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Speaker 1: This is on the daily playlist.

2
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Speaker 2: Man, we'll be talking about this ship all the time,

3
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Speaker 2: said some niggah. He said this how he pictured the

4
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Speaker 2: end of the video, and Nigga said that. Nigga answered

5
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Speaker 2: the phone and I'm like, yo, I can't say no

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Speaker 2: more imposed yesterday. This is a comedian.

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Speaker 3: Niggas that make Nigga wish they could say that's hit

8
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Speaker 3: like that, bro, good look at yo. You came out

9
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Speaker 3: the gate with nothing but them mother player the fingers.

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Speaker 2: That was the plan from the beginning, to make sure

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Speaker 2: that motherfuckers went head twenty. That's it because that that

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Speaker 2: was off. Yeah, that was the plan day one way.

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Speaker 3: You got a whole case playlist over there. Don't you

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Speaker 3: let them let him rip?

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Speaker 2: Let him rip ta chip cold man, Well, Bligga Man,

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Speaker 2: Nigga made this ship. Niggas had a bunch of ships

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Speaker 2: in the studio, right, come on, man tell Joe Man

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Speaker 2: dropped off the envelope with like ten days. I'm like,

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Speaker 2: I'm about to get this Nigga. So we fucking game

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Speaker 2: nig he was I never played before, Nigga. Nigga said,

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Speaker 2: after I lost to ten thousand, I was trying to

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Speaker 2: get off him nigga, I put my watch up, everything

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Speaker 2: that game over, and then I drove home like the

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Speaker 2: forty minute drive. Don't remember. I woke up the next

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Speaker 2: day in my bed with a bag of food, which

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Speaker 2: means I stopped at the diner full of police. Damn.

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Speaker 2: I'm like, yo, I remember standing outside of the studio, and

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Speaker 2: I remember waking up the next afternoon. You left that

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Speaker 2: studio session lit, Yes, sir, you don't remember the song

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Speaker 2: at all. Now. I remember the song because I had

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Speaker 2: the song. I remember leaving the studio. I remember standing

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Speaker 2: in the front telling somebody I'll holler at you. And

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Speaker 2: next day it was two o'clock in the afternoon. Next day,

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Speaker 2: and then that say it was like, yo, y sound drunk.

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Speaker 2: You gotta do it over? I remember ya got a point,

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Speaker 2: y'all got a point? Turn it up the next week.

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Speaker 2: Hell yeah, I want to hear the drum ver. I

38
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Speaker 2: wish I had that ship. I want to hear the

39
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Speaker 2: drum that see what real Nigga said. That probably way different.

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Speaker 2: They play that ship the beach out, They play that

41
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Speaker 2: Mississippi exactly. That's why I want to hear. Yeah, that's

42
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Speaker 2: funny and ship. Oh yeah, you know happ of after Yeah, yeah,

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Speaker 2: come on, man, now that's crazy. It's hurt. I was

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Speaker 2: watching that video the other day. The funniest sh it

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Speaker 2: is how many people don't realize that was her. But

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Speaker 2: do you understand, like.

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Speaker 3: It, we lived with a whole generation of people who

48
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Speaker 3: don't have no idea what was going on before they

49
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Speaker 3: was born. Your video was just going viral the other

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Speaker 3: week because Beyonce was that.

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Speaker 2: Did you know that?

52
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Speaker 4: On social media? Talk in Twitter?

53
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Speaker 2: Didn't you say that he's video was going viral last week?

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Speaker 2: Happily after the video, the twenty old kids just found

55
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Speaker 2: out that Beyonce was though I didn't seen some pity

56
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Speaker 2: old mother fuckers like I just found out today the

57
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Speaker 2: word I block all of them. He blocked all the

58
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Speaker 2: mother fuckers. All of them got to go ship. That's

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Speaker 2: funny as ship. But I ain't had no idea. That's crazy. Yeah,

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Speaker 2: you want my nigga's like groups, what you got the ice? Okay?

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Speaker 2: I do you ice nigga? That's what I'm like? Okay, okay, okay,

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Speaker 2: I that's what you said that that ship timeless? Man?

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Speaker 2: This ship was fun times yo, This fun times for real?

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Speaker 2: That's cold. That's some cold ship.

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Speaker 3: Look at that man, It's like, you just don't miss

66
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Speaker 3: me this ship. I love how you kept it so

67
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Speaker 3: so strict. The intro of this song is probably Nigga's

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Speaker 3: favorite ship. Yeah there, Yeah, of course.

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Speaker 2: The funny ship. Every singing. This ship is wild weddings.

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Speaker 2: While I'm going through a divorce, That bullshit beautiful ass

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Speaker 2: wedding song. H what I told what happened? I told

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Speaker 2: my ex wife and like, we're going through divorce. But

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Speaker 2: any niggas day, they're gonna play touch me, teach me

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Speaker 2: at a party I go to.

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Speaker 5: That's the nigga ship. They're gonna play to me, teach me.

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Speaker 5: Yeah I did. Yeah, I sent.

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Speaker 2: You to joints show you did say them? This one

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Speaker 2: of them. This is the one for the broads and

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Speaker 2: one about the police killing me.

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Speaker 3: Okay, you know I'm just an oh ship.

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Speaker 2: We need your opinion. First thing.

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Speaker 3: Yeah, I was just about to hit you with the collapse,

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Speaker 3: but I say.

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Speaker 2: Yes, sir, what you do? You know what this is?

85
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Speaker 6: This this one cochin everywhere in the coach.

86
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Speaker 2: In the street. You know, some of them started shaving.

87
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Speaker 2: I tried to stay with him. That this is John

88
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Speaker 2: bro Nigga was yeah, we call the hairy coaching news.

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Speaker 2: What's the funny ship. I was sitting there like, yo,

90
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Speaker 2: how we was dead ass Mary?

91
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Speaker 4: I still will?

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Speaker 2: I still will nine, nigga, I will. I'm wrong.

93
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Speaker 7: I brow like you see being right now the hair

94
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Speaker 7: and put you you know that ship good?

95
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Speaker 2: That ship.

96
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Speaker 8: That she gotta have hair becuse it's too slo it's

97
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Speaker 8: too slyly.

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Speaker 6: They have got to catch some of the juice she

99
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Speaker 6: had that being shipped. He'm pantyking up ship.

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Speaker 2: Some friends they came just face it, what you say?

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Speaker 2: Some people grew up.

102
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Speaker 4: You get drunk and saying.

103
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Speaker 2: This with your partner walking them to the car. Everybody

104
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Speaker 2: in the in the crew singing, Yo, let me tell

105
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Speaker 2: you best shit ever. My whole boy was singing this ship.

106
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Speaker 2: This nigga gets in the car. He's like, yo, I'm like,

107
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Speaker 2: what's wrong? He like, Yo, my ship tripping? What you mean?

108
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Speaker 2: This nigga got in the back seat and put the

109
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Speaker 2: key in the hair rest like this bitch won't start.

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Speaker 2: Give me your keys, Chap. He was dead serious. I'm like, yo,

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Speaker 2: give me your keys. Yeah, yeah, nigga. That shit was

112
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Speaker 2: awesome nigga. But we got him there. It was his birthday,

113
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Speaker 2: not just playing all these nigga music.

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Speaker 3: The other morning, she came in there like, what got

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Speaker 3: you so fucking the love today? I said, I just

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Speaker 3: feel like singing that day. I told your nigga got

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Speaker 3: them type of song makes you wish you could.

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Speaker 2: Sing from love the message. Man, this used to be

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Speaker 2: the slow John for the skyt ring.

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Speaker 9: When you play that the sky rye, you better.

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Speaker 2: Get word. That's where it's at. What from here are dad?

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Speaker 4: This ship?

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Speaker 2: Come on? You ain't doing that. You ain't trying to

124
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Speaker 2: do nothing but grand dick on somebody daughter. Until the

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Speaker 2: song go off, We're going to burn a hole through

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Speaker 2: these goddamn close.

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Speaker 9: I can't hunt.

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Speaker 2: Yeah, that's me, that me.

129
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Speaker 9: I can't hunt dances a baby.

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Speaker 1: I don't want them niggas, You can't.

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Speaker 10: I fucking riding busch old, none of them, mother fucker.

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Speaker 9: Like I don't know mintion, ain't me. I'm fresh.

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Speaker 2: They gotta bring this ship back, bring this ship back?

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Speaker 1: What you too?

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Speaker 2: Ready to shoot up the party?

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Speaker 3: I remember one time, boy, was that she got that

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Speaker 3: fat ass daddy had than the elbow.

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Speaker 9: I couldn't believe.

139
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Speaker 10: I can't if I get a dance right now, we

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Speaker 10: won't even last on.

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Speaker 2: Hook's over saying no more, you ain't ain't gonna make

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Speaker 2: it to that point.

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Speaker 9: It's that story you ain't none, I'm too old for

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Speaker 9: this ship. They have a bust. None in my pants.

145
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Speaker 2: Aren't in the party? That's funny?

146
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Speaker 9: Ship is that an don't like the.

147
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Speaker 2: Mussy None in your pant what momp is?

148
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Speaker 4: Turn that ship up?

149
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Speaker 3: Man, if you're watching this right now, you can hear this.

150
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Speaker 3: I think as a black community, we need to bring

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Speaker 3: this type of music back.

152
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Speaker 10: Come on, man, then, ain't you saying the speakers outside

153
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Speaker 10: you won't know what you're playing?

154
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Speaker 9: Is here on y'all, y'all listen to Ship in your house?

155
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Speaker 1: Kids can hear it.

156
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Speaker 3: That's how you know Coochie used to be better back

157
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Speaker 3: in the day, because you can write ship like this

158
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Speaker 3: about it and still be cool.

159
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Speaker 2: I'm telling you yeah all day. Uh huh uh huh.

160
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Speaker 2: I think as they could sing and get away with anything.

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Speaker 3: Bro, if you get sing your ad lips can be

162
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Speaker 3: a bout some ship. Ain't got nothing to do with

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Speaker 3: the song. Fix me some spaghetti.

164
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Speaker 2: When I get.

165
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Speaker 3: Home, riding by myself in the car.

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Speaker 2: All along thinking about you like green, I just got

167
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Speaker 2: to say that.

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Speaker 3: Man Green said the coldest ship ever. In the song,

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Speaker 3: the nigga said, I've been trying to call you all day,

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Speaker 3: but I don't have your phone number.

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Speaker 2: Honey, how the nigga tried. I need I need to

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Speaker 2: hear that.

173
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Speaker 1: The next week.

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Speaker 2: You're gonna think about that. A week later you're back together.

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Speaker 2: He fucked up. Yeah, yeah, Oh that's funny. Ship my

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Speaker 2: niggas me, man fact, that's my new ship. I've been

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Speaker 2: trying to call you. That's my news. I've been trying

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Speaker 2: to call y'all. I don't have no hold. That's funny.

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Speaker 2: And ship when you start dressing like your Mexican game,

180
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Speaker 2: people shop and.

181
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Speaker 4: No good.

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Speaker 1: Word, sprint everybody in the coming Mark she comes.

183
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Speaker 6: Like ship, I'm trying to get you all a little

184
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Speaker 6: camera baby.

185
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Speaker 9: Now I'm gonna do dang ship and I'm gonna do

186
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Speaker 9: trade ship.

187
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Speaker 2: I don't think I'm gonna do like light skared key ship.

188
00:11:35,280 --> 00:11:36,880
Speaker 2: They said, dadn't want to do the ship. I'm like,

189
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Speaker 2: well he.

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Speaker 9: Took us backing.

191
00:11:40,360 --> 00:11:41,560
Speaker 1: Trade, ain't doing Mark.

192
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Speaker 2: No, he did the day, but he's gonna shoot his ship. Mark.

193
00:11:44,480 --> 00:11:46,559
Speaker 4: Oh he was.

194
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Speaker 1: Yeah, and they wanted to come earlier broke.

195
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Speaker 2: I'm like, I got some. I got some said that

196
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Speaker 2: like old ship.

197
00:12:01,800 --> 00:12:07,720
Speaker 10: What other time they're gonna because trade had eight got

198
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Speaker 10: shot you go blowing with.

199
00:12:11,040 --> 00:12:16,920
Speaker 2: I'm smoking some of these DC. Young flass. Bitch love

200
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Speaker 2: to too, Selo. We got here.

201
00:12:20,640 --> 00:12:24,199
Speaker 9: I like the floor, this floor, like nic.

202
00:12:28,559 --> 00:12:29,120
Speaker 4: It looks good.

203
00:12:29,640 --> 00:12:31,480
Speaker 2: Good. We're coming a long way, bro.

204
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Speaker 9: It's feeling.

205
00:12:33,920 --> 00:12:34,360
Speaker 4: The freak.

206
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Speaker 11: The crazyt part about the rush.

207
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Speaker 9: We got some ship.

208
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Speaker 2: Actually got the honey bourbon.

209
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Speaker 11: Cause yeah with my wife.

210
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Speaker 2: Yeah, nigga, this ship I love a hundred i Q points.

211
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Speaker 2: That smokes some weed. Big Nigga's awesome. No nigga used

212
00:12:57,840 --> 00:12:59,120
Speaker 2: to give me weed. And I'm like, well, why is

213
00:12:59,160 --> 00:13:01,840
Speaker 2: your nigga sitting around like that? I figured that ship out.

214
00:13:01,880 --> 00:13:04,480
Speaker 2: I'm like, they're waiting for the show. Nigga used, I

215
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Speaker 2: got the best weeds stories ever, Nigga.

216
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Speaker 3: I can't wait what nigga era too.

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Speaker 2: Nigga niggas, let me tell you this. This is bast

218
00:13:13,679 --> 00:13:16,000
Speaker 2: weed story. He a niggas. So this bitch I was

219
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Speaker 2: fucking right. She real pavy. So I ain't gonna say

220
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Speaker 2: nay now me. I used to take ecstasy, right, but

221
00:13:21,320 --> 00:13:23,600
Speaker 2: she used to be smoking change smoking blunt, so she

222
00:13:23,679 --> 00:13:25,480
Speaker 2: kept trying to get me to smoke weed with it

223
00:13:25,679 --> 00:13:27,080
Speaker 2: so fire. It was her birthday. I was like, all right,

224
00:13:27,120 --> 00:13:31,439
Speaker 2: come on, we smoked the ship. Now I'm drifting off,

225
00:13:31,559 --> 00:13:35,640
Speaker 2: dreaming and coming back, but still fucking nigga. I looked

226
00:13:35,640 --> 00:13:38,440
Speaker 2: at the bitch bitch riding. I'm like, yo, the coach

227
00:13:38,520 --> 00:13:39,880
Speaker 2: needs to put them up three niggas in a game.

228
00:13:39,920 --> 00:13:41,520
Speaker 2: But they get They asked bust that it's just like

229
00:13:41,559 --> 00:13:44,280
Speaker 2: what I was like, I got you, nigga in my head.

230
00:13:44,320 --> 00:13:46,480
Speaker 2: I'm like, don't say this, But the ship came out anywhere,

231
00:13:46,480 --> 00:13:48,160
Speaker 2: and bitch was like, what happened?

232
00:13:48,200 --> 00:13:49,240
Speaker 9: Are you watching the game.

233
00:13:49,040 --> 00:13:49,520
Speaker 11: The other time?

234
00:13:49,600 --> 00:13:51,920
Speaker 2: Nigga, I'm watching them. I'm at a basketball game. Nigga.

235
00:13:52,000 --> 00:13:54,559
Speaker 2: Oh so you Nigga. I was at the game. I'm like,

236
00:13:54,600 --> 00:13:56,319
Speaker 2: they put them up with three niggas. Back at the game,

237
00:13:56,840 --> 00:13:58,840
Speaker 2: was like, what like, nigga.

238
00:14:00,800 --> 00:14:05,160
Speaker 3: Mad to a coach, Nigga, three niggas in the game record,

239
00:14:06,080 --> 00:14:08,360
Speaker 3: It'd have been gauging you in the game.

240
00:14:08,480 --> 00:14:10,200
Speaker 2: It'd have been gaging it been for the blue and whistle.

241
00:14:10,240 --> 00:14:12,080
Speaker 2: Though as soon as I said that she would have one.

242
00:14:12,559 --> 00:14:25,480
Speaker 2: I still be with us, damn. And we got to

243
00:14:25,480 --> 00:14:26,440
Speaker 2: talk about this ship.

244
00:14:26,680 --> 00:14:29,000
Speaker 1: Man, you don't need to understand this.

245
00:14:29,080 --> 00:14:31,840
Speaker 2: Boys to men singing the background real. Yeah, they wrote

246
00:14:31,840 --> 00:14:36,840
Speaker 2: the ship mm hmm and produced it, but that's them

247
00:14:36,880 --> 00:14:38,320
Speaker 2: singing the backgrounds that hard.

248
00:14:39,720 --> 00:14:43,040
Speaker 3: Do you ever listen to like music from this era

249
00:14:43,120 --> 00:14:44,400
Speaker 3: in which you made more of it?

250
00:14:45,600 --> 00:14:48,320
Speaker 2: Honestly, I think I should have been born in the seventies,

251
00:14:48,960 --> 00:14:52,880
Speaker 2: in the seventieses, like so more ship. Yeah, that's my ship. Yeah,

252
00:14:52,920 --> 00:14:55,680
Speaker 2: that's my to this day. That's that's what I That's

253
00:14:55,680 --> 00:14:56,600
Speaker 2: what I think that should have.

254
00:14:56,520 --> 00:15:00,200
Speaker 3: Been, right, Like like, uh, what's the what's the you

255
00:15:00,320 --> 00:15:02,360
Speaker 3: probably from that first wave where they started doing the

256
00:15:02,440 --> 00:15:02,760
Speaker 3: hip hop?

257
00:15:02,800 --> 00:15:03,520
Speaker 2: What's the light skin?

258
00:15:03,640 --> 00:15:06,520
Speaker 10: Yeah, that's exactly my skinned dude who died from from

259
00:15:06,560 --> 00:15:06,960
Speaker 10: more time.

260
00:15:08,040 --> 00:15:11,200
Speaker 11: Uh, that died from more time, from from the seventies, man,

261
00:15:12,040 --> 00:15:16,040
Speaker 11: the light skin Mary very no Verry Gordy still.

262
00:15:15,840 --> 00:15:19,200
Speaker 2: Alive, very regarding I smoke it either smoke around. I

263
00:15:19,200 --> 00:15:19,600
Speaker 2: spoke to.

264
00:15:19,560 --> 00:15:21,280
Speaker 11: Him, smoke your damn.

265
00:15:21,720 --> 00:15:25,800
Speaker 2: He's like a gia nil, a light skinned nigga, light skin.

266
00:15:28,280 --> 00:15:30,120
Speaker 2: He then we started.

267
00:15:30,200 --> 00:15:34,760
Speaker 10: Then it started a lot of this ship, light skinned nigga.

268
00:15:34,840 --> 00:15:36,200
Speaker 9: Man, you said the seventies and I.

269
00:15:36,240 --> 00:15:39,320
Speaker 2: Took it back. Yeah, I know, but okay, I who

270
00:15:39,400 --> 00:15:41,280
Speaker 2: was the lighted? It wasn't you mean light skinn niggas

271
00:15:41,280 --> 00:15:42,920
Speaker 2: back then it was smart.

272
00:15:44,360 --> 00:15:47,120
Speaker 10: It's a unique name, and I can't get right there

273
00:15:47,400 --> 00:15:50,520
Speaker 10: the nigga with a unit nigga started with the slies, Yes,

274
00:15:50,760 --> 00:15:52,480
Speaker 10: with what they can start with a beer?

275
00:15:55,680 --> 00:16:01,359
Speaker 9: He passed, bro tapped out even more more time one time.

276
00:16:01,000 --> 00:16:04,520
Speaker 2: More Town, the beginning of more Man. He wasn't over

277
00:16:05,320 --> 00:16:07,320
Speaker 2: very strong, but he wasn't light skinned though, that's my

278
00:16:07,360 --> 00:16:09,240
Speaker 2: mom n dog.

279
00:16:09,320 --> 00:16:13,640
Speaker 11: Yeah, I skin it was him and and it was

280
00:16:13,640 --> 00:16:14,520
Speaker 11: he the bar going up.

281
00:16:14,480 --> 00:16:18,040
Speaker 9: Quincy, they was they were more making.

282
00:16:18,160 --> 00:16:19,560
Speaker 2: Now I don't think it was more Town then, let

283
00:16:19,600 --> 00:16:21,040
Speaker 2: me let me think it's not.

284
00:16:21,320 --> 00:16:22,080
Speaker 1: It ain't more Town.

285
00:16:23,360 --> 00:16:29,640
Speaker 2: It's a light skinned nigga, a light skin niggas. Song alright, alright, alright,

286
00:16:29,840 --> 00:16:30,920
Speaker 2: he sucking me up right now.

287
00:16:31,720 --> 00:16:34,040
Speaker 10: When I said the name, y'all gonna y'all gonna be like.

288
00:16:34,000 --> 00:16:41,920
Speaker 2: So I had song, I'm gonna know exactly who there,

289
00:16:39,840 --> 00:16:45,760
Speaker 2: y yeah, me too, Like I'm about to have a

290
00:16:45,760 --> 00:16:50,880
Speaker 2: strong throwing like Blake. I'm already already. Bro.

291
00:16:51,320 --> 00:16:52,600
Speaker 9: It ain't man regarding him.

292
00:16:52,640 --> 00:16:52,760
Speaker 2: Bro.

293
00:16:53,240 --> 00:16:55,120
Speaker 8: That was the that was like the older right, that

294
00:16:55,240 --> 00:17:00,360
Speaker 8: was Yeah, yeah, yeah, bro, bru y'all thinks he's like,

295
00:17:00,400 --> 00:17:05,520
Speaker 8: oh light skin, Bro, he's light skin.

296
00:17:05,840 --> 00:17:06,000
Speaker 1: Bro.

297
00:17:07,119 --> 00:17:12,720
Speaker 2: He started looking at all save win on Motown though

298
00:17:12,720 --> 00:17:16,000
Speaker 2: he won, no mak He's not saying with rich Hall

299
00:17:16,200 --> 00:17:20,400
Speaker 2: is the Jackie Jackie Watson with color.

300
00:17:22,680 --> 00:17:27,439
Speaker 9: He was like, bro, everybody overlooking the nigga he's light skinned.

301
00:17:27,560 --> 00:17:28,600
Speaker 9: He had like a mini.

302
00:17:28,400 --> 00:17:31,760
Speaker 2: Brol like with.

303
00:17:32,160 --> 00:17:34,480
Speaker 9: I know, I know Michael Jackson, bro the mini ship.

304
00:17:34,560 --> 00:17:36,879
Speaker 2: The menip when they it was starting to be when

305
00:17:36,880 --> 00:17:42,119
Speaker 2: it was I'm Richie. They can't be like Richie nigga.

306
00:17:43,800 --> 00:17:47,640
Speaker 10: He don'ts man.

307
00:17:47,920 --> 00:17:48,120
Speaker 2: Yeah.

308
00:17:48,119 --> 00:17:50,359
Speaker 9: He was like he like he like yeah, he like

309
00:17:50,720 --> 00:17:52,040
Speaker 9: Bill Withers is light stick.

310
00:17:52,240 --> 00:17:54,480
Speaker 2: He came out. He came in like seventies.

311
00:17:54,680 --> 00:17:59,120
Speaker 9: Saying the seventies because he started He's.

312
00:17:59,080 --> 00:18:00,600
Speaker 2: Know, he was doing that oh ship. He was the

313
00:18:00,600 --> 00:18:02,080
Speaker 2: first black nigga doing that folks ship.

314
00:18:02,520 --> 00:18:04,240
Speaker 9: He's he it was somebody I was.

315
00:18:04,280 --> 00:18:08,760
Speaker 2: It was document might be talking, was watching The Godfather.

316
00:18:12,400 --> 00:18:12,720
Speaker 9: King about.

317
00:18:13,080 --> 00:18:15,760
Speaker 2: He was watching the class helping a lot of ship commit.

318
00:18:17,320 --> 00:18:18,760
Speaker 11: He was the first one we had got his own

319
00:18:19,480 --> 00:18:20,680
Speaker 11: publishing and all that.

320
00:18:20,800 --> 00:18:22,520
Speaker 2: No, no, no, Sam Cooker was the first one to

321
00:18:22,560 --> 00:18:24,840
Speaker 2: do that. And then and then Otis Redding did it

322
00:18:25,720 --> 00:18:28,800
Speaker 2: them two niggas had they own their own private plane

323
00:18:28,960 --> 00:18:32,879
Speaker 2: in the sixties niggas, that's Gangstern. Ironically, both of them

324
00:18:32,920 --> 00:18:37,080
Speaker 2: niggas got killed Funny Staff, both of us.

325
00:18:37,400 --> 00:18:40,120
Speaker 4: But that's what the little, the little movie is face.

326
00:18:40,480 --> 00:18:42,240
Speaker 4: They tried to make it leave.

327
00:18:43,359 --> 00:18:45,199
Speaker 2: Yeah, yeah, yeah, yeah, but both of them, they was

328
00:18:45,240 --> 00:18:47,040
Speaker 2: the first two niggas that had they had their own

329
00:18:47,080 --> 00:18:50,080
Speaker 2: ship in the in the streets with all that, with that,

330
00:18:50,200 --> 00:18:52,280
Speaker 2: with that ship. Sam cookan with the ship was.

331
00:18:52,200 --> 00:18:55,000
Speaker 11: Out there front lining with Muhammad a leader.

332
00:18:55,200 --> 00:18:59,119
Speaker 2: Yeah right, and then he all of a sudden mysteriously

333
00:18:59,119 --> 00:19:02,520
Speaker 2: got murdered. Yeah, same thing with all his reading, his

334
00:19:02,600 --> 00:19:03,840
Speaker 2: playing went down right.

335
00:19:05,480 --> 00:19:07,080
Speaker 10: But they thought sitting that what you go to the

336
00:19:07,080 --> 00:19:09,120
Speaker 10: Prigon in two years were gonna fucking Moore mentioned and

337
00:19:09,119 --> 00:19:10,360
Speaker 10: then came and got.

