WEBVTT - TechStuff Bonds With Spy Tech Part Two

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<v Speaker 1>Get in touch with technology with tex Stuff from how

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<v Speaker 1>stuff works dot com. Stay there and welcome to tech Stuff.

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<v Speaker 1>I'm Jonathan Strickland and I'm Lauren Boltom. And when last

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<v Speaker 1>we left you, James Vond was dangling over a cliff

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<v Speaker 1>and what could he do? But he's one of those

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<v Speaker 1>amazing gadgets. We're doing a two part series on the

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<v Speaker 1>amazing tech, sometimes literally incredible tech that is featured in

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<v Speaker 1>the James Bond books and films. And I believe you

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<v Speaker 1>had a little bit of a kind of a historical

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<v Speaker 1>tidbit to kind of wet our appetites before we jump

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<v Speaker 1>into the movies again, right, yeah, yeah, okay. So supposedly

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<v Speaker 1>John D, the sixteenth century science guy John D may

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<v Speaker 1>have been the first double O seven to perform espionage

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<v Speaker 1>in the Royal Service. He served as an advisor to

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<v Speaker 1>the Queen and reportedly signed his messages with two zero's

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<v Speaker 1>symbolizing his job as the Queen's eyes um, followed by

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<v Speaker 1>a seven with the top drawn out over the zeros

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<v Speaker 1>that the number seven reportedly having some kind of occult

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<v Speaker 1>meaning to d Um. So his code name, if you will,

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<v Speaker 1>was double O seven Yeah, and that you can uh

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<v Speaker 1>find and we actually have an article all about James

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<v Speaker 1>Bond at How Stuff Works. You can learn more about

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<v Speaker 1>the background and the supposed mythology behind it. By the way,

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<v Speaker 1>I've got another trivia tidbit about Dr John D. Yeah,

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<v Speaker 1>did you know that? According to HP Lovecraft, Dr John

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<v Speaker 1>D was the man responsible for translating the Necronomicon into English,

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<v Speaker 1>although that translation was never found I did not. Okay,

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<v Speaker 1>so let's jump into the James Bond series. Now, when

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<v Speaker 1>we last we left off, we had worked our way

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<v Speaker 1>up to Moonraker, the nineteen seventy nine film, and yes

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<v Speaker 1>we are in the middle of Roger Moore's um the

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<v Speaker 1>best James Bond ever. As I mentioned in the last one,

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<v Speaker 1>George lazenby close second Roger Moore. Man, you can I

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<v Speaker 1>could just hear the frustrated squeals of of James Bond

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<v Speaker 1>fans everywhere. Third placed Timothy Dalton, just just trying not

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<v Speaker 1>to kill you with their minds. Oh it's fine, it's fine.

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<v Speaker 1>Uh yeah, So Moonraker head, this was the era where

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<v Speaker 1>the Roger Moore era, where the gadgets really started going. Yeah.

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<v Speaker 1>We keep in mind Lauren and I met before we

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<v Speaker 1>came in to record this where we cut a bunch

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<v Speaker 1>of gadgets because we just for time, there's just too many.

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<v Speaker 1>And in this particular era alone, I think like sixty

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<v Speaker 1>of our cuts came from these, right. So starting off,

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<v Speaker 1>we have a wrist dart gun with poison tipped darts

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<v Speaker 1>are also armor piercing darts, so he had two different types.

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<v Speaker 1>And there are lots of electronic dart guns that have

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<v Speaker 1>been created over the pasta including a well, there's one

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<v Speaker 1>that was not even this was an electric It was

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<v Speaker 1>actually a bullet one. It was a gun gun. There

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<v Speaker 1>was a glove mounted gun, so the barrel of the

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<v Speaker 1>gun was actually on the palm side, and it was

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<v Speaker 1>designed so that when you would make a fist and

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<v Speaker 1>punch something, the gun in which the barrel would hopefully

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<v Speaker 1>clear your knuckles, would fire off. And the idea being

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<v Speaker 1>that it was developed in World War two by the

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<v Speaker 1>OSS and the idea is that you know, if you

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<v Speaker 1>were to create this sort of thing and show a

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<v Speaker 1>person punching someone else and the other person dies as

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<v Speaker 1>a result of being punched, it would scare the heck

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<v Speaker 1>out of your enemies, like, wow, they are so strong.

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<v Speaker 1>But here's the thing. Didn't work so well, so hardly

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<v Speaker 1>anyone ever fired one of these things. There are some

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<v Speaker 1>interesting pictures online of the various gun gloves. Uh So

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<v Speaker 1>there have been people who have tried to make this

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<v Speaker 1>kind of technology work, but no one's really done it

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<v Speaker 1>in such a way that it was ever practical. So

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<v Speaker 1>risk dart gun not necessarily practical. There's probably other ways

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<v Speaker 1>you could, you know, starts out other kind of impractical thing.

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<v Speaker 1>A cigarette case with an X ray safe cracking device. Yeah,

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<v Speaker 1>I'm not sure how you would fit X ray scanning

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<v Speaker 1>technology into the form factor of a cigarette. Sounds impossible.

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<v Speaker 1>It sounds pretty hard to me. Yeah, also had a wristwatch.

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<v Speaker 1>There are a lot of wristwatches in James Bond. That's

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<v Speaker 1>one of the things that we ended up cutting some

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<v Speaker 1>of them because there's so many. They were like, yeah,

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<v Speaker 1>we we've already. But anyway, this particular wristwatch had a

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<v Speaker 1>detonator refused and an explosive charge built into it, which, again,

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<v Speaker 1>that's a lot of stuff to pack into a tiny

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<v Speaker 1>form factor. Now I can totally understand a detonator in

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<v Speaker 1>a watch. A transmitter, that's something that I could, you know,

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<v Speaker 1>especially once you get into the transistor era, and we're

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<v Speaker 1>well into it now in nine. Transistors are definitely a

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<v Speaker 1>thing when you get into that miniaturization where you press

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<v Speaker 1>a button and it sends out a radio signal. I

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<v Speaker 1>totally get that. But being able to build in all

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<v Speaker 1>this other stuff so that it can contain everything is

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<v Speaker 1>a little on the science fiction side. Yeah, that's that's

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<v Speaker 1>dicey in terms of physics. There was also something showing

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<v Speaker 1>off in Queues laboratory that disturbed me. Are you are

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<v Speaker 1>you talking about the Mexican machine gun? Yeah, Mexican machine gun.

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<v Speaker 1>And so this is problematic so that while showing what

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<v Speaker 1>you know, a lot of the scenes show Q walking

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<v Speaker 1>through the laboratory and some outlandishly ridiculous gadget is going

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<v Speaker 1>off in the background. Yeah, just completely without comment, just

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<v Speaker 1>that's just happening. Occasionally they might stop and oh have

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<v Speaker 1>you seen this double O seven? It's a Mexican machine

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<v Speaker 1>gun and it looks like a well, it looks like

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<v Speaker 1>a mannequin. It is a mannequin of a person wearing

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<v Speaker 1>like a sombrero and taking a CS to like like

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<v Speaker 1>a troubling lye racist mannequin. Yeah, and then the chest

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<v Speaker 1>opens up, revealing a machine gun that fires off, So yeah,

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<v Speaker 1>that was a little problematic. And then there, of course,

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<v Speaker 1>is the character of Holly Goodhead, who had lots of

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<v Speaker 1>gadget She was a CIA agent in Moonraker, and she

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<v Speaker 1>had her own weapons, which included a pen, a notebook,

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<v Speaker 1>and perfume. It was a poison pen, it was it

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<v Speaker 1>was a dart shooting note back all women, it was flamethrower.

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<v Speaker 1>Every I'm sure you have some at your desk. It's

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<v Speaker 1>probably pink too, because we all know what ladies like, right, Yeah. No,

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<v Speaker 1>the the to be fair, the James Bond franchise has

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<v Speaker 1>never been accused of being forward thinking as far as

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<v Speaker 1>women are concerned. Yeah, that's that's or or race when

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<v Speaker 1>it comes to that. Yes, no, there's some terrible examples,

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<v Speaker 1>but we're what of course, we're constantly on the gadgets,

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<v Speaker 1>not the not the social commentary. So moving up to nine,

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<v Speaker 1>we're still with Roger Moore. Still yeah, for your eyes only, Yeah, no,

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<v Speaker 1>it was not just for my eyes, Lauren, it was

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<v Speaker 1>for the world's eyes. Oh, you're talking about the title

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<v Speaker 1>of the movie. Okay, yes, for your eyes. On the yes, um,

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<v Speaker 1>they introduced a computer like device called the ideograph in

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<v Speaker 1>this which was interesting. The idea was that you could

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<v Speaker 1>create a composite picture of a person by adding or

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<v Speaker 1>removing distinguishing features on a computer. Yeah, so it's kind

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<v Speaker 1>of like, no, the nose is bigger, No, no, the

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<v Speaker 1>eyes are wider. Set that kind of thing, which is

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<v Speaker 1>totally something we can do now. Yeah. Yeah, facial composition

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<v Speaker 1>techniques have been in use for for decades and decades

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<v Speaker 1>at this point, but um, I don't think that we

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<v Speaker 1>got a digital version until the late nineteen eighties. So

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<v Speaker 1>this is kind of again another sort of predictive technology,

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<v Speaker 1>but it's certainly something that has been used since. And

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<v Speaker 1>we still have you know, uh like a sketch artists

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<v Speaker 1>who work with police departments too. But now there are

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<v Speaker 1>also these technologies that let people uh kind of mix

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<v Speaker 1>and match basic features where you get a general idea

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<v Speaker 1>of what someone might look like based upon a description. Yeah,

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<v Speaker 1>it's it's great, uh, great artistic technology. Um. Also in

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<v Speaker 1>this film, we had an update to the communications first watch.

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<v Speaker 1>I think last we had kind of a ticker tape

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<v Speaker 1>sort of thing going on, um, and this one could

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<v Speaker 1>receive digital messages and be used like a walkie talkie,

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<v Speaker 1>which is fantastic because it meant that Roger Moore could

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<v Speaker 1>clear out all that extra space and his hollow arm

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<v Speaker 1>for the battery that would be necessary to run this device. Um,

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<v Speaker 1>you know, for those who don't get that joke, you

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<v Speaker 1>need to listen to the other podcast, the other episode.

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<v Speaker 1>Of course, these days that's totally a thing that we

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<v Speaker 1>have in pockets all the time. But but yes, at

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<v Speaker 1>the time, it was still a little bit forward thinking.

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<v Speaker 1>We wouldn't start to get wrist watches with that kind

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<v Speaker 1>of capacity until the late eighties at the very earliest.

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<v Speaker 1>And of course we you know, we've talked all about

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<v Speaker 1>smart watches in previous episodes, including the most famous one,

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<v Speaker 1>the Dick Tracy wrist radio, and there have been lots

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<v Speaker 1>of people who have created various kinds of of watches

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<v Speaker 1>that were also communicators. But now we're finally getting into

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<v Speaker 1>the era where they aren't super bulky or have you know,

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<v Speaker 1>no battery life whatsoever. So definitely a little ahead of

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<v Speaker 1>its time there, but supposed to be. Moving on to

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<v Speaker 1>the next Roger Moore film, nineteen eight three's Octopusy, which

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<v Speaker 1>I saw in a drive in movie theater. I remember

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<v Speaker 1>distinctly going to see this movie and thinking, even as

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<v Speaker 1>a kid in three same year that Return of the

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<v Speaker 1>Jedi came out, even as a kid, thinking this is silly.

