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Speaker 1: Nikki Guiser Podcast. Here's Nikki.

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Speaker 2: Hello here, I am welcome to the show. It's Nicky

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Speaker 2: Gazer Podcast. I am here in studio in Saint Louis

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Speaker 2: in person with Brian Francie.

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Speaker 3: Oh yes, this is the second or third time I'm

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Speaker 3: here in this studio. For those of you watching at

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Speaker 3: home on YouTube, the space does not feel anything like

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Speaker 3: what it looks like on screen.

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Speaker 1: Really, it's just does that mean?

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Speaker 2: I mean behind the cameras is a mess. I mean

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Speaker 2: it's like a hoarder's apartment. Like there's just so much shit,

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Speaker 2: like anything we need to move out of the way.

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Speaker 1: When we have company over, we just throw in here.

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Speaker 1: You know. It's like a junk drawer of a room.

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Speaker 3: Right, Yeah, Like this side is like Michael's crafts and

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Speaker 3: that side is like Hurricane Helen. Yeah, I know, but

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Speaker 3: it feels it's it's simultaneu bigger and smaller than you

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Speaker 3: would think it would be. Oh, like you feel like

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Speaker 3: it's when when I'm watching you on the screen, which

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Speaker 3: I do twice a week. Yeah, I'm always like it

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Speaker 3: feels like you're in like a gigantic room in my mind.

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Speaker 3: Whoa yeah, And then you get in here and you're like, well,

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Speaker 3: this is actually not It's kind of like anything you see,

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Speaker 3: like if you had to mount Rushmore and you look

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Speaker 3: at it and everything smaller. Oh, that's tiny.

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Speaker 2: Everything smaller, Like every you know, whenever you do a

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Speaker 2: late night show, whenever you go to a studio taping

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Speaker 2: or something, everything's always smaller. And then sometimes people are

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Speaker 2: bigger than you think they would be.

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Speaker 3: Sometimes like Noah, taller.

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Speaker 1: Taller, that's right.

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Speaker 3: Yeah, when I saw you for the first time two

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Speaker 3: weeks ago, I was like, wow, she's much taller than

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Speaker 3: I thought.

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Speaker 1: Right.

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Speaker 2: People tell me I sometimes they say I'm taller, sometimes

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Speaker 2: they say I'm shorter, sometimes they say I'm prettier.

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Speaker 3: Is it I'm saying it that facetiously?

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Speaker 1: Yeah, Okay, you're much in person.

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Speaker 3: That's not nice. That's not mean, it's weird.

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Speaker 1: You know.

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Speaker 2: I guess I take it as a compliment because it

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Speaker 2: means like on TV, obviously I'm done up and really pretty.

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Speaker 2: So when you're seeing me in person, I'm generally not.

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Speaker 2: I'm doing either doing it myself or I'm not, and

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Speaker 2: so that always I always do feel flattered by it.

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Speaker 2: But I am a little bit like, huh, why wasn't

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Speaker 2: I have that like a.

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Speaker 3: Built in surprise to it that that type of compliment

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Speaker 3: is like I thought you would be uglier. That's what

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Speaker 3: it implies.

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Speaker 1: Oh, that's a good point.

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Speaker 3: Now that I'm seeing you surprised that you're prettier and

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Speaker 3: pretty in person, I thought you'd be disgusting.

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Speaker 1: I don't think it they're thinking.

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Speaker 4: I think people when they meet Nikki in person, like

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Speaker 4: you have that, like Jenna se Quah, there's like something

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Speaker 4: about you that's like that like radiates, So when people

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Speaker 4: see you, you're like captivating in person.

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Speaker 2: That I've never heard that in my light head. Yes

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Speaker 2: who yes, well, because I am.

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Speaker 1: I am. Honestly.

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Speaker 2: I got the darkest right hand ever got in my

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Speaker 2: life last night because it was a teenager working at

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Speaker 2: the place and she kind of didn't know what she

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Speaker 2: was doing and it was just going on too light,

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Speaker 2: and I was like, I can't beat her all night.

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Speaker 2: So I was just, you know, like I feel bad

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Speaker 2: for teenagers sometimes. Because I was reading this study about

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Speaker 2: when people feel what is it when they It's called languishing.

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Speaker 1: I didn't read something.

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Speaker 2: I listened to a podcast about languish. It's not depression,

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Speaker 2: but it's just like feeling like you don't have anything.

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Speaker 3: That was very popular during COVID.

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Speaker 1: Yes We're languishing. Yes.

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Speaker 2: So I listened to this Hidden Brain podcast about it

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Speaker 2: with Sean Garvvy Dentin, and I love his name.

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Speaker 3: And so Harvey Dent is a villain from.

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Speaker 1: Sean Garvey Denton. I think, is how that's quite a name.

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Speaker 1: It's amazing.

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Speaker 2: So he was talking to this expert about languishing and

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Speaker 2: the guy was describing depression. It just sounded like depression,

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Speaker 2: but he said that it really affects people in their

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Speaker 2: twenties and then in their elderly age, because when you're young,

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Speaker 2: no one really trusts you. Everyone's kind of rolling their

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Speaker 2: eyes at you. You feel like you have so long

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Speaker 2: to go for you can actually be taken seriously. And

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Speaker 2: I kind of felt that last night. I was kind

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Speaker 2: of judging this girl for being so young. She had

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Speaker 2: like her homework out, like she was definitely like a

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Speaker 2: high school student with like a high school sweatshirt on,

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Speaker 2: and so I didn't I just as soon as we

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Speaker 2: got in there, I well, first of all, she just

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Speaker 2: kind of put me in there and didn't tell me

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Speaker 2: the things that I know she does. I've never been

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Speaker 2: there before. So first of all, she did not give me.

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Speaker 2: It's thirty five dollars for your first time. I saw

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Speaker 2: the sign. Later I paid fifty. She didn't give me

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Speaker 2: the first time, even though she said, is this your first.

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Speaker 1: Time here and entered all my information.

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Speaker 2: Yeah, and then she didn't put the lotion on my fingers.

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Speaker 2: She didn't tell me to put like she she just assumed.

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Speaker 2: She didn't assume I knew, because she didn't know.

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Speaker 1: I knew, right, but I knew.

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Speaker 2: So I got in there and I did everything, put

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Speaker 2: the hairnut on, put the you know, lotion on my fingers, everything.

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Speaker 2: And then she gets in there and she's and I'm

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Speaker 2: like this poor seventeen year old girl who has to

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Speaker 2: like look at my naked, elderly body. Like not so

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Speaker 2: it's like a bad body, but it's like she shouldn't

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Speaker 2: have to see naked people yet at her age, Like

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Speaker 2: that's like something that you do when you learn a trade,

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Speaker 2: you become a nurse, you kind of become immune to

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Speaker 2: seeing naked.

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Speaker 3: You need to be like a fifty something year old immigrant.

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Speaker 2: Yeah, sure you could be, but I think you just

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Speaker 2: I don't think teenagers should be looking.

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Speaker 3: At old Nahould be scooping ice cream for the summer, yes.

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Speaker 2: And putting it on, slapping on that thing and saying

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Speaker 2: what do you want to and then ringing the bell

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Speaker 2: and they sing for you.

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Speaker 3: That's all right.

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Speaker 1: Yes.

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Speaker 2: They should be lazily putting together sandwiches.

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Speaker 3: Should be high, yes, And they were like, I hope

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Speaker 3: I get to eat some rocky road in the back

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Speaker 3: while I look at pictures of the guy I'm crushing on.

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Speaker 2: They should be barely taking your order as they look

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Speaker 2: at their phone, and instead she was doing homework and

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Speaker 2: then she wow came like I saw things out like

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Speaker 2: I don't mind it when I see it because it's

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Speaker 2: kind of adorable. And I'm like, oh my god, I

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Speaker 2: can't believe she's just not on her phone. Whenever teenagers

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Speaker 2: aren't on the phone, I'm blown away. When they're like

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Speaker 2: talking to each other and laughing and giggling like like

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Speaker 2: kind of nineties style, I'm just like, I can't believe

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Speaker 2: it because I don't.

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Speaker 1: Even do that shit anymore.

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Speaker 3: No, God, it's sad.

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Speaker 2: They never knew to do it, so where did they

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Speaker 2: pick that up? So anyway, maybe they're just sick of it,

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Speaker 2: maybe because there it's not novelty to them. They grew

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Speaker 2: up with this.

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Speaker 3: Maybe there's a part of them that's like, you know what,

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Speaker 3: it feels good and is cool to not have my phone.

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Speaker 1: That would be really great.

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Speaker 3: But that's a little optimistic.

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Speaker 1: It is, but it does happen.

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Speaker 2: Sometimes you see teens like present and not on their

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Speaker 2: phones and like talking to each other. So she came

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Speaker 2: in and I was immediately like, can you go darker?

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Speaker 2: I'm sorry, I needed darker. Like I was just like

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Speaker 2: telling her what to do, and she was all for it.

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Speaker 2: She was like, I want to get out of here

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Speaker 2: too much, and so she doused me as I wanted

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Speaker 2: to be doused. And then I got home and it

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Speaker 2: was so dark. I'm the color of my dog. I mean,

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Speaker 2: it's it's insane.

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Speaker 1: I And I.

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Speaker 2: Got this new tan remover though that like removes it.

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Speaker 2: So I slapped that on today and like got some

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Speaker 2: of it off. But I am darker than I've ever

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Speaker 2: ever been.

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Speaker 1: And she gets the spray tan for oh, we're being

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Speaker 1: a thing today.

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Speaker 2: Brian's in town to shoot a that you know, I

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Speaker 2: do the Thursday night football thing this week. It's going

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Speaker 2: to be on Friday, and because it's a really packed game.

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Speaker 1: They didn't.

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Speaker 2: They wanted us to maybe do a pre tape thing

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Speaker 2: that they can just roll into the show instead of

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Speaker 2: producing while we're there. And it saves us going to

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Speaker 2: Kansas City on Friday right after Thanksgiving, Like we would

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Speaker 2: have had to fly in on Thanksgiving. It would have

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Speaker 2: been just I feel bad for all of them that

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Speaker 2: have to give up their Thanksgiving. Yeah, thousands of dollars

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Speaker 2: they're making. Is it less pressure? Like without it's like

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Speaker 2: more pressure. It is way less fun. Like I was like,

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Speaker 2: this sucks it really, it shucks pree tape because we

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Speaker 2: have a new bit like before we were roasting the game,

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Speaker 2: and it usually airs after the game, after even like

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Speaker 2: most of the after show, So it's usually coming on

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Speaker 2: at like eleven eleven thirty at night. So you can

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Speaker 2: be a little bit more you know, out there.

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Speaker 3: More toasty, as they say in the biz.

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Speaker 1: Yeah, you can be a you know how they say.

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Speaker 2: That this is a day game Black Friday.

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Speaker 1: Families are going to be at home.

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Speaker 3: Families will gather around the television set waiting for Nicki's

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Speaker 3: bit to pop up, And so she goes up there

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Speaker 3: and says my vagina. Then they're gonna there's gonna be

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Speaker 3: letters written into Amazon.

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Speaker 1: Who said it's not gonna be good.

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Speaker 3: I don't watch Amazon to hear some woman call Aaron

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Speaker 3: Rodgers a cunt.

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Speaker 1: Yeah, you can't do that in the daytime.

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Speaker 2: Okay, the gold Dog is chewing on a cord and

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Speaker 2: I don't really know what to do with it because

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Speaker 2: it's so cute. You've ever seen talks of doing something dangerous,

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Speaker 2: but it's so cute. You let it happens.

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Speaker 1: Employee, you deserve, You want to get out. Hold on.

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Speaker 3: GOLDI is real cute.

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Speaker 4: Did you spend a lot of time with her this weekend?

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Speaker 4: Were you with NICKI the whole weekend?

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Speaker 1: BRIANO yesterday? So Sean and I were in It was

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Speaker 1: really good.

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Speaker 2: Alabama and Memphis. Yeah, Birmingham Memphis two of the best

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Speaker 2: shows of my life.

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Speaker 1: I think, honestly, I'm not even joking.

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Speaker 3: It was so slid towards working out.

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Speaker 2: It's really coming together as it's ending, it's coming together. Yeah,

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Speaker 2: but it's really been These shows have been so fun.

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Speaker 2: So yeah, Shawn and I flew into Saint Louis yesterday.

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Speaker 2: Seawan is here, Brian's here, and then Bob Bob our

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Speaker 2: friend who's a writer on the tn F Things Thursday

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Speaker 2: Night Football tis.

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Speaker 1: His last name gas Strone.

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Speaker 2: I met Bob gas Strone. All these people I know

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Speaker 2: for so long. Brian I met in two thousand and ten,

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Speaker 2: around then nine or ten, yeah, nine, Sean I met

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Speaker 2: on MySpace in two thousand and five or six. And

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Speaker 2: then Bob Gastrone I met in two thousand and four Fall.

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Speaker 1: He was a blogger for not for Me college college.

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Speaker 2: I was in Yeah, I would say my junior year

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Speaker 2: of college fall, so yeah, that would have been fall

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Speaker 2: two thousand and four.

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Speaker 1: I met Bob.

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Speaker 2: He was a blogger living in New York City, and

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Speaker 2: he blogged for Best Week Ever for VH one, and

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Speaker 2: they blog and he would blog for them, and I

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Speaker 2: loved Best Week Ever. It was like my favorite show.

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Speaker 2: And then I would read the blog and the blog

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Speaker 2: was really funny. And then he had his own personal

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Speaker 2: blog called my blog is Poop dot blogsplot dot com perfect,

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Speaker 2: and my.

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Speaker 1: Blog is Poop was so funny.

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Speaker 2: He would just write these really amazing essays just about

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Speaker 2: like being in your twenties in New York and just

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Speaker 2: like the culture and to be the man. He wrote

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Speaker 2: a whole essay about the onus where it's like it

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Speaker 2: was before, like the whole thing of like you can't

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Speaker 2: text them back, they haven't texted you. Like in a relationship,

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Speaker 2: there's always someone with the onus. And he wrote this

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Speaker 2: whole thing that was really like it got a lot

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Speaker 2: of traction back then. What kind of viral about like

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Speaker 2: relationships when they're starting out and even when they you know,

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Speaker 2: throughout a relationship, someone's always got the onus, someone's in charge.

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Speaker 3: Yes, that's like the hand in Seinfeld.

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Speaker 1: Oh oh yeah, you got to have the hand.

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Speaker 3: You gotta have the hand. Yes, So he this is

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Speaker 3: more that was more about relationships. Bob's thing is more

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Speaker 3: about friendships.

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Speaker 2: It sounds no, it sounds like relationship relationship. Yeah, so

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Speaker 2: he just ripped off SI.

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Speaker 3: Well no, the hand is just back. Just to defend Bob.

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Speaker 3: Hand is when you have the upper hand and you

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Speaker 3: have you're holding something over somebody and so you have

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Speaker 3: the power and onus means it sounds like you owe

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Speaker 3: somebody something, you're responsible for delivering something to them.

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Speaker 1: Burden is on you.

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Speaker 3: Yeah, is a burden. Hand is power.

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Speaker 2: I can't find any evidence of my blog is poop

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Speaker 2: on I mean it literally, my blog is poop Bob Kestrone.

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Speaker 1: Yeah, I was so obsessed with it.

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Speaker 3: The internet does does? Yeah?

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Speaker 1: Well, isn't there like a website you can use the

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Speaker 1: way back?

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Speaker 2: Oh?

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Speaker 1: I was looking in news.

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Speaker 2: Okay, Oh, here I found it. I think my blog

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Speaker 2: is poop? No, it's is it Gothamus?

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Speaker 1: No, it's gone. It's really it's crazy because he wrote

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Speaker 1: so much. I mean, he could have.

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Speaker 2: Made a book for urban outfitters off of all the

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Speaker 2: blog posts that he made, you know what I mean.

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Speaker 2: And so I was a huge fan and on his

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Speaker 2: blog he had his screen name for.

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Speaker 1: A I M.

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Speaker 2: So I threw him on my buddy list just to

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Speaker 2: be like, I wonder if this guy that who's blog

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Speaker 2: I follow? Who?

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Speaker 3: I'm like your fan list?

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Speaker 1: And so one day I was in college I got about.

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Speaker 3: Your door open.

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Speaker 1: It was late at night.

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Speaker 2: I was like drunk and I heard and he only

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Speaker 2: went on and I was just drunk enough to be like,

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Speaker 2: I should let me just tell him I'm a fan,

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Speaker 2: Like who, What's the worst that could happen? Because I

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Speaker 2: think it was right after my friend had found uh

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Speaker 2: Andy Blitz, who wrote for Conan. Yeah, she found him

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Speaker 2: in the New York like online in the White pages

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Speaker 2: in New York City and so we just called Andy

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Speaker 2: Blitz and were like.

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Speaker 1: We love you. You're a hider on Conan and.

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Speaker 2: So I was like, yeah, this is and he seemed

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Speaker 2: to like it. So we were like okay, people like

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Speaker 2: when you reach out.

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Speaker 3: Of course, especially back, this is not the days where

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Speaker 3: you can just slide in to someone's DMS and ask

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Speaker 3: them quick No.

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Speaker 2: This was like you had a But it was also

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Speaker 2: very easy to find people in a different kind of way.

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Speaker 3: The fact that these the same boomers now who are

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Speaker 3: all about like privacy and not giving my email to

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Speaker 3: the Chase Bank insane. They had a published book printed

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Speaker 3: out with their name, phone number, and address and it

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Speaker 3: was in every phone book in the world.

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Speaker 1: It's it's nuts.

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Speaker 3: It's nuts.

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Speaker 2: So I wrote to Bob and was like hey, and

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Speaker 2: then we became friends on aim. And then I was

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Speaker 2: planning a trip to New York City to go see

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Speaker 2: Opie and Anthony show, which I was a fan of,

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Speaker 2: and I this is such a nice Larentine nineties Jim

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Speaker 2: Florentine was going to hook me up with like going

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Speaker 2: to the Obien Anthony studios because I knew Jim.

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Speaker 1: From doing stand up and man, were.

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Speaker 3: You wearing Jenco jeans?

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Speaker 2: And uh, this is you, guys, this is two thousand

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Speaker 2: and four, it's us.

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Speaker 3: Did you have frost on the chips?

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Speaker 2: I forget like what I was definitely wearing, Like how

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Speaker 2: was your Tama go.

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Speaker 1: Long gone at this point? But we were yeah, we

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Speaker 1: were like a decade.

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Speaker 2: We were less than a decade out of Tomagotchi's tour

328
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Speaker 2: was so long.

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Speaker 3: This was more of a giga pet era.

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Speaker 2: We were also going to see Dimitri Martin in New York.

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Speaker 2: We were going to see his one man show. Like

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Speaker 2: it was so early two thousands comedy, Like early two

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Speaker 2: thousands comedy was.

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Speaker 1: Popping the fuck off.

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Speaker 2: You think it's big now, it was like the coolest

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Speaker 2: thing ever, especially as someone who was in comedy.

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Speaker 3: It was more for It was more for comedy too.

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Speaker 3: Nowadays you're like popular if you're a politics comedian, and

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Speaker 3: back then it's like you're popular just for being a

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Speaker 3: weird comedian.

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Speaker 2: It was all yeah, like the undergrounds, nothing undergund sternsive scene.

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Speaker 1: Yeah.

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Speaker 2: So when to New York, hung out with Bob, became

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Speaker 2: instant friends. I was in like a sketch he used

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Speaker 2: to do a thing called The Post Show. It was

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Speaker 2: like early before YouTube. They had like a sketch video

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Speaker 2: show like that you could watch online. Every week they

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Speaker 2: would post like two sketches and they did it for years,

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Speaker 2: and I was in a bunch of them. But that

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Speaker 2: was my debut on the internet. Acting was in The

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Speaker 2: Post Show. And I think it was June two thousand

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Speaker 2: and five when out there, and then then Bob and

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Speaker 2: I became friends. And then he moved to LA in

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Speaker 2: two thousand and seven when I was already out there,

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Speaker 2: and then we hung out there and then he ended

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Speaker 2: up writing.

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Speaker 1: It was headwriter on Not Safe.

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Speaker 3: Yeah, that's where I met Bob.

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Speaker 2: Yeah, and so we've been friends for the whole time.

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Speaker 2: He's an amazing person. And now he's writing on this

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Speaker 2: and yeah, so we're they're all out here. We're shooting

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Speaker 2: a thing today, like Christmas themed, and there's a house

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Speaker 2: in Saint Louis we're renting that is just decorated for

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Speaker 2: Christmas year round that people just shoot at.

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Speaker 3: Oh cool, now, I think.

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Speaker 1: That's what it is. So you buy this, it's like

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Speaker 1: a set that you go to.

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Speaker 3: There's a Yeah, there's a lot of places like that.

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Speaker 3: I discovered this. This is like a thing that there's

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Speaker 3: people who just like own properties and then they rented

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Speaker 3: at to people to do shoots. I mean, obviously it's

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Speaker 3: very popular in LA to do that, yeah and so,

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Speaker 3: and they're usually like they look a certain way m hm.

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Speaker 3: And you'd be surprised how frequently people need things like that,

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Speaker 3: especially now.

