1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:30,760 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,800 --> 00:00:33,360 Speaker 1: a little thing we like to call the after party. 6 00:00:33,720 --> 00:00:36,000 Speaker 1: This is the show after the show, the party after 7 00:00:36,040 --> 00:00:38,000 Speaker 1: the party, the bridge to get you from one full 8 00:00:38,040 --> 00:00:40,920 Speaker 1: episode of Disgraceland to the other, the backyard to dig 9 00:00:40,960 --> 00:00:44,240 Speaker 1: into the dirt. On this bonus episode, we are talking 10 00:00:44,240 --> 00:00:48,000 Speaker 1: about this week's full episode subject Billy Idle. We're previewing 11 00:00:48,040 --> 00:00:51,320 Speaker 1: the coming Charles Manson, Mama Cash, Sharon Tatee madness that'll 12 00:00:51,320 --> 00:00:53,760 Speaker 1: be in your Disgraceland in Hollywood Land feed shortly we're 13 00:00:53,760 --> 00:00:55,920 Speaker 1: talking rock and roll, Hall of Fame, blues, and we 14 00:00:55,960 --> 00:00:59,640 Speaker 1: get into your voicemails, text DMS emails and as always, 15 00:00:59,720 --> 00:01:03,400 Speaker 1: a whole lot of rosie. All right, Discos, let's get 16 00:01:03,800 --> 00:01:18,520 Speaker 1: into it. Billy Idol. This week's full episode subject of 17 00:01:18,560 --> 00:01:21,640 Speaker 1: disgrace and was, as you've by now learned if you listened, 18 00:01:22,040 --> 00:01:25,319 Speaker 1: a true rock and roll animal. As we like to say, 19 00:01:25,800 --> 00:01:31,600 Speaker 1: few musicians lived as dangerously and as wild as Billy 20 00:01:31,640 --> 00:01:35,200 Speaker 1: Idl did, and fewer still live to tell about it. 21 00:01:35,680 --> 00:01:38,560 Speaker 1: Billy is on the short list of rock and Roll Animalism. 22 00:01:38,600 --> 00:01:43,280 Speaker 1: That shortlist with like Keith Moon, Keith Richards, small handful 23 00:01:43,319 --> 00:01:48,080 Speaker 1: of others. Billy Idol is also on another list. He's 24 00:01:48,120 --> 00:01:50,720 Speaker 1: on the list of musicians nominated this year to the 25 00:01:50,800 --> 00:01:54,920 Speaker 1: Rock and Roll Hall of Fame, along with Billy Idol Oasis, 26 00:01:55,320 --> 00:01:59,160 Speaker 1: Bad Company, Black Crows, Outcast, White Stripes, Joe Cocker, Joy Division, 27 00:01:59,160 --> 00:02:01,120 Speaker 1: and New Order as banned. How does that make sense? 28 00:02:01,120 --> 00:02:06,560 Speaker 1: I'm not sure. Chubby Checker, Cindy lauper MANA Fish, Soundgarden, 29 00:02:06,800 --> 00:02:11,600 Speaker 1: and Mariah Carey are all nominated. That's with Billy Idol 30 00:02:11,840 --> 00:02:16,000 Speaker 1: fourteen nominees. Now only seven are going to get in. 31 00:02:16,440 --> 00:02:17,960 Speaker 1: Only seven are going to get into the Rock and 32 00:02:18,040 --> 00:02:21,040 Speaker 1: Roll Hall of Fame. Does Billy Idol deserve to be 33 00:02:21,120 --> 00:02:22,600 Speaker 1: one of these seven? That's what I want to figure 34 00:02:22,639 --> 00:02:25,639 Speaker 1: out again. Here's the list Oasis, Bad Company, Black Crows, Outcast, 35 00:02:25,680 --> 00:02:28,440 Speaker 1: White Stripes, Joe Cocker, Joy Division and New Order, Chubby Checker, 36 00:02:28,639 --> 00:02:33,160 Speaker 1: Cidei lauper MANA Fish, Soundgarden, and Mariah Carey. So which 37 00:02:33,280 --> 00:02:36,920 Speaker 1: seven are you choosing from that list? If it's me 38 00:02:38,320 --> 00:02:43,600 Speaker 1: I'd nominate Bad Brains, Graham Parsons, New York Dolls, Motorhead 39 00:02:43,600 --> 00:02:47,520 Speaker 1: in the Smiths before I nominate most of this list, 40 00:02:48,040 --> 00:02:50,680 Speaker 1: but that is another story. Let's stick to the cards 41 00:02:50,720 --> 00:02:53,840 Speaker 1: we've been dealt here. In twenty twenty five, you have 42 00:02:54,000 --> 00:02:57,320 Speaker 1: seven artists you can choose from this list of fourteen 43 00:02:57,480 --> 00:03:00,760 Speaker 1: artists Oasis, Bad Company, Black Crows, Outcast One, Sorry Still Cocker, 44 00:03:00,840 --> 00:03:04,120 Speaker 1: Joe Division in new order, Chubby Checker, Cindy Lappermanafish, Soundgarden, 45 00:03:04,160 --> 00:03:07,720 Speaker 1: and Mariah Carry Who are you choosing for your seven? Now? 46 00:03:08,639 --> 00:03:13,200 Speaker 1: Rock and Roll Hall of Fame inductees are chosen by 47 00:03:13,240 --> 00:03:18,200 Speaker 1: a mix of industry insiders and a fan vote. Right now, 48 00:03:18,840 --> 00:03:23,400 Speaker 1: the fan vote has the following seven artists in the lead, 49 00:03:24,280 --> 00:03:26,120 Speaker 1: with what I would assume is the best chance of 50 00:03:26,120 --> 00:03:28,600 Speaker 1: getting in when the polls close on April twenty first. 51 00:03:29,160 --> 00:03:32,959 Speaker 1: They are in reverse order, number seven with the most 52 00:03:33,040 --> 00:03:39,360 Speaker 1: votes Number seven, Chubby Checker, number six, Joe Cocker number five, 53 00:03:40,000 --> 00:03:42,360 Speaker 1: Our friends who we've been talking a lot about here 54 00:03:42,360 --> 00:03:47,800 Speaker 1: in disgracelamd Lately, Soundgarden number four, Cindy Lauper number three 55 00:03:47,840 --> 00:03:53,120 Speaker 1: are Guy Billy IDL, number two, Bad Company, and number 56 00:03:53,120 --> 00:04:00,240 Speaker 1: one Fish Fish Fish number one in the voting by 57 00:04:00,280 --> 00:04:03,720 Speaker 1: a wide margin as well. Now, I don't know about you, guys, 58 00:04:03,720 --> 00:04:06,960 Speaker 1: but Fish would be way down on my list. But 59 00:04:07,000 --> 00:04:11,640 Speaker 1: I'm guessing their top ranking here in votes has more 60 00:04:11,680 --> 00:04:15,400 Speaker 1: to do with Fish's fan base being super active online. 61 00:04:15,440 --> 00:04:18,200 Speaker 1: I think that's what's going on. I don't think people 62 00:04:18,760 --> 00:04:22,400 Speaker 1: buy and large think the Fish is more deserving, the 63 00:04:22,440 --> 00:04:26,359 Speaker 1: most deserving of all fourteen of these nominees to be 64 00:04:26,400 --> 00:04:30,520 Speaker 1: in the Rock and Roll Hall of Fame now, notably 65 00:04:30,640 --> 00:04:34,719 Speaker 1: Black Crows, Mariah Carey, Joydvision, Slash, New Order, White Stripes, Outcast, 66 00:04:34,800 --> 00:04:39,320 Speaker 1: Oasis in Mana. I don't know who Mana is, but anyways, 67 00:04:39,320 --> 00:04:43,360 Speaker 1: Mana are currently not receiving enough votes to qualify. How 68 00:04:43,400 --> 00:04:45,839 Speaker 1: is it that there's an artist on the Rock and 69 00:04:45,880 --> 00:04:50,479 Speaker 1: Roll Hall of Fame inductee list that I've never heard of? Okay, 70 00:04:50,640 --> 00:04:53,880 Speaker 1: that makes no sense. And I know you're gonna say 71 00:04:54,160 --> 00:04:58,000 Speaker 1: they're from South America or Mexico or Spain or some 72 00:04:58,120 --> 00:04:59,880 Speaker 1: other country that I'm not paying attention to. You're right, 73 00:05:00,000 --> 00:05:04,239 Speaker 1: I'm not paying attention to them. But that's not my problem. 