WEBVTT - Corazón de León Chris Jericho

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<v Speaker 1>What's up everybody. Welcome back to Wrestling with Freddy, and

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<v Speaker 1>we have a very special guest today. I'm always excited

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<v Speaker 1>when I get the chance to speak to him. He's

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<v Speaker 1>succeeded in so many different areas of art and uh

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<v Speaker 1>and life, and I like getting to speak to these

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<v Speaker 1>types of people more than anyone else. So let's start

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<v Speaker 1>the show. Welcome to Wrestling with Freddy. Now stopping up

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<v Speaker 1>for the mic, the host of Wrestling with Freddie Freddie

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<v Speaker 1>Prince June. Yah, ladies and gentlemen, please welcome one of

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<v Speaker 1>the all time greats and one of my favorites, Mr

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<v Speaker 1>Chris Jericho. All right, and I'm excited to you. You've

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<v Speaker 1>done my show before, and now it's only fair that

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<v Speaker 1>I do yours in return. How are you, brother? I'm

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<v Speaker 1>doing good, man, I'm doing good. Like I said. Uh,

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<v Speaker 1>you know, we've been busy this whole time, over the

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<v Speaker 1>last year and a half, you know, with with a

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<v Speaker 1>w and of course now that we're all back on

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<v Speaker 1>the road and there's crowds and other stuff. So for me,

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<v Speaker 1>the whole uh you know, lockdown and Pandemic was obviously

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<v Speaker 1>a hindrance, but we still kept moving every week so

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<v Speaker 1>it wasn't like I was ever, you know, stuck in

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<v Speaker 1>a house and couldn't go be creative, so that that

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<v Speaker 1>kind of helped me. So I've been actually really good

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<v Speaker 1>over the last you know, a couple of years. See,

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<v Speaker 1>for me, it was the opposite because I'm an introvert,

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<v Speaker 1>so I literally was in heaven. I was like, I

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<v Speaker 1>don't have to see anyone going anywhere. I'll sit in

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<v Speaker 1>my little studio and write all day long. It was heaven.

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<v Speaker 1>A lot of people like that, absolutely, so it was

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<v Speaker 1>I don't do very long episodes, but we got a

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<v Speaker 1>lot to catch up on. Sure. Since I last spoke

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<v Speaker 1>to you, you helped you helped create an entire new

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<v Speaker 1>wrestling federation and uh it has since launched. It has

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<v Speaker 1>become wildly successful. And the growth that you guys are showing,

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<v Speaker 1>and I'm not talking about numbers and all that stuff

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<v Speaker 1>because I don't care about that. You guys are gonna

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<v Speaker 1>beyond ten years regardless of numbers, and then people can

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<v Speaker 1>talk about whether or not mountains have been climbed, but

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<v Speaker 1>you guys have already kind of established a foundation. I

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<v Speaker 1>like watching, and I watch much more consistently than I originally. Uh,

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<v Speaker 1>did with this younger talent that you guys are bringing up.

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<v Speaker 1>You're seeing creative growth on a damn near weekly basis

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<v Speaker 1>with some of these younger people. And I don't know

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<v Speaker 1>how much you're willing to go behind the curtain here

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<v Speaker 1>and how much of the the sort of love you're

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<v Speaker 1>willing to share. But a lot of these young kids.

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<v Speaker 1>I watched someone like m JF. And I'm just sitting

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<v Speaker 1>there like he's doing an old school thing but in

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<v Speaker 1>a new school way, and somehow he's It's like Japan,

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<v Speaker 1>like they exist with like the oldest of old and

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<v Speaker 1>the newest of new, and they don't crap on each

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<v Speaker 1>other and somehow they make it work. And I he's

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<v Speaker 1>this weird hybrid that I don't know if people are

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<v Speaker 1>are used to see him for a while. Do you

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<v Speaker 1>want to talk about him or are you supposed to

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<v Speaker 1>hate him right now? Do you want to smash him

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<v Speaker 1>in the face. Um, this is not a movie, you know.

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<v Speaker 1>This is not uh, you know, like your experience doing

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<v Speaker 1>Scooby Doo or whatever it may be. It's like, this

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<v Speaker 1>is not a script for somebody wrote it and this

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<v Speaker 1>is the part you play for the next ninety minutes.

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<v Speaker 1>This is something that we play on a weekly basis.

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<v Speaker 1>Like you said, for ten years for me thirty one years. Uh,

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<v Speaker 1>you cannot write a promo for me. Um, that's gonna

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<v Speaker 1>be better than what I can write for myself now

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<v Speaker 1>in w B after working there for you know, a

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<v Speaker 1>dozen years, I had kind of more freedom to to

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<v Speaker 1>do that, but a lot of other guys didn't and

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<v Speaker 1>would kind of have to do what they were told,

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<v Speaker 1>and therefore it gets very uh, stagnant, sterile. It doesn't

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<v Speaker 1>feel real. And I think the a W from day

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<v Speaker 1>one has always let the guys do their own promos,

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<v Speaker 1>write their own stuff. Something I said, let the pro

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<v Speaker 1>was be pros. That's what we're paid to be. And

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<v Speaker 1>whether it's being on screen, behind the scenes, lighting whatever,

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<v Speaker 1>I'm not going to tell the lighting director how he

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<v Speaker 1>should light my face because we hire right. We have

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<v Speaker 1>the old school John Malkovitch philosophy where he says, hey,

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<v Speaker 1>I don't tell you where to put the cameras, don't

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<v Speaker 1>tell me about my motivation exactly it's right. And it's

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<v Speaker 1>the Clint Eastwood thing where where you hear where he's

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<v Speaker 1>doesn't do a lot of takes. Why is that? Because

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<v Speaker 1>I hired these guys because I thought they're the best

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<v Speaker 1>guys for the part. I don't need twenty takes to

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<v Speaker 1>convince me of that one or two is pretty much

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<v Speaker 1>going to be the closest, right. I feel the same

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<v Speaker 1>with a W. So when you take a kind of

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<v Speaker 1>like and JF, if he was in another company, they

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<v Speaker 1>would probably give him more of a script, which is

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<v Speaker 1>not going to be the same as when you just

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<v Speaker 1>talk off the cuff. Though sometimes he says things, I

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<v Speaker 1>say things all of us do that maybe we're a

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<v Speaker 1>little bit over the line, But for the most part,

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<v Speaker 1>it's more real, and it feels more admitted, and it

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<v Speaker 1>just feels, uh like the whole scenario is more legit.

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<v Speaker 1>And I think the first thing people notice when they

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<v Speaker 1>started seeing a W from day one is that this

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<v Speaker 1>just feels different because the guys can be more of

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<v Speaker 1>the characters that they want to be and not characters

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<v Speaker 1>that have to be approved through. And you know this

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<v Speaker 1>more than anybody four or five sets of rewrites and

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<v Speaker 1>redrafts and approvals four or five, I mean they had

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<v Speaker 1>in their given notes. So like, right, it's going in

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<v Speaker 1>on right now. Yeah, And you know, like I said,

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<v Speaker 1>if if, if you and I were going to write

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<v Speaker 1>a script, and we honed it and did rewrites and

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<v Speaker 1>rewrites and wrists and finally sold it. For the most part,

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<v Speaker 1>that script that we're now casting our our actors with

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<v Speaker 1>would be you know, ninety complete most of the time,

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<v Speaker 1>most of the time in this you know, if in

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<v Speaker 1>the w W world they're writing their scripts the day

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<v Speaker 1>of the show sometimes and then changing it right up

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<v Speaker 1>to Uh, there's no way you can really master that

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<v Speaker 1>as a performer. The best way is just your own

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<v Speaker 1>personal character and knowing your character better than anybody else.

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<v Speaker 1>What would I say? What would I do? Know? Some

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<v Speaker 1>guys need help. M JF doesn't need help, Chris Jericho

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<v Speaker 1>doesn't need help. Those type of guys can go out

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<v Speaker 1>there and do what they what they're paid to do,

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<v Speaker 1>and it just comes across better. And as a result,

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<v Speaker 1>I think more people really enjoyed our show right out

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<v Speaker 1>of the gate because of that I might not have

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<v Speaker 1>expected at first, because of them, Well, wrestling is wrestling.

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<v Speaker 1>That's not the case. Yeah, that's not the case at all.

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<v Speaker 1>Let's uh, I wasn't expecting to go down this road.

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<v Speaker 1>But let's go a little deeper into that. Because when

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<v Speaker 1>I when I worked there. You hit me with a

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<v Speaker 1>couple of philosophies and you probably won't even remember one

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<v Speaker 1>of them, but I really took it to heart. But

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<v Speaker 1>before we get into that, I want to talk about

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<v Speaker 1>that writing element, because I always felt if you didn't

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<v Speaker 1>know how to write your own promo, you needed someone

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<v Speaker 1>like me. If you did, what am I what? What

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<v Speaker 1>would we do? Like? There's no there's nothing that I

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<v Speaker 1>can give you that you don't already know how to do.

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<v Speaker 1>And most of the time, the people who knew how

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<v Speaker 1>to write their own promos were already over to some extent,

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<v Speaker 1>so they didn't need much help getting over outside of

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<v Speaker 1>the other person in the ring. Where I found it

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<v Speaker 1>to be most beneficial were people that either a couldn't

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<v Speaker 1>do it and guys that were literally like, yo, man,

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<v Speaker 1>could you just like give me a line reading and

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<v Speaker 1>I'll just do it like like you do it. I'm like,

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<v Speaker 1>all right, but you gotta sound tougher than me. I

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<v Speaker 1>sound like, you know, a stoner from l A. You

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<v Speaker 1>gotta sound like a badass. So um. The one thing

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<v Speaker 1>that I did find though, was I could help problem

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<v Speaker 1>solve a lot of the overwritten stuff. Right. I remember

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<v Speaker 1>seeing an m v P promo and he hated it

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<v Speaker 1>because Vince wrote it and or rewrote it, I should say.