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Speaker 2: I believe there was one in Saint Louis. There's multiple

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Speaker 2: ones in the most that Chris sent us, so Chris

378
00:16:00,440 --> 00:16:03,160
Speaker 2: producing it here on the ground and then we are

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Speaker 2: shooting it today and it's definitely harder than the roast

380
00:16:07,280 --> 00:16:09,400
Speaker 2: because usually we just are roasting the game. And like,

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Speaker 2: this is why I like this job is because there's

382
00:16:11,720 --> 00:16:13,840
Speaker 2: no preparation, like you just have to do it and

383
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Speaker 2: it is whatever it is. And this it is like

384
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Speaker 2: if it's not good, it's like our fault and usually

385
00:16:18,440 --> 00:16:20,520
Speaker 2: I can just blame it's like the timing, and it

386
00:16:20,600 --> 00:16:22,360
Speaker 2: was this game was a very exciting and there wasn't

387
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Speaker 2: a lot to do with this and this was just

388
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Speaker 2: like we've had all the time to come up with

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Speaker 2: the concept.

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Speaker 1: We would all the time to write the jokes, and.

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Speaker 3: To be fair, we didn't have all the time. It's

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Speaker 3: still was like five days. Yes, you know it's still yeah,

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Speaker 3: But I also think like that there's a lot of

394
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Speaker 3: parameters here, and I think the bar should be a

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Speaker 3: little bit lower because.

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Speaker 1: Oh it's lower, it's lower. It a limbo.

397
00:16:45,280 --> 00:16:47,240
Speaker 3: Yeah, and we're doing we're going under the bar. Yeah,

398
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Speaker 3: And just to I just would like to sit into

399
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Speaker 3: Brian's complement corner for a second for we're talking about

400
00:16:51,600 --> 00:16:55,040
Speaker 3: Bob and everybody. This is everyone that's working on this

401
00:16:55,120 --> 00:17:00,240
Speaker 3: is so funny and such good responsible workers, and oh my.

402
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Speaker 2: God, I was like, I'm I told you guys last night.

403
00:17:02,800 --> 00:17:04,680
Speaker 2: I was like, I'm like just like blown away at

404
00:17:04,680 --> 00:17:07,119
Speaker 2: how hard you guys work. I just like, I have

405
00:17:07,240 --> 00:17:10,720
Speaker 2: the best team. I love my whole team. That's a

406
00:17:10,800 --> 00:17:13,320
Speaker 2: quote from I think you should leave, guy, But I

407
00:17:13,680 --> 00:17:16,600
Speaker 2: really am like, I'm obsessed with how you guys are

408
00:17:16,640 --> 00:17:18,800
Speaker 2: just such hard workers and like because there was a

409
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Speaker 2: time like last night when I was staring at my

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Speaker 2: computer screen and I was like, I can't think of

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Speaker 2: any jokes.

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Speaker 1: I don't want to do this anymore. I give up.

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Speaker 1: I don't even care if it's trash. I literally give up.

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Speaker 1: I don't care. I want to go to bed.

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Speaker 2: I hate this and like no one else had that

416
00:17:31,760 --> 00:17:33,959
Speaker 2: vibe and even though everyone was just as tired as

417
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Speaker 2: I was, if not more. And it's just just good

418
00:17:36,720 --> 00:17:40,439
Speaker 2: hard workers and so nice to have and everyone's so

419
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Speaker 2: positive and there's no bad vibes like ever. No, and

420
00:17:45,119 --> 00:17:47,879
Speaker 2: that's really rare to have no bad vibes. Yeah, no,

421
00:17:48,000 --> 00:17:50,200
Speaker 2: like ego kind of things going on.

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Speaker 3: It's just it's any ego he may have had was

423
00:17:53,040 --> 00:17:56,600
Speaker 3: taken out of us over the last fifteen years of

424
00:17:56,640 --> 00:17:58,680
Speaker 3: working in this business. That's that's what we get. Yeah,

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00:17:58,720 --> 00:18:00,520
Speaker 3: that's what happens. You get to a certain point where

426
00:18:00,560 --> 00:18:03,960
Speaker 3: you're just like, ego just is so squashed.

427
00:18:04,320 --> 00:18:04,600
Speaker 1: Yeah.

428
00:18:04,600 --> 00:18:06,719
Speaker 2: Well, I did an Ny Graham test on Sean this

429
00:18:06,760 --> 00:18:08,439
Speaker 2: weekend because I'm like, wait, can I.

430
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Speaker 3: Get Okay I thought he was a three? Yeah, okay,

431
00:18:11,680 --> 00:18:17,040
Speaker 3: what makes sense? Well, yeah, I'm very curious. I think we.

432
00:18:17,080 --> 00:18:18,520
Speaker 2: Gotta go to break and I'll tell you what he's

433
00:18:18,520 --> 00:18:22,280
Speaker 2: going to be, because I know the listeners are dying

434
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Speaker 2: to know.

435
00:18:22,800 --> 00:18:28,600
Speaker 3: Yeah, this guy that conor. Okay a feeling, Oh yes, yes,

436
00:18:28,960 --> 00:18:32,240
Speaker 3: I have a feeling he might he's either a six

437
00:18:32,359 --> 00:18:32,840
Speaker 3: or nine.

438
00:18:33,400 --> 00:18:38,600
Speaker 2: Okay, we'll find out when we get back. So Sean

439
00:18:39,000 --> 00:18:42,560
Speaker 2: is a three. I was at first he answered the

440
00:18:42,640 --> 00:18:44,000
Speaker 2: questions and he was a one, and then we were

441
00:18:44,000 --> 00:18:45,080
Speaker 2: reading it we were all.

442
00:18:44,960 --> 00:18:46,480
Speaker 1: Like, no, you're not dude.

443
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Speaker 3: You know who's a one, Chris Conny, You're a one? Yeah,

444
00:18:50,840 --> 00:18:51,760
Speaker 3: Chris is not a one.

445
00:18:51,840 --> 00:18:52,480
Speaker 1: Chris is the one.

446
00:18:52,520 --> 00:18:53,080
Speaker 3: You are wrong.

447
00:18:53,320 --> 00:18:55,960
Speaker 1: No, he did an extensive I don't think so.

448
00:18:57,119 --> 00:18:59,160
Speaker 3: Why I think Chris is a seven.

449
00:19:00,400 --> 00:19:00,720
Speaker 1: Helper?

450
00:19:02,119 --> 00:19:04,119
Speaker 3: Seven is dude?

451
00:19:04,200 --> 00:19:05,160
Speaker 1: He fits number one.

452
00:19:05,200 --> 00:19:08,760
Speaker 2: He fits ones like insanely, like more more than I

453
00:19:08,800 --> 00:19:15,280
Speaker 2: think you do. Perfectionist, loves to be Uh what are

454
00:19:15,440 --> 00:19:17,280
Speaker 2: all the things about one?

455
00:19:17,440 --> 00:19:20,760
Speaker 3: The problem with assessing people by their personality traits is

456
00:19:20,800 --> 00:19:24,879
Speaker 3: that that that's not that's the misnomer about the enneagram, okay,

457
00:19:25,160 --> 00:19:26,720
Speaker 3: is that you're just looking at their.

458
00:19:26,600 --> 00:19:29,439
Speaker 2: Traits ethical, strong sense of right and wrong. Chris is

459
00:19:29,560 --> 00:19:31,560
Speaker 2: very black and white, like things are good or bad.

460
00:19:31,680 --> 00:19:36,080
Speaker 2: There's several well organized, orderly and detail oriented, always striving

461
00:19:36,080 --> 00:19:38,040
Speaker 2: to improve things, but fears making mistakes.

462
00:19:38,240 --> 00:19:39,359
Speaker 1: I mean that is so Chris.

463
00:19:39,400 --> 00:19:41,160
Speaker 2: How many times are we in calls with Chris where

464
00:19:41,160 --> 00:19:43,280
Speaker 2: we are like done with the call and he goes, hey,

465
00:19:43,280 --> 00:19:45,760
Speaker 2: I just wanted to like check is everyone cool with this?

466
00:19:45,880 --> 00:19:47,320
Speaker 2: Like there's do we want to give it ten more

467
00:19:47,359 --> 00:19:49,720
Speaker 2: minutes of thought to maybe even come up with anything more,

468
00:19:49,760 --> 00:19:52,080
Speaker 2: which is what I love about him, because I was

469
00:19:52,119 --> 00:19:55,640
Speaker 2: told in therapy that ones and threes are the most

470
00:19:55,640 --> 00:19:58,439
Speaker 2: successful couples ever because threes just just like, let's just

471
00:19:58,480 --> 00:20:00,680
Speaker 2: move ahead, let's do this. They're really confident, they want

472
00:20:00,680 --> 00:20:04,240
Speaker 2: to get they are totally wanting to get approval from everyone,

473
00:20:04,240 --> 00:20:07,159
Speaker 2: so they'll work hard and they are go getters. But

474
00:20:07,240 --> 00:20:09,480
Speaker 2: ones are like, we need to perfect it, you need

475
00:20:09,520 --> 00:20:12,440
Speaker 2: to practice, let's go over it, and and together they

476
00:20:12,480 --> 00:20:13,680
Speaker 2: become power couples.

477
00:20:14,000 --> 00:20:15,920
Speaker 3: Okay, can take this from movie. Okay, I want to

478
00:20:15,960 --> 00:20:19,480
Speaker 3: take it from you. I will get into it in

479
00:20:19,560 --> 00:20:21,480
Speaker 3: depth detail, discussion about it.

480
00:20:21,880 --> 00:20:25,320
Speaker 2: I gotta get yeahs Sean is a three.

481
00:20:25,520 --> 00:20:26,760
Speaker 1: Sure, Okay, he.

482
00:20:26,680 --> 00:20:28,320
Speaker 3: Does it for the applause like Lady.

483
00:20:28,040 --> 00:20:32,159
Speaker 2: Gaga, the applause, the applause, applause, and so he but

484
00:20:32,359 --> 00:20:36,959
Speaker 2: I was like Sean when we would so when we

485
00:20:37,040 --> 00:20:40,800
Speaker 2: do these whatever, I have a writing team. We usually

486
00:20:40,840 --> 00:20:42,720
Speaker 2: just have a Google Doc and everyone just writes in

487
00:20:42,760 --> 00:20:45,400
Speaker 2: it and neverone No one doesn't write their initials next

488
00:20:45,440 --> 00:20:45,760
Speaker 2: to things.

489
00:20:45,800 --> 00:20:48,320
Speaker 1: They don't write it.

490
00:20:48,320 --> 00:20:51,280
Speaker 2: It's just there's no no one knows who's writing what,

491
00:20:51,480 --> 00:20:53,760
Speaker 2: like unless you are active in the dock and you

492
00:20:53,800 --> 00:20:56,000
Speaker 2: see someone writing the joke and it says their little

493
00:20:56,080 --> 00:20:57,880
Speaker 2: name next to it. Yeah, if you just look into

494
00:20:57,920 --> 00:21:00,239
Speaker 2: the dock and there's no evidence of who wrote what. Right,

495
00:21:00,359 --> 00:21:02,960
Speaker 2: So when I choose jokes, I don't know who did what.

496
00:21:03,520 --> 00:21:06,720
Speaker 2: I'm not I'm not going wow, Sean only got this many,

497
00:21:06,720 --> 00:21:08,159
Speaker 2: Brian got this, like I'm not.

498
00:21:08,359 --> 00:21:10,600
Speaker 1: I don't care. Everyone gets paid what they get paid,

499
00:21:10,680 --> 00:21:11,840
Speaker 1: and then and then there's.

500
00:21:11,640 --> 00:21:13,640
Speaker 3: Some people are having an off week and they don't

501
00:21:13,680 --> 00:21:16,679
Speaker 3: write very many things, and it's just like, hey, I

502
00:21:16,840 --> 00:21:18,520
Speaker 3: know that everyone here is contributing.

503
00:21:18,680 --> 00:21:20,639
Speaker 2: Yeah, and I know that everyone gives as much as

504
00:21:20,680 --> 00:21:21,720
Speaker 2: they can when they can.

505
00:21:21,880 --> 00:21:22,160
Speaker 3: Yeah.

506
00:21:22,160 --> 00:21:24,160
Speaker 2: Like I've had off weeks before too, So I've never

507
00:21:24,200 --> 00:21:24,840
Speaker 2: even faulted.

508
00:21:25,119 --> 00:21:26,760
Speaker 1: I would never even look into it.

509
00:21:26,840 --> 00:21:30,080
Speaker 2: If I suspected someone wasn't contributing enough, I wouldn't be like, oh,

510
00:21:30,080 --> 00:21:31,560
Speaker 2: did they not work hard enough, I'm not going to

511
00:21:31,600 --> 00:21:33,119
Speaker 2: pay them as much this week or something like that.

512
00:21:33,119 --> 00:21:35,760
Speaker 2: It's just like, I just know everyone can give what

513
00:21:35,800 --> 00:21:37,840
Speaker 2: they can when they everyone does their best.

514
00:21:38,119 --> 00:21:40,000
Speaker 1: But I said to Sean as a.

515
00:21:39,920 --> 00:21:43,960
Speaker 2: Three that would really irritate me if I knew Nikki

516
00:21:44,080 --> 00:21:45,960
Speaker 2: was choosing my jokes, but she didn't know she was

517
00:21:46,040 --> 00:21:48,000
Speaker 2: choosing my jokes. She didn't know that out of the

518
00:21:48,359 --> 00:21:50,800
Speaker 2: you know, thirty jokes she did, ten of them were mine,

519
00:21:50,800 --> 00:21:53,840
Speaker 2: which is like it would be an insane you know percentage.

520
00:21:54,119 --> 00:21:58,119
Speaker 2: And he said that he he used to count jokes

521
00:21:58,160 --> 00:22:00,280
Speaker 2: and like talk about it when he would he was

522
00:22:00,600 --> 00:22:03,240
Speaker 2: a writer on Cordon James Gordon, and when he first

523
00:22:03,320 --> 00:22:05,440
Speaker 2: got there, he would like pay attention to like he

524
00:22:05,440 --> 00:22:07,320
Speaker 2: would count how many jokes he got in the monologue

525
00:22:07,359 --> 00:22:09,359
Speaker 2: and he would like talk about it amongst other writers

526
00:22:09,400 --> 00:22:12,040
Speaker 2: and not brag, but kind of like maybe passive aggressively bragg.

527
00:22:12,280 --> 00:22:14,119
Speaker 1: Yeah, and someone.

528
00:22:13,760 --> 00:22:16,280
Speaker 2: Who was like the original writer at Letterman who like

529
00:22:16,760 --> 00:22:17,920
Speaker 2: founded the idea of the.

530
00:22:17,840 --> 00:22:22,240
Speaker 3: Top ten list Johnny punchline. Yeah, Johnny, he invented the punchline.

531
00:22:23,160 --> 00:22:25,840
Speaker 2: He called him out and was like, Sean, nobody likes

532
00:22:25,840 --> 00:22:29,160
Speaker 2: a jelly bean counter, and so Sewn immediately got insecure

533
00:22:29,160 --> 00:22:31,800
Speaker 2: about it. And then he he is lost that he

534
00:22:31,800 --> 00:22:34,719
Speaker 2: doesn't care anymore. It really is like the thing that

535
00:22:34,920 --> 00:22:36,800
Speaker 2: drives him to be a three has been beaten out

536
00:22:36,800 --> 00:22:39,000
Speaker 2: of him and he doesn't of course, he counts how

537
00:22:39,000 --> 00:22:41,000
Speaker 2: many he gets an in for himself and maybe and

538
00:22:41,040 --> 00:22:42,040
Speaker 2: I go, do you tell your wife?

539
00:22:42,119 --> 00:22:43,640
Speaker 1: Do you tell anyone? Like this week?

540
00:22:43,680 --> 00:22:46,600
Speaker 2: I get this because I always I would not be

541
00:22:46,640 --> 00:22:47,199
Speaker 2: okay with that.

542
00:22:47,280 --> 00:22:47,880
Speaker 1: I just wouldn't.

543
00:22:48,200 --> 00:22:50,080
Speaker 3: Well, that's why I question whether or not he's a three,

544
00:22:50,080 --> 00:22:52,800
Speaker 3: because if someone told him you can't be a jelly

545
00:22:52,800 --> 00:22:55,359
Speaker 3: being counter which means you can't get the applause that

546
00:22:55,400 --> 00:22:59,280
Speaker 3: you are so desperately want, he wouldn't have gone with that.

547
00:22:59,440 --> 00:23:01,760
Speaker 3: He would have fought against that in some way.

548
00:23:02,000 --> 00:23:06,640
Speaker 1: Well, I would say that you can change.

549
00:23:06,680 --> 00:23:09,320
Speaker 2: You don't have to change, but you could just like anything,

550
00:23:09,600 --> 00:23:11,639
Speaker 2: like the way he's scared of flying, but he's flown

551
00:23:11,680 --> 00:23:14,399
Speaker 2: so much that he's lost the fear. Yeah, he's lost

552
00:23:14,480 --> 00:23:16,959
Speaker 2: that drive of that and he's let go of it,

553
00:23:17,160 --> 00:23:19,360
Speaker 2: which I think is a healthy thing, because a well

554
00:23:19,400 --> 00:23:22,879
Speaker 2: functioning three isn't obsessed with approval. A three can be

555
00:23:22,960 --> 00:23:29,040
Speaker 2: well functioning and not be caught up in constant you know, validation.

556
00:23:29,440 --> 00:23:33,440
Speaker 3: Then that don't they then grow to become they grow

557
00:23:33,480 --> 00:23:35,479
Speaker 3: towards their health number or whatever.

558
00:23:35,800 --> 00:23:38,320
Speaker 2: Yeah, maybe that's a good Maybe he's something else now,

559
00:23:38,359 --> 00:23:40,119
Speaker 2: But I was really fast.

560
00:23:40,119 --> 00:23:41,359
Speaker 1: I'm just fascinated by that.

561
00:23:41,440 --> 00:23:43,600
Speaker 2: And then this weekend we got into another talk with

562
00:23:43,640 --> 00:23:47,040
Speaker 2: Anya about like why she makes art, and I was

563
00:23:47,040 --> 00:23:49,040
Speaker 2: explaining to Sean about any grahamam like, you know, like

564
00:23:49,080 --> 00:23:50,720
Speaker 2: you and I, we do it because we want people

565
00:23:50,720 --> 00:23:54,119
Speaker 2: to like us desperately, and we want love, and people

566
00:23:54,160 --> 00:23:57,399
Speaker 2: liking us means we're loved, and that's like what mainly

567
00:23:57,480 --> 00:23:59,800
Speaker 2: drives us. And I go for Anya like she's a

568
00:24:00,280 --> 00:24:04,040
Speaker 2: I think A nine, And I go, what drives Anya is.

569
00:24:04,000 --> 00:24:05,160
Speaker 1: She wants to connect with people.

570
00:24:05,200 --> 00:24:08,240
Speaker 2: That's why she makes music, like and she goes, no,

571
00:24:08,280 --> 00:24:10,600
Speaker 2: it's not And I go what She's like, No, no, No,

572
00:24:10,680 --> 00:24:12,840
Speaker 2: it's because I just I want to I want to

573
00:24:12,880 --> 00:24:13,399
Speaker 2: say something.

574
00:24:13,440 --> 00:24:15,439
Speaker 1: I like, have something in me that I need to say.

575
00:24:15,560 --> 00:24:16,160
Speaker 1: It is nothing.

576
00:24:16,200 --> 00:24:18,000
Speaker 2: I don't care how it lands at all. It's not

577
00:24:18,040 --> 00:24:20,400
Speaker 2: about connecting with people. It's not about like I need

578
00:24:20,400 --> 00:24:23,000
Speaker 2: people to hear my truth. It's about me just needing

579
00:24:23,040 --> 00:24:23,640
Speaker 2: to say it.

580
00:24:24,040 --> 00:24:25,920
Speaker 1: And I'm like, what interesting.

581
00:24:26,200 --> 00:24:29,399
Speaker 2: I It's so fascinating to me that two people can

582
00:24:29,440 --> 00:24:32,199
Speaker 2: be drawn to do the same thing, become performers for

583
00:24:32,400 --> 00:24:33,920
Speaker 2: completely different reasons.

584
00:24:33,960 --> 00:24:36,120
Speaker 3: Yeah, well you can have a performer in any number.

585
00:24:36,760 --> 00:24:39,240
Speaker 1: I know, and it's I just it doesn't make sense

586
00:24:39,240 --> 00:24:40,440
Speaker 1: to me. Why would you perform?

587
00:24:40,480 --> 00:24:42,280
Speaker 2: Why would you want to stand in front of people

588
00:24:42,800 --> 00:24:46,040
Speaker 2: and perform for them. If your goal was to just

589
00:24:46,200 --> 00:24:49,520
Speaker 2: say something like I know that sounds crazy. I think

590
00:24:49,520 --> 00:24:51,439
Speaker 2: it's rebably twenty percent on a good day of what

591
00:24:51,480 --> 00:24:52,480
Speaker 2: motivates me to write.

592
00:24:52,560 --> 00:24:54,959
Speaker 3: What's confusing about it is she's saying say something, but

593
00:24:55,040 --> 00:24:56,960
Speaker 3: not like express her individuality.

