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Speaker 1: When I wrote, y'all all across the usc Compton Watts,

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Speaker 1: thank to l A. Come on the California, the Valley.

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Speaker 1: We represent that kind of county. So if you're keeping

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Speaker 1: it rail on your side of your town, you tune

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Speaker 1: into Gangster Chronicles Gangster Chronic Goals. We're gonna tell you

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Speaker 1: how we go. If I like my nose, will girl

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Speaker 1: like Pinocchio. We're gonna tell you the truth and nothing

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Speaker 1: but the truth Gangster Chronicles. This is not your average show.

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Speaker 1: You're now tuned into the rail. M C A, Bick

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Speaker 1: James and Bix Fails from the Streets. Hello, Welcome to

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Speaker 1: the Gangster Chronicles podcast, the production of My Heart Radio

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Speaker 1: and Black Effect Podcast Network. Make sure you download the

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Speaker 1: I Heart Apple, subscribe to The Gangster Chronicles for my

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Speaker 1: Apple users, hit the purple mica on your front screen.

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Speaker 1: Subscribe to Against the Chronicles and leave a five star

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Speaker 1: rate in the comment. We the welcome every one to

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Speaker 1: another episode Against the Chronicles podcast. Now, who want you?

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Speaker 1: Try to keep our homeboy, our brother m C eight

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Speaker 1: and Prayer. He's doing fine, couldn't be with us the

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Speaker 1: night and he's taking care of a medical issue. Nothing

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Speaker 1: Bass so don't start the rumors out there. We got

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Speaker 1: big jag in the house. Man. Tonight, we got a

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Speaker 1: special guest, the Professor, Melly Mayl, the hood professor. Man.

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Speaker 1: You know the vibe, Man, I'm just chilling. Man. How

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Speaker 1: you doing, James, I'm good, my brother, I'm good. Still

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Speaker 1: just told me, man, you probably out riding that motorcycle. Man,

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Speaker 1: you know I ain't got the glass, boy, I was,

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Speaker 1: I was getting that rest. Yeah, I gotta do that. Man.

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Speaker 1: When here, you know, okay, got you. You got a

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Speaker 1: lot of energy. I'll be running on any kids. The

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Speaker 1: kids don't know. They don't never once them two year

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Speaker 1: olds on up, man, they run all day day. One

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Speaker 1: of the things we was talking about earlier, what exactly

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Speaker 1: is the man code? Fellas? Man? Cold is staying on cold? Man,

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Speaker 1: knowing what your what your code of conduct is Man,

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Speaker 1: you know what that's you and you get that in

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Speaker 1: your culture, conditioning it. But it comes from your father,

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Speaker 1: you know what I'm standing. But a lot of these

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Speaker 1: guys are being really reared and raised up by women.

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Speaker 1: So you know what I mean. It kind of speaks

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Speaker 1: for herself. When that when a female element is part

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Speaker 1: of a man's thinking, it becomes emotional, very emotional, so

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Speaker 1: they don't know how to process like a man or

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Speaker 1: like a man with normally, you know what I mean.

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Speaker 1: Because times have changing, a lot of women are just

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Speaker 1: raising you know, man, boys that my mom's My mom

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Speaker 1: reased five, three sons when in the household. You know,

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Speaker 1: we pretty much did what we wanted to do, and

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Speaker 1: by far, you know, none of her sons were timid,

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Speaker 1: you know what I'm saying. And and you know, I

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Speaker 1: give a credit for raising five. But you know, I

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Speaker 1: think without the dad, you know, we ain't afraid of nothing.

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Speaker 1: So we we we tend to bul off into our

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Speaker 1: own ship and start doing what we see in the streets.

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Speaker 1: And that's what that's true. That's true though, James. But

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Speaker 1: doing your time, you had uncle's granddaddy. You had somebody

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Speaker 1: coming through, man, you know what I mean, there was

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Speaker 1: somebody that was right there, you know what I mean.

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Speaker 1: So that we're talking, we're talking about two different eras,

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Speaker 1: you know what I mean? Where this era right here? Man?

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Speaker 1: This this generation z man? Come on, man, they man,

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Speaker 1: they they don't. We used to just smoke weed and

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Speaker 1: drink a little drink. Now they're doing Molly's uh sir,

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Speaker 1: you know drink, you know what I mean, A little PCP,

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Speaker 1: a little little power that can hide different things. The

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Speaker 1: doors is open for being taught. I'm three cold supposed

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Speaker 1: to learning and thinking for yourself, you know what I'm saying.

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Speaker 1: And you know we knew what time to head back

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Speaker 1: to the house, you know what I'm saying. Oh yeah,

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Speaker 1: we definitely had that. Yeah, you know what I'm saying.

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Speaker 1: So these cats today are totally different. You know, we

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Speaker 1: have the lack of loyalty because don't nobody understand what

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Speaker 1: that means. They didn't grow up with that, so they

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Speaker 1: don't they're not conditioned for that. Uh, you know, just

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Speaker 1: just you don't have that one hunter like you used

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Speaker 1: to have when we was growing up back in the days.

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Speaker 1: You know, you got kids knocking on those shooting at

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Speaker 1: the parents. Parents ain't got ship to do with gang

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Speaker 1: banging and these things that you know, being up close

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Speaker 1: and personal. That was that was one of the rules.

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Speaker 1: You don't you know that then we had respect for

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Speaker 1: the churches, even though we were fucking monsters and and

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Speaker 1: and doing the street. We didn't go and tag on

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Speaker 1: a church, you know what I'm saying. Just certain things

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Speaker 1: we didn't do opposed to everything they're doing today, you

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Speaker 1: know what I'm saying. And we can tell can wait

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Speaker 1: because the daddy went there. I mean, we can honestly

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Speaker 1: say that. But the kids these days, some of them

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Speaker 1: got both of their parents, you know what I'm saying.

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Speaker 1: That's true, but still out there doing the same monkey

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Speaker 1: as ship that everybody else is doing right, right, right right,

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Speaker 1: they're not thinking. There's a book, man, It's called The Man. Hello, yeah, oh,

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Speaker 1: keep on, okay, there's a book called The Man Not

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Speaker 1: Right and it's my guy named Tommy Jake Curry. Man.

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Speaker 1: It is a great reading. It kind of just it

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Speaker 1: taps into a lot of different areas of manhood. With manhood,

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Speaker 1: isn't with manhood? It's not I lovet my mic for

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Speaker 1: a second. Let me say, come back home, you're good. Yeah.

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Speaker 1: I'm gonna write a book called think for Yourself than

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Speaker 1: a lot of mother fuckers don't think for yourself? There

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Speaker 1: there there. You know, it's one thing of being taught

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Speaker 1: right and wrong, and then there's another thing to be taught, um,

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Speaker 1: just being stupid a foolish way. And a lot of kids,

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Speaker 1: a lot of these cats out here have been taught

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Speaker 1: a foolish way like our nephews. My nephews I want

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Speaker 1: to be game bangers, but they see what had done

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Speaker 1: to uncles and cousins and the uncle's homeboys. But they

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Speaker 1: still want to be a part of everybody. Everybody want

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Speaker 1: to play and have a position and nothing. You know

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Speaker 1: what I'm saying. And I just I just called it.

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Speaker 1: Just think for yourself if you can see and and

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Speaker 1: absorbed the ship that's been going on watching uncles because

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Speaker 1: unties didn't let the kids. So we thought our nieces,

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Speaker 1: the nephews would be involved in this type of ship.

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Speaker 1: Just like in compting down today you got the homies

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Speaker 1: kids killing each other. You see what I'm saying. We

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Speaker 1: all grew up together, but our kids are at board

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Speaker 1: and the only thing to separate them is a boulevard

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Speaker 1: right uh street. That's it, because they said virtually in

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Speaker 1: the same proxibility of one another. They went to the

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Speaker 1: same schools, They they see each other, they go to

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Speaker 1: the look store, they share the look of story in

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Speaker 1: the gas station. So how did we get there? Uh James?

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Speaker 1: Every year ship breaks down in the neighborhood, all the

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Speaker 1: all the cats that we call big homies or whatever

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Speaker 1: are gone. The ones that are here may be strong

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Speaker 1: on drugs. The younger kids, younger generation don't respect, don't

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Speaker 1: know how to respect, the olders, the elders, the big homies.

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Speaker 1: Howevery you choose the word um, they don't respect mama.

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Speaker 1: You know what I'm saying, because now they believe that

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Speaker 1: the homies got their backup post to their mama having

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Speaker 1: their back. You know, family, the hood turns into the family.

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Speaker 1: The street cold of today is the homies. And what

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Speaker 1: the homies do? You know, nobody out there. And these

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Speaker 1: kids have never been taught how to think for itself,

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Speaker 1: so it don't matter that you know, they never broke

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Speaker 1: bread with each other, the big homies. We all grew

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Speaker 1: up breaking bread with each other. But these kids that

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Speaker 1: never broke bread with each other, you feel me. So

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Speaker 1: it's just a lack of And then that you got

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Speaker 1: in the hood of you know, fifty and over, forty

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Speaker 1: five and over, they they become the big homie. Now

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Speaker 1: that's why they still trapped where they at because they

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Speaker 1: want to be the big homies. But they don't get it.

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Speaker 1: So how can the blind lead the blind? Yeah, you know,

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Speaker 1: y'all both said something really like, um, stuff that's just real.

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Speaker 1: On point, Millie Mayo said something. He mentioned something earlier

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Speaker 1: that a lot of these guys don't have a father

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Speaker 1: figure in the house. And see, I think with their

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Speaker 1: father figure, you know, like even though my pops weren't

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Speaker 1: physically in the house with me, I had a stepdaddy,

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Speaker 1: right there was real, no nonsense. And I had uncles

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Speaker 1: that was coming home from prison or whatever like that

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Speaker 1: telling me there ain't no place that you want to go.

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Speaker 1: So they pretty much gave me what the definition of

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Speaker 1: a man was. You know, the news didn't sit in

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Speaker 1: the ass all day and you know what I'm saying,

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Speaker 1: and and just chill. They went out of work and

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Speaker 1: had jobs and ship, had hustles, had ship. You know.

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Speaker 1: So I was talking from early age. And the man

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Speaker 1: is supposed to provide for his household. A man is

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Speaker 1: supposed to do this. I got certain tendencies to day,

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Speaker 1: Like if I see my wife taking out trash, I

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Speaker 1: get my son's ass. I'll be like, you know, what

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Speaker 1: is your mama doing taking trash outside? That's show job, right,

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Speaker 1: that show job at the house of somebody breaking house.

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Speaker 1: What we're gonna do stay upstairs and hide the woman

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Speaker 1: go downstairs and hold it down. You know, no, I

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Speaker 1: don't work like that. That would break the cycle what

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Speaker 1: you're doing with your kids at home today you're there.

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Speaker 1: That breaks the cycle of how you grew up. You

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Speaker 1: know what I'm saying, The ship that I'm doing raising grandkids.

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Speaker 1: You know I ain't supposed to be raising my grandkids.

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Speaker 1: My kids supposed to be raising their own kids. You're

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Speaker 1: supposed to come with granddad and my mom on the weekend. Yeah,

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Speaker 1: you know what I'm saying. So I got a question

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Speaker 1: for both of you, guys. What's that? What is the

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Speaker 1: hardest good in the world, the hardest good doing right,

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Speaker 1: the hardest hood in the world. I'm no good, the

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Speaker 1: hardest in the world. Skill jeans eight, y'all neggas better

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Speaker 1: give me my fire Donald, I put that on a shet.

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Speaker 1: I need to go get me some wanna merrow my

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Speaker 1: motherfucking feet fucking with me. Gangster Chronicles of my ass

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Speaker 1: pay granted her money. This Gangster Granny, y'all know me?

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Speaker 1: Where you at? Where you at? This is o G

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Speaker 1: Gangster Granny and the Gangster Chronicles podcast is back in effect.

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Speaker 1: Getting ready for some of that G ship and blaze

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Speaker 1: up some wanna merrow the exactly. That's the hardest hood

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Speaker 1: in the world. Man, it's the hardest because I'm gonna

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Speaker 1: tell you this too right here. I think sometimes I've

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Speaker 1: been too We've been too good at parents because I

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Speaker 1: look at my kids. Sometimes it's just like little stuff

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Speaker 1: like you know, my wife would say she's going the

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Speaker 1: grocery store to buy something to cook for dinner. Right

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Speaker 1: the kids just be on some ship like, oh, we

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Speaker 1: want you potally, we won't you know Chick fil A.

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Speaker 1: When I was a kid, that's she was luxury. We

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Speaker 1: want to McDonald's. It was like a luxury you man,

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Speaker 1: you get to go to McDonald's. And to day, man,

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Speaker 1: these kids just looking ship like that, like it's supposed

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Speaker 1: to happen, you know what I mean. No, that's called

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Speaker 1: pacifying dogs. We pacified kids and give them what they want,

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Speaker 1: you know what I'm saying. Like me, I try to

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Speaker 1: give my kids and my grandkids when I didn't get

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Speaker 1: from my father, when I didn't get from my mother.

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Speaker 1: And at the end of the day, you wind up

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Speaker 1: hurting them because you pacified. Now they become adults and

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Speaker 1: they still want and think you're supposed to give m so'.

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Speaker 1: Also what's also interesting is how these kids are hard

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Speaker 1: wired to dismiss the facts that we are laying out

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Speaker 1: because of their own local feaking. The facts that we

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Speaker 1: are laying out right here, the fact that we sit

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Speaker 1: on this live and we're given straight up datas fact statistics.

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Speaker 1: They're hard wire in their minds did this simply dismiss it? Right?

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Speaker 1: It's like, you know, sometimes I tell my sons some

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Speaker 1: ship that I haven't been through already and then look

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Speaker 1: at me. Well it was different back then, pops. I

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Speaker 1: was like, what's different? You know? You know, you know

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Speaker 1: what that's all? Yeah, you know? And what I've noticed

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Speaker 1: with these and you know it ain't all bad. You've

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Speaker 1: got some young kids out of the handling their business, right.

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Speaker 1: I noticed, for the most part, man, we live in

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Speaker 1: the area where dudes can't take no kind of in

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Speaker 1: this hot, slightest little in the resistance. They're ready to

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Speaker 1: give up on some ship, you know what I mean?

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Speaker 1: And I tell my kids every day life is hard

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Speaker 1: as a motherfucker. I said, you think I like doing

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Speaker 1: half the ship? I do, but it's what it is,

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Speaker 1: you know, It's what you have to do is with

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Speaker 1: with your purpose he is. You know what I mean.

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Speaker 1: You know you got card notes, you got mortgages, you

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Speaker 1: got ship to pay for, so you gotta get off

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Speaker 1: your ass. The world is moving, man, because every moment,

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Speaker 1: every day, new second changes occurring. Whether you want to

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Speaker 1: be a part of it or not, it is happening.

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Speaker 1: So you gotta get with the program. And you know

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Speaker 1: what I mean, You look like the dude that's standing

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Speaker 1: down on the corner in front of acing store with

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Speaker 1: the body hounds, still got a Jerry Curl telling about

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Speaker 1: he he from the hood. Are you got the dude

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Speaker 1: over sending town of blocks stand in front of Brownies

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Speaker 1: on the back side with the body hounds talking about

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Speaker 1: Yeah man, I'm down for the hood. You got them

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Speaker 1: cats right there, and then you got these junctions looking

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Speaker 1: at that. But they don't realize that's the horrid movie

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Speaker 1: right there in front of their face that's gonna be

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Speaker 1: to them in ten years. But they don't. They don't

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Speaker 1: seem to take that into account. You know what I mean,

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Speaker 1: because we all these eyes right here. Your eyes is

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Speaker 1: the lends to the movie that you're filming right You're

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Speaker 1: right here right now, you know, So you want to

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Speaker 1: be the best version of yourself at all times, you

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Speaker 1: know what I mean. But people don't. People just take

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Speaker 1: things for for granted in our communities that theseus do

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Speaker 1: somehow it's just gonna work itself out. They don't have

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Speaker 1: to put no time and energy into working it out.

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Speaker 1: They just want you like they want Jenny's and maybe

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Speaker 1: come fix it or take their head and show them

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Speaker 1: with them. Still they want you to do me, you

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Speaker 1: know what I mean. They think that somehow we're gonna

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Speaker 1: just um going in the backyard to Money three and

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Speaker 1: just feeling for him, you know. Yeah, well you know what,

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Speaker 1: and and that seems so risk a lot of grown as,

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Speaker 1: sorry niggas that think that way. I'm gonna tell y'all, James, No,

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Speaker 1: you would be surprised at the amount of phone calls

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Speaker 1: I get for people. And I don't mind people calling

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Speaker 1: me for help or asking for help if you're willing

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Speaker 1: to do forself. But you'll get somebody to call you

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Speaker 1: and say, hey, man, I want to put them together

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Speaker 1: a podcast, right, I want to do something. You help

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Speaker 1: them get it up and get them get it set up.

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Speaker 1: Next thing, you know, they're calling you every day because

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Speaker 1: they pretty much want you to come and do the

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Speaker 1: ship with them, and you don't already put all kinds

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Speaker 1: of man hours into them. Don't get it all kinds

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Speaker 1: of ship. Don't do it this You now you're getting

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Speaker 1: the where you're not just investing your time, but now

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Speaker 1: you've investing a little bit of money because it's like

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Speaker 1: you know what this and you know this money still

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Speaker 1: because if you're spending time over there for free, you're

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Speaker 1: losing money where you could be getting money on y'all

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Speaker 1: own ship exactly. And that's what I tell people. I

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Speaker 1: would say, ship me and James got her own damn platform.

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Speaker 1: We could be able there doing that ship. At least

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Speaker 1: we know we're getting the dollar from that ship, you know.

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Speaker 1: But you would get people in the moment you tell

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Speaker 1: these motherfucker's no. It's like watching the reaction to a

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Speaker 1: little four year old kid when you tell they can't

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Speaker 1: have no more candy cookies or some ship because they

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Speaker 1: get mad. Funk are you funny acting? Because see the

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Speaker 1: one thing about the nigga and I ain't telling about

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Speaker 1: black people. Don't talk about nigas period. You can tell

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Speaker 1: him niggas yes, a million motherfucking times. The first time

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Speaker 1: you tell them motherfucker's. No, they forget about all the yes,

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Speaker 1: and now you all kind of bullshit. Motherfucker's you know,

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Speaker 1: you let the motherfucker. You let the motherfucker hold a

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Speaker 1: few dollars, right. And this is just a thing about

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Speaker 1: being a principle. I was taught coming up. You don't

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Speaker 1: borrow from somebody. I ain't know borrowing type of nigga,

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Speaker 1: no way. But if I get something from another man,

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Speaker 1: you're supposed to get that ship back to him, whether family,

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Speaker 1: you know, you know what exactly, whether it's family, whether

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Speaker 1: it's what ever. And I tell my kids all the time,

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Speaker 1: you know, don't give her that thinking because I gotta

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Speaker 1: tell my signs if they come to me, Pop, you've

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Speaker 1: got a few dollars, like a borrow, I'll say you

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Speaker 1: borrow a hat. It's a difference, you gotta be clear,

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Speaker 1: very different, because if you tell me that you're borrowed,

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Speaker 1: if that means I'll expect mind back back. It's like

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Speaker 1: it's difference between somebody in the streets or somebody at

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Speaker 1: home in a sense. Uh. But but it kind of

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Speaker 1: falls backs on you. If you know a mothercker ain't

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Speaker 1: got a job and he hang on the block, oh

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Speaker 1: goddamn day. He ain't doing nothing if he if a mothermucky,

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Speaker 1: ain't get enough being productive. And motherfucker came by his

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Speaker 1: own drink, his own weed. Everybody got habits, came by

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Speaker 1: a cigarette and it's the same motherfucker every day. Let

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Speaker 1: me get a smoke, Let me get a smoke. You're

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Speaker 1: ready to give them three foot the hollars, but yeah,

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Speaker 1: it's homie you give hims. Don't plan on seeing that

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Speaker 1: shipped back. Yeah, that's real ship. You already knew, not

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Speaker 1: to his mother. You know what my thing is, James,

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Speaker 1: with certain motherfucker's and I know their tendencies. I do

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Speaker 1: what I call buy them out of my life. If

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Speaker 1: I know what motherfucker, that's exactly what happened. He asked

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Speaker 1: me for something. Yeah, sure you can borrow that two

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Speaker 1: D I'll give it to us as because I know

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Speaker 1: I ain't gonna never get from his punk ask again.

