WEBVTT - Listener Mail: Fireworks, Hellfire and More

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<v Speaker 1>Welcome to Stuff to Blow Your Mind production of My

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<v Speaker 1>Heart Radio. Hey, welcome to Stuff to Blow Your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick. In

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<v Speaker 1>Today we're bringing you some listener mail. It's been a

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<v Speaker 1>little bit since we did that, so we're broadcasting from

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<v Speaker 1>our respective laundry rooms and closets here. But we're getting

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<v Speaker 1>back in touch with you now that you've gotten in

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<v Speaker 1>touch with us, and to help us out here today

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<v Speaker 1>our mail bought Carney. Oh, he's gotten into a mess

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<v Speaker 1>of trouble. It seems that Carney has gotten into his

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<v Speaker 1>mind that he should create AI generated fireworks displays. And boy,

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<v Speaker 1>he can really mark off chain up a mess here, Andy,

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<v Speaker 1>he's sure can. I mean, he was always a little

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<v Speaker 1>bit explosive in the best of times, but now he

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<v Speaker 1>has actual explosives just his His entire fuselage is just

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<v Speaker 1>stuffed with Roman candles. Yeah. So it is with great

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<v Speaker 1>delicate see that we must remove your messages from from

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<v Speaker 1>Carneys bowels today. But yeah, it's all I want to

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<v Speaker 1>do when I reiterate just at the top of this

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<v Speaker 1>episode that it is always great to hear from everyone

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<v Speaker 1>out there, to hear from listeners. Uh. We we don't

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<v Speaker 1>certainly don't have time to respond to everything, and we

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<v Speaker 1>don't have time on the show to feature everything, but

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<v Speaker 1>we do read everything that comes in. Uh. We love

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<v Speaker 1>it when you provide additional inside or experience related to

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<v Speaker 1>different topics that we've covered, and when we do cover

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<v Speaker 1>quite a few topics that I think touch on the

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<v Speaker 1>universal human experience as well. Exactly right. But also we

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<v Speaker 1>we cover things that get into the very specific human experience,

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<v Speaker 1>for example, the number of people who have jumped out

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<v Speaker 1>of an airplane and gotten in touch with us to

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<v Speaker 1>tell us what that's like. So should we start with

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<v Speaker 1>this email from Kelly here, Let's do it. Kelly writes, Hey, guys,

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<v Speaker 1>I just started listening to your podcast recently, and I've

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<v Speaker 1>been shuffling around different episode topics that looked interesting. I

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<v Speaker 1>had to listen to one about surviving a ten thousand

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<v Speaker 1>footfall as I'm a professional skydiver and I knew you

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<v Speaker 1>would definitely bring up a lot of skydiving in it.

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<v Speaker 1>I know it's almost a year old, but oh well,

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<v Speaker 1>you ask what terminal velocity feels like. My best description

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<v Speaker 1>that I tell tandem students who are worried about that

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<v Speaker 1>belly and the throat feeling is that it is more

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<v Speaker 1>accurately comparable to the feeling of sticking your hand out

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<v Speaker 1>the window on the freeway. You feel supported resistance, and

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<v Speaker 1>when you exit a plane, you are going the same

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<v Speaker 1>speed as the plane, so you don't get that free

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<v Speaker 1>fall feeling you would when jumping off a static object. Also,

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<v Speaker 1>the way you orient your body is like when you're

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<v Speaker 1>surfing your hand like a wave out the window. When

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<v Speaker 1>you point your finger down, you feel you're slicing the

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<v Speaker 1>air and up gives you left. Uh. Fun fact, wingsuits

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<v Speaker 1>can slow down to about thirty miles per hour and

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<v Speaker 1>actually go up when doing the maneuver called a flare,

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<v Speaker 1>which is what we do to slow down in a

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<v Speaker 1>wing suit before deploying our parachutes and would be my

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<v Speaker 1>go to move right before impact if I had no

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<v Speaker 1>parachute out. My friends survived a wingsuit base jumping accident

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<v Speaker 1>with no parachute out when he went into the trees

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<v Speaker 1>and took out a thirty meter line of dense forest,

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<v Speaker 1>and another survived with nothing out while jumping off a

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<v Speaker 1>three and fifty foot bridge. He landed in the river

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<v Speaker 1>below and swam himself to the beach with a ton

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<v Speaker 1>of broken bones. But this kind of luck is almost

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<v Speaker 1>entirely unheard of. Love your show and I'm so happy

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<v Speaker 1>to have discovered it. If you ever have any skydiving questions,

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<v Speaker 1>feel free to shoot me a message. Thanks. Kelly. Wow

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<v Speaker 1>swamed ashore with broken bones that gives me the willies. Yeah,

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<v Speaker 1>I found the interesting the mention of wingsuits, And I

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<v Speaker 1>don't remember if we got into wingsuits much on that

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<v Speaker 1>episode at all. I don't think so, but it's it's

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<v Speaker 1>a topic that I wrote an article for How Stuff

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<v Speaker 1>Works about wingsuits ages ago, and then the I want

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<v Speaker 1>to say, the most recent World Science Festival in New York,

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<v Speaker 1>which would have been the twenty nineteen one, there was

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<v Speaker 1>a there was a talk about about the human brain

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<v Speaker 1>and extreme sports and like people who do extreme things

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<v Speaker 1>like you know, a free climbing and wingsuit flying, like

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<v Speaker 1>what's going on in their mind? And there was at

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<v Speaker 1>one point one of the experts was just getting into

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<v Speaker 1>the just the statistics of wingsuits and wingsuit technology and

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<v Speaker 1>sort of like the different you know, ups and downs

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<v Speaker 1>of how dangerous it is. It was really quite quite fascinating.

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<v Speaker 1>If anyone out there is interested in checking out a

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<v Speaker 1>video of that presentation. It was titled the Science of

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<v Speaker 1>Extreme Behavior, the Line between Courageous and Crazy. You can

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<v Speaker 1>find it on on the YouTube channel for the World

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<v Speaker 1>Science Festival. It's it's really fascinating, all right. Do you

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<v Speaker 1>want to take a look at this next email about

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<v Speaker 1>my interview with bart Ermine on his book Heaven and Hell. Yes,

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<v Speaker 1>this one comes from our listener Ben. Ben says, hello

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<v Speaker 1>from London, Robert and Joe. I just finished listening to

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<v Speaker 1>the Heaven and Hell episode and wanted to share a

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<v Speaker 1>few cool tidbits in the same vein. I studied classics

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<v Speaker 1>at university and as a result got to read some

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<v Speaker 1>very cool texts in the original Latin and ancient Greek.

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<v Speaker 1>While I only read a bit of the Bible. I

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<v Speaker 1>thought it was interesting how the first sentence, and I

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<v Speaker 1>think this is the first sentence of the Gospel of

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<v Speaker 1>John was in the beginning was the word in English?

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<v Speaker 1>But Ben says that in Greek it is in the

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<v Speaker 1>beginning was reason. And I'm gonna try to pronounce this

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<v Speaker 1>in ark in whole logos. I could theoretically get behind

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<v Speaker 1>that statement a lot more. Uh, And yeah, I've I've

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<v Speaker 1>actually looked into this before there there is this question

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<v Speaker 1>about how exactly to translate that statement at the beginning

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<v Speaker 1>of the Gospel of John. But yeah, reason and the word, uh,

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<v Speaker 1>these concepts are are sort of synonymous and linked in

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<v Speaker 1>ancient Greek. Oh that's that's good. Yeah, because they in

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<v Speaker 1>the beginning there was the word. I remember being con

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<v Speaker 1>used by that as a as a child, I'm like,

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<v Speaker 1>what do you saying? You're saying the Bible came first,

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<v Speaker 1>Like what what do you mean? There was their words first, Like,

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<v Speaker 1>this doesn't make any sense. But logos reason being first,

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<v Speaker 1>that makes a lot more sense. Okay, and Ben goes

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<v Speaker 1>on another possibly apocryphal story I heard, which the Barberman

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<v Speaker 1>episode reminded me of, is the origin of the saying

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<v Speaker 1>it doesn't matter in Iota, as I heard it at

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<v Speaker 1>the Council of Nicea in three the early Church fathers

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<v Speaker 1>were debating the nature of Jesus, whether he was like

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<v Speaker 1>the substance of God or of the same substance as God,

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<v Speaker 1>which in Greek the difference would be homoros or homoios. Clearly,

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<v Speaker 1>this decision had massive ramifications for the future development of

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<v Speaker 1>in schisms within Christianity, and as you can see one

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<v Speaker 1>iota mattered an awful lot. So the difference there is

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<v Speaker 1>the difference between an r and an eye in that

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<v Speaker 1>word um. But this was like a hugely significant theological dispute,

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<v Speaker 1>And so I don't know if this is the origin

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<v Speaker 1>of that phrase. It doesn't matter one iota. I know.

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<v Speaker 1>The idea of an iota of difference also has roots

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<v Speaker 1>in the Bible itself, in the Gospel of Matthew, where

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<v Speaker 1>where in the in the Telling of Matthew, Jesus says

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<v Speaker 1>that you know, not one iota of the law will

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<v Speaker 1>pass away, often translated as not one jot or tittle.

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<v Speaker 1>I think it just means like one of the smallest

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<v Speaker 1>possible markings in writing. And this is making the point

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<v Speaker 1>that the author of the Gospel of Matthew particularly wants

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<v Speaker 1>to make, which is that Jesus is the fulfillment of

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<v Speaker 1>the Jewish law. But this ties into my conversation with

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<v Speaker 1>Bart Irmin because one of the things that Bart and

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<v Speaker 1>I talked about was how, especially in later development in

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<v Speaker 1>the Church, like in in later Christian centuries, UH, there

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<v Speaker 1>was much more fierce debate over differences in theology that

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<v Speaker 1>seemed very small to us that mattered a lot to them,

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<v Speaker 1>like debates over exactly what type of substance the incarnation

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<v Speaker 1>of Christ was, Did Jesus have a belly button? That

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<v Speaker 1>sort of thing. Yeah, so Ben goes on. The last

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<v Speaker 1>thing I wanted to share was how great the Greek

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<v Speaker 1>neo Platonist philosopher plot in Nous was and how important

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<v Speaker 1>his thoughts were to the development of Christian concepts. His

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<v Speaker 1>main work was the a Needs, elements of which shaped

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<v Speaker 1>the Christian idea of the Trinity and the thorny issue

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<v Speaker 1>of how Jesus could be both man and God at

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<v Speaker 1>the same time. Well worth a read if you can

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<v Speaker 1>find a good translation. That's it. Great episode. I love

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<v Speaker 1>all that stuff, even though I'm a pragmatic secular atheist

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<v Speaker 1>in the Judeo Christian monotheistic sense. Thanks, stay safe, keep

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<v Speaker 1>making great episodes. Been well, Thank you, Ben, Yes, indeed,

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<v Speaker 1>and you know, I'm I'm hoping we'll hear from some

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<v Speaker 1>more listeners on this topic, because I know we have

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<v Speaker 1>a lot of listeners out there who are either you know,

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<v Speaker 1>to varying degrees and an active number of of of

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<v Speaker 1>one of the faiths affected by the ideas that were

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<v Speaker 1>discussed in that episode, or you have, you know, a

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<v Speaker 1>past with those with with the chures that are attached

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<v Speaker 1>to those traditions. Um, I feel like, you know, a

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<v Speaker 1>lot of us have some insight to share on just

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<v Speaker 1>sort of the general ideas regarding hell and heaven. They're

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<v Speaker 1>wrapped up in our cultures. Yeah, exactly. I think one

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<v Speaker 1>point that Bart made that I think is absolutely true

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<v Speaker 1>is even if you are not personally Christian or Jewish,

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<v Speaker 1>the ideas of the Bible still have been massively influent,

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<v Speaker 1>fluential in shaping the culture that we live in here

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<v Speaker 1>and you know, in the United States and in Europe especially. Yeah.

