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Speaker 1: We found another short form piece of gold, a diamond

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Speaker 1: in the Rough on Netflix called America's Sweethearts, which is

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Speaker 1: about the Dallas Cowboy.

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Speaker 2: The show is so riveting to me.

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Speaker 3: Well, let me just set the table.

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Speaker 1: America's Sweethearts takes place last season, last off season, with

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Speaker 1: the tryouts for the team, the squad, the dcc IS.

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Speaker 1: They reference it a thousand times Dallas Cowboy Cheerleaders, and

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Speaker 1: everybody knew that the Dallas Cowboy Cheerleaders.

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Speaker 3: Sure.

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Speaker 1: And another thing we learned is that one of the

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Speaker 1: big moments for the Dallas Cowboy Cheerleaders was on Thanksgiving Day.

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Speaker 3: The Dallas Cowboy Cheerleaders. It was kind of new.

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Speaker 1: They didn't know what was going on, but they kept

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Speaker 1: cutting Howard Cosel, Frank Gifford, they kept cutting to one

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Speaker 1: cute cheerleader and she wins in the camera camera and

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Speaker 1: apparently that was the hot tour moment. That was the

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Speaker 1: viral moment ye for the Dallas Cowboys. Three two one boom,

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Speaker 1: Hak Tua.

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Speaker 4: Yeah, yeah, you know, no, no, no, no, no, no, don't do that, Tua.

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Speaker 4: You're making fun of me because I didn't know what

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Speaker 4: that meant. And I'm the only person in America or

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Speaker 4: all over the world that didn't know what hok tua meant.

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Speaker 1: Welcome to Rappaport's Reality. My name is Michael Rappaport.

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Speaker 2: My name is Kibi Rappaport, and this.

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Speaker 1: Is Rappaport's reality podcast, the world's best, most informative inside scoop,

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Speaker 1: reality TV, popular culture, and podcasts about us the Rappaports.

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Speaker 1: This is the only podcast that does those three things

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Speaker 1: and more. We are recording this podcast live from Tel Aviv, Israel.

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Speaker 3: Yes, we are where it is Middle Eastern hot. Yeah,

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Speaker 3: it is true blue middle I.

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Speaker 4: Was gonna say Africa hot, but I've never been to Africa.

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Speaker 4: You know, Middle East hot is a different kind of hot.

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Speaker 3: I wonder if Africa hot is hotter than Middle East.

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Speaker 4: I don't think so, I don't need, I don't care.

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Speaker 4: You know, I had a lot of heat anxiety.

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Speaker 3: What is heat anxiety?

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Speaker 2: I don't know.

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Speaker 4: I was anxious about coming here and the heat and

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Speaker 4: it was real and I was right.

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Speaker 3: Has it lived up to your expectations and more the heat.

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Speaker 2: I'm trying to have a good attitude.

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Speaker 4: So let's not start the podcast with talking about my

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Speaker 4: heat anxiety.

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Speaker 3: Well, we just came from outside with Hell.

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Speaker 2: I still got sweat dripping down my balls.

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Speaker 1: The first time I've ever seen you. I've never seen

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Speaker 1: you sweat in public except for when working out. Like

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Speaker 1: you were sweating just now.

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Speaker 2: I know it's embarrassed.

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Speaker 3: I was like, uh, we walked into a cafe.

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Speaker 4: We looked like Whitney Houston and a white Bobby Brown.

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Speaker 4: I was, yes, you were.

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Speaker 1: A white T shirt, had on your face.

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Speaker 4: Okay, but you come down my front. I have on

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Speaker 4: a black linen and jumps. You couldn't see it, but

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Speaker 4: straight out my I look like a crackhead.

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Speaker 2: It's gross.

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Speaker 4: Man.

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Speaker 1: I don't like you didn't look Whitney Houston, Babe and

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Speaker 1: Whitney Houston and talk about a reality TV show that

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Speaker 1: might be something we rewatch.

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Speaker 2: Becobby Bobby.

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Speaker 3: That was really far out.

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Speaker 1: I mean, if Rappaport's reality had been going on during

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Speaker 1: the Whitney and Bobby Bobby and Whitney reality TV.

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Speaker 3: I don't know if we talked, but that was that.

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Speaker 2: Was so sad.

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Speaker 3: But I always do understand.

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Speaker 4: If there's two things that I can't stand the most

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Speaker 4: in life is being hot and rats and the smell

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Speaker 4: of cat piss, and you know what here in Israel,

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Speaker 4: there's two things going on. It smells like cat piss

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Speaker 4: because there's a hell of a lot of cats here and.

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Speaker 2: It's hot as hell.

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Speaker 1: But we're having a great trip, had a great trip

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Speaker 1: at the beach yesterday in the water, beautiful water, beautiful trip.

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Speaker 1: This place is crying for a reality TV show. They're

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Speaker 1: they're they're the Real Housewives of Tel Aviv and then

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Speaker 1: an Olean reality TV show like a vander Pump Rules

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Speaker 1: of all the young ali Oleen kids from America that

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Speaker 1: have moved to Israel. Trust trust us when we tell

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Speaker 1: you there's a gold mine of reality.

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Speaker 2: On TV here. There's a lot of hot young kids.

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Speaker 1: They're hot, they're young, they're earnest, they're in different ways

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Speaker 1: of changing their life. There is a I'm telling you

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Speaker 1: there is a gold mine of reality TV here that

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Speaker 1: is just waiting to happen. But since I started the

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Speaker 1: ports reality with hot tool Kibi, up until yesterday, I

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Speaker 1: didn't know what that meant.

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Speaker 3: Did you know? Did you know what it meant? Was Like?

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Speaker 2: I thought it was like a Native American.

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Speaker 4: Then I had the picture of the white girl and

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Speaker 4: I was like that she doesn't look Native American.

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Speaker 1: For those of you who do not know, and I'll

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Speaker 1: be shocked if anybody doesn't.

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Speaker 3: Know who the hock.

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Speaker 2: A lot of people know what that means.

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Speaker 1: Everybody knows who the Hawk Tour Girl is. She's been

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Speaker 1: discussed on Howard Stern Show, every podcast, Late Night TV.

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Speaker 1: The Hawk Tour Girls, a girl who was doing a

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Speaker 1: on the street interview. She happened to be doing an

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Speaker 1: on the street interview that wasn't that interesting. Her and

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Speaker 1: her girlfriend were doing it on the street interview drunken.

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Speaker 1: I believe it was in It wasn't Louisiana, it was Nashville,

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Speaker 1: and they were just rambling on drunk, you know, kind

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Speaker 1: of regular looking girls. And at one point the interviewer

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Speaker 1: asked the question, which has been a game changing question,

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Speaker 1: what do you do to sort of make up or

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Speaker 1: give good loving or make up with your boyfriend? And

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Speaker 1: she said, hak Tua, spit.

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Speaker 3: On that thing. Miles Jordan's play the actual clip.

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Speaker 2: You got to give him that Hawk dude, spit.

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Speaker 4: On that.

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Speaker 3: There. It is twenty twenty four. Wow, twenty twenty four.

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Speaker 1: When you talk about everything, the good, the bad, the Trump,

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Speaker 1: the Biden, the everything that's going on in the world,

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Speaker 1: the brownie.

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Speaker 3: James Hi to a spill on that thing.

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Speaker 1: Wow, she said, that's how you you impress a man

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Speaker 1: to a spit on that thing? Why how this thing

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Speaker 1: is caught on? I have no idea, she has no idea.

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Speaker 1: The girl is doing appearances.

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Speaker 2: I think she I thinks I read somewhere she got

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Speaker 2: an agent.

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Speaker 3: That uta, which is my agency. Whoa, Now that's rest ashore.

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Speaker 1: She's getting way more incoming phone calls than I am

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Speaker 1: right now.

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Speaker 3: She's the new girl. That's all.

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Speaker 2: That's sad.

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Speaker 3: That's a filatio.

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Speaker 4: Yeah, sucking dick spitting on a dick hock too. That's

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Speaker 4: really pathetic.

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Speaker 3: But this is what is the.

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Speaker 4: World we live in, guys. I don't know, man, let

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Speaker 4: me off this. This is crazy, guys. This is that's nuts, babe.

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Speaker 3: That's that.

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Speaker 2: I'm not share agents. That's wow.

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Speaker 1: I mean, but you know, like it's online social media

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Speaker 1: that that's that is where it's at. Man, I've seen

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Speaker 1: these social media kids in movies, that's TV shows.

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Speaker 3: It's crazy. That's all it took was her say, haktua.