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Speaker 1: He break his neck when he seen you from trying

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Speaker 1: to hide from you because he don't want you, because James,

331
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Speaker 1: because how many times and this fall in the main

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Speaker 1: code to me too, because I tell people all the time,

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Speaker 1: I ain't never been a gang banger, but I tell

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Speaker 1: you why all my friends are gangious, because then most

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Speaker 1: of them is the most loyal, trustworthy motherfucker's you can

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Speaker 1: meet because they live by a certain code. If they

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Speaker 1: get something from it, they can give it back. And

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Speaker 1: nine times out of team, they ain't gonna never ask

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Speaker 1: you for ship because they got their young You see

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Speaker 1: what I'm saying. And it's like it's a lot of

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Speaker 1: good brothers out there. You know what I'm saying. It's

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Speaker 1: a lot of real sellers, streetcats. And when it comes

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Speaker 1: down to man, really, I'm gonna tell you where all

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Speaker 1: this ship comes from. Y'all. Remember when the eighties they

345
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Speaker 1: start pushing that line about oh, if your parents is

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Speaker 1: whooping your ass at home, you can call this number

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Speaker 1: and snick. And remember people are telling them their parents

348
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Speaker 1: and ship like that. But where they missed the market

349
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Speaker 1: with that ship. You had people that was really at

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Speaker 1: home getting the views and ship that couldn't get no

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Speaker 1: fucking help. But you've got this one motherfucker to the

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Speaker 1: call a police every night when he's getting his ass

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Speaker 1: fucking up, and they come over the jumping on their

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Speaker 1: parents and ship like that. If the ship really got controved,

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Speaker 1: man to the fact that where these kids thinking, motherfucker's

356
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Speaker 1: supposed to be their friends when your opinion, you're not

357
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Speaker 1: put on this earth to be a fucking friend. How

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Speaker 1: do you Why do they think like that? Because you

359
00:19:44,119 --> 00:19:47,240
Speaker 1: got some things they get hid with their kids that

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Speaker 1: come on, let's have a drink. Uh uh, they're doing

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Speaker 1: it with the kids over here. Those are the things

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Speaker 1: that you don't do with your kids. Man. Exactly, no

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Speaker 1: motherfucking marijuana with job because at the end of the day,

364
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Speaker 1: he's getting comfortable with hanging with you, not you being

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Speaker 1: my parents, my father. So that's a that's what you're

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Speaker 1: just saying. It is a part of staying on cold.

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Speaker 1: We know as parents, that's something that you shouldn't do

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Speaker 1: with your kids. You gotta stay on cold. You gotta

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Speaker 1: stay in parent mode. You don't go from being parent

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Speaker 1: to being their bread or being somebody that's passing buns

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Speaker 1: between them. You know, you just don't do that. Man. Yeah,

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Speaker 1: you don't know. My thing is this because you know

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Speaker 1: right now marijuana, we gonna go to the weed a

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Speaker 1: little bit. Marijuana is legal now. I smoke every once

375
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Speaker 1: in a while. I smoke me some weeds, but I'll

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Speaker 1: be damning from them, sili thin get have one of

377
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Speaker 1: my damn kids. You should no no, but that's just no, no,

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Speaker 1: you don't cross the line. And just it's like it

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Speaker 1: is this when you're making love with your wife being

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Speaker 1: invite him in the room something, watch and see how

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Speaker 1: hit that as you might as well if you start

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Speaker 1: doing it like that right well, and just at the

383
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Speaker 1: end of the day, man, you when you start doing

384
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Speaker 1: it like that, entertaining yourself with your kids in a

385
00:21:02,920 --> 00:21:06,680
Speaker 1: fashion of that that nature, what happens when your son

386
00:21:06,800 --> 00:21:09,960
Speaker 1: get mad at you. Now you see these niggas just

387
00:21:10,240 --> 00:21:13,439
Speaker 1: nothing up on their daddies, and that's because they've crossed

388
00:21:13,480 --> 00:21:16,480
Speaker 1: that line of somewhere. You got this in the neighborhood today.

389
00:21:17,760 --> 00:21:21,440
Speaker 1: But it's all to me. I think everything that we're

390
00:21:21,480 --> 00:21:25,119
Speaker 1: doing in life is designed. Everything that we do in

391
00:21:25,200 --> 00:21:28,159
Speaker 1: life has a reason to it, and it has a purpose.

392
00:21:29,960 --> 00:21:34,280
Speaker 1: When when when the government, when these people took whooping

393
00:21:34,320 --> 00:21:37,960
Speaker 1: our kids out of the household, and now the kid

394
00:21:38,160 --> 00:21:43,880
Speaker 1: feel more more just just angry because now I can

395
00:21:43,920 --> 00:21:45,920
Speaker 1: call the police and your ask to go to jail.

396
00:21:46,720 --> 00:21:50,920
Speaker 1: Uh whooping your kids? And and you put your kids

397
00:21:51,000 --> 00:21:53,359
Speaker 1: into and our hall system, you gotta pay for it.

398
00:21:54,119 --> 00:21:57,080
Speaker 1: What'd that tell you? Man? If you if I can't

399
00:21:57,160 --> 00:22:00,520
Speaker 1: chastise my son, what happens my son get more and

400
00:22:00,640 --> 00:22:03,600
Speaker 1: more and more batter and batter every day he goes

401
00:22:03,720 --> 00:22:07,600
Speaker 1: out there hanging out. Now he becomes a statistic Now

402
00:22:07,720 --> 00:22:10,800
Speaker 1: he didn't got his as well by the people killed

403
00:22:10,840 --> 00:22:15,440
Speaker 1: by the police. After that law was implemented surely round

404
00:22:15,480 --> 00:22:18,159
Speaker 1: by the the late nineties, early two thousand and when

405
00:22:18,240 --> 00:22:20,600
Speaker 1: you start seeing these kids walking up in the school

406
00:22:21,200 --> 00:22:25,560
Speaker 1: and gunning down the whole classroom. Mm hmm. You know

407
00:22:25,600 --> 00:22:28,600
Speaker 1: what I'm saying, Because that was the parents had that

408
00:22:28,760 --> 00:22:31,360
Speaker 1: had that was no longer no structure within your home.

409
00:22:31,760 --> 00:22:34,320
Speaker 1: You couldn't discipline your child when you know Johnny was

410
00:22:34,400 --> 00:22:36,920
Speaker 1: doing all this. With Johnny was back there killing the cat,

411
00:22:37,080 --> 00:22:40,119
Speaker 1: killing the dog, and doing all this crazy strange stuff,

412
00:22:40,520 --> 00:22:42,879
Speaker 1: you weren't able to stop him and discipline him on that,

413
00:22:43,080 --> 00:22:44,639
Speaker 1: you know what I mean. So you just kind of

414
00:22:45,160 --> 00:22:47,600
Speaker 1: shoved it under the carpet, buried the animal, and just

415
00:22:47,720 --> 00:22:51,240
Speaker 1: pretend like that never happened. So over over a period

416
00:22:51,280 --> 00:22:55,440
Speaker 1: of time, he evolved and the mentality became thirsty for

417
00:22:55,600 --> 00:22:58,600
Speaker 1: something bigger or something a bigger venue. Shopping for a

418
00:22:58,680 --> 00:23:01,680
Speaker 1: bigger venue, and here we go. We now we got

419
00:23:01,760 --> 00:23:05,840
Speaker 1: these kids walking up at school, movie theaters, nightclubs, or whatever,

420
00:23:06,080 --> 00:23:09,480
Speaker 1: what have you, and they just got everybody down. Don't

421
00:23:09,520 --> 00:23:12,040
Speaker 1: even know him, just or walk up into the church

422
00:23:12,240 --> 00:23:14,679
Speaker 1: delling roof, you know what I mean? Then the police

423
00:23:14,720 --> 00:23:18,080
Speaker 1: shows up and apprehending, don't buy a shot, taking the

424
00:23:18,359 --> 00:23:21,159
Speaker 1: burger king and buy the walker and called him off

425
00:23:21,200 --> 00:23:23,480
Speaker 1: the jail like it was just a normal day. Ball

426
00:23:23,920 --> 00:23:26,560
Speaker 1: That's not normal. And man, a man, what do you

427
00:23:26,680 --> 00:23:30,680
Speaker 1: call the kid that can go and commit him murder

428
00:23:31,440 --> 00:23:34,920
Speaker 1: but then fall out and break down, and in the

429
00:23:35,040 --> 00:23:39,159
Speaker 1: court room after the judge then gave him a life sentence, crying,

430
00:23:40,160 --> 00:23:44,520
Speaker 1: what do you call him? Is he misunderstood? No, he's

431
00:23:44,560 --> 00:23:48,880
Speaker 1: not missunderstood, because you just kill somebody, right, he don't

432
00:23:48,960 --> 00:23:53,359
Speaker 1: understand consequences. We didn't understand that for We didn't give

433
00:23:53,400 --> 00:23:56,679
Speaker 1: a funk about that part. Should I say we went

434
00:23:56,760 --> 00:23:59,320
Speaker 1: to jail back then we went to jail. We didn't

435
00:23:59,320 --> 00:24:02,840
Speaker 1: give seventy two hours. You're getting out of jail, don't

436
00:24:02,840 --> 00:24:06,680
Speaker 1: nobody to show up, ain't nobody coming to court? Motherfucker's

437
00:24:06,760 --> 00:24:09,520
Speaker 1: look for that type of ship. And and we we

438
00:24:09,760 --> 00:24:13,240
Speaker 1: we we counted on that. Now these linings just getting

439
00:24:13,720 --> 00:24:17,880
Speaker 1: thirty five forty five to light, and then the majority

440
00:24:17,880 --> 00:24:19,960
Speaker 1: of these cats you see today just sitting in that

441
00:24:20,080 --> 00:24:25,240
Speaker 1: courting him crying, they crying. Do you feel sorry for him? No?

442
00:24:25,400 --> 00:24:30,040
Speaker 1: I don't. We were lucky. But these little kids today, man,

443
00:24:31,680 --> 00:24:34,280
Speaker 1: they don't. They don't. They never have to deal with consequences,

444
00:24:35,520 --> 00:24:37,960
Speaker 1: you know what I'm saying. So do the big homies.

445
00:24:39,400 --> 00:24:43,000
Speaker 1: How do how do we put how do we change

446
00:24:43,040 --> 00:24:45,960
Speaker 1: the ship? Should? I say? It's hard to do because

447
00:24:46,560 --> 00:24:50,960
Speaker 1: once the motherfucker mind is is conditioned to play a

448
00:24:51,080 --> 00:24:53,280
Speaker 1: certain party, you don't want to play another part. He

449
00:24:53,320 --> 00:24:55,439
Speaker 1: don't want the other role. He don't want the role

450
00:24:55,520 --> 00:24:58,320
Speaker 1: of a good guy because now he believed that all

451
00:24:58,400 --> 00:25:01,680
Speaker 1: the homies is looking down on him because he's thinking

452
00:25:01,760 --> 00:25:04,640
Speaker 1: the right way. So the right way will never show.

453
00:25:05,680 --> 00:25:09,679
Speaker 1: We'll never put on that game face. I wouldn't wear

454
00:25:09,760 --> 00:25:11,399
Speaker 1: that game face because I didn't want to help me

455
00:25:11,520 --> 00:25:14,080
Speaker 1: to think that I was slacking up, I was getting

456
00:25:14,160 --> 00:25:17,800
Speaker 1: soft or whatever. You because if a motherfucker think you're

457
00:25:17,840 --> 00:25:20,359
Speaker 1: getting soft out there, the cold thing about it is

458
00:25:21,040 --> 00:25:27,800
Speaker 1: they're gonna try you. Please believe it. What happened, I said,

459
00:25:27,840 --> 00:25:32,439
Speaker 1: please believe it? Yeah, So you know, I think guys

460
00:25:32,520 --> 00:25:38,359
Speaker 1: are just against all of us, and we we don't

461
00:25:38,359 --> 00:25:40,639
Speaker 1: pay attention and we we don't want to see that

462
00:25:40,920 --> 00:25:44,879
Speaker 1: or here that part of the story, you know. We

463
00:25:45,119 --> 00:25:50,080
Speaker 1: we we want to believe all the bullshit that were

464
00:25:50,160 --> 00:25:55,680
Speaker 1: here and see opposed to thinking and and seeing what's

465
00:25:55,840 --> 00:26:01,840
Speaker 1: right and wrong. Yeah, they for ourselves. Well, if you

466
00:26:01,960 --> 00:26:05,280
Speaker 1: notice today, man, a big part of what's going on

467
00:26:05,400 --> 00:26:09,520
Speaker 1: today too is people don't Men don't communicate with each

468
00:26:09,520 --> 00:26:13,840
Speaker 1: other no more. This is the typical scenario nowadays. I

469
00:26:13,960 --> 00:26:17,120
Speaker 1: got a problem with James. I have james phone number.

470
00:26:17,160 --> 00:26:20,479
Speaker 1: Instead of calling him, I go on Instagram and make

471
00:26:20,520 --> 00:26:22,560
Speaker 1: a post about it, but don't never say his name.

472
00:26:22,640 --> 00:26:24,560
Speaker 1: But you know what I'm talking about him? Well you

473
00:26:24,640 --> 00:26:26,840
Speaker 1: know this and that instead of me picking up the

474
00:26:26,880 --> 00:26:31,280
Speaker 1: phone and calling him, I'll do that. And and you know,

475
00:26:31,440 --> 00:26:34,320
Speaker 1: no offense to our women listeners out there or my feathers.

476
00:26:34,400 --> 00:26:37,920
Speaker 1: But to me, that's really feminine. That's not the way

477
00:26:37,960 --> 00:26:40,399
Speaker 1: of men conduct themselves. If you got a problem with somebody,

478
00:26:40,480 --> 00:26:43,040
Speaker 1: you call that person and you work it out with them,

479
00:26:43,400 --> 00:26:47,200
Speaker 1: even on the back of the box. Communication is the

480
00:26:47,359 --> 00:26:52,200
Speaker 1: main component of getting to understand it. Without communication, you

481
00:26:52,359 --> 00:26:55,080
Speaker 1: can't have an understand it. So that's just something that

482
00:26:55,200 --> 00:26:59,600
Speaker 1: just has to happen, you know, Yeah, it has happened

483
00:26:59,640 --> 00:27:02,240
Speaker 1: under the said for sure, because I know y'all see

484
00:27:02,240 --> 00:27:04,520
Speaker 1: it the mine. It's like, and I'm not gonna going

485
00:27:04,560 --> 00:27:07,760
Speaker 1: to the whole Charlotte Magne thing. Right. Um, there was

486
00:27:07,840 --> 00:27:12,000
Speaker 1: reporting on a brother what's the guy's name, Kama Karma Brown,

487
00:27:13,480 --> 00:27:15,880
Speaker 1: Charlotte Maagne. You know, he went a little bit extra

488
00:27:16,000 --> 00:27:18,080
Speaker 1: with it and saying some stuff about the thing to

489
00:27:18,160 --> 00:27:21,160
Speaker 1: do when hammers, when bunkers. Charlotta Magne wanted this show

490
00:27:21,200 --> 00:27:26,760
Speaker 1: and apologize today. I think that's a manion ship right there.

491
00:27:26,800 --> 00:27:29,560
Speaker 1: He said, you know what, I funked up. I shouldn't

492
00:27:29,600 --> 00:27:31,720
Speaker 1: said that and miss and that he apologized about it.

493
00:27:32,080 --> 00:27:33,639
Speaker 1: A lot of niggas that they're gonna do that, a

494
00:27:33,680 --> 00:27:35,920
Speaker 1: lot of niggas. You know, they're wrong as motherfucking three

495
00:27:35,960 --> 00:27:38,119
Speaker 1: dollar bill. But it's still could carry on with the

496
00:27:38,200 --> 00:27:41,159
Speaker 1: bullshit instead of just the independ may understand you know what,

497
00:27:41,680 --> 00:27:45,160
Speaker 1: my bad, my nigga, I mean no disrespect. At least

498
00:27:45,240 --> 00:27:48,280
Speaker 1: he had the common decency to recognize his and mistake

499
00:27:48,359 --> 00:27:52,679
Speaker 1: and understand why he needed to apologize. You understand, because

500
00:27:53,160 --> 00:27:57,639
Speaker 1: here's the theme. Man, if you think about the NBA right, well,

501
00:27:57,800 --> 00:28:00,080
Speaker 1: look at the world. There's seven over saddling bill and

502
00:28:00,200 --> 00:28:04,879
Speaker 1: people on this planet right maybe five hundred professional basketball

503
00:28:04,920 --> 00:28:08,280
Speaker 1: players with those were centags. The livelihood that anybody making

504
00:28:08,359 --> 00:28:12,639
Speaker 1: to the NBA, it's slim and ned. So if Steven A.

505
00:28:12,880 --> 00:28:17,760
Speaker 1: Smith and Steven Jackson and Mac Barnes and give it arenuses,

506
00:28:18,400 --> 00:28:20,760
Speaker 1: it's jumping on this fool because they don't feel like

507
00:28:21,880 --> 00:28:25,719
Speaker 1: he didn't play to their understanding of or what they

508
00:28:25,800 --> 00:28:29,359
Speaker 1: think he should have played too. That's their problem, you

509
00:28:29,480 --> 00:28:32,399
Speaker 1: understand for them to still be talking about that twenty

510
00:28:32,480 --> 00:28:35,800
Speaker 1: years lady, it's restarted. Man, they didn't have nothing else

511
00:28:35,880 --> 00:28:39,480
Speaker 1: better to talk about. Yeah, that's real ship. You know

512
00:28:39,640 --> 00:28:41,719
Speaker 1: one thing that we gotta stop doing, though, And I'm

513
00:28:41,760 --> 00:28:44,200
Speaker 1: gonna tell you one thing, and I try to practice

514
00:28:44,640 --> 00:28:50,120
Speaker 1: practice this myself, is we gotta stop trying to knock

515
00:28:50,200 --> 00:28:52,600
Speaker 1: the next brother down is doing some ship over Damn

516
00:28:53,880 --> 00:28:57,000
Speaker 1: always us whenever you see somebody talking about it and

517
00:28:57,040 --> 00:28:59,240
Speaker 1: ain't a white boy on TV, the ain't this person,

518
00:28:59,320 --> 00:29:01,479
Speaker 1: ain't a mix of doing it. It's one of us.

519
00:29:02,680 --> 00:29:05,080
Speaker 1: They think they gotta going on. I'm about the tim

520
00:29:05,360 --> 00:29:07,720
Speaker 1: I'm their favorite words, I'm exposed some ship. What the

521
00:29:07,760 --> 00:29:13,720
Speaker 1: fund are you going exposed? No, that's that's we We

522
00:29:14,040 --> 00:29:16,760
Speaker 1: we hate what we see where we can't get for ourselves,

523
00:29:17,200 --> 00:29:20,520
Speaker 1: so we hate the next man. They got it. We

524
00:29:20,680 --> 00:29:22,640
Speaker 1: hate the fact that he got it and I don't.