338
00:19:10,200 --> 00:19:13,680
Speaker 3: Strong that type of music you make babies off that

339
00:19:13,800 --> 00:19:14,720
Speaker 3: baby making ship he was.

340
00:19:14,840 --> 00:19:19,879
Speaker 2: Yeah, said I gotta go to prison, and nobody, nobody,

341
00:19:20,480 --> 00:19:22,320
Speaker 2: he wrote, let me take the crazy ship, Let me

342
00:19:22,320 --> 00:19:24,320
Speaker 2: take the crazy ship. So I'm ten years old. I

343
00:19:24,359 --> 00:19:26,639
Speaker 2: lived in Brooklyn, right down the street. So it's a

344
00:19:27,119 --> 00:19:29,200
Speaker 2: like a motor kaid coming. I'm tend I just see

345
00:19:29,200 --> 00:19:31,240
Speaker 2: a bunch of cars. So it's a nigga sitting on

346
00:19:31,320 --> 00:19:33,360
Speaker 2: top of the limo. So I'm in the back seat,

347
00:19:33,400 --> 00:19:36,000
Speaker 2: I'm looking. I'm like, now mine, I had the Muhammad

348
00:19:36,000 --> 00:19:37,520
Speaker 2: Ali dog. He pushed him in the back and he

349
00:19:37,640 --> 00:19:40,560
Speaker 2: do this. I'm like, that's Mohamed Ali, bigga. I jumped

350
00:19:40,600 --> 00:19:43,560
Speaker 2: out the fucking car and went grabbed his hand. He

351
00:19:43,640 --> 00:19:45,240
Speaker 2: was like, li, bro, you can be whatever you want.

352
00:19:46,119 --> 00:19:48,000
Speaker 2: I got my ass with but I didn't give a fuck. Well,

353
00:19:48,400 --> 00:19:49,760
Speaker 2: I went home and played with that. I had the

354
00:19:49,840 --> 00:19:52,879
Speaker 2: a lead dollars. Muhammad Ali was God in the seventies league.

355
00:19:53,280 --> 00:19:58,000
Speaker 2: It was Muhammad Ali, Bruce Lee and Steven want to

356
00:19:58,000 --> 00:20:01,800
Speaker 2: Michael Jackson, them niggas with God and mister t Nah.

357
00:20:02,000 --> 00:20:06,680
Speaker 2: He was the Yeah, yeah he had it too. Yeah

358
00:20:07,000 --> 00:20:11,040
Speaker 2: what was he a bossa Cereal niggas?

359
00:20:11,520 --> 00:20:12,159
Speaker 4: The body goes.

360
00:20:12,040 --> 00:20:15,040
Speaker 2: Out of the body. Yeah, everybody them changed.

361
00:20:15,240 --> 00:20:17,919
Speaker 4: It's from a nigga knocked out. He throwing you out

362
00:20:17,960 --> 00:20:18,560
Speaker 4: the club and he's.

363
00:20:18,480 --> 00:20:19,080
Speaker 2: Taking your ship.

364
00:20:19,160 --> 00:20:20,600
Speaker 4: That's why the nigga was chalked out.

365
00:20:21,359 --> 00:20:22,920
Speaker 2: Yeah, yeah, taking your ship.

366
00:20:23,119 --> 00:20:27,720
Speaker 11: All them changes to yeah, gett you.

367
00:20:27,640 --> 00:20:29,280
Speaker 2: Ain't get like that some time. Did you see the

368
00:20:29,320 --> 00:20:30,719
Speaker 2: interview he did with the dude was like, why your

369
00:20:30,720 --> 00:20:32,919
Speaker 2: shoes look messed up. He was like, that's for my

370
00:20:32,960 --> 00:20:34,720
Speaker 2: brothers because they don't have nothing, so I wear these

371
00:20:34,760 --> 00:20:38,080
Speaker 2: messed up shoes and shoes were talking to ship Johnny

372
00:20:38,080 --> 00:20:39,920
Speaker 2: Carson and some ship. It was some ship I think

373
00:20:39,920 --> 00:20:40,400
Speaker 2: the dig Cab.

374
00:20:41,119 --> 00:20:42,880
Speaker 9: So he got famous for knocking niggas out and taking

375
00:20:42,880 --> 00:20:43,240
Speaker 9: that ship.

376
00:20:43,359 --> 00:20:47,880
Speaker 3: Yeah, smithering fucker had a cartoon, a TV show, Cereal,

377
00:20:48,200 --> 00:20:49,040
Speaker 3: he was in movies.

378
00:20:49,800 --> 00:20:51,359
Speaker 2: He was a wrestler for a little minute.

379
00:20:51,680 --> 00:20:55,960
Speaker 3: It's one of the most famous motherfuckers.

380
00:20:56,440 --> 00:20:58,000
Speaker 9: So how he just got on and Jail was like

381
00:20:58,560 --> 00:20:59,600
Speaker 9: one of the fuckers.

382
00:20:59,359 --> 00:21:01,719
Speaker 2: One of them little and it was pop culture just

383
00:21:01,800 --> 00:21:04,640
Speaker 2: loved him. They loved that Nigga. I think he got

384
00:21:04,640 --> 00:21:08,359
Speaker 2: on too because he was like he was you know.

385
00:21:08,280 --> 00:21:08,840
Speaker 4: He was cured.

386
00:21:09,000 --> 00:21:11,480
Speaker 2: He started being bodyguard. No, he started bodyguard for people. Yeah,

387
00:21:11,520 --> 00:21:14,760
Speaker 2: that's what he did at the club. You know, once

388
00:21:14,760 --> 00:21:17,440
Speaker 2: you got bodyguard, you start me, motherfucker. That's what happened. Yeah.

389
00:21:17,880 --> 00:21:20,320
Speaker 4: Nigga, ahead of himself, probably was like, Nigga, I need

390
00:21:20,359 --> 00:21:22,440
Speaker 4: you to yeah.

391
00:21:23,160 --> 00:21:24,639
Speaker 2: Yeah, yeah, that's your name. Mister.

392
00:21:25,160 --> 00:21:26,159
Speaker 9: Is it hey food?

393
00:21:26,320 --> 00:21:27,920
Speaker 2: Mister it is hey food?

394
00:21:28,800 --> 00:21:29,640
Speaker 1: You know what you got?

395
00:21:29,960 --> 00:21:38,520
Speaker 3: Jah shouts, This is the fuss.

396
00:21:38,720 --> 00:21:40,479
Speaker 2: The night we made this, I had to make a

397
00:21:40,520 --> 00:21:42,760
Speaker 2: thirty minute version with all type of edics. Nigga that

398
00:21:42,760 --> 00:21:45,720
Speaker 2: ship about thirty minute. You know why they went straight

399
00:21:45,720 --> 00:21:52,000
Speaker 2: to the hotel nigga nigga minute m hm, and you

400
00:21:52,040 --> 00:21:54,800
Speaker 2: put it on loop this when they had CDs. That's

401
00:21:54,800 --> 00:21:58,199
Speaker 2: for your time, right, you gotta put me over. You

402
00:21:58,240 --> 00:22:02,040
Speaker 2: put that. There were two of them. It was in La.

403
00:22:02,119 --> 00:22:04,280
Speaker 2: It was two of them. So there were three of

404
00:22:04,320 --> 00:22:05,479
Speaker 2: them in the boo while I was singing it.

405
00:22:05,520 --> 00:22:09,760
Speaker 11: So so that's why that's why it made SI yes, sir.

406
00:22:10,000 --> 00:22:13,520
Speaker 10: But it's like, okay, when you're making a third of

407
00:22:13,520 --> 00:22:15,280
Speaker 10: minute loop, how many times are you singing song?

408
00:22:15,320 --> 00:22:16,600
Speaker 9: This's part like six.

409
00:22:16,520 --> 00:22:18,359
Speaker 2: No, no, no, you don't. It's not it's not going

410
00:22:18,359 --> 00:22:20,720
Speaker 2: straight like the song. It's like it's like edits like

411
00:22:20,760 --> 00:22:22,480
Speaker 2: some of it is music. Some of the did the

412
00:22:22,560 --> 00:22:25,640
Speaker 2: song come back? Yeah? I had a whole thing. Yeah,

413
00:22:25,920 --> 00:22:27,840
Speaker 2: I had a whole thing. I was like, yo, let

414
00:22:27,840 --> 00:22:29,399
Speaker 2: me do it with it. I'm like I got it.

415
00:22:29,440 --> 00:22:31,760
Speaker 2: I was like burn that down. Yeah. It wasn't just

416
00:22:31,760 --> 00:22:34,360
Speaker 2: the song going. It's like different and ship and people

417
00:22:34,359 --> 00:22:36,000
Speaker 2: are like, I'm like I just made this. What you think?

418
00:22:36,880 --> 00:22:39,800
Speaker 10: So it's not even put together, so it's like words music.

419
00:22:40,119 --> 00:22:42,200
Speaker 2: Yeah, it's like the song. Then it just beags music.

420
00:22:42,359 --> 00:22:45,120
Speaker 2: Then some other ship pop it and shit was dope. Yeah,

421
00:22:45,119 --> 00:22:47,360
Speaker 2: put the whole session on the yeah yeah yeah, no,

422
00:22:47,400 --> 00:22:49,439
Speaker 2: not the whole thing. But I had a plan. I

423
00:22:49,480 --> 00:22:49,920
Speaker 2: had a plan.

424
00:22:50,080 --> 00:22:50,919
Speaker 9: I ain't never did it.

425
00:22:51,000 --> 00:22:53,120
Speaker 2: Like, yeah, we used to do that ship you make

426
00:22:53,240 --> 00:22:57,160
Speaker 2: you make some freaking ship. You make it long as fuck,

427
00:22:57,560 --> 00:23:00,360
Speaker 2: you do the edits, the drops and all that. Right, Yes,

428
00:23:01,119 --> 00:23:05,800
Speaker 2: it's gonna pick it all day, all day, all day.

429
00:23:05,960 --> 00:23:07,400
Speaker 9: Just the best of the ding.

430
00:23:07,480 --> 00:23:11,880
Speaker 2: You can fuck all them. Yeah yeah yeah, uh huh.

431
00:23:12,240 --> 00:23:14,399
Speaker 9: So that's why Jacket and and them songs were so god.

432
00:23:14,280 --> 00:23:17,880
Speaker 1: Down a long George, he was like seven minute.

433
00:23:17,720 --> 00:23:20,480
Speaker 2: Yeah, but they shit used to be long. But now

434
00:23:20,520 --> 00:23:22,399
Speaker 2: that's different. You know why because back in the days,

435
00:23:22,400 --> 00:23:24,840
Speaker 2: you used to get paid. Musicians get paid for every

436
00:23:24,880 --> 00:23:27,600
Speaker 2: time the music change, you get paid. That's why the

437
00:23:27,640 --> 00:23:30,919
Speaker 2: Parliament songs be changing, because every time it changed, you

438
00:23:30,920 --> 00:23:33,800
Speaker 2: get paid. And that's why they was doing that. Then

439
00:23:33,800 --> 00:23:38,679
Speaker 2: once they stopped that, niggas start making regular records. But

440
00:23:38,720 --> 00:23:40,919
Speaker 2: there's like every time, every time it changes, you get

441
00:23:41,000 --> 00:23:44,520
Speaker 2: paid again. So if it's playing on the radio instead

442
00:23:44,520 --> 00:23:47,160
Speaker 2: of getting paid once, like for my ship, that ship

443
00:23:47,280 --> 00:23:49,960
Speaker 2: changed four times, you get paid four times, and there's like, yeah,

444
00:23:49,960 --> 00:23:50,840
Speaker 2: we're gonna stop this ship.

445
00:23:51,000 --> 00:23:53,840
Speaker 9: Calculated that through every twelve.

446
00:23:54,000 --> 00:23:57,040
Speaker 2: Because it's like another song. No no, no, it was

447
00:23:57,080 --> 00:24:00,880
Speaker 2: every movement. So every time the music changes to something else, No,

448
00:24:00,960 --> 00:24:03,359
Speaker 2: not progressions, but every movement when it changes, you know,

449
00:24:03,520 --> 00:24:05,440
Speaker 2: sometimes it ship like Parliament. They should changed it to

450
00:24:05,520 --> 00:24:07,919
Speaker 2: a whole other song. They got paid for every time the.

451
00:24:07,920 --> 00:24:09,879
Speaker 1: Way Travis Scott is.

452
00:24:09,880 --> 00:24:12,600
Speaker 2: Like, yeah, they used to do that type. Yeah, yep,

453
00:24:13,280 --> 00:24:15,640
Speaker 2: so this whole on the song this is and then yeah,

454
00:24:15,640 --> 00:24:18,639
Speaker 2: they usually get paid every time. That's hard. Yeah, they

455
00:24:18,640 --> 00:24:21,080
Speaker 2: stopped that ship quick. Yeah, I bet they did. Once

456
00:24:21,119 --> 00:24:23,120
Speaker 2: Disco started coming out. I was like, yeah, we got

457
00:24:23,240 --> 00:24:25,560
Speaker 2: seven This cit is thirteen minutes Longga's like you no,

458
00:24:25,680 --> 00:24:32,600
Speaker 2: the pucket ain't y Yeah oh yeah, but they didn't wait,

459
00:24:32,640 --> 00:24:34,560
Speaker 2: but they did make it all type of that don't

460
00:24:34,560 --> 00:24:37,320
Speaker 2: even go together, nigga, but I like it right. Yeah,

461
00:24:37,359 --> 00:24:40,440
Speaker 2: they they changed that ship quick. That's why the rock

462
00:24:40,480 --> 00:24:42,280
Speaker 2: songs used to be long like that, because every time

463
00:24:42,320 --> 00:24:48,800
Speaker 2: you change it, you get paid. Used to get paid damn. Yeah,

464
00:24:48,840 --> 00:24:49,920
Speaker 2: the nigga knew what they was doing.

465
00:24:50,200 --> 00:24:52,520
Speaker 10: Hell yeah, that's a whole on the check, just a

466
00:24:52,560 --> 00:24:53,720
Speaker 10: whole on the rhyme scheme.

467
00:24:54,320 --> 00:24:58,280
Speaker 2: Yep, well ship, let's get paid right now. J move

468
00:24:58,359 --> 00:25:02,840
Speaker 2: the move the music to some funny I listened to.

469
00:25:06,560 --> 00:25:07,160
Speaker 2: He got.

470
00:25:08,640 --> 00:25:13,560
Speaker 3: Yeah, this is the only podcast with this on every episode.

471
00:25:15,280 --> 00:25:22,320
Speaker 2: Yeah you know, I'm I'm good. I smoked cigarettes him.

472
00:25:22,400 --> 00:25:23,800
Speaker 2: He don't want to see that. This would be a

473
00:25:23,840 --> 00:25:29,080
Speaker 2: whole different interview. He good, He's gonna for sure. Yeah yeah,

474
00:25:29,200 --> 00:25:30,040
Speaker 2: new face would be there.

475
00:25:30,240 --> 00:25:34,000
Speaker 9: Hell yeah, more juice ship, new face.

476
00:25:34,240 --> 00:25:40,360
Speaker 2: I started thinking, fighter man, I've been thinking that. You know, yeah,

477
00:25:40,359 --> 00:25:42,400
Speaker 2: I know for years, new plaid.

478
00:25:42,440 --> 00:25:44,119
Speaker 10: You got to telling me what's your motive, bake. We

479
00:25:44,160 --> 00:25:45,400
Speaker 10: got to have new face on the show.

480
00:25:45,880 --> 00:25:47,760
Speaker 2: I mean on a new faces back in the nineties,

481
00:25:47,760 --> 00:25:50,080
Speaker 2: that nigga's there, he's still there. New face.

482
00:25:50,160 --> 00:25:53,600
Speaker 10: When you when you realize you can get into play.

483
00:25:53,800 --> 00:25:55,840
Speaker 2: Yeah yeah, you were.

484
00:25:55,840 --> 00:26:00,360
Speaker 10: Just like that is I'm a jit, I'm a keep

485
00:26:00,400 --> 00:26:01,800
Speaker 10: doing it.

486
00:26:01,880 --> 00:26:03,879
Speaker 2: But in a couple of years, even I thought, is

487
00:26:03,920 --> 00:26:07,280
Speaker 2: just a peer places don't even.

488
00:26:07,359 --> 00:26:10,200
Speaker 9: Kick down, you just be there. He was like, I

489
00:26:10,280 --> 00:26:13,440
Speaker 9: by myself, I'm like starting to like you.

490
00:26:13,440 --> 00:26:14,959
Speaker 2: You're an informant.

491
00:26:16,440 --> 00:26:17,280
Speaker 9: For the police.

492
00:26:17,400 --> 00:26:17,640
Speaker 12: Man.

493
00:26:19,359 --> 00:26:23,719
Speaker 10: I got your books, I got your tape, got yours.

494
00:26:23,680 --> 00:26:29,760
Speaker 2: Your first cigarette. You know what it's like, DNA still

495
00:26:29,840 --> 00:26:32,480
Speaker 2: on this cigarette? You got anything to say? I'm like

496
00:26:32,520 --> 00:26:36,760
Speaker 2: niggas feel like jeus nigga. Damn fun that's funny.

497
00:26:36,840 --> 00:26:41,200
Speaker 3: Ship, don't don't put sid I got your first cigarette.

498
00:26:41,400 --> 00:26:43,720
Speaker 3: Ma'm put my boy out there, little face and informent.

499
00:26:43,800 --> 00:26:46,399
Speaker 2: Man can face there. Every time a.

500
00:26:46,440 --> 00:26:48,600
Speaker 9: Nigga was there when he was a child, he's just

501
00:26:49,160 --> 00:26:52,480
Speaker 9: he was like, remember you was thirteen, I was nine.

502
00:26:53,280 --> 00:26:54,640
Speaker 1: He signed this a little.

503
00:26:54,440 --> 00:26:55,200
Speaker 9: Bit a while.

504
00:27:00,960 --> 00:27:06,520
Speaker 10: Getting I got your first autograph when he was at.

505
00:27:06,359 --> 00:27:09,520
Speaker 2: The park before you did.

506
00:27:11,040 --> 00:27:13,480
Speaker 4: Remember what you as with a pump wreck?

507
00:27:14,280 --> 00:27:18,399
Speaker 2: I was there. That's funny, that's funny.

508
00:27:18,800 --> 00:27:24,159
Speaker 3: Did he do that fort say something that should be

509
00:27:24,359 --> 00:27:25,280
Speaker 3: fucking we going with it?

510
00:27:25,320 --> 00:27:27,440
Speaker 2: You got what you wanted that new face. You wanted

511
00:27:27,440 --> 00:27:27,840
Speaker 2: that post?

512
00:27:30,320 --> 00:27:32,000
Speaker 9: I think he did. You wanted that post with that

513
00:27:32,000 --> 00:27:34,200
Speaker 9: pop who ship?

514
00:27:34,240 --> 00:27:34,480
Speaker 1: Did that?

515
00:27:36,800 --> 00:27:41,400
Speaker 2: Somebody drop that ship? Oh drunk? Yeah?

516
00:27:41,400 --> 00:27:44,200
Speaker 1: I just wanted to say the drunk add clue.

517
00:27:45,440 --> 00:27:51,720
Speaker 11: That is drunk head who dropped it?

518
00:27:51,800 --> 00:27:52,360
Speaker 2: Was her birthday?

519
00:27:52,840 --> 00:27:56,959
Speaker 11: Damn she be go to the club shouting feeling fitted

520
00:27:57,080 --> 00:27:57,440
Speaker 11: me her.

521
00:27:59,119 --> 00:28:02,159
Speaker 9: She ain't got I need on conkey.

522
00:28:01,960 --> 00:28:07,760
Speaker 10: Or shout him Ben, shout him Ben as me eyside

523
00:28:08,040 --> 00:28:09,000
Speaker 10: like damn.

524
00:28:08,720 --> 00:28:11,280
Speaker 9: Been the god perserve good.

525
00:28:11,400 --> 00:28:12,600
Speaker 3: She ain't got.

526
00:28:14,119 --> 00:28:15,760
Speaker 1: Wow drink.

527
00:28:19,600 --> 00:28:21,600
Speaker 2: Such this ship. You know where you're going. You start,

528
00:28:22,000 --> 00:28:25,720
Speaker 2: you know where you're going? What you thought? You know

529
00:28:25,760 --> 00:28:27,920
Speaker 2: where you're going? That's been that second car pull of.

530
00:28:28,840 --> 00:28:30,440
Speaker 9: But that second car pull of you better way.

531
00:28:30,520 --> 00:28:32,440
Speaker 10: Just go ahead and believe whatever they tell you.

532
00:28:32,760 --> 00:28:36,160
Speaker 2: Nigga, you know right, I guess ship. Nigga got locked

533
00:28:36,800 --> 00:28:38,400
Speaker 2: like I did. Now I got locked up. As I'm

534
00:28:38,400 --> 00:28:41,240
Speaker 2: going into jail. She could say, ain't two case? Why

535
00:28:41,280 --> 00:28:42,960
Speaker 2: you ain't say that? But he was locking me up.

536
00:28:44,000 --> 00:28:45,720
Speaker 2: She was no. She was like, Nigga, you was too

537
00:28:45,760 --> 00:28:47,680
Speaker 2: dead wrong for me to help you. I said, yeah,

538
00:28:47,680 --> 00:28:51,240
Speaker 2: you got a point. Damn no. Now she now she

539
00:28:51,320 --> 00:28:53,480
Speaker 2: was right now she was right. Yeah, I was dead wrong.

540
00:28:54,120 --> 00:28:58,560
Speaker 2: Nigga had spend the license, two drinks in the in

541
00:28:58,640 --> 00:29:01,600
Speaker 2: the cup holder. I had a pocket full of drugs.

542
00:29:01,720 --> 00:29:05,800
Speaker 2: I had spending license, expired, insurance expired, out of state tags?

543
00:29:06,200 --> 00:29:08,440
Speaker 2: Are you you asking to go to jail? And then

544
00:29:08,440 --> 00:29:09,800
Speaker 2: when I got to Jel's like, what did you hear

545
00:29:09,840 --> 00:29:13,520
Speaker 2: two weeks ago? Let's stop talking to me. Man talking

546
00:29:14,400 --> 00:29:16,080
Speaker 2: and I got out because the ladies like, if you

547
00:29:16,080 --> 00:29:17,640
Speaker 2: sing for me, I get you out right now. I

548
00:29:17,720 --> 00:29:20,680
Speaker 2: was there like eight what you want to hear? Nigga?

549
00:29:20,680 --> 00:29:23,640
Speaker 2: I say, thriller all that ship? I think everything, Nigga.

550
00:29:23,880 --> 00:29:27,200
Speaker 5: She got me right about it there, Nigga, I say everything.

551
00:29:28,400 --> 00:29:30,840
Speaker 2: Yeah, yeah yeah, But she worked in the jail. The

552
00:29:30,880 --> 00:29:33,720
Speaker 2: other lady was police, and I'm like, while you wait

553
00:29:33,760 --> 00:29:35,680
Speaker 2: till we walking in to ask me, am I who

554
00:29:36,040 --> 00:29:36,720
Speaker 2: you think I am?

555
00:29:36,960 --> 00:29:37,240
Speaker 13: Nigga?

556
00:29:37,400 --> 00:29:43,920
Speaker 2: He pull dirt into micro Yeah, bigga had the whole ship. Nigga.

557
00:29:44,240 --> 00:29:46,760
Speaker 3: Yeah, She's like, I get you out right now.

558
00:29:46,960 --> 00:29:56,240
Speaker 2: Ship. Damn we case in the building. Man, that's the

559
00:29:56,240 --> 00:29:57,560
Speaker 2: one on the man Welcome.

560
00:29:57,280 --> 00:30:05,440
Speaker 3: Back today to find self show man, oh Man, Well

561
00:30:05,520 --> 00:30:09,720
Speaker 3: for a real, real special episode that day in DC.

562
00:30:09,800 --> 00:30:11,920
Speaker 3: Is that because I know you got R and B

563
00:30:12,120 --> 00:30:13,440
Speaker 3: singer ambitious too?

564
00:30:14,080 --> 00:30:15,960
Speaker 2: You you call that it too, you cold?

565
00:30:16,800 --> 00:30:19,600
Speaker 3: But this right here, this man come from the golden

566
00:30:19,640 --> 00:30:24,320
Speaker 3: era of R and P when music really was hitting

567
00:30:24,400 --> 00:30:26,160
Speaker 3: like that. When you you know them songs you want

568
00:30:26,200 --> 00:30:29,160
Speaker 3: to get married to and and proposed.

569
00:30:28,600 --> 00:30:30,640
Speaker 2: To it, make your kids too.

570
00:30:30,520 --> 00:30:33,960
Speaker 3: And go on vacation and rather ski too. You feel

571
00:30:34,040 --> 00:30:36,240
Speaker 3: me like when when R and B was at the height.

572
00:30:36,360 --> 00:30:39,840
Speaker 3: Bro were really the golden era, and it's like, it's

573
00:30:40,320 --> 00:30:42,680
Speaker 3: the privilege to have one of the older, one of

574
00:30:42,680 --> 00:30:45,320
Speaker 3: the legends, one of the real ghetto legends stopped through

575
00:30:45,320 --> 00:30:46,680
Speaker 3: here and but with.

576
00:30:46,600 --> 00:30:56,040
Speaker 2: Us, man, none other than case the privilege. Man, you

577
00:30:56,120 --> 00:30:58,640
Speaker 2: just don't know, Man, you just don't know.

578
00:31:00,040 --> 00:31:02,880
Speaker 3: Yeah, I told you about that era, man, Like that

579
00:31:03,120 --> 00:31:05,360
Speaker 3: was like, that's what I was just saying, Like, that's

580
00:31:05,400 --> 00:31:07,000
Speaker 3: when they first started kind of putting it with the

581
00:31:07,080 --> 00:31:07,520
Speaker 3: hip hop.

582
00:31:08,760 --> 00:31:11,920
Speaker 2: Yeah, that was the beginning, Like yeah, R and you

583
00:31:12,080 --> 00:31:12,880
Speaker 2: was running the radio.

