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Speaker 1: We're taking money.

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Speaker 2: Morning coffee. Hey everybody, I'm Joe Gatto. Well keep going,

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Speaker 2: and this is Steve Byrne and we are listening. You

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Speaker 2: guys are listening to two cool moms. Thank you so

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Speaker 2: much for listening to a Stephen.

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Speaker 3: Yes, I don't know if you realized, but you wore

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Speaker 3: your Viking hat to work today.

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Speaker 1: No, this is uh, this is my party hat at

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Speaker 1: a swingers event last night. And these are not what

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Speaker 1: you think.

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Speaker 3: They're now what you guys are thinking. Actually, it's an

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Speaker 3: event for acrobats.

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Speaker 2: It's not what you guys. It has nothing to do

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Speaker 2: with sexual It definitely does. No, No, it doesn't.

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Speaker 1: The battery attackers at the back, and it's I don't

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Speaker 1: want to get into it, but let's just say there's

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Speaker 1: a fluids the shootouts. Yeah, let's start again, classic Joe Stephen.

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Speaker 2: How are you?

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Speaker 3: I'll do a great buddy house things, great feeling? Well,

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Speaker 3: you're looking well rested? Uh no, how many minutes ago?

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Speaker 2: Did we wake up? Forty two? To be honest, that's

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Speaker 2: be honest. About thirty thirty? Yeah, you look great for

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Speaker 2: thirty I'll take it.

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Speaker 1: Yeah, did my spots at the cellar last night?

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Speaker 2: How'd that go fun.

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Speaker 1: People showed up, people laughed, people through did the funnies.

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Speaker 1: I watched, Uh disease came in kind of cool. I

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Speaker 1: hadn't seen him in a while, and every time I

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Speaker 1: see me says the same thing. You look the same, Mike,

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Speaker 1: you look the same, right.

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Speaker 2: Yeah.

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Speaker 1: And we had the conversation at White Castle, which is

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Speaker 1: very funny.

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Speaker 2: It's great Asian Indian guys. Got it? Guys, where what's

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Speaker 2: the name of that movie?

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Speaker 1: Herold and Kumar to White Castle?

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Speaker 2: It would be Steve and Stephen. You should have want

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Speaker 2: the Burger game to spin off.

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Speaker 1: That was always my favorite pickup line back in the

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Speaker 1: day after a show, like, hey, do you like fast food?

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Speaker 2: And she'd be like, yeah, I like fast food. Good.

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Speaker 1: I'll be uh, I'll be Burger. Can you be McDonald's.

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Speaker 1: I'll have it my way and you'll be loving it. Guys,

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Speaker 1: Bingo Weekend.

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Speaker 3: You could be in magically, you can be transported to

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Speaker 3: be in any film, any film.

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Speaker 2: You are the guy in the film, the guy, the lead,

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Speaker 2: the person. What would you be That's a tough question.

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Speaker 3: That is tough, Like think about that for a minute now.

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Speaker 3: I also want you to remember you are the person

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Speaker 3: filming the movie. You're in the movie. You know, you

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Speaker 3: don't live in the movie. So it's not like if

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Speaker 3: you're Indiana Jones. You're not in the Sahara doing nothing,

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Speaker 3: but you portray a person.

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Speaker 2: You're an actor. You're playing a role. What role would

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Speaker 2: you have wanted to land? I mean, that's.

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Speaker 1: That's a tough one because everybody has a favorite film.

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Speaker 1: But there sure if I could be in it.

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Speaker 3: Well, you don't want to replace your favorite film, Like,

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Speaker 3: you're not gonna go ahead and be Indiana Jones.

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Speaker 2: You wouldn't be right. You wouldn't be Harrison Ford. No,

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Speaker 2: you'd be Steve Stephen shev Lee jokes. That's a good one.

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Speaker 2: It's just too early for you. That was a good jiggy?

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Speaker 2: Was that a good one? I liked it. Jingy liked it.

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Speaker 2: I could have made you a ka I made your Chevrolet.

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Speaker 2: I would have appreciated Akia.

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Speaker 1: It's a little updated, it's a little Stephen King. Have

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Speaker 1: you seen some of these new kias?

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Speaker 2: Yeah? Looking for sponsorship? Yeah, because you don't want to.

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Speaker 2: You came up with a questions, so you must have. No.

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Speaker 3: I actually thought of it in the moment too, but

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Speaker 3: I yeah, well I wouldn't. I think my first instinct

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Speaker 3: is not to ruin a franchise that I loved, like

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Speaker 3: I would not, you know, I maybe i'd be Harry Potter.

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Speaker 3: Oh come on, that'd be pretty amazing. Could you imagine

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Speaker 3: me as Harry Potter with the oh so fun with

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Speaker 3: the scar and all, but like current, like I wouldn't.

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Speaker 1: Be young, but they're all British and these great accents,

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Speaker 1: and then you're coming with that Staten Island flair?

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Speaker 2: What what spills a boob.

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Speaker 1: Malonka a book and they're like, no, that's not how

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Speaker 1: you say it.

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Speaker 2: That'd be that'd be hilarious.

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Speaker 3: Oh maybe like but maybe like maybe not the present day?

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Speaker 3: Oh you know what, that would be great.

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Speaker 1: Like Billy Madison goes to I Smell movie Pitch you No,

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Speaker 1: I think Billy Madison goes to Wizard Wizard School camp

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Speaker 1: and that's you wizard camp.

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Speaker 2: Yeah, just school. I never saw him.

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Speaker 3: You didn't see them, I've never seen Hogwarts is the

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Speaker 3: school and it's just basically like an academy they go to.

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Speaker 3: But I would only do like the summer camp, like

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Speaker 3: I would do a camp version. They go to the

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Speaker 3: whole university, different levels graduate you know, I would do.

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Speaker 2: Like a four week sleep away camp.

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Speaker 1: It doesn't exist, you're creating your own.

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Speaker 2: No, no, I would say I would, I said Harry Potter.

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Speaker 3: But I think it'd be fun to be like one

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Speaker 3: of the spinoff guys in a movie like not like

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Speaker 3: I would love to be uh uh Sloth in Goonies.

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Speaker 2: Jesus, hey you got your some credit. Well, I mean

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Speaker 2: it wouldn't need.

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Speaker 1: Makeup, just you eating pastries the whole time.

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Speaker 3: Yeah, no, I think like to I don't know, you'd

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Speaker 3: have to be somebody who's not really that important though,

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Speaker 3: Like I can't replace Pacino in the Godfather.

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Speaker 2: I would love to have been the Godfather. Yeah, you know,

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Speaker 2: but I wouldn't be.

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Speaker 1: But okay, okay, let's just say it's for you then, okay,

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Speaker 1: like no one else is gonna see it. Yes, AI

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Speaker 1: puts you in it, so we're not ruining a franchise. Yeah,

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Speaker 1: you could be in it. What would you be in?

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Speaker 2: I probably would have to say I'd probably be in

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Speaker 2: Star Wars.

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Speaker 3: Yeah, okay, So if it's just for me, I would

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Speaker 3: love to been like just to do all the like

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Speaker 3: the stunt work and the fun work.

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Speaker 2: I would like to be like in die Hard. I

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Speaker 2: would love to be Bruce Willis. That'd be cool. That'd

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Speaker 2: be fun, right to be like diving. You know what

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Speaker 2: I'd love to do?

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Speaker 1: This is this would be like real, Okay, Okay, I

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Speaker 1: would train for a year, like I would literally train

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Speaker 1: for it every day I do my stuff, and that

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Speaker 1: I'd trained for like four hours for like five days

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Speaker 1: a week, and I would be in singing in the

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Speaker 1: rain and see how could I come even obviously not

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Speaker 1: even close, but but at.

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Speaker 2: Least like what's your version of that? Horrible?

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Speaker 1: Yeah, but I wouldn't want to do it like disservice

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Speaker 1: coming on a cloudy day, the Steve coming in overcast skies, Yeah,

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Speaker 1: something like that. Yeah, but I think I don't I

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Speaker 1: just watch it and I and then I'd seen this

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Speaker 1: documentary documentary on Gene Kelly and he had done this

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Speaker 1: PBS thing called The Anatomy of a Dancer, was taking

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Speaker 1: all the best athletes of that time, like and Mickey

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Speaker 1: Manno was in and all that stuff and saying that

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Speaker 1: dance is no different than being a premier athlete. And

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Speaker 1: after like then I had actually went down the rabbit

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Speaker 1: hole and watched that. I was like, wow, it made

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Speaker 1: me appreciate that the athleticism of dance, and after going

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Speaker 1: down this Gene Kelly rabbit hole like the last ten years,

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Speaker 1: I I think that'd be the one thing I'd love

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Speaker 1: to do is just like take an average pert, like

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Speaker 1: you know, I've never danced, I've never tapped dancer, but

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Speaker 1: like study for a year and then try to see

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Speaker 1: how close you can come obviously horrible, but just impressive.

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Speaker 1: Even just do a scene. I think it'd be kind

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Speaker 1: of cool, like the an American Paris where he's I

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Speaker 1: got rhythm with all the kids around him.

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Speaker 2: I think that'd be kind of fun. Yeah, that'd be

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Speaker 2: really cool.

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Speaker 3: I well, I think you did you grow up around

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Speaker 3: dance or boogie nights.

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Speaker 4: There?

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Speaker 2: Did your parents dance? Have you ever seen your parents dance? Never? Really?

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Speaker 1: I saw my mom beer bong before she danced. You've

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Speaker 1: seen my brother came back from my rack and there

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Speaker 1: were beer bonging because they were letting he rip. My

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Speaker 1: mom was there and she was like, I'll do one,

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Speaker 1: and she's five foot nothing and she literally chugged it

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Speaker 1: all and uh, my dad was clapping afterwards, and it

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Speaker 1: was just like it was just weird seeing your mom like, yeah,

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Speaker 1: I was like, god, it was just weird, but it

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Speaker 1: was so fun to see her like in such a party.

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Speaker 2: So then she danced. After that, she didn't dance.

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Speaker 1: I don't think I've ever seen her dance.

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Speaker 2: You never seen your parents dance together, like at a

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Speaker 2: wedding or anything. Wow, No, I don't think so.

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Speaker 3: My parents used to dance in the kitchen. My dad

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Speaker 3: was six foot three, my mother was five foot nothing,

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Speaker 3: and he used to swing dance like you know, yeah,

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Speaker 3: old school right, So my dad used to like twirl.

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Speaker 3: My dad used to twirl my mother around, but he

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Speaker 3: would just like be.

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Speaker 2: Flipping her like because he was so small he could

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Speaker 2: he could toss her up and stuff.

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Speaker 3: Yeah, they did like just turn. He didn't do like

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Speaker 3: the flipper over and stuff. She would get too scared.

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Speaker 3: There's the thing about swing. So you have to have

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Speaker 3: somebody who's like very dainty like Jess and I. She'd

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Speaker 3: throw me around before I thought, do you dance?

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Speaker 2: You don't. Really, I've seen you don't dance. I've seen

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Speaker 2: you dance.

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Speaker 1: No, I don't dance.