525
00:29:23,440 --> 00:29:25,840
Speaker 1: And you see a lot of motherfucker's like that. Ma'll

526
00:29:25,920 --> 00:29:27,800
Speaker 1: but tell you way back in the days, and nigga

527
00:29:27,880 --> 00:29:31,480
Speaker 1: hated another motherfucker because this low rider looked better than his.

528
00:29:31,640 --> 00:29:35,040
Speaker 1: I didn't have datings. So now nigga say, the only

529
00:29:35,080 --> 00:29:37,080
Speaker 1: way I can get those datings is to go out

530
00:29:37,120 --> 00:29:40,320
Speaker 1: there and kill the motherfucker for him. No datons was

531
00:29:40,480 --> 00:29:44,680
Speaker 1: easy to get. Everybody had a hustler in the grind,

532
00:29:45,120 --> 00:29:47,960
Speaker 1: but motherfucker's didn't want to. Boyd. We hate on each

533
00:29:48,000 --> 00:29:51,600
Speaker 1: other just because of what we see, but we don't

534
00:29:51,680 --> 00:29:55,240
Speaker 1: have right here. We hate each other because bitches is

535
00:29:55,360 --> 00:29:57,840
Speaker 1: looking at that nigga saying that motherfucker is with it

536
00:29:57,920 --> 00:30:00,920
Speaker 1: that nigga pretty now, And I hate this nigga because

537
00:30:00,960 --> 00:30:04,520
Speaker 1: the bitch is blank. You hate each other just on

538
00:30:04,640 --> 00:30:11,280
Speaker 1: the stress of of of nickerism. What you mentioned that

539
00:30:11,880 --> 00:30:16,160
Speaker 1: people hated Bartender for that man. Bartender was a nice

540
00:30:16,240 --> 00:30:19,720
Speaker 1: looking young man, and all the women, no matter where

541
00:30:19,760 --> 00:30:24,640
Speaker 1: he was from, love that dude. Dude from even his

542
00:30:24,760 --> 00:30:29,200
Speaker 1: own sextional dudes from obviously other sextions hated even just

543
00:30:29,320 --> 00:30:33,080
Speaker 1: for that reason alone. You know exactly did moret they

544
00:30:33,120 --> 00:30:36,640
Speaker 1: women around their motherfucking know nothing. But what I'm saying

545
00:30:36,760 --> 00:30:42,120
Speaker 1: is is we hate what we're not right, we hate

546
00:30:42,160 --> 00:30:45,360
Speaker 1: what we can't beat, but we're seeing somebody else and

547
00:30:46,160 --> 00:30:50,400
Speaker 1: we hate the fact that another motherfucker made it. We

548
00:30:50,560 --> 00:30:53,520
Speaker 1: hate the fact that a black man accomplished something, or

549
00:30:53,640 --> 00:30:55,840
Speaker 1: niggas came from the hood and they're doing this now.

550
00:30:55,920 --> 00:30:58,480
Speaker 1: Oh he thinking this ship. He made it out the hood.

551
00:30:59,000 --> 00:31:02,440
Speaker 1: But look why says for making it? It ain't watching

552
00:31:02,720 --> 00:31:05,400
Speaker 1: somebody walked out to the neighborhood. You know what I'm saying,

553
00:31:05,480 --> 00:31:09,440
Speaker 1: Man watching this, James, There's a guy. His name is

554
00:31:09,600 --> 00:31:13,840
Speaker 1: U Napoleon Hill. Napoleon Hill said one of the most

555
00:31:13,920 --> 00:31:17,160
Speaker 1: powerful emotions that a man has a desire to have sex.

556
00:31:17,480 --> 00:31:21,120
Speaker 1: But if he harness that energy and transmute it into

557
00:31:21,160 --> 00:31:25,680
Speaker 1: a monetary equipment equivalent, he'd be that much further head

558
00:31:25,760 --> 00:31:28,280
Speaker 1: in life. Other words, when he was explaining is that

559
00:31:28,760 --> 00:31:31,360
Speaker 1: if you put your time and energy into building your

560
00:31:31,440 --> 00:31:35,560
Speaker 1: foundation in your life. You don't have no time for

561
00:31:35,680 --> 00:31:38,040
Speaker 1: all that stuff. And then at that point you don't

562
00:31:38,080 --> 00:31:39,920
Speaker 1: have to look for no woman, and the woman gonna

563
00:31:39,920 --> 00:31:43,160
Speaker 1: be looking for you. You understanding, because now you don't

564
00:31:43,200 --> 00:31:47,600
Speaker 1: build this life up and you gotta you gotta stable now,

565
00:31:48,080 --> 00:31:50,680
Speaker 1: you know. But what will happen to are you or

566
00:31:50,800 --> 00:31:52,440
Speaker 1: are some of the people who come up the time

567
00:31:52,840 --> 00:31:55,240
Speaker 1: they put the they put the buggy in front of

568
00:31:55,320 --> 00:31:58,280
Speaker 1: the heart, they start chasing women are doing all this stuff.

569
00:31:58,520 --> 00:32:01,440
Speaker 1: They don't realize that they're losing precious time because they

570
00:32:01,480 --> 00:32:03,760
Speaker 1: could spend that time building their life. And once you

571
00:32:03,840 --> 00:32:07,720
Speaker 1: have your life together, then women come, they come. You

572
00:32:07,720 --> 00:32:11,200
Speaker 1: don't have to look for That's some real ship right there.

573
00:32:11,480 --> 00:32:13,520
Speaker 1: That that's the real ship. But you know what though, man,

574
00:32:14,040 --> 00:32:17,840
Speaker 1: and I know James ain't big on conspiracies, me and

575
00:32:17,960 --> 00:32:20,600
Speaker 1: you are a little bit mal if you look at

576
00:32:20,680 --> 00:32:23,920
Speaker 1: this man, now, let's take it back. If you go

577
00:32:24,160 --> 00:32:25,920
Speaker 1: back and look at the program. And it was on

578
00:32:26,040 --> 00:32:29,880
Speaker 1: TV in the seventies and the eighties, right, it was

579
00:32:30,040 --> 00:32:33,000
Speaker 1: always a play kind of to where the dad was,

580
00:32:33,080 --> 00:32:35,960
Speaker 1: the house was a buffoon, almost like a fool, the

581
00:32:36,120 --> 00:32:38,720
Speaker 1: keys jokes on them and stuff, the mama talking to

582
00:32:38,880 --> 00:32:42,280
Speaker 1: him crazy. You had good times where thelm I was

583
00:32:42,320 --> 00:32:43,920
Speaker 1: talking to the house from that man in this house

584
00:32:43,960 --> 00:32:45,520
Speaker 1: and talk crazy to him or whatever. You know what

585
00:32:45,560 --> 00:32:47,920
Speaker 1: I'm saying. When you had the Jeffersons to where the

586
00:32:47,960 --> 00:32:50,040
Speaker 1: woman come over his house and talk crazy to him,

587
00:32:50,080 --> 00:32:52,240
Speaker 1: you see what I'm saying. They had to listen with

588
00:32:52,360 --> 00:32:55,080
Speaker 1: the white guy. It was all kind of little subliminal

589
00:32:55,120 --> 00:32:57,840
Speaker 1: ship and they always made the man look like a

590
00:32:58,000 --> 00:33:01,200
Speaker 1: damn fool. Well that that was the beginning of the

591
00:33:01,360 --> 00:33:04,720
Speaker 1: feminist movement. That was because of the feminists that started

592
00:33:04,720 --> 00:33:06,960
Speaker 1: all that stuff. It was all it was the slight

593
00:33:07,080 --> 00:33:10,440
Speaker 1: of a hand and subliminal course. But it was due

594
00:33:10,520 --> 00:33:13,880
Speaker 1: to that feminist movement that they felt like women was

595
00:33:14,040 --> 00:33:19,000
Speaker 1: equal to men. But women got to realize that you live,

596
00:33:19,160 --> 00:33:22,120
Speaker 1: you living in the world at me and build see

597
00:33:22,120 --> 00:33:26,040
Speaker 1: because the woman can't run the electoral kain or run

598
00:33:26,160 --> 00:33:30,760
Speaker 1: the up keep uh the infrastructure in this country. That's

599
00:33:30,760 --> 00:33:33,200
Speaker 1: not when we're doing the job already. Women have to

600
00:33:33,400 --> 00:33:35,920
Speaker 1: learn not to do that, you understand. So you took

601
00:33:35,920 --> 00:33:39,080
Speaker 1: all the men away, what would the women do? Yes?

602
00:33:39,200 --> 00:33:41,560
Speaker 1: That and women to our women fans out there, there

603
00:33:41,680 --> 00:33:52,600
Speaker 1: was many miles sce I still in that, you know.

604
00:33:52,960 --> 00:33:54,960
Speaker 1: But the thing was, though, bro, if you go back

605
00:33:55,000 --> 00:33:58,320
Speaker 1: and look at it, the man was always made and

606
00:33:58,400 --> 00:34:00,480
Speaker 1: look like a fool. It's like, if you think about it,

607
00:34:00,520 --> 00:34:02,560
Speaker 1: Married with Children, that was one of the biggest shows

608
00:34:02,640 --> 00:34:06,000
Speaker 1: on TV. Al Bundy was a shoe salesman, right, he

609
00:34:06,120 --> 00:34:08,960
Speaker 1: had a job, but it always showed him just like

610
00:34:09,120 --> 00:34:11,319
Speaker 1: he was just a fool all the time because never

611
00:34:12,719 --> 00:34:15,680
Speaker 1: still did dealing with the feelings movement though still it's

612
00:34:15,680 --> 00:34:18,000
Speaker 1: still it's all a part of it, you know what

613
00:34:18,040 --> 00:34:20,919
Speaker 1: I'm saying. Nothing is exempt from that. We just gotta

614
00:34:21,080 --> 00:34:25,759
Speaker 1: understand why the wise you understand now both of y'all

615
00:34:26,040 --> 00:34:28,400
Speaker 1: you know whether they was good in the end or not.

616
00:34:28,640 --> 00:34:31,680
Speaker 1: You know, we all had men in the household, right,

617
00:34:32,280 --> 00:34:36,000
Speaker 1: I mean also with any of your daddy is a

618
00:34:36,040 --> 00:34:38,200
Speaker 1: step daddies and let some broad coming to the house

619
00:34:38,280 --> 00:34:42,040
Speaker 1: and talk to him crazy. It wouldn't have went down

620
00:34:42,120 --> 00:34:45,879
Speaker 1: to my house because the first thing Willie would have said,

621
00:34:46,000 --> 00:34:49,120
Speaker 1: my step up the last name I karding. He'd have

622
00:34:49,200 --> 00:34:51,120
Speaker 1: told my mama. He would have put this bitch and

623
00:34:51,200 --> 00:34:53,800
Speaker 1: ship you know what I'm saying, or or or my

624
00:34:53,920 --> 00:34:56,120
Speaker 1: hamlet you know what I mean, she ain't gonna being

625
00:34:56,160 --> 00:34:57,759
Speaker 1: here talking crazy to me. You're talking to me any

626
00:34:57,840 --> 00:34:59,960
Speaker 1: kind of way. I remember a woman told my stepdaddy,

627
00:35:00,280 --> 00:35:02,040
Speaker 1: you need to put some shoes on. He said, when

628
00:35:02,040 --> 00:35:04,359
Speaker 1: you start peeing some bells around his motherfucker big thing,

629
00:35:04,360 --> 00:35:06,200
Speaker 1: you can talk to me until then. You ain't gotta

630
00:35:06,200 --> 00:35:09,160
Speaker 1: say ship to me. And I said, damn. I thought

631
00:35:09,200 --> 00:35:10,520
Speaker 1: it was kind of harsh at the time. But what

632
00:35:10,640 --> 00:35:13,200
Speaker 1: he was doing is he was putting the check down.

633
00:35:14,000 --> 00:35:17,880
Speaker 1: So what about daddy overflowing his ass? And then my

634
00:35:18,000 --> 00:35:21,640
Speaker 1: mama shot my father, you ain't putting your hands over

635
00:35:21,719 --> 00:35:23,839
Speaker 1: no more. You ain't talking to me like that no more.

636
00:35:24,280 --> 00:35:26,680
Speaker 1: So the motherucker thought he was gonna go out with

637
00:35:26,760 --> 00:35:29,960
Speaker 1: his bitches at the motorcycle club and come back in

638
00:35:30,000 --> 00:35:34,000
Speaker 1: the house. And and that's that. She set her motherfucking

639
00:35:34,040 --> 00:35:36,080
Speaker 1: ass in the chair with a child on her lap.

640
00:35:36,280 --> 00:35:38,959
Speaker 1: It piss up under the top when that thing opened

641
00:35:39,000 --> 00:35:43,760
Speaker 1: the door. What I thought that was the most gangster

642
00:35:44,000 --> 00:35:46,879
Speaker 1: ship I ever seen. But you know what, though, that's

643
00:35:46,880 --> 00:35:55,200
Speaker 1: what I don't know because he got you together. Though, James,

644
00:35:56,400 --> 00:35:58,280
Speaker 1: I'm gonna tell you this, Stough, that's a pet peeve

645
00:35:58,320 --> 00:36:01,840
Speaker 1: of mine because my thing is this, It ain't no

646
00:36:01,960 --> 00:36:05,000
Speaker 1: way on God's green Earth. No nigga got no reason

647
00:36:05,040 --> 00:36:07,200
Speaker 1: to be putting her hands and the feemale. I tell

648
00:36:07,320 --> 00:36:10,120
Speaker 1: everybody this, if she's making you want whoop her, ask

649
00:36:10,160 --> 00:36:14,360
Speaker 1: and all that she's the right one. That's true. She

650
00:36:14,400 --> 00:36:16,320
Speaker 1: seems the right one. Because I'm gonna tell you a

651
00:36:16,400 --> 00:36:18,600
Speaker 1: woman today, a woman wants me to fight with her ass.

652
00:36:18,680 --> 00:36:20,520
Speaker 1: If my wife liked to fighting all that ship, we

653
00:36:20,560 --> 00:36:23,200
Speaker 1: wouldn't be together. I'm not doing it though, with some

654
00:36:23,320 --> 00:36:26,800
Speaker 1: women like that. Some women like to fight. My my

655
00:36:27,040 --> 00:36:35,680
Speaker 1: uncle's uh, my uncle's girl. She was at the project. Yeah,

656
00:36:36,719 --> 00:36:40,919
Speaker 1: of course I watched her go down with my uncle

657
00:36:41,000 --> 00:36:45,600
Speaker 1: Plo like one nigga come get it, and he was

658
00:36:45,760 --> 00:36:48,480
Speaker 1: busting her ass up. But she was with the business.

659
00:36:49,239 --> 00:36:51,319
Speaker 1: You got some women out there that they ain't gonna

660
00:36:51,360 --> 00:36:55,160
Speaker 1: take that nigga ship. Ain't going for it at all.

661
00:36:56,040 --> 00:36:58,560
Speaker 1: Who wants to? Man. Let me tell you something, I

662
00:36:59,719 --> 00:37:02,640
Speaker 1: don't need a woman. If Nick's three nickas trying to

663
00:37:02,760 --> 00:37:05,680
Speaker 1: jump me and she just stand there holling and hooping

664
00:37:06,600 --> 00:37:13,480
Speaker 1: she joined in, I don't need her. I don't need it.

665
00:37:14,160 --> 00:37:17,799
Speaker 1: But also I don't want my girls fighting fighting. Right,

666
00:37:18,280 --> 00:37:21,040
Speaker 1: every every woman I had in my life, man was

667
00:37:21,120 --> 00:37:24,560
Speaker 1: with the business. My my my ex wife on the

668
00:37:24,600 --> 00:37:28,800
Speaker 1: motorcycle set. I had to tell her, put your motherfucking

669
00:37:28,880 --> 00:37:31,120
Speaker 1: gun back in your tit. I don't have to fight

670
00:37:31,239 --> 00:37:35,000
Speaker 1: every time of Nicka run his mother. She's coming out.

671
00:37:35,120 --> 00:37:37,719
Speaker 1: She's whipping that motherfucking dude five out, ready to pop

672
00:37:37,719 --> 00:37:43,759
Speaker 1: a nigga. My daughter's mama from south Side Pam like Nick,

673
00:37:43,800 --> 00:37:45,640
Speaker 1: if you're gonna fight my nick, and you gotta fight

674
00:37:45,719 --> 00:37:48,879
Speaker 1: me too. I have women that was ready to fight.

675
00:37:49,000 --> 00:37:51,680
Speaker 1: What they do that don't make her a bad woman,

676
00:37:51,760 --> 00:37:56,640
Speaker 1: because I mean, my my oldest son, Mama old lights

677
00:37:56,719 --> 00:38:01,880
Speaker 1: getting motherfucker, pretty as motherfucker, but she ready fight. She

678
00:38:02,040 --> 00:38:05,440
Speaker 1: loved her dude nicking. Y'all ain't gonna do that, feel me.

679
00:38:05,640 --> 00:38:12,520
Speaker 1: My sisters said the j J new Berries with the

680
00:38:12,600 --> 00:38:20,560
Speaker 1: prominentes are as serious robbing too. I don't whatever against

681
00:38:20,600 --> 00:38:28,120
Speaker 1: the woman. Remember huh remember my death? Yeah yeah, man,

682
00:38:28,200 --> 00:38:32,920
Speaker 1: I was right there. Man, right here. Here's the difference

683
00:38:33,000 --> 00:38:38,359
Speaker 1: between a man got a lot of men out there

684
00:38:38,440 --> 00:38:40,719
Speaker 1: that that that let another nigga call him a bit

685
00:38:41,280 --> 00:38:43,640
Speaker 1: or slap him up or push him and kick him around,

686
00:38:44,440 --> 00:38:46,839
Speaker 1: but then he takes that aggression and being because he mad,

687
00:38:47,280 --> 00:38:50,600
Speaker 1: he's gonna go home and call his woman a bitch. No,

688
00:38:51,800 --> 00:38:54,320
Speaker 1: if you ain't mad enough to fight another man for

689
00:38:54,480 --> 00:38:57,759
Speaker 1: disrespecting you, you shouldn't say shipped to your woman for

690
00:38:57,920 --> 00:39:01,759
Speaker 1: disrespecting you. That's the problem here. You got a lot

691
00:39:01,800 --> 00:39:03,520
Speaker 1: of men that all that will beat the ship out

692
00:39:03,560 --> 00:39:07,680
Speaker 1: of a woman, but they are afraid of the big homie,

693
00:39:07,760 --> 00:39:10,200
Speaker 1: the little homie are, or just a man in general.

694
00:39:11,440 --> 00:39:14,720
Speaker 1: That's the problem with motherfucker's. They need to learn their rods.