584
00:31:13,240 --> 00:31:14,960
Speaker 4: Yeah, you know what I'm saying.

585
00:31:15,200 --> 00:31:17,440
Speaker 2: Yeah, that's when we were just putting it together and

586
00:31:17,520 --> 00:31:20,520
Speaker 2: it was a place for it. Actually were making a

587
00:31:20,520 --> 00:31:23,560
Speaker 2: new place. Yeah, cause it started with Mary's first album

588
00:31:23,560 --> 00:31:25,080
Speaker 2: and then anybody said, oh, we could do that, and

589
00:31:25,080 --> 00:31:27,000
Speaker 2: then everybody started, you know, going with it. You know

590
00:31:27,040 --> 00:31:27,400
Speaker 2: what I'm saying.

591
00:31:27,480 --> 00:31:28,920
Speaker 1: So, so what you mean by do that? And I

592
00:31:29,040 --> 00:31:30,200
Speaker 1: put me up whole game.

593
00:31:30,280 --> 00:31:32,640
Speaker 2: Like we could. Well, when Mary's first album came out,

594
00:31:32,680 --> 00:31:36,160
Speaker 2: that's when people started using hip hop drums and singing

595
00:31:36,280 --> 00:31:38,240
Speaker 2: R and B over we never heard that before and

596
00:31:38,320 --> 00:31:40,400
Speaker 2: actually started with uh Kid, Capri and Ron G. In

597
00:31:40,440 --> 00:31:43,520
Speaker 2: New York. They would hit, get acapellas and put hip

598
00:31:43,560 --> 00:31:46,440
Speaker 2: hop beats under 'em and put 'em on mixtapes. And

599
00:31:46,480 --> 00:31:49,600
Speaker 2: that's where it came from. Okay, yeah, cause cause and

600
00:31:49,640 --> 00:31:52,000
Speaker 2: when you heard it, you was like, oh, that's crazy,

601
00:31:52,640 --> 00:31:54,880
Speaker 2: but nobody had thought of it. Well they did, right,

602
00:31:55,000 --> 00:31:56,800
Speaker 2: and and then we just we just went with it.

603
00:31:56,920 --> 00:32:03,680
Speaker 3: Shut out the kid Capri, Yes, sir, and definitely, you know,

604
00:32:03,760 --> 00:32:06,560
Speaker 3: he got so much history. Many way that I met him.

605
00:32:06,560 --> 00:32:10,280
Speaker 3: We were actually we were we were in on.

606
00:32:10,480 --> 00:32:11,240
Speaker 2: The common.

607
00:32:12,520 --> 00:32:16,120
Speaker 3: On one of those you know, weekend get away resort

608
00:32:16,680 --> 00:32:20,760
Speaker 3: package deals where they got all these entertainers. They got rappers,

609
00:32:20,880 --> 00:32:24,600
Speaker 3: old school rappers, one night, nab one night comedy show,

610
00:32:24,680 --> 00:32:27,960
Speaker 3: one night they part is all that ship. So I'm

611
00:32:28,000 --> 00:32:30,560
Speaker 3: over there some kind of way they get everybody room

612
00:32:30,640 --> 00:32:33,240
Speaker 3: mixed up. I go to my room and usually key

613
00:32:33,240 --> 00:32:35,800
Speaker 3: to open the door. This nigga in there making beets

614
00:32:35,880 --> 00:32:37,200
Speaker 3: and smoking a big.

615
00:32:37,000 --> 00:32:39,880
Speaker 2: Bag of weed. I was like, oh, he'd but.

616
00:32:39,880 --> 00:32:42,480
Speaker 3: They didn't put us in the same They then gave

617
00:32:42,600 --> 00:32:45,240
Speaker 3: us the same fucking key to the room.

618
00:32:45,560 --> 00:32:47,080
Speaker 2: That happened to me, But I was in the hotel

619
00:32:47,160 --> 00:32:50,080
Speaker 2: on the ski trip, so I'm in there chilling, rapping

620
00:32:50,480 --> 00:32:53,160
Speaker 2: the door open. Is Compone, the comedian, him and his

621
00:32:53,280 --> 00:32:59,480
Speaker 2: men Nigga like Nigga gotta be back left. But yeah,

622
00:32:59,520 --> 00:33:02,080
Speaker 2: yeah they do that. Yeah man, so that was dope.

623
00:33:02,400 --> 00:33:04,320
Speaker 10: Man in case taking him back, man, I want to

624
00:33:04,400 --> 00:33:05,080
Speaker 10: I want to know.

625
00:33:05,640 --> 00:33:07,200
Speaker 3: I want him to intro. I want him to know

626
00:33:07,240 --> 00:33:10,440
Speaker 3: what you got do this? What was your intro to

627
00:33:10,520 --> 00:33:11,760
Speaker 3: the music industry?

628
00:33:13,320 --> 00:33:15,720
Speaker 2: Well, my pops was a singer and I used to

629
00:33:15,760 --> 00:33:17,600
Speaker 2: sound just like him. He get fuck with me now,

630
00:33:17,720 --> 00:33:21,120
Speaker 2: I love that, but but now it's real. But he

631
00:33:21,160 --> 00:33:23,080
Speaker 2: you know, he he was a cameo when I was

632
00:33:23,080 --> 00:33:26,680
Speaker 2: a baby. Yeah, he used to Yeah, yeah, no, there's

633
00:33:26,800 --> 00:33:29,920
Speaker 2: long before that. They was called East Coast back then. Yeah,

634
00:33:29,960 --> 00:33:32,280
Speaker 2: So he was with them, and he got to a

635
00:33:32,320 --> 00:33:34,160
Speaker 2: point where he was like, well you can even keep

636
00:33:34,160 --> 00:33:35,920
Speaker 2: going a tour with them and trying to get on,

637
00:33:36,080 --> 00:33:38,080
Speaker 2: or you could take care of his baby. And so

638
00:33:38,160 --> 00:33:41,320
Speaker 2: he he chose to take care of me. And so

639
00:33:41,360 --> 00:33:43,320
Speaker 2: there was always like music in the house. There was

640
00:33:43,360 --> 00:33:44,920
Speaker 2: I got pictures in my phone when I was like

641
00:33:44,960 --> 00:33:47,520
Speaker 2: two years old. My grandmother would make us do concerts

642
00:33:47,520 --> 00:33:51,520
Speaker 2: for company. So you know, it was just always music,

643
00:33:51,680 --> 00:33:54,440
Speaker 2: like I never wanted to be nothing else like, which

644
00:33:54,480 --> 00:33:56,600
Speaker 2: is crazy because I thought everybody was like that until

645
00:33:56,600 --> 00:33:58,520
Speaker 2: I got older. I'm like, I never wanted to be

646
00:33:58,560 --> 00:34:00,720
Speaker 2: none of that ship y'all talk about, which is why

647
00:34:00,760 --> 00:34:02,479
Speaker 2: I didn't do good in school because I'm like, I'm

648
00:34:02,680 --> 00:34:06,520
Speaker 2: a singer, which is only good now because if that's

649
00:34:06,520 --> 00:34:09,120
Speaker 2: it it work out, I'd be fucked up. But that's

650
00:34:09,160 --> 00:34:11,919
Speaker 2: all I ever Yet new dream actually came. That was it? Yeah,

651
00:34:11,920 --> 00:34:14,440
Speaker 2: that was that was it. Yep, from day one, that

652
00:34:14,560 --> 00:34:14,839
Speaker 2: was it?

653
00:34:15,000 --> 00:34:15,719
Speaker 1: So what was that?

654
00:34:15,800 --> 00:34:19,399
Speaker 2: What was that moment when it was like, oh this ship,

655
00:34:19,680 --> 00:34:23,640
Speaker 2: this ship did started. I'm gonna tell you, touch me,

656
00:34:23,719 --> 00:34:26,919
Speaker 2: tease me was out and so like, I wasn't really

657
00:34:26,920 --> 00:34:28,879
Speaker 2: going to clubs like that. So they used to be like, yo,

658
00:34:28,920 --> 00:34:31,280
Speaker 2: you gotta come to the club and see the reaction

659
00:34:31,360 --> 00:34:33,920
Speaker 2: when it come on. So I'm like all right. I

660
00:34:34,000 --> 00:34:35,320
Speaker 2: kept saying I was gonna go, and I ain't go.

661
00:34:35,960 --> 00:34:40,719
Speaker 2: So one night we atja Making restaurant. I think Ericabadu

662
00:34:40,800 --> 00:34:43,319
Speaker 2: was there, Leyla halfaway, so we sitting there chilling. They

663
00:34:43,400 --> 00:34:45,040
Speaker 2: was like, yeah, go ahead, so I get there. I'm like,

664
00:34:45,040 --> 00:34:47,719
Speaker 2: all right, whatever, I walked in the club chilling that

665
00:34:47,719 --> 00:34:51,040
Speaker 2: shit came on. I was like, oh, it came on

666
00:34:51,080 --> 00:34:53,680
Speaker 2: in the club, went crazy. I was like, oh yeah,

667
00:34:53,680 --> 00:34:56,040
Speaker 2: I mean I made it. And then that between that

668
00:34:56,200 --> 00:34:57,600
Speaker 2: and because you know a lot of people got their

669
00:34:57,640 --> 00:34:59,759
Speaker 2: first time the song was on the radio. That never

670
00:34:59,800 --> 00:35:02,600
Speaker 2: meant nothing to What meant more to me is to

671
00:35:02,600 --> 00:35:05,040
Speaker 2: be standing in the hood and somebody car ride past

672
00:35:05,080 --> 00:35:06,920
Speaker 2: paying it because you could pay them to play it

673
00:35:06,920 --> 00:35:09,240
Speaker 2: on the radio. You can't pay nobody to playing any car.

674
00:35:09,320 --> 00:35:10,920
Speaker 2: I mean, they like it, you know what I'm saying.

675
00:35:11,160 --> 00:35:13,319
Speaker 2: And so for me, that was it like cars going

676
00:35:13,360 --> 00:35:15,279
Speaker 2: plass playing it. That was that was crazy for me.

677
00:35:17,280 --> 00:35:20,239
Speaker 2: That's that moment. Yeah, that was it. Man. What was

678
00:35:20,239 --> 00:35:22,920
Speaker 2: it like to get that deal like that?

679
00:35:22,920 --> 00:35:25,800
Speaker 3: That to get to that level where it was like, Okay,

680
00:35:25,840 --> 00:35:28,360
Speaker 3: they think I'm good enough to be a sign talent

681
00:35:28,760 --> 00:35:31,680
Speaker 3: to have a record deal before even guess.

682
00:35:32,160 --> 00:35:34,719
Speaker 2: That, Well, for me, it was like it was something

683
00:35:34,760 --> 00:35:37,520
Speaker 2: I had looked forward to, but like I didn't get

684
00:35:37,560 --> 00:35:39,480
Speaker 2: excited about it because in my mind, I'm like, I

685
00:35:39,480 --> 00:35:40,600
Speaker 2: got a lot of work to do, you know what

686
00:35:40,600 --> 00:35:43,040
Speaker 2: I'm saying. I'm like, I can get excited later, and

687
00:35:43,120 --> 00:35:45,560
Speaker 2: so that that's always been my thing, like, cause you

688
00:35:45,600 --> 00:35:47,520
Speaker 2: can get excited and fuck something up, you know what

689
00:35:47,560 --> 00:35:50,279
Speaker 2: I'm saying. So you get excited after the fact, and

690
00:35:50,320 --> 00:35:52,680
Speaker 2: that that's how I a'm with everything, Like I got

691
00:35:52,719 --> 00:35:54,759
Speaker 2: work to do, and so I was just trying to

692
00:35:54,800 --> 00:35:56,920
Speaker 2: make the best shit I can make because my plan

693
00:35:57,040 --> 00:35:59,080
Speaker 2: always was if you look at the first interviews I did,

694
00:35:59,160 --> 00:36:00,400
Speaker 2: it is like, what do you want to come pomplished?

695
00:36:00,640 --> 00:36:03,080
Speaker 2: It wasn't never about money, it wasn't about awards. It

696
00:36:03,120 --> 00:36:05,160
Speaker 2: was about I wanted to make music because my parents

697
00:36:05,160 --> 00:36:07,560
Speaker 2: were still listening to motown from like twenty five years ago.

698
00:36:08,120 --> 00:36:09,520
Speaker 2: So I'm like, I want to make music that in

699
00:36:09,560 --> 00:36:11,719
Speaker 2: twenty five years people gonna still listen to. That was

700
00:36:11,760 --> 00:36:15,759
Speaker 2: my plan. That was my plan. Yeah, Yeah, that was

701
00:36:15,760 --> 00:36:16,879
Speaker 2: the plan. That was the plan.

702
00:36:16,960 --> 00:36:17,239
Speaker 12: He did.

703
00:36:17,800 --> 00:36:18,080
Speaker 2: Yeah, so.

704
00:36:19,840 --> 00:36:21,719
Speaker 10: Take us on one of those studio moments when you

705
00:36:21,760 --> 00:36:23,680
Speaker 10: can't believe that you're working with this artist.

706
00:36:24,560 --> 00:36:28,759
Speaker 2: You're sitting there and you, oh, that's easy. Whom Charlie Wilson, Oh,

707
00:36:28,880 --> 00:36:30,799
Speaker 2: I wrote a song. I wrote a yeah.

708
00:36:30,880 --> 00:36:31,080
Speaker 11: Yeah.

709
00:36:31,400 --> 00:36:33,799
Speaker 2: I wrote a song for him for his album. It

710
00:36:33,840 --> 00:36:34,400
Speaker 2: was a duet.

711
00:36:34,640 --> 00:36:34,960
Speaker 1: Yeah.

712
00:36:35,560 --> 00:36:38,040
Speaker 2: So first that fucked me up, just that because I

713
00:36:38,120 --> 00:36:40,520
Speaker 2: was like, I got a tattoo, a little gap of tattoo,

714
00:36:40,600 --> 00:36:42,319
Speaker 2: like I was. I was in the Gap band when

715
00:36:42,360 --> 00:36:44,600
Speaker 2: I was a kid. So I'm sitting there. He was like,

716
00:36:44,600 --> 00:36:47,719
Speaker 2: how you want me to sing it? You could sing

717
00:36:47,760 --> 00:36:50,319
Speaker 2: that shit however you want, right right. So then he's

718
00:36:50,360 --> 00:36:52,720
Speaker 2: doing his vocals and I'm sitting on the floor behind

719
00:36:52,760 --> 00:36:55,799
Speaker 2: him in the booth. Now it wasn't no iPhones. I

720
00:36:55,840 --> 00:36:58,319
Speaker 2: wish it were. I'm sitting there like, oh my fucking god,

721
00:36:58,360 --> 00:37:00,920
Speaker 2: and he's recording the vocals. Then I got up and left.

722
00:37:01,000 --> 00:37:03,560
Speaker 2: I had to go to a landline. I called my baby, mama,

723
00:37:03,960 --> 00:37:07,200
Speaker 2: my mom's, all my friends. I'm like, Nigga, you ain't

724
00:37:07,200 --> 00:37:09,880
Speaker 2: gonna believe nigga. It was It was crazy. That was

725
00:37:09,920 --> 00:37:11,279
Speaker 2: That was it for me. That was the Yeah, that

726
00:37:11,360 --> 00:37:15,239
Speaker 2: was that first moment. Yeah, that was it. And then

727
00:37:15,280 --> 00:37:17,520
Speaker 2: he would then he said he would call me and

728
00:37:17,560 --> 00:37:19,759
Speaker 2: he and they be conversad. He's like, yeah, okay, keep

729
00:37:19,800 --> 00:37:24,440
Speaker 2: gapping and then hang up. I'm like, nigga, nigga. And

730
00:37:24,480 --> 00:37:26,360
Speaker 2: then he pulled me on stage and dude, yearning for

731
00:37:26,400 --> 00:37:28,399
Speaker 2: your love with them, he was like, yeah, were about

732
00:37:28,400 --> 00:37:31,759
Speaker 2: to gaptize him tonight. I'm like, Nigga that I got gaptized.

733
00:37:31,960 --> 00:37:33,560
Speaker 2: And that's when all three of them was alive. He

734
00:37:33,640 --> 00:37:37,080
Speaker 2: was like, we was in Uh, what's the island with

735
00:37:37,120 --> 00:37:41,120
Speaker 2: the with the Dutch in the French side, Uh, Saint Martin, St. Martin.

736
00:37:41,200 --> 00:37:44,520
Speaker 2: We was in Saint Martin, me and Scarface. Scarface was like, yo,

737
00:37:44,520 --> 00:37:46,640
Speaker 2: you about to call somebody else up there? It was like,

738
00:37:46,680 --> 00:37:48,399
Speaker 2: I'm gonna call this young brother up there. I'm mad

739
00:37:48,440 --> 00:37:50,160
Speaker 2: at him, Like your face, who are they calling up here?

740
00:37:50,200 --> 00:37:54,439
Speaker 2: Nigga is bullshit? The whole time Face knew they called

741
00:37:54,480 --> 00:37:56,480
Speaker 2: me up there. I'm like, oh bed, He's like, we

742
00:37:56,560 --> 00:37:58,920
Speaker 2: about to gaptize him. I'm like, that was it for me?

743
00:37:59,520 --> 00:38:03,080
Speaker 2: That was it? That was yeah, I was that was it?

744
00:38:03,239 --> 00:38:06,759
Speaker 2: You rocked it? Yes, sir, Yes, sir, yearning for your

745
00:38:06,840 --> 00:38:09,360
Speaker 2: love for Listen, what's.

746
00:38:09,160 --> 00:38:11,200
Speaker 10: Your favorite song that you recorded with you like, that's

747
00:38:11,239 --> 00:38:13,040
Speaker 10: a record, like, that's.

748
00:38:12,840 --> 00:38:15,720
Speaker 1: One of that's my favorite record mine.

749
00:38:15,760 --> 00:38:18,400
Speaker 2: See, I don't listen to my own music, so mine

750
00:38:18,440 --> 00:38:20,919
Speaker 2: is probably something y'all probably never heard is a song

751
00:38:20,960 --> 00:38:25,120
Speaker 2: called wish from Thinking And I remember when I heard it,

752
00:38:25,400 --> 00:38:26,760
Speaker 2: shout out my man Redhead Kingpin.

753
00:38:26,880 --> 00:38:28,560
Speaker 3: He produced it and me and him co wrote it.

754
00:38:28,560 --> 00:38:31,239
Speaker 3: But yeah, that's that's my dude. Yeah, yeah, he did.

755
00:38:31,320 --> 00:38:34,320
Speaker 2: He did half of that Open Letter album me in

756
00:38:34,360 --> 00:38:37,160
Speaker 2: Redhead and the other half of sim and Bob and

757
00:38:37,200 --> 00:38:39,080
Speaker 2: I remember when he played it for me because he's

758
00:38:39,080 --> 00:38:41,520
Speaker 2: the type he would do music and be like he

759
00:38:41,600 --> 00:38:43,440
Speaker 2: sit there and just smoke wheed all day and be

760
00:38:43,480 --> 00:38:45,600
Speaker 2: playing shit. I'm like, what fuck is this? He's like, Oh,

761
00:38:45,600 --> 00:38:47,120
Speaker 2: I just make music for me to listen to while

762
00:38:47,160 --> 00:38:47,600
Speaker 2: I'm high.

763
00:38:48,160 --> 00:38:48,840
Speaker 11: Nigga, give me that.

764
00:38:49,560 --> 00:38:51,440
Speaker 2: And I took it to the crib and it just

765
00:38:51,480 --> 00:38:54,640
Speaker 2: had the backgrounds on it. So now I'm high with

766
00:38:54,680 --> 00:38:57,719
Speaker 2: the nigga. I get to the house, I'm calling anybody like,

767
00:38:57,880 --> 00:39:00,960
Speaker 2: listen to this shit. Nigga's like, Yo's five in the morning.

768
00:39:00,960 --> 00:39:03,120
Speaker 2: I'm sleep, wake up and listening to this. So that

769
00:39:03,320 --> 00:39:05,520
Speaker 2: that was my favorite ship probably Wish for Thinking Shine,

770
00:39:05,560 --> 00:39:09,440
Speaker 2: stuff like that. So that's that we ain't we ain't heard. Well,

771
00:39:09,440 --> 00:39:11,279
Speaker 2: it's on the albums, but they weren't single. You know

772
00:39:11,280 --> 00:39:19,239
Speaker 2: what I'm saying. It's like it's like real deep cuts. Yeah,

773
00:39:19,320 --> 00:39:25,160
Speaker 2: pull it up, yes, but letter yeah yeah, I know.

774
00:39:25,239 --> 00:39:29,799
Speaker 2: New Face heard it. My man, New Face was dead

775
00:39:29,800 --> 00:39:38,320
Speaker 2: when we recorded New Faces Dead up that not the

776
00:39:38,400 --> 00:39:42,600
Speaker 2: professor was it? That was crazy to me because I that.

777
00:39:42,719 --> 00:39:49,319
Speaker 3: Movie was huge and then this last yeah what but.

778
00:39:49,320 --> 00:39:51,320
Speaker 2: See here got the thing with that we weren't on

779
00:39:51,440 --> 00:39:54,000
Speaker 2: them soundtracks because a lot of them songs weren't even

780
00:39:54,000 --> 00:39:56,120
Speaker 2: in the movie. The reason why we would put them

781
00:39:56,120 --> 00:39:57,719
Speaker 2: on soundtracks because they'd be like, if you put it

782
00:39:57,760 --> 00:40:00,239
Speaker 2: on the soundtrack the movie company paid for, have the

783
00:40:00,239 --> 00:40:04,719
Speaker 2: promotion money, it don't come out your budget, like let's go. Yeah,

784
00:40:04,719 --> 00:40:06,120
Speaker 2: that's exactly what was going. That's why a lot of

785
00:40:06,120 --> 00:40:11,640
Speaker 2: them songs ain't in the movie. Yeah yeah, cool, yeah, crazy, Yeah,

786
00:40:11,680 --> 00:40:16,680
Speaker 2: that's what it was. And for me, yeah exactly. You

787
00:40:16,719 --> 00:40:19,960
Speaker 2: take that all day. And for me, I remember the video.

788
00:40:20,000 --> 00:40:22,479
Speaker 2: We did the video. The video came out of video

789
00:40:22,560 --> 00:40:25,839
Speaker 2: music box on a Saturday. On that Sunday, I went

790
00:40:25,840 --> 00:40:28,280
Speaker 2: to the studio and I went walking to the store

791
00:40:29,080 --> 00:40:32,279
Speaker 2: and I seen people like turn around at pointing now

792
00:40:32,480 --> 00:40:35,360
Speaker 2: mind you, I'm still like sup. Then I looked, I

793
00:40:35,440 --> 00:40:36,640
Speaker 2: seen a couple of my man I was like, nah,

794
00:40:36,719 --> 00:40:40,000
Speaker 2: nigga ain't seen the video. I'm like, oh okay, my bad.

795
00:40:40,040 --> 00:40:42,600
Speaker 2: But that was it was just that quick, like it

796
00:40:42,680 --> 00:40:45,520
Speaker 2: was out for a day and people was like, yo,

797
00:40:45,640 --> 00:40:48,359
Speaker 2: that's that shit bugged me out. Yeah that was And

798
00:40:48,440 --> 00:40:50,839
Speaker 2: you got to be famous before the ind andnet right,

799
00:40:52,520 --> 00:40:56,879
Speaker 2: oh boy, that's real faint. That's different. Yeah, you could

800
00:40:56,920 --> 00:41:03,440
Speaker 2: do it, boyd I can hear it, good boy, you

801
00:41:03,560 --> 00:41:11,839
Speaker 2: won't ninety six, that's over nineteen ninety old boy. Yeah,

802
00:41:12,080 --> 00:41:15,960
Speaker 2: the Olympics in Atlanta. I was in the studio because

803
00:41:16,000 --> 00:41:19,319
Speaker 2: my kids, my son was living down here, and I

804
00:41:19,400 --> 00:41:21,360
Speaker 2: seen that the thing blew up and I called and

805
00:41:21,480 --> 00:41:22,799
Speaker 2: was like, nah, we okay, because I knew they were

806
00:41:22,840 --> 00:41:24,279
Speaker 2: supposed to go down there. But y'all was in the

807
00:41:24,280 --> 00:41:26,879
Speaker 2: studio working on my album in Quad see, the same

808
00:41:26,880 --> 00:41:29,240
Speaker 2: studio Tupac got shot in. I was in that studio

809
00:41:29,400 --> 00:41:30,280
Speaker 2: when that shit happened.

810
00:41:31,680 --> 00:41:35,280
Speaker 11: You gotta give us the storyline behind the famous line

811
00:41:35,920 --> 00:41:37,799
Speaker 11: I can't sing no mother.

812
00:41:40,000 --> 00:41:44,520
Speaker 2: Ship that was so missing you. Timmy Bob had the

813
00:41:44,600 --> 00:41:46,960
Speaker 2: song and they was like, Yo, we want to record it.

814
00:41:47,000 --> 00:41:50,600
Speaker 2: I didn't really like it, man, which is how he'll

815
00:41:50,600 --> 00:41:52,759
Speaker 2: tell you. That's how you know if the song is

816
00:41:52,760 --> 00:41:55,320
Speaker 2: good if I don't like it, right, you know? Cisco

817
00:41:55,400 --> 00:42:00,400
Speaker 2: said the same, Yes, so I got a one for

818
00:42:00,480 --> 00:42:03,359
Speaker 2: you that night that I got a better one for you.

819
00:42:04,800 --> 00:42:07,840
Speaker 2: I'll be sure. It's one of my mentors, right. Davante

820
00:42:07,960 --> 00:42:11,200
Speaker 2: went to the studio when they was mastering the first

821
00:42:11,280 --> 00:42:13,239
Speaker 2: Jodasy album and Davante took come and talk to me

822
00:42:13,280 --> 00:42:15,520
Speaker 2: off the first Jodasy album, and I took a cab

823
00:42:15,560 --> 00:42:16,719
Speaker 2: and it was like, don't tell him I'm coming. It

824
00:42:16,800 --> 00:42:18,959
Speaker 2: was like, no, the fuck you ain't because they didn't

825
00:42:19,000 --> 00:42:22,200
Speaker 2: like the shit. That's how they go. So usually the

826
00:42:22,239 --> 00:42:24,279
Speaker 2: one you hate the most is that's gonna be that one.