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Speaker 2: I've seen you do this. I'll keep that's it. That's

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Speaker 2: as far as you don't hit the dance floor. Excuse me,

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Speaker 2: you don't hit the dance floor. Never, you don't tear it.

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Speaker 2: Not my thing me neither.

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Speaker 1: I had, Oh you are? I love dance an opportunity.

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Speaker 1: I love it for every showcase. Every floor is a

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Speaker 1: dance floor if you dance on it. And remember that

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Speaker 1: there's a dance floor everywhere. Baby, once you start dancing

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Speaker 1: on that, I've seen it, you know it. I've seen

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Speaker 1: it in real time. I had an opportunity with I

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Speaker 1: don't know if I ever told you the story. If

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Speaker 1: I did, please stop me. We can edit it out.

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Speaker 1: But I had an opportunity. I did a show New Orleans.

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Speaker 1: There was an A list actress there and we went

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Speaker 1: out afterwards with a few of these actors and we

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Speaker 1: go to this bar and she's like, come dance with me,

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Speaker 1: Come dance with me. I was like, eh, I don't

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Speaker 1: really dance, Come on, come dance. And I was like,

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Speaker 1: maybe i'll have a shot that'll help me. So I

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Speaker 1: have a shot and I'm hanging out and she's hanging

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Speaker 1: out and I was like, come dance with me. I'm like,

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Speaker 1: I'm just not. It hasn't kicked in yet. Let me

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Speaker 1: have another shot, and you know, and then we can

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Speaker 1: go dance, so have another shot. She's like, all right,

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Speaker 1: are we dancing or not. I'm like, I'm just not

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Speaker 1: a dancer. I'll be honest with it. I just don't dance.

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Speaker 1: She's like, come on, come dance with me. I'll lead,

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Speaker 1: I'll do what. We're just having fun. I was like,

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Speaker 1: let me have one more shot, and she's like, are

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Speaker 1: you serious? I was like, just one more shot, So I.

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Speaker 2: Take a shot.

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Speaker 1: I turn around and she's making out with a girl

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Speaker 1: on the dance floor.

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Speaker 2: You could have been that woman. You could have been

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Speaker 2: that girl, could have been me so mad it infuriates me.

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Speaker 2: I agree, you got so you want some you know,

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Speaker 2: you could have. You wanted some liquid courage.

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Speaker 1: See had you been there? I take it back, No, no,

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Speaker 1: I don't. We were in Miami, me, you and Vince Vaughn.

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Speaker 2: Yeah, yeah, you guys at the dance floor, and I

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Speaker 2: still didn't. That's right, you remember I was. You watched

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Speaker 2: and I watch in class. You love to spectator dance.

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Speaker 2: I spectate.

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Speaker 1: I don't like to, Like if I go to an orgy,

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Speaker 1: I'll watch, yeah, for.

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Speaker 2: Sure, and take you know for that. People learn that

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Speaker 2: about your all the time is that. That's Steve Vern

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Speaker 2: He's a watcher. I did. I did. I always liked

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Speaker 2: the thing.

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Speaker 3: I always put it out there when I was coming

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Speaker 3: up because I think people like to be with me

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Speaker 3: because I'd always be the worst person on the dance floor.

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Speaker 2: But I wouldn't care.

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Speaker 3: I dance with a salary, says, I dance with a

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Speaker 3: confidence that I should not have because I just like to.

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Speaker 2: I like to dance, and I don't care what I

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Speaker 2: look like, and I'm.

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Speaker 3: Not very good at it, but I have moves that

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Speaker 3: are entertaining to watch beyond.

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Speaker 2: But I don't. I don't. Would you call me a

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Speaker 2: bad dancer a good dancer?

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Speaker 1: If I were to study this and I have as

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Speaker 1: a watcher, I would say, you actually are a good dancer,

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Speaker 1: because to be that bad you have to be great. Okay,

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Speaker 1: does that make sense?

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Speaker 2: I guess so you.

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Speaker 1: I think you're so good you can take it to

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Speaker 1: another level where it looks horrible, but it's actually like

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Speaker 1: rooted in, like real like it's all symponicity with the

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Speaker 1: you're on. It's totally on the beat. Oh yeah, it's

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Speaker 1: a train wrap.

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Speaker 2: Yeah, it's for sure.

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Speaker 1: It's an absolute dumpster fire. Rolling into fans floor of fun.

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Speaker 1: But it is contagious. And what happens is anywhere you go,

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Speaker 1: and I've seen this repeatedly. Anywhere you go, where there's

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Speaker 1: a song you like, it turns into a fiesta. It

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Speaker 1: is Sinco de Mile meets Marty Gras meets MLK Day.

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Speaker 2: That's right.

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Speaker 1: Like I don't even know what that last one is,

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Speaker 1: but it just everybody again, everybody comes in and joins them.

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Speaker 1: I break the eggs, your first wheelers, stay off, twist

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Speaker 1: and show.

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Speaker 2: Am I want to like everyone, everybody's time to eat, baby,

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Speaker 2: Let's break the eggs. Come on out, Let's breakfast time.

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Speaker 2: Let's make some omlets. Come on.

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Speaker 3: I do I think that, you know, that's the biggest

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Speaker 3: thing that annoys me, being because I was a spectator

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Speaker 3: a long time.

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Speaker 2: Because I don't drink, so I go out with my

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Speaker 2: friends and I just want That's where it comes from.

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Speaker 2: You think, Yeah, it's just it's so annoying that everybody

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Speaker 2: had their back up against the wall. Too cool for school.

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Speaker 3: And I was like, and everybody's like just waiting for

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Speaker 3: something to happen. And ten out of ten times, as

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Speaker 3: soon as I hit that dance floor, hearing somebody else.

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Speaker 3: And that's why my friends love to be with me,

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Speaker 3: because all my friends were also better looking than me.

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Speaker 2: Yeah, And I would always just have the confidence.

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Speaker 3: To go into groups of girls and be like, we're

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Speaker 3: doing this, what's going on here, Let's see the icy

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Speaker 3: right and they go, oh, my friend, he's so silly,

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Speaker 3: you know, and that's it. But I would just and

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Speaker 3: always for me at the end of the night, I

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Speaker 3: would always have so much fun. And I think that's

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Speaker 3: why I'm so skinny because I.

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Speaker 1: Use me Wait can we rewind that? And just can

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Speaker 1: you rewind that? And like get my face okay, get

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Speaker 1: my face taking in the information of going That's why

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Speaker 1: I'm so skinny because you will see like a destruct

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Speaker 1: look like you have Wait what because I've seen him

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Speaker 1: as much as I've seen you dance. I've seen you

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Speaker 1: with your shirt off. That's how much we've spent time together.

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Speaker 2: So it's like this he like those people when you're

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Speaker 2: at the.

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Speaker 1: Gap or a store, it's like, oh's a nice shirt,

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Speaker 1: where's your dressing room?

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Speaker 3: I was like, I like this, Wow, chucks the shirt

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Speaker 3: It's hits you in the face. Every every room, every

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Speaker 3: room is a dressing room if you get dressed in it.

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Speaker 3: Same way, every floor is the dance floor if you're

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Speaker 3: not dancing on it.

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Speaker 1: What happens is like when you're used to it, like us,

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Speaker 1: like Jig and I just like, okay, Joe's just trying

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Speaker 1: on a shirt, so you're not really as amused. But

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Speaker 1: the whole staff's like this dude's on TV. Is he

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Speaker 1: just taking his clothes off right here? And everybody's like, oh,

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Speaker 1: that's Joe. That's It's almost like they expect it.

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Speaker 3: Best is when people recognize me mid shirt off and

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Speaker 3: like joke, I get Sophie and I and they don't

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Speaker 3: even think about it.

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Speaker 2: I just take the shirt off I have to. They

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Speaker 2: don't even think twice about it.

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Speaker 3: Yeah, yeah, I mean, but I should be fatter.

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Speaker 2: I burn a lot of calories.

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Speaker 1: You don't do anything you should. You should be obese.

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Speaker 1: You should clinically be obese. Ye like a doctor should

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Speaker 1: say you should walk fifteen fifteen minutes a day. But

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Speaker 1: you are skinny here. Yeah, just there's that one barrel spot.

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Speaker 1: That's yeah, man, I couldn't you could, by the way,

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Speaker 1: it's not even that bad.

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Speaker 3: No, it's not because I blouse, but you lost weight. Yeah,

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Speaker 3: I found something too, So it's you've lost more than

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Speaker 3: you've yes. But I was I was on I was

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Speaker 3: on an uptick before my colonnoscope, I.

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Speaker 2: Was on an uptick. We were learning a lot today.

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Speaker 2: I grabbed, I grabbed that. I grabbed that drainage and

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Speaker 2: wrote it out. Oh my yeah.

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Speaker 3: I was like, you know this is gonna because you

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Speaker 3: go out you call it drainage. Well you had to

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Speaker 3: go and a look with diet for you know, for

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Speaker 3: two days. And I did that, and then I had

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Speaker 3: the know I evacuated the dance floor because that's before.

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Speaker 2: The cols that we got flooded the dance floor. I

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00:14:37,120 --> 00:14:39,000
Speaker 2: flooded the dance floor. So I did all that right,

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Speaker 2: and then I felt like lighting on my feet.

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Speaker 3: I was like, you know what, for a couple days,

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Speaker 3: I was going to bang out some veggies and we

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Speaker 3: go back to like sort of veganism for a minute.

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Speaker 2: And I and I did have like a nine pounds swing.

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Speaker 3: Really yeah, and then and then I was like yeah,

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Speaker 3: I was like, let's start it back up, went right

347
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Speaker 3: to the factory, pulled in, bringing it and waved him

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Speaker 3: in right in the.

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Speaker 2: Gullet the palette. Another pallet. Yeah, but now I'm back

350
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Speaker 2: in I'm back on the road because of the full tour.

351
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Speaker 2: So now it's like when I'm out and about the

352
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Speaker 2: late night eating. You know how it is.

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Speaker 3: You're with me most of the time, you know, the

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00:15:09,880 --> 00:15:13,360
Speaker 3: late night eating starts. There's not really as much.

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Speaker 2: But I do do more walking, I think now because

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Speaker 2: I'm exploring the towns. I'm in the main streets right,

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Speaker 2: so I think I'm a little.

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Speaker 1: Bit very high intensity cardio.

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00:15:22,200 --> 00:15:26,920
Speaker 2: Yeah, like four to five steps a minute. I don't know,

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Speaker 2: you guys, keep keep up, but yeah, four minutes. So

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Speaker 2: did you answer your movie thing though? Yeah? What was it?

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Speaker 2: I'd be the t Rex in Jurassic Park.

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Speaker 1: You never answered it.

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Speaker 2: You never answered it. I'd be the t Rex and

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Speaker 2: Jurassic Park. You proposed the question, you never answered it. Yeah,

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Speaker 2: I did. I said I would be I would be

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Speaker 2: in Star Wars. She didn't. I did too. Wow, my god,

368
00:15:47,760 --> 00:15:49,880
Speaker 2: wake up? What would you be in Star Wars?