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<v Speaker 1>And I was kind of sitting in the back looking

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<v Speaker 1>and I already knew what the fix was, right. It

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<v Speaker 1>was just one little line that needed to be tweaked,

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<v Speaker 1>and I knew it would be in his voice, and

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<v Speaker 1>that was the problem. None of it was in his voice.

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<v Speaker 1>And I finally just said, all right, he's either gonna

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<v Speaker 1>knock me out, because we had never met and he

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<v Speaker 1>wasn't giving me like a come on in and help

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<v Speaker 1>out kind of. I said, he's either gonna throw a

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<v Speaker 1>punch or he's gonna hear this out and I'll earn

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<v Speaker 1>some respect. And I ran up and he was with

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<v Speaker 1>he was with DJ, and I said, hey, man, I

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<v Speaker 1>think it's just this one little line and it's kind

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<v Speaker 1>of like a pulp fiction vibe. And I hit him

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<v Speaker 1>with the line and he looked at me like he

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<v Speaker 1>was gonna kill me. And I said the line and

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<v Speaker 1>he goes, don't go anywhere, sit down, and I was like, okay, okay,

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<v Speaker 1>I'm in, and we rewrote the promo real quick, and

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<v Speaker 1>I just let him basically say what he wanted to say.

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<v Speaker 1>And then I would kind of like put a couple

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<v Speaker 1>of words there to bring those sentences together. And he

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<v Speaker 1>and I had a really good working We became really

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<v Speaker 1>good friends after that, even though he wanted to kill me. Um.

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<v Speaker 1>But when I went to like pitch ideas, I would

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<v Speaker 1>run into walls a lot. And then you and I

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<v Speaker 1>had a conversation. And again I don't know if you'll

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<v Speaker 1>remember this, but I was having a hard time pitching,

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<v Speaker 1>uh some of the smaller guys, and you just kind

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<v Speaker 1>of smiled and like looked away like you were remembering

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<v Speaker 1>something way back when. And I didn't know what it was.

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<v Speaker 1>But I'm like staring at him, like what's he gonna say?

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<v Speaker 1>What's he gonna say? And whatever you were gonna say,

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<v Speaker 1>you changed to Freddie. He's his father's son, and I went,

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<v Speaker 1>I went, what do you what do you? What do

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<v Speaker 1>you mean? I mean, I grew up without no dad,

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<v Speaker 1>so it didn't click with me. And you said, his

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<v Speaker 1>dad loved the big guys, and he's his father's son,

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<v Speaker 1>so he's always going to see the big guy able

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<v Speaker 1>to beat up the small guy, no matter how much

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<v Speaker 1>evidence you show him, because his father told him it

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<v Speaker 1>was that way. And I remember like getting on the

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<v Speaker 1>plane and with Vince and kind of like looking at him,

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<v Speaker 1>and I just changed. It changed my whole philosophy on

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<v Speaker 1>how I pitched things, especially how I pitched the smaller guy.

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<v Speaker 1>And the first one I tried it with was Kofi,

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<v Speaker 1>and I literally just I pitched it like a like

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<v Speaker 1>a Spider Man comic where all the bad guys beat

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<v Speaker 1>up Spider Man the whole time, but it's his like

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<v Speaker 1>goodness that's going to sort of bring it out and

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<v Speaker 1>not Hulk out. But you know, we always pitched it

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<v Speaker 1>where and of course you know he wouldn't win the

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<v Speaker 1>he wouldn't win the title, but we'll just get him

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<v Speaker 1>into that match, and you know we'd always be like, well,

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<v Speaker 1>cross that title bridge when we get there. So so

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<v Speaker 1>it really changed the way I pitched, and I started

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<v Speaker 1>having a lot of success with it. And after Kofi

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<v Speaker 1>came to Jeff Hardy storyline which brought him to the Championship,

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<v Speaker 1>and I literally started just looking for different angles, and

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<v Speaker 1>I started seeing that he was selling more merch than

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<v Speaker 1>even Hunter was selling, and so that's what I went

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<v Speaker 1>into the pitch with. It was like, you know, the

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<v Speaker 1>creative was the creative but I was like, hey man,

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<v Speaker 1>this dude selling more merch than anyone in the company

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<v Speaker 1>right now, and even the people who were against the idea, like,

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<v Speaker 1>he's selling more merched than you. Brom You've got thirty

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<v Speaker 1>plus years in this business, and I've seen matches of

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<v Speaker 1>you all over the world. You know that I have

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<v Speaker 1>a weird obsession with Asian culture. You gotta talk to

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<v Speaker 1>me about Japan. I know we don't have a ton

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<v Speaker 1>of time, and I got a million things I want

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<v Speaker 1>to talk to you about. But is Japan where you

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<v Speaker 1>made your bones? Or was Canada really weird? Not made

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<v Speaker 1>your bones? Found yourself? Is where you found yourself? Let

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<v Speaker 1>me kind of tie it all together, because because that

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<v Speaker 1>is the true story it is to this day, like

0:11:39.440 --> 0:11:43.000
<v Speaker 1>w B has always been a big man's territory. Um.

0:11:43.000 --> 0:11:46.400
<v Speaker 1>It started in the sixties and seventies with with Vince's dad,

0:11:46.800 --> 0:11:49.080
<v Speaker 1>and Vince loves big guys. It's just the way it is.

0:11:49.120 --> 0:11:51.360
<v Speaker 1>It's the culture he came up in. And even when

0:11:51.440 --> 0:11:54.040
<v Speaker 1>when some of the smaller guys get a shot, it

0:11:54.160 --> 0:11:56.640
<v Speaker 1>still goes back to bigger guys more often than not.

0:11:57.320 --> 0:11:59.640
<v Speaker 1>Having said that, so, in the early nineties, when I

0:11:59.679 --> 0:12:03.199
<v Speaker 1>first started I was very small, in five eleven two

0:12:03.600 --> 0:12:08.040
<v Speaker 1>twenty pounds. This was the whole Camania era still, which

0:12:08.040 --> 0:12:10.679
<v Speaker 1>was six three hundred pounds. So how do you get

0:12:10.720 --> 0:12:14.160
<v Speaker 1>into the business. Well, I knew starting on Canadian Independence,

0:12:14.200 --> 0:12:16.320
<v Speaker 1>I'd never be the biggest guy in the show, but

0:12:16.400 --> 0:12:18.719
<v Speaker 1>I could have the biggest character and the biggest personality

0:12:18.720 --> 0:12:21.640
<v Speaker 1>and the biggest charisma. So I started kind of focusing

0:12:21.679 --> 0:12:24.520
<v Speaker 1>on that, which very much helped me throughout the years

0:12:24.559 --> 0:12:30.120
<v Speaker 1>even to this day. Then where do you go? Well, um,

0:12:30.200 --> 0:12:32.600
<v Speaker 1>you could go to the indies around Canada, but if

0:12:32.600 --> 0:12:33.959
<v Speaker 1>you wanted to go to the big leagues, which for

0:12:34.000 --> 0:12:35.959
<v Speaker 1>me was always do w to b it just wasn't

0:12:35.960 --> 0:12:37.960
<v Speaker 1>the place at the time. Everyone was too big. So

0:12:38.360 --> 0:12:41.840
<v Speaker 1>I was also really into Stampede Wrestling which was in Calgary,

0:12:42.280 --> 0:12:44.440
<v Speaker 1>and all of those types of guys, which was your

0:12:44.760 --> 0:12:48.240
<v Speaker 1>Owen Heart, Chris Bena, Brian Pillman, the smaller guys that

0:12:48.280 --> 0:12:50.520
<v Speaker 1>I could tell like, these guys are probably my size,

0:12:51.000 --> 0:12:53.600
<v Speaker 1>you know, plus thirty pounds of muscle, but they're very

0:12:53.640 --> 0:12:56.079
<v Speaker 1>athletic and acrobatic, and I was very mu especially Owen Hard.

0:12:56.120 --> 0:12:58.800
<v Speaker 1>I was very connected with Owen and what he was doing.

0:12:59.080 --> 0:13:02.000
<v Speaker 1>What is this Owen Hard do he wrestles in Japan.

0:13:02.120 --> 0:13:04.559
<v Speaker 1>He wrestles in Mexico. Well, that's interesting to me. How

0:13:04.600 --> 0:13:06.760
<v Speaker 1>can I do that? So that's kind of where all

0:13:06.800 --> 0:13:08.959
<v Speaker 1>that started. In Calgary was still at the time of

0:13:09.120 --> 0:13:12.840
<v Speaker 1>very big wrestling hotbed where there was guys working in

0:13:12.920 --> 0:13:15.800
<v Speaker 1>Mexico and guys working in Japan. So I got a

0:13:15.800 --> 0:13:18.839
<v Speaker 1>couple of tours of Mexico, which then led me to

0:13:18.920 --> 0:13:22.040
<v Speaker 1>meeting Ultimo Dragon, who still wrestles to this day, who

0:13:22.080 --> 0:13:25.959
<v Speaker 1>was wrestling in Japan and was looking for arrival uh

0:13:25.960 --> 0:13:30.400
<v Speaker 1>and not arrival a rival um. And so that kind

0:13:30.440 --> 0:13:32.319
<v Speaker 1>of where is where I stepped in, and I got

0:13:32.360 --> 0:13:34.280
<v Speaker 1>a couple of tours there right off the bat and

0:13:34.320 --> 0:13:37.040
<v Speaker 1>did good, so I kind of got a steady job

0:13:37.080 --> 0:13:40.840
<v Speaker 1>there very quickly. So Mexico and Japan is where I

0:13:40.960 --> 0:13:45.320
<v Speaker 1>made my mark the most uh and the earliest, because

0:13:45.400 --> 0:13:48.840
<v Speaker 1>it wasn't so much based on size, it was based

0:13:48.920 --> 0:13:53.760
<v Speaker 1>on athleticism and showmanship. So when I was twenty two

