1 00:00:01,080 --> 00:00:06,760 Speaker 1: Second. Not too long ago, Brooke taught me a very 2 00:00:06,880 --> 00:00:10,560 Speaker 1: valuable lesson on etiquette. Okay, what was it. She taught 3 00:00:10,560 --> 00:00:13,000 Speaker 1: me that when you go to a party, the number 4 00:00:13,080 --> 00:00:18,160 Speaker 1: one rule is do not show up on time, because 5 00:00:18,200 --> 00:00:20,760 Speaker 1: that makes you look lame. Yes, well not just that, 6 00:00:20,800 --> 00:00:22,799 Speaker 1: but like the host, like I'm always running late, like 7 00:00:22,800 --> 00:00:26,759 Speaker 1: I hate when people get there, I haven't finished throwing 8 00:00:26,800 --> 00:00:28,760 Speaker 1: everything in the closet before you got to my house. 9 00:00:29,000 --> 00:00:31,680 Speaker 1: You need to show up late thirty minutes an hour. 10 00:00:31,880 --> 00:00:34,280 Speaker 1: That's good. So I'm assuming the same rule applies to 11 00:00:34,320 --> 00:00:37,519 Speaker 1: a first date. No, don't show up on time, or 12 00:00:37,560 --> 00:00:40,680 Speaker 1: else you'll look like some desperate loser who has absolutely 13 00:00:40,720 --> 00:00:43,760 Speaker 1: nothing going on. This is why you don't get social etiquette. 14 00:00:43,800 --> 00:00:46,360 Speaker 1: And that's why one of our listeners, Todd, lives by 15 00:00:46,400 --> 00:00:50,840 Speaker 1: Brooks model because he was not on time and translation 16 00:00:51,240 --> 00:00:58,480 Speaker 1: he cool. No, what's up? Cool? Todd? Hey are you? 17 00:00:58,480 --> 00:01:02,600 Speaker 1: Are you remorseful that you were late? Todd? A little bit? 18 00:01:02,760 --> 00:01:08,440 Speaker 1: But cool people aren't remorseful, Brook, Yeah, I had another 19 00:01:08,560 --> 00:01:11,320 Speaker 1: beautiful attendee at my residence. If you know what I mean. 20 00:01:11,600 --> 00:01:15,959 Speaker 1: Oh wow, you double booked yourself for the same night. 21 00:01:16,000 --> 00:01:18,840 Speaker 1: I mean bold move. Friend sounds to me like he 22 00:01:18,920 --> 00:01:22,400 Speaker 1: had to holdover from the night before. Was kind of 23 00:01:22,440 --> 00:01:24,759 Speaker 1: got a little lost in the sauce about just lost 24 00:01:24,800 --> 00:01:28,520 Speaker 1: track of time. But though this is not about that, Okay, Yeah, 25 00:01:28,560 --> 00:01:30,720 Speaker 1: I mean it could be if that's the reason you 26 00:01:30,760 --> 00:01:32,800 Speaker 1: gave your date that you were late. Did you say 27 00:01:32,840 --> 00:01:36,480 Speaker 1: that to her time? No, did you say that to her? 28 00:01:38,440 --> 00:01:41,039 Speaker 1: I don't even know her name yet, Todd, Who were 29 00:01:41,040 --> 00:01:46,080 Speaker 1: you talking about? The beautiful Monica? Oh my god, Monica? Monica? Listen? 30 00:01:46,400 --> 00:01:49,880 Speaker 1: Was I remorseful just the time I got there and 31 00:01:49,960 --> 00:01:53,200 Speaker 1: I saw how beautiful she was? This was a lady 32 00:01:53,240 --> 00:01:56,920 Speaker 1: that you're on time? Cool? Okay, okay, so the ugly 33 00:01:57,000 --> 00:02:00,240 Speaker 1: people you're not on time for. So how late did 34 00:02:00,240 --> 00:02:04,160 Speaker 1: you show up to Monica's date? I'm gonna say about 35 00:02:04,200 --> 00:02:07,480 Speaker 1: forty five minutes. Oh dude, you're lucky she was still 36 00:02:08,240 --> 00:02:10,840 Speaker 1: under an hour. It's forgivable. You could blame it on 37 00:02:10,880 --> 00:02:13,960 Speaker 1: traffic at least standards, bro. That was one of the 38 00:02:14,000 --> 00:02:16,079 Speaker 1: excuses that I threw out there. You know, some family 39 00:02:16,240 --> 00:02:23,239 Speaker 1: is some different things. You know, where were you meeting Monica? 