594
00:24:57,080 --> 00:25:00,400
Speaker 1: She wants to just say something like say I I'm

595
00:25:00,440 --> 00:25:03,919
Speaker 1: sorry you heard. Is that she wants to be heard and.

596
00:25:04,200 --> 00:25:07,520
Speaker 2: No, it's like she had She wants to synthesize her

597
00:25:07,600 --> 00:25:09,440
Speaker 2: feelings into a thing so that.

598
00:25:09,359 --> 00:25:11,040
Speaker 1: It's like this is this.

599
00:25:11,280 --> 00:25:14,159
Speaker 2: It's not even about other people validating it, Like she

600
00:25:14,200 --> 00:25:17,000
Speaker 2: doesn't care about the other hearing it.

601
00:25:17,080 --> 00:25:18,160
Speaker 3: That might make her four.

602
00:25:18,240 --> 00:25:20,399
Speaker 2: Then she's not someone who writes music and then is

603
00:25:20,440 --> 00:25:22,800
Speaker 2: like guys, listen to it right away, like on girls Chat,

604
00:25:22,840 --> 00:25:24,920
Speaker 2: whereas I'm like I do anything and I'm like, guys,

605
00:25:24,920 --> 00:25:25,520
Speaker 2: look what I did?

606
00:25:26,000 --> 00:25:26,199
Speaker 1: You know?

607
00:25:26,280 --> 00:25:32,119
Speaker 2: Like it's not about her getting like either connecting with people.

608
00:25:32,160 --> 00:25:34,600
Speaker 2: It's it's just about her making things, Like she would

609
00:25:34,640 --> 00:25:38,040
Speaker 2: still be a songwriter if she lived alone in a closet,

610
00:25:38,080 --> 00:25:40,520
Speaker 2: Like she would still be making music if there was

611
00:25:40,560 --> 00:25:42,960
Speaker 2: no other people on this planet, and I would have

612
00:25:43,480 --> 00:25:46,439
Speaker 2: no point. There would be literally zero point for me

613
00:25:46,520 --> 00:25:48,600
Speaker 2: to make any art if there was no.

614
00:25:48,600 --> 00:25:52,720
Speaker 1: Other people on this planet. Yeah, zero reason. Do you agree?

615
00:25:52,960 --> 00:25:55,120
Speaker 1: What would would you be motivated to write?

616
00:25:56,560 --> 00:25:58,760
Speaker 3: Would I be motivated to write if there were zero

617
00:25:58,840 --> 00:25:59,840
Speaker 3: people on this planet?

618
00:26:00,040 --> 00:26:00,200
Speaker 2: One?

619
00:26:00,320 --> 00:26:01,240
Speaker 1: If there's no one?

620
00:26:01,280 --> 00:26:02,320
Speaker 3: I's extreme.

621
00:26:02,680 --> 00:26:04,640
Speaker 1: I know that, Like you'd be not motived.

622
00:26:04,359 --> 00:26:06,560
Speaker 3: To do anything, probably like I got to get meat

623
00:26:06,760 --> 00:26:07,120
Speaker 3: or something.

624
00:26:07,280 --> 00:26:09,960
Speaker 2: Okay, let's just say like if you could not ever

625
00:26:10,119 --> 00:26:10,800
Speaker 2: put it out?

626
00:26:11,040 --> 00:26:12,439
Speaker 3: Yeah, if I had, if I was just writing like

627
00:26:12,480 --> 00:26:13,840
Speaker 3: my own personal journals, and.

628
00:26:13,920 --> 00:26:14,960
Speaker 1: You would still write.

629
00:26:14,800 --> 00:26:17,240
Speaker 3: And then posthumously maybe it was released nobody.

630
00:26:17,400 --> 00:26:18,639
Speaker 1: No, you don't get that.

631
00:26:19,000 --> 00:26:21,879
Speaker 2: No, that's something that's still validation in the afterlife, or

632
00:26:21,920 --> 00:26:22,720
Speaker 2: at least I know.

633
00:26:23,160 --> 00:26:26,399
Speaker 1: But think about how many people there are who don't

634
00:26:26,440 --> 00:26:29,440
Speaker 1: have their art out like you put but they could know,

635
00:26:29,640 --> 00:26:32,399
Speaker 1: is what I'm saying. They could don't put creativity in

636
00:26:32,440 --> 00:26:34,639
Speaker 1: a box. No, I'm not.

637
00:26:35,240 --> 00:26:38,480
Speaker 2: I'm learning that there's other way. I It's just it's

638
00:26:38,520 --> 00:26:40,480
Speaker 2: almost the way I feel about when people want kids,

639
00:26:40,560 --> 00:26:42,400
Speaker 2: or when people want to go hiking, or people want

640
00:26:42,440 --> 00:26:44,160
Speaker 2: to rock climb without.

641
00:26:44,160 --> 00:26:45,119
Speaker 1: Or do anything. I just go.

642
00:26:45,200 --> 00:26:48,440
Speaker 2: I can't imagine there's no world in which I would

643
00:26:48,480 --> 00:26:51,000
Speaker 2: ever want to do that, And it's just fascinating to

644
00:26:51,000 --> 00:26:53,400
Speaker 2: me that people can be so different and motivated by

645
00:26:53,400 --> 00:26:56,600
Speaker 2: so many different things. Because I I could, I relate

646
00:26:56,680 --> 00:26:59,239
Speaker 2: to hermit crabs more than I relate to someone who

647
00:26:59,320 --> 00:27:03,960
Speaker 2: would write a song in a vacuum. I literally, I like,

648
00:27:04,560 --> 00:27:07,359
Speaker 2: I would relate to serial killers way more.

649
00:27:07,800 --> 00:27:09,959
Speaker 1: And by the way, there's threes. There's a lot of

650
00:27:09,960 --> 00:27:14,160
Speaker 1: serious killers threes. It is like that's the book. Sean

651
00:27:14,280 --> 00:27:16,359
Speaker 1: was reading the list of famous threes. He's like, this

652
00:27:16,520 --> 00:27:17,200
Speaker 1: isn't good.

653
00:27:17,440 --> 00:27:19,960
Speaker 2: Yeah, We're like, don't forget Kevin Spacey like.

654
00:27:20,800 --> 00:27:24,120
Speaker 3: It's it's it's healthy and unhealthy in every numb Yeah. Sure, sure,

655
00:27:24,240 --> 00:27:25,200
Speaker 3: for various reasons.

656
00:27:25,280 --> 00:27:27,880
Speaker 1: But I just don't. I just don't get it.

657
00:27:28,040 --> 00:27:31,760
Speaker 3: I think I create things. I think more and more

658
00:27:31,840 --> 00:27:34,200
Speaker 3: as I get older, I'm creating things for the sake

659
00:27:34,280 --> 00:27:39,040
Speaker 3: of survival. Like if I could, if I could just

660
00:27:39,040 --> 00:27:40,800
Speaker 3: write something and nobody knew I wrote it, but I

661
00:27:40,840 --> 00:27:43,639
Speaker 3: still I would get a million dollars. I would do it.

662
00:27:43,680 --> 00:27:46,199
Speaker 3: Then if nobody knew I wrote it and I did

663
00:27:46,200 --> 00:27:48,120
Speaker 3: and I just get a million dollars, I I would

664
00:27:48,160 --> 00:27:48,480
Speaker 3: do it for me.

665
00:27:48,480 --> 00:27:50,120
Speaker 2: I think that's why I do things now too, it's

666
00:27:50,200 --> 00:27:53,320
Speaker 2: just like, because well, let me just offer this. Having

667
00:27:53,359 --> 00:27:56,040
Speaker 2: money is a way of getting validated. Sure you have

668
00:27:56,080 --> 00:27:58,680
Speaker 2: money and you look rich, people like you more and

669
00:27:58,760 --> 00:28:01,119
Speaker 2: you are more protected. It's all about like survival. I

670
00:28:01,160 --> 00:28:02,240
Speaker 2: just want to like survive.

671
00:28:02,440 --> 00:28:05,480
Speaker 3: There's the survival aspect of it. The second aspect of

672
00:28:05,520 --> 00:28:10,960
Speaker 3: it is vindication and justice where I view myself even

673
00:28:11,000 --> 00:28:14,760
Speaker 3: if I even if people didn't know I wrote something,

674
00:28:15,400 --> 00:28:17,960
Speaker 3: if I got if I wrote a cartoon like for

675
00:28:18,080 --> 00:28:21,640
Speaker 3: Fox and it went on TV and people liked it

676
00:28:21,720 --> 00:28:23,320
Speaker 3: but they didn't know I was there, or like the

677
00:28:23,359 --> 00:28:25,959
Speaker 3: public didn't know, but I still got the money for it,

678
00:28:26,440 --> 00:28:30,000
Speaker 3: I would feel I would still value that because at

679
00:28:30,119 --> 00:28:33,320
Speaker 3: least I believe now a good thing is out there

680
00:28:33,680 --> 00:28:36,119
Speaker 3: instead of a shitty thing, okay, and that makes the

681
00:28:36,480 --> 00:28:41,800
Speaker 3: world makes more sense to me. Motivation is like doing that.

682
00:28:42,440 --> 00:28:44,840
Speaker 2: And then I would say I don't want to discount

683
00:28:44,880 --> 00:28:47,320
Speaker 2: the fact that I like when I like making stuff

684
00:28:47,360 --> 00:28:51,560
Speaker 2: for people like me, because I feel I think about

685
00:28:51,720 --> 00:28:53,360
Speaker 2: what I felt like as a kid, or as like

686
00:28:53,400 --> 00:28:55,239
Speaker 2: if I wasn't an artist as a woman, like what

687
00:28:55,320 --> 00:28:58,480
Speaker 2: I would want to consume. So when people enjoy me,

688
00:28:58,560 --> 00:29:01,560
Speaker 2: it's usually like because they're like me, and I'm making

689
00:29:01,600 --> 00:29:05,720
Speaker 2: it for others like me who have did the insecurities.

690
00:29:04,960 --> 00:29:07,600
Speaker 1: Or need to be validated in that way.

691
00:29:07,680 --> 00:29:10,640
Speaker 2: So it's all about validation for for It's it's it

692
00:29:10,640 --> 00:29:12,840
Speaker 2: comes from a selfish place, I'm sure, but I do

693
00:29:13,920 --> 00:29:16,480
Speaker 2: really like when I when you know there are people

694
00:29:16,480 --> 00:29:20,440
Speaker 2: that connect with it, and yeah, that where I feel

695
00:29:20,480 --> 00:29:22,040
Speaker 2: like I meet fans and I'm like, oh my god,

696
00:29:22,160 --> 00:29:24,240
Speaker 2: we're we could be best friends or they go we're

697
00:29:24,240 --> 00:29:26,280
Speaker 2: the same person or something like that. I guess that's

698
00:29:26,320 --> 00:29:27,040
Speaker 2: innately selfish.

699
00:29:27,080 --> 00:29:29,840
Speaker 3: But you're probably in this. You probably relate to anybody

700
00:29:29,840 --> 00:29:30,479
Speaker 3: in your cluster.

701
00:29:31,400 --> 00:29:33,920
Speaker 1: You're any threes, two.

702
00:29:33,640 --> 00:29:37,520
Speaker 3: Threes, and fours are all in the I forgot which

703
00:29:37,520 --> 00:29:40,400
Speaker 3: cluster there's you're not fear, you're not body, you're not

704
00:29:40,440 --> 00:29:46,480
Speaker 3: gout your heart, foot you care about Yeah, yeah there's foot,

705
00:29:46,600 --> 00:29:49,720
Speaker 3: anus and mouth. Think of the free clusters.

706
00:29:49,760 --> 00:29:53,920
Speaker 2: I love doing these tests. And then just I just

707
00:29:54,080 --> 00:29:58,080
Speaker 2: am so fascinated by just I just wanted to write

708
00:29:58,080 --> 00:30:00,480
Speaker 2: a song because I just have a song my heart

709
00:30:00,640 --> 00:30:04,680
Speaker 2: like that's so beautiful and like not not and and

710
00:30:04,760 --> 00:30:07,920
Speaker 2: Anya like honestly could be she had like you know

711
00:30:07,960 --> 00:30:10,160
Speaker 2: when she when she popped off with like when she

712
00:30:10,240 --> 00:30:12,920
Speaker 2: was in the Twilight movie uh and had her you

713
00:30:12,920 --> 00:30:14,320
Speaker 2: know music and Gray's Anatomy.

714
00:30:14,320 --> 00:30:15,080
Speaker 1: She was on Jimmy Kimmel.

715
00:30:15,160 --> 00:30:17,120
Speaker 2: She was like opening for big acts and she was

716
00:30:17,160 --> 00:30:19,760
Speaker 2: on this trajectory and she was like this is too much,

717
00:30:19,920 --> 00:30:20,800
Speaker 2: Like it's too much.

718
00:30:20,960 --> 00:30:21,680
Speaker 1: I don't really like it.

719
00:30:21,720 --> 00:30:23,720
Speaker 2: Like it was true, it was sensory overload. And she

720
00:30:23,800 --> 00:30:27,440
Speaker 2: was just like, I just don't want it. Like with

721
00:30:27,480 --> 00:30:29,000
Speaker 2: honest talent, I could be.

722
00:30:29,120 --> 00:30:29,800
Speaker 1: Taylor s Left.

723
00:30:29,880 --> 00:30:32,760
Speaker 2: I'm not joking you, like I don't have that talent,

724
00:30:32,960 --> 00:30:36,160
Speaker 2: Like if I could have that musical kind of talent.

725
00:30:36,640 --> 00:30:39,400
Speaker 2: I not to say that Anya squandered it or something

726
00:30:39,440 --> 00:30:41,120
Speaker 2: like Anya has the best life that she.

727
00:30:41,040 --> 00:30:46,320
Speaker 1: Wanted choice, yes, yes, but she it's like a movie.

728
00:30:46,600 --> 00:30:48,719
Speaker 2: It's fascinating to me when you meet people who are

729
00:30:48,720 --> 00:30:51,680
Speaker 2: so talented and they don't You're like, what, Like my

730
00:30:51,800 --> 00:30:55,080
Speaker 2: sister is was always a like model pretty and always

731
00:30:55,120 --> 00:30:56,120
Speaker 2: told that she should be a model.

732
00:30:56,160 --> 00:30:59,080
Speaker 1: The fact that she never tried, Like.

733
00:30:59,000 --> 00:31:02,560
Speaker 2: What a fucking way of a naturally live figure and

734
00:31:02,800 --> 00:31:07,440
Speaker 2: angular bone structure, no acne skin texture that's perfect, No

735
00:31:07,800 --> 00:31:11,080
Speaker 2: like hair that's shining like a horse's mane that's been

736
00:31:11,160 --> 00:31:14,560
Speaker 2: groomed for you, like it's she is was perfect from

737
00:31:14,640 --> 00:31:16,960
Speaker 2: head to toe and never was like I just don't

738
00:31:16,960 --> 00:31:17,560
Speaker 2: want to make.

739
00:31:17,440 --> 00:31:20,760
Speaker 1: Money off of this. I'm like, what a wist? Yeah,

740
00:31:20,800 --> 00:31:23,280
Speaker 1: but also not because what a dumb life that is.

741
00:31:23,440 --> 00:31:24,720
Speaker 1: In many ways, well, that's.

742
00:31:24,600 --> 00:31:27,800
Speaker 3: How people feel about tall people when they don't play basketball.

743
00:31:27,840 --> 00:31:30,680
Speaker 3: When you're in high school, if you're like six foot

744
00:31:30,800 --> 00:31:33,800
Speaker 3: three and you're like not playing basketball, it's like, what

745
00:31:33,840 --> 00:31:37,200
Speaker 3: do you do in man? Yeah, if you're a seven footer.

746
00:31:37,360 --> 00:31:40,520
Speaker 3: There was my friend Rob Stern. Yeah, your friend Robstern.

747
00:31:41,560 --> 00:31:43,840
Speaker 3: There was a guy he always talks about in high

748
00:31:43,880 --> 00:31:47,600
Speaker 3: school or college who was seven feet tall, and everyone

749
00:31:47,720 --> 00:31:49,840
Speaker 3: was like, what are you doing? Why are you not

750
00:31:49,880 --> 00:31:51,960
Speaker 3: playing basketball? And just like I just don't like basketball.

751
00:31:52,120 --> 00:31:52,719
Speaker 1: I just don't like it.

752
00:31:52,720 --> 00:31:56,360
Speaker 3: One it's like you could the chances of entering the NBA,

753
00:31:56,520 --> 00:31:59,959
Speaker 3: the chances of being a college scholarship if you're over

754
00:32:00,160 --> 00:32:03,760
Speaker 3: seven foot tall is like seventy five percent. So you

755
00:32:03,840 --> 00:32:06,480
Speaker 3: saying I just don't like basketball, saying you don't want

756
00:32:06,480 --> 00:32:09,320
Speaker 3: a seventy five percent chance that your college is paid for,

757
00:32:09,800 --> 00:32:12,000
Speaker 3: and then you have like a twenty five percent chance

758
00:32:12,040 --> 00:32:14,320
Speaker 3: of at least at the time of getting not. Nowadays,

759
00:32:14,320 --> 00:32:16,960
Speaker 3: everyone's a freak, but you had twenty five percent chance

760
00:32:17,000 --> 00:32:19,520
Speaker 3: of getting into the NBA being seven feet.

761
00:32:19,280 --> 00:32:21,240
Speaker 1: Or taller twenty million dollars a year.

762
00:32:21,280 --> 00:32:23,160
Speaker 3: Or something, and it's like just to say I don't

763
00:32:23,160 --> 00:32:25,920
Speaker 3: feel like it. It's like it's so shortsighted, because like

764
00:32:25,920 --> 00:32:28,200
Speaker 3: you could you're gonna stop playing when you're twenty eight.

765
00:32:28,240 --> 00:32:30,400
Speaker 2: But or you just don't like the game, like something

766
00:32:30,400 --> 00:32:33,720
Speaker 2: like Andrea Augussy does not like tennis. He only played

767
00:32:33,760 --> 00:32:36,600
Speaker 2: because he was his parents made him, and he was

768
00:32:36,640 --> 00:32:39,360
Speaker 2: good at it, and reluctant like he's he hated that

769
00:32:39,400 --> 00:32:40,040
Speaker 2: he was good at it.

770
00:32:40,120 --> 00:32:41,320
Speaker 1: He hates tennis.

771
00:32:41,400 --> 00:32:44,040
Speaker 3: Yeah, but now he's a billionaire and he can do

772
00:32:44,080 --> 00:32:46,560
Speaker 3: whatever he wants for the rest of his miserable life.

773
00:32:46,680 --> 00:32:48,840
Speaker 2: Heard Anna Gosteyer on Last Culture Says, and she was

774
00:32:48,840 --> 00:32:50,760
Speaker 2: talking about how she was really good at violin and

775
00:32:50,800 --> 00:32:52,520
Speaker 2: she could have been great, but she just didn't like

776
00:32:52,600 --> 00:32:54,320
Speaker 2: violin even though she was really good at it.

777
00:32:54,400 --> 00:32:55,280
Speaker 1: She just like put it down.

778
00:32:55,360 --> 00:33:00,120
Speaker 2: It's just like I, truly ever was good at anything.

779
00:33:00,560 --> 00:33:03,040
Speaker 2: I would have the only thing I was good at

780
00:33:03,080 --> 00:33:05,479
Speaker 2: I did for a career, the first thing, like I

781
00:33:05,520 --> 00:33:06,800
Speaker 2: would have jumped at all.

782
00:33:06,920 --> 00:33:10,000
Speaker 1: All I was looking for was not enjoyment. It was

783
00:33:10,040 --> 00:33:11,680
Speaker 1: not like, oh do I like this?

784
00:33:11,960 --> 00:33:12,160
Speaker 2: Yeah?

785
00:33:12,200 --> 00:33:14,160
Speaker 1: It's am I good at it? And are people gonna?

786
00:33:14,280 --> 00:33:15,920
Speaker 2: The only thing that makes me feel good is when

787
00:33:15,920 --> 00:33:17,160
Speaker 2: people tell me I'm good.

788
00:33:17,320 --> 00:33:19,880
Speaker 3: That's the great challenge of your life, yes, is to

789
00:33:19,920 --> 00:33:23,040
Speaker 3: figure out things that give you that you find approval

790
00:33:23,040 --> 00:33:25,160
Speaker 3: in just by being yourself.

791
00:33:25,520 --> 00:33:27,400
Speaker 2: And that's why I was talking to Chris about the

792
00:33:28,120 --> 00:33:31,160
Speaker 2: writing with you guys, and writing jokes and going over

793
00:33:31,240 --> 00:33:33,080
Speaker 2: jokes and then trying them out and then going back

794
00:33:33,120 --> 00:33:35,560
Speaker 2: and talking to you guys about it is my favorite.