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Speaker 4: Me?

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Speaker 2: Yoda?

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Speaker 1: You never said this?

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Speaker 2: Did he say? I said I'd be in Star Wars?

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Speaker 2: But then we sidetracked. I said star Wars.

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Speaker 4: He said Star Wars, not Yoda.

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Speaker 2: I'd be Yoda. There we go now.

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Speaker 1: I didn't know, Jodah, this.

377
00:16:03,960 --> 00:16:09,400
Speaker 2: Is not the fat man you're looking for. Podcast with me,

378
00:16:09,480 --> 00:16:11,280
Speaker 2: you will and the pastries.

379
00:16:11,320 --> 00:16:14,880
Speaker 3: You will hand me the past at the canolas you're

380
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Speaker 3: looking for.

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00:16:15,800 --> 00:16:17,760
Speaker 2: These are gluten free.

382
00:16:17,840 --> 00:16:20,480
Speaker 1: These are everything is They're not right, they are gluten free.

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00:16:20,880 --> 00:16:22,520
Speaker 2: They're not they are gluten.

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Speaker 3: I am skinny, I am attractive, but I'll tell you

385
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Speaker 3: I am attractive.

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Speaker 2: My wife I got.

387
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Speaker 1: I was in Pittsburgh and these girls I went to

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Speaker 1: college with they came the show. This girl named Gina,

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Speaker 1: God bless her. She's a sweet girl, very sweet. But

390
00:16:46,640 --> 00:16:48,240
Speaker 1: you know they're on in the forties, right, and this

391
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Speaker 1: young guy, Luca Farrow is opening for me.

392
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Speaker 2: Gorgeous Luca. He's a handsome kid. He opened for us

393
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Speaker 2: on the road. He game out. One time she comes over.

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Speaker 1: She goes, she goes, hey, Luca, how much how many

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Speaker 1: drinks would I have to buy you for you to

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Speaker 1: hook up with me? And I go, hold on, I'll

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Speaker 1: get the bottle.

398
00:17:06,640 --> 00:17:08,080
Speaker 2: She goes, fuck you.

399
00:17:12,359 --> 00:17:16,440
Speaker 5: Hold on, I'll get the bottle immediately, And it wasn't

400
00:17:16,480 --> 00:17:18,439
Speaker 5: even like hey, fuck you, like laugh and she was

401
00:17:18,480 --> 00:17:21,159
Speaker 5: like Fishers, like fuck you, Steve, I haven't seen you

402
00:17:21,200 --> 00:17:22,040
Speaker 5: in twenty years.

403
00:17:22,160 --> 00:17:25,159
Speaker 1: I came to support you by seeing your show.

404
00:17:25,600 --> 00:17:28,760
Speaker 2: You She fucking left and didn't talk for the rest

405
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Speaker 2: of the night.

406
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Speaker 1: That sound so bad. It's like, you saw my show.

407
00:17:32,920 --> 00:17:35,240
Speaker 1: Do you get me a layup? I'm not gonna say

408
00:17:35,240 --> 00:17:38,040
Speaker 1: anything about that, of course. And and by the way,

409
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Speaker 1: he'd absolutely need the bottle.

410
00:17:42,480 --> 00:17:43,800
Speaker 2: You weren't lying, You're shirt and straight.

411
00:17:44,400 --> 00:17:46,840
Speaker 1: But I was out with another comic recently. I forget

412
00:17:46,840 --> 00:17:49,439
Speaker 1: where we were, but we were like going to like

413
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Speaker 1: a you know, like a pub, and they had a

414
00:17:51,560 --> 00:17:53,840
Speaker 1: dance floor, like a fun Come on, I lean on

415
00:17:53,880 --> 00:17:57,040
Speaker 1: all that stuff, right, all the bangers, all the bangers,

416
00:17:57,080 --> 00:18:00,840
Speaker 1: the wedding playlist, the wedding playlist, right, you'd been in heaven,

417
00:18:01,040 --> 00:18:03,760
Speaker 1: been in heaven. So we walk in and there's these

418
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Speaker 1: three young kids. None of them are like Homecoming King,

419
00:18:09,040 --> 00:18:11,919
Speaker 1: but they had on one had a Hawaiian shirt on,

420
00:18:12,480 --> 00:18:15,840
Speaker 1: the other hat on like plant plaid pants, and they're

421
00:18:15,880 --> 00:18:18,800
Speaker 1: just you could just see their fun guys. They're not

422
00:18:18,920 --> 00:18:22,800
Speaker 1: trying to get attention. They're just like goofy and they hit.

423
00:18:23,320 --> 00:18:26,600
Speaker 1: I see them hitting the dance floor, and I'm like,

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Speaker 1: you could be.

425
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Speaker 2: The best looking guy in this room.

426
00:18:28,440 --> 00:18:31,120
Speaker 1: But those kids are going to be competition for every

427
00:18:31,320 --> 00:18:33,399
Speaker 1: The girls are going to swarm around these guys in

428
00:18:33,400 --> 00:18:36,720
Speaker 1: about five minutes and they became the party and.

429
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Speaker 2: People love them. Having a good time with people having

430
00:18:38,320 --> 00:18:39,960
Speaker 2: a good time. Yeah. Yeah, you want to be a

431
00:18:39,960 --> 00:18:42,800
Speaker 2: part of it. That's you, that's me. Good time right here,

432
00:18:42,840 --> 00:18:44,280
Speaker 2: And that's why you hang out with me so much.

433
00:18:44,359 --> 00:18:47,600
Speaker 1: It's Joey dance shoes, Jo's dancing, my Kipezio's burn.

434
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Speaker 2: I gotta hit the floor, lace them up. I gotta

435
00:18:51,640 --> 00:18:55,800
Speaker 2: hit the floor here, my Viking as we conquer it all. Okay,

436
00:18:55,800 --> 00:18:57,480
Speaker 2: here we go, be honest. Do you remember that you

437
00:18:57,520 --> 00:18:59,040
Speaker 2: had the hat on? Uh?

438
00:18:59,119 --> 00:19:00,919
Speaker 1: There's been moments where I forgot I had it on

439
00:19:00,960 --> 00:19:03,760
Speaker 1: it and then and then it dips back and I

440
00:19:03,760 --> 00:19:05,360
Speaker 1: got a big forehead, So I gotta go back down.

441
00:19:05,440 --> 00:19:05,840
Speaker 2: Got it?

442
00:19:06,080 --> 00:19:08,760
Speaker 3: Thank you some in your questions to cool Moms at

443
00:19:08,760 --> 00:19:10,400
Speaker 3: two Cool Moms, Cool Moms pod.

444
00:19:10,480 --> 00:19:12,959
Speaker 2: Here we go. Here we are on gmails, nice sideway,

445
00:19:13,600 --> 00:19:15,679
Speaker 2: gangs to style. Yeah, there we go and mess with you.

446
00:19:15,960 --> 00:19:20,479
Speaker 2: There you go, Here we go. He's getting serious. Oh

447
00:19:20,560 --> 00:19:21,399
Speaker 2: so he's rhino in it.

448
00:19:21,760 --> 00:19:25,960
Speaker 1: Fuck, it's not built that way. I had lose blood

449
00:19:25,960 --> 00:19:28,960
Speaker 1: in my Heather. It's from a doesn't say not a

450
00:19:29,040 --> 00:19:31,359
Speaker 1: question but random idea I sent to Steve a while ago.

451
00:19:31,680 --> 00:19:35,359
Speaker 1: Had to throw that in, had to Steve. Now I'm

452
00:19:35,440 --> 00:19:38,439
Speaker 1: doing this a second time. My apologies, but I just

453
00:19:38,520 --> 00:19:41,240
Speaker 1: don't check my DMS. Really funny idea for a Too

454
00:19:41,240 --> 00:19:43,639
Speaker 1: Cool Moms episode, if you think it would be funny.

455
00:19:43,960 --> 00:19:45,919
Speaker 1: Me and my friends used to take out the lyrics

456
00:19:45,920 --> 00:19:48,440
Speaker 1: to big Papa in the song by Biggie I love

457
00:19:48,440 --> 00:19:50,719
Speaker 1: it when you call me Big Papa, and exchange it

458
00:19:50,720 --> 00:19:53,280
Speaker 1: for ridiculous cinems like I love it when you call

459
00:19:53,359 --> 00:19:55,359
Speaker 1: me enormous pod right, or I love it when you

460
00:19:55,359 --> 00:19:56,360
Speaker 1: call me grandfather.

461
00:19:56,760 --> 00:19:57,199
Speaker 2: Ha ha ha.

462
00:19:57,840 --> 00:19:59,720
Speaker 1: You guys could have each other pick songs out of

463
00:19:59,760 --> 00:20:02,320
Speaker 1: a ha and I have to come up with ridiculous

464
00:20:02,359 --> 00:20:07,080
Speaker 1: synonyms for song names or song hooks. It would be hilarious.

465
00:20:09,880 --> 00:20:13,720
Speaker 2: You look psyched to play it. You gave this I

466
00:20:13,760 --> 00:20:15,120
Speaker 2: love it when you call me Big Pop.

467
00:20:15,119 --> 00:20:17,159
Speaker 3: Well, that was just that's one example. Now you've got

468
00:20:17,200 --> 00:20:19,439
Speaker 3: to if you were given the song title, you have

469
00:20:19,520 --> 00:20:20,040
Speaker 3: to give another.

470
00:20:20,119 --> 00:20:22,760
Speaker 1: We do this, We do this naturally, though you you

471
00:20:22,800 --> 00:20:25,400
Speaker 1: do it naturally. You're very okay, So what's an example?

472
00:20:25,800 --> 00:20:28,080
Speaker 1: Because this is this is you is it me?

473
00:20:28,640 --> 00:20:30,200
Speaker 2: Yeah, I thought it was. I thought there was two

474
00:20:30,200 --> 00:20:30,640
Speaker 2: cool moms.

475
00:20:30,680 --> 00:20:33,640
Speaker 1: Yeah, yes, But but like I'm just saying, like this

476
00:20:33,680 --> 00:20:36,120
Speaker 1: is something where like as we're driving down the road,

477
00:20:37,000 --> 00:20:38,920
Speaker 1: we'd hear a song and then you will.

478
00:20:38,920 --> 00:20:40,800
Speaker 2: I love pun work. I love pun work. I love

479
00:20:40,840 --> 00:20:42,679
Speaker 2: to do it, and I love to to mess with

480
00:20:42,760 --> 00:20:43,120
Speaker 2: the songs.

481
00:20:43,119 --> 00:20:47,280
Speaker 3: I'm very I'm very musical, yes, but you know music

482
00:20:47,280 --> 00:20:48,200
Speaker 3: more than that tap tap.

483
00:20:48,440 --> 00:20:51,639
Speaker 1: Yeah, I imagine the the orchestra tap tap tap, guys,

484
00:20:51,680 --> 00:20:52,960
Speaker 1: I am musical and.

485
00:20:53,280 --> 00:20:53,960
Speaker 2: Go here we go.