827
00:42:25,840 --> 00:42:28,200
Speaker 2: I don't know. I don't know, I don't know.

828
00:42:28,320 --> 00:42:31,480
Speaker 10: The artists never have a connection with the right Like

829
00:42:31,520 --> 00:42:32,319
Speaker 10: I don't like that one.

830
00:42:32,360 --> 00:42:33,920
Speaker 9: They'd be like, go sing it.

831
00:42:34,840 --> 00:42:36,840
Speaker 2: I want to say this one. Yeah, that's how to go.

832
00:42:37,520 --> 00:42:39,960
Speaker 2: But so I got there. I got to La like

833
00:42:40,280 --> 00:42:44,600
Speaker 2: on a Monday, right lost my voice. So I'm like, okay,

834
00:42:44,719 --> 00:42:46,319
Speaker 2: I lost my voice. So they're like, okay, we push

835
00:42:46,320 --> 00:42:50,520
Speaker 2: it to Tuesday. Tuesday, still can't sing, Wednesdays, still can't sing. Thursday,

836
00:42:50,600 --> 00:42:53,440
Speaker 2: my voice came back. And I'm hanging out with Jah

837
00:42:53,520 --> 00:42:55,640
Speaker 2: and IRV Gotti and them. It's like, Yo, we got

838
00:42:55,640 --> 00:42:57,880
Speaker 2: this song that Steve Wonder record do now. Me and

839
00:42:58,000 --> 00:43:00,560
Speaker 2: Jo had did like three songs before that that we

840
00:43:00,600 --> 00:43:02,759
Speaker 2: did some print ship Prince wait to clear it. It's

841
00:43:02,760 --> 00:43:04,400
Speaker 2: like Stevie wanted to say he'll clear it. So I

842
00:43:04,400 --> 00:43:06,279
Speaker 2: need you to sing on this song. So I go

843
00:43:06,360 --> 00:43:10,200
Speaker 2: sing living it up with yoahr hey.

844
00:43:10,120 --> 00:43:15,480
Speaker 3: Man held love brog that's at the height.

845
00:43:15,280 --> 00:43:18,759
Speaker 2: Of John Rule. Yeah yeah, yeah, yeah yeah. We'll get

846
00:43:18,760 --> 00:43:21,040
Speaker 2: to that one later. And so I sing the song

847
00:43:21,640 --> 00:43:23,920
Speaker 2: and then we go hang out. Right, Well, now I

848
00:43:24,000 --> 00:43:26,920
Speaker 2: lose my voice again, godda, and now it's because I

849
00:43:26,960 --> 00:43:29,399
Speaker 2: got happy. I'm like, I'm back, nigga. So we out

850
00:43:29,480 --> 00:43:31,680
Speaker 2: all night. So now it's Friday. It's like, if you

851
00:43:31,719 --> 00:43:33,600
Speaker 2: don't sing miss You today, you're not gonna be able

852
00:43:33,640 --> 00:43:36,480
Speaker 2: to do it. Now I can't talk. So I'm like,

853
00:43:36,520 --> 00:43:38,920
Speaker 2: all right, I tried, but I'm telling you I can't talk.

854
00:43:39,440 --> 00:43:42,719
Speaker 2: I'm typing this and having my man tell him. I'm like,

855
00:43:42,880 --> 00:43:45,040
Speaker 2: he can't talk. He's like, well, if you don't do

856
00:43:45,080 --> 00:43:48,719
Speaker 2: it, it ain't gonna happen. Get to the studio. He was like, yo,

857
00:43:48,800 --> 00:43:51,279
Speaker 2: he can't talk. He'll try it. I'm like, all right, cool.

858
00:43:51,719 --> 00:43:53,600
Speaker 2: So they played the whole song from the beginning to

859
00:43:53,640 --> 00:43:56,360
Speaker 2: the end. I go sing it. It's like, can you

860
00:43:56,360 --> 00:43:58,960
Speaker 2: do it one more time? It's like all right, So

861
00:43:59,040 --> 00:44:00,799
Speaker 2: I sing it one more time. I'm all the way down.

862
00:44:00,920 --> 00:44:03,920
Speaker 2: So at the end I could feel I'm like this

863
00:44:03,920 --> 00:44:06,359
Speaker 2: ship about to be over. So I'm like, I can't

864
00:44:06,400 --> 00:44:09,560
Speaker 2: sing no more and I can't say and I look

865
00:44:10,160 --> 00:44:13,239
Speaker 2: because I felt it, and so I look, I look,

866
00:44:13,360 --> 00:44:15,239
Speaker 2: and these niggas in there with the lights out like this.

867
00:44:16,040 --> 00:44:17,879
Speaker 2: So I walked out the thing and go and tap

868
00:44:17,920 --> 00:44:21,160
Speaker 2: him like and that's how. That's how, And they kept.

869
00:44:20,960 --> 00:44:23,080
Speaker 3: It and people it's like, I thought you meant you

870
00:44:23,160 --> 00:44:23,840
Speaker 3: was too emotional.

871
00:44:23,920 --> 00:44:28,719
Speaker 2: Now I was dying. But he got the best part

872
00:44:28,719 --> 00:44:31,279
Speaker 2: about that. But he got the best part about that.

873
00:44:31,320 --> 00:44:33,799
Speaker 2: Both of them songs got nominated for Grammys. That yeah,

874
00:44:34,400 --> 00:44:45,680
Speaker 2: which is crazy, which is crazy kill me. Yeah, it

875
00:44:45,800 --> 00:44:46,439
Speaker 2: wasn't nothing left.

876
00:44:46,600 --> 00:44:48,920
Speaker 10: And it's crazy because as the artist, we always just

877
00:44:48,960 --> 00:44:52,680
Speaker 10: want to feel at our under or at least somewhat

878
00:44:52,680 --> 00:44:55,200
Speaker 10: where we like I can take it, take control of

879
00:44:55,200 --> 00:44:57,560
Speaker 10: the room. But you was like one in a moment

880
00:44:57,600 --> 00:45:01,600
Speaker 10: where you're like, bro, bro, it's ever want to force

881
00:45:01,760 --> 00:45:03,359
Speaker 10: myself the same, yes over.

882
00:45:03,840 --> 00:45:05,840
Speaker 2: But you know what I noticed when you know that this,

883
00:45:06,440 --> 00:45:08,920
Speaker 2: that you're not one hundred percent, I think it's in

884
00:45:08,960 --> 00:45:11,319
Speaker 2: your head that you try harder because I always do

885
00:45:11,400 --> 00:45:15,600
Speaker 2: my best when I'm not one hundred percent always, So

886
00:45:15,680 --> 00:45:18,000
Speaker 2: I think that's mental that you know you're not a

887
00:45:18,000 --> 00:45:19,759
Speaker 2: one hundred percent, So you just say fucking and go

888
00:45:19,840 --> 00:45:23,400
Speaker 2: for it, right because you you kind of like stretch

889
00:45:23,480 --> 00:45:26,080
Speaker 2: yourself to to do extra ship that.

890
00:45:26,080 --> 00:45:28,279
Speaker 10: You normally wouldn't do because you know when you just

891
00:45:28,880 --> 00:45:29,759
Speaker 10: you hit the news that you.

892
00:45:29,800 --> 00:45:32,399
Speaker 2: Just right you cocky right right, but now you gotta work.

893
00:45:32,960 --> 00:45:34,839
Speaker 2: I think it makes you work harder, right right?

894
00:45:36,200 --> 00:45:38,640
Speaker 10: Like, so what type of breathing exercises do you go.

895
00:45:39,680 --> 00:45:42,239
Speaker 2: When this zigga is? That's you a type sh See.

896
00:45:42,239 --> 00:45:43,839
Speaker 9: That's why I would never like to get it by

897
00:45:43,960 --> 00:45:50,359
Speaker 9: some niggas. I always say, man, listen, I just say.

898
00:45:51,000 --> 00:45:58,359
Speaker 2: I just nah, I just yeah, it's terrible, right yeah, yeah,

899
00:45:58,440 --> 00:45:59,760
Speaker 2: but it is what it is.

900
00:46:00,840 --> 00:46:02,680
Speaker 10: Because I be trying, Like sometimes I can see it,

901
00:46:02,760 --> 00:46:07,480
Speaker 10: like like I got allergies this nigga be singing though, Yeah,

902
00:46:07,520 --> 00:46:08,759
Speaker 10: that's that's the only coming from you.

903
00:46:08,840 --> 00:46:11,799
Speaker 2: Man. I forgot what the video was. I'm like, I'm

904
00:46:11,840 --> 00:46:13,560
Speaker 2: looking at him like I thought you were joking. I'm like, wait,

905
00:46:13,560 --> 00:46:16,040
Speaker 2: hold up, I'm like, no, this nigga singing for real,

906
00:46:16,160 --> 00:46:19,239
Speaker 2: y'all'n play on game man, I already seen it. I'm like, okay, back,

907
00:46:19,320 --> 00:46:20,160
Speaker 2: that's the nigga.

908
00:46:20,200 --> 00:46:23,520
Speaker 10: But it's an inspiration even from you can come telling

909
00:46:23,560 --> 00:46:24,480
Speaker 10: you in my playlist.

910
00:46:25,400 --> 00:46:26,680
Speaker 9: I'm listening to some of.

911
00:46:26,680 --> 00:46:30,399
Speaker 11: Your ship every week, Nigga, that's dover say every week.

912
00:46:30,480 --> 00:46:33,120
Speaker 2: Yeah, I'm talking about playlist. Yeah, this dude be singing.

913
00:46:33,239 --> 00:46:33,759
Speaker 2: You feel me?

914
00:46:33,880 --> 00:46:37,040
Speaker 10: So it's like you an inspiration to me too. Man,

915
00:46:37,080 --> 00:46:39,920
Speaker 10: I appreciate you, know what I'm saying, Like definitely sometimes

916
00:46:39,920 --> 00:46:42,080
Speaker 10: when I go in the studio, yeah, I may cut

917
00:46:42,120 --> 00:46:43,360
Speaker 10: your shit on first, Let's go.

918
00:46:43,800 --> 00:46:46,000
Speaker 2: You know what I'm saying, Let's go. I got it.

919
00:46:46,040 --> 00:46:48,360
Speaker 2: I gotta get what I'm doing. It's like, oh, I

920
00:46:48,360 --> 00:46:51,080
Speaker 2: get on stage every night. I got a whole live playlist. Real,

921
00:46:51,320 --> 00:46:52,920
Speaker 2: all my favorite artists live on stage.

922
00:46:53,040 --> 00:46:55,600
Speaker 3: I was rubbing some couchie earlier this week to some

923
00:46:55,719 --> 00:46:58,640
Speaker 3: of your song I never I ain't no singing, nigga.

924
00:46:58,840 --> 00:47:01,600
Speaker 3: I was like when house and in my car with

925
00:47:01,719 --> 00:47:05,880
Speaker 3: me and my lady, I'm doing the lead vocals. You

926
00:47:05,960 --> 00:47:08,759
Speaker 3: really be my you, you backing me up, and she

927
00:47:08,880 --> 00:47:10,240
Speaker 3: the biggest man.

928
00:47:10,800 --> 00:47:12,480
Speaker 2: And then she throw her little part in.

929
00:47:13,280 --> 00:47:17,040
Speaker 3: We be rockings to be ca't neither want to say, but.

930
00:47:17,080 --> 00:47:19,399
Speaker 2: Only we accept as long as you feel it.

931
00:47:20,000 --> 00:47:22,440
Speaker 3: But the shit be sounding like when I'm at the

932
00:47:22,440 --> 00:47:25,879
Speaker 3: crib by myself, my ship sounds just as good as

933
00:47:25,920 --> 00:47:26,560
Speaker 3: the rest of y'all.

934
00:47:26,640 --> 00:47:28,960
Speaker 2: Yes, sir, Yeah, that's how supposed to be. Like it's

935
00:47:29,239 --> 00:47:31,880
Speaker 2: it's some stuff. You hear some stuff you feel like.

936
00:47:31,960 --> 00:47:33,799
Speaker 2: I sent them a video earlier. This is Carol. I'm

937
00:47:33,800 --> 00:47:37,520
Speaker 2: gonna get on a song name is Stout. She's oh

938
00:47:37,560 --> 00:47:39,319
Speaker 2: my god. So I set that record to get on

939
00:47:39,560 --> 00:47:41,839
Speaker 2: for my new album and I'm like, you don't even

940
00:47:41,920 --> 00:47:44,040
Speaker 2: hear her? What you feel? What the fuck she'd be doing?

941
00:47:44,040 --> 00:47:47,719
Speaker 2: This ship is just crazy? So who is your like inspiration?

942
00:47:47,800 --> 00:47:50,800
Speaker 10: Like where you you said your your people listening to music?

943
00:47:51,040 --> 00:47:53,719
Speaker 10: Oh yeah, so when you going in the studio, Like,

944
00:47:53,719 --> 00:47:55,560
Speaker 10: who is your inspiration.

945
00:47:55,160 --> 00:47:57,799
Speaker 2: That was making you do what you was doing? Well?

946
00:47:57,840 --> 00:48:01,120
Speaker 2: For me, well, first of all, my grandmother, all the grandkids,

947
00:48:01,160 --> 00:48:04,200
Speaker 2: whether they could sing or not, y'all better know all

948
00:48:04,320 --> 00:48:07,879
Speaker 2: James Brown or all ray y'alls. You're getting out? Yeah,

949
00:48:07,920 --> 00:48:10,440
Speaker 2: she was gaging like that, you're getting out. Yeah, so

950
00:48:10,480 --> 00:48:13,000
Speaker 2: we knew all that. And then other night it was

951
00:48:13,440 --> 00:48:15,480
Speaker 2: Michael Jackson was remember I was a little kid, I'm

952
00:48:15,480 --> 00:48:21,560
Speaker 2: like this, nigga just did the Robot. I've seen that live. Nigga, Yeah, nigga. Yeah.

953
00:48:22,320 --> 00:48:26,719
Speaker 2: Why everybody was outside afterwards trying to do that in

954
00:48:26,760 --> 00:48:28,799
Speaker 2: every front of the project. The whole projects was trying

955
00:48:28,840 --> 00:48:30,799
Speaker 2: to do the robot. That's when it started. Right there.

956
00:48:31,000 --> 00:48:32,359
Speaker 2: They thought Michael Jackson.

957
00:48:32,120 --> 00:48:35,080
Speaker 3: Was an alien when he hit that ship so smooth.

958
00:48:35,280 --> 00:48:38,160
Speaker 3: For what Michael Jackson was an alien, I'm still not

959
00:48:38,160 --> 00:48:38,760
Speaker 3: sure when.

960
00:48:38,640 --> 00:48:41,000
Speaker 2: He had that broke. Yeah, that that day when he

961
00:48:41,080 --> 00:48:42,919
Speaker 2: went over there, when we went to side and kept

962
00:48:42,960 --> 00:48:45,439
Speaker 2: going and then dropped right back in with the rector.

963
00:48:45,480 --> 00:48:48,840
Speaker 2: I'm like, yo, dog and me and my little cousin.

964
00:48:49,040 --> 00:48:50,719
Speaker 2: When my grandmother used to make us do concert, we

965
00:48:50,760 --> 00:48:52,719
Speaker 2: used to fight over which woman was gonna be Michael today.

966
00:48:53,840 --> 00:48:55,359
Speaker 2: But he was younger. I used to whip his ass.

967
00:48:55,360 --> 00:48:58,000
Speaker 2: He was Jaman a lot of time. Yeah he was.

968
00:48:58,040 --> 00:49:01,000
Speaker 2: He was Jamain, but ain't have to be t though

969
00:49:01,719 --> 00:49:03,600
Speaker 2: he could have been as long as he was Michael.

970
00:49:04,400 --> 00:49:09,400
Speaker 11: Jamaine could have been Mike when Mike wonder what happened?

971
00:49:09,560 --> 00:49:12,720
Speaker 2: No, No, which one that would I give him? Confused?

972
00:49:13,000 --> 00:49:15,000
Speaker 3: Have you ever seen that video of Michael Jackson on

973
00:49:15,080 --> 00:49:17,719
Speaker 3: stage and his brother trying to out sing him and

974
00:49:17,760 --> 00:49:21,319
Speaker 3: he looking at them like you see this when Yeah,

975
00:49:21,320 --> 00:49:22,200
Speaker 3: but that was about the show.

976
00:49:22,239 --> 00:49:24,120
Speaker 2: But that's hilarious. But I didn't know that Marlin.

977
00:49:24,160 --> 00:49:26,720
Speaker 3: They told what he was, Yeah, and they was singing

978
00:49:26,719 --> 00:49:28,480
Speaker 3: and the nigga kept singing over Michael.

979
00:49:28,520 --> 00:49:31,840
Speaker 2: Michael looking at the other bud like, oh this nigga

980
00:49:31,880 --> 00:49:32,239
Speaker 2: trying me.

981
00:49:33,480 --> 00:49:34,520
Speaker 9: One of them nigga can dance.

982
00:49:34,560 --> 00:49:36,640
Speaker 2: So I think it margin it was Marlin.

983
00:49:37,960 --> 00:49:39,560
Speaker 4: Yeah, Michael.

984
00:49:40,960 --> 00:49:46,480
Speaker 2: Michaels when he did that robot ship Robot was when

985
00:49:46,520 --> 00:49:48,719
Speaker 2: I saw that be I'm like, his what's funny. I

986
00:49:48,760 --> 00:49:51,040
Speaker 2: ran into some of my cousins from back then about

987
00:49:51,120 --> 00:49:53,359
Speaker 2: ten years ago. There's like, you do the the robot,

988
00:49:53,440 --> 00:49:57,080
Speaker 2: like Michael Jackson, like maybe I was seven, my shoul

989
00:49:57,120 --> 00:50:00,440
Speaker 2: have worked like that. Yeah, I was seven. I know,

990
00:50:00,560 --> 00:50:04,000
Speaker 2: I kid that man is crazy over that.

991
00:50:04,000 --> 00:50:05,799
Speaker 1: I like, hold on, hold on this ship.

992
00:50:05,960 --> 00:50:09,120
Speaker 2: Yeah, yeah, he was serious so that it was him. Yeah,

993
00:50:09,160 --> 00:50:13,600
Speaker 2: it was him, Stevie Wonder, Donny Hathaway, Marvin Gay, Gap

994
00:50:13,680 --> 00:50:16,480
Speaker 2: Band Earth when there, I listened to the Beatles, I

995
00:50:16,520 --> 00:50:19,799
Speaker 2: listened to Black Sabbathe, Le Zeppelin, all type of ship

996
00:50:20,400 --> 00:50:22,239
Speaker 2: because you can pull something from all of it, and

997
00:50:22,280 --> 00:50:25,560
Speaker 2: it's all black music. People don't realize that. Why why

998
00:50:25,640 --> 00:50:29,040
Speaker 2: white says, well, all rock and rollers, it's the blues.

999
00:50:29,440 --> 00:50:32,440
Speaker 2: But instead of acoustic guitars, electric guitars and heavier drums.

1000
00:50:32,480 --> 00:50:34,400
Speaker 2: That's all rocking word, it's the blues. Yes, it's the blues,

1001
00:50:35,080 --> 00:50:37,680
Speaker 2: but some of it is the same exact songs. It's

1002
00:50:37,719 --> 00:50:40,799
Speaker 2: just heavy drums and electric guitars instead of acoustic and people.

1003
00:50:40,840 --> 00:50:43,200
Speaker 2: That's white people music. No, that's our music. They took it.

1004
00:50:43,360 --> 00:50:48,000
Speaker 2: I can't listen to. No, I'm telling you, I got

1005
00:50:48,080 --> 00:50:51,799
Speaker 2: something you can listen to. No, no, no, you listen

1006
00:50:51,800 --> 00:50:53,200
Speaker 2: to the wrong one. You gotta listen to the ones.

1007
00:50:53,239 --> 00:50:56,399
Speaker 2: That's the blue, that's I got some. I got some ship.

1008
00:50:56,480 --> 00:50:59,719
Speaker 2: That's crazy. I know what you're talking about, though. Yeah

1009
00:50:59,760 --> 00:51:04,000
Speaker 2: it ain't that. Yeah, yeah, yeah, that cocaine. But no,

1010
00:51:04,080 --> 00:51:07,440
Speaker 2: it's it's all our music. I love it.

1011
00:51:08,320 --> 00:51:12,200
Speaker 11: It sounded like this ship be connected, like I'm rhythm.

1012
00:51:12,680 --> 00:51:14,799
Speaker 2: I've rhally been blu That's why I got so few there.

1013
00:51:17,040 --> 00:51:19,080
Speaker 1: She sounds like you want to get in your eyes.

1014
00:51:19,760 --> 00:51:22,560
Speaker 3: It's this white boy. He did his pieces of damn

1015
00:51:22,640 --> 00:51:26,640
Speaker 3: back there die back was but he went the best.

1016
00:51:26,920 --> 00:51:28,680
Speaker 3: He was cold one of them.

1017
00:51:28,719 --> 00:51:31,959
Speaker 2: Oh yeah, die back, die back. Yeah, got back, didn't

1018
00:51:32,040 --> 00:51:34,120
Speaker 2: get killed. He got killed on the rose getting down.

1019
00:51:34,400 --> 00:51:37,120
Speaker 9: I know, I ain't see that's my my my range,

1020
00:51:37,719 --> 00:51:38,720
Speaker 9: my range of music.

1021
00:51:40,520 --> 00:51:41,200
Speaker 2: It started.

1022
00:51:41,920 --> 00:51:44,879
Speaker 10: My mama won't let me touch the radio. She didn't

1023
00:51:44,960 --> 00:51:48,480
Speaker 10: listen to rap, so she listened to gospel. So I'm

1024
00:51:48,520 --> 00:51:52,120
Speaker 10: more so understand. You ain't got to be the best single.

1025
00:51:53,440 --> 00:51:56,800
Speaker 10: But if you get hold of the note and go

1026
00:51:57,000 --> 00:52:00,560
Speaker 10: with the meat, you damn nigga sound middle than the

1027
00:52:00,640 --> 00:52:03,520
Speaker 10: best sing you just it's really music placement.

1028
00:52:03,719 --> 00:52:05,920
Speaker 9: It's like where you hit to know that.

1029
00:52:06,200 --> 00:52:11,719
Speaker 2: You just gotta have some ship to say no, no, no.

1030
00:52:11,880 --> 00:52:13,759
Speaker 2: We'll be little kids sing as hard as we can.

1031
00:52:13,840 --> 00:52:16,040
Speaker 2: My grandmo wuld be like, get up and walk out

1032
00:52:16,080 --> 00:52:18,239
Speaker 2: the room. You be like, so now you got to

1033
00:52:18,280 --> 00:52:20,040
Speaker 2: follow her. Or she'd be like, let me know where

1034
00:52:20,040 --> 00:52:22,960
Speaker 2: you're ready to sing and just walk out. You be like, oh,

1035
00:52:23,120 --> 00:52:25,480
Speaker 2: so now you singing hard and hard, and she'd be like,

1036
00:52:25,600 --> 00:52:28,680
Speaker 2: now you singing, But she she'd be harder. She'd be like, yeah,

1037
00:52:28,760 --> 00:52:30,080
Speaker 2: let me know you mean that, and get up to

1038
00:52:30,120 --> 00:52:32,160
Speaker 2: walk out. So she was kind of like she was

1039
00:52:32,200 --> 00:52:36,520
Speaker 2: the apollow know she was the apollo. How they bow you. Yeah,

1040
00:52:36,560 --> 00:52:37,960
Speaker 2: she'd be like, let me know you mean that. Just

1041
00:52:38,040 --> 00:52:41,759
Speaker 2: get it. Now. Imagine you singing this all for her, like, yeah,

1042
00:52:41,800 --> 00:52:43,239
Speaker 2: let me know who you mean that and just leave.

1043
00:52:43,520 --> 00:52:47,000
Speaker 2: She don't even look back. Yeah. She like, I'm like,

1044
00:52:47,080 --> 00:52:50,680
Speaker 2: if I could press her, I'm a win. She's like, yeah,

1045
00:52:51,920 --> 00:52:53,960
Speaker 2: let me know where you mean that and just leave.

1046
00:52:54,160 --> 00:52:55,920
Speaker 2: And you like me and my cousin like, yo, who

1047
00:52:56,000 --> 00:52:57,160
Speaker 2: she talking to you, niggas.

1048
00:52:58,520 --> 00:53:02,680
Speaker 3: My mama was just sitting there just like yeah, yeah, yeah, yeah,

1049
00:53:02,800 --> 00:53:03,160
Speaker 3: I'm glad.

1050
00:53:03,200 --> 00:53:05,000
Speaker 2: Shit, make me dance cause I can't dance for ship

1051
00:53:05,120 --> 00:53:08,839
Speaker 2: so damn right, No, she wants you to say Ray

1052
00:53:08,920 --> 00:53:09,680
Speaker 2: Charles at seven.

1053
00:53:10,520 --> 00:53:15,520
Speaker 10: Dang see, I went from gospel Michael Jackson and then

1054
00:53:15,640 --> 00:53:19,440
Speaker 10: this one. This is with my music when everywhere I

1055
00:53:19,480 --> 00:53:22,560
Speaker 10: went from gospel, then I went from like, alright, that's

1056
00:53:22,600 --> 00:53:26,759
Speaker 10: from being forced to listen right right now at the

1057
00:53:26,800 --> 00:53:29,920
Speaker 10: age well I can pick and choose cool, let me

1058
00:53:30,000 --> 00:53:30,839
Speaker 10: go grass from Mike.

1059
00:53:30,960 --> 00:53:32,720
Speaker 1: Then so I'm like that from.

1060
00:53:32,600 --> 00:53:36,200
Speaker 9: Like six to eight, right right, I listened to ABC.