0:13:53.840 --> 0:13:57.000
<v Speaker 1>years old, I was like, uh, probably like you when

0:13:57.040 --> 0:13:59.040
<v Speaker 1>you were twenty two, Fred Freddie I was a cover

0:13:59.120 --> 0:14:02.040
<v Speaker 1>boy as well, on the cover of all of all

0:14:02.080 --> 0:14:05.520
<v Speaker 1>the team Beat magazines and those type of things. In

0:14:05.520 --> 0:14:08.560
<v Speaker 1>in in Mexico, and you know chicks when you win

0:14:08.600 --> 0:14:10.920
<v Speaker 1>a date with Cortazon de Leon was was my name,

0:14:10.960 --> 0:14:14.120
<v Speaker 1>and all that sort of stuff. And also and it

0:14:14.280 --> 0:14:16.439
<v Speaker 1>also wrestling had just gone on TV a few years

0:14:16.480 --> 0:14:19.520
<v Speaker 1>priors of wrestling was huge in Mexico. So it's very

0:14:19.560 --> 0:14:23.080
<v Speaker 1>much a Beatlemania type of of a reaction with and

0:14:23.440 --> 0:14:26.320
<v Speaker 1>chicks like you come out of the arena and they're

0:14:26.360 --> 0:14:29.840
<v Speaker 1>just fucking guy. This is not exaggeration. Remember getting kissed

0:14:29.840 --> 0:14:32.840
<v Speaker 1>on the cheek and grabbed and pulled and uh. They

0:14:32.960 --> 0:14:37.600
<v Speaker 1>used very red lipstick that would basically tattoo itself to

0:14:37.680 --> 0:14:39.960
<v Speaker 1>your skin. You could wash that for an hour and

0:14:40.000 --> 0:14:41.720
<v Speaker 1>it would still have read. And after a while, I

0:14:41.800 --> 0:14:44.440
<v Speaker 1>just walked around with red marks on my face. What

0:14:44.480 --> 0:14:46.960
<v Speaker 1>else can I do? And this is not to say

0:14:47.080 --> 0:14:48.480
<v Speaker 1>look at me, I'm such a stud. It's just to

0:14:48.480 --> 0:14:50.160
<v Speaker 1>say this is how popular was so right out of

0:14:50.200 --> 0:14:52.480
<v Speaker 1>the gate at a young age, I had that fame.

0:14:52.920 --> 0:14:55.440
<v Speaker 1>But also too, I was learning from the best workers

0:14:55.440 --> 0:14:58.200
<v Speaker 1>in Mexico because I was in the main event. So

0:14:58.480 --> 0:15:00.880
<v Speaker 1>because I was the good looking baby face who could work,

0:15:00.880 --> 0:15:04.120
<v Speaker 1>I was working with Negro Costas and Bestislava and you

0:15:04.160 --> 0:15:08.000
<v Speaker 1>know Sangre Chakana and all these types of guys Altahano

0:15:08.120 --> 0:15:10.840
<v Speaker 1>and and and and Silver King. So I was learning

0:15:10.840 --> 0:15:13.680
<v Speaker 1>how to work a different style, and then that nailed

0:15:13.680 --> 0:15:16.040
<v Speaker 1>me go to Japan, where I learned another style. So

0:15:16.080 --> 0:15:19.440
<v Speaker 1>by the time I was four, I'd already had five

0:15:19.520 --> 0:15:24.040
<v Speaker 1>years of main event experience all around the world. A

0:15:24.040 --> 0:15:25.920
<v Speaker 1>lot of guys don't have that at the time, and

0:15:25.960 --> 0:15:27.360
<v Speaker 1>they still don't have it to this day. So I

0:15:27.440 --> 0:15:31.040
<v Speaker 1>was very fortunate because of that international flavor. I still

0:15:31.080 --> 0:15:32.880
<v Speaker 1>work that way to this day and can pull things

0:15:32.880 --> 0:15:36.160
<v Speaker 1>that I learned from Negro Kostas in n that no

0:15:36.200 --> 0:15:38.400
<v Speaker 1>one remembers and no one knows, but I know it.

0:15:38.720 --> 0:15:40.680
<v Speaker 1>And then I can pull what I learned from, you know,

0:15:40.720 --> 0:15:42.960
<v Speaker 1>Sean Michaels, or what I learned from Ultimo Dragon, or

0:15:42.960 --> 0:15:45.920
<v Speaker 1>where I learned from Eddie Guerrero and all these different guys,

0:15:45.920 --> 0:15:49.240
<v Speaker 1>and next time I have a match with Darby Allen

0:15:49.320 --> 0:15:52.480
<v Speaker 1>or Jungle Boy or m JF or Eddie Kingston, I

0:15:52.520 --> 0:15:55.120
<v Speaker 1>can kind of bring in something extra to the table

0:15:55.440 --> 0:15:57.440
<v Speaker 1>because of the way things were when I first started.

0:15:57.760 --> 0:16:00.600
<v Speaker 1>You're still talking about young people. You always thinking about

0:16:00.600 --> 0:16:04.680
<v Speaker 1>getting the next person you have to from day one

0:16:04.720 --> 0:16:07.200
<v Speaker 1>and a W Freddie and and once again it's something

0:16:07.440 --> 0:16:09.840
<v Speaker 1>this is not a w B bash. I worked there

0:16:09.880 --> 0:16:12.320
<v Speaker 1>for for almost twenty years. I loved working for w B.

0:16:12.440 --> 0:16:14.080
<v Speaker 1>But one thing that they still have an issue with,

0:16:14.280 --> 0:16:15.680
<v Speaker 1>and you can see it if you watch the show

0:16:15.960 --> 0:16:18.920
<v Speaker 1>is building new stars. They really have a problem with that.

0:16:19.040 --> 0:16:21.680
<v Speaker 1>I don't know why, but once again, it doesn't matter

0:16:21.720 --> 0:16:23.560
<v Speaker 1>to me what they do. From day one and a

0:16:23.920 --> 0:16:27.360
<v Speaker 1>W when we showed up on October two, even before that,

0:16:27.480 --> 0:16:29.720
<v Speaker 1>when we showed up for the first couple of pay

0:16:29.720 --> 0:16:32.120
<v Speaker 1>per views, we had no television deal. Then when we

0:16:32.160 --> 0:16:34.360
<v Speaker 1>finally got one on T n T, it was an

0:16:34.360 --> 0:16:37.240
<v Speaker 1>ad revenue share. Now what that means for people that

0:16:37.320 --> 0:16:40.400
<v Speaker 1>don't know, is you make the money based on the advertising.

0:16:40.880 --> 0:16:44.440
<v Speaker 1>If fifty advertisers, you get a share, If one advertiser,

0:16:44.440 --> 0:16:46.480
<v Speaker 1>you get a share. So it was not a big

0:16:46.520 --> 0:16:49.480
<v Speaker 1>monster deal. So I realized early on is being the

0:16:49.560 --> 0:16:52.080
<v Speaker 1>kind of the face of the company and the one

0:16:52.120 --> 0:16:55.600
<v Speaker 1>guy that the national audience knew besides Jim Ross, but

0:16:55.680 --> 0:16:56.880
<v Speaker 1>the one guy that was in the ring. I mean,

0:16:56.880 --> 0:17:00.040
<v Speaker 1>they knew Cody maybe, but not really. And Kenny and

0:17:00.120 --> 0:17:02.760
<v Speaker 1>the Bucks were kind of more independent or popularly in

0:17:02.800 --> 0:17:06.159
<v Speaker 1>other countries. I need to make new stars as quickly

0:17:06.200 --> 0:17:10.080
<v Speaker 1>as I can, Cody being one of them, Uh, Kenny

0:17:10.119 --> 0:17:12.200
<v Speaker 1>Omega being another one. And then you moved to look

0:17:12.200 --> 0:17:15.159
<v Speaker 1>at my first few programs like that Match three in

0:17:15.200 --> 0:17:17.720
<v Speaker 1>a W was versus Darby Allen. Then Jungle Boy was

0:17:17.800 --> 0:17:21.160
<v Speaker 1>right around that time. And then you know then John Moxley,

0:17:21.200 --> 0:17:23.560
<v Speaker 1>who had to be rehabbed when he came from w W.

0:17:24.080 --> 0:17:26.320
<v Speaker 1>MOCKX was not mocks when he first showed up. He

0:17:26.440 --> 0:17:29.280
<v Speaker 1>was still Dean Ambrose, kind of the goofy guy that

0:17:29.359 --> 0:17:31.400
<v Speaker 1>wasn't funny doing a little stupid ship. They made him

0:17:31.400 --> 0:17:34.360
<v Speaker 1>do we talk about writers. We we had to make

0:17:34.440 --> 0:17:35.960
<v Speaker 1>him into a star right out of the bat. So

0:17:36.000 --> 0:17:37.720
<v Speaker 1>all of those guys, if you look at the first

0:17:37.760 --> 0:17:41.080
<v Speaker 1>six months pre lockdown in a W, I worked with

0:17:41.119 --> 0:17:44.320
<v Speaker 1>all of them so very quickly. We had six to

0:17:44.400 --> 0:17:46.680
<v Speaker 1>eight to ten guys that were all shouldering the load.

0:17:47.080 --> 0:17:50.199
<v Speaker 1>And four months after our first date October two or

0:17:50.280 --> 0:17:52.400
<v Speaker 1>three months we we went from the ad ReBs share

0:17:52.440 --> 0:17:55.080
<v Speaker 1>to a contract for I believe a hundred and sixty

0:17:55.119 --> 0:17:57.639
<v Speaker 1>million dollars for four years. Because of the demos and

0:17:57.760 --> 0:17:59.840
<v Speaker 1>ratings we got right out of the gate. That add

0:18:00.200 --> 0:18:04.080
<v Speaker 1>that AD revenue share is such an old school Hollywood

0:18:04.359 --> 0:18:08.280
<v Speaker 1>move and it's I mean, it's literally like walking on

0:18:08.320 --> 0:18:11.199
<v Speaker 1>a plank and the captain of the ship is like,

0:18:11.320 --> 0:18:14.160
<v Speaker 1>tell me a joker. It's the ocean for you. If

0:18:14.200 --> 0:18:16.359
<v Speaker 1>I don't laugh, it is the scare. I've been in

0:18:16.400 --> 0:18:18.560
<v Speaker 1>negotiations where that was on the table. Then I was

0:18:18.600 --> 0:18:22.040
<v Speaker 1>just curious. Okay, so it's a dent gamble on myself

0:18:22.160 --> 0:18:25.000
<v Speaker 1>right on. Let's see what happens. I guess, you know.