40 00:02:23,720 --> 00:02:25,799 Speaker 1: I don't really want to disclose that, but I did 41 00:02:25,919 --> 00:02:29,040 Speaker 1: meet her on tender Why don't you want to say 42 00:02:29,120 --> 00:02:30,880 Speaker 1: where you were meeting. You don't have to say like 43 00:02:30,960 --> 00:02:34,360 Speaker 1: the exact name of the place, but a general you 44 00:02:34,400 --> 00:02:38,320 Speaker 1: know business. We were there for brunch. A restaurant, Yeah, 45 00:02:38,440 --> 00:02:41,880 Speaker 1: let's do that. A restaurant. Okay. I just don't want 46 00:02:41,880 --> 00:02:44,160 Speaker 1: to give out too many details in the event that 47 00:02:44,200 --> 00:02:47,040 Speaker 1: this doesn't go well, you know my other d she's 48 00:02:47,040 --> 00:02:49,359 Speaker 1: still fine, Okay. I just wanted to make sure we're 49 00:02:49,400 --> 00:02:51,400 Speaker 1: keeping everything in line here. All right, all right, you 50 00:02:51,440 --> 00:02:53,720 Speaker 1: got the first girl on backup, just in case the 51 00:02:53,760 --> 00:02:57,120 Speaker 1: second date doesn't case. You know how it is, right, Yeah, sure, 52 00:02:57,680 --> 00:03:00,320 Speaker 1: let's focus on Monica. They'll tell us about how runch 53 00:03:00,360 --> 00:03:03,679 Speaker 1: on parting, well, well, you know, it was great. I mean, 54 00:03:03,720 --> 00:03:07,200 Speaker 1: we had some conversations a little bit about life, but 55 00:03:07,600 --> 00:03:11,120 Speaker 1: I just wanted to tell her about my truck. Truck 56 00:03:11,280 --> 00:03:14,920 Speaker 1: is red, beautiful rams. The interior is leather right now. 57 00:03:15,960 --> 00:03:23,360 Speaker 1: Has comedy wheels on that truck. Four all four of them. Dude, 58 00:03:23,680 --> 00:03:26,840 Speaker 1: what I understand. These guys are kind of like, you know, 59 00:03:26,919 --> 00:03:30,040 Speaker 1: letting you talk about the truck. But was Monica interested 60 00:03:30,040 --> 00:03:34,519 Speaker 1: in that at all? No? Not. I'm glad you're aware. 61 00:03:34,760 --> 00:03:37,000 Speaker 1: We did. Yeah, we did get to the fact that 62 00:03:37,200 --> 00:03:40,280 Speaker 1: not only is she beautiful, but she has artistic skills. 63 00:03:40,520 --> 00:03:44,200 Speaker 1: She's an interior designer. Oh you finally asked her about herself. 64 00:03:45,600 --> 00:03:48,160 Speaker 1: I mean, well, I didn't really actually told me about it. 65 00:03:49,640 --> 00:03:54,440 Speaker 1: Women always trying to like talk at you. So I suggested, listen, 66 00:03:54,720 --> 00:04:02,720 Speaker 1: you do interior decorating my apartment. No interior her work. 67 00:04:03,240 --> 00:04:07,360 Speaker 1: He wanted to get free work. Listen. I thought that 68 00:04:07,360 --> 00:04:11,119 Speaker 1: that was interesting. Well, if she's truly passionate about what 69 00:04:11,200 --> 00:04:15,040 Speaker 1: she does, she probably enjoyed doing that for you. What 70 00:04:15,080 --> 00:04:18,560 Speaker 1: did she say did she do it? Well, she did 71 00:04:18,640 --> 00:04:21,160 Speaker 1: come through and take a look, which was to my surprise. 