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Speaker 1: M hm m m all right, prime Time Premium podcasting

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Speaker 1: p p P. That's what we call. It's prime time

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Speaker 1: premium podcasting. My name is Michael Rappaport a k A.

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Speaker 1: The Gringo Dingo a k A. White Mike a k

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Speaker 1: A Bird a k A. The Jacob La Matta of podcasting?

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Speaker 1: Is there anymore? The white chalk latego? I mean what

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Speaker 1: he goes on and on and on and on and on.

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Speaker 1: You know what it is. I'm speaking to the best

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Speaker 1: of the best. I am Rappaport stereo podcast fans in

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Speaker 1: prime time. It's p p P A lot to talk about.

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Speaker 1: Glad to be here rocking with the number one fans

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Speaker 1: in the world. M What can I say? Um? First

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Speaker 1: of all, the great and that term the great uh

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Speaker 1: is thrown around a lot. But Penny Marshall, director of

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Speaker 1: a League of their own, director of Big Actress from

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Speaker 1: Happy Days, The Odd Couple, and of course Laverne and Shirley,

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Speaker 1: sister of Gary Marshall, director of Pretty Woman, Um who

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Speaker 1: also passed away and other things Flamingo Kid. Gary Marshall

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Speaker 1: directed it. Very talented, the two of them. She passed away.

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Speaker 1: Penny Marshall passed away. At seventy five years old. Um,

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Speaker 1: she's been getting a lot of love and tributes on

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Speaker 1: social media, as she should. I first, you know, became

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Speaker 1: a fan of her his watching TV. UH, Happy Days,

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Speaker 1: the Odd Couple, and of course Laverne and Shirley. That

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Speaker 1: was the line up when I was a kid, Happy Days,

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Speaker 1: and then it would be Laverne and Shirley. UM. I

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Speaker 1: can't remember what time. It was, either eight and eight

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Speaker 1: thirty or nine and nine thirty. And then of course

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Speaker 1: she started directing films, biggest hit being I guess the

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Speaker 1: League of the League of their Own. I don't know

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Speaker 1: which one was bigger. Big was huge with Tom Hanks.

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Speaker 1: She did Awakenings with Raw, Robin Williams and Robert de Niro,

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Speaker 1: and a bunch of other films. I met her, I

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Speaker 1: met Gary Marshall. Gary Marshall is the first legitimate person

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Speaker 1: to give me. He didn't give me a break, but

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Speaker 1: he gave me acknowledgement. Uh. The the first time, the

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Speaker 1: very first time I ever did stand up comedy in

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Speaker 1: Los Angeles, California. I did five minutes five minutes of

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Speaker 1: stand up comedy in uh in l A. And this

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Speaker 1: was probably one nine. I'm not Mr day Guy. And

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Speaker 1: you know, we don't fact check, but Gary Marshall was

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Speaker 1: at the Improv in Hollywood where I've started doing stand

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Speaker 1: up again. Um, that was twenty one. If it was,

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Speaker 1: I might have been twenty. It might have been nineteen

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Speaker 1: ninety nine. Fuck, you know what is actually nineteen eighty nine?

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Speaker 1: It was a summer of nineteen eighty nine. I'm bugging

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Speaker 1: I was nineteen. So the summer of nineteen eighty nine

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Speaker 1: the very first time I did stand up comedy on

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Speaker 1: a Sunday night, which I don't know if Sunday nights

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Speaker 1: are still popping for stand up, but in the summertime

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Speaker 1: it probably is. In the summertime of nineteen eighty nine,

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Speaker 1: I was doing stand up comedy and Gary Marshall was there.

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Speaker 1: Director of Pretty Woman, huge fucking hit at the time,

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Speaker 1: director of The Flamingo Kid with Stickman Extraordinaire Matt Dillon,

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Speaker 1: Loki Stealth Coxman Yo, Maddie d Uh put it down.

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Speaker 1: He put it down in the eighties and the nineties.

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Speaker 1: I mean he put it down in the in the

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Speaker 1: funk world. He's still single. But his eighteenth birthday was

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Speaker 1: that Studio fifty four. He was late he was a

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Speaker 1: fucking star sex symbol. He was that dude. I saw

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Speaker 1: him go to work when we were doing the movie

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Speaker 1: Beautiful Girls. He would knock down everything in his path.

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Speaker 1: Let me stay focused. But Gary Marshall and his assistant

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Speaker 1: saw me do stand up comedy. Um, I didn't know

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Speaker 1: what the funk I was doing. I had done stand

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Speaker 1: up comedy about five times, literally did five minutes, and

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Speaker 1: I was you know, I had a good personality. I

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Speaker 1: didn't have a bit, I didn't have an act. I

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Speaker 1: just talked ship. I mean literally imagine me in nineteen

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Speaker 1: years old. I didn't know what the funk I was doing,

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Speaker 1: but I had a lot of attitude and I wasn't scared,

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Speaker 1: which is rule number one when you're doing anything in

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Speaker 1: the arts. You cannot be scared. And if you are scared,

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Speaker 1: you have to be like Mike Tyson coming into the

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Speaker 1: ring during his prime, and you have to control your

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Speaker 1: fucking fear. And when it comes to stand up comedy,

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Speaker 1: controlling your fear means talk shit or die trying. So Um,

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Speaker 1: afterwards the show, this this girl, his assistant, uh came

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Speaker 1: over to me and she was like, you know, I'm

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Speaker 1: working with Gary Marshall. He was just here, he would

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Speaker 1: love to meet you, and I'm like, Gary Marshall, oh ship. Yeah.