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<v Speaker 1>You know, in our recent episode that we recorded, I

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<v Speaker 1>don't know if it's out yet as of this publication,

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<v Speaker 1>but we're talking about helmets and the idea of Viking

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<v Speaker 1>helmets with horns showing up in in cartoons when we're

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<v Speaker 1>a child, and that just kind of gets burnt into

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<v Speaker 1>your brain. And then when you later learned that Vikings

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<v Speaker 1>did not have hornet helmets, it doesn't matter because you

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<v Speaker 1>still have that that idea knocking around your head. With

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<v Speaker 1>heaven and hell. It's the same thing, like how many

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<v Speaker 1>different cartoons, how many different you know, films, the young

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<v Speaker 1>of viewers would have seen ended up utilizing, you know,

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<v Speaker 1>an angel and devil having in hell of motifs and symbolism.

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<v Speaker 1>Isn't it strange how many cartoons show characters going to Hell.

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<v Speaker 1>I remember that happening all the time in Looney Tunes

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<v Speaker 1>and so yeah, oh and in Disney cartoons like I

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<v Speaker 1>think Pluto the Dog went to Hell Hell run by

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<v Speaker 1>cats for messing with cats or something. I strongly remember

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<v Speaker 1>images from that one because I had some really diabolical content. Um,

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<v Speaker 1>but yeah, I digress. Uh, well, should we go onto

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<v Speaker 1>this next email we got about fireworks from Kelsey? Yes,

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<v Speaker 1>so when I can tell that Carney is particularly excited

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<v Speaker 1>about this one, all right, um, Kelsey rides Hello. I

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<v Speaker 1>was delighted to see the topic of your show today

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<v Speaker 1>as my father has worked in the fireworks industry for

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<v Speaker 1>about twenty years now, so it's a place near and

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<v Speaker 1>dear to my heart. In fact, when I was in

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<v Speaker 1>elementary school, my first science fair project was a detailed

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<v Speaker 1>breakdown of how display fireworks the mortar kind you described

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<v Speaker 1>near the end of the show are made, complete with

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<v Speaker 1>models that I made from actual shell casings with considerable

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<v Speaker 1>help for my dad, who was managing one of the

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<v Speaker 1>last remaining fireworks manufacturing plants in the US at the time.

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<v Speaker 1>I don't think the judges quite knew what to do

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<v Speaker 1>with an earnest third grader explaining how to make a bomb,

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<v Speaker 1>but needless to say, my physics space project about leverage

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<v Speaker 1>the next year won me more accolades. At any rate.

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<v Speaker 1>I wanted to write in because there are actually people

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<v Speaker 1>out there who make fireworks in their backyards. As it were,

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<v Speaker 1>you do need to have a fair amount of space

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<v Speaker 1>to legally slash safely store large amounts of black powder,

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<v Speaker 1>but otherwise the process of making fireworks isn't terribly difficult

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<v Speaker 1>or even that unsafe, so long as you follow some

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<v Speaker 1>basic rules for handling, disposal, etcetera. I'm not actually sure

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<v Speaker 1>what the exact laws are surrounding this sort of thing,

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<v Speaker 1>but I know my dad has plenty of industry friends

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<v Speaker 1>who have small workshops where they can play around and

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<v Speaker 1>develop new formulas. When I was younger, the Pyro club

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<v Speaker 1>my dad belonged to would rent out a field occasionally

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<v Speaker 1>so that people could bring their stuff and show it off.

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<v Speaker 1>Some cool, less well known firework things. Until Tepic, a

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<v Speaker 1>city north of Mexico City. They have an annual fireworks

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<v Speaker 1>festival that involves two incredibly harrowing events. Number One, they

0:12:18.600 --> 0:12:22.760
<v Speaker 1>construct paper mache bulls which are worn sort of over

0:12:22.800 --> 0:12:26.719
<v Speaker 1>the head and shoulders, um or places on some kind

0:12:26.880 --> 0:12:28.680
<v Speaker 1>or placed on some kind of a wheeled cart. And

0:12:28.679 --> 0:12:30.800
<v Speaker 1>then they strap a bunch of fireworks to those and

0:12:30.880 --> 0:12:32.920
<v Speaker 1>essentially do a sort of running of the bulls in

0:12:32.920 --> 0:12:36.839
<v Speaker 1>the town square. But you know, on fire? WHOA that's this?

0:12:36.840 --> 0:12:40.520
<v Speaker 1>This reminds me of the story by the Pyromancers of

0:12:40.640 --> 0:12:43.320
<v Speaker 1>England about creating St. George and the Dragon. But they're

0:12:43.320 --> 0:12:47.440
<v Speaker 1>full of fireworks exactly. Uh so that's interesting. We didn't

0:12:47.440 --> 0:12:50.000
<v Speaker 1>get into that that is much. But I wonder, like

0:12:50.120 --> 0:12:52.920
<v Speaker 1>to what mean when you're dealing with the burning of

0:12:52.960 --> 0:12:57.600
<v Speaker 1>things in effigy um and creating works of sculpture that

0:12:57.679 --> 0:13:00.240
<v Speaker 1>incorporate fire like that. That seems to play a in

0:13:00.480 --> 0:13:04.839
<v Speaker 1>the history of pyrotechnics as well. Anyway. Um. She goes

0:13:04.880 --> 0:13:07.800
<v Speaker 1>on to share a second example too. They create these

0:13:07.840 --> 0:13:12.400
<v Speaker 1>beautiful fireworks fireworks driven automatons, which they then rig up

0:13:12.400 --> 0:13:14.760
<v Speaker 1>on these huge towers. I believe each crew gets their

0:13:14.760 --> 0:13:17.480
<v Speaker 1>own tower, and it's a competition to see which is

0:13:17.520 --> 0:13:20.439
<v Speaker 1>the best. My dad has attended this event several times,

0:13:20.480 --> 0:13:23.560
<v Speaker 1>though some years ago now, and apparently if one of

0:13:23.559 --> 0:13:27.000
<v Speaker 1>the automatons gets stuck, guys will just scale the burning

0:13:27.040 --> 0:13:30.240
<v Speaker 1>tower to give the recalcitrant part a little nudge and

0:13:30.280 --> 0:13:33.640
<v Speaker 1>get things going again. And with all that knowledge in mind,

0:13:33.720 --> 0:13:36.840
<v Speaker 1>I was unsurprised to find, upon googling for images that

0:13:36.880 --> 0:13:40.200
<v Speaker 1>apparently Mexico has a huge problem with firework fatalities and

0:13:40.200 --> 0:13:43.280
<v Speaker 1>an explosion until topic killed a bunch of people as

0:13:43.280 --> 0:13:46.800
<v Speaker 1>recently as two thousand and eighteen. So that's very unfortunate,

0:13:46.840 --> 0:13:48.960
<v Speaker 1>because all the pictures my father took of the festival

0:13:49.040 --> 0:13:51.680
<v Speaker 1>in the nineties were absolutely amazing. I'll have to see

0:13:51.720 --> 0:13:54.079
<v Speaker 1>if I can get him to scan some and pass

0:13:54.120 --> 0:13:57.600
<v Speaker 1>them along. Meanwhile, on the island of Malta, probably because

0:13:57.640 --> 0:14:01.040
<v Speaker 1>they have something to prove, they make the apps huge

0:14:01.120 --> 0:14:05.040
<v Speaker 1>fireworkshells you'll see below, and she includes some images and

0:14:05.080 --> 0:14:07.400
<v Speaker 1>these just look like they they're as big as a person.

0:14:07.559 --> 0:14:14.680
<v Speaker 1>They look like massive, like oxygen tanks, absurd gigantic. She continues,

0:14:14.720 --> 0:14:16.839
<v Speaker 1>why so big? I don't know. They too have a

0:14:16.920 --> 0:14:19.520
<v Speaker 1>yearly fireworks festival, which I would love to attend at

0:14:19.560 --> 0:14:21.720
<v Speaker 1>some point. Anyway, if you have any specific questions, I'm

0:14:21.720 --> 0:14:23.760
<v Speaker 1>more than happy to pick my dad's brain for answers

0:14:23.920 --> 0:14:26.880
<v Speaker 1>and has always keep up the good work, Kelsey. Oh,

0:14:26.920 --> 0:14:29.440
<v Speaker 1>thank you, Kelsey. Well, it is very sad to hear

0:14:29.520 --> 0:14:32.320
<v Speaker 1>that that in the in the Mexican festival, that there

0:14:32.360 --> 0:14:35.440
<v Speaker 1>would be fatalities involved with it. But it does make

0:14:35.440 --> 0:14:38.200
<v Speaker 1>me wonder, like, um, is it or is it not

0:14:38.520 --> 0:14:42.040
<v Speaker 1>part of the appeal of the fireworks that they're dangerous?

0:14:42.880 --> 0:14:45.120
<v Speaker 1>Do you think, like generally like is that sort of

0:14:45.240 --> 0:14:48.880
<v Speaker 1>part of what people like about them? Perhaps? You know,

0:14:48.920 --> 0:14:52.520
<v Speaker 1>there's that that definite feeling of of of lighting the

0:14:52.560 --> 0:14:55.160
<v Speaker 1>firework and then in the few starts burning and you

0:14:55.200 --> 0:14:57.880
<v Speaker 1>have to run away really quick quickly, and then dare

0:14:57.920 --> 0:15:00.360
<v Speaker 1>to look back and see what happens, and there is

0:15:00.400 --> 0:15:02.640
<v Speaker 1>always the possibility that it's going to fall over and

0:15:02.880 --> 0:15:05.880
<v Speaker 1>you know, blast something it's not supposed to blast, or

0:15:06.000 --> 0:15:09.640
<v Speaker 1>that the fire will uh well will fizzle out, the

0:15:09.680 --> 0:15:12.240
<v Speaker 1>fuse will stop burning, and you'll have to figure out, Okay,

0:15:12.240 --> 0:15:14.120
<v Speaker 1>how am I gonna go up there and check on

0:15:14.160 --> 0:15:17.320
<v Speaker 1>it without blasting my face off? So yeah, I think

0:15:17.320 --> 0:15:20.680
<v Speaker 1>the danger is a part of it. Um, though of

0:15:20.680 --> 0:15:24.080
<v Speaker 1>course the danger is the worst part of it too, right, Well,

0:15:24.120 --> 0:15:27.760
<v Speaker 1>obviously it's it's terrible when people actually get hurt or killed. Yeah,

0:15:28.000 --> 0:15:29.560
<v Speaker 1>and then of course, on top of that, if you're

0:15:29.560 --> 0:15:32.680
<v Speaker 1>dealing with irresponsible use of fireworks, I mean, that's that's

0:15:32.680 --> 0:15:36.720
<v Speaker 1>even worse. Using fireworks in areas that um that they're

0:15:36.920 --> 0:15:39.480
<v Speaker 1>you know, suffered from trout and they're not legally allowed

0:15:39.640 --> 0:15:42.040
<v Speaker 1>using fireworks in a way that is irresponsible or dangerous

0:15:42.160 --> 0:15:44.680
<v Speaker 1>to yourself or others. I mean, I've heard horrible stories

0:15:44.680 --> 0:15:47.200
<v Speaker 1>about that sort of thing before. Yes, So again, while

0:15:47.240 --> 0:15:49.440
<v Speaker 1>it is a fascinating topic, please do be aware of

0:15:49.440 --> 0:15:52.360
<v Speaker 1>the dangerous and please don't go messing around doing dangerous

0:15:52.360 --> 0:15:55.080
<v Speaker 1>stuff because of an email we read on this show. Yes,

0:15:55.440 --> 0:15:56.880
<v Speaker 1>all right, Well, on that note, we're gonna take a

0:15:56.960 --> 0:15:59.760
<v Speaker 1>quick break, but when we come back, more listener mail.