486
00:20:56,320 --> 00:20:59,960
Speaker 1: Uh No, So like Jiggy, you have your give us,

487
00:21:00,080 --> 00:21:00,960
Speaker 1: give us some song titles.

488
00:21:01,000 --> 00:21:04,119
Speaker 4: I'm pulling up just like the top hundred songs of

489
00:21:04,160 --> 00:21:05,720
Speaker 4: all time. So I'll give you guys a song and

490
00:21:05,720 --> 00:21:07,680
Speaker 4: then you guys can maybe punt it out sounds. I

491
00:21:07,680 --> 00:21:09,280
Speaker 4: think that would be a more That sounds great.

492
00:21:09,119 --> 00:21:14,160
Speaker 1: Right, Welcome to a new segment called how puney Is this?

493
00:21:14,280 --> 00:21:16,080
Speaker 2: Oh? Great? That's great? I love it. Let's put up

494
00:21:16,080 --> 00:21:18,040
Speaker 2: a fun title here, give me some fireworks.

495
00:21:18,359 --> 00:21:20,399
Speaker 3: We don't have a budget foril we just go like

496
00:21:20,440 --> 00:21:22,280
Speaker 3: this here. We'll just put it here in our handle,

497
00:21:22,320 --> 00:21:23,840
Speaker 3: go behind the textas that's all we know how to do.

498
00:21:23,920 --> 00:21:25,160
Speaker 2: We don't, you know, we don't.

499
00:21:25,200 --> 00:21:26,760
Speaker 1: We don't even know how to use AI and hey,

500
00:21:26,800 --> 00:21:28,520
Speaker 1: I could just do it right now, but yeah, we don't.

501
00:21:28,600 --> 00:21:31,080
Speaker 4: Okay, we'll start with a classic from Simon and Garfunkle,

502
00:21:31,200 --> 00:21:32,960
Speaker 4: the Bridge over Troubled Water.

503
00:21:33,800 --> 00:21:34,440
Speaker 2: That's what he's like.

504
00:21:34,560 --> 00:21:37,240
Speaker 4: Good, bridge over troubled.

505
00:21:38,280 --> 00:21:42,080
Speaker 2: What we're doing? So you just made it Spanish? Yeah,

506
00:21:42,160 --> 00:21:45,520
Speaker 2: that's what they. I love when you call me big Papa, grandfather,

507
00:21:45,920 --> 00:21:48,480
Speaker 2: a big enormous padre. Yeah, I see what they did.

508
00:21:48,640 --> 00:21:50,399
Speaker 2: So they just came up with different words for big papa,

509
00:21:50,440 --> 00:21:52,280
Speaker 2: and they need an enormous padre. I love it when

510
00:21:52,280 --> 00:21:53,800
Speaker 2: you call me enormous pa, Dreight.

511
00:21:54,840 --> 00:21:58,399
Speaker 3: Something you just did like a bridge over troubled dog

512
00:21:58,760 --> 00:22:00,159
Speaker 3: wa alright up.

513
00:22:00,200 --> 00:22:05,960
Speaker 1: But when you call me h grande Senora frogs.

514
00:22:07,200 --> 00:22:11,240
Speaker 2: God, this is awful. That whiskey and a copy or one?

515
00:22:11,359 --> 00:22:13,200
Speaker 4: Okay, Madonna like a prayer.

516
00:22:15,200 --> 00:22:16,720
Speaker 2: When you brush my hair?

517
00:22:18,160 --> 00:22:18,280
Speaker 1: Right?

518
00:22:19,480 --> 00:22:20,680
Speaker 2: I don't know if this is the game?

519
00:22:22,960 --> 00:22:25,639
Speaker 4: Can I can I give another suggestion. I used to

520
00:22:25,640 --> 00:22:29,000
Speaker 4: play game the fire Alarm. Okay, so I used to

521
00:22:29,000 --> 00:22:32,240
Speaker 4: play a game that was a fun, fun party game,

522
00:22:31,520 --> 00:22:33,880
Speaker 4: a fun party game. It was called the Dick Game.

523
00:22:34,280 --> 00:22:36,200
Speaker 4: And so you play you take called the dick game.

524
00:22:36,240 --> 00:22:38,840
Speaker 4: You take a song lyric or a song title or

525
00:22:38,880 --> 00:22:41,080
Speaker 4: a movie title, and you replace one word with dick,

526
00:22:41,680 --> 00:22:43,720
Speaker 4: so instead of toy story would be like toy dick

527
00:22:44,200 --> 00:22:48,679
Speaker 4: or something like that. It's called the or dick story exactly.

528
00:22:48,720 --> 00:22:50,359
Speaker 4: That's the game. It's called the dick game.

529
00:22:50,760 --> 00:22:55,399
Speaker 2: You mean titles? What you're doing every porn title take.

530
00:22:56,560 --> 00:22:58,800
Speaker 2: I never said that's funny. It was a It was

531
00:22:58,800 --> 00:23:01,280
Speaker 2: an old joke I had so loin king great. Yeah,

532
00:23:01,320 --> 00:23:03,960
Speaker 2: man it up. Yeah, that's like.

533
00:23:03,920 --> 00:23:09,200
Speaker 1: Porn titles saving Ryan's privates.

534
00:23:09,240 --> 00:23:12,440
Speaker 2: Not bad. Yeah, that's better game.

535
00:23:12,520 --> 00:23:13,120
Speaker 4: That's a fun game.

536
00:23:19,240 --> 00:23:20,320
Speaker 2: Give me a movie.

537
00:23:20,160 --> 00:23:23,120
Speaker 1: Title and you're gonnaify for four movie titles.

538
00:23:22,840 --> 00:23:27,760
Speaker 2: And will adultify it. Okay, he's googling titles.

539
00:23:27,800 --> 00:23:34,520
Speaker 4: I'm googling some some movies here, Okay, Michigan. I had

540
00:23:34,520 --> 00:23:39,840
Speaker 4: one that it doesn't need anything. Freddy got fingered. Let's

541
00:23:39,880 --> 00:23:41,359
Speaker 4: do robin Hood menon tights.

542
00:23:43,280 --> 00:23:50,280
Speaker 2: Robin Hood menon tights?

543
00:23:50,359 --> 00:23:53,960
Speaker 1: Terrible who said, I'm so glad the name isn't there,

544
00:23:54,080 --> 00:23:55,760
Speaker 1: And now I'm glad I didn't answer the first.

545
00:23:55,760 --> 00:23:57,240
Speaker 2: You know what, you probably ignored it on purpose.

546
00:23:58,960 --> 00:24:01,760
Speaker 1: Robin Hood men in tights already like, uh.

547
00:24:01,680 --> 00:24:07,200
Speaker 2: Feel my tights. Uh, Robin's goods, feel my tights. There

548
00:24:07,240 --> 00:24:07,520
Speaker 2: you go.

549
00:24:08,040 --> 00:24:11,720
Speaker 1: Uh, but it's already like a satirical.

550
00:24:10,920 --> 00:24:15,280
Speaker 4: Honey, I shrunk the kids already there don't Okay.

551
00:24:15,080 --> 00:24:18,439
Speaker 2: Let's go on. Don't do it. We want We're an

552
00:24:18,480 --> 00:24:24,600
Speaker 2: iHeart official podcast. Now, don't do it. Next question, you

553
00:24:24,640 --> 00:24:26,399
Speaker 2: look at me with your Viking helmet. We all know

554
00:24:26,440 --> 00:24:27,040
Speaker 2: what you're gonna do.

555
00:24:27,520 --> 00:24:33,399
Speaker 1: Next Steve, No, no, no, but Joy No, okay, okay,

556
00:24:33,480 --> 00:24:33,920
Speaker 1: next question.

557
00:24:33,920 --> 00:24:38,080
Speaker 2: Here we go. This is coming up again. I don't

558
00:24:38,080 --> 00:24:46,480
Speaker 2: have to. Okay, Hey, mommies with a Y chromosome? Why

559
00:24:46,640 --> 00:24:51,160
Speaker 2: do that? Why? Why insert that? Folks ahead, Hey mommies.

560
00:24:50,920 --> 00:24:52,880
Speaker 1: I've listening to your podcast and love how you can

561
00:24:52,960 --> 00:24:55,399
Speaker 1: have a laugh and chat about lighthearted to some serious stuff.

562
00:24:55,720 --> 00:24:57,560
Speaker 1: I have a question for the moms who can give

563
00:24:57,600 --> 00:24:59,800
Speaker 1: a dad's perspective. I have a two year old son

564
00:24:59,800 --> 00:25:03,000
Speaker 1: who had a difficult newborn stage with my husband. Was

565
00:25:03,080 --> 00:25:06,399
Speaker 1: sort of blindsided, I think, and didn't do much thinking.

566
00:25:06,480 --> 00:25:08,760
Speaker 1: I had some magical nohow or how to deal with

567
00:25:08,760 --> 00:25:09,520
Speaker 1: screaming babies.

568
00:25:09,720 --> 00:25:10,480
Speaker 2: It was so rough.

569
00:25:10,520 --> 00:25:13,399
Speaker 1: I'm debating on having a second child, which was always

570
00:25:13,440 --> 00:25:13,879
Speaker 1: our plan.

571
00:25:14,240 --> 00:25:14,880
Speaker 2: I'm scared.

572
00:25:16,040 --> 00:25:19,560
Speaker 1: Uh sorry, just listen. I'm scared I'll have the same

573
00:25:19,640 --> 00:25:22,159
Speaker 1: newborn stage, but now with a toddler swinging for my

574
00:25:22,240 --> 00:25:24,879
Speaker 1: prego belly? Am I scared for nothing? And how do

575
00:25:24,920 --> 00:25:28,680
Speaker 1: I express my concern to the hubs without sounding critical

576
00:25:28,760 --> 00:25:32,000
Speaker 1: about his effort in newborn hood? Thank you guys for

577
00:25:32,040 --> 00:25:35,360
Speaker 1: all your advice. Wow, so she felt like he didn't

578
00:25:35,359 --> 00:25:38,000
Speaker 1: do enough. Yeah, she was doing it all and she's

579
00:25:38,160 --> 00:25:42,200
Speaker 1: on the second one and her husband's got the X chromosome.

580
00:25:43,119 --> 00:25:48,240
Speaker 2: Okay, I guess so. So I think that the thing

581
00:25:48,320 --> 00:25:48,880
Speaker 2: here is.

582
00:25:50,440 --> 00:25:53,720
Speaker 1: I'm gonn don't take my chromosome away, Mama, don't take

583
00:25:53,720 --> 00:25:56,360
Speaker 1: my chromosome. Mama, won't take my quotosome. Mama, I won't

584
00:25:56,359 --> 00:26:00,359
Speaker 1: take my quotosome away. Remember that Paul Simon codacr them.

585
00:26:01,320 --> 00:26:04,159
Speaker 1: You don't remember the No, you have no idea that

586
00:26:04,200 --> 00:26:05,000
Speaker 1: Paul Simon's song.

587
00:26:05,200 --> 00:26:06,639
Speaker 3: No, this is you now, this is what you do.