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Speaker 1: So you know, a couple of days later, I went

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Speaker 1: to the Universal Studios lot, which was a big you know,

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Speaker 1: I went a few years before that, before I was

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Speaker 1: even thinking about doing stand up I went to the

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Speaker 1: Universal Studios a lot for the tour. You know they

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Speaker 1: have those tours now. I had like a drive on pass.

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Speaker 1: I went there. I met Gary Marshall. Um. You know,

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Speaker 1: he was doing a play, reading for this play he

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Speaker 1: was doing, which I can't remember the name of it.

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Speaker 1: You know, he said, you know, you're talented. I was like, talented.

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Speaker 1: I don't even know what I'm doing. Anyway, it made

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Speaker 1: me feel like, you know, I was onto something with

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Speaker 1: stand up comedy. Years later I met Penny and she

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Speaker 1: was the same way. They're both New Yorkers from the Bronx.

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Speaker 1: Penny Marshall was a New Yorker from the Bronx. She

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Speaker 1: made you feel like she knew her Now. To me,

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Speaker 1: it's Laverne from Laverne and Shirley. It's the funny girl

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Speaker 1: from Happy Days. It's Oscar Madison's assistant from uh the

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Speaker 1: Odd couple. I'm tripping. She directed big. Couldn't be nicer,

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Speaker 1: couldn't be more welcoming, couldn't be more regularly a New

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Speaker 1: York woman, funny, how are you doing? Where are you from?

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Speaker 1: You know? She had that kind of laid back, you know,

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Speaker 1: sort of New York, real New York drawl and said, oh,

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Speaker 1: I'm not doing this and doing that? What are you

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Speaker 1: up to? You should do this that? And I first

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Speaker 1: um did business with Penny. I auditioned for this film

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Speaker 1: called The Renaissance Man, which wasn't okay. Movie was a

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Speaker 1: really good script, but it was like, I think that

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Speaker 1: movie came out again. I'm not, I am really not

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Speaker 1: Mr um Date guy, but I think that movie came out.

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Speaker 1: N auditions were probably in nine, but it was a

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Speaker 1: young cast and we all auditioned. My man Lelo Broncado

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Speaker 1: got the film. Who was the star of Bronx tail Uh,

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Speaker 1: Kadeem Hardison was in it. Mark Wahlberg I believe, yeah,

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Speaker 1: he was in it. Mark Wahlberg was in it. But

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Speaker 1: all the young actors from that time, all of us,

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Speaker 1: we all auditioned for that movie. I think Don Cheetah

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Speaker 1: was at the auditions the first time I met Wahlberg,

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Speaker 1: he was cool as funk. He was like the bad

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Speaker 1: boy of Hollywood at that time. He had just gotten

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Speaker 1: into a fight I remember at a Madonna party. Was

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Speaker 1: all over the news the day after I met him.

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Speaker 1: I think he had gotten arrested. I was like, how

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Speaker 1: are you at this audition? Anyway, we auditioned for weeks

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Speaker 1: and weeks and weeks at a time. I man Khalil

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Speaker 1: Khan who was in Juice, Uh, the kid from Juice?

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Speaker 1: Who who wanted getting killed? I think he was the

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Speaker 1: first person Tupac Bishop kills and Juice. It was cool.

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Speaker 1: It was a really cool time. I didn't get the part.

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Speaker 1: We were all sort of the audition process for a

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Speaker 1: film like that was, you know, you'd read for one part,

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Speaker 1: then you'd read for another part. Then they'd mix and

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Speaker 1: match and they'd have you improv and all that. Anyway,

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Speaker 1: I didn't get the movie. Was a cool process though.

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Speaker 1: Um I met Leelo, I met Wahlberg. It was cool.

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Speaker 1: I was disappointed that I didn't get it. But Penny

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Speaker 1: was nice to everybody. You know. She called me and said,

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Speaker 1: you know, I'm not gonna have you in this, you know,

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Speaker 1: and we're gonna work on something else. She would do that.

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Speaker 1: She would call you and you're you know, she was

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Speaker 1: sweet and she was she made me you know, we're

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Speaker 1: gonna find something else. I want to work with you.

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Speaker 1: I think you're great, and you're like funk, all right, cool,

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Speaker 1: you know, Penny Marshall, she thinks I'm great. You know.

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Speaker 1: It meant a lot. And she didn't need to call you,

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Speaker 1: she didn't need to be nice. You know, we wanted

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Speaker 1: the jobs. But she did do that, and she had

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Speaker 1: a reputation for doing that. She had a reputation for

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Speaker 1: going above and beyond and and and being friendly to

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Speaker 1: two actors and people. Um. And I remember I auditioned

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Speaker 1: for her again for this movie that was an okay

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Speaker 1: movie called Riding in Cars with Boys, which I don't

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Speaker 1: think that was the original title. Um. I auditioned for

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Speaker 1: her a bunch times. James L. Brooks one of the

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Speaker 1: creators of of course, The Simpsons, and he's a directly

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Speaker 1: directed All Kinds of Ship James L. Brooks. James L.

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Speaker 1: Brooks wrote Broadcast News. He directed As Good as It

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Speaker 1: Gets You. No, he directed it, maybe he wrote it too,

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Speaker 1: but he directed terms. He wrote terms of endearment. He's

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Speaker 1: a fucking he's a beast. He created the Simpsons. He

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Speaker 1: he's a fucking beast. But James L. Brooks was producing it,

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Speaker 1: Penny was directing it, and Um, I would go up

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Speaker 1: to her house and I would audition with different actresses.

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Speaker 1: I mean all of them were there. I auditioned with.