0:16:01.520 --> 0:16:08.520
<v Speaker 1>Thank you, thank you. All right, we're back. So this

0:16:08.600 --> 0:16:11.880
<v Speaker 1>next message in our listener Mail episode comes from Brian.

0:16:12.120 --> 0:16:15.400
<v Speaker 1>Brian is writing about our episodes on the invention of

0:16:15.480 --> 0:16:19.080
<v Speaker 1>the book. Brian says, Dear Robert and Joe, I've been

0:16:19.120 --> 0:16:21.560
<v Speaker 1>a listener to Stuff to Blow your mind for many years,

0:16:22.200 --> 0:16:25.360
<v Speaker 1>often thought of sending feedback your way related to previous

0:16:25.400 --> 0:16:28.960
<v Speaker 1>podcasts but never got around to it. However, while bicycle

0:16:29.040 --> 0:16:32.360
<v Speaker 1>writing and listening to Your Books podcast the first episode

0:16:32.560 --> 0:16:36.040
<v Speaker 1>through a sudden Seattle downpour, I decided to send in

0:16:36.080 --> 0:16:39.280
<v Speaker 1>some comments specifically related to the question you posed about

0:16:39.280 --> 0:16:43.000
<v Speaker 1>what actually constitutes a book. Several months ago, I was

0:16:43.040 --> 0:16:45.960
<v Speaker 1>introduced to a scholar by the name of Lynn Kelly,

0:16:46.000 --> 0:16:51.120
<v Speaker 1>interviewed by Sean Carroll on his Mindscape podcast. A science writer, researcher,

0:16:51.160 --> 0:16:55.240
<v Speaker 1>and educator, she became interested in studying preliterate oral cultures,

0:16:55.560 --> 0:16:58.480
<v Speaker 1>beginning with the Aboriginal culture of her native Australia and

0:16:58.520 --> 0:17:02.960
<v Speaker 1>eventually including various African nomadic cultures Incas and pueblos of

0:17:02.960 --> 0:17:06.320
<v Speaker 1>the America's. As a result of this research, she developed

0:17:06.359 --> 0:17:10.520
<v Speaker 1>a very intriguing theory which literally blew my mind literally

0:17:11.280 --> 0:17:14.119
<v Speaker 1>is dangerous when I first heard her describe it. She

0:17:14.200 --> 0:17:16.720
<v Speaker 1>has published an academic paper on the theory, as well

0:17:16.760 --> 0:17:20.600
<v Speaker 1>as a general interest book entitled The Memory Code. Her

0:17:20.680 --> 0:17:25.040
<v Speaker 1>theory suggests that preliterate oral cultures utilized the immense human

0:17:25.080 --> 0:17:29.760
<v Speaker 1>capacity for memory to encode many books worth of information

0:17:29.920 --> 0:17:33.040
<v Speaker 1>in their brains in a manner similar to how modern

0:17:33.119 --> 0:17:37.480
<v Speaker 1>memory champions do today. The ancient memory techniques ranged from

0:17:37.560 --> 0:17:41.520
<v Speaker 1>performance triggers and this would include stories, songs and dances,

0:17:41.880 --> 0:17:47.680
<v Speaker 1>to loci triggers, landscape features, physical space and memory palaces,

0:17:47.720 --> 0:17:52.760
<v Speaker 1>and tactile triggers beads, shells and knots. The common element

0:17:52.800 --> 0:17:56.440
<v Speaker 1>through all these techniques, however, is the brain's power of association,

0:17:56.840 --> 0:18:01.600
<v Speaker 1>particularly when associating odd, absurd on usual images with what

0:18:01.680 --> 0:18:05.919
<v Speaker 1>you want to remember. This capacity seems to scale logarithmically

0:18:05.960 --> 0:18:09.120
<v Speaker 1>as opposed to linearly, which allows those skilled in these

0:18:09.119 --> 0:18:13.680
<v Speaker 1>techniques to encode vast amounts of information in their memories. Additionally,

0:18:13.960 --> 0:18:17.679
<v Speaker 1>her theory suggests the purpose of some Neolithic architecture, for

0:18:17.720 --> 0:18:23.040
<v Speaker 1>example Stoneheinge, Chaco Canyon, Machu Pichu, etcetera, was more related

0:18:23.080 --> 0:18:27.280
<v Speaker 1>to essential memory retention than to religious based rituals more

0:18:27.320 --> 0:18:31.200
<v Speaker 1>commonly associated with these sites. Of particular relation to your

0:18:31.240 --> 0:18:35.040
<v Speaker 1>book definition question would be the shape and tactile techniques

0:18:35.200 --> 0:18:38.840
<v Speaker 1>Lynn describes and shows in her Memory Code book. These

0:18:38.920 --> 0:18:41.880
<v Speaker 1>ranged from the elaborate rope knots used by the incas

0:18:42.119 --> 0:18:45.840
<v Speaker 1>two small handheld pieces of wood or stone carvings, hides

0:18:45.880 --> 0:18:49.960
<v Speaker 1>with shells or other small objects attached, somewhat similar to

0:18:50.000 --> 0:18:53.520
<v Speaker 1>the modern Brail alphabet, but with a capacity to encode

0:18:53.640 --> 0:18:57.200
<v Speaker 1>orders of magnitude more information per page than a modern book.

0:18:57.760 --> 0:19:01.119
<v Speaker 1>Certainly a pre alphabet form of in formation storage, and

0:19:01.200 --> 0:19:04.439
<v Speaker 1>one that has sharing limitations but does meet many of

0:19:04.440 --> 0:19:07.679
<v Speaker 1>the criteria of more modern books. Anyway, keep up the

0:19:07.680 --> 0:19:10.960
<v Speaker 1>great information sharing work that your team does with these podcasts.

0:19:11.040 --> 0:19:15.280
<v Speaker 1>Best Brian Well, Brian, I, I've heard other theories before

0:19:15.320 --> 0:19:18.760
<v Speaker 1>about different ideas about how memories were encoded in in

0:19:18.800 --> 0:19:22.200
<v Speaker 1>preliterate times and in preliterate cultures, and I don't think

0:19:22.200 --> 0:19:24.680
<v Speaker 1>I'd come exactly across this theory before, but this is

0:19:24.720 --> 0:19:27.800
<v Speaker 1>an interesting possibility, like the idea that structures in the

0:19:27.920 --> 0:19:32.119
<v Speaker 1>environment and different types of trinkets and objects held in

0:19:32.119 --> 0:19:36.240
<v Speaker 1>the hand or on the body could essentially be tools

0:19:36.400 --> 0:19:41.240
<v Speaker 1>used to aid in free association through memory to retain

0:19:41.359 --> 0:19:43.639
<v Speaker 1>large amounts of information that would be hard to remember

0:19:43.640 --> 0:19:46.440
<v Speaker 1>on its own. Yeah, that's a great point, and it

0:19:46.800 --> 0:19:51.000
<v Speaker 1>reminds me too of just the idea of say a

0:19:51.080 --> 0:19:54.480
<v Speaker 1>Christian cathedral, a Catholic cathedral, or uh, say it to

0:19:54.800 --> 0:19:58.880
<v Speaker 1>Tibetan Buddhist temple. These are spaces that are, in their

0:19:58.880 --> 0:20:03.560
<v Speaker 1>own way, a kind of text. They're about um, recording

0:20:03.560 --> 0:20:07.240
<v Speaker 1>information and conveying ideas to the person who is present,

0:20:07.359 --> 0:20:10.439
<v Speaker 1>Like when you're inside of a cathedral. You know, certainly

0:20:10.480 --> 0:20:14.000
<v Speaker 1>just the architecture of the space is supposed to inform

0:20:14.040 --> 0:20:18.080
<v Speaker 1>a certain message about the the nature of the cosmos

0:20:18.200 --> 0:20:21.280
<v Speaker 1>or the the grandeur of the divine. And then likewise

0:20:21.320 --> 0:20:24.520
<v Speaker 1>you'll see examples of sculpture or art that are about

0:20:24.960 --> 0:20:30.199
<v Speaker 1>making some sort of difficult theological concept palpable to the

0:20:30.280 --> 0:20:33.960
<v Speaker 1>human mind, like something explaining the nature of the Trinity,

0:20:34.040 --> 0:20:37.360
<v Speaker 1>that sort of thing. And likewise, in in Tibetan Buddhism especially,

0:20:37.400 --> 0:20:40.359
<v Speaker 1>we have some very you know, advanced sort of spiritual

0:20:40.400 --> 0:20:44.040
<v Speaker 1>technologies and play there. Um I've I've read that that

0:20:44.160 --> 0:20:46.480
<v Speaker 1>is that that's often the intent of some of these

0:20:46.480 --> 0:20:50.880
<v Speaker 1>more elaborate and to many Western eyes, you know, mysterious

0:20:50.880 --> 0:20:56.040
<v Speaker 1>pieces of art. It's about conveying uh, theological information to

0:20:56.280 --> 0:20:59.400
<v Speaker 1>the viewer and helping and even serving as a teaching implement.

0:21:03.240 --> 0:21:06.040
<v Speaker 1>All right, let's uh open up another listener mail here.

0:21:06.040 --> 0:21:09.000
<v Speaker 1>This one comes to us from Danny. Danny writes in

0:21:09.040 --> 0:21:11.159
<v Speaker 1>and says, Hi, Robert and Joe, thank you for all

0:21:11.200 --> 0:21:13.920
<v Speaker 1>the content you provide weekend and week out. It's comforting

0:21:13.960 --> 0:21:15.920
<v Speaker 1>to have you in my ear while running or mowing

0:21:15.920 --> 0:21:19.480
<v Speaker 1>the lawn or the dreaded commute. I'm writing for a

0:21:19.520 --> 0:21:22.760
<v Speaker 1>few reasons, all related to your recent episodes on invention

0:21:23.040 --> 0:21:28.040
<v Speaker 1>regarding invented words. Firstly, I've been trying to learn Japanese

0:21:28.080 --> 0:21:29.880
<v Speaker 1>as of late, and I was fascinated when I came

0:21:29.880 --> 0:21:33.320
<v Speaker 1>across a lesson that taught me the word itto uh,

0:21:33.359 --> 0:21:36.760
<v Speaker 1>which is a filler word that translates to um in English.

0:21:37.000 --> 0:21:39.360
<v Speaker 1>I'd never thought about it before, but apparently we learn

0:21:39.440 --> 0:21:42.479
<v Speaker 1>all of these words that I just thought were basic

0:21:42.600 --> 0:21:45.879
<v Speaker 1>sounds that humans made from birth. I always assumed that

0:21:45.960 --> 0:21:48.439
<v Speaker 1>when a person is thinking about a topic or or

0:21:48.480 --> 0:21:51.080
<v Speaker 1>stumped for a bit, they just naturally say the word mm.