795
00:33:35,960 --> 00:33:38,240
Speaker 2: It's when I hear people talk about like I love

796
00:33:38,320 --> 00:33:41,600
Speaker 2: the process, like I literally hate celebrities talking about like

797
00:33:42,080 --> 00:33:43,760
Speaker 2: I don't know. It's just like getting into this character

798
00:33:43,880 --> 00:33:46,560
Speaker 2: was my favorite part, Like sinking my teeth into this role,

799
00:33:46,640 --> 00:33:49,040
Speaker 2: and just the camaraderie on set and like I just

800
00:33:49,080 --> 00:33:51,880
Speaker 2: am always like rolling my eyes. It just seems like

801
00:33:52,120 --> 00:33:56,080
Speaker 2: just a boiler plate like bullshit that people are just

802
00:33:56,120 --> 00:33:58,560
Speaker 2: talking about in press interviews because they have to. You

803
00:33:58,600 --> 00:34:01,400
Speaker 2: have to say you love your and you you love

804
00:34:01,480 --> 00:34:05,320
Speaker 2: the you love the hard part of it. I literally

805
00:34:05,640 --> 00:34:09,160
Speaker 2: my favorite thing is sitting around with us, like last

806
00:34:09,239 --> 00:34:11,680
Speaker 2: night when we were going over Who's hot, Like who

807
00:34:11,680 --> 00:34:12,799
Speaker 2: we all think is hot?

808
00:34:13,000 --> 00:34:14,719
Speaker 1: Yeah, we got way off track.

809
00:34:14,600 --> 00:34:16,680
Speaker 3: You know, we were rolling down.

810
00:34:17,040 --> 00:34:19,320
Speaker 2: Christ's kept trying to pull us back in, and I

811
00:34:19,560 --> 00:34:21,920
Speaker 2: just like the cat's away. So he would go out

812
00:34:21,960 --> 00:34:23,359
Speaker 2: to like walk Goldie and I'd be like, okay, wait,

813
00:34:23,400 --> 00:34:24,520
Speaker 2: let's get back to like who's hot?

814
00:34:24,560 --> 00:34:25,919
Speaker 1: Okay, Sidney Sweeney, what do you think?

815
00:34:26,239 --> 00:34:28,560
Speaker 2: And then we got on a track of like we

816
00:34:28,560 --> 00:34:31,280
Speaker 2: were talking about people and on Twitter, how funny Twitter

817
00:34:31,480 --> 00:34:34,200
Speaker 2: was and twenty thirteen and who was big? And like

818
00:34:34,880 --> 00:34:37,439
Speaker 2: where who is? Where are all those people that were huge

819
00:34:37,440 --> 00:34:39,359
Speaker 2: on Twitter? We're just going off all these It's just

820
00:34:39,400 --> 00:34:42,399
Speaker 2: so fun and then writing jokes and making ourselves laugh

821
00:34:42,480 --> 00:34:45,719
Speaker 2: and that really I love that so much and it

822
00:34:45,760 --> 00:34:46,640
Speaker 2: doesn't give me.

823
00:34:48,880 --> 00:34:50,479
Speaker 1: I'm starting to enjoy something that.

824
00:34:50,440 --> 00:34:54,160
Speaker 2: Isn't giving me the thing that like I'm not getting

825
00:34:54,200 --> 00:34:57,000
Speaker 2: any I'm barely saying things. Sometimes I get a laugh,

826
00:34:57,000 --> 00:35:00,120
Speaker 2: but I'm not like counting my laughs with you guys.

827
00:35:01,040 --> 00:35:02,600
Speaker 2: Do they think I'm the best, Like I'm probably the

828
00:35:02,680 --> 00:35:04,640
Speaker 2: least funny out of all of you, and like I

829
00:35:04,800 --> 00:35:07,600
Speaker 2: still am having the best time. So I'm beginning to

830
00:35:07,800 --> 00:35:13,319
Speaker 2: actually really enjoy that that part of like where I'm like, wow,

831
00:35:13,360 --> 00:35:14,959
Speaker 2: I think I love this thing.

832
00:35:15,080 --> 00:35:16,279
Speaker 1: That's kind of hard.

833
00:35:16,040 --> 00:35:18,839
Speaker 3: Car with your three personality type.

834
00:35:19,160 --> 00:35:20,840
Speaker 1: I like being around people.

835
00:35:20,880 --> 00:35:24,160
Speaker 2: Maybe I love socializing, I love gossiping.

836
00:35:25,000 --> 00:35:26,239
Speaker 1: I don't know.

837
00:35:28,280 --> 00:35:29,759
Speaker 3: Leave that to the scientists.

838
00:35:30,239 --> 00:35:31,000
Speaker 1: Leave it to them.

839
00:35:31,360 --> 00:35:34,000
Speaker 2: Noah, what did Emily give you this weekend to tell

840
00:35:34,040 --> 00:35:35,400
Speaker 2: me about or to ask me about?

841
00:35:35,640 --> 00:35:37,760
Speaker 4: Okay, well, first of all, I want to hear about

842
00:35:37,880 --> 00:35:42,160
Speaker 4: the tour this weekend because you had great shows. There's

843
00:35:42,200 --> 00:35:43,960
Speaker 4: a bestie who wants to know what you thought of

844
00:35:44,000 --> 00:35:46,800
Speaker 4: the audience in Memphis. Something happened.

845
00:35:46,960 --> 00:35:50,239
Speaker 2: Yeah, No, they were like the best audience of my life.

846
00:35:50,480 --> 00:35:53,399
Speaker 2: I don't know, nothing happened. They were just so on

847
00:35:53,520 --> 00:35:57,680
Speaker 2: board and there was just like a just sometimes like

848
00:35:57,719 --> 00:35:59,839
Speaker 2: really like it's like a good date. Like it's maybe

849
00:36:00,000 --> 00:36:01,560
Speaker 2: little awkward at the beginning, and then all of a

850
00:36:01,560 --> 00:36:03,440
Speaker 2: sudden it just clicks and then you guys are like

851
00:36:03,520 --> 00:36:06,719
Speaker 2: best friends. I've been doing this thing on stage though

852
00:36:06,760 --> 00:36:09,719
Speaker 2: that I've always like, Usually on stage, I'm not like

853
00:36:09,840 --> 00:36:12,000
Speaker 2: laughing a ton with my jokes and smiling a lot

854
00:36:12,000 --> 00:36:14,359
Speaker 2: as I'm talking, like I'm in the joke, so I'm like.

855
00:36:14,360 --> 00:36:16,799
Speaker 1: Feeling the way I would feel in the joke.

856
00:36:16,840 --> 00:36:19,359
Speaker 2: I'm not like laughing at my own punchline because it's

857
00:36:19,400 --> 00:36:22,000
Speaker 2: so funny, which, by the way, is a huge way

858
00:36:22,040 --> 00:36:24,680
Speaker 2: that you like. Like everyone likes comedians that laugh at

859
00:36:24,680 --> 00:36:28,000
Speaker 2: their own jokes. I fall for it, everyone enjoys it.

860
00:36:28,280 --> 00:36:30,640
Speaker 2: But I always fight doing it because I just don't

861
00:36:30,719 --> 00:36:33,879
Speaker 2: want to trick the audience into laughing for something else

862
00:36:33,960 --> 00:36:36,320
Speaker 2: than they are actually laughing at. Right. That's why I

863
00:36:36,320 --> 00:36:38,200
Speaker 2: don't look them in the eyes, because looking at audience

864
00:36:38,200 --> 00:36:39,960
Speaker 2: members in the eyes forces them to laugh, because they

865
00:36:40,000 --> 00:36:41,120
Speaker 2: put the feel put on the spot.

866
00:36:41,320 --> 00:36:42,839
Speaker 1: That's why I don't laugh at my own jokes.

867
00:36:42,840 --> 00:36:45,399
Speaker 2: That's why I don't have pauses in between jokes, because

868
00:36:45,480 --> 00:36:47,680
Speaker 2: when there's a pause, audiences feel awkward and they start

869
00:36:47,719 --> 00:36:50,759
Speaker 2: to applaud after a laugh, they'll just naturally do it.

870
00:36:50,920 --> 00:36:51,960
Speaker 3: I don't like, not for me.

871
00:36:52,120 --> 00:36:56,879
Speaker 2: I never want an audience to I was talking about

872
00:36:56,920 --> 00:36:59,480
Speaker 2: this weekend in the car. I just don't want an audience.

873
00:36:59,840 --> 00:37:02,160
Speaker 2: I want them to know what they're laughing at. I

874
00:37:02,160 --> 00:37:05,520
Speaker 2: don't want to trick them subconsciously, because so often we

875
00:37:05,560 --> 00:37:07,880
Speaker 2: are laughing at something and we don't know why we're laughing.

876
00:37:08,040 --> 00:37:10,239
Speaker 3: Sometimes at a club like you do need to make

877
00:37:10,239 --> 00:37:13,239
Speaker 3: eye contact with an audience if they're just like checked out.

878
00:37:13,840 --> 00:37:15,840
Speaker 1: If they shall not do that, I would not.

879
00:37:15,880 --> 00:37:16,280
Speaker 3: You wouldn't.

880
00:37:16,280 --> 00:37:18,040
Speaker 1: Even my eyes won't let me.

881
00:37:18,120 --> 00:37:20,080
Speaker 2: I blur my eyes and they will not unblur when

882
00:37:20,080 --> 00:37:21,440
Speaker 2: I'm not saying, they just won't.

883
00:37:21,680 --> 00:37:23,680
Speaker 3: But if the audience is like not even really like

884
00:37:23,719 --> 00:37:25,640
Speaker 3: paying attention to you, or I guess it doesn't matter.

885
00:37:25,719 --> 00:37:27,919
Speaker 1: You just pull you just pushed through. Yes it does.

886
00:37:28,040 --> 00:37:30,480
Speaker 2: I bombed recently with an audience that there was no

887
00:37:30,560 --> 00:37:34,760
Speaker 2: reaction bombing, and I did not. I did not flinch

888
00:37:34,800 --> 00:37:37,719
Speaker 2: even once. I just kept going. I did not acknowledge it.

889
00:37:37,760 --> 00:37:39,319
Speaker 2: I mean I acknowledge it a couple of times, but

890
00:37:39,719 --> 00:37:42,360
Speaker 2: I just kept going. It was it was I it

891
00:37:42,400 --> 00:37:44,640
Speaker 2: was like walking over hot coals. It really it felt

892
00:37:44,640 --> 00:37:46,000
Speaker 2: that way. It was like, I can't stop too long.

893
00:37:46,080 --> 00:37:48,080
Speaker 2: It's too painful, So just keep going because this is

894
00:37:48,120 --> 00:37:49,200
Speaker 2: gonna be over eventually.

895
00:37:49,640 --> 00:37:50,120
Speaker 3: That's true.

896
00:37:50,280 --> 00:37:51,319
Speaker 1: This cannot last forever.

897
00:37:51,800 --> 00:37:53,240
Speaker 3: Setlander, You'll die.

898
00:37:53,840 --> 00:37:56,799
Speaker 2: I I would have it was. It was the most

899
00:37:56,800 --> 00:37:57,960
Speaker 2: painful thing of my life.

900
00:37:58,000 --> 00:38:00,680
Speaker 1: I was. It was like falling down airs for a

901
00:38:00,719 --> 00:38:01,239
Speaker 1: whole hour.

902
00:38:01,400 --> 00:38:05,360
Speaker 2: Is how I like this place for not naming yeahsious

903
00:38:05,480 --> 00:38:07,120
Speaker 2: talking about it on Kimmel. I'm just I think I'm

904
00:38:07,160 --> 00:38:08,719
Speaker 2: going to try to work out the story and talk

905
00:38:08,760 --> 00:38:11,840
Speaker 2: about it on Kimmel a couple of week weeks in

906
00:38:11,880 --> 00:38:14,520
Speaker 2: two weeks, and so I need a story for Kimmel.

907
00:38:14,640 --> 00:38:17,080
Speaker 2: Nothing really crazy has happened in my life, except that,

908
00:38:18,120 --> 00:38:18,680
Speaker 2: like so.

909
00:38:18,760 --> 00:38:23,440
Speaker 3: Many crazy things, you need to you need to recalibrate

910
00:38:23,560 --> 00:38:26,920
Speaker 3: your evaluator of what's crazy and what's not, because to

911
00:38:27,400 --> 00:38:30,360
Speaker 3: a normal person in the world, you do a crazy

912
00:38:30,400 --> 00:38:34,040
Speaker 3: thing almost every day what you're doing interview you for

913
00:38:34,360 --> 00:38:35,240
Speaker 3: interview magazine.

914
00:38:35,320 --> 00:38:38,160
Speaker 1: That's true. I did have Kara del You got.

915
00:38:37,960 --> 00:38:39,840
Speaker 3: To recalibrate because it's it's almost.

916
00:38:39,640 --> 00:38:41,560
Speaker 1: You're like and she was the one that the a

917
00:38:41,640 --> 00:38:42,880
Speaker 1: canator could not get.

918
00:38:43,320 --> 00:38:45,400
Speaker 3: By the way, the a canator let me down so

919
00:38:45,440 --> 00:38:48,040
Speaker 3: many times. The acator can't get anybody anywhere. It's at

920
00:38:48,080 --> 00:38:50,920
Speaker 3: a touch. The a canator is like, is like, it's

921
00:38:51,000 --> 00:38:55,000
Speaker 3: like Joe Biden. It's it's over the hill. It used

922
00:38:55,000 --> 00:38:56,839
Speaker 3: to be so good, it used to be so good.

923
00:38:57,560 --> 00:39:00,719
Speaker 3: It's okay, It's there's so many times where I would go, hey,

924
00:39:00,760 --> 00:39:02,560
Speaker 3: the a conator want to try it, and then people

925
00:39:02,680 --> 00:39:04,360
Speaker 3: like whatever, and then I do it and be like

926
00:39:04,400 --> 00:39:05,800
Speaker 3: in five tribes.

927
00:39:06,400 --> 00:39:08,680
Speaker 2: There is there's stuff like that. Have you ever done

928
00:39:08,760 --> 00:39:12,320
Speaker 2: the quiz from New York Times that came out literally

929
00:39:12,520 --> 00:39:16,359
Speaker 2: twelve years ago that finds what region of like what

930
00:39:16,520 --> 00:39:18,759
Speaker 2: city you're from in the US, just by answering what

931
00:39:18,800 --> 00:39:19,560
Speaker 2: you call things.

932
00:39:19,960 --> 00:39:21,040
Speaker 3: Oh cool, like your.

933
00:39:20,880 --> 00:39:23,239
Speaker 2: Regional dialect, how you pronounce things, how you what you

934
00:39:23,280 --> 00:39:25,480
Speaker 2: call things, and it will get it down to like

935
00:39:25,640 --> 00:39:27,480
Speaker 2: the neighborhood you're from in the UN.

936
00:39:27,920 --> 00:39:31,160
Speaker 1: It's nuts, you guys. Just type in New York Times

937
00:39:32,000 --> 00:39:35,760
Speaker 1: dot com, dot com, my poop is blog.

938
00:39:36,920 --> 00:39:41,359
Speaker 2: It's like it's like dialect regional quiz or something like that,

939
00:39:41,400 --> 00:39:43,040
Speaker 2: and you will blow your friend's minds.

940
00:39:43,040 --> 00:39:46,280
Speaker 3: It's like the best part versus versus coke.

941
00:39:46,680 --> 00:39:46,960
Speaker 1: Yeah.

942
00:39:47,400 --> 00:39:49,040
Speaker 2: One of the one of the questions is what do

943
00:39:49,040 --> 00:39:52,399
Speaker 2: you call it when it's raining outside when the sun

944
00:39:52,560 --> 00:39:56,520
Speaker 2: is out? Oh, it's like the sunshower. Yeah, devil beats

945
00:39:56,560 --> 00:39:59,480
Speaker 2: his wife. There's like a there's so many where you're like,

946
00:39:59,560 --> 00:40:02,840
Speaker 2: what the fuck. There's always D or E none of

947
00:40:02,880 --> 00:40:03,240
Speaker 2: the above.

948
00:40:03,239 --> 00:40:04,080
Speaker 1: We don't have a name for that.

949
00:40:04,320 --> 00:40:06,960
Speaker 3: So it's either they go A a sunshower, be the

950
00:40:06,960 --> 00:40:08,680
Speaker 3: devil beats his wife and then skips the E.

951
00:40:09,440 --> 00:40:11,439
Speaker 2: No, there's other ones, but the last one is always

952
00:40:11,480 --> 00:40:12,920
Speaker 2: we don't have a name for this and you can

953
00:40:12,960 --> 00:40:14,640
Speaker 2: easily answer that because there's a lot of reasons where

954
00:40:14,680 --> 00:40:15,600
Speaker 2: they don't have names for it.

955
00:40:15,960 --> 00:40:18,000
Speaker 3: Okay, okay, I call it a sunshower.

956
00:40:18,600 --> 00:40:20,080
Speaker 1: We didn't have a name for it in Saint Louis.

957
00:40:20,160 --> 00:40:21,840
Speaker 2: I was never a thing like or what do you

958
00:40:21,880 --> 00:40:24,240
Speaker 2: call when you go buy a traffic accident?

959
00:40:24,719 --> 00:40:28,520
Speaker 1: And we should do the quiz. It's so we should

960
00:40:28,520 --> 00:40:30,439
Speaker 1: do the quiz. It's really a fun question.

961
00:40:30,640 --> 00:40:32,880
Speaker 3: When I go by a traffic accident, I call that

962
00:40:32,920 --> 00:40:33,799
Speaker 3: the devil beats is what?

963
00:40:34,000 --> 00:40:34,239
Speaker 1: No?

964
00:40:34,239 --> 00:40:37,600
Speaker 2: No, you go buy a traffic accident and you like

965
00:40:37,600 --> 00:40:38,359
Speaker 2: like look at it?

966
00:40:39,120 --> 00:40:43,080
Speaker 3: Yeah, you're Oh. I think in my region people would

967
00:40:43,080 --> 00:40:44,000
Speaker 3: say a rubbernecker.

968
00:40:44,200 --> 00:40:45,680
Speaker 1: Okay, yeah, yeah, exactly.

969
00:40:45,480 --> 00:40:47,080
Speaker 3: But in I would call it gawking.

970
00:40:47,280 --> 00:40:47,520
Speaker 1: Okay.

971
00:40:47,520 --> 00:40:51,399
Speaker 2: It's from twenty thirteen literally to December twenty four, first

972
00:40:51,400 --> 00:40:55,000
Speaker 2: two thirte almost exactly eleven US dialect quiz. How y'all

973
00:40:55,000 --> 00:40:57,800
Speaker 2: and you guys talk and this quiz Okay, this is

974
00:40:57,800 --> 00:40:58,400
Speaker 2: a great quiz.

975
00:40:58,440 --> 00:41:00,520
Speaker 3: This is great great for the pod play along. If

976
00:41:00,520 --> 00:41:01,640
Speaker 3: you're can you play along?

977
00:41:01,680 --> 00:41:03,080
Speaker 2: Can we can do a couple questions before we go

978
00:41:03,120 --> 00:41:04,439
Speaker 2: to break or will you go to break and come back?

979
00:41:04,680 --> 00:41:07,040
Speaker 1: Okay? A couple questions. Okay, what Noah, do you want to?

980
00:41:07,040 --> 00:41:07,759
Speaker 1: Have you done it before?

981
00:41:07,760 --> 00:41:07,880
Speaker 2: Now?

982
00:41:09,760 --> 00:41:11,120
Speaker 1: Well I know about it because of you, but I

983
00:41:11,120 --> 00:41:12,080
Speaker 1: haven't actually taken it.

984
00:41:12,120 --> 00:41:13,799
Speaker 2: Okay, So I want to take it and we can

985
00:41:13,800 --> 00:41:15,080
Speaker 2: find out where exactly you're from.

986
00:41:15,120 --> 00:41:16,799
Speaker 3: And if you're a bestie, pull it up.

987
00:41:18,200 --> 00:41:20,880
Speaker 2: You'll you grew up in a different country, but you

988
00:41:20,960 --> 00:41:21,719
Speaker 2: moved here when when?

989
00:41:22,080 --> 00:41:26,240
Speaker 1: How young? Seven? Seven? Okay, so yeah, you'll, this will work. Okay.

990
00:41:26,400 --> 00:41:28,840
Speaker 2: How would you address a group of two or more people?

991
00:41:29,360 --> 00:41:34,520
Speaker 2: You all use you lot, you guys, yuns, yins, you

992
00:41:35,040 --> 00:41:36,040
Speaker 2: other y'all.

993
00:41:37,040 --> 00:41:42,360
Speaker 1: I would say, guys, I think you guys? How do

994
00:41:42,440 --> 00:41:46,759
Speaker 1: you pronounce a U N T? I'm just gonna I'm

995
00:41:46,760 --> 00:41:49,759
Speaker 1: not gonna eat them all, just saying no. Stop saying, Oh,

996
00:41:49,880 --> 00:41:50,880
Speaker 1: you gotta let her say it.

997
00:41:51,400 --> 00:41:52,120
Speaker 3: We're doing it for her.

998
00:41:52,600 --> 00:41:54,280
Speaker 1: Oh wait, we both.

999
00:41:54,360 --> 00:41:55,440
Speaker 3: Okay, I thought we're doing it for me.