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Speaker 1: Spit on that thing, dude, spit on that night. I

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Speaker 1: mean it was simple as that. And like I said, uh,

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Speaker 1: twenty twenty four has yet to unfold completely. But when

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Speaker 1: the history books go back, when they go, let's look

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Speaker 1: at you know, the twenties, the twenty thousands, the twenty.

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Speaker 5: Thousands, two thousand and twenty, the twenty twenty four, it's.

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Speaker 4: Like, babe, it's like the girl that said I'm looking

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Speaker 4: for a rich man six ' four and they made

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Speaker 4: a song out of it.

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Speaker 3: Or they catch me outside girl.

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Speaker 1: Yeah, I wonder if this this to a girl will

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Speaker 1: be able to benefit the way that the catch me

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Speaker 1: outside because she's apparently she's on OnlyFans.

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Speaker 2: She's going around handing out money on the street.

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Speaker 1: Yes, literally literally, so God bless America. And you know what,

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Speaker 1: only in America, Only in America can a girl giving

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Speaker 1: a drunking interview.

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Speaker 2: On talking about spitting on a dick, and all.

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Speaker 1: She talked about, they just happened to it just caught fire.

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Speaker 1: And that's the beauty of the Internet, the beauty and

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Speaker 1: the phenomenon of the Internet. You literally cannot I'm sure

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Speaker 1: there's plenty of girls that are sitting at home, go I.

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Speaker 4: Said spitting on dicks, saying I spit on a dick.

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Speaker 3: Yeah, And there's I've done it. All on social media.

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Speaker 1: But for some reason, this girl, she she captured the

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Speaker 1: hearts and minds of the world.

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Speaker 3: And beyond.

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Speaker 1: The other thing that I can tell you about our trip,

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Speaker 1: as we have found yet another piece of gold, another gem,

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Speaker 1: another reality TV gem.

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Speaker 3: Now we can't falln we can't.

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Speaker 1: We can't haktua anymore than we did about Love Undercover.

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Speaker 1: We told you guys on Peacock if you're looking for

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Speaker 1: a new reality show, Love Undercover.

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Speaker 3: We did two or three segments on it.

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Speaker 1: We said it's the sleeper hit of the summer, the

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Speaker 1: sleeper hit of twenty twenty four. But we found another

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Speaker 1: short form piece of gold, a diamond in the rough

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Speaker 1: on Netflix called America's Sweethearts, which is about the Dallas Cowboys.

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Speaker 4: Yes, it's something special about their rappaports. They'll go on

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Speaker 4: a trip and then they'll find a reality show. That's

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Speaker 4: how adventurous our trips are, is it. We go on far,

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Speaker 4: far across the lands, all the way to Israel, and

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Speaker 4: we found a reality show.

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Speaker 3: We all the way to Jerusalem, we all the way

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Speaker 3: to the North, all the way. It is so.

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Speaker 1: And then one of the things that will take away,

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Speaker 1: probably the most impactful thing.

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Speaker 3: That will take away from our time spent in the hotel.

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Speaker 2: Our new favorite reality show.

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Speaker 1: America's Sweetheart, which is about the Everybody Knows. You might

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Speaker 1: not know who the hot tour girl is, but everybody

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Speaker 1: knows who the Dallas Cowboy cheerleaders are.

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Speaker 3: And why don't you explain?

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Speaker 1: I mean, I don't need to explain what it is,

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Speaker 1: but it takes place last year of the girls trying

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Speaker 1: to make the.

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Speaker 4: Team, trying to make the team. Well, this is a

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Speaker 4: fascinating one. Once again, I started to watch your show

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Speaker 4: without you because I thought that you wouldn't really enjoy

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Speaker 4: the show, and I had to go back and watch

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Speaker 4: the episode. Well, then then I started watching. I was like,

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Speaker 4: why wouldn't he like this? He likes football, so why

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Speaker 4: wouldn't he.

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Speaker 2: Like the cheerleaders. They don't show They don't show show

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Speaker 2: the football.

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Speaker 1: The only football they show is when fans I'm jumping ahead.

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Speaker 1: When fans do meet and greets with the Dallas Cowboy cheerleaders,

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Speaker 1: the security guard puts a football in their hands.

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Speaker 2: So they don't touch the girls, literally, right.

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Speaker 1: Hang on hold that fucking football tight. Don't put your

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Speaker 1: arm around the girls. Don't put your arm around their

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Speaker 1: waist around their shoulder, don't breathe on them, don't even

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Speaker 1: make lingering eye contact. Yeah, so that's the only football

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Speaker 1: that's shown in it.

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Speaker 2: The show is so riveting to.

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Speaker 6: Me, so so good.

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Speaker 4: I won't bring up my illustrious career as a cheerleader,

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Speaker 4: because I did have a two year career in high

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Speaker 4: school as a cheerleader.

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Speaker 2: What high school, Venice high school?

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Speaker 3: What year was this?

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Speaker 2: This was eighty six, eighty seven.

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Speaker 6: Eighty six eighty seven. You were a cheerleader.

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Speaker 2: I must say I was a damn good cheerleader.

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Speaker 1: But every time when we're watching the Dallas Cowboy Cheerleaders,

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Speaker 1: not through the complicated things, I go, can you do that?

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Speaker 3: I'm me to get up.

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Speaker 2: In the middle of the show and like and do

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Speaker 2: a cheer.

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Speaker 4: And I was really I could do one after we're

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Speaker 4: done the recording.

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Speaker 2: I could do some cheers for you.

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Speaker 4: I didn't, gay, I used to show you when we

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Speaker 4: were younger. I used to do cheers for you all

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Speaker 4: the time.

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Speaker 3: I remember a cheer now.

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Speaker 4: Yeah, I got plenty, Okay, I got defensive cheers, I

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Speaker 4: got offensive cheers.

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Speaker 2: I got some in my pocket.

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Speaker 1: I've never you've never given me a cheer like what

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Speaker 1: I'm doing comedy, Can you bring your fucking pomp bums

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Speaker 1: and be like go Dean go.

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Speaker 2: Absolutely, Ah, that would be more like heckling.

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Speaker 1: Baby laugh and everybody laugh. Bring the because when I'm

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Speaker 1: having a tough night.

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Speaker 4: No, I didn't really want to be a cheerleader. I

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Speaker 4: was too much of a cool girl to be a cheerleader.

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Speaker 4: Was kind of like looking down. But a friend of mine,

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Speaker 4: Denise Cooley, and I, in the history of my high school,

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Speaker 4: there weren't There was only one black cheerleader every year

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Speaker 4: in the history of Venice High School, and we didn't

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Speaker 4: think that they'd pick two in one year. So as

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Speaker 4: a joke, we both auditioned and she was a basketball

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Speaker 4: player and I was a gymnast, and we both happened

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Speaker 4: to make it, and they snatched us in the middle

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Speaker 4: of the night. You know, they snatched the cheerleaders. They

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Speaker 4: come to your house in the middle of the night.

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Speaker 4: They call your parents and take you out of your

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Speaker 4: bed and blindfold you, put you in a call and

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Speaker 4: then they bring you to an undisclosed location and then

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Speaker 4: reveal But I could hear because she lived far away,

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Speaker 4: and so I, with the drive was far so I

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Speaker 4: knew we were kind of going to her house. And

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Speaker 4: then when we got to this parking lot, we both

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Speaker 4: had made it. And that year, in nineteen eighty six,

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Speaker 4: there was two black girls on the team, and that

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Speaker 4: was historical.

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Speaker 2: And this is amazing. You never knew the story.

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Speaker 1: I didn't know this story. I didn't know that you

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Speaker 1: were almost like the Jackie Robinson of Venice. Oh yeah,

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Speaker 1: high school, two.

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Speaker 2: Black girls that year. I mean the history of Venice

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Speaker 2: High School which.

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Speaker 5: Goes way back, and they go like in the history

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Speaker 5: books to the like, oh yeah, there's two and two

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Speaker 5: black girls or something.

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Speaker 3: Did you know?

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Speaker 4: But if you go to Venice High I'm sure it's

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Speaker 4: still in the gym, you'll see all these black girls

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Speaker 4: on the plaque, and you'll see way back to nineteen,

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Speaker 4: you know, sixties, you will not see two black women

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Speaker 4: at a time up until our year.

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Speaker 3: The other thing shout out at his high school's name, Denise,

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Speaker 3: Janie Coolie, Denie Coolidge.

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Speaker 1: Shout out to Denise Coolidge, Denie with the ja Denie Coolidge.

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Speaker 6: And.

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Speaker 1: Like COOLi Hi, all right, Cooley, I for being breakthrough

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Speaker 1: cheerleaders at Venice High School.