74 00:05:04,360 --> 00:05:08,560 Speaker 1: That's their problem. They're supposed to be so undeniably great 75 00:05:08,600 --> 00:05:11,200 Speaker 1: and Hall of Fame worthy that they are pulling my 76 00:05:11,240 --> 00:05:13,800 Speaker 1: attention toward them. That's another story. I don't want to 77 00:05:13,800 --> 00:05:18,600 Speaker 1: get into that. Just know that Mana, along with Oasis, Outcast, 78 00:05:18,640 --> 00:05:22,000 Speaker 1: White Stripes, Joydavision, Slash, New Order, Mariah Carey, Black Crows 79 00:05:22,520 --> 00:05:24,960 Speaker 1: right now, as of the voting, are not getting into 80 00:05:25,040 --> 00:05:27,520 Speaker 1: the Rock and Roll Hall of Fame. And that a 81 00:05:27,680 --> 00:05:33,760 Speaker 1: list topped by Fish. Well, you know, okay, so this 82 00:05:33,800 --> 00:05:36,760 Speaker 1: list doesn't upset me as much as the grunge list 83 00:05:36,800 --> 00:05:38,599 Speaker 1: from a couple of weeks ago that we were talking about. 84 00:05:39,880 --> 00:05:42,599 Speaker 1: But it's you know, I mean guys again, the seven 85 00:05:42,640 --> 00:05:45,520 Speaker 1: in the lead, Fish, Bad Company, our Guy, Billy Idol, 86 00:05:45,560 --> 00:05:48,960 Speaker 1: Cindy Lapper, Soundguard, and Joe Cocker. And I get I 87 00:05:48,960 --> 00:05:51,520 Speaker 1: got a problem with Oasis and Black Crows being below 88 00:05:51,600 --> 00:05:57,000 Speaker 1: Chubby Checker, Joe Cocker, Bad Company, Cindy Lauper, and Fish 89 00:05:58,880 --> 00:06:01,279 Speaker 1: even Soundguard, And I think I put Oasis in Black 90 00:06:01,320 --> 00:06:07,640 Speaker 1: Crows above Soundgarden, I would, I think? So. Yeah. I'm 91 00:06:07,680 --> 00:06:10,680 Speaker 1: not sure what the criteria is here, but rock and 92 00:06:10,720 --> 00:06:13,240 Speaker 1: roll animalism it should be an input, It should be 93 00:06:13,240 --> 00:06:15,240 Speaker 1: a thought. At least, it should be a trait, no 94 00:06:15,320 --> 00:06:19,279 Speaker 1: matter how heavy or how lightly we wait it. It 95 00:06:19,279 --> 00:06:21,480 Speaker 1: should be a trait that we consider when we consider 96 00:06:22,160 --> 00:06:24,960 Speaker 1: the worthiness of an artist for the Rock and Roll 97 00:06:25,000 --> 00:06:26,919 Speaker 1: Hall of Fame. I know it's you know, this is 98 00:06:26,960 --> 00:06:29,279 Speaker 1: our purview, our side of the street. Our point of 99 00:06:29,360 --> 00:06:32,400 Speaker 1: view is rock and roll animalism. I get that, I 100 00:06:32,400 --> 00:06:34,920 Speaker 1: get that most people aren't thinking about that. But still, 101 00:06:35,760 --> 00:06:39,120 Speaker 1: how do you just ignore it? You know? How do 102 00:06:39,160 --> 00:06:44,120 Speaker 1: you ignore it? Fish? Again? Fish? So I want to 103 00:06:44,160 --> 00:06:46,400 Speaker 1: know from you guys, who should be inducted into the 104 00:06:46,440 --> 00:06:48,400 Speaker 1: Rock and Roll Hall of Fame this year. We can 105 00:06:48,440 --> 00:06:52,120 Speaker 1: only choose seven artists. Okay, I already listed five that 106 00:06:52,240 --> 00:06:57,920 Speaker 1: I think have been historically snubbed. Bad Brains, Motorhead, Graham Parsons, 107 00:06:58,480 --> 00:07:01,240 Speaker 1: New York, Dolls in the Smith's. That leaves only two 108 00:07:01,400 --> 00:07:05,600 Speaker 1: remaining slots from our current list of fourteen nominees again Oasis, 109 00:07:05,640 --> 00:07:09,400 Speaker 1: Bad Company, Black Crows, Outcast, White Stripes, Steal Cocker, Joy Division, Slash, 110 00:07:09,440 --> 00:07:13,160 Speaker 1: New Order, Chubby Checker, Cydey, lauper mana Fish, Soundgarden, and 111 00:07:13,200 --> 00:07:16,960 Speaker 1: Mariah Carey. From that list, if I can only choose 112 00:07:16,960 --> 00:07:20,800 Speaker 1: two to go along with my list of five snubs, 113 00:07:22,240 --> 00:07:24,160 Speaker 1: if I can only choose two from that list of 114 00:07:24,200 --> 00:07:34,240 Speaker 1: fourteen who am I choosing, well, definitely, Oasis, definitely, and 115 00:07:35,640 --> 00:07:40,440 Speaker 1: I guess I'm bringing it all back to Bangkok Hollar Holler, 116 00:07:40,720 --> 00:07:43,640 Speaker 1: City of Squalor. I gotta go with Billy Idol. I 117 00:07:43,720 --> 00:07:48,000 Speaker 1: do Oasis and Billy Idol, along with Bad Brains, Motorhead, 118 00:07:48,320 --> 00:07:51,600 Speaker 1: Graham Parsons, New York Dolls, and the Smiths, would be 119 00:07:51,720 --> 00:07:57,080 Speaker 1: my list of seven Rock and Roll Hall of Fame 120 00:07:57,520 --> 00:08:01,480 Speaker 1: inductees for the class of twenty twenty five. If your 121 00:08:01,560 --> 00:08:07,240 Speaker 1: guy right here, me yours truly was responsible for the Hall. 122 00:08:07,360 --> 00:08:10,760 Speaker 1: But I'm not. Maybe some of you are. I don't know. 123 00:08:10,800 --> 00:08:13,160 Speaker 1: I think that's a great fucking list. Bad Brains, Motorhead, 124 00:08:13,160 --> 00:08:16,480 Speaker 1: Grand Parsons, New York Dolls, Smith's, Oasis, and Billy idel 125 00:08:17,520 --> 00:08:19,600 Speaker 1: But I want to know who are you inducting into 126 00:08:19,600 --> 00:08:22,080 Speaker 1: the Hall of Fame? Okay, you can only choose seven, 127 00:08:22,840 --> 00:08:26,239 Speaker 1: all right, seven? And I think some of the lists 128 00:08:26,280 --> 00:08:30,520 Speaker 1: of the current fourteen nominees are worthy. I think Billy 129 00:08:30,560 --> 00:08:33,120 Speaker 1: Idol is worthy this week's subject. I really do, I 130 00:08:33,160 --> 00:08:36,120 Speaker 1: truly do, and not just for his rock and roll animalism. 