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<v Speaker 1>It's this I would I would argue that Octopus E

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<v Speaker 1>is the silliest of the James Bond. It certainly had

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<v Speaker 1>some of the silliest examples of technology and and uh camouflage,

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<v Speaker 1>with the possible exception of a car that we'll talk

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<v Speaker 1>about towards the end of this episode. But for one thing,

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<v Speaker 1>they had the wristwatch and pen combo that this part

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<v Speaker 1>wasn't so silly. The idea was that the pen had

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<v Speaker 1>surveillance technology like a microphone in it that you would

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<v Speaker 1>surreptitiously leave someplace and then you could pick up the

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<v Speaker 1>transmission on the wristwatch and listen in on what was

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<v Speaker 1>going on. Not that crazy an idea actually, so I

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<v Speaker 1>kind of get that one. Uh. Also, the pen had

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<v Speaker 1>some nitric and hydrochloric acid in it that could clearly

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<v Speaker 1>dissolve stuff, because occasionally have to dissolve a bad guy's

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<v Speaker 1>face and you might not have the ark of the

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<v Speaker 1>Covenant in your youth. Uh. So then there was a

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<v Speaker 1>weapon that one of the nameless henchman in this movie

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<v Speaker 1>used there was a buzz saw slash yo yo type thing. Yeah, well,

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<v Speaker 1>I mean it was. I don't think that it was

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<v Speaker 1>intended to be a yo yo. I think it was

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<v Speaker 1>purely for weapon purposes. I don't think that the bad

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<v Speaker 1>guy was trying to trick anyone with it. It wasn't

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<v Speaker 1>trying to walk the dog or but it wasn't. I mean,

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<v Speaker 1>it was a buzz saw that had yo yo functionality. Yeah,

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<v Speaker 1>so the they thought ahead a little bit. So the

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<v Speaker 1>there was like a handpiece this guy wore where he

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<v Speaker 1>could hold the blade like a saw blade, you know,

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<v Speaker 1>and like a saw blade that's on a cable. But uh,

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<v Speaker 1>and he was the guy who was using it was

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<v Speaker 1>mostly using it from above. He was on a level

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<v Speaker 1>higher up than where James Bond was. He could kind

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<v Speaker 1>of throw it down and have it come back into

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<v Speaker 1>your hands, right and it would spin on the end

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<v Speaker 1>of its ropes, sort of like a yo yo would

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<v Speaker 1>if you if you did have a sleep just you

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<v Speaker 1>know it's it's called sleeping. But it could cut through

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<v Speaker 1>like all this stuff, Like it cuts through a table

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<v Speaker 1>that's got like a big fruit plate on it, because

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<v Speaker 1>you know, that's visually interesting Um, And truth is, unless

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<v Speaker 1>there was a motor that was turning that saw blade,

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<v Speaker 1>that just wouldn't work because as soon as it made

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<v Speaker 1>contact with something solid, it would start to lose velocity.

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<v Speaker 1>So it might it might embed in something. Sure, you

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<v Speaker 1>could probably get it to injure a person, pretty sure,

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<v Speaker 1>pretty well, sure, I just wouldn't continue to cut. It

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<v Speaker 1>wouldn't continue to rotate and cut, so that's not realistic.

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<v Speaker 1>In fact, a larger version of this sort of thing

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<v Speaker 1>was used in a later James Bond film, but on

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<v Speaker 1>an industrial level, where it was supposed to be something

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<v Speaker 1>meant to cut down trees and ends up cutting James

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<v Speaker 1>Bond's car in half. Unlikely. Yeah, Um, something that was

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<v Speaker 1>more likely was a TV watch. Um, but Bond had

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<v Speaker 1>a had a color TV display embedded in in an

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<v Speaker 1>in a wrist watch. Um, have you seen any pictures

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<v Speaker 1>of this thing? I'll tell you what. All the pictures

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<v Speaker 1>online of this thing. The still image that they picked,

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<v Speaker 1>which which one woman's cleavage shocking. I'm shocked every single one.

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<v Speaker 1>By the way, if you're going out there rushing to

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<v Speaker 1>look at Google image starch right now after I said that,

0:11:52.240 --> 0:11:54.360
<v Speaker 1>for shame, but I was just it was one of

0:11:54.400 --> 0:11:55.960
<v Speaker 1>those things where I was looking at pictures of these

0:11:56.000 --> 0:11:58.560
<v Speaker 1>different gadgets because some of them I was unfamiliar with.

0:11:58.600 --> 0:12:00.280
<v Speaker 1>I haven't seen all the Bond film, so it's like

0:12:00.320 --> 0:12:02.560
<v Speaker 1>I need to see a picture of this, or perhaps

0:12:02.559 --> 0:12:04.640
<v Speaker 1>it's been a while in many cases, right right, And

0:12:04.640 --> 0:12:06.680
<v Speaker 1>and like I have no memory of this TV watch,

0:12:06.679 --> 0:12:09.400
<v Speaker 1>even though I remember watching octopusy and uh, and so

0:12:09.640 --> 0:12:12.200
<v Speaker 1>I looked it up and was like, oh really at

0:12:12.200 --> 0:12:14.280
<v Speaker 1>Sako had actually come out with a two color TV

0:12:14.360 --> 0:12:19.280
<v Speaker 1>watch the previous year, so so that was totally legit. Almost. Yeah,

0:12:19.440 --> 0:12:21.680
<v Speaker 1>there's a little bit smaller than what you would expect

0:12:21.679 --> 0:12:23.800
<v Speaker 1>in it had a little bit color, the color was better,

0:12:23.880 --> 0:12:26.480
<v Speaker 1>but but it was still online with the sort of

0:12:26.480 --> 0:12:28.600
<v Speaker 1>stuff that was coming out, you know, and you expect

0:12:28.600 --> 0:12:31.920
<v Speaker 1>that whatever James Bond has is bleeding edge technology. Yes,

0:12:32.240 --> 0:12:35.960
<v Speaker 1>other bleeding edge technology. And my two favorite from this film,

0:12:36.000 --> 0:12:39.120
<v Speaker 1>which are probably my two favorite of any James Bond

0:12:39.160 --> 0:12:42.880
<v Speaker 1>film ever in terms of pure ridiculous factor. Yeah, we've

0:12:42.920 --> 0:12:45.319
<v Speaker 1>got we've got the fake horse. Yeah, there's a horse

0:12:45.360 --> 0:12:48.000
<v Speaker 1>trailer with a fake horse, and the back end of

0:12:48.040 --> 0:12:51.400
<v Speaker 1>the fake horse lifts up and James Bond pulls out

0:12:51.520 --> 0:12:54.520
<v Speaker 1>a miniature aircraft that was hidden inside the horse and

0:12:54.600 --> 0:12:59.160
<v Speaker 1>horse trailer. So you've got this camouflaged trailer like it

0:12:59.200 --> 0:13:01.199
<v Speaker 1>could have just been a tailor. Why did they have

0:13:01.240 --> 0:13:02.960
<v Speaker 1>to be a horse trailer with a fake horse and

0:13:03.000 --> 0:13:09.200
<v Speaker 1>it that's hiding a gyrocopter. That's a question for the ages, Jonathan,

0:13:09.160 --> 0:13:11.400
<v Speaker 1>and I'm not answer. I would say that this is

0:13:11.440 --> 0:13:14.120
<v Speaker 1>the dumbest thing that happens in Octopus E except for

0:13:14.160 --> 0:13:16.120
<v Speaker 1>one other thing, except for the fact that there's a

0:13:16.120 --> 0:13:22.120
<v Speaker 1>crocodile shaped motor boat. Yeah, there's a crocodile shaped It's

0:13:22.160 --> 0:13:24.520
<v Speaker 1>it's incredible to me that that multiple people in a

0:13:24.559 --> 0:13:27.040
<v Speaker 1>movie studio said this is a great plan. Let us

0:13:27.160 --> 0:13:30.360
<v Speaker 1>enact it. This is and this continues to be terrific.

0:13:30.440 --> 0:13:32.400
<v Speaker 1>Let us go ahead with it. Not that's not only that,

0:13:32.440 --> 0:13:36.920
<v Speaker 1>but someone paid for that crocodile shaped motor boat. Prop

0:13:37.679 --> 0:13:40.320
<v Speaker 1>paid a lot. There might have been multiple ones that

0:13:40.360 --> 0:13:42.040
<v Speaker 1>they had to decide which one of these is the

0:13:42.080 --> 0:13:47.520
<v Speaker 1>best crocodile shaped boat prop. Oh man, So let's move on.

0:13:47.640 --> 0:13:51.040
<v Speaker 1>Things do improve in a way. We we get never

0:13:51.080 --> 0:13:54.920
<v Speaker 1>say Never again in three with a return of Sean Connery.

0:13:55.040 --> 0:13:58.079
<v Speaker 1>Now this was a film that was not made by

0:13:58.080 --> 0:14:00.280
<v Speaker 1>the same studio that was making all the other James

0:14:00.320 --> 0:14:03.320
<v Speaker 1>Bond films. So some people don't include it, some people do.

0:14:03.480 --> 0:14:07.480
<v Speaker 1>We're including it because why not. It's actually kind of

0:14:07.640 --> 0:14:10.720
<v Speaker 1>a based on the same story as a Thunderball was.

0:14:11.120 --> 0:14:13.960
<v Speaker 1>So if you remember in our last episode, Connery was

0:14:14.000 --> 0:14:17.480
<v Speaker 1>in Thunderball too, So essentially he's he's making two a

0:14:17.559 --> 0:14:19.640
<v Speaker 1>remake of his own movie in a way. So in

0:14:19.680 --> 0:14:22.040
<v Speaker 1>this one, he had a pen that had an explosive

0:14:22.120 --> 0:14:24.600
<v Speaker 1>charge in it that was meant to fire a projectile,

0:14:24.640 --> 0:14:27.840
<v Speaker 1>which you could do. And we talked about the lipstick

0:14:28.080 --> 0:14:32.440
<v Speaker 1>and cigarette uh one shot pistols in the past. Obviously

0:14:32.440 --> 0:14:34.240
<v Speaker 1>you couldn't make it be a pen pen like it

0:14:34.280 --> 0:14:36.280
<v Speaker 1>couldn't be made of the same stuff as your regular pen,

0:14:36.280 --> 0:14:40.120
<v Speaker 1>because that wouldn't hold up under the stress of your Yeah,

0:14:40.120 --> 0:14:42.600
<v Speaker 1>that would be bad. That's what we call a bad result.

0:14:42.920 --> 0:14:46.400
<v Speaker 1>But technically it is possible. Uh. And another I thought

0:14:46.440 --> 0:14:48.880
<v Speaker 1>I'd pull up another kind of funky spy gun. I

0:14:48.960 --> 0:14:51.080
<v Speaker 1>like to bring up real life examples whenever we talk

0:14:51.120 --> 0:14:55.160
<v Speaker 1>about these fictional ones. There actually was this cell phone

0:14:55.640 --> 0:14:58.280
<v Speaker 1>um that what looks like it dates from the early nineties.

0:14:58.320 --> 0:15:01.320
<v Speaker 1>It's a big, clunky candy ball our style cell phone.

0:15:01.440 --> 0:15:05.120
<v Speaker 1>All right, but if you were to uh to bisect

0:15:05.160 --> 0:15:07.640
<v Speaker 1>it so that the top half comes away from the

0:15:07.680 --> 0:15:10.640
<v Speaker 1>bottom half, you would see that there are four bullets

0:15:10.680 --> 0:15:12.640
<v Speaker 1>that can be in this thing, and it can actually

0:15:12.640 --> 0:15:14.800
<v Speaker 1>fire bullets. When you put in a four digit code

0:15:14.840 --> 0:15:18.120
<v Speaker 1>in the cell phone, it fires off a bullet. Yeah. So, um,

0:15:18.320 --> 0:15:19.960
<v Speaker 1>one of these was actually found in the wild. I

0:15:19.960 --> 0:15:22.360
<v Speaker 1>want to say it was in the UK. Uh. So

0:15:22.400 --> 0:15:24.480
<v Speaker 1>it's kind of a kind of crazy that these things

0:15:24.480 --> 0:15:27.520
<v Speaker 1>actually do exist to some extent, although I doubt that

0:15:27.560 --> 0:15:29.880
<v Speaker 1>they are, you know, in wide use. It's probably one

0:15:29.880 --> 0:15:32.600
<v Speaker 1>of those things that you know, when all else fails,

0:15:32.640 --> 0:15:34.840
<v Speaker 1>that's something that you might rely upon that may or

0:15:34.840 --> 0:15:36.840
<v Speaker 1>may not get you out of a tricky situation, unless

0:15:36.840 --> 0:15:39.720
<v Speaker 1>you're James Bond, in which case it always does, right

0:15:39.760 --> 0:15:43.240
<v Speaker 1>because it's because it's a plot gadget. Yeah. Um uh.

