1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:31,960 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:31,960 --> 00:00:34,400 Speaker 1: a little thing we like to call the after party. 6 00:00:34,440 --> 00:00:36,800 Speaker 1: This is the show after the show, the party after 7 00:00:36,800 --> 00:00:38,519 Speaker 1: the party, the bridge to get you from one full 8 00:00:38,560 --> 00:00:42,000 Speaker 1: episode of Disgraceland to the other, the backyard to dig 9 00:00:42,080 --> 00:00:45,280 Speaker 1: into the dirt. On this bonus episode, we are talking 10 00:00:45,280 --> 00:00:48,800 Speaker 1: about this week's full episode subject on York. We are 11 00:00:49,000 --> 00:00:52,320 Speaker 1: previewing the coming episode on the Who and the Riverfront 12 00:00:52,520 --> 00:00:56,600 Speaker 1: Coliseum disaster, talking I'm so obsessed with you, Blues, and 13 00:00:56,640 --> 00:01:00,280 Speaker 1: we go through your voicemails, text DMS emails and as always, 14 00:01:00,440 --> 00:01:03,400 Speaker 1: a whole lot of rosie. Al Right, this goes, let's 15 00:01:03,760 --> 00:01:16,960 Speaker 1: get into it. So Ricardo Lopez was obsessed with York 16 00:01:17,080 --> 00:01:19,520 Speaker 1: and nearly killed her, as we just heard in this 17 00:01:19,560 --> 00:01:24,280 Speaker 1: week's full episode. Mark David Chapman was obsessed with John 18 00:01:24,360 --> 00:01:29,160 Speaker 1: Lennon and did indeed kill the coolest Beatle. Nathan Gale 19 00:01:29,800 --> 00:01:33,400 Speaker 1: was obsessed with Pantera, and he shot and murdered their 20 00:01:33,440 --> 00:01:36,560 Speaker 1: guitar player dined by Daryl when Dyne was on stage 21 00:01:36,560 --> 00:01:39,800 Speaker 1: with his other band, Damage Plan. Coincidentally on the same 22 00:01:39,920 --> 00:01:43,200 Speaker 1: date that John Lennon was murdered December eighth, also the 23 00:01:43,240 --> 00:01:47,800 Speaker 1: same day that Jim Marson was born. Anyways, this theme 24 00:01:47,880 --> 00:01:54,360 Speaker 1: of obsession got me thinking about musicians and their obsession, 25 00:01:54,400 --> 00:01:56,640 Speaker 1: so flipping it. So these everything I just talked about 26 00:01:56,680 --> 00:01:59,080 Speaker 1: was about fans being obsessed with rockstars. This is about 27 00:01:59,160 --> 00:02:03,160 Speaker 1: musicians who are who themselves are obsessed. Okay, And I 28 00:02:03,200 --> 00:02:07,840 Speaker 1: thought about how obsessed Kurt Cobaine was with Courtney Love. 29 00:02:07,840 --> 00:02:10,800 Speaker 1: It's something that I don't think gets enough coverage, but 30 00:02:11,040 --> 00:02:14,120 Speaker 1: I found it when I was researching Nirvana. For the 31 00:02:14,120 --> 00:02:16,560 Speaker 1: two episodes that we did in Nirvana, you could see 32 00:02:16,600 --> 00:02:18,720 Speaker 1: it's clear as day the dude was obsessed with her. 33 00:02:19,560 --> 00:02:22,920 Speaker 1: And there's a lot of his writings that depict his obsession. 34 00:02:23,400 --> 00:02:26,480 Speaker 1: So some people would ask, was Kurt even obsessed with Courtney? 35 00:02:26,480 --> 00:02:29,200 Speaker 1: And the answer I think is absolutely yes he was. 36 00:02:29,960 --> 00:02:32,959 Speaker 1: Here's an example in one journal entry of Kurtz, he 37 00:02:33,000 --> 00:02:35,919 Speaker 1: writes about Courtney Courtney, this is a quote, Courtney, when 38 00:02:35,919 --> 00:02:38,840 Speaker 1: you're not around, I literally can't breathe, I can't think. 39 00:02:39,400 --> 00:02:41,920 Speaker 1: I feel like a lost child looking for its mother 40 00:02:42,000 --> 00:02:44,639 Speaker 1: in a department store. I ache for you. I need 41 00:02:44,760 --> 00:02:47,280 Speaker 1: you so fucking bad it scares me. I want to 42 00:02:47,360 --> 00:02:52,000 Speaker 1: crawl inside your body and live there now. Of course, 43 00:02:52,280 --> 00:02:56,040 Speaker 1: Kurt Cobain was a total mess when he died, aside 44 00:02:56,120 --> 00:03:00,360 Speaker 1: from his relationship with Courtney Love that depending on who 45 00:03:00,440 --> 00:03:02,560 Speaker 1: you talk to, will be described to you as being 46 00:03:02,680 --> 00:03:08,359 Speaker 1: toxic or damaged at the time or it's hard to 47 00:03:08,400 --> 00:03:12,160 Speaker 1: depict that relationship without negativity there at the end. And 48 00:03:12,240 --> 00:03:16,639 Speaker 1: Kurt was of course depressed and heavily addicted to drugs 49 00:03:17,160 --> 00:03:20,400 Speaker 1: and had been for some time, and that means, you know, 50 00:03:20,639 --> 00:03:23,760 Speaker 1: his brains were kind of like oatmeal. But all that said, 51 00:03:25,080 --> 00:03:27,680 Speaker 1: I often think what would have happened if Kirk Cobain 52 00:03:27,720 --> 00:03:30,520 Speaker 1: didn't kill himself. How would it have gone for Kurt? 53 00:03:31,800 --> 00:03:35,200 Speaker 1: And in this context, I'm thinking how would his obsession 54 00:03:35,240 --> 00:03:37,920 Speaker 1: with Courtney Love have played out, not just in his 55 00:03:38,040 --> 00:03:42,040 Speaker 1: relationship but in his career. I have thoughts, none of 56 00:03:42,040 --> 00:03:43,800 Speaker 1: them are good, But I want to keep going down 57 00:03:43,840 --> 00:03:48,120 Speaker 1: this obsession rabbit hole with you guys. And where the Nirvana, 58 00:03:48,200 --> 00:03:50,200 Speaker 1: where the Kirk cobeine of it all led me? There 59 00:03:50,200 --> 00:03:53,280 Speaker 1: aren't any Nirvana songs that I can think of the 60 00:03:53,320 --> 00:03:56,560 Speaker 1: deal with the type of obsession that we're talking about. 61 00:03:56,760 --> 00:03:58,600 Speaker 1: Maybe there were I didn't really research. I was just 62 00:03:58,600 --> 00:04:00,880 Speaker 1: thinking off the top of my head, but it could 63 00:04:00,920 --> 00:04:02,920 Speaker 1: be thinking, what are some of the other tunes of 64 00:04:03,200 --> 00:04:08,119 Speaker 1: some other songs of obsession from artists that are bordering 65 00:04:08,160 --> 00:04:12,160 Speaker 1: on the creepy okay? Songs of obsession that are bordering 66 00:04:12,280 --> 00:04:15,280 Speaker 1: on the creepy okay? Well, speaking of John Lennon, there's 67 00:04:15,360 --> 00:04:17,760 Speaker 1: Run for Your Life with it's I'd rather see you dead, 68 00:04:17,839 --> 00:04:20,880 Speaker 1: little girl than to be with another man now. John 69 00:04:20,960 --> 00:04:24,640 Speaker 1: Lennon later said, of course, that he regretted writing that song, 70 00:04:25,200 --> 00:04:27,039 Speaker 1: and I always saw the song as sort of a 71 00:04:27,080 --> 00:04:29,360 Speaker 1: product of the times. And if you're going to indict 72 00:04:29,440 --> 00:04:31,760 Speaker 1: anyone here, I'm not letting John Lennon completely off the hook, 73 00:04:31,800 --> 00:04:34,360 Speaker 1: but you got to indict the times. Okay. John said 74 00:04:34,360 --> 00:04:36,520 Speaker 1: he regretted it. He always said he regretted that song. 75 00:04:36,760 --> 00:04:38,359 Speaker 1: And again, I think it's more about the time that 76 00:04:38,400 --> 00:04:40,560 Speaker 1: the songwriter was working in more than it is an 77 00:04:40,680 --> 00:04:44,279 Speaker 1: actual statement about a woman that the songwriter was thinking about. 