131 00:08:36,480 --> 00:08:44,040 Speaker 1: Dude wrote stone cold hits Okay, huge, massive, culture defining, genre, 132 00:08:44,120 --> 00:08:51,640 Speaker 1: defining era, defining hits he was such the avatar for 133 00:08:51,760 --> 00:08:55,160 Speaker 1: punk rock that he made it something else where. He 134 00:08:55,200 --> 00:08:58,160 Speaker 1: tricked our brains into ignoring the fact that he was 135 00:08:58,200 --> 00:09:02,199 Speaker 1: punk rock, if that makes sense. He was that big, 136 00:09:02,400 --> 00:09:05,360 Speaker 1: his songs were that impactful. And I know he's Billy 137 00:09:05,360 --> 00:09:07,920 Speaker 1: Idol and for those of us who were watching MTV 138 00:09:08,000 --> 00:09:09,760 Speaker 1: at the time, he's a top forty artist and he 139 00:09:09,800 --> 00:09:11,760 Speaker 1: was kind of a cheeseball, and I get all that, 140 00:09:11,800 --> 00:09:13,920 Speaker 1: and I've never really bought a Billie Idol record in 141 00:09:13,960 --> 00:09:19,000 Speaker 1: my life, but he just defined that generation and Generation X, 142 00:09:19,320 --> 00:09:23,520 Speaker 1: the band he was in before that was just I mean, 143 00:09:23,600 --> 00:09:27,120 Speaker 1: come on, ready, Steady go, just great, great, great punk band. 144 00:09:27,400 --> 00:09:29,880 Speaker 1: And I truly believe that if he weren't, if he 145 00:09:29,920 --> 00:09:32,320 Speaker 1: didn't end up being as big as he was, the 146 00:09:32,400 --> 00:09:35,920 Speaker 1: Generation X would have been looked upon more fondly and 147 00:09:36,000 --> 00:09:38,080 Speaker 1: as an equal of the Clash, as an equal of 148 00:09:38,120 --> 00:09:40,760 Speaker 1: any of those great UK bands from that generation of 149 00:09:41,000 --> 00:09:44,439 Speaker 1: mid to late seventies punk rock. Anyhow, I want your 150 00:09:44,480 --> 00:09:47,480 Speaker 1: list of seven nominees for the Rock and Roll Hall 151 00:09:47,520 --> 00:09:50,080 Speaker 1: of Fame six one seven, nine oh six, six six 152 00:09:50,160 --> 00:09:51,800 Speaker 1: three eight. You can call me, leave me a voicemail, 153 00:09:51,840 --> 00:09:53,679 Speaker 1: you can send me a text, and perhaps we can 154 00:09:53,720 --> 00:09:56,960 Speaker 1: talk about it next week, Okay. Coming up next to 155 00:09:57,000 --> 00:10:00,560 Speaker 1: your feed is our episode on Charles Manson the Musician. 156 00:10:00,640 --> 00:10:04,079 Speaker 1: This is our rewind episode, our archive episode Charles Manson 157 00:10:04,360 --> 00:10:06,960 Speaker 1: the Musician. Yes, he's the same dude as the cult 158 00:10:07,040 --> 00:10:09,040 Speaker 1: leader Charles Manson. A Lot of people don't know this, 159 00:10:09,440 --> 00:10:11,600 Speaker 1: but Charlie was a real, sort of real, I guess 160 00:10:11,679 --> 00:10:14,440 Speaker 1: musician before he orchestrated the murders at Cilo Drive and 161 00:10:14,480 --> 00:10:19,320 Speaker 1: the Labianco Residence. Charlie's music was in part what contributed 162 00:10:19,360 --> 00:10:22,040 Speaker 1: to his murderous rage, or at least that's what we're 163 00:10:22,040 --> 00:10:25,600 Speaker 1: told to believe in Helter Skelter, and Charlie's music lived 164 00:10:25,640 --> 00:10:28,720 Speaker 1: on long after he was sent to prison, and it 165 00:10:28,840 --> 00:10:32,120 Speaker 1: inspired a whole group of punk rock and hardcore kids 166 00:10:32,160 --> 00:10:34,680 Speaker 1: and alternative musicians who came up in the eighties and 167 00:10:34,720 --> 00:10:37,719 Speaker 1: in the nineties, Trent Resner, Henry Rollins, and a bunch 168 00:10:37,760 --> 00:10:40,440 Speaker 1: of others. We get into all this and the archive 169 00:10:40,480 --> 00:10:43,839 Speaker 1: episode on Charles Manson coming Friday, but the main thing 170 00:10:43,840 --> 00:10:45,959 Speaker 1: we do in this episode is we set the stage 171 00:10:46,120 --> 00:10:50,000 Speaker 1: to totally disrupt the Helter Skelter theory that we've all 172 00:10:50,040 --> 00:10:53,520 Speaker 1: been led to believe over the last fifty years or so. Okay, 173 00:10:53,880 --> 00:10:57,640 Speaker 1: if you watched the recent Chaos documentary on Netflix, or 174 00:10:57,640 --> 00:11:00,959 Speaker 1: you read the Chaos book by Tom O'Neil, the Manson Murders, 175 00:11:01,280 --> 00:11:04,280 Speaker 1: you'll know what I'm talking about. So our Manson episode 176 00:11:04,320 --> 00:11:07,000 Speaker 1: this Friday is going to feed directly into our Mama 177 00:11:07,080 --> 00:11:11,520 Speaker 1: Cass Elliott episodes parts one and two coming up on 178 00:11:11,600 --> 00:11:15,120 Speaker 1: Monday and Tuesday. And not only do these Mama Cass 179 00:11:15,120 --> 00:11:18,679 Speaker 1: Elliott episodes coming next week challenge and disrupt the accepted 180 00:11:18,760 --> 00:11:21,840 Speaker 1: narrative on Helter Skelter, they lay out what I think 181 00:11:21,960 --> 00:11:27,000 Speaker 1: really happened, and the truth is way stranger and much 182 00:11:27,040 --> 00:11:29,280 Speaker 1: more violent than the story about Charles Manson that we've 183 00:11:29,280 --> 00:11:34,319 Speaker 1: all accepted. The truth involves international drug trafficking, gang rape, 184 00:11:34,360 --> 00:11:36,360 Speaker 1: like the worst possible thing that could happen to a 185 00:11:36,440 --> 00:11:39,240 Speaker 1: dude sort of watching his child die, and a plot 186 00:11:39,480 --> 00:11:41,199 Speaker 1: so thick you're going to need to shovel to dig 187 00:11:41,240 --> 00:11:44,720 Speaker 1: yourself out of afterward. Okay, which brings us to next 188 00:11:44,720 --> 00:11:47,599 Speaker 1: week's question of the week. When you're listening to the 189 00:11:47,640 --> 00:11:50,840 Speaker 1: two part Mama Cass episodes, it's a simple question, do 190 00:11:50,920 --> 00:11:54,320 Speaker 1: you believe that the accepted narrative on Helter Skelter is real. 191 00:11:54,679 --> 00:11:58,280 Speaker 1: And again I'll point out that I rep this this 192 00:11:58,440 --> 00:12:00,440 Speaker 1: narrative that I no longer believe in in my Beach 193 00:12:00,480 --> 00:12:04,640 Speaker 1: Boys episodes because I had not yet read Chaos when 194 00:12:04,640 --> 00:12:06,840 Speaker 1: I made the Beach Boys episodes. This is sort of 195 00:12:07,120 --> 00:12:10,120 Speaker 1: me writing the ship attempt with the Mama Cass episodes. 196 00:12:10,160 --> 00:12:12,840 Speaker 1: When you're listening to them, my question is did Manson 197 00:12:13,040 --> 00:12:16,240 Speaker 1: kill for the reasons that they said he did or 198 00:12:16,360 --> 00:12:19,600 Speaker 1: was there another reason? As I lay out that's going 199 00:12:19,679 --> 00:12:21,640 Speaker 1: to be next week's question of the week, do you 200 00:12:21,760 --> 00:12:25,240 Speaker 1: believe the Helter Skelter narrative? To further stoke your Helter 201 00:12:25,320 --> 00:12:29,720 Speaker 1: Skelter flame, our Hollywood Land episodes next week on Monday 202 00:12:29,760 --> 00:12:33,560 Speaker 1: tied directly with our Disgraceland episodes. Like I said at 203 00:12:33,600 --> 00:12:35,520 Speaker 1: the beginning of next week in the Disgraceland feed, you're 204 00:12:35,520 --> 00:12:39,800 Speaker 1: getting our Mama Cass Elliot episodes about the Manson murders. 