588
00:26:06,680 --> 00:26:08,439
Speaker 3: You don't know Ben, you don't know Benny. You know

589
00:26:08,440 --> 00:26:10,800
Speaker 3: Benny Higgins and the bluff Bluffs. They sang, I'm doing

590
00:26:10,840 --> 00:26:11,560
Speaker 3: electric power.

591
00:26:11,680 --> 00:26:15,119
Speaker 1: I'm doing oh christ, I'm doing that.

592
00:26:16,359 --> 00:26:18,800
Speaker 2: Here we go. The puns. I got the puns, but

593
00:26:18,840 --> 00:26:21,480
Speaker 2: I don't know the original song. You know this song?

594
00:26:31,960 --> 00:26:33,879
Speaker 4: Yeah, I do know it. It's in a lot of movies.

595
00:26:36,720 --> 00:26:37,520
Speaker 2: I'll stare at you too.

596
00:26:40,400 --> 00:26:41,879
Speaker 1: Your dad was banging your mom in the kitchen of

597
00:26:41,920 --> 00:26:42,840
Speaker 1: the song in the seventies.

598
00:26:42,920 --> 00:26:47,639
Speaker 2: Probably do you think they used music my parents when

599
00:26:47,680 --> 00:26:50,359
Speaker 2: my fucked. Oh, your dad definitely banging your mom with this.

600
00:26:51,160 --> 00:26:53,320
Speaker 2: My dad probably got a hand hub probably over there.

601
00:26:53,320 --> 00:26:58,320
Speaker 2: You don't remember the song? I remember that. Oh is

602
00:26:58,359 --> 00:27:01,400
Speaker 2: this Benny Goober and the Jets. I don't know it.

603
00:27:03,359 --> 00:27:04,800
Speaker 2: I feel like I would like it. So we were

604
00:27:04,800 --> 00:27:05,720
Speaker 2: doing puns earlier.

605
00:27:05,920 --> 00:27:08,200
Speaker 1: Yeah, she said the chromosomes, so I thought that was

606
00:27:08,200 --> 00:27:10,480
Speaker 1: a good Mama, don't take my chromosome. I recognize that,

607
00:27:10,560 --> 00:27:13,760
Speaker 1: especially these days, because they are taking the chromosomes away

608
00:27:13,800 --> 00:27:15,600
Speaker 1: and becoming anything you want.

609
00:27:15,640 --> 00:27:19,160
Speaker 2: Do you want this to be a thirty second podcast? Guys?

610
00:27:19,200 --> 00:27:22,480
Speaker 1: This podcast is now on Fox News won the Daily Wire.

611
00:27:23,359 --> 00:27:26,680
Speaker 1: I want to thank Ben Shapiro for having us two

612
00:27:26,720 --> 00:27:28,560
Speaker 1: cool Shapiros to cool Shapiros?

613
00:27:29,520 --> 00:27:31,720
Speaker 2: Did you I didn't know that song at all.

614
00:27:32,080 --> 00:27:35,480
Speaker 1: Paul Simon, it's a very popular you know what you

615
00:27:35,520 --> 00:27:37,160
Speaker 1: only listen to time out yep.

616
00:27:37,880 --> 00:27:40,840
Speaker 3: Paul Simon is from Simon Garfunkle that's who that is.

617
00:27:40,880 --> 00:27:43,200
Speaker 3: That's that Simon, Joe. I swear to God, I didn't

618
00:27:43,200 --> 00:27:43,399
Speaker 3: know that.

619
00:27:43,440 --> 00:27:45,119
Speaker 2: I'm gonna bend down that Simon.

620
00:27:45,320 --> 00:27:47,440
Speaker 1: Yeah, I'm going I'm gonna ram into you and gorge

621
00:27:47,440 --> 00:27:49,760
Speaker 1: you with one of these Viking things. You didn't know

622
00:27:49,800 --> 00:27:53,280
Speaker 1: Paul Simon was from Simon. And that's really that sory

623
00:27:53,440 --> 00:27:54,000
Speaker 1: that happened to you.

624
00:27:54,760 --> 00:27:58,680
Speaker 2: Oh wow, that was crazy. I just what I just had.

625
00:27:58,840 --> 00:27:59,840
Speaker 2: I just had edits this.

626
00:28:00,080 --> 00:28:04,080
Speaker 1: Please please please please get Joe's face when he looked

627
00:28:04,080 --> 00:28:12,160
Speaker 1: over here and he just you had no idea who

628
00:28:12,200 --> 00:28:12,680
Speaker 1: also song?

629
00:28:12,720 --> 00:28:15,960
Speaker 2: Which every chase? And I bet I bet that Simon

630
00:28:16,320 --> 00:28:24,040
Speaker 2: Paul Simon, Yeah, I love that. So he that's the same, Yeah,

631
00:28:24,040 --> 00:28:25,720
Speaker 2: it is. So what's the most famous.

632
00:28:25,440 --> 00:28:27,000
Speaker 1: Is you were always more of a Garfunkle fan.

633
00:28:27,040 --> 00:28:30,320
Speaker 2: I'm super Garfunkle. My son's name was almost garfunk garfun

634
00:28:32,880 --> 00:28:39,720
Speaker 2: g Funkle Smithsonian Gatto that was almost his name.

635
00:28:40,160 --> 00:28:42,480
Speaker 1: I love it if Garfunkle was singing like a bridge

636
00:28:42,520 --> 00:28:45,800
Speaker 1: over trouble and then they cut to you like a

637
00:28:45,840 --> 00:28:48,440
Speaker 1: bridge Joe troubled.

638
00:28:48,560 --> 00:28:50,480
Speaker 3: What what if it was gatto on golf Bunkle. We

639
00:28:50,480 --> 00:28:52,400
Speaker 3: got rid of Simon, remember we talked about that replacement thing?

640
00:28:52,520 --> 00:28:54,440
Speaker 1: Or how about Simon, Garfunkl and Gatto.

641
00:28:55,920 --> 00:28:57,240
Speaker 2: Sounds like a law firm.

642
00:28:58,760 --> 00:28:59,800
Speaker 1: Feeling groove.

643
00:29:00,840 --> 00:29:04,600
Speaker 2: God got bit by a dog called Simon Golfunkling Ghatta?

644
00:29:06,840 --> 00:29:15,600
Speaker 1: What office is a Simon golfun going ghetto back? Why

645
00:29:15,640 --> 00:29:18,080
Speaker 1: do you guys have an unmarked van that you travel

646
00:29:18,080 --> 00:29:18,320
Speaker 1: in like?

647
00:29:18,360 --> 00:29:20,719
Speaker 2: It's so weird? Oh? I wow, that was This has

648
00:29:20,840 --> 00:29:22,440
Speaker 2: been a repue? You had no idea?

649
00:29:22,680 --> 00:29:25,720
Speaker 3: No, that's in a revelation for me Simon and garfunk Okay,

650
00:29:25,760 --> 00:29:27,600
Speaker 3: so what happened to garfunk They didn't do nothing by himself?

651
00:29:27,720 --> 00:29:32,080
Speaker 2: What's golfing? What's Guyfunkle? Is in the first name? Art? Art? Garfunkel?

652
00:29:32,160 --> 00:29:36,040
Speaker 2: Now Garfunkle? Is that real? I believe it's art Garfunkle,

653
00:29:36,960 --> 00:29:38,280
Speaker 2: not many famous artists.

654
00:29:38,680 --> 00:29:40,440
Speaker 1: If he had like the hair of a mad scientist.

655
00:29:40,520 --> 00:29:43,240
Speaker 2: Yes, like that? Yeah, America, I know. I see the

656
00:29:43,280 --> 00:29:45,640
Speaker 2: picture of them on a Oh. Now that I see

657
00:29:45,640 --> 00:29:46,840
Speaker 2: the picture, I put it together.

658
00:29:46,640 --> 00:29:48,800
Speaker 1: To did you know name the band liner Richie was

659
00:29:48,840 --> 00:29:50,200
Speaker 1: in Lina?

660
00:29:50,240 --> 00:29:52,480
Speaker 2: Richie was in the Commodore's right. Oh, okay, I knew that.

661
00:29:53,040 --> 00:29:55,080
Speaker 2: I like Motown. That's why I'm not really a Simon

662
00:29:55,080 --> 00:29:58,160
Speaker 2: and garfl What what what is that? Bluegrass? Grass tones? What

663
00:29:58,280 --> 00:30:03,760
Speaker 2: is that? What's that's theirs made? Upton made up? What

664
00:30:03,840 --> 00:30:07,720
Speaker 2: is what is that called? What is that called? Folk music? Folk? Okay,

665
00:30:08,200 --> 00:30:09,880
Speaker 2: don't look at me like I'm a fucking eighties You're

666
00:30:09,920 --> 00:30:11,680
Speaker 2: from New York City. Yeah, I'm from New York City,

667
00:30:11,680 --> 00:30:12,480
Speaker 2: the home of folk.

668
00:30:13,480 --> 00:30:15,200
Speaker 1: Folk music scene came out of the village.

669
00:30:15,680 --> 00:30:16,800
Speaker 2: There was a big Oh.

670
00:30:16,720 --> 00:30:19,920
Speaker 3: Yeah, folk music came out of like Amish country. Amish

671
00:30:20,000 --> 00:30:23,400
Speaker 3: folk music did not originate in New York City.

672
00:30:23,600 --> 00:30:26,200
Speaker 2: Can you google that. There's no way that folk music

673
00:30:26,240 --> 00:30:27,120
Speaker 2: came from New York.

674
00:30:27,240 --> 00:30:30,120
Speaker 1: It was like the village was like the epicenter for

675
00:30:30,400 --> 00:30:35,760
Speaker 1: all the fucking this stuff. That ship yeah, isn't that's up? No,

676
00:30:36,240 --> 00:30:39,640
Speaker 1: But they'd say something funny and they go, oh the snap,

677
00:30:39,920 --> 00:30:40,680
Speaker 1: the snaps.

678
00:30:40,480 --> 00:30:46,080
Speaker 2: Snaps, hey man, smoking doobies like that? The folk. I

679
00:30:46,080 --> 00:30:48,560
Speaker 2: didn't know folk. I'm learning a lot this one. This

680
00:30:48,600 --> 00:30:50,600
Speaker 2: one's a big one for me. Michael McDonald What band

681
00:30:50,640 --> 00:30:50,959
Speaker 2: was he in?

682
00:30:51,160 --> 00:30:56,560
Speaker 3: Ronald's Michael McDonald's he did?

683
00:30:57,520 --> 00:31:02,760
Speaker 2: What band was he in before? Was he in the cars? Oh? Man?

684
00:31:03,000 --> 00:31:08,520
Speaker 2: I don't know, Doobie Brothers? Was he? Yeah? I know

685
00:31:08,560 --> 00:31:09,320
Speaker 2: that the pianol.

686
00:31:09,360 --> 00:31:11,640
Speaker 3: I don't know the I know, I got, I got that,

687
00:31:11,640 --> 00:31:12,480
Speaker 3: that's what you were doing.

688
00:31:12,480 --> 00:31:15,360
Speaker 2: I don't think this was Uh.

