v Speaker 1>people and having the conversation. I mean, that's kind of

1:22:48.200 --> 1:22:50.960
<v Speaker 1>how we connected. And I try to get you. I

1:22:51.000 --> 1:22:54.120
<v Speaker 1>don't like doing the whole Instagram thing. I get people.

1:22:54.160 --> 1:22:57.160
<v Speaker 1>They don't ask for the numbers anymore. What's your Instagram page?

1:22:57.720 --> 1:23:00.680
<v Speaker 1>And it's like to take my don't remember and call

1:23:00.800 --> 1:23:05.639
<v Speaker 1>you don't take those in there. I don't like, well,

1:23:05.800 --> 1:23:07.800
<v Speaker 1>you know, I usually if people get at me, I

1:23:07.840 --> 1:23:09.880
<v Speaker 1>don't have it where it notifies me, so I gotta

1:23:09.960 --> 1:23:12.479
<v Speaker 1>clog on there. But I used to tell people, you

1:23:12.560 --> 1:23:14.439
<v Speaker 1>get all my if you get on my website, you

1:23:14.520 --> 1:23:18.080
<v Speaker 1>reach out to me, I will email me. Most people

1:23:18.120 --> 1:23:21.160
<v Speaker 1>don't email me their phone number, so I just tell

1:23:21.240 --> 1:23:24.400
<v Speaker 1>folks all the time, email me and email me your

1:23:24.479 --> 1:23:27.080
<v Speaker 1>phone number. I will text you or call you, and

1:23:27.360 --> 1:23:29.760
<v Speaker 1>so we get out of a conversation and that's, you know.

1:23:30.000 --> 1:23:32.080
<v Speaker 1>I try to get back to everyone, and a lot

1:23:32.120 --> 1:23:34.000
<v Speaker 1>of times people be like, WHOA, you got back to me?

1:23:34.439 --> 1:23:36.439
<v Speaker 1>And I did that even when I was at no limit.

1:23:36.720 --> 1:23:39.599
<v Speaker 1>It was really important for me when people people sent

1:23:39.760 --> 1:23:42.040
<v Speaker 1>information to me pick up the phone and call for

1:23:42.240 --> 1:23:45.080
<v Speaker 1>mail them and let them know and give them feedback.

1:23:45.439 --> 1:23:48.559
<v Speaker 1>Especially when folks are giving me demo tapes. I'm always

1:23:48.600 --> 1:23:51.920
<v Speaker 1>real big about Hey, somebody sends me their demo tape.

1:23:52.280 --> 1:23:54.120
<v Speaker 1>I want to make sure that I do my part

1:23:54.439 --> 1:23:56.280
<v Speaker 1>and at least get back to them and give them

1:23:56.520 --> 1:23:59.120
<v Speaker 1>give them feedback good, bad or in different and not

1:23:59.320 --> 1:24:02.759
<v Speaker 1>just asking. Because you just let me into a question,

1:24:03.000 --> 1:24:05.040
<v Speaker 1>how those demo tapes that you got in how much

1:24:05.080 --> 1:24:10.000
<v Speaker 1>good ship did you find? I probably would say one

1:24:10.080 --> 1:24:12.880
<v Speaker 1>out of one out of twenty, so it was that

1:24:13.040 --> 1:24:16.240
<v Speaker 1>five percent. Probably one out of twenty. I find something

1:24:16.320 --> 1:24:20.720
<v Speaker 1>that I'm like, okay, there's something here. Um. Sometimes you

1:24:20.880 --> 1:24:23.280
<v Speaker 1>find something that's just a dominant erupt. There are a

1:24:23.400 --> 1:24:26.200
<v Speaker 1>lot of artists that we got demo tapes for when

1:24:26.200 --> 1:24:28.960
<v Speaker 1>we did the Downstop Hustlers that we were like, whoa,

1:24:29.439 --> 1:24:32.000
<v Speaker 1>these are underground cats and they sounded good. Let's try

1:24:32.040 --> 1:24:35.120
<v Speaker 1>to do something with them. So I would say probably

1:24:35.160 --> 1:24:36.960
<v Speaker 1>five percent of the time, there'll be a bunch of

1:24:37.000 --> 1:24:39.240
<v Speaker 1>people would send your stuff to be like whoa. But

1:24:39.320 --> 1:24:41.200
<v Speaker 1>I always got back to people let them know what

1:24:41.280 --> 1:24:43.960
<v Speaker 1>I thought good, bad or different. Like I would always

1:24:44.000 --> 1:24:47.479
<v Speaker 1>tell people, you know, just keep working, keep blinding, or

1:24:47.520 --> 1:24:49.599
<v Speaker 1>I would tell people like, hey, this is not for us,

1:24:49.680 --> 1:24:51.840
<v Speaker 1>but I would just encourage you to keep working. I

1:24:51.880 --> 1:24:54.080
<v Speaker 1>always told people to keep working, even if I didn't

1:24:54.120 --> 1:24:57.560
<v Speaker 1>like what they were doing. So did you So you