205 00:12:40,400 --> 00:12:42,640 Speaker 1: But did you know that Mama Cass Elliott was best 206 00:12:42,640 --> 00:12:46,240 Speaker 1: friends with Sharon Tate? Sharon Tate who was murdered by 207 00:12:46,360 --> 00:12:48,160 Speaker 1: the Manson family, did you know that her best friend 208 00:12:48,240 --> 00:12:50,320 Speaker 1: was Mama Cass Elliot from the Mamas and Napappas and 209 00:12:50,320 --> 00:12:54,280 Speaker 1: and that there is evidence that Charles Manson, through Mama 210 00:12:54,320 --> 00:12:58,240 Speaker 1: Cass actually met Sharon Tate before killing her. It's super creepy. 211 00:12:59,040 --> 00:13:01,000 Speaker 1: Not only do we get into that in the cast episodes, 212 00:13:01,040 --> 00:13:03,400 Speaker 1: but we also get into it in the Sharon Tate 213 00:13:03,480 --> 00:13:07,040 Speaker 1: episodes that we are releasing next week in Hollywood Land. Okay, 214 00:13:07,240 --> 00:13:10,240 Speaker 1: the Tate hollywood Land episodes speak directly to the Mama 215 00:13:10,280 --> 00:13:13,960 Speaker 1: Cass Disgraceland episodes. We wrote them in a Roschermon way. 216 00:13:14,040 --> 00:13:17,439 Speaker 1: Each story is set in the same place, but told 217 00:13:17,480 --> 00:13:20,640 Speaker 1: from different points of view. The Disgraceland episodes are set 218 00:13:20,640 --> 00:13:22,480 Speaker 1: in Helter Skelter and told from the point of view 219 00:13:22,559 --> 00:13:25,240 Speaker 1: of Mama Cass, and the Hollywood Land episodes are set 220 00:13:25,280 --> 00:13:27,400 Speaker 1: in the same exact place, but told from the point 221 00:13:27,400 --> 00:13:30,880 Speaker 1: of view of her friend Sharon Tate. Okay, so Holy 222 00:13:30,960 --> 00:13:34,720 Speaker 1: nineteen sixty nine, Batman. Here is the upcoming schedule. Tomorrow 223 00:13:34,720 --> 00:13:37,840 Speaker 1: in your Disgraceland feed, a rewind episode on Charles Manson 224 00:13:37,880 --> 00:13:40,360 Speaker 1: the music Man. Monday and Tuesday. The story continues in 225 00:13:40,400 --> 00:13:43,040 Speaker 1: Disgraceland with parts one and two of the Mama Cass 226 00:13:43,040 --> 00:13:46,080 Speaker 1: Elliott story and her relationship to the Manson murders, and 227 00:13:46,160 --> 00:13:49,160 Speaker 1: also on Monday over in the Hollywood Land, feed our 228 00:13:49,280 --> 00:13:53,880 Speaker 1: two part story on Sharon Tate. I'd listen to manson 229 00:13:54,120 --> 00:13:57,120 Speaker 1: Cast one, Cast two, Sharon Tate one and Sharon Tate 230 00:13:57,160 --> 00:13:59,800 Speaker 1: two in that order, and then call me and let 231 00:13:59,800 --> 00:14:02,960 Speaker 1: me know if you still believe the Helter Skelter narrative 232 00:14:03,120 --> 00:14:06,000 Speaker 1: as told by Vincent Buliosi and the biggest selling true 233 00:14:06,040 --> 00:14:07,960 Speaker 1: crime book of all time, Helter Skelter. All right, I'm 234 00:14:07,960 --> 00:14:10,240 Speaker 1: gonna take a break. I'll be hanging on the telephone 235 00:14:10,280 --> 00:14:31,880 Speaker 1: on the other side with your voicemails, texts and dms. 236 00:14:32,800 --> 00:14:35,280 Speaker 1: All right, guys, I'm back Apple podcast listeners real quick. 237 00:14:35,280 --> 00:14:37,560 Speaker 1: If you're listening on Apple Podcasts, make sure you have 238 00:14:37,680 --> 00:14:41,520 Speaker 1: auto downloads turned on for Disgraceland and Hollywood Land. That 239 00:14:41,560 --> 00:14:44,680 Speaker 1: way you do not miss any episodes. Six one seven 240 00:14:44,880 --> 00:14:46,920 Speaker 1: nine oh six six six three eight. You know where 241 00:14:46,920 --> 00:14:48,160 Speaker 1: I'm at. I'm in the phone booth. This is the 242 00:14:48,160 --> 00:14:50,160 Speaker 1: one across the hall. I'm hanging on the telephone. You 243 00:14:50,160 --> 00:14:52,200 Speaker 1: want to send me a voicemail or a text six 244 00:14:52,280 --> 00:14:55,640 Speaker 1: one seven nine oh six six six three eight to 245 00:14:55,760 --> 00:14:58,720 Speaker 1: hang on the telephone with yours truly. Let's check out 246 00:14:59,120 --> 00:15:01,800 Speaker 1: this voicemail from Hey, This is been from. 247 00:15:01,640 --> 00:15:04,720 Speaker 2: The eight oh three Jack Jake. 248 00:15:05,480 --> 00:15:07,960 Speaker 1: God damn it, you got me again. My slack. I 249 00:15:08,040 --> 00:15:13,160 Speaker 1: I did listen to John Denver. I sat there flag jawed, thinking, 250 00:15:13,400 --> 00:15:17,080 Speaker 1: my god, all my crazy conspiracy series. 251 00:15:16,720 --> 00:15:19,840 Speaker 2: On JFK was totally off face because I never heard 252 00:15:19,920 --> 00:15:22,000 Speaker 2: Dylan involved. 253 00:15:21,520 --> 00:15:22,520 Speaker 1: In any of this stuff. 254 00:15:22,720 --> 00:15:24,600 Speaker 2: And what can I. 255 00:15:24,560 --> 00:15:29,920 Speaker 1: Say other than you got me again. Great episode, Thanks Chief, 256 00:15:30,000 --> 00:15:33,800 Speaker 1: have a good work as always. Raga Rola Ben. All right, man, 257 00:15:33,880 --> 00:15:35,600 Speaker 1: I'm happy you get into that episode. I'm happy you 258 00:15:35,600 --> 00:15:37,800 Speaker 1: get you get you know, sense of humor about the 259 00:15:37,800 --> 00:15:41,880 Speaker 1: whole thing. Appreciate you. I'm especially happy to know that 260 00:15:41,960 --> 00:15:44,400 Speaker 1: you fell for John Denver and then you fell for 261 00:15:44,480 --> 00:15:47,080 Speaker 1: Bob Dylan as well. All right, let's check out the 262 00:15:47,240 --> 00:15:49,480 Speaker 1: four one two Jake. 263 00:15:49,840 --> 00:15:52,440 Speaker 2: It's a big gaber from the four one to two Pittsburgh, PA. 264 00:15:53,280 --> 00:15:55,440 Speaker 2: I just want to tell you you fucking got me 265 00:15:55,560 --> 00:15:58,280 Speaker 2: man so good with this killing episode. My mind was 266 00:15:58,400 --> 00:16:03,240 Speaker 2: freaking boy, and I thought I was going to pass 267 00:16:03,280 --> 00:16:08,440 Speaker 2: out with rage or whatever when you revealed. 