695
00:39:15,400 --> 00:39:17,719
Speaker 1: If you're a motherfucking man and you're out there with

696
00:39:17,880 --> 00:39:19,719
Speaker 1: the next man, and that man call you a bit

697
00:39:20,200 --> 00:39:23,239
Speaker 1: hand to your business. But if your wife don't cook

698
00:39:23,640 --> 00:39:25,840
Speaker 1: or your girl don't cook dinner, had dinner for you,

699
00:39:26,239 --> 00:39:28,439
Speaker 1: now you want to roll up and be mad? Oh bit,

700
00:39:28,600 --> 00:39:32,920
Speaker 1: you shouldn't know. It's a difference. Some niggas as bitch

701
00:39:33,000 --> 00:39:35,359
Speaker 1: as too, and niggas don't understand that ship. And I'm

702
00:39:35,360 --> 00:39:37,320
Speaker 1: gonna keep in one, honey. There's a whole lot of

703
00:39:37,440 --> 00:39:41,320
Speaker 1: bus niggers out here, a whole lot of them. And

704
00:39:41,400 --> 00:39:43,640
Speaker 1: the difference of that, you got some niggas out of

705
00:39:43,680 --> 00:39:46,520
Speaker 1: here that are fighting anything on the planet. But he

706
00:39:46,640 --> 00:39:50,520
Speaker 1: is still going home and beat up his bron Can't

707
00:39:50,520 --> 00:39:53,719
Speaker 1: you be mad at that nigg putting in the same

708
00:39:53,800 --> 00:39:56,440
Speaker 1: boat as a busy Look what you can be. And

709
00:39:56,520 --> 00:39:59,280
Speaker 1: you ain't gotta beat your girl up like that, true,

710
00:39:59,360 --> 00:40:01,760
Speaker 1: because at that point you ain't gotta prove a motherfucking

711
00:40:01,840 --> 00:40:05,080
Speaker 1: thing to your woman. If your woman is supposed to

712
00:40:05,120 --> 00:40:10,080
Speaker 1: feel safe around you, secure. Yeah, that's what me and

713
00:40:10,160 --> 00:40:12,880
Speaker 1: are with me and are the maintaining the protectives of

714
00:40:12,960 --> 00:40:16,640
Speaker 1: women and children. That's just our petitions. That's our natural position, right,

715
00:40:17,480 --> 00:40:19,840
Speaker 1: That's that's that's that's supposed to be our strength. But

716
00:40:20,000 --> 00:40:22,560
Speaker 1: we don't do that. We don't do that. We don't

717
00:40:22,640 --> 00:40:24,919
Speaker 1: let that ship go so far it's just out of hand.

718
00:40:25,360 --> 00:40:28,319
Speaker 1: So how do we get that ship back? We gotta

719
00:40:28,440 --> 00:40:32,080
Speaker 1: learn and condition ourselves. You know what I'm saying. It

720
00:40:32,160 --> 00:40:34,520
Speaker 1: took me to get to my late forties, my my

721
00:40:34,719 --> 00:40:38,080
Speaker 1: fifties for me to understand what what what type of

722
00:40:38,200 --> 00:40:40,800
Speaker 1: person I wanted to be or or now, And I

723
00:40:40,880 --> 00:40:44,399
Speaker 1: can honestly stand up and tell the next motherfucker I'm

724
00:40:44,440 --> 00:40:46,000
Speaker 1: a man. I know I'm a man. I know what

725
00:40:46,080 --> 00:40:48,880
Speaker 1: a man is now I'd have been through it, but

726
00:40:49,040 --> 00:40:51,120
Speaker 1: I know what the fucking man is. And can't nobody

727
00:40:51,239 --> 00:40:56,120
Speaker 1: take that from you? Can't nobody touch that, and I'm

728
00:40:56,160 --> 00:40:59,480
Speaker 1: gonna protect any and everything that's in my circle. And

729
00:40:59,600 --> 00:41:04,680
Speaker 1: that's me. You feel me absolutely understand and learning that part,

730
00:41:05,239 --> 00:41:08,640
Speaker 1: then I think we'd be better as black man. You

731
00:41:08,719 --> 00:41:12,959
Speaker 1: know what I'm saying? Yeah, absolutely little, Because I'm gonna

732
00:41:12,960 --> 00:41:16,400
Speaker 1: tell you I had one of the coaches y'all know

733
00:41:16,520 --> 00:41:20,360
Speaker 1: my son played football for USC and one of the

734
00:41:20,440 --> 00:41:23,040
Speaker 1: coaches that told my me and my wife that y'all

735
00:41:23,080 --> 00:41:25,440
Speaker 1: are the best parents I've ever seen. Y'all really be

736
00:41:25,560 --> 00:41:29,640
Speaker 1: there for y'all kids. Right. My thing is this, I

737
00:41:29,840 --> 00:41:32,640
Speaker 1: reward my kids for they when they're doing something excellent.

738
00:41:33,160 --> 00:41:35,520
Speaker 1: When they're doing something that's not excellent, they don't give

739
00:41:35,560 --> 00:41:38,080
Speaker 1: rewarded for the stuff, right. I look at it like this.

740
00:41:40,200 --> 00:41:42,320
Speaker 1: We paid for our oldest son to go to college.

741
00:41:42,840 --> 00:41:44,960
Speaker 1: We didn't have to pay for my middle son to

742
00:41:45,040 --> 00:41:46,800
Speaker 1: go to school because he did what he's supposed to

743
00:41:46,840 --> 00:41:49,360
Speaker 1: do with his grades and football and got himself in

744
00:41:49,440 --> 00:41:51,560
Speaker 1: the school. Rewarded that we got in a car, right,

745
00:41:52,800 --> 00:41:55,359
Speaker 1: My oldest son did right, he wanted got him some ship.

746
00:41:55,680 --> 00:41:57,520
Speaker 1: My daughter she on her way so she would get

747
00:41:57,520 --> 00:42:00,000
Speaker 1: her some stuff. If they wasn't here enough, that wouldn't

748
00:42:00,000 --> 00:42:04,279
Speaker 1: happened like that. But even with that being said, I

749
00:42:04,440 --> 00:42:09,719
Speaker 1: always leot my keys know that you're not obligated to

750
00:42:09,800 --> 00:42:12,440
Speaker 1: shift for you doing what you're supposed to do. I'm

751
00:42:12,520 --> 00:42:15,040
Speaker 1: doing this because as a reward for you. But this

752
00:42:15,160 --> 00:42:16,799
Speaker 1: is what you're supposed to do. You supposed to want

753
00:42:16,920 --> 00:42:18,920
Speaker 1: to be good for yourself in life. You see what

754
00:42:18,960 --> 00:42:21,640
Speaker 1: I'm saying. But but but until a certain point, you're

755
00:42:21,680 --> 00:42:23,960
Speaker 1: doing it because you're a parent. And this is what

756
00:42:24,160 --> 00:42:28,399
Speaker 1: parents do. They make their kids great. Your sons want

757
00:42:28,440 --> 00:42:30,920
Speaker 1: to be like dad because dad is doing My dad

758
00:42:31,000 --> 00:42:33,000
Speaker 1: is still here with my mama, so I want to

759
00:42:33,080 --> 00:42:38,680
Speaker 1: be like him. M So let's take Thatt's take it

760
00:42:38,719 --> 00:42:42,640
Speaker 1: a little deeper. So why is it that allows of

761
00:42:42,760 --> 00:42:46,560
Speaker 1: Ball get criticized for doing such an excellent job with

762
00:42:46,719 --> 00:42:53,479
Speaker 1: his three sons? But yeah, the media is only because Yeah,

763
00:42:54,280 --> 00:42:55,800
Speaker 1: that's what I was gonna say. You know what the

764
00:42:55,840 --> 00:42:58,200
Speaker 1: problem with the you know what the problem with the

765
00:42:58,280 --> 00:43:01,160
Speaker 1: media they got with him is he's a black man

766
00:43:01,280 --> 00:43:04,480
Speaker 1: that breaks every stereo type they ever had. This motherfucker

767
00:43:04,600 --> 00:43:08,000
Speaker 1: loved his sons to death. And what you want to say,

768
00:43:08,160 --> 00:43:10,600
Speaker 1: because I'm trying to get one to the NFL, This

769
00:43:10,760 --> 00:43:13,799
Speaker 1: nigga don't got all his kids. The one kid lead.

770
00:43:13,880 --> 00:43:16,759
Speaker 1: He don't got what do you see league or whatever,

771
00:43:17,080 --> 00:43:20,200
Speaker 1: He's still basketball that. I don't want to blame it

772
00:43:20,320 --> 00:43:24,200
Speaker 1: on white people, but I want to say this, Uh,

773
00:43:25,040 --> 00:43:27,840
Speaker 1: people do not want to see black men with with

774
00:43:28,000 --> 00:43:30,880
Speaker 1: strength and power like that that raised their kids and

775
00:43:31,160 --> 00:43:34,120
Speaker 1: and and let the whole world know that I got

776
00:43:34,239 --> 00:43:37,040
Speaker 1: their back. My kids are good. My kids ain't bad,

777
00:43:37,480 --> 00:43:41,359
Speaker 1: and they're there. If every father, if the world's seen

778
00:43:41,480 --> 00:43:45,719
Speaker 1: every black man as a father out there for their

779
00:43:45,840 --> 00:43:48,239
Speaker 1: kids like that, we wouldn't have a problem. If we

780
00:43:48,360 --> 00:43:53,279
Speaker 1: have a date he opened his mouth. Oh no, we

781
00:43:53,320 --> 00:43:55,040
Speaker 1: don't need niggas to act like that. We don't need

782
00:43:55,080 --> 00:43:58,320
Speaker 1: him out of the public like that. So this is

783
00:43:58,400 --> 00:44:01,560
Speaker 1: why it is so important that we control our own media,

784
00:44:01,680 --> 00:44:04,480
Speaker 1: because if we control our own media, we get to

785
00:44:04,800 --> 00:44:08,239
Speaker 1: put the images out there that that is respectful to see,

786
00:44:08,360 --> 00:44:11,040
Speaker 1: that show black men doing these type of things and

787
00:44:11,200 --> 00:44:13,880
Speaker 1: not and they don't be in the hands of individuals

788
00:44:13,960 --> 00:44:16,640
Speaker 1: that don't have our best interest because it's still the

789
00:44:16,719 --> 00:44:18,960
Speaker 1: Willie Lynch syndrome going on, because they want to put

790
00:44:19,000 --> 00:44:22,520
Speaker 1: out the people that that's not so doing so well

791
00:44:22,640 --> 00:44:24,759
Speaker 1: or going through the society, but they don't want to

792
00:44:24,840 --> 00:44:27,840
Speaker 1: highlight and showcase the lines of the Balls, the Steals,

793
00:44:27,960 --> 00:44:29,880
Speaker 1: the James and the Melly Mills. They don't want to

794
00:44:29,920 --> 00:44:33,360
Speaker 1: do that because then then they got to change the subject.

795
00:44:33,440 --> 00:44:35,960
Speaker 1: That's the topic has got the change the way to

796
00:44:36,239 --> 00:44:39,560
Speaker 1: how we are being defined in this society. So that's

797
00:44:39,560 --> 00:44:42,040
Speaker 1: why it's important that we get on stay on code,

798
00:44:42,560 --> 00:44:46,200
Speaker 1: and we gain access to our own controling our all media.

799
00:44:46,320 --> 00:44:50,320
Speaker 1: That's why when I'm doing the Hood Postman, I always

800
00:44:50,400 --> 00:44:55,759
Speaker 1: say I take individuals that turn negatives into positives. That's

801
00:44:55,760 --> 00:45:02,759
Speaker 1: what I'm interested in exact. So Linzo Ball, we need

802
00:45:02,840 --> 00:45:04,359
Speaker 1: you want to show a big dog, I'm gonna get

803
00:45:04,360 --> 00:45:09,000
Speaker 1: actual people. He comes back that he come to speak

804
00:45:09,040 --> 00:45:11,400
Speaker 1: that truth, man, because we're gonna get you on here,

805
00:45:11,440 --> 00:45:13,680
Speaker 1: bro and get your flowers. Wingo gets you on here

806
00:45:13,680 --> 00:45:15,720
Speaker 1: to talk about that because that man is a great

807
00:45:15,800 --> 00:45:18,880
Speaker 1: father and he's a great us. I'm gonna tell you,

808
00:45:19,080 --> 00:45:21,880
Speaker 1: I'll fought with that little show. That man's wife had

809
00:45:21,920 --> 00:45:25,279
Speaker 1: a stroke. He take care of that woman, built a

810
00:45:25,360 --> 00:45:27,520
Speaker 1: little park in the backyard. He take care of them kid,

811
00:45:27,560 --> 00:45:30,719
Speaker 1: and he loved his keys dog. What's wrong? You know

812
00:45:30,800 --> 00:45:33,120
Speaker 1: if he hadn't took care of her, she'd be dead

813
00:45:33,239 --> 00:45:35,839
Speaker 1: based on how the medical people treat our people when

814
00:45:35,880 --> 00:45:38,680
Speaker 1: they go in the hospital, she'd be dead by them

815
00:45:38,960 --> 00:45:43,080
Speaker 1: depending on them people, right exactly. That man took that

816
00:45:43,280 --> 00:45:46,479
Speaker 1: safe circumstance in that situation to his own hand and said,

817
00:45:46,640 --> 00:45:49,640
Speaker 1: I'm gonna get these bugs. I'm gonna get these alternative medicines.

818
00:45:49,800 --> 00:45:51,719
Speaker 1: Where are that, I'm going to get my wife. I'm

819
00:45:51,800 --> 00:45:53,960
Speaker 1: gonna take care of my wife. Don't don't worries. I

820
00:45:54,000 --> 00:45:56,440
Speaker 1: don't need y'all. Hill, let me take care of this

821
00:45:57,239 --> 00:45:59,600
Speaker 1: because you know what I told somebody, and see this

822
00:45:59,760 --> 00:46:01,960
Speaker 1: is what I mean. That's why getting me so piste

823
00:46:02,000 --> 00:46:04,600
Speaker 1: off when I see us attacking each other. As soon

824
00:46:04,680 --> 00:46:07,000
Speaker 1: as the man had put his own his sons all

825
00:46:07,160 --> 00:46:10,480
Speaker 1: had their own clothing brands. He made their own tennis shoes.

826
00:46:10,520 --> 00:46:13,000
Speaker 1: The first thing you see niggas, oh them shoes. Utherly

827
00:46:13,320 --> 00:46:16,160
Speaker 1: they're too expensive. Oh man, ain't nobody can wear those.

828
00:46:16,320 --> 00:46:18,680
Speaker 1: It's like, man, why don't you just if you don't

829
00:46:18,719 --> 00:46:21,200
Speaker 1: want to buy them, don't go buy. But don't try

830
00:46:21,239 --> 00:46:23,960
Speaker 1: to stop everybody else from supporting the brothers. They want

831
00:46:23,960 --> 00:46:25,920
Speaker 1: to do some ship and that's the biggest problem with us.

832
00:46:26,000 --> 00:46:30,480
Speaker 1: Dog another black man that didn't look like man, I

833
00:46:30,480 --> 00:46:34,920
Speaker 1: shouldn't have bought ship, but we we support well. I

834
00:46:35,000 --> 00:46:39,480
Speaker 1: don't buy them motherfucker's by Michael Jordan's motherfucker by tennis

835
00:46:39,480 --> 00:46:42,080
Speaker 1: shoes because they want to they want to look like that.

836
00:46:42,480 --> 00:46:45,360
Speaker 1: They got tennis shoes out there five six dollars today.

837
00:46:46,120 --> 00:46:50,360
Speaker 1: I wish you would. I wouldn't, I wish I would,

838
00:46:53,480 --> 00:46:55,640
Speaker 1: But but check this out those y'all. I'm gonna tell

839
00:46:55,640 --> 00:46:59,640
Speaker 1: you what motherfucker's will do. What's his name? And them um,

840
00:47:00,120 --> 00:47:02,279
Speaker 1: she and them could call us niggas behind our back

841
00:47:03,080 --> 00:47:05,879
Speaker 1: and could do all this ship put the um put

842
00:47:05,960 --> 00:47:08,680
Speaker 1: the depict the black people with the watermelon and the

843
00:47:08,760 --> 00:47:10,839
Speaker 1: big lips and all that ship. They can do that ship.

844
00:47:11,600 --> 00:47:13,359
Speaker 1: It can come out to day that goof she hate

845
00:47:13,400 --> 00:47:16,160
Speaker 1: black people, the motherfucker's still gonna sell a big in

846
00:47:16,239 --> 00:47:19,520
Speaker 1: dollars works ship to black people because guess what, these

847
00:47:19,600 --> 00:47:22,439
Speaker 1: punk ask rappers go stealbo water wear the ship. These

848
00:47:22,600 --> 00:47:24,719
Speaker 1: entertains little steal water wear the ship. So there for

849
00:47:24,840 --> 00:47:26,520
Speaker 1: them kids will water wear because they don't give a

850
00:47:26,520 --> 00:47:28,000
Speaker 1: funk at the end of the day. At the end

851
00:47:28,040 --> 00:47:30,240
Speaker 1: of the day, niggas hate niggas. Though I really believe

852
00:47:30,320 --> 00:47:33,160
Speaker 1: that alright, James say she was gonna say, I said,

853
00:47:33,200 --> 00:47:36,640
Speaker 1: it ain't. That is we don't understand how much problem

854
00:47:36,719 --> 00:47:39,759
Speaker 1: we have in our neighborhoods, in our community. We you know,

855
00:47:40,040 --> 00:47:43,880
Speaker 1: a liquor store couldn't stand there, couldn't stay open if

856
00:47:43,920 --> 00:47:46,920
Speaker 1: we didn't go in that motherfucker. You know what I'm saying.

857
00:47:47,440 --> 00:47:51,239
Speaker 1: We got motherfucker's and liquor stores coming out and point

858
00:47:51,360 --> 00:47:54,120
Speaker 1: guns at you. Get the funk out of my store

859
00:47:54,320 --> 00:47:57,480
Speaker 1: or away from the parking line. This is part of

860
00:47:57,520 --> 00:48:01,000
Speaker 1: our neighborhood. But we we support the motherfucker's still and

861
00:48:01,200 --> 00:48:03,200
Speaker 1: you see if they could walk right past you after

862
00:48:03,239 --> 00:48:05,759
Speaker 1: they're talking all that ship and don't want to serve

863
00:48:05,880 --> 00:48:09,319
Speaker 1: you nothing, but we're still walking. That motherfucker's throwing by.

864
00:48:10,480 --> 00:48:13,759
Speaker 1: That's a real ship. That's that's that's that bullshit is

865
00:48:13,840 --> 00:48:16,200
Speaker 1: on us. We gotta see how much problem we had

866
00:48:16,600 --> 00:48:19,000
Speaker 1: now y'all won't be here if we didn't sunk with y'all.

867
00:48:19,760 --> 00:48:21,640
Speaker 1: So let's not funk with him. Let's get him out

868
00:48:21,680 --> 00:48:23,320
Speaker 1: of there, because they ain't bringing that money back to

869
00:48:23,400 --> 00:48:26,400
Speaker 1: the neighborhood and helping with the school or parking. No

870
00:48:26,560 --> 00:48:29,640
Speaker 1: ship like that. They're taking that ship back home or

871
00:48:29,719 --> 00:48:33,200
Speaker 1: back to their country. Yeah, that's some real ship. You know.

872
00:48:33,480 --> 00:48:37,080
Speaker 1: He helps everybody, but but us, we don't help each other.

873
00:48:37,200 --> 00:48:40,320
Speaker 1: We don't help us. And you know what I do

874
00:48:40,440 --> 00:48:43,359
Speaker 1: want to do and I want to be example of that. Man.

875
00:48:43,880 --> 00:48:47,839
Speaker 1: On another note, this kid had reached out to UM.

876
00:48:48,160 --> 00:48:50,640
Speaker 1: I think he reached out to all of us on Instagram. Right.

877
00:48:51,360 --> 00:48:53,640
Speaker 1: This kid is twelve years old and has its own

878
00:48:53,719 --> 00:48:58,520
Speaker 1: clothing brand. UM, it's the Resign twenty four. They sent

879
00:48:58,600 --> 00:49:02,600
Speaker 1: you some stuff, James. Now, yeah, they're gonna be sending

880
00:49:02,640 --> 00:49:05,160
Speaker 1: you to check your imbox on your thing. They gotta

881
00:49:05,160 --> 00:49:07,840
Speaker 1: clothe you, gotta cloth brand Resigned twenty four. We go

882
00:49:08,040 --> 00:49:10,400
Speaker 1: post some pictures of this stuff on our Instagram page

883
00:49:10,440 --> 00:49:12,440
Speaker 1: and stuff like that. But he sent us, He sent

884
00:49:12,640 --> 00:49:15,279
Speaker 1: us all individually a package. And I'm hook you up

885
00:49:15,280 --> 00:49:17,200
Speaker 1: because that mama been trying to she's probably trying to

886
00:49:17,200 --> 00:49:20,879
Speaker 1: get actually, James, but this kid is twelve years old, man,

887
00:49:21,000 --> 00:49:24,160
Speaker 1: and designed this stuff. The mama asked me when you

888
00:49:24,239 --> 00:49:26,440
Speaker 1: supported I know this ain't the perfect thing of it,

889
00:49:26,840 --> 00:49:29,200
Speaker 1: but he got some those stuff. Man twelve years old

890
00:49:29,239 --> 00:49:32,399
Speaker 1: got a clothing brand. How would I look like? Yeah?

