1 00:00:00,320 --> 00:00:03,080 Speaker 1: Hello, and welcome back to movie Mike's movie podcast. I 2 00:00:03,120 --> 00:00:05,760 Speaker 1: am your host Movie Mike, and today I want to 3 00:00:05,760 --> 00:00:09,119 Speaker 1: see if you can name the obscure movie quote. Movie 4 00:00:09,160 --> 00:00:12,119 Speaker 1: quotes are a passion of mine. I pulled some of 5 00:00:12,119 --> 00:00:15,319 Speaker 1: my favorite most obscure movie quotes. We're gonna test your 6 00:00:15,320 --> 00:00:19,159 Speaker 1: movie knowledge to the extreme. Today. We're gonna separate the 7 00:00:19,280 --> 00:00:22,520 Speaker 1: casual movie fan from the straight on cinophile. In the 8 00:00:22,560 --> 00:00:25,080 Speaker 1: movie review, we'll be talking about the new Kristen Stewart 9 00:00:25,360 --> 00:00:29,120 Speaker 1: romantic thriller Love Lies Bleeding, and in the trailer park, 10 00:00:29,200 --> 00:00:31,680 Speaker 1: the eighties are having a moment, and we have our 11 00:00:31,720 --> 00:00:34,960 Speaker 1: first look at Beetlejuice too. Thank you for being here, 12 00:00:35,080 --> 00:00:37,479 Speaker 1: thank you for being subscribed. Shout out to the Monday 13 00:00:37,479 --> 00:00:40,200 Speaker 1: Morning Movie crew. And now let's talk movies. 14 00:00:40,479 --> 00:00:43,680 Speaker 2: In a world where everyone and their mother has a podcast, 15 00:00:44,159 --> 00:00:48,080 Speaker 2: one man stands to infiltrate the ears of listeners like 16 00:00:48,159 --> 00:00:52,120 Speaker 2: never before in a movie podcast. A man with so 17 00:00:52,240 --> 00:00:57,680 Speaker 2: much movie knowledge, he's basically like a walking IMTB with glasses. 18 00:00:58,080 --> 00:01:04,440 Speaker 2: From the Nashville Podcast Network, this Movie Mike movie watching movie. 19 00:01:04,240 --> 00:01:07,200 Speaker 1: Quotes feel like they are fewer and farther between, and 20 00:01:07,240 --> 00:01:09,919 Speaker 1: that makes me sad. I love me a good movie quote. 21 00:01:10,240 --> 00:01:13,679 Speaker 1: I think a couple of contributions to that is one 22 00:01:13,720 --> 00:01:17,119 Speaker 1: that movies and media in general right now don't really 23 00:01:17,200 --> 00:01:20,800 Speaker 1: have a whole lot of rewatchability. Things come out, we 24 00:01:20,880 --> 00:01:23,160 Speaker 1: watch them, we love them, and then they go away, 25 00:01:23,880 --> 00:01:27,679 Speaker 1: and very few times do I go back and rewatch 26 00:01:27,760 --> 00:01:30,400 Speaker 1: things that are newer. When I go back and rewatch 27 00:01:30,400 --> 00:01:32,800 Speaker 1: old movies or old TV shows, it happens to be 28 00:01:33,000 --> 00:01:35,840 Speaker 1: things that I grew up with. You get that feeling 29 00:01:35,880 --> 00:01:39,240 Speaker 1: of nostalgia. And with Netflix putting out new things every 30 00:01:39,319 --> 00:01:43,760 Speaker 1: single day, every single week, it's hard for me, in particular, 31 00:01:43,800 --> 00:01:45,640 Speaker 1: who watches a whole lot of new movies, but to 32 00:01:45,680 --> 00:01:48,320 Speaker 1: go back and rewatch things because I always feel like 33 00:01:48,360 --> 00:01:50,440 Speaker 1: I need to be watching something new so I can 34 00:01:50,440 --> 00:01:51,920 Speaker 1: talk about it here on the podcast, let you know 35 00:01:51,920 --> 00:01:54,720 Speaker 1: whether it's good or not. But there's just this undying 36 00:01:54,800 --> 00:01:58,160 Speaker 1: pressure to watch something new. With all the things that 37 00:01:58,280 --> 00:02:01,200 Speaker 1: just get released every single week, it's hard to keep up. 38 00:02:01,520 --> 00:02:04,000 Speaker 1: And I think the way you really attach yourself to 39 00:02:04,040 --> 00:02:06,520 Speaker 1: a movie quote is that you would rewatch movies again 40 00:02:06,560 --> 00:02:09,079 Speaker 1: and again and back in the day when you renting it, 41 00:02:09,200 --> 00:02:11,840 Speaker 1: which we don't do anymore unless you do it digitally 42 00:02:12,440 --> 00:02:16,680 Speaker 1: rewatching it on VHS or DVD, and through all those 43 00:02:16,840 --> 00:02:20,160 Speaker 1: rewatches is where you build up those movie quotes and 44 00:02:20,200 --> 00:02:22,480 Speaker 1: they really become a thing. So I think with the 45 00:02:22,520 --> 00:02:25,520 Speaker 1: amount of things we have to watch right now, it 46 00:02:25,600 --> 00:02:29,200 Speaker 1: is harder for individual lines to really stick out. And 47 00:02:29,280 --> 00:02:32,600 Speaker 1: the other thing I feel like in a lot of movies, 48 00:02:32,720 --> 00:02:36,919 Speaker 1: at least in Hollywood blockbuster movies, the writing has really 49 00:02:37,280 --> 00:02:40,440 Speaker 1: really taken a step back, and there's been less of 50 00:02:40,480 --> 00:02:43,919 Speaker 1: a focus on creating memorable dialogue, to the point that 51 00:02:44,240 --> 00:02:47,320 Speaker 1: whenever a movie does have really good dialogue, I feel 52 00:02:47,320 --> 00:02:49,960 Speaker 1: the need to highlight it every single time because when 53 00:02:50,000 --> 00:02:53,360 Speaker 1: you do see or hear that, it is so impactful 54 00:02:53,520 --> 00:02:55,880 Speaker 1: and so out of the norm. Right now, and with 55 00:02:56,040 --> 00:02:59,600 Speaker 1: less creative dialogue, that means that movie quotes are going 56 00:02:59,639 --> 00:03:02,720 Speaker 1: to so So my challenge for everybody making movies right 57 00:03:02,720 --> 00:03:05,799 Speaker 1: now is make more memorable dialogue so we can have 58 00:03:05,919 --> 00:03:08,600 Speaker 1: new movie quotes, because you're gonna see from this list 59 00:03:08,600 --> 00:03:10,600 Speaker 1: I put together, a lot of it is stuff that 60 00:03:10,639 --> 00:03:13,560 Speaker 1: I grew up with most recent as maybe in the 61 00:03:13,639 --> 00:03:16,239 Speaker 1: last ten years, but we need some new movie quotes 62 00:03:16,280 --> 00:03:19,880 Speaker 1: to add to this list. And in this episode specifically, 63 00:03:19,960 --> 00:03:22,120 Speaker 1: I wanted to do a game to see if you 64 00:03:22,120 --> 00:03:25,640 Speaker 1: can guess the obscure movie quote, because I think if 65 00:03:25,639 --> 00:03:27,880 Speaker 1: you listen to this podcast, you probably know all the 66 00:03:27,960 --> 00:03:31,400 Speaker 1: big ones, the ones that get overused, the ones that 67 00:03:31,520 --> 00:03:36,120 Speaker 1: maybe could be considered cliche or overrated just because everybody 68 00:03:36,160 --> 00:03:38,720 Speaker 1: knows them. But the ones I wanted to focus on 69 00:03:38,920 --> 00:03:43,760 Speaker 1: are these really obscure words, lines, and quotes for movies 70 00:03:43,800 --> 00:03:46,080 Speaker 1: that have stuck with me over the years. So this 71 00:03:46,120 --> 00:03:48,560 Speaker 1: is gonna be the ultimate test of how big of 72 00:03:48,600 --> 00:03:51,080 Speaker 1: a movie fan are you. I will play you a 73 00:03:51,120 --> 00:03:53,640 Speaker 1: movie quote, give you the year this movie came out, 74 00:03:53,880 --> 00:03:56,560 Speaker 1: and see if you can figure it out. I try 75 00:03:56,600 --> 00:04:00,680 Speaker 1: to pull from all different types of genres, but here's 76 00:04:00,760 --> 00:04:04,640 Speaker 1: the thing. When it comes to movie quotes, so many 77 00:04:04,680 --> 00:04:06,920 Speaker 1: of them come from comedies because it goes back to 78 00:04:06,960 --> 00:04:09,840 Speaker 1: that type of dialogue. For some reason, it is comedies 79 00:04:09,880 --> 00:04:12,680 Speaker 1: that have the most memorable dialogue. So I would also 80 00:04:12,720 --> 00:04:15,680 Speaker 1: lump in romantic comedies to that, but it just seems 81 00:04:15,720 --> 00:04:19,159 Speaker 1: like as a whole that genre just dominates movie quotes 82 00:04:19,240 --> 00:04:23,680 Speaker 1: because the script in a comedy is so crucial to 83 00:04:23,800 --> 00:04:26,880 Speaker 1: having a good movie. So again, I'm gonna play the quote, 84 00:04:26,880 --> 00:04:28,800 Speaker 1: see if you can figure it out. I'll give it 85 00:04:28,839 --> 00:04:32,080 Speaker 1: the year and these will progressively get harder as we 86 00:04:32,160 --> 00:04:34,080 Speaker 1: go along. So if you think the first one is 87 00:04:34,120 --> 00:04:37,480 Speaker 1: too easy because it's not that obscure, we'll just wait 88 00:04:37,560 --> 00:04:39,680 Speaker 1: until we get all the way down to number fifteen. 89 00:04:39,760 --> 00:04:42,120 Speaker 1: So to kick it off, here is the first obscure 90 00:04:42,200 --> 00:04:46,120 Speaker 1: movie quote. Name the movie and big all fat Rami. 91 00:04:46,800 --> 00:04:50,120 Speaker 1: That one should be pretty easy. This character has a 92 00:04:50,160 --> 00:04:53,240 Speaker 1: really distinct voice. The year is nineteen ninety four. And 93 00:04:53,320 --> 00:04:56,640 Speaker 1: again here's the movie quote and big all fat Rami. 94 00:04:57,240 --> 00:04:59,560 Speaker 1: This is not the biggest quote from this movie, but 95 00:04:59,640 --> 00:05:01,440 Speaker 1: the one I find to be one of the most 96 00:05:01,440 --> 00:05:05,640 Speaker 1: memorable obscure movie quotes. And the answer is Forrest Gump. 97 00:05:05,720 --> 00:05:08,520 Speaker 1: I just love that seed of him going through all 98 00:05:08,560 --> 00:05:11,440 Speaker 1: of the different types of rain, and that one always 99 00:05:11,440 --> 00:05:14,279 Speaker 1: just stick out to me, just big old fat rain. Obviously, 100 00:05:14,320 --> 00:05:17,880 Speaker 1: I think the most overrated movie quote in this movie 101 00:05:18,000 --> 00:05:20,120 Speaker 1: is life is like a box of chocolates. That is 102 00:05:20,240 --> 00:05:24,360 Speaker 1: probably the first movie quote I learned. Ever. I think 103 00:05:24,400 --> 00:05:28,359 Speaker 1: even before I watched Forrest Gump, I knew that quote 104 00:05:29,000 --> 00:05:30,440 Speaker 1: to the point that I saw it in the movie, 105 00:05:30,480 --> 00:05:32,559 Speaker 1: I was like, oh, that is what that is from. 106 00:05:32,800 --> 00:05:35,960 Speaker 1: But there are so many great really obscure movie quotes 107 00:05:36,000 --> 00:05:39,080 Speaker 1: in Forrest Gump, that one just happens to be my favorite. 