0:15:43.440 --> 0:15:47.040
<v Speaker 1>That film also had I think the first example of

0:15:47.080 --> 0:15:50.120
<v Speaker 1>a watch with a laser beam cutting tool, yeah, which

0:15:50.160 --> 0:15:54.200
<v Speaker 1>again not realistic because you would need a lot of

0:15:54.240 --> 0:15:57.360
<v Speaker 1>power to be able to create a laser of significant

0:15:57.360 --> 0:16:00.000
<v Speaker 1>intensity for you to cut through anything. Now we could

0:15:59.880 --> 0:16:03.400
<v Speaker 1>have laser pointers Shara watches. In fact, I'm sure there's

0:16:03.400 --> 0:16:06.600
<v Speaker 1>some watches out there that do. But for something that

0:16:06.640 --> 0:16:10.080
<v Speaker 1>could actually cut you would need a pretty significant power

0:16:10.160 --> 0:16:12.040
<v Speaker 1>and that's not something that you could fit in a

0:16:12.080 --> 0:16:14.960
<v Speaker 1>wrist watch form factor moving on too, of you to

0:16:15.040 --> 0:16:18.640
<v Speaker 1>a kill. We'll guess who's back with us, Roger Moore it.

0:16:21.080 --> 0:16:25.000
<v Speaker 1>So here's an interesting piece of technology that that you

0:16:25.120 --> 0:16:27.640
<v Speaker 1>found an example of, at least a concept that's similar

0:16:27.640 --> 0:16:30.000
<v Speaker 1>to it. One of the things James Bond has is

0:16:30.000 --> 0:16:33.000
<v Speaker 1>a ring that hides a camera in it. Now, this

0:16:33.080 --> 0:16:37.280
<v Speaker 1>is also, especially in five when you're talking about film cameras,

0:16:37.320 --> 0:16:39.480
<v Speaker 1>really hard to do because how do you how do

0:16:39.520 --> 0:16:43.760
<v Speaker 1>you miniaturize all that stuff so it fits into a ring? Um.

0:16:43.800 --> 0:16:45.920
<v Speaker 1>But on top of that, you know, now even with

0:16:45.960 --> 0:16:48.640
<v Speaker 1>a digital one, it would still be tricky because again

0:16:48.680 --> 0:16:50.280
<v Speaker 1>you have to worry about power, like where does the

0:16:50.280 --> 0:16:53.720
<v Speaker 1>power come from? Right? News broken late that a design

0:16:53.760 --> 0:16:56.320
<v Speaker 1>studio is working on a digital camera in a in

0:16:56.320 --> 0:16:58.560
<v Speaker 1>a ring thing like this. Uh they're they're calling it

0:16:58.640 --> 0:17:02.480
<v Speaker 1>the camera in yeah. Um. But as of right now,

0:17:02.560 --> 0:17:05.600
<v Speaker 1>I haven't heard any further development about everything I looked into.

0:17:05.880 --> 0:17:08.760
<v Speaker 1>Look like it was a concept, not even beyond a

0:17:08.840 --> 0:17:11.639
<v Speaker 1>concept at this point, So we may never see a

0:17:11.640 --> 0:17:14.560
<v Speaker 1>real one now. The pictures, the concept drawings make it

0:17:14.560 --> 0:17:16.840
<v Speaker 1>look super cool and I totally want one. Yeah, And

0:17:16.920 --> 0:17:19.479
<v Speaker 1>in fact, lots of people on on like Pinterest and

0:17:19.480 --> 0:17:21.879
<v Speaker 1>Fancy in places like that have been like this, this

0:17:21.960 --> 0:17:25.200
<v Speaker 1>thing is terrific. U. But yeah, there's no Yeah, the

0:17:25.280 --> 0:17:27.920
<v Speaker 1>drawing is terrific. It's amazing what people can draw, isn't it.

0:17:28.520 --> 0:17:30.640
<v Speaker 1>If only that thing can come real again, I don't

0:17:30.640 --> 0:17:32.200
<v Speaker 1>know how you get around the power thing. You get

0:17:32.240 --> 0:17:34.160
<v Speaker 1>to have a small battery in it, but it would

0:17:34.880 --> 0:17:38.040
<v Speaker 1>drain that pretty quickly, I would imagine. Anyway. They also

0:17:38.040 --> 0:17:41.800
<v Speaker 1>had an electric shaver that was actually hiding eaves dropping technology,

0:17:41.880 --> 0:17:47.800
<v Speaker 1>which again uh and um. And then that that iceberg

0:17:48.080 --> 0:17:50.600
<v Speaker 1>boat submarine. It all depends on who you ask, whether

0:17:50.760 --> 0:17:53.600
<v Speaker 1>as a boat or a submarine, but disguised as an iceberg,

0:17:53.920 --> 0:17:58.359
<v Speaker 1>it's better than a crocodile. However, this particular iceberg boat also,

0:17:58.400 --> 0:18:03.520
<v Speaker 1>as I recall, had a didn't and champagne. I I that,

0:18:03.920 --> 0:18:07.160
<v Speaker 1>you know, iceberg shaped some mercibles is where I keep

0:18:07.200 --> 0:18:09.560
<v Speaker 1>all of my luxury items, So I'm not sure why

0:18:09.600 --> 0:18:11.800
<v Speaker 1>you're questioning this. This is one of those issues that

0:18:11.840 --> 0:18:13.800
<v Speaker 1>I have with James Bond. Is just not only that

0:18:13.840 --> 0:18:17.600
<v Speaker 1>he's a spy that draws unwanted attention to himself wherever

0:18:17.640 --> 0:18:21.400
<v Speaker 1>he goes, but he's also like living this insane, lavish

0:18:21.480 --> 0:18:26.240
<v Speaker 1>lifestyle that that nobody does except for maybe Elon Musk.

0:18:26.359 --> 0:18:28.560
<v Speaker 1>Maybe that's why he bought that Submercibiles. He's trying to

0:18:28.560 --> 0:18:32.560
<v Speaker 1>become James Bond. Um. You know. Anyway, I just thought

0:18:32.560 --> 0:18:34.679
<v Speaker 1>it was weird. So now we're moving on to the

0:18:34.760 --> 0:18:41.119
<v Speaker 1>Living Daylights, where we get a brand new Bond. Timothy Dalton, Yeah,

0:18:41.119 --> 0:18:43.440
<v Speaker 1>this is Timothy Dalton was not one of the more

0:18:43.520 --> 0:18:47.080
<v Speaker 1>lauded James Bond's less than popular at least, I think

0:18:47.160 --> 0:18:51.359
<v Speaker 1>Roger Moore people have a kind of fondness or campiness.

0:18:52.000 --> 0:18:55.760
<v Speaker 1>Timothy Dalton. Well, it's not entirely his fault that Timothy

0:18:55.840 --> 0:18:58.719
<v Speaker 1>Dalton movies were a little dour, you know, they weren't.

0:18:59.000 --> 0:19:01.240
<v Speaker 1>They were. It's seemed like a lot of fun was

0:19:01.320 --> 0:19:03.480
<v Speaker 1>missing from some of those, Timothy Dalton, and they they were,

0:19:03.520 --> 0:19:05.720
<v Speaker 1>they were a little bit humor less, right. So the

0:19:05.760 --> 0:19:09.000
<v Speaker 1>Living Daylights, let's talk about some of the gadgets and that. Yeah,

0:19:09.080 --> 0:19:13.080
<v Speaker 1>let's see, we had a a key chain that included

0:19:13.160 --> 0:19:16.720
<v Speaker 1>knockout gas to be released if you whistled the correct notes,

0:19:16.920 --> 0:19:21.200
<v Speaker 1>which was Rule Britannia for James Bond. Presumably each double

0:19:21.200 --> 0:19:25.160
<v Speaker 1>O agent would have a different whistle que, so Rule

0:19:25.200 --> 0:19:27.280
<v Speaker 1>Britanny so do do do Do Do Do Do Do

0:19:27.600 --> 0:19:30.800
<v Speaker 1>would release knockout gas, but it also could explode if

0:19:30.800 --> 0:19:33.560
<v Speaker 1>you used a different kind of whistle for for for James,

0:19:33.560 --> 0:19:36.760
<v Speaker 1>they used a wolf whistle, which Q of course comments

0:19:36.800 --> 0:19:40.440
<v Speaker 1>upon as you would expect, and it was totally appropriate

0:19:40.480 --> 0:19:44.199
<v Speaker 1>for Mr misogyny James Bond. Also contained inside this key

0:19:44.240 --> 0:19:46.720
<v Speaker 1>chain was a lock pick capable of opening up like

0:19:47.600 --> 0:19:51.320
<v Speaker 1>of the world's locks, according to Q, which is amazing. Um,

0:19:51.520 --> 0:19:54.119
<v Speaker 1>I'm not sure that any keychain could contain all of

0:19:54.119 --> 0:19:56.600
<v Speaker 1>these things and still be a key chain and not

0:19:57.080 --> 0:20:02.240
<v Speaker 1>like a kit. Seems unlikely. Yes, that that's again one

0:20:02.280 --> 0:20:04.960
<v Speaker 1>of those physics issues. How do you pack? How do

0:20:05.000 --> 0:20:07.600
<v Speaker 1>you make enough room for enough knockout gas to be

0:20:07.640 --> 0:20:12.520
<v Speaker 1>effective for anything, or enough explosive charge to be dangerous,

0:20:12.960 --> 0:20:16.639
<v Speaker 1>and have the enough room for the lock picks as well?

0:20:16.840 --> 0:20:18.960
<v Speaker 1>All three of those things into something that tiny would

0:20:18.960 --> 0:20:21.080
<v Speaker 1>be really hard to do. Also, how can you make

0:20:21.119 --> 0:20:23.639
<v Speaker 1>sure that when one goes off, like when the gas

0:20:23.720 --> 0:20:27.160
<v Speaker 1>is released, it doesn't accidentally also make it explode, because

0:20:27.200 --> 0:20:29.720
<v Speaker 1>knockout gas is great if you don't want to hurt people.

0:20:29.760 --> 0:20:31.560
<v Speaker 1>But if you do knock out gas and then immediately

0:20:31.600 --> 0:20:35.040
<v Speaker 1>the key chain explodes, yeah, that's not good. Yeah. I

0:20:35.040 --> 0:20:37.879
<v Speaker 1>would assume that whatever release mechanism would would be I

0:20:37.880 --> 0:20:41.280
<v Speaker 1>don't know, yeah, at any rate. Um. Then then there

0:20:41.400 --> 0:20:45.359
<v Speaker 1>was a boom box, Yes, the Ghetto Blast. As Q

0:20:45.520 --> 0:20:48.159
<v Speaker 1>would say, it was meant for agents who were operating

0:20:48.200 --> 0:20:50.840
<v Speaker 1>in the United States because, as we all know, by

0:20:51.640 --> 0:20:55.919
<v Speaker 1>seven we all were walking around with four foot long

0:20:56.680 --> 0:20:59.639
<v Speaker 1>radios perched on our shoulders. Well, it's the only thing

0:20:59.640 --> 0:21:03.639
<v Speaker 1>that Matt with hammer pants were until we were mostly

0:21:03.760 --> 0:21:06.879
<v Speaker 1>looking for for sheets of cardboard upon which we would

0:21:06.960 --> 0:21:10.439
<v Speaker 1>bust some moves. I would encourage you to watch the

0:21:10.480 --> 0:21:15.480
<v Speaker 1>documentary Break into Electric Boogaloo to learn more. So anyway,

0:21:15.840 --> 0:21:19.600
<v Speaker 1>the Ghetto Blaster was a rocket launcher that was disguised

0:21:19.680 --> 0:21:23.080
<v Speaker 1>to be a boom box, the heaviest boom box ever

0:21:23.400 --> 0:21:26.040
<v Speaker 1>you would imagine for it to be an effective rocket launcher,

0:21:26.080 --> 0:21:29.320
<v Speaker 1>it would probably be pretty weighty. To be fair, boom

0:21:29.320 --> 0:21:31.800
<v Speaker 1>boxes were already pretty heavy back in those days, but

0:21:31.840 --> 0:21:35.240
<v Speaker 1>this would be even heavier. However, dalton Is Bond did

0:21:35.280 --> 0:21:39.440
<v Speaker 1>get a new Aston Martin. Yes, the v A Vantage Volante,

0:21:39.920 --> 0:21:46.840
<v Speaker 1>which had hubcap lasers, retractable ski retractable spikes, also a

0:21:46.880 --> 0:21:49.479
<v Speaker 1>missile launcher and a rocket that would make it go.