689
00:31:16,160 --> 00:31:19,800
Speaker 3: A lot of people came out of New York City's

690
00:31:19,840 --> 00:31:21,120
Speaker 3: music scene that were folky.

691
00:31:21,280 --> 00:31:23,680
Speaker 2: I didn't. I don't know. Yeah, the village was that

692
00:31:23,840 --> 00:31:25,920
Speaker 2: was did you find a jig? Yeah?

693
00:31:26,040 --> 00:31:28,840
Speaker 4: I think you're thinking of like Bob Dylan, which would

694
00:31:28,840 --> 00:31:32,120
Speaker 4: be considered he considered folk, considered folk, So there is

695
00:31:32,200 --> 00:31:34,960
Speaker 4: origin definitely in New York, but is considered like a

696
00:31:35,000 --> 00:31:39,560
Speaker 4: North American Northeast American.

697
00:31:39,600 --> 00:31:42,360
Speaker 1: Episode was the village in New York City, that's where

698
00:31:42,360 --> 00:31:44,640
Speaker 1: they all would gather and inspire each other.

699
00:31:44,640 --> 00:31:47,640
Speaker 4: But that is but that is correct, and Bob Dylan

700
00:31:47,680 --> 00:31:49,440
Speaker 4: would be kind of the leader of the pack.

701
00:31:49,720 --> 00:31:52,440
Speaker 3: So Bob Dylan is the biggest folk artist of all time, right,

702
00:31:53,520 --> 00:31:55,080
Speaker 3: hands down, right, it has to be right.

703
00:31:55,520 --> 00:31:57,040
Speaker 2: I don't know any Bob Dylan songs, I.

704
00:31:56,960 --> 00:31:59,840
Speaker 4: Don't think though, for a million dollars, I can tell

705
00:31:59,840 --> 00:32:00,840
Speaker 4: you bubb Zilling song.

706
00:32:01,320 --> 00:32:02,760
Speaker 2: I know didn't. Don't They make fun of him and

707
00:32:03,760 --> 00:32:07,840
Speaker 2: he doesn't. He's very nasally right, I guarantee, like I can't.

708
00:32:08,400 --> 00:32:10,320
Speaker 2: Like we all know it though, if you if you

709
00:32:10,360 --> 00:32:13,080
Speaker 2: hear it. Yeah, yeah, you can just bring up the

710
00:32:13,080 --> 00:32:13,960
Speaker 2: top three, pry.

711
00:32:14,160 --> 00:32:15,800
Speaker 4: I'm gonna go to I'm going to go to Spotify

712
00:32:15,840 --> 00:32:17,240
Speaker 4: and see what they're his top.

713
00:32:17,440 --> 00:32:19,440
Speaker 2: When you go to the iHeart Music Radio app, you

714
00:32:19,480 --> 00:32:20,000
Speaker 2: find oh.

715
00:32:19,960 --> 00:32:23,880
Speaker 3: Yeah, sorry, let's go to the biggest competitor.

716
00:32:25,000 --> 00:32:27,920
Speaker 2: Your dummy just kind of go.

717
00:32:28,000 --> 00:32:30,480
Speaker 4: Oh well, yeah, I mean I'm here on iHeart Radio app.

718
00:32:30,640 --> 00:32:34,840
Speaker 2: Yeah, just search for Bob Dylan, okay, and see and

719
00:32:34,920 --> 00:32:36,120
Speaker 2: see what the top songs come up.

720
00:32:36,320 --> 00:32:41,080
Speaker 4: Okay, the top songs are Knocking on Heaven's Door, which

721
00:32:41,080 --> 00:32:41,760
Speaker 4: I feel like I know.

722
00:32:41,680 --> 00:32:43,600
Speaker 2: That knock knock, Knocking on Heaven.

723
00:32:44,320 --> 00:32:45,040
Speaker 4: I do know that one.

724
00:32:45,120 --> 00:32:48,440
Speaker 2: That's it's not a remake by the Guns and Roses. Yeah, yeah,

725
00:32:48,480 --> 00:32:50,640
Speaker 2: Guns and Roses remade that, right, Yeah, but.

726
00:32:50,640 --> 00:32:52,960
Speaker 1: He did it for well, you think Spaceballs came first

727
00:32:53,000 --> 00:32:53,760
Speaker 1: before Star Wars.

728
00:32:53,760 --> 00:32:56,840
Speaker 4: It's like I didn't know that. Yeah, I didn't know that.

729
00:32:57,560 --> 00:33:01,080
Speaker 4: I thought Knave's Door was a Guns and Roses first.

730
00:33:01,760 --> 00:33:02,240
Speaker 1: I didn't know that.

731
00:33:02,600 --> 00:33:03,280
Speaker 2: Yeah, Okay.

732
00:33:03,560 --> 00:33:05,760
Speaker 4: Number two is like a rolling Stone some.

733
00:33:06,320 --> 00:33:07,560
Speaker 2: Made famous by the Rolling Stones.

734
00:33:07,640 --> 00:33:10,320
Speaker 1: Yeah, along the Rush Tower Jimmy Hendrix.

735
00:33:10,360 --> 00:33:12,160
Speaker 2: But he did it. Oh yeah.

736
00:33:12,160 --> 00:33:13,680
Speaker 4: Three is Blowing in the Wind.

737
00:33:14,320 --> 00:33:16,160
Speaker 2: A great title. For a movie.

738
00:33:16,200 --> 00:33:19,480
Speaker 1: You heard that was a Monica Winsky's favorite.

739
00:33:20,640 --> 00:33:24,440
Speaker 3: All right, next question, Well, it's it's it's a journey

740
00:33:24,440 --> 00:33:26,280
Speaker 3: of self discovery here on Today's two cool Moms for

741
00:33:26,360 --> 00:33:26,760
Speaker 3: Joe Gatto.

742
00:33:26,840 --> 00:33:29,000
Speaker 2: You are learning a lot. Yeah, give me the fourth one.

743
00:33:29,000 --> 00:33:30,960
Speaker 4: Do you have the quarter the times they are a

744
00:33:31,080 --> 00:33:31,400
Speaker 4: change in?

745
00:33:32,120 --> 00:33:34,760
Speaker 2: Yes, yes, okay, you got me up. We know them all.

746
00:33:34,840 --> 00:33:35,720
Speaker 2: But how's that number four?

747
00:33:35,760 --> 00:33:36,280
Speaker 4: I don't know that one.

748
00:33:36,280 --> 00:33:38,000
Speaker 3: No, I didn't know that one. I know guns and Roses,

749
00:33:38,160 --> 00:33:39,959
Speaker 3: you know you heard it. I know times they are

750
00:33:40,000 --> 00:33:42,800
Speaker 3: a changing. The first three we did not know. I

751
00:33:42,960 --> 00:33:44,640
Speaker 3: knew all the remake versions of them.

752
00:33:44,880 --> 00:33:45,840
Speaker 2: I didn't. Yeah.

753
00:33:45,880 --> 00:33:48,120
Speaker 4: And then the last one to round it out is Hurricane.

754
00:33:48,200 --> 00:33:49,760
Speaker 3: I looked at you and when they said knock on

755
00:33:49,920 --> 00:33:51,560
Speaker 3: his door, I looked at you and did an Axel

756
00:33:51,640 --> 00:33:54,760
Speaker 3: Rosen person going knock knock, knocking on Havel and Sto

757
00:33:54,880 --> 00:33:55,520
Speaker 3: And you went.

758
00:33:55,480 --> 00:33:57,720
Speaker 2: Yeah, and you thought that was my Bob Zylan?

759
00:33:58,240 --> 00:34:04,280
Speaker 1: What you think your Frank Caliendo? You nailed the impression.

760
00:34:04,600 --> 00:34:08,160
Speaker 1: It sounded like Dylan, to be honest with you, sound

761
00:34:08,200 --> 00:34:09,040
Speaker 1: anything like Axel.

762
00:34:09,760 --> 00:34:22,319
Speaker 2: It was horrible. It's just heavens better than yeah, it's better.

763
00:34:22,360 --> 00:34:23,160
Speaker 2: It's actually better.

764
00:34:23,040 --> 00:34:26,080
Speaker 1: Going to coke and yeah, just banging groupies and models

765
00:34:26,160 --> 00:34:28,840
Speaker 1: and brain bridges and jumping up.

766
00:34:30,239 --> 00:34:32,520
Speaker 4: Edit out both impressions.

767
00:34:32,800 --> 00:34:35,800
Speaker 1: Yeah, so thanks for submitting that question.

768
00:34:36,920 --> 00:34:39,959
Speaker 2: Answer that, uh, she's got her second.

769
00:34:39,680 --> 00:34:42,520
Speaker 1: Kid, she needs to make sure that he is more

770
00:34:42,560 --> 00:34:46,000
Speaker 1: present and available. I totally understand, though. I think sometimes

771
00:34:46,040 --> 00:34:46,840
Speaker 1: like it's easy to go.

772
00:34:47,440 --> 00:34:52,440
Speaker 2: You know, you see the the.

773
00:34:50,719 --> 00:34:53,840
Speaker 1: The wife, the mother breastfeeding. I think she's got it

774
00:34:53,880 --> 00:34:56,680
Speaker 1: right right, and so it's almost like you don't, You're

775
00:34:56,719 --> 00:34:58,040
Speaker 1: like you got its hands off.

776
00:34:58,080 --> 00:35:01,919
Speaker 2: But I always offered help. You always offered help, Yeah,

777
00:35:02,280 --> 00:35:03,759
Speaker 2: said do you need time alone? Do you need to

778
00:35:03,800 --> 00:35:04,400
Speaker 2: take a nap?

779
00:35:04,560 --> 00:35:06,840
Speaker 1: Do you need I think maybe if you do something

780
00:35:06,920 --> 00:35:08,840
Speaker 1: like that, you know, you could you could assume that

781
00:35:08,880 --> 00:35:11,160
Speaker 1: she's maybe he doesn't assume maybe maybe it's just I

782
00:35:11,160 --> 00:35:12,240
Speaker 1: don't know, maybe it's not private.

783
00:35:12,320 --> 00:35:12,640
Speaker 2: I don't know.

784
00:35:12,640 --> 00:35:14,759
Speaker 3: But well, she doesn't communicate it, he doesn't know, right, Yeah,

785
00:35:14,880 --> 00:35:16,839
Speaker 3: so that's the first step, I think. But I lived

786
00:35:16,960 --> 00:35:19,839
Speaker 3: through this exact thing, this exact thing when we had

787
00:35:19,880 --> 00:35:23,120
Speaker 3: our first when we had our daughter, she was not

788
00:35:23,160 --> 00:35:25,560
Speaker 3: a very good baby. Shites sleep much. It was very hard.

789
00:35:25,600 --> 00:35:28,120
Speaker 3: I was away a lot, and I didn't really do anything.

790
00:35:28,719 --> 00:35:32,239
Speaker 3: Then when a second one came around, Bess was like, hey,

791
00:35:32,719 --> 00:35:33,960
Speaker 3: you got to do better.

792
00:35:33,880 --> 00:35:34,960
Speaker 2: Than you did on the first one.