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Speaker 3: This is something I did not know about it.

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Speaker 4: I had a partner with my partner, because you partner

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Speaker 4: up with each girl has a partner. And my partner's

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Speaker 4: name was Summer. Okay, me and Summer and I were partners. Well,

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Speaker 4: she had zero rhythm, no fan Summer, but you didn't

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Speaker 4: have any.

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Speaker 3: Have you kept in touch with Summer?

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Speaker 5: No? I wonder where is Summer Summer if you're listening

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Speaker 5: to the podcast Summer.

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Speaker 2: I think Summer moved to Santa barber or something. I

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Speaker 2: don't know.

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Speaker 3: Well, let me just set the table.

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Speaker 1: America's Sweethearts takes place last season, last off season with

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Speaker 1: the tryouts for the team, the squad.

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Speaker 3: The DCC is a reference it a thousand times Dallas

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Speaker 3: Cowboy Cheerleaders.

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Speaker 1: And some of the things that I didn't know that

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Speaker 1: I thought were kind of crazy is that every year,

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Speaker 1: even if you're on the team, you could be on

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Speaker 1: a DCC Dallas Cowboy Cheerleader FRO up to five seasons,

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Speaker 1: right and then you then you're done.

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Speaker 2: Yeah, but you still have to audition every year, which

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Speaker 2: is crazy. That's crazy.

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Speaker 1: Your audition season and you're a star cheerleader, you still

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Speaker 1: have to go through the the audition process and they

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Speaker 1: be cutting people. Oh yeah, Like, I'm sure there's certain

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Speaker 1: girls that are kind of shoeings and they I'm sure

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Speaker 1: they didn't mention that because it takes away from the drama.

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Speaker 1: But there's a couple of girls that are two years in,

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Speaker 1: three years in that got cut.

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Speaker 4: It didn't seem like they were shoeings though, because it

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Speaker 4: looked like they went through exactly the same things.

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Speaker 1: Well, there's so many of them. I'm shaying for narrative purposes.

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Speaker 1: I'm sure there were a few there, Like Rebecca. You know,

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Speaker 1: she's good, she hasn't dropped the beach.

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Speaker 4: The reason why I'm saying that is because every year

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Speaker 4: they bring out outside judges, Like they had hair dressers.

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Speaker 4: Remember they had like they had a local hairdresser, and

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Speaker 4: they had a.

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Speaker 2: Weather man, right, a local weather man was a.

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Speaker 3: Judge, and he's judging these girls.

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Speaker 4: I'm like, yo, what are you, Hutrandos judging the girls.

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Speaker 4: I don't want to give too much away, but that

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Speaker 4: was an interesting part of it.

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Speaker 1: But inevitably, it's the two head chicks that were former

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Speaker 1: cheerleaders that have been there for a while, and obviously

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Speaker 1: the donads cowboy cheerleaders. I mean, historically me as a

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Speaker 1: football fan. Not to go deep diving into that. Everybody

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Speaker 1: knew the Dallas Cowboy Cheerleaders in the late seventies into

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Speaker 1: the eighties America's team.

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Speaker 3: I loved the.

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Speaker 1: Pittsburgh Steelers, but it was really the Pittsburgh Steelers versus

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Speaker 1: Dallas Cowboys. And another thing we learned is that one

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Speaker 1: of the big moments for the Dallas Cowboy cheerleaders was

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Speaker 1: traditionally on Thanksgiving Day. Thanksgiving Day, the Dallas Cowboy Cheerleaders.

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Speaker 1: It was kind of new. They didn't know what was

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Speaker 1: going on, but they kept cutting Howard Kosel, Frank Gifford,

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Speaker 1: they kept cutting to one cute cheerleader and she went

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Speaker 1: in the candle camera and apparently that was the hot

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Speaker 1: tour moment. That was the viral moment.

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Speaker 3: Yep, that was al moment for the Dallas Cowboy Cheerleaders.

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Speaker 3: What did you love about the show?

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Speaker 1: Because I could tell you why you didn't think I'd

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Speaker 1: be interested, and I could tell you why I'd be interested.

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Speaker 1: What did you love besides the fact that it's girls,

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Speaker 1: it's dancing, it's pom poms.

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Speaker 2: No, that's not what I loved.

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Speaker 4: I loved what I loved what I was fascinated about

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Speaker 4: the show is is the desire of the girls.

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Speaker 2: A lot of the girls weren't from Dallas.

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Speaker 4: A lot of the girls had a dream of being

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Speaker 4: specifically a Dallas Cowboy.

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Speaker 2: The brand, when you think about it.

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Speaker 1: Is huge dc C.

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Speaker 2: A Dallas Cowboy cheerleader is a brand that goes on

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Speaker 2: and on and on.

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Speaker 4: And these women from say New Jersey, had dreamed about

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Speaker 4: being a cheerleader for the Dallas Cowboys forever.

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Speaker 2: Okay, So that I loved about it.

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Speaker 4: I love that these are real dancers because when they're auditioning,

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Speaker 4: these girls are talented dancers.

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Speaker 3: And some of them are hip hop, some of them

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Speaker 3: are jazz.

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Speaker 2: Jazz and ballerinas, and but there's some of them skilled,

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Speaker 2: skilled girls that want to do this job. What I

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Speaker 2: also loved is the two ladies that are the coaches.

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Speaker 2: They are hard bodied, They oh my goodness, they don't

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Speaker 2: pull punches. They're actually they're rough. They're actually not nice.

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Speaker 1: But they were They're.

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Speaker 4: Loving in the end, but in order to do their job,

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Speaker 4: because they take it very seriously, because these girls are

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Speaker 4: representing the team, the brand.

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Speaker 3: And Jerry Jones.

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Speaker 2: Of course, they do other things.

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Speaker 4: So they go out in the community and they do

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Speaker 4: community work. They're representing the brand, so it's very choosy

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Speaker 4: on who they choose.

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Speaker 2: It's also it's like the show we like, the football

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Speaker 2: show that we watch.

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Speaker 3: Last Chance You Hard Knocks.

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Speaker 2: Hard Knocks very much.

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Speaker 3: Like Hard Knocks.

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Speaker 2: So it's a very serious thing. It's not frilly. It's

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Speaker 2: not a frilly thing. No, this is drama.

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Speaker 1: You get your makeup, you get your pom poms, you

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Speaker 1: get your boots, you get all the stuff. This is

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Speaker 1: not that interesting to me, the girly stuff. But the

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Speaker 1: thing about it is that athletic.

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Speaker 4: I mean they could get hurt they're doing. I mean

401
00:18:40,480 --> 00:18:42,840
Speaker 4: there's one part in it where they have to be

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Speaker 4: in line, do the lineup where they do the kicks,

403
00:18:45,000 --> 00:18:46,800
Speaker 4: and then the last kick is the kick, and then

404
00:18:46,800 --> 00:18:47,880
Speaker 4: they land in the splits.

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Speaker 2: This is dangerous, this is notoriously.

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Speaker 4: These people have to get hip surgeries later after doing

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Speaker 4: this every night for you know, thirteen games a season.

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Speaker 1: And it's not even the games, it's the practice, because

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Speaker 1: the games are probably the easiest part the practicing.

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Speaker 4: I like the discipline of it. I like the desire

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Speaker 4: that they have and the discipline. It's a fascinating show.

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Speaker 4: The fact that these girls have it in their hearts

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Speaker 4: since little girls, that this is what they want.

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Speaker 1: That's the thing that I related to also, and I

415
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Speaker 1: think that again again, and we were watching you could

416
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Speaker 1: be like, if you really show people's stories, you could

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Speaker 1: literally make anything a reality TV show, because at the

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Speaker 1: end of the day, and I know you guys, like,

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Speaker 1: what the f are you talking about?

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Speaker 3: What are you talking about? Michael Rappaport, Have you lost

421
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Speaker 3: your mind?