78 00:04:44,720 --> 00:04:48,000 Speaker 1: And again I'm not excusing John Lennon. I'm not excusing it, 79 00:04:48,040 --> 00:04:49,920 Speaker 1: but we got to take a new context the era 80 00:04:50,640 --> 00:04:52,880 Speaker 1: that lyric I'd rather see you dead little girls than 81 00:04:52,880 --> 00:04:54,840 Speaker 1: to be with another man. It is hardly I want 82 00:04:54,839 --> 00:04:56,720 Speaker 1: to fuck you like an Animal by Trent and Resnor, 83 00:04:56,760 --> 00:05:00,160 Speaker 1: which I'm not sure if obsession was on Trend's mind 84 00:05:00,200 --> 00:05:02,080 Speaker 1: when he wrote that lyric or not, but one could 85 00:05:02,120 --> 00:05:04,479 Speaker 1: sure as hell make the case. I love that song, 86 00:05:04,520 --> 00:05:08,359 Speaker 1: by the way, but you know, taken literally kind of 87 00:05:08,360 --> 00:05:11,240 Speaker 1: fucked up. Also, I'm pretty sure Marilyn Manson claims that 88 00:05:11,279 --> 00:05:13,880 Speaker 1: he wrote that lyric, that he gave Trent that idea. 89 00:05:14,839 --> 00:05:17,760 Speaker 1: That's a whole other wormhole. But let's stay in the 90 00:05:17,760 --> 00:05:22,520 Speaker 1: creepy obsession song wormhole for a minute. Okay, And thinking 91 00:05:22,560 --> 00:05:26,719 Speaker 1: about this, I came a I don't know why, but 92 00:05:26,800 --> 00:05:29,280 Speaker 1: Sarah McLaughlin just she cracks me up. 93 00:05:29,360 --> 00:05:29,920 Speaker 2: I don't know why. 94 00:05:30,040 --> 00:05:33,400 Speaker 1: She's like the most self serious, least funny person out there. 95 00:05:33,480 --> 00:05:35,320 Speaker 1: Although she was in an episode of PORTLANDBIA, so I 96 00:05:35,320 --> 00:05:37,320 Speaker 1: gotta give her some credit. But anyway, Sarah mclochlin, check 97 00:05:37,360 --> 00:05:39,560 Speaker 1: this out. This is so fucked up. Sarah maclachlin had 98 00:05:39,640 --> 00:05:43,279 Speaker 1: a super fan, an obsessed fan, a computer programming fan 99 00:05:43,360 --> 00:05:46,719 Speaker 1: from Canada. Okay, so I'm assuming a nerd and he 100 00:05:46,800 --> 00:05:50,880 Speaker 1: wrote her all these creepy letters, very very disturbing stuff. 101 00:05:51,160 --> 00:05:55,440 Speaker 1: Sarah McLachlin then took some of the Stalker's own words 102 00:05:55,440 --> 00:05:58,039 Speaker 1: from those letters and used them in a song that 103 00:05:58,120 --> 00:06:02,000 Speaker 1: she wrote about obsession called Session the Stalker. This is 104 00:06:02,000 --> 00:06:04,839 Speaker 1: where it gets weird. The Stalker then sued Sarah McLachlan 105 00:06:04,960 --> 00:06:10,440 Speaker 1: for plagiarizing his words, which she admitted she had done that. 106 00:06:10,640 --> 00:06:13,800 Speaker 1: She didn't admit plagiarism, but she admitted she used the words. 107 00:06:14,640 --> 00:06:18,119 Speaker 1: Wasn't like she was plagiarizing on purpose, trying to pass 108 00:06:18,160 --> 00:06:20,040 Speaker 1: it off as her own work, you know, to kind 109 00:06:20,040 --> 00:06:22,480 Speaker 1: of get by on people. She was blurring her life 110 00:06:22,520 --> 00:06:25,560 Speaker 1: with her art in a pretty awesome way, I would say, 111 00:06:25,600 --> 00:06:29,359 Speaker 1: and also obviously very creepy in a good way. But 112 00:06:29,400 --> 00:06:34,360 Speaker 1: to make the story even weirder, the case that was 113 00:06:34,400 --> 00:06:39,120 Speaker 1: brought by the Stalker against Sarah McLaughlin was never resolved 114 00:06:39,839 --> 00:06:46,560 Speaker 1: because the stalker killed himself. Super Dark, Super dark, Sarah 115 00:06:46,600 --> 00:06:51,440 Speaker 1: McLaughlin Dark the music's dark too, or shit's dark really 116 00:06:51,520 --> 00:06:55,159 Speaker 1: is for somebody so innocent looking. By the way, there's 117 00:06:55,200 --> 00:06:59,640 Speaker 1: a fantastic video going around the internet of these two 118 00:06:59,760 --> 00:07:03,680 Speaker 1: do at this at a karaoke club and they get 119 00:07:03,760 --> 00:07:08,400 Speaker 1: up to sing whatever song Sarah McLaughlin uses in that 120 00:07:08,560 --> 00:07:11,440 Speaker 1: commercial she does with the dogs that she's trying to save, 121 00:07:11,520 --> 00:07:13,760 Speaker 1: where the dogs are all in cages and the dogs 122 00:07:13,760 --> 00:07:16,520 Speaker 1: are all beat to shit, and you know, she's this 123 00:07:16,560 --> 00:07:18,440 Speaker 1: is her charity, this is the thing she's doing, and 124 00:07:18,480 --> 00:07:19,960 Speaker 1: I'm not making fun of it. It's a great thing 125 00:07:19,960 --> 00:07:23,680 Speaker 1: that she's doing, whatever this foundation is. But we've all 126 00:07:23,760 --> 00:07:26,960 Speaker 1: seen this commercial, I think, and you know, Sarah, in 127 00:07:27,000 --> 00:07:30,360 Speaker 1: addition to the images of the dogs which are truly horrific, 128 00:07:30,400 --> 00:07:33,640 Speaker 1: Sarah McLaughlin a very obviously self serious kind of way, 129 00:07:34,240 --> 00:07:39,360 Speaker 1: is given the vo on the trauma of these dogs 130 00:07:39,400 --> 00:07:41,640 Speaker 1: are facing and why people need to send their money 131 00:07:41,640 --> 00:07:44,400 Speaker 1: to this foundation. So back to this video that's going 132 00:07:44,400 --> 00:07:47,480 Speaker 1: around the internet, which is hysterical. These two dudes are 133 00:07:47,520 --> 00:07:49,400 Speaker 1: at a karaoke bar and they get up and they 134 00:07:49,480 --> 00:07:51,760 Speaker 1: choose this song and one dude is singing the Sarah 135 00:07:51,800 --> 00:07:54,840 Speaker 1: McLachlin part, and the other dude is reading the vo 136 00:07:54,880 --> 00:07:59,840 Speaker 1: from the commercial about the dogs and the reaction on 137 00:07:59,880 --> 00:08:03,040 Speaker 1: the people's face in the carryo it's this fucking priceis 138 00:08:03,080 --> 00:08:04,560 Speaker 1: It's so good? Google? 139 00:08:04,640 --> 00:08:05,480 Speaker 3: That? All right? 140 00:08:05,520 --> 00:08:09,000 Speaker 1: What other songs? What other creepy obsession songs are there, 141 00:08:09,760 --> 00:08:13,720 Speaker 1: inspired here by Buorick and Ricardo Lopez, their Stan of course, 142 00:08:13,840 --> 00:08:17,360 Speaker 1: by your favorite and mine apparently Eminem. We all know 143 00:08:17,440 --> 00:08:19,080 Speaker 1: that song, so I'm not going to go into it here. 144 00:08:19,200 --> 00:08:20,680 Speaker 1: There's a ton of these that we know about one 145 00:08:20,680 --> 00:08:24,840 Speaker 1: way or another by Blondie, which those lyrics deserve another look. Okay, 146 00:08:24,920 --> 00:08:27,560 Speaker 1: check those out. Another listen Every Breath You Take by 147 00:08:27,560 --> 00:08:30,640 Speaker 1: the Police. That's not even worth mentioning, it's so overplayed. 