1000
00:41:55,600 --> 00:41:58,920
Speaker 1: I can't do it for both of you. I can okay, sorry, sorry, sorry, okay,

1001
00:41:59,320 --> 00:42:02,239
Speaker 1: Oh okay, wait, who should we do? Let's just do

1002
00:42:02,320 --> 00:42:02,640
Speaker 1: both of.

1003
00:42:02,680 --> 00:42:05,919
Speaker 3: Us, but we can't do well. I can do mine.

1004
00:42:05,960 --> 00:42:07,640
Speaker 4: I guess Brian and I are from the same region.

1005
00:42:08,080 --> 00:42:10,760
Speaker 4: So okay, Brian, I'm sending you this quiz.

1006
00:42:10,760 --> 00:42:11,720
Speaker 1: Hold on, okay, okay.

1007
00:42:13,280 --> 00:42:15,440
Speaker 2: Oh yeah, you guys are from the same region, so

1008
00:42:15,480 --> 00:42:23,160
Speaker 2: it's but no, it's like you will be okay, okay.

1009
00:42:23,400 --> 00:42:26,480
Speaker 2: How do you pronounce it? You said ant ant okay

1010
00:42:26,880 --> 00:42:29,799
Speaker 2: to sound like an ant. Yes, the bug. What do

1011
00:42:29,840 --> 00:42:31,480
Speaker 2: you call the area of grass in the middle of

1012
00:42:31,520 --> 00:42:35,520
Speaker 2: some streets A boulevard, a midway, a traffic island, an island,

1013
00:42:35,640 --> 00:42:38,440
Speaker 2: a neutral ground. I have no word for this, median

1014
00:42:38,719 --> 00:42:39,120
Speaker 2: or other.

1015
00:42:40,880 --> 00:42:42,800
Speaker 1: I have no word for the area of grass in

1016
00:42:42,840 --> 00:42:44,040
Speaker 1: the middle of some streets.

1017
00:42:44,160 --> 00:42:46,640
Speaker 3: This sucks because the quiz is not in the same

1018
00:42:46,760 --> 00:42:48,319
Speaker 3: order for as you it just.

1019
00:42:49,640 --> 00:42:52,120
Speaker 1: Because it figures it out as it goes.

1020
00:42:52,480 --> 00:42:55,479
Speaker 3: Okay, it's like the actor. I don't trust this ship

1021
00:42:55,560 --> 00:42:55,839
Speaker 3: at all.

1022
00:42:55,920 --> 00:42:57,880
Speaker 2: Now. What do you call the thing from which you

1023
00:42:57,960 --> 00:43:01,560
Speaker 2: might drink water in at a school? Bubbler, A water bubbler,

1024
00:43:01,640 --> 00:43:03,719
Speaker 2: a drinking fountain, a water fountain other.

1025
00:43:04,960 --> 00:43:06,360
Speaker 1: I'd probably say a water fountain.

1026
00:43:06,840 --> 00:43:08,280
Speaker 3: That's what I would say, a water fountain.

1027
00:43:08,480 --> 00:43:10,640
Speaker 2: What do you call a traffic situation in which several

1028
00:43:10,719 --> 00:43:14,360
Speaker 2: roads meet in a circle A rotary, a roundabout, a circle,

1029
00:43:14,400 --> 00:43:16,400
Speaker 2: a traffic circle, a traffic circus.

1030
00:43:16,640 --> 00:43:20,120
Speaker 1: I have no word for this. Or other roundabout.

1031
00:43:21,200 --> 00:43:24,160
Speaker 3: Yeah, I would call it maybe a traffic circle around

1032
00:43:24,200 --> 00:43:25,000
Speaker 3: the really.

1033
00:43:24,960 --> 00:43:29,759
Speaker 2: A traffic circle, solding it a traffic circus because they

1034
00:43:29,800 --> 00:43:31,719
Speaker 2: obviously heard traffic circle.

1035
00:43:31,440 --> 00:43:32,279
Speaker 3: And heard it wrong.

1036
00:43:32,480 --> 00:43:33,120
Speaker 1: Yeah.

1037
00:43:33,280 --> 00:43:35,800
Speaker 2: What do you call the long sandwich that contains cold cuts,

1038
00:43:35,840 --> 00:43:38,760
Speaker 2: lettuce and so on? A sub, A grinder, A HOGI

1039
00:43:38,920 --> 00:43:42,520
Speaker 2: A hero, A poor boy, a bomber, Italian sandwich, baguette,

1040
00:43:42,520 --> 00:43:43,160
Speaker 2: a sarnie.

1041
00:43:43,280 --> 00:43:45,480
Speaker 1: I have no word for this or other hero?

1042
00:43:46,800 --> 00:43:47,000
Speaker 2: Yeah?

1043
00:43:47,160 --> 00:43:47,359
Speaker 3: Hero?

1044
00:43:48,040 --> 00:43:51,000
Speaker 1: Whoa not sub? Okay?

1045
00:43:51,640 --> 00:43:54,400
Speaker 2: What do you call a sweet and carbonated beverage soda?

1046
00:43:54,480 --> 00:43:54,760
Speaker 3: Pop?

1047
00:43:54,800 --> 00:43:58,560
Speaker 1: Coke, tonic soft drink? Lemonade? Coke? Who calls it lemonade?

1048
00:43:59,000 --> 00:44:02,480
Speaker 1: Co cola? Fizzy drink? Dope? Other dope?

1049
00:44:02,520 --> 00:44:05,120
Speaker 3: There's gotta be like one small town in the Bayou

1050
00:44:05,239 --> 00:44:08,440
Speaker 3: that's like the devil beats his wife on the traffic

1051
00:44:08,520 --> 00:44:09,879
Speaker 3: circus and drink.

1052
00:44:11,360 --> 00:44:12,920
Speaker 1: Okay, what do you call it?

1053
00:44:13,000 --> 00:44:15,440
Speaker 3: I say soda soda?

1054
00:44:16,120 --> 00:44:17,239
Speaker 1: What do you call a small.

1055
00:44:17,040 --> 00:44:20,120
Speaker 2: Road parallel to the highway, A frontage road, a service road,

1056
00:44:20,160 --> 00:44:23,000
Speaker 2: an access road, a feeder road, a gateway. We have them,

1057
00:44:23,040 --> 00:44:24,560
Speaker 2: but I have no word for them. I've never even

1058
00:44:24,600 --> 00:44:26,680
Speaker 2: heard of this concept? Service road?

1059
00:44:26,920 --> 00:44:27,600
Speaker 3: Service road?

1060
00:44:27,680 --> 00:44:31,600
Speaker 2: What how do you pronounce the silt. Pronounce the word

1061
00:44:31,800 --> 00:44:33,400
Speaker 2: C A R A M.

1062
00:44:33,520 --> 00:44:35,640
Speaker 1: E L caramel.

1063
00:44:37,960 --> 00:44:41,200
Speaker 3: Yeah, caramel, I say caramel. Okay, A lot of people

1064
00:44:41,239 --> 00:44:41,800
Speaker 3: say caramel.

1065
00:44:42,040 --> 00:44:44,960
Speaker 2: What do you call the large wild cat native to

1066
00:44:45,000 --> 00:44:45,759
Speaker 2: the Americas?

1067
00:44:46,120 --> 00:44:47,520
Speaker 1: Okay, this is my favorite one?

1068
00:44:48,040 --> 00:44:55,120
Speaker 2: Mountain lion, cougar, puma, mountain cat, panther, catamount, mountain, mountain.

1069
00:44:54,800 --> 00:45:03,440
Speaker 1: Screamer, oh yeah, or painter, painter a mountain scream mountains.

1070
00:45:03,520 --> 00:45:04,480
Speaker 3: Okay, mountain lion.

1071
00:45:05,719 --> 00:45:08,320
Speaker 2: How do you pronounce the first syllable of L A

1072
00:45:08,719 --> 00:45:14,240
Speaker 2: W Y E R Lawlly?

1073
00:45:14,320 --> 00:45:14,920
Speaker 1: How do you say it?

1074
00:45:15,080 --> 00:45:19,680
Speaker 2: Say it lawyer? Okay, so rhymes with boy Lloyd lawyer.

1075
00:45:20,239 --> 00:45:24,279
Speaker 2: What is the distinction between dinner and supper? I'm not

1076
00:45:24,280 --> 00:45:26,200
Speaker 2: going to read that answer. What is the distinct Yeah,

1077
00:45:26,239 --> 00:45:27,760
Speaker 2: what's the difference between supper and dinner?

1078
00:45:28,160 --> 00:45:31,120
Speaker 3: I think dinner is a little bit later than supper.

1079
00:45:31,239 --> 00:45:33,920
Speaker 1: That's what I think too. Supper comes earlier than dinner.

1080
00:45:34,520 --> 00:45:38,799
Speaker 2: Okay, dinner takes place, O wait, Supper is an evening meal.

1081
00:45:38,840 --> 00:45:41,279
Speaker 2: Dinner is the main meal. Supper is an evening meal.

1082
00:45:41,360 --> 00:45:44,000
Speaker 2: Dinner is eaten earlier. Dinner takes place in a more

1083
00:45:44,040 --> 00:45:46,640
Speaker 2: formal setting than supper. There is no distinction. They both

1084
00:45:46,640 --> 00:45:47,320
Speaker 2: have the same meeting.

1085
00:45:47,880 --> 00:45:50,600
Speaker 1: I think I would say that one. They don't. There's

1086
00:45:50,640 --> 00:45:51,960
Speaker 1: no distinction, no distinction.

1087
00:45:53,640 --> 00:45:55,360
Speaker 3: I would say the first one that supper is like

1088
00:45:55,360 --> 00:45:56,280
Speaker 3: a little bit earlier.

1089
00:45:57,000 --> 00:45:58,880
Speaker 1: What so, do you have supper and dinner?

1090
00:45:58,960 --> 00:46:01,160
Speaker 3: You could or you have supper and you're like, oh,

1091
00:46:01,200 --> 00:46:02,800
Speaker 3: I can't have dinner because I already had supper.

1092
00:46:03,160 --> 00:46:06,400
Speaker 2: What the fuck? I cannot even believe that either. To me,

1093
00:46:06,440 --> 00:46:09,200
Speaker 2: they're interchangeable, changeable. It just means supper means you're like

1094
00:46:09,239 --> 00:46:10,200
Speaker 2: from the South or something.

1095
00:46:10,320 --> 00:46:13,360
Speaker 3: You Yeah, I think that's really the answer, really funny.

1096
00:46:13,440 --> 00:46:16,240
Speaker 3: The real answer is this there we don't say supper

1097
00:46:16,280 --> 00:46:16,560
Speaker 3: at all.

1098
00:46:16,800 --> 00:46:20,920
Speaker 2: Yeah, that thinks Yeah, Okay, how do you pronounce the words? Okay,

1099
00:46:21,280 --> 00:46:31,240
Speaker 2: m A r y Mary, m e r r y Mary, Mary,

1100
00:46:31,440 --> 00:46:32,759
Speaker 2: m a r r y.

1101
00:46:34,920 --> 00:46:35,200
Speaker 1: Mary.

1102
00:46:35,520 --> 00:46:36,520
Speaker 3: Wait what's that last word?

1103
00:46:36,800 --> 00:46:39,200
Speaker 1: They said? Are they're all all the same? Right? Yeah?

1104
00:46:39,239 --> 00:46:42,760
Speaker 1: It's Mary, Mary, Mary, Mary, Mary and Mary Mary.

1105
00:46:42,880 --> 00:46:45,200
Speaker 3: I think Mary and Mary are a little bit different.

1106
00:46:46,640 --> 00:46:49,799
Speaker 3: Mary and you have yourself a merry little Christmas and

1107
00:46:50,680 --> 00:46:52,120
Speaker 3: Mary had a little lamb.

1108
00:46:52,200 --> 00:46:55,120
Speaker 1: Mary, Mary and Mary.

1109
00:46:54,840 --> 00:46:57,759
Speaker 3: Mary had a little lamb. Have yourself Mary.

1110
00:46:57,880 --> 00:46:59,200
Speaker 1: I think were the same though.

1111
00:46:59,320 --> 00:47:02,400
Speaker 2: Okay, what do you call the small freshwater lobster often

1112
00:47:02,400 --> 00:47:07,600
Speaker 2: found in lakes and streams. Crawfish, crayfish, crawl crowfish, crownad, mudbug.

1113
00:47:07,719 --> 00:47:09,080
Speaker 2: I have no word for this creator.

1114
00:47:09,640 --> 00:47:12,040
Speaker 3: Why do they put that? They really want to fuck

1115
00:47:12,080 --> 00:47:17,640
Speaker 3: with us? I know it as a crawfish, Yeah, crawfish.

1116
00:47:17,760 --> 00:47:19,520
Speaker 2: What do you call it when rain falls while the

1117
00:47:19,560 --> 00:47:23,919
Speaker 2: sun is shining? Okay's hilarious sunshower. The wolf is giving birth,

1118
00:47:24,640 --> 00:47:30,239
Speaker 2: the devil is beating his wife, monkey's wedding, fox's wedding, pineapple, rain,

1119
00:47:30,840 --> 00:47:31,600
Speaker 2: liquid sun.

1120
00:47:32,120 --> 00:47:34,360
Speaker 1: I have no term or expression for this.

1121
00:47:34,239 --> 00:47:36,000
Speaker 3: With fun times?

1122
00:47:36,840 --> 00:47:43,120
Speaker 2: What sunshower? Sunshower? How do you pronounce the second syllable

1123
00:47:43,239 --> 00:47:50,120
Speaker 2: of p A j A m A s mos No

1124
00:47:50,800 --> 00:47:53,880
Speaker 2: pu jaw jaw pa jaw No, you don't.

1125
00:47:53,920 --> 00:47:56,440
Speaker 3: You don't do it that way. Say the word pajamas,

1126
00:47:57,400 --> 00:47:58,480
Speaker 3: say pajamas.

1127
00:47:58,719 --> 00:47:59,480
Speaker 1: How do you say it?

1128
00:48:00,120 --> 00:48:00,680
Speaker 3: Jamas?

1129
00:48:00,800 --> 00:48:01,080
Speaker 1: Okay?

1130
00:48:01,120 --> 00:48:03,759
Speaker 2: So it's either a picture with the word vowel in

1131
00:48:03,880 --> 00:48:05,680
Speaker 2: jam or with a vowel in palm.

1132
00:48:05,760 --> 00:48:07,480
Speaker 1: You say jamas. Okay.

1133
00:48:07,960 --> 00:48:10,240
Speaker 2: What do you call something that is across both streets

1134
00:48:10,239 --> 00:48:13,120
Speaker 2: from you at an intersection, or diagonally across from you

1135
00:48:13,160 --> 00:48:15,720
Speaker 2: in general, like something that's diagonal from you? Kitty corner,

1136
00:48:15,880 --> 00:48:20,359
Speaker 2: kid a corner, catter corner, catty corner, kitty cross.

1137
00:48:20,360 --> 00:48:21,439
Speaker 1: Kitty kitty womp?

1138
00:48:22,560 --> 00:48:23,919
Speaker 3: Who are who is that?

1139
00:48:23,960 --> 00:48:25,440
Speaker 1: I would use diagonal for this?

1140
00:48:25,560 --> 00:48:28,480
Speaker 3: I have us Are you kidding me?

1141
00:48:28,960 --> 00:48:31,520
Speaker 1: It's insane. The devil beats his wife. I would say

1142
00:48:31,560 --> 00:48:33,240
Speaker 1: diagonal or across the street.

1143
00:48:33,800 --> 00:48:35,880
Speaker 3: Okay, No, it's kitty corner.

1144
00:48:36,280 --> 00:48:39,400
Speaker 1: Do you pronounce co ot and c A U g

1145
00:48:39,800 --> 00:48:46,439
Speaker 1: h T the same coat and no cot? Oh?

1146
00:48:47,480 --> 00:48:51,080
Speaker 3: When when you're at a hotel and you an extra bed, oh.

1147
00:48:51,000 --> 00:48:54,800
Speaker 2: I say cat okay, and then they blank the criminal

1148
00:48:55,920 --> 00:48:58,960
Speaker 2: caught caught?

1149
00:48:59,120 --> 00:49:01,080
Speaker 1: She says some different, Yeah, okay.

1150
00:49:02,360 --> 00:49:04,439
Speaker 2: What do you call a traffic jam caused by driver

1151
00:49:04,560 --> 00:49:06,759
Speaker 2: slowing down to look at an accident on the or

1152
00:49:06,840 --> 00:49:08,239
Speaker 2: diversion on the side of the road.

1153
00:49:08,600 --> 00:49:10,480
Speaker 1: Rubberneck rubber necking.

1154
00:49:10,800 --> 00:49:13,560
Speaker 2: Rubber Necking is the activity the slowing down and glocking

1155
00:49:13,760 --> 00:49:15,959
Speaker 2: that causes the traffic jam. But I have no word

1156
00:49:15,960 --> 00:49:20,719
Speaker 2: for the traffic jam itself. Gaper's block, gaper's delay. Don't

1157
00:49:20,719 --> 00:49:25,800
Speaker 2: even think I'm done, looky lou, curiosity delay, dock block,

1158
00:49:26,160 --> 00:49:29,680
Speaker 2: I have no word cockblock it is.

1159
00:49:29,960 --> 00:49:33,360
Speaker 4: Rubber necking is the activity of trap that slows down

1160
00:49:33,600 --> 00:49:34,160
Speaker 4: the traffic.

1161
00:49:34,440 --> 00:49:35,520
Speaker 1: But I have no word for this.

1162
00:49:35,800 --> 00:49:37,720
Speaker 2: Yeah, well, first of all, that is the right answer,

1163
00:49:37,760 --> 00:49:41,719
Speaker 2: none of them. The thing couldn't be rubber necking. You

1164
00:49:41,719 --> 00:49:44,680
Speaker 2: couldn't call the accident rubber necking. I call it rubber

1165
00:49:44,719 --> 00:49:46,399
Speaker 2: necking the accident.

1166
00:49:46,120 --> 00:49:49,560
Speaker 1: Itself or the activity. Yes, that's what I'm saying. What

1167
00:49:49,560 --> 00:49:50,600
Speaker 1: do you call it? But what do you call?

1168
00:49:50,640 --> 00:49:53,520
Speaker 2: A traffic jam caused by driver slowing down? Is not

1169
00:49:53,560 --> 00:49:55,000
Speaker 2: called a rubber neck I call it.

1170
00:49:55,000 --> 00:49:59,360
Speaker 3: Rubber necking because it's the the you call the accident

1171
00:49:59,400 --> 00:50:02,360
Speaker 3: the rubber neck it's caused, it's the traffic, it's the

1172
00:50:02,400 --> 00:50:03,360
Speaker 3: traffic causes.

1173
00:50:03,480 --> 00:50:06,040
Speaker 2: What do you call a traffic jam cause okay, the

1174
00:50:06,040 --> 00:50:07,479
Speaker 2: traffic jam is called rubber ducking.

1175
00:50:07,600 --> 00:50:10,080
Speaker 3: I call it rubber deck because everyone is the reason

1176
00:50:10,120 --> 00:50:12,280
Speaker 3: there is a traffic jam is because people are slowing

1177
00:50:12,320 --> 00:50:14,759
Speaker 3: down to look at an accident and so their their

1178
00:50:14,880 --> 00:50:16,719
Speaker 3: next get real long and stretchy.

1179
00:50:16,719 --> 00:50:19,920
Speaker 1: Well, yes, sand what the comes from?

1180
00:50:19,960 --> 00:50:22,840
Speaker 2: But I don't think rubber right, I would call it

1181
00:50:22,880 --> 00:50:24,120
Speaker 2: a traffic jam.

1182
00:50:24,320 --> 00:50:26,360
Speaker 1: Yes, thank you from rubber necking.

1183
00:50:26,719 --> 00:50:27,760
Speaker 3: Use twelve long island.

1184
00:50:28,040 --> 00:50:34,080
Speaker 1: Okay, how do you pronounce questions? Because break? Five more? Okay,

1185
00:50:34,120 --> 00:50:34,520
Speaker 1: six more?

1186
00:50:34,560 --> 00:50:36,000
Speaker 2: We can go to break coming back with six more

1187
00:50:36,040 --> 00:50:41,560
Speaker 2: questions after this, Okay, Noah, Question number twenty out of

1188
00:50:41,560 --> 00:50:42,040
Speaker 2: twenty five.

1189
00:50:42,160 --> 00:50:48,280
Speaker 1: How do you pronounce b e e n bin? Okay,

1190
00:50:48,560 --> 00:50:50,160
Speaker 1: like the vowel in sit bin.

1191
00:50:51,560 --> 00:50:53,399
Speaker 2: How do you what do you call a big road

1192
00:50:53,440 --> 00:50:55,040
Speaker 2: on which you drive relatively fast?

1193
00:50:55,120 --> 00:50:55,520
Speaker 1: Highway?

1194
00:50:55,560 --> 00:50:59,640
Speaker 2: Freeway, parkway, turnpike, expressway, through through way. A freeway is

1195
00:50:59,640 --> 00:51:02,520
Speaker 2: bigger than a highway. A freeway is free, a highway isn't.

1196
00:51:02,680 --> 00:51:06,440
Speaker 2: A freeway has limited access, no stoplights, no intersections, whereas

1197
00:51:06,440 --> 00:51:08,440
Speaker 2: a highway can have stoplights and intersections.