891
00:49:32,480 --> 00:49:34,360
Speaker 1: How would I look as a brother? And the older

892
00:49:34,440 --> 00:49:40,080
Speaker 1: brother this preach black excellence, to deny him of that,

893
00:49:40,280 --> 00:49:43,280
Speaker 1: you noticed, to expose him to people in our platform

894
00:49:43,320 --> 00:49:45,160
Speaker 1: and stuff like that. Man, I thought that was incredible.

895
00:49:45,200 --> 00:49:47,560
Speaker 1: So shout out to re sign man. Y'all gonna check

896
00:49:47,600 --> 00:49:52,040
Speaker 1: his page out and everything. But at the serial wo Mac.

897
00:49:52,480 --> 00:49:56,560
Speaker 1: That's his Instagram page in a s e er wooll Mac.

898
00:49:57,320 --> 00:50:01,200
Speaker 1: The man and I just thought that was real. Like,

899
00:50:01,600 --> 00:50:03,640
Speaker 1: I thought that was incredible. Man. I said, this dude

900
00:50:03,719 --> 00:50:09,640
Speaker 1: twelve years old and got his own clothing brain and actually, yeah,

901
00:50:09,680 --> 00:50:12,040
Speaker 1: now I see it. Woman. He actor, he young kid

902
00:50:12,120 --> 00:50:14,600
Speaker 1: from Long Beach man out there doing this thing. Man,

903
00:50:14,680 --> 00:50:16,759
Speaker 1: shout out to him, Man, we appreciate your little brother.

904
00:50:16,880 --> 00:50:20,960
Speaker 1: Keep going STROMP. You know, but if we start supporting

905
00:50:21,000 --> 00:50:23,160
Speaker 1: our own man like and I keep telling people, I

906
00:50:23,200 --> 00:50:25,160
Speaker 1: don't say it a couple of episodes and hopefully we

907
00:50:25,280 --> 00:50:28,600
Speaker 1: can do it one day. If every black man, woman

908
00:50:28,640 --> 00:50:31,239
Speaker 1: and child in this country decided two days, we're not

909
00:50:31,320 --> 00:50:33,239
Speaker 1: gonna spend no money with nobody else. If we go

910
00:50:33,280 --> 00:50:37,320
Speaker 1: to the grocery store, hell, go to fifty four, go

911
00:50:37,400 --> 00:50:39,799
Speaker 1: to the Missing Story. You know what I mean. We're

912
00:50:39,840 --> 00:50:42,239
Speaker 1: not going the Walmark. We're not spend the money. On

913
00:50:42,360 --> 00:50:45,319
Speaker 1: target on mcdownalds. I'm gonna tell you this motherfucker would

914
00:50:45,320 --> 00:50:47,120
Speaker 1: be shut down. They would have to bow down on us,

915
00:50:47,160 --> 00:50:48,919
Speaker 1: but we'd not ever be able to do it because

916
00:50:48,920 --> 00:50:51,399
Speaker 1: it's always gonna be a motherfucker's saying. Oh, I don't

917
00:50:51,440 --> 00:50:53,239
Speaker 1: give a funk about that ship that nig is talking

918
00:50:53,280 --> 00:50:55,360
Speaker 1: about over there. I'm gonna go get my coffee, but

919
00:50:55,440 --> 00:50:59,080
Speaker 1: I'm gonna go over and get this. I got another

920
00:50:59,239 --> 00:51:02,640
Speaker 1: question for you and James and m Hopefully you guys

921
00:51:02,719 --> 00:51:06,600
Speaker 1: get up talk about it or at least give us

922
00:51:06,680 --> 00:51:09,200
Speaker 1: some insight on it. What do you think about these

923
00:51:09,360 --> 00:51:14,080
Speaker 1: rappers that claimed neighborhoods, they claimed tribes in Compton, l

924
00:51:14,160 --> 00:51:17,960
Speaker 1: A and Watch. What's what's your take on that? You

925
00:51:18,080 --> 00:51:22,000
Speaker 1: know what, man? You want to go first, James, this

926
00:51:22,160 --> 00:51:24,640
Speaker 1: is what I think about it, man. I think brothers

927
00:51:24,719 --> 00:51:29,160
Speaker 1: need to be true to who they are because the

928
00:51:29,360 --> 00:51:32,600
Speaker 1: real cripts and bloods. I know the rappers they made

929
00:51:32,680 --> 00:51:34,520
Speaker 1: mixing to hear in these songs, but it ain't they

930
00:51:34,600 --> 00:51:37,399
Speaker 1: whole thing. It ain't they whold. You feel what I'm saying,

931
00:51:37,400 --> 00:51:39,560
Speaker 1: They don't go overboard with it. You feel what I'm saying.

932
00:51:40,360 --> 00:51:43,600
Speaker 1: I know one of the biggest um blood exists in

933
00:51:43,640 --> 00:51:45,719
Speaker 1: the game. Man. That's where I've never heard this dude

934
00:51:45,719 --> 00:51:49,399
Speaker 1: say blood one time. I ain't never heard James say

935
00:51:49,440 --> 00:51:53,239
Speaker 1: blood before. So the real king that's got what I'm

936
00:51:53,280 --> 00:51:55,320
Speaker 1: talking I'm talking about the dudes that grew up in

937
00:51:55,480 --> 00:51:59,399
Speaker 1: these these uh suburban homes, that grew up in upper

938
00:51:59,440 --> 00:52:03,919
Speaker 1: middle class asked suburbia, never knew anything about the game,

939
00:52:04,560 --> 00:52:08,239
Speaker 1: but somehow got got only made a think uh hit

940
00:52:08,320 --> 00:52:11,840
Speaker 1: record wrap and then they decide, well, I'm gonna go

941
00:52:11,920 --> 00:52:15,600
Speaker 1: to Compton and I'm gonna go claim mob. I'm gonna

942
00:52:15,640 --> 00:52:18,279
Speaker 1: go claim cent Town. I'm gonna go clain Proof Town.

943
00:52:18,400 --> 00:52:21,399
Speaker 1: I'm talking about those in the business. A lot of guys,

944
00:52:21,560 --> 00:52:24,440
Speaker 1: A lot of those guys, they sit back, listen to

945
00:52:25,000 --> 00:52:29,120
Speaker 1: your MTV raps and then just like this, they figured

946
00:52:29,120 --> 00:52:31,840
Speaker 1: out they have a challenge. They know the rap, but

947
00:52:32,000 --> 00:52:34,239
Speaker 1: with the talent going out there and trying to get

948
00:52:34,280 --> 00:52:38,560
Speaker 1: a record deal, get sound or heard, motherfucker's realized they

949
00:52:38,680 --> 00:52:44,000
Speaker 1: need a image. They need to the image that you

950
00:52:44,120 --> 00:52:48,160
Speaker 1: see with with most gangster rappers. They feel that they

951
00:52:48,239 --> 00:52:52,479
Speaker 1: need that, so they reach out to the gangsters. Let's

952
00:52:52,480 --> 00:52:56,000
Speaker 1: say you know, a certain individual knew that he didn't

953
00:52:56,000 --> 00:52:59,680
Speaker 1: have an in him too pull it off and do this.

954
00:53:00,000 --> 00:53:02,879
Speaker 1: So I needed real gangs that I needed these motherfucker's

955
00:53:03,320 --> 00:53:07,640
Speaker 1: to make my dream come true. You know, rap, whether

956
00:53:07,760 --> 00:53:10,600
Speaker 1: he didn't rap, whatever, he knew that he had to

957
00:53:10,719 --> 00:53:13,680
Speaker 1: have that image. And a lot of these cats coming

958
00:53:13,719 --> 00:53:17,000
Speaker 1: from Beverly Hills, these white boys want to be rappers.

959
00:53:17,520 --> 00:53:21,200
Speaker 1: They know that they need an image. They need to

960
00:53:21,360 --> 00:53:23,680
Speaker 1: go to a hood. That's the only way they can

961
00:53:23,760 --> 00:53:26,960
Speaker 1: pull it off. And the money played a big part

962
00:53:27,000 --> 00:53:29,279
Speaker 1: of that because a lot of the guys in the

963
00:53:29,360 --> 00:53:32,600
Speaker 1: hood don't gonna have a way out already. So what

964
00:53:33,000 --> 00:53:37,000
Speaker 1: why shouldn't not let his motherfucker slide in and and

965
00:53:37,160 --> 00:53:40,800
Speaker 1: play that party, payed forward that and and that's and

966
00:53:40,920 --> 00:53:44,719
Speaker 1: that's what my point is that that's blind. But we

967
00:53:44,840 --> 00:53:47,360
Speaker 1: need to get a nune to score your agreement from you,

968
00:53:47,760 --> 00:53:50,399
Speaker 1: so we don't get to get to Kasi six nine

969
00:53:50,480 --> 00:53:52,960
Speaker 1: by you if you decide to go the other way,

970
00:53:53,239 --> 00:53:56,120
Speaker 1: because we need to be compensated in a way that

971
00:53:56,280 --> 00:53:59,239
Speaker 1: fits this tribe situation. You know what I mean, Because

972
00:53:59,680 --> 00:54:01,920
Speaker 1: you all this money, but then you want to run

973
00:54:02,000 --> 00:54:06,840
Speaker 1: away from the circumstances you play it self. Destruction is

974
00:54:07,640 --> 00:54:10,759
Speaker 1: already in the hood. We already got our fingers on

975
00:54:10,800 --> 00:54:14,680
Speaker 1: the destruction button. To be a hood and to be

976
00:54:15,000 --> 00:54:19,600
Speaker 1: certified in the hood. We should never allow motherfucker's to

977
00:54:19,719 --> 00:54:24,120
Speaker 1: come in our motherfucking neighborhoods and perpetrate anything a rapper,

978
00:54:24,719 --> 00:54:29,520
Speaker 1: uh actor or whomever. If you ain't coming to my

979
00:54:29,640 --> 00:54:33,200
Speaker 1: hood to say I think you got talent, let me

980
00:54:33,320 --> 00:54:36,399
Speaker 1: put you in the movie funck having niggas come and say,

981
00:54:36,600 --> 00:54:38,440
Speaker 1: I want to be from your hood. I'm gonna go

982
00:54:38,600 --> 00:54:41,080
Speaker 1: thirty thousand, They go ten thousand. I want to be

983
00:54:41,200 --> 00:54:45,239
Speaker 1: from the hood. What he do out there represents everybody

984
00:54:45,920 --> 00:54:50,239
Speaker 1: in that hood, just like just uh six nine jakasshu

985
00:54:51,440 --> 00:54:54,200
Speaker 1: think that that dude did. The homies opened the door

986
00:54:54,280 --> 00:54:56,640
Speaker 1: for that ship, and then now they allow it because

987
00:54:57,160 --> 00:55:01,560
Speaker 1: the money has blinded us. Now that ain't no hoodship

988
00:55:01,680 --> 00:55:06,520
Speaker 1: no more. Now now niggas is on survival mode. Now

989
00:55:06,640 --> 00:55:11,680
Speaker 1: niggas are doing fifteen and twenty in prison because of

990
00:55:11,760 --> 00:55:16,000
Speaker 1: the consequences because we allow people to infantrate what we

991
00:55:16,120 --> 00:55:20,680
Speaker 1: are and perpetrate what we are and they're not. So

992
00:55:20,840 --> 00:55:24,360
Speaker 1: it ain't uh six nine, motherfucking fault. It ain't sure

993
00:55:24,520 --> 00:55:27,120
Speaker 1: knife fall, it ain't it ain't none of these other

994
00:55:27,200 --> 00:55:30,399
Speaker 1: guys that in the hood trying to be from the hood.

995
00:55:30,440 --> 00:55:32,279
Speaker 1: They don't want to be from the hood. They just

996
00:55:32,440 --> 00:55:36,000
Speaker 1: need the hood to get big, right, So they're using

997
00:55:36,040 --> 00:55:39,960
Speaker 1: the hood for a purpose. That's all it is. And

998
00:55:40,040 --> 00:55:42,919
Speaker 1: but motherfucker ain't and and broke bread in the hood

999
00:55:43,239 --> 00:55:45,960
Speaker 1: and spill no blood in the hood. You could never

1000
00:55:46,160 --> 00:55:50,239
Speaker 1: be a lott nigga period. You can never be. I

1001
00:55:50,239 --> 00:55:51,839
Speaker 1: don't give a funk what you do and how much

1002
00:55:51,880 --> 00:55:56,520
Speaker 1: money you got because he's not here. It's not here.

1003
00:55:57,520 --> 00:56:00,360
Speaker 1: You don't even know how to think like a motherfucking gainster.

1004
00:56:01,320 --> 00:56:05,640
Speaker 1: You can perpetrate a fraud all day because then niggas

1005
00:56:05,680 --> 00:56:08,160
Speaker 1: ain't looking because they already got their blind bowls on

1006
00:56:08,280 --> 00:56:11,279
Speaker 1: because they're getting paid. So when the ship get real,

1007
00:56:11,400 --> 00:56:14,040
Speaker 1: then that's when you see the real that was really

1008
00:56:14,160 --> 00:56:17,400
Speaker 1: in them, that was something for in an alien to

1009
00:56:17,560 --> 00:56:23,040
Speaker 1: what you had. Survival mode is a motherfucker. Anybody, anybody

1010
00:56:23,120 --> 00:56:25,440
Speaker 1: that feels threatened and see that the ship is coming,

1011
00:56:25,760 --> 00:56:29,480
Speaker 1: they're gonna either crawl up, they're gonna ball up, roll up,

1012
00:56:29,840 --> 00:56:31,719
Speaker 1: or they're gonna try to get the funk out of there,

1013
00:56:32,000 --> 00:56:35,360
Speaker 1: or they're gonna give it up. Survival motive is a

1014
00:56:35,440 --> 00:56:38,840
Speaker 1: motherfucker and it comes in all shape, size and forms

1015
00:56:38,920 --> 00:56:42,760
Speaker 1: the whole mine. If you ain't something made, if gainst

1016
00:56:42,760 --> 00:56:46,040
Speaker 1: somebody nature, not by choice, If you don't understand what

1017
00:56:46,280 --> 00:56:49,600
Speaker 1: you are and where you're going with what you're doing,

1018
00:56:50,239 --> 00:56:54,040
Speaker 1: you ain't ship. You ain't ship you. You're just walking

1019
00:56:54,080 --> 00:56:58,080
Speaker 1: into motherfucking on the in the dead alley. One way

1020
00:56:58,160 --> 00:57:01,120
Speaker 1: to go, one way out. Now when you get to

1021
00:57:01,160 --> 00:57:02,759
Speaker 1: the end, and then had to come back, what you're

1022
00:57:02,760 --> 00:57:04,640
Speaker 1: gonna do, because you know these motherfucker's at the end

1023
00:57:04,680 --> 00:57:08,879
Speaker 1: of this motherfucker waiting for you. They don't they don't

1024
00:57:08,920 --> 00:57:11,880
Speaker 1: even anticipate that. The niggers that they they're rolling with

1025
00:57:12,120 --> 00:57:15,799
Speaker 1: got tune stone mind so sets and grave yard dispositions

1026
00:57:16,000 --> 00:57:22,560
Speaker 1: for real, for every situation. The two motherfucker's that they

1027
00:57:22,600 --> 00:57:25,000
Speaker 1: sought out and they looked for to get to help

1028
00:57:25,120 --> 00:57:27,360
Speaker 1: them get to where they want or help them build

1029
00:57:27,920 --> 00:57:30,960
Speaker 1: their their their their repertoire, whatever the case might be.

1030
00:57:31,600 --> 00:57:34,920
Speaker 1: Them the two motherfucker's in the hood thinking we hustlick,

1031
00:57:35,400 --> 00:57:37,680
Speaker 1: we're gonna talk this, and they got this paper, we're

1032
00:57:37,720 --> 00:57:40,560
Speaker 1: gonna get this money. Y'alla, y'alla, And at the end

1033
00:57:40,600 --> 00:57:42,560
Speaker 1: of the day, everybody that tried to do that and

1034
00:57:42,720 --> 00:57:46,720
Speaker 1: back by it on their ass, yea, and back by

1035
00:57:46,760 --> 00:57:53,640
Speaker 1: it on it because number one, ie, motherfucker's what I

1036
00:57:53,840 --> 00:57:56,960
Speaker 1: think I should give you. That was when I'm down

1037
00:57:57,120 --> 00:58:00,680
Speaker 1: for us. We got what we what he thought we deserved,

1038
00:58:00,720 --> 00:58:03,240
Speaker 1: of what we was gonna get. It was never intended

1039
00:58:03,280 --> 00:58:06,280
Speaker 1: for us to get bitch or after hood. It was

1040
00:58:06,360 --> 00:58:09,920
Speaker 1: only intended for us to come and and and and

1041
00:58:10,080 --> 00:58:12,400
Speaker 1: school him on what he wanted to be and what

1042
00:58:12,600 --> 00:58:19,520
Speaker 1: he wanted to see exactly explain. Yeah, So that's that's

1043
00:58:19,640 --> 00:58:21,680
Speaker 1: that's what that is. And and you know, I just

1044
00:58:21,800 --> 00:58:24,640
Speaker 1: think that if you're from the hood, man, the certain

1045
00:58:24,720 --> 00:58:28,120
Speaker 1: rules that you just don't allow you don't allow anybody

1046
00:58:28,200 --> 00:58:30,800
Speaker 1: to come in the hood because it's a disrespect that

1047
00:58:30,920 --> 00:58:34,320
Speaker 1: every homey that died on the block right in prison

1048
00:58:35,080 --> 00:58:38,280
Speaker 1: should let him come in infantrate or portray to be

1049
00:58:38,800 --> 00:58:41,760
Speaker 1: a thud nigga and we know he's not right right

1050
00:58:41,960 --> 00:58:47,600
Speaker 1: right or that ship and and talk about nigga. This

1051
00:58:47,720 --> 00:58:51,760
Speaker 1: Santana nigga. You're from Milwaukee. You ain't never been in

1052
00:58:51,800 --> 00:58:54,160
Speaker 1: the hood, you ain't never broke bread. How can you

1053
00:58:54,320 --> 00:58:56,600
Speaker 1: claim this? How can you put that on your body

1054
00:58:58,000 --> 00:59:01,280
Speaker 1: that's not for you, and that's disrespect you. Every hoomi

1055
00:59:01,320 --> 00:59:03,760
Speaker 1: that's won't get and living, every nigga that even thought

1056
00:59:03,760 --> 00:59:07,200
Speaker 1: about being a cripuck blood should be mad at that ship.

1057
00:59:08,880 --> 00:59:11,960
Speaker 1: We live our life. We wake up put on not drawings. Something.

1058
00:59:12,000 --> 00:59:16,360
Speaker 1: Niggas won't even wear blue underwear because they so blooded out. Something.

1059
00:59:16,400 --> 00:59:18,320
Speaker 1: You don't even put on the red t shirt off

1060
00:59:18,640 --> 00:59:21,800
Speaker 1: or use red toothpage because they're so cript out of

1061
00:59:21,840 --> 00:59:25,320
Speaker 1: lowed out. But you're lit uh, light skinned version of

1062
00:59:25,920 --> 00:59:29,160
Speaker 1: Michael Jackson coming this motherfucker and say let's beat it,

1063
00:59:29,320 --> 00:59:32,480
Speaker 1: and let's this, let's work. And now you don't dodge

1064
00:59:32,520 --> 00:59:35,680
Speaker 1: your motherfucking hair. Now you don't play this nigga game.