72 00:04:21,200 --> 00:04:23,920 Speaker 1: Well not really because they called me Todd the bot. Right, 73 00:04:24,000 --> 00:04:27,960 Speaker 1: this is what I could And I'm guessing the first 74 00:04:28,000 --> 00:04:30,520 Speaker 1: girl was already gone by that time, or was she 75 00:04:30,640 --> 00:04:33,000 Speaker 1: hiding somewhere? So why do you think I was forty 76 00:04:33,000 --> 00:04:35,560 Speaker 1: five minutes late? Brother? I had to make sure everything 77 00:04:35,760 --> 00:04:39,599 Speaker 1: was clear, just in case something like this happens. A 78 00:04:40,080 --> 00:04:42,080 Speaker 1: tied with the bot also has a brain's good. What 79 00:04:42,279 --> 00:04:45,760 Speaker 1: was Monica's reaction when she walked into her apartment. Well, 80 00:04:45,800 --> 00:04:48,400 Speaker 1: I did see her eyes open up a little bit 81 00:04:48,440 --> 00:04:50,200 Speaker 1: to see how clean it was. You know, I don't 82 00:04:50,240 --> 00:04:52,520 Speaker 1: know what kind of guy she deals with But I 83 00:04:52,560 --> 00:04:55,840 Speaker 1: didn't know that my lazy Boy chair that I love 84 00:04:55,920 --> 00:04:57,920 Speaker 1: so much, she didn't really take to that too well, 85 00:04:58,040 --> 00:05:00,440 Speaker 1: I don't know. I didn't like that. I mean, you're 86 00:05:00,440 --> 00:05:04,960 Speaker 1: asking for an interior designer, right, not a comfort expert. Yeah. Well, 87 00:05:05,080 --> 00:05:08,200 Speaker 1: she needs to know where these things belong. Okay, this 88 00:05:08,320 --> 00:05:10,320 Speaker 1: is really like a part of me. I've had it 89 00:05:10,440 --> 00:05:14,520 Speaker 1: to this college. Right. Wait, okay, you win ahead and 90 00:05:14,720 --> 00:05:17,640 Speaker 1: argued with her about her opinion what you should have 91 00:05:17,680 --> 00:05:19,600 Speaker 1: in your apartment after you Oh no, no, no, no, 92 00:05:19,680 --> 00:05:23,680 Speaker 1: I didn't do any argument. Well, get the experience of 93 00:05:23,760 --> 00:05:25,680 Speaker 1: the lazy Boy. So I had to sit down and 94 00:05:25,800 --> 00:05:28,240 Speaker 1: you know, I got a little close and want to 95 00:05:27,640 --> 00:05:31,080 Speaker 1: see where things would go. But she was with she 96 00:05:31,240 --> 00:05:34,159 Speaker 1: she kept it professional. Right. Isn't I understanding that you 97 00:05:34,279 --> 00:05:36,839 Speaker 1: tried to put the moves on her while she was 98 00:05:36,880 --> 00:05:40,880 Speaker 1: in the Lazy Boy? Yeah? And those moves do we work? 99 00:05:41,000 --> 00:05:44,960 Speaker 1: You know the lazy Boy when I lean it back, right, yeah, 100 00:05:45,000 --> 00:05:47,440 Speaker 1: I can see it. After that, she just trying to 101 00:05:47,480 --> 00:05:50,240 Speaker 1: got up and left, and I'm like, what what happened? Bro? 102 00:05:50,440 --> 00:05:52,800 Speaker 1: After telling your story, do you feel like maybe you 103 00:05:52,880 --> 00:05:55,720 Speaker 1: didn't spend enough attention on her? And I mean you 104 00:05:55,839 --> 00:05:58,560 Speaker 1: know I actually your betther hair. Now I have a 105 00:05:58,640 --> 00:06:01,400 Speaker 1: personality when we have hair, Aaron Nail, thank you, thank 106 00:06:01,400 --> 00:06:07,360 Speaker 1: you for saying that. Finally, it's nice that you Yeah, 107 00:06:07,400 --> 00:06:09,400 Speaker 1: all right, so you like her though, you want to 108 00:06:09,400 --> 00:06:11,960 Speaker 1: go out with her more than once? Yeah, I thought 109 00:06:12,000 --> 00:06:15,000 Speaker 1: she was beautiful. Okay, okay, you have to have more 110 00:06:15,040 --> 00:06:17,719 Speaker 1: than just you're pretty to have chemistry with somebody. Brother, 111 00:06:17,760 --> 00:06:20,200 Speaker 1: you have to be able to back and forth. And 112 00:06:20,440 --> 00:06:23,440 Speaker 1: we talked. She does great work, she showed me on Instagram. 