148 00:08:31,280 --> 00:08:34,640 Speaker 1: But check out Tom Jones is Delilah all right? Where 149 00:08:34,679 --> 00:08:36,520 Speaker 1: the pov from the singer and the song is about 150 00:08:36,559 --> 00:08:39,240 Speaker 1: murdering a woman for literally murdering a woman for being 151 00:08:39,320 --> 00:08:42,880 Speaker 1: with someone else, Tom Jones, I didn't know you had it? 152 00:08:42,880 --> 00:08:46,800 Speaker 1: Inya one more here, okay, And this is this is 153 00:08:46,800 --> 00:08:51,160 Speaker 1: a great song with or without the obsession context. Here 154 00:08:51,640 --> 00:08:55,240 Speaker 1: Frankie tear Drop by Suicide. Great, great, great song and 155 00:08:55,480 --> 00:09:01,480 Speaker 1: super creepy. Now it's it's more of a modern murder ballad. 156 00:09:01,760 --> 00:09:03,640 Speaker 1: Then it is a song about obsession, but it's got 157 00:09:03,679 --> 00:09:05,959 Speaker 1: a lot of obsession in it, and it's just damn good. 158 00:09:06,000 --> 00:09:07,760 Speaker 1: And if you don't know the song, it is a 159 00:09:08,160 --> 00:09:11,320 Speaker 1: great introduction into one of the coolest bands to ever do, 160 00:09:11,520 --> 00:09:16,600 Speaker 1: a band who influenced everyone from Bruce Springsteen to Radiohead. Okay, 161 00:09:16,600 --> 00:09:18,720 Speaker 1: actually this is reminded me of one more song about obsession. 162 00:09:18,760 --> 00:09:22,120 Speaker 1: I mentioned murder ballad, So Knoxville Girl by Louvin Brothers 163 00:09:22,200 --> 00:09:24,800 Speaker 1: is a murder ballad and it is clearly about obsession. 164 00:09:25,200 --> 00:09:29,080 Speaker 1: Lots of versions of Knoxville Girl, including one by the Lemonheads, 165 00:09:29,440 --> 00:09:32,080 Speaker 1: but the Luvin Brothers is the best version. Knoxville Girl 166 00:09:32,520 --> 00:09:34,360 Speaker 1: might be the song that got me into country music 167 00:09:34,760 --> 00:09:38,200 Speaker 1: and superstoke my love for music and crime. It's the 168 00:09:38,280 --> 00:09:40,640 Speaker 1: story of one man being obsessed with a woman and 169 00:09:40,720 --> 00:09:43,240 Speaker 1: not being able to deal in Well. I don't want 170 00:09:43,240 --> 00:09:44,560 Speaker 1: to spoil it for you, but go check it out. 171 00:09:44,600 --> 00:09:47,000 Speaker 1: Go listen to Knoxville Girl and listen to the Louvin 172 00:09:47,040 --> 00:09:50,600 Speaker 1: Brothers version of it. All right, l ou Vin Luvin 173 00:09:50,960 --> 00:09:53,400 Speaker 1: And speaking of the Lemonheads, their new single it's really 174 00:09:53,400 --> 00:09:56,000 Speaker 1: fucking good. It's called Deep End. Jam Ascus and Juliana 175 00:09:56,040 --> 00:09:58,679 Speaker 1: Hatfield are on the track and it rocks. It's fantastic. 176 00:09:58,920 --> 00:10:02,600 Speaker 1: Can't wait for the full album. Dando bring it all right. 177 00:10:03,160 --> 00:10:05,720 Speaker 1: Thank you b Yorke for sending us down this obsession 178 00:10:05,920 --> 00:10:08,959 Speaker 1: rabbit hole. Check out the Buyorick episode if you haven't 179 00:10:08,960 --> 00:10:13,000 Speaker 1: already released it just this week. Also this week, we've 180 00:10:13,000 --> 00:10:16,320 Speaker 1: got our Rewind episode coming up next right after this episode, 181 00:10:16,320 --> 00:10:19,320 Speaker 1: and that's on Amy Winehouse speaking of obsession, Blake Fielder, 182 00:10:19,400 --> 00:10:21,760 Speaker 1: Much Amy. And then next week we've got our new 183 00:10:21,800 --> 00:10:24,880 Speaker 1: episode on the Who coming No Obsession here. This is 184 00:10:24,920 --> 00:10:27,720 Speaker 1: a part two of sorts. It's a continuation of the 185 00:10:27,720 --> 00:10:30,320 Speaker 1: Who story that we started a while ago that's centered 186 00:10:30,320 --> 00:10:34,400 Speaker 1: around Keith Moon. Part two episode deals with the Riverfront 187 00:10:34,440 --> 00:10:38,920 Speaker 1: Colisseum tragedy, commonly referred to by mistake as a stampede. 188 00:10:38,960 --> 00:10:41,640 Speaker 1: It was not a stampede. You have to listen to 189 00:10:41,720 --> 00:10:44,040 Speaker 1: hear what I'm talking about and hear what this actually was. 190 00:10:44,040 --> 00:10:47,240 Speaker 1: But when you're listening to the Who episode, be thinking 191 00:10:47,280 --> 00:10:49,880 Speaker 1: about all the tragedies that we've talked about from rock 192 00:10:49,920 --> 00:10:51,760 Speaker 1: and roll history. We've talked about a lot of them, 193 00:10:52,400 --> 00:10:54,240 Speaker 1: and let me know or anyone can be any rock 194 00:10:54,280 --> 00:10:56,160 Speaker 1: and roll tragedy even once we haven't talked about, And 195 00:10:56,200 --> 00:10:59,160 Speaker 1: let me know if the Who Riverfront tragedy is the 196 00:10:59,160 --> 00:11:02,200 Speaker 1: worst rock and roll tragedy and music history, and if not, 197 00:11:02,400 --> 00:11:04,480 Speaker 1: what is all right? We could do a whole season 198 00:11:04,480 --> 00:11:06,679 Speaker 1: on this I'm not going to, but it's interesting to 199 00:11:06,720 --> 00:11:10,600 Speaker 1: talk about because the details are often horrific and just 200 00:11:10,760 --> 00:11:13,600 Speaker 1: very vivid and great for storytelling. So call me with 201 00:11:13,640 --> 00:11:16,440 Speaker 1: your answers or text them enemy six one seventy nine 202 00:11:16,440 --> 00:11:19,400 Speaker 1: oh six six sixty three eight. You might hear your 203 00:11:19,480 --> 00:11:22,040 Speaker 1: voice and or your answer on next week's Bonus after 204 00:11:22,080 --> 00:11:24,360 Speaker 1: Party episode. You can also DM me your answers to 205 00:11:24,400 --> 00:11:26,480 Speaker 1: the question of the Week at Disgrace Lam Pod on 206 00:11:26,520 --> 00:11:29,920 Speaker 1: the Socials. Man, I got this song on my fucking 207 00:11:29,920 --> 00:11:30,480 Speaker 1: head right now. 208 00:11:30,600 --> 00:11:36,360 Speaker 2: Gotta he gottah da dada be wa a a do 209 00:11:36,640 --> 00:11:42,360 Speaker 2: do a d d d do do doom bob da 210 00:11:42,440 --> 00:11:46,160 Speaker 2: da bab du do do doom ba do do. 211 00:11:46,240 --> 00:11:48,640 Speaker 1: What is that? What is that song? It sounds like 212 00:11:48,640 --> 00:11:53,280 Speaker 1: a friggin ninety sitcom? What is that? What is that song? 213 00:11:53,559 --> 00:11:55,559 Speaker 1: I don't hate it, but something tells me I hated 214 00:11:55,600 --> 00:11:57,840 Speaker 1: it a long time ago. Let me know what I'm 215 00:11:57,840 --> 00:11:59,480 Speaker 1: thinking about. All right, I gotta take a quick break. 216 00:11:59,480 --> 00:12:00,880 Speaker 1: I need a drink. Clearly you can probably hear it 217 00:12:00,920 --> 00:12:02,440 Speaker 1: in my voice and I will be back in a 218 00:12:02,480 --> 00:12:05,800 Speaker 1: flash with answers to your questions on the Question of 219 00:12:05,840 --> 00:12:09,240 Speaker 1: the week. Last week regarding Adie Bandy Byorke and we 220 00:12:09,280 --> 00:12:12,000 Speaker 1: will have your voicemails, your calls, your DMS emails and more. 221 00:12:12,040 --> 00:12:30,959 Speaker 4: I'll be back in a flash. 222 00:12:31,240 --> 00:12:34,439 Speaker 1: All right, I'm back. Listen Apple podcast listeners, do me 223 00:12:34,480 --> 00:12:37,079 Speaker 1: a favor, all right. Make sure go into the app. 224 00:12:37,120 --> 00:12:38,960 Speaker 1: Make sure you get auto downloads turned on. 225 00:12:39,240 --> 00:12:39,559 Speaker 3: All right. 