1065
00:59:36,000 --> 00:59:38,760
Speaker 1: And now you man, let me not get started. Man,

1066
00:59:39,160 --> 00:59:44,840
Speaker 1: it ain't working. Man on that note, Man, that's a

1067
00:59:44,920 --> 00:59:47,800
Speaker 1: perfect way man in this man, Milly mao, Man, we

1068
00:59:47,920 --> 00:59:52,000
Speaker 1: appreciate you coming in man and sit with us. Man. Man,

1069
00:59:52,880 --> 00:59:58,120
Speaker 1: let me give me, let me get my info out there. Man. Yeah,

1070
00:59:58,120 --> 01:00:00,360
Speaker 1: but that's a melly man on the Hood po Man.

1071
01:00:00,480 --> 01:00:06,680
Speaker 1: Go follow me on YouTube, Instagram, the Hood Postman on Twitter, Twitter,

1072
01:00:06,880 --> 01:00:10,720
Speaker 1: The Hood post Man and Milly Gibson on Facebook. Man,

1073
01:00:10,800 --> 01:00:13,280
Speaker 1: be sure to follow me, man, I we're gonna get

1074
01:00:13,320 --> 01:00:15,600
Speaker 1: this same popping man. We're gonna get it together because

1075
01:00:16,800 --> 01:00:21,000
Speaker 1: big still James m c a man. They stay on

1076
01:00:21,160 --> 01:00:25,120
Speaker 1: cold Man. Thanks the chronic post right the shore. And

1077
01:00:25,200 --> 01:00:27,560
Speaker 1: we appreciate you. Man. We got James, you know, I

1078
01:00:27,640 --> 01:00:28,920
Speaker 1: know it's a little bit and he was about to

1079
01:00:28,960 --> 01:00:30,880
Speaker 1: say some movies you're gonna say migg No. I was

1080
01:00:30,960 --> 01:00:34,360
Speaker 1: just saying, man, everybody got to hear Millie Mayo. When

1081
01:00:34,360 --> 01:00:36,960
Speaker 1: I first heard you, I was like, this motherfucker he

1082
01:00:37,080 --> 01:00:41,200
Speaker 1: got he got some hood knowledge he understand and not

1083
01:00:41,400 --> 01:00:44,160
Speaker 1: for the people on the outside, but the people on

1084
01:00:44,240 --> 01:00:47,840
Speaker 1: the inside and the hood mail. These cats need to

1085
01:00:47,920 --> 01:00:50,640
Speaker 1: hear that that that voice. These cats need to hear

1086
01:00:50,720 --> 01:00:55,000
Speaker 1: that knowledge or what the hood is. I appreciate that, James, man.

1087
01:00:55,120 --> 01:00:57,240
Speaker 1: They need to they need to get it because a

1088
01:00:57,320 --> 01:00:59,920
Speaker 1: lot of cats is walking with depends halfway off their

1089
01:01:00,000 --> 01:01:02,320
Speaker 1: as and don't even know why they're doing it. These

1090
01:01:02,400 --> 01:01:05,560
Speaker 1: niggas ain't taught ship, ain't learned ship. And that's why

1091
01:01:05,680 --> 01:01:08,680
Speaker 1: gag banging is fucked up today because they don't got

1092
01:01:08,880 --> 01:01:12,120
Speaker 1: and they can't absorb the knowledge that you're putting out there.

1093
01:01:12,760 --> 01:01:17,560
Speaker 1: They don't understand the ship and I tell each and everybody, Man,

1094
01:01:17,640 --> 01:01:20,000
Speaker 1: don't wait till you fifty seven years old to say

1095
01:01:20,040 --> 01:01:23,760
Speaker 1: I give. Man. I gave a long time ago, but

1096
01:01:23,840 --> 01:01:25,600
Speaker 1: I didn't know how to. I didn't know how to

1097
01:01:25,640 --> 01:01:28,320
Speaker 1: throw my hands up and surrender my brothers. But now

1098
01:01:28,320 --> 01:01:31,320
Speaker 1: that I know, and if it is what it is

1099
01:01:31,600 --> 01:01:34,480
Speaker 1: on that man, I said, both of your brothers. Man,

1100
01:01:34,880 --> 01:01:44,320
Speaker 1: I'm about with James mcjo still an m c A tonight.

1101
01:01:44,400 --> 01:01:47,160
Speaker 1: We have special guests in here. He's the former CEO

1102
01:01:47,240 --> 01:01:50,320
Speaker 1: of No Limit Records. Mr Toben Corson. Are you doing

1103
01:01:50,400 --> 01:01:53,400
Speaker 1: like Toby Hey, are you doing? Norms? Good to see still.

1104
01:01:54,160 --> 01:01:56,240
Speaker 1: Thanks for having me on the show, man, I mean

1105
01:01:56,320 --> 01:01:58,720
Speaker 1: I've been waiting. You got all the all the hottest,

1106
01:01:58,960 --> 01:02:00,840
Speaker 1: hottest people on the show us. So I was like, Man,

1107
01:02:00,960 --> 01:02:02,720
Speaker 1: the fact he reached out to me to be on it,

1108
01:02:02,800 --> 01:02:05,680
Speaker 1: I'm I'm blessed and I appreciate that. Oh for sure, Man,

1109
01:02:05,760 --> 01:02:07,840
Speaker 1: We're glad they have you on the show, Man, because

1110
01:02:08,320 --> 01:02:10,720
Speaker 1: you know, and looking at the No Limit chronicles like

1111
01:02:10,800 --> 01:02:12,680
Speaker 1: everybody else in the comfory at the time when it

1112
01:02:12,760 --> 01:02:15,080
Speaker 1: came out. I think, like everybody else in the comfort

1113
01:02:15,200 --> 01:02:17,880
Speaker 1: the time, I was, you know, binging No Limit back

1114
01:02:17,920 --> 01:02:20,920
Speaker 1: in the day, just like everybody else. Yes, how did

1115
01:02:21,000 --> 01:02:23,600
Speaker 1: you initially hook up? What was your background? Like, how

1116
01:02:23,640 --> 01:02:25,800
Speaker 1: did you guys like connect? Well, you know, I was

1117
01:02:25,920 --> 01:02:29,160
Speaker 1: in UH. I was in college radio, spinning records and UH.

1118
01:02:29,800 --> 01:02:33,280
Speaker 1: I actually UH was doing a show and this is

1119
01:02:33,360 --> 01:02:37,600
Speaker 1: about ninety two, and I had my god brother used

1120
01:02:37,600 --> 01:02:40,440
Speaker 1: to UH used to work at the foot locker. He

1121
01:02:40,520 --> 01:02:42,440
Speaker 1: was the manager at the foot lockers, so he used

1122
01:02:42,440 --> 01:02:44,439
Speaker 1: to go in there all the time and my tennis shoes.

1123
01:02:45,000 --> 01:02:46,520
Speaker 1: So I was trying to do a show and had

1124
01:02:46,560 --> 01:02:48,720
Speaker 1: a rapper dawn out on me at the last minute,

1125
01:02:48,760 --> 01:02:50,320
Speaker 1: and I just had to be talking to my god

1126
01:02:50,400 --> 01:02:53,040
Speaker 1: brother and he was like, man, I got this cat

1127
01:02:53,200 --> 01:02:55,560
Speaker 1: master P. I know he'll show up to do a

1128
01:02:55,600 --> 01:02:57,959
Speaker 1: show for you. And I hadn't you know, I didn't

1129
01:02:58,000 --> 01:03:00,320
Speaker 1: know who he was. I didn't know what, no anything

1130
01:03:00,360 --> 01:03:02,760
Speaker 1: about him other than I just needed a rapper to

1131
01:03:02,840 --> 01:03:05,600
Speaker 1: do a show. And he came out. I had a

1132
01:03:05,640 --> 01:03:07,840
Speaker 1: couple of dollars, put a couple of dollars in his pocket.

1133
01:03:07,920 --> 01:03:09,960
Speaker 1: But he came out here at the T shirts and

1134
01:03:10,240 --> 01:03:12,400
Speaker 1: did a cool show. And then we met each other

1135
01:03:12,520 --> 01:03:15,480
Speaker 1: and kind of just hit it off. So we just

1136
01:03:15,640 --> 01:03:18,240
Speaker 1: kind of kept in contact during that time, and I

1137
01:03:18,240 --> 01:03:20,560
Speaker 1: would do He would send me stuff and I promote

1138
01:03:20,720 --> 01:03:23,880
Speaker 1: and and play, you know, play music on the radio

1139
01:03:24,000 --> 01:03:25,480
Speaker 1: and that kind of stuff. He'd had to send me

1140
01:03:25,520 --> 01:03:28,200
Speaker 1: these cassette tapes and I played these cassette tapes and

1141
01:03:28,320 --> 01:03:31,240
Speaker 1: I do some giveaway stuff. And that's how we kind

1142
01:03:31,280 --> 01:03:36,760
Speaker 1: of built a relationship. And it wasn't until it is

1143
01:03:36,840 --> 01:03:39,640
Speaker 1: when I kind of came off board and just really

1144
01:03:39,720 --> 01:03:44,160
Speaker 1: started working working for No Limit in a variety capacity.

1145
01:03:44,760 --> 01:03:49,440
Speaker 1: And then at that time in I had already known St. Charles,

1146
01:03:49,600 --> 01:03:53,440
Speaker 1: who Forty's uncle was always sending me promotional stuff for

1147
01:03:53,520 --> 01:03:55,880
Speaker 1: me to promote, and I was promoting Forty and The

1148
01:03:55,960 --> 01:04:00,920
Speaker 1: Click and all those guys. And actually St. Charles was

1149
01:04:01,000 --> 01:04:03,640
Speaker 1: the one who had told Pete man, you really need

1150
01:04:03,720 --> 01:04:06,800
Speaker 1: to get Tobin to run the label and be your

1151
01:04:06,880 --> 01:04:09,640
Speaker 1: manager because you really need to show that kind of

1152
01:04:09,720 --> 01:04:13,600
Speaker 1: professional business side. And at that point he just said, yeah,

1153
01:04:13,760 --> 01:04:16,560
Speaker 1: you know, let's do this. Because I had already cultivated

1154
01:04:16,600 --> 01:04:20,000
Speaker 1: a good relationship. I had all these ideas about marketing

1155
01:04:20,200 --> 01:04:23,320
Speaker 1: and different strategy and how to how to get more

1156
01:04:23,400 --> 01:04:27,240
Speaker 1: positioning in retail and really how to try to sell

1157
01:04:27,360 --> 01:04:31,120
Speaker 1: records without necessarily having that radio play and going through

1158
01:04:31,240 --> 01:04:34,200
Speaker 1: college radio and get and kind of building that buzz

1159
01:04:34,280 --> 01:04:37,560
Speaker 1: and building that name. And then at that time when St.

1160
01:04:37,640 --> 01:04:40,560
Speaker 1: Charles reached out to and St. Charles was talking to

1161
01:04:40,640 --> 01:04:43,600
Speaker 1: Pete Man, you really need to get with Toben. He's

1162
01:04:43,640 --> 01:04:45,720
Speaker 1: the one that said, Okay, you're gonna run the label.

1163
01:04:45,800 --> 01:04:49,480
Speaker 1: You're gonna be my manager, business and personal manager. And

1164
01:04:49,840 --> 01:04:51,840
Speaker 1: and that's kind of how things kind of took off

1165
01:04:51,920 --> 01:04:54,919
Speaker 1: from there, because if you look at how no limit

1166
01:04:55,000 --> 01:04:59,080
Speaker 1: was structured prior to that point and be coming out board,

1167
01:04:59,160 --> 01:05:02,400
Speaker 1: he put out probably about seventeen different projects that no

1168
01:05:02,520 --> 01:05:06,000
Speaker 1: one was really checking for. And then when we got

1169
01:05:06,120 --> 01:05:09,240
Speaker 1: together and we did the Ghettos Trying to Kill Me

1170
01:05:09,760 --> 01:05:12,240
Speaker 1: and then we put together the West Coast Bad Boys,

1171
01:05:12,320 --> 01:05:14,600
Speaker 1: that's what things started to take off from there. Let

1172
01:05:14,680 --> 01:05:18,040
Speaker 1: me So, what do you think it was that wasn't

1173
01:05:18,040 --> 01:05:20,840
Speaker 1: orisonate with the people about Peas music at first? Well?

1174
01:05:20,920 --> 01:05:24,280
Speaker 1: I think it was. You gotta understand that that he

1175
01:05:24,600 --> 01:05:27,840
Speaker 1: quite didn't have his have his own sound. If you

1176
01:05:27,960 --> 01:05:30,440
Speaker 1: listen to all the old stuff prior to the Ghettos

1177
01:05:30,480 --> 01:05:34,000
Speaker 1: Trying to Kill Me, production was it was okay, but

1178
01:05:34,160 --> 01:05:37,160
Speaker 1: it wasn't really at that professional level. So when people

1179
01:05:37,200 --> 01:05:38,840
Speaker 1: would listen to it, they were kind of like, well,

1180
01:05:39,760 --> 01:05:42,640
Speaker 1: they would listen to it, but they weren't really like, Okay,

1181
01:05:42,680 --> 01:05:45,400
Speaker 1: I gotta buy this record. And I think what happened

1182
01:05:45,560 --> 01:05:49,400
Speaker 1: was when we started to to work with folks like

1183
01:05:49,680 --> 01:05:53,040
Speaker 1: you know, Al Eden and Keim Franklin and really start

1184
01:05:53,160 --> 01:05:56,560
Speaker 1: developing that West Coast sound, that's what people wanted to

1185
01:05:57,280 --> 01:06:00,360
Speaker 1: listen to. More of what he was doing, like e. A.

1186
01:06:00,560 --> 01:06:04,680
Speaker 1: Ski and his production. That's when people started really like, okay,

1187
01:06:04,800 --> 01:06:07,520
Speaker 1: this is we taken our production game to another level.

1188
01:06:07,920 --> 01:06:10,240
Speaker 1: And then people wanted to hear what he was doing

1189
01:06:10,560 --> 01:06:12,960
Speaker 1: because he sure seemed like he came out of nowhere.

1190
01:06:13,040 --> 01:06:16,120
Speaker 1: So he had seventeen He had seventeen full length albums

1191
01:06:16,120 --> 01:06:19,040
Speaker 1: out before that, but they weren't full leaks, but they

1192
01:06:19,080 --> 01:06:22,560
Speaker 1: were singles, EPs, albums, all kinds of projects he was

1193
01:06:22,680 --> 01:06:25,840
Speaker 1: doing prior to So, like anyone who watches the No

1194
01:06:26,000 --> 01:06:29,240
Speaker 1: Limit Chronicles to see, it started off from a retail

1195
01:06:29,320 --> 01:06:32,160
Speaker 1: store and it was doing shows and opening up for

1196
01:06:32,280 --> 01:06:36,040
Speaker 1: people and doing promotion and it took a it took

1197
01:06:36,040 --> 01:06:38,360
Speaker 1: a while. It was years. So if you think about

1198
01:06:39,480 --> 01:06:43,960
Speaker 1: eighty nine, when when when No Limits started to ninety two,

1199
01:06:44,120 --> 01:06:46,400
Speaker 1: when I kind of came on board to ninety three

1200
01:06:46,480 --> 01:06:49,520
Speaker 1: when we started to get regional success, and by the

1201
01:06:49,680 --> 01:06:52,840
Speaker 1: time we came out in ninety four with the West

1202
01:06:52,920 --> 01:06:56,880
Speaker 1: Coast Bad Boys, that's what put P on the map nationally.

1203
01:06:57,240 --> 01:06:59,919
Speaker 1: So even though it was a West Coast record, people

1204
01:07:00,200 --> 01:07:03,720
Speaker 1: from the Midwest and Pardon the South started to want

1205
01:07:03,760 --> 01:07:06,240
Speaker 1: to check out this West because bad boy sound and

1206
01:07:06,320 --> 01:07:09,280
Speaker 1: what what we were doing. So let me ask you this,

1207
01:07:09,680 --> 01:07:12,720
Speaker 1: when did you guys first realized that she was something?

1208
01:07:13,000 --> 01:07:15,200
Speaker 1: I think when we did that, I think you know,

1209
01:07:15,360 --> 01:07:18,400
Speaker 1: P always had belief in himself and what he was doing.

1210
01:07:19,000 --> 01:07:22,880
Speaker 1: I think what we realized when we had something specials

1211
01:07:22,920 --> 01:07:24,960
Speaker 1: when we did the Ghettos Trying to Kill Me. So

1212
01:07:25,040 --> 01:07:27,320
Speaker 1: if you look at the Ghettos Trying to Kill Me album,

1213
01:07:27,960 --> 01:07:31,080
Speaker 1: it was P M bad with this woman. Uh it

1214
01:07:31,280 --> 01:07:33,360
Speaker 1: was King George was in the back with a gun,

1215
01:07:33,640 --> 01:07:36,320
Speaker 1: kind of portraying the ghetto. And when people saw that

1216
01:07:36,480 --> 01:07:39,120
Speaker 1: concept of the ghettos trying to kill me and we

1217
01:07:39,280 --> 01:07:42,720
Speaker 1: did this record called to eleven, uh talk about Robin

1218
01:07:42,800 --> 01:07:46,560
Speaker 1: liquor stores, that's when we started to see we have something.

1219
01:07:47,040 --> 01:07:49,200
Speaker 1: And then what happened was there was this guy that

1220
01:07:49,400 --> 01:07:52,280
Speaker 1: was going around robbing liquor stores, and he was robbing

1221
01:07:52,560 --> 01:07:55,000
Speaker 1: h people at a t M S. And when he

1222
01:07:55,080 --> 01:07:58,760
Speaker 1: got arrested, he had told people that the master p

1223
01:07:59,040 --> 01:08:01,960
Speaker 1: record to allow then is what made him go out

1224
01:08:02,040 --> 01:08:04,600
Speaker 1: and rob these people, because every time he listened to

1225
01:08:04,680 --> 01:08:07,120
Speaker 1: the Red before he robbed people, he would go listen

1226
01:08:07,200 --> 01:08:09,440
Speaker 1: to the record or you have to record and take that,

1227
01:08:09,880 --> 01:08:12,080
Speaker 1: and he was listening to it before he robbed people.

1228
01:08:12,360 --> 01:08:16,120
Speaker 1: So then at that point is when folks started to

1229
01:08:16,200 --> 01:08:18,280
Speaker 1: really know who we were and we started to kind

1230
01:08:18,280 --> 01:08:21,479
Speaker 1: of build that name. So that was really you know,

1231
01:08:21,600 --> 01:08:24,040
Speaker 1: when we knew, like, wow, we have something. When we

1232
01:08:24,160 --> 01:08:27,439
Speaker 1: got when we were affecting people and their cool thought

1233
01:08:27,520 --> 01:08:29,960
Speaker 1: process and what they're doing, and we started to be

1234
01:08:30,040 --> 01:08:33,479
Speaker 1: in the newspaper and on television, and that's when we knew, okay,

1235
01:08:33,560 --> 01:08:36,720
Speaker 1: we could really make something big out of it. And

1236
01:08:36,880 --> 01:08:39,880
Speaker 1: peace also he started to kind of form his own identity.