113 00:06:23,480 --> 00:06:27,160 Speaker 1: Wouldn't bad stuff. And remember this segment isn't about like 114 00:06:27,279 --> 00:06:31,000 Speaker 1: setting up lifelong loves. It's about getting a second date good. 115 00:06:31,320 --> 00:06:34,000 Speaker 1: That's all that we're trying to do. So love to 116 00:06:34,040 --> 00:06:36,480 Speaker 1: have life along love with her. I'll tell you that. Yeah, 117 00:06:37,160 --> 00:06:39,360 Speaker 1: in the back of your truck even maybe. So let's 118 00:06:39,360 --> 00:06:43,880 Speaker 1: see what we can do for you. That's the lazy 119 00:06:43,920 --> 00:06:46,880 Speaker 1: boy in that bed and go to work. But we're 120 00:06:46,920 --> 00:06:49,600 Speaker 1: gonna come back and we'll call Monica and get you 121 00:06:49,600 --> 00:06:52,599 Speaker 1: your second date. Update. All right, Todd the bod good 122 00:06:53,720 --> 00:07:01,920 Speaker 1: hold on second, big trucks, hearty runch and lazy boys 123 00:07:01,960 --> 00:07:07,000 Speaker 1: that recline all the way back. That's the ideal first 124 00:07:07,120 --> 00:07:10,160 Speaker 1: date for a guy. For sure, Okay, but not sure 125 00:07:10,240 --> 00:07:13,200 Speaker 1: how the ladies would feel about something like that. I 126 00:07:13,280 --> 00:07:16,160 Speaker 1: mean we didn't ask. We was just saying not sure. 127 00:07:17,560 --> 00:07:20,280 Speaker 1: That's how I mean. I think that's the point. You 128 00:07:20,280 --> 00:07:23,040 Speaker 1: didn't ask Monica either, He didn't anybody. That is how 129 00:07:23,120 --> 00:07:26,120 Speaker 1: our listener Todd the bod role during his first date 130 00:07:26,120 --> 00:07:28,760 Speaker 1: with Monica. The thing is he is man enough to 131 00:07:28,880 --> 00:07:32,680 Speaker 1: admit mistakes were made. Yeah, did he actually say that? 132 00:07:32,720 --> 00:07:34,600 Speaker 1: I don't know if I had that. I thought said 133 00:07:34,640 --> 00:07:37,320 Speaker 1: it was like a little bit regretful about having the 134 00:07:37,360 --> 00:07:39,480 Speaker 1: other woman at his house before she showed up. That's 135 00:07:39,520 --> 00:07:42,080 Speaker 1: a big ask for a man to admit that he's 136 00:07:42,080 --> 00:07:44,920 Speaker 1: a little bit regretful. Give him some credit. He's also 137 00:07:45,040 --> 00:07:48,040 Speaker 1: man enough to have a radio show help him out 138 00:07:48,080 --> 00:07:50,800 Speaker 1: with his dating life. Brook, Is there any anything else 139 00:07:50,840 --> 00:07:53,320 Speaker 1: that you want to tell Todd before we call Monica here? 140 00:07:53,560 --> 00:07:56,880 Speaker 1: You know, Todd, you say that you are really interested 141 00:07:56,880 --> 00:07:59,800 Speaker 1: in her. She is a beautiful woman. It just feels 142 00:07:59,840 --> 00:08:01,960 Speaker 1: like maybe you need to be more in tune with 143 00:08:02,000 --> 00:08:05,240 Speaker 1: her needs. Can you even ask a question? Yeah? Sure, 144 00:08:05,280 --> 00:08:08,000 Speaker 1: Alexis that could be a good start. Can you do that, 145 00:08:08,040 --> 00:08:09,880 Speaker 1: you think, Todd? Sorry, Todd didn't mean this to be 146 00:08:09,880 --> 00:08:13,920 Speaker 1: an intervention. Yeah, we're just trying to help you. Any 147 00:08:14,000 --> 00:08:16,200 Speaker 1: attention from the ladies is good, you know. I mean, 148 00:08:16,240 --> 00:08:19,600 Speaker 1: I take the coaching ladies. I appreciate that. Okay, So 149 00:08:19,680 --> 00:08:21,960 Speaker 1: you think I like that somebody who can listen to 150 00:08:22,040 --> 00:08:24,760 Speaker 1: some constructive criticism, that's good. This is a good step, 151 00:08:25,480 --> 00:08:30,480 Speaker 1: just for a few minutes, though, you guys, Let's wrap 152 00:08:30,560 --> 00:08:32,400 Speaker 1: this up, all right, Let's wrap it up and let's 153 00:08:32,400 --> 00:08:34,280 Speaker 1: call Monica and see what she hasked to say, try 