793
00:35:35,360 --> 00:35:36,800
Speaker 3: And we had like a talk and she was like,

794
00:35:36,840 --> 00:35:38,640
Speaker 3: okays the opposite to do. Yeah, So I was like,

795
00:35:38,640 --> 00:35:40,120
Speaker 3: all right, what do I need to do here? And

796
00:35:40,120 --> 00:35:42,080
Speaker 3: then we just started going. But I think in the beginning,

797
00:35:42,640 --> 00:35:44,359
Speaker 3: nobody knows what they're doing. So with the first one,

798
00:35:44,400 --> 00:35:46,040
Speaker 3: nobody knows what they're doing. Nobody knows the right way,

799
00:35:46,080 --> 00:35:47,759
Speaker 3: There is no right way. Nobody knows any of that.

800
00:35:47,800 --> 00:35:49,839
Speaker 3: So I think you definitely just have to communicate what

801
00:35:49,880 --> 00:35:52,759
Speaker 3: you're looking for for help. Don't just be like help me,

802
00:35:52,800 --> 00:35:54,880
Speaker 3: because he doesn't know what that means. If you're like,

803
00:35:55,200 --> 00:35:57,600
Speaker 3: hey you need specific, be specific, I think you need

804
00:35:57,600 --> 00:36:01,040
Speaker 3: to be specific in what you need specific, be specific.

805
00:36:01,120 --> 00:36:02,759
Speaker 2: Hey b R O W D I E.

806
00:36:02,880 --> 00:36:06,840
Speaker 3: That's the way we spell rowdy, rowdy, rowdy, let's get rowdy.

807
00:36:07,800 --> 00:36:10,319
Speaker 1: I think what she needs to have is just a

808
00:36:10,440 --> 00:36:13,920
Speaker 1: little patient Yeah.

809
00:36:14,000 --> 00:36:16,040
Speaker 2: I don't, I don't know the bub don't sag that.

810
00:36:16,280 --> 00:36:20,800
Speaker 1: No, I would slid blood blood.

811
00:36:21,239 --> 00:36:23,000
Speaker 3: I would say you communicate. I would say you'd have

812
00:36:23,080 --> 00:36:24,880
Speaker 3: to say exactly what you need and for help, And

813
00:36:24,920 --> 00:36:26,480
Speaker 3: if you don't know what you need to communicate that

814
00:36:26,520 --> 00:36:28,040
Speaker 3: as well, but like, look, I just need you to

815
00:36:28,080 --> 00:36:30,200
Speaker 3: be around and lean on each other.

816
00:36:30,280 --> 00:36:31,440
Speaker 2: I think that's a big important thing.

817
00:36:31,480 --> 00:36:34,320
Speaker 1: So that's interesting you you dealt with this this exactly?

818
00:36:34,520 --> 00:36:36,640
Speaker 2: Just the inverse? Is it from Bessie?

819
00:36:38,360 --> 00:36:38,440
Speaker 4: No?

820
00:36:38,560 --> 00:36:40,440
Speaker 2: I know I did, Like I just didn't. I wasn't.

821
00:36:40,840 --> 00:36:42,359
Speaker 3: You know you want to have that second kid though, too,

822
00:36:42,360 --> 00:36:44,239
Speaker 3: And you can't not have the second kid if you

823
00:36:44,280 --> 00:36:46,200
Speaker 3: really want to expand your family and have the joy

824
00:36:46,200 --> 00:36:49,600
Speaker 3: of a sibling for your child because you're afraid of

825
00:36:49,680 --> 00:36:51,560
Speaker 3: the infant stage, right, you got it.

826
00:36:51,600 --> 00:36:54,200
Speaker 2: There's ways to solve that, and it's by communicating, I think, right.

827
00:36:54,960 --> 00:36:58,200
Speaker 1: And by the way, there is no more difficult stage

828
00:36:58,640 --> 00:36:59,520
Speaker 1: than the first year.

829
00:36:59,640 --> 00:37:01,600
Speaker 3: I know we'll say teenage stage is tough too, but

830
00:37:01,640 --> 00:37:04,560
Speaker 3: I feel like the first year is just because you

831
00:37:04,600 --> 00:37:07,440
Speaker 3: can't communicate with the baby. Sure, communication might be hard,

832
00:37:07,440 --> 00:37:09,040
Speaker 3: and the teenage stage, the kids have their own mind,

833
00:37:09,160 --> 00:37:11,040
Speaker 3: they're getting into trouble or whatever, But I feel like

834
00:37:11,120 --> 00:37:13,840
Speaker 3: at least you could talk to them and understand what

835
00:37:13,920 --> 00:37:16,160
Speaker 3: they want or need better, Like in the beginning, you

836
00:37:16,200 --> 00:37:18,080
Speaker 3: have no idea why that baby's crying, But.

837
00:37:18,040 --> 00:37:23,440
Speaker 1: A teenage stage like it's just a lack of communication. Sure,

838
00:37:23,680 --> 00:37:25,479
Speaker 1: they don't want anything to do with you. Yeah, right,

839
00:37:26,640 --> 00:37:31,080
Speaker 1: But the infant stage, it's like they they are really

840
00:37:31,120 --> 00:37:34,960
Speaker 1: they're they're literally gonna die if you don't do it's.

841
00:37:34,800 --> 00:37:36,520
Speaker 2: Complete the bare minimum. That's interesting.

842
00:37:36,640 --> 00:37:40,440
Speaker 1: You've got to be there every second. And the biggest

843
00:37:40,440 --> 00:37:42,919
Speaker 1: game changer is the minute a kid learns to walk,

844
00:37:43,760 --> 00:37:46,560
Speaker 1: because it's one thing that mobile like it's great to

845
00:37:46,680 --> 00:37:49,360
Speaker 1: just okay, okay, you did, you're good, Okay, you have

846
00:37:49,400 --> 00:37:51,920
Speaker 1: to pack up, you down, Okay, maybe I can get okay,

847
00:37:52,040 --> 00:37:54,120
Speaker 1: but the minute the walking starts, it's where to go.

848
00:37:54,200 --> 00:37:57,640
Speaker 1: Oh my god, it's just no, no, no, put that down,

849
00:37:57,719 --> 00:37:59,319
Speaker 1: don't touch that, get that out of your mouth.

850
00:37:59,400 --> 00:38:01,560
Speaker 2: Stop that. That's not food. Please stop.

851
00:38:01,600 --> 00:38:04,600
Speaker 3: I think that you get so fried as a parent, right,

852
00:38:04,800 --> 00:38:07,239
Speaker 3: and you don't remember like what's going on. One of

853
00:38:07,239 --> 00:38:11,520
Speaker 3: my favorite uh you know uh on social media videos

854
00:38:11,600 --> 00:38:13,360
Speaker 3: was it was like an Instagram reil whatever. There was

855
00:38:13,400 --> 00:38:15,600
Speaker 3: this woman who was literally holding the baby. There was

856
00:38:15,640 --> 00:38:18,239
Speaker 3: another baby playing right, and she's shaking the bouncer with

857
00:38:18,280 --> 00:38:20,839
Speaker 3: her foot that the baby was walking right. And then

858
00:38:20,840 --> 00:38:23,240
Speaker 3: she looks and the baby's not there, and she stands

859
00:38:23,320 --> 00:38:25,200
Speaker 3: up and starts panicking looking for the baby as she's

860
00:38:25,200 --> 00:38:28,040
Speaker 3: holding the baby. Oh my god, and then realize this

861
00:38:28,080 --> 00:38:29,880
Speaker 3: and goes oh, and you see her go oh, And

862
00:38:29,920 --> 00:38:31,319
Speaker 3: she just kisses the baby and puts it in the

863
00:38:31,320 --> 00:38:32,560
Speaker 3: bouncer the class.

864
00:38:32,840 --> 00:38:36,760
Speaker 2: That's how first she's holding the right exactly. Oh, that's crazy.

865
00:38:36,800 --> 00:38:38,200
Speaker 2: So yeah, it just goes to show you like it

866
00:38:38,239 --> 00:38:40,000
Speaker 2: really is. It really is tough. So I would say

867
00:38:40,000 --> 00:38:42,040
Speaker 2: to this husband, try to step up as best you can.

868
00:38:42,640 --> 00:38:44,319
Speaker 2: You didn't do a good job. It's okay that you

869
00:38:44,320 --> 00:38:45,920
Speaker 2: didn't do better on the shoe.

870
00:38:46,040 --> 00:38:49,000
Speaker 1: But she did a majority of the work okay the

871
00:38:49,040 --> 00:38:51,640
Speaker 1: first time, and now it's his turn and step Now

872
00:38:51,680 --> 00:38:53,480
Speaker 1: it's his turn to step up there, and she just

873
00:38:53,520 --> 00:38:55,279
Speaker 1: needs to communicate that, right.

874
00:38:55,560 --> 00:39:05,040
Speaker 2: That's it. Hey, Joe and Steve, I love your podcast.

875
00:39:05,160 --> 00:39:06,880
Speaker 1: Just need some friendly advice for a problem I've been

876
00:39:06,880 --> 00:39:08,960
Speaker 1: dealing with for a few years. I lost my father

877
00:39:09,280 --> 00:39:11,280
Speaker 1: in twenty twenty one, and it was always so close

878
00:39:11,280 --> 00:39:13,319
Speaker 1: with him growing up. I took his death really hard

879
00:39:13,320 --> 00:39:15,160
Speaker 1: and I'm still trying to cope with ways to move

880
00:39:15,160 --> 00:39:18,279
Speaker 1: on from it. I'll try therapy and all. Through all this,

881
00:39:18,400 --> 00:39:20,520
Speaker 1: my partner was very supportive in the beginning but now

882
00:39:20,560 --> 00:39:22,680
Speaker 1: it's the opposite. How do I get him to change

883
00:39:22,840 --> 00:39:23,879
Speaker 1: from the way he was.

884
00:39:25,760 --> 00:39:27,800
Speaker 2: Is he's the opposite, and he's like telling her to

885
00:39:27,840 --> 00:39:28,640
Speaker 2: just get over it. Now.

886
00:39:29,440 --> 00:39:33,000
Speaker 1: I think it's the it's obviously the wear and tearor

887
00:39:33,120 --> 00:39:36,960
Speaker 1: of you know, anybody wants to be supportive to anybody

888
00:39:37,000 --> 00:39:40,040
Speaker 1: dealing with death or somebody you care about, I think

889
00:39:40,080 --> 00:39:43,080
Speaker 1: at the beginning of any relationship. But but I think

890
00:39:43,120 --> 00:39:46,920
Speaker 1: it does get to you know, it's like sneezing. You know,

891
00:39:47,000 --> 00:39:49,480
Speaker 1: you get three God bless you. Yeah, thereforeth you're like,

892
00:39:49,520 --> 00:39:51,239
Speaker 1: all right, get the fuck away from me, you know,

893
00:39:52,120 --> 00:39:56,040
Speaker 1: not to minimize the death of a parent. But I

894
00:39:56,040 --> 00:39:58,920
Speaker 1: think there's sympathy. There's sympathy. There's sympathy, and then there's like,

895
00:39:59,320 --> 00:40:01,480
Speaker 1: all right, we've all had enough.

