1 00:00:01,080 --> 00:00:03,320 Speaker 1: Coming up at the top of the hour, right about 2 00:00:03,320 --> 00:00:06,680 Speaker 1: four minutes after. It's my Strawberry letter for today, the subject, 3 00:00:07,000 --> 00:00:15,320 Speaker 1: I'd rather be in prison than live with her. No holder, 4 00:00:17,680 --> 00:00:20,239 Speaker 1: I've been in some bad st I'm not can't. I 5 00:00:20,280 --> 00:00:24,439 Speaker 1: can't go to prison. I'd rather be in prison than 6 00:00:24,560 --> 00:00:29,200 Speaker 1: live with her. You've been to long. Wait till you 7 00:00:29,280 --> 00:00:32,960 Speaker 1: hear the move back with anybody out and head for 8 00:00:33,120 --> 00:00:36,199 Speaker 1: I can't I ask prison. We'll just be sitting up 9 00:00:36,200 --> 00:00:39,559 Speaker 1: in the maid. I hate you, I know you do. 10 00:00:41,360 --> 00:00:45,760 Speaker 1: We'll see pass the pe before we get to it. 11 00:00:46,040 --> 00:00:48,840 Speaker 1: The nephew is here with the prank phone call for today. 12 00:00:48,880 --> 00:00:51,919 Speaker 1: What you got let me have it? This right here, 13 00:00:51,960 --> 00:00:58,000 Speaker 1: Shirley is a Kay Miller, Kay Miller. You know I 14 00:00:58,080 --> 00:01:02,000 Speaker 1: do greatness so minutes time right here. This is just 15 00:01:02,360 --> 00:01:06,200 Speaker 1: I'm just, I'm just so, I'm just. I'm just. I'm 16 00:01:06,240 --> 00:01:09,960 Speaker 1: just excited to be me, to be Miller. Got it? 17 00:01:10,400 --> 00:01:15,360 Speaker 1: He's sticking you ready for it? Why? Why is here 18 00:01:15,400 --> 00:01:18,520 Speaker 1: against my pranks? Everybody? I ain't go I can't wait 19 00:01:18,560 --> 00:01:22,320 Speaker 1: to hear the prank. But but I don't like you. 20 00:01:22,440 --> 00:01:25,480 Speaker 1: I don't like your intensity, I don't like go ahead, 21 00:01:26,319 --> 00:01:29,280 Speaker 1: I don't like your repetitiveness. But we both got to 22 00:01:29,319 --> 00:01:34,520 Speaker 1: deal with Kate Miller, got it, play cat. Let's go. 23 00:01:35,000 --> 00:01:37,760 Speaker 1: You get your butt over that. I'm sit down. When 24 00:01:37,800 --> 00:01:40,039 Speaker 1: I get through talking to him, then I'm gonna deal 25 00:01:40,120 --> 00:01:44,160 Speaker 1: with you. Let your put down Portray right now? Hello, 26 00:01:45,600 --> 00:01:49,160 Speaker 1: Who is this? Who I'm looking for? Kate Miller? Who 27 00:01:49,240 --> 00:01:53,440 Speaker 1: is k Miller? Let me tell you something, man, this 28 00:01:54,000 --> 00:01:57,400 Speaker 1: purkis already know. I've been finding out for people that 29 00:01:57,400 --> 00:01:59,680 Speaker 1: you've been coming by my house when I'm gone, and 30 00:01:59,760 --> 00:02:02,400 Speaker 1: you're over here with my wife put trays. So let's 31 00:02:02,400 --> 00:02:04,600 Speaker 1: get it all out here in the open. I'm looking 32 00:02:04,680 --> 00:02:07,720 Speaker 1: for you. You hear me. Hey man, I don't even 33 00:02:07,720 --> 00:02:10,399 Speaker 1: know who you are. Man, set your butt down, Portrays, 34 00:02:10,919 --> 00:02:14,480 Speaker 1: shut it down, came Miller. When I found out where 35 00:02:14,520 --> 00:02:17,200 Speaker 1: you at. When I get my hands on your it's 36 00:02:17,200 --> 00:02:20,520 Speaker 1: gonna be over with go hold up now. I am okay, Mill, 37 00:02:20,880 --> 00:02:23,480 Speaker 1: But you ain't gonna