1237
01:08:40,040 --> 01:08:43,840
Speaker 1: Absolutely at that point he started to realize, you know,

1238
01:08:43,880 --> 01:08:46,560
Speaker 1: because because before that he was kind of taking a

1239
01:08:46,640 --> 01:08:49,120
Speaker 1: little bit of sound from this artist and that artist

1240
01:08:49,240 --> 01:08:51,840
Speaker 1: and wasn't sure which direction to go. But by the

1241
01:08:52,000 --> 01:08:56,000
Speaker 1: time we did the by the time we went through

1242
01:08:56,040 --> 01:08:58,800
Speaker 1: that process and did that record to get us trying

1243
01:08:58,800 --> 01:09:01,720
Speaker 1: to kill me, and then we started to put things

1244
01:09:01,800 --> 01:09:06,080
Speaker 1: together for the West Coast Bad Boys. That's when ultimately

1245
01:09:06,600 --> 01:09:09,120
Speaker 1: we knew we had something and things were starting to move.

1246
01:09:09,479 --> 01:09:11,360
Speaker 1: And by the time we put that West Coast Bad

1247
01:09:11,439 --> 01:09:14,080
Speaker 1: Boys record out and it hit billboard charts and it

1248
01:09:14,240 --> 01:09:16,960
Speaker 1: was on for consecutive weeks. And then next year, what

1249
01:09:17,000 --> 01:09:19,960
Speaker 1: everyone's calling us and wanting to do something with this

1250
01:09:20,120 --> 01:09:22,160
Speaker 1: because we had we were not only were selling all

1251
01:09:22,200 --> 01:09:25,120
Speaker 1: the records, but we were on the billboard charts. That's

1252
01:09:25,160 --> 01:09:28,479
Speaker 1: when folks started to kind of just say, Okay, master

1253
01:09:28,640 --> 01:09:31,280
Speaker 1: P is doing something different and what we're doing at

1254
01:09:31,320 --> 01:09:34,479
Speaker 1: no limited special? What made you guys go in the direction?

1255
01:09:34,560 --> 01:09:37,160
Speaker 1: Because I noticed on West Coast Bad Boys and stuff,

1256
01:09:37,160 --> 01:09:39,040
Speaker 1: you guys were working with a lot of different producers,

1257
01:09:39,479 --> 01:09:43,000
Speaker 1: most of the big area producers. When was it decided?

1258
01:09:43,479 --> 01:09:45,400
Speaker 1: When do you think it was decided that they would

1259
01:09:45,400 --> 01:09:47,280
Speaker 1: go to route and bring them like a beats and

1260
01:09:47,320 --> 01:09:50,479
Speaker 1: by the pound, like like who decided that? Well, I

1261
01:09:50,600 --> 01:09:53,400
Speaker 1: think it was lower about having a home bed. So

1262
01:09:53,600 --> 01:09:57,080
Speaker 1: if you looked at master P, master P had was

1263
01:09:57,160 --> 01:10:00,679
Speaker 1: sell records up in the Northwest and Seattle, in Portland,

1264
01:10:00,720 --> 01:10:03,680
Speaker 1: in that area in the Midwest, so you you talk

1265
01:10:03,760 --> 01:10:07,760
Speaker 1: about Kansas City, Missouri, Iowa. We were selling records there,

1266
01:10:08,040 --> 01:10:10,920
Speaker 1: parts in the South and parts in the West Coast,

1267
01:10:11,680 --> 01:10:14,519
Speaker 1: and to make sure we had a home base, because

1268
01:10:14,560 --> 01:10:17,880
Speaker 1: if you think about most popular rappers, they have a

1269
01:10:18,000 --> 01:10:20,680
Speaker 1: home base, whether they're from parts of New York or

1270
01:10:20,680 --> 01:10:23,599
Speaker 1: they're from Newisiana, they're protected wherever they have a home base.

1271
01:10:23,880 --> 01:10:26,760
Speaker 1: And at that point, he was kind of an outsider

1272
01:10:26,920 --> 01:10:29,640
Speaker 1: because he wasn't you know, he didn't sound like a

1273
01:10:29,760 --> 01:10:32,040
Speaker 1: West Coast rapper because he had he had this real

1274
01:10:32,320 --> 01:10:35,760
Speaker 1: Southern accident and he really, you know, even though we

1275
01:10:35,880 --> 01:10:39,280
Speaker 1: spent time in in Richmond and in the Bay Area,

1276
01:10:40,160 --> 01:10:43,120
Speaker 1: he represented the Bay Area with the West Coast bad boys,

1277
01:10:43,400 --> 01:10:46,960
Speaker 1: but people didn't really you know, know he as being

1278
01:10:47,040 --> 01:10:50,599
Speaker 1: a California guy, because all the California folks were like, oh,

1279
01:10:50,720 --> 01:10:54,479
Speaker 1: you're not from out here, you country. So going back

1280
01:10:54,560 --> 01:10:58,519
Speaker 1: south was I think, well, ultimately what we decided to do,

1281
01:10:58,800 --> 01:11:01,000
Speaker 1: and even bringing off Beast the power that has to

1282
01:11:01,120 --> 01:11:05,080
Speaker 1: do with with with Mr Sturvan and his relationship with

1283
01:11:05,320 --> 01:11:09,840
Speaker 1: KLC and then also Moby Dick being peace cousin and

1284
01:11:09,920 --> 01:11:12,679
Speaker 1: then building a relationship with me and X. We knew

1285
01:11:12,720 --> 01:11:15,479
Speaker 1: we had to have that Southern sound. But the reason

1286
01:11:15,600 --> 01:11:18,840
Speaker 1: why we went to the South was to build that

1287
01:11:19,040 --> 01:11:22,240
Speaker 1: home base. And then, just to be frank, a dollar

1288
01:11:22,360 --> 01:11:26,240
Speaker 1: went a lot further in Louisiana, Mississippi, Alabama and Tennessee

1289
01:11:26,360 --> 01:11:29,200
Speaker 1: than it did in California. Like I could spend five

1290
01:11:29,240 --> 01:11:32,280
Speaker 1: thousand dollars in California and that's not gonna get you

1291
01:11:32,439 --> 01:11:36,080
Speaker 1: as much as if you spend five thousand dollars in Louisiana, Texas,

1292
01:11:36,200 --> 01:11:41,120
Speaker 1: Mrs Sipia, Alabama. So from a financial standpoint, we had

1293
01:11:41,280 --> 01:11:44,280
Speaker 1: more to work with from a budgetary standpoint in the South.

1294
01:11:44,840 --> 01:11:47,200
Speaker 1: He was from the South, so he wanted to go home.

1295
01:11:47,640 --> 01:11:50,800
Speaker 1: We spent a lot of time down there, his relationship

1296
01:11:50,920 --> 01:11:54,760
Speaker 1: with me a x uh Serve on KLC Moby Dick.

1297
01:11:55,120 --> 01:11:58,240
Speaker 1: It just made sense that we do something with the South,

1298
01:11:58,600 --> 01:12:01,280
Speaker 1: and the South had that really deep base, that sound

1299
01:12:01,360 --> 01:12:04,200
Speaker 1: that we were looking for at that time. Man, you

1300
01:12:04,320 --> 01:12:07,240
Speaker 1: know him coming from the Bay area, like you said,

1301
01:12:07,320 --> 01:12:10,280
Speaker 1: he sounded like a Louisiana kid. So I'm pretty sure

1302
01:12:10,320 --> 01:12:11,960
Speaker 1: it was some kind of resistance if there. Did you

1303
01:12:12,000 --> 01:12:14,400
Speaker 1: get a lot of hate in Bay Yeah, I would

1304
01:12:14,439 --> 01:12:17,840
Speaker 1: say I would say not from the fans, but some

1305
01:12:17,960 --> 01:12:19,840
Speaker 1: of the artists had a problem that P came on

1306
01:12:19,960 --> 01:12:22,559
Speaker 1: the scene. So think about this. We do the West

1307
01:12:22,600 --> 01:12:25,720
Speaker 1: Coast Bad Boys. We take all the popular rappers on

1308
01:12:25,760 --> 01:12:28,400
Speaker 1: the West Coast throughout the Bay Area and we put

1309
01:12:28,479 --> 01:12:31,200
Speaker 1: them on an album. We put Master P Presents on

1310
01:12:31,320 --> 01:12:33,720
Speaker 1: the top of that album. So everybody thought Master P

1311
01:12:33,960 --> 01:12:36,160
Speaker 1: was the leader of all these folks. So who do

1312
01:12:36,200 --> 01:12:38,720
Speaker 1: you have on there? You have folks like for Sacramento,

1313
01:12:38,840 --> 01:12:41,200
Speaker 1: like c Boat, you have Jay to the biggest figure.

1314
01:12:41,439 --> 01:12:44,160
Speaker 1: You have the delinquents. Uh. You know, when you start

1315
01:12:44,280 --> 01:12:47,479
Speaker 1: thinking about these artists that are on we had Rapping Forte.

1316
01:12:48,000 --> 01:12:51,960
Speaker 1: So all of these rappers that are popular in their hoods,

1317
01:12:52,400 --> 01:12:55,519
Speaker 1: and Master P is presented as the leader of this crew.

1318
01:12:56,280 --> 01:12:59,560
Speaker 1: So at that point we put all these records we

1319
01:12:59,680 --> 01:13:01,479
Speaker 1: are we get on on the inside of the West

1320
01:13:01,560 --> 01:13:05,040
Speaker 1: Coast Bad Boys. So people were like, man, he is

1321
01:13:05,120 --> 01:13:07,360
Speaker 1: representing the West Coast Bad Boys, and that kind of

1322
01:13:07,439 --> 01:13:10,439
Speaker 1: built that built a name for us. So I would

1323
01:13:10,479 --> 01:13:12,519
Speaker 1: say that there were artists out there was just like, man,

1324
01:13:12,560 --> 01:13:15,200
Speaker 1: who did he think he is? He's not from here.

1325
01:13:15,479 --> 01:13:18,320
Speaker 1: He came here and he's solidified himself with the fans

1326
01:13:18,760 --> 01:13:21,000
Speaker 1: by being, you know, the head of the West Coast

1327
01:13:21,040 --> 01:13:24,720
Speaker 1: Bad Boys are leading the West Coast Bad Boys. That's dope, man.

1328
01:13:25,120 --> 01:13:27,880
Speaker 1: So y'all moving units now, man, y'all starting to sell

1329
01:13:27,920 --> 01:13:30,800
Speaker 1: a lot of Rigords and everything. Yes, the attention from

1330
01:13:30,800 --> 01:13:34,240
Speaker 1: the Rigord labels coming out right absolutely. Who was the

1331
01:13:34,320 --> 01:13:36,400
Speaker 1: first one, who was the first major to hit you

1332
01:13:36,479 --> 01:13:39,960
Speaker 1: guys up? Well, Big Beat Atlantic was kind of rushing

1333
01:13:40,040 --> 01:13:44,120
Speaker 1: out us pretty hard. Uh M c A was contacting us,

1334
01:13:44,320 --> 01:13:49,200
Speaker 1: our c A was contacting us. Um, you know, Universal

1335
01:13:49,400 --> 01:13:51,680
Speaker 1: was in the mix at that particular time, but Big

1336
01:13:51,800 --> 01:13:55,719
Speaker 1: Beat Atlantic was probably that the label. And Craig Common

1337
01:13:55,840 --> 01:13:57,719
Speaker 1: was the one that was pushing so hard from Master

1338
01:13:57,840 --> 01:14:02,120
Speaker 1: Peak and what you know, ultimately P would have actually

1339
01:14:02,240 --> 01:14:05,200
Speaker 1: signed with them. And I probably the whole thing was

1340
01:14:05,320 --> 01:14:09,240
Speaker 1: he was ready to sacrifice the Master P name by

1341
01:14:09,439 --> 01:14:13,519
Speaker 1: getting money from Big Beat Atlantic, and the whole plan

1342
01:14:13,680 --> 01:14:15,720
Speaker 1: what he wanted to do was he was gonna take

1343
01:14:15,800 --> 01:14:18,320
Speaker 1: whatever money he was gonna get from Big Beat Atlantic

1344
01:14:18,920 --> 01:14:20,920
Speaker 1: and put that money in the silk the Shocker and

1345
01:14:21,000 --> 01:14:24,800
Speaker 1: put that money into No Limit Records. And I was

1346
01:14:24,920 --> 01:14:27,320
Speaker 1: the person who said, We're not gonna do that, doesn't

1347
01:14:27,360 --> 01:14:31,240
Speaker 1: make sense. We can hold out, because I believe it

1348
01:14:31,400 --> 01:14:33,599
Speaker 1: or not. C murder and King George wanted to beat

1349
01:14:33,640 --> 01:14:35,400
Speaker 1: me up because they was like I was messing with

1350
01:14:35,479 --> 01:14:37,920
Speaker 1: their money, because we were looking at a pretty decent

1351
01:14:38,000 --> 01:14:41,640
Speaker 1: sized amount of money. So what we did was we

1352
01:14:41,760 --> 01:14:43,720
Speaker 1: kind of rolled it out. We rolled the dice on

1353
01:14:43,920 --> 01:14:46,280
Speaker 1: doing the next record. So after the West Coast that

1354
01:14:46,439 --> 01:14:48,960
Speaker 1: Voids came out and we were hot, we did another

1355
01:14:49,040 --> 01:14:52,240
Speaker 1: record called ninety nine Ways to Die. So when we

1356
01:14:52,680 --> 01:14:54,840
Speaker 1: we we he probably if we wouldn't have did ninety

1357
01:14:54,920 --> 01:14:58,240
Speaker 1: nine Ways to Die, he may have signed there if

1358
01:14:58,280 --> 01:14:59,960
Speaker 1: I wouldn't have said, no, we're not with this whole

1359
01:15:00,040 --> 01:15:03,080
Speaker 1: doll let's hold on if they were going to give

1360
01:15:03,160 --> 01:15:05,480
Speaker 1: us actually a lot of dollars but a small percentage

1361
01:15:05,960 --> 01:15:08,479
Speaker 1: if we hold on. And this is out that we

1362
01:15:08,600 --> 01:15:12,960
Speaker 1: had met with uh Leroy Bobbit, who was entertainment attorney

1363
01:15:13,960 --> 01:15:16,840
Speaker 1: and uh he was he was a partner at Loebe

1364
01:15:16,880 --> 01:15:19,519
Speaker 1: and Lobe, and I met him to a guy named

1365
01:15:19,560 --> 01:15:24,519
Speaker 1: Gary Reeves who who is executive producer of a TV

1366
01:15:24,680 --> 01:15:29,519
Speaker 1: show called Give TV with Blair Underwood and uh and

1367
01:15:30,000 --> 01:15:33,160
Speaker 1: one of the Bush daughters. He's the one who introduced

1368
01:15:33,280 --> 01:15:36,840
Speaker 1: me to Mr bobb It and Mr Bobby was kind

1369
01:15:36,840 --> 01:15:39,640
Speaker 1: of explaining what kind of deals we could get. So

1370
01:15:40,280 --> 01:15:43,160
Speaker 1: between him and then I had some conversations with folks

1371
01:15:43,240 --> 01:15:47,000
Speaker 1: like Wendy Day from the Rap Collige, and they bolger

1372
01:15:47,080 --> 01:15:50,519
Speaker 1: kind of saying to me, like, you know, here are

1373
01:15:50,560 --> 01:15:53,840
Speaker 1: the different type of deals. Here's the production deal, here's

1374
01:15:53,840 --> 01:15:57,599
Speaker 1: an artist deal, here's and I kind of just said, well, look,

1375
01:15:57,760 --> 01:16:00,640
Speaker 1: and we're selling all these records now in dependently with

1376
01:16:00,800 --> 01:16:05,240
Speaker 1: no distribution or with with our distribution national distribution, but

1377
01:16:05,439 --> 01:16:09,519
Speaker 1: no no real mechanical arm like an Atlantic Records, or

1378
01:16:09,560 --> 01:16:12,479
Speaker 1: no real mechanical arm like a like a Capital or

1379
01:16:12,479 --> 01:16:16,559
Speaker 1: a Priority. Just imagine if we could hold on own

1380
01:16:16,640 --> 01:16:20,120
Speaker 1: our masters and then start driving business and all we

1381
01:16:20,200 --> 01:16:21,880
Speaker 1: need folks to do is just to make sure they're

1382
01:16:21,920 --> 01:16:24,280
Speaker 1: in the in the system and in the retail store.

1383
01:16:24,960 --> 01:16:27,400
Speaker 1: So when we turned down the big beat Atlantic deal,

1384
01:16:28,000 --> 01:16:31,840
Speaker 1: we connected with E. A. Ski. We started talking to Priority,

1385
01:16:32,360 --> 01:16:35,280
Speaker 1: and then at that particular time, we did a deal,

1386
01:16:35,560 --> 01:16:38,599
Speaker 1: a distribution deal with Priority to do all of our

1387
01:16:38,760 --> 01:16:43,120
Speaker 1: to do our albums. So the Ways to Die album

1388
01:16:43,240 --> 01:16:45,240
Speaker 1: was out, it was on the Billboard charts. We had

1389
01:16:45,280 --> 01:16:49,120
Speaker 1: success with the West Coast bad Boys. Priority was really

1390
01:16:49,200 --> 01:16:51,479
Speaker 1: focused on the next album, which was the t r

1391
01:16:51,600 --> 01:16:54,760
Speaker 1: U True Album, and the Dallas South Hustles, and that

1392
01:16:54,920 --> 01:16:57,120
Speaker 1: was really what they wanted. They wanted the true album

1393
01:16:57,200 --> 01:16:59,920
Speaker 1: in the Dallas South Hustlers. But the end, the real

1394
01:17:00,160 --> 01:17:02,479
Speaker 1: thing was like the ice ting on the cake was

1395
01:17:02,640 --> 01:17:05,000
Speaker 1: the ice Cream Man was the one that we knew

1396
01:17:05,080 --> 01:17:08,479
Speaker 1: was gonna be a big record. So that each title

1397
01:17:09,240 --> 01:17:12,360
Speaker 1: that you guys have started working on, the ice Cream

1398
01:17:12,400 --> 01:17:15,559
Speaker 1: Man that far in advance. Yeah, so we had already

1399
01:17:15,600 --> 01:17:18,160
Speaker 1: did the artwork. So one thing about when we were

1400
01:17:18,920 --> 01:17:21,080
Speaker 1: the one thing we always did, we always did the

1401
01:17:21,200 --> 01:17:24,280
Speaker 1: artwork on the inside. So any album you saw nine

1402
01:17:24,360 --> 01:17:27,600
Speaker 1: times out of tend those records weren't recording yet. So

1403
01:17:27,760 --> 01:17:29,880
Speaker 1: what we might do was do one or two songs.

1404
01:17:30,000 --> 01:17:32,400
Speaker 1: We record some stuff and figure out which song is

1405
01:17:32,439 --> 01:17:35,160
Speaker 1: gonna go on which album. So at that particular time,

1406
01:17:35,479 --> 01:17:39,760
Speaker 1: the ice Cream Man wasn't done. In fact, we at

1407
01:17:39,800 --> 01:17:41,840
Speaker 1: that point we hadn't even done it. We hadn't done

1408
01:17:41,880 --> 01:17:45,160
Speaker 1: one song. We have gromoted the ice Cream Man so

1409
01:17:45,439 --> 01:17:48,720
Speaker 1: much and we promoted the down South Uster so much

1410
01:17:49,240 --> 01:17:53,680
Speaker 1: that the distributors, the retail stores were waiting on the

1411
01:17:53,760 --> 01:17:57,840
Speaker 1: album like they wanted that. They wanted that uh ice

1412
01:17:57,920 --> 01:18:01,320
Speaker 1: Cream Man, and they wanted that South Husters those albums

1413
01:18:01,400 --> 01:18:05,000
Speaker 1: were We were promoting those albums one two years in advance,

1414
01:18:05,560 --> 01:18:08,280
Speaker 1: and people were kept waiting on the album. So that's

1415
01:18:08,360 --> 01:18:10,400
Speaker 1: really what it was. So by the time we did

1416
01:18:10,560 --> 01:18:15,680
Speaker 1: the distribution deal, which was fifteen split, eight percent for

1417
01:18:15,840 --> 01:18:19,640
Speaker 1: us the percent for them, they were already waiting on

1418
01:18:19,760 --> 01:18:21,760
Speaker 1: the true album. They were waiting on the down South

1419
01:18:21,840 --> 01:18:24,519
Speaker 1: Husters and they really wanted that, uh, the ice Cream

1420
01:18:24,520 --> 01:18:27,320
Speaker 1: Man album. So yeah, so let me answer this for

1421
01:18:27,360 --> 01:18:30,120
Speaker 1: the people that don't know out there. When he went

1422
01:18:30,200 --> 01:18:33,040
Speaker 1: to Priority Big the Atlantic, they wanted to give him

1423
01:18:33,120 --> 01:18:35,120
Speaker 1: like an artist deal, so they was giving front loading

1424
01:18:35,200 --> 01:18:39,040
Speaker 1: with a bunch of money up front. When when you

1425
01:18:39,120 --> 01:18:41,160
Speaker 1: guys took the Priority deal, assuming there was no in

1426
01:18:41,280 --> 01:18:45,000
Speaker 1: front money. No, So originally there was no advanced money.