896
00:40:01,520 --> 00:40:02,920
Speaker 2: I think you're saying it's coming, which is a good,

897
00:40:02,960 --> 00:40:06,200
Speaker 2: very good point. It comes from fatigue. Because the other point, too,

898
00:40:06,280 --> 00:40:07,879
Speaker 2: is that they can't do anything for.

899
00:40:07,840 --> 00:40:11,040
Speaker 3: You, and that makes frustration. When you care about someone

900
00:40:11,080 --> 00:40:13,280
Speaker 3: and you can't help them solve their problem. There's literally

901
00:40:13,360 --> 00:40:16,000
Speaker 3: nothing you can do for them. You feel frustrated and

902
00:40:16,040 --> 00:40:17,680
Speaker 3: you'd rather be like, just do what you gotta do

903
00:40:17,680 --> 00:40:18,160
Speaker 3: and get over it.

904
00:40:18,200 --> 00:40:19,160
Speaker 2: Because I can't help you.

905
00:40:19,840 --> 00:40:25,239
Speaker 1: Right, They've they've listened, they've talked, they've communicated, they've been

906
00:40:25,280 --> 00:40:28,239
Speaker 1: there for you, and now it's to the point where

907
00:40:28,239 --> 00:40:31,600
Speaker 1: it's just like like, literally, there's nothing else I can do.

908
00:40:32,320 --> 00:40:33,440
Speaker 2: There's nothing else I can do.

909
00:40:33,920 --> 00:40:37,320
Speaker 1: So maybe it's like, maybe just go to your quiet

910
00:40:37,320 --> 00:40:39,719
Speaker 1: space when you want a vent or you know, you

911
00:40:39,800 --> 00:40:40,960
Speaker 1: need to whatever.

912
00:40:41,360 --> 00:40:42,120
Speaker 2: I'll be here for you.

913
00:40:42,239 --> 00:40:44,360
Speaker 1: Yeah, but I like, what do you want from me?

914
00:40:44,640 --> 00:40:45,480
Speaker 2: I can't do it anymore.

915
00:40:45,560 --> 00:40:48,080
Speaker 3: Yeah, I think I think the I think the big

916
00:40:48,120 --> 00:40:51,120
Speaker 3: problem for I've had this happen because my parents are

917
00:40:51,160 --> 00:40:56,040
Speaker 3: dead yours or not, and when my mom passed away,

918
00:40:56,239 --> 00:40:59,680
Speaker 3: it's actually literally the reason why I asked Betsy to

919
00:40:59,680 --> 00:41:00,640
Speaker 3: marry is because.

920
00:41:00,480 --> 00:41:03,320
Speaker 2: The way she handled helping me through that huge shock

921
00:41:03,400 --> 00:41:04,439
Speaker 2: and hurt. Wow.

922
00:41:04,480 --> 00:41:09,360
Speaker 3: And I have always dealt with the death of my

923
00:41:09,480 --> 00:41:12,080
Speaker 3: parents in my own way. But I've seen the way

924
00:41:12,120 --> 00:41:15,320
Speaker 3: some of my like with my sisters, how their husbands

925
00:41:15,320 --> 00:41:17,759
Speaker 3: had to be a little bit more supportive and part

926
00:41:17,800 --> 00:41:19,440
Speaker 3: of it where I kind of just handled it on

927
00:41:19,520 --> 00:41:22,520
Speaker 3: my own. So I think it's kind of interesting. It

928
00:41:22,520 --> 00:41:25,319
Speaker 3: all depends really on the person and the person that

929
00:41:25,360 --> 00:41:27,880
Speaker 3: you're with your partner, right, and the dynamic of it,

930
00:41:28,200 --> 00:41:31,160
Speaker 3: because Bessie helped me big time in the beginning with

931
00:41:31,239 --> 00:41:33,439
Speaker 3: it when it happened that first you know, six months whatever,

932
00:41:33,440 --> 00:41:35,120
Speaker 3: when I was really messed up about it, and then

933
00:41:35,160 --> 00:41:36,800
Speaker 3: I was like started fining, I found my own process

934
00:41:36,840 --> 00:41:38,640
Speaker 3: and grieving and all that, and she was a little

935
00:41:38,719 --> 00:41:40,799
Speaker 3: less involved about it, right, still there of course, but

936
00:41:40,960 --> 00:41:43,359
Speaker 3: less involved, whereas like my sisters deal with it all

937
00:41:43,400 --> 00:41:43,719
Speaker 3: the time.

938
00:41:43,760 --> 00:41:45,040
Speaker 2: They you know, my sister.

939
00:41:45,600 --> 00:41:48,160
Speaker 3: Feels a lot about like they missed, she didn't get

940
00:41:48,160 --> 00:41:50,400
Speaker 3: to meet my kids, but all this stuff, you know, right,

941
00:41:50,960 --> 00:41:54,480
Speaker 3: And I really just think that a lot of the

942
00:41:54,520 --> 00:41:57,080
Speaker 3: way that you're what you can do is have a

943
00:41:57,080 --> 00:42:00,560
Speaker 3: conversation with your partner say, look, this is how I feel.

944
00:42:00,600 --> 00:42:03,080
Speaker 3: I'm still dealing with it. I get that you don't

945
00:42:03,120 --> 00:42:04,799
Speaker 3: know how to do it. I just need you know,

946
00:42:05,360 --> 00:42:08,160
Speaker 3: this is what I need. But understand that your partner

947
00:42:08,200 --> 00:42:10,200
Speaker 3: has done what he can or they can.

948
00:42:10,480 --> 00:42:15,320
Speaker 1: Yeah, I think the outlet then should be going to obviously,

949
00:42:16,000 --> 00:42:19,040
Speaker 1: you know, unless it is like everybody else is gone.

950
00:42:19,840 --> 00:42:22,879
Speaker 1: There's the mother, there's the brother, there's the sister, right,

951
00:42:22,920 --> 00:42:26,319
Speaker 1: there's the uncle. People who are affected, there's people that

952
00:42:26,360 --> 00:42:29,880
Speaker 1: are immediately impacted by the death the same as you

953
00:42:30,120 --> 00:42:32,400
Speaker 1: and maybe using them as a crutch because they.

954
00:42:32,239 --> 00:42:36,359
Speaker 2: Can relate more than anybody. But but yeah, I think

955
00:42:38,200 --> 00:42:39,040
Speaker 2: I think anybody's.

956
00:42:39,080 --> 00:42:42,560
Speaker 1: Everybody's been in a relationship where there's only so much

957
00:42:42,560 --> 00:42:44,359
Speaker 1: you can do for somebody. For sure, you know, and

958
00:42:44,480 --> 00:42:48,440
Speaker 1: certainly my brother and I we have this very very

959
00:42:48,640 --> 00:42:52,120
Speaker 1: heated relationship. But I've been as supportive as anybody can

960
00:42:52,160 --> 00:42:53,719
Speaker 1: be and eventually you just hit a wall.

961
00:42:53,719 --> 00:42:54,520
Speaker 2: You're like, I can't do.

962
00:42:54,680 --> 00:42:57,360
Speaker 3: Yeah, I think it's it stems from that, It stems

963
00:42:57,360 --> 00:43:00,319
Speaker 3: from everybody's human They give what they can and then

964
00:43:00,440 --> 00:43:01,320
Speaker 3: you run out of gas.

965
00:43:01,760 --> 00:43:04,520
Speaker 2: So you know, he's had a guess on this this thing.

966
00:43:04,600 --> 00:43:06,279
Speaker 2: So you need to be able to and look, it

967
00:43:06,320 --> 00:43:08,000
Speaker 2: is on you too as a person to deal with

968
00:43:08,040 --> 00:43:10,160
Speaker 2: your grief and deal with you need to. Nobody can

969
00:43:10,200 --> 00:43:12,520
Speaker 2: help you as much as you can, that's the bottom line.

970
00:43:12,560 --> 00:43:13,160
Speaker 2: Like you have to.

971
00:43:13,239 --> 00:43:15,600
Speaker 3: You have to figure out your shit in every aspect

972
00:43:15,640 --> 00:43:17,120
Speaker 3: of life, you have to figure it out. It all

973
00:43:17,200 --> 00:43:19,520
Speaker 3: rests on your shoulders only so much that people could

974
00:43:19,560 --> 00:43:21,839
Speaker 3: help you with with support, and the only person that's

975
00:43:21,840 --> 00:43:23,480
Speaker 3: going to support you getting through it as you. So

976
00:43:23,880 --> 00:43:25,680
Speaker 3: I would say, try to figure out how you can

977
00:43:25,680 --> 00:43:27,320
Speaker 3: handle it without the help of anyone.

978
00:43:27,800 --> 00:43:28,920
Speaker 2: Yeah, it's interesting.

979
00:43:28,960 --> 00:43:33,120
Speaker 1: Sometimes you read these like BuzzFeed articles, you know, and

980
00:43:33,160 --> 00:43:38,120
Speaker 1: it's like the hospice nurses will always write here's here's

981
00:43:38,200 --> 00:43:41,680
Speaker 1: what someone on the deathbed was saying to me, and

982
00:43:41,760 --> 00:43:44,000
Speaker 1: like you read these things and you realize just at

983
00:43:44,000 --> 00:43:46,160
Speaker 1: the end of the day, like yeah, but to your point,

984
00:43:46,320 --> 00:43:48,880
Speaker 1: it's just you're gonna be in a bed, you know,

985
00:43:49,680 --> 00:43:52,319
Speaker 1: God willing, you're in a bed at some point with

986
00:43:52,760 --> 00:43:55,560
Speaker 1: you know, loved ones whatever. But it's you riding off

987
00:43:55,600 --> 00:43:58,160
Speaker 1: on the sunset by yourself. So same thing.

988
00:43:58,320 --> 00:44:01,440
Speaker 2: Yeah, yeah, well good luck. It's not an easy thing

989
00:44:01,440 --> 00:44:02,080
Speaker 2: that you're dealing with.

990
00:44:02,120 --> 00:44:04,440
Speaker 3: But again it comes out of communication, especially with your partner,

991
00:44:04,480 --> 00:44:04,960
Speaker 3: like let them know.

992
00:44:05,000 --> 00:44:09,759
Speaker 1: Speaking of death, this is a Viking funeral today. That's

993
00:44:09,760 --> 00:44:12,360
Speaker 1: what this episode will be called. Viking funerals.

994
00:44:12,360 --> 00:44:15,200
Speaker 2: Antalbeads. Thank you for joining us on our last podcast.

995
00:44:15,600 --> 00:44:18,160
Speaker 2: We appreciate it. Steve. You know what, I would love

996
00:44:18,160 --> 00:44:21,120
Speaker 2: to say that he did great today. Thanks everybody for

997
00:44:21,160 --> 00:44:22,480
Speaker 2: listening to Two Moms.

998
00:44:22,800 --> 00:44:25,120
Speaker 3: I've been Joe Gatto, that guy over there, he's going

999
00:44:25,200 --> 00:44:27,799
Speaker 3: to rename nameless and we'll see you guys next time.