1198
00:51:08,480 --> 00:51:11,440
Speaker 1: I just call them all highways same.

1199
00:51:12,160 --> 00:51:13,839
Speaker 2: What do you call the sweet spread that is put

1200
00:51:13,880 --> 00:51:15,400
Speaker 2: on a cake for this interesting?

1201
00:51:15,480 --> 00:51:17,400
Speaker 1: Frosting or icing? Frosting?

1202
00:51:17,680 --> 00:51:20,320
Speaker 2: Icing, frosting and icing refer to different things both neither.

1203
00:51:21,080 --> 00:51:22,160
Speaker 1: I would say icing.

1204
00:51:23,760 --> 00:51:27,839
Speaker 2: Icing interesting. That would never Okay, we're getting close. What

1205
00:51:27,880 --> 00:51:29,720
Speaker 2: do you call the area of grass between the sidewalk

1206
00:51:29,760 --> 00:51:35,240
Speaker 2: and the road, the berm, the parking tree, lawn, terrace,

1207
00:51:35,719 --> 00:51:39,759
Speaker 2: curb strip, beltway, verge. I have no word for this.

1208
00:51:40,239 --> 00:51:41,640
Speaker 2: I have no word for this. I just call it

1209
00:51:41,640 --> 00:51:44,480
Speaker 2: a sidewalk, but it's it's the grass.

1210
00:51:44,520 --> 00:51:46,200
Speaker 1: I know. It's all the same to me.

1211
00:51:46,360 --> 00:51:47,960
Speaker 3: I had to look that up once because I want

1212
00:51:47,960 --> 00:51:49,680
Speaker 3: to know what it was called, And then I forgot

1213
00:51:49,680 --> 00:51:51,640
Speaker 3: what I because I didn't have a word for it either.

1214
00:51:51,760 --> 00:51:52,319
Speaker 1: I didn't either.

1215
00:51:52,560 --> 00:51:55,279
Speaker 2: That must be like a very specific neighborhood. What do

1216
00:51:55,320 --> 00:51:57,840
Speaker 2: you call if they If you answered that, what would

1217
00:51:57,840 --> 00:52:00,320
Speaker 2: you call a sale of unwanted items on your porch

1218
00:52:00,480 --> 00:52:01,200
Speaker 2: or in your yard?

1219
00:52:02,280 --> 00:52:03,240
Speaker 1: A yard sale?

1220
00:52:03,920 --> 00:52:04,720
Speaker 3: Yeah?

1221
00:52:05,080 --> 00:52:08,640
Speaker 2: Other ones are tag sale, garage sale, rummage sale, thrift sale,

1222
00:52:08,719 --> 00:52:13,280
Speaker 2: stoop sale, car ports sales, sidewalk sale, jumble sale, car

1223
00:52:13,400 --> 00:52:15,440
Speaker 2: boot sale, patio sale.

1224
00:52:15,520 --> 00:52:18,240
Speaker 4: Honestly, I think I would actually call it a garage sale,

1225
00:52:19,080 --> 00:52:20,759
Speaker 4: garage sale, okay.

1226
00:52:20,920 --> 00:52:24,240
Speaker 3: Oh yeah, yard sale or yeah, garage sale.

1227
00:52:24,560 --> 00:52:26,600
Speaker 1: Changeable garage sale growing up.

1228
00:52:26,600 --> 00:52:28,160
Speaker 4: But I've seen a lot of signs around here for

1229
00:52:28,280 --> 00:52:30,120
Speaker 4: yard sales, and I think that's think.

1230
00:52:30,040 --> 00:52:33,360
Speaker 1: Yard sales more west, like the West Western.

1231
00:52:34,360 --> 00:52:37,160
Speaker 2: What do you call the small gray bug that curls

1232
00:52:37,239 --> 00:52:38,640
Speaker 2: up into a ball when it's touched?

1233
00:52:38,640 --> 00:52:39,440
Speaker 1: This is the last question.

1234
00:52:41,239 --> 00:52:44,560
Speaker 2: A pill bug, a doodle bug, a potato bug, a rollipolia,

1235
00:52:44,800 --> 00:52:49,640
Speaker 2: so bug or sowbug. But basketball bug, twittle bug, roll

1236
00:52:49,719 --> 00:52:52,440
Speaker 2: up bug, wood louse, millipede, centipede. These all sound like

1237
00:52:52,440 --> 00:52:53,080
Speaker 2: little names.

1238
00:52:52,920 --> 00:52:58,360
Speaker 4: I get my dog A centipede, A centipede, the little

1239
00:52:58,400 --> 00:52:59,080
Speaker 4: gray bug.

1240
00:52:59,360 --> 00:53:02,800
Speaker 1: Do you know what I'm talking This is bug isn't anything.

1241
00:53:03,200 --> 00:53:03,920
Speaker 3: I don't know what that is.

1242
00:53:04,000 --> 00:53:05,840
Speaker 2: I have no idea what this creature is is probably

1243
00:53:05,920 --> 00:53:07,719
Speaker 2: the right answer for you. Oh you don't know what

1244
00:53:07,800 --> 00:53:09,680
Speaker 2: this little gray bug is that rolls up at a

1245
00:53:09,680 --> 00:53:13,719
Speaker 2: ball like like an marilla. No, no, no, no, it's like

1246
00:53:13,760 --> 00:53:16,000
Speaker 2: it has like an egxoskeleton kind.

1247
00:53:15,840 --> 00:53:19,520
Speaker 1: Of We we just had water bugs growing up and roaches,

1248
00:53:19,680 --> 00:53:22,359
Speaker 1: so I don't know. Okay, it's calculating it.

1249
00:53:22,719 --> 00:53:33,040
Speaker 2: Okay, Girley, you are from Yonkers, Newark, Patterson, Yonkers, New Jersey, No.

1250
00:53:33,800 --> 00:53:36,040
Speaker 1: Brooklyn, New York. But close enough, I guess.

1251
00:53:36,200 --> 00:53:41,319
Speaker 3: Yeah, I finished, and I got the I answered some

1252
00:53:41,400 --> 00:53:44,040
Speaker 3: questions a little bit differently. The thing in the middle

1253
00:53:44,280 --> 00:53:48,360
Speaker 3: I remember, I call an island. Definitely, the grass in

1254
00:53:48,400 --> 00:53:50,000
Speaker 3: the middle of the street is an island.

1255
00:53:50,280 --> 00:53:51,920
Speaker 1: I didn't see much of those growing up.

1256
00:53:52,040 --> 00:53:54,200
Speaker 3: So and then I selected that I don't use the

1257
00:53:54,200 --> 00:53:57,040
Speaker 3: word supper at all for the supper question. And I

1258
00:53:57,080 --> 00:54:02,520
Speaker 3: also got Yonkers, Patterson, new But no, it's not saying

1259
00:54:02,520 --> 00:54:05,400
Speaker 3: we're from Yonkers, it's saying we're from any of these locations.

1260
00:54:05,960 --> 00:54:08,680
Speaker 2: The heat of the map, it's like the map shows

1261
00:54:08,719 --> 00:54:11,320
Speaker 2: like red and then blue and then green like it's

1262
00:54:11,360 --> 00:54:13,840
Speaker 2: it nailed it in terms of where you're from, I.

1263
00:54:13,840 --> 00:54:15,360
Speaker 3: Mean a general repress.

1264
00:54:15,600 --> 00:54:18,280
Speaker 1: No, it's impressive like the geotagging guys.

1265
00:54:18,360 --> 00:54:20,080
Speaker 3: It's not as impressive as the Achnator.

1266
00:54:20,680 --> 00:54:23,520
Speaker 2: It's it when you were when you were with people

1267
00:54:23,520 --> 00:54:25,480
Speaker 2: that are from like a small town in Georgia or

1268
00:54:25,520 --> 00:54:27,560
Speaker 2: something like, it blows people's mind.

1269
00:54:27,880 --> 00:54:28,560
Speaker 1: They can get it.

1270
00:54:29,120 --> 00:54:32,000
Speaker 3: Well, you know, people in that region talk the same.

1271
00:54:32,160 --> 00:54:34,960
Speaker 3: So the fact that I wouldn't think that someone from

1272
00:54:35,040 --> 00:54:37,799
Speaker 3: Yonkers would talk very much different from someone from Long Island.

1273
00:54:37,840 --> 00:54:39,759
Speaker 2: Should have asked what you call a place where you

1274
00:54:39,800 --> 00:54:41,319
Speaker 2: get food.

1275
00:54:42,480 --> 00:54:43,239
Speaker 1: And buy your food?

1276
00:54:43,480 --> 00:54:43,600
Speaker 4: Oh?

1277
00:54:43,680 --> 00:54:45,360
Speaker 3: Yeah, the grocery store questions.

1278
00:54:46,560 --> 00:54:49,480
Speaker 1: She would have called it supermarket, super super market.

1279
00:54:49,800 --> 00:54:51,319
Speaker 3: Yeah, the other question you could ask.

1280
00:54:51,360 --> 00:54:54,440
Speaker 2: I can smell the word supermarket because it smells like

1281
00:54:54,480 --> 00:54:57,960
Speaker 2: a New York like you know where the deli section

1282
00:54:58,200 --> 00:55:03,520
Speaker 2: like that sour kind of meat and cold like yeah, thick,

1283
00:55:03,640 --> 00:55:07,319
Speaker 2: the cold meat smell is so gross. Yeah, but it's

1284
00:55:07,320 --> 00:55:09,360
Speaker 2: like perme's the whole place, because the supermarkets in New

1285
00:55:09,440 --> 00:55:11,680
Speaker 2: York are so small that they're not as spread out

1286
00:55:11,719 --> 00:55:14,840
Speaker 2: as ones, and is the meat department you can like

1287
00:55:15,000 --> 00:55:16,520
Speaker 2: not smell it when you're in the cereal.

1288
00:55:17,000 --> 00:55:19,160
Speaker 3: Yeah. I love how a whole food smells, and I

1289
00:55:19,200 --> 00:55:22,480
Speaker 3: think they designed it on purpose to smell a specific

1290
00:55:22,520 --> 00:55:24,440
Speaker 3: ways that when you go into whole foods. You know,

1291
00:55:24,840 --> 00:55:26,960
Speaker 3: my dad read this in a book about whole foods,

1292
00:55:27,320 --> 00:55:29,080
Speaker 3: that they make it smell a certain way so that

1293
00:55:29,080 --> 00:55:30,520
Speaker 3: when you go into a whole Foods you're like, oh, the

1294
00:55:30,560 --> 00:55:31,880
Speaker 3: whole foods and you get like that.

1295
00:55:32,160 --> 00:55:32,960
Speaker 1: It makes sense.

1296
00:55:33,040 --> 00:55:36,319
Speaker 2: I mean, that's all what like any kind of corporation

1297
00:55:36,640 --> 00:55:40,759
Speaker 2: that's like Starbucks, they're like, so it's all about like

1298
00:55:40,800 --> 00:55:42,280
Speaker 2: it's not even about the taste of the coffee.

1299
00:55:42,320 --> 00:55:44,319
Speaker 1: People go taste bad. It's like we know or you

1300
00:55:44,360 --> 00:55:45,640
Speaker 1: know famously.

1301
00:55:45,320 --> 00:55:47,040
Speaker 2: It's the way the cut feels in your hand. It's

1302
00:55:47,040 --> 00:55:48,719
Speaker 2: where the door feels when you open it, the way

1303
00:55:48,760 --> 00:55:52,360
Speaker 2: the music is, the color, it's it's the sounds of

1304
00:55:52,400 --> 00:55:56,480
Speaker 2: the foamers. Like they put thought into everything, like little

1305
00:55:56,520 --> 00:55:57,120
Speaker 2: sensory scene.

1306
00:55:57,360 --> 00:56:00,920
Speaker 3: Every corporations are evil, but you did this. Who invented this?

1307
00:56:01,000 --> 00:56:04,480
Speaker 3: Almost in like the modern era is well that's not

1308
00:56:04,480 --> 00:56:06,319
Speaker 3: what I was gonna say, But yeah, Abercrombie for but

1309
00:56:06,320 --> 00:56:09,440
Speaker 3: for a food place is subway. The smell of the

1310
00:56:09,440 --> 00:56:12,680
Speaker 3: bread bacons when you walk into a subway, that place

1311
00:56:13,160 --> 00:56:14,680
Speaker 3: stinks like place.

1312
00:56:14,760 --> 00:56:15,120
Speaker 1: I love it.

1313
00:56:15,000 --> 00:56:17,680
Speaker 2: It smells like my it smells like being in middle

1314
00:56:17,719 --> 00:56:18,479
Speaker 2: school high school.

1315
00:56:18,520 --> 00:56:19,759
Speaker 3: Yeah, well that's exactly what they want.

1316
00:56:19,800 --> 00:56:20,279
Speaker 1: They got you.

1317
00:56:20,560 --> 00:56:21,800
Speaker 3: They got you in middle school.

1318
00:56:21,880 --> 00:56:22,440
Speaker 1: I love it.

1319
00:56:22,480 --> 00:56:24,960
Speaker 2: And there's just you know, it's like watching Seinfeld. It's

1320
00:56:25,000 --> 00:56:29,839
Speaker 2: just feels nostalidic. It feels like warm and yeah, oh god,

1321
00:56:29,880 --> 00:56:31,120
Speaker 2: I loved subway.

1322
00:56:31,120 --> 00:56:32,200
Speaker 1: I still I still do.

1323
00:56:33,000 --> 00:56:35,320
Speaker 2: Okay, final thought, we only have one episode this week.

1324
00:56:35,440 --> 00:56:37,080
Speaker 2: Let's get through some topics.

1325
00:56:37,400 --> 00:56:40,640
Speaker 3: So this, uh, yesterday or two days ago, I saw

1326
00:56:40,719 --> 00:56:42,880
Speaker 3: Wicked in theaters.

1327
00:56:43,080 --> 00:56:44,800
Speaker 1: And are you holding space?

1328
00:56:45,440 --> 00:56:47,239
Speaker 3: I'm holding space. Yeah, I want. I want to make

1329
00:56:47,280 --> 00:56:53,000
Speaker 3: sure that Cynthia Revo's well recognized. So let's just take

1330
00:56:53,040 --> 00:56:56,160
Speaker 3: a moment. No, I saw I saw Wicked last night

1331
00:56:56,280 --> 00:56:58,839
Speaker 3: or to night, and two things struck me. One is

1332
00:56:59,880 --> 00:57:02,839
Speaker 3: I was very heartened to see how many people went

1333
00:57:02,880 --> 00:57:04,880
Speaker 3: to the movie. It was like a pack theater and

1334
00:57:05,160 --> 00:57:07,400
Speaker 3: no shit, it's opening night. It's but this is not

1335
00:57:07,760 --> 00:57:08,240
Speaker 3: the case.

1336
00:57:08,960 --> 00:57:12,319
Speaker 2: But it's the biggest movie anticipation. We've been hearing about

1337
00:57:12,320 --> 00:57:12,840
Speaker 2: it for months and.

1338
00:57:12,880 --> 00:57:14,960
Speaker 3: Month with the advertising for Sure Tale.

1339
00:57:15,000 --> 00:57:17,880
Speaker 1: It's swift, It's swift, swifty, ish.

1340
00:57:18,000 --> 00:57:20,320
Speaker 3: Yeah, I mean, I'm both the same thing's happening for

1341
00:57:20,360 --> 00:57:22,360
Speaker 3: Gladiator too. I just hope that all of these like

1342
00:57:22,400 --> 00:57:27,040
Speaker 3: event movies kind of permeate, percolate throughout movies in general,

1343
00:57:27,040 --> 00:57:28,960
Speaker 3: and people remember that it's fun to go to the

1344
00:57:28,960 --> 00:57:31,400
Speaker 3: movie theater. And then people start to read.

1345
00:57:31,240 --> 00:57:34,320
Speaker 2: A take on Instagram or on Redd at them, like

1346
00:57:34,680 --> 00:57:35,600
Speaker 2: movie theaters suck?

1347
00:57:35,680 --> 00:57:37,800
Speaker 1: Why does everyone The only reason people want.

1348
00:57:37,600 --> 00:57:39,360
Speaker 2: Everyone to go back to movie theaters is because it's

1349
00:57:39,360 --> 00:57:42,439
Speaker 2: more profitable, Like you can enjoy a movie at home

1350
00:57:42,520 --> 00:57:44,720
Speaker 2: in the same way you don't. Like everyone goes like

1351
00:57:44,960 --> 00:57:47,200
Speaker 2: you gotta go to the movies again, and they're really

1352
00:57:47,280 --> 00:57:49,360
Speaker 2: building it up, and it's like I'm like, oh my god,

1353
00:57:49,400 --> 00:57:52,920
Speaker 2: we all have bought into this. Like going to AMC theater,

1354
00:57:53,560 --> 00:57:56,840
Speaker 2: you get you experience the magic, and it's like, no,

1355
00:57:56,960 --> 00:57:59,880
Speaker 2: it's just people want you to spend more money.

1356
00:58:00,080 --> 00:58:01,320
Speaker 3: Yeah, that's not how I feel.

1357
00:58:01,400 --> 00:58:05,800
Speaker 2: I feel like theater's got louder. Also, they're so loud loud.

1358
00:58:06,160 --> 00:58:08,160
Speaker 2: Put you, guys, are the biggest hack I can ever

1359
00:58:08,240 --> 00:58:10,120
Speaker 2: offer you. I do it in my plotate's classes because

1360
00:58:10,160 --> 00:58:12,840
Speaker 2: sometimes it's the speaker is just too loud and piercing.

1361
00:58:13,320 --> 00:58:15,520
Speaker 2: Go to the bathroom. Get some tissue. Take off the

1362
00:58:15,600 --> 00:58:18,040
Speaker 2: littlest piece and stick it in your ear. Choose tissue

1363
00:58:18,040 --> 00:58:20,959
Speaker 2: paper sure protect your ears if your ears are hurting,

1364
00:58:21,000 --> 00:58:22,480
Speaker 2: to not let it happen.

1365
00:58:22,680 --> 00:58:24,800
Speaker 3: Yeah, no, that's I'm so far gone.

1366
00:58:24,920 --> 00:58:26,960
Speaker 1: I understand that the theater, it's it's a you know.

1367
00:58:27,000 --> 00:58:27,320
Speaker 4: It's.

1368
00:58:29,000 --> 00:58:33,320
Speaker 3: The screen is superiors. And the best thing of all

1369
00:58:33,520 --> 00:58:36,640
Speaker 3: is you focus on the movie. It's there's no you

1370
00:58:36,640 --> 00:58:39,040
Speaker 3: don't take out your phone. You sit there and you're

1371
00:58:39,120 --> 00:58:40,440
Speaker 3: forced to watch the movie.

1372
00:58:40,480 --> 00:58:42,760
Speaker 2: But I've never heard someone say that they watched a

1373
00:58:42,800 --> 00:58:45,440
Speaker 2: movie at home and not didn't see the theater. And

1374
00:58:45,480 --> 00:58:48,040
Speaker 2: I go, well, you didn't really get to experience it

1375
00:58:48,080 --> 00:58:48,600
Speaker 2: like I don't.

1376
00:58:48,960 --> 00:58:50,800
Speaker 3: I shouldn't say that, especially in that voice.

1377
00:58:51,400 --> 00:58:53,680
Speaker 1: Although if someone listens to a book, I don't.

1378
00:58:53,760 --> 00:58:56,280
Speaker 2: I don't think they read a book as much as

1379
00:58:56,320 --> 00:58:59,520
Speaker 2: I still I will give you seventy five percent that

1380
00:58:59,520 --> 00:58:59,960
Speaker 2: you read.

1381
00:58:59,880 --> 00:59:01,400
Speaker 1: Up do you agree with it?

1382
00:59:02,640 --> 00:59:03,320
Speaker 3: To the audio book?

1383
00:59:03,320 --> 00:59:04,360
Speaker 1: I think audiobooks.

1384
00:59:04,480 --> 00:59:06,720
Speaker 2: When people say I read a book and they say audiobook,

1385
00:59:07,160 --> 00:59:09,400
Speaker 2: it's not like I don't respect you. I still think

1386
00:59:09,400 --> 00:59:11,280
Speaker 2: it's cool because you probably read more than I do,

1387
00:59:11,360 --> 00:59:13,760
Speaker 2: but you didn't read you're not absorbing it in the

1388
00:59:13,760 --> 00:59:14,160
Speaker 2: same way.

1389
00:59:14,200 --> 00:59:16,360
Speaker 1: There's got to be studies on this. There's no way

1390
00:59:16,400 --> 00:59:16,840
Speaker 1: it's the same.

1391
00:59:16,920 --> 00:59:17,760
Speaker 3: Yeah, you're in there, nus.

1392
00:59:17,840 --> 00:59:20,360
Speaker 2: You're driving and listening to an audiobook where you can

1393
00:59:20,520 --> 00:59:21,200
Speaker 2: really focus.

1394
00:59:21,640 --> 00:59:22,520
Speaker 1: You're not listening.