do to me. Oh it's you 38 00:02:23,480 --> 00:02:26,440 Speaker 1: can kill it. Don't here like somebody you know is 39 00:02:26,840 --> 00:02:29,440 Speaker 1: your girl and you know you can't handle it. You 40 00:02:29,480 --> 00:02:33,200 Speaker 1: know I don't appreciate no lightweight cupcaking calling me, accusing 41 00:02:33,240 --> 00:02:35,320 Speaker 1: me of doing something I ain't done yet. You will 42 00:02:35,400 --> 00:02:37,839 Speaker 1: do it if you look, don't start this here today. Dog. 43 00:02:37,880 --> 00:02:40,600 Speaker 1: I ain't got enough in me right now to hold 44 00:02:40,639 --> 00:02:43,240 Speaker 1: this pressure. Now I'm looking for your so when I 45 00:02:43,240 --> 00:02:45,519 Speaker 1: find you, dog, this ain't gonna be good to me. 46 00:02:45,800 --> 00:02:48,480 Speaker 1: And you now you don't got enough because you ain't 47 00:02:48,520 --> 00:02:51,760 Speaker 1: your girl right that's why you're calling me, accusing me. 48 00:02:53,160 --> 00:02:55,760 Speaker 1: But you know my slub for them because it sounds 49 00:02:55,760 --> 00:02:57,560 Speaker 1: like you ain't doing what you're supposed to be doing. 50 00:02:57,680 --> 00:02:59,640 Speaker 1: Hey dog, don't sit here and say nothing stupid to 51 00:02:59,680 --> 00:03:01,799 Speaker 1: me like this, hip dog. Matter of fact, we can 52 00:03:01,840 --> 00:03:04,239 Speaker 1: just meet right now and get all this. So sit 53 00:03:04,400 --> 00:03:08,040 Speaker 1: your butt down, Portrays, don't move till I'm through with 54 00:03:08,120 --> 00:03:11,799 Speaker 1: it now, Mr k Miller, let me tell you something, man, 55 00:03:12,280 --> 00:03:14,720 Speaker 1: won't we just meet up and get this over with 56 00:03:15,040 --> 00:03:16,959 Speaker 1: So we can do that. We can go ahead and 57 00:03:17,000 --> 00:03:19,000 Speaker 1: meet up. And when you meet with me, they're sure 58 00:03:19,080 --> 00:03:20,839 Speaker 1: you put your lip down and work to Gelly because 59 00:03:20,880 --> 00:03:23,520 Speaker 1: I got something funning. But I do what. Put your 60 00:03:23,560 --> 00:03:25,880 Speaker 1: lip down and watch your Gelly because I got something funned. 61 00:03:26,440 --> 00:03:28,760 Speaker 1: You ain't gonna talk to me crazy dog. Hey man, 62 00:03:28,840 --> 00:03:31,359 Speaker 1: look here, you know you don't know who you're dealing with. 63 00:03:31,960 --> 00:03:34,600 Speaker 1: This is K Millers, and you got the write phone number. 64 00:03:34,800 --> 00:03:36,880 Speaker 1: But look here, you can't call my number. I can 65 00:03:36,880 --> 00:03:40,120 Speaker 1: needy company. Wait, I don't know who you are, but 66 00:03:40,200 --> 00:03:42,960 Speaker 1: you don't need to be with me. All I'm telling 67 00:03:42,960 --> 00:03:45,640 Speaker 1: you is I'm looking for you, and they already gave 68 00:03:45,680 --> 00:03:48,400 Speaker 1: me the description you six to you drive a black 69 00:03:48,480 --> 00:03:51,400 Speaker 1: crisis and already know when I see you it ain't 70 00:03:51,400 --> 00:03:53,640 Speaker 1: gonna be good to me. And you back that was 71 00:03:53,680 --> 00:03:57,680 Speaker 1: trying try. Look you donna drying, no prices three on it, 72 00:03:57,760 --> 00:04:03,440 Speaker 1: no cellers out? Okay what you dry here? I'm gonna 73 00:04:03,480 --> 00:04:06,480 Speaker 1: kick up you don't dry? No Christ the black three 74 00:04:06,560 --> 00:04:10,680 Speaker 1: hunter now my brother driver Christ for your brother, and 75 00:04:10,880 --> 00:04:13,160 Speaker 1: right now, that's what I need to know. Where I 76 00:04:13,280 --> 00:04:15,880 Speaker 1: want my brother? What are you right now? I need 77 00:04:15,920 --> 00:04:19,039 Speaker 1: to know you know you right there? You ain't calling. 