0:21:51.680 --> 0:21:54.679
<v Speaker 1>But I guess the word that comes out of our

0:21:54.720 --> 0:21:58.720
<v Speaker 1>mouth depends on the language we learn. This newfound discovery

0:21:58.720 --> 0:22:01.159
<v Speaker 1>prompted me to look into it, and it appears all

0:22:01.240 --> 0:22:04.320
<v Speaker 1>languages are full of these filler words. Maybe this was

0:22:04.359 --> 0:22:07.320
<v Speaker 1>obvious to most people, but I was not aware. Yeah,

0:22:07.400 --> 0:22:09.280
<v Speaker 1>this is an interesting thing, and it's not just words.

0:22:09.280 --> 0:22:11.720
<v Speaker 1>I mean, it can be just pure vowel sounds we

0:22:12.000 --> 0:22:15.040
<v Speaker 1>I think in English, English speakers very often tend to

0:22:15.560 --> 0:22:19.320
<v Speaker 1>default to the schwa sound, because that's sort of a

0:22:19.480 --> 0:22:23.240
<v Speaker 1>rest sound in in the English language, but in other

0:22:23.320 --> 0:22:26.280
<v Speaker 1>languages you might rest on a different vowel sound. So

0:22:26.320 --> 0:22:29.480
<v Speaker 1>where we would say not even um, but uh, other

0:22:29.560 --> 0:22:33.159
<v Speaker 1>languages might be more likely to say a or oh.

0:22:33.640 --> 0:22:37.600
<v Speaker 1>They continue somewhat similarly. You guys spoke about on a

0:22:37.680 --> 0:22:40.840
<v Speaker 1>monopeia and the word yeat. I don't know how you

0:22:40.880 --> 0:22:44.720
<v Speaker 1>really classify something as having an on amonopeia equality to it,

0:22:45.119 --> 0:22:47.000
<v Speaker 1>but I can get behind yeat. I find a lot

0:22:47.000 --> 0:22:49.720
<v Speaker 1>of our sound words are just kind of sort of

0:22:49.760 --> 0:22:51.920
<v Speaker 1>related to how they actually sound, but it's not by

0:22:51.920 --> 0:22:55.840
<v Speaker 1>any means concrete. Does something really bang or slam? Or

0:22:55.840 --> 0:22:58.720
<v Speaker 1>are we just used to the words associated with those sounds.

0:22:59.040 --> 0:23:02.199
<v Speaker 1>A dog says wow in English but now now in

0:23:02.280 --> 0:23:06.280
<v Speaker 1>Spanish and black in Afrikaans? Does it really sound like

0:23:06.480 --> 0:23:09.600
<v Speaker 1>one over the other or are we just used to

0:23:09.640 --> 0:23:12.720
<v Speaker 1>these words? Or maybe animal sounds are not supposed to

0:23:12.760 --> 0:23:15.560
<v Speaker 1>be on a monopeas and I am way off anyways,

0:23:15.680 --> 0:23:18.120
<v Speaker 1>I can support heat well. I think you're getting into

0:23:18.119 --> 0:23:21.160
<v Speaker 1>the territory there of like idiophones that we talked about

0:23:21.200 --> 0:23:24.879
<v Speaker 1>in a previous episode, where something suggests a kind of

0:23:24.920 --> 0:23:30.080
<v Speaker 1>sound association even though it's not based on anything audible. Yeah, lastly,

0:23:30.280 --> 0:23:32.520
<v Speaker 1>I wanted to get to your thoughts on women in

0:23:32.600 --> 0:23:35.680
<v Speaker 1>a word or phrases lifespan it can officially means something

0:23:35.720 --> 0:23:38.840
<v Speaker 1>different than its original definition. I think of the term

0:23:38.920 --> 0:23:41.760
<v Speaker 1>begs the question. In college I had a philosophy professor.

0:23:41.800 --> 0:23:44.440
<v Speaker 1>They would absolutely lose it when somebody used the term

0:23:44.480 --> 0:23:48.280
<v Speaker 1>begs the question incorrectly. In classical rhetoric, the term refers

0:23:48.320 --> 0:23:52.400
<v Speaker 1>to an informal fallacy that occurs when an argument's premises

0:23:52.760 --> 0:23:56.119
<v Speaker 1>assume the truth of the conclusion instead of supporting it.

0:23:56.200 --> 0:23:59.520
<v Speaker 1>An example could be quote, everybody wants this new Pokemon

0:23:59.600 --> 0:24:03.440
<v Speaker 1>toy because it is the hottest toy this holiday season. However,

0:24:03.520 --> 0:24:06.000
<v Speaker 1>nowadays it seems that when people use the term they

0:24:06.040 --> 0:24:09.239
<v Speaker 1>are simply raising and suggesting a question. So, although I

0:24:09.320 --> 0:24:12.119
<v Speaker 1>understand what my philosophy teacher was getting at, at what

0:24:12.240 --> 0:24:14.400
<v Speaker 1>point can we just say, Hey, look, this phrase means

0:24:14.400 --> 0:24:18.440
<v Speaker 1>something else now, so get on board. Anyway, Uh, this

0:24:18.520 --> 0:24:20.320
<v Speaker 1>got a little longer than I expected. I just love

0:24:20.359 --> 0:24:22.639
<v Speaker 1>the idea of words and languages and how we have

0:24:22.760 --> 0:24:25.840
<v Speaker 1>different ways of communicating. Thanks for speaking about this subject

0:24:26.000 --> 0:24:28.000
<v Speaker 1>and all of the other topics you cover. I truly

0:24:28.040 --> 0:24:32.159
<v Speaker 1>appreciate it. Danny Um. Of course, of course, brings to

0:24:32.200 --> 0:24:37.199
<v Speaker 1>mind the frequent misuse of literally. Yeah, did this come

0:24:37.280 --> 0:24:39.760
<v Speaker 1>up in an earlier email. I think it did. We

0:24:39.760 --> 0:24:41.920
<v Speaker 1>don't want to shame you too much for it. Uh No,

0:24:42.040 --> 0:24:44.119
<v Speaker 1>I don't even know if we're allowed to shame anyone

0:24:44.160 --> 0:24:47.880
<v Speaker 1>for it now, because apparently definitions are shifting to to

0:24:47.920 --> 0:24:51.399
<v Speaker 1>the point where you can legally from a grammatical sense,

0:24:51.640 --> 0:24:55.760
<v Speaker 1>you can legally say something is literally something and not

0:24:55.880 --> 0:24:58.359
<v Speaker 1>mean literally. You can say he literally took his head off,

0:24:58.760 --> 0:25:02.840
<v Speaker 1>or I literally wanted to puke, and it doesn't mean

0:25:03.040 --> 0:25:07.400
<v Speaker 1>you literally did that, and it means figuratively. Yeah, I mean. So,

0:25:07.680 --> 0:25:10.760
<v Speaker 1>there are obviously these different schools of how you should

0:25:10.880 --> 0:25:13.480
<v Speaker 1>approach the use of words and phrases like that. Like

0:25:13.520 --> 0:25:16.239
<v Speaker 1>there's the prescriptivist school, which says, you know, here's what

0:25:16.320 --> 0:25:19.480
<v Speaker 1>it means in established you know, canons, and and you

0:25:19.520 --> 0:25:21.920
<v Speaker 1>should stick to that original meaning. And then I guess

0:25:22.000 --> 0:25:25.119
<v Speaker 1>there's like the usage school that says, you know, however,

0:25:25.160 --> 0:25:27.280
<v Speaker 1>if if people understand what you mean, and then what's

0:25:27.320 --> 0:25:31.600
<v Speaker 1>the problem. And I do I have sympathies with both camps.

0:25:31.600 --> 0:25:34.760
<v Speaker 1>I guess I will say against the prescriptivist school that

0:25:34.840 --> 0:25:36.520
<v Speaker 1>just says, you know, you need to use a word

0:25:36.560 --> 0:25:39.359
<v Speaker 1>or phrase to mean what it's always meant. I don't know.

0:25:39.400 --> 0:25:42.480
<v Speaker 1>I mean it's embarrassing when you realize how many arguments

0:25:42.480 --> 0:25:45.480
<v Speaker 1>full of passionate intensity really in the income down to

0:25:45.640 --> 0:25:49.560
<v Speaker 1>people arguing about what a word or phrase means. That's

0:25:49.640 --> 0:25:53.800
<v Speaker 1>just a mind meltingly tedious. So based on that, I

0:25:53.840 --> 0:25:56.200
<v Speaker 1>think language should be evaluated on the basis of its

0:25:56.240 --> 0:25:59.840
<v Speaker 1>power to communicate. Will the listener understand what you intend

0:25:59.840 --> 0:26:02.679
<v Speaker 1>to say? Then? Again, at the same time, I have

0:26:02.760 --> 0:26:05.560
<v Speaker 1>to admit, like I have a gut level reaction against

0:26:05.640 --> 0:26:08.680
<v Speaker 1>that kind of thing when I see literally used not

0:26:08.760 --> 0:26:11.680
<v Speaker 1>to mean literally, especially when I catch myself doing it,

0:26:11.880 --> 0:26:16.400
<v Speaker 1>I just feel like, oh, yeah, it's I always come

0:26:16.440 --> 0:26:19.200
<v Speaker 1>back to like a stand up bit that David Cross

0:26:19.240 --> 0:26:21.720
<v Speaker 1>had about it about how when you use literally wrong,

0:26:22.000 --> 0:26:24.600
<v Speaker 1>it's like, this is not just incorrect usage, it's it's

0:26:24.680 --> 0:26:27.640
<v Speaker 1>the the opposite of what is supposed to mean. Um.

0:26:27.680 --> 0:26:30.000
<v Speaker 1>I think that the example he used was, it's it's

0:26:30.000 --> 0:26:33.000
<v Speaker 1>not like when you say pen ultimate and you mean ultimate. Uh.

0:26:33.119 --> 0:26:35.320
<v Speaker 1>You know, I can easily get kind of worked up

0:26:35.359 --> 0:26:38.240
<v Speaker 1>over it myself. But at the same hand, I agree

0:26:38.280 --> 0:26:41.800
<v Speaker 1>that it's like like language is going to change over time,

0:26:41.840 --> 0:26:44.760
<v Speaker 1>and we can't you know, we can't get mad when

0:26:44.760 --> 0:26:47.919
<v Speaker 1>it does change. Yeah, I agree. You can't fix it.

0:26:47.960 --> 0:26:50.199
<v Speaker 1>You can't keep it stuck in place. That language has

0:26:50.240 --> 0:26:54.119
<v Speaker 1>always changed. It's actually a relatively modern invention, like the

0:26:54.160 --> 0:26:57.719
<v Speaker 1>notion that words that you must use words and grammar

0:26:57.840 --> 0:27:00.480
<v Speaker 1>in a certain way. I mean, if you go back

0:27:00.480 --> 0:27:04.040
<v Speaker 1>and read ancient texts, they do not follow consistent rules

0:27:04.080 --> 0:27:08.160
<v Speaker 1>of grammar and stuff like. It's it's more usage based,

0:27:08.240 --> 0:27:10.359
<v Speaker 1>it's more fluid. It's just like are you going to

0:27:10.400 --> 0:27:14.520
<v Speaker 1>be understood? Though, I will admit I I also this

0:27:14.640 --> 0:27:17.159
<v Speaker 1>exact same thing about your philosophy teacher with begs the

0:27:17.240 --> 0:27:20.240
<v Speaker 1>question That one gets to me sometimes I know exactly

0:27:20.240 --> 0:27:22.760
<v Speaker 1>what people mean. I don't. I try not to hound

0:27:22.760 --> 0:27:25.840
<v Speaker 1>to people about it because people are gonna understand what

0:27:25.880 --> 0:27:28.800
<v Speaker 1>you mean when you say begs the question, you mean

0:27:28.880 --> 0:27:31.479
<v Speaker 1>it raises the question. But yeah, I've got that like

0:27:31.680 --> 0:27:34.960
<v Speaker 1>stupid rhetoric brain where it's like this actually is a fallacy.