0:18:25.119 --> 0:18:27.399
<v Speaker 1>And and then when I first started podcast, it was

0:18:27.440 --> 0:18:29.879
<v Speaker 1>the same as it was an AD share And then

0:18:30.200 --> 0:18:32.160
<v Speaker 1>you know, either you you you strike up a chord

0:18:32.200 --> 0:18:34.760
<v Speaker 1>and get a fan base quickly, or you don't. So

0:18:35.600 --> 0:18:37.439
<v Speaker 1>we were able to get one very quickly, and it

0:18:37.440 --> 0:18:39.959
<v Speaker 1>paid off in space. And now if you look at

0:18:39.960 --> 0:18:42.960
<v Speaker 1>the television contracts that are out there, I mean, we

0:18:43.040 --> 0:18:45.320
<v Speaker 1>are primed if we continue doing the demos that we're

0:18:45.359 --> 0:18:48.280
<v Speaker 1>doing for a huge renewal when the time comes, just

0:18:48.320 --> 0:18:50.520
<v Speaker 1>because the ratings and more important because the demos that

0:18:50.560 --> 0:18:55.040
<v Speaker 1>we've been acquiring. Let's talk about multiple show business real quick.

0:18:55.480 --> 0:18:58.320
<v Speaker 1>Have Look, you've been able to succeed in a lot

0:18:58.359 --> 0:19:02.920
<v Speaker 1>of different areas, not just wrestling, but through rock and roll,

0:19:03.640 --> 0:19:06.359
<v Speaker 1>especially in this decade of your life. I mean, I

0:19:06.400 --> 0:19:09.080
<v Speaker 1>know you've done it longer, but you've really kind of

0:19:09.119 --> 0:19:13.080
<v Speaker 1>exploded with Fozzy. My son rocked out to it when

0:19:13.080 --> 0:19:15.680
<v Speaker 1>I would drive him to school on Syria Sex m

0:19:15.880 --> 0:19:18.640
<v Speaker 1>because you were on the hard rock station, not thirty five,

0:19:18.840 --> 0:19:23.359
<v Speaker 1>not thirty six, but thirty seven, and even he was

0:19:23.440 --> 0:19:28.560
<v Speaker 1>rocking out to it. Do you think that wrestling opened

0:19:28.560 --> 0:19:31.160
<v Speaker 1>that door for you or do you think that door

0:19:31.240 --> 0:19:34.000
<v Speaker 1>would have been opened and wrestling slowed it down. I mean,

0:19:34.040 --> 0:19:37.720
<v Speaker 1>it's really hard to transfer from one craft to another

0:19:38.200 --> 0:19:41.040
<v Speaker 1>in any form of show business. It is. I mean,

0:19:41.920 --> 0:19:44.280
<v Speaker 1>like I said, you know all about this because I

0:19:44.280 --> 0:19:47.000
<v Speaker 1>know Hollywood is and you came in. You know as

0:19:47.040 --> 0:19:49.440
<v Speaker 1>as the teen heartthrob, Well, how does the teen heartthrob

0:19:49.560 --> 0:19:53.439
<v Speaker 1>transposed to winning an oscar at fifty? I mean, you

0:19:53.520 --> 0:19:57.000
<v Speaker 1>do get stuck into a mold that people want you

0:19:57.040 --> 0:20:00.399
<v Speaker 1>to be in Fozzy. I think at the start it

0:20:00.480 --> 0:20:02.680
<v Speaker 1>was probably more hindered by the fact that I was

0:20:02.760 --> 0:20:06.720
<v Speaker 1>a wrestler rather than helped. I think we had to

0:20:06.760 --> 0:20:09.160
<v Speaker 1>work twice as hard to get people's respect because there

0:20:09.200 --> 0:20:13.080
<v Speaker 1>are so many bands in Hollywood, um from different actors

0:20:13.119 --> 0:20:15.040
<v Speaker 1>and stuff. And that's fine. I mean, everybody should do

0:20:15.040 --> 0:20:17.000
<v Speaker 1>what they want to do. But I don't think people

0:20:17.000 --> 0:20:19.960
<v Speaker 1>took it as serious at first, solely because I was

0:20:20.040 --> 0:20:23.080
<v Speaker 1>the singer. What really kind of opened the door was

0:20:23.119 --> 0:20:25.119
<v Speaker 1>the fact that we never quit, we never stopped, and

0:20:25.119 --> 0:20:27.800
<v Speaker 1>we worked, like I said, twice as hard. But for us,

0:20:27.920 --> 0:20:31.320
<v Speaker 1>the real difference is when we started getting played on

0:20:31.400 --> 0:20:36.360
<v Speaker 1>rock radio, like you mentioned, but across the country too.

0:20:36.640 --> 0:20:39.680
<v Speaker 1>I never realized how important rock radio is two bands,

0:20:39.880 --> 0:20:43.560
<v Speaker 1>even in two then I never realized until we started

0:20:43.600 --> 0:20:46.040
<v Speaker 1>getting played on rock radio how it just took things

0:20:46.080 --> 0:20:48.800
<v Speaker 1>through the roof. And then finally when Judas came out

0:20:48.800 --> 0:20:51.119
<v Speaker 1>and that became the elusive hit single. I mean I

0:20:51.280 --> 0:20:55.879
<v Speaker 1>I got videos on Twitter last night, one from London

0:20:55.960 --> 0:21:02.040
<v Speaker 1>Stadium or west Ham this was sing that was an amazing,

0:21:02.359 --> 0:21:05.520
<v Speaker 1>amazing and in the same day with Carolina Hurricanes playing

0:21:05.560 --> 0:21:09.600
<v Speaker 1>it during their period their play breaks too, So you've

0:21:09.600 --> 0:21:13.760
<v Speaker 1>got both of these things, um happening at the same time.

0:21:13.800 --> 0:21:16.640
<v Speaker 1>Now Judas has gone from you know, a fosy song

0:21:16.680 --> 0:21:18.879
<v Speaker 1>to more of a universal sports arena song. I'm not

0:21:18.920 --> 0:21:22.320
<v Speaker 1>all happened because of rock radio and timing and the

0:21:22.320 --> 0:21:25.320
<v Speaker 1>fact that we just kept continuing to build and write

0:21:25.400 --> 0:21:27.879
<v Speaker 1>good songs and work with the right people. Rock radio

0:21:28.000 --> 0:21:31.760
<v Speaker 1>when they support you. And and my uncle who discovered

0:21:31.800 --> 0:21:35.919
<v Speaker 1>my dad and Richard Pryor before comics. He had musicians,

0:21:35.960 --> 0:21:39.600
<v Speaker 1>so he had friends, He had Van Halen, he had

0:21:40.200 --> 0:21:43.520
<v Speaker 1>x Exene from that punk band X back in the day,

0:21:44.160 --> 0:21:48.000
<v Speaker 1>and any the power of radio is this when you're

0:21:48.080 --> 0:21:51.240
<v Speaker 1>driving down the road and you just got off work,

0:21:51.440 --> 0:21:53.359
<v Speaker 1>or you had an audition that you knew was gonna

0:21:53.400 --> 0:21:56.080
<v Speaker 1>go great and instead of just sucked ass and was

0:21:56.240 --> 0:21:58.280
<v Speaker 1>and you know you're not gonna get it, or your

0:21:58.320 --> 0:22:00.280
<v Speaker 1>old lady just broke up with you, or maybe your

0:22:00.280 --> 0:22:02.639
<v Speaker 1>old ladies driving you crazy and you put on the

0:22:02.800 --> 0:22:05.000
<v Speaker 1>radio just to yell and scream, and then all of

0:22:05.040 --> 0:22:09.200
<v Speaker 1>a sudden, the song comes on that just like clicks everything.

0:22:09.359 --> 0:22:12.320
<v Speaker 1>And that's why radio is never gonna die, because you're

0:22:12.320 --> 0:22:14.240
<v Speaker 1>always going to be in a car at some point,

0:22:14.359 --> 0:22:17.240
<v Speaker 1>piste off at someone, and there's just a certain song

0:22:17.359 --> 0:22:20.560
<v Speaker 1>that brings you back. Man. I mean, I I got spoiled,

0:22:20.560 --> 0:22:23.200
<v Speaker 1>like I got a soft spot for for three types

0:22:23.240 --> 0:22:27.040
<v Speaker 1>of people, stand up comics because my old man, professional

0:22:27.080 --> 0:22:32.440
<v Speaker 1>wrestlers and rock and roll stars. Okay, so it's until

0:22:32.480 --> 0:22:34.480
<v Speaker 1>you go on stage and crack some jokes. Then you'll

0:22:34.520 --> 0:22:37.320
<v Speaker 1>become like sainted in my in my mind, i've done

0:22:37.359 --> 0:22:41.119
<v Speaker 1>that before that you are, you'll be the saint that

0:22:41.240 --> 0:22:47.520
<v Speaker 1>your your next gimmick from Less Shampyond to Saint Christopher St. Jericho.

0:22:47.720 --> 0:22:50.600
<v Speaker 1>That's right. But yeah, man, ever since I was a kid,

0:22:50.640 --> 0:22:54.639
<v Speaker 1>I remember it was my twelfth birthday. It was and

0:22:54.720 --> 0:22:58.960
<v Speaker 1>I was in my uncle's backyard in Brentwood, California, and

0:22:59.560 --> 0:23:02.760
<v Speaker 1>Exan and the band punk band X were there in it.