108 00:05:39,120 --> 00:05:41,680 Speaker 1: So again, starting off easy, here we go. Here's the 109 00:05:41,800 --> 00:05:45,800 Speaker 1: second obscure movie quote. Hey guys, cool, big golf, sir, 110 00:05:46,120 --> 00:05:51,279 Speaker 1: all right, well see you later. Also from nineteen ninety four, 111 00:05:51,440 --> 00:05:54,719 Speaker 1: can you name that movie? Here's that obscure movie quote again, 112 00:05:54,960 --> 00:06:00,560 Speaker 1: Hey guys, cool, big golfsh all right, well you later. 113 00:06:00,839 --> 00:06:04,279 Speaker 1: There's a famous story behind this quote. This actor is 114 00:06:04,400 --> 00:06:08,240 Speaker 1: known for improvising lines, and in this scene specifically, there 115 00:06:08,279 --> 00:06:10,720 Speaker 1: are two other people he is interacting with that are 116 00:06:10,760 --> 00:06:14,839 Speaker 1: actually not actors at all. They weren't even paid for 117 00:06:14,880 --> 00:06:17,200 Speaker 1: their role because they didn't have any speaking lines. Which 118 00:06:17,520 --> 00:06:20,160 Speaker 1: if you watch a movie and notice there are extras 119 00:06:20,200 --> 00:06:23,480 Speaker 1: that don't say anything, and it feels weird at times 120 00:06:23,560 --> 00:06:26,719 Speaker 1: because you have these two maybe three main characters talking, 121 00:06:26,760 --> 00:06:29,840 Speaker 1: having a conversation, and there are other people that, if 122 00:06:29,839 --> 00:06:32,800 Speaker 1: you were in a normal situation, would definitely have something 123 00:06:32,800 --> 00:06:35,359 Speaker 1: to say or react to what is going on. That 124 00:06:35,480 --> 00:06:39,039 Speaker 1: is because if an extra speaks a line, that person 125 00:06:39,200 --> 00:06:41,600 Speaker 1: has to be paid. They don't always have to be 126 00:06:41,800 --> 00:06:45,159 Speaker 1: credited in the movie credits, but if anybody speaks a 127 00:06:45,200 --> 00:06:48,000 Speaker 1: line in a movie or a TV show, it starts 128 00:06:48,040 --> 00:06:51,560 Speaker 1: to become a more and more expensive production. So in 129 00:06:51,600 --> 00:06:53,960 Speaker 1: this case, these two other people who were in this 130 00:06:54,040 --> 00:06:56,520 Speaker 1: scene didn't make any money. So here's the quote one 131 00:06:56,520 --> 00:07:02,200 Speaker 1: more time. Hey guys, ooh big golf suh. All right, well, 132 00:07:02,200 --> 00:07:06,320 Speaker 1: see you later. And that movie is dumb and dumber. 133 00:07:06,440 --> 00:07:10,200 Speaker 1: That is essentially me in every single social situation I 134 00:07:10,240 --> 00:07:13,360 Speaker 1: get into. I have nothing to say. I am so 135 00:07:13,360 --> 00:07:17,280 Speaker 1: socially awkward. My biggest worry every time I am with 136 00:07:17,360 --> 00:07:19,600 Speaker 1: a group of people is I Am going to run 137 00:07:19,640 --> 00:07:22,120 Speaker 1: out of topics to talk about unless they want to 138 00:07:22,120 --> 00:07:23,840 Speaker 1: talk about movies. And even if they want to talk 139 00:07:23,840 --> 00:07:26,400 Speaker 1: about movies, my social anxiety takes over and I feel 140 00:07:26,400 --> 00:07:28,200 Speaker 1: like I'm talking too much or feel like I'm way 141 00:07:28,200 --> 00:07:30,760 Speaker 1: too nerdy. So that is me, That is me making conversation. 142 00:07:31,120 --> 00:07:33,920 Speaker 1: Moving on to obscure movie quote number three. Can you 143 00:07:34,040 --> 00:07:34,880 Speaker 1: name this movie? 144 00:07:35,080 --> 00:07:35,320 Speaker 2: Dude? 145 00:07:35,360 --> 00:07:39,760 Speaker 1: You were hauling so much ass? That is a movie 146 00:07:39,840 --> 00:07:44,200 Speaker 1: quote from two thousand into a very unorthodox movie. It 147 00:07:44,280 --> 00:07:46,240 Speaker 1: is one of my favorites that I just happened to 148 00:07:46,280 --> 00:07:48,880 Speaker 1: throw on the TV the other day just because I 149 00:07:48,920 --> 00:07:50,960 Speaker 1: needed to watch something to make me laugh. But here's 150 00:07:51,000 --> 00:07:53,920 Speaker 1: that movie quote. Again, dude, you were hauling so much 151 00:07:54,040 --> 00:07:58,720 Speaker 1: ass place your final guesses in Now that movie is 152 00:07:59,080 --> 00:08:02,720 Speaker 1: from two thousand into Jackass the movie, and that is 153 00:08:02,720 --> 00:08:07,080 Speaker 1: band mar Jerra's reaction to Johnny Knoxville flipping a golf 154 00:08:07,160 --> 00:08:11,720 Speaker 1: cart almost severely injuring himself. And I think for a 155 00:08:11,760 --> 00:08:14,720 Speaker 1: period in my life when I watched so much Jackass, 156 00:08:14,880 --> 00:08:18,160 Speaker 1: I started to speak like all the Jackass crew and 157 00:08:18,760 --> 00:08:21,360 Speaker 1: Van Margia and all of his group of friends from 158 00:08:21,400 --> 00:08:24,840 Speaker 1: like the Cky crowd. We're all from Pennsylvania, so Bam 159 00:08:24,840 --> 00:08:27,240 Speaker 1: would kind of talk like theis and I would always 160 00:08:27,240 --> 00:08:30,200 Speaker 1: try to emulate that. I wasn't even doing it on purpose. 161 00:08:30,280 --> 00:08:32,400 Speaker 1: I just watched it so much twenty four to seven, 162 00:08:32,440 --> 00:08:37,240 Speaker 1: whether it be Jackass, Viva labam Cky Wild Boys, and 163 00:08:37,280 --> 00:08:40,679 Speaker 1: my mom would get annoyed with me talking like Bammargia. 164 00:08:41,000 --> 00:08:42,680 Speaker 1: And even though he says ass in that clip, it 165 00:08:42,720 --> 00:08:45,280 Speaker 1: sounds like it says Ace. That's what I would always do, 166 00:08:45,640 --> 00:08:48,319 Speaker 1: holling Ace. I did see Johnny Knoxville has a new 167 00:08:48,360 --> 00:08:52,040 Speaker 1: movie coming out. It's a baseball movie. My dream interview 168 00:08:52,120 --> 00:08:55,439 Speaker 1: on this podcast is Johnny Knoxville. I tried so hard 169 00:08:55,520 --> 00:08:59,160 Speaker 1: whenever Jackass four came out, so you best believe I'm 170 00:08:59,160 --> 00:09:01,439 Speaker 1: gonna start hitting up every contact I have to make 171 00:09:01,480 --> 00:09:04,679 Speaker 1: that happen. Moving on now to number four. Can you 172 00:09:04,800 --> 00:09:10,560 Speaker 1: name this obscure movie quote celebrating its twenty fifth anniversary. 173 00:09:11,040 --> 00:09:14,560 Speaker 1: I remember laughing so much at this scene whenever I 174 00:09:14,600 --> 00:09:17,679 Speaker 1: first watched this movie. I'll explain exactly what is happening 175 00:09:17,679 --> 00:09:20,000 Speaker 1: in this clip and the reason I was laughing so hard. 176 00:09:20,120 --> 00:09:22,800 Speaker 1: But again, here is that obscure movie quote number four, 177 00:09:24,559 --> 00:09:30,079 Speaker 1: and that movie is South Park, Bigger, Longer, and uncut. 178 00:09:30,240 --> 00:09:34,000 Speaker 1: It is the scene wherever they dare Kenny to light 179 00:09:34,040 --> 00:09:37,640 Speaker 1: his fart on fire, and then Kenny is engulfed in 180 00:09:37,720 --> 00:09:39,760 Speaker 1: flames and they are trying to put him out. And 181 00:09:39,800 --> 00:09:42,960 Speaker 1: if you're unfamiliar with the show South Park, you're probably 182 00:09:43,080 --> 00:09:45,880 Speaker 1: a more refined individual than I am. But in every 183 00:09:45,880 --> 00:09:49,960 Speaker 1: single episode of that show, Kenny dies in some really 184 00:09:50,000 --> 00:09:53,120 Speaker 1: weird way, some really brutal way. And in the movie, 185 00:09:53,200 --> 00:09:55,800 Speaker 1: he goes out by well lighting is fart on fire, 186 00:09:56,240 --> 00:09:59,080 Speaker 1: and then Cartman, who is that voice you heard there, 187 00:09:59,520 --> 00:10:01,880 Speaker 1: is trying to put out the fire with a stick, 188 00:10:02,120 --> 00:10:05,160 Speaker 1: and instead of being concerned with this friend Kenny on fire, 189 00:10:05,200 --> 00:10:08,080 Speaker 1: who is probably going to die, is instead worried about 190 00:10:08,120 --> 00:10:12,080 Speaker 1: the stick being on fire. That is obscure movie quote 191 00:10:12,120 --> 00:10:14,880 Speaker 1: number four. Moving on to number five, can you name 192 00:10:14,920 --> 00:10:17,440 Speaker 1: this movie? Who shut your mouth when You're talking to Me? 193 00:10:17,640 --> 00:10:20,559 Speaker 1: I just love the reaction from the actors in this movie. 