0:27:35.080 --> 0:27:37.679
<v Speaker 1>Is the name of a fallacy? You're insulting somebody if

0:27:37.720 --> 0:27:42.160
<v Speaker 1>you say they beg the question. But anyway, I I can,

0:27:42.240 --> 0:27:46.639
<v Speaker 1>I can purge my rhetoric brain for a bit. All right, well,

0:27:46.640 --> 0:27:51.960
<v Speaker 1>what do we have next here? All right, looks like

0:27:52.000 --> 0:27:56.560
<v Speaker 1>we got a couple from uh Anna about our Slayer episode.

0:27:57.280 --> 0:28:00.400
<v Speaker 1>Oh yeah, this is when we put out a list

0:28:00.400 --> 0:28:05.280
<v Speaker 1>of Halloween episodes from past October, the Haftober playlist. Yes,

0:28:06.040 --> 0:28:09.440
<v Speaker 1>uh so this one goes as follows. Hi, Robert and Joe.

0:28:09.440 --> 0:28:12.280
<v Speaker 1>In a recent Vault episode, you were discussing instinctive fears

0:28:12.320 --> 0:28:15.520
<v Speaker 1>of spiders and snakes. I live in Australia, here, where

0:28:15.520 --> 0:28:17.399
<v Speaker 1>there are a lot of spiders and snakes. There's a

0:28:17.480 --> 0:28:20.560
<v Speaker 1>very common spider called a Huntsman spider. They're very large

0:28:20.600 --> 0:28:23.760
<v Speaker 1>harry spiders. Although many people were afraid of these spiders,

0:28:23.760 --> 0:28:26.200
<v Speaker 1>there's also a common reaction to them that is something

0:28:26.240 --> 0:28:29.920
<v Speaker 1>like affection. A common nickname for them is Harry Huntsman.

0:28:31.000 --> 0:28:33.280
<v Speaker 1>They seem to like to live near people, like in

0:28:33.400 --> 0:28:36.800
<v Speaker 1>houses and cars. Often, if someone is showing up around

0:28:36.840 --> 0:28:38.920
<v Speaker 1>their house, they will show them into a room where

0:28:38.920 --> 0:28:41.040
<v Speaker 1>there is a Huntsman on the wall. Someone who is

0:28:41.120 --> 0:28:43.960
<v Speaker 1>unfamiliar with the area might point at it nervously and say,

0:28:44.040 --> 0:28:46.840
<v Speaker 1>there is a huge spider up there. The person whose

0:28:46.920 --> 0:28:49.880
<v Speaker 1>room it is will often say something like oh, that's

0:28:49.920 --> 0:28:53.280
<v Speaker 1>just Harry. Here in Australia, the spiders that are deadly

0:28:53.480 --> 0:28:56.320
<v Speaker 1>are much smaller than huntsman spiders. The part that is

0:28:56.360 --> 0:28:59.920
<v Speaker 1>scary about huntsmand spiders is the way they move. Somehow

0:29:00.000 --> 0:29:02.360
<v Speaker 1>they seem to scuttle and glide at the same time.

0:29:02.840 --> 0:29:05.440
<v Speaker 1>In fact, huntsmen have caused death, but because of the

0:29:05.520 --> 0:29:09.080
<v Speaker 1>fear and not the spider themselves. Spiders like to hide

0:29:09.120 --> 0:29:12.080
<v Speaker 1>in cars. Sometimes they will hide under the sun visor

0:29:12.240 --> 0:29:14.640
<v Speaker 1>or in the rear view mirror. The spider will one

0:29:14.720 --> 0:29:18.160
<v Speaker 1>across the windscreen and someone will crash their car as

0:29:18.200 --> 0:29:21.080
<v Speaker 1>a fear reaction. People have also been known to take

0:29:21.160 --> 0:29:23.360
<v Speaker 1>drastic action in trying to get rid of one of

0:29:23.400 --> 0:29:26.720
<v Speaker 1>these spiders in the house, and sometimes people hurt themselves

0:29:26.880 --> 0:29:29.760
<v Speaker 1>as a part of these actions. If I may add

0:29:29.960 --> 0:29:32.920
<v Speaker 1>um this, this has a real poetic quality to it

0:29:32.960 --> 0:29:35.520
<v Speaker 1>that I'm loving. There's like a I feel like I'm

0:29:36.040 --> 0:29:39.960
<v Speaker 1>I'm reading poetry. It's got a heck of a rhythm. Yeah,

0:29:40.240 --> 0:29:42.600
<v Speaker 1>we have a lot of snakes here. Generally the best

0:29:42.680 --> 0:29:45.400
<v Speaker 1>idea is just to leave them alone. I think knowledge

0:29:45.440 --> 0:29:48.320
<v Speaker 1>is the best way to combat fear. Knowing which snakes

0:29:48.360 --> 0:29:50.680
<v Speaker 1>are dangerous and which are not and what to do

0:29:50.800 --> 0:29:53.840
<v Speaker 1>when you see a snake is helpful. Secondly, I know

0:29:53.920 --> 0:29:56.320
<v Speaker 1>you have mentioned that in most myths about snakes, they

0:29:56.320 --> 0:30:01.120
<v Speaker 1>are the enemy. One exception to this is Australian indig myths.

0:30:01.160 --> 0:30:04.480
<v Speaker 1>One of the common myths among Australian Indigenous groups is

0:30:04.520 --> 0:30:07.640
<v Speaker 1>the rainbow serpent. In this myth, the rainbow serpent is

0:30:07.680 --> 0:30:10.400
<v Speaker 1>actually a creator. The rainbow serpent is something like a

0:30:10.480 --> 0:30:13.640
<v Speaker 1>creator God. As it moved through the land, it carves

0:30:13.680 --> 0:30:16.640
<v Speaker 1>out the landscape of Australia. This is my memory of

0:30:16.680 --> 0:30:19.000
<v Speaker 1>the story we were told in school, so it might

0:30:19.040 --> 0:30:22.080
<v Speaker 1>be a bit simplistic or inaccurate. I hope you are

0:30:22.080 --> 0:30:24.760
<v Speaker 1>staying safe here in Australia. I feel like we are

0:30:24.760 --> 0:30:28.600
<v Speaker 1>feeling something like disaster fatigue. We have had drought, terrible

0:30:28.680 --> 0:30:32.000
<v Speaker 1>fires and heat waves than storms than the current pandemic.

0:30:32.360 --> 0:30:35.640
<v Speaker 1>Australia has always handled this well, but is still tough

0:30:35.680 --> 0:30:38.080
<v Speaker 1>for many people. Just when we wanted people to go

0:30:38.240 --> 0:30:41.360
<v Speaker 1>and visit rural areas to recover from the fires and drought,

0:30:41.600 --> 0:30:45.680
<v Speaker 1>the lockdowns happened. So many people are really struggling. Anyway,

0:30:45.840 --> 0:30:48.160
<v Speaker 1>I have gone on for too long. Now keep up

0:30:48.200 --> 0:30:51.240
<v Speaker 1>the good work. Anna, you know, often we hear from

0:30:51.280 --> 0:30:54.000
<v Speaker 1>Australians who sort of characterize it as the land of

0:30:54.040 --> 0:30:57.240
<v Speaker 1>spiders and snakes. It's sort of like the venom Continent.

0:30:57.800 --> 0:31:00.280
<v Speaker 1>But yeah, I really appreciate the spirit of gentle, illness

0:31:00.320 --> 0:31:03.840
<v Speaker 1>and grace with which you're approaching these venomous creatures. Yeah.

0:31:03.880 --> 0:31:05.560
<v Speaker 1>And I also have to say I really like the

0:31:05.600 --> 0:31:08.520
<v Speaker 1>poetic cadence of of this particular email. This one is

0:31:08.520 --> 0:31:11.720
<v Speaker 1>a real pleasure to read now, Anna. I also wrote

0:31:11.720 --> 0:31:15.760
<v Speaker 1>in in another email and sent along um photograph, writing

0:31:15.760 --> 0:31:18.760
<v Speaker 1>I enjoyed re listening to your episode about monster Slayers.

0:31:18.800 --> 0:31:20.920
<v Speaker 1>You were talking about St. George and how image is

0:31:20.960 --> 0:31:23.040
<v Speaker 1>in and make the horse look huge and the dragon

0:31:23.080 --> 0:31:26.160
<v Speaker 1>look meek. Below is the statue in Melbourne. I really

0:31:26.200 --> 0:31:29.320
<v Speaker 1>like that someone has put a plastic rainbow lay on

0:31:29.360 --> 0:31:33.600
<v Speaker 1>the horse's tail, and indeed there it is. Yeah. Uh,

0:31:33.640 --> 0:31:36.040
<v Speaker 1>this one's like all the other ones where the dragon

0:31:36.320 --> 0:31:40.200
<v Speaker 1>is you know, maybe it's crocodile sized. I mean, a

0:31:40.200 --> 0:31:44.000
<v Speaker 1>crocodile can be dangerous, but in this this statue makes

0:31:44.040 --> 0:31:48.040
<v Speaker 1>St George look cruel, Like this dragon could not possibly

0:31:48.120 --> 0:31:52.440
<v Speaker 1>be be captivating an entire village. It looks like it

0:31:52.440 --> 0:31:54.760
<v Speaker 1>would be a mild nuisance, like it keeps eating the dogs,

0:31:54.880 --> 0:31:57.640
<v Speaker 1>that sort of thing. Yeah, well, thanks for getting in touch, Hana.

0:31:57.760 --> 0:31:59.840
<v Speaker 1>This is great. Alright. On that note, we're gonna take

0:32:00.000 --> 0:32:01.880
<v Speaker 1>one more break, but we'll be right back with more.

0:32:03.520 --> 0:32:11.680
<v Speaker 1>Thank thank Alright, we're back. We got several messages in

0:32:11.720 --> 0:32:14.680
<v Speaker 1>response to our episode about fermented vegetables where we talked

0:32:14.720 --> 0:32:17.960
<v Speaker 1>about kim chi and sauerkraut. Uh. This was a message

0:32:18.000 --> 0:32:22.440
<v Speaker 1>from Jim and New Jersey longtime correspondent. Jim says, how

0:32:22.520 --> 0:32:26.080
<v Speaker 1>you doing, Jim? Jim says Robert and Joe. I vacation

0:32:26.200 --> 0:32:28.520
<v Speaker 1>for a month in Japan a bit over thirty years ago.

0:32:28.920 --> 0:32:31.400
<v Speaker 1>I ate a lot of sushi, unlike the sushi one

0:32:31.440 --> 0:32:35.320
<v Speaker 1>gets in the US. The sushi dishes there included fermented vegetables.

0:32:35.600 --> 0:32:38.360
<v Speaker 1>They were often bright purple or orange. They were great,

0:32:38.440 --> 0:32:40.920
<v Speaker 1>and I've never found them in the US. Maybe the

0:32:41.000 --> 0:32:44.240
<v Speaker 1>higher end sushi establishments served them. Jim. That makes me

0:32:44.240 --> 0:32:46.960
<v Speaker 1>want what kind of bootlegs sushi establishments have been going to.