0:23:02.880 --> 0:23:05.119
<v Speaker 1>She was married to Vigo Mortenson at the time. This

0:23:05.200 --> 0:23:08.040
<v Speaker 1>was before he was like famous famous. He was just

0:23:08.240 --> 0:23:11.879
<v Speaker 1>an actor named Vigo. And uh, she's sang a punk

0:23:11.960 --> 0:23:15.240
<v Speaker 1>rock version of Happy Birthday to me and my cousin Kate,

0:23:15.760 --> 0:23:18.760
<v Speaker 1>and then uh, she was leaving and I said, oh,

0:23:18.800 --> 0:23:20.880
<v Speaker 1>please don't go, could you. I don't remember what song

0:23:20.920 --> 0:23:22.359
<v Speaker 1>I asked her to play, so would you please just

0:23:22.359 --> 0:23:24.480
<v Speaker 1>play one more thing? She goes, I can't. I'm going

0:23:24.480 --> 0:23:26.320
<v Speaker 1>to a Belinda car She had a cigarette. She goes,

0:23:26.359 --> 0:23:29.280
<v Speaker 1>I'm going to Belinda Carlisle concert. And I was like,

0:23:29.480 --> 0:23:32.040
<v Speaker 1>what Belinda car In my head, I'm like Belinda Carla

0:23:32.119 --> 0:23:34.160
<v Speaker 1>and she goes, yeah, I'm going to kick her fucking

0:23:34.240 --> 0:23:38.000
<v Speaker 1>ass and she just walked out. I'm twelve, so until

0:23:38.000 --> 0:23:40.840
<v Speaker 1>I was like sixteen, I believe she legit like went

0:23:40.880 --> 0:23:43.320
<v Speaker 1>there to Beta Hell on a poor little Bolinda Carla.

0:23:44.040 --> 0:23:47.480
<v Speaker 1>But I've always I've always loved rock stars because of

0:23:47.520 --> 0:23:50.640
<v Speaker 1>that very first encounter that I had with one, which

0:23:50.720 --> 0:23:53.360
<v Speaker 1>was her, And every time I've met him, I've had

0:23:53.400 --> 0:23:55.399
<v Speaker 1>the best time. And now you get to live the

0:23:55.440 --> 0:23:58.679
<v Speaker 1>wrestler life, which is tough, but then you get the

0:23:58.760 --> 0:24:02.240
<v Speaker 1>rock star life just glory. So you have like the

0:24:02.400 --> 0:24:06.880
<v Speaker 1>perfect the perfect balance. Man. Well you know what, dude,

0:24:06.880 --> 0:24:08.400
<v Speaker 1>I mean, I think that's kind of one of those

0:24:08.400 --> 0:24:12.760
<v Speaker 1>miss umbers. Like, you know, rock and roll isn't as

0:24:12.800 --> 0:24:15.879
<v Speaker 1>glamorous as you think, especially when you first start. Like

0:24:15.960 --> 0:24:18.520
<v Speaker 1>anything else, it's like wrestling, you are acting like you

0:24:18.680 --> 0:24:20.600
<v Speaker 1>gotta just go with the flow and travel in a

0:24:20.680 --> 0:24:23.159
<v Speaker 1>van and you know, do all the things you gotta do.

0:24:23.240 --> 0:24:25.040
<v Speaker 1>Now we've reached a certain level where we have a

0:24:25.119 --> 0:24:28.480
<v Speaker 1>nice tour bus and um, so that that takes things different.

0:24:28.480 --> 0:24:31.520
<v Speaker 1>But you know when we toured with Slash, you know,

0:24:31.560 --> 0:24:34.560
<v Speaker 1>Slash has a really nice tour bus that takes him

0:24:34.720 --> 0:24:36.600
<v Speaker 1>to a really nice hotel where he gets off the

0:24:36.600 --> 0:24:38.640
<v Speaker 1>bus and stays overnight and then in the morning gets

0:24:38.640 --> 0:24:41.040
<v Speaker 1>back in the bus and drives, you know, forty five

0:24:41.040 --> 0:24:43.960
<v Speaker 1>minutes of the gig. For us, you're driving sometimes you

0:24:43.960 --> 0:24:46.280
<v Speaker 1>know three d four miles on the bus and when

0:24:46.280 --> 0:24:48.439
<v Speaker 1>you get to the gig, there's a shower in the

0:24:48.440 --> 0:24:50.400
<v Speaker 1>gig if you're lucky. If not, you get a day

0:24:50.480 --> 0:24:52.640
<v Speaker 1>room where you go have a shower, but you get

0:24:52.720 --> 0:24:55.480
<v Speaker 1>back onto the bus to sleep and travel. So there's

0:24:55.520 --> 0:24:58.639
<v Speaker 1>different levels. And then there's the Stones who travel and

0:24:58.760 --> 0:25:01.120
<v Speaker 1>private jets to private tells and then you know they're

0:25:01.119 --> 0:25:04.080
<v Speaker 1>playing stadium, so there's always different levels. But to me,

0:25:04.160 --> 0:25:05.760
<v Speaker 1>the most important, same with the same with a W.

0:25:06.240 --> 0:25:08.960
<v Speaker 1>A w's treatment is a million times better than w

0:25:08.840 --> 0:25:12.679
<v Speaker 1>w's ever was because the Khan family our owners of

0:25:12.720 --> 0:25:16.040
<v Speaker 1>sports teams, so they come at it from a sports standpoint.

0:25:16.040 --> 0:25:21.560
<v Speaker 1>I never had hotels and cars provided ever ever, ever

0:25:21.720 --> 0:25:23.600
<v Speaker 1>in in the in the thirty years of working in

0:25:23.640 --> 0:25:26.280
<v Speaker 1>the States. If I did a want offer something, but

0:25:26.359 --> 0:25:28.800
<v Speaker 1>they would never take care of that. A W does.

0:25:28.880 --> 0:25:32.119
<v Speaker 1>So you know, the most important thing is if you

0:25:32.160 --> 0:25:34.040
<v Speaker 1>want to be there and you love what you do

0:25:34.080 --> 0:25:36.399
<v Speaker 1>and you have a passion for it, the rest of

0:25:36.400 --> 0:25:38.600
<v Speaker 1>it falls into place. You know, if you don't want

0:25:38.640 --> 0:25:40.120
<v Speaker 1>to be there, you can be staying at the Waldorf

0:25:40.119 --> 0:25:42.280
<v Speaker 1>for story and flying in a private jet and it's

0:25:42.280 --> 0:25:44.200
<v Speaker 1>a hindrance. If you do want to be there, you

0:25:44.200 --> 0:25:46.000
<v Speaker 1>can travel on the back of a van and stay

0:25:46.040 --> 0:25:48.480
<v Speaker 1>at the you know, sleep in the van, or stay

0:25:48.480 --> 0:25:50.760
<v Speaker 1>at the Super eight with six other guys and you're happy.

0:25:51.119 --> 0:25:54.360
<v Speaker 1>So to me, I've always done things, in my opinion,

0:25:54.400 --> 0:25:57.080
<v Speaker 1>for the right reasons. I've never done things for money.

0:25:57.160 --> 0:25:59.159
<v Speaker 1>I do it because I love to do it. And

0:25:59.200 --> 0:26:03.640
<v Speaker 1>if you see of my my my career, uh you know, history,

0:26:04.280 --> 0:26:07.080
<v Speaker 1>my resume, so to speak, it's pretty rare when I

0:26:07.119 --> 0:26:10.440
<v Speaker 1>do something just once, like podcasting. We're going on nine years,

0:26:10.960 --> 0:26:14.159
<v Speaker 1>five books. We've done eight fausey records. I've been wrestling

0:26:14.160 --> 0:26:16.440
<v Speaker 1>for thirty one years. It's never like, oh, he put

0:26:16.440 --> 0:26:19.480
<v Speaker 1>out a book and maybe didn't make money or asked like,

0:26:19.840 --> 0:26:21.840
<v Speaker 1>you gotta put the time and to build it no

0:26:21.880 --> 0:26:25.520
<v Speaker 1>matter what it is, acting anything, And that to me

0:26:25.640 --> 0:26:29.399
<v Speaker 1>is why I've always picked and choose projects according to

0:26:29.440 --> 0:26:32.720
<v Speaker 1>what my gut instinct is. You know, Cruise, like we

0:26:32.760 --> 0:26:35.080
<v Speaker 1>worked on the Cruise for three years and we're we

0:26:35.240 --> 0:26:38.439
<v Speaker 1>just announced our fourth one I have. I have friends

0:26:38.480 --> 0:26:40.280
<v Speaker 1>that are a part of that cruise now for a

0:26:40.320 --> 0:26:42.199
<v Speaker 1>couple of years. I have buddies that have gone and

0:26:42.240 --> 0:26:45.119
<v Speaker 1>done in the in the stand up comic world. But

0:26:45.720 --> 0:26:48.040
<v Speaker 1>that's great, it's it's it's the best vacation I have

0:26:48.080 --> 0:26:49.760
<v Speaker 1>to If you do and they all love it, they

0:26:49.840 --> 0:26:52.560
<v Speaker 1>all love it. If you're doing your your podcast for

0:26:52.320 --> 0:26:55.480
<v Speaker 1>the next year or so on Cruise five, love the

0:26:55.480 --> 0:26:58.800
<v Speaker 1>Freddy Prince Live podcast, you can come hang out. It's

0:26:58.800 --> 0:27:01.439
<v Speaker 1>the best. It's the best vacation. But point is, it's like,

0:27:01.480 --> 0:27:03.560
<v Speaker 1>if you do things for the right reason, the money

0:27:03.560 --> 0:27:06.200
<v Speaker 1>will follow you. If you do things for money, you're