0:21:49.640 --> 0:21:52.919
<v Speaker 1>As I put in the notes, wicked Fast also had

0:21:52.960 --> 0:21:55.720
<v Speaker 1>a self destruct system, which most of the Aston Martins

0:21:55.760 --> 0:21:58.120
<v Speaker 1>after this point did too. That's one of those things

0:21:58.359 --> 0:22:02.160
<v Speaker 1>come standing self destruction, you know. Not the Bond ever

0:22:02.200 --> 0:22:04.960
<v Speaker 1>needed the self destruct system. Yeah. No, he was usually

0:22:04.960 --> 0:22:06.800
<v Speaker 1>pretty good at wrecking those all on his own, to

0:22:06.840 --> 0:22:08.720
<v Speaker 1>be fair. To be fair, I think one of his

0:22:08.840 --> 0:22:12.440
<v Speaker 1>vehicles did did a self destruct when someone tried to

0:22:12.480 --> 0:22:14.959
<v Speaker 1>break into it, and it was part of the anti

0:22:15.040 --> 0:22:19.320
<v Speaker 1>theft device. It's a very effective one car alarm. No,

0:22:19.440 --> 0:22:22.800
<v Speaker 1>that's great much. That's much less annoying than because because

0:22:22.800 --> 0:22:25.240
<v Speaker 1>it's over in a moment, it doesn't go on all

0:22:25.280 --> 0:22:29.159
<v Speaker 1>morning long. Moving on to our next film, License to

0:22:29.280 --> 0:22:33.080
<v Speaker 1>Kill From I remember this one too. Uh So, this

0:22:33.119 --> 0:22:38.280
<v Speaker 1>one had a plastic explosives in the form of toothpaste

0:22:38.320 --> 0:22:42.760
<v Speaker 1>called Dentonite. Yeah, and I had a pack of cigarettes

0:22:42.800 --> 0:22:46.600
<v Speaker 1>that were used as the detonator, so you would squeeze

0:22:46.640 --> 0:22:50.439
<v Speaker 1>out the plastic. The plastic and then use the the

0:22:50.480 --> 0:22:53.000
<v Speaker 1>cigarettes and planted in it to be the blasting caps.

0:22:53.119 --> 0:22:56.000
<v Speaker 1>So I they don't actually say what type of plastic

0:22:56.000 --> 0:22:59.399
<v Speaker 1>explosives they're using. I assume it was something similar to

0:22:59.440 --> 0:23:02.680
<v Speaker 1>pef or, which is what the Brits use. In the US,

0:23:02.760 --> 0:23:06.439
<v Speaker 1>we use something very similar called C four. I say we,

0:23:06.640 --> 0:23:10.560
<v Speaker 1>I just mean the the entities that have access to

0:23:10.600 --> 0:23:13.720
<v Speaker 1>these things personally, I don't use either. They don't give

0:23:13.760 --> 0:23:18.000
<v Speaker 1>you four not anymore. So, um, yeah, these things require

0:23:18.040 --> 0:23:21.920
<v Speaker 1>blasting caps. They actually can withstand impact pretty well. They

0:23:21.920 --> 0:23:25.720
<v Speaker 1>can they can withstand heat pretty well, unless it's super

0:23:25.760 --> 0:23:29.239
<v Speaker 1>intense explosive heat that releases very quickly, which is why

0:23:29.320 --> 0:23:32.439
<v Speaker 1>you need the blasting caps. So um, it's another one

0:23:32.440 --> 0:23:34.120
<v Speaker 1>of those things where you'd have to have a very

0:23:34.160 --> 0:23:38.879
<v Speaker 1>effective blasting cap technology to make this plastic explosive stuff

0:23:38.920 --> 0:23:42.119
<v Speaker 1>ignite and and explode. So it's not like it's impossible,

0:23:42.160 --> 0:23:43.879
<v Speaker 1>it would just be really tricky to do in that

0:23:43.920 --> 0:23:46.800
<v Speaker 1>particular form factor. And then we had a few We

0:23:46.840 --> 0:23:49.840
<v Speaker 1>had some camera technology in this one. Um that there

0:23:49.920 --> 0:23:54.359
<v Speaker 1>was some kind of weird sniper camera gun thing, a

0:23:54.480 --> 0:24:00.440
<v Speaker 1>sniper rifle disguised as a camera. But it's like a Decepticon. Yeah, uh,

0:24:00.440 --> 0:24:03.320
<v Speaker 1>snipers and disguise, yes, um, we also had it. We

0:24:03.359 --> 0:24:09.320
<v Speaker 1>also had a polaroid camera that had definitely lasers. Well,

0:24:09.440 --> 0:24:12.840
<v Speaker 1>the lasers were meant to somehow create an X ray

0:24:13.119 --> 0:24:15.000
<v Speaker 1>version of whatever it was you were taking a picture of.

0:24:15.080 --> 0:24:18.080
<v Speaker 1>So if I had this polaroid and you were wearing

0:24:18.119 --> 0:24:22.560
<v Speaker 1>a trench coat and you were laden down with various weaponry, which, guys,

0:24:22.600 --> 0:24:25.320
<v Speaker 1>I gotta tell you, Lauren holds her weapons all in

0:24:25.359 --> 0:24:27.520
<v Speaker 1>the open, so it's not like she would be concealing

0:24:27.560 --> 0:24:29.800
<v Speaker 1>them because she doesn't feel the need to do that.

0:24:29.840 --> 0:24:32.439
<v Speaker 1>But if she did, I prefer that the nine ft

0:24:32.440 --> 0:24:35.840
<v Speaker 1>long anime sword right personally, right, it's it's it's very

0:24:35.880 --> 0:24:38.479
<v Speaker 1>comical to watch Lauren keep on bumping into door frames.

0:24:38.760 --> 0:24:40.880
<v Speaker 1>But no, let's say that I wanted to check out

0:24:40.920 --> 0:24:42.959
<v Speaker 1>and see if Lauren was in fact carrying, you know,

0:24:43.040 --> 0:24:46.040
<v Speaker 1>an arsenal underneath that trench coat. Take a photo of

0:24:46.080 --> 0:24:48.840
<v Speaker 1>this polaroid and it had this little red laser flash

0:24:48.880 --> 0:24:50.840
<v Speaker 1>that came out of the flash instead of a regular

0:24:51.200 --> 0:24:54.199
<v Speaker 1>camera flash, and the polaroid would come out with the

0:24:54.400 --> 0:24:58.199
<v Speaker 1>X ray version of whatever that picture is. Um, again,

0:24:58.320 --> 0:25:02.480
<v Speaker 1>not really a thing. Uh, you know, using X rays

0:25:02.560 --> 0:25:06.280
<v Speaker 1>would be dangerous. Using that camera would be really dangerous

0:25:06.320 --> 0:25:09.760
<v Speaker 1>on any extended So the lasers would be deadly. Yeah,

0:25:09.720 --> 0:25:11.800
<v Speaker 1>and just it would just mean that you would be

0:25:11.840 --> 0:25:14.160
<v Speaker 1>deadly in the sense that you would eventually probably contract

0:25:14.200 --> 0:25:16.879
<v Speaker 1>contract cancer as opposed to get burned by a laser.

0:25:17.160 --> 0:25:19.119
<v Speaker 1>But yeah, it wasn't meant to be a weapon. It

0:25:19.160 --> 0:25:21.960
<v Speaker 1>was meant to try and detect, you know, people smuggling

0:25:21.960 --> 0:25:24.399
<v Speaker 1>in guns into places where you don't want them to

0:25:24.440 --> 0:25:26.720
<v Speaker 1>have them. We got a lot more to talk about,

0:25:26.800 --> 0:25:29.040
<v Speaker 1>but before we do that, let's take a quick break

0:25:29.080 --> 0:25:32.760
<v Speaker 1>to thank our sponsor and up. Okay, in our last

0:25:32.840 --> 0:25:36.000
<v Speaker 1>James Bond film, we had Timothy Dalton, but now on

0:25:36.040 --> 0:25:38.359
<v Speaker 1>our next one we go up to the next actor

0:25:38.400 --> 0:25:40.760
<v Speaker 1>to play James Bond. Yeah, it would be a six

0:25:40.880 --> 0:25:43.880
<v Speaker 1>year break in between these movies, and the next film

0:25:43.880 --> 0:25:48.520
<v Speaker 1>that came out was Golden with Pierce Brosnan. Now Pierce Brosnan.

0:25:48.800 --> 0:25:53.000
<v Speaker 1>A lot of people felt was a good, um refreshing

0:25:53.119 --> 0:25:56.760
<v Speaker 1>breath after Timothy Dalton. Again, I think the Timothy Dalton

0:25:56.760 --> 0:25:59.000
<v Speaker 1>movies was that was more of a scripting issue than

0:25:59.000 --> 0:26:02.040
<v Speaker 1>necessarily a casting one. But Pierce Proson and definitely brought

0:26:02.040 --> 0:26:04.359
<v Speaker 1>in some uh uh, you know, kind of an edge

0:26:04.400 --> 0:26:08.040
<v Speaker 1>to the character that had sort of not been there before.

0:26:08.520 --> 0:26:12.320
<v Speaker 1>It would definitely be refined later on. So Golden Eye, Uh,

0:26:12.760 --> 0:26:16.080
<v Speaker 1>besides being one of the best Nintendo sixty four video

0:26:16.119 --> 0:26:18.560
<v Speaker 1>games ever made, I'm glad that you said that, because

0:26:18.560 --> 0:26:20.639
<v Speaker 1>that was going to be my really important note about

0:26:20.640 --> 0:26:24.760
<v Speaker 1>it was also a great movie. Uh. He had his

0:26:25.200 --> 0:26:27.879
<v Speaker 1>Aston Martin d B five again, So we're back to

0:26:27.920 --> 0:26:30.520
<v Speaker 1>the Aston Martin. This one in particular, had a fax

0:26:30.600 --> 0:26:34.080
<v Speaker 1>machine in the dashboard, just like any sexy, suave spy,

0:26:35.200 --> 0:26:38.520
<v Speaker 1>let me fax this, um, but but more and more

0:26:38.560 --> 0:26:43.840
<v Speaker 1>interestingly cellular voice communication capacity. Yeah, this is when we're

0:26:43.840 --> 0:26:46.199
<v Speaker 1>starting to see cell phones started to get adopted in

0:26:46.359 --> 0:26:48.800
<v Speaker 1>large numbers. But you know, to have like a hands

0:26:48.880 --> 0:26:52.600
<v Speaker 1>free cellular voice command system inside of a car was

0:26:53.040 --> 0:26:56.360
<v Speaker 1>definitely bleeding edge tech at the time. They also had

0:26:57.240 --> 0:26:59.200
<v Speaker 1>It's actually one of my favorite scenes in Gold and I.

0:26:59.640 --> 0:27:03.679
<v Speaker 1>There's a ballpoint pen that Q gives to to Bond,

0:27:04.160 --> 0:27:08.000
<v Speaker 1>and the pen is an actual explosive device, a grenade

0:27:08.359 --> 0:27:11.440
<v Speaker 1>that had that you activate by clicking it three times.

0:27:11.560 --> 0:27:13.639
<v Speaker 1>Since it's a ballpoint, so if you click it three times,

0:27:13.880 --> 0:27:15.960
<v Speaker 1>it activates and it has a four second long fuse,

0:27:16.000 --> 0:27:18.359
<v Speaker 1>and you can deactivate it by clicking it three more times.