226 00:12:39,559 --> 00:12:41,760 Speaker 1: That's going to ensure that you get all of our 227 00:12:41,920 --> 00:12:47,160 Speaker 1: episodes delivered. You don't miss anything, all right. Sly Stone 228 00:12:47,240 --> 00:12:50,319 Speaker 1: died this week. Just a real bummer. Sly Stone was 229 00:12:50,360 --> 00:12:53,640 Speaker 1: an amazing artist, of course, a revolutionary artist, one of 230 00:12:53,679 --> 00:12:56,480 Speaker 1: the greatest artists in my estimation, to come out of 231 00:12:56,520 --> 00:12:59,719 Speaker 1: the so called peace and love generation. Whatever you want 232 00:12:59,720 --> 00:13:02,280 Speaker 1: to refor to do it as. Sly of course had 233 00:13:02,280 --> 00:13:06,120 Speaker 1: his demons well documented in our Disgrace and episode. But 234 00:13:06,160 --> 00:13:08,880 Speaker 1: Sly also shows up in a couple other episodes. Our 235 00:13:08,920 --> 00:13:13,320 Speaker 1: Woodstock episode, our WHO episode, the first WHO episode. That's 236 00:13:13,320 --> 00:13:16,840 Speaker 1: because the Sly and the family Stone performance at Woodstock 237 00:13:17,080 --> 00:13:21,200 Speaker 1: is the best performance at Woodstock. They went on super 238 00:13:21,280 --> 00:13:25,640 Speaker 1: late and they just completely tore it up, owned the crowd, 239 00:13:25,920 --> 00:13:29,440 Speaker 1: just incredible. Sly also shows up in one of our 240 00:13:29,440 --> 00:13:32,400 Speaker 1: Fleetwood Mac episodes. I believe it's the one I believe 241 00:13:32,400 --> 00:13:35,240 Speaker 1: it's part two when we get into the recording of rumors. 242 00:13:35,679 --> 00:13:39,640 Speaker 1: If memory serves Lindsey Buckingham, they went up to I 243 00:13:39,679 --> 00:13:42,560 Speaker 1: believe it's in Salsilito. Is that where sly had a studio, 244 00:13:42,760 --> 00:13:45,800 Speaker 1: I'm not sure. Somewhere in northern California, and sly had 245 00:13:45,840 --> 00:13:49,040 Speaker 1: built this pit in the studio where he could lounge 246 00:13:49,040 --> 00:13:51,280 Speaker 1: and listen to music and record. And there are all 247 00:13:51,280 --> 00:13:54,040 Speaker 1: these kind of weird little additions to the studio that 248 00:13:54,120 --> 00:13:57,040 Speaker 1: sly had made that were sort of to I don't know, 249 00:13:57,240 --> 00:14:01,080 Speaker 1: enhance his state of mind, so to speak. Regardless of 250 00:14:01,120 --> 00:14:04,720 Speaker 1: disgrace and regardless of anything we do here, of course, 251 00:14:05,040 --> 00:14:07,959 Speaker 1: sly Stone is one of the greatest to do it ever, 252 00:14:08,200 --> 00:14:11,760 Speaker 1: and he's left a tremendous legacy of music behind sly 253 00:14:11,880 --> 00:14:16,199 Speaker 1: Stone Rest in peace. Six one seven nine oh six, 254 00:14:16,280 --> 00:14:18,400 Speaker 1: six six three eight. Hanging on the telephone with you 255 00:14:18,440 --> 00:14:21,280 Speaker 1: guys every week. I'm in the phone booth, the same one. 256 00:14:21,440 --> 00:14:24,520 Speaker 1: It's the one across the hall, hanging on the telephone. 257 00:14:24,560 --> 00:14:25,800 Speaker 1: You want to send me a voicemail, you want to 258 00:14:25,800 --> 00:14:30,280 Speaker 1: send me a text us check out Eric, Eric, Eric, 259 00:14:30,280 --> 00:14:33,080 Speaker 1: where you're at Eric? In the eight oh five, Hey. 260 00:14:32,960 --> 00:14:39,760 Speaker 3: Jay, Eric from uh oh, California, now in Tennessee. Love 261 00:14:39,800 --> 00:14:45,400 Speaker 3: for your show, just listening to the Marilyn Manson episode 262 00:14:45,800 --> 00:14:53,120 Speaker 3: Love his first three albums. Knew about his uh accusations 263 00:14:53,240 --> 00:14:57,640 Speaker 3: and weirdness, But after listening to your episode, Oh my god, 264 00:14:58,120 --> 00:15:01,440 Speaker 3: oh my god, I don't know if I could listen 265 00:15:01,440 --> 00:15:02,480 Speaker 3: to his music anymore. 266 00:15:02,560 --> 00:15:03,760 Speaker 1: At uh. 267 00:15:04,920 --> 00:15:08,640 Speaker 3: Yeah yeah, just. 268 00:15:08,880 --> 00:15:14,320 Speaker 1: Uh wow, uh yeah. Eric, sounds like we fucked you 269 00:15:14,400 --> 00:15:18,400 Speaker 1: up with that Marilyn Manson episode. Um, you know, take 270 00:15:18,440 --> 00:15:23,680 Speaker 1: some time, take some long baths, you know, clean yourself off, 271 00:15:24,000 --> 00:15:26,720 Speaker 1: get all that Manson filth Offia. You might be able 272 00:15:26,720 --> 00:15:30,400 Speaker 1: to come back to the music. Maybe perhaps we shall see. 273 00:15:31,200 --> 00:15:33,960 Speaker 1: Thanks for the call, Eric, All right, let's check out 274 00:15:34,080 --> 00:15:36,320 Speaker 1: Chips in the three oh three. 275 00:15:36,560 --> 00:15:39,800 Speaker 3: Yo. This is Chips from the three oh three, your friendly 276 00:15:39,840 --> 00:15:46,160 Speaker 3: neighborhood janitor scrubbing floors. You're asking about crimey books a 277 00:15:46,200 --> 00:15:49,600 Speaker 3: few weeks ago. I'm really behind on Bones episodes. I'm 278 00:15:49,640 --> 00:15:53,840 Speaker 3: trying to catch up right now. But uh, you asked 279 00:15:53,840 --> 00:15:56,160 Speaker 3: for a few, I only got one. Maybe I've been 280 00:15:56,200 --> 00:15:59,560 Speaker 3: reading books with my lady just outside on the porch 281 00:15:59,600 --> 00:16:07,360 Speaker 3: while smoking or et cetera. And The Lovely Bones is 282 00:16:07,400 --> 00:16:11,480 Speaker 3: a really good book about I mean it's told from 283 00:16:11,640 --> 00:16:15,680 Speaker 3: the perspective of a dead girl, so it's very existential 284 00:16:15,800 --> 00:16:19,760 Speaker 3: and kind of crimey. I wouldn't say deeply crimy, but 285 00:16:19,960 --> 00:16:26,480 Speaker 3: I mean the the whole story revolves around the crime 286 00:16:26,480 --> 00:16:28,920 Speaker 3: that was committed on her when she died. And it's 287 00:16:29,040 --> 00:16:34,080 Speaker 3: it's super cool, super emotional, a little bit hampy. Honestly, 288 00:16:34,280 --> 00:16:38,240 Speaker 3: some parts of it can be like h but it 289 00:16:38,320 --> 00:16:42,200 Speaker 3: really grips you hold and got a good narrative. Anyway, 290 00:16:42,440 --> 00:16:42,880 Speaker 3: check it out. 291 00:16:43,120 --> 00:16:49,160 Speaker 1: Goodbye, Chips, Thanks for the call. Appreciate you man, Appreciate 292 00:16:49,200 --> 00:16:50,920 Speaker 1: you listen to us while out there scrubbing the floor 293 00:16:51,000 --> 00:16:53,520 Speaker 1: is doing the hard work. I had that job once 294 00:16:53,520 --> 00:16:55,920 Speaker 1: as a young man, back when I was in a band, 295 00:16:56,280 --> 00:17:00,160 Speaker 1: so I know the sweat and the elbow grease and yea. 296 00:17:00,520 --> 00:17:02,600 Speaker 1: I love that we're in your ears while you're working. 