78 00:04:20,760 --> 00:04:23,640 Speaker 1: I'm just trying to mess with my brothers. My father 79 00:04:24,240 --> 00:04:28,160 Speaker 1: getting married. You calling here accusing. I know ain't been 80 00:04:28,240 --> 00:04:30,880 Speaker 1: doing nothing. So your brother Benna get married, but he's 81 00:04:30,880 --> 00:04:33,880 Speaker 1: still going over the man. I was messing with mouth ship, 82 00:04:34,040 --> 00:04:37,279 Speaker 1: your down for trainers. You know what to be doing? 83 00:04:38,040 --> 00:04:40,760 Speaker 1: Land the pot he had it right, and your woma 84 00:04:40,839 --> 00:04:44,200 Speaker 1: getting the light. Look, I ain't got damn for your 85 00:04:44,279 --> 00:04:48,520 Speaker 1: little nurse you round now, Look, ain't you K Miller? Yeah? Miller? 86 00:04:48,760 --> 00:04:53,400 Speaker 1: But my father Miller? Your your brother named Miller. Yeah? 87 00:04:53,720 --> 00:04:56,760 Speaker 1: What's your name? My name is Killer. Both of y'all 88 00:04:56,880 --> 00:04:59,480 Speaker 1: is K Miller's Yeah, okay, but your brother is the 89 00:04:59,560 --> 00:05:02,880 Speaker 1: one that hide your black three run the christis all right. 90 00:05:03,040 --> 00:05:06,240 Speaker 1: I'm a whoop is as soon as I see him? 91 00:05:06,600 --> 00:05:10,080 Speaker 1: What do you saying that, my frother? Because like I 92 00:05:10,240 --> 00:05:14,000 Speaker 1: told you earlier, you're a lightweight cupcake. And if my 93 00:05:14,120 --> 00:05:17,400 Speaker 1: daughter is, he's doing what he's supposed to be doing. 94 00:05:17,640 --> 00:05:20,560 Speaker 1: But you are honestly slaying the type right and I 95 00:05:20,640 --> 00:05:24,680 Speaker 1: don't appreciate you. Oh my how friend and me and 96 00:05:24,800 --> 00:05:29,679 Speaker 1: then tell the color I'm a whoop you in your brother? 97 00:05:30,240 --> 00:05:32,440 Speaker 1: If I got you, that don't even make no difference 98 00:05:32,480 --> 00:05:35,080 Speaker 1: to me. It don't make no difference to me. Hi, 99 00:05:35,279 --> 00:05:39,359 Speaker 1: go down, whether I run in the cable Miller Miller, 100 00:05:39,640 --> 00:05:42,720 Speaker 1: damn mcclin Miller, it don't make me no difference. I'm 101 00:05:42,760 --> 00:05:47,680 Speaker 1: whipping a Miller sooner or later. Thing. I want you 102 00:05:47,720 --> 00:05:50,359 Speaker 1: to come about it for right now you're hiding them 103 00:05:50,360 --> 00:05:55,520 Speaker 1: behind the cold because you wink you're w pocket low down. Sorry, 104 00:05:56,560 --> 00:06:02,400 Speaker 1: come on right now and lean brother for what. We'll 105 00:06:02,480 --> 00:06:06,240 Speaker 1: meet you on the corner of Frank and Kelly right 106 00:06:06,400 --> 00:06:09,920 Speaker 1: now at the service station. I'm gonna do that. I 107 00:06:10,080 --> 00:06:12,839 Speaker 1: got thought I'm do Wait all this you're talking about, 108 00:06:13,040 --> 00:06:15,600 Speaker 1: All I want to know is how long it's gonna 109 00:06:15,600 --> 00:06:17,560 Speaker 1: take for you to get to the service station. That's 110 00:06:17,600 --> 00:06:20,520 Speaker 1: all I want to know from you. All I want 111 00:06:20,520 --> 00:06:22,560 Speaker 1: to know is how long it's gonna take for you 112 00:06:22,680 --> 00:06:25,279 Speaker 1: to get to the service station. Donna? Fright? W you Kenny? 