0:27:18.560 --> 0:27:20.560
<v Speaker 1>So Q says, you know, you click it three times

0:27:20.560 --> 0:27:22.879
<v Speaker 1>click click click, and the four second fuse starts and

0:27:22.920 --> 0:27:26.200
<v Speaker 1>goes click click click, and then James Bond takes and says,

0:27:26.320 --> 0:27:28.639
<v Speaker 1>how long did you say the fuse was? Click click click,

0:27:29.240 --> 0:27:33.000
<v Speaker 1>and then Q just looks at him, takes the pen back, calmly,

0:27:33.040 --> 0:27:36.120
<v Speaker 1>clicks it three times and says, grow up double O seven.

0:27:37.560 --> 0:27:39.960
<v Speaker 1>And then of course there's a little line about so

0:27:40.320 --> 0:27:42.760
<v Speaker 1>they always said the pen is mightier than the swords

0:27:42.800 --> 0:27:46.119
<v Speaker 1>as well, this time they're right because of me, says Q.

0:27:47.040 --> 0:27:50.119
<v Speaker 1>So there are a lot of other silly gadgets shown

0:27:50.640 --> 0:27:54.040
<v Speaker 1>in the background during the Q laboratory scene, like some

0:27:54.119 --> 0:27:58.640
<v Speaker 1>of the silliest ones and uh, you had like ejector

0:27:58.720 --> 0:28:01.760
<v Speaker 1>seats shown off. There was the uh there was one

0:28:01.800 --> 0:28:03.920
<v Speaker 1>point where Q shows up. Actually, when Q first shows

0:28:03.960 --> 0:28:05.760
<v Speaker 1>up in the scene, he's we wheeling out in the

0:28:05.800 --> 0:28:08.959
<v Speaker 1>wheelchair and he's got one leg in a big plaster

0:28:09.160 --> 0:28:12.120
<v Speaker 1>cast and Bond says, home, I'm sorry about your leg,

0:28:12.600 --> 0:28:15.679
<v Speaker 1>and then Q demonstrates that it's actually a missile launcher

0:28:15.720 --> 0:28:19.280
<v Speaker 1>and a missile launches from the cast leg and flies

0:28:19.440 --> 0:28:22.320
<v Speaker 1>about twenty feet to the right of a dummy that

0:28:22.359 --> 0:28:26.399
<v Speaker 1>he was pointing toward. And then Q just casually stands

0:28:26.480 --> 0:28:28.080
<v Speaker 1>up out of the wheelchair and you see that was

0:28:28.119 --> 0:28:30.359
<v Speaker 1>a false leg the whole time. Uh. And we had

0:28:30.359 --> 0:28:32.760
<v Speaker 1>a request by Ian on Facebook that said that we

0:28:32.800 --> 0:28:35.840
<v Speaker 1>needed to explain that, if not for the practicality, but

0:28:35.920 --> 0:28:39.720
<v Speaker 1>for the sheer comedic value of that particular device. There's

0:28:39.760 --> 0:28:42.680
<v Speaker 1>also one that they don't comment on, Like you were

0:28:42.680 --> 0:28:46.280
<v Speaker 1>saying earlier, Lauren, there occasionally in these Q segments you

0:28:46.360 --> 0:28:48.960
<v Speaker 1>just see stuff going on in the background that's hilarious,

0:28:48.960 --> 0:28:51.240
<v Speaker 1>but no one says anything. There's one point where you

0:28:51.240 --> 0:28:53.560
<v Speaker 1>see a guy, a guy in a lab coat walk

0:28:53.640 --> 0:28:56.760
<v Speaker 1>into a phone booth and then suddenly the phone booth

0:28:56.800 --> 0:28:59.920
<v Speaker 1>just fills up with a big inflated balloon, trapping the

0:29:00.240 --> 0:29:02.720
<v Speaker 1>against the door, and because the door pulls in on

0:29:02.800 --> 0:29:04.920
<v Speaker 1>phone booth, he can't get out and you just see

0:29:05.000 --> 0:29:09.200
<v Speaker 1>him squished up against the glass. And that is hilarious.

0:29:09.600 --> 0:29:13.640
<v Speaker 1>Also doesn't play any other part in the movie whatsoever. Uh.

0:29:13.680 --> 0:29:15.760
<v Speaker 1>That starts to feel like it belongs more and get

0:29:15.880 --> 0:29:18.400
<v Speaker 1>smart than on James. Yeah, some of these, some of

0:29:18.400 --> 0:29:21.400
<v Speaker 1>these around this era started to seem like parodies of

0:29:21.840 --> 0:29:23.800
<v Speaker 1>I mean even even more. At least they were being

0:29:23.840 --> 0:29:25.480
<v Speaker 1>self aware because I feel like the stuff that was

0:29:25.520 --> 0:29:29.000
<v Speaker 1>going on in Roger Moore's time was straightforwardly like it

0:29:29.080 --> 0:29:31.560
<v Speaker 1>was just great. It was just camp, the way the

0:29:31.640 --> 0:29:35.520
<v Speaker 1>old Batman series was camp. So uh, we move on

0:29:35.600 --> 0:29:39.840
<v Speaker 1>to Tomorrow Never dies that film again with Pierce Browsnon. Yep.

0:29:39.880 --> 0:29:41.440
<v Speaker 1>They had a mobile phone that could act as a

0:29:41.480 --> 0:29:45.280
<v Speaker 1>fingerprint scanner. And as we've all mentioned, yeah, iPhone five

0:29:45.440 --> 0:29:47.760
<v Speaker 1>S does that now, So we actually have technology that

0:29:47.800 --> 0:29:51.360
<v Speaker 1>could do this that you know, we could easily adapt that.

0:29:51.440 --> 0:29:53.560
<v Speaker 1>In fact, I'm sure there are law enforcement agencies that

0:29:53.640 --> 0:29:56.880
<v Speaker 1>have adapted that technology to work in the field. Um

0:29:56.920 --> 0:29:59.120
<v Speaker 1>It also contained a lock pick in the antenna. It

0:29:59.160 --> 0:30:02.400
<v Speaker 1>was an electronic lock pick, and you could put the

0:30:02.440 --> 0:30:03.920
<v Speaker 1>lock pick in a lock and you press the key

0:30:03.960 --> 0:30:05.600
<v Speaker 1>on the phone it would cause it to pick a

0:30:05.680 --> 0:30:11.200
<v Speaker 1>lock automatically. And it also was um uh twenty volts

0:30:11.240 --> 0:30:14.440
<v Speaker 1>stunned gun, so you could zap people if they wanted

0:30:14.480 --> 0:30:17.200
<v Speaker 1>to run up your minutes. And it could do one

0:30:17.240 --> 0:30:20.560
<v Speaker 1>other thing. It was a remote control. It was a

0:30:20.600 --> 0:30:27.240
<v Speaker 1>remote control for Bonds BMW. First of all BMW car. Yeah,

0:30:27.720 --> 0:30:30.360
<v Speaker 1>I was a little bit irked by that too. Um

0:30:30.560 --> 0:30:33.680
<v Speaker 1>but but the part where it was a remote control

0:30:34.000 --> 0:30:38.080
<v Speaker 1>that you know, could could let the car locate Bond

0:30:38.240 --> 0:30:41.600
<v Speaker 1>and drive itself to him is technology that people are

0:30:41.720 --> 0:30:43.920
<v Speaker 1>very much working on right right now. Yeah, we've talked

0:30:43.960 --> 0:30:46.560
<v Speaker 1>about autonomous cars in the past. This is truly an

0:30:46.560 --> 0:30:49.760
<v Speaker 1>autonomous car that could you know, it could identify the

0:30:49.800 --> 0:30:52.320
<v Speaker 1>signal where Bond was and then plan out a route

0:30:52.360 --> 0:30:55.160
<v Speaker 1>and drive to him. Obviously, going in a straight line

0:30:55.160 --> 0:30:57.360
<v Speaker 1>would not necessarily work if there were say, you know,

0:30:57.480 --> 0:30:59.560
<v Speaker 1>lakes or buildings or something in the way. So it

0:30:59.640 --> 0:31:02.520
<v Speaker 1>actually to be able to navigate right and and as

0:31:02.600 --> 0:31:05.080
<v Speaker 1>that kind of technology gets better, I we were not

0:31:05.160 --> 0:31:08.360
<v Speaker 1>quite there yet except an extreme prototype phase. But yeah,

0:31:08.400 --> 0:31:12.400
<v Speaker 1>but yeah, as Stephen on Facebook requested that one. So

0:31:12.640 --> 0:31:15.320
<v Speaker 1>also this was you know, we weren't the only ones

0:31:15.320 --> 0:31:17.960
<v Speaker 1>who got a little miffed about the Aston Martin going

0:31:17.960 --> 0:31:21.000
<v Speaker 1>away and the BMW coming in. That ended up being

0:31:21.080 --> 0:31:23.160
<v Speaker 1>a kind of a sticking point for a few people.

0:31:23.160 --> 0:31:25.040
<v Speaker 1>BMW would stick around for a little bit. But uh,

0:31:25.320 --> 0:31:27.640
<v Speaker 1>don't worry. If you guys love your British cars, you'll

0:31:27.720 --> 0:31:29.880
<v Speaker 1>you'll get pay off a little bit later, there was

0:31:29.920 --> 0:31:32.640
<v Speaker 1>also a bad guy who had a wrist band grappling hook,

0:31:32.760 --> 0:31:34.920
<v Speaker 1>So it was something that you could fire from the

0:31:34.960 --> 0:31:39.120
<v Speaker 1>wrist band, had a little python or peton if you're British,

0:31:39.480 --> 0:31:42.640
<v Speaker 1>that would fly out and embed into something, and it

0:31:42.680 --> 0:31:45.760
<v Speaker 1>had a high tension strength wire connected to it so

0:31:45.800 --> 0:31:48.320
<v Speaker 1>you could swing on it or climb. In this case

0:31:48.360 --> 0:31:50.320
<v Speaker 1>it was a character who could uh use it to

0:31:50.720 --> 0:31:55.320
<v Speaker 1>run down a vertical surface. Um, you know, because that's

0:31:55.320 --> 0:31:58.360
<v Speaker 1>how that happens in Bond movies. Um. It's one of

0:31:58.360 --> 0:32:02.000
<v Speaker 1>those things that I questioned the legitimacy of only from

0:32:02.000 --> 0:32:05.520
<v Speaker 1>the sense of we could make a wrist mounted device

0:32:05.560 --> 0:32:08.320
<v Speaker 1>that could fire something, in fact, fire something hard enough

0:32:08.360 --> 0:32:11.520
<v Speaker 1>to to hurt or kill somebody, certainly, but to fire

0:32:11.560 --> 0:32:14.960
<v Speaker 1>something so hard that it embeds in a very tough

0:32:15.000 --> 0:32:17.960
<v Speaker 1>material like stone and his high tensile enough that you

0:32:18.000 --> 0:32:21.280
<v Speaker 1>could furthermore climb up right, I mean that's a lot

0:32:21.280 --> 0:32:24.240
<v Speaker 1>of maybe exactly because I mean, not only does it

0:32:24.280 --> 0:32:26.200
<v Speaker 1>have to be strong enough to to penetrate, right, it

0:32:26.200 --> 0:32:27.880
<v Speaker 1>has to be strong enough to carry the weight of

0:32:27.960 --> 0:32:30.840
<v Speaker 1>the line. Like. That's a lot of that's a lot

0:32:30.840 --> 0:32:32.600
<v Speaker 1>of stuff you've got to figure out. So that this

0:32:32.640 --> 0:32:34.080
<v Speaker 1>thing will work the way it's supposed to wear, the

0:32:34.120 --> 0:32:36.400
<v Speaker 1>same problem I have with some of Batman's stuff. I

0:32:36.400 --> 0:32:38.240
<v Speaker 1>think that's a different podcast. I think I think we

0:32:38.240 --> 0:32:41.840
<v Speaker 1>should that is a different podcast something. I think that

0:32:41.880 --> 0:32:44.640
<v Speaker 1>we should call whoever created that and be like, so

0:32:44.720 --> 0:32:47.080
<v Speaker 1>we have the space elevator idea that we're trying to work.