194 00:10:21,000 --> 00:10:24,320 Speaker 1: This scene takes place in the opening part. You have 195 00:10:24,360 --> 00:10:27,679 Speaker 1: some people in a legal hearing, and this is what 196 00:10:27,679 --> 00:10:30,920 Speaker 1: one person says to the other party. Again, here is 197 00:10:30,960 --> 00:10:33,559 Speaker 1: that movie quote, who shut your mouth when You're talking 198 00:10:33,559 --> 00:10:36,440 Speaker 1: to me? And that movie is from two thousand and 199 00:10:36,600 --> 00:10:41,360 Speaker 1: five Wedding Crashers. The two thousands were riddled with great 200 00:10:41,440 --> 00:10:45,400 Speaker 1: movie quotes, comedies in particular. If I could go back 201 00:10:45,440 --> 00:10:49,520 Speaker 1: and recreate one decade of movies, it would be two 202 00:10:49,600 --> 00:10:53,520 Speaker 1: thousands comedies. And speaking of two thousand comedies, this isn't 203 00:10:53,520 --> 00:10:55,960 Speaker 1: a full on comedy. It's kind of a dramedy. But 204 00:10:56,080 --> 00:10:58,440 Speaker 1: here is obscure movie quote number six. 205 00:10:58,920 --> 00:11:01,480 Speaker 2: Can you just hold on for I'm on my Hamburger phon? 206 00:11:02,000 --> 00:11:05,920 Speaker 1: This movie had so many great memorable movie quotes. This 207 00:11:05,960 --> 00:11:09,160 Speaker 1: one was more on the obscure side. But I remember 208 00:11:09,160 --> 00:11:11,800 Speaker 1: at this time in two thousand and seven, this was 209 00:11:11,840 --> 00:11:15,520 Speaker 1: a really big time for movie quote merchandise. Any movie 210 00:11:15,559 --> 00:11:18,080 Speaker 1: that came out had to have some T shirt at 211 00:11:18,120 --> 00:11:21,560 Speaker 1: hot topic with any obscure movie quote because people were 212 00:11:21,640 --> 00:11:25,240 Speaker 1: eating these up. I think the movie that really started 213 00:11:25,280 --> 00:11:28,600 Speaker 1: this trend was Napoleon Dynamite, which was kind of an 214 00:11:28,640 --> 00:11:31,920 Speaker 1: unexpected hit in the early two thousands and did really 215 00:11:31,960 --> 00:11:34,920 Speaker 1: well on merchandise. And the two thousands were also a 216 00:11:34,960 --> 00:11:38,400 Speaker 1: time where graphic te's were king. You weren't cool unless 217 00:11:38,400 --> 00:11:40,960 Speaker 1: you went to j. C. Pennies or Walmart and got 218 00:11:41,280 --> 00:11:45,199 Speaker 1: a funny graphic tea with something novel written on it. Now, 219 00:11:45,240 --> 00:11:47,160 Speaker 1: I'm not gonna lie, it looks a little bit outdated 220 00:11:47,160 --> 00:11:48,880 Speaker 1: if you're out in twenty twenty four with a graphic 221 00:11:48,920 --> 00:11:51,319 Speaker 1: t like this. Hey, if that's your thing, more power 222 00:11:51,400 --> 00:11:54,360 Speaker 1: to you. But also you're probably stuck in another decade. 223 00:11:54,559 --> 00:11:57,319 Speaker 1: But again, here is that movie quote. Can you just 224 00:11:57,360 --> 00:11:59,680 Speaker 1: hold on for a second. I'm on my Hamburger pun 225 00:12:00,120 --> 00:12:03,960 Speaker 1: And that is from two thousand and seven Juno. What 226 00:12:04,120 --> 00:12:08,160 Speaker 1: a great movie that really holds up as a fantastic cast, 227 00:12:08,200 --> 00:12:11,920 Speaker 1: a fantastic soundtrack, and a bunch of killer movie quotes. 228 00:12:12,040 --> 00:12:16,040 Speaker 1: Moving on, now here's obscure movie quote number seven. Getting 229 00:12:16,040 --> 00:12:19,000 Speaker 1: out of the comedy genre, we're going into a more 230 00:12:19,080 --> 00:12:23,320 Speaker 1: serious action movie, It's like a reward. Now, this quote 231 00:12:23,600 --> 00:12:26,160 Speaker 1: had a bit of a moment on TikTok where people 232 00:12:26,200 --> 00:12:29,800 Speaker 1: took that sound and started applying it to their videos 233 00:12:29,840 --> 00:12:32,960 Speaker 1: showing how they reward themselves, and this was the movie 234 00:12:33,000 --> 00:12:35,360 Speaker 1: quote that would always play in these videos. It's like 235 00:12:35,400 --> 00:12:38,000 Speaker 1: a reward. And it was so much so that I 236 00:12:38,120 --> 00:12:41,280 Speaker 1: forgot that it was actually a movie quote until I 237 00:12:41,280 --> 00:12:44,160 Speaker 1: saw another video of somebody doing the origins of all 238 00:12:44,160 --> 00:12:46,840 Speaker 1: these TikTok sounds, and then they showed this scene. I 239 00:12:46,880 --> 00:12:48,600 Speaker 1: was like, oh my gosh, how did I not put 240 00:12:48,640 --> 00:12:51,800 Speaker 1: that together before? But here is that movie quote one 241 00:12:51,840 --> 00:12:54,920 Speaker 1: more time. It's like a reward. And that movie is 242 00:12:55,120 --> 00:12:59,080 Speaker 1: from twenty twelve Django Unchained. So this is a scene 243 00:12:59,120 --> 00:13:03,080 Speaker 1: towards the beginning the movie wherever Jamie Foxx's character meets 244 00:13:03,160 --> 00:13:06,480 Speaker 1: up with Christoph Walt's character and he is explaining to 245 00:13:06,559 --> 00:13:09,280 Speaker 1: him what a bounty is and he says, well, it's 246 00:13:09,320 --> 00:13:12,320 Speaker 1: like a reward. That is my favorite thing about the Internet, 247 00:13:12,400 --> 00:13:15,480 Speaker 1: how the most obscure thing can blow up to be 248 00:13:15,600 --> 00:13:19,520 Speaker 1: such a huge trend in this movie. Scene also has 249 00:13:19,600 --> 00:13:21,760 Speaker 1: one of my favorite uses of food in a movie, 250 00:13:22,200 --> 00:13:25,920 Speaker 1: which is something that Quentin Tarantino is famous for. He 251 00:13:26,000 --> 00:13:29,000 Speaker 1: deserves a reward for how good he made that beer 252 00:13:29,080 --> 00:13:31,400 Speaker 1: look that they were drinking, the way they slice the 253 00:13:31,480 --> 00:13:34,320 Speaker 1: foam off the top. That is your reward, my friends. 254 00:13:34,600 --> 00:13:36,680 Speaker 1: Here we go. Now, how you doing? We're almost halfway 255 00:13:36,679 --> 00:13:39,480 Speaker 1: through the game. Here is obscure movie quote number eight. 256 00:13:39,920 --> 00:13:42,920 Speaker 1: Keep it up. Oh that's a quick one. Can you 257 00:13:42,920 --> 00:13:44,600 Speaker 1: guess that one? Can you make out the actor? Here 258 00:13:44,640 --> 00:13:47,199 Speaker 1: it goes again? Keep it up? You know what, I'm 259 00:13:47,200 --> 00:13:50,120 Speaker 1: gonna give you a couple more movie quotes from this 260 00:13:50,200 --> 00:13:52,800 Speaker 1: movie because it is one of my favorites. Here's another 261 00:13:52,880 --> 00:13:56,480 Speaker 1: obscure movie quote from the same movie. Oh Jan I 262 00:13:56,480 --> 00:13:58,960 Speaker 1: Ain't got no Agle. There is this one again, Oh 263 00:13:59,040 --> 00:14:02,559 Speaker 1: Jank Gott. And finally, here's one more movie quote from 264 00:14:02,600 --> 00:14:05,200 Speaker 1: this same movie. Just because these are also obscure. You 265 00:14:05,200 --> 00:14:08,160 Speaker 1: already ask me that. Can you name? That movie from 266 00:14:08,200 --> 00:14:11,880 Speaker 1: two thousand and seven went on to win Best Picture 267 00:14:12,080 --> 00:14:15,880 Speaker 1: at the Academy Awards. It's one of my at least 268 00:14:15,920 --> 00:14:19,840 Speaker 1: top fifteen movies of all time, maybe top twenty. That 269 00:14:19,920 --> 00:14:23,920 Speaker 1: movie is No Country for Old Men. Those first two 270 00:14:24,080 --> 00:14:28,520 Speaker 1: are from the movies opening, where Josh Brolin's character stumbles 271 00:14:28,600 --> 00:14:31,600 Speaker 1: upon this scene that was a shootout, a deal gone wrong. 272 00:14:31,960 --> 00:14:35,160 Speaker 1: That's where this one first comes from. He sees a 273 00:14:35,200 --> 00:14:39,120 Speaker 1: guy that has been shot is really just barely hanging 274 00:14:39,160 --> 00:14:41,720 Speaker 1: onto life and is asking for water. Tell them I 275 00:14:41,840 --> 00:14:44,320 Speaker 1: got no agua. And then he goes home to talk 276 00:14:44,360 --> 00:14:46,960 Speaker 1: to his wife, and then they have that funny interaction, 277 00:14:47,240 --> 00:14:49,760 Speaker 1: which I guess is how they decided to portray the 278 00:14:49,800 --> 00:14:53,360 Speaker 1: way Texans flirt. Keep it up. And then the other 279 00:14:53,440 --> 00:14:56,080 Speaker 1: obscure movie quote from that movie is one of the 280 00:14:56,120 --> 00:15:00,960 Speaker 1: best just simple villain scenes of old time, with Javier 281 00:15:01,000 --> 00:15:05,400 Speaker 1: Bardim's character Anton Sugar having this really sinister interaction with 282 00:15:05,440 --> 00:15:08,280 Speaker 1: the store clerk. Oh Man. Such a good movie all 283 00:15:08,320 --> 00:15:10,760 Speaker 1: the way around. But that was number eight, and now 284 00:15:10,800 --> 00:15:14,120 Speaker 1: here we go number nine. Can you name this obscure 285 00:15:14,200 --> 00:15:17,560 Speaker 1: movie quote? This is a tough one. I'll give you 286 00:15:17,600 --> 00:15:20,360 Speaker 1: a couple of clues here. The year is nineteen ninety nine. 287 00:15:20,760 --> 00:15:23,880 Speaker 1: The person saying this movie quote is no longer alive. 288 00:15:24,280 --> 00:15:27,160 Speaker 1: Was one of the greatest stand up comedians of all time, 289 00:15:27,320 --> 00:15:31,000 Speaker 1: just so naturally funny. He also had a major TV 290 00:15:31,120 --> 00:15:34,440 Speaker 1: show that I feel is so underrated and I wish 291 00:15:34,520 --> 00:15:36,200 Speaker 1: was on a streaming service now so I could go 292 00:15:36,280 --> 00:15:39,000 Speaker 1: watch some of these episodes an actor who has gone 293 00:15:39,360 --> 00:15:42,000 Speaker 1: way too soon. But in this movie he actually wasn't 294 00:15:42,000 --> 00:15:44,360 Speaker 1: one of the main characters. It was just a supporting 295 00:15:44,400 --> 00:15:48,120 Speaker 1: cast member. But here is that movie quote again. Can 296 00:15:48,160 --> 00:15:50,560 Speaker 1: you name that obscure movie quote. I'll give you a 297 00:15:50,600 --> 00:15:54,280 Speaker 1: couple more seconds. I will tell you the actor is 298 00:15:54,360 --> 00:15:58,880 Speaker 1: Bernie mac And the answer is Life from nineteen ninety 299 00:15:58,960 --> 00:16:02,280 Speaker 1: nine with Eddie Murphy and Martin Lawrence. How they get 300 00:16:02,320 --> 00:16:05,440 Speaker 1: wrongfully accused of a murder and have to go to prison. 