1061
00:53:36,440 --> 00:53:37,960
Speaker 9: That was I had a cassit I come from coss.

1062
00:53:38,239 --> 00:53:39,600
Speaker 2: Yeah yeah, yeah, I hate the consent.

1063
00:53:39,800 --> 00:53:44,160
Speaker 9: INC listen to the same shit about the.

1064
00:53:45,600 --> 00:53:49,680
Speaker 11: Years, nigga. I'm ABC. Then I get the CD of

1065
00:53:49,800 --> 00:53:52,520
Speaker 11: MIC and then I go straight to Eminem.

1066
00:53:53,920 --> 00:53:56,719
Speaker 2: You went from Mike to Eminem. That's not even the Nah,

1067
00:53:56,760 --> 00:54:00,200
Speaker 2: that's not a thing. Even some ship in between that, yeah,

1068
00:54:00,200 --> 00:54:01,080
Speaker 2: you getting away from Mike.

1069
00:54:01,480 --> 00:54:02,280
Speaker 1: I went to Mic.

1070
00:54:03,760 --> 00:54:06,880
Speaker 2: No Yes, I found this fucker off the Wall and

1071
00:54:06,920 --> 00:54:08,160
Speaker 2: thriller in between, Nigga.

1072
00:54:08,440 --> 00:54:08,960
Speaker 4: Dirt, no.

1073
00:54:10,840 --> 00:54:13,239
Speaker 9: Hold on, let me tell you ship, let me tell

1074
00:54:13,280 --> 00:54:14,400
Speaker 9: you that's.

1075
00:54:14,280 --> 00:54:15,080
Speaker 2: A forty year yap.

1076
00:54:15,160 --> 00:54:18,160
Speaker 9: Let me tell you my jont music. This was a gift,

1077
00:54:19,160 --> 00:54:23,200
Speaker 9: so you understand. I got introduced the music off of accident.

1078
00:54:22,960 --> 00:54:23,759
Speaker 2: And it was a gift.

1079
00:54:24,200 --> 00:54:26,640
Speaker 10: I got a gift as a cassette. So I'm listening

1080
00:54:26,680 --> 00:54:28,359
Speaker 10: to Mike, so I'm like, I'm a fan of Mike's.

1081
00:54:28,400 --> 00:54:30,520
Speaker 10: My mama bought me a cassette. It was nothing but

1082
00:54:30,640 --> 00:54:32,920
Speaker 10: Christmas song, so she don't know what you got. So

1083
00:54:32,960 --> 00:54:36,560
Speaker 10: I had that Christmas song edit Nigga is April. Yeah

1084
00:54:36,600 --> 00:54:38,040
Speaker 10: you chastening to Christmas and ship?

1085
00:54:38,160 --> 00:54:38,759
Speaker 2: You trying to hear that?

1086
00:54:40,120 --> 00:54:40,359
Speaker 3: Kevin?

1087
00:54:42,880 --> 00:54:46,880
Speaker 2: Yeah, yeah, yeah that's how the next month that's coming out.

1088
00:54:47,280 --> 00:54:47,960
Speaker 2: That's coming out there.

1089
00:54:48,360 --> 00:54:50,560
Speaker 9: Yeah yeah, you know, I'm talking about seven o'clock.

1090
00:54:50,920 --> 00:54:52,200
Speaker 2: So I got a look.

1091
00:54:52,280 --> 00:54:55,040
Speaker 11: As of age, I still listening to Mike, but range

1092
00:54:55,040 --> 00:54:57,800
Speaker 11: still one, and I went to eminem nigga.

1093
00:54:57,800 --> 00:54:58,560
Speaker 1: It was a rap.

1094
00:54:58,680 --> 00:55:03,960
Speaker 11: I said this, Yeah, it was t I Buji and

1095
00:55:04,040 --> 00:55:05,680
Speaker 11: then I got back to R and B while I

1096
00:55:05,719 --> 00:55:07,200
Speaker 11: got a little older, and I'm like, all right, let

1097
00:55:07,239 --> 00:55:08,359
Speaker 11: me go listen to some South ship.

1098
00:55:08,560 --> 00:55:09,720
Speaker 1: Oh I'm Drew here.

1099
00:55:09,680 --> 00:55:12,719
Speaker 2: That you yeah, yeah, Joe here.

1100
00:55:15,280 --> 00:55:18,759
Speaker 10: But that's why it's like he didn't introduce me to

1101
00:55:18,840 --> 00:55:19,239
Speaker 10: hip hop.

1102
00:55:19,800 --> 00:55:22,880
Speaker 1: He was just he was like.

1103
00:55:24,520 --> 00:55:25,600
Speaker 2: Introduction. Man.

1104
00:55:28,440 --> 00:55:28,759
Speaker 13: It was.

1105
00:55:32,920 --> 00:55:36,360
Speaker 2: I heard rap, but he was my first rap.

1106
00:55:36,360 --> 00:55:37,680
Speaker 9: That I had liked.

1107
00:55:38,400 --> 00:55:40,360
Speaker 2: From ABC to eminem Nigga.

1108
00:55:40,840 --> 00:55:43,759
Speaker 9: I found this CD at my house. My sister was

1109
00:55:43,800 --> 00:55:44,319
Speaker 9: listening to him.

1110
00:55:44,360 --> 00:55:47,040
Speaker 2: It's crazy. It was like chipped a little bit like

1111
00:55:48,400 --> 00:55:50,719
Speaker 2: the cdminem it was.

1112
00:55:50,920 --> 00:55:53,440
Speaker 9: It was the it was the red Carpet, motherfucker.

1113
00:55:54,800 --> 00:56:00,160
Speaker 11: The eminem shown wasn't nigga. I would never just my

1114
00:56:00,200 --> 00:56:02,839
Speaker 11: own mama, just to get recognition, take a saying that, listen,

1115
00:56:02,880 --> 00:56:04,120
Speaker 11: who you think this recorded this?

1116
00:56:04,239 --> 00:56:07,000
Speaker 1: And what I was at fourth made talking about.

1117
00:56:08,400 --> 00:56:13,480
Speaker 2: Nigg I never like, who is this nigga? Damn feel.

1118
00:56:15,000 --> 00:56:16,680
Speaker 2: When I hear until I collapsed, I was like, old,

1119
00:56:16,680 --> 00:56:18,279
Speaker 2: I gotta start listening this mother. When I hear till

1120
00:56:18,280 --> 00:56:21,160
Speaker 2: I collapsed, I'm like, I just listening to every Now

1121
00:56:21,239 --> 00:56:24,399
Speaker 2: We're black due, I'm thinking you're talking about the first

1122
00:56:24,480 --> 00:56:28,000
Speaker 2: Now me too, me too. That's the one. Nobody. Somebody

1123
00:56:28,280 --> 00:56:30,560
Speaker 2: heard that one that that the red I know, I

1124
00:56:30,640 --> 00:56:34,480
Speaker 2: know the one you're talking about. Dammit, show show. All

1125
00:56:34,560 --> 00:56:36,799
Speaker 2: I knew was I put that bitch in my CD player.

1126
00:56:37,040 --> 00:56:38,359
Speaker 9: Go to the track number four.

1127
00:56:38,880 --> 00:56:39,680
Speaker 2: It was like two on it.

1128
00:56:39,719 --> 00:56:41,120
Speaker 9: I could listen to all the other ship I could

1129
00:56:41,239 --> 00:56:41,480
Speaker 9: listen to.

1130
00:56:42,400 --> 00:56:45,360
Speaker 4: I don't know what was going on. I don't know

1131
00:56:45,400 --> 00:56:49,439
Speaker 4: what you saying. Appreciation right here.

1132
00:56:49,440 --> 00:56:51,640
Speaker 1: No, Nigga, I for eminem Uh.

1133
00:56:52,239 --> 00:56:54,600
Speaker 9: He's a he's an artist. He's creating.

1134
00:56:54,719 --> 00:56:56,520
Speaker 2: Till I get what I'm saying. I heard that. I

1135
00:56:56,640 --> 00:56:58,120
Speaker 2: was like, and people used to get in my car

1136
00:56:58,160 --> 00:56:59,800
Speaker 2: while you're playing this ship. I'll like, just listen to this.

1137
00:57:00,040 --> 00:57:02,279
Speaker 2: He can rap, I'll play that. Nigga's like, okay, okay,

1138
00:57:02,520 --> 00:57:03,440
Speaker 2: but you know why I admire.

1139
00:57:03,520 --> 00:57:05,520
Speaker 9: I ad myra motherfucker who know a lot of words.

1140
00:57:06,200 --> 00:57:08,040
Speaker 2: Yeah, I don't know why I am.

1141
00:57:08,080 --> 00:57:10,120
Speaker 9: I'm like, bro, anybody that know a lot of words

1142
00:57:10,160 --> 00:57:11,680
Speaker 9: you can rap. I'm like, I'm listen to this shit.

1143
00:57:11,960 --> 00:57:13,120
Speaker 1: They nigga know a lot of words.

1144
00:57:13,320 --> 00:57:14,239
Speaker 2: He put them together.

1145
00:57:14,320 --> 00:57:16,360
Speaker 11: I'm talking about going crazy and Kate is good.

1146
00:57:16,520 --> 00:57:18,600
Speaker 9: Nigga, you press number I just.

1147
00:57:18,680 --> 00:57:23,400
Speaker 2: Don't give a hear that. But because if you're black

1148
00:57:23,440 --> 00:57:26,720
Speaker 2: and you rap, you could be good. Niggas, he dope.

1149
00:57:27,280 --> 00:57:29,080
Speaker 2: No matter how good eminem is, they gonna be like

1150
00:57:29,120 --> 00:57:31,600
Speaker 2: a he whack. That's why he had to keep trying harder.

1151
00:57:31,680 --> 00:57:35,080
Speaker 2: He was black people was like my grandmother the eminem

1152
00:57:35,320 --> 00:57:40,560
Speaker 2: h me know what you make that? Well, you gotta talk.

1153
00:57:42,320 --> 00:57:46,080
Speaker 4: White. A lot of creditors like just don't like ship.

1154
00:57:46,160 --> 00:57:49,000
Speaker 4: But he wasn't in case because they cut the rap.

1155
00:57:49,040 --> 00:57:52,600
Speaker 2: We don't. When they cut the rap, we don't. Yeah, yeah,

1156
00:57:52,720 --> 00:57:56,520
Speaker 2: we're giving mediocre black dude be like yeah he dope.

1157
00:57:56,920 --> 00:58:00,400
Speaker 2: He don't be dope. He just be your cousin that say, daddy,

1158
00:58:00,440 --> 00:58:04,080
Speaker 2: come on, no matter what m speed, you gonna be like, nah,

1159
00:58:04,160 --> 00:58:05,360
Speaker 2: I'm this white boy. You know what I'm saying?

1160
00:58:05,880 --> 00:58:08,360
Speaker 3: Like this shoot, but you can see why the motherfucker

1161
00:58:08,400 --> 00:58:09,640
Speaker 3: will wear battle than Yeah.

1162
00:58:10,320 --> 00:58:12,040
Speaker 2: Was because he had that. He had to always try

1163
00:58:12,120 --> 00:58:14,200
Speaker 2: harder because he ain't never gonna get the proput they deserve.

1164
00:58:14,320 --> 00:58:16,480
Speaker 4: But see just what I'm trying to my mother my

1165
00:58:16,560 --> 00:58:23,520
Speaker 4: bike away because yeah, I have the teacher jacking off

1166
00:58:23,520 --> 00:58:24,440
Speaker 4: in front of my counsel.

1167
00:58:24,720 --> 00:58:34,960
Speaker 7: Yeah him to him, Yeah niggas, Yeah, what school is

1168
00:58:35,040 --> 00:58:36,480
Speaker 7: this that niggas said?

1169
00:58:36,560 --> 00:58:41,680
Speaker 4: Uh, damn what the world were he man man man.

1170
00:58:41,600 --> 00:58:42,160
Speaker 10: Man man.

1171
00:58:47,600 --> 00:58:51,040
Speaker 2: Back again. It'll be so empty without me. I would

1172
00:58:51,080 --> 00:58:52,720
Speaker 2: say that to my kids the other day. I saying

1173
00:58:52,720 --> 00:58:57,640
Speaker 2: that to them, so empty without me? All no, no, no, no, no, no,

1174
00:58:57,720 --> 00:59:00,760
Speaker 2: no no. And then you're gonna, yeah, that's my ship

1175
00:59:00,840 --> 00:59:01,240
Speaker 2: right there, that.

1176
00:59:01,440 --> 00:59:03,200
Speaker 9: Right you go to schools on stupid I did.

1177
00:59:03,320 --> 00:59:09,880
Speaker 2: Yeah, that's my ship, superhero ship with the superhero ship

1178
00:59:12,320 --> 00:59:15,040
Speaker 2: that is Fucky all day. I fucking with him. No,

1179
00:59:16,560 --> 00:59:21,600
Speaker 2: that motherfucker is crazy. Fucking fuck with that dude. But

1180
00:59:21,720 --> 00:59:23,920
Speaker 2: you know how you know tho. Everybody be like yo,

1181
00:59:23,960 --> 00:59:27,960
Speaker 2: don't nobody listened to eminem No, literally, everybody listen. But

1182
00:59:28,040 --> 00:59:30,920
Speaker 2: what I'm telling you is any other white rapper, anybody

1183
00:59:30,920 --> 00:59:31,720
Speaker 2: would have came at him.

1184
00:59:31,720 --> 00:59:35,960
Speaker 3: It's a reason nobody come at that white boy, because.

1185
00:59:35,720 --> 00:59:37,800
Speaker 2: You don't want that on your jacket that he ended

1186
00:59:37,840 --> 00:59:41,000
Speaker 2: your career. Yeah, you don't want that. That's why nobody's

1187
00:59:41,040 --> 00:59:45,320
Speaker 2: come at him. Yeah, in public, I.

1188
00:59:45,360 --> 00:59:47,080
Speaker 9: Won't tutes to come outside and give me.

1189
00:59:49,480 --> 00:59:52,320
Speaker 2: Yeah, he's a wild dude. Hey boy, y'all.

1190
00:59:52,160 --> 00:59:55,200
Speaker 11: Ain't fenishing him playing brother my nigga, Bro, I don't.

1191
00:59:55,040 --> 00:59:56,680
Speaker 2: Give fu bro. Yeah, No, I ain't mad at you

1192
00:59:56,760 --> 00:59:57,400
Speaker 2: by that he was.

1193
00:59:57,440 --> 00:59:59,600
Speaker 10: Part of my reasons why I rap higher rap too, Bro,

1194
01:00:01,200 --> 01:00:01,880
Speaker 10: and some.

1195
01:00:02,000 --> 01:00:04,040
Speaker 2: Got doctor dre. He was like nothing, he's locked in

1196
01:00:04,120 --> 01:00:14,320
Speaker 2: my basement. It's it's only a few like, oh say

1197
01:00:14,400 --> 01:00:26,160
Speaker 2: this you do not so much?

1198
01:00:27,360 --> 01:00:27,520
Speaker 3: Yeah?

1199
01:00:27,600 --> 01:00:30,600
Speaker 2: Yeah, actually that's probably the Oh God, that's the only

1200
01:00:30,640 --> 01:00:33,560
Speaker 2: one I could think of him and Jim Carrey. Oh,

1201
01:00:33,640 --> 01:00:38,320
Speaker 2: I thought you meant rappers. Jim carry rapping. Now hold on,

1202
01:00:38,800 --> 01:00:43,520
Speaker 2: hold up, I know you mean rapper. You got back

1203
01:00:45,160 --> 01:00:49,400
Speaker 2: ring me? Yeah, I know you've been rappings Okay, yeah

1204
01:00:49,440 --> 01:00:53,840
Speaker 2: yeah yeah, mess with yeah yeah yeah yeah. He want on. Man.

1205
01:00:53,840 --> 01:00:56,320
Speaker 9: That's why I say, hey boy, I fought with him.

1206
01:00:56,440 --> 01:01:00,560
Speaker 2: But rappers don't need to get features from white rappers

1207
01:01:01,200 --> 01:01:03,360
Speaker 2: because because everybody shoot them down no matter what.

1208
01:01:03,800 --> 01:01:06,320
Speaker 3: But I'm saying even white rappers don't get features from

1209
01:01:06,360 --> 01:01:07,280
Speaker 3: other white rappers.

1210
01:01:12,720 --> 01:01:18,240
Speaker 2: That's my ship. They probably want to take each other

1211
01:01:18,480 --> 01:01:21,600
Speaker 2: out and date each other something, that's my ship. They

1212
01:01:21,720 --> 01:01:22,520
Speaker 2: made fun of you.

1213
01:01:23,040 --> 01:01:24,160
Speaker 9: I feel like they were entertaining.

1214
01:01:24,240 --> 01:01:24,880
Speaker 1: They stem Bro.

1215
01:01:25,000 --> 01:01:26,680
Speaker 2: I'm like, Bro, you can't get mad that.

1216
01:01:26,720 --> 01:01:27,600
Speaker 9: Niggas having fun.

1217
01:01:27,760 --> 01:01:29,920
Speaker 2: Bro. Nigga said, I'm the least sugar in a band.

1218
01:01:30,000 --> 01:01:33,440
Speaker 2: I may call the girls take off their Underpats said

1219
01:01:33,520 --> 01:01:39,360
Speaker 2: my south Side outside, I don't called my solfa Yo

1220
01:01:40,240 --> 01:01:44,240
Speaker 2: don't even know he nigga. When that nigga said, check

1221
01:01:44,280 --> 01:01:46,640
Speaker 2: out the name of my singles, called my salsa nigga

1222
01:01:48,800 --> 01:01:52,320
Speaker 2: new face from Detroit bro and the nigga had some

1223
01:01:52,480 --> 01:02:00,000
Speaker 2: bra on. Yeah, it's entertainment, that's exact.

1224
01:02:00,080 --> 01:02:04,040
Speaker 3: One of my wrap is him and doctor Dream, which

1225
01:02:04,080 --> 01:02:05,280
Speaker 3: why the guilty conscience?

1226
01:02:05,560 --> 01:02:06,280
Speaker 9: Guilty conscient?

1227
01:02:06,440 --> 01:02:10,360
Speaker 2: Oh yea yeah, yeah, that is cart Actually it's a

1228
01:02:10,400 --> 01:02:14,240
Speaker 2: bunch of them, jos On. You gotta respect the art

1229
01:02:14,320 --> 01:02:16,800
Speaker 2: and the cralf like a. It's different.

1230
01:02:17,080 --> 01:02:18,600
Speaker 9: It's different. It's different.

1231
01:02:18,720 --> 01:02:22,880
Speaker 2: It's different. Definitely, you cannot mock bad but you know

1232
01:02:22,920 --> 01:02:23,240
Speaker 2: what it is.

1233
01:02:23,480 --> 01:02:28,880
Speaker 4: Motherfuckers. Don't make no concept out a concept song like this.

1234
01:02:29,880 --> 01:02:32,680
Speaker 11: We're black, We're black black, we nigga black.

1235
01:02:33,400 --> 01:02:35,760
Speaker 9: He gave us an insight and his culture.

1236
01:02:36,320 --> 01:02:36,920
Speaker 2: Check this out.

1237
01:02:37,000 --> 01:02:38,600
Speaker 9: He gave us insight of his coaching.

1238
01:02:39,080 --> 01:02:42,760
Speaker 2: He came, but we already thought, yeahllion people like. And

1239
01:02:42,880 --> 01:02:46,080
Speaker 2: then the difference is making some ship one hundred and

1240
01:02:46,320 --> 01:02:49,120
Speaker 2: fifty million people like. That's a big difference. That's a

1241
01:02:49,280 --> 01:02:50,040
Speaker 2: huge difference.

1242
01:02:50,440 --> 01:02:53,480
Speaker 3: If you put yourself on the stage that big, right,

1243
01:02:53,840 --> 01:02:56,240
Speaker 3: You ain't never had to walk on stage.

1244
01:02:55,880 --> 01:02:58,360
Speaker 2: And perform for eighty thousand people. Ever.

1245
01:02:58,720 --> 01:03:02,080
Speaker 3: You might can make the most coldest lyrical ship ever,

1246
01:03:02,240 --> 01:03:02,800
Speaker 3: but you can't.

1247
01:03:03,120 --> 01:03:05,400
Speaker 2: You don't got ship. They can rock this crowd. It's

1248
01:03:05,480 --> 01:03:06,160
Speaker 2: hard to rock they.

1249
01:03:07,680 --> 01:03:09,640
Speaker 3: You got to sue your mama and throw you mentioned

1250
01:03:09,720 --> 01:03:12,360
Speaker 3: the trunk. Okay, So that's what That's the type of

1251
01:03:12,360 --> 01:03:15,320
Speaker 3: ship you gotta talk about when you headline in the

1252
01:03:15,440 --> 01:03:18,120
Speaker 3: festival for two hundred thousand drunk white kids.

1253
01:03:18,360 --> 01:03:21,360
Speaker 2: Yeah yeah that ship. That yeah, that fuck all that ship. Yeah.

1254
01:03:21,400 --> 01:03:23,440
Speaker 3: They can have all the flashy ship, but nigga, I

1255
01:03:23,480 --> 01:03:26,080
Speaker 3: got some I gotta go ahead and actually perform this ship.

1256
01:03:26,920 --> 01:03:28,360
Speaker 2: He got claw Rock festival.

1257
01:03:28,440 --> 01:03:30,960
Speaker 3: Now, fuck niggas who went up at two o'clock and

1258
01:03:31,120 --> 01:03:31,880
Speaker 3: had a good set.

1259
01:03:31,920 --> 01:03:34,360
Speaker 2: He had that ten. Yeah he going that, He's going

1260
01:03:34,440 --> 01:03:38,120
Speaker 2: after twenty two years. He performed for the world where

1261
01:03:38,320 --> 01:03:40,040
Speaker 2: X performed at What's Stopped. He was like you, he

1262
01:03:40,120 --> 01:03:45,480
Speaker 2: performed for the world, right, they looked crazy. Yeah, that

1263
01:03:45,560 --> 01:03:48,520
Speaker 2: ship was cracky. It was only seven niggas in the crowd,

1264
01:03:48,680 --> 01:03:53,760
Speaker 2: but they my nigga. Yeah yeah, yeah, yeah, that's crazy.

1265
01:03:53,960 --> 01:03:55,600
Speaker 2: Yeah yeah.

1266
01:03:56,080 --> 01:03:58,760
Speaker 3: I love that clip that looks at the bast like

1267
01:03:58,840 --> 01:04:01,600
Speaker 3: when DMX performed for a whole we're talking about, Yo,

1268
01:04:01,680 --> 01:04:02,760
Speaker 3: that's the that's the best.

1269
01:04:05,080 --> 01:04:08,080
Speaker 2: That was crazy. I've been know X since like nineteen

1270
01:04:08,160 --> 01:04:10,400
Speaker 2: ninety or he grew up. We grew up close to

1271
01:04:10,440 --> 01:04:12,360
Speaker 2: each other. This nigga actually used to go rob the

1272
01:04:12,440 --> 01:04:14,560
Speaker 2: drug block with a dog, a straight dog that he

1273
01:04:14,680 --> 01:04:17,640
Speaker 2: found on the first and robbed the drug block with

1274
01:04:17,800 --> 01:04:19,800
Speaker 2: the straight dog. Hold on, how you robbing the niggas

1275
01:04:19,840 --> 01:04:21,480
Speaker 2: with a dog? I don't know, but he used to

1276
01:04:21,560 --> 01:04:23,880
Speaker 2: do it. No, he used to do it. He hold

1277
01:04:23,920 --> 01:04:26,240
Speaker 2: a dog around the nigga. I'm gonna let this mother talk. No,

1278
01:04:26,640 --> 01:04:36,600
Speaker 2: it was a straight dog. Yeah, nigga ship, many did

1279
01:04:36,680 --> 01:04:40,040
Speaker 2: that ship. He had a stuffed dog, nigga shit.

1280
01:04:40,440 --> 01:04:42,200
Speaker 3: So he just run up on a nigga block with

1281
01:04:42,280 --> 01:04:44,320
Speaker 3: a straight dog, with a straight dog.

1282
01:04:44,440 --> 01:04:46,560
Speaker 2: But that was his I don't know what the fuck,

1283
01:04:46,640 --> 01:04:48,760
Speaker 2: but the dogs would love that nigga and he just

1284
01:04:48,920 --> 01:04:50,680
Speaker 2: met this straight dog. I mean, I don't know if

1285
01:04:51,280 --> 01:04:54,919
Speaker 2: the dog dog Yeah. No, no, I'm saying he would

1286
01:04:55,000 --> 01:04:58,240
Speaker 2: find a straight dog. No, that was Boomer. But this

1287
01:04:58,400 --> 01:05:00,800
Speaker 2: is back this back before he was dead man. Like

1288
01:05:00,880 --> 01:05:03,960
Speaker 2: we were signed to the same production company. Yeah, we were.

1289
01:05:04,160 --> 01:05:06,640
Speaker 2: He had just got out in jail. Yeah no, yeah,

1290
01:05:06,640 --> 01:05:09,480
Speaker 2: he was dark MANX and he was like, yo, he

1291
01:05:09,600 --> 01:05:12,600
Speaker 2: was still doing the spelling rapping. He did a whole

1292
01:05:12,640 --> 01:05:16,680
Speaker 2: record spelling. No no, no, that was a case that

1293
01:05:17,120 --> 01:05:19,000
Speaker 2: was but X shit was better than because he did

1294
01:05:19,080 --> 01:05:22,919
Speaker 2: the whole record spelling and what he was spelling made sense.

1295
01:05:23,000 --> 01:05:26,200
Speaker 2: But the nigga was so gangster that he made the

1296
01:05:26,440 --> 01:05:28,920
Speaker 2: letters rhyme too. That ship, I don't know how the

1297
01:05:28,960 --> 01:05:31,400
Speaker 2: funk he did that ship. This was like in nineteen ninety.