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Speaker 1: Is this the same guy that rant and raves about

423
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Speaker 1: boxing UFC. The thing about the show, and the thing

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Speaker 1: about reality TV is if you tell a story properly,

425
00:19:42,560 --> 00:19:45,439
Speaker 1: and especially when it comes to hopes and dreams, everybody

426
00:19:45,600 --> 00:19:49,720
Speaker 1: he has hopes and dreams. Everyone everybody has desires. And

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Speaker 1: the thing that I was compelled to why we kept

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Speaker 1: watching it and while we even had to say, let's

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Speaker 1: save these for the next night in the hotel room

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Speaker 1: in Tel Aviva, let's end our dinner early so we

431
00:20:00,960 --> 00:20:03,679
Speaker 1: can finish up the series, is that you can relate to,

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00:20:04,520 --> 00:20:06,480
Speaker 1: just like how on Hard Knocks, the show about the

433
00:20:06,560 --> 00:20:10,520
Speaker 1: NFL teams, you could relate to somebody working their ass off,

434
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Speaker 1: trying and they literally say it's my dream, it's my dream,

435
00:20:14,760 --> 00:20:16,800
Speaker 1: and I can relate to that, and I think people

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00:20:16,800 --> 00:20:20,800
Speaker 1: could relate to having a dream and the thrill of

437
00:20:20,880 --> 00:20:23,040
Speaker 1: victory and the agony and the defeat, the thrill of

438
00:20:23,080 --> 00:20:25,920
Speaker 1: some of these girls making the team like they're elated

439
00:20:25,960 --> 00:20:28,600
Speaker 1: and the other ones not making the team their heartbroken.

440
00:20:28,640 --> 00:20:30,879
Speaker 1: And they talk about just some of the girls that

441
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Speaker 1: have come before them and some girls that have gotten

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Speaker 1: cut and then they come back, and it's just that's

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Speaker 1: the thing that I related to. And I trust me,

444
00:20:37,400 --> 00:20:39,360
Speaker 1: Trust me. If you ever thought I'd be like, oh, Mike,

445
00:20:39,640 --> 00:20:41,640
Speaker 1: my crap. Did you think you would ever watch America's

446
00:20:41,640 --> 00:20:43,720
Speaker 1: Sweetheart and be giving it a rave review?

447
00:20:44,000 --> 00:20:44,240
Speaker 6: Fuck?

448
00:20:44,359 --> 00:20:46,520
Speaker 3: No, fuck no, I didn't think that.

449
00:20:46,640 --> 00:20:47,520
Speaker 2: I know, but you're right.

450
00:20:47,600 --> 00:20:50,720
Speaker 4: The thrill of victory and the agony defeat in anything

451
00:20:51,200 --> 00:20:54,000
Speaker 4: is fascinating to me. And also the way it's done, Babe,

452
00:20:54,000 --> 00:20:57,359
Speaker 4: it's done in a sort of documentary style, the music

453
00:20:57,400 --> 00:20:59,480
Speaker 4: that they choose, Yes, it's fascinating.

454
00:20:59,640 --> 00:21:01,560
Speaker 3: It it's the same guy who did Last Chance You

455
00:21:01,560 --> 00:21:01,800
Speaker 3: By It.

456
00:21:01,920 --> 00:21:04,399
Speaker 2: Yeah, So it moves sort of it in a slow way,

457
00:21:04,920 --> 00:21:07,119
Speaker 2: not in a boring way, but in a really you

458
00:21:07,200 --> 00:21:09,800
Speaker 2: really fall in love with these characters and what they

459
00:21:09,880 --> 00:21:12,199
Speaker 2: want What's curious to me though, and I said this

460
00:21:12,240 --> 00:21:14,640
Speaker 2: to you while we were eating lunch, is that there's a.

461
00:21:14,600 --> 00:21:16,760
Speaker 4: Lot of weight around it. There's a lot of what

462
00:21:16,800 --> 00:21:19,200
Speaker 4: these women look like. They take them and they change

463
00:21:19,240 --> 00:21:21,520
Speaker 4: their look and their hair color, matching their eyes, and

464
00:21:21,560 --> 00:21:23,280
Speaker 4: I'm like, wow, how does this in this day and

465
00:21:23,359 --> 00:21:25,680
Speaker 4: age do they get away with these women having all

466
00:21:25,680 --> 00:21:28,600
Speaker 4: the same body type? I mean, they don't change the

467
00:21:28,640 --> 00:21:31,119
Speaker 4: size of the costume once you get measured for the costume.

468
00:21:31,160 --> 00:21:33,840
Speaker 4: If you don't fit in it on game day, that's

469
00:21:33,880 --> 00:21:35,919
Speaker 4: your problem. If it don't fit.

470
00:21:36,000 --> 00:21:37,720
Speaker 2: Yeah, And that's like how we were.

471
00:21:37,600 --> 00:21:41,160
Speaker 1: Basically saying, like, in this day of politically correctness.

472
00:21:40,640 --> 00:21:42,280
Speaker 2: How the fuck did they get away with it?

473
00:21:42,359 --> 00:21:44,360
Speaker 4: And by the way, as much care cake as I've

474
00:21:44,400 --> 00:21:46,400
Speaker 4: eaten on this trip, because they got some bomb carrot

475
00:21:46,480 --> 00:21:47,720
Speaker 4: cake at this cafe.

476
00:21:47,400 --> 00:21:49,080
Speaker 3: That I like, here shout out to cafe.

477
00:21:49,600 --> 00:21:53,080
Speaker 4: So I I mean, listen, my little outfit would not fit.

478
00:21:53,240 --> 00:21:55,920
Speaker 4: If I was a DCC boy, I'd have to get

479
00:21:55,960 --> 00:21:57,800
Speaker 4: my thing taken in and out a million times.

480
00:21:57,880 --> 00:21:59,840
Speaker 1: And they, I mean, these girls are young. There was

481
00:21:59,840 --> 00:22:02,200
Speaker 1: one girl who made the team at eighteen. Most of

482
00:22:02,240 --> 00:22:04,000
Speaker 1: them are eighteen. I mean most of them are like

483
00:22:04,040 --> 00:22:06,480
Speaker 1: twenty to twenty five years old. There was one girl

484
00:22:06,520 --> 00:22:09,720
Speaker 1: who came really really close out of nowhere, seemingly who

485
00:22:09,760 --> 00:22:12,480
Speaker 1: was thirty one. The thing that's crazy, I talk about

486
00:22:12,480 --> 00:22:15,919
Speaker 1: this in stand up comedy, and this is a historical thing,

487
00:22:15,960 --> 00:22:18,600
Speaker 1: and I don't know why. Like an organization like the

488
00:22:18,680 --> 00:22:23,440
Speaker 1: Dallas Cowboys, they're so underpaid and apparently they're paid more

489
00:22:23,480 --> 00:22:25,680
Speaker 1: than they used to be paid. But all of these

490
00:22:25,720 --> 00:22:29,240
Speaker 1: girls have day jobs, so they practice from like five

491
00:22:29,320 --> 00:22:32,239
Speaker 1: to eight. On off days, they rehearsed from five to

492
00:22:32,280 --> 00:22:35,720
Speaker 1: eight to give them time to work during the day.

493
00:22:35,720 --> 00:22:37,760
Speaker 3: There's nurses. One of them was like.

494
00:22:37,680 --> 00:22:40,840
Speaker 2: Us doctors are orthodontists to doctors.

495
00:22:41,680 --> 00:22:47,040
Speaker 1: They're in sah but they're underpaid. They're underpaid, and I

496
00:22:47,080 --> 00:22:51,359
Speaker 1: just don't I don't understand why or how, especially an organization,

497
00:22:51,440 --> 00:22:56,199
Speaker 1: an NFL organization, but the Dallas Cowboys specifically, how they

498
00:22:56,400 --> 00:23:00,159
Speaker 1: they don't give them compensation for the entire because they

499
00:23:00,240 --> 00:23:03,639
Speaker 1: go through July or probably even May. The tryouts are

500
00:23:03,680 --> 00:23:06,560
Speaker 1: during May, and then they go.

501
00:23:06,560 --> 00:23:08,560
Speaker 2: Through the entire August, right.

502
00:23:08,680 --> 00:23:11,080
Speaker 1: Yeah, but then the games start and you're going through January.

503
00:23:11,680 --> 00:23:15,560
Speaker 1: So I don't understand. It's a touschedule. Nonetheless America's Sweetheart.

504
00:23:15,920 --> 00:23:17,359
Speaker 1: Two pomp Poms Up.

505
00:23:17,240 --> 00:23:19,360
Speaker 2: Two Pompum, two rapaport stars.

506
00:23:20,000 --> 00:23:21,919
Speaker 1: But more than that happened the Cowboys. I don't want

507
00:23:21,920 --> 00:23:23,760
Speaker 1: to go down the football soop, but I will say

508
00:23:24,760 --> 00:23:26,359
Speaker 1: I don't know. I don't like the Dallas Cowboys.

509
00:23:26,400 --> 00:23:28,760
Speaker 4: We also should mention that this is a reality show

510
00:23:28,760 --> 00:23:32,360
Speaker 4: that's been on on CMT since two thousand and six.