301 00:16:05,720 --> 00:16:08,200 Speaker 1: This was a movie I think for the first time 302 00:16:08,360 --> 00:16:11,760 Speaker 1: I watched it on cable, and it probably took me 303 00:16:11,920 --> 00:16:15,120 Speaker 1: a couple of times to actually watch this entire movie 304 00:16:15,160 --> 00:16:17,600 Speaker 1: because I would always just catch it at different times. 305 00:16:17,680 --> 00:16:19,960 Speaker 1: So my timeline of this movie was a little bit 306 00:16:19,960 --> 00:16:23,920 Speaker 1: shifted around because I think for the longest time, I 307 00:16:23,960 --> 00:16:26,080 Speaker 1: had never seen it from the very beginning, because I 308 00:16:26,080 --> 00:16:27,720 Speaker 1: would either catch it at the end catch it in 309 00:16:27,720 --> 00:16:31,440 Speaker 1: the middle. And it wasn't until I got Netflix, the 310 00:16:31,560 --> 00:16:34,600 Speaker 1: first version of Netflix, wherever you could rent DVDs and 311 00:16:34,640 --> 00:16:36,720 Speaker 1: they would just mail them to your house. This was 312 00:16:36,720 --> 00:16:39,280 Speaker 1: one of the first movies I wanted to rent because 313 00:16:39,520 --> 00:16:41,600 Speaker 1: I told myself, I need to see this movie from 314 00:16:41,680 --> 00:16:45,680 Speaker 1: the beginning a hilarious movie. It's not a full on comedy, 315 00:16:45,760 --> 00:16:48,800 Speaker 1: but with Eddie Murphy and Martin Lawrence, how could it 316 00:16:48,840 --> 00:16:51,320 Speaker 1: not be hilarious and with Bernie Mack. Moving on now 317 00:16:51,440 --> 00:16:54,600 Speaker 1: to number ten, here is this obscure movie quote. It's 318 00:16:54,640 --> 00:16:58,760 Speaker 1: really quick. No I'm I'm a process server. Now the 319 00:16:58,800 --> 00:17:01,240 Speaker 1: actual obscure movie quo quote. Here is one that I 320 00:17:01,280 --> 00:17:03,600 Speaker 1: say all the time. It is the first voice you hear, 321 00:17:03,640 --> 00:17:06,359 Speaker 1: the one who says Jine Jews. Here it is again, No, 322 00:17:06,400 --> 00:17:10,520 Speaker 1: i'mhind sheen, I'm a process server. This movie from two 323 00:17:10,600 --> 00:17:14,960 Speaker 1: thousand and eight is arguably one of the last great 324 00:17:15,320 --> 00:17:18,360 Speaker 1: comedies of the two thousands. If it wouldn't have been 325 00:17:18,520 --> 00:17:21,520 Speaker 1: for The Hangover coming out in two thousand and nine, 326 00:17:21,960 --> 00:17:24,040 Speaker 1: this one would have been a strong close out to 327 00:17:24,080 --> 00:17:27,679 Speaker 1: the decade, and it mixed his comedy with action with 328 00:17:27,880 --> 00:17:31,280 Speaker 1: stoner humor. Here's that movie quote again, can you name it? No, 329 00:17:31,320 --> 00:17:35,520 Speaker 1: i'mhind sheen, I'm a process server. That is James Franco 330 00:17:35,680 --> 00:17:38,560 Speaker 1: saying that quote. The other voice you hear is Seth Rogan. 331 00:17:38,880 --> 00:17:43,000 Speaker 1: The movie is Pineapple Express. If there was one comedy 332 00:17:43,000 --> 00:17:45,320 Speaker 1: from the two thousands that I hope would get a sequel, 333 00:17:45,440 --> 00:17:48,080 Speaker 1: it would honestly be this one and as good as 334 00:17:48,119 --> 00:17:51,720 Speaker 1: it is on its own, and as many remakes as 335 00:17:51,760 --> 00:17:54,760 Speaker 1: we have right now, I just feel like James Franco 336 00:17:54,840 --> 00:17:57,680 Speaker 1: hasn't done a movie at least in the comedy space 337 00:17:57,720 --> 00:18:01,520 Speaker 1: that I've loved in a while. And Sogan, I feel 338 00:18:01,560 --> 00:18:05,200 Speaker 1: like he wouldn't be too above doing another Pineapple Express. 339 00:18:05,280 --> 00:18:07,480 Speaker 1: I feel like we'd have a better chance of getting 340 00:18:07,520 --> 00:18:10,080 Speaker 1: a sequel to this and then super Bad, and then 341 00:18:10,080 --> 00:18:12,600 Speaker 1: if you throw Danny McBride back in there, I think 342 00:18:12,640 --> 00:18:15,520 Speaker 1: it would be hilarious. All Right, we have five left. 343 00:18:15,840 --> 00:18:18,680 Speaker 1: Hopefully you're doing pretty good. This is a really hard game, 344 00:18:18,880 --> 00:18:21,719 Speaker 1: but we're also learning here if you haven't been nailing 345 00:18:21,760 --> 00:18:24,280 Speaker 1: some of these. So here is the next obscure movie. 346 00:18:24,359 --> 00:18:29,399 Speaker 1: Quote fast. This is another movie from nineteen ninety four. 347 00:18:29,880 --> 00:18:31,960 Speaker 1: I'll give you a couple hints here. It is my 348 00:18:32,240 --> 00:18:35,640 Speaker 1: favorite baseball movie of all time and a movie that's 349 00:18:35,720 --> 00:18:38,959 Speaker 1: so hard to find a place to watch it because 350 00:18:39,400 --> 00:18:42,480 Speaker 1: I rewatched it for the very first time earlier this 351 00:18:42,600 --> 00:18:45,440 Speaker 1: year because I realized that it was streaming on a 352 00:18:45,520 --> 00:18:47,960 Speaker 1: random cable channel, so I couldn't even watch it on 353 00:18:47,960 --> 00:18:50,879 Speaker 1: a legit streaming service. Just because I have Hulu Plus 354 00:18:50,920 --> 00:18:53,760 Speaker 1: Live TV, I was able to watch this movie. But 355 00:18:53,840 --> 00:18:59,600 Speaker 1: here's that movie quote against That movie is a live 356 00:18:59,720 --> 00:19:03,639 Speaker 1: act Disney movie. It is Angels in the Outfield. I 357 00:19:03,680 --> 00:19:05,720 Speaker 1: thought this scene was so hilarious the first time I 358 00:19:05,760 --> 00:19:07,760 Speaker 1: watched it, but granted I was like five years old. 359 00:19:07,960 --> 00:19:10,440 Speaker 1: It's also one of my mom's favorite scenes. This scene 360 00:19:10,520 --> 00:19:13,359 Speaker 1: still makes her laugh. It is a movie we watched 361 00:19:13,400 --> 00:19:16,359 Speaker 1: together in one I would love to rewander her. But 362 00:19:16,520 --> 00:19:19,479 Speaker 1: if you haven't seen it or maybe forgot about Angels 363 00:19:19,520 --> 00:19:23,240 Speaker 1: in the Outfield, it's about this kid who starts seeing well, 364 00:19:23,320 --> 00:19:25,680 Speaker 1: angels in the outfield and he is the only kid 365 00:19:25,680 --> 00:19:27,840 Speaker 1: who can see them. So then the manager of the 366 00:19:27,880 --> 00:19:30,879 Speaker 1: team starts seeing him as a good luck charm and 367 00:19:31,000 --> 00:19:33,840 Speaker 1: has him come to every single home game and lets 368 00:19:33,880 --> 00:19:36,320 Speaker 1: him know what player has an angel with him, so 369 00:19:36,400 --> 00:19:39,000 Speaker 1: then they could put that player in and he crushes 370 00:19:39,040 --> 00:19:40,960 Speaker 1: in the game. But this was at the time in 371 00:19:41,000 --> 00:19:43,639 Speaker 1: the movie whenever they first start going to games, and 372 00:19:43,720 --> 00:19:46,879 Speaker 1: the manager puts somebody in charge of making sure the 373 00:19:46,960 --> 00:19:49,600 Speaker 1: kids are happy with drinks with merch and one of them, 374 00:19:49,680 --> 00:19:51,960 Speaker 1: as for nachos, set him down in the seat next 375 00:19:52,000 --> 00:19:54,520 Speaker 1: to him. So when that guy came back to his 376 00:19:54,600 --> 00:19:58,800 Speaker 1: seat sat down right in the Nachos classic nineties humor 377 00:19:58,840 --> 00:20:01,840 Speaker 1: for you all right, remove going on now? Four movie 378 00:20:01,920 --> 00:20:06,399 Speaker 1: quotes remain. Here is movie quote number twelve day are 379 00:20:06,400 --> 00:20:09,560 Speaker 1: you doing? So? It is that first line you hear 380 00:20:09,600 --> 00:20:13,199 Speaker 1: in that quote a dollar in some envelopes? Can you 381 00:20:13,320 --> 00:20:17,080 Speaker 1: name that obscure movie quote? What day are you doing? 382 00:20:17,640 --> 00:20:21,240 Speaker 1: This movie is famous for one of the biggest comedy 383 00:20:21,280 --> 00:20:23,760 Speaker 1: movie quotes of the nineties, but it isn't this one. 384 00:20:23,880 --> 00:20:26,520 Speaker 1: This is the movie that I think my family as 385 00:20:26,600 --> 00:20:29,840 Speaker 1: a whole would quote the most. It's also a movie 386 00:20:29,880 --> 00:20:32,160 Speaker 1: that if you are a fan of this, I'm instantly 387 00:20:32,160 --> 00:20:34,200 Speaker 1: friends with you. There are a couple people that come 388 00:20:34,240 --> 00:20:36,920 Speaker 1: to mind that one of our favorite things to do 389 00:20:37,000 --> 00:20:40,280 Speaker 1: together was just quote every single line from this movie 390 00:20:40,280 --> 00:20:44,040 Speaker 1: because there are so many obscure movie quotes. So if 391 00:20:44,080 --> 00:20:46,600 Speaker 1: you are a quoter of this movie, you are instantly 392 00:20:46,680 --> 00:20:48,720 Speaker 1: one of my friends. If my Space We're still a thing, 393 00:20:48,960 --> 00:20:51,800 Speaker 1: I'd put you right on my top eight again. Here 394 00:20:51,880 --> 00:20:55,720 Speaker 1: is the obscure movie quote number twelve day Are you doing? 