1298
01:05:36,240 --> 01:05:58,000
Speaker 2: He got there. He here you go, oh ship, that's

1299
01:05:58,080 --> 01:06:15,520
Speaker 2: funny and ship and they was really seeing it. Got

1300
01:06:15,560 --> 01:06:22,320
Speaker 2: this sign crying real tears though, ye oh that's funny

1301
01:06:22,320 --> 01:06:37,080
Speaker 2: and ship you gotta oh that's funny. They meant every word. Yeah,

1302
01:06:37,520 --> 01:06:39,520
Speaker 2: but the funny sees you write about that ship though.

1303
01:06:41,080 --> 01:06:48,000
Speaker 2: They meant that ship. Yeah. Yeah, they went crazy. Yeah.

1304
01:06:48,080 --> 01:06:50,880
Speaker 2: It was just like now they knew album cuts, you know,

1305
01:06:51,000 --> 01:06:54,480
Speaker 2: they knew the album like he didn't even have to

1306
01:06:54,480 --> 01:07:01,800
Speaker 2: sing them songs. Hell yeah, that's funny.

1307
01:07:01,840 --> 01:07:14,440
Speaker 12: A ship's over, that's funny.

1308
01:07:14,520 --> 01:07:25,280
Speaker 2: Ship. That nigga out of the man, that's fucking funny.

1309
01:07:26,560 --> 01:07:29,720
Speaker 2: They damn sure was saying that ship. Style was looking

1310
01:07:29,800 --> 01:07:30,360
Speaker 2: forward to it.

1311
01:07:30,920 --> 01:07:33,960
Speaker 3: That's why they came, exactly why they bought the tickets.

1312
01:07:36,480 --> 01:07:40,760
Speaker 2: He gets to the nigga parts, we're gonna yell at

1313
01:07:41,520 --> 01:07:42,520
Speaker 2: We're gonna fucking screaming.

1314
01:07:46,600 --> 01:07:48,200
Speaker 3: The footage is gonna suck you up because it's a

1315
01:07:48,200 --> 01:07:49,760
Speaker 3: white girl on somebody's shoulders.

1316
01:07:49,800 --> 01:07:52,200
Speaker 2: And she was. She was saying that ship loud as fuck.

1317
01:07:54,480 --> 01:07:56,360
Speaker 2: She still says she'd be getting knocked out once a

1318
01:07:56,440 --> 01:08:00,480
Speaker 2: week because she still saying that ship. She be running

1319
01:08:00,480 --> 01:08:03,360
Speaker 2: through the store, the supermarket saying that ship. Yeah, yeah,

1320
01:08:05,720 --> 01:08:16,479
Speaker 2: she get knocked that once a week. But it was funny.

1321
01:08:16,680 --> 01:08:19,320
Speaker 2: He damn sure right. That motherfucker was yelling that ship.

1322
01:08:20,160 --> 01:08:21,679
Speaker 9: Well, you got clip of that ship.

1323
01:08:21,680 --> 01:08:22,320
Speaker 2: I need to see that.

1324
01:08:26,439 --> 01:08:30,280
Speaker 3: Yeah, Robb a nigga, straight dog, bro rob the block

1325
01:08:30,840 --> 01:08:31,400
Speaker 3: that sounds.

1326
01:08:31,479 --> 01:08:32,040
Speaker 4: That sounds.

1327
01:08:32,320 --> 01:08:34,400
Speaker 2: That's some ship that could only happen in New York.

1328
01:08:34,520 --> 01:08:37,439
Speaker 2: I don't know, but that ship was. Wow. I'm like, nigga,

1329
01:08:37,439 --> 01:08:44,280
Speaker 2: you just met this dog. I'm about to argue with

1330
01:08:44,360 --> 01:08:48,479
Speaker 2: that nigga. It'd be a straight pit everybody else running

1331
01:08:48,479 --> 01:08:50,400
Speaker 2: from this motherfucker. Come he come ahead, come here, girl,

1332
01:08:51,600 --> 01:08:53,560
Speaker 2: this nigga go in the bandit house and eat with

1333
01:08:53,680 --> 01:08:56,840
Speaker 2: the dog and ship. Next day they robbing the whole block.

1334
01:08:59,080 --> 01:09:02,640
Speaker 2: This niggat got a gun on a knife, he got

1335
01:09:02,720 --> 01:09:08,360
Speaker 2: no shirt on his nigga was wow, word up Yeah

1336
01:09:08,400 --> 01:09:11,360
Speaker 2: that hick was wow, that's my guy.

1337
01:09:12,439 --> 01:09:19,759
Speaker 3: Yeah yeah, yeah, you know what time? Yeah, depot coming.

1338
01:09:22,200 --> 01:09:25,240
Speaker 2: Ain't gonna be that. They ain't coming alright, repeated my

1339
01:09:25,400 --> 01:09:37,760
Speaker 2: dog right there, and that's my dog right there. Man,

1340
01:09:37,840 --> 01:09:53,080
Speaker 2: I got here. But what you gonahead? That dog she

1341
01:09:53,240 --> 01:09:57,800
Speaker 2: red Barren. Only Nia can do some ship like that. Yeah,

1342
01:09:57,840 --> 01:10:00,880
Speaker 2: that's a nigga ship, some real nigga ship. Yeah that's funny,

1343
01:10:03,080 --> 01:10:06,280
Speaker 2: like for real, But you stupid him and Aaron Hall

1344
01:10:06,320 --> 01:10:10,000
Speaker 2: that niggas a dog whist. Plus you've seen the video

1345
01:10:10,040 --> 01:10:13,679
Speaker 2: on YouTube. Used to prusor Canarians, all type of ship.

1346
01:10:14,160 --> 01:10:15,840
Speaker 2: But he used to come through the office with him

1347
01:10:15,920 --> 01:10:20,080
Speaker 2: with no leash. Aaron and everybody jumping on tables here.

1348
01:10:20,160 --> 01:10:22,760
Speaker 2: No no, no, because you know, Aaron study like it's cool.

1349
01:10:23,120 --> 01:10:24,840
Speaker 2: And then he say some German ship and them ship

1350
01:10:24,920 --> 01:10:25,360
Speaker 2: sit down?

1351
01:10:27,120 --> 01:10:28,360
Speaker 1: Do really want him smarter?

1352
01:10:28,479 --> 01:10:28,719
Speaker 4: Dogs?

1353
01:10:29,280 --> 01:10:29,720
Speaker 1: I got one.

1354
01:10:29,880 --> 01:10:31,479
Speaker 2: I want him smarter niggas. I used to be out.

1355
01:10:31,800 --> 01:10:33,880
Speaker 2: I'm not sitting around hoping that they listening to this

1356
01:10:33,960 --> 01:10:37,160
Speaker 2: German ship. He's saying, I'm out I'm not doing this ship.

1357
01:10:37,760 --> 01:10:41,760
Speaker 2: He's funny man. He say one day he gonna have

1358
01:10:41,840 --> 01:10:45,320
Speaker 2: that dog man. You was about to tell me about

1359
01:10:45,360 --> 01:10:48,280
Speaker 2: the Joe Rude trek. Oh No, I was saying, we

1360
01:10:48,400 --> 01:10:51,599
Speaker 2: did that song on Thursday night and then on Friday

1361
01:10:51,640 --> 01:10:53,560
Speaker 2: didn't Missing You, and both of them got nominated for

1362
01:10:53,560 --> 01:10:57,040
Speaker 2: Grammys that year. So it was like the worst week,

1363
01:10:57,120 --> 01:10:59,960
Speaker 2: but the best week till the night of the Grand

1364
01:11:00,120 --> 01:11:02,840
Speaker 2: Me when I lost both Grammys in thirty minutes. It's okay,

1365
01:11:03,600 --> 01:11:04,160
Speaker 2: what you need?

1366
01:11:04,280 --> 01:11:06,519
Speaker 1: How you lose just to the winner? Yeah?

1367
01:11:06,600 --> 01:11:08,040
Speaker 2: Yeah? Who dropping.

1368
01:11:09,760 --> 01:11:09,880
Speaker 3: Uh?

1369
01:11:10,600 --> 01:11:12,960
Speaker 2: We lost the joy Ruship. We lost to Gwen Stefani

1370
01:11:13,040 --> 01:11:14,240
Speaker 2: and Eve. You lose just.

1371
01:11:16,360 --> 01:11:20,000
Speaker 9: Like you get nominated? You like you o this they

1372
01:11:20,080 --> 01:11:22,400
Speaker 9: got you nominated, you Grammy nominated.

1373
01:11:22,600 --> 01:11:27,160
Speaker 2: Yeah yeah, but no was like no, I ain't no, no, no,

1374
01:11:27,200 --> 01:11:30,360
Speaker 2: no that no. We lost like Gwen Stefanie and Eve.

1375
01:11:30,479 --> 01:11:32,719
Speaker 2: That that me blow yump that be living.

1376
01:11:32,520 --> 01:11:34,599
Speaker 3: It up there and then Best R and B Vocal

1377
01:11:34,680 --> 01:11:37,800
Speaker 3: Performance lost, Missing You lost till you remind me by us?

1378
01:11:38,640 --> 01:11:42,599
Speaker 4: Oh yeah, yeah, have some competition, Who the first first?

1379
01:11:42,800 --> 01:11:43,479
Speaker 9: The first one lost?

1380
01:11:43,560 --> 01:11:44,120
Speaker 1: Who the first one?

1381
01:11:44,880 --> 01:11:45,439
Speaker 2: Fannie and Eve?

1382
01:11:46,920 --> 01:11:49,320
Speaker 10: But that ain't I ain't gonna knock it, But I

1383
01:11:49,360 --> 01:11:51,080
Speaker 10: don't know if it's that's real competition.

1384
01:11:51,200 --> 01:11:52,360
Speaker 4: I don't know if it's stand up.

1385
01:11:52,760 --> 01:11:54,800
Speaker 2: I already know. I already know. I see it in

1386
01:11:54,880 --> 01:11:56,400
Speaker 2: your eyes already. I ain't got to say it. I

1387
01:11:56,400 --> 01:12:01,599
Speaker 2: already know. I already know. You know. Yeah, you remind me, Yeah,

1388
01:12:01,680 --> 01:12:05,160
Speaker 2: mind me up, and who will missing for best r

1389
01:12:05,280 --> 01:12:06,160
Speaker 2: V Vocal performance?

1390
01:12:08,280 --> 01:12:08,840
Speaker 4: You remind me?

1391
01:12:08,920 --> 01:12:10,920
Speaker 2: It was more of a yeah, yeah, it was dope.

1392
01:12:11,200 --> 01:12:11,639
Speaker 2: It was dope.

1393
01:12:11,760 --> 01:12:12,360
Speaker 4: It was cool.

1394
01:12:12,680 --> 01:12:19,200
Speaker 2: It was more like, yeah, the same on the right, right, Yeah,

1395
01:12:20,200 --> 01:12:23,200
Speaker 2: I mean it's part the game. You get a little

1396
01:12:23,200 --> 01:12:27,599
Speaker 2: hat shi Yeah, yeah, I didn't have the hats. Let

1397
01:12:27,640 --> 01:12:31,400
Speaker 2: me see, I don't know what you mean.

1398
01:12:33,960 --> 01:12:36,840
Speaker 1: I'm just saying I'm litting. He it's said vocal.

1399
01:12:37,880 --> 01:12:39,559
Speaker 2: It was vocal vocal.

1400
01:12:39,640 --> 01:12:42,200
Speaker 3: So you should have won because you sung until you

1401
01:12:42,320 --> 01:12:43,200
Speaker 3: literally couldn't say.

1402
01:12:43,840 --> 01:12:47,080
Speaker 2: Trying to fish driving story too, No, they know they

1403
01:12:47,120 --> 01:12:50,040
Speaker 2: don't need to listen. They put but I mean that's

1404
01:12:50,080 --> 01:12:51,760
Speaker 2: how the game go, you know, That's how the game goes,

1405
01:12:51,880 --> 01:12:52,680
Speaker 2: you know.

1406
01:12:52,920 --> 01:12:55,240
Speaker 9: But that's what that's that's if you want to lose,

1407
01:12:55,800 --> 01:12:56,679
Speaker 9: that's still a good one.

1408
01:12:56,600 --> 01:13:01,880
Speaker 2: To lose too. Yeah, I wasn't mad that we like, yeah,

1409
01:13:01,880 --> 01:13:06,240
Speaker 2: we was. Yeah, exactly, but they joint was dope. What

1410
01:13:07,080 --> 01:13:10,000
Speaker 2: record was bigger? Did you did you remind me going

1411
01:13:10,000 --> 01:13:12,360
Speaker 2: a little bit bigger? I don't know. I know, messing

1412
01:13:12,400 --> 01:13:14,439
Speaker 2: you went number one for a few weeks and then

1413
01:13:15,040 --> 01:13:16,559
Speaker 2: it was number three on the pop charts. I don't

1414
01:13:16,560 --> 01:13:20,639
Speaker 2: know what you remind me did because I'm missing yeah,

1415
01:13:20,640 --> 01:13:27,920
Speaker 2: but it wore Yeah, Yeah, that's up. It was yeah that.

1416
01:13:28,960 --> 01:13:31,040
Speaker 10: If you want to say which one is better nostalgia,

1417
01:13:31,760 --> 01:13:33,920
Speaker 10: I'm missing you as better when it.

1418
01:13:33,920 --> 01:13:37,800
Speaker 2: Comes to time wise. Yeah, I take that. Yeah, because

1419
01:13:37,800 --> 01:13:40,280
Speaker 2: it's Thomass right, I take that. I shouldn't ran up

1420
01:13:40,280 --> 01:13:42,040
Speaker 2: stage and snatched somebody else grabb me and just ran

1421
01:13:42,120 --> 01:13:45,000
Speaker 2: out that bit Oka not as fun Eddie Murphy did it.

1422
01:13:45,720 --> 01:13:48,120
Speaker 2: He didn't do Lona Ritchie. He was like, I'm gonna

1423
01:13:48,120 --> 01:13:49,840
Speaker 2: get me a Grammy and like snatched that ship nineteen

1424
01:13:51,280 --> 01:13:54,160
Speaker 2: and walk backstage them get me a Grammy. M I

1425
01:13:54,240 --> 01:13:57,080
Speaker 2: think they probably played nah he was, he wasn't playing,

1426
01:13:57,120 --> 01:14:00,519
Speaker 2: but he gave that shit back get back. Yeah, boyn.

1427
01:14:00,560 --> 01:14:03,960
Speaker 2: The richie wife had hands. She was like a karate

1428
01:14:04,040 --> 01:14:04,519
Speaker 2: maas Ye.

1429
01:14:04,640 --> 01:14:05,400
Speaker 9: What year, missy?

1430
01:14:05,479 --> 01:14:08,040
Speaker 10: You came up two thousand and one and you reminded

1431
01:14:08,040 --> 01:14:09,040
Speaker 10: me came out in two thousand and one.

1432
01:14:09,240 --> 01:14:13,080
Speaker 2: They was at the same time I graduated in one,

1433
01:14:13,160 --> 01:14:15,200
Speaker 2: so you know we had ball with them. Oh yeah,

1434
01:14:15,280 --> 01:14:19,200
Speaker 2: yeah yeah, Oh y'all have both of them joints popping. Yeah,

1435
01:14:19,240 --> 01:14:23,439
Speaker 2: I already know. I already know. Yeah. So which which one?

1436
01:14:23,720 --> 01:14:27,160
Speaker 2: Winster funny beat touched me? No? Living it up with y'all?

1437
01:14:27,680 --> 01:14:34,639
Speaker 10: M thank Yeah, yeah's that funny more big than pop?

1438
01:14:36,320 --> 01:14:39,000
Speaker 2: That was a huge pop record though it's Winster funny.

1439
01:14:39,280 --> 01:14:40,879
Speaker 10: I was saying the funni popa.

1440
01:14:40,840 --> 01:14:45,080
Speaker 2: Yeah, yeah, exactly, yea. I think Drake produced it. Yeah,

1441
01:14:45,080 --> 01:14:46,760
Speaker 2: we ain't no way, hell we was winning that. We

1442
01:14:46,760 --> 01:14:49,799
Speaker 2: alreadyknew that. I mean, I knew I wasn't nominated.

1443
01:14:49,800 --> 01:14:51,440
Speaker 1: A lot of niggas ain't Grammy nominated.

1444
01:14:51,520 --> 01:14:53,400
Speaker 2: And my mama called me right after. Its like, it's

1445
01:14:53,439 --> 01:14:55,920
Speaker 2: good to be nominated, my mom, I love you, but

1446
01:14:56,000 --> 01:14:56,960
Speaker 2: I got to go. I want a way to the

1447
01:14:56,960 --> 01:14:58,680
Speaker 2: liquor store. I call you when I get back, and

1448
01:14:58,880 --> 01:15:00,400
Speaker 2: I called it at a hotel. Now you can give

1449
01:15:00,400 --> 01:15:01,080
Speaker 2: me the losing speech.

1450
01:15:01,200 --> 01:15:03,920
Speaker 10: I'm like, Okay, nominated, so you're walking on listen, man,

1451
01:15:04,000 --> 01:15:04,960
Speaker 10: GM nominated you.

1452
01:15:05,520 --> 01:15:07,919
Speaker 2: Twice, You say twice, I can say twice.

1453
01:15:07,760 --> 01:15:10,320
Speaker 9: Yeah, nominated you know you're working with GM but.

1454
01:15:10,360 --> 01:15:12,280
Speaker 2: She was saying that I wasn't even out the Grammys yet.

1455
01:15:12,320 --> 01:15:15,800
Speaker 2: I'm like, ma, had this conversation later, is it's hard

1456
01:15:15,840 --> 01:15:18,200
Speaker 2: to get in the moon though? Yeah it is? It is?

1457
01:15:18,439 --> 01:15:26,479
Speaker 2: What movie was Living it Up? No? That was just

1458
01:15:27,320 --> 01:15:30,920
Speaker 2: is it in it? Know that it was a movie? No,

1459
01:15:31,080 --> 01:15:32,960
Speaker 2: living it up? Where they may have played it in there.

1460
01:15:33,000 --> 01:15:35,560
Speaker 2: It wasn't on the sound I'm saying it was. It

1461
01:15:35,720 --> 01:15:37,720
Speaker 2: was incorporated with the movie. I'm sure it was in

1462
01:15:37,760 --> 01:15:40,920
Speaker 2: a movie somewhere. Oh yeah it was in Friday, Yeah,

1463
01:15:41,000 --> 01:15:44,400
Speaker 2: the third Friday. Yeah yeah, I was just saying, you

1464
01:15:44,720 --> 01:15:49,360
Speaker 2: got I forgot about that, yeah Friday. Yeah, you got

1465
01:15:49,439 --> 01:15:52,120
Speaker 2: these movie hits. Yeah, it's crazy. I went to movies

1466
01:15:52,160 --> 01:15:55,280
Speaker 2: to see what's Johnson Family Vacation right now? I didn't

1467
01:15:55,320 --> 01:15:56,880
Speaker 2: know my songs in the movie. So it comes up.

1468
01:15:56,880 --> 01:15:59,040
Speaker 2: My son is like seven. He be thirty next month.

1469
01:15:59,560 --> 01:16:02,400
Speaker 2: He was like seven. So we're sitting there and should

1470
01:16:02,400 --> 01:16:03,800
Speaker 2: have known better with me. A ghost face came on.

1471
01:16:03,880 --> 01:16:08,720
Speaker 2: He's like that's you. I'm like, people here, but I

1472
01:16:08,760 --> 01:16:11,840
Speaker 2: didn't know I came on. I'm like, oh ship, so

1473
01:16:12,680 --> 01:16:16,280
Speaker 2: just go home and wait for oh yeah yeah, yeah, yeah, yeah,

1474
01:16:16,720 --> 01:16:19,479
Speaker 2: hell o ge, So what you got coming on here? Shure?

1475
01:16:19,520 --> 01:16:22,280
Speaker 2: I got a Vegas residency that starts day after the

1476
01:16:22,360 --> 01:16:27,760
Speaker 2: mall Yes sir, yes, sir, shake out his hip. Oh

1477
01:16:27,800 --> 01:16:31,280
Speaker 2: you got to go check every Thursday through Saturday at

1478
01:16:32,160 --> 01:16:37,320
Speaker 2: Mixing Lounge in Vegas till January sixth. So I got that.

1479
01:16:37,479 --> 01:16:39,560
Speaker 2: I got the new album Love Jones Volume two is

1480
01:16:39,560 --> 01:16:40,519
Speaker 2: gonna come out right after that.

1481
01:16:40,880 --> 01:16:45,360
Speaker 3: So being failed when you perform missing, you do the

1482
01:16:45,439 --> 01:16:47,360
Speaker 3: ad lib, I can't sing no more and drop it

1483
01:16:48,080 --> 01:16:48,920
Speaker 3: and walk the fuck off.

1484
01:16:49,000 --> 01:16:52,040
Speaker 2: No, they'd be waiting for that. That that every night

1485
01:16:52,080 --> 01:16:53,840
Speaker 2: they'll be waiting on that part, which I didn't know

1486
01:16:54,000 --> 01:16:57,080
Speaker 2: that it just won't Yeah, but I didn't know that

1487
01:16:57,200 --> 01:16:59,080
Speaker 2: until after I see I'm like, yo, these buff was

1488
01:16:59,080 --> 01:17:00,800
Speaker 2: waiting for that and they all be singing it. I'm like,

1489
01:17:00,880 --> 01:17:01,559
Speaker 2: I didn't know that ship.

1490
01:17:01,760 --> 01:17:03,760
Speaker 10: Everybody got a favorite song, But what's your favorite sole

1491
01:17:03,880 --> 01:17:04,400
Speaker 10: to perform?

1492
01:17:04,560 --> 01:17:07,040
Speaker 2: Like you know, like everybody know they got them hiss.

1493
01:17:07,120 --> 01:17:10,880
Speaker 11: But when the band dropped this sheet this beach fintel.

1494
01:17:10,640 --> 01:17:13,960
Speaker 2: Blow happenly math because as soon as it because I'll

1495
01:17:14,000 --> 01:17:16,600
Speaker 2: be talking to them, like I got videos of that

1496
01:17:16,640 --> 01:17:18,439
Speaker 2: ship in my phone. I don't even have to sing

1497
01:17:18,560 --> 01:17:21,040
Speaker 2: that ship. Like the whole the crowd be singing it,

1498
01:17:21,400 --> 01:17:24,280
Speaker 2: And I thought about to say the Hose No, no, no, no,

1499
01:17:25,040 --> 01:17:25,920
Speaker 2: I thought they called him.

1500
01:17:26,600 --> 01:17:26,960
Speaker 1: I mean.

1501
01:17:29,200 --> 01:17:38,720
Speaker 2: The crowd, say the whole crowd and the whole world. Yeah,

1502
01:17:39,280 --> 01:17:42,720
Speaker 2: I mean the Hose who crown. The whole crowd be

1503
01:17:42,840 --> 01:17:45,160
Speaker 2: singing it. I think that's probably the that's probably the

1504
01:17:45,840 --> 01:17:47,960
Speaker 2: I mean, but touch Me team like that. But for me,

1505
01:17:48,600 --> 01:17:50,160
Speaker 2: from what I see on stage, I don't know from

1506
01:17:50,200 --> 01:17:52,479
Speaker 2: the audience, but from me on stage, where happily of

1507
01:17:52,560 --> 01:17:55,160
Speaker 2: after it's over, you have to work. You got to

1508
01:17:55,200 --> 01:17:57,760
Speaker 2: work when Young Fox still on the one. Yeah, that

1509
01:17:57,880 --> 01:17:59,960
Speaker 2: was like a second or third joint. I'll test me

1510
01:18:00,000 --> 01:18:03,920
Speaker 2: teach me, Yeah, yeah, yeah, ever yeah. But what's crazy

1511
01:18:04,040 --> 01:18:06,880
Speaker 2: is that we had the record we made, touch Me

1512
01:18:07,000 --> 01:18:09,640
Speaker 2: Teach Me was Christmas Eve in nineteen ninety five, and

1513
01:18:10,280 --> 01:18:18,320
Speaker 2: we made the song and was like, you boy, that's

1514
01:18:18,360 --> 01:18:26,000
Speaker 2: the present. A gift is a gift. But no so

1515
01:18:29,400 --> 01:18:31,640
Speaker 2: but we was like we need a female. We was like,

1516
01:18:31,680 --> 01:18:33,560
Speaker 2: we should get a female to rap on it. So

1517
01:18:33,680 --> 01:18:35,360
Speaker 2: we're sitting there because we're dumb as fuck. We're like,

1518
01:18:35,400 --> 01:18:38,200
Speaker 2: look she left eye Lauren, hell little Kim this one.

1519
01:18:38,520 --> 01:18:40,160
Speaker 2: And then somebody it's like, you know Foxy is on

1520
01:18:40,280 --> 01:18:42,320
Speaker 2: your label. It's like, oh shit, I forgot. And that's

1521
01:18:42,320 --> 01:18:45,040
Speaker 2: when she had just did the I shot you with

1522
01:18:45,400 --> 01:18:47,920
Speaker 2: ll We was like, oh bat, you had to do

1523
01:18:48,000 --> 01:18:50,799
Speaker 2: this ship. Yeah, I got pictures of me at Foxy

1524
01:18:50,920 --> 01:18:52,400
Speaker 2: in the studio in the booth, I still had a

1525
01:18:52,479 --> 01:18:54,599
Speaker 2: forty and I had forty. Saint Nives were in there

1526
01:18:54,640 --> 01:18:58,080
Speaker 2: with the mic recording that ship. That's a lot of beer. Yeah,

1527
01:18:58,280 --> 01:19:00,360
Speaker 2: it was the whole forty ounces of it for they

1528
01:19:00,520 --> 01:19:02,840
Speaker 2: fucking ouncer. I used to, Yeah, but I used to

1529
01:19:02,920 --> 01:19:05,000
Speaker 2: drink food. Now I'm like, how the funk would y'all

1530
01:19:05,080 --> 01:19:11,679
Speaker 2: let me drink this shrink? Ever, I know, never mind,

1531
01:19:11,760 --> 01:19:14,800
Speaker 2: not the smell of that ship. Though. The smell of

1532
01:19:14,880 --> 01:19:17,040
Speaker 2: that it's not nigga. We used to drink sixty fours

1533
01:19:17,400 --> 01:19:19,560
Speaker 2: in about ninety two. I was like, nigga, God, we

1534
01:19:19,640 --> 01:19:21,719
Speaker 2: used to when they came up to sixty four ounces.