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Speaker 1: I remember to auditioned with Drew Barrymore. Um, I to

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Speaker 1: who wind up doing the movie? Um, it was all

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Speaker 1: sorts of people. And I would just go up there

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Speaker 1: and read with Penny. We would read scenes together. She

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Speaker 1: would ask me, what do you think of this scene?

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Speaker 1: They would change the words the late Brittany Murphy. I

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Speaker 1: remember our auditioned with her actress. Um, I wind up

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Speaker 1: not getting that movie either. Fuck. But the thing about

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Speaker 1: Penny and working whether she would call you and be like, listen,

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Speaker 1: I'm gonna go with someone else. You did a great job.

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Speaker 1: It's not you, you know, it's just you know casting

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Speaker 1: and all all, Uh, we're gonna work on something. Let's

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Speaker 1: go to a Laker game. She took me the Laker games.

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Speaker 1: She was a huge basket Actually took me to a

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Speaker 1: Clipper game. Um. She was a huge basketball fan. Had

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Speaker 1: season tickets to the Clippers before the Clippers were even

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Speaker 1: worth even going to see. Before the lamar odom Quentin

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Speaker 1: Richardson Clippers. She always her and Billy Crystal were like

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Speaker 1: the Clippers fans. And you know, she had a cool house. Um,

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Speaker 1: she had a sick sports member of Billia collection. I

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Speaker 1: remember she showed me her room. She had all sorts

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Speaker 1: of ship like you know, a bat signed by Ted

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Speaker 1: will Ums and old New York Yankee jerseys and I

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Speaker 1: mean I'm not talking about from the seventies. I'm going

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Speaker 1: back to the fifties. And she also had a beautiful

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Speaker 1: dope art collection. Um. Anyway, she was always cool with me,

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Speaker 1: always nice, friendly to everybody, warmed to everybody, and and

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Speaker 1: had this quality too to make me, to make you,

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Speaker 1: to make me, as a young actor, feel like I

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Speaker 1: was special and and and to feel like I could

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Speaker 1: do something in this business when she didn't have to. Uh.

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Speaker 1: You know, you go into audition nine percent of the

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Speaker 1: times you either get the part or you never hear

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Speaker 1: from them again. And she would always with me and

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Speaker 1: other people. And I think that's why so many actors

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Speaker 1: that she didn't even work with and I never actually

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Speaker 1: officially worked with her. But those work sessions that I

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Speaker 1: had on the Renaissance Man and riding in cars with boys,

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Speaker 1: they meant a lot to me. To be working with

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Speaker 1: someone that was so accomplished and so iconic, and I

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Speaker 1: was such a fan of To have those work sessions

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Speaker 1: meant a lot, and it gives you confidence to to

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Speaker 1: to go forward and to kick ass. So she's she's

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Speaker 1: gonna she's gonna be missed. She's from a time, uh

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Speaker 1: that doesn't exist. She's a bronx girl. Uh, she's from

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Speaker 1: a time in New York that doesn't exist anymore. And

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Speaker 1: she's from a time and show business that doesn't exist anymore.

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Speaker 1: So Uh, all the all the shoutouts that you're seeing

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Speaker 1: from people that saying she was a friend and that

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Speaker 1: she was good and she was this that the other,

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Speaker 1: I could say from my experience, I co signed it

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Speaker 1: to the fullest and Uh, the late great Penny Marshall

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Speaker 1: will be missed, Miles. Let me get some nice music here.

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Speaker 1: Somebody who also passed lesser known Goalt McDermott, Uh composer

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Speaker 1: jazz musician Um who scored the movie and the play

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Speaker 1: Hair You know, Hey the Sunshine Um and also strangely enough,

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Speaker 1: is one of the most sampled musicians ever. Gold McDermott,

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Speaker 1: the late Gold McDermott, he scored the movie Hell Up

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Speaker 1: in Harlem. Uh. And you know, he's just sort of

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Speaker 1: an obscure musician that did obscure music. I mean he

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Speaker 1: was sampled by everybody from Jay Diller to m F.

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Speaker 1: Doom to mad Lib um and and a lot of people.

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Speaker 1: Miles play a little a little, uh. Gold McDermott, J

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Speaker 1: dillershit kind of unknown. I think he was Canadian, but

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Speaker 1: his ship was funky, it was weird, and there was

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Speaker 1: something about his music. And to be honest with you,

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Speaker 1: when you listen to it, you're like, how do these

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Speaker 1: musicians do? These producers finds beats and and find pieces

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Speaker 1: that they want to sample. But but some of the

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Speaker 1: best really sort of beloved all his ship and and

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Speaker 1: Goald McDermott is heavily sampled by some of the best.

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Speaker 1: I think the roots used them. But he was definitely

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Speaker 1: um adored and his music was losed a lot in

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Speaker 1: hip hop. Bust the Rhymes check out his music. Check

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Speaker 1: out his music and hip hop check out his music.

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Speaker 1: Galt McDermott also passed away um and speaking of passing

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Speaker 1: away um, not that I want him to pass away um,

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Speaker 1: but I want him to pass it away. I want

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Speaker 1: him to pass it away. New York Nick's owner jazz musician,

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Speaker 1: jazz and blues man. He calls himself a jazz and

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Speaker 1: blues man. That little fuck, James Dolan, that little fuck

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Speaker 1: who owns the Knicks, owns Radio City Musical, owns all

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Speaker 1: kinds of ship, said that if the price was right,

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Speaker 1: he would sell the Knicks. There's something about the way

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Speaker 1: he said he would sell the Knicks that it's like

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Speaker 1: he's almost it would be a threat. James Dolan. We

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Speaker 1: don't like you. We don't see you as one of

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Speaker 1: our own. If you sold the fucking Knicks, it would

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Speaker 1: be the closest thing that New York Knicks fans would

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Speaker 1: have as a parade. Okay, we haven't won a championship

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Speaker 1: since ninety three. If you sold the Knicks, that would

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Speaker 1: be the closest we have as a championship right now.