297 00:17:03,240 --> 00:17:07,159 Speaker 1: Someone's recommended this book before The Lovely Bones, and what 298 00:17:07,240 --> 00:17:10,320 Speaker 1: I love about how you set it up is it's 299 00:17:10,359 --> 00:17:13,960 Speaker 1: a great what if. You know, it's sort of I 300 00:17:13,960 --> 00:17:16,439 Speaker 1: heard someone say once that to write a great book 301 00:17:16,520 --> 00:17:19,440 Speaker 1: you have to start with what if, and it has 302 00:17:19,520 --> 00:17:22,560 Speaker 1: to be this like really insane thing. What if the 303 00:17:22,680 --> 00:17:25,320 Speaker 1: dead person told the story of their murder. You know 304 00:17:25,359 --> 00:17:27,000 Speaker 1: what I mean. It's a good It's it's good. So 305 00:17:27,000 --> 00:17:29,680 Speaker 1: I'm intrigued, so I appreciate it. Chips six one seven 306 00:17:29,760 --> 00:17:31,240 Speaker 1: nine or six six six three, You guys want to 307 00:17:31,320 --> 00:17:33,399 Speaker 1: leave me a voicemail, give me a call. We can 308 00:17:33,400 --> 00:17:35,359 Speaker 1: talk about anything. We can talk about Marilyn Manson. We 309 00:17:35,400 --> 00:17:37,119 Speaker 1: can talk about b York. We can talk about the 310 00:17:37,119 --> 00:17:40,000 Speaker 1: Pittsburgh Pirates, we can talk about the Philadelphia Phillies, which 311 00:17:40,080 --> 00:17:42,240 Speaker 1: I don't understand why this is coming in, but hey 312 00:17:42,440 --> 00:17:45,040 Speaker 1: says from the eight oh three here, as a long 313 00:17:45,119 --> 00:17:48,359 Speaker 1: suffering Phillies fan, I feel your pain with the Red Sox. 314 00:17:48,400 --> 00:17:52,439 Speaker 1: All right, slow down, long suffering Phillies fan. Did you 315 00:17:52,440 --> 00:17:54,320 Speaker 1: guys win the World Series a couple of years ago? 316 00:17:54,800 --> 00:17:57,760 Speaker 1: Aren't you in the playoffs? Like every fricking year. I 317 00:17:57,760 --> 00:18:00,159 Speaker 1: don't know how the Phillies are doing this year? As 318 00:18:00,160 --> 00:18:01,919 Speaker 1: bad as the Pirates, probably not as bad as the 319 00:18:01,920 --> 00:18:03,800 Speaker 1: Red Sox either. They were doing pretty damn good last 320 00:18:03,880 --> 00:18:05,960 Speaker 1: I checked, which was I don't know three four weeks ago, 321 00:18:06,280 --> 00:18:09,199 Speaker 1: eight or three. Goes on to recommend some you know 322 00:18:09,280 --> 00:18:12,040 Speaker 1: some what is it? It's like it's basically like a 323 00:18:12,080 --> 00:18:15,600 Speaker 1: Red Sox snuff film. It's about Game seven eighty six. 324 00:18:15,840 --> 00:18:19,840 Speaker 1: I'm good. I'm good eight oh three. My man Ish 325 00:18:20,200 --> 00:18:23,560 Speaker 1: from the seven eighty to one Massachusetts. Hey, man, it's Ish, 326 00:18:23,600 --> 00:18:26,400 Speaker 1: hope all as well. Figured i'd share so much intrigue. 327 00:18:26,600 --> 00:18:29,239 Speaker 1: It's a nineteen seventy nine World champion Pittsburgh Pirates hat. 328 00:18:29,280 --> 00:18:32,840 Speaker 1: Did you guys hear two after parties ago? For all 329 00:18:32,840 --> 00:18:36,000 Speaker 1: the Pirates fans out there two after parties ago, I 330 00:18:36,119 --> 00:18:39,800 Speaker 1: were very astute. Producer Matt Boden At the end of 331 00:18:40,440 --> 00:18:44,840 Speaker 1: the episode, the very end, after I read the billboard charts, 332 00:18:45,400 --> 00:18:48,719 Speaker 1: Matt played a little bit of Pirate's history. Now I 333 00:18:48,760 --> 00:18:52,480 Speaker 1: heard it, and I meant to ask Matt what the 334 00:18:52,520 --> 00:18:55,800 Speaker 1: hell that was, because I had no idea and that 335 00:18:55,960 --> 00:18:57,480 Speaker 1: is space and I forgot about it and he brought 336 00:18:57,480 --> 00:18:57,800 Speaker 1: it up. 337 00:18:58,880 --> 00:18:59,080 Speaker 3: Hey. 338 00:18:59,080 --> 00:19:01,600 Speaker 1: I wonder if any Pirates fans heard that and figured 339 00:19:01,600 --> 00:19:03,640 Speaker 1: it out, and none of you did. All you guys 340 00:19:03,680 --> 00:19:05,760 Speaker 1: are sending me in pictures of your hats like Ish 341 00:19:05,760 --> 00:19:09,600 Speaker 1: here with this nineteen seventy nine World Championships Pittsburgh Pirates 342 00:19:09,680 --> 00:19:13,480 Speaker 1: T shirt with the pillbox Pirates hat on it, Pictures 343 00:19:13,480 --> 00:19:16,080 Speaker 1: of Riverfront whatever the hell that stadium is called? Is 344 00:19:16,080 --> 00:19:19,640 Speaker 1: that what it's called pack Son. What's it called Tupac Stadium, 345 00:19:19,640 --> 00:19:23,360 Speaker 1: Tupac Shakira Stadium in Pittsburgh. But no one picked up 346 00:19:23,760 --> 00:19:26,320 Speaker 1: on that little bit of Pirate's history that we had 347 00:19:26,320 --> 00:19:28,280 Speaker 1: in the after party. For you guys, go back and 348 00:19:28,359 --> 00:19:30,880 Speaker 1: listen two after parties you go. I believe it's the one, 349 00:19:31,160 --> 00:19:33,600 Speaker 1: the after party that came right after the Gogs episode 350 00:19:33,760 --> 00:19:35,320 Speaker 1: nine to two to zero writes in Hey, I saw 351 00:19:35,400 --> 00:19:38,520 Speaker 1: nine inch Nails Downward Spiral tour with Manson in the 352 00:19:38,600 --> 00:19:42,080 Speaker 1: Jim Rose Circus. Look into the Jim Row Circus, man, 353 00:19:42,280 --> 00:19:43,560 Speaker 1: you don't need to tell me to look into the 354 00:19:43,600 --> 00:19:46,200 Speaker 1: gym Ro circus. I saw the Jim Ro Circus as well. 355 00:19:46,720 --> 00:19:50,520 Speaker 1: First Lollapalooza. Manson writes about that tour in the book 356 00:19:51,080 --> 00:19:54,080 Speaker 1: all Right, eight O eight Texan. In regards to this 357 00:19:54,200 --> 00:19:57,119 Speaker 1: list that we talked about in the bonus section of 358 00:19:57,240 --> 00:20:00,040 Speaker 1: last week's after Party, we talked about it was the 359 00:20:00,119 --> 00:20:02,600 Speaker 1: list we found of the worst bands of the nineties. 360 00:20:02,760 --> 00:20:05,560 Speaker 1: It was a very interesting list for a bunch of reasons, 361 00:20:05,600 --> 00:20:09,040 Speaker 1: and one of them I don't totally agree with Ata 362 00:20:09,080 --> 00:20:11,800 Speaker 1: eight here, but eight O Wait is saying, in regard 363 00:20:11,880 --> 00:20:14,400 Speaker 1: to the worst bands of the nineties. I'll be one 364 00:20:14,440 --> 00:20:16,800 Speaker 1: to say I like music from all those bands and 365 00:20:16,840 --> 00:20:19,960 Speaker 1: still listen to this day. This list just reflects how 366 00:20:20,000 --> 00:20:24,040 Speaker 1: awesome the nineties were. If that's the worst, and that's 367 00:20:24,080 --> 00:20:26,879 Speaker 1: a damn good point. Shane from the eight one to 368 00:20:26,920 --> 00:20:28,520 Speaker 1: six where it said, Hey, Jacob Shane from the eight 369 00:20:28,560 --> 00:20:30,400 Speaker 1: one to six, worst band of the nineties as well 370 00:20:30,440 --> 00:20:33,720 Speaker 1: as the two thousands and even the eighties is fucking ICP, 371 00:20:34,280 --> 00:20:40,000 Speaker 1: hands down the worst shit ever. All caps eight one 372 00:20:40,119 --> 00:20:43,240 Speaker 1: six has really worked up about ICP. I'm assuming ICP 373 00:20:43,440 --> 00:20:46,760 Speaker 1: is insane clown Posse. Was insane clown posse around in 374 00:20:46,800 --> 00:20:50,320 Speaker 1: the eighties. We need to do an insane clown Posse episode. 375 00:20:50,720 --> 00:20:54,879 Speaker 1: That's one of those subjects I'm not very familiar with, 376 00:20:55,880 --> 00:20:57,840 Speaker 1: and I'm kind of afraid of what the research is 377 00:20:57,880 --> 00:20:59,920 Speaker 1: going to do to me, but I'm here for it. 378 00:21:00,760 --> 00:21:02,639 Speaker 1: Six one seven nine oh six six six three eight. 