154 00:08:34,320 --> 00:08:36,600 Speaker 1: and get you a second day. You're ready, Todd, Let's 155 00:08:36,679 --> 00:08:48,480 Speaker 1: do it all right, here we go. Hello, Hey, is 156 00:08:48,520 --> 00:08:53,920 Speaker 1: this Monica? Just Monica? Sorry to lean back and relax 157 00:08:53,960 --> 00:08:58,840 Speaker 1: a little bit. This Monica trying to be more manly 158 00:08:58,960 --> 00:09:01,360 Speaker 1: right now, trying to play it cool. You're like man 159 00:09:01,440 --> 00:09:06,760 Speaker 1: spreading Monica there, Hi, Monica, can't see Hi? Well, what's 160 00:09:06,760 --> 00:09:13,000 Speaker 1: going on? You're on the coolest radio show in town? Good? 161 00:09:14,080 --> 00:09:18,800 Speaker 1: You know what show that would be? Monica answer. I 162 00:09:18,880 --> 00:09:23,439 Speaker 1: have no clue, and I'm a little nervous. She's playing 163 00:09:23,480 --> 00:09:26,080 Speaker 1: at KOI I feel you, Monica, but you're on with 164 00:09:26,200 --> 00:09:30,360 Speaker 1: Brooke and Jeffrey in the morning right now? Okay, Hi, guys, 165 00:09:30,559 --> 00:09:35,240 Speaker 1: What's what's going on? On that. Okay, Hi, Monica, We 166 00:09:35,360 --> 00:09:37,400 Speaker 1: just have some questions for you if you have some time. 167 00:09:37,520 --> 00:09:43,680 Speaker 1: Question one, how do you feel about trucks? Oh my gosh, 168 00:09:43,720 --> 00:09:48,600 Speaker 1: they're fine? Okay. Question two in a good movie. How 169 00:09:48,600 --> 00:09:51,040 Speaker 1: do you feel about one of our listeners, Todd, who 170 00:09:51,080 --> 00:09:55,000 Speaker 1: you ran out on a date with recently? Oh? Sweet, 171 00:09:55,160 --> 00:10:02,959 Speaker 1: him sweet? That would never be a poor time. Okay. 172 00:10:03,200 --> 00:10:05,960 Speaker 1: We're doing something with him called a second Date update, 173 00:10:06,000 --> 00:10:08,720 Speaker 1: and he's trying to figure out why you two haven't 174 00:10:08,760 --> 00:10:13,680 Speaker 1: reconnected for a second date. There is so many things. 175 00:10:13,960 --> 00:10:17,240 Speaker 1: Was the date was? The date was okay? There were 176 00:10:17,320 --> 00:10:20,280 Speaker 1: some really good sweepings, you know, like he pulled out 177 00:10:20,320 --> 00:10:25,560 Speaker 1: the chair, he's too chivalrous for you. But he was late. 178 00:10:26,000 --> 00:10:29,280 Speaker 1: He was super late for the date. And I waited 179 00:10:29,360 --> 00:10:31,679 Speaker 1: for a really long time. I can't believe you were 180 00:10:31,679 --> 00:10:34,040 Speaker 1: waiting that long. Did you think in that forty five 181 00:10:34,080 --> 00:10:37,559 Speaker 1: minutes that he ditched you? Absolutely? I just was like, well, 182 00:10:37,600 --> 00:10:39,320 Speaker 1: I'm going to have a drink at the bar or whatever, 183 00:10:39,480 --> 00:10:41,160 Speaker 1: like I might as well enjoy my like start my 184 00:10:41,200 --> 00:10:46,120 Speaker 1: afternoon off right after being stood up as what I thought? Okay, Well, 185 00:10:46,160 --> 00:10:48,520 Speaker 1: and Todd did mention to us that he was really 186 00:10:48,600 --> 00:10:52,640 Speaker 1: late and he says he feels very, very remorseful about that. Well, 187 00:10:52,720 --> 00:10:56,000 Speaker 1: let's just tell him at the time. I mean, I'm 188 00:10:56,120 --> 00:10:58,960 Speaker 1: an interior designer. I can't be late to job right 189 00:10:59,080 --> 00:11:01,280 Speaker 1: and because of that, but carries into all my day 190 00:11:01,360 --> 00:11:04,560 Speaker 1: so I'm never late for anything. But I still went 191 00:11:04,559 --> 00:11:06,200 Speaker 1: for it and was like, let me give him the 192 00:11:06,200 --> 00:11:08,520 Speaker 1: benefit of the doubt. And it sounds like it must 193 00:11:08,520 --> 00:11:11,040 Speaker 1: have been pretty good because the two of you ended 194 00:11:11,120 --> 00:11:13,800 Speaker 1: up back at his place. Do people always ask you 195 00:11:13,840 --> 00:11:16,440 Speaker 1: for help when you tell them you're an interior designer? 