511
00:23:32,240 --> 00:23:35,200
Speaker 1: To uh making the Team, making the team, but on

512
00:23:35,240 --> 00:23:37,440
Speaker 1: Netflix with this director, it's taken to another It's.

513
00:23:37,320 --> 00:23:38,040
Speaker 3: A new level.

514
00:23:38,119 --> 00:23:40,240
Speaker 4: But I'm just saying for something to last on CMT

515
00:23:40,440 --> 00:23:43,920
Speaker 4: from two thousand and six to twenty twenty one, it's

516
00:23:43,960 --> 00:23:46,359
Speaker 4: so good to have seen who's made the team and

517
00:23:46,359 --> 00:23:46,960
Speaker 4: who hasn't.

518
00:23:47,400 --> 00:23:49,160
Speaker 2: I think I could go back and watch them.

519
00:23:49,760 --> 00:23:52,000
Speaker 3: No, I could. I'd rather watch Whitney and Bobby.

520
00:23:53,200 --> 00:23:54,640
Speaker 2: Rather, it's a whole different world.

521
00:23:54,760 --> 00:23:55,560
Speaker 3: I'd rather watch.

522
00:23:55,359 --> 00:24:07,240
Speaker 6: Whitney and Bobby.

523
00:24:09,119 --> 00:24:12,800
Speaker 1: Side note, another reality show, just to prove that literally

524
00:24:12,880 --> 00:24:17,600
Speaker 1: anything if you execute it correctly. Another reality show on

525
00:24:17,640 --> 00:24:20,160
Speaker 1: Netflix that is interesting. I'm not going to say it's

526
00:24:20,160 --> 00:24:23,960
Speaker 1: two Pompoms Up, but it's interesting, it's fascinating.

527
00:24:24,440 --> 00:24:25,440
Speaker 3: Is called Sprinter.

528
00:24:26,160 --> 00:24:32,280
Speaker 1: It's about the men's and women's Olympic qualifiers because obviously

529
00:24:32,359 --> 00:24:33,760
Speaker 1: the Olympics are coming this summer.

530
00:24:34,320 --> 00:24:36,919
Speaker 3: Good luck, yay, team, go team.

531
00:24:37,040 --> 00:24:40,120
Speaker 1: But it's about the great sprinter Shakari Richardson and these

532
00:24:40,119 --> 00:24:43,840
Speaker 1: other dudes all focused on the one hundred meter race.

533
00:24:44,280 --> 00:24:47,760
Speaker 1: And this is again discipline, heartbreak, thrill of victory. And

534
00:24:47,800 --> 00:24:49,040
Speaker 1: when you get to know them, you get to know

535
00:24:49,080 --> 00:24:51,600
Speaker 1: their family, you get to know their hope, streams and aspirations.

536
00:24:52,119 --> 00:24:54,000
Speaker 3: I guess that's just it's it that works.

537
00:24:54,160 --> 00:24:56,280
Speaker 2: It's everybody though. It's not just Sakari. It's goes to

538
00:24:56,359 --> 00:24:58,000
Speaker 2: the girls, the guys, everybody.

539
00:24:57,720 --> 00:24:58,080
Speaker 3: All of them.

540
00:24:58,080 --> 00:25:01,040
Speaker 2: The Jamaicans are the which is around.

541
00:25:00,760 --> 00:25:04,520
Speaker 1: And it's just the discipline and the athleticism from these guys.

542
00:25:04,640 --> 00:25:06,720
Speaker 1: We're not going to deep dive that. I'm not gonna

543
00:25:06,720 --> 00:25:08,800
Speaker 1: say it's America sweeter. But if you are.

544
00:25:08,640 --> 00:25:10,920
Speaker 3: Looking for somebody to get you focused on the Olympics,

545
00:25:11,320 --> 00:25:13,520
Speaker 3: and if you do love your reality TV shows, I

546
00:25:13,560 --> 00:25:13,960
Speaker 3: don't think.

547
00:25:13,840 --> 00:25:14,919
Speaker 2: We're gonna stick with that, are we.

548
00:25:15,080 --> 00:25:16,159
Speaker 3: I'm gonna finish it.

549
00:25:16,240 --> 00:25:18,520
Speaker 4: Yeah, it kind of makes me, it's like background, it

550
00:25:18,520 --> 00:25:19,639
Speaker 4: makes me kind of fall asleep.

551
00:25:19,720 --> 00:25:22,520
Speaker 1: I like that though, Yeah, but also I'm like, again

552
00:25:22,560 --> 00:25:24,320
Speaker 1: I watch it, I go tomorrow. I'm gonna get up

553
00:25:24,320 --> 00:25:26,439
Speaker 1: and I'm gonna do a sprinter's workout. Hasn't helped yet.

554
00:25:26,640 --> 00:25:28,280
Speaker 2: I haven't seen you get up yet.

555
00:25:28,480 --> 00:25:32,200
Speaker 1: Hasn't waking up. But it's a good thing to fall

556
00:25:32,200 --> 00:25:34,520
Speaker 1: asleep too, because you're going. It's like a positive Affirmation's

557
00:25:34,560 --> 00:25:35,720
Speaker 1: like I'm gonna run.

558
00:25:35,720 --> 00:25:37,600
Speaker 2: Wish I could be that I'm going to run around

559
00:25:37,600 --> 00:25:39,720
Speaker 2: the track. Yeah, I wish I could run around.

560
00:25:39,800 --> 00:25:41,720
Speaker 1: But then I oversleep a little bit, and that's just

561
00:25:41,760 --> 00:25:45,439
Speaker 1: because they got blackout curtains here in the hotel. The

562
00:25:45,480 --> 00:25:48,800
Speaker 1: next thing I want to talk to about is because

563
00:25:48,840 --> 00:25:55,560
Speaker 1: people have asked the weekly sugar candy jelly bean gummy

564
00:25:55,600 --> 00:26:02,520
Speaker 1: bear situation with rap reports. Reality, we were at the airport. JFK.

565
00:26:03,400 --> 00:26:05,280
Speaker 3: You told me to do it, you were gonna do

566
00:26:05,320 --> 00:26:05,800
Speaker 3: it anyway?

567
00:26:05,920 --> 00:26:07,840
Speaker 2: No, I wasn't gonna do it. I was thinking about.

568
00:26:07,680 --> 00:26:11,359
Speaker 1: It the airport candy because they have those giant candy stories.

569
00:26:11,400 --> 00:26:14,520
Speaker 1: It tends to be very fresh candy. Oh, these were fresh,

570
00:26:14,920 --> 00:26:16,800
Speaker 1: fresh jelly beans, fresh milk dive.

571
00:26:16,960 --> 00:26:18,720
Speaker 2: I'm so proud of myself. I kept them in my

572
00:26:18,760 --> 00:26:19,800
Speaker 2: bag for a long time.

573
00:26:20,480 --> 00:26:22,639
Speaker 3: I kept him in your bag for four days, three days.

574
00:26:22,720 --> 00:26:23,720
Speaker 2: Yeah, that's a long time.

575
00:26:23,760 --> 00:26:27,040
Speaker 1: We bought four bags of jelly bellies and we ate.

576
00:26:27,960 --> 00:26:30,960
Speaker 1: You ate, babe, We ate the fucking jelly bellies while

577
00:26:31,000 --> 00:26:32,439
Speaker 1: we were watching the fucking sprint.

578
00:26:32,600 --> 00:26:37,080
Speaker 3: No, the America Sweethearts. Yeah, we ate every single one

579
00:26:37,119 --> 00:26:39,520
Speaker 3: of those jelly beans. Disgusting And I got to tell

580
00:26:39,560 --> 00:26:40,560
Speaker 3: you that was disgusting.

581
00:26:41,080 --> 00:26:45,359
Speaker 1: But your dissessiveness, but your gweediness, you're you're like you're you're.

582
00:26:47,160 --> 00:26:48,680
Speaker 3: Protectiveness over the jelly beans.

583
00:26:48,680 --> 00:26:50,720
Speaker 4: The reason why I know the reason why I had

584
00:26:50,720 --> 00:26:52,480
Speaker 4: to eat all of them because I do not like

585
00:26:52,600 --> 00:26:53,040
Speaker 4: to share.

586
00:26:53,560 --> 00:26:55,959
Speaker 3: Listen, You've made that clear with me and the world.

587
00:26:56,320 --> 00:26:58,000
Speaker 3: You don't want to share your jelly bellies.

588
00:26:58,200 --> 00:26:58,720
Speaker 2: No, I don't.

589
00:26:59,000 --> 00:27:00,760
Speaker 3: The thing is that's to be proud of.