268 00:16:08,160 --> 00:16:10,240 Speaker 1: That it was an April foolish Jake four one two 269 00:16:10,480 --> 00:16:15,520 Speaker 1: out in Pittsburgh. Rage. Man, I'm not trying to I'm 270 00:16:15,520 --> 00:16:17,760 Speaker 1: not trying to drive anyone rage. He's trying to entertain 271 00:16:17,800 --> 00:16:20,640 Speaker 1: some folks. Sounds like you took it well. I appreciate that. 272 00:16:20,960 --> 00:16:23,880 Speaker 1: Thanks for reaching reaching out. Are you a Pirates fan? 273 00:16:24,160 --> 00:16:27,280 Speaker 1: Let me know. I've got a late breaking opinion about 274 00:16:27,320 --> 00:16:30,320 Speaker 1: the Pirates. I think the Pittsburgh Pirates might have the 275 00:16:30,360 --> 00:16:33,600 Speaker 1: best uniform in baseball. I think they have the best hat, 276 00:16:33,640 --> 00:16:36,880 Speaker 1: the one with the piping, you know, circular goes around 277 00:16:37,040 --> 00:16:39,560 Speaker 1: the whole thing. What do they call that? What's that 278 00:16:39,640 --> 00:16:41,960 Speaker 1: hat called? Hit me back? Four one two? All right? 279 00:16:42,000 --> 00:16:44,320 Speaker 1: This one comes from the four one five four one 280 00:16:44,440 --> 00:16:47,000 Speaker 1: five right, saying, Hey, totally got me. Bob was very 281 00:16:47,000 --> 00:16:49,840 Speaker 1: influential in my life. He's talking about Bob down saw 282 00:16:49,920 --> 00:16:53,440 Speaker 1: him in nineteen sixty five at a Berkeley community center. Wow. 283 00:16:54,560 --> 00:16:56,160 Speaker 1: Goes on to say, I love that you actually worked 284 00:16:56,160 --> 00:16:59,080 Speaker 1: with Carl. He's talking about Carl Bernstein. Uh, you got 285 00:16:59,080 --> 00:17:01,040 Speaker 1: me with the John Denver one too. But that did 286 00:17:01,120 --> 00:17:03,960 Speaker 1: seem way out of line. This was more feasible. Curious 287 00:17:03,960 --> 00:17:07,000 Speaker 1: about Tom Payn Award, and if Dylan really was so 288 00:17:07,080 --> 00:17:09,439 Speaker 1: flipping about the war, he certainly was affected by his 289 00:17:09,520 --> 00:17:12,840 Speaker 1: death by the murder Most Foul Song recently. Well, yes, 290 00:17:12,880 --> 00:17:15,760 Speaker 1: the Tom Pain depiction in the episode the Tom Payn 291 00:17:15,800 --> 00:17:19,480 Speaker 1: Awards depiction. That is all everything I put in Dylan's 292 00:17:19,520 --> 00:17:22,680 Speaker 1: mouth in that episode is verbatim. I quoted him directly 293 00:17:23,200 --> 00:17:26,080 Speaker 1: and all true. And it was a big, big, big 294 00:17:26,080 --> 00:17:29,360 Speaker 1: controversy at the time. No one really talks about it anymore. 295 00:17:29,480 --> 00:17:31,240 Speaker 1: It's not part of his myth, it's not part of 296 00:17:31,240 --> 00:17:34,399 Speaker 1: his lore, and that goes to show just how history 297 00:17:34,440 --> 00:17:37,280 Speaker 1: records some things and how history does not record others. 298 00:17:37,640 --> 00:17:39,960 Speaker 1: The bit about him being flipping about the war also 299 00:17:40,119 --> 00:17:44,280 Speaker 1: completely true. That's from Singout magazine. That quote is a 300 00:17:44,359 --> 00:17:48,280 Speaker 1: direct quote from Dylan. I don't believe Dylan was for 301 00:17:48,320 --> 00:17:50,840 Speaker 1: the war, however, I think he was fucking with that journalist. 302 00:17:50,840 --> 00:17:53,440 Speaker 1: I think what Dylan was for was not being pigeonholed 303 00:17:53,880 --> 00:18:00,280 Speaker 1: into any sort of image of the sixties generation of 304 00:18:00,320 --> 00:18:03,160 Speaker 1: the anti war movement, anything like that. So four one, five, 305 00:18:03,200 --> 00:18:06,480 Speaker 1: appreciate you. Thanks for the text. Nine oh seven rights 306 00:18:06,520 --> 00:18:08,760 Speaker 1: and Jake, I must tip my hat to you, the 307 00:18:08,920 --> 00:18:11,880 Speaker 1: maestro of the April fools gag. No later than five 308 00:18:11,960 --> 00:18:15,000 Speaker 1: hours after I had bragged to my students I'm a 309 00:18:15,040 --> 00:18:17,639 Speaker 1: high school chemistry teacher, that no one had fooled me 310 00:18:17,680 --> 00:18:20,920 Speaker 1: on April first, I then finished listening to Bob Dylan 311 00:18:20,960 --> 00:18:24,280 Speaker 1: Part two. I bought every bit of your episode right 312 00:18:24,320 --> 00:18:26,760 Speaker 1: up until you spelled it out. Well played, so well played. 313 00:18:26,840 --> 00:18:29,040 Speaker 1: Keep on doing what you do. Lisa from the nine 314 00:18:29,080 --> 00:18:32,280 Speaker 1: oh seven Lisa, thank you so much. Do a couple 315 00:18:32,320 --> 00:18:34,439 Speaker 1: more here, two one rights and hey, seriously addicted, just 316 00:18:34,440 --> 00:18:36,360 Speaker 1: pissed that I'll be caught up in the better part 317 00:18:36,359 --> 00:18:38,760 Speaker 1: of a year of commuting. Thank you. You got a 318 00:18:38,800 --> 00:18:40,880 Speaker 1: two one six one seven nine oh six six six 319 00:18:40,960 --> 00:18:42,720 Speaker 1: three eight. You guys want to send me a voicemail, 320 00:18:43,000 --> 00:18:44,600 Speaker 1: send me a text. I was talking about the Pittsburgh 321 00:18:44,640 --> 00:18:50,240 Speaker 1: Pirates earlier. Baseball is on my mind, all right. I've 322 00:18:50,240 --> 00:18:52,280 Speaker 1: been watching a ton of baseball and I got no 323 00:18:52,320 --> 00:18:54,719 Speaker 1: one to really talk about it with, you know, uh, 324 00:18:54,880 --> 00:18:57,000 Speaker 1: talk to my stepdad about it, talk to my kids 325 00:18:57,000 --> 00:19:00,400 Speaker 1: about it because they're fucking obsessed, which is great. And 326 00:19:00,840 --> 00:19:03,760 Speaker 1: I've got the MLB app on the screens here most 327 00:19:04,000 --> 00:19:07,280 Speaker 1: twenty four to seven most days basically because of them. 328 00:19:07,359 --> 00:19:09,320 Speaker 1: They have it on actually, but there's this new if 329 00:19:09,359 --> 00:19:10,320 Speaker 1: you guys, you know, I know there's a lot of 330 00:19:10,359 --> 00:19:12,520 Speaker 1: Red Sox fans that listen to me, and for Yankees 331 00:19:12,520 --> 00:19:14,720 Speaker 1: fans out there, just bear with me for about ten seconds. 