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Speaker 1: Motherfucker's would be celebrating in the streets. Please sell the Knicks,

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Speaker 1: give us our ring, give us our chip, give us

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Speaker 1: our championship, give us a parade. Talking about five billion dollars. Listen,

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Speaker 1: I'm not saying the Knicks are worth five billion or

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Speaker 1: not five billion, but can't we put together a go

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Speaker 1: fund me? Is there some sort of think tank that

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Speaker 1: could raise that kind of money or close to that

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Speaker 1: kind of money and and put somebody in charge and

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Speaker 1: buy the Knicks from fucking James Dolan, little fake game.

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Speaker 1: What motherfucker walks around the garden and it looks like

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Speaker 1: he's a he's a he's an extra from Game of Thrones.

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Speaker 1: He sits there and stairs at the games, whether we're winning,

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Speaker 1: not winning, losing, no matter what's going on on the

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Speaker 1: court with Steph Curry could be playing Lebron James Kobe Brown.

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Speaker 1: He's just looking miserable with his arms crossed sometimes like

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Speaker 1: he's so bored, like he's holding in taking in his ship.

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Speaker 1: Sell the fucking team, Please do us all the favor.

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Speaker 1: You're not beloved. Like I said before, when the New

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Speaker 1: York Knicks win the championship, and believe it or not,

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Speaker 1: you haters, you fox you the New York Knicks. At

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Speaker 1: some point we will win a championship. The Cleveland Cavaliers

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Speaker 1: want a fucking championship. The New York Knicks the mecca

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Speaker 1: Madison Square Garden. I don't care what you think. I

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Speaker 1: know I've heard it all before. I've thought it myself.

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Speaker 1: I understand, I get it, I get it. We haven't

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Speaker 1: won shit. But it is called the city's game. I

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Speaker 1: didn't make that up. You can't just say it's the

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Speaker 1: city's game. Basketball is called the city's game and then say, oh,

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Speaker 1: it's the Bay Area game. No, it doesn't work like that.

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Speaker 1: Things don't work like that. You can't just take away

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Speaker 1: the fact that basketball is called the city's game and

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Speaker 1: Madison Square Garden is in fact the world's most famous arena.

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Speaker 1: Fuck the Coliseum in roll him, Fuck the Coliseum in Rome.

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Speaker 1: It's not as famous as Madison Square Garden. James Dolan,

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Speaker 1: do us all the favors, sell the garden, sell the

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Speaker 1: fucking Nicks. We will not miss you at all. Don't

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Speaker 1: let the door from Madison Square Garden hit you on

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Speaker 1: the way out. You know what's coming you. Fuck you?

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Speaker 1: What else is going on? If you're in Los Angeles

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Speaker 1: Thursday night, I'll be at the Improv, the Hollywood Improv,

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Speaker 1: doing my stand up. Um. Anybody that's listening to the

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Speaker 1: Iron Wrap or stereo podcast. This here primetime premium podcast

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Speaker 1: that has come out or that wants to come out.

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Speaker 1: If I see you, if you if you say Dingo,

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Speaker 1: if you say Mike Rap, I'll do my best. Say

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Speaker 1: what's up? Come over, take a picture, chop it up

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Speaker 1: with you for a little bit. I appreciate the support.

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Speaker 1: As I said the other day, Saturday night at the

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Speaker 1: laugh Factory, there was a bunch of Iron Rapport kids

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Speaker 1: in there given love and support. There's been there's been

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Speaker 1: motherfucker's at all the shows, even if it's just one person.

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Speaker 1: When I mentioned wheezy, they'll go wheezy. They know. I know,

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Speaker 1: we speak the same language. I know. I know who

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Speaker 1: who works with me, I know who works with the podcast,

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Speaker 1: and I know when uh there there's uh when I'm

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Speaker 1: in friendly fire? What else is going on? I just

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Speaker 1: watched this movie Vice. Now, I I've said it once,

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Speaker 1: I've said it a million times. I don't know anything

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Speaker 1: about politics. I don't claim to know anything about politics.

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Speaker 1: Vice is the story of former Vice President Slick Dick Cheney. Uh.

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Speaker 1: Christian Christian Bale, Yeah, that's his name. Christian Bale, who's

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Speaker 1: a really good actor, plays Dick Cheney and it's about

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Speaker 1: his life, about his life and politics, about some of

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Speaker 1: his personal life. UM, I can't remember the director, Adam McKay,

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Speaker 1: who's also a comedian, comedy director. He's done a bunch

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Speaker 1: of other ship. Listen, I'll give you my short review

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Speaker 1: of it. I think the movie is is. You should

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Speaker 1: go see it. But I didn't really like it. It's

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Speaker 1: so biased, you can tell. Uh, And I can't really

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Speaker 1: judge anything because I don't know much about slick Dick Cheney.

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Speaker 1: I don't know the full story. But this this is

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Speaker 1: like a I have to say, it's like a propaganda piece.

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Speaker 1: It's like a fucking propaganda piece. Uh. The performances a great.

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Speaker 1: Sam Rockwell plays George Bush. Uh, Steve Carrell is in it,

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Speaker 1: Amy Adams is in it. Fucking Tyler Perry was miscast

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Speaker 1: as uh Colin Powell. I don't think Tyler Perry is

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Speaker 1: a good actor. I think Tyler Perry is a good filmmaker.