395 00:20:56,320 --> 00:20:59,920 Speaker 1: That is a movie from nineteen ninety five starring Ice 396 00:21:00,240 --> 00:21:04,280 Speaker 1: Cube and Chris Tucker. You hear him a little bit 397 00:21:04,320 --> 00:21:07,080 Speaker 1: in the second part of that quote, but it is Friday. 398 00:21:07,320 --> 00:21:09,240 Speaker 1: This is one of the best scenes in the movie 399 00:21:09,320 --> 00:21:13,120 Speaker 1: whenever they go and get Smokey's mom some cigarettes at 400 00:21:13,119 --> 00:21:17,560 Speaker 1: the convenience store and Eazel, who is arguably one of 401 00:21:17,600 --> 00:21:21,240 Speaker 1: the best PSI comedic characters of the nineties, is just 402 00:21:21,280 --> 00:21:23,480 Speaker 1: trying to get somebody to buy him a forty and 403 00:21:23,520 --> 00:21:25,879 Speaker 1: then he fakes a fall in the convenience store to 404 00:21:25,960 --> 00:21:27,879 Speaker 1: try and get some money out of the store. And 405 00:21:27,960 --> 00:21:30,400 Speaker 1: the thing that nobody addresses in the movie is he 406 00:21:30,480 --> 00:21:32,879 Speaker 1: actually succeeds in his plan because he walks out with 407 00:21:32,920 --> 00:21:35,080 Speaker 1: the forty. My favorite part in this scene, though, is 408 00:21:35,080 --> 00:21:38,840 Speaker 1: whenever Ice Cube and Chris Tucker are driving away and 409 00:21:38,880 --> 00:21:41,240 Speaker 1: his car backfires and it sounds like a gunshot and 410 00:21:41,280 --> 00:21:44,679 Speaker 1: you just see Ezelle flinch and then just take off running. 411 00:21:44,720 --> 00:21:46,800 Speaker 1: What a nice touch. I wonder if that was improvised 412 00:21:46,880 --> 00:21:49,640 Speaker 1: or not. All right, last three, here is obscure movie 413 00:21:49,680 --> 00:21:53,359 Speaker 1: quote number thirteen. Again, we are getting more and more 414 00:21:53,440 --> 00:21:57,159 Speaker 1: obscure here. This movie quote is only two words. Well, 415 00:21:57,200 --> 00:22:00,640 Speaker 1: I'm real, this is one that I miss just remembered 416 00:22:00,720 --> 00:22:03,200 Speaker 1: this full quote. I have been saying this quote wrong 417 00:22:03,280 --> 00:22:06,800 Speaker 1: for years now because I thought this quote was longer. 418 00:22:07,320 --> 00:22:10,200 Speaker 1: I originally thought the quote was how much for one rib? 419 00:22:10,480 --> 00:22:12,399 Speaker 1: But when I went to pull the audio for this, 420 00:22:12,520 --> 00:22:14,680 Speaker 1: I realized, oh, he doesn't really say that at all. 421 00:22:14,880 --> 00:22:18,480 Speaker 1: Here's that quote again, I'm rib. That movie is from 422 00:22:18,560 --> 00:22:21,560 Speaker 1: nineteen eighty eight. I'll go ahead and tell you who 423 00:22:21,600 --> 00:22:24,320 Speaker 1: the actor is in that clip, because I think it's 424 00:22:24,359 --> 00:22:26,520 Speaker 1: so hard you still probably wouldn't get it unless you 425 00:22:26,520 --> 00:22:29,480 Speaker 1: watch this movie too. The actor you hear there is 426 00:22:29,520 --> 00:22:33,240 Speaker 1: also famous comedian Chris Rock in one of his most 427 00:22:33,400 --> 00:22:37,199 Speaker 1: early roles. This is pretty much his only part in 428 00:22:37,240 --> 00:22:40,800 Speaker 1: this entire movie, and this entire scene is hilarious, which 429 00:22:40,840 --> 00:22:43,399 Speaker 1: I'll play you with after I revealed the answer, so 430 00:22:43,440 --> 00:22:45,960 Speaker 1: you get the full context of what is going on here. 431 00:22:46,160 --> 00:22:50,200 Speaker 1: But here's that movie quote again, I'm rim from nineteen 432 00:22:50,440 --> 00:22:53,399 Speaker 1: eighty eight. That is the movie I'm Gonna Get You, Sucka. 433 00:22:53,560 --> 00:22:56,119 Speaker 1: And I want to share with you this entire scene 434 00:22:56,400 --> 00:22:58,879 Speaker 1: because it's so simple, but so well written and so 435 00:22:59,000 --> 00:23:03,480 Speaker 1: well executed. He goes into this barbecue restaurant, and he 436 00:23:03,720 --> 00:23:07,040 Speaker 1: is a character who is extremely frugal, doesn't want to 437 00:23:07,080 --> 00:23:09,520 Speaker 1: pay for an entire rack of ribs, so he's trying 438 00:23:09,560 --> 00:23:12,919 Speaker 1: to talk them down, just selling him one rib? May 439 00:23:12,960 --> 00:23:16,080 Speaker 1: I help you, sir? How much for order of ribs 440 00:23:16,520 --> 00:23:20,159 Speaker 1: two fifty two fifty? How rib do I get with that? 441 00:23:21,200 --> 00:23:25,359 Speaker 1: About five five so I guess that's about fifty cent rib? 442 00:23:25,440 --> 00:23:34,040 Speaker 2: Huh yeah about let me get one of ribs one rib, one. 443 00:23:34,680 --> 00:23:39,600 Speaker 1: Rib, show him hungry, make that one rib to go, 444 00:23:40,520 --> 00:23:45,040 Speaker 1: one rib, one rib, pay me and get the hell 445 00:23:45,080 --> 00:23:47,399 Speaker 1: out of my store. You gotta changed for one hundred. 446 00:23:48,440 --> 00:23:50,639 Speaker 1: So that's the joke. He actually has a lot of buddy, 447 00:23:50,640 --> 00:23:52,600 Speaker 1: but was still trying to talk him down. I love 448 00:23:52,680 --> 00:23:54,639 Speaker 1: that movie. That is I'm going to get you, Sucker 449 00:23:54,720 --> 00:23:58,280 Speaker 1: from nineteen eighty eight, our final two movie. Because how 450 00:23:58,280 --> 00:24:00,560 Speaker 1: you're doing, you're hanging in there. I'll let you know 451 00:24:01,359 --> 00:24:03,800 Speaker 1: how you ranked depending on how many you got, so 452 00:24:03,840 --> 00:24:06,879 Speaker 1: hopefully you've been keeping your score or where you fall 453 00:24:07,000 --> 00:24:10,400 Speaker 1: in the category of movie fan. Here is Obscure movie 454 00:24:10,480 --> 00:24:13,600 Speaker 1: quote number fourteen. I'm way too big to drive to 455 00:24:13,640 --> 00:24:17,480 Speaker 1: the Devil's House, also Peak two thousands. This movie came 456 00:24:17,520 --> 00:24:20,639 Speaker 1: out in two thousand and six. It is about a 457 00:24:20,760 --> 00:24:26,000 Speaker 1: character who moves in with another family member and he 458 00:24:26,080 --> 00:24:29,280 Speaker 1: works at a place where they make video games. Here 459 00:24:29,440 --> 00:24:32,600 Speaker 1: is that obscure movie quote again, I'm way too big 460 00:24:32,680 --> 00:24:36,440 Speaker 1: to drive to the Devil's house. That is Grandma's Boy 461 00:24:36,520 --> 00:24:38,800 Speaker 1: from two thousand and six. I could have picked so 462 00:24:38,880 --> 00:24:41,800 Speaker 1: many movie quotes from that movie, just because they're all 463 00:24:41,880 --> 00:24:45,560 Speaker 1: so random. That is from one of the side characters, Dante. 464 00:24:45,600 --> 00:24:47,520 Speaker 1: I could have even picked the party said before that. 465 00:24:47,520 --> 00:24:50,000 Speaker 1: That's right, monkey, play my head. All right, we have 466 00:24:50,080 --> 00:24:52,359 Speaker 1: made it to the final movie quote in the game. 467 00:24:52,880 --> 00:24:55,359 Speaker 1: Can you name this obscure movie quote? 468 00:24:56,520 --> 00:24:57,520 Speaker 2: This fasting. 469 00:24:59,160 --> 00:25:02,359 Speaker 1: Movie is from nineteen teen ninety seven, a biopic of 470 00:25:02,359 --> 00:25:05,120 Speaker 1: one of the most famous texted musicians of all time. 471 00:25:05,160 --> 00:25:07,000 Speaker 1: I think the reason I love that movie quote so 472 00:25:07,080 --> 00:25:09,120 Speaker 1: much because I grew up playing in a punk rock 473 00:25:09,160 --> 00:25:11,240 Speaker 1: band and always just thought that was funny of how 474 00:25:11,600 --> 00:25:15,120 Speaker 1: angry this character was, and he thought that being compared 475 00:25:15,160 --> 00:25:19,080 Speaker 1: to a punk rock group was so vile and disgusting, 476 00:25:19,160 --> 00:25:21,679 Speaker 1: which in reality, Hey, punk rock bands are just like 477 00:25:21,760 --> 00:25:24,399 Speaker 1: any other band. I've never destroyed a hotel room in 478 00:25:24,440 --> 00:25:27,280 Speaker 1: my life. Looks like fun but looks expensive too, So 479 00:25:27,320 --> 00:25:29,960 Speaker 1: I may be punk rock, but I'm also frugal and practical. 480 00:25:30,240 --> 00:25:33,160 Speaker 1: But again, here is that obscure movie quote from nineteen 481 00:25:33,280 --> 00:25:39,239 Speaker 1: ninety seven. Were disgusting punk rock. And that is the 482 00:25:39,280 --> 00:25:44,040 Speaker 1: one and only Edward James almost and that is Selena 483 00:25:44,880 --> 00:25:48,560 Speaker 1: in Jennifer Lopez's biggest movie role of all time. By 484 00:25:48,600 --> 00:25:51,280 Speaker 1: the way, I was just watching her documentary about the 485 00:25:51,320 --> 00:25:53,760 Speaker 1: movie she made on Amazon, and the whole time I 486 00:25:53,880 --> 00:25:56,400 Speaker 1: was watching it, I was thinking, is this a parody 487 00:25:56,400 --> 00:25:59,080 Speaker 1: of something? Is this like spinal Tap? But I think 488 00:25:59,119 --> 00:26:01,639 Speaker 1: she was serious. I couldn't bring myself to watch the 489 00:26:01,680 --> 00:26:05,920 Speaker 1: actual movie, but watching the documentary was just like watching 490 00:26:06,000 --> 00:26:09,440 Speaker 1: somebody make a really, really bad decision and thinking why 491 00:26:09,480 --> 00:26:12,680 Speaker 1: did nobody stop her? So that is the game. Now, 492 00:26:12,800 --> 00:26:15,640 Speaker 1: let's break it down to see where you fell as 493 00:26:15,720 --> 00:26:18,480 Speaker 1: far as what level of movie fan you are. If 494 00:26:18,480 --> 00:26:21,440 Speaker 1: you got one to three of those correct, well, sadly, 495 00:26:21,520 --> 00:26:23,520 Speaker 1: you are in the category of you need to watch 496 00:26:23,520 --> 00:26:26,639 Speaker 1: some more movies. That's okay, those are really obscure, but 497 00:26:26,720 --> 00:26:28,840 Speaker 1: don't we all need to watch more movies. If you 498 00:26:28,920 --> 00:26:32,679 Speaker 1: got four to six correct, you are the average movie watcher. 