379 00:21:02,640 --> 00:21:04,480 Speaker 1: You guys want to hit me up on voicemail, on text, 380 00:21:04,560 --> 00:21:06,880 Speaker 1: hit me about anything you want to talk about, Insane 381 00:21:06,880 --> 00:21:13,800 Speaker 1: clown Posse, Pittsburgh pirates, true crime, thrillers, novels. All right, 382 00:21:13,960 --> 00:21:18,600 Speaker 1: Allen rights in and that's a Llyn at disgrace landpod 383 00:21:18,640 --> 00:21:20,959 Speaker 1: on Instagram. Hey Allen from the six one nine. I've 384 00:21:21,000 --> 00:21:23,639 Speaker 1: been a Disgrayland fans since the very beginning, turning everyone 385 00:21:23,680 --> 00:21:25,600 Speaker 1: I know out of your greatness. I grew up in 386 00:21:25,680 --> 00:21:29,280 Speaker 1: Bakersfield but now live in San Diego. In a while back, 387 00:21:29,320 --> 00:21:31,400 Speaker 1: I was driving up to visit my parents who still 388 00:21:31,440 --> 00:21:33,360 Speaker 1: live there, and figured it would be the perfect time 389 00:21:33,400 --> 00:21:36,600 Speaker 1: to re listen to your Merle Haggard episode. I thought 390 00:21:36,600 --> 00:21:38,520 Speaker 1: I'd have to dig through the archives, but wouldn't you know, 391 00:21:38,800 --> 00:21:41,040 Speaker 1: it was that week's rewind episode and there it was, 392 00:21:41,080 --> 00:21:43,800 Speaker 1: at the top of the Disgraceland feed. I timed it 393 00:21:43,840 --> 00:21:46,120 Speaker 1: perfectly as I hit play coming out of the mountains 394 00:21:46,119 --> 00:21:48,680 Speaker 1: on the ninety nine Freeway transition at the base of 395 00:21:48,760 --> 00:21:51,680 Speaker 1: the Grapevine for the final forty minute stretch. It ended 396 00:21:51,760 --> 00:21:53,800 Speaker 1: right when I pulled up to their house, which happens 397 00:21:53,800 --> 00:21:56,560 Speaker 1: to be right next to Merle's old part of town 398 00:21:56,680 --> 00:21:59,159 Speaker 1: in Oildale. I took a screenshot on my phone to 399 00:21:59,200 --> 00:22:03,800 Speaker 1: commemorate the and then he includes the screenshot here in 400 00:22:03,840 --> 00:22:08,359 Speaker 1: the DM and I think that's damn cool, Alan, very cool. Guys. 401 00:22:08,359 --> 00:22:09,960 Speaker 1: Want to hit me up about where you listen to 402 00:22:10,080 --> 00:22:13,439 Speaker 1: Disgrace Slam, Go ahead, you can do that on Instagram. 403 00:22:13,480 --> 00:22:15,320 Speaker 1: You can do that six one seven nine O six 404 00:22:15,359 --> 00:22:18,679 Speaker 1: six six three eight by voicemail or text. I'm around 405 00:22:18,720 --> 00:22:21,000 Speaker 1: and I'm looking forward to talking. What I don't want 406 00:22:21,040 --> 00:22:23,159 Speaker 1: to talk about, though, is the Red Sox. But I 407 00:22:23,160 --> 00:22:24,679 Speaker 1: gotta do it. Just a little Matt, give you that, 408 00:22:24,720 --> 00:22:26,840 Speaker 1: give me the ticker. Here comes, here comes, it comes 409 00:22:26,840 --> 00:22:29,320 Speaker 1: to sports ran a little thirty second sports rant. Now, listen, 410 00:22:29,400 --> 00:22:32,639 Speaker 1: the Red Sox took two out of three from the Yankees. 411 00:22:32,880 --> 00:22:36,280 Speaker 1: This is just to tease people. This isn't real. This 412 00:22:36,320 --> 00:22:40,320 Speaker 1: is a sugar high. This is They're not a good team. Okay, 413 00:22:40,320 --> 00:22:42,560 Speaker 1: as much as it pains me to say that, they're 414 00:22:42,640 --> 00:22:44,960 Speaker 1: not a good team. And you know how I know 415 00:22:45,040 --> 00:22:48,159 Speaker 1: that because Raffie Devers is still on the team. And 416 00:22:48,200 --> 00:22:49,840 Speaker 1: you know why I'm saying that because I don't like 417 00:22:49,920 --> 00:22:52,080 Speaker 1: Raffi Devers. I think the guy, you know, I know, 418 00:22:52,320 --> 00:22:54,880 Speaker 1: he hit a monster shot against the Yankees, home run, 419 00:22:54,920 --> 00:22:56,760 Speaker 1: but you know what, he hit it after he dogged 420 00:22:56,840 --> 00:22:59,120 Speaker 1: it to first base. He could have run that out. 421 00:22:59,280 --> 00:23:02,440 Speaker 1: He could have easily had a hit. But no, no, 422 00:23:02,840 --> 00:23:08,040 Speaker 1: it's just it's indicative of his overall selfish, bullshit play. 423 00:23:08,200 --> 00:23:11,840 Speaker 1: If the guy would just fucking play first base. So 424 00:23:12,000 --> 00:23:14,560 Speaker 1: many of our problems would be solved. That's it, Bud. 425 00:23:14,600 --> 00:23:17,720 Speaker 1: He won't and we're screwed because we don't have good leadership. 426 00:23:17,800 --> 00:23:19,840 Speaker 1: And what can I say, the Red Sox, it's like 427 00:23:19,880 --> 00:23:25,160 Speaker 1: the nineteen eighties now worse than that early nineties. That's 428 00:23:25,160 --> 00:23:27,720 Speaker 1: what we're dealing with here. It's a bunch of bullshit. 429 00:23:28,119 --> 00:23:30,679 Speaker 1: It's got to change. Help me change it. Don't make 430 00:23:30,720 --> 00:23:34,439 Speaker 1: me a Pittsburgh Pirates fan, please please. I'm rooting for 431 00:23:34,480 --> 00:23:36,520 Speaker 1: the Mets. I'm putting all my energy in a rooting 432 00:23:36,560 --> 00:23:38,879 Speaker 1: for the Mets right now. I say that, but I'm not. 433 00:23:39,000 --> 00:23:40,800 Speaker 1: I haven't watched a Mets game since the last time 434 00:23:40,800 --> 00:23:44,760 Speaker 1: we talked. But I don't know, man, I don't the 435 00:23:44,800 --> 00:23:49,520 Speaker 1: Red Sox. All Right, I gotta stop talking. I'll be 436 00:23:49,560 --> 00:23:52,320 Speaker 1: back in the flash with your talking to your emails 437 00:23:52,600 --> 00:23:54,360 Speaker 1: and a little bit of a Hollywood man. 438 00:24:03,720 --> 00:24:05,760 Speaker 4: All Right, we are back, and you know what time 439 00:24:05,800 --> 00:24:06,040 Speaker 4: it is. 440 00:24:06,080 --> 00:24:08,360 Speaker 1: It's time for the hollywood Land Minute, brought to you 441 00:24:08,440 --> 00:24:14,560 Speaker 1: by the Hollywood Land Podcast. Yes, exciting news. I know 442 00:24:14,640 --> 00:24:16,040 Speaker 1: I brought to you last week, but I'm gonna bring 443 00:24:16,040 --> 00:24:17,520 Speaker 1: it to you again this week because I'm getting the 444 00:24:17,520 --> 00:24:20,760 Speaker 1: message out. Okay, I'm staying on message. We added bonus 445 00:24:20,800 --> 00:24:24,280 Speaker 1: episodes to Hollywood Land the Rap Party, and they're not 446 00:24:24,320 --> 00:24:26,639 Speaker 1: the same as the after Party. These are different. This 447 00:24:26,720 --> 00:24:28,880 Speaker 1: is me and My Man's Death sitting there every week 448 00:24:28,960 --> 00:24:31,639 Speaker 1: chopping it up, talking about that episode, but also talking 449 00:24:31,640 --> 00:24:36,160 Speaker 1: about our recommendations, what we're getting into as it relates 450 00:24:36,200 --> 00:24:40,200 Speaker 1: to that hollywood Land subject. This week we got into 451 00:24:40,280 --> 00:24:42,359 Speaker 1: John Belushi. Now, if you don't know what hollywood Land is, 452 00:24:42,440 --> 00:24:46,080 Speaker 1: it's Hollywood and true crime. It's very similar to Disgraceland. 