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Speaker 1: I think his media movies are great. He's obviously a

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Speaker 1: game changer, breakthrough dude. But I don't like him as

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Speaker 1: an actor. When he's not in his genre of films,

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Speaker 1: his genre films, he kills it. Motherfucker's made billions of

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Speaker 1: dollars making movies. You could say they're trash. You could

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Speaker 1: say they're not ash, you could say they're they're they're

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Speaker 1: they're candy. He's onto something. I respect him. I didn't

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Speaker 1: like him as Colin Powell. Um. But the movie Vice,

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Speaker 1: I watched it. I have a fucking handful. I mean

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Speaker 1: I have a stack, two handfuls of screeners, and we

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Speaker 1: jumped into that one last night and I didn't dig it.

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Speaker 1: You know as much as I Your motherfucker's know where

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Speaker 1: I stand politically. If you're gonna make a movie on

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Speaker 1: a motherfucker, it's got to be some sort of unbiased nous.

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Speaker 1: It can't just be a propaganda you know, just bash peace.

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Speaker 1: I don't get it. So, I mean, yeah, it's not

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Speaker 1: a piece of ship. And I would say watch it.

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Speaker 1: I just wouldn't say run out to the theater and

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Speaker 1: watch it the way I said run out to the

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Speaker 1: theater and watch Creed too. I'm fair but firm. I'm

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Speaker 1: fair but firm when it comes to my movie reviews. Okay,

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Speaker 1: and if I'm gonna speak on a movie, I'm gonna

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Speaker 1: speak on it is as fairly and firmly and as

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Speaker 1: intelligently that I possibly can. You know what's dope on

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Speaker 1: Showtime I Escape from dan Mora. There is a mini

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Speaker 1: series I think it's seven parts or eight parts mini

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Speaker 1: series on Showtime that was directed by Ben still are

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Speaker 1: starring Benicio del Toro, Patricia Arquette Um and that actor

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Speaker 1: Paul Dano and some other actors that are all killing it.

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Speaker 1: And it's a true story based on something that we

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Speaker 1: covered diligently on the I m Rappaport stereo podcast a

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Speaker 1: few years ago. You're gonna remember this story. Two prisoners,

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Speaker 1: one of them I think was a convicted murderer. They

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Speaker 1: might be both convicted murderers, you're probably saying. He said, Well,

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Speaker 1: if you're watching the Showtime series, why don't you know

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Speaker 1: all the details. I don't fact check. I know one

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Speaker 1: of them is a convicted murderer. Anyway, the two convicted felons,

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Speaker 1: one I believe is a murderer, escaped from a prison

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Speaker 1: in upstate in New York. I believe the town is

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Speaker 1: called dan Mora. The prison is definitely called dan more

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Speaker 1: Um and they had been fucking one of the people,

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Speaker 1: a woman who worked in the prison. Two of them.

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Speaker 1: They were both plugging her um and she ate it

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Speaker 1: in abided their escaped. They escaped. I believe one of

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Speaker 1: them was shot down and killed. The other one was captured.

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Speaker 1: He was shot and captured and the woman's husband also

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Speaker 1: worked in the prison. It was a crazy story. We

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Speaker 1: talked about it on the podcast and it's a dope

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Speaker 1: series on Showtime, a miniseries. But he sail Del Toro

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Speaker 1: as always crushes it kills that ship. Paul Dano who

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Speaker 1: was in that movie UM with UM the fund is

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Speaker 1: the name of that movie with with with Daniel day Lewis.

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Speaker 1: I'll remember that movie with Daniel day Lewis. Fuck, there

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Speaker 1: will be Blood. The name of the movie was There

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Speaker 1: Will Be Blood? And what else was he? And he

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Speaker 1: was in that movie with Jake Gillenil I think it

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Speaker 1: was called He's a creepy actor. He's a good actor,

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Speaker 1: but he plays creeps. He actually doesn't really play a

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Speaker 1: creep in Uh Escape from Dan Moore. And when I

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Speaker 1: say a creepy actor, I say that in a good way.

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Speaker 1: He's really good at playing the creeps. He doesn't play

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Speaker 1: a creep in this movie. Jesus Christ gotta be fucking

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Speaker 1: worried about everybody getting upset about everything, which we're gonna

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Speaker 1: get too later in this year podcast. He was a

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Speaker 1: little Miss Sunshine. He was doping that and he was

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Speaker 1: also in Twelve Years of Slave. He's he's a dope actor,

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Speaker 1: young up and chemic Ki is probably thirty now, I

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Speaker 1: don't know, but he's in it. And Patricia Arquet is

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Speaker 1: in it, and she plays the prison guard. She's not

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Speaker 1: a guard, she plays the worker in the prison. And

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Speaker 1: Patrici Arkutt, who of course I worked with on True Romance.

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Speaker 1: She just want an oscar for this boy's life, not

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Speaker 1: this boy's life about a boy. She want an oscar.