0:32:48.960 --> 0:32:52.320
<v Speaker 1>Okay Uh, He says, I've made fermented peppers from a

0:32:52.360 --> 0:32:54.560
<v Speaker 1>recipe in a magazine. It was very much like you

0:32:54.600 --> 0:32:57.640
<v Speaker 1>described with vegetables and saltwater. Topped with a loose lid

0:32:57.680 --> 0:33:00.719
<v Speaker 1>for several days. The article mentioned several times that this

0:33:00.760 --> 0:33:04.880
<v Speaker 1>was a perfectly safe process. The article included one helpful suggestion.

0:33:04.920 --> 0:33:07.240
<v Speaker 1>I liked this. It was a suggestion to keep the

0:33:07.280 --> 0:33:11.560
<v Speaker 1>peppers in the salt water while fermenting, because in my

0:33:11.560 --> 0:33:13.320
<v Speaker 1>my interview with Esther Miller, one of the things she

0:33:13.360 --> 0:33:16.880
<v Speaker 1>emphasized that was important to make sure that the fermentation

0:33:16.960 --> 0:33:19.680
<v Speaker 1>works properly and stay safe is to keep all your

0:33:19.760 --> 0:33:22.760
<v Speaker 1>vegetables submerged. They need to stay underneath the surface of

0:33:22.800 --> 0:33:26.640
<v Speaker 1>the brine because it's the anaerobic fermentation that's really important.

0:33:27.320 --> 0:33:30.360
<v Speaker 1>Um So, anyway, Jim goes on, right before you place

0:33:30.440 --> 0:33:33.040
<v Speaker 1>the lid on top of the jar, put some water

0:33:33.160 --> 0:33:36.160
<v Speaker 1>in a sandwich bag and seal it shut. Jam the

0:33:36.200 --> 0:33:39.600
<v Speaker 1>sandwich water bag into the top of the jar so

0:33:39.680 --> 0:33:42.360
<v Speaker 1>that it pushes the peppers down into the salt water.

0:33:42.760 --> 0:33:46.440
<v Speaker 1>Capital loose lid, and wait several days. Jim in New Jersey,

0:33:46.800 --> 0:33:48.440
<v Speaker 1>I think this sounds like a really good trick. I

0:33:48.440 --> 0:33:50.720
<v Speaker 1>haven't tried this. I actually have a couple of fermentation

0:33:50.800 --> 0:33:52.920
<v Speaker 1>weights that I use. Then they just sit on top

0:33:52.960 --> 0:33:55.360
<v Speaker 1>of the stuff and weigh it down. But they made

0:33:55.400 --> 0:33:57.960
<v Speaker 1>out of Are they stones? I don't know what they're

0:33:57.960 --> 0:34:01.320
<v Speaker 1>actually made out of. There some kind of clear material.

0:34:01.800 --> 0:34:03.959
<v Speaker 1>I would say clear plastic, but they feel kind of

0:34:03.960 --> 0:34:07.080
<v Speaker 1>denser and heavier than normal plastics, so I'm not exactly

0:34:07.120 --> 0:34:09.360
<v Speaker 1>sure what they are. There's some kind of food grade material,

0:34:09.440 --> 0:34:16.040
<v Speaker 1>but I bet this water bag trick would work. All right.

0:34:16.080 --> 0:34:17.920
<v Speaker 1>Here's another one. This one comes to us from Sean

0:34:18.080 --> 0:34:21.240
<v Speaker 1>Hi Joe and Robert, longtime listener and occasional writer, writing

0:34:21.239 --> 0:34:24.200
<v Speaker 1>in you have previously read out some emails of mine.

0:34:24.440 --> 0:34:27.080
<v Speaker 1>I'm currently listening to your episode on Kimchi, which I

0:34:27.120 --> 0:34:29.520
<v Speaker 1>haven't have finished yet, so if I say anything that

0:34:29.560 --> 0:34:31.840
<v Speaker 1>comes up later on in the episode, I am very sorry.

0:34:31.960 --> 0:34:36.000
<v Speaker 1>Bad form. Sean, Come on, you asked near the beginning

0:34:36.040 --> 0:34:38.680
<v Speaker 1>of your episode for people's experiences growing up with Duryan.

0:34:39.080 --> 0:34:41.040
<v Speaker 1>I didn't grow up with Duryan, as I've said in

0:34:41.080 --> 0:34:43.000
<v Speaker 1>my previous emails. I grew up in England and moved

0:34:43.000 --> 0:34:45.680
<v Speaker 1>to Indonesia several years ago. But its hands down my

0:34:45.760 --> 0:34:48.680
<v Speaker 1>favorite fruit. The first time I tried it, it didn't

0:34:48.719 --> 0:34:51.400
<v Speaker 1>do much for me. It had a slightly off taste.

0:34:51.680 --> 0:34:53.880
<v Speaker 1>After that time, I tried to avoid it and hated

0:34:53.920 --> 0:34:56.319
<v Speaker 1>the smell. This was difficult as at the time I

0:34:56.320 --> 0:34:59.680
<v Speaker 1>lived in Jakarta near a big Duryan market. However, after

0:34:59.719 --> 0:35:02.520
<v Speaker 1>going into a Durian market with someone who is experienced

0:35:02.560 --> 0:35:05.880
<v Speaker 1>and choosing the best Durian, I fell in love. It's sweet,

0:35:06.040 --> 0:35:09.360
<v Speaker 1>creamy flesh combined with the flavor of almost every fruit

0:35:09.480 --> 0:35:13.920
<v Speaker 1>known at once. It's incomparable. I definitely recommend trying your

0:35:13.960 --> 0:35:17.120
<v Speaker 1>first Durian with an experienced guide, as if the Durian

0:35:17.239 --> 0:35:20.759
<v Speaker 1>is slightly unright, the quality of flavor drops dramatically. But

0:35:20.840 --> 0:35:23.760
<v Speaker 1>a ripe Durian is the best thing ever. I also

0:35:23.840 --> 0:35:26.880
<v Speaker 1>love it when Durian has fermented slightly, so it has

0:35:26.920 --> 0:35:29.960
<v Speaker 1>a bit of a musty kick. When it's Durian season,

0:35:30.000 --> 0:35:31.960
<v Speaker 1>I love to buy one or two and eat them

0:35:31.960 --> 0:35:34.200
<v Speaker 1>together with my wife. My wife tells me how she

0:35:34.360 --> 0:35:36.120
<v Speaker 1>used to sit up late with her dad eating it.

0:35:36.400 --> 0:35:38.239
<v Speaker 1>For those who enjoy the fruit, eating it is a

0:35:38.320 --> 0:35:40.880
<v Speaker 1>social event in its own right. It's not just something

0:35:40.920 --> 0:35:43.680
<v Speaker 1>you snack on during your commute. I'm also loving this

0:35:43.760 --> 0:35:46.799
<v Speaker 1>episode so far. Being away from my homeland, I get

0:35:46.840 --> 0:35:49.960
<v Speaker 1>the occasional craving for English food. More often than not,

0:35:50.040 --> 0:35:53.680
<v Speaker 1>this is pickled food like gherkins still pickles, pickled beet

0:35:53.760 --> 0:35:57.680
<v Speaker 1>root or pickle lily, pickled vegetables with tumeric and mustard powder.

0:35:58.000 --> 0:36:00.040
<v Speaker 1>I don't know if I've had that. When I'm in

0:36:00.080 --> 0:36:02.720
<v Speaker 1>England on holiday, I stuffed my face with these treats,

0:36:03.360 --> 0:36:06.920
<v Speaker 1>you know, like a standard plain, old school yellow mustard,

0:36:07.000 --> 0:36:10.440
<v Speaker 1>not the spicy kind. Uh that that's actually going to

0:36:10.640 --> 0:36:13.440
<v Speaker 1>create a flavor somewhat similar to a piccoli, except a

0:36:13.480 --> 0:36:17.040
<v Speaker 1>pickle pick will have more discernible vegetable matter in it.

0:36:17.600 --> 0:36:22.239
<v Speaker 1>Got anyway, he continues, quote, I've taken to trying to

0:36:22.280 --> 0:36:24.919
<v Speaker 1>ferment my own foods out of necessity. You can buy

0:36:24.920 --> 0:36:27.480
<v Speaker 1>some pickled English foods here, but they're so expensive that

0:36:27.520 --> 0:36:29.279
<v Speaker 1>I try to make them at home. I regularly make

0:36:29.360 --> 0:36:32.120
<v Speaker 1>yogurt at home, as yogurt tends to be quite expensive,

0:36:32.360 --> 0:36:35.240
<v Speaker 1>but milk is relatively cheap. I found that pickling foods

0:36:35.280 --> 0:36:37.480
<v Speaker 1>is not only quite easy and cheap, but often a

0:36:37.520 --> 0:36:40.000
<v Speaker 1>lot tastier than once you'd get in a shop. I

0:36:40.040 --> 0:36:41.840
<v Speaker 1>love how almost every culture in the world has a

0:36:41.920 --> 0:36:45.520
<v Speaker 1>variant of pickled food. Here in Indonesia, we have a

0:36:45.640 --> 0:36:49.680
<v Speaker 1>car or a car that's a pickled cucumber, garlic, shallot,

0:36:49.719 --> 0:36:53.200
<v Speaker 1>and chili, and a car cooning similar to a car

0:36:53.239 --> 0:36:55.960
<v Speaker 1>but with the addition of tumeric. This is similar to

0:36:56.000 --> 0:37:00.440
<v Speaker 1>the Indian hr which was also the inspiration for the

0:37:00.480 --> 0:37:04.280
<v Speaker 1>English uh pick up picko lily. There's also a range

0:37:04.280 --> 0:37:07.520
<v Speaker 1>of fermented foods, including tempe, a kind of soybean cake

0:37:07.560 --> 0:37:10.120
<v Speaker 1>fermented with fungus, which I'm seeing more and more of

0:37:10.200 --> 0:37:13.600
<v Speaker 1>on American TV nowadays. Who I do love some tempe

0:37:14.560 --> 0:37:19.120
<v Speaker 1>is How about satan is um? Is that is that fermented?

0:37:19.160 --> 0:37:21.239
<v Speaker 1>I can't remember how that's made. I don't know what

0:37:21.840 --> 0:37:25.160
<v Speaker 1>is satan. A wheat is a wheat gluten product. I'm

0:37:25.200 --> 0:37:27.719
<v Speaker 1>not quite sure. Oh yeah, we need to look at there.

0:37:27.840 --> 0:37:30.359
<v Speaker 1>There's actually an idea we've been kicking around. I don't

0:37:30.400 --> 0:37:33.759
<v Speaker 1>want to spoil the fluff on it, but I kind

0:37:33.760 --> 0:37:36.120
<v Speaker 1>of want to do an episode in the future about

0:37:36.800 --> 0:37:41.759
<v Speaker 1>our modern choices in fake meats and meat substitutes, in

0:37:41.800 --> 0:37:44.200
<v Speaker 1>which case we will probably get into the nature of satan.

0:37:44.480 --> 0:37:47.120
<v Speaker 1>It makes you, It makes you wonder what is meat?