0:32:48.120 --> 0:32:51.160
<v Speaker 1>So if you've got enough of that wire that apparently

0:32:51.280 --> 0:32:54.360
<v Speaker 1>is incredibly strong, let's use it for something else. Let's

0:32:54.360 --> 0:32:57.000
<v Speaker 1>talk about that that moves on to the world is

0:32:57.040 --> 0:33:00.400
<v Speaker 1>not Enough, which is I recall, is James Bond's family motto?

0:33:01.880 --> 0:33:05.440
<v Speaker 1>Was it? Yeah, the world is not enough? That's that's

0:33:05.480 --> 0:33:08.520
<v Speaker 1>the Bond family crest. If I'm if I'm not mistaken,

0:33:08.560 --> 0:33:11.640
<v Speaker 1>I could be. I'm totally speaking from memory here. It

0:33:11.800 --> 0:33:14.800
<v Speaker 1>was made another pierced brass and in film, all right,

0:33:15.160 --> 0:33:18.760
<v Speaker 1>we had yet another wristwatch with a grappling hook, and

0:33:18.760 --> 0:33:24.440
<v Speaker 1>and they also had eyeglasses that incorporated X ray technology,

0:33:25.000 --> 0:33:27.600
<v Speaker 1>so you could look at people and turn on the

0:33:27.760 --> 0:33:30.080
<v Speaker 1>X ray specs and they were X rayspects where you

0:33:30.120 --> 0:33:32.160
<v Speaker 1>could actually see if someone was carrying a gun. I'm

0:33:32.200 --> 0:33:35.400
<v Speaker 1>sure Bond also used it for other purposes. I feel

0:33:35.440 --> 0:33:39.080
<v Speaker 1>like that's likely. Um And of course, again miniaturization of

0:33:39.080 --> 0:33:42.200
<v Speaker 1>the technology is an issue, and also the whole cancer thing.

0:33:42.400 --> 0:33:46.920
<v Speaker 1>Where radiation is radiation, Yeah, it's it's ionizing radiation, which

0:33:46.960 --> 0:33:49.360
<v Speaker 1>means that it's not good for us to be around

0:33:49.400 --> 0:33:53.160
<v Speaker 1>non ionizing that's okay for the most part, I think

0:33:53.240 --> 0:33:57.480
<v Speaker 1>not okay. Yeah. However, there are some infrared glasses that

0:33:57.600 --> 0:34:00.720
<v Speaker 1>exist and can be used for for similar fifty stuff.

0:34:01.200 --> 0:34:04.520
<v Speaker 1>Just this year, a vascular imaging goggles were released that

0:34:04.560 --> 0:34:08.040
<v Speaker 1>can help medical professionals like locate a vein for for

0:34:08.320 --> 0:34:11.520
<v Speaker 1>blood samples or etcetera. Pretty awesome, which is pretty awesome. Um.

0:34:11.520 --> 0:34:13.799
<v Speaker 1>And and of course we've got photon cameras that can

0:34:13.840 --> 0:34:15.799
<v Speaker 1>help us see around corners. We talked about that in

0:34:15.840 --> 0:34:19.320
<v Speaker 1>a Fred Thinking episode about how it measures the time

0:34:19.400 --> 0:34:21.880
<v Speaker 1>it takes for light to come back around. Like a

0:34:21.960 --> 0:34:24.960
<v Speaker 1>portion of the light hits an open doorway and goes

0:34:25.000 --> 0:34:27.399
<v Speaker 1>into a room, and some of that light gets reflected back,

0:34:27.520 --> 0:34:30.360
<v Speaker 1>hits the doorway again gets reflected back toward the camera,

0:34:30.840 --> 0:34:34.000
<v Speaker 1>and by measuring the the amount of time those individual

0:34:34.040 --> 0:34:37.800
<v Speaker 1>photons took to go out and come back, a camera

0:34:37.800 --> 0:34:41.719
<v Speaker 1>can actually reconstruct what is inside the room next door

0:34:41.760 --> 0:34:44.200
<v Speaker 1>without having a clear line of sight inside it, which

0:34:44.239 --> 0:34:48.719
<v Speaker 1>is crazy, but it's real. It's not X ray glasses.

0:34:48.840 --> 0:34:51.799
<v Speaker 1>It's never going to be X ray glasses. A yeah,

0:34:51.920 --> 0:34:53.640
<v Speaker 1>but I saw on the back of this comic book

0:34:53.760 --> 0:34:56.160
<v Speaker 1>is guys holding up his hand. He's got this crazy

0:34:56.200 --> 0:34:59.720
<v Speaker 1>look on his face. Looks like Drew Carey. However, things

0:34:59.800 --> 0:35:03.680
<v Speaker 1>that I think are definitely up and coming um bagpipes

0:35:03.840 --> 0:35:07.440
<v Speaker 1>that can hold machine guns and flamethrowers. Look, aren't bagpipes

0:35:07.440 --> 0:35:10.600
<v Speaker 1>deadly enough already? Do we really need to add more

0:35:10.719 --> 0:35:17.520
<v Speaker 1>killing power to bagpipes with q okay or should I say? Ah? Yeah?

0:35:17.520 --> 0:35:19.640
<v Speaker 1>That was another one of those things seen in Queues

0:35:19.719 --> 0:35:21.800
<v Speaker 1>Lab is this guy with a set of bagpipes that

0:35:21.840 --> 0:35:23.880
<v Speaker 1>turn into a machine gun in flamethrower, because you know,

0:35:24.040 --> 0:35:26.440
<v Speaker 1>that's that's exactly what we need, are more highlanders with

0:35:26.640 --> 0:35:31.160
<v Speaker 1>high high caliber weapons, all right. They also this was

0:35:31.200 --> 0:35:32.880
<v Speaker 1>also one of those things that when I saw it,

0:35:32.880 --> 0:35:35.319
<v Speaker 1>I was like, this is this is hilarious, And yet

0:35:35.360 --> 0:35:38.480
<v Speaker 1>there's a real world technology that's similar to what was

0:35:38.480 --> 0:35:42.240
<v Speaker 1>shown on the screen. So James Bond's wearing the ski jacket,

0:35:42.880 --> 0:35:46.080
<v Speaker 1>there's this whole chase scene where he's driving what's essentially

0:35:46.080 --> 0:35:49.000
<v Speaker 1>a snowmobile with a parachute and a fan on the

0:35:49.000 --> 0:35:51.440
<v Speaker 1>back of it so that can fly in places. And

0:35:51.480 --> 0:35:53.400
<v Speaker 1>he's being chased by bad guys who are also on

0:35:53.480 --> 0:35:57.719
<v Speaker 1>these things. And then he and a lady are on

0:35:57.800 --> 0:36:02.320
<v Speaker 1>this this icy area where uh, and the spot above

0:36:02.400 --> 0:36:05.560
<v Speaker 1>them is breaking apart. It's gonna cause like a little avalanche.

0:36:05.600 --> 0:36:08.000
<v Speaker 1>It's going to crush them in a second. And so

0:36:08.120 --> 0:36:12.040
<v Speaker 1>quickly James Bond grabs the lady and uh the and

0:36:12.239 --> 0:36:15.439
<v Speaker 1>hits something on his jacket which inflates this ball around them.

0:36:15.600 --> 0:36:19.160
<v Speaker 1>So they get surrounded by this big inflatable ball and

0:36:19.280 --> 0:36:21.520
<v Speaker 1>uh and sort of like a zorb one of those

0:36:21.640 --> 0:36:24.160
<v Speaker 1>big inflatd ones that you could run around inside, similar

0:36:24.200 --> 0:36:27.200
<v Speaker 1>to that yeah, yeah, big inflata hamster ball, and that

0:36:27.840 --> 0:36:31.040
<v Speaker 1>ends up providing shelter when everything falls on top of them,

0:36:31.040 --> 0:36:33.279
<v Speaker 1>so that they don't get crushed by the snow and

0:36:33.320 --> 0:36:36.680
<v Speaker 1>ice that falls. Um. And at first, when you look

0:36:36.719 --> 0:36:39.440
<v Speaker 1>at this, you're like, oh, come on, that's just so silly. However,

0:36:39.920 --> 0:36:42.880
<v Speaker 1>it's actually kind of similar. There's this, um this cool

0:36:43.760 --> 0:36:47.520
<v Speaker 1>yeah just announced this year. I think there's this inflatable helmet. Yeah,

0:36:47.840 --> 0:36:51.200
<v Speaker 1>it looks like it's uh, this kind of bulky scarf

0:36:51.239 --> 0:36:54.920
<v Speaker 1>that you would wear. Uh. It's the hof Ding and

0:36:55.000 --> 0:36:57.960
<v Speaker 1>it's uh, it's an airbag for cyclists. And the idea

0:36:58.080 --> 0:37:02.920
<v Speaker 1>is that it has this inflatable helmet that can expand

0:37:03.040 --> 0:37:06.400
<v Speaker 1>rapidly if it detects a sudden change in your acceleration

0:37:07.000 --> 0:37:11.080
<v Speaker 1>and cover your head in this inflatable bags so that way,

0:37:11.200 --> 0:37:13.799
<v Speaker 1>if you have a crash, your head is protected, even

0:37:13.840 --> 0:37:15.719
<v Speaker 1>if you're not wearing you know, even if you don't

0:37:15.719 --> 0:37:19.759
<v Speaker 1>want to wear a standard So kind of cool, I

0:37:19.760 --> 0:37:22.759
<v Speaker 1>mean in the sense that there is technology that's being

0:37:22.760 --> 0:37:26.040
<v Speaker 1>developed right now that's similar to this, this idea that

0:37:26.120 --> 0:37:28.080
<v Speaker 1>was proposed in the movie. I would think that anything

0:37:28.239 --> 0:37:31.520
<v Speaker 1>potentially sharp like ice might be a bad idea for

0:37:31.640 --> 0:37:34.560
<v Speaker 1>something like that. Also, the material would have to be

0:37:34.600 --> 0:37:37.040
<v Speaker 1>able to withstand puncture. I also think it would it

0:37:37.040 --> 0:37:40.480
<v Speaker 1>would require a lot of pressure on the inside of

0:37:40.560 --> 0:37:44.319
<v Speaker 1>that that inflatable object to withstand the huge amount of

0:37:44.920 --> 0:37:48.160
<v Speaker 1>weight of an avalanche like it would. It would need

0:37:48.200 --> 0:37:51.120
<v Speaker 1>to be mostly rigid, right when it couldn't be like

0:37:51.120 --> 0:37:54.239
<v Speaker 1>the bouncy bouncy castle sort of thing or just crush you.

0:37:54.840 --> 0:37:59.400
<v Speaker 1>Moving on to die another day film, um, and that

0:37:59.440 --> 0:38:02.000
<v Speaker 1>would be our last one. With Pierce Brosnan yep, and

0:38:02.080 --> 0:38:04.800
<v Speaker 1>this one James Bond gets a ring that can emit

0:38:04.880 --> 0:38:08.040
<v Speaker 1>an ultra high frequency single that is powerful enough to

0:38:08.080 --> 0:38:14.960
<v Speaker 1>shatter bulletproof glass. Which okay, so materials have this resonant frequency,

0:38:15.040 --> 0:38:17.400
<v Speaker 1>right that if you match the resonant frequency, it causes

0:38:17.440 --> 0:38:20.640
<v Speaker 1>the material to start to vibrate. And MythBusters did a

0:38:20.640 --> 0:38:22.600
<v Speaker 1>whole thing on this where they showed, you know, the

0:38:22.600 --> 0:38:25.840
<v Speaker 1>whole idea of being able to shatter a a wine

0:38:25.880 --> 0:38:28.520
<v Speaker 1>glass with your voice if you're able to sing at

0:38:28.520 --> 0:38:31.160
<v Speaker 1>the right note, and they showed that at the right

0:38:31.480 --> 0:38:34.560
<v Speaker 1>level of uh, not not just the right frequency, but

0:38:34.600 --> 0:38:37.759
<v Speaker 1>the right volume, the right intensity, you could actually make

0:38:37.800 --> 0:38:40.120
<v Speaker 1>this happen. You could. Then they shot into slow motion

0:38:40.160 --> 0:38:42.680
<v Speaker 1>where you could actually see the glass deforming as it

0:38:42.719 --> 0:38:46.440
<v Speaker 1>was shaking. Is really cool. However, squeezing that amount of

0:38:46.680 --> 0:38:49.839
<v Speaker 1>energy into a ring is going to be difficult. Yeah,

0:38:49.960 --> 0:38:53.200
<v Speaker 1>being able to project that much volume so that you

0:38:53.239 --> 0:38:55.640
<v Speaker 1>are able to shatter something like a pane of glass,

0:38:56.320 --> 0:38:58.760
<v Speaker 1>because I mean, if you ever watch these videos, glass

0:38:58.760 --> 0:39:02.880
<v Speaker 1>can deform a surprising amount before it breaks, a really weird,

0:39:02.960 --> 0:39:05.840
<v Speaker 1>scary amount. Yeah, when slow motion you look at you

0:39:05.920 --> 0:39:09.400
<v Speaker 1>like that doesn't even look real, so it would. I

0:39:09.440 --> 0:39:12.080
<v Speaker 1>certainly don't think you could pack that kind of wallop

0:39:12.120 --> 0:39:14.120
<v Speaker 1>in a ring. No, I mean you could punch the

0:39:14.120 --> 0:39:16.120
<v Speaker 1>glass of course, of its bulletproof, You're probably just gonna

0:39:16.120 --> 0:39:21.320
<v Speaker 1>break your hand. But anyway, the basic concept is sound.