332 00:19:14,720 --> 00:19:18,040 Speaker 1: Here there's a new Netflix series called The Clubhouse a 333 00:19:18,160 --> 00:19:19,879 Speaker 1: year with the Red Sox, and I gotta say I 334 00:19:19,920 --> 00:19:23,200 Speaker 1: am loving it. I'm learning a ton about this new 335 00:19:23,280 --> 00:19:26,639 Speaker 1: generation of Red Sox players, and I'm even liking Tristan 336 00:19:26,720 --> 00:19:29,040 Speaker 1: Cassis a lot more than I thought I liked him. 337 00:19:29,600 --> 00:19:33,200 Speaker 1: Just fantastic. All right, check it out, Red Sox fans, 338 00:19:33,240 --> 00:19:36,480 Speaker 1: you'll dig it. That's my thirty second ish sports bit. 339 00:19:37,320 --> 00:19:38,840 Speaker 1: I can't help but I talk music and movies all 340 00:19:38,880 --> 00:19:41,440 Speaker 1: week with you guys. But I consume a ton of sports, 341 00:19:41,480 --> 00:19:43,959 Speaker 1: and it's hard not to talk about them, especially when 342 00:19:44,000 --> 00:19:45,560 Speaker 1: it's something like this. It's good. Its hoaxing me and 343 00:19:45,600 --> 00:19:48,640 Speaker 1: I'm thinking about it all day long. Anyways, I'm thinking 344 00:19:49,240 --> 00:19:51,159 Speaker 1: thinking about movies too, And I'll be back in a 345 00:19:51,240 --> 00:20:08,360 Speaker 1: flash with your emails reviews in the Hollywood land Minute. 346 00:20:09,320 --> 00:20:10,920 Speaker 1: All right, we are back, and you know what time 347 00:20:10,920 --> 00:20:12,760 Speaker 1: it is. It's time for the Hollywood Lab Minute, brought 348 00:20:12,760 --> 00:20:14,320 Speaker 1: to you by the Hollywood Lamb Podcast. Don't know what 349 00:20:14,320 --> 00:20:16,639 Speaker 1: the Hollywood Lamp podcast is. Well, the Hollywood Lamb Podcast 350 00:20:16,680 --> 00:20:18,520 Speaker 1: is hosted by Yours Truly, where every week I tell 351 00:20:18,560 --> 00:20:20,760 Speaker 1: you a story from the annex of Hollywood and True Crime. 352 00:20:20,800 --> 00:20:23,359 Speaker 1: And right now there are over forty episodes waiting for 353 00:20:23,400 --> 00:20:26,200 Speaker 1: you to binge. Episodes on James Dean, Charlie Sheen, Danny Treo, 354 00:20:26,240 --> 00:20:29,359 Speaker 1: Meril Monroe, seanpat Steph McQueen, Drew Barrymore, Jane Fonda, and 355 00:20:29,400 --> 00:20:32,639 Speaker 1: most recently, master filmmaker David Lynch. Let's check out this clip. 356 00:20:37,200 --> 00:20:40,840 Speaker 1: Angelo Bado Lamente sat at an old Fender Rhodes piano, 357 00:20:41,119 --> 00:20:44,480 Speaker 1: David Lynch sat next to him. A cassette recorder sat 358 00:20:44,600 --> 00:20:48,200 Speaker 1: quietly on top of the keyboard. It was nineteen eighty 359 00:20:48,200 --> 00:20:51,600 Speaker 1: eight and Lynch was assembling the project that would become 360 00:20:51,640 --> 00:20:56,080 Speaker 1: television's Twin Peaks. It was a huge risk for the director, 361 00:20:56,800 --> 00:21:00,440 Speaker 1: the Arth hoouse Au tour behind such underground classics blue 362 00:21:00,520 --> 00:21:05,359 Speaker 1: velvet in Eraserhead. This was long before the Sopranos and 363 00:21:05,440 --> 00:21:10,280 Speaker 1: long before what's called prestige television. Back then, talent like 364 00:21:10,560 --> 00:21:15,840 Speaker 1: David Lynch did not work in television. Television was considered 365 00:21:16,080 --> 00:21:20,399 Speaker 1: by some to be trash. But David Lynch was a visionary, 366 00:21:20,880 --> 00:21:24,400 Speaker 1: and he was currently trying to envision television as art. 367 00:21:25,520 --> 00:21:28,359 Speaker 1: His starting point was the story his co creator Mark 368 00:21:28,400 --> 00:21:31,680 Speaker 1: Frost had told him about local history from the town 369 00:21:31,720 --> 00:21:34,719 Speaker 1: in upstate New York where Frost grew up. It happened 370 00:21:34,720 --> 00:21:38,240 Speaker 1: eighty years earlier, a beautiful blonde girl was found murdered 371 00:21:38,280 --> 00:21:41,240 Speaker 1: floating in a pond in the woods. Lynch was using 372 00:21:41,280 --> 00:21:44,639 Speaker 1: that story as inspiration as Angelo Bado Lamenti worked on 373 00:21:44,720 --> 00:21:49,520 Speaker 1: an evocative composition by his side. Okay, David Angelo said, 374 00:21:49,920 --> 00:21:53,520 Speaker 1: what do you see now? David Lynch closed his eyes. 375 00:21:54,160 --> 00:21:58,160 Speaker 1: He was there in the woods, in the dark. A 376 00:21:58,200 --> 00:22:02,720 Speaker 1: soft wind blew through the pines. On the keyboard, Angelo 377 00:22:02,960 --> 00:22:07,480 Speaker 1: slowly alternated between an A flat and C minor. The 378 00:22:07,560 --> 00:22:11,280 Speaker 1: bass was slow, like the lapping of the pond water 379 00:22:11,480 --> 00:22:15,440 Speaker 1: against the shore, the breath like movement of a body 380 00:22:15,840 --> 00:22:19,800 Speaker 1: floating on the surface. That's good, David Lynch said, no, 381 00:22:20,200 --> 00:22:23,960 Speaker 1: from behind a tree, as a very lonely girl. And 382 00:22:24,000 --> 00:22:26,720 Speaker 1: then the music rose. It came out of the dark 383 00:22:26,760 --> 00:22:30,160 Speaker 1: and drifted to the shore. Then it built to something 384 00:22:30,280 --> 00:22:34,680 Speaker 1: bright but sad, a ghost glowing in the dark woods. 385 00:22:35,400 --> 00:22:39,119 Speaker 1: It was so beautiful, the vision, the music, that it 386 00:22:39,160 --> 00:22:42,080 Speaker 1: broke David Lynch's heart. And David Lynch jumped up and 387 00:22:42,160 --> 00:22:47,639 Speaker 1: hugged his composer. That's it, he said, that's twin peaks. 388 00:22:49,280 --> 00:22:51,720 Speaker 1: All right, guys, make sure you are subscribed to the 389 00:22:51,760 --> 00:22:57,360 Speaker 1: Hollywood Lamp podcast on Apple Podcasts, Spotify, Cast, box Ieheart Odyssey, 390 00:22:57,400 --> 00:23:00,840 Speaker 1: wherever you get your podcasts, get it to that Hollywood 391 00:23:00,920 --> 00:23:04,880 Speaker 1: Land feed and hit follow, hit subscribe, whatever they term 392 00:23:04,920 --> 00:23:07,359 Speaker 1: it as. Make sure you're getting every episode as we 393 00:23:07,440 --> 00:23:10,680 Speaker 1: release them every single Monday. Next week, as I said earlier, 394 00:23:10,880 --> 00:23:12,679 Speaker 1: we have a two part episode coming your way on 395 00:23:12,760 --> 00:23:15,080 Speaker 1: Sharon Tate. And again, you're not gonna want to miss 396 00:23:15,080 --> 00:23:17,800 Speaker 1: these episodes because they speak directly to the Muma Cass 397 00:23:17,840 --> 00:23:20,200 Speaker 1: episodes that are being released in the disgraced Land Feed. 398 00:23:20,520 --> 00:23:22,119 Speaker 1: And I don't mean like we're just talking about the 399 00:23:22,119 --> 00:23:26,720 Speaker 1: same thing. I mean we produce these in tandem. They're 400 00:23:26,760 --> 00:23:28,840 Speaker 1: like a puzzle piece that when you put them together, 401 00:23:29,040 --> 00:23:33,040 Speaker 1: all the pieces fit. Okay, you're familiar with the Raschaman effect. 