0:37:47.200 --> 0:37:49.480
<v Speaker 1>What counts is meat? I mean, obviously, like a big

0:37:49.560 --> 0:37:52.160
<v Speaker 1>hunk of like a pork shoulder is meat, but there

0:37:52.200 --> 0:37:55.040
<v Speaker 1>are some products in between. Yeah, and then what's the

0:37:55.080 --> 0:37:58.319
<v Speaker 1>meat experience, like one thing I like in dealing with

0:37:58.400 --> 0:38:01.640
<v Speaker 1>say um in a vegetarian aternatives to uh to burg

0:38:01.760 --> 0:38:04.560
<v Speaker 1>to meet based burgers. You know, it's like, sometimes you

0:38:04.640 --> 0:38:08.719
<v Speaker 1>have an item that really captures the feel of of

0:38:08.800 --> 0:38:11.719
<v Speaker 1>a meat patty. Other times it doesn't really capture that,

0:38:11.760 --> 0:38:13.920
<v Speaker 1>but it becomes its own thing and yet is somehow

0:38:14.000 --> 0:38:18.200
<v Speaker 1>still meat like in its experience. I'm downe with this idea, Robert.

0:38:18.200 --> 0:38:20.200
<v Speaker 1>I think you and I could get very psychedelic on

0:38:20.320 --> 0:38:23.759
<v Speaker 1>meat substitutes. All right, all right, well, Sean has just

0:38:23.800 --> 0:38:25.680
<v Speaker 1>a little bit left here. I'm gonna run through it.

0:38:26.080 --> 0:38:29.160
<v Speaker 1>I'd recommend reading the book Got by Julia enders Inders

0:38:29.160 --> 0:38:32.160
<v Speaker 1>dedicates a section of the book to fermented food and

0:38:32.200 --> 0:38:34.920
<v Speaker 1>how this ties in with our love of the sour taste.

0:38:35.160 --> 0:38:37.520
<v Speaker 1>She also points out, and I can't agree more than

0:38:37.600 --> 0:38:39.880
<v Speaker 1>once you have tried a particular fermented or pickled food,

0:38:40.080 --> 0:38:43.480
<v Speaker 1>you will never stop craving it. Thanks for another entertaining episode.

0:38:43.560 --> 0:38:46.080
<v Speaker 1>All the best, Sean. PS. If you guys are ever

0:38:46.080 --> 0:38:48.880
<v Speaker 1>in Indonesia after the madness of this year ends around

0:38:48.920 --> 0:38:51.120
<v Speaker 1>January to March time, I'll take you hunting for some

0:38:51.200 --> 0:38:54.560
<v Speaker 1>good deer in Yeah, I think we're locked in for now.

0:38:54.600 --> 0:38:58.480
<v Speaker 1>But that's, uh, that's a mighty tempting offer. Yeah. Now,

0:38:58.520 --> 0:39:01.840
<v Speaker 1>does Sean mean at a dree market or like ranging

0:39:01.880 --> 0:39:05.480
<v Speaker 1>over the landscape for wild jury in I assuming means

0:39:05.520 --> 0:39:09.160
<v Speaker 1>the market experience sounds sounds that sounds plenty exciting in

0:39:09.200 --> 0:39:12.480
<v Speaker 1>and of its its own right. But yeah, because I've

0:39:12.520 --> 0:39:15.120
<v Speaker 1>had very limited experience with during but I've certainly never

0:39:15.200 --> 0:39:17.919
<v Speaker 1>had an expert guide me. So that would that would

0:39:17.960 --> 0:39:21.520
<v Speaker 1>really be interesting to to have some top shelf Duryan.

0:39:21.760 --> 0:39:23.879
<v Speaker 1>All right, well, that's one more door of perception left

0:39:23.920 --> 0:39:31.080
<v Speaker 1>to walk through, the Duryan door. Alright. Uh. This next email,

0:39:31.160 --> 0:39:34.120
<v Speaker 1>this one was short, but this came from our listener Terrence.

0:39:34.280 --> 0:39:37.720
<v Speaker 1>Terrence writes about the Egg Chamber episode, specifically the segment

0:39:37.719 --> 0:39:42.640
<v Speaker 1>where we were talking about exploding eggs. Terrence says, I

0:39:42.760 --> 0:39:45.759
<v Speaker 1>have had the misadventure to have tried to cook two

0:39:45.880 --> 0:39:49.239
<v Speaker 1>raw eggs in the microwave. I cracked two eggs into

0:39:49.239 --> 0:39:51.760
<v Speaker 1>a coffee cup and nuked them for two to three minutes.

0:39:52.400 --> 0:39:54.640
<v Speaker 1>When they came out, I jammed a fork into it

0:39:54.680 --> 0:39:58.680
<v Speaker 1>and blamm oh the cooked egg explodes out, hitting my face,

0:39:58.800 --> 0:40:02.160
<v Speaker 1>putting a blast path are and on the ceiling. But

0:40:02.239 --> 0:40:05.719
<v Speaker 1>there was still all the egg whites left to eat painfully.

0:40:05.800 --> 0:40:10.719
<v Speaker 1>I enjoyed what was left. Never repeated this again. What Okay?

0:40:10.760 --> 0:40:13.160
<v Speaker 1>So I'm trying to understand Terrence's message here. It sounds

0:40:13.200 --> 0:40:16.799
<v Speaker 1>like he's saying he stuck the fork in, it exploded,

0:40:17.120 --> 0:40:19.640
<v Speaker 1>burned him, left a pattern on the ceiling, but pretty

0:40:19.719 --> 0:40:22.640
<v Speaker 1>much all of that was yolk, and then the stuff

0:40:22.719 --> 0:40:25.279
<v Speaker 1>left down in the mug was the egg white and

0:40:25.360 --> 0:40:27.920
<v Speaker 1>he ate it is that? Am I catching it all here?

0:40:28.680 --> 0:40:32.560
<v Speaker 1>I think? Okay? If I if I'm understanding this correctly,

0:40:32.600 --> 0:40:35.080
<v Speaker 1>this would be in line with the the interpretation we

0:40:35.120 --> 0:40:37.640
<v Speaker 1>talked about in the episode where the scientists thought that

0:40:38.000 --> 0:40:41.600
<v Speaker 1>probably what's happening is that pockets of superheated water are

0:40:41.640 --> 0:40:45.239
<v Speaker 1>trapped within the protein matrix of the yolk, specifically the yolk,

0:40:45.360 --> 0:40:48.040
<v Speaker 1>not the whites, and then of course when it gets pierced,

0:40:48.040 --> 0:40:51.399
<v Speaker 1>it suddenly flashes into steam, expands and blows the egg

0:40:51.400 --> 0:40:54.200
<v Speaker 1>all over the place pattern on the ceiling, that is

0:40:54.480 --> 0:41:01.000
<v Speaker 1>I'm trying to picture alright. Anyway, this next email comes

0:41:01.040 --> 0:41:03.799
<v Speaker 1>to us from Matthias. This one was about the demogorgan.

0:41:04.000 --> 0:41:07.000
<v Speaker 1>Matthias says, hey, guys, I was just listening to the

0:41:07.040 --> 0:41:09.640
<v Speaker 1>episode of the pot about the DeMorgan and there you

0:41:09.640 --> 0:41:13.239
<v Speaker 1>mentioned Paradise Lost by Milton and discussed various texts and

0:41:13.280 --> 0:41:16.399
<v Speaker 1>stories from Christian mythology, and all this made me think

0:41:16.400 --> 0:41:19.920
<v Speaker 1>about one of the most famous Hungarian epic poems or

0:41:20.000 --> 0:41:23.439
<v Speaker 1>stage plays. This thing is a strange one. It's called

0:41:23.480 --> 0:41:26.640
<v Speaker 1>The Tragedy of Man by I hope I'm saying this right,

0:41:27.080 --> 0:41:31.480
<v Speaker 1>m Imray Madoc from eighty three. I don't know if

0:41:31.520 --> 0:41:33.839
<v Speaker 1>you heard about it, but it's a good read. Well,

0:41:33.920 --> 0:41:36.839
<v Speaker 1>it isn't Hungarian. I didn't read all of the English version,

0:41:37.040 --> 0:41:38.839
<v Speaker 1>but from the little I did read, I think it's

0:41:38.840 --> 0:41:42.799
<v Speaker 1>a quite decent translation. The plot is a strange paraphrase

0:41:42.880 --> 0:41:46.360
<v Speaker 1>of the Faustas story, where instead of Dr Faustas the

0:41:46.440 --> 0:41:49.720
<v Speaker 1>Devil or whichever version of the story you like, tries

0:41:49.760 --> 0:41:53.000
<v Speaker 1>to tempt Adam in and outside of the Garden of

0:41:53.160 --> 0:41:56.600
<v Speaker 1>Eden by showing him the future of humanity, including the

0:41:56.600 --> 0:42:01.200
<v Speaker 1>Pharaohs of Egypt, the French Revolution, and a strange dystopian future.

0:42:01.520 --> 0:42:03.879
<v Speaker 1>So there is some science fiction in there for you,

0:42:04.440 --> 0:42:07.399
<v Speaker 1>and many more historical events in places, but I don't

0:42:07.440 --> 0:42:10.600
<v Speaker 1>want to spoil the whole thing anyway. Really love the show, guys,

0:42:10.719 --> 0:42:13.239
<v Speaker 1>keep it up. Now that it's summer, I'm at two

0:42:13.239 --> 0:42:15.799
<v Speaker 1>episodes a day. I know I have too much free time,

0:42:15.800 --> 0:42:19.359
<v Speaker 1>but what can you do? Cheers Matthias from Hungary. Oh,

0:42:19.640 --> 0:42:22.719
<v Speaker 1>that's awesome. Thanks for thanks for writing in and so Matthias,

0:42:22.840 --> 0:42:26.239
<v Speaker 1>and links to three different English translations of this play.

0:42:26.400 --> 0:42:28.440
<v Speaker 1>I was not familiar with whatever you call it, epic

0:42:28.520 --> 0:42:32.080
<v Speaker 1>poem play. I was not familiar with it, but I

0:42:32.080 --> 0:42:34.560
<v Speaker 1>I looked up some of these translations, and there's some

0:42:34.600 --> 0:42:38.279
<v Speaker 1>good stuff in it. So there's one translation from J. C. W.

0:42:38.560 --> 0:42:41.600
<v Speaker 1>Horn in nineteen sixty three, and there's a scene where

0:42:42.239 --> 0:42:45.600
<v Speaker 1>where Lucifer or the Devil, and Adam travel together into

0:42:45.640 --> 0:42:49.200
<v Speaker 1>space so that we get we get space travel, and

0:42:49.640 --> 0:42:54.080
<v Speaker 1>Lucifer says, so high are we now risen from the site?

0:42:54.160 --> 0:42:57.280
<v Speaker 1>First fades the beautiful, and then the great and mighty.

0:42:57.640 --> 0:43:02.760
<v Speaker 1>To let length. Not else remains to us than mathematics, cold, remote,

0:43:03.520 --> 0:43:07.040
<v Speaker 1>And then Adam says, now fade the stars behind us.