196 00:11:16,960 --> 00:11:20,120 Speaker 1: They do? And I don't mind offering up help for that, 197 00:11:20,240 --> 00:11:22,920 Speaker 1: like it's it's a gift rate, like I have an 198 00:11:22,920 --> 00:11:25,800 Speaker 1: I feel like it. Okay, I don't mind sharing. So 199 00:11:25,880 --> 00:11:28,120 Speaker 1: when he said, oh, I have a gut my apartment 200 00:11:28,160 --> 00:11:31,560 Speaker 1: needs to be redecorated, like, I was weary because you know, 201 00:11:31,640 --> 00:11:33,520 Speaker 1: guys will say that and just want to get you 202 00:11:33,600 --> 00:11:35,280 Speaker 1: to the house. So I was like, let me again 203 00:11:35,520 --> 00:11:37,880 Speaker 1: give them the benefit of the doubt. It's interesting. I 204 00:11:37,920 --> 00:11:40,080 Speaker 1: don't know why you would do that, but okay, I 205 00:11:40,559 --> 00:11:44,559 Speaker 1: you know, I definitely didn't. It definitely changed once I 206 00:11:44,640 --> 00:11:47,760 Speaker 1: got there. Okay, that's what I think, That's what we're 207 00:11:47,800 --> 00:11:50,880 Speaker 1: almost interested in, Like, what was it about being at 208 00:11:50,880 --> 00:11:52,960 Speaker 1: his place that kind of turned you off? If you 209 00:11:53,000 --> 00:11:55,480 Speaker 1: were turned off, well, it was it was fine. We 210 00:11:55,520 --> 00:11:57,680 Speaker 1: were just showing me the room and talking about the 211 00:11:57,720 --> 00:11:59,360 Speaker 1: things that they wanted to do, and they changed in 212 00:11:59,400 --> 00:12:03,040 Speaker 1: the rooms and then he started talking about his lazy 213 00:12:03,080 --> 00:12:06,240 Speaker 1: Boy chair and I was like, okay, yeah, I'm not 214 00:12:06,280 --> 00:12:08,280 Speaker 1: a fan of lad boy, but he was like do 215 00:12:08,320 --> 00:12:11,160 Speaker 1: you like it? And I was like sure, it's nice. 216 00:12:11,280 --> 00:12:14,920 Speaker 1: I didn't want to offend him. And then he started 217 00:12:15,080 --> 00:12:19,600 Speaker 1: hetting my hair and he's like, I bet you, and 218 00:12:20,760 --> 00:12:24,559 Speaker 1: he got it started getting really yeah, well you said 219 00:12:24,600 --> 00:12:27,840 Speaker 1: for yourself right before, like thirty seconds ago, that this 220 00:12:27,920 --> 00:12:29,640 Speaker 1: is what you knew was going to happen, but you 221 00:12:29,679 --> 00:12:32,520 Speaker 1: wanted to do some benefit of the doubt thing. Yes, 222 00:12:32,840 --> 00:12:36,120 Speaker 1: And I mean I didn't feel unsafe, h I kind 223 00:12:36,120 --> 00:12:37,920 Speaker 1: of just like awkwardly got up. I'm like trying to 224 00:12:37,920 --> 00:12:40,800 Speaker 1: get give myself a space. And then he's started talking 225 00:12:40,800 --> 00:12:44,360 Speaker 1: about how he needs a new roommate and like, if 226 00:12:44,400 --> 00:12:47,000 Speaker 1: you ever need one, if you need a roommate, I'm 227 00:12:47,040 --> 00:12:49,360 Speaker 1: looking for a new one. And I was at that 228 00:12:49,480 --> 00:12:51,880 Speaker 1: point I was just I was like, you know what 229 00:12:51,920 --> 00:12:54,640 Speaker 1: it's getting I have some things I gotta do and 230 00:12:54,800 --> 00:12:57,440 Speaker 1: I laughed. So it sounds like you. I mean, you 231 00:12:57,480 --> 00:12:59,680 