0:27:06.240 --> 0:27:08.119
<v Speaker 1>probably not gonna like it and either not do the

0:27:08.119 --> 0:27:10.320
<v Speaker 1>best job you can or it's not gonna last, and

0:27:10.320 --> 0:27:12.160
<v Speaker 1>you've got to go into the next thing. And I've

0:27:12.200 --> 0:27:14.280
<v Speaker 1>never done that. As a result, my career has always

0:27:14.280 --> 0:27:17.520
<v Speaker 1>been diverse and I've had great longevity. And for everybody listening,

0:27:17.600 --> 0:27:19.960
<v Speaker 1>the reason he can say that, and the reason I

0:27:20.000 --> 0:27:22.320
<v Speaker 1>can nod my head and you don't see it is

0:27:22.320 --> 0:27:25.960
<v Speaker 1>because we have both seen people do it for money,

0:27:26.119 --> 0:27:29.040
<v Speaker 1>and we have both seen those people phase out real

0:27:29.280 --> 0:27:42.560
<v Speaker 1>quick because it does not work. I agree, it doesn't work,

0:27:42.560 --> 0:27:45.280
<v Speaker 1>and that's like I said, and it's sometimes it's hard

0:27:45.320 --> 0:27:47.959
<v Speaker 1>to wrap yourself around. I turned down big money gigs

0:27:48.320 --> 0:27:50.720
<v Speaker 1>not all the time, but most of the time because

0:27:51.359 --> 0:27:53.720
<v Speaker 1>you'll find money in other spots. If if it puts

0:27:53.720 --> 0:27:56.000
<v Speaker 1>you in a bad position where you don't feel it,

0:27:56.200 --> 0:27:57.879
<v Speaker 1>then you're probably not gonna do a great job, and

0:27:57.920 --> 0:28:02.720
<v Speaker 1>people can people can sniff that out. Aren't stupid for sure.

0:28:03.080 --> 0:28:08.760
<v Speaker 1>The modern fan for audiences were never sophisticated until post millennium,

0:28:09.040 --> 0:28:11.920
<v Speaker 1>and that's when audience has started like figuring stuff out

0:28:11.960 --> 0:28:14.439
<v Speaker 1>and going okay okay. Behind the scenes is now just

0:28:14.640 --> 0:28:17.560
<v Speaker 1>the scenes, like there is no buy so you can

0:28:17.720 --> 0:28:20.560
<v Speaker 1>you cannot fool them out. I want to finish with

0:28:20.920 --> 0:28:23.919
<v Speaker 1>something that's more for just my fantasy, but maybe you

0:28:23.960 --> 0:28:29.800
<v Speaker 1>can jump into if you could have one match, any

0:28:29.920 --> 0:28:36.600
<v Speaker 1>stadium guaranteed sellout any opponent at any time in their career.

0:28:37.000 --> 0:28:40.200
<v Speaker 1>I'm giving you the doctor who phone booth. You can

0:28:40.240 --> 0:28:46.760
<v Speaker 1>travel wherever, whenever, any stadium guaranteed sell out every single

0:28:46.840 --> 0:28:49.440
<v Speaker 1>fan screaming or booing for you, whichever one you want,

0:28:49.920 --> 0:28:53.920
<v Speaker 1>any opponent at any time in their career, who and where? Well,

0:28:53.960 --> 0:28:56.000
<v Speaker 1>but there there is there is, there is two that

0:28:56.120 --> 0:28:58.040
<v Speaker 1>I would take but but but but the one that

0:28:58.080 --> 0:29:00.520
<v Speaker 1>I'm really looking forward to now that will have is

0:29:00.560 --> 0:29:03.040
<v Speaker 1>the is the is the story we're building with Eddie

0:29:03.120 --> 0:29:06.040
<v Speaker 1>Kingston and a w that's a guy from day one,

0:29:06.080 --> 0:29:07.920
<v Speaker 1>the moment he walked in and said that's a superstar.

0:29:08.640 --> 0:29:10.480
<v Speaker 1>It's gonna be a huge baby face. But I like

0:29:10.600 --> 0:29:12.680
<v Speaker 1>his style. It's very hard hitting and you know, he

0:29:12.960 --> 0:29:14.920
<v Speaker 1>I can't believe you brought him up. I love I

0:29:15.120 --> 0:29:18.160
<v Speaker 1>love Eddie Kingston. I love to hear that you're actually

0:29:18.160 --> 0:29:21.480
<v Speaker 1>doing something with him. He legit, forget the Puerto Rican

0:29:21.520 --> 0:29:24.000
<v Speaker 1>Puerto Rican thing. Okay, it's not just because of that.

0:29:24.600 --> 0:29:27.360
<v Speaker 1>I he legit. I was watching whoever does gerrols? Like

0:29:27.480 --> 0:29:30.760
<v Speaker 1>video clips and those montages on social media. They need

0:29:30.800 --> 0:29:33.920
<v Speaker 1>a raise like they kill I'm telling you man, the

0:29:34.040 --> 0:29:36.520
<v Speaker 1>music behind it, the cut, the edit. They did one

0:29:36.560 --> 0:29:40.920
<v Speaker 1>with Eddie a couple of months ago, and I legit cried, cried,

0:29:41.360 --> 0:29:43.520
<v Speaker 1>and and that's the reason why I like him is

0:29:43.520 --> 0:29:45.800
<v Speaker 1>is he doesn't look like a typical wrestler. He just

0:29:45.800 --> 0:29:47.440
<v Speaker 1>looks like a tough guy at the bar. But his

0:29:47.600 --> 0:29:51.440
<v Speaker 1>promos are above and beyond. So that's why like I

0:29:51.560 --> 0:29:53.680
<v Speaker 1>kind of pick and shoes who I'm gonna be working

0:29:53.720 --> 0:29:55.800
<v Speaker 1>with and also too, it has to fit in with

0:29:55.840 --> 0:29:58.040
<v Speaker 1>the plans that Tony Khan has and with the guys have.

0:29:58.440 --> 0:30:00.840
<v Speaker 1>But the Edione was really something cool to me. And

0:30:00.840 --> 0:30:05.080
<v Speaker 1>I also deal in long term stories, so uh, nothing's

0:30:05.120 --> 0:30:07.040
<v Speaker 1>set in stone, but but that's one that I'm really

0:30:07.080 --> 0:30:10.000
<v Speaker 1>looking forward to that will happen. But the two that

0:30:10.080 --> 0:30:12.880
<v Speaker 1>I have that never did happen and their brothers and

0:30:12.920 --> 0:30:15.320
<v Speaker 1>they're from the same part of the country as I

0:30:15.360 --> 0:30:18.480
<v Speaker 1>am was, was Brett Hart and Owen Heart. I never

0:30:18.520 --> 0:30:21.280
<v Speaker 1>had a chance to work with either one of them. Um,

0:30:21.400 --> 0:30:24.000
<v Speaker 1>when I made up my mind to leave w CW

0:30:24.120 --> 0:30:26.760
<v Speaker 1>and nine and come to w B. If you gave

0:30:26.760 --> 0:30:29.800
<v Speaker 1>me a list of ten reasons wrestling, Owen Heart would

0:30:29.840 --> 0:30:32.840
<v Speaker 1>be one of the probably seven, eight, nine, ten ones.

0:30:33.600 --> 0:30:36.000
<v Speaker 1>Owen passed away before that could happen. He passed away

0:30:36.000 --> 0:30:37.800
<v Speaker 1>and I'd believe in May of ninety nine. I didn't

0:30:37.840 --> 0:30:40.840
<v Speaker 1>get there till August, and then Brett was in w CW,

0:30:40.920 --> 0:30:42.800
<v Speaker 1>but we were on different levels. I was never kind

0:30:42.840 --> 0:30:45.760
<v Speaker 1>of allowed to get to that level when I was there,

0:30:45.840 --> 0:30:48.240
<v Speaker 1>and then he had to retire out of w CW,

0:30:48.360 --> 0:30:51.320
<v Speaker 1>so we really never actually not really we never had

0:30:51.320 --> 0:30:53.760
<v Speaker 1>a match together. So those two I think would have

0:30:53.760 --> 0:30:57.040
<v Speaker 1>been great chemistry. Um because when you come from a

0:30:57.080 --> 0:30:59.680
<v Speaker 1>certain area of a country, and obviously I trained at

0:30:59.680 --> 0:31:01.720
<v Speaker 1>the Heart Brothers pro Rusting camp. There wasn't any Heart

0:31:01.720 --> 0:31:04.520
<v Speaker 1>Brothers there, but there's a certain way that you train

0:31:05.440 --> 0:31:08.760
<v Speaker 1>where our styles were very similar and we probably think

0:31:08.800 --> 0:31:12.280
<v Speaker 1>a lot the same. And you know, people say who's

0:31:12.320 --> 0:31:14.920
<v Speaker 1>who's the greatest of all time? And to me, you

0:31:14.960 --> 0:31:18.280
<v Speaker 1>could it's all subjective whoever you think it is it is.