113 00:06:25,440 --> 00:06:31,240 Speaker 1: How long? All right? Now? What with? What? Come on? Then? 114 00:06:31,480 --> 00:06:35,360 Speaker 1: I'm I'm on my way. I'm abody for you, okay, 115 00:06:36,440 --> 00:06:38,800 Speaker 1: I'm a whoop you and and then when I burned out, 116 00:06:38,839 --> 00:06:45,679 Speaker 1: WI your okay? Cool? Let me tell you one more favor, 117 00:06:45,720 --> 00:06:51,120 Speaker 1: befrom you just tell me. That's a nephew timing from 118 00:06:51,200 --> 00:06:57,039 Speaker 1: the Steve Harvey Morning. So you just got prig man 119 00:06:57,160 --> 00:07:04,600 Speaker 1: y'all look like get like his head. Tell me the 120 00:07:04,720 --> 00:07:08,360 Speaker 1: boys around him. I'm a boy pressure. That's gonna put 121 00:07:08,400 --> 00:07:11,960 Speaker 1: me some collis bid medications. I ain't feeling good. I'm 122 00:07:12,000 --> 00:07:13,920 Speaker 1: trying to send my friend on the Fox, and you 123 00:07:14,080 --> 00:07:18,400 Speaker 1: play common at this time of Hey, what trying is this? 124 00:07:18,800 --> 00:07:26,000 Speaker 1: And you're looking, Oh, that's your daddy. Yeah. Oh, here 125 00:07:26,120 --> 00:07:28,560 Speaker 1: came Miller too. Yeah, he came another time when he 126 00:07:28,640 --> 00:07:31,680 Speaker 1: was a got you know you wouldn't need it, but 127 00:07:32,160 --> 00:07:35,960 Speaker 1: Beth coming down. Them came in. Look what is the 128 00:07:36,120 --> 00:07:49,920 Speaker 1: baddest radio show in the land, Steve Morning. All of 129 00:07:49,920 --> 00:07:54,160 Speaker 1: them came Millers is a problem. As soon as you 130 00:07:54,400 --> 00:07:59,280 Speaker 1: call him, he got started. He is not having it. 131 00:08:00,040 --> 00:08:07,600 Speaker 1: Wake Cupcake, Cupcake? Yeah, oh my god. Big up to 132 00:08:07,680 --> 00:08:11,080 Speaker 1: K Miller right there. I think that was Dallas. If 133 00:08:11,120 --> 00:08:13,240 Speaker 1: I'm not mistaken, I think there's Dallas, Tex. Big up 134 00:08:13,320 --> 00:08:27,080 Speaker 1: to K. Millervan levels the wrong K Miller, the main thing. No, 135 00:08:27,240 --> 00:08:30,440 Speaker 1: I ain't got no black us dun. Oh you ain't. 136 00:08:31,360 --> 00:08:36,160 Speaker 1: That's my brother, Kevin Miller. Oh you ain't my brother here? 137 00:08:41,120 --> 00:08:50,520 Speaker 1: You et even do nothing my brother man? Yeah, I 138 00:08:50,600 --> 00:08:56,360 Speaker 1: know that was hurt my throat. Alright, Nethew, thank you. 139 00:08:57,880 --> 00:09:00,959 Speaker 1: Up next today Strawberry letters. So Jake, I'd rather be 140 00:09:01,200 --> 00:09:05,679 Speaker 1: in prison than live with her. I'd rather be in 141 00:09:05,760 --> 00:09:12,440 Speaker 1: prison than live with her. He is a real miss. 142 00:09:12,520 --> 00:09:16,120 Speaker 1: If you ain't been banned, now, wait till you hear 143 00:09:16,480 --> 00:09:19,400 Speaker 1: this letter. All right, we'll get into it right after this. 144 00:09:20,040 --> 00:09:22,720 Speaker 1: You're listening to the Stave Harvey Morning, show