0:43:07.120 --> 0:43:10.680
<v Speaker 1>As we fly, I see no end, I feel no obstacle,

0:43:11.040 --> 0:43:15.239
<v Speaker 1>without love, without conflict? What is life here? All is

0:43:15.320 --> 0:43:19.839
<v Speaker 1>cold and terror Lucifer. Then Lucifer says, if thus far

0:43:20.040 --> 0:43:22.880
<v Speaker 1>only thou hast the heart to go then turn we

0:43:23.040 --> 0:43:27.040
<v Speaker 1>back and play amid the dust. That's beautiful. Yeah, the

0:43:27.080 --> 0:43:30.919
<v Speaker 1>Devil's taunting humans into space exploration, like, oh, you're too

0:43:30.960 --> 0:43:33.920
<v Speaker 1>scared to go into space? Well why don't you? You're

0:43:33.960 --> 0:43:36.200
<v Speaker 1>scared because space makes it seem like the only thing

0:43:36.239 --> 0:43:39.279
<v Speaker 1>that really exists as cold mathematics, Well why don't why

0:43:39.320 --> 0:43:43.680
<v Speaker 1>don't you go play in the dirt? Uh? And then

0:43:43.719 --> 0:43:46.760
<v Speaker 1>I checked out one of the other translations by somebody

0:43:46.760 --> 0:43:50.080
<v Speaker 1>called Auto Tom Shay And in the final scene, it

0:43:50.200 --> 0:43:53.080
<v Speaker 1>ends with the I don't think spoilers matter for a

0:43:53.160 --> 0:43:55.600
<v Speaker 1>hundred year old epic play, but so this is the

0:43:55.640 --> 0:43:59.520
<v Speaker 1>final scene warning within it ends with the creator, the Lord,

0:43:59.640 --> 0:44:03.000
<v Speaker 1>giving exhortation to Adam and Eve in their banishment from

0:44:03.040 --> 0:44:05.560
<v Speaker 1>the Garden of Eden, and the Lord says, I told

0:44:05.600 --> 0:44:10.320
<v Speaker 1>you man, fight, trust and be full of hope. Wow,

0:44:10.560 --> 0:44:12.400
<v Speaker 1>I'm so glad this was brought to our attention. This

0:44:12.440 --> 0:44:14.400
<v Speaker 1>is this is some really cool stuff that I had

0:44:14.440 --> 0:44:17.440
<v Speaker 1>just had no knowledge of. Yeah. Absolutely, I don't think

0:44:17.440 --> 0:44:19.319
<v Speaker 1>I've ever heard of this at all. So so thank

0:44:19.320 --> 0:44:21.600
<v Speaker 1>you so much, Matthias. I might I might have to

0:44:21.640 --> 0:44:27.719
<v Speaker 1>dive in alright, Well, speaking of outer space, I do

0:44:27.760 --> 0:44:30.560
<v Speaker 1>want to read this one from j D um and

0:44:30.600 --> 0:44:34.919
<v Speaker 1>this is in response to our episode about the star Lack. Hey, guys,

0:44:34.960 --> 0:44:37.200
<v Speaker 1>I've been binging on your podcast since the two thousand

0:44:37.239 --> 0:44:39.799
<v Speaker 1>nineteen Christmas holiday, which seems quite a long time ago.

0:44:40.640 --> 0:44:42.520
<v Speaker 1>If the most important thing I can do is to

0:44:42.640 --> 0:44:44.759
<v Speaker 1>rate and review you, where do I go to do that?

0:44:44.960 --> 0:44:47.520
<v Speaker 1>I currently pull your shows from the the I Heart

0:44:47.600 --> 0:44:49.600
<v Speaker 1>Radio side, and there doesn't appear to be a place

0:44:49.640 --> 0:44:52.160
<v Speaker 1>to rate and review you. All right, well, well's let's

0:44:52.200 --> 0:44:55.919
<v Speaker 1>let's tackle this first. We we do have to realize that, yes,

0:44:56.040 --> 0:44:59.480
<v Speaker 1>not every platform is going to provide you the opportunity

0:44:59.520 --> 0:45:03.080
<v Speaker 1>to rate, review and subscribe. Um. So, you know, don't

0:45:03.120 --> 0:45:04.719
<v Speaker 1>worry about it if it's not an option, But if

0:45:04.719 --> 0:45:06.840
<v Speaker 1>it is an option, it is something you can do

0:45:06.880 --> 0:45:10.000
<v Speaker 1>to help us out. Now onto the fun stuff, uh.

0:45:10.200 --> 0:45:12.319
<v Speaker 1>J D writes on your most recent post on the

0:45:12.360 --> 0:45:14.960
<v Speaker 1>star lak. Yes, there is a phenomenon where the earth

0:45:15.000 --> 0:45:18.040
<v Speaker 1>opens up and swallows you whole. And no, not earthquakes,

0:45:18.040 --> 0:45:21.960
<v Speaker 1>but sinkholes. This is a great point because sinkholes can

0:45:22.000 --> 0:45:27.640
<v Speaker 1>be incredibly dramatic. Um. So this is this is actually

0:45:27.719 --> 0:45:30.880
<v Speaker 1>a kind of a hole in in our research because

0:45:31.000 --> 0:45:34.640
<v Speaker 1>I can I can well imagine sinkholes, definitely helping to

0:45:34.719 --> 0:45:38.800
<v Speaker 1>inform in places this idea of the earth swallowing people totally.

0:45:39.640 --> 0:45:42.200
<v Speaker 1>And then the second point the j D brings up

0:45:42.480 --> 0:45:45.960
<v Speaker 1>not even a passing mention of dune worms. Does anything

0:45:46.000 --> 0:45:49.160
<v Speaker 1>about the star Lack not remind me of dune worms? Hell,

0:45:49.239 --> 0:45:51.480
<v Speaker 1>you even made a joke, a spice joke toward the end.

0:45:51.520 --> 0:45:55.560
<v Speaker 1>Am I missing something here? Um? Well, thank you for

0:45:55.640 --> 0:46:00.320
<v Speaker 1>complaining that we didn't talk about Done enough. Yeah, as

0:46:00.440 --> 0:46:03.040
<v Speaker 1>uh I I do. I do need to point out

0:46:03.040 --> 0:46:06.400
<v Speaker 1>that I was tempted to talk about the sand worms

0:46:06.440 --> 0:46:09.640
<v Speaker 1>of Iracus multiple times, but I was like, no, this

0:46:09.680 --> 0:46:11.880
<v Speaker 1>is about the star Lack, like, this is the Starlac,

0:46:12.480 --> 0:46:15.479
<v Speaker 1>the Starlacks time to shine. This is Star Wars time

0:46:15.560 --> 0:46:19.239
<v Speaker 1>right now, not Done time. However, we do have a

0:46:19.280 --> 0:46:22.120
<v Speaker 1>couple of Science of Done episodes in the back catalog,

0:46:22.560 --> 0:46:25.480
<v Speaker 1>one of which really gets into sandworms science and different

0:46:25.960 --> 0:46:30.080
<v Speaker 1>commentators breakdown of sandworms science and what is actually in

0:46:30.800 --> 0:46:33.560
<v Speaker 1>the works of Frank Herbert Um. So go back and

0:46:33.600 --> 0:46:36.560
<v Speaker 1>listen to those if you're interested. I know that since

0:46:36.600 --> 0:46:40.560
<v Speaker 1>we're gonna have this exciting new adaptation um of the

0:46:40.600 --> 0:46:43.160
<v Speaker 1>first half of the novel come out really in just

0:46:43.200 --> 0:46:46.680
<v Speaker 1>a few months. Um, I'm certainly excited to return to

0:46:46.760 --> 0:46:49.640
<v Speaker 1>the world of Done, so be on the lookout. We'll

0:46:49.680 --> 0:46:53.640
<v Speaker 1>probably bust those Done episodes back into the vault again

0:46:54.239 --> 0:46:56.840
<v Speaker 1>so people can can listen to them a little closer

0:46:56.880 --> 0:46:59.959
<v Speaker 1>to this new movie. And there are some additional Done

0:47:00.040 --> 0:47:02.960
<v Speaker 1>related topics we can discuss on the show, for sure. Yeah,

0:47:03.000 --> 0:47:05.000
<v Speaker 1>so it gets your hooks ready? What do they call

0:47:05.080 --> 0:47:08.880
<v Speaker 1>the climbing hooks that they used to saddle up the sandworms? Oh?

0:47:08.880 --> 0:47:12.360
<v Speaker 1>That the exact terminology is failing me now, but but

0:47:12.480 --> 0:47:14.840
<v Speaker 1>don't worry. I'm gonna bone up here in the most ahead,

0:47:15.560 --> 0:47:18.360
<v Speaker 1>all right. J D finishes out by saying, the episodes

0:47:18.480 --> 0:47:21.600
<v Speaker 1>on staring and pointing you recently put out are the

0:47:21.680 --> 0:47:24.920
<v Speaker 1>poster children for your brand of podcast, very clever liberal arts,

0:47:24.960 --> 0:47:27.680
<v Speaker 1>synthesis of ancient art and behavior that explains some of

0:47:27.680 --> 0:47:30.680
<v Speaker 1>the stuff that not only happens today, but that we

0:47:30.719 --> 0:47:33.200
<v Speaker 1>all do and react to. Still thinking about some of

0:47:33.239 --> 0:47:36.160
<v Speaker 1>the items you raised on those episodes, j D, Oh,

0:47:36.160 --> 0:47:45.920
<v Speaker 1>thanks glad you liked them. All right, Well, Carney is

0:47:46.239 --> 0:47:49.000
<v Speaker 1>beginning to explode again, and that's his way of letting

0:47:49.080 --> 0:47:51.640
<v Speaker 1>us know that our time here is at an end.

0:47:51.680 --> 0:47:54.239
<v Speaker 1>But again, uh, you know, we we don't have time

0:47:54.280 --> 0:47:56.439
<v Speaker 1>to read everything that we receive here on the show.

0:47:56.480 --> 0:47:59.480
<v Speaker 1>We don't have time to respond to everybody individually, but

0:47:59.760 --> 0:48:03.400
<v Speaker 1>we continue to enjoy um and and learn from to

0:48:03.480 --> 0:48:06.920
<v Speaker 1>benefit from your insight into the topics we discussed on

0:48:06.960 --> 0:48:09.719
<v Speaker 1>the show every week, So keep them coming and we

0:48:09.800 --> 0:48:12.200
<v Speaker 1>will keep reading them in the meantime. If you like

0:48:12.239 --> 0:48:14.160
<v Speaker 1>to check out other episodes of Stuff to Blow Your Mind,

0:48:14.360 --> 0:48:16.560
<v Speaker 1>you can find them wherever you get your podcasts and

0:48:16.560 --> 0:48:19.160
<v Speaker 1>wherever that happens to be if the form, if the

0:48:19.239 --> 0:48:23.240
<v Speaker 1>particular platform allows it, rate, review, and subscribe. Huge thanks

0:48:23.239 --> 0:48:26.880
<v Speaker 1>as always to our excellent audio producer Seth Nicholas Johnson.

0:48:27.160 --> 0:48:28.680
<v Speaker 1>If you would like to get in touch with us

0:48:28.680 --> 0:48:31.560
<v Speaker 1>with feedback on this episode or any other, to suggest

0:48:31.560 --> 0:48:33.960
<v Speaker 1>a topic for the future, or just to say hello,

0:48:34.000 --> 0:48:36.520
<v Speaker 1>you can email us at contact at stuff to Blow

0:48:36.520 --> 0:48:46.400
<v Speaker 1>your Mind dot com. Stuff to Blow Your Mind is

0:48:46.440 --> 0:48:49.120
<v Speaker 1>production of I Heart Radio. For more podcasts for My

0:48:49.160 --> 0:48:52.239
<v Speaker 1>Heart Radio, visit the iHeart Radio app, Apple Podcasts, or

0:48:52.239 --> 0:48:59.719
<v Speaker 1>wherever you're listening to your favorite shows. B B B

0:48:58.560 --> 0:49:06.520
<v Speaker 1>Boy Pressing sad point four Part