0:39:21.520 --> 0:39:25.120
<v Speaker 1>The execution is questionable, not so much. Yeah, the Aston

0:39:25.160 --> 0:39:29.759
<v Speaker 1>Martin in this one was um okay, So so we

0:39:29.800 --> 0:39:32.520
<v Speaker 1>have basically we had an invisible car. Yeah. The Aston

0:39:32.560 --> 0:39:36.399
<v Speaker 1>Martin Vanquish, also sometimes called the Aston Martin Vanish, there's

0:39:36.440 --> 0:39:38.600
<v Speaker 1>a car that, according to the film, the idea was

0:39:38.640 --> 0:39:41.160
<v Speaker 1>that had lots of these little tiny cameras all around

0:39:41.160 --> 0:39:44.279
<v Speaker 1>the car, and what would happen is that it would

0:39:44.440 --> 0:39:48.920
<v Speaker 1>project It would capture whatever's coming on like oncoming and

0:39:48.960 --> 0:39:51.600
<v Speaker 1>projected onto the surface of the car itself, right for

0:39:51.840 --> 0:39:54.680
<v Speaker 1>doing kind of an invisibility cloak sort of, the idea

0:39:54.760 --> 0:39:57.120
<v Speaker 1>being that if if you're looking at the car, you're

0:39:57.160 --> 0:39:59.279
<v Speaker 1>actually seeing what's on the other side of the car

0:39:59.400 --> 0:40:02.640
<v Speaker 1>as opposed to car itself. This worked for everything, not

0:40:02.719 --> 0:40:05.360
<v Speaker 1>just the not just the car's body, but the wheels,

0:40:05.520 --> 0:40:09.839
<v Speaker 1>the glass, the windows, the windshield, everything was was completely

0:40:09.880 --> 0:40:12.480
<v Speaker 1>cloaked and when it moved, it moved like you know,

0:40:12.520 --> 0:40:16.280
<v Speaker 1>like the clingon Starship and star Trek right um, and okay,

0:40:16.320 --> 0:40:18.560
<v Speaker 1>so I mean researchers and artists have in fact come

0:40:18.640 --> 0:40:23.040
<v Speaker 1>up with invisibility cloaks that work on similar principles, but

0:40:23.600 --> 0:40:27.120
<v Speaker 1>not at Aston Martin road speeds really and and to

0:40:27.520 --> 0:40:30.279
<v Speaker 1>be fair to James Bond, at first, when you see this,

0:40:30.719 --> 0:40:33.640
<v Speaker 1>the cars not moving, it's still. But then it does

0:40:33.680 --> 0:40:35.960
<v Speaker 1>start to move and it's moving perfectly fine, like you

0:40:36.000 --> 0:40:38.719
<v Speaker 1>see the shimmer as it moves. But it's not like,

0:40:39.280 --> 0:40:40.839
<v Speaker 1>you know, it's not like not like it's not like

0:40:40.880 --> 0:40:43.360
<v Speaker 1>the stuff on the car is lagging behind three seconds

0:40:43.400 --> 0:40:46.920
<v Speaker 1>from what is actually around it, right right, um, right now.

0:40:47.000 --> 0:40:48.640
<v Speaker 1>The best technology for this kind of thing is on

0:40:48.680 --> 0:40:52.000
<v Speaker 1>the micrometer scale, you know, carbon nanotube stuff like that.

0:40:52.040 --> 0:40:53.640
<v Speaker 1>And also a lot of the stuff we think of

0:40:53.680 --> 0:40:57.120
<v Speaker 1>as invisibility cloaks right now is really for bands of

0:40:57.200 --> 0:41:00.520
<v Speaker 1>light that we personally cannot see. It's just that out

0:41:00.800 --> 0:41:03.439
<v Speaker 1>from a laboratory standpoint, certain types of light will pass

0:41:03.520 --> 0:41:06.520
<v Speaker 1>through as opposed to reflecting off. It's just not in

0:41:06.560 --> 0:41:11.600
<v Speaker 1>the visible spectrum. Yeah, and and that was a request

0:41:11.719 --> 0:41:15.319
<v Speaker 1>from a couple of people on Facebook, Richard and Monty.

0:41:15.400 --> 0:41:18.080
<v Speaker 1>Now it also, of course, had your standard James Bond

0:41:18.239 --> 0:41:22.000
<v Speaker 1>equipment objector seat, which in this film James Bond uses

0:41:22.040 --> 0:41:25.040
<v Speaker 1>to flip the car from being upside down on its

0:41:25.040 --> 0:41:28.440
<v Speaker 1>hood back to being right side up. The objector seat

0:41:28.480 --> 0:41:33.279
<v Speaker 1>provides the flippy flip. Yeah. Yeah, MythBusters tested part of

0:41:33.280 --> 0:41:34.960
<v Speaker 1>that as part of that that episode that they did

0:41:34.960 --> 0:41:38.880
<v Speaker 1>about and missed that part. I totally forgot that part

0:41:38.920 --> 0:41:40.600
<v Speaker 1>of the You know, I don't think I've ever seen

0:41:40.680 --> 0:41:43.239
<v Speaker 1>Die another Day. I've seen the clips, right, I've seen

0:41:43.239 --> 0:41:46.480
<v Speaker 1>the clips of this particular scene because and I just

0:41:46.520 --> 0:41:49.759
<v Speaker 1>remember yelling, oh, come on like times. And then I've

0:41:49.760 --> 0:41:55.240
<v Speaker 1>had the standard you know, machine gun torpedoes right right, yeah,

0:41:55.280 --> 0:41:57.719
<v Speaker 1>all that stuff that you know James Bond has he

0:41:57.760 --> 0:42:01.320
<v Speaker 1>can't leave home without. So moving on, we've got uh, well,

0:42:01.320 --> 0:42:04.719
<v Speaker 1>you got the boring Bond right Casino Royale with this

0:42:05.400 --> 0:42:10.080
<v Speaker 1>Daniel Craig person. This this was a two thousand six films.

0:42:10.160 --> 0:42:14.160
<v Speaker 1>He's dreamy, I can't lie. So yeah, there's a new

0:42:14.239 --> 0:42:17.200
<v Speaker 1>West and Martin in this one, the dbs V twelve.

0:42:17.840 --> 0:42:20.480
<v Speaker 1>She also had a whole bunch of high tech uh

0:42:20.719 --> 0:42:23.040
<v Speaker 1>first aid gear that was all stored in the glove compartment.

0:42:23.080 --> 0:42:25.960
<v Speaker 1>So nothing like super Crazy in this one, and a

0:42:26.000 --> 0:42:27.680
<v Speaker 1>lot of this was the idea of going back to

0:42:27.760 --> 0:42:30.799
<v Speaker 1>James Bond and kind of grounding the character a little

0:42:30.800 --> 0:42:34.080
<v Speaker 1>bit more more gritty. Yeah. I I liked this entire

0:42:34.239 --> 0:42:36.759
<v Speaker 1>recent reboot with with Daniel Craig. I thought it was

0:42:36.800 --> 0:42:39.120
<v Speaker 1>a little bit it's a little bit over aud at times,

0:42:39.239 --> 0:42:42.080
<v Speaker 1>but that's okay. But and they still have cutting edge

0:42:42.080 --> 0:42:45.280
<v Speaker 1>technology and in some cases cutting edge technology that outstrips

0:42:45.320 --> 0:42:47.680
<v Speaker 1>what we can currently do. But that's not it's not

0:42:47.840 --> 0:42:50.920
<v Speaker 1>so much a as goofy, yeah, and it's not as

0:42:51.960 --> 0:42:54.319
<v Speaker 1>right um. One of the other bits of tech from

0:42:54.320 --> 0:42:57.920
<v Speaker 1>this movie was an implanted microchip that could act as

0:42:57.960 --> 0:43:01.120
<v Speaker 1>both a homing device and a like a a biometric

0:43:01.200 --> 0:43:05.919
<v Speaker 1>monitor of UM, which also could send that info back

0:43:05.960 --> 0:43:08.200
<v Speaker 1>out to m I six Yeah, which again is a

0:43:08.239 --> 0:43:11.120
<v Speaker 1>little little tricky, like how do you create a transmitter

0:43:11.200 --> 0:43:13.600
<v Speaker 1>with the size of a pencil eraser that can also

0:43:14.200 --> 0:43:17.360
<v Speaker 1>transmit this stuff. Not that there aren't, you know, implantable

0:43:17.400 --> 0:43:20.600
<v Speaker 1>technologies that that are totally dissimilar to this. We do

0:43:20.680 --> 0:43:23.040
<v Speaker 1>have things that are similar, but they work on very

0:43:23.160 --> 0:43:25.920
<v Speaker 1>very short range. The idea is that's when you can

0:43:25.960 --> 0:43:28.600
<v Speaker 1>actually monitor the patient in person as opposed to when

0:43:28.600 --> 0:43:32.080
<v Speaker 1>when you can kind of poke a instrument directly at

0:43:32.120 --> 0:43:36.640
<v Speaker 1>their are rather than rather than you know, five miles away.

0:43:37.320 --> 0:43:40.080
<v Speaker 1>There was also a touchscreen table in m I six,

0:43:40.200 --> 0:43:44.120
<v Speaker 1>which uh, you know Microsoft had something like as of

0:43:44.160 --> 0:43:47.279
<v Speaker 1>two thousand eight. Yeah, the Surface table. The you know

0:43:47.360 --> 0:43:50.600
<v Speaker 1>before there was the Surface tablet. Dear friends, there was

0:43:50.640 --> 0:43:53.440
<v Speaker 1>the Microsoft Surface table, which is when when they called

0:43:53.480 --> 0:43:56.600
<v Speaker 1>the tablet Microsoft Surface again. That was also when I

0:43:56.600 --> 0:43:58.080
<v Speaker 1>threw my hands up in the air and said, oh,

0:43:58.120 --> 0:44:00.719
<v Speaker 1>come on, I don't do it us to James Bond.

0:44:00.760 --> 0:44:02.600
<v Speaker 1>I also do it to Microsoft. What I said, you

0:44:02.640 --> 0:44:05.360
<v Speaker 1>already have a product called the Surface and it's a tabe.

0:44:05.400 --> 0:44:08.000
<v Speaker 1>It's confusing. It's hard for me to write about this.

0:44:08.040 --> 0:44:10.799
<v Speaker 1>You're making my articles not be relevant anymore. You got

0:44:10.840 --> 0:44:12.000
<v Speaker 1>to you got to play with one of those at

0:44:12.000 --> 0:44:14.879
<v Speaker 1>one of those Yes, yeah, yeah, they had one where

0:44:14.880 --> 0:44:16.680
<v Speaker 1>they was on it was on display that back then,

0:44:16.760 --> 0:44:18.960
<v Speaker 1>Microsoft had a presence at c Yes, they used to

0:44:18.960 --> 0:44:21.839
<v Speaker 1>have a booth and they had the Microsoft Surface there

0:44:21.840 --> 0:44:23.440
<v Speaker 1>and you could play with it. In fact, there were

0:44:23.480 --> 0:44:25.920
<v Speaker 1>a couple of different booths that had a Microsoft Surface.