0:31:18.360 --> 0:31:20.920
<v Speaker 1>Some people say it's you know some people some people

0:31:20.920 --> 0:31:22.840
<v Speaker 1>say that Christierick is greateful time and if you think that,

0:31:22.920 --> 0:31:25.520
<v Speaker 1>thank you. But other people say Christijerick is not even

0:31:25.520 --> 0:31:28.360
<v Speaker 1>the top twenty. You know. But to me, Brett Hart,

0:31:28.360 --> 0:31:30.520
<v Speaker 1>you could make a case for him as being the

0:31:30.560 --> 0:31:32.640
<v Speaker 1>greatest of all time, or one of them at least,

0:31:32.920 --> 0:31:35.440
<v Speaker 1>because as the years go by, you forget how good

0:31:35.480 --> 0:31:38.520
<v Speaker 1>these guys are or how good these guys were, and

0:31:38.560 --> 0:31:40.800
<v Speaker 1>all it takes is watching one of their matches in

0:31:40.840 --> 0:31:43.120
<v Speaker 1>their prime you go, holy sh it, this is better

0:31:43.120 --> 0:31:45.800
<v Speaker 1>than anything that's going on today. But you forget that

0:31:45.880 --> 0:31:48.640
<v Speaker 1>as the years go on. But so Brett Nolan would

0:31:48.680 --> 0:31:50.480
<v Speaker 1>have been huge, And then of course for me, Sean

0:31:50.560 --> 0:31:52.959
<v Speaker 1>Michaels was a guy really wanted to work with, and

0:31:53.000 --> 0:31:55.320
<v Speaker 1>we did in two thousands and three. We had the

0:31:55.320 --> 0:31:59.440
<v Speaker 1>best match at WrestleMania nineteen um, but we really got

0:31:59.520 --> 0:32:01.640
<v Speaker 1>to come to other in two thousand and eight, and

0:32:01.680 --> 0:32:03.600
<v Speaker 1>that was one of my favorite stories that I've ever

0:32:03.680 --> 0:32:07.600
<v Speaker 1>done in my life. Uh eight nine months long. I

0:32:07.800 --> 0:32:10.160
<v Speaker 1>can't compare it to anything if you wanted to make,

0:32:10.960 --> 0:32:14.000
<v Speaker 1>you know, a documentary on how to have a great

0:32:14.040 --> 0:32:16.600
<v Speaker 1>angle that was originally supposed to be nothing and ended

0:32:16.640 --> 0:32:18.400
<v Speaker 1>up being a top angle that we're fighting for the

0:32:18.440 --> 0:32:22.880
<v Speaker 1>world title nine months later, nine months storyline and wrestling

0:32:23.040 --> 0:32:25.800
<v Speaker 1>is like music to my ears. Well yeah, and then

0:32:25.840 --> 0:32:28.600
<v Speaker 1>just think to Freddie we did m JF and I

0:32:28.640 --> 0:32:31.200
<v Speaker 1>in the Pinnacle, Inner Circle did a year. It was

0:32:31.240 --> 0:32:33.680
<v Speaker 1>it was I think it was two days, shy a year.

0:32:34.120 --> 0:32:36.160
<v Speaker 1>So I made sure to mention it in the week

0:32:36.240 --> 0:32:39.040
<v Speaker 1>after just so we could say it was literally legitimately

0:32:39.440 --> 0:32:43.200
<v Speaker 1>three sixty five days. And that was done more like

0:32:43.640 --> 0:32:45.280
<v Speaker 1>we didn't plan it that way, but we had a

0:32:45.280 --> 0:32:47.400
<v Speaker 1>long term story that kept being cool, and I said,

0:32:47.480 --> 0:32:50.080
<v Speaker 1>let's what's the rush. That's the thing I asked any

0:32:50.160 --> 0:32:53.080
<v Speaker 1>wrestling company, what's the rush. You got fifty two weeks

0:32:53.120 --> 0:32:57.040
<v Speaker 1>a year, a WS two shows a week, WWS two

0:32:57.080 --> 0:33:00.000
<v Speaker 1>shows a week. I hate hot shotting. I hate story

0:33:00.000 --> 0:33:02.360
<v Speaker 1>ways that don't tell a full arc with all the

0:33:02.360 --> 0:33:04.560
<v Speaker 1>twist and turns you can do. And I also hate

0:33:04.560 --> 0:33:07.040
<v Speaker 1>it when people go, alright, already, this needs to end.

0:33:07.040 --> 0:33:09.719
<v Speaker 1>It's been going on too long. Shut your fucking mouth. Okay,

0:33:09.880 --> 0:33:12.160
<v Speaker 1>an hour or two of Titanic. If you thought it

0:33:12.200 --> 0:33:14.720
<v Speaker 1>was too long, you didn't see anything yet. The whole

0:33:14.800 --> 0:33:17.360
<v Speaker 1>last hour was the whole thing. So just shut up

0:33:17.400 --> 0:33:20.280
<v Speaker 1>and enjoy the ride from beginning to end, and then

0:33:20.400 --> 0:33:22.880
<v Speaker 1>tell me your opinion. Don't get mad at the beginning,

0:33:23.000 --> 0:33:24.720
<v Speaker 1>don't get mad in the middle. Wait and see the

0:33:24.760 --> 0:33:27.520
<v Speaker 1>whole movie before you start giving your opinions. And that's

0:33:27.520 --> 0:33:30.760
<v Speaker 1>what I really focus on the best, and I appreciate

0:33:30.880 --> 0:33:33.719
<v Speaker 1>long term storylines, and that's kind of what I focus

0:33:33.800 --> 0:33:37.520
<v Speaker 1>on with whoever I'm working with. In aw you and

0:33:37.560 --> 0:33:40.360
<v Speaker 1>I are so old school, man. It literally is the

0:33:40.400 --> 0:33:43.120
<v Speaker 1>reason I stopped watching TV because I got tired of

0:33:43.160 --> 0:33:46.480
<v Speaker 1>knowing everything about the main prior in the pilot. I'm like,

0:33:46.880 --> 0:33:49.680
<v Speaker 1>you answered all my questions already. I don't need to

0:33:49.680 --> 0:33:53.440
<v Speaker 1>see episode two. He doesn't need to grow, He's already perfect. Great.

0:33:53.560 --> 0:33:55.800
<v Speaker 1>I just I just stumbled on this show on Netflix

0:33:55.800 --> 0:33:58.600
<v Speaker 1>called Slasher, and it's kind of like a Canadian version

0:33:58.640 --> 0:34:01.200
<v Speaker 1>of American horror story, but is way gorrier and it's

0:34:01.280 --> 0:34:05.320
<v Speaker 1>way better written. Do you gotta check it out? From

0:34:05.360 --> 0:34:08.920
<v Speaker 1>episode there there. Each one is its own contained season,

0:34:09.320 --> 0:34:11.840
<v Speaker 1>but it starts in episode one and it's this violent,

0:34:11.920 --> 0:34:14.880
<v Speaker 1>gory murder mystery where you do not see what's happening

0:34:14.920 --> 0:34:17.040
<v Speaker 1>until episode eight. All three seasons i've seen so far

0:34:17.120 --> 0:34:18.799
<v Speaker 1>been that way. I love it. I don't know what's

0:34:18.840 --> 0:34:22.760
<v Speaker 1>happening that stuff. Yeah, and you know it's got eight seasons,

0:34:22.800 --> 0:34:25.120
<v Speaker 1>so of each episode two, well that was stupid. Well

0:34:25.160 --> 0:34:27.480
<v Speaker 1>just shut up because an episode six, when you see

0:34:27.480 --> 0:34:29.640
<v Speaker 1>in two, it's gonna make sense. It's like a Tarantino

0:34:29.719 --> 0:34:32.319
<v Speaker 1>movie or something. I love that ship. Just I will

0:34:32.320 --> 0:34:35.399
<v Speaker 1>watch from beginning to end. Just don't give me any

0:34:35.440 --> 0:34:38.680
<v Speaker 1>plot holes and give me some plausible reasons and I'll

0:34:38.719 --> 0:34:43.640
<v Speaker 1>be there. Yeah, man, old school, Yeah, thank you so

0:34:43.719 --> 0:34:46.000
<v Speaker 1>much for being on the show. Man. I appreciate your

0:34:46.000 --> 0:34:49.400
<v Speaker 1>time so much. Dude. You succeeded in so many different

0:34:49.440 --> 0:34:52.319
<v Speaker 1>facets a lot every guest that I've had on are

0:34:52.400 --> 0:34:56.000
<v Speaker 1>people who I respect their process and their approach because

0:34:56.040 --> 0:34:59.759
<v Speaker 1>I feel those are ways to success. And uh, with

0:35:00.000 --> 0:35:03.200
<v Speaker 1>not even asking you those types of questions, you just

0:35:03.360 --> 0:35:06.920
<v Speaker 1>laid it out. Just you laid it out for anyone

0:35:07.040 --> 0:35:10.319
<v Speaker 1>listening like that your approach to learning, your approach, to

0:35:10.400 --> 0:35:13.040
<v Speaker 1>leaving your comfort zone and going to other places to

0:35:13.200 --> 0:35:16.160
<v Speaker 1>challenge yourself. And then when you succeed there, of course

0:35:16.200 --> 0:35:18.960
<v Speaker 1>that dude brings you to Japan to have a rivalry

0:35:19.000 --> 0:35:21.920
<v Speaker 1>with him out there because of the sacrifice, because of

0:35:21.960 --> 0:35:24.200
<v Speaker 1>that work, So of course you get noticed in Japan

0:35:24.320 --> 0:35:27.400
<v Speaker 1>and then get to go like that's the process. And

0:35:27.480 --> 0:35:30.160
<v Speaker 1>even when I try to talk about the glamour life,

0:35:30.160 --> 0:35:32.080
<v Speaker 1>you go back to the early days of the rock

0:35:32.120 --> 0:35:34.480
<v Speaker 1>and roll when it's tough and it's rough and there

0:35:34.520 --> 0:35:38.000
<v Speaker 1>are no private jets, And that's that's what's necessary for

0:35:38.160 --> 0:35:41.120
<v Speaker 1>artists to succeed. That's why Jackson Pollock was broke most

0:35:41.120 --> 0:35:43.880
<v Speaker 1>of his damn life. But if you if you look

0:35:43.920 --> 0:35:47.279
<v Speaker 1>at at how he would have succeeded today, he would

0:35:47.280 --> 0:35:50.040
<v Speaker 1>have been a multimillionaire today with the way media goes

0:35:50.120 --> 0:35:53.320
<v Speaker 1>and those types of things. So that's the level of sacrifice,

0:35:53.719 --> 0:35:58.160
<v Speaker 1>that's the type of grind and uh, you're far I

0:35:58.160 --> 0:36:00.560
<v Speaker 1>I like to claim myself as an ex ample of it,

0:36:00.600 --> 0:36:02.920
<v Speaker 1>but you are a far finer example of it that

0:36:03.080 --> 0:36:06.799
<v Speaker 1>I got first class quicker than some people. So I can't.