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Speaker 1: This is the best thing she's done in her whole career,

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Speaker 1: I would say this, and True Romance. And it's obviously

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Speaker 1: thirty years later, twenty something years later, so it's a

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Speaker 1: totally different character. But she's all fucking in. Give her

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Speaker 1: every single award. She's all in. Kills the ship, and

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Speaker 1: the dude who plays her husband kills it. They all

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Speaker 1: kill it. I love it. Um, it's fun. Ben Stiller

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Speaker 1: directed it. Um. And if you have Showtime or Showtime

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Speaker 1: on demand or at Showtime or whatever fucking way you

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Speaker 1: stream watch Things Escape from Dan Moore. Uh is fun,

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Speaker 1: it's dope and the acting is sick and Patrici Charquette

419
00:25:28,480 --> 00:25:30,960
Speaker 1: give her the trophies. She's the m v P of

420
00:25:30,720 --> 00:25:38,360
Speaker 1: of this series amongst a bunch of dope other actors

421
00:25:35,800 --> 00:25:44,960
Speaker 1: post So, speaking of sensitivity, everybody being fucking sensitive, Well,

422
00:25:45,000 --> 00:25:47,359
Speaker 1: before I get to that, I got some people that said, you,

423
00:25:47,600 --> 00:25:49,679
Speaker 1: Mike rab why did you let Mr Morris come on

424
00:25:49,720 --> 00:25:53,119
Speaker 1: the podcast? I literally had some people DM me and

425
00:25:53,119 --> 00:25:55,359
Speaker 1: I'm not gonna name them, say why do you let

426
00:25:55,440 --> 00:25:58,480
Speaker 1: Mr Morris come on the podcast? Or why did you

427
00:25:58,520 --> 00:26:00,800
Speaker 1: only let Mr Morris come on the podcast? They didn't

428
00:26:00,800 --> 00:26:05,440
Speaker 1: dismiss the Morris longtime fan of the Iron Wrap or

429
00:26:05,520 --> 00:26:08,440
Speaker 1: Stereo Pockets, like a bunch of you, I don't play favorites.

430
00:26:09,000 --> 00:26:15,600
Speaker 1: Mr Morris came out to the improv with Andy Frasco,

431
00:26:15,840 --> 00:26:18,120
Speaker 1: who's another fan of the show. They came to watch

432
00:26:18,160 --> 00:26:21,840
Speaker 1: me do stand up. I know those dudes. He came

433
00:26:21,880 --> 00:26:26,240
Speaker 1: on the podcast. Yo. I love all the fans sincerely.

434
00:26:26,320 --> 00:26:29,760
Speaker 1: I don't think you understand how much we appreciate all

435
00:26:29,840 --> 00:26:33,080
Speaker 1: the fans. Long time listeners, people that have been listening

436
00:26:33,119 --> 00:26:36,600
Speaker 1: since two weeks ago, two years ago, three weeks ago

437
00:26:36,800 --> 00:26:39,240
Speaker 1: or three years ago. I'm in the gloom to m

438
00:26:39,440 --> 00:26:45,600
Speaker 1: right now by myself recording this primetime podcast. If the fans,

439
00:26:45,960 --> 00:26:49,040
Speaker 1: you guys didn't listen, you know what they would do

440
00:26:49,080 --> 00:26:53,240
Speaker 1: with me. They'd rubb a roomy. I'd be a crazy person.

441
00:26:53,600 --> 00:26:58,000
Speaker 1: You're recording into a microphone that inevitably no one's listening to.

442
00:26:58,800 --> 00:27:02,800
Speaker 1: Lock this freak up, Lock them up, give him that

443
00:27:02,880 --> 00:27:05,520
Speaker 1: one flow over the cuckoo's nest treatment, give him that

444
00:27:05,600 --> 00:27:10,000
Speaker 1: shock therapy, and send him on his fucking way. The

445
00:27:10,040 --> 00:27:14,879
Speaker 1: fans of the Iron Wrap up Wards Stereo podcast are everything.

446
00:27:15,720 --> 00:27:17,920
Speaker 1: If I see you, if you say anything that has

447
00:27:17,920 --> 00:27:19,920
Speaker 1: to do with the podet, you get love. You get

448
00:27:19,920 --> 00:27:22,639
Speaker 1: a pound, you get a picture, you get a little conversation,

449
00:27:22,680 --> 00:27:24,399
Speaker 1: you get a selfie, whatever the funk you want. If

450
00:27:24,400 --> 00:27:27,000
Speaker 1: you funk with the Iron Wrap Ports Stereo Pockets and

451
00:27:27,080 --> 00:27:31,800
Speaker 1: I see you, you mentioned something about the podcast on

452
00:27:31,840 --> 00:27:35,760
Speaker 1: social media, you get love back nine point nine percent

453
00:27:35,840 --> 00:27:38,440
Speaker 1: of the time. Sure, sometimes it's gonna get missed, well,

454
00:27:38,440 --> 00:27:40,119
Speaker 1: then keep hitting me. But if I see you in

455
00:27:40,119 --> 00:27:41,840
Speaker 1: real life, you get pounds, you get depths. If I

456
00:27:41,880 --> 00:27:43,440
Speaker 1: see you at the Big Three, you get pounds. You

457
00:27:43,480 --> 00:27:47,200
Speaker 1: get depths. Try to give you because I I funk

458
00:27:47,280 --> 00:27:51,040
Speaker 1: with the fans again. If I'm talking into a microphone

459
00:27:51,040 --> 00:27:54,320
Speaker 1: in the gloom too, just to myself, then we need

460
00:27:54,400 --> 00:27:58,520
Speaker 1: to put me in shock therapy. Speaking of fans, my

461
00:27:58,560 --> 00:28:04,960
Speaker 1: guy John Coodling, who's on Twitter, on Instagram, long longtime fan.