402 00:23:33,320 --> 00:23:37,119 Speaker 1: The Raschaman effect describes how parties describe an event in 403 00:23:37,160 --> 00:23:41,240 Speaker 1: a different and contradictory manner, which reflects their subjective interpretation 404 00:23:41,400 --> 00:23:45,560 Speaker 1: and self interested advocacy rather than an objective truth. 405 00:23:45,680 --> 00:23:46,800 Speaker 2: Not how I remember it. 406 00:23:47,240 --> 00:23:50,120 Speaker 1: That's what happens in these episodes, except without that fancy 407 00:23:50,280 --> 00:23:53,560 Speaker 1: AI definition that I just read you okay, but basically 408 00:23:53,640 --> 00:23:57,119 Speaker 1: the Raschamon effect in the Sharontate episodes coming on Monday 409 00:23:57,440 --> 00:24:00,560 Speaker 1: in Hollywood Land. Make sure you're subscribed to Hollywood and 410 00:24:00,600 --> 00:24:02,919 Speaker 1: then call me six one seven nine oh six six 411 00:24:03,080 --> 00:24:04,280 Speaker 1: six three eight and let me know what you thought 412 00:24:04,320 --> 00:24:06,399 Speaker 1: of Hollywood Land. Or you can send me an email 413 00:24:06,440 --> 00:24:08,520 Speaker 1: and let me know what you think. Disgrace Sampod at 414 00:24:08,560 --> 00:24:12,960 Speaker 1: gmail dot com. Susan Pranato, Pranato? Is that how you 415 00:24:13,000 --> 00:24:16,480 Speaker 1: say it? I think so, Pranato, Pernito. That's probably it right, saying, Hey, 416 00:24:16,600 --> 00:24:20,479 Speaker 1: our generation, who spoke for our generation? This, of course, 417 00:24:20,680 --> 00:24:23,120 Speaker 1: is in response to last week's question of the week. 418 00:24:23,160 --> 00:24:24,920 Speaker 1: We're talking about Dylan. We're talking about the voice of 419 00:24:24,920 --> 00:24:28,119 Speaker 1: the generation, Susan here. Thanks. Then in the nineteen eighties 420 00:24:28,119 --> 00:24:31,159 Speaker 1: it was John Cougar Mellencamp. I know she says it 421 00:24:31,200 --> 00:24:34,199 Speaker 1: was oversaturated, but this was the voice of folks in 422 00:24:34,240 --> 00:24:36,440 Speaker 1: a small town in the late nineteen eighties, and I 423 00:24:36,480 --> 00:24:38,600 Speaker 1: can't argue with you, Susan. I'm from a small town, 424 00:24:38,920 --> 00:24:41,919 Speaker 1: but not from one in the Midwest and on the 425 00:24:41,920 --> 00:24:46,440 Speaker 1: East Coast, and the koog was ubiquitous for me personally. 426 00:24:46,600 --> 00:24:48,760 Speaker 1: I would not call John Cougar Mellencamp the voice of 427 00:24:48,800 --> 00:24:52,560 Speaker 1: my generation. But I like to represent as much of 428 00:24:53,000 --> 00:24:56,399 Speaker 1: this great country as I can in these responses, and 429 00:24:56,440 --> 00:24:59,040 Speaker 1: I appreciate Susan's point of view here, the Midwest point 430 00:24:59,040 --> 00:25:01,520 Speaker 1: of view. Thank you, Susan Scracelampod at gmail dot com, 431 00:25:01,520 --> 00:25:03,119 Speaker 1: because I want to send me an email six one 432 00:25:03,200 --> 00:25:05,280 Speaker 1: seven nine oh six six six three eight you want 433 00:25:05,320 --> 00:25:07,000 Speaker 1: to send me a voicemail, lead me a text at 434 00:25:07,040 --> 00:25:09,359 Speaker 1: Disgrace lampod on the socials and just now realizing I 435 00:25:09,359 --> 00:25:11,840 Speaker 1: forgot to do DMS. That's okay. We're going to keep 436 00:25:11,880 --> 00:25:15,680 Speaker 1: motoring through here, trying to keep these episodes tight. Matt 437 00:25:15,720 --> 00:25:17,840 Speaker 1: Boden is still pissed off at me for making him 438 00:25:18,400 --> 00:25:21,639 Speaker 1: mix an hour plus Bob Dylan episode. I think you 439 00:25:21,640 --> 00:25:24,320 Speaker 1: guys appreciate the tightness as well. That's the real reason 440 00:25:24,520 --> 00:25:26,679 Speaker 1: we want. We want a tight product. Speaking of product, 441 00:25:26,760 --> 00:25:31,320 Speaker 1: you can review our product, Disgraceland on Apple Podcasts or Spotify, 442 00:25:31,520 --> 00:25:33,920 Speaker 1: and if you choose to leave a review, we will 443 00:25:34,040 --> 00:25:36,359 Speaker 1: forever be in your debt. Well that is, until we 444 00:25:36,480 --> 00:25:38,760 Speaker 1: choose one of you read the review here in the podcast, 445 00:25:38,800 --> 00:25:40,440 Speaker 1: and then if you get in touch with us, we'll 446 00:25:40,440 --> 00:25:43,080 Speaker 1: send you some merch is a nice little reward. The reviews, 447 00:25:43,119 --> 00:25:45,800 Speaker 1: as you know, they power the podcast, they power discovery, 448 00:25:46,040 --> 00:25:49,479 Speaker 1: they help people discover on Apple, Spotify wherever, so go 449 00:25:49,480 --> 00:25:53,200 Speaker 1: ahead leave a review, just like Ocean one one eight 450 00:25:53,280 --> 00:25:56,000 Speaker 1: five five stars. Ocean one one eight five rights, and 451 00:25:56,040 --> 00:25:58,440 Speaker 1: I spent in an entire summer about fifteen years ago 452 00:25:58,720 --> 00:26:02,080 Speaker 1: reading memoirs and biograph about dead rock stars. Even once 453 00:26:02,119 --> 00:26:04,439 Speaker 1: we'se music, I didn't even listen to. I just like 454 00:26:04,480 --> 00:26:06,760 Speaker 1: hearing stories about creatives and the good, the bad, and 455 00:26:06,800 --> 00:26:09,520 Speaker 1: the ugly aspects of their lives. And this show captures 456 00:26:09,520 --> 00:26:11,720 Speaker 1: my interest with some great storytelling about all the creators 457 00:26:11,760 --> 00:26:14,600 Speaker 1: of our generation and the generations before us. Also, I 458 00:26:14,640 --> 00:26:17,639 Speaker 1: also love the way Jake says Mellotron, you've got to 459 00:26:17,800 --> 00:26:20,399 Speaker 1: Ocean one one eighty five. Thanks for leaving a review 460 00:26:20,440 --> 00:26:22,280 Speaker 1: over on Apple podcast. Get in touch, We'll get you 461 00:26:22,320 --> 00:26:26,800 Speaker 1: some merch. Rob over on Spotify, Rob, Rob, I love you, Rob, 462 00:26:26,960 --> 00:26:29,440 Speaker 1: I love you for this one man. Rob says nice one. 463 00:26:29,480 --> 00:26:31,520 Speaker 1: This is in response to the Bob Dylan Part two 464 00:26:31,560 --> 00:26:35,760 Speaker 1: episode Nice one. James L. Roy would be proud. Well, Rob, 465 00:26:35,800 --> 00:26:37,320 Speaker 1: you just made my day. Thank you very much. Rob. 466 00:26:37,320 --> 00:26:39,199 Speaker 1: Get in touch, We'll get you some merch as well. Guys, 467 00:26:39,640 --> 00:26:44,160 Speaker 1: leave a review Spotify, Apple Podcasts. We appreciate it. This episode, 468 00:26:44,480 --> 00:26:46,359 Speaker 1: it's come to an end, and as you know, the 469 00:26:46,359 --> 00:26:50,080 Speaker 1: after party continues for All Access members, and All Access 470 00:26:50,160 --> 00:26:52,240 Speaker 1: is going to get you an extended portion of this 471 00:26:52,320 --> 00:26:54,200 Speaker 1: here after party. It's going to get you add free 472 00:26:54,240 --> 00:26:56,600 Speaker 1: listening of all of our episodes, and it's going to 473 00:26:56,680 --> 00:27:01,480 Speaker 1: get you one extra full episode per month. Okay, this 474 00:27:01,560 --> 00:27:04,480 Speaker 1: one is very true crimey. The one coming this month. 