590
00:27:00,960 --> 00:27:02,639
Speaker 4: I'm not saying I'm proud, but if you would just

591
00:27:02,680 --> 00:27:05,359
Speaker 4: stay in your lane you don't like them, this is

592
00:27:05,520 --> 00:27:06,359
Speaker 4: my thing.

593
00:27:06,440 --> 00:27:09,480
Speaker 2: Give Let there be something for me. It's it can't

594
00:27:09,480 --> 00:27:11,040
Speaker 2: always be the micro Rappaport show.

595
00:27:11,080 --> 00:27:13,320
Speaker 1: Do you think that I'm gonna sit there while we're

596
00:27:13,359 --> 00:27:18,400
Speaker 1: watching America's Sweetheart Sweethearts about the DCCs, and I'm gonna

597
00:27:18,400 --> 00:27:20,240
Speaker 1: sit there and I'm gonna let you eat those jengs.

598
00:27:20,280 --> 00:27:22,560
Speaker 2: I get I can ration them out for myself. It's

599
00:27:22,600 --> 00:27:23,280
Speaker 2: like a thing for me.

600
00:27:23,560 --> 00:27:26,280
Speaker 4: But then when I see your big old palm, like

601
00:27:26,359 --> 00:27:29,439
Speaker 4: your hand, it's like a gorilla hand. You grab and

602
00:27:29,480 --> 00:27:31,200
Speaker 4: you grab all of them, and I hate it. I

603
00:27:31,240 --> 00:27:33,840
Speaker 4: hate watching it. I would because I know how to

604
00:27:34,000 --> 00:27:36,879
Speaker 4: ration them out. I like to savor them their mind.

605
00:27:36,920 --> 00:27:37,600
Speaker 4: It's my thing.

606
00:27:37,920 --> 00:27:40,880
Speaker 2: It's like my thing, and you just take your hand

607
00:27:40,920 --> 00:27:41,600
Speaker 2: and take all of them.

608
00:27:41,640 --> 00:27:44,200
Speaker 4: So therefore when we break them out, I'm like, here,

609
00:27:44,400 --> 00:27:46,240
Speaker 4: fuck it, just take all of them and then let's

610
00:27:46,240 --> 00:27:47,840
Speaker 4: get rid of them so I don't have to watch

611
00:27:48,119 --> 00:27:49,480
Speaker 4: my things be taken from me.

612
00:27:50,359 --> 00:27:52,560
Speaker 3: It's so it's so primitive.

613
00:27:53,119 --> 00:27:57,000
Speaker 1: You around candy, you around carrot cake, it's like it's

614
00:27:57,000 --> 00:27:59,760
Speaker 1: like a different it's like a different thing.

615
00:27:59,840 --> 00:28:02,399
Speaker 2: It's like it's like you're making me sound like a

616
00:28:02,440 --> 00:28:02,960
Speaker 2: bad person.

617
00:28:03,320 --> 00:28:05,919
Speaker 3: It's just around candy, Like it's like it's.

618
00:28:05,800 --> 00:28:09,560
Speaker 4: Like sure, because you're you're like, just will eat anything,

619
00:28:09,600 --> 00:28:11,560
Speaker 4: anything put in front of you, You'll take.

620
00:28:11,760 --> 00:28:14,080
Speaker 1: And what I'm saying, I'm doing psychology as to why

621
00:28:14,320 --> 00:28:15,440
Speaker 1: why I told.

622
00:28:15,240 --> 00:28:15,920
Speaker 3: You the other day.

623
00:28:15,960 --> 00:28:17,840
Speaker 1: I think one of the reasons why I'm like, if

624
00:28:17,880 --> 00:28:20,560
Speaker 1: I'm at at like a table or there's things because

625
00:28:20,920 --> 00:28:22,440
Speaker 1: we don't need to go down to the psychology.

626
00:28:22,560 --> 00:28:25,080
Speaker 4: This with somebody's mother and you took off of their plate,

627
00:28:25,160 --> 00:28:26,560
Speaker 4: like you didn't even meet the person.

628
00:28:26,800 --> 00:28:29,000
Speaker 2: And you ate off of somebody's plate. You just took

629
00:28:29,040 --> 00:28:29,760
Speaker 2: off of their plate.

630
00:28:30,080 --> 00:28:31,160
Speaker 3: Did I take off her plate?

631
00:28:31,320 --> 00:28:31,720
Speaker 2: Yeah?

632
00:28:31,920 --> 00:28:34,679
Speaker 1: Shit, Well listen, I'm not saying I don't have my

633
00:28:34,720 --> 00:28:38,600
Speaker 1: own things around food and uh table table manners.

634
00:28:38,440 --> 00:28:40,000
Speaker 3: There is nothing you have none.

635
00:28:40,240 --> 00:28:42,880
Speaker 1: I'm not saying that, but I'm just saying I would

636
00:28:42,960 --> 00:28:45,320
Speaker 1: like you to look a little closer the next time

637
00:28:45,360 --> 00:28:46,080
Speaker 1: you whip out.

638
00:28:46,240 --> 00:28:47,680
Speaker 2: Okay, I'm not going to do it in front of you.

639
00:28:49,320 --> 00:28:50,760
Speaker 2: You kept saying, this is what you do to me.

640
00:28:50,840 --> 00:28:52,600
Speaker 4: This is a psycholic I did that when I'm not

641
00:28:52,680 --> 00:28:54,960
Speaker 4: thinking about sugar, which I was doing so good.

642
00:28:55,240 --> 00:28:57,680
Speaker 3: Yes, you say not you were doing good. I was

643
00:28:57,720 --> 00:28:58,040
Speaker 3: doing good.

644
00:28:58,120 --> 00:29:00,720
Speaker 4: You go, I don't want jelly beans. I'm not even

645
00:29:00,760 --> 00:29:02,760
Speaker 4: thinking about jelly beans. I don't want jelly beans, which

646
00:29:02,800 --> 00:29:05,000
Speaker 4: makes me start thinking about them. And I know you

647
00:29:05,080 --> 00:29:07,680
Speaker 4: knew they were in the nightstand, so I was thinking

648
00:29:07,720 --> 00:29:10,440
Speaker 4: if I left, you would take them and hide them

649
00:29:10,480 --> 00:29:12,280
Speaker 4: from me. So I was like, I'm just gonna show

650
00:29:12,280 --> 00:29:14,000
Speaker 4: you where because I knew you knew where they were.

651
00:29:14,040 --> 00:29:17,840
Speaker 4: It's ridiculous. This is not even an adult conversation.

652
00:29:18,000 --> 00:29:21,640
Speaker 3: This is it's not yes, No, this is Obi wan Kenobi.

653
00:29:22,400 --> 00:29:23,800
Speaker 3: What's his name? What's a little Yoda?

654
00:29:24,080 --> 00:29:24,360
Speaker 6: Hi?

655
00:29:24,480 --> 00:29:26,520
Speaker 3: My trip? Iulize I don't want the jelly beans?

656
00:29:26,560 --> 00:29:28,480
Speaker 2: Doing every single time you say I don't want them?

657
00:29:29,760 --> 00:29:32,800
Speaker 1: Yeah, when you say why jelly beans, I'm just chilling

658
00:29:32,880 --> 00:29:34,720
Speaker 1: here watching America's Sweethearts I.

659
00:29:34,680 --> 00:29:35,440
Speaker 2: Have right now.

660
00:29:35,920 --> 00:29:38,160
Speaker 4: I was gifted a box of jelly beans, or you

661
00:29:38,200 --> 00:29:40,440
Speaker 4: were gifted a box, but I took my gift.

662
00:29:40,640 --> 00:29:41,880
Speaker 2: It's okay, you don't need them.

663
00:29:42,000 --> 00:29:42,880
Speaker 3: I don't need them.

664
00:29:43,880 --> 00:29:46,560
Speaker 2: You have to lose some weight, no, no offense, but me.

665
00:29:46,640 --> 00:29:49,240
Speaker 1: No kidding, no kidding. I gotta drop a few pounds

666
00:29:49,240 --> 00:29:50,160
Speaker 1: and the jelly beans.

667
00:29:50,160 --> 00:29:51,760
Speaker 2: But you can say, but you're not even trying. So

668
00:29:51,840 --> 00:29:52,920
Speaker 2: I'm starting to save you.

669
00:29:53,800 --> 00:29:55,280
Speaker 4: I know I do too, but I could do it

670
00:29:55,320 --> 00:29:57,040
Speaker 4: quicker than you because I have more discipline.

671
00:29:59,360 --> 00:30:01,800
Speaker 3: Don't you tradered? We've talked about Trader Joe.