0:44:25.960 --> 0:44:29.440
<v Speaker 1>I think, um, oh what it was like Intel or

0:44:29.480 --> 0:44:32.959
<v Speaker 1>something else. Also had one. So the neat thing about

0:44:32.960 --> 0:44:35.440
<v Speaker 1>the surface was had the multi touch capability. And this

0:44:35.480 --> 0:44:38.400
<v Speaker 1>was before you saw that in everything, right, So it

0:44:38.480 --> 0:44:41.279
<v Speaker 1>was one of those um implementations that was really cool.

0:44:41.320 --> 0:44:44.239
<v Speaker 1>So this this was kind of predicting that as well.

0:44:45.840 --> 0:44:50.200
<v Speaker 1>Moving on to Quantum of Solace, Craig's second film that

0:44:50.280 --> 0:44:53.280
<v Speaker 1>came out in two thousand eight. Uh So, and again

0:44:53.440 --> 0:44:56.440
<v Speaker 1>we have another magical telephone in a way, so this

0:44:56.480 --> 0:44:59.399
<v Speaker 1>one could create a composite photo of a subject even

0:44:59.400 --> 0:45:01.719
<v Speaker 1>if Bond only got like a profile shot. So if

0:45:01.719 --> 0:45:04.239
<v Speaker 1>you got a shot from the side of someone, this

0:45:04.320 --> 0:45:07.600
<v Speaker 1>phone could reconstruct that person's entire face, including the side

0:45:07.640 --> 0:45:09.920
<v Speaker 1>that was not facing the camera. And this this is

0:45:09.960 --> 0:45:13.040
<v Speaker 1>one of my personal pet peeves. And and uh it's

0:45:13.040 --> 0:45:15.520
<v Speaker 1>that whole zoom and enhanced concept where I'm like, no,

0:45:15.640 --> 0:45:18.920
<v Speaker 1>if the camera hasn't recorded that information, it cannot give you.

0:45:19.160 --> 0:45:20.920
<v Speaker 1>The best we can do is assume that you have

0:45:21.000 --> 0:45:26.320
<v Speaker 1>an incredibly symmetrical face. And therefore, if like James Bond,

0:45:26.440 --> 0:45:30.560
<v Speaker 1>encounters you know, mostly supermodels, then in that universe it's

0:45:30.600 --> 0:45:34.319
<v Speaker 1>actually very effective. To be fair, Lauren, James Bond does

0:45:34.719 --> 0:45:38.040
<v Speaker 1>encounter supermodels. This is what I'm saying you know, that's

0:45:38.080 --> 0:45:41.239
<v Speaker 1>that's okay. Never never mind where if James Bond took

0:45:41.239 --> 0:45:43.480
<v Speaker 1>a picture of me and profile, however, it would that

0:45:43.560 --> 0:45:46.360
<v Speaker 1>you'd be like, Wow, who's that devastatingly handsome gentleman? And

0:45:46.360 --> 0:45:48.480
<v Speaker 1>then you see me and like that cannot be the

0:45:48.480 --> 0:45:51.160
<v Speaker 1>guy that's in this picture because that guy's nose is

0:45:51.200 --> 0:45:55.480
<v Speaker 1>all crooked and stuff. I had a tough childhood. Um yeah, anyway,

0:45:55.640 --> 0:45:58.719
<v Speaker 1>it was. It's not that this technology is totally beyond us,

0:45:58.719 --> 0:46:00.520
<v Speaker 1>but it is one of those things where I don't

0:46:00.719 --> 0:46:05.000
<v Speaker 1>I would highly suspect the reliability of any picture that

0:46:05.200 --> 0:46:10.839
<v Speaker 1>is completely created from just a portion of someone's face. Um. Now,

0:46:11.000 --> 0:46:14.680
<v Speaker 1>we have seen interesting scanning technology with people using something

0:46:14.680 --> 0:46:17.520
<v Speaker 1>like the Connect where they do a very slow turn

0:46:17.600 --> 0:46:19.799
<v Speaker 1>and it gives a full three D scan of a

0:46:19.800 --> 0:46:22.360
<v Speaker 1>person's head. But in that case, you're talking about the

0:46:22.400 --> 0:46:25.560
<v Speaker 1>device that's actually getting data from all points, right, it's

0:46:25.560 --> 0:46:28.840
<v Speaker 1>not just one side all right. Then when it comes

0:46:28.880 --> 0:46:32.760
<v Speaker 1>up to Skyfall, the as of right now, most recent

0:46:33.560 --> 0:46:35.680
<v Speaker 1>film in the James Bond franchise that came out in

0:46:36.480 --> 0:46:41.280
<v Speaker 1>and also starred Mr Craig, Mr Dreamy Craig and um

0:46:41.360 --> 0:46:45.200
<v Speaker 1>and and this this film was very much stressing that

0:46:45.280 --> 0:46:49.560
<v Speaker 1>kind of stripped down aesthetic versus especially some of the

0:46:49.680 --> 0:46:53.279
<v Speaker 1>earlier goofy or nineteen eighties films um uh and and

0:46:53.360 --> 0:46:55.080
<v Speaker 1>so they kind of make a bit out of it

0:46:55.120 --> 0:46:57.520
<v Speaker 1>when when bonding the new queue made up for the

0:46:57.560 --> 0:47:01.279
<v Speaker 1>first time, um uh Q gives him this little box

0:47:01.320 --> 0:47:06.000
<v Speaker 1>and all it contains is a Walter PPK and and

0:47:06.080 --> 0:47:08.840
<v Speaker 1>ah in a little radio transmitter and and bonds like

0:47:08.920 --> 0:47:14.120
<v Speaker 1>that's it, like like not exactly Christmas, is it? However,

0:47:14.200 --> 0:47:19.280
<v Speaker 1>his his gun does have a a scanner on the handle,

0:47:19.360 --> 0:47:21.600
<v Speaker 1>so it only bond can fire it, all right, right,

0:47:21.640 --> 0:47:24.520
<v Speaker 1>it's a little pom print reader thing, yeah, which which

0:47:24.520 --> 0:47:28.400
<v Speaker 1>which is technically possible, although it would be harder um

0:47:28.440 --> 0:47:30.360
<v Speaker 1>on a on a mechanical device than it would have

0:47:30.360 --> 0:47:32.759
<v Speaker 1>been on on a digital So if you have some

0:47:32.800 --> 0:47:36.160
<v Speaker 1>sort of digital safety, digitize the safety or something. If

0:47:36.160 --> 0:47:38.799
<v Speaker 1>you if you make the safety completely separate from a

0:47:38.840 --> 0:47:42.440
<v Speaker 1>mechanical approach and you make it an electronic approach, I

0:47:42.480 --> 0:47:45.560
<v Speaker 1>could see that like if it's it's engaged unless the

0:47:45.880 --> 0:47:49.319
<v Speaker 1>quote unquote right person is holding the gun. Um that

0:47:49.360 --> 0:47:52.440
<v Speaker 1>would That's the only way I could imagine that making sense.

0:47:52.520 --> 0:47:54.600
<v Speaker 1>I'll give that one to que Um. And it also

0:47:54.719 --> 0:47:57.920
<v Speaker 1>we also see a return of the Aston Martin dB

0:47:58.080 --> 0:48:01.080
<v Speaker 1>five um, like the like the super classic one with

0:48:01.120 --> 0:48:03.920
<v Speaker 1>all of the super classic stuff pretty much from Goldfinger,

0:48:04.040 --> 0:48:06.120
<v Speaker 1>which you know, to be fair, Skyfall had a lot

0:48:06.200 --> 0:48:09.600
<v Speaker 1>of little nods to some of the earlier Bond films,

0:48:09.600 --> 0:48:12.399
<v Speaker 1>like you you would actually you know, see examples of

0:48:12.440 --> 0:48:15.240
<v Speaker 1>some of the stuff that appeared in earlier Bond films

0:48:15.280 --> 0:48:18.680
<v Speaker 1>just kind of uh surreptitiously hidden in the in the scene,

0:48:18.960 --> 0:48:21.239
<v Speaker 1>not something that was you know, paraded out in front

0:48:21.239 --> 0:48:23.799
<v Speaker 1>of you, but that That's one of those cool things

0:48:23.800 --> 0:48:27.480
<v Speaker 1>is seeing them pay homage to this rich past that

0:48:27.680 --> 0:48:30.960
<v Speaker 1>James Bond has accumulated, even as they go forward and

0:48:31.000 --> 0:48:35.680
<v Speaker 1>potentially go back and and recreate some of these older stories.

0:48:36.160 --> 0:48:38.120
<v Speaker 1>So it's possible that we'll see some of these older

0:48:38.160 --> 0:48:42.040
<v Speaker 1>stories reimagined in new form um. Some of them may

0:48:42.120 --> 0:48:45.560
<v Speaker 1>just be completely written, you know, from scratch. Some of

0:48:45.560 --> 0:48:47.719
<v Speaker 1>the James Bond films are not based off of any

0:48:47.760 --> 0:48:50.719
<v Speaker 1>flaming novel. But maybe some of the future ones will

0:48:50.760 --> 0:48:53.359
<v Speaker 1>be just reimagined versions of that. Yeah, and I'm really

0:48:53.360 --> 0:48:55.880
<v Speaker 1>curious to see how I mean, as we keep saying,

0:48:56.040 --> 0:48:58.839
<v Speaker 1>as we have been saying throughout these two episodes, Um,

0:48:58.920 --> 0:49:01.320
<v Speaker 1>you know a lot of this stuff that was crazy

0:49:01.360 --> 0:49:04.600
<v Speaker 1>revolutionary sci fi tech in the nineteen sixties is stuff

0:49:04.640 --> 0:49:06.840
<v Speaker 1>that's on our smartphones. Yeah, we just take it for

0:49:06.880 --> 0:49:08.960
<v Speaker 1>granted as we can whip out a phone and do

0:49:09.040 --> 0:49:12.319
<v Speaker 1>exactly what James Bond had to struggle to do back then. Yeah.

0:49:12.360 --> 0:49:15.080
<v Speaker 1>So you know, I'm looking forward to seeing what new

0:49:15.239 --> 0:49:18.560
<v Speaker 1>stuff of these these nice, nice creators come up with

0:49:18.600 --> 0:49:22.080
<v Speaker 1>her Bond to have ridiculous new gadgets in the future. Meanwhile,

0:49:22.080 --> 0:49:24.640
<v Speaker 1>I'm going to see the John d double O seven

0:49:24.680 --> 0:49:28.200
<v Speaker 1>original spy movie. Oh man, I would watch that, except

0:49:28.239 --> 0:49:30.160
<v Speaker 1>I'm pretty sure it already came out and it was

0:49:30.200 --> 0:49:33.520
<v Speaker 1>called Hudson Hawk. I was gonna say it was called

0:49:33.640 --> 0:49:36.120
<v Speaker 1>League of Extraordinary Gentlemen. Either way, it's a terrible movie.

0:49:36.719 --> 0:49:38.880
<v Speaker 1>Except in one case it's a terrible movie I enjoy

0:49:38.920 --> 0:49:40.880
<v Speaker 1>and the other one I totally don't enjoy. Can you

0:49:40.920 --> 0:49:43.359
<v Speaker 1>guess which is which? If you can guess which is which,

0:49:43.360 --> 0:49:45.120
<v Speaker 1>why don't you write it and let us know? Or

0:49:45.160 --> 0:49:47.720
<v Speaker 1>if you've got any suggestions for topics in the future

0:49:48.280 --> 0:49:50.880
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0:49:51.239 --> 0:49:53.960
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0:49:54.000 --> 0:49:56.520
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0:49:58.800 --> 0:50:01.680
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0:50:01.880 --> 0:50:04.360
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0:50:05.080 --> 0:50:07.640
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0:50:10.280 --> 0:50:12.680
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0:50:12.719 --> 0:50:19.480
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