453 00:24:46,359 --> 00:24:49,719 Speaker 1: I host the shows. The bonus episodes, however, are co hosted, 454 00:24:49,800 --> 00:24:52,399 Speaker 1: like I just said by myself in My Man's Death. 455 00:24:52,760 --> 00:24:55,800 Speaker 1: We have a ton of episodes in the archive, episodes 456 00:24:55,800 --> 00:24:59,399 Speaker 1: on Drew Barrymore, John Waters, David Lynch, Jack Nicholson. Just 457 00:24:59,400 --> 00:25:02,080 Speaker 1: this week we got our John Belushi episode in the feed. 458 00:25:02,240 --> 00:25:05,360 Speaker 1: Check that out. We're gonna have a new bonus episode 459 00:25:05,359 --> 00:25:08,840 Speaker 1: coming up. We're talking about I'm talking about anyways, music 460 00:25:09,560 --> 00:25:13,240 Speaker 1: that John Belushi inspired me to listen to. Zeth goes 461 00:25:13,280 --> 00:25:16,920 Speaker 1: into a bunch of sort of great big Man comics 462 00:25:16,960 --> 00:25:19,280 Speaker 1: and big Man stars from the past, and we get 463 00:25:19,280 --> 00:25:21,560 Speaker 1: into the Blushi episode as well. Check this out go 464 00:25:21,680 --> 00:25:24,840 Speaker 1: subscribe to Hollywood Land if you're not already, here's a 465 00:25:24,880 --> 00:25:28,879 Speaker 1: little taste of what I'm talking about. We may or 466 00:25:28,920 --> 00:25:30,040 Speaker 1: may not know. I don't know how many of you 467 00:25:30,119 --> 00:25:33,760 Speaker 1: know this, but in the early eighties, Fear, the punk band, 468 00:25:33,800 --> 00:25:36,439 Speaker 1: played on SML. Right, Zeth, you're well aware of this. 469 00:25:36,560 --> 00:25:41,320 Speaker 1: Oh yeah, and Belushi was responsible for getting Fear the 470 00:25:41,359 --> 00:25:45,679 Speaker 1: gig and complete mayhem erupted when they played. All these 471 00:25:45,760 --> 00:25:47,879 Speaker 1: kids started slam dancing. Now you gotta think, this is 472 00:25:47,960 --> 00:25:50,600 Speaker 1: like Zeth. What year is this, like eighty one something 473 00:25:50,640 --> 00:25:54,280 Speaker 1: like that, so early. Yeah, of your TV viewing audience 474 00:25:54,320 --> 00:25:57,359 Speaker 1: at home and never seen shit like that before, So 475 00:25:57,720 --> 00:26:00,040 Speaker 1: I thought I would, you know, for those of you 476 00:26:00,119 --> 00:26:02,840 Speaker 1: who are interested in hardcore, this is a great introduction 477 00:26:03,320 --> 00:26:07,480 Speaker 1: Visa v John Belushi. And there's if you want to 478 00:26:07,480 --> 00:26:08,879 Speaker 1: hear some of the music made by the kids in 479 00:26:08,880 --> 00:26:11,760 Speaker 1: that crowd, the New York harcore compilation on Revelation Records 480 00:26:11,760 --> 00:26:15,280 Speaker 1: that came out and I believe nineteen eighty nine, perhaps 481 00:26:15,320 --> 00:26:17,760 Speaker 1: eighty eight. It's called Where the Wild Things Are. It's 482 00:26:17,760 --> 00:26:20,880 Speaker 1: a New York hardcore comp grab that. There's also this 483 00:26:21,040 --> 00:26:23,240 Speaker 1: book Zeth. You can see if it's a book of photographs. 484 00:26:23,280 --> 00:26:27,120 Speaker 1: If you're interested in the DC hardcore end of the spectrum, 485 00:26:27,280 --> 00:26:30,080 Speaker 1: this is called bandon DC Photos and anecdotes from the 486 00:26:30,119 --> 00:26:33,880 Speaker 1: DC Punk Underground nineteen seventy ninety eighty five. But these 487 00:26:33,880 --> 00:26:36,480 Speaker 1: photos are amazing at HR from the bad brains there 488 00:26:36,520 --> 00:26:38,640 Speaker 1: on the pod, Cole, a bunch of these kids. We're 489 00:26:38,640 --> 00:26:41,880 Speaker 1: in the SNL audience, rubbing shoulders up with John Belushi. 490 00:26:43,600 --> 00:26:45,600 Speaker 1: All right, there you go. That's a little bit of Hollywood. 491 00:26:45,640 --> 00:26:47,639 Speaker 1: I go subscribe to the Hollywood Lamp podcast wherever you 492 00:26:47,720 --> 00:26:52,679 Speaker 1: get podcasts, Apple Podcasts, Spotify, whichever app you're into. iHeart Amazon, Wondering, 493 00:26:52,840 --> 00:26:55,000 Speaker 1: go get it. As you just heard there, we had 494 00:26:55,000 --> 00:26:58,480 Speaker 1: a little bit of the recommendations I love the recommendations piece. 495 00:26:58,560 --> 00:27:01,240 Speaker 1: I love talking Rex. You guys, give me your Rex. 496 00:27:01,680 --> 00:27:03,199 Speaker 1: Gonna be doing a little bit more of that in 497 00:27:03,240 --> 00:27:06,880 Speaker 1: the bonus section of this episode. This here after Party, 498 00:27:06,880 --> 00:27:10,399 Speaker 1: you're gonna be talking about books, little film, little little film, 499 00:27:10,480 --> 00:27:13,919 Speaker 1: little TV. Gonna get into it. I'm psyched. But if 500 00:27:13,960 --> 00:27:16,359 Speaker 1: you're not a Disgraceland All Access member, you're going to 501 00:27:16,400 --> 00:27:18,359 Speaker 1: miss out on this. So those of you who don't know, 502 00:27:18,440 --> 00:27:20,760 Speaker 1: five bucks a month you get all Access membership you 503 00:27:20,800 --> 00:27:22,520 Speaker 1: get a little bit more of the bonus episode. Here, 504 00:27:22,760 --> 00:27:25,760 Speaker 1: you get ad free listening to every episode, including the 505 00:27:25,840 --> 00:27:29,560 Speaker 1: hollywood Land episodes. Now you're also going to get one 506 00:27:30,400 --> 00:27:34,680 Speaker 1: additional full episode per month. Go to disgrace lampod dot 507 00:27:34,720 --> 00:27:37,119 Speaker 1: com slash membership to hook that up. Guys, hit me 508 00:27:37,200 --> 00:27:39,800 Speaker 1: up Disgrace lampod at gmail dot com. Let me know 509 00:27:39,800 --> 00:27:43,120 Speaker 1: what you think about anything, Hollywoodland, Disgraceland books, you're reading, music, 510 00:27:43,160 --> 00:27:46,400 Speaker 1: you're listening to where you're listening to Disgraceland. I love 511 00:27:46,440 --> 00:27:51,200 Speaker 1: those conversations. Disgrace lampod at gmail dot com. This email 512 00:27:51,280 --> 00:27:58,040 Speaker 1: comes from Alphie mctigue, subject niche punk bands under the Radar. 513 00:27:58,480 --> 00:28:02,399 Speaker 1: Hi there, I'm Alfie here in England, borne Mouth. I 514 00:28:02,480 --> 00:28:04,520 Speaker 1: know I'm not pronouncing that correctly. It's spelled b o 515 00:28:04,680 --> 00:28:08,000 Speaker 1: u r n E m o u t h. I 516 00:28:08,040 --> 00:28:11,760 Speaker 1: apologize for butchering the name of the town you're from, Alfie. 517 00:28:12,160 --> 00:28:15,360 Speaker 1: Alfie goes on to say live here in England specifically, 518 00:28:15,400 --> 00:28:17,639 Speaker 1: and was curious to whether you could look into some 519 00:28:17,680 --> 00:28:20,520 Speaker 1: bands that have fallen into some obscurity over the years, 520 00:28:20,880 --> 00:28:24,960 Speaker 1: the Mighty Muddy Bostones, Agent Orange and Sloppy Seconds. I 521 00:28:25,000 --> 00:28:27,240 Speaker 1: know the Bostones are very well known in the US, 522 00:28:27,280 --> 00:28:29,600 Speaker 1: but not so much in the UK. Well, I'm from 523 00:28:29,600 --> 00:28:32,200 Speaker 1: Boston there, Alfi, so they're, you know, very well known 524 00:28:32,400 --> 00:28:34,560 Speaker 1: to me. I've know some of those guys. I'm friends 525 00:28:34,600 --> 00:28:36,360 Speaker 1: with a couple of them. I first saw the Mighty 526 00:28:36,400 --> 00:28:39,440 Speaker 1: Mighty Bostones play Alfie when I was sixteen years old 527 00:28:39,560 --> 00:28:42,880 Speaker 1: at the Worcester Artist Group. My band cast Iron Hike 528 00:28:43,040 --> 00:28:46,680 Speaker 1: was lucky enough to play with the Bostones numerous times. 