672
00:30:02,120 --> 00:30:02,960
Speaker 2: I'm not doing it.

673
00:30:03,320 --> 00:30:09,080
Speaker 3: Okay, okay, no problem. No people people, they ask, so.

674
00:30:09,080 --> 00:30:10,680
Speaker 2: I'm off the jellybeans? Really?

675
00:30:10,760 --> 00:30:12,880
Speaker 5: Since are you off the jelly beans? I want to

676
00:30:12,880 --> 00:30:14,959
Speaker 5: be off because it's are you it's been three days ago.

677
00:30:15,040 --> 00:30:15,920
Speaker 5: I'm onto care cake.

678
00:30:16,120 --> 00:30:24,200
Speaker 1: Okay, finally I swear this isn't this isn't something like,

679
00:30:24,240 --> 00:30:26,280
Speaker 1: this isn't a specific.

680
00:30:26,280 --> 00:30:28,160
Speaker 4: It's like we have something against them. I know what

681
00:30:28,200 --> 00:30:30,120
Speaker 4: you're gonna say, what is it be?

682
00:30:30,360 --> 00:30:30,960
Speaker 2: And gender?

683
00:30:31,360 --> 00:30:33,560
Speaker 4: It's my fault just because I saw it come up

684
00:30:33,560 --> 00:30:36,440
Speaker 4: on the Amazon rye. I made you put the VPN

685
00:30:36,520 --> 00:30:39,280
Speaker 4: on a computer to watch it. The this is how

686
00:30:39,320 --> 00:30:39,880
Speaker 4: I love what.

687
00:30:39,920 --> 00:30:40,280
Speaker 2: I don't know.

688
00:30:41,160 --> 00:30:45,400
Speaker 1: The greatest story, No, the greatest love story never told.

689
00:30:45,520 --> 00:30:47,120
Speaker 2: And it really should never have been.

690
00:30:47,400 --> 00:30:49,560
Speaker 3: It should have kept it.

691
00:30:49,760 --> 00:30:52,160
Speaker 1: The greatest love story that should have never been told.

692
00:30:52,760 --> 00:30:55,520
Speaker 1: Another yet another. I believe this is the third Jennifer

693
00:30:55,600 --> 00:30:59,720
Speaker 1: Lopez documentary where she goes, I'm going to share and

694
00:30:59,800 --> 00:31:02,200
Speaker 1: tell you about the real me.

695
00:31:03,280 --> 00:31:07,720
Speaker 3: And this is, oh gosh, pile a big mess.

696
00:31:07,800 --> 00:31:08,640
Speaker 2: It's a mess.

697
00:31:08,720 --> 00:31:11,800
Speaker 1: And the fact that she dragged this is the reason

698
00:31:11,800 --> 00:31:12,760
Speaker 1: why they got divorced.

699
00:31:12,800 --> 00:31:14,880
Speaker 3: Fundamentally, they're not divorced yet.

700
00:31:14,920 --> 00:31:17,280
Speaker 4: But this is not gonna work and it will never work.

701
00:31:17,640 --> 00:31:20,760
Speaker 4: And now they vomited all over the floor, and then

702
00:31:20,800 --> 00:31:23,120
Speaker 4: they tried to clean up the vomit and they spread

703
00:31:23,160 --> 00:31:24,680
Speaker 4: it all over the floor when they were cleaning it

704
00:31:24,760 --> 00:31:26,160
Speaker 4: up and it's all in their.

705
00:31:25,960 --> 00:31:29,480
Speaker 2: Babe, this is so embarrassing. I'm embarrassed. They got embarrassed

706
00:31:29,480 --> 00:31:32,120
Speaker 2: while they were doing it, and they got embarrassed afterwards.

707
00:31:32,440 --> 00:31:35,400
Speaker 2: He says it in there, he actually he says, what

708
00:31:35,520 --> 00:31:37,000
Speaker 2: is she doing? I don't know why she has to

709
00:31:37,040 --> 00:31:40,040
Speaker 2: do this? And then yeah, and then oh baby, it's

710
00:31:40,040 --> 00:31:40,560
Speaker 2: so bad.

711
00:31:40,960 --> 00:31:41,920
Speaker 3: It's so bad.

712
00:31:42,520 --> 00:31:46,040
Speaker 1: And I don't get why Jennifer thinks that her life.

713
00:31:46,120 --> 00:31:49,160
Speaker 1: First of all, she's fifty two, fifty four years old.

714
00:31:49,560 --> 00:31:52,560
Speaker 1: You have like the only thing interesting about your life

715
00:31:52,600 --> 00:31:55,120
Speaker 1: is that you were j LO. We've seen that rise

716
00:31:55,160 --> 00:31:57,880
Speaker 1: to fame. We've seen it so many times. We've seen

717
00:31:57,920 --> 00:32:01,400
Speaker 1: her on MTV specials. I've seen her on these specials.

718
00:32:01,480 --> 00:32:05,200
Speaker 1: We start with Mario Lopez. We've seen just that par okay, cool,

719
00:32:05,240 --> 00:32:07,560
Speaker 1: you came from the Brooks and Living Color dancing.

720
00:32:07,720 --> 00:32:08,480
Speaker 3: You made it big.

721
00:32:08,920 --> 00:32:11,640
Speaker 1: Other than that, like the relationship part, but you're not

722
00:32:11,680 --> 00:32:15,360
Speaker 1: going into the who's the relationship? Puffy's not even mentioned

723
00:32:15,360 --> 00:32:17,160
Speaker 1: in it, that relationship, not.

724
00:32:17,120 --> 00:32:19,200
Speaker 3: Even mentioning it. You don't go into diesels like I'm

725
00:32:19,200 --> 00:32:23,040
Speaker 3: gonna share the real me? And why this that?

726
00:32:23,080 --> 00:32:25,160
Speaker 1: And the third and then the whole thing is gonna

727
00:32:25,160 --> 00:32:27,960
Speaker 1: be about how me and Ben ben Affleck have fallen

728
00:32:28,000 --> 00:32:28,600
Speaker 1: in love again.

729
00:32:28,760 --> 00:32:30,800
Speaker 2: They kept the whole book with all the stories of

730
00:32:30,880 --> 00:32:31,400
Speaker 2: the whole book.

731
00:32:31,440 --> 00:32:33,520
Speaker 4: And then he goes, you showed the whole book, and

732
00:32:33,560 --> 00:32:35,360
Speaker 4: then he did he show the whole book. I'm gonna

733
00:32:35,360 --> 00:32:37,800
Speaker 4: tell the whole truth. You can't tell the whole truth

734
00:32:37,840 --> 00:32:40,680
Speaker 4: and say you're telling the whole truth when we the audience,

735
00:32:40,760 --> 00:32:42,760
Speaker 4: we know more of the truth than you're telling the

736
00:32:42,760 --> 00:32:44,960
Speaker 4: truth of Then you look more crazy.

737
00:32:45,400 --> 00:32:47,400
Speaker 2: It's such a mess. And then you make it about

738
00:32:47,480 --> 00:32:48,080
Speaker 2: art and.

739
00:32:48,040 --> 00:32:50,440
Speaker 4: Then there's all this artistic stuff and then as you're

740
00:32:50,520 --> 00:32:53,320
Speaker 4: rolling around in mud and then you're cleaning up of

741
00:32:53,400 --> 00:32:55,760
Speaker 4: mud and there's rose petals and there's this is this

742
00:32:55,800 --> 00:32:57,160
Speaker 4: is craziness.

743
00:32:56,600 --> 00:32:59,480
Speaker 1: And she there's a big storyline, like a beast storyline

744
00:32:59,560 --> 00:33:02,560
Speaker 1: or a season storyline that she's funding it herself. Welcome

745
00:33:02,600 --> 00:33:08,800
Speaker 1: to documentaries, filmmaking, Welcome to everybody, like, oh, you're funding

746
00:33:08,840 --> 00:33:12,360
Speaker 1: it yourself, j LO, did you spend a million dollars

747
00:33:12,400 --> 00:33:13,600
Speaker 1: to fund it yourself?

748
00:33:13,680 --> 00:33:15,720
Speaker 2: And then it says it's directed by somebody else, But

749
00:33:15,760 --> 00:33:18,760
Speaker 2: then he's directing it, Ben Affleck, and he's asking behind

750
00:33:18,760 --> 00:33:21,840
Speaker 2: the camera, asking, and then there's another director who's directing

751
00:33:21,880 --> 00:33:23,920
Speaker 2: the thing that they're really making it about, but they're

752
00:33:23,920 --> 00:33:26,400
Speaker 2: making it about something else. Have we seen the other

753
00:33:26,440 --> 00:33:27,480
Speaker 2: thing that they're making it about.