499 00:26:32,720 --> 00:26:34,679 Speaker 1: You're right there in the middle of the pack. You 500 00:26:34,760 --> 00:26:38,080 Speaker 1: actually did a pretty good job. If you got seven 501 00:26:38,160 --> 00:26:42,119 Speaker 1: to eleven correct, congratulations, you are a movie buff. You 502 00:26:42,200 --> 00:26:45,399 Speaker 1: really know your movies and can hold your own in discussion. 503 00:26:45,440 --> 00:26:47,719 Speaker 1: If you were in like a party setting where everybody 504 00:26:47,800 --> 00:26:50,760 Speaker 1: was talking about movies, you'd be fine, you'd be crushing it. 505 00:26:50,920 --> 00:26:55,760 Speaker 1: But if you got twelve to fifteen, correct, you are elite. 506 00:26:56,119 --> 00:26:59,399 Speaker 1: You are a certified cinephile. You could probably host this 507 00:26:59,440 --> 00:27:03,080 Speaker 1: podcast because you know it all. So congratulations if you 508 00:27:03,160 --> 00:27:06,159 Speaker 1: got more than twelve. I also asked this question on 509 00:27:06,200 --> 00:27:10,080 Speaker 1: social media, so I pulled some of my favorite responses 510 00:27:10,119 --> 00:27:13,200 Speaker 1: to the question what is your favorite obscure movie quote? 511 00:27:13,359 --> 00:27:16,679 Speaker 1: Cindy Flores on Facebook said this one. She said the 512 00:27:16,800 --> 00:27:19,520 Speaker 1: accent alone cracks her up. You said it for the money, 513 00:27:19,600 --> 00:27:23,840 Speaker 1: not the science. Ah, that is peak obscure movie quote 514 00:27:23,920 --> 00:27:27,239 Speaker 1: right there. Twister is loaded full of them. I mean 515 00:27:27,280 --> 00:27:29,760 Speaker 1: I could quote that movie all day long. I didn't 516 00:27:30,000 --> 00:27:32,040 Speaker 1: put them in the game because I feel like, oh, 517 00:27:32,119 --> 00:27:34,280 Speaker 1: everybody would think, oh, he's gotta put Twister in there, 518 00:27:34,320 --> 00:27:37,040 Speaker 1: and I didn't. But thank you Cindy for sharing that one. 519 00:27:37,359 --> 00:27:39,320 Speaker 1: One of my other favorite ones is when they're driving 520 00:27:39,359 --> 00:27:42,560 Speaker 1: and he's like hello, it says curse word. Yeah, somebny 521 00:27:42,560 --> 00:27:44,879 Speaker 1: in that movie. Thank you, Cindy for sharing yours. Sean 522 00:27:45,000 --> 00:27:47,639 Speaker 1: on Facebook said, on a really hot day last summer, 523 00:27:47,680 --> 00:27:49,800 Speaker 1: I busted out this movie quote in a full of 524 00:27:49,880 --> 00:27:53,240 Speaker 1: gen z. None of them had even heard of this movie. 525 00:27:53,560 --> 00:27:55,240 Speaker 1: Here's the movie quote got. 526 00:27:55,080 --> 00:27:57,040 Speaker 2: On these rhinos. 527 00:27:57,800 --> 00:28:01,160 Speaker 1: That is ace Ventura Part two, which I actually watched 528 00:28:01,160 --> 00:28:03,159 Speaker 1: these movies out of order as a kid, and I 529 00:28:03,240 --> 00:28:05,040 Speaker 1: always thought this one was part one and the other 530 00:28:05,080 --> 00:28:07,919 Speaker 1: one was part two. But man, I guess we are 531 00:28:08,000 --> 00:28:10,120 Speaker 1: to that point now, and I guess when you break 532 00:28:10,160 --> 00:28:13,600 Speaker 1: it down, a movie from the nineties now is probably 533 00:28:13,640 --> 00:28:17,240 Speaker 1: what a movie from the seventies was like to me 534 00:28:17,520 --> 00:28:20,800 Speaker 1: growing up, and those movies seem so so old. Even 535 00:28:20,880 --> 00:28:24,000 Speaker 1: movies to the eighties felt like, oh that's some old 536 00:28:24,119 --> 00:28:27,760 Speaker 1: period piece. But now compared to where we are now 537 00:28:27,760 --> 00:28:30,760 Speaker 1: in twenty twenty four, that would be comparable to a 538 00:28:30,840 --> 00:28:33,120 Speaker 1: movie from the two thousand. So a movie like Mean 539 00:28:33,160 --> 00:28:37,159 Speaker 1: Girls is now what sixteen Candles was to those of 540 00:28:37,240 --> 00:28:39,240 Speaker 1: us who grew up in the nineties. That is weird. 541 00:28:39,640 --> 00:28:41,240 Speaker 1: That doesn't make me feel good. So I'm going to 542 00:28:41,320 --> 00:28:44,440 Speaker 1: move on to another comment. A dream Wade on Facebook 543 00:28:44,480 --> 00:28:47,000 Speaker 1: said this was her favorite obscure movie quote. Just put 544 00:28:47,000 --> 00:28:48,280 Speaker 1: your pickle on everybody's plate. 545 00:28:48,320 --> 00:28:49,920 Speaker 2: College boy and the hard stuff. 546 00:28:49,920 --> 00:28:52,360 Speaker 1: To me, that is so obscure from Dirty dancing that 547 00:28:52,560 --> 00:28:55,360 Speaker 1: I wasn't quite familiar with that one until I looked 548 00:28:55,360 --> 00:28:58,240 Speaker 1: it up. Steph on Twitter said this is her favorite 549 00:28:58,240 --> 00:29:02,040 Speaker 1: obscure movie quote. I'm right on. That is from Don't 550 00:29:02,040 --> 00:29:05,280 Speaker 1: Tell Mom the Babysitters Dead. That is also peak obscure 551 00:29:05,360 --> 00:29:07,680 Speaker 1: movie quote. And then I also texted my brother Rudy, 552 00:29:07,720 --> 00:29:11,160 Speaker 1: who is probably the real reason I am so into movies, 553 00:29:11,240 --> 00:29:13,760 Speaker 1: because we would watch so many of these together, and 554 00:29:13,800 --> 00:29:16,480 Speaker 1: oftentimes when I reference watching movies from my childhood, it's 555 00:29:16,520 --> 00:29:19,200 Speaker 1: because I watched them with him. And we are both 556 00:29:19,320 --> 00:29:22,320 Speaker 1: huge fans of Teenage Mutant Ninja Turtles Part one and 557 00:29:22,360 --> 00:29:26,400 Speaker 1: part two, specifically from the nineties. Although part three has 558 00:29:26,440 --> 00:29:28,960 Speaker 1: its moments and that is the obscure movie quote he picked. 559 00:29:29,120 --> 00:29:33,240 Speaker 1: This was his favorite. Ill must it? Which Part three 560 00:29:33,880 --> 00:29:36,560 Speaker 1: is so hard to rewatch? I think last year I 561 00:29:36,600 --> 00:29:40,160 Speaker 1: did my annual Teenage Mutant Ninja Turtles rewatch and by 562 00:29:40,160 --> 00:29:42,400 Speaker 1: the time I got to part three, there are some 563 00:29:42,560 --> 00:29:45,160 Speaker 1: funny quotes in that movie. A lot of the things 564 00:29:45,200 --> 00:29:48,800 Speaker 1: I say now I realize come from that movie, like 565 00:29:48,840 --> 00:29:52,800 Speaker 1: even quotes like this one, how did you get in 566 00:29:52,800 --> 00:29:55,600 Speaker 1: April's pants? Like that is funny, but as a whole 567 00:29:56,160 --> 00:29:59,520 Speaker 1: the story in that movie just doesn't age quite well. 568 00:29:59,560 --> 00:30:01,520 Speaker 1: It's alway because in part three they have to go 569 00:30:01,600 --> 00:30:04,719 Speaker 1: back in time for some reason. And then finally, Robert 570 00:30:04,760 --> 00:30:07,720 Speaker 1: on Twitter said that this quote from Draco Malfoy and 571 00:30:07,840 --> 00:30:12,280 Speaker 1: Harry Potter is his favorite obscure movie quote. And that 572 00:30:12,440 --> 00:30:14,880 Speaker 1: is the list. Thank you for listening, thank you for 573 00:30:14,960 --> 00:30:17,920 Speaker 1: playing along. We'll come back and talk about Love Lies Bleeding, 574 00:30:18,080 --> 00:30:19,840 Speaker 1: and then in the trailer park we'll get a look 575 00:30:19,880 --> 00:30:26,560 Speaker 1: at the new Beetlejuice. Let's get into it now. A 576 00:30:26,640 --> 00:30:30,719 Speaker 1: spoiler free movie review of Love Lies Bleeding starring Kristin Stewart. 577 00:30:30,760 --> 00:30:32,720 Speaker 1: It's an eight twenty four film. I saw this trailer 578 00:30:32,760 --> 00:30:35,040 Speaker 1: back when I went to go watch The Ironclall in theaters, 579 00:30:35,400 --> 00:30:37,760 Speaker 1: and I remember right after the trailer finished, I poke 580 00:30:37,880 --> 00:30:40,400 Speaker 1: Kelsey and said I want to go see that movie, 581 00:30:40,480 --> 00:30:42,120 Speaker 1: and she said I do not, So I went to 582 00:30:42,160 --> 00:30:45,720 Speaker 1: go watch this movie alone. Kristen Sewart plays this reclusive 583 00:30:45,800 --> 00:30:48,800 Speaker 1: gym manager who falls in love with this bodybuilder who 584 00:30:48,840 --> 00:30:51,920 Speaker 1: has been hitchhiking across the country. Her dream is to 585 00:30:51,960 --> 00:30:55,680 Speaker 1: go to Vegas to this bodybuilder competition, and Kristin Sewart 586 00:30:55,680 --> 00:30:57,720 Speaker 1: helps her out by giving her a free gym membership 587 00:30:57,760 --> 00:31:00,000 Speaker 1: and then hooking her up with a bunch of steroids 588 00:31:00,040 --> 00:31:03,200 Speaker 1: in order to prepare for the competition, and then both 589 00:31:03,240 --> 00:31:06,200 Speaker 1: of their lives kind of clashed together when the bodybuilder 590 00:31:06,280 --> 00:31:09,080 Speaker 1: gets a job with her dad. She gets a job 591 00:31:09,200 --> 00:31:11,800 Speaker 1: as a waitress at her dad's gun range, which I 592 00:31:11,840 --> 00:31:13,400 Speaker 1: found a little bit odd, but I guess since the 593 00:31:13,400 --> 00:31:15,840 Speaker 1: movie is set in nineteen eighty nine, they used to 594 00:31:15,880 --> 00:31:20,200 Speaker 1: have restaurants at shooting ranges, and her dad is involved 595 00:31:20,280 --> 00:31:23,800 Speaker 1: in some pretty shady criminal activity. And that's really all 596 00:31:23,840 --> 00:31:26,160 Speaker 1: I can say about the family and the criminal activity 597 00:31:26,640 --> 00:31:29,760 Speaker 1: because it's so essential to the plot, and this movie 598 00:31:29,800 --> 00:31:33,160 Speaker 1: has a lot of ups and downs surrounding their interactions 599 00:31:33,160 --> 00:31:35,600 Speaker 1: with her dad and all the things with their family. 