1427
01:18:45,160 --> 01:18:48,160
Speaker 1: It was we're just gonna do a distribution deal. What

1428
01:18:48,400 --> 01:18:52,200
Speaker 1: came after the fact when they wanted to start these albums,

1429
01:18:52,280 --> 01:18:54,880
Speaker 1: that's when they came back and they wrote us to check.

1430
01:18:55,360 --> 01:18:57,720
Speaker 1: So they wrote us to check for some money, and

1431
01:18:58,200 --> 01:19:01,120
Speaker 1: then they really wanted to downs out Hustler album. That

1432
01:19:01,280 --> 01:19:03,599
Speaker 1: the question was how much do you need to get

1433
01:19:03,640 --> 01:19:06,640
Speaker 1: this down to a Hustler album done? So once they

1434
01:19:06,720 --> 01:19:10,120
Speaker 1: gave us money for that, and advance for that. That's

1435
01:19:10,120 --> 01:19:15,320
Speaker 1: when the percentages went from to eight twenty, so they

1436
01:19:15,400 --> 01:19:19,120
Speaker 1: took five percent. They took five percent that in order

1437
01:19:19,160 --> 01:19:22,200
Speaker 1: to advance his money, to finish the UH, to finish

1438
01:19:22,320 --> 01:19:25,160
Speaker 1: the ice Cream Man album, to record the ice Cream

1439
01:19:25,160 --> 01:19:27,920
Speaker 1: Man album to down South Husters. So we pretty much

1440
01:19:28,000 --> 01:19:31,200
Speaker 1: did t r U album, the down South Husters. Ice

1441
01:19:31,240 --> 01:19:34,800
Speaker 1: Cream Man mea excess project. Ki had a EP. She

1442
01:19:34,960 --> 01:19:38,080
Speaker 1: was doing the whole no Limit thing. Man's just sex

1443
01:19:38,200 --> 01:19:41,519
Speaker 1: one of those interest stories because it's a few good

1444
01:19:41,600 --> 01:19:45,439
Speaker 1: stories that like Rag Richard, you know, the country Boy goes,

1445
01:19:45,560 --> 01:19:48,760
Speaker 1: the Big Signal strikes of rich Man. Yes, y'all had

1446
01:19:48,760 --> 01:19:52,560
Speaker 1: an incredible thing going, but eventually to start being some distinction.

1447
01:19:53,040 --> 01:19:55,160
Speaker 1: Do you think things changed when the money start really

1448
01:19:55,200 --> 01:19:58,479
Speaker 1: coming in. I mean, I don't even know if I

1449
01:19:58,560 --> 01:20:01,000
Speaker 1: don't even know if it was just about the money.

1450
01:20:01,200 --> 01:20:05,480
Speaker 1: I just think what happens is when people are concerned

1451
01:20:05,680 --> 01:20:09,240
Speaker 1: about you know, you know. I think ultimately it wasn't

1452
01:20:09,240 --> 01:20:11,760
Speaker 1: even about the money, because for for me, I was

1453
01:20:11,840 --> 01:20:14,120
Speaker 1: all in on what we're doing, because I believed in

1454
01:20:14,200 --> 01:20:16,320
Speaker 1: what we're doing. I think it was just had to

1455
01:20:16,400 --> 01:20:20,719
Speaker 1: do with people start to wonder, um, you know, who's

1456
01:20:20,880 --> 01:20:23,040
Speaker 1: who's saying what and doing what, And there's all this

1457
01:20:23,200 --> 01:20:25,960
Speaker 1: talk about whose album is gonna come out next, and

1458
01:20:26,520 --> 01:20:28,840
Speaker 1: and whether they want to you know, do their own

1459
01:20:28,920 --> 01:20:31,000
Speaker 1: thing because their album is not coming out for for

1460
01:20:31,280 --> 01:20:34,360
Speaker 1: several months, and we see other people being moved up,

1461
01:20:34,439 --> 01:20:37,240
Speaker 1: and I mean, you know, there's just that whole you know,

1462
01:20:37,720 --> 01:20:40,000
Speaker 1: at the end of the day, people get frustrated by

1463
01:20:40,080 --> 01:20:42,559
Speaker 1: where they are and what place they are in their position.

1464
01:20:43,400 --> 01:20:46,000
Speaker 1: And I think that just was the that was the

1465
01:20:46,160 --> 01:20:50,760
Speaker 1: dynamic of the frustration of you know, where where my where,

1466
01:20:50,880 --> 01:20:53,240
Speaker 1: where's my place in the label and where that goes.

1467
01:20:53,720 --> 01:20:58,080
Speaker 1: I think certain artists were probably frustrated financially about where

1468
01:20:58,200 --> 01:21:00,479
Speaker 1: money was going and where they think the money ship win.

1469
01:21:00,600 --> 01:21:03,439
Speaker 1: But at the end of the day, you know, it

1470
01:21:03,600 --> 01:21:06,840
Speaker 1: was No Limit. Master p was the the CEO of

1471
01:21:06,960 --> 01:21:10,240
Speaker 1: No Limit. I was the executive vice president and manager

1472
01:21:10,479 --> 01:21:13,759
Speaker 1: and ran the label and managed him and and pretty

1473
01:21:13,840 --> 01:21:16,600
Speaker 1: much managed the artist. It was a family affair, and

1474
01:21:16,760 --> 01:21:20,280
Speaker 1: like anything, when you when you bring money into the falls,

1475
01:21:20,760 --> 01:21:23,360
Speaker 1: it does kind of create this this kind of this

1476
01:21:23,560 --> 01:21:26,760
Speaker 1: kind of dissension in the ranks. But it's also how

1477
01:21:26,800 --> 01:21:29,760
Speaker 1: are we communicating when people's projects are coming out? And

1478
01:21:29,800 --> 01:21:32,280
Speaker 1: what that looks like. And there's sometimes there could be

1479
01:21:32,320 --> 01:21:35,040
Speaker 1: some frustration around, well, wait a minute, my album is

1480
01:21:35,040 --> 01:21:38,160
Speaker 1: supposed to come out at this particular point. I got

1481
01:21:38,280 --> 01:21:40,280
Speaker 1: bills to pay, I got things to do. I'm ready

1482
01:21:40,320 --> 01:21:43,439
Speaker 1: to blow up. But then I might be moved down

1483
01:21:43,600 --> 01:21:46,800
Speaker 1: on the down on the packing water and because for

1484
01:21:46,920 --> 01:21:50,720
Speaker 1: whatever reason, maybe it's the sound, maybe maybe the the

1485
01:21:50,880 --> 01:21:54,400
Speaker 1: idea or the ideas or the projects, or people are asking, uh,

1486
01:21:54,600 --> 01:21:57,800
Speaker 1: distributors asking, or retailers are asking for specific records, and

1487
01:21:57,880 --> 01:22:00,280
Speaker 1: people get people get moved out and peck and more.

1488
01:22:00,600 --> 01:22:02,760
Speaker 1: It happens like that and tomb your label too, right,

1489
01:22:03,080 --> 01:22:04,439
Speaker 1: you know, my I'm was supposed to come out and

1490
01:22:04,520 --> 01:22:06,479
Speaker 1: then it gets on the shelf for several months and

1491
01:22:06,880 --> 01:22:08,840
Speaker 1: you don't have the right style yet, so we're gonna

1492
01:22:08,880 --> 01:22:10,840
Speaker 1: push you back. All of that thing is kind of

1493
01:22:10,920 --> 01:22:16,560
Speaker 1: how it works. Well, you know, you can get on

1494
01:22:16,640 --> 01:22:20,040
Speaker 1: our website at Tobin tel b I N Coston, c

1495
01:22:20,200 --> 01:22:23,320
Speaker 1: os t e n dot com. You can follow me

1496
01:22:23,439 --> 01:22:26,200
Speaker 1: on Instagram and Tobin cost and that's probably the best

1497
01:22:26,240 --> 01:22:27,960
Speaker 1: way to connect with me. But if you go to

1498
01:22:28,080 --> 01:22:32,160
Speaker 1: my website Tobin Costing dot com, uh, people email me.

1499
01:22:32,560 --> 01:22:35,080
Speaker 1: You can email me on there, and I usually get

1500
01:22:35,160 --> 01:22:37,800
Speaker 1: back to people pretty quick via email or phone number.

1501
01:22:38,080 --> 01:22:40,240
Speaker 1: I will just tell people leave your phone number, because

1502
01:22:40,240 --> 01:22:43,000
Speaker 1: I'm good with text and calling. I'm a little bit

1503
01:22:43,080 --> 01:22:45,240
Speaker 1: better old school with picking up the phone, with calling

1504
01:22:45,280 --> 01:22:48,160
Speaker 1: people and having the conversation. I mean, that's kind of

1505
01:22:48,200 --> 01:22:50,960
Speaker 1: how we connected. And I try to get you. I

1506
01:22:51,000 --> 01:22:54,120
Speaker 1: don't like doing the whole Instagram thing. I get people.

1507
01:22:54,160 --> 01:22:57,160
Speaker 1: They don't ask for the numbers anymore. What's your Instagram page?

1508
01:22:57,720 --> 01:23:00,680
Speaker 1: And it's like to take my don't remember and call

1509
01:23:00,800 --> 01:23:05,639
Speaker 1: you don't take those in there. I don't like, well,

1510
01:23:05,800 --> 01:23:07,800
Speaker 1: you know, I usually if people get at me, I

1511
01:23:07,840 --> 01:23:09,880
Speaker 1: don't have it where it notifies me, so I gotta

1512
01:23:09,960 --> 01:23:12,479
Speaker 1: clog on there. But I used to tell people, you

1513
01:23:12,560 --> 01:23:14,439
Speaker 1: get all my if you get on my website, you

1514
01:23:14,520 --> 01:23:18,080
Speaker 1: reach out to me, I will email me. Most people

1515
01:23:18,120 --> 01:23:21,160
Speaker 1: don't email me their phone number, so I just tell

1516
01:23:21,240 --> 01:23:24,400
Speaker 1: folks all the time, email me and email me your

1517
01:23:24,479 --> 01:23:27,080
Speaker 1: phone number. I will text you or call you, and

1518
01:23:27,360 --> 01:23:29,760
Speaker 1: so we get out of a conversation and that's, you know.

1519
01:23:30,000 --> 01:23:32,080
Speaker 1: I try to get back to everyone, and a lot

1520
01:23:32,120 --> 01:23:34,000
Speaker 1: of times people be like, WHOA, you got back to me?

1521
01:23:34,439 --> 01:23:36,439
Speaker 1: And I did that even when I was at no limit.

1522
01:23:36,720 --> 01:23:39,599
Speaker 1: It was really important for me when people people sent

1523
01:23:39,760 --> 01:23:42,040
Speaker 1: information to me pick up the phone and call for

1524
01:23:42,240 --> 01:23:45,080
Speaker 1: mail them and let them know and give them feedback.

1525
01:23:45,439 --> 01:23:48,559
Speaker 1: Especially when folks are giving me demo tapes. I'm always

1526
01:23:48,600 --> 01:23:51,920
Speaker 1: real big about Hey, somebody sends me their demo tape.

1527
01:23:52,280 --> 01:23:54,120
Speaker 1: I want to make sure that I do my part

1528
01:23:54,439 --> 01:23:56,280
Speaker 1: and at least get back to them and give them

1529
01:23:56,520 --> 01:23:59,120
Speaker 1: give them feedback good, bad or in different and not

1530
01:23:59,320 --> 01:24:02,759
Speaker 1: just asking. Because you just let me into a question,

1531
01:24:03,000 --> 01:24:05,040
Speaker 1: how those demo tapes that you got in how much

1532
01:24:05,080 --> 01:24:10,000
Speaker 1: good ship did you find? I probably would say one

1533
01:24:10,080 --> 01:24:12,880
Speaker 1: out of one out of twenty, so it was that

1534
01:24:13,040 --> 01:24:16,240
Speaker 1: five percent. Probably one out of twenty. I find something

1535
01:24:16,320 --> 01:24:20,720
Speaker 1: that I'm like, okay, there's something here. Um. Sometimes you

1536
01:24:20,880 --> 01:24:23,280
Speaker 1: find something that's just a dominant erupt. There are a

1537
01:24:23,400 --> 01:24:26,200
Speaker 1: lot of artists that we got demo tapes for when

1538
01:24:26,200 --> 01:24:28,960
Speaker 1: we did the Downstop Hustlers that we were like, whoa,

1539
01:24:29,439 --> 01:24:32,000
Speaker 1: these are underground cats and they sounded good. Let's try

1540
01:24:32,040 --> 01:24:35,120
Speaker 1: to do something with them. So I would say probably

1541
01:24:35,160 --> 01:24:36,960
Speaker 1: five percent of the time, there'll be a bunch of

1542
01:24:37,000 --> 01:24:39,240
Speaker 1: people would send your stuff to be like whoa. But

1543
01:24:39,320 --> 01:24:41,200
Speaker 1: I always got back to people let them know what

1544
01:24:41,280 --> 01:24:43,960
Speaker 1: I thought good, bad or different. Like I would always

1545
01:24:44,000 --> 01:24:47,479
Speaker 1: tell people, you know, just keep working, keep blinding, or

1546
01:24:47,520 --> 01:24:49,599
Speaker 1: I would tell people like, hey, this is not for us,

1547
01:24:49,680 --> 01:24:51,840
Speaker 1: but I would just encourage you to keep working. I

1548
01:24:51,880 --> 01:24:54,080
Speaker 1: always told people to keep working, even if I didn't

1549
01:24:54,120 --> 01:24:57,560
Speaker 1: like what they were doing. So did you So you

1550
01:24:57,680 --> 01:24:59,280
Speaker 1: just say you put a couple of those cats on

1551
01:24:59,360 --> 01:25:04,720
Speaker 1: the down so down South Busters. Absolutely didn't you have

1552
01:25:04,920 --> 01:25:07,400
Speaker 1: one of any artists that we know from no limit

1553
01:25:07,479 --> 01:25:10,040
Speaker 1: that kind of came from the whole demo tape thing. Well,

1554
01:25:10,240 --> 01:25:13,160
Speaker 1: more than likely p KO who was on the Down

1555
01:25:13,240 --> 01:25:16,720
Speaker 1: South Busters. This guy's Protectas was on their twenty to

1556
01:25:16,840 --> 01:25:20,320
Speaker 1: life was on there. Uh, we got their their tape

1557
01:25:20,360 --> 01:25:23,200
Speaker 1: for their demo tape. Uh. The other one was CCG

1558
01:25:23,800 --> 01:25:27,080
Speaker 1: Scala Citygs from Kansas City. They were on that Down

1559
01:25:27,160 --> 01:25:29,519
Speaker 1: South Hustlers and they put out a solo album. They

1560
01:25:29,600 --> 01:25:33,280
Speaker 1: hit bill Board. So nobody really big. But there were

1561
01:25:33,360 --> 01:25:36,760
Speaker 1: just artists on there that we got that were that

1562
01:25:36,880 --> 01:25:39,920
Speaker 1: were talented, and and we put them. We put them

1563
01:25:39,960 --> 01:25:42,760
Speaker 1: on and did some did some projects with whether it

1564
01:25:42,880 --> 01:25:45,519
Speaker 1: was the was whether it was a compilation or we

1565
01:25:45,600 --> 01:25:48,519
Speaker 1: put something together. We did shows with them, you know,

1566
01:25:48,760 --> 01:25:51,000
Speaker 1: and and that's really the key. You got a good style.

1567
01:25:51,040 --> 01:25:53,200
Speaker 1: I don't care if you you know, you're recording on

1568
01:25:53,240 --> 01:25:57,000
Speaker 1: the four track cassette or you're doing something digitally high end.

1569
01:25:57,439 --> 01:26:00,800
Speaker 1: If you got talented, it will show. Yes, Man, I

1570
01:26:00,840 --> 01:26:03,880
Speaker 1: appreciate you sitting down with us tonight. Bro. Absolutely, Man,

1571
01:26:03,920 --> 01:26:06,479
Speaker 1: I appreciate you, and uh, you know, I always love

1572
01:26:06,560 --> 01:26:08,960
Speaker 1: what you do. And just to be part of, uh

1573
01:26:09,600 --> 01:26:12,200
Speaker 1: one of your shows with all the legends that you

1574
01:26:12,320 --> 01:26:14,680
Speaker 1: have on man, it's a it's a complete honor for me.

1575
01:26:15,320 --> 01:26:18,400
Speaker 1: Oh Man, you a lection yourself. Man. I can't wait, Man,

1576
01:26:18,439 --> 01:26:20,639
Speaker 1: I can't wait. I can't wait to show the world

1577
01:26:20,720 --> 01:26:23,120
Speaker 1: we got cooking up. And for the record, it's not

1578
01:26:23,320 --> 01:26:27,760
Speaker 1: nothing on that derogatory about masterp. We're not that. We're

1579
01:26:27,800 --> 01:26:30,639
Speaker 1: talking about token story because every story has two sides.

1580
01:26:31,439 --> 01:26:34,599
Speaker 1: We out of here. We appreciate you, token, I appreciate you, guys.

1581
01:26:34,680 --> 01:26:37,240
Speaker 1: Be safe, Thank you well. That concludes another episode of

1582
01:26:37,280 --> 01:26:39,880
Speaker 1: Against the Chronicles podcast. Be sure to download the I

1583
01:26:40,000 --> 01:26:42,960
Speaker 1: Heart app and subscribe to the Gangster Chronicles podcast for

1584
01:26:43,080 --> 01:26:45,040
Speaker 1: Apple users. Find a purple mic on the front of

1585
01:26:45,080 --> 01:26:47,679
Speaker 1: your screen, subscribe to the show, leave a comment and rating.

1586
01:26:47,960 --> 01:26:51,479
Speaker 1: Executive producers for The Gangster Chronicles podcast and Norman Steve, James,

1587
01:26:51,560 --> 01:26:54,479
Speaker 1: mcdowald Aar and m c A. Tyler, our visual media

1588
01:26:54,520 --> 01:26:57,640
Speaker 1: directors Brian White, and our audio editors Taylor Hayes. The

1589
01:26:57,680 --> 01:27:00,400
Speaker 1: Gangster Chronicles is a production of Our Heart Media Network

1590
01:27:00,439 --> 01:27:03,559
Speaker 1: in the Black Effect Podcast Network. For more podcasts from

1591
01:27:03,560 --> 01:27:06,040
Speaker 1: My Heart Radio, visit the our Heart Radio app, Apple

1592
01:27:06,160 --> 01:27:08,200
Speaker 1: Podcast wherever you listen to your podcasts,