1395
00:59:22,640 --> 00:59:24,680
Speaker 3: No, Yeah, you were in the army reserve. You didn't

1396
00:59:24,720 --> 00:59:25,720
Speaker 3: go to Afghanistan.

1397
00:59:26,000 --> 00:59:28,200
Speaker 1: Yeah, that's what it feels like. It doesn't feel the same.

1398
00:59:28,200 --> 00:59:31,320
Speaker 2: But I did like the take of like just looking

1399
00:59:31,360 --> 00:59:33,760
Speaker 2: at these things that we're told or like that's the

1400
00:59:33,800 --> 00:59:36,360
Speaker 2: way it should be done. It's like, well, is someone

1401
00:59:36,440 --> 00:59:38,720
Speaker 2: making way more money by making us convinced that this

1402
00:59:38,800 --> 00:59:40,040
Speaker 2: is the way to take in this art?

1403
00:59:40,080 --> 00:59:41,600
Speaker 1: And the truth is yes, well.

1404
00:59:41,520 --> 00:59:43,360
Speaker 3: A different group of people are making money. People are

1405
00:59:43,360 --> 00:59:45,040
Speaker 3: still making money off of you if you're watching it

1406
00:59:45,080 --> 00:59:45,680
Speaker 3: at home.

1407
00:59:45,880 --> 00:59:47,720
Speaker 2: Not in the same way that they are making it.

1408
00:59:47,920 --> 00:59:51,480
Speaker 2: If you're streaming it, you're there. The margins on streaming

1409
00:59:51,520 --> 00:59:54,600
Speaker 2: are not even close. Where you can just buy a

1410
00:59:54,640 --> 00:59:58,360
Speaker 2: thing for buy a subscription for seven ninety is a

1411
00:59:58,400 --> 01:00:00,320
Speaker 2: fourteen ninety nine a month? Yeah, and then you have

1412
01:00:00,920 --> 01:00:02,920
Speaker 2: thousands of things to choose from. Is not the same

1413
01:00:02,960 --> 01:00:05,640
Speaker 2: margins as paying twenty five dollars for a ticket and

1414
01:00:05,680 --> 01:00:07,080
Speaker 2: then eight dollars for a bop cord.

1415
01:00:07,160 --> 01:00:09,240
Speaker 3: All that shit is bad though, all of that shit

1416
01:00:09,280 --> 01:00:12,240
Speaker 3: it's getting thousands of anything is bad for that's no,

1417
01:00:12,280 --> 01:00:12,560
Speaker 3: it's not.

1418
01:00:12,880 --> 01:00:14,520
Speaker 2: I'm not saying it's good, But it was just an

1419
01:00:14,560 --> 01:00:17,320
Speaker 2: interesting take that I was like, Oh, I have just

1420
01:00:17,360 --> 01:00:19,680
Speaker 2: been kind of conditioned to think that if you go

1421
01:00:19,720 --> 01:00:23,480
Speaker 2: to the theater that's the only way to truly enjoy

1422
01:00:23,480 --> 01:00:26,080
Speaker 2: the cinema. But it's like that's coming from people that

1423
01:00:26,160 --> 01:00:29,200
Speaker 2: are making money off of that way more money movie making.

1424
01:00:29,640 --> 01:00:31,360
Speaker 3: I'm not making money off of it, and I just

1425
01:00:31,480 --> 01:00:32,520
Speaker 3: enjoy going to movies.

1426
01:00:32,840 --> 01:00:35,120
Speaker 2: I understand that it is a better experience, but it's

1427
01:00:35,160 --> 01:00:38,680
Speaker 2: not like it's not like the world would fall apart

1428
01:00:38,680 --> 01:00:40,400
Speaker 2: if people stop going to the movie theater.

1429
01:00:41,080 --> 01:00:43,560
Speaker 3: Yeah, No, no, there's no. I mean, I highly doubt

1430
01:00:43,600 --> 01:00:46,080
Speaker 3: that would happen. That would be crazy if the world's.

1431
01:00:46,120 --> 01:00:47,760
Speaker 1: Going out to do anything anymore.

1432
01:00:47,800 --> 01:00:50,120
Speaker 3: Like, No, did you read this stuff about gen z

1433
01:00:50,360 --> 01:00:52,160
Speaker 3: is not leaving their homes?

1434
01:00:52,400 --> 01:00:52,640
Speaker 1: No?

1435
01:00:53,040 --> 01:00:54,840
Speaker 3: Yeah, And we can talk to gen ZM about this,

1436
01:00:54,880 --> 01:00:56,440
Speaker 3: but they did. They just came out with this like

1437
01:00:56,440 --> 01:01:03,040
Speaker 3: big retro respective study about the generation gen Z and

1438
01:01:03,720 --> 01:01:06,360
Speaker 3: they're saying that they're the least social generation. And I

1439
01:01:06,480 --> 01:01:09,480
Speaker 3: for yeah, I think this was on maybe Tim's podcast

1440
01:01:09,520 --> 01:01:11,080
Speaker 3: where he was talking about this and how he was

1441
01:01:11,120 --> 01:01:13,480
Speaker 3: saying that that's not a bad thing that people are

1442
01:01:13,520 --> 01:01:16,880
Speaker 3: like not going to bars and not going to clubs.

1443
01:01:16,960 --> 01:01:17,680
Speaker 1: I saw that too.

1444
01:01:17,960 --> 01:01:21,960
Speaker 2: Yeah, yeah, he's like, because people are an alcoholics.

1445
01:01:21,360 --> 01:01:24,360
Speaker 3: They realize the smart bars and clubs when in your

1446
01:01:24,360 --> 01:01:26,760
Speaker 3: twenties and wasting a decade of your life getting drunk

1447
01:01:26,880 --> 01:01:27,480
Speaker 3: is stupid.

1448
01:01:27,560 --> 01:01:31,040
Speaker 2: And yeah, money, wasting your money, money, not going out

1449
01:01:31,040 --> 01:01:31,360
Speaker 2: as much.

1450
01:01:31,360 --> 01:01:33,040
Speaker 3: I don't a few movies in the same way I don't.

1451
01:01:33,280 --> 01:01:35,280
Speaker 2: I don't view going out to see music at smaller

1452
01:01:35,360 --> 01:01:39,240
Speaker 2: venues like the only people that are making money doing like,

1453
01:01:39,920 --> 01:01:44,080
Speaker 2: you know, performing are people at the top. Yeah, in anything,

1454
01:01:44,280 --> 01:01:47,000
Speaker 2: there's no space for like just a touring band to

1455
01:01:47,040 --> 01:01:49,840
Speaker 2: do like a two hundred seat venue happening.

1456
01:01:49,600 --> 01:01:51,600
Speaker 4: In the last five minutes of the show, can we

1457
01:01:51,640 --> 01:01:55,920
Speaker 4: talk about Gracie Abrams speaking, Oh yeah, yeah, something happens.

1458
01:01:55,960 --> 01:01:57,880
Speaker 1: Wait hold on, I just want to hear Wicked.

1459
01:01:57,920 --> 01:02:01,240
Speaker 3: You loved it, right, loved Wicked it everybody and it

1460
01:02:01,280 --> 01:02:03,480
Speaker 3: was amazing except for one person who I would not

1461
01:02:03,520 --> 01:02:06,040
Speaker 3: call out on the podcast. But the movie was just

1462
01:02:06,080 --> 01:02:09,320
Speaker 3: as good as the musical. When it ended, I was

1463
01:02:09,400 --> 01:02:12,440
Speaker 3: like this is as good as I felt. I felt

1464
01:02:12,440 --> 01:02:15,120
Speaker 3: this way when I was in high school when I

1465
01:02:15,160 --> 01:02:17,520
Speaker 3: saw Avatar and I was like, I'm painting myself for

1466
01:02:17,560 --> 01:02:19,840
Speaker 3: the baby. No, when I was in high school and

1467
01:02:19,920 --> 01:02:23,000
Speaker 3: I saw Wicked on Broadway, my high school sent me

1468
01:02:23,040 --> 01:02:24,720
Speaker 3: to Broadway to go see Wicked.

1469
01:02:24,840 --> 01:02:29,000
Speaker 1: Why and Yeah, Ryan was.

1470
01:02:28,920 --> 01:02:31,280
Speaker 2: Like an amazing actor in high school and then he

1471
01:02:31,360 --> 01:02:32,200
Speaker 2: completely lost it.

1472
01:02:32,240 --> 01:02:33,600
Speaker 3: I'm not my skills.

1473
01:02:33,680 --> 01:02:35,800
Speaker 2: He literally was like one of the best actors and

1474
01:02:35,840 --> 01:02:38,000
Speaker 2: people were like, you were you were?

1475
01:02:38,400 --> 01:02:40,880
Speaker 3: I was plucked. Yeah, I was plucked by like these

1476
01:02:40,920 --> 01:02:45,120
Speaker 3: like these like theater people to uh like be groomed

1477
01:02:45,120 --> 01:02:46,720
Speaker 3: I guess, I don't know, not in a sexual way,

1478
01:02:46,760 --> 01:02:49,320
Speaker 3: but to be groomed for the theater. Eventually, Yeah, it

1479
01:02:49,320 --> 01:02:51,880
Speaker 3: all leads to that Hollywood. And then I played Alan

1480
01:02:52,080 --> 01:02:57,000
Speaker 3: and Equis and I was truly it was so frustrated

1481
01:02:57,000 --> 01:03:00,040
Speaker 3: because I was truly amazing, like I was in this

1482
01:03:00,240 --> 01:03:03,000
Speaker 3: Equas thing, and they were like older guys who were

1483
01:03:03,040 --> 01:03:04,960
Speaker 3: like telling me to take my clothes. They're older guys

1484
01:03:05,000 --> 01:03:08,520
Speaker 3: who were actors, and they were like, how do you

1485
01:03:08,600 --> 01:03:11,960
Speaker 3: access these emotions? How do you become this character? How

1486
01:03:12,000 --> 01:03:14,320
Speaker 3: do you see the horse? And I and I literally

1487
01:03:14,360 --> 01:03:16,440
Speaker 3: I would do the scenes and I would like have

1488
01:03:16,600 --> 01:03:20,400
Speaker 3: to leave the room because I was so emotionally drained

1489
01:03:20,440 --> 01:03:22,680
Speaker 3: after doing them. I really did you were like a

1490
01:03:22,760 --> 01:03:24,760
Speaker 3: real actor. I was like, I can't be near you.

1491
01:03:24,840 --> 01:03:26,800
Speaker 3: I can't be near you. I gotta go Okay, So can.

1492
01:03:26,720 --> 01:03:29,160
Speaker 2: You speak to the thing of like kids being like

1493
01:03:29,400 --> 01:03:31,360
Speaker 2: having emotions that you're just like, where did you get

1494
01:03:31,360 --> 01:03:31,720
Speaker 2: this from?

1495
01:03:31,800 --> 01:03:32,000
Speaker 1: Kid?

1496
01:03:32,120 --> 01:03:34,280
Speaker 2: Like you can speak to that, because like when you

1497
01:03:34,280 --> 01:03:36,479
Speaker 2: see kids being good actors, you're like, what the fuck?

1498
01:03:36,600 --> 01:03:37,920
Speaker 1: Like, where are you pulling this from?

1499
01:03:37,960 --> 01:03:40,880
Speaker 2: You have been You've let their kids that aren't from

1500
01:03:40,920 --> 01:03:42,520
Speaker 2: broken homes you certainly weren't.

1501
01:03:42,560 --> 01:03:43,360
Speaker 1: How could you act?

1502
01:03:43,640 --> 01:03:45,840
Speaker 3: Probably well, I was from a broken life. I mean

1503
01:03:45,960 --> 01:03:47,600
Speaker 3: I think I did pull it. Like there was a

1504
01:03:47,640 --> 01:03:49,640
Speaker 3: play I was in where my parents were getting divorced,

1505
01:03:49,680 --> 01:03:51,800
Speaker 3: and I obviously was able to access my own parents

1506
01:03:51,840 --> 01:03:55,720
Speaker 3: divorced to but I think it I think what ruined

1507
01:03:55,760 --> 01:03:57,400
Speaker 3: it for me because one because then I went to

1508
01:03:57,440 --> 01:04:00,680
Speaker 3: college and I and I started auditioning for the plays

1509
01:04:00,720 --> 01:04:03,040
Speaker 3: there and and I was I went in as a

1510
01:04:03,080 --> 01:04:05,240
Speaker 3: theater major and I was doing this audition and I

1511
01:04:05,280 --> 01:04:07,840
Speaker 3: remember the moment where I was like, I can't act.

1512
01:04:08,160 --> 01:04:10,520
Speaker 3: I can't act anymore. I was sitting in an audition

1513
01:04:10,960 --> 01:04:13,320
Speaker 3: and I was sitting across from the person, the director

1514
01:04:13,400 --> 01:04:15,680
Speaker 3: or whatever, and I was doing my scene and I

1515
01:04:15,760 --> 01:04:20,000
Speaker 3: was like, I feel I felt like I was like

1516
01:04:20,120 --> 01:04:23,760
Speaker 3: hitting on her my character, like I felt like my

1517
01:04:23,880 --> 01:04:26,160
Speaker 3: character wasn't hitting on this character. It wasn't like a

1518
01:04:26,200 --> 01:04:28,880
Speaker 3: sexual scene. I was like, you know, brother and sister

1519
01:04:29,000 --> 01:04:30,960
Speaker 3: or something. And the way I was like playing it

1520
01:04:31,200 --> 01:04:34,680
Speaker 3: read like I'm like hitting not on the character, like

1521
01:04:34,720 --> 01:04:37,040
Speaker 3: I'm hitting on the director in real life. It's what

1522
01:04:37,080 --> 01:04:38,760
Speaker 3: it felt like. And I was like, what the fuck

1523
01:04:38,800 --> 01:04:41,400
Speaker 3: am I doing? I'm like flirting with the director and

1524
01:04:41,600 --> 01:04:42,720
Speaker 3: through this scene.

1525
01:04:42,560 --> 01:04:44,520
Speaker 1: What do you think it was that made you?

1526
01:04:44,760 --> 01:04:47,720
Speaker 3: I think I know exactly what it ought me comedy,

1527
01:04:49,400 --> 01:04:53,120
Speaker 3: because I was I was jumping into improv. I was

1528
01:04:53,120 --> 01:04:55,920
Speaker 3: thinking about writing stand up at the time, and I

1529
01:04:55,960 --> 01:04:59,720
Speaker 3: was like, now' I've I've removed myself from being in stuff,

1530
01:04:59,760 --> 01:05:03,320
Speaker 3: and I'm now an observer and a commenter on things.

1531
01:05:03,480 --> 01:05:05,920
Speaker 3: And you can't act if you're not in it, and

1532
01:05:06,400 --> 01:05:11,400
Speaker 3: you feel disingenuous and lame when you're like, I'm actually sad,

1533
01:05:11,400 --> 01:05:13,760
Speaker 3: and it's like the comedian's mind judging it too much. Yeah,

1534
01:05:13,800 --> 01:05:16,360
Speaker 3: the comedians mind, it's like, you're not actually sad about this,

1535
01:05:16,360 --> 01:05:18,040
Speaker 3: this is all fake. You want to come in.

1536
01:05:18,000 --> 01:05:20,640
Speaker 2: There and be like, yeah, you're cynical, cynical, and you

1537
01:05:20,680 --> 01:05:22,680
Speaker 2: cannot be cynical as an actor. You need to be

1538
01:05:22,800 --> 01:05:26,040
Speaker 2: so bought in. Yeah, wow, that's interesting.

1539
01:05:26,160 --> 01:05:30,640
Speaker 3: One step between acting and stand up is improv, where

1540
01:05:30,720 --> 01:05:33,520
Speaker 3: you are acting but you know it's a and so

1541
01:05:33,720 --> 01:05:35,760
Speaker 3: one of the biggest mistakes you can make in improv

1542
01:05:35,960 --> 01:05:39,280
Speaker 3: is be what they call uh in certain regions is

1543
01:05:39,280 --> 01:05:42,439
Speaker 3: like a wallflower where you sit back on the back

1544
01:05:42,520 --> 01:05:45,520
Speaker 3: line and you just comment on what other people are doing.

1545
01:05:45,520 --> 01:05:48,080
Speaker 3: And that's like a bad improv skill to have because

1546
01:05:48,120 --> 01:05:50,760
Speaker 3: you need to be in the scene. But it's the comedians.

1547
01:05:50,800 --> 01:05:52,920
Speaker 3: Because that's why stand ups are so bad at improv

1548
01:05:53,000 --> 01:05:54,360
Speaker 3: is because the comedian the.

1549
01:05:54,280 --> 01:05:56,840
Speaker 2: States too embarrassed to put to make ourselves look stupid.

1550
01:05:56,840 --> 01:05:59,080
Speaker 1: By the way, yeah, and improv you need to look stupid.

1551
01:05:59,080 --> 01:06:01,640
Speaker 3: So much so much. Yes, And the stand ups, mind

1552
01:06:01,720 --> 01:06:03,320
Speaker 3: is just make fun of those stupid things.

1553
01:06:03,560 --> 01:06:07,520
Speaker 2: Yes, Okay, that is the difference. I'm so cringed out.

1554
01:06:07,560 --> 01:06:10,760
Speaker 2: I improv not because I when I watch it for

1555
01:06:10,800 --> 01:06:12,400
Speaker 2: myself to do it. When I watch it, I really

1556
01:06:12,440 --> 01:06:15,600
Speaker 2: admire it, Yeah, but for myself. But I think there's

1557
01:06:15,640 --> 01:06:17,040
Speaker 2: a part of me that also judges it, and I

1558
01:06:17,040 --> 01:06:18,320
Speaker 2: think that other people are gonna judge me.

1559
01:06:18,320 --> 01:06:20,040
Speaker 3: Well, that's one of the lamest art forms that's ever

1560
01:06:20,040 --> 01:06:20,560
Speaker 3: been invented.

1561
01:06:20,560 --> 01:06:20,800
Speaker 1: I think.

1562
01:06:20,880 --> 01:06:23,360
Speaker 2: I think I I'm obsessed with it recently. I'm just

1563
01:06:23,720 --> 01:06:27,240
Speaker 2: like been watching a lot of it. Yeah, I'm so impressed.

1564
01:06:27,440 --> 01:06:29,080
Speaker 2: And Okay, so Wicket's great.

1565
01:06:29,400 --> 01:06:31,760
Speaker 3: Yes, Wick, it's amazing. And I just want to warn

1566
01:06:31,800 --> 01:06:34,440
Speaker 3: people because I did not know this going in. It's

1567
01:06:34,480 --> 01:06:36,560
Speaker 3: part one. In part two, oh, I know, it's fucking

1568
01:06:36,880 --> 01:06:37,480
Speaker 3: split up.

1569
01:06:37,680 --> 01:06:39,760
Speaker 2: How long is it? And that's why everyone's saying. This

1570
01:06:39,880 --> 01:06:41,920
Speaker 2: is why the girls are crying all the time. It's

1571
01:06:41,960 --> 01:06:44,040
Speaker 2: because they have put everything they have into it. And

1572
01:06:44,040 --> 01:06:46,960
Speaker 2: I'm just like, I don't really care. It's still a movie.

1573
01:06:47,000 --> 01:06:49,960
Speaker 2: Stop crying. I'm not trying to be a jerk. I

1574
01:06:51,040 --> 01:06:54,880
Speaker 2: love Arianna. I'm sure Cynthia rivo is. I know she's incredible.

1575
01:06:54,960 --> 01:06:58,600
Speaker 2: They're both amazing. This movie's gonna be just he's gonna

1576
01:06:58,600 --> 01:06:59,680
Speaker 2: sweep the award shows.

1577
01:06:59,680 --> 01:07:00,480
Speaker 1: It's it's amazing.

1578
01:07:00,800 --> 01:07:03,880
Speaker 2: But it's just a fucking movie. Let's stop crying about it.

1579
01:07:03,920 --> 01:07:05,760
Speaker 2: And I just think these girls are on press tours

1580
01:07:05,800 --> 01:07:08,520
Speaker 2: and they're tired and they're hungry, and then they they

1581
01:07:08,560 --> 01:07:11,200
Speaker 2: get a little there's a little chance of like that

1582
01:07:11,400 --> 01:07:13,200
Speaker 2: of something that moves up and they're just like they

1583
01:07:13,560 --> 01:07:14,960
Speaker 2: they weaken and they fall.

1584
01:07:15,080 --> 01:07:18,800
Speaker 3: Because they're crying a lot. Promoting the movies, Arianna and Cynthia. Yes,

1585
01:07:18,840 --> 01:07:19,600
Speaker 3: and isn't there some.

1586
01:07:19,600 --> 01:07:24,520
Speaker 2: Weird like yes, she held her finger in a clip

1587
01:07:24,560 --> 01:07:27,120
Speaker 2: that is so funny wow, because a woman asks her

1588
01:07:27,160 --> 01:07:30,840
Speaker 2: if that like that? A woman tells Cynthia Rivo that

1589
01:07:30,840 --> 01:07:33,080
Speaker 2: the song defined gravity. A lot of queer people have

1590
01:07:33,120 --> 01:07:35,120
Speaker 2: been holding space for it.