600 00:31:35,960 --> 00:31:40,040 Speaker 1: It's basically a really toxic relationship, which I think Kristen 601 00:31:40,120 --> 00:31:44,120 Speaker 1: Stewart plays so well. She has become I don't want 602 00:31:44,120 --> 00:31:47,080 Speaker 1: to call her one of my guilty pleasure actors, but 603 00:31:47,160 --> 00:31:51,000 Speaker 1: she is somebody that I am always just curious about 604 00:31:51,040 --> 00:31:53,760 Speaker 1: her work. And I know some people have maybe an 605 00:31:53,800 --> 00:31:56,800 Speaker 1: issue with her because how she is in interviews and 606 00:31:56,880 --> 00:31:59,240 Speaker 1: maybe how she is in real life, which we really 607 00:31:59,280 --> 00:32:02,000 Speaker 1: don't know a whole lot about that about her personal life. Well, 608 00:32:02,040 --> 00:32:04,360 Speaker 1: for me, that is what I find the most appealing 609 00:32:04,440 --> 00:32:06,600 Speaker 1: about her. I think for a period in my life, 610 00:32:06,680 --> 00:32:10,160 Speaker 1: I was really attracted to girls who would probably ash 611 00:32:10,240 --> 00:32:13,640 Speaker 1: their cigarette out on my face, treat me really horribly, 612 00:32:14,160 --> 00:32:16,680 Speaker 1: stand me up, be really awful to me, But I 613 00:32:16,720 --> 00:32:19,080 Speaker 1: would come crawling back to That is the vibe I 614 00:32:19,080 --> 00:32:21,320 Speaker 1: get from Kristen's to heart. She's almost to the point that, 615 00:32:21,440 --> 00:32:24,120 Speaker 1: even though I'm a huge fan of her films, I 616 00:32:24,160 --> 00:32:26,640 Speaker 1: would probably never want to meet her in person, just 617 00:32:26,640 --> 00:32:28,600 Speaker 1: because I think it would ruin my perception of her. 618 00:32:29,000 --> 00:32:31,360 Speaker 1: Even though if she was awful to me in real life, 619 00:32:31,600 --> 00:32:33,680 Speaker 1: I'd be like, that's pretty on brand. I would be 620 00:32:33,720 --> 00:32:36,719 Speaker 1: okay with it. But she plays that type of character 621 00:32:36,800 --> 00:32:38,680 Speaker 1: so well, so maybe it is coming from a well 622 00:32:38,680 --> 00:32:41,480 Speaker 1: inside of her that it's easy for her to tap into. 623 00:32:41,520 --> 00:32:44,680 Speaker 1: But seeing her in a toxic relationship with a character 624 00:32:44,720 --> 00:32:48,120 Speaker 1: who has a bad history with her father is struggling 625 00:32:48,160 --> 00:32:51,360 Speaker 1: through life, she uses her classic case Dow mannerism the 626 00:32:51,880 --> 00:32:54,840 Speaker 1: no I don't know. As soon as she starts doing that, 627 00:32:54,920 --> 00:32:57,280 Speaker 1: I'm all in. And then her and Katie O'Brien, who 628 00:32:57,280 --> 00:33:01,360 Speaker 1: plays the bodybuilder, have fantastic chemistry. They fall in love 629 00:33:01,520 --> 00:33:04,080 Speaker 1: very early on in the film and go through all 630 00:33:04,120 --> 00:33:07,680 Speaker 1: these ups and downs in their relationship, and man, it 631 00:33:07,800 --> 00:33:10,200 Speaker 1: is quite the ride to go on. You also have 632 00:33:10,440 --> 00:33:13,640 Speaker 1: Ed Harris as the dad, who I'm not the biggest 633 00:33:13,760 --> 00:33:15,360 Speaker 1: Ed Harris fan, but I actually thought he did a 634 00:33:15,400 --> 00:33:17,560 Speaker 1: really good job in this movie playing a jerk. And 635 00:33:17,640 --> 00:33:20,960 Speaker 1: speaking of jerks, James Franco's brother Dave Franco is in 636 00:33:21,000 --> 00:33:25,520 Speaker 1: this movie who plays Kirsten Stewart's sister's husband who is 637 00:33:25,560 --> 00:33:28,720 Speaker 1: another really big jerk, and her sister is played by 638 00:33:28,760 --> 00:33:31,880 Speaker 1: Jenna Malone, and Jenna and Kristen looks so much like 639 00:33:31,960 --> 00:33:34,400 Speaker 1: they could be real life sisters. I thought that was 640 00:33:34,440 --> 00:33:37,040 Speaker 1: a fantastic casting. I feel like this is the most 641 00:33:37,120 --> 00:33:39,400 Speaker 1: natural Christian Stewart has been in a role. I love 642 00:33:39,480 --> 00:33:43,520 Speaker 1: that this movie takes place in the eighties. Everything surrounding 643 00:33:43,760 --> 00:33:47,680 Speaker 1: the aesthetic of this movie was really selling me, from 644 00:33:47,720 --> 00:33:51,040 Speaker 1: the soundtrack and the score, which is the very eighties 645 00:33:51,120 --> 00:33:55,120 Speaker 1: retro synth designed. The thing I was surprised about is 646 00:33:55,160 --> 00:33:59,160 Speaker 1: the dedication to smoking cigarettes in a movie, which for 647 00:33:59,240 --> 00:34:02,760 Speaker 1: the better half of the last ten years has become nonexistent, 648 00:34:03,280 --> 00:34:06,640 Speaker 1: probably for the better. If you put cigarettes in movies, 649 00:34:06,960 --> 00:34:09,680 Speaker 1: a kid watches a movie and thinks, Oh, that looks cool. 650 00:34:10,040 --> 00:34:12,640 Speaker 1: Now I want to go smoke. Smoking is awful for you. 651 00:34:13,320 --> 00:34:15,880 Speaker 1: I don't think if you watch this movie, you're gonna 652 00:34:15,920 --> 00:34:18,200 Speaker 1: go run out and buy a cigarette. But I found 653 00:34:18,239 --> 00:34:21,080 Speaker 1: it interesting how much of the plot early on was 654 00:34:21,160 --> 00:34:24,720 Speaker 1: focused on smoking cigarettes. And for a movie to dedicate 655 00:34:24,800 --> 00:34:28,120 Speaker 1: so much time and emphasis on showing people smoking cigarettes, 656 00:34:28,520 --> 00:34:30,680 Speaker 1: I kind of forgot that that was a thing. So 657 00:34:30,800 --> 00:34:32,759 Speaker 1: not essentially that I love the fact that they were 658 00:34:32,760 --> 00:34:35,160 Speaker 1: smoking all the time, but just to have that sense 659 00:34:35,160 --> 00:34:38,279 Speaker 1: of realism again and showing the gritty side of these characters, 660 00:34:38,560 --> 00:34:41,279 Speaker 1: I really appreciated the commitment to that. I think the 661 00:34:41,320 --> 00:34:44,000 Speaker 1: biggest selling point of this movie is the fact that 662 00:34:44,160 --> 00:34:47,600 Speaker 1: it doesn't really take place in reality. There are some 663 00:34:47,760 --> 00:34:51,680 Speaker 1: super natural elements that take this movie at times into 664 00:34:51,760 --> 00:34:55,680 Speaker 1: a weird place. And being a crime thriller, romance movie, 665 00:34:55,920 --> 00:34:59,000 Speaker 1: I don't really feel like it reinvented the genre or 666 00:34:59,000 --> 00:35:01,839 Speaker 1: did something so grand breaking. But it took a lot 667 00:35:01,840 --> 00:35:06,320 Speaker 1: of risks. Sometimes they worked out. Sometimes I found myself 668 00:35:06,360 --> 00:35:09,560 Speaker 1: thinking why did they do that? Sometimes it felt a 669 00:35:09,560 --> 00:35:12,360 Speaker 1: little bit too out of pocket, But I love the 670 00:35:12,400 --> 00:35:15,120 Speaker 1: fact that it took those risks. But I think if 671 00:35:15,160 --> 00:35:18,799 Speaker 1: you are looking for a more realistic crime movie, you 672 00:35:18,880 --> 00:35:20,759 Speaker 1: may see some elements in this movie and be a 673 00:35:20,800 --> 00:35:22,880 Speaker 1: little bit turned off by because I think to some 674 00:35:22,960 --> 00:35:24,799 Speaker 1: they'll be hit or miss. So again, it does go 675 00:35:24,840 --> 00:35:27,080 Speaker 1: a little bit off the rail sometimes, but I think 676 00:35:27,120 --> 00:35:30,720 Speaker 1: that it's playing into the chaotic nature of this movie, 677 00:35:30,760 --> 00:35:34,680 Speaker 1: the messiness of these characters and their toxic relationship. So 678 00:35:35,160 --> 00:35:37,840 Speaker 1: in order to have some really big highs in the movie, 679 00:35:37,880 --> 00:35:40,279 Speaker 1: you have to go really low and you have to 680 00:35:40,320 --> 00:35:42,520 Speaker 1: get really weird, and that is what this movie does. 681 00:35:43,200 --> 00:35:47,319 Speaker 1: It is essentially a crime fairy tale. So as soon 682 00:35:47,360 --> 00:35:50,920 Speaker 1: as you realize that and can kind of pull yourself 683 00:35:50,960 --> 00:35:54,160 Speaker 1: out and realize that this movie doesn't take place in reality, 684 00:35:54,840 --> 00:35:57,480 Speaker 1: then you can really fully enjoy this movie. So I 685 00:35:57,480 --> 00:35:59,719 Speaker 1: almost wish it would have really committed a little bit 686 00:35:59,760 --> 00:36:03,240 Speaker 1: hard to some of those supernatural elements, because at times 687 00:36:03,320 --> 00:36:06,680 Speaker 1: it is so realistic, but then goes very fantasy and 688 00:36:06,719 --> 00:36:09,279 Speaker 1: I'm trying to find that line where does my brain 689 00:36:09,320 --> 00:36:11,640 Speaker 1: need to be to interpret the story here? And the 