1535
01:19:22,439 --> 01:19:25,720
Speaker 2: God damn, that's what that's like one bill for like

1536
01:19:25,760 --> 01:19:31,639
Speaker 2: a we gam nigga nigga. Yeah, then my man. Then

1537
01:19:31,680 --> 01:19:34,920
Speaker 2: my man used to put pineapple juice in it. Half

1538
01:19:34,960 --> 01:19:37,960
Speaker 2: the nights I end up in jail, God damn it.

1539
01:19:38,040 --> 01:19:40,599
Speaker 9: Case we're glad you did.

1540
01:19:41,960 --> 01:19:43,560
Speaker 2: Yeah, I don't know what that is, nigga. But that

1541
01:19:43,640 --> 01:19:47,920
Speaker 2: ship that the next day, No, nigga, you ain't never been.

1542
01:19:48,280 --> 01:19:50,160
Speaker 2: When you get to jail, you're like a spinning You

1543
01:19:50,240 --> 01:19:52,599
Speaker 2: gotta stay at the metal sink so the room starts

1544
01:19:52,600 --> 01:19:58,320
Speaker 2: spinning till you fall asleep. Nigga. That's the worst I heard. Yeah,

1545
01:19:58,360 --> 01:20:02,800
Speaker 2: so they say, Nigga, I'm sleepy, but I can't close

1546
01:20:02,880 --> 01:20:06,920
Speaker 2: this eye. Nigga, just stare at something that ship because

1547
01:20:07,000 --> 01:20:10,680
Speaker 2: anything else doing this ship, Nigga, when everything going like

1548
01:20:10,760 --> 01:20:15,120
Speaker 2: this when you get drunk, Yeah, what is that about?

1549
01:20:15,240 --> 01:20:15,600
Speaker 1: What is that?

1550
01:20:15,960 --> 01:20:18,880
Speaker 2: It's like a spin spin nigga, I'm talking about it.

1551
01:20:18,920 --> 01:20:20,559
Speaker 2: But the spin is not as bad as this ship,

1552
01:20:21,160 --> 01:20:23,920
Speaker 2: that matrix ship. When I'm like, yo, the you gotta

1553
01:20:23,960 --> 01:20:27,479
Speaker 2: focus on something. You gotta focus. Oh that like when

1554
01:20:27,479 --> 01:20:30,120
Speaker 2: you just try to like rest, you're gonna die. Yeah,

1555
01:20:30,120 --> 01:20:34,120
Speaker 2: You're gonna throw up. You're gonna throw up. Yep. You

1556
01:20:34,200 --> 01:20:35,679
Speaker 2: gotta find something to stare at.

1557
01:20:36,360 --> 01:20:39,400
Speaker 4: Me because you'll be trying to close your eyes in

1558
01:20:39,479 --> 01:20:39,760
Speaker 4: the room.

1559
01:20:40,160 --> 01:20:44,880
Speaker 2: It is living and it starts spinning faster and faster. Yeah,

1560
01:20:45,479 --> 01:20:48,400
Speaker 2: like a fan coming off. Like if you stay like that, bro,

1561
01:20:48,680 --> 01:20:51,400
Speaker 2: it's over. You ain't gonna stay that for long. You

1562
01:20:51,479 --> 01:20:53,720
Speaker 2: gotta find something to stare at. But I figured out

1563
01:20:53,720 --> 01:20:56,439
Speaker 2: I could do it with one eye till I fall asleep.

1564
01:20:56,800 --> 01:20:59,960
Speaker 2: You gotta stay at something like shits no, don't touch

1565
01:21:00,200 --> 01:21:03,400
Speaker 2: it is. Yeah, I'm good and like you go home now.

1566
01:21:03,439 --> 01:21:07,120
Speaker 2: I'm good, nigga just about got this. Come get me later.

1567
01:21:07,439 --> 01:21:07,840
Speaker 2: I'm glad.

1568
01:21:07,880 --> 01:21:09,800
Speaker 1: I ain't drink. Man, it was smoke.

1569
01:21:12,400 --> 01:21:14,280
Speaker 2: And sixty four it's who the fuck? The idea was

1570
01:21:14,439 --> 01:21:18,960
Speaker 2: to make sixty four ounces though, Yeah, and we watch

1571
01:21:19,000 --> 01:21:21,160
Speaker 2: ship once ice Cube did the Saint Ice commercial. It

1572
01:21:21,280 --> 01:21:23,720
Speaker 2: was over. I was buying a sixty four. I used

1573
01:21:23,760 --> 01:21:28,320
Speaker 2: to love ice Cube back then with the Paron parent

1574
01:21:28,600 --> 01:21:31,639
Speaker 2: parent that was the ship, right, and then Wu Tang

1575
01:21:31,880 --> 01:21:36,960
Speaker 2: Wu Tang had it, nigga, they had all them ship

1576
01:21:37,320 --> 01:21:38,040
Speaker 2: It was ice.

1577
01:21:37,880 --> 01:21:41,600
Speaker 3: Cube one where they chased him all wheel cross l

1578
01:21:41,640 --> 01:21:45,680
Speaker 3: a helicopters police, He making lefts right and the bus

1579
01:21:45,920 --> 01:21:47,599
Speaker 3: was clean as six.

1580
01:21:47,560 --> 01:21:50,200
Speaker 2: Four and then he get out the fucking car. He

1581
01:21:50,280 --> 01:21:51,640
Speaker 2: pull up in the wet house.

1582
01:21:51,640 --> 01:21:55,160
Speaker 3: Get out, run to the friz rich he got to carry. Yeah,

1583
01:21:56,240 --> 01:21:59,760
Speaker 3: like damn, why would anybody by that ship if they's

1584
01:21:59,800 --> 01:22:00,479
Speaker 3: gonna do all.

1585
01:22:00,439 --> 01:22:05,120
Speaker 2: That yeah, yeah, heah when you put it like that, yeah, yeah.

1586
01:22:05,720 --> 01:22:08,360
Speaker 3: Nigga, the whole police force was on this nigga's head

1587
01:22:08,800 --> 01:22:10,120
Speaker 3: because he's drinking and driving.

1588
01:22:10,280 --> 01:22:16,439
Speaker 2: Yeah for forty he only had the forty damn. That's

1589
01:22:16,479 --> 01:22:18,080
Speaker 2: you said like that. I'm like, what made me say

1590
01:22:18,200 --> 01:22:19,439
Speaker 2: you need twenty four miles?

1591
01:22:19,520 --> 01:22:19,720
Speaker 1: Is that.

1592
01:22:21,479 --> 01:22:26,080
Speaker 2: Local ship? Doe? No? That was that was That was

1593
01:22:26,120 --> 01:22:29,479
Speaker 2: the second Cisco. When that ship pop over, you hear

1594
01:22:29,680 --> 01:22:30,120
Speaker 2: you hear that.

1595
01:22:33,240 --> 01:22:37,439
Speaker 3: They didn't even slow down on little going to that

1596
01:22:37,560 --> 01:22:39,320
Speaker 3: ship made white girls start fighting.

1597
01:22:39,520 --> 01:22:41,960
Speaker 2: But the first, the first four logo was Cisco Nigga.

1598
01:22:41,960 --> 01:22:43,840
Speaker 2: When I was in eighth grade, niggas you drinking Cisco

1599
01:22:43,920 --> 01:22:46,720
Speaker 2: was falling out their seat in the class. Cisco with

1600
01:22:46,880 --> 01:22:51,479
Speaker 2: motherfucker like sir, yeah, Cisco as the fun.

1601
01:22:51,600 --> 01:22:52,960
Speaker 4: That's what you know, you know the nigga to be.

1602
01:22:54,800 --> 01:22:55,560
Speaker 9: That's that.

1603
01:22:56,880 --> 01:23:04,519
Speaker 2: But you know, yoo yo dog And it was cheap.

1604
01:23:04,840 --> 01:23:06,320
Speaker 2: I me and I threw up in this girl face.

1605
01:23:06,360 --> 01:23:07,920
Speaker 2: We was about to get it on and had drank

1606
01:23:08,000 --> 01:23:09,840
Speaker 2: some Cisco. I was like it was I'm like yo,

1607
01:23:10,640 --> 01:23:17,639
Speaker 2: I'm like, I'm like, stop kissing me. She's like, what happened? Nigga? Yeah?

1608
01:23:17,640 --> 01:23:20,439
Speaker 3: It was terrible, but then I seen on Facebook and

1609
01:23:20,560 --> 01:23:23,200
Speaker 3: I was like, got dodge one I've seen on Facebook.

1610
01:23:23,280 --> 01:23:27,479
Speaker 2: Now I'm like, Cisco, oh man, I don't think so

1611
01:23:28,560 --> 01:23:29,400
Speaker 2: that's up.

1612
01:23:30,960 --> 01:23:32,080
Speaker 1: I had a leerging.

1613
01:23:38,680 --> 01:23:40,800
Speaker 2: That's my ship.

1614
01:23:42,600 --> 01:23:43,320
Speaker 9: I shouldn't do it.

1615
01:23:43,439 --> 01:23:47,680
Speaker 2: This ship I ain't do I was about saying what up?

1616
01:23:48,600 --> 01:23:55,559
Speaker 9: No, That's why I know that, my boy, Oh my goodness,

1617
01:23:56,080 --> 01:23:56,760
Speaker 9: I tried drinking.

1618
01:23:56,960 --> 01:23:57,760
Speaker 2: I was an exclusive.

1619
01:23:58,040 --> 01:24:01,600
Speaker 10: I come in to be with about thinking on doing so,

1620
01:24:01,840 --> 01:24:03,080
Speaker 10: not knowing it ain't number water.

1621
01:24:03,240 --> 01:24:07,720
Speaker 2: Yeah, we used to have under excuse she's like a

1622
01:24:07,720 --> 01:24:10,840
Speaker 2: twenty dollars but about d oh any think that big

1623
01:24:10,880 --> 01:24:12,000
Speaker 2: for twenty dollars is all bad?

1624
01:24:12,040 --> 01:24:18,240
Speaker 9: They don't come in the cloi, right, ain't talking about

1625
01:24:19,560 --> 01:24:24,760
Speaker 9: there was a chaser exclusive. She ain't talking about it exclusive.

1626
01:24:24,920 --> 01:24:25,760
Speaker 2: I've seen that before.

1627
01:24:25,840 --> 01:24:27,000
Speaker 9: Clusive, you remember that.

1628
01:24:27,200 --> 01:24:29,360
Speaker 2: I did see that, but like bottom like seven when

1629
01:24:29,400 --> 01:24:31,240
Speaker 2: I first moved down here, somebody had it. I think

1630
01:24:31,320 --> 01:24:32,960
Speaker 2: Mike had it, and I'm like, what the hell is

1631
01:24:32,960 --> 01:24:36,559
Speaker 2: doing with no? At the end my d B seventeen,

1632
01:24:36,600 --> 01:24:38,680
Speaker 2: you think you doing? So? He right about that and

1633
01:24:38,720 --> 01:24:39,840
Speaker 2: what's the idea?

1634
01:24:42,439 --> 01:24:42,680
Speaker 4: That's what?

1635
01:24:45,120 --> 01:24:53,120
Speaker 2: Rightine bananas? And that ship was terrible. That ship was terrible.

1636
01:24:55,080 --> 01:24:59,360
Speaker 2: Tyer voker. Oh he took it back to the ninety nine.

1637
01:24:59,400 --> 01:25:02,960
Speaker 2: I forgot that. Yeahga vaka month to Zuma.

1638
01:25:03,240 --> 01:25:04,200
Speaker 9: What about the five off?

1639
01:25:04,520 --> 01:25:07,840
Speaker 2: Hold up? Whoever had that crystal skull with the glass skull?

1640
01:25:08,200 --> 01:25:10,320
Speaker 2: It made out the bottle was a skull made out

1641
01:25:10,320 --> 01:25:14,920
Speaker 2: of glass. No, it was vodka. It was a glass skull.

1642
01:25:15,120 --> 01:25:17,479
Speaker 2: And me and my man was his birthdays, Like, let's

1643
01:25:17,520 --> 01:25:22,160
Speaker 2: get that, nigga. We went and drank that ship. I'm like, Nigga,

1644
01:25:22,160 --> 01:25:24,360
Speaker 2: I can't feel in front of my face. Yo, So

1645
01:25:24,520 --> 01:25:26,400
Speaker 2: y'all wanted to drinking that was trying ship. Let me

1646
01:25:26,439 --> 01:25:28,120
Speaker 2: see what. It was his birthday and we had some

1647
01:25:28,240 --> 01:25:30,160
Speaker 2: chicks coming, so we were like, yeah, let's drink it.

1648
01:25:30,800 --> 01:25:32,920
Speaker 2: I should have known when the chicks ain't drink that much.

1649
01:25:33,560 --> 01:25:36,280
Speaker 2: But me, I'm like, I'm drinking, Nigga. I couldn't feel

1650
01:25:36,520 --> 01:25:39,479
Speaker 2: my forehead, nose or lips. I'm like, nigga, you hight.

1651
01:25:40,840 --> 01:25:44,320
Speaker 2: I woke up under this nigga chair. I'm calling my

1652
01:25:44,360 --> 01:25:45,360
Speaker 2: girl like bad, come get me.

1653
01:25:45,680 --> 01:25:45,720
Speaker 11: No.

1654
01:25:46,280 --> 01:25:50,160
Speaker 2: Yeah, She's like I can't right now. Well I'm gonna die. Damn.

1655
01:25:50,560 --> 01:25:53,920
Speaker 2: I couldn't feel shit in here, like I could feel

1656
01:25:53,960 --> 01:26:00,880
Speaker 2: shit straight up, nigga, well, yeah, you've been real.

1657
01:26:00,960 --> 01:26:01,479
Speaker 4: It's been real.

1658
01:26:01,760 --> 01:26:04,680
Speaker 2: It's been real right to I'm trying to be who

1659
01:26:04,840 --> 01:26:10,040
Speaker 2: you know I am. I ain't know who I was

1660
01:26:10,120 --> 01:26:13,599
Speaker 2: at that point. The whole bottle is a glass skull.

1661
01:26:13,680 --> 01:26:15,680
Speaker 2: He still got the bottle of his crib. I'm like

1662
01:26:15,760 --> 01:26:17,880
Speaker 2: telling kids about that. I stopped. I stopped on the

1663
01:26:18,560 --> 01:26:25,479
Speaker 2: Great goose Way. That ship, that ship want I'm smart.

1664
01:26:25,479 --> 01:26:26,719
Speaker 9: I had the smart skinny bottle.

1665
01:26:26,720 --> 01:26:31,000
Speaker 2: You know that love You had that one. He had

1666
01:26:31,000 --> 01:26:34,960
Speaker 2: the international flight bottle, had the international bottle. He had

1667
01:26:34,960 --> 01:26:45,200
Speaker 2: the international bottle. That's funny and ship, that's too real,

1668
01:26:45,760 --> 01:26:53,559
Speaker 2: too shot. I'm like this, like I forgot about those man.

1669
01:26:54,040 --> 01:26:58,840
Speaker 2: Everybody time we got the magnum, you got to man

1670
01:26:59,400 --> 01:27:02,400
Speaker 2: right right down, and we just kept feeling the business

1671
01:27:02,479 --> 01:27:06,439
Speaker 2: up with to keep them going. That's funny and ship,

1672
01:27:10,600 --> 01:27:11,680
Speaker 2: we're gonna tell you that. The later.

1673
01:27:11,760 --> 01:27:13,320
Speaker 9: We used to treat the great Goozs like it was

1674
01:27:13,400 --> 01:27:14,000
Speaker 9: like an ending.

1675
01:27:14,560 --> 01:27:15,439
Speaker 2: Well, we had a good name.

1676
01:27:15,520 --> 01:27:16,840
Speaker 1: Man, we're gonna get a great gul.

1677
01:27:17,040 --> 01:27:19,320
Speaker 10: Hey, man, get some great gul and they don't put

1678
01:27:19,400 --> 01:27:20,920
Speaker 10: in you ain't drinking this ship.

1679
01:27:21,360 --> 01:27:23,200
Speaker 4: Niggas put it in on the great good nigga. Pull

1680
01:27:23,200 --> 01:27:23,840
Speaker 4: over the great.

1681
01:27:23,760 --> 01:27:24,400
Speaker 1: Goods and all that.

1682
01:27:24,720 --> 01:27:26,320
Speaker 9: I don't take it out the brown man like it

1683
01:27:26,439 --> 01:27:26,800
Speaker 9: was the truth.

1684
01:27:29,720 --> 01:27:30,559
Speaker 4: We got a great look.

1685
01:27:30,600 --> 01:27:32,559
Speaker 2: And that's when Belvedere was out at the same time,

1686
01:27:32,600 --> 01:27:35,080
Speaker 2: and niggast know rest, Yeah that was just I felt

1687
01:27:35,120 --> 01:27:39,280
Speaker 2: like yeah, yeah, yeah, great gute took over that ship.

1688
01:27:39,320 --> 01:27:39,519
Speaker 3: Yeah.

1689
01:27:39,520 --> 01:27:42,000
Speaker 9: It was just like I don't know, man with just

1690
01:27:42,120 --> 01:27:43,040
Speaker 9: somebody goods man.

1691
01:27:43,520 --> 01:27:51,839
Speaker 3: Yeah, I still drink that ship the hell yeahna fuck.

1692
01:27:51,640 --> 01:27:53,840
Speaker 2: With But I was scared of that brown.

1693
01:27:55,280 --> 01:27:56,160
Speaker 9: I never tried brown.

1694
01:27:56,200 --> 01:27:57,840
Speaker 2: He know, me and my man, we used to drink.

1695
01:27:57,960 --> 01:28:00,880
Speaker 2: We used to get a fifth of Hennessy a piece,

1696
01:28:01,080 --> 01:28:03,679
Speaker 2: trying to drink it hot out the bottle Handle's wrong

1697
01:28:03,760 --> 01:28:06,360
Speaker 2: with you case that's in New York citre night. I

1698
01:28:06,400 --> 01:28:09,680
Speaker 2: don't know, but nigga, it was so many times that

1699
01:28:09,800 --> 01:28:12,280
Speaker 2: I'm like, yo, what happened last night?

1700
01:28:12,520 --> 01:28:12,640
Speaker 13: Right?

1701
01:28:12,800 --> 01:28:14,679
Speaker 2: Or I would like it used to be five six

1702
01:28:14,760 --> 01:28:17,280
Speaker 2: hours missing. I went to a club out here at

1703
01:28:17,360 --> 01:28:19,240
Speaker 2: Chickens like you know, hey, you remember me, and you

1704
01:28:19,320 --> 01:28:22,320
Speaker 2: sang for my mama. I never seen you my life, Like, yeah,

1705
01:28:22,320 --> 01:28:24,400
Speaker 2: you and your manager came and you sing you don't

1706
01:28:24,400 --> 01:28:27,120
Speaker 2: remember I never seen you in my life. I ain't

1707
01:28:27,200 --> 01:28:29,280
Speaker 2: know the chick I had to call him. He was like, yeah,

1708
01:28:29,320 --> 01:28:31,600
Speaker 2: that's all. So how I get there? It's like you

1709
01:28:31,720 --> 01:28:35,320
Speaker 2: was there for hours. I woke up home, right, that's

1710
01:28:35,360 --> 01:28:37,240
Speaker 2: all I know. Yes, I woke up home. So you

1711
01:28:37,400 --> 01:28:37,840
Speaker 2: was it too?

1712
01:28:38,000 --> 01:28:40,720
Speaker 3: You gotta give up the ARV party like it was

1713
01:28:40,760 --> 01:28:44,120
Speaker 3: on an R and V clarty like and more kids

1714
01:28:44,760 --> 01:28:45,200
Speaker 3: firing on.

1715
01:28:46,560 --> 01:28:48,080
Speaker 2: Yeah. But I used to wild out though. I I

1716
01:28:48,160 --> 01:28:51,080
Speaker 2: used to wild out. Yeah, oh boy, no, no, I

1717
01:28:51,200 --> 01:28:52,680
Speaker 2: used to wild out in the party. I saw. I'm

1718
01:28:52,680 --> 01:28:55,960
Speaker 2: glads for social media, right, yeah, I I had Uh.

1719
01:28:57,080 --> 01:29:01,639
Speaker 2: We was at Virginia. Yeah, after the party, so these

1720
01:29:01,920 --> 01:29:04,360
Speaker 2: chicks have following us around. Well, it was one girl

1721
01:29:05,320 --> 01:29:06,640
Speaker 2: and then I had to go to the bathroom, so

1722
01:29:06,720 --> 01:29:08,160
Speaker 2: my body guard I was like, here, go to the bathroom.

1723
01:29:09,120 --> 01:29:11,400
Speaker 2: By it was two girls went in there behind me.

1724
01:29:12,160 --> 01:29:14,000
Speaker 2: So then we was in there talking. I was telling

1725
01:29:14,080 --> 01:29:16,600
Speaker 2: him about you know, the goodness of Jesus Christ. And

1726
01:29:16,720 --> 01:29:19,120
Speaker 2: then but the one that was following me was still outside,

1727
01:29:20,280 --> 01:29:21,840
Speaker 2: so her dude was trying to come in. I even

1728
01:29:21,880 --> 01:29:23,320
Speaker 2: know this. My body guy was like, yeah, homie, you

1729
01:29:23,320 --> 01:29:25,120
Speaker 2: can't come in here right now. He pulls our two

1730
01:29:25,200 --> 01:29:27,439
Speaker 2: joints on him so he can go sit down. So

1731
01:29:27,600 --> 01:29:30,600
Speaker 2: now we go to vi P. It's them two and

1732
01:29:30,720 --> 01:29:32,800
Speaker 2: this third one of us following us, and they all

1733
01:29:32,920 --> 01:29:35,240
Speaker 2: in the VIP in front of everybody, just rocking. Niggas

1734
01:29:35,280 --> 01:29:39,040
Speaker 2: like Yo, niggas like it's just happening, and I'm like,

1735
01:29:39,600 --> 01:29:42,360
Speaker 2: I feel like this is happening. I'm like, go get

1736
01:29:42,439 --> 01:29:45,080
Speaker 2: niggas cause they gonna tak com lying right. So everybody

1737
01:29:45,160 --> 01:29:46,759
Speaker 2: was with us, because you know niggas can be like nigga,

1738
01:29:46,760 --> 01:29:49,360
Speaker 2: you lie, you pulling somebody. Yeah, I was like, get

1739
01:29:49,479 --> 01:29:52,920
Speaker 2: anybody with us. Nigga came. I'm like yeah. Then then

1740
01:29:53,000 --> 01:29:55,240
Speaker 2: they got the limo. This nigga came open the door.

1741
01:29:55,720 --> 01:29:58,519
Speaker 2: The boyfriend showed back up. So you were like, go

1742
01:29:59,120 --> 01:30:02,720
Speaker 2: with your nigga. G I gotta go. This is get

1743
01:30:02,800 --> 01:30:04,720
Speaker 2: open the door. My man jumped. He jumped from the

1744
01:30:04,800 --> 01:30:07,160
Speaker 2: front of the limo and land He jumped and landed

1745
01:30:07,240 --> 01:30:09,599
Speaker 2: with both joints out. He's like, don't do that. I'm like, yeah,

1746
01:30:09,680 --> 01:30:12,719
Speaker 2: let them go, but that's your girl.

1747
01:30:12,800 --> 01:30:12,960
Speaker 1: Man.

1748
01:30:14,240 --> 01:30:18,400
Speaker 2: Yeah, I know enough. Yeah, yeah.

1749
01:30:19,439 --> 01:30:20,479
Speaker 3: I saw you in the club.

1750
01:30:20,920 --> 01:30:21,840
Speaker 2: You you've been in that.

1751
01:30:21,960 --> 01:30:23,000
Speaker 1: I saw you for a whole.

1752
01:30:22,920 --> 01:30:27,439
Speaker 2: Out, Yo. This motherfucker which I'm doing in that bathroom?

1753
01:30:28,320 --> 01:30:31,200
Speaker 6: You want to shoot me tell that's my baby in

1754
01:30:31,320 --> 01:30:37,519
Speaker 6: that a that Yeah, yeah, that tell me.

1755
01:30:37,760 --> 01:30:39,320
Speaker 1: What is this.

1756
01:30:40,880 --> 01:30:41,120
Speaker 2: Case?

1757
01:30:41,280 --> 01:30:41,800
Speaker 1: Case said?

1758
01:30:42,640 --> 01:30:44,960
Speaker 2: I'm talking to you then I got nothing new? Yeah,

1759
01:30:44,960 --> 01:30:45,600
Speaker 2: this is about you.

1760
01:30:45,720 --> 01:30:49,920
Speaker 3: This ain't about you, bro, This ain't got nothing new.

1761
01:30:50,560 --> 01:30:54,120
Speaker 2: This ain't about you. I got anybody war.

1762
01:30:55,960 --> 01:30:57,000
Speaker 6: Ship deep in that.

1763
01:31:00,240 --> 01:31:12,920
Speaker 2: Brother, Yo, be susy. Hey, bro, which the fous? I'm like, Nigga,

1764
01:31:12,960 --> 01:31:15,200
Speaker 2: that's a sale. Y'all gotta go. I'm like, y'all gotta go,

1765
01:31:15,320 --> 01:31:22,160
Speaker 2: y'all gotta go. That's a sale yo.

1766
01:31:25,200 --> 01:31:25,320
Speaker 4: Yo.

1767
01:31:26,320 --> 01:31:33,240
Speaker 2: Yeah, that's funny as hell. Yeah. Small shout out to

1768
01:31:33,280 --> 01:31:38,720
Speaker 2: homie man my bad. Yeah yeah, you damn came open

1769
01:31:38,800 --> 01:31:49,640
Speaker 2: the door. He't say that when you yo, don't do

1770
01:31:49,800 --> 01:31:55,840
Speaker 2: me like this, Yo, that's funny. Yo, give me yo.