1:24:57.680 --> 1:24:59.280
<v Speaker 1>just say you put a couple of those cats on

1:24:59.360 --> 1:25:04.720
<v Speaker 1>the down so down South Busters. Absolutely didn't you have

1:25:04.920 --> 1:25:07.400
<v Speaker 1>one of any artists that we know from no limit

1:25:07.479 --> 1:25:10.040
<v Speaker 1>that kind of came from the whole demo tape thing. Well,

1:25:10.240 --> 1:25:13.160
<v Speaker 1>more than likely p KO who was on the Down

1:25:13.240 --> 1:25:16.720
<v Speaker 1>South Busters. This guy's Protectas was on their twenty to

1:25:16.840 --> 1:25:20.320
<v Speaker 1>life was on there. Uh, we got their their tape

1:25:20.360 --> 1:25:23.200
<v Speaker 1>for their demo tape. Uh. The other one was CCG

1:25:23.800 --> 1:25:27.080
<v Speaker 1>Scala Citygs from Kansas City. They were on that Down

1:25:27.160 --> 1:25:29.519
<v Speaker 1>South Hustlers and they put out a solo album. They

1:25:29.600 --> 1:25:33.280
<v Speaker 1>hit bill Board. So nobody really big. But there were

1:25:33.360 --> 1:25:36.760
<v Speaker 1>just artists on there that we got that were that

1:25:36.880 --> 1:25:39.920
<v Speaker 1>were talented, and and we put them. We put them

1:25:39.960 --> 1:25:42.760
<v Speaker 1>on and did some did some projects with whether it

1:25:42.880 --> 1:25:45.519
<v Speaker 1>was the was whether it was a compilation or we

1:25:45.600 --> 1:25:48.519
<v Speaker 1>put something together. We did shows with them, you know,

1:25:48.760 --> 1:25:51.000
<v Speaker 1>and and that's really the key. You got a good style.

1:25:51.040 --> 1:25:53.200
<v Speaker 1>I don't care if you you know, you're recording on

1:25:53.240 --> 1:25:57.000
<v Speaker 1>the four track cassette or you're doing something digitally high end.

1:25:57.439 --> 1:26:00.800
<v Speaker 1>If you got talented, it will show. Yes, Man, I

1:26:00.840 --> 1:26:03.880
<v Speaker 1>appreciate you sitting down with us tonight. Bro. Absolutely, Man,

1:26:03.920 --> 1:26:06.479
<v Speaker 1>I appreciate you, and uh, you know, I always love

1:26:06.560 --> 1:26:08.960
<v Speaker 1>what you do. And just to be part of, uh

1:26:09.600 --> 1:26:12.200
<v Speaker 1>one of your shows with all the legends that you

1:26:12.320 --> 1:26:14.680
<v Speaker 1>have on man, it's a it's a complete honor for me.

1:26:15.320 --> 1:26:18.400
<v Speaker 1>Oh Man, you a lection yourself. Man. I can't wait, Man,

1:26:18.439 --> 1:26:20.639
<v Speaker 1>I can't wait. I can't wait to show the world

1:26:20.720 --> 1:26:23.120
<v Speaker 1>we got cooking up. And for the record, it's not

1:26:23.320 --> 1:26:27.760
<v Speaker 1>nothing on that derogatory about masterp. We're not that. We're

1:26:27.800 --> 1:26:30.639
<v Speaker 1>talking about token story because every story has two sides.

1:26:31.439 --> 1:26:34.599
<v Speaker 1>We out of here. We appreciate you, token, I appreciate you, guys.

1:26:34.680 --> 1:26:37.240
<v Speaker 1>Be safe, Thank you well. That concludes another episode of

1:26:37.280 --> 1:26:39.880
<v Speaker 1>Against the Chronicles podcast. Be sure to download the I

1:26:40.000 --> 1:26:42.960
<v Speaker 1>Heart app and subscribe to the Gangster Chronicles podcast for

1:26:43.080 --> 1:26:45.040
<v Speaker 1>Apple users. Find a purple mic on the front of

1:26:45.080 --> 1:26:47.679
<v Speaker 1>your screen, subscribe to the show, leave a comment and rating.

1:26:47.960 --> 1:26:51.479
<v Speaker 1>Executive producers for The Gangster Chronicles podcast and Norman Steve, James,

1:26:51.560 --> 1:26:54.479
<v Speaker 1>mcdowald Aar and m c A. Tyler, our visual media

1:26:54.520 --> 1:26:57.640
<v Speaker 1>directors Brian White, and our audio editors Taylor Hayes. The

1:26:57.680 --> 1:27:00.400
<v Speaker 1>Gangster Chronicles is a production of Our Heart Media Network

1:27:00.439 --> 1:27:03.559
<v Speaker 1>in the Black Effect Podcast Network. For more podcasts from

1:27:03.560 --> 1:27:06.040
<v Speaker 1>My Heart Radio, visit the our Heart Radio app, Apple

1:27:06.160 --> 1:27:08.200
<v Speaker 1>Podcast wherever you listen to your podcasts,