Speaker 1: were attracted to Todd. You like Todd. It just got 232 00:12:59,679 --> 00:13:04,360 Speaker 1: too intends too much too soon? Yeah too, my, Oh well, 233 00:13:04,400 --> 00:13:06,240 Speaker 1: I don't want to. I hope you can handle just 234 00:13:06,360 --> 00:13:10,320 Speaker 1: a little bit more because hot Todd with the boat 235 00:13:10,400 --> 00:13:12,200 Speaker 1: is actually on the other line right now and wants 236 00:13:12,200 --> 00:13:19,240 Speaker 1: to talk. Oh no, you didn't say anything, mean a love, 237 00:13:19,360 --> 00:13:23,640 Speaker 1: How are you doing? She just said it was too 238 00:13:23,679 --> 00:13:28,640 Speaker 1: much Todd. Don't come in love? Hey, how you doing? God? 239 00:13:30,240 --> 00:13:33,160 Speaker 1: Love here? And that sweet little voice yours? What I 240 00:13:33,200 --> 00:13:35,920 Speaker 1: did over here? The voice is great time. Were you 241 00:13:35,920 --> 00:13:40,080 Speaker 1: hearing the words that the voice? I mean, it's just 242 00:13:40,200 --> 00:13:43,440 Speaker 1: sweet music every time she speaks. So yes, you know, 243 00:13:45,240 --> 00:13:49,319 Speaker 1: I'm gonna have to just say this is I thought 244 00:13:49,360 --> 00:13:53,200 Speaker 1: that me ignoring your phone calls and texts was enough 245 00:13:53,240 --> 00:13:55,360 Speaker 1: for you to get the point like it did not 246 00:13:55,480 --> 00:14:03,640 Speaker 1: go out, no not, You just needed to refresh, you know. 247 00:14:03,720 --> 00:14:08,120 Speaker 1: And I don't know, it seems like you're one of 248 00:14:08,120 --> 00:14:10,640 Speaker 1: those guys as well. You don't take no for an answer. 249 00:14:11,800 --> 00:14:14,120 Speaker 1: Oh you know, I think, yeah, Tree, that we had 250 00:14:14,280 --> 00:14:20,360 Speaker 1: you know, you came over Yeah tide Monica, baby listen 251 00:14:22,440 --> 00:14:26,360 Speaker 1: I think what's going on To let you know, you 252 00:14:26,440 --> 00:14:30,560 Speaker 1: have to understand when you have a great opportunity here, Listen, Todd, 253 00:14:31,480 --> 00:14:39,520 Speaker 1: by selling yourself. I have no idea how many guys 254 00:14:39,560 --> 00:14:43,360 Speaker 1: do you me that has such a great interior like that. 255 00:14:43,400 --> 00:14:45,200 Speaker 1: I mean, like I got my initials in the head 256 00:14:45,240 --> 00:14:49,440 Speaker 1: respect time when I put it in there, right, that 257 00:14:49,520 --> 00:14:52,880 Speaker 1: is pretty cool, Monica. You don't want to look back 258 00:14:52,880 --> 00:14:57,239 Speaker 1: on this with regret. I am. I am already regretting, 259 00:14:57,360 --> 00:15:00,320 Speaker 1: answering and staying on this phone call y'all, like, I 260 00:15:00,360 --> 00:15:05,320 Speaker 1: don't blame you? Why all right? Todd? Todd, Todd, we 261 00:15:05,600 --> 00:15:07,840 Speaker 1: need you. We need you to take a break. We 262 00:15:07,880 --> 00:15:11,160 Speaker 1: need you to Todd, Todd, bro Todd, we need you 263 00:15:11,200 --> 00:15:13,120 Speaker 1: to take a break from talking and just listen for 264 00:15:13,160 --> 00:15:17,760 Speaker 1: a second, Okay, because I need to ask Monica, would 265 00:15:17,760 --> 00:15:21,720 Speaker 1: you like to go out with Todd for a once 266 00:15:21,800 --> 00:15:24,440 Speaker 1: in a life? Hold on, Todd, hold on top, Monica. 