462
00:28:05,440 --> 00:28:07,720
Speaker 1: He hit me up with a funny joke since his

463
00:28:07,840 --> 00:28:12,080
Speaker 1: Pete Davidson thing, who, by the way, was in TMZ

464
00:28:12,240 --> 00:28:16,440
Speaker 1: again this week, I mean this morning, the whole thing

465
00:28:16,440 --> 00:28:18,920
Speaker 1: in TMS and he's saying that friends of Pete Davidson

466
00:28:18,920 --> 00:28:21,960
Speaker 1: said that he's still not well. And I say, with

467
00:28:22,040 --> 00:28:27,520
Speaker 1: friends like that, who needs enemies? With friends like that,

468
00:28:27,760 --> 00:28:31,800
Speaker 1: who needs enemies? Because if your friends are talking to

469
00:28:31,920 --> 00:28:35,879
Speaker 1: people when you're down, they're not your friends, they're not

470
00:28:35,960 --> 00:28:40,560
Speaker 1: your click, they're not your crew. Kick them the funk out. Okay,

471
00:28:41,040 --> 00:28:46,400
Speaker 1: kick them the fuck out. That being said my god John,

472
00:28:46,960 --> 00:28:49,960
Speaker 1: He was hitting me up about Ariana Grande. We're going

473
00:28:49,960 --> 00:28:53,400
Speaker 1: back and forth talking ship. Not just because it's a

474
00:28:53,440 --> 00:28:57,440
Speaker 1: woman doesn't mean I'm shaming or doesn't mean I'm degrading

475
00:28:57,480 --> 00:29:03,440
Speaker 1: to women. When I talk shit about Donald Trump, Dick Stain,

476
00:29:03,840 --> 00:29:07,480
Speaker 1: Donald Trump, when I talk about cock God Kelly and

477
00:29:07,640 --> 00:29:13,800
Speaker 1: Conway when I talk shit about Laura Ingram, also women,

478
00:29:13,920 --> 00:29:16,120
Speaker 1: when I talk about Milanya Trump, when I talk to

479
00:29:16,160 --> 00:29:20,440
Speaker 1: it about all the Trumps, Dick Stain, jr Avanka, all

480
00:29:20,480 --> 00:29:24,920
Speaker 1: of them. I am coveted and beloved as a fucking hero.

481
00:29:26,600 --> 00:29:29,200
Speaker 1: When I talk to it about people that a lot

482
00:29:29,240 --> 00:29:33,160
Speaker 1: of people on social media don't like, whether it's a

483
00:29:33,200 --> 00:29:36,360
Speaker 1: man or a woman. When I talk shit about Tiki Torch,

484
00:29:36,480 --> 00:29:41,360
Speaker 1: tough guys and dorm room dumb fox down in Virginia,

485
00:29:41,880 --> 00:29:45,240
Speaker 1: who are saying you will not replace us men and women,

486
00:29:45,480 --> 00:29:49,880
Speaker 1: I'm a social media hero. I make a joke about

487
00:29:49,880 --> 00:29:55,960
Speaker 1: Ariana Grande. I'm offensive to all women. Fuck all that funk,

488
00:29:56,000 --> 00:30:01,160
Speaker 1: all that funk, all that. When I talk ship on

489
00:30:01,200 --> 00:30:03,080
Speaker 1: the front line, and I don't just tweet it, I

490
00:30:03,120 --> 00:30:06,600
Speaker 1: put my face on wax. My face is on video,

491
00:30:06,680 --> 00:30:10,040
Speaker 1: My voice is on video, disrespecting the leader of the

492
00:30:10,120 --> 00:30:15,760
Speaker 1: free world. Motherfucker's are hashtagg and me protect Michael Rappaport

493
00:30:15,960 --> 00:30:20,240
Speaker 1: at all costs, retweeting me love you all this kind

494
00:30:20,240 --> 00:30:23,120
Speaker 1: of ship. And then I make a joke about Ariana

495
00:30:23,160 --> 00:30:26,520
Speaker 1: Granding and I'm offensive and that you should delete that

496
00:30:26,920 --> 00:30:32,880
Speaker 1: suck my motherfucking dick snowflakes. I said it from the beginning,

497
00:30:32,880 --> 00:30:35,680
Speaker 1: and I'll say it till the motherfucking wheels fall. I

498
00:30:35,760 --> 00:30:41,240
Speaker 1: am here to talk that ship disruptive behavior. One oh one.

499
00:30:41,400 --> 00:30:49,360
Speaker 1: I patented to motherfucking ship. Stay disruptive. Stay disruptive, Stay disruptive.

500
00:30:50,320 --> 00:30:52,840
Speaker 1: You can't have it both ways. I got no agenda

501
00:30:52,960 --> 00:30:57,840
Speaker 1: except to talk shit. That's my only agenda. Said it

502
00:30:57,880 --> 00:31:00,920
Speaker 1: from the beginning. You can't have it both ways. Oh,

503
00:31:00,960 --> 00:31:03,920
Speaker 1: you get offended because I said about Arianna Grundy. My god,

504
00:31:04,040 --> 00:31:06,680
Speaker 1: John hit me up with a funny joke about Arianna Grunty,

505
00:31:06,840 --> 00:31:10,920
Speaker 1: he said, And I told him, I'm stilling this. Arianna

506
00:31:10,960 --> 00:31:14,200
Speaker 1: Grunty's a fucking She's a ding bat. You take off

507
00:31:14,200 --> 00:31:17,160
Speaker 1: those boots. She hides her legs in the cat I

508
00:31:17,320 --> 00:31:21,480
Speaker 1: make up and the Genie ponytail. And there's hotter chicks

509
00:31:21,560 --> 00:31:25,920
Speaker 1: working at the counter at Starbucks. No disrespect to the

510
00:31:26,000 --> 00:31:28,240
Speaker 1: beautiful women that work at Starbucks. But you know what

511
00:31:28,280 --> 00:31:30,680
Speaker 1: I'm saying, She's just a regular chick. Yes, she could sing.