1771
01:31:56,040 --> 01:31:58,160
Speaker 2: I'm like, yeah, I'm like, you know, y'all got to go.

1772
01:31:58,240 --> 01:32:00,360
Speaker 2: Y'all got to go. I know this nigga, I ain't know.

1773
01:32:00,400 --> 01:32:02,519
Speaker 2: I knew him. Think it's all lying. No, I ain't know.

1774
01:32:02,960 --> 01:32:05,320
Speaker 2: I just want him to go. He makes me feel bad.

1775
01:32:05,360 --> 01:32:11,040
Speaker 2: Y'all got to go. Doctor King ain't dopp this. Doctor

1776
01:32:11,120 --> 01:32:14,160
Speaker 2: King ain't dopping this. Y'all got to go. That's funny.

1777
01:32:15,240 --> 01:32:16,559
Speaker 2: I do have to not with.

1778
01:32:21,240 --> 01:32:23,000
Speaker 4: That my baby. That everything.

1779
01:32:23,200 --> 01:32:23,960
Speaker 2: Oh that's funny.

1780
01:32:24,040 --> 01:32:25,519
Speaker 9: He well new nigga like that.

1781
01:32:25,640 --> 01:32:29,920
Speaker 2: You gotta respect, hey man, let it go. He ain't

1782
01:32:29,920 --> 01:32:30,479
Speaker 2: gonna say.

1783
01:32:30,320 --> 01:32:30,600
Speaker 13: That, he jo.

1784
01:32:30,760 --> 01:32:33,320
Speaker 2: He's just glad to have it back of the go. Okay, No,

1785
01:32:33,520 --> 01:32:39,920
Speaker 2: that's the hell of a ride home though, looking crazy crazy,

1786
01:32:40,600 --> 01:32:43,120
Speaker 2: I'm talking no, no, no, because now because you know

1787
01:32:43,160 --> 01:32:46,040
Speaker 2: what happened, he started bringing up shorty that she heard

1788
01:32:46,080 --> 01:32:48,519
Speaker 2: about that she ain't brought up yet. That's that happened.

1789
01:32:48,880 --> 01:32:49,240
Speaker 2: He ain't.

1790
01:32:49,680 --> 01:32:51,840
Speaker 9: He ain't never seen Let me tell you something.

1791
01:32:52,160 --> 01:32:55,960
Speaker 2: Yeah, yeah, they never seen. This girl actually knew what

1792
01:32:56,240 --> 01:32:59,640
Speaker 2: he thought she would do when she did it in

1793
01:32:59,760 --> 01:33:03,639
Speaker 2: his face with her with her friend. Oh s yeah,

1794
01:33:04,120 --> 01:33:07,000
Speaker 2: but you can't even control it. What about the heartless?

1795
01:33:11,080 --> 01:33:12,400
Speaker 9: She don't even know what she do?

1796
01:33:14,080 --> 01:33:14,960
Speaker 1: She don't even know.

1797
01:33:15,800 --> 01:33:18,760
Speaker 2: So I need you to let him girl, I need

1798
01:33:18,800 --> 01:33:24,040
Speaker 2: to educate that saying all the way home, please you

1799
01:33:24,240 --> 01:33:27,280
Speaker 2: did right? That's what that go? You thought? I ain't

1800
01:33:27,320 --> 01:33:29,600
Speaker 2: know about? Oh damn, I.

1801
01:33:29,600 --> 01:33:31,439
Speaker 1: Got to know him. Well, I'm gonna see him again.

1802
01:33:32,240 --> 01:33:33,000
Speaker 9: I don't know him.

1803
01:33:33,200 --> 01:33:34,400
Speaker 2: You just gonna get in the car with.

1804
01:33:36,120 --> 01:33:38,479
Speaker 9: It's what were you supposed to do? He invited us?

1805
01:33:43,160 --> 01:33:43,800
Speaker 2: I look for you.

1806
01:33:44,040 --> 01:33:45,000
Speaker 1: I don't you.

1807
01:33:45,240 --> 01:33:45,920
Speaker 2: I didn't say you.

1808
01:33:46,160 --> 01:33:47,479
Speaker 9: What were you when I came out.

1809
01:33:47,360 --> 01:33:48,040
Speaker 1: Of the bathroom?

1810
01:33:48,479 --> 01:33:50,200
Speaker 2: Sec you? Why you ain't see your text?

1811
01:33:50,320 --> 01:33:52,800
Speaker 3: Were the woman goes stand on.

1812
01:33:53,439 --> 01:33:56,880
Speaker 2: We was not gonna go nowhere. He was not gonna leave.

1813
01:33:57,680 --> 01:33:59,479
Speaker 9: He told us to listen to some mouth me.

1814
01:34:00,360 --> 01:34:03,720
Speaker 4: They be like, yeah, that's probably gonna happen. That's how Yeah,

1815
01:34:04,640 --> 01:34:05,679
Speaker 4: just listening to the song.

1816
01:34:05,840 --> 01:34:06,240
Speaker 2: How was it?

1817
01:34:06,479 --> 01:34:06,679
Speaker 1: Yeah?

1818
01:34:07,160 --> 01:34:07,560
Speaker 2: How was it?

1819
01:34:07,760 --> 01:34:10,519
Speaker 9: He got another song he about to drop. He said

1820
01:34:10,560 --> 01:34:11,680
Speaker 9: he was gonna put me on it.

1821
01:34:12,640 --> 01:34:13,320
Speaker 1: I'm trying to.

1822
01:34:13,400 --> 01:34:17,840
Speaker 2: Get some money for us, for us, She's doing this

1823
01:34:17,960 --> 01:34:23,320
Speaker 2: for us, That's what I'm trying to say. Like a

1824
01:34:23,520 --> 01:34:27,639
Speaker 2: news rod, fame was that ship was like a great creating,

1825
01:34:28,920 --> 01:34:31,240
Speaker 2: big created on the street. But that's why I tell people.

1826
01:34:31,280 --> 01:34:33,120
Speaker 2: They'd be like, yo, so and so is more famous

1827
01:34:33,160 --> 01:34:35,639
Speaker 2: Michael Jackson. I'm like, Michael Jackson was famous, more famous

1828
01:34:35,640 --> 01:34:38,320
Speaker 2: than anybody. It wasn't no internet or no cable television.

1829
01:34:38,720 --> 01:34:41,240
Speaker 2: It wasn't no cable and he was more famous than anybody.

1830
01:34:41,360 --> 01:34:44,080
Speaker 2: Now that's pandemonium. He can't go out, Yeah, his ship

1831
01:34:44,120 --> 01:34:46,160
Speaker 2: with some other ship. This ship shouldn't ship. When you

1832
01:34:46,200 --> 01:34:48,320
Speaker 2: pull up to the hotel and there's a thousand people

1833
01:34:48,439 --> 01:34:51,400
Speaker 2: in front of the hotel. That's really another country. That's

1834
01:34:51,600 --> 01:34:54,519
Speaker 2: that's different. That's different. It ain't no internet, it ain't

1835
01:34:54,560 --> 01:34:55,439
Speaker 2: no cable TV.

1836
01:34:56,840 --> 01:35:00,720
Speaker 3: When people passing out like that, well looking out the

1837
01:35:00,760 --> 01:35:04,320
Speaker 3: window and waving yeah, yeah that remember.

1838
01:35:07,040 --> 01:35:09,519
Speaker 4: Yes, all the people at the shoulder was safe.

1839
01:35:11,760 --> 01:35:12,800
Speaker 2: And then they passed her back.

1840
01:35:13,000 --> 01:35:16,160
Speaker 13: They had to stretches in the back rock and he

1841
01:35:16,280 --> 01:35:19,479
Speaker 13: was like, everybody thinks I was appouted to throw my

1842
01:35:19,600 --> 01:35:21,240
Speaker 13: baby over the back of me. I just wanted to

1843
01:35:21,280 --> 01:35:24,960
Speaker 13: see my baby. There's nothing wrong with showing them. Maybe

1844
01:35:27,920 --> 01:35:28,599
Speaker 13: go to sleep.

1845
01:35:31,400 --> 01:35:31,840
Speaker 2: Before God.

1846
01:35:32,000 --> 01:35:34,320
Speaker 3: It's funny that you brought that baby, because I knew

1847
01:35:34,439 --> 01:35:38,120
Speaker 3: right there as soon as he said that that white.

1848
01:35:37,960 --> 01:35:41,960
Speaker 2: Lady gave him them children, and that was it. That

1849
01:35:42,080 --> 01:35:44,240
Speaker 2: was that, that was it. I was like, whatever happens

1850
01:35:44,280 --> 01:35:48,880
Speaker 2: after this, just that's why what what happened? Man? He

1851
01:35:49,439 --> 01:35:51,679
Speaker 2: he said that white lady gave him them babies.

1852
01:35:51,800 --> 01:35:52,840
Speaker 4: That was just like gay man.

1853
01:35:52,920 --> 01:35:54,720
Speaker 3: He just snatched the little one out of there as

1854
01:35:54,760 --> 01:35:59,360
Speaker 3: soon as he was born, ran about that motherfucker was the.

1855
01:35:59,439 --> 01:36:03,680
Speaker 2: Last one blanket blanket I thought he had it was

1856
01:36:03,920 --> 01:36:07,640
Speaker 2: it was the nanny to see old no, no, no,

1857
01:36:07,840 --> 01:36:09,720
Speaker 2: he said he had a different mother. Blank had a

1858
01:36:09,840 --> 01:36:10,519
Speaker 2: different mother than that.

1859
01:36:11,160 --> 01:36:13,639
Speaker 3: As soon as she gave birth to him, he took

1860
01:36:13,720 --> 01:36:16,040
Speaker 3: the baby at the hospital and brought him straight home.

1861
01:36:17,080 --> 01:36:19,559
Speaker 2: You can look at that interview up. Believe that one.

1862
01:36:19,640 --> 01:36:20,320
Speaker 2: No he said.

1863
01:36:20,520 --> 01:36:22,439
Speaker 3: I know, he said a lot of ship, But I

1864
01:36:22,479 --> 01:36:25,000
Speaker 3: don't know about believe that one. But anyway, ain't no

1865
01:36:25,080 --> 01:36:28,000
Speaker 3: white woman about to just get his mother.

1866
01:36:28,160 --> 01:36:31,639
Speaker 2: I don't think. I don't think Blanket mother was white.

1867
01:36:31,920 --> 01:36:34,640
Speaker 2: She might not have been. I don't know. Yeah, they

1868
01:36:34,680 --> 01:36:37,920
Speaker 2: said she wasn't white, but he don't look white. Paris

1869
01:36:38,040 --> 01:36:41,880
Speaker 2: Jackson act like she's black, is up? Yeah? She hanging

1870
01:36:41,920 --> 01:36:43,880
Speaker 2: his daughter? Yeah she, oh she.

1871
01:36:47,680 --> 01:36:52,759
Speaker 9: That's royal though everybody ain't royal. Jackson five is royal.

1872
01:36:54,080 --> 01:36:58,440
Speaker 2: Yeah, but yeah, yeah, niggas too, of course, but the niggas.

1873
01:36:58,120 --> 01:36:59,840
Speaker 9: But they conditioned.

1874
01:37:01,320 --> 01:37:02,840
Speaker 1: Folks. See how nigge you is right?

1875
01:37:03,640 --> 01:37:05,640
Speaker 2: This dope. But did you see remember the time with

1876
01:37:05,760 --> 01:37:07,600
Speaker 2: Paris when they had the beef and ran up in

1877
01:37:07,640 --> 01:37:10,080
Speaker 2: the cameras called Jana slap ship out of her. You

1878
01:37:10,200 --> 01:37:12,439
Speaker 2: remember that? Remember there was like she's missing and they

1879
01:37:12,600 --> 01:37:14,920
Speaker 2: was at the mama's house. They were saying mama was missing.

1880
01:37:14,920 --> 01:37:16,640
Speaker 2: It was a big beef and Jana slapped ship out

1881
01:37:16,680 --> 01:37:22,280
Speaker 2: of Paris. Yeah you saw that. You don't remember that,

1882
01:37:23,000 --> 01:37:31,040
Speaker 2: you know, because they was like, fro that cheek is here?

1883
01:37:31,840 --> 01:37:32,679
Speaker 9: You got slave.

1884
01:37:33,520 --> 01:37:43,960
Speaker 2: Yeah, that's crazy. Slap there, that's funny ship.

1885
01:37:45,280 --> 01:37:47,880
Speaker 9: You say to your face the slap face.

1886
01:37:51,720 --> 01:37:55,479
Speaker 2: Michael Jackson go, yeah, that was the crazy supposed to be.

1887
01:37:57,200 --> 01:37:58,439
Speaker 2: Jackson's my imaginary friend.

1888
01:37:58,320 --> 01:37:58,559
Speaker 13: When I was.

1889
01:38:00,040 --> 01:38:02,080
Speaker 10: Yeah, bro, see bro, Mike was really He saw the

1890
01:38:02,160 --> 01:38:04,040
Speaker 10: other interview when he was talking about that lady.

1891
01:38:04,920 --> 01:38:06,880
Speaker 2: She was like, oh, yeah, you know he's in the car.

1892
01:38:07,439 --> 01:38:10,560
Speaker 2: He was in the car, a limo and the was

1893
01:38:10,800 --> 01:38:12,240
Speaker 2: at the window. He was like, look at the titties

1894
01:38:13,280 --> 01:38:16,320
Speaker 2: he was. He saw the camera. He was like, yeah,

1895
01:38:16,560 --> 01:38:20,400
Speaker 2: he cleaned that ship up real quick. That nigga clean

1896
01:38:20,479 --> 01:38:21,120
Speaker 2: that real quick.

1897
01:38:21,160 --> 01:38:24,920
Speaker 3: When he saw that camera, said Michael Jackson, little titties too.

1898
01:38:27,800 --> 01:38:30,559
Speaker 9: And he's trying to have from camera was in his car.

1899
01:38:33,439 --> 01:38:37,880
Speaker 2: He's got recording all you He dead sure did. Yeah,

1900
01:38:37,920 --> 01:38:39,280
Speaker 2: He's like look at this one, look at this one.

1901
01:38:39,840 --> 01:38:40,439
Speaker 2: Yeah he did.

1902
01:38:40,560 --> 01:38:43,160
Speaker 10: Got the bus y'all see an interview with he said,

1903
01:38:43,920 --> 01:38:45,080
Speaker 10: but he changed.

1904
01:38:45,680 --> 01:38:47,160
Speaker 2: He got on stage. The door of the ward. He

1905
01:38:47,280 --> 01:38:49,400
Speaker 2: was like, uh, he was like, yeah he changed. He

1906
01:38:49,520 --> 01:38:54,800
Speaker 2: was on stage. Yeah, yeah, yeah, he slipped up. Yeah, y'all, I.

1907
01:38:54,880 --> 01:39:02,640
Speaker 10: Mean bread, they gotta play with this nigga in New

1908
01:39:02,720 --> 01:39:05,920
Speaker 10: York to play. You ain't never seen Michael in real life.

1909
01:39:06,200 --> 01:39:07,240
Speaker 10: It's close to it.

1910
01:39:07,360 --> 01:39:09,280
Speaker 2: Yeah, I gotta see that. Yeah yeah, yeah. My daughter.

1911
01:39:09,400 --> 01:39:10,640
Speaker 2: My dad said, my daughter go see it.

1912
01:39:10,800 --> 01:39:11,240
Speaker 4: She love it.

1913
01:39:11,360 --> 01:39:14,040
Speaker 2: She tried, Bro, that's she good. You got a nigga

1914
01:39:14,080 --> 01:39:15,840
Speaker 2: on that doing the work. What are you doing?

1915
01:39:15,960 --> 01:39:17,479
Speaker 11: But they got a niggas there playing Michael here.

1916
01:39:17,560 --> 01:39:21,600
Speaker 2: That tells him listen. I just wanted to go correctly, and.

1917
01:39:21,640 --> 01:39:24,280
Speaker 11: I'm like, oh the nigga good the music, come on niggas.

1918
01:39:25,160 --> 01:39:28,959
Speaker 2: Yeah that they don't that ship they dope, they don't.

1919
01:39:29,000 --> 01:39:30,640
Speaker 2: They dope when I say that she doesn't speak that

1920
01:39:30,680 --> 01:39:32,800
Speaker 2: little Chris Van student when they play with their little kids.

1921
01:39:32,800 --> 01:39:35,760
Speaker 2: The last Yeah, he dope that ship do so to

1922
01:39:35,840 --> 01:39:41,680
Speaker 2: play in New York the way, Yeah, yeah, it's it's no, no, no,

1923
01:39:41,760 --> 01:39:47,040
Speaker 2: it's MJ the Musical. It's on Broadway ship Fire. You

1924
01:39:47,160 --> 01:39:49,559
Speaker 2: think it's it's it's going around now, but it started

1925
01:39:49,560 --> 01:39:50,479
Speaker 2: out to bro New York.

1926
01:39:50,560 --> 01:39:51,360
Speaker 9: Right now you can catch it.

1927
01:39:52,280 --> 01:39:54,720
Speaker 2: It's on tour too, though it was here. It was

1928
01:39:54,760 --> 01:39:58,599
Speaker 2: here last month, and I think now it's in North Carolina.

1929
01:39:58,640 --> 01:39:59,240
Speaker 2: It's on tour now.

1930
01:40:00,160 --> 01:40:03,200
Speaker 3: To make Michael Jackson like Elvis, man, like, for the

1931
01:40:03,720 --> 01:40:06,800
Speaker 3: next one hundred years, black people should just swear they

1932
01:40:06,880 --> 01:40:12,040
Speaker 3: seen Michael Jackson someone, Yeah, yeah, I seen Michael jackons

1933
01:40:12,280 --> 01:40:14,920
Speaker 3: will at the Land Airport.

1934
01:40:15,000 --> 01:40:18,200
Speaker 2: He ran through that. White people still see Elvis. They

1935
01:40:18,280 --> 01:40:21,479
Speaker 2: still see one hundred and thirty seven years old something

1936
01:40:21,520 --> 01:40:23,760
Speaker 2: like that. They still say to seem they still be

1937
01:40:23,800 --> 01:40:27,040
Speaker 2: seeing Elvis at the mall where they say it.

1938
01:40:27,680 --> 01:40:30,000
Speaker 10: Y'all ain't never seen the nigga that they change your

1939
01:40:30,200 --> 01:40:31,479
Speaker 10: self to look like Michael Jackson.

1940
01:40:31,560 --> 01:40:33,120
Speaker 2: Nigga look like it's a bunch of them like that,

1941
01:40:33,200 --> 01:40:35,600
Speaker 2: but they just actually walk around like, Yeah, it's like

1942
01:40:35,640 --> 01:40:37,960
Speaker 2: a Russian races nigga. Try to take them pits of

1943
01:40:38,000 --> 01:40:41,880
Speaker 2: your fake You ain't. No, it's a bunch of them dudes. Though,

1944
01:40:44,439 --> 01:40:52,320
Speaker 2: Michael yoking, I did see that. That's it's a meaning.

1945
01:40:52,360 --> 01:40:54,920
Speaker 2: I said, that's funny as hell you met Michael Jason.

1946
01:40:57,280 --> 01:41:02,840
Speaker 2: If I take them picces you mentioned you don't get

1947
01:41:02,880 --> 01:41:05,080
Speaker 2: the funk out of the way. That means as funny

1948
01:41:05,080 --> 01:41:11,560
Speaker 2: as hell as hilarious, bro, Man, what took you so

1949
01:41:11,720 --> 01:41:12,960
Speaker 2: long to get through here? Man?

1950
01:41:13,000 --> 01:41:15,120
Speaker 3: This is your first time stopping through the trap, don't

1951
01:41:15,160 --> 01:41:16,040
Speaker 3: let it be the last.

1952
01:41:16,360 --> 01:41:18,600
Speaker 2: I can't wait to be a new favorite. Talking for

1953
01:41:18,640 --> 01:41:20,519
Speaker 2: a year, he was like, Yo, I'm gonna shut it up.

1954
01:41:21,040 --> 01:41:22,640
Speaker 2: That was like a year some change ago. We were

1955
01:41:22,640 --> 01:41:24,920
Speaker 2: just talking about that. Hey man, we gotta get we

1956
01:41:24,960 --> 01:41:27,920
Speaker 2: got lockey and get you in the studio. Flap man. Oh,

1957
01:41:27,960 --> 01:41:31,200
Speaker 2: I sha the two joints. I just said, we're gonna

1958
01:41:31,200 --> 01:41:36,280
Speaker 2: do that, Yes, sir, say that. Yeah, I can't wait.

1959
01:41:36,720 --> 01:41:39,640
Speaker 2: Most definitely, what's the what's your social media so they

1960
01:41:39,680 --> 01:41:42,639
Speaker 2: can catch up on Instagram? Is I am Underscore case one?

1961
01:41:43,439 --> 01:41:49,920
Speaker 2: Facebook is case Music, Twitter's case Underscore music one. Man, Well,

1962
01:41:50,760 --> 01:41:52,519
Speaker 2: let me be like, I forgot what I need to

1963
01:41:52,560 --> 01:41:54,880
Speaker 2: be your manager. I got about one hundred wins I

1964
01:41:55,040 --> 01:41:57,639
Speaker 2: needed to sing it. Oh, let's go. I stayed doing

1965
01:41:57,720 --> 01:42:03,439
Speaker 2: with this. Yeah yeah they yeah, yeah, yeah. I just

1966
01:42:03,880 --> 01:42:06,000
Speaker 2: I did one like maybe two weeks ago in Ohio.

1967
01:42:06,600 --> 01:42:11,920
Speaker 2: It was the last one I did. Yeah yeah, yeah, yeah, yeah,

1968
01:42:11,960 --> 01:42:16,320
Speaker 2: cause they're gonna play yeah ship. But the best is

1969
01:42:16,320 --> 01:42:18,120
Speaker 2: the way you surprised the bride. That's the best part.

1970
01:42:18,280 --> 01:42:20,560
Speaker 2: And maybe just come out of nowhere. It was the

1971
01:42:20,640 --> 01:42:22,519
Speaker 2: last one I did, though. The song was almost over

1972
01:42:22,520 --> 01:42:24,920
Speaker 2: before she realized that it wasn't a record, and then

1973
01:42:24,960 --> 01:42:26,639
Speaker 2: she turned around. He damned that end of the record.

1974
01:42:26,680 --> 01:42:29,040
Speaker 2: She was like, oh ship. He kept trying to he

1975
01:42:29,160 --> 01:42:33,639
Speaker 2: kept trying to turn around. She wouldn't turn around. Yeah, yeah,

1976
01:42:44,840 --> 01:42:49,120
Speaker 2: unhand me. You know you gave you tell my fuck

1977
01:42:49,160 --> 01:42:51,240
Speaker 2: to unhand you. That's the time.

1978
01:42:54,000 --> 01:42:54,920
Speaker 4: Shoot, I don't.

1979
01:42:57,920 --> 01:43:00,600
Speaker 2: This what I don't give them, don't tell where are

1980
01:43:00,680 --> 01:43:04,240
Speaker 2: we at? You take your hand on me? That's funny?

1981
01:43:05,840 --> 01:43:06,600
Speaker 9: What's wrong with you?

1982
01:43:08,960 --> 01:43:17,360
Speaker 2: Leave me? You turn around? That funny is you? Yeah?

1983
01:43:17,400 --> 01:43:19,120
Speaker 2: She would not turn around. They were did this song

1984
01:43:19,200 --> 01:43:22,200
Speaker 2: with Damn. They over Damn for you.

1985
01:43:22,760 --> 01:43:23,760
Speaker 11: This is for you.

1986
01:43:28,920 --> 01:43:29,599
Speaker 4: That's funny.

1987
01:43:29,920 --> 01:43:34,280
Speaker 2: Oh man, man, young niggas is crazy. It's nigga bro.

1988
01:43:34,680 --> 01:43:36,679
Speaker 2: That's funny as ship. And they said the white people

1989
01:43:36,680 --> 01:43:43,439
Speaker 2: out of the house, and they were saying it too.

1990
01:43:44,800 --> 01:43:46,519
Speaker 9: There's nobody to hold their hand like they.

1991
01:43:46,560 --> 01:43:46,920
Speaker 3: Said that.

1992
01:43:51,880 --> 01:43:55,880
Speaker 2: They need extra strength. Jesus put the extra in the

1993
01:43:56,120 --> 01:43:56,840
Speaker 2: r at the end.

1994
01:43:58,360 --> 01:44:02,639
Speaker 10: That funny because that nobody say that nigga word.

1995
01:44:02,720 --> 01:44:08,160
Speaker 2: But give all day. Yeah, yeah, yeah, yeah, no doubt.

1996
01:44:08,800 --> 01:44:11,599
Speaker 3: Nelly ain't stopped smiling since he got Aunt back.

1997
01:44:12,040 --> 01:44:14,000
Speaker 2: Yeah, that's a beautiful thing. That's a beautiful thing.

1998
01:44:14,120 --> 01:44:14,880
Speaker 9: That's a good smile.

1999
01:44:15,479 --> 01:44:16,200
Speaker 2: I ain't never had to.

2000
01:44:16,160 --> 01:44:17,360
Speaker 9: Piss this dad in my life like that.

2001
01:44:17,520 --> 01:44:19,760
Speaker 2: That's what guy ship man. We got you some some

2002
01:44:19,920 --> 01:44:28,479
Speaker 2: eighty fastself. I can't wait. Appreciate you good looking. Oh

2003
01:44:28,560 --> 01:44:30,120
Speaker 2: that's I was looking for some of these two. We

2004
01:44:30,240 --> 01:44:32,920
Speaker 2: got you something. He's gonna be a Vegas tomorrow.

2005
01:44:33,040 --> 01:44:36,599
Speaker 3: Come on, say we look man. We appreciate you stopping

2006
01:44:36,680 --> 01:44:36,920
Speaker 3: through here.

2007
01:44:36,960 --> 01:44:41,519
Speaker 2: Appreciate y'all man love man. We are Yeah, I know

2008
01:44:41,680 --> 01:44:42,040
Speaker 2: y'all man,