267 00:15:24,800 --> 00:15:28,920 Speaker 1: I want you to picture yourself leaning slowly back in 268 00:15:29,040 --> 00:15:33,840 Speaker 1: a very comfortable lazy boy all right, and having the 269 00:15:33,840 --> 00:15:37,880 Speaker 1: best night of your life with Todd. Never Okay, do 270 00:15:38,200 --> 00:15:42,280 Speaker 1: you understand that, Todd? Bonica, Babe, we shall get through this. 271 00:15:42,280 --> 00:15:49,720 Speaker 1: This is my God it's so good. Your number is 272 00:15:49,760 --> 00:15:54,120 Speaker 1: going to be blocked on my phone call again. These 273 00:15:54,160 --> 00:15:56,320 Speaker 1: people get up too early in the morning. They're not 274 00:15:56,360 --> 00:16:01,840 Speaker 1: really in their right mind. So it's sounding to me 275 00:16:02,000 --> 00:16:04,880 Speaker 1: like Monica just missed out on another day with the 276 00:16:04,880 --> 00:16:07,760 Speaker 1: world's most interesting man. Is that what it sounds like 277 00:16:07,800 --> 00:16:10,560 Speaker 1: to you? That's how we're going to spin it today. 278 00:16:10,680 --> 00:16:12,960 Speaker 1: If your truck is the most interesting part of you, 279 00:16:13,080 --> 00:16:20,480 Speaker 1: I don't think that you. I don't really think that 280 00:16:20,600 --> 00:16:26,800 Speaker 1: was funny. Guys. It didn't work out for you this time, Todd, 281 00:16:26,840 --> 00:16:29,480 Speaker 1: But maybe next time? Can you always have the first girl? 282 00:16:29,920 --> 00:16:33,720 Speaker 1: That's right? Hey, guys, I mean, where's the broken? Is 283 00:16:33,760 --> 00:16:39,240 Speaker 1: there any broke? I sorry, I'm sorry. Let me get 284 00:16:39,280 --> 00:16:42,440 Speaker 1: out of here. You're right, you know what. This was 285 00:16:42,520 --> 00:16:48,360 Speaker 1: my bad, that was my fault. I'm sorry, broken, Jeffrey. 286 00:16:48,360 --> 00:16:51,000 Speaker 1: In the morning, that second date update made me think 287 00:16:51,040 --> 00:16:53,920 Speaker 1: of you know that famous saying, if at first you 288 00:16:53,960 --> 00:16:57,520 Speaker 1: don't succeed, try try again. That's a terrible saying for this. 289 00:16:57,640 --> 00:17:03,320 Speaker 1: Jeff Todd added like eighteen hundred tries after the first three. 290 00:17:02,440 --> 00:17:09,679 Speaker 1: And I love our listeners, Todd. I don't know, I 291 00:17:09,720 --> 00:17:15,720 Speaker 1: don't know, but no listener in general, he just does 292 00:17:17,760 --> 00:17:20,080 Speaker 1: we just play in the background and he has no 293 00:17:20,160 --> 00:17:24,080 Speaker 1: idea what we're saying. Love these guys, Yeah, but there 294 00:17:24,160 --> 00:17:26,280 Speaker 1: is something to be said about a man who knows 295 00:17:26,359 --> 00:17:30,200 Speaker 1: what he wants. Why are you still trying to time? 296 00:17:30,240 --> 00:17:32,520 Speaker 1: I'm just I don't know. Todd obviously does have some 297 00:17:32,600 --> 00:17:34,919 Speaker 1: work to do on himself. Yes, if he could just 298 00:17:34,960 --> 00:17:38,159 Speaker 1: shut up for two seconds, he might actually learn something. 299 00:17:38,280 --> 00:17:40,560 Speaker 1: I mean, maybe there's a woman who doesn't like to 300 00:17:40,600 --> 00:17:44,560 Speaker 1: talk that we'll find him. Well, there was a Yeah, 301 00:17:44,600 --> 00:17:48,520 Speaker 1: I don't think they were talking. That's where the secret lies. 302 00:17:49,040 --> 00:17:51,119 Speaker 1: Get right to business. But if you ever want to 303 00:17:51,119 --> 00:17:53,800 Speaker 1: get a second date update, remember you can always email 304 00:17:53,840 --> 00:17:55,960 Speaker 1: the show. We'll call the person who isn't calling you back. 305 00:17:56,000 --> 00:17:58,720 Speaker 1: Find all the second date updates on our podcast. Yeah, 306 00:17:58,800 --> 00:18:01,800 Speaker 1: just search Brick and Jeffrey on like Spotify, Apple Podcasts, 307 00:18:01,840 --> 00:18:02,800 Speaker 1: wherever you get your podcasts.