512
00:31:30,880 --> 00:31:34,920
Speaker 1: She's talented. Me saying that doesn't demise or take away

513
00:31:34,920 --> 00:31:39,840
Speaker 1: from her talent. We know she's talented. Obviously, joke talking

514
00:31:39,880 --> 00:31:44,960
Speaker 1: ship they're saying, Oh, the Arianaders, I think that's the

515
00:31:45,040 --> 00:31:47,920
Speaker 1: name of her crew. They're gonna come get you. Come,

516
00:31:48,000 --> 00:31:52,600
Speaker 1: come come on, man, come get me. The funk you're

517
00:31:52,600 --> 00:31:56,840
Speaker 1: gonna do a little fourteen year old. They're gonna body

518
00:31:56,880 --> 00:32:01,600
Speaker 1: bag you. Nothing ain't doing shipped to me, gringo, man dingo.

519
00:32:04,400 --> 00:32:07,840
Speaker 1: Fifteen rounds the deep, deep waters. They've they've never even

520
00:32:07,920 --> 00:32:12,240
Speaker 1: seen a fight, a boxing match when fifteen rounds existed.

521
00:32:12,640 --> 00:32:16,520
Speaker 1: They only know twelve rounds. They don't know about thirteen, fourteen, fifteen,

522
00:32:16,640 --> 00:32:19,880
Speaker 1: those motherfucking concussion rounds. That's when you walk away with

523
00:32:19,960 --> 00:32:24,120
Speaker 1: that brain damage. I'm ready to go in the deep waters,

524
00:32:24,160 --> 00:32:27,920
Speaker 1: just like Apollo Creed did against Rocky and Rocky one

525
00:32:28,040 --> 00:32:30,400
Speaker 1: and Rocky two the deep waters. We're not doing it

526
00:32:30,440 --> 00:32:33,760
Speaker 1: how we did Clever Lane and Rocky three three round brawl.

527
00:32:34,040 --> 00:32:38,440
Speaker 1: This ain't Tommy Hearns first, Marvin Hagler. We're going into

528
00:32:38,440 --> 00:32:44,280
Speaker 1: the deep, deep deep water. Fifteen motherfucking rounds of powerful

529
00:32:44,560 --> 00:32:50,080
Speaker 1: smash mouth podcasting. I am rappaport stereo podcast my social media.

530
00:32:50,120 --> 00:32:53,719
Speaker 1: When I talk shit about Dick Staying, Donald Trump and

531
00:32:53,760 --> 00:32:57,480
Speaker 1: the tiki torch, dumb Fox, I'm a motherfucking hero, but

532
00:32:57,560 --> 00:33:01,840
Speaker 1: a joke about Ariana Grande wearing a Genie ponytail and

533
00:33:01,960 --> 00:33:05,920
Speaker 1: too much makeup. I'm a bad guy. Kiss my fucking ass,

534
00:33:07,040 --> 00:33:11,160
Speaker 1: she can get it too, and soaking her fans. When

535
00:33:11,200 --> 00:33:14,480
Speaker 1: I talk about Lebron James, I'm the greatest things and

536
00:33:14,600 --> 00:33:19,680
Speaker 1: fucking slice bread to some people. When I talk shit

537
00:33:20,080 --> 00:33:23,880
Speaker 1: about not knowing who the fuck Kristop porzingis is, I'm

538
00:33:23,920 --> 00:33:28,280
Speaker 1: the greatest thing since sliced bread. When I'm screaming at

539
00:33:28,360 --> 00:33:30,960
Speaker 1: ugly cats, I'm the greatest thing since sliced bread. But

540
00:33:31,000 --> 00:33:33,560
Speaker 1: I can't make a joke about Arianna Grande. Funk all

541
00:33:33,560 --> 00:33:39,120
Speaker 1: that I make a comment about Ariana Grande not wearing makeup,

542
00:33:39,160 --> 00:33:41,600
Speaker 1: show a picture of her not wearing makeup, people are

543
00:33:41,600 --> 00:33:44,080
Speaker 1: criticizing me. I ain't Brad Pitt. I never said I

544
00:33:44,160 --> 00:33:51,120
Speaker 1: was Brad Pitt. I know what it is. I know

545
00:33:51,160 --> 00:33:56,520
Speaker 1: what it is. Fifteen rounds of podcast ship talking, That's

546
00:33:56,560 --> 00:33:58,480
Speaker 1: what this is. I can give it and I could

547
00:33:58,520 --> 00:34:01,000
Speaker 1: take it. That's how you make it into fifteenth round.

548
00:34:01,320 --> 00:34:05,560
Speaker 1: Like Jake Lamata said to Sugar Ray Robertson in the

549
00:34:05,640 --> 00:34:09,680
Speaker 1: fifteenth round, you never got me down, Ray, You never

550
00:34:09,800 --> 00:34:14,600
Speaker 1: got me down. You fuck you huh think about that?

551
00:34:14,800 --> 00:34:18,920
Speaker 1: See I am Rapports Stereo podcast in prime time. Best

552
00:34:19,000 --> 00:34:21,879
Speaker 1: fans in the business, The best I Am Wrapping Ports

553
00:34:21,880 --> 00:34:25,160
Speaker 1: stereo podcast fans, Myles Jordan. Take us out of here

554
00:34:25,160 --> 00:34:27,680
Speaker 1: with something real nice, something real proper. But take us

555
00:34:27,680 --> 00:34:32,680
Speaker 1: out of here with something inspiring. I'm done, finished, Thank you.

556
00:34:32,719 --> 00:35:01,000
Speaker 1: Next see that's an Ariana Grunde. Shout out five.