529 00:28:47,120 --> 00:28:48,840 Speaker 1: I even had another band, I think when I was 530 00:28:48,840 --> 00:28:50,640 Speaker 1: in a band called the Whitey Bulgers, or maybe it 531 00:28:50,680 --> 00:28:52,280 Speaker 1: was a confidence man. I think we played with the 532 00:28:52,320 --> 00:28:58,280 Speaker 1: Bostones as well. Just the best fucking dudes. No crimes 533 00:28:58,320 --> 00:29:00,760 Speaker 1: there though, so I don't know. I don't think there's 534 00:29:00,760 --> 00:29:03,720 Speaker 1: a Bostones episode coming anytime soon, but I'm happy to 535 00:29:03,760 --> 00:29:05,440 Speaker 1: talk to you about them on the side here. You 536 00:29:05,440 --> 00:29:07,880 Speaker 1: want to keep emailing me Agent Orange and Sloppy Seconds, 537 00:29:07,920 --> 00:29:09,560 Speaker 1: I don't know much about but I will check into it. 538 00:29:09,560 --> 00:29:11,760 Speaker 1: And if you, Alfie, know of any crimes related to 539 00:29:11,800 --> 00:29:13,320 Speaker 1: those two bands you want me to look into, that 540 00:29:13,360 --> 00:29:15,680 Speaker 1: can kind of write a story around. Hit me back up. 541 00:29:15,880 --> 00:29:19,800 Speaker 1: Disgrace Lampod at gmail dot com. Guys, this episode is 542 00:29:19,880 --> 00:29:22,640 Speaker 1: nearing an end, but as I said earlier, the after 543 00:29:22,680 --> 00:29:26,080 Speaker 1: party continues for all Access members five bucks a month. 544 00:29:26,080 --> 00:29:28,720 Speaker 1: You're gonna get this extra bonus section of the after Party, 545 00:29:28,720 --> 00:29:30,400 Speaker 1: you're gonna get ad for you listening, and you're gonna 546 00:29:30,440 --> 00:29:33,800 Speaker 1: get one extra full episode per month. Go to disgrace 547 00:29:33,880 --> 00:29:52,080 Speaker 1: lampod dot com slash membership. All right, we are back 548 00:29:52,360 --> 00:29:57,120 Speaker 1: listen tons of episodes in the archive Disgraceland Disco's the 549 00:29:57,200 --> 00:29:59,280 Speaker 1: heads know this, but the new listeners we get over 550 00:29:59,280 --> 00:30:02,520 Speaker 1: two hundred and thirty five episodes, full episodes for you 551 00:30:02,640 --> 00:30:05,720 Speaker 1: to binge to check out on so many different artists. 552 00:30:05,800 --> 00:30:08,000 Speaker 1: I usually recap here at the end of the show. 553 00:30:08,760 --> 00:30:11,440 Speaker 1: I mentioned just sort of bring attention to some of 554 00:30:11,480 --> 00:30:14,120 Speaker 1: the artists we've talked about already in this episode, and 555 00:30:14,160 --> 00:30:16,000 Speaker 1: if we've done episodes on them in the past, and 556 00:30:16,040 --> 00:30:17,840 Speaker 1: we have, there's a whole bunch a couple of them. 557 00:30:17,840 --> 00:30:21,640 Speaker 1: Bruce Springsteen, Nirvana. We got two episodes on Nirvana. We've 558 00:30:21,640 --> 00:30:24,720 Speaker 1: got a great episode on Pantera. There's a Blondie episode. 559 00:30:24,720 --> 00:30:27,760 Speaker 1: No suicide episode yet, but maybe someday there will be. 560 00:30:28,160 --> 00:30:31,000 Speaker 1: All right, let's recap. I got a lot to do today. 561 00:30:31,040 --> 00:30:33,120 Speaker 1: Still I'm leaving them arow. I'm going a little vacation, 562 00:30:33,640 --> 00:30:36,640 Speaker 1: recording this episode a little early. It's still gonna pack tonight. 563 00:30:36,680 --> 00:30:38,440 Speaker 1: I gotta record a bunch of ads and I'm gonna 564 00:30:38,440 --> 00:30:40,600 Speaker 1: try to get a swim in too, so damn I 565 00:30:40,600 --> 00:30:43,440 Speaker 1: get a boogie. So let's recap number one. My other podcast, 566 00:30:43,480 --> 00:30:46,720 Speaker 1: hollywood Land. It's alive and it is kicking hard over 567 00:30:46,760 --> 00:30:49,280 Speaker 1: in the Hollywoodland Feed. So make sure you are subscribed 568 00:30:49,280 --> 00:30:52,000 Speaker 1: and following Hollywoodland and Apple Podcast, Spotify or wherever you 569 00:30:52,000 --> 00:30:54,520 Speaker 1: get your podcasts, and check out our recent hollywood Land 570 00:30:54,560 --> 00:30:56,880 Speaker 1: episode on John Belushi and also don't sleep on the 571 00:30:56,880 --> 00:30:58,800 Speaker 1: Wrap Party me and Zeth chopping it up over the 572 00:30:58,920 --> 00:31:01,600 Speaker 1: number two right now on your disgrace Land Feed, our 573 00:31:01,760 --> 00:31:05,440 Speaker 1: very latest brand new our episode on b York number 574 00:31:05,480 --> 00:31:09,240 Speaker 1: three coming tomorrow, our Rewind episode on Amy Winehouse, and 575 00:31:09,360 --> 00:31:12,120 Speaker 1: next Tuesday, our part two on the Who. This one 576 00:31:12,120 --> 00:31:15,640 Speaker 1: gets into the Riverfront Colisseum Tragedy number four merch Winners 577 00:31:15,640 --> 00:31:18,000 Speaker 1: getting touched. You know you're shit. I forgot to read 578 00:31:18,000 --> 00:31:18,800 Speaker 1: the reviews this week. 579 00:31:18,920 --> 00:31:19,360 Speaker 3: Damn it. 580 00:31:20,000 --> 00:31:24,920 Speaker 1: I can't go back now, I can't, I can't, I shan't, 581 00:31:25,720 --> 00:31:29,560 Speaker 1: I shunt I fucked it up. Merch winners. There are 582 00:31:29,720 --> 00:31:31,840 Speaker 1: none of the There are none of you this week. 583 00:31:32,840 --> 00:31:34,800 Speaker 1: Oh well, we'll do it next week, all right. Leave 584 00:31:34,840 --> 00:31:39,640 Speaker 1: a review for Disgraceland on Apple Podcasts, Spotify wherever number five. Remember, 585 00:31:39,640 --> 00:31:41,479 Speaker 1: no one cares about preserving the true spirit of rock 586 00:31:41,480 --> 00:31:43,480 Speaker 1: and roll more than you do. And well that's a disgrace. 587 00:31:43,520 --> 00:31:45,920 Speaker 1: All right, and honor this week's subject, B York. This 588 00:31:46,000 --> 00:31:48,680 Speaker 1: is me reading you the Billboard charts from the day 589 00:31:48,760 --> 00:31:53,440 Speaker 1: B York was born on November twelfth, nineteen sixty five. 590 00:31:54,920 --> 00:31:58,440 Speaker 1: Number one, Get off of my Cloud. The Rolling Stones 591 00:31:58,960 --> 00:32:04,120 Speaker 1: last week one, peak position one weeks on chart six, 592 00:32:04,960 --> 00:32:09,360 Speaker 1: number two. A Lover's Concerto The Toys last week to 593 00:32:10,080 --> 00:32:15,920 Speaker 1: peak position two weeks on chart number three one two 594 00:32:16,240 --> 00:32:21,400 Speaker 1: three Len Barrits last week eight, peak position three weeks 595 00:32:21,480 --> 00:32:24,560 Speaker 1: weeks on chart three eighty two, number number four. Then 596 00:32:24,640 --> 00:32:29,240 Speaker 1: You're the one. The Vogues last position six, peak position 597 00:32:29,840 --> 00:32:34,560 Speaker 1: four weeks on chart weeks one, number five. I hear 598 00:32:34,600 --> 00:32:51,880 Speaker 1: a symphon the Supremes last peak position. Quit talking and 599 00:32:52,080 --> 00:32:53,160 Speaker 1: start mixing.