1591
01:07:35,120 --> 01:07:37,800
Speaker 1: It's like, this, what does that mean? It doesn't really

1592
01:07:37,840 --> 01:07:38,360
Speaker 1: make sense.

1593
01:07:39,200 --> 01:07:43,960
Speaker 2: Cynthia Rivo is acting like she's found out, you know what,

1594
01:07:44,200 --> 01:07:49,040
Speaker 2: Like like like she's like really, it's like it's very confusing,

1595
01:07:49,120 --> 01:07:51,720
Speaker 2: Like what is shocking about this? And she was like, well,

1596
01:07:51,760 --> 01:07:53,320
Speaker 2: I've just seen it a couple of times that queer

1597
01:07:53,360 --> 01:07:57,040
Speaker 2: people are holding space for it. It's so confused, dude.

1598
01:07:57,280 --> 01:08:00,920
Speaker 2: It's this clip is going viral because it's so confusing.

1599
01:08:01,240 --> 01:08:02,240
Speaker 3: It's about being yourself.

1600
01:08:02,280 --> 01:08:06,000
Speaker 2: Finally starts crying a little bit, crying, getting like teared up,

1601
01:08:06,040 --> 01:08:08,320
Speaker 2: and then Ariana like comforts her and just like grabs

1602
01:08:08,360 --> 01:08:12,120
Speaker 2: her finger instead of the hand, just grasps like so funny.

1603
01:08:12,240 --> 01:08:13,520
Speaker 1: It's just the funniest thing.

1604
01:08:14,000 --> 01:08:17,559
Speaker 2: I mean, like it's just I think they are just

1605
01:08:17,840 --> 01:08:22,040
Speaker 2: over they're so tired from doing press that nothing. We

1606
01:08:22,040 --> 01:08:24,479
Speaker 2: should take nothing they say seriously anymore, and we should

1607
01:08:24,680 --> 01:08:26,360
Speaker 2: let them be and we should make fun of them

1608
01:08:26,360 --> 01:08:29,920
Speaker 2: because they're in a vulnerable state with how much the

1609
01:08:30,000 --> 01:08:32,519
Speaker 2: press they've been doing. Like you can't you can't judge

1610
01:08:32,560 --> 01:08:34,639
Speaker 2: anything they're doing. But it was still really funny.

1611
01:08:34,720 --> 01:08:36,719
Speaker 3: This is what it takes to have a movie sweep

1612
01:08:36,720 --> 01:08:39,080
Speaker 3: the nation like this, unless you get the Barbenheimer thing

1613
01:08:39,080 --> 01:08:41,920
Speaker 3: where Oppenheimer didn't do this, But you have to, like

1614
01:08:42,360 --> 01:08:45,320
Speaker 3: you have to invest like literally like three hundred million

1615
01:08:45,360 --> 01:08:48,559
Speaker 3: dollars into just marketing in order for everyone in the

1616
01:08:48,560 --> 01:08:50,080
Speaker 3: country to actually watch them.

1617
01:08:50,600 --> 01:08:52,800
Speaker 2: And I'm going to go see it this week with dress.

1618
01:08:52,840 --> 01:08:55,599
Speaker 2: I'm really excited. I know I'm gonna fucking love it.

1619
01:08:56,640 --> 01:08:57,720
Speaker 2: I know nothing about it.

1620
01:08:58,240 --> 01:08:59,920
Speaker 3: You've never seen Wicked or heard of Wicked.

1621
01:09:00,040 --> 01:09:01,479
Speaker 2: I mean, I know I've heard of Wicked, but I

1622
01:09:01,520 --> 01:09:03,320
Speaker 2: did not know what it was about. I didn't know

1623
01:09:03,360 --> 01:09:05,360
Speaker 2: they were going to Witch College or something.

1624
01:09:05,560 --> 01:09:07,120
Speaker 3: Yeah, they go to which college.

1625
01:09:06,880 --> 01:09:07,519
Speaker 1: And I know the.

1626
01:09:09,360 --> 01:09:13,400
Speaker 2: I know that, and then I know popular, but I

1627
01:09:13,439 --> 01:09:14,880
Speaker 2: don't know any words from You know.

1628
01:09:14,840 --> 01:09:17,599
Speaker 3: That it's based on the Wizard of Oz. I found

1629
01:09:17,600 --> 01:09:21,320
Speaker 3: that out like two Day's Frank Baums, okay, Wizard of Oz.

1630
01:09:21,439 --> 01:09:24,559
Speaker 2: One of them's green, it's Glinda and Alphaba. I know

1631
01:09:24,640 --> 01:09:27,639
Speaker 2: that Bowen Yang is in it. I love Yang nothing else.

1632
01:09:27,840 --> 01:09:30,559
Speaker 3: They really leaned into bow and Yang being funny throughout

1633
01:09:30,560 --> 01:09:31,559
Speaker 3: the entire movie.

1634
01:09:31,800 --> 01:09:33,639
Speaker 1: Okay, yeah, they were like.

1635
01:09:33,720 --> 01:09:36,320
Speaker 3: He's the funny one, so whenever we have a moment

1636
01:09:36,320 --> 01:09:38,559
Speaker 3: that needs to be funny, it will be him delivering it.

1637
01:09:39,000 --> 01:09:40,800
Speaker 2: They don't give it and they don't give it any

1638
01:09:40,880 --> 01:09:42,800
Speaker 2: chance to anyone else. To be funny, is what you're saying.

1639
01:09:43,320 --> 01:09:46,640
Speaker 3: Ariana Grande gets to be character funny where she's like

1640
01:09:46,840 --> 01:09:51,360
Speaker 3: because her characters interesting. She makes character moves that are

1641
01:09:51,640 --> 01:09:54,559
Speaker 3: not jokes, but like funny. Anytime there's like a straight

1642
01:09:54,640 --> 01:09:56,920
Speaker 3: up joke, it comes from Bowen Yang.

1643
01:09:57,280 --> 01:09:59,599
Speaker 1: Okay, yeah, it's good and bad.

1644
01:09:59,640 --> 01:10:01,880
Speaker 3: It's good, been bad, Okay, Bowen Yang does a great job.

1645
01:10:01,920 --> 01:10:04,719
Speaker 3: But it's also like we get that he's the comedy

1646
01:10:04,880 --> 01:10:08,719
Speaker 3: relief here, and so like, if this character is reading

1647
01:10:08,760 --> 01:10:11,400
Speaker 3: a little bit untrue because every single thing he says

1648
01:10:11,520 --> 01:10:12,720
Speaker 3: is literally a punchline.

1649
01:10:12,840 --> 01:10:13,200
Speaker 1: Mm hmm.

1650
01:10:13,760 --> 01:10:15,960
Speaker 3: So it's like good and bad. It's he's funny, he's

1651
01:10:16,000 --> 01:10:20,519
Speaker 3: great in it. Obviously he can sing. I didn't know that. Yeah,

1652
01:10:20,560 --> 01:10:23,800
Speaker 3: and he's hilarious as a writer. I'm looking at it

1653
01:10:23,800 --> 01:10:25,439
Speaker 3: and I'm like, can you flesh him out a little

1654
01:10:25,439 --> 01:10:27,760
Speaker 3: bit since he's not just the punchline.

1655
01:10:27,160 --> 01:10:33,080
Speaker 2: Guy, right, Yeah, but that's ipicking. And then yeah, just

1656
01:10:33,360 --> 01:10:37,240
Speaker 2: to cap us off, like the biggest thing of my

1657
01:10:37,320 --> 01:10:40,880
Speaker 2: weekend was Emily sent me a text on I think

1658
01:10:41,439 --> 01:10:43,439
Speaker 2: Friday night that just said oh my god. And I

1659
01:10:43,520 --> 01:10:45,599
Speaker 2: was like, busy doing something. But whenever she says oh

1660
01:10:45,600 --> 01:10:47,759
Speaker 2: my god, I know it's like something on it, someone's

1661
01:10:47,800 --> 01:10:50,800
Speaker 2: commented on something on Instagram, someone's following me now, someone

1662
01:10:50,880 --> 01:10:55,080
Speaker 2: DMed me. And it was a video of Gracie Abrams,

1663
01:10:55,080 --> 01:11:01,240
Speaker 2: who's like my favorite artist right now, saying really nice

1664
01:11:01,280 --> 01:11:01,840
Speaker 2: things about me and.

1665
01:11:02,160 --> 01:11:06,000
Speaker 3: Whoa no way, yes, it's what does she saying.

1666
01:11:07,280 --> 01:11:08,920
Speaker 2: I didn't repost it because I didn't want to, just

1667
01:11:08,960 --> 01:11:12,120
Speaker 2: like it's screen recorded from like a YouTube video, but

1668
01:11:12,439 --> 01:11:14,360
Speaker 2: so I didn't like want to brag about it, but

1669
01:11:14,479 --> 01:11:15,879
Speaker 2: I do to the besties.

1670
01:11:15,920 --> 01:11:17,599
Speaker 1: I have to, like I send it to my family.

1671
01:11:17,600 --> 01:11:19,439
Speaker 2: I sent it to Chris because everyone knows what Gracie

1672
01:11:19,479 --> 01:11:21,439
Speaker 2: Abrams means to me right now, and it was like,

1673
01:11:21,520 --> 01:11:26,120
Speaker 2: oh my god, this person that you're like legit obsessed with.

1674
01:11:26,479 --> 01:11:28,439
Speaker 3: Gracie Abrams is like, you're a Taylor Swift.

1675
01:11:28,600 --> 01:11:30,040
Speaker 1: I know, I know.

1676
01:11:30,439 --> 01:11:33,880
Speaker 4: And she's basically saying, like, what about Nicky Glazer says like,

1677
01:11:34,000 --> 01:11:36,400
Speaker 4: I'm I'm in I love it.

1678
01:11:36,400 --> 01:11:37,040
Speaker 1: It's so nice.

1679
01:11:37,080 --> 01:11:40,479
Speaker 2: I'm almost uncomfortable by it because it's just too nice.

1680
01:11:40,520 --> 01:11:45,120
Speaker 2: But it was extremely validating to just hear Instagram. I'll

1681
01:11:45,120 --> 01:11:47,680
Speaker 2: post it on the Instagram. Yes, we'll post on Instagram.

1682
01:11:47,760 --> 01:11:51,040
Speaker 1: Yeah, we saw that you commented on Nicki Glazer's rendition

1683
01:11:51,160 --> 01:11:53,360
Speaker 1: of it. I mean, I love her. She's so good.

1684
01:11:53,479 --> 01:11:55,280
Speaker 1: I really love her. I think she's a genius. And

1685
01:11:55,360 --> 01:11:58,439
Speaker 1: so to see her care at all about anything that

1686
01:11:58,479 --> 01:12:01,000
Speaker 1: I've ever done is huge for me. Yeah, it's a

1687
01:12:01,040 --> 01:12:02,120
Speaker 1: big deal, but it was.

1688
01:12:03,720 --> 01:12:08,880
Speaker 2: Yeah, it's just like you know, you it just for

1689
01:12:08,960 --> 01:12:12,360
Speaker 2: me to like have to love someone that, like everyone knows.

1690
01:12:12,400 --> 01:12:14,800
Speaker 2: Over the past few months, I've become utterly obsessed with

1691
01:12:14,800 --> 01:12:16,680
Speaker 2: her in a way that is similar to the way

1692
01:12:16,680 --> 01:12:19,719
Speaker 2: I felt about Taylor Swift and I've never even expected

1693
01:12:19,760 --> 01:12:21,800
Speaker 2: anything to come from Taylor Swift about me in my

1694
01:12:21,840 --> 01:12:24,960
Speaker 2: life and never expected to and and I would never

1695
01:12:24,960 --> 01:12:27,040
Speaker 2: expect it from Gracey either. Like I just like love

1696
01:12:27,560 --> 01:12:30,120
Speaker 2: artists unabashedly. I'm not waiting for when are they gonna

1697
01:12:30,240 --> 01:12:31,960
Speaker 2: There was an interview I did recently where they go,

1698
01:12:32,280 --> 01:12:34,200
Speaker 2: whose phone call are you dying for?

1699
01:12:34,439 --> 01:12:34,960
Speaker 1: Who's phone?

1700
01:12:34,960 --> 01:12:36,800
Speaker 2: Who are you waiting for that phone call from? And

1701
01:12:36,840 --> 01:12:39,920
Speaker 2: I'm like, no one. Yeah, I don't expect anyone to

1702
01:12:40,160 --> 01:12:43,080
Speaker 2: be like, wow, we love I'm never like, when does

1703
01:12:43,120 --> 01:12:45,680
Speaker 2: that person get up notice me or acknowledge me?

1704
01:12:45,720 --> 01:12:46,280
Speaker 3: My father?

1705
01:12:46,800 --> 01:12:51,120
Speaker 2: Yeah, exactly, I said Chris, because I had told him

1706
01:12:51,120 --> 01:12:53,240
Speaker 2: I was depressed the night before and he was like,

1707
01:12:53,240 --> 01:12:54,080
Speaker 2: do you want me to call you?

1708
01:12:54,360 --> 01:12:56,639
Speaker 1: And I go no, I'm just said what I want

1709
01:12:56,640 --> 01:12:58,360
Speaker 1: to call? And I'm like, that's who I'm waiting to call.

1710
01:12:58,400 --> 01:12:59,920
Speaker 1: I'm like, I said no, but it meant.

1711
01:13:01,520 --> 01:13:04,080
Speaker 2: But anyway, she said really nice things, and it was

1712
01:13:05,120 --> 01:13:07,200
Speaker 2: just a feeling I've never felt before of having someone

1713
01:13:07,240 --> 01:13:11,240
Speaker 2: that you like are just crazed over, Like I couldn't

1714
01:13:11,240 --> 01:13:13,880
Speaker 2: be more a bigger fan of Gracy Abrams right now

1715
01:13:13,920 --> 01:13:16,080
Speaker 2: and out of anyone in the world, like obviously Taylor

1716
01:13:16,080 --> 01:13:20,519
Speaker 2: Swift is my the OG, but like I'm in the

1717
01:13:20,680 --> 01:13:25,439
Speaker 2: very nascent stages of that kind of adoration for Gracy Abrams.

1718
01:13:25,439 --> 01:13:27,519
Speaker 2: I think she's that kind of artist. And so it

1719
01:13:27,680 --> 01:13:30,920
Speaker 2: just it's felt really good, nice thing, and I send

1720
01:13:30,960 --> 01:13:32,719
Speaker 2: it to everyone in my life that I love who

1721
01:13:32,800 --> 01:13:34,200
Speaker 2: loves me, because I'm like, this.

1722
01:13:34,120 --> 01:13:35,759
Speaker 1: Is a really special moment in my life.

1723
01:13:36,080 --> 01:13:38,080
Speaker 2: And and it was nice because if this would have

1724
01:13:38,080 --> 01:13:41,040
Speaker 2: happened a month ago, people wouldn't have known my Gracy obsession.

1725
01:13:41,080 --> 01:13:44,120
Speaker 2: But it has amplified so intensely over the last month.

1726
01:13:44,120 --> 01:13:45,720
Speaker 2: Even Chris I was like, we haven't been together for

1727
01:13:45,720 --> 01:13:48,640
Speaker 2: the past couple of months, but if you would have

1728
01:13:48,640 --> 01:13:50,880
Speaker 2: been around me, I'm listening to her NonStop. I have

1729
01:13:50,960 --> 01:13:54,120
Speaker 2: everything memorized. And he was like, I just got tears

1730
01:13:54,120 --> 01:13:56,040
Speaker 2: in my eyes. This is amazing. He keeps talking about

1731
01:13:56,040 --> 01:13:56,719
Speaker 2: it's really sweet.

1732
01:13:57,560 --> 01:13:58,400
Speaker 1: So thank you, Grazy.

1733
01:13:58,960 --> 01:14:01,439
Speaker 3: I love her, And that's where you're thankful for. Yes

1734
01:14:01,720 --> 01:14:05,080
Speaker 3: is Thanksgiving? Maybe today even listening to.

1735
01:14:05,200 --> 01:14:06,680
Speaker 1: Yes, Happy Thanksgiving?

1736
01:14:06,840 --> 01:14:08,240
Speaker 3: Yeah, Happy Thanksgiving.

1737
01:14:08,600 --> 01:14:12,839
Speaker 2: I'll say what my plates instructor said this morning, enjoy

1738
01:14:13,080 --> 01:14:16,519
Speaker 2: eating this holiday season. Don't be obsessed with your body,

1739
01:14:16,880 --> 01:14:20,760
Speaker 2: give yourself grace. Let yourself, do hold let yourself enjoy things,

1740
01:14:20,800 --> 01:14:23,400
Speaker 2: and do not let any comments about your body get

1741
01:14:23,439 --> 01:14:27,080
Speaker 2: you down. Anyone who comments on you is projecting and

1742
01:14:27,080 --> 01:14:29,960
Speaker 2: they're worried about their own self and they're jealous, or

1743
01:14:30,120 --> 01:14:34,760
Speaker 2: they are they deeply hate themselves.

1744
01:14:34,720 --> 01:14:39,719
Speaker 3: To somebody to the internet. When the Internet says, don't

1745
01:14:39,920 --> 01:14:43,639
Speaker 3: like to this holiday season, don't forget whatever you put

1746
01:14:43,640 --> 01:14:46,439
Speaker 3: in your body, your body remembers, and I'm just like,

1747
01:14:46,479 --> 01:14:49,439
Speaker 3: what fuck you?

1748
01:14:48,880 --> 01:14:48,920
Speaker 2: No?

1749
01:14:49,760 --> 01:14:53,240
Speaker 3: You like it's saying, don't don't binge during Christmas, or

1750
01:14:53,560 --> 01:14:56,000
Speaker 3: don't bing don't eat a bunch of candy and stuff

1751
01:14:56,040 --> 01:14:58,680
Speaker 3: during Halloween because Thanksgiving you.

1752
01:14:58,680 --> 01:15:02,439
Speaker 1: Have a couple more Christmases left. Yeah, Like, maybe have

1753
01:15:02,520 --> 01:15:04,679
Speaker 1: a good guy. Yeah, Christmas is the best.

1754
01:15:04,960 --> 01:15:08,720
Speaker 2: Holidays are the best time of year. It just like

1755
01:15:08,760 --> 01:15:10,760
Speaker 2: as a joyous time. Let that joy in. You might

1756
01:15:10,800 --> 01:15:12,519
Speaker 2: hate it because it reminds you of bad times in

1757
01:15:12,560 --> 01:15:14,280
Speaker 2: your family, but like, let it in a little bit

1758
01:15:14,720 --> 01:15:17,320
Speaker 2: and and love yourself this Christmas. Be your own family

1759
01:15:17,360 --> 01:15:20,760
Speaker 2: this Christmas. If your own family sucks, like, yeah, let

1760
01:15:20,840 --> 01:15:22,680
Speaker 2: the holiday spirit. And we don't know how many more

1761
01:15:22,680 --> 01:15:24,479
Speaker 2: of these we have and that we get in lives.

1762
01:15:24,479 --> 01:15:27,639
Speaker 2: We're not guaranteed even this one, so enjoy it. Eat

1763
01:15:27,800 --> 01:15:30,040
Speaker 2: is what you want. I had a cookie last night

1764
01:15:30,040 --> 01:15:31,040
Speaker 2: and I never have cookies.

1765
01:15:31,160 --> 01:15:32,519
Speaker 3: Yeah, I had several cookies.

1766
01:15:32,840 --> 01:15:34,479
Speaker 1: Yeah, so have your cookies.

1767
01:15:34,560 --> 01:15:36,599
Speaker 3: I ate a cookie and then Chris bought more cookies

1768
01:15:36,640 --> 01:15:37,960
Speaker 3: and I was like, oh my god, and I ate

1769
01:15:38,040 --> 01:15:38,559
Speaker 3: those too.

1770
01:15:38,800 --> 01:15:40,759
Speaker 1: Yeah, so eat your cookies.

1771
01:15:40,840 --> 01:15:43,559
Speaker 2: Let's have fun and uh, don't be cu and we'll

1772
01:15:43,600 --> 01:15:44,920
Speaker 2: see you next week, next year.

1773
01:15:45,120 --> 01:15:48,240
Speaker 1: Yeah, we'll see you next year and before that too. Bye.

1774
01:15:49,040 --> 01:15:51,919
Speaker 2: The Nicki Glazer Podcast is a production by Will Ferrell's

1775
01:15:51,920 --> 01:15:55,320
Speaker 2: Big Money Players and iHeart Podcasts. Created and hosted by

1776
01:15:55,360 --> 01:15:58,920
Speaker 2: me Nikki Glazer, co hosted by Brian Frangie Executive produced

1777
01:15:58,920 --> 01:16:02,240
Speaker 2: by Will Ferrell, Hans Sonny and Noah Avior edited it

1778
01:16:02,320 --> 01:16:06,559
Speaker 2: engineered by Lean and Loaf, video production Mark Canton and

1779
01:16:06,720 --> 01:16:09,839
Speaker 2: music by Anya Marina. You can now watch full episodes

1780
01:16:09,880 --> 01:16:13,200
Speaker 2: of the Nicki Glazer podcast on YouTube, follow at Nikki

1781
01:16:13,240 --> 01:16:15,280
Speaker 2: Glazer Pod and subscribe to our channel