475 00:27:04,480 --> 00:27:07,240 Speaker 1: It's on the Alman Brothers. I learned so much with 476 00:27:07,320 --> 00:27:10,440 Speaker 1: this episode, and I think you will too. I hope 477 00:27:10,480 --> 00:27:13,119 Speaker 1: you sign up go to disgrace ampod dot com slash 478 00:27:13,160 --> 00:27:16,359 Speaker 1: membership five bucks a month. That's it, five dollars a month, 479 00:27:16,600 --> 00:27:18,080 Speaker 1: and we're giving you a lot of bang for the buck, 480 00:27:18,320 --> 00:27:21,359 Speaker 1: I like to think anyways. All right, appreciate you guys. 481 00:27:21,359 --> 00:27:24,400 Speaker 1: Disgrace ampod dot com slash membership to become an All 482 00:27:24,520 --> 00:27:46,480 Speaker 1: Access member. All right, we are back. Thanks for hanging 483 00:27:46,520 --> 00:27:48,639 Speaker 1: out with listening to the after party. Appreciate you guys. 484 00:27:48,920 --> 00:27:51,960 Speaker 1: Let's recap, shall we We'll get this massive archive. We 485 00:27:52,040 --> 00:27:55,040 Speaker 1: got a vault of episodes. You guys know this, and 486 00:27:55,359 --> 00:27:57,919 Speaker 1: each week I highlight a couple that we mentioned usually 487 00:27:58,240 --> 00:28:02,040 Speaker 1: typically in just talking here in the after party, I 488 00:28:02,160 --> 00:28:05,919 Speaker 1: highlight them here. Matt grabs the show info and links 489 00:28:05,960 --> 00:28:08,359 Speaker 1: and he throws those in the show notes, so you 490 00:28:08,359 --> 00:28:13,040 Speaker 1: guys can find these archive episodes very easily if you 491 00:28:13,080 --> 00:28:15,919 Speaker 1: are interested. We talked today, we mentioned Oasis. We have 492 00:28:15,960 --> 00:28:18,520 Speaker 1: a two parter on Oasis that I just love. I 493 00:28:18,560 --> 00:28:21,040 Speaker 1: love that band so much. And if you love them, 494 00:28:21,119 --> 00:28:22,399 Speaker 1: or even if you don't, if you if you're sort 495 00:28:22,440 --> 00:28:25,800 Speaker 1: of an Oasis curious, check out these episodes that we 496 00:28:25,800 --> 00:28:28,920 Speaker 1: did a couple of years back. I mentioned Joydvision in 497 00:28:29,000 --> 00:28:31,160 Speaker 1: New Order. We have an episode on New Order. Check 498 00:28:31,240 --> 00:28:33,639 Speaker 1: that out, all right. Cindy Lauper, We don't have an 499 00:28:33,640 --> 00:28:35,879 Speaker 1: episode on Cindy Lauper, but she comes up heavily in 500 00:28:35,920 --> 00:28:39,080 Speaker 1: the Cramps episode. Keith Moon and Keith Richards. There are, 501 00:28:39,120 --> 00:28:42,080 Speaker 1: of course multiple Rolling Stones episodes. There's a Who episode 502 00:28:42,520 --> 00:28:49,440 Speaker 1: and what else? Oh, Mariah Carey mentioned her Gonna Mariah 503 00:28:49,520 --> 00:28:53,760 Speaker 1: Carey episode. Soundgarden. Got a Chris Cornell episode coming up 504 00:28:54,000 --> 00:28:56,840 Speaker 1: coming up. Anyways, Matt will have those links for you 505 00:28:56,960 --> 00:28:58,760 Speaker 1: that show info in the show notes if you want 506 00:28:58,760 --> 00:29:01,000 Speaker 1: to dive into our archive. Okay, let's recap, shall we 507 00:29:01,360 --> 00:29:03,920 Speaker 1: Number one. My other podcast, hollywood Land, is alive and 508 00:29:04,040 --> 00:29:06,360 Speaker 1: kicking over in the hollywood Land Feed, So make sure 509 00:29:06,400 --> 00:29:10,120 Speaker 1: you're subscribed and following hollywood Land on Apple Podcasts, Spotify 510 00:29:10,200 --> 00:29:11,800 Speaker 1: or wherever get your podcasts and get ready for our 511 00:29:11,800 --> 00:29:14,840 Speaker 1: Hollywoodland Sharon Tate episodes coming your way on Monday, right 512 00:29:14,880 --> 00:29:18,000 Speaker 1: now in your Disgrace Land Feed. Our episode on Billy 513 00:29:18,040 --> 00:29:20,760 Speaker 1: Idol coming tomorrow, Number three coming tomorrow, Our rewind episode 514 00:29:20,760 --> 00:29:23,880 Speaker 1: on Charles Manson. Number four, merch winners, get in touch. 515 00:29:23,960 --> 00:29:25,800 Speaker 1: You know who you are, number five. Remember no one 516 00:29:25,800 --> 00:29:27,720 Speaker 1: cares about preserving the true spirit of rock and roll 517 00:29:27,720 --> 00:29:29,960 Speaker 1: more than you do. And well that's a disgrace, all right. 518 00:29:30,200 --> 00:29:32,560 Speaker 1: In honor of this week's subject, Billy Idol, this is 519 00:29:32,680 --> 00:29:35,680 Speaker 1: me reading you the Billboard charts and the day Billy 520 00:29:35,720 --> 00:29:39,880 Speaker 1: Idol bailed on his motorcycle and barely escaped death. February sixth, 521 00:29:40,240 --> 00:29:43,960 Speaker 1: nineteen ninety Number one. How am I supposed to live 522 00:29:44,000 --> 00:29:49,360 Speaker 1: without you? Michael Bolton, last week one weeks on Chart fifteen. 523 00:29:50,240 --> 00:29:55,120 Speaker 1: Number two. Opposites attract Paula Abdul duet with the Wild 524 00:29:55,200 --> 00:30:00,280 Speaker 1: Pair last week eight peak position two weeks on chart 525 00:30:00,720 --> 00:30:05,320 Speaker 1: eight number three. Downtown Train Rod Stewart Novels last week 526 00:30:05,680 --> 00:30:10,640 Speaker 1: three peak position three weeks on chart eleven, peak number 527 00:30:10,640 --> 00:30:14,440 Speaker 1: four three two. To Make It Right It's Seduction last 528 00:30:14,440 --> 00:30:20,040 Speaker 1: week five, peak positions four weeks on chart position position 529 00:30:21,080 --> 00:30:26,360 Speaker 1: number five. Jeannie's Got a Gun The Arrowsmith last weeks 530 00:30:26,640 --> 00:30:36,920 Speaker 1: peak position five weeks on Charts eleven, number six. Quit 531 00:30:37,120 --> 00:30:39,120 Speaker 1: talking and start mixing. 532 00:30:39,440 --> 00:30:39,760 Speaker 2: Cut it