0:36:08.520 --> 0:36:12.200
<v Speaker 1>I can't suffered like the rest of you. No, dude,

0:36:12.200 --> 0:36:15.759
<v Speaker 1>like you said, man, I mean um. Even even when

0:36:15.800 --> 0:36:17.440
<v Speaker 1>I left w B to go have the match with

0:36:17.520 --> 0:36:19.720
<v Speaker 1>kenyel Mega at the Tokyo Dome once again in Japan

0:36:19.880 --> 0:36:23.399
<v Speaker 1>for not being there with New Japan for over twenty years,

0:36:24.680 --> 0:36:27.960
<v Speaker 1>took a chance, built the match, had did huge business

0:36:28.040 --> 0:36:30.440
<v Speaker 1>with it over in Japan, and that's the match that

0:36:30.480 --> 0:36:34.879
<v Speaker 1>Tony con saw where he realized people want to see

0:36:34.920 --> 0:36:37.279
<v Speaker 1>an alternative and that kind of spurred him in a

0:36:37.280 --> 0:36:39.440
<v Speaker 1>lot of ways to take a chance to start a

0:36:39.680 --> 0:36:41.600
<v Speaker 1>w And then when he took that chance, I took

0:36:41.600 --> 0:36:44.080
<v Speaker 1>another chance and went with him. So to me, it's

0:36:44.120 --> 0:36:48.160
<v Speaker 1>always about that you leave your comfort zone. You know,

0:36:48.520 --> 0:36:51.560
<v Speaker 1>if your kiss take the makeup off, you know you

0:36:51.680 --> 0:36:53.400
<v Speaker 1>gotta do it. If not, you get stuck in a

0:36:53.640 --> 0:36:57.680
<v Speaker 1>nostalgia role or you become stagnant and nobody, nobody wants

0:36:57.719 --> 0:37:00.920
<v Speaker 1>to see that. I've always been mostly influenced by David

0:37:00.960 --> 0:37:04.760
<v Speaker 1>Bowie when it comes to this, he always updated his image.

0:37:04.880 --> 0:37:08.040
<v Speaker 1>He always evolved and changed you never fucking even til

0:37:08.040 --> 0:37:10.560
<v Speaker 1>his last record Lazarus, you never knew what Bowie was

0:37:10.560 --> 0:37:12.960
<v Speaker 1>gonna do, but it was always Bowie and it was

0:37:13.000 --> 0:37:15.360
<v Speaker 1>always cool. Even if you didn't like the Berlin years

0:37:15.440 --> 0:37:17.360
<v Speaker 1>or you didn't like the thin White Duke or whatever,

0:37:17.719 --> 0:37:24.200
<v Speaker 1>it still was something really cool and it was exactly

0:37:24.239 --> 0:37:26.480
<v Speaker 1>And that's what I love about those types of guys,

0:37:26.760 --> 0:37:28.920
<v Speaker 1>the long term. Guns and Roses did it, the Beatles

0:37:28.960 --> 0:37:31.560
<v Speaker 1>did it, Johnny Depp does it. I mean, you're always

0:37:31.680 --> 0:37:34.560
<v Speaker 1>changing and I love that, and so I, as Chris

0:37:34.640 --> 0:37:38.120
<v Speaker 1>Jericho made a pact with myself years ago, I'll never

0:37:38.200 --> 0:37:40.560
<v Speaker 1>once again. I'll never do it just to get a paycheck.

0:37:40.600 --> 0:37:43.000
<v Speaker 1>And if it bores me and I'm not creatively stimulated,

0:37:43.320 --> 0:37:45.960
<v Speaker 1>I'll move on to the next thing. And that's what's

0:37:45.960 --> 0:37:49.080
<v Speaker 1>always benefited me with my career. And I've got a

0:37:49.120 --> 0:37:51.719
<v Speaker 1>great fan base that trusts me on that and follows

0:37:51.760 --> 0:37:55.359
<v Speaker 1>me and nine times at Attendant success once in a while,

0:37:55.400 --> 0:37:58.279
<v Speaker 1>not quite, but nothing's ever a failure unless you don't

0:37:58.320 --> 0:38:01.359
<v Speaker 1>try it. That's the best advice. Second, give damn right.

0:38:01.440 --> 0:38:03.120
<v Speaker 1>And by the way, the list is still a top

0:38:03.120 --> 0:38:06.399
<v Speaker 1>ten gimmick of all top I don't care what everybody says.

0:38:06.440 --> 0:38:09.880
<v Speaker 1>That ship that would correct me up and that. But

0:38:10.600 --> 0:38:13.719
<v Speaker 1>once again, Freddie, like when when I came to a

0:38:14.000 --> 0:38:17.319
<v Speaker 1>W and two thousand and nineteen, another reason was, if

0:38:17.360 --> 0:38:19.160
<v Speaker 1>I go back to W now, the first thing they'll

0:38:19.160 --> 0:38:20.960
<v Speaker 1>do is make me put someone on the list. And

0:38:21.040 --> 0:38:23.319
<v Speaker 1>I'm not feeling it anymore. That was two thousands. That's

0:38:23.560 --> 0:38:26.200
<v Speaker 1>that's too, that's so two thousand and sixteen. But that's

0:38:26.200 --> 0:38:28.799
<v Speaker 1>how you've always been, man like, You've always had these

0:38:28.840 --> 0:38:33.640
<v Speaker 1>things to to continuously evolved. And I think, and again,

0:38:33.680 --> 0:38:37.000
<v Speaker 1>I've never bashed WW on this podcast. I have my criticisms,

0:38:37.000 --> 0:38:39.720
<v Speaker 1>but I've never bashed on him. But when they find

0:38:39.800 --> 0:38:43.359
<v Speaker 1>something that's money, they never want to let go and

0:38:43.400 --> 0:38:45.080
<v Speaker 1>they get a little they get a little bit of

0:38:45.080 --> 0:38:47.640
<v Speaker 1>a not a little bit, but they fear like like

0:38:47.760 --> 0:38:50.640
<v Speaker 1>Garth from Wayne's World, we fear change like they don't.

0:38:50.960 --> 0:38:53.239
<v Speaker 1>They don't want to see what's next, and it'll it

0:38:53.280 --> 0:38:55.960
<v Speaker 1>takes top guys to kind of show them like we're

0:38:56.000 --> 0:39:00.520
<v Speaker 1>stopping that. It takes a top guy a lot of

0:39:00.600 --> 0:39:04.000
<v Speaker 1>confidence to do that. Uh, And so I think w

0:39:04.080 --> 0:39:07.640
<v Speaker 1>B kind of shies away because most guys that's hard

0:39:07.680 --> 0:39:10.320
<v Speaker 1>to do. Man. I've seen you do it multiple times

0:39:10.320 --> 0:39:12.040
<v Speaker 1>in a year. I've seen you do it multi times

0:39:12.080 --> 0:39:13.600
<v Speaker 1>in a year. I don't I don't think I've seen

0:39:13.640 --> 0:39:16.319
<v Speaker 1>anyone else ever do that, which is I'm not trying

0:39:16.320 --> 0:39:18.880
<v Speaker 1>to blow smoke. It's just crazy, thank you, But I

0:39:18.880 --> 0:39:20.600
<v Speaker 1>can because I'm still a fan of everything. I can

0:39:20.600 --> 0:39:22.719
<v Speaker 1>feel when it gets a little bit boring, and I

0:39:22.719 --> 0:39:25.440
<v Speaker 1>can feel when it's like, Okay, we've seen this again

0:39:25.520 --> 0:39:28.319
<v Speaker 1>and that's cool, but give me something new, man, Just

0:39:28.680 --> 0:39:30.640
<v Speaker 1>just something. You know, if I go see a band

0:39:30.680 --> 0:39:32.960
<v Speaker 1>played ten times and it's the same set every night,

0:39:33.000 --> 0:39:37.000
<v Speaker 1>it's like just throwing throwing something, throwing something different for

0:39:37.040 --> 0:39:39.600
<v Speaker 1>the guys that see you ten times, and the best

0:39:39.600 --> 0:39:42.880
<v Speaker 1>bands do that, you know. Um, So that's kind of

0:39:42.920 --> 0:39:44.840
<v Speaker 1>always been my m O. And that's what I'll continue

0:39:44.880 --> 0:39:48.600
<v Speaker 1>to do and um because it's exciting and it's it's

0:39:48.640 --> 0:39:51.960
<v Speaker 1>inspiring to me to do that. Well, dude, you're the best.

0:39:52.120 --> 0:39:54.719
<v Speaker 1>You're so awesome that I've literally seen an m M

0:39:54.800 --> 0:39:57.720
<v Speaker 1>A guy do the walls of Jericho in an actual

0:39:57.840 --> 0:40:00.799
<v Speaker 1>match and got a tap. That's how awesome you are.

0:40:01.120 --> 0:40:03.839
<v Speaker 1>And thanks for Rido part of the show. Brother Thanks

0:40:03.880 --> 0:40:06.319
<v Speaker 1>Freddy anytime man, always got always got time for you

0:40:06.480 --> 0:40:08.799
<v Speaker 1>for sure. All Right, you guys, thanks for tuning in.

0:40:08.960 --> 0:40:11.920
<v Speaker 1>I'll see everybody next week with a brand new episode

0:40:11.920 --> 0:40:15.759
<v Speaker 1>of Wrestling with Freddy. This has been a production of

0:40:15.760 --> 0:40:19.360
<v Speaker 1>I Heart Radio's Michael Tura podcast Network. For more podcasts

0:40:19.400 --> 0:40:21.719
<v Speaker 1>for My heart Radio, visit the I heart Radio app,

0:40:21.800 --> 0:40:24.680
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.

0:40:26.000 --> 0:40:29.120
<v Speaker 1>H m hmm.