754
00:33:27,600 --> 00:33:33,680
Speaker 3: I don't know. I don't understand why what.

755
00:33:33,840 --> 00:33:36,120
Speaker 1: I don't get it. I don't get it. And it's

756
00:33:36,160 --> 00:33:39,000
Speaker 1: just a mess and it's twisted. And I'm like, you

757
00:33:39,040 --> 00:33:41,520
Speaker 1: need to just go and just deal with whatever you're

758
00:33:41,560 --> 00:33:45,440
Speaker 1: thinking in therapy or just live your life. Live your life, like,

759
00:33:45,480 --> 00:33:47,560
Speaker 1: stop trying to tell us about your life. Just live

760
00:33:47,960 --> 00:33:50,640
Speaker 1: your life, because you it's just a mess.

761
00:33:50,760 --> 00:33:52,640
Speaker 4: Are you trying to make your life more interesting than

762
00:33:52,720 --> 00:33:54,720
Speaker 4: it really is? Maybe that's it.

763
00:33:54,800 --> 00:33:58,760
Speaker 1: Maybe she's deeply troubled. Maybe maybe she's deeply troubled. But

764
00:33:58,800 --> 00:34:00,720
Speaker 1: I could see why Ben A. Effick was like, fuck.

765
00:34:00,560 --> 00:34:02,040
Speaker 2: This shit, man, Yeah I could too.

766
00:34:02,120 --> 00:34:04,840
Speaker 1: We're making a documentary, like we've both tried to hide

767
00:34:04,840 --> 00:34:07,240
Speaker 1: from the paparazzi for thirty years and now you're making

768
00:34:07,320 --> 00:34:10,280
Speaker 1: a documentary about our our personal life.

769
00:34:10,640 --> 00:34:12,280
Speaker 3: And he says it like you said.

770
00:34:12,200 --> 00:34:15,600
Speaker 1: We were, Like you're showing like she shares like all

771
00:34:15,640 --> 00:34:19,280
Speaker 1: their letters and texts with the songwriters to produce yet.

772
00:34:19,120 --> 00:34:21,720
Speaker 2: A nunhing Oh my goodness, And I don't want.

773
00:34:21,600 --> 00:34:23,959
Speaker 1: To talk about it on raper Ports Reality. I don't

774
00:34:23,960 --> 00:34:26,360
Speaker 1: feel the need to talk about it on rapper Ports Reality.

775
00:34:26,440 --> 00:34:28,319
Speaker 1: We didn't even talk about the Real Housewives of New

776
00:34:28,400 --> 00:34:31,680
Speaker 1: Jersey on this episode of rap Ports Reality because.

777
00:34:31,600 --> 00:34:33,279
Speaker 2: You didn't even want to watch it. Actually, it was

778
00:34:33,320 --> 00:34:33,759
Speaker 2: my bad.

779
00:34:34,040 --> 00:34:36,600
Speaker 4: I needed to watch it just because people on TikTok

780
00:34:36,640 --> 00:34:38,880
Speaker 4: were like showing it behind them and they were like

781
00:34:38,960 --> 00:34:41,359
Speaker 4: making fun of the scenes on it. And I'm hurt

782
00:34:41,360 --> 00:34:43,399
Speaker 4: because I love j Lo and I hate the people

783
00:34:43,440 --> 00:34:44,319
Speaker 4: were making fun of her.

784
00:34:44,400 --> 00:34:46,400
Speaker 2: But she did this to herself, and I'm trying to

785
00:34:46,400 --> 00:34:47,600
Speaker 2: figure out why she.

786
00:34:47,719 --> 00:34:50,319
Speaker 3: Had more documentaries than Madonna. Madonna made Truth or Dare.

787
00:34:50,680 --> 00:34:52,640
Speaker 1: It was dope, it was a piece of art, it

788
00:34:52,719 --> 00:34:54,799
Speaker 1: was a Yeah, it was a part of her life

789
00:34:54,880 --> 00:34:56,839
Speaker 1: at that time, and that's it.

790
00:34:56,840 --> 00:34:57,200
Speaker 2: That's it.

791
00:34:58,160 --> 00:34:59,960
Speaker 4: Yeah, Man, I'm just sad for j Loo because I

792
00:35:00,160 --> 00:35:02,319
Speaker 4: I don't something happened. I don't know why she did that,

793
00:35:02,520 --> 00:35:04,160
Speaker 4: But when she brought up that's why I said, Babe,

794
00:35:04,160 --> 00:35:06,359
Speaker 4: pay attention, because you weren't paying attention. When she brought

795
00:35:06,400 --> 00:35:08,640
Speaker 4: up that big book and said, these are all the

796
00:35:08,680 --> 00:35:11,839
Speaker 4: things he's written to me, Ben Affleck's written to her,

797
00:35:12,200 --> 00:35:14,000
Speaker 4: and then they cut to him and he was like,

798
00:35:14,280 --> 00:35:16,560
Speaker 4: she showed everybody like he didn't know that she was

799
00:35:16,600 --> 00:35:17,080
Speaker 4: gonna do that.

800
00:35:17,120 --> 00:35:17,879
Speaker 2: I was like, uh.

801
00:35:17,800 --> 00:35:21,719
Speaker 1: Oh, the songwriters, the producers, the cinematographer, the dancers.

802
00:35:21,760 --> 00:35:22,479
Speaker 2: It made me sad.

803
00:35:22,520 --> 00:35:25,759
Speaker 1: I was like, what thought, what is happening bad? And

804
00:35:25,800 --> 00:35:29,640
Speaker 1: it's just a it's just a big sloppy mess.

805
00:35:29,440 --> 00:35:30,200
Speaker 2: Sloppy mess.

806
00:35:30,239 --> 00:35:33,120
Speaker 3: So we have to give two thumbs down or two

807
00:35:33,160 --> 00:35:34,920
Speaker 3: thumbs up. I gotta say.

808
00:35:34,960 --> 00:35:37,719
Speaker 1: I mean, if you, for the listeners of this podcast,

809
00:35:37,840 --> 00:35:39,520
Speaker 1: I would say you should watch.

810
00:35:39,320 --> 00:35:41,160
Speaker 2: Yeah, I think you should. I think people should watch it.

811
00:35:41,280 --> 00:35:43,120
Speaker 3: Yes, I have to say you should watch it.

812
00:35:43,200 --> 00:35:44,080
Speaker 2: You should watch it, but.

813
00:35:44,040 --> 00:35:46,600
Speaker 1: You should watch it knowing and treating it like you're

814
00:35:46,640 --> 00:35:47,480
Speaker 1: going to a comedy.

815
00:35:49,080 --> 00:35:50,759
Speaker 2: No, because it is. It's comical.

816
00:35:51,040 --> 00:35:51,920
Speaker 3: It is comical.

817
00:35:52,480 --> 00:35:54,880
Speaker 2: It's pretty awesome at a certain point. I think she

818
00:35:55,000 --> 00:35:57,200
Speaker 2: thinks it's comical because she says people are gonna watch

819
00:35:57,200 --> 00:35:59,719
Speaker 2: this and think I'm fucking crazy, like and she also

820
00:35:59,760 --> 00:36:00,959
Speaker 2: says that I want to do it.

821
00:36:00,880 --> 00:36:03,680
Speaker 1: So David, I don't know why she thinks her life

822
00:36:03,719 --> 00:36:07,560
Speaker 1: is that interesting, especially when we've already seen and heard

823
00:36:08,080 --> 00:36:11,600
Speaker 1: and she shared we know more about her life outside

824
00:36:11,640 --> 00:36:16,480
Speaker 1: of this documentary than what she showed in this documentary.

825
00:36:16,840 --> 00:36:19,040
Speaker 6: Anyway, We're done, We're done.

826
00:36:19,239 --> 00:36:25,160
Speaker 1: This is another fantastic, high flying, fully fully fully realistic

827
00:36:25,520 --> 00:36:29,040
Speaker 1: Rap Reports reality podcast. Make sure you tell a friend

828
00:36:29,080 --> 00:36:33,960
Speaker 1: to tell a friend about the Rapaport's reality podcast, the

829
00:36:34,000 --> 00:36:38,279
Speaker 1: reality podcast that you asked for and we have delivered

830
00:36:38,480 --> 00:36:40,680
Speaker 1: with flying colors and pomp pumps.

831
00:36:40,920 --> 00:36:43,440
Speaker 3: Thank you for listening, babe, Love you, Love you. By

832
00:37:00,080 --> 00:37:00,120
Speaker 3: the