690 00:36:11,680 --> 00:36:14,280 Speaker 1: movie does a really good job at keeping the pacing 691 00:36:14,360 --> 00:36:17,640 Speaker 1: moving along. It keeps throwing things at you throughout the 692 00:36:17,760 --> 00:36:20,319 Speaker 1: entire movie. It really felt like a crime thriller from 693 00:36:20,360 --> 00:36:24,279 Speaker 1: the nineties, where this happens. Therefore this happens. Now, how 694 00:36:24,280 --> 00:36:26,200 Speaker 1: are we gonna get into this? All right, we'll do this, 695 00:36:26,320 --> 00:36:29,840 Speaker 1: and therefore this happens. It continues to move the story along, 696 00:36:30,120 --> 00:36:32,880 Speaker 1: and for a movie that's right under an hour forty minutes, 697 00:36:32,920 --> 00:36:35,640 Speaker 1: it really needed to do that. Maybe one or two 698 00:36:35,719 --> 00:36:38,080 Speaker 1: times it dips just a little bit and I started 699 00:36:38,080 --> 00:36:40,439 Speaker 1: thinking to myself, all right, they're gonna lose me here, 700 00:36:40,440 --> 00:36:43,120 Speaker 1: but then bam, they win me back. It hits you 701 00:36:43,160 --> 00:36:46,520 Speaker 1: with more moments and gets you excited again and carries 702 00:36:46,560 --> 00:36:49,399 Speaker 1: you to the finish line in a very satisfying way. 703 00:36:49,680 --> 00:36:51,919 Speaker 1: They shot this movie in New Mexico, which I think 704 00:36:51,920 --> 00:36:54,719 Speaker 1: fit the story perfectly. But it really goes back to 705 00:36:54,760 --> 00:36:58,600 Speaker 1: the chemistry between Kristen Stewart and Katie O'Brien and that 706 00:36:58,719 --> 00:37:03,240 Speaker 1: eighties retrovis. I really love the wardrobe in this movie. 707 00:37:04,000 --> 00:37:07,719 Speaker 1: It didn't go into the full glam eighties. It's more realistic. 708 00:37:07,760 --> 00:37:11,200 Speaker 1: You have Kirsten Stewart in these vintage t's, faded jeans, 709 00:37:11,719 --> 00:37:15,600 Speaker 1: old worn out sneakers. Katie O'Brien is in the classic 710 00:37:15,760 --> 00:37:18,400 Speaker 1: eighties workout gear. So there was a lot of attention 711 00:37:18,480 --> 00:37:22,120 Speaker 1: to detail to make this film feel like nineteen eighty nine. 712 00:37:22,280 --> 00:37:24,800 Speaker 1: I will say the guys look a little bit ridiculous 713 00:37:24,840 --> 00:37:27,719 Speaker 1: in this movie. Dave Franco and Ed Harris have some 714 00:37:27,920 --> 00:37:31,279 Speaker 1: ridiculous haircuts, and sometimes I found that taking me a 715 00:37:31,320 --> 00:37:33,520 Speaker 1: little bit out of the movie because I realized, oh man, 716 00:37:33,960 --> 00:37:36,360 Speaker 1: they spent so much time on that hair, and it 717 00:37:36,520 --> 00:37:39,360 Speaker 1: looks kind of goofy. And as much as I tried 718 00:37:39,360 --> 00:37:44,319 Speaker 1: to suspend myself from realizing that this movie didn't really 719 00:37:44,320 --> 00:37:47,839 Speaker 1: take place in reality, there were some things in the 720 00:37:47,880 --> 00:37:50,680 Speaker 1: plot that just didn't make sense to me. I don't 721 00:37:50,680 --> 00:37:52,960 Speaker 1: want to give a whole lot away, but a lot 722 00:37:53,000 --> 00:37:57,440 Speaker 1: of illegal activity happens throughout the story, and I just 723 00:37:57,480 --> 00:38:00,799 Speaker 1: found myself thinking, is there nobody else witness this? And 724 00:38:00,880 --> 00:38:03,279 Speaker 1: I know they were kind of playing off the fact 725 00:38:03,320 --> 00:38:05,920 Speaker 1: that this town was a little bit deserted, not a 726 00:38:05,920 --> 00:38:08,279 Speaker 1: whole lot of people lived there, but surely somebody would 727 00:38:08,280 --> 00:38:10,200 Speaker 1: have been witnessing these crimes, and maybe it kind of 728 00:38:10,200 --> 00:38:12,640 Speaker 1: would have ruined the plot a little bit. But a 729 00:38:12,680 --> 00:38:15,680 Speaker 1: couple or maybe a few times I found myself thinking, Okay, 730 00:38:15,680 --> 00:38:19,759 Speaker 1: come on, really nobody else saw that. But overall, I 731 00:38:19,800 --> 00:38:22,239 Speaker 1: feel like this movie has the potential to be one 732 00:38:22,280 --> 00:38:25,320 Speaker 1: of my top ten favorite movies of the year, pending 733 00:38:25,360 --> 00:38:27,840 Speaker 1: everything else coming out, and I think it's because I 734 00:38:27,920 --> 00:38:30,320 Speaker 1: went into it having a little bit of a bias 735 00:38:30,480 --> 00:38:33,680 Speaker 1: of already being a Christen Stewart fan, buying into the 736 00:38:33,719 --> 00:38:36,680 Speaker 1: aesthetic of this movie, it being an A twenty four film. 737 00:38:37,040 --> 00:38:39,000 Speaker 1: There were a lot of things going right for me 738 00:38:39,400 --> 00:38:42,600 Speaker 1: to enjoy this movie, and then it delivered. It made 739 00:38:42,600 --> 00:38:46,040 Speaker 1: me feel things, It made me angry, never really made 740 00:38:46,080 --> 00:38:49,400 Speaker 1: me happy. Overall. You will leave this movie feeling a 741 00:38:49,400 --> 00:38:51,680 Speaker 1: little bit bummed out. And even though I grew up 742 00:38:51,719 --> 00:38:54,920 Speaker 1: in the nineties, it felt a little bit nostalgic and familiar, 743 00:38:55,400 --> 00:38:57,680 Speaker 1: but then took it up on another level to really 744 00:38:57,680 --> 00:39:00,800 Speaker 1: give itself its own identity. So for Love Lies Bleeding, 745 00:39:01,160 --> 00:39:03,919 Speaker 1: I give it a strong I would almost go four 746 00:39:03,920 --> 00:39:06,840 Speaker 1: point five if it were not for a couple of things. 747 00:39:07,320 --> 00:39:09,200 Speaker 1: I think A four point five is a movie that 748 00:39:09,360 --> 00:39:11,920 Speaker 1: I recommend to everybody. But I could see some of 749 00:39:11,920 --> 00:39:14,919 Speaker 1: the elements of this movie being off putting to some 750 00:39:15,239 --> 00:39:17,040 Speaker 1: and I feel like A four point five is a 751 00:39:17,080 --> 00:39:19,520 Speaker 1: movie that stays with me for a very long time. 752 00:39:19,600 --> 00:39:22,240 Speaker 1: A five is perfect, but A four point five goes 753 00:39:22,239 --> 00:39:26,319 Speaker 1: on to carry over into my love of movies year 754 00:39:26,400 --> 00:39:29,120 Speaker 1: after year. I don't think I'll be rushing to rewatch 755 00:39:29,160 --> 00:39:32,600 Speaker 1: this movie, but definitely think it's worthy in theater experience. 756 00:39:32,680 --> 00:39:35,160 Speaker 1: And if you can't do that, I must watch it home. 757 00:39:35,560 --> 00:39:37,920 Speaker 1: So I give it a strong four out of five 758 00:39:38,320 --> 00:39:45,319 Speaker 1: steroid shots. It's time to head down to movie. Mike 759 00:39:45,680 --> 00:39:49,360 Speaker 1: Traylor Pard the eighties are having a bit of a 760 00:39:49,400 --> 00:39:53,480 Speaker 1: moment in twenty twenty four. We've already got Dune, we 761 00:39:53,760 --> 00:39:58,040 Speaker 1: just got Roadhouse and Ghostbusters in the same weekend, and 762 00:39:58,080 --> 00:40:01,439 Speaker 1: now we have our first look the new Beatlejuice movie 763 00:40:01,440 --> 00:40:04,720 Speaker 1: called Beetlejuice Beetlejuice. I love that title. I was calling 764 00:40:04,719 --> 00:40:07,800 Speaker 1: it Beatlejuice too, but when I look at the actual 765 00:40:07,920 --> 00:40:13,080 Speaker 1: official title, it just says Beetlejuice, Beetlejuice. And it's after 766 00:40:13,120 --> 00:40:15,640 Speaker 1: the death of Beetle juicecause it says twenty twenty four 767 00:40:15,800 --> 00:40:20,440 Speaker 1: a d interesting And I think the problem this movie 768 00:40:20,520 --> 00:40:24,160 Speaker 1: is going to have, and really any reboot that comes 769 00:40:24,200 --> 00:40:28,400 Speaker 1: out of the eighties, is finding its new audience because 770 00:40:28,600 --> 00:40:30,560 Speaker 1: they have to generate a buzz to get all the 771 00:40:30,600 --> 00:40:32,960 Speaker 1: people who grew up with these types of movies to 772 00:40:33,000 --> 00:40:35,120 Speaker 1: want to go see them in theaters. But the way 773 00:40:35,200 --> 00:40:38,319 Speaker 1: that it's really gonna make money and crossover into being 774 00:40:38,360 --> 00:40:40,719 Speaker 1: a success instead of just a quick cash grab a 775 00:40:40,800 --> 00:40:44,640 Speaker 1: nostalgia bate is appealing to new audiences, which I think 776 00:40:44,719 --> 00:40:47,359 Speaker 1: a lot of these movies fail in doing. And I 777 00:40:47,360 --> 00:40:51,160 Speaker 1: don't want to see that happen with Beetlejuice Beetlejuice, because 778 00:40:51,200 --> 00:40:53,600 Speaker 1: I think there's some potential there. I think the benefit 779 00:40:53,640 --> 00:40:56,560 Speaker 1: of remaking a movie like this, and the real reason 780 00:40:56,600 --> 00:40:59,040 Speaker 1: to remake a movie from the eighties is back in 781 00:40:59,080 --> 00:41:02,640 Speaker 1: the day I didn't have all the special effects and 782 00:41:02,680 --> 00:41:06,560 Speaker 1: the technology that had maybe more of an elaborate vision 783 00:41:07,040 --> 00:41:11,239 Speaker 1: that would have greatly benefited for having more expensive visual effects. Now, 784 00:41:11,280 --> 00:41:13,760 Speaker 1: I am still a huge fan of using practical effects, 785 00:41:13,760 --> 00:41:15,920 Speaker 1: and I think those movies tend to age better. But 786 00:41:15,960 --> 00:41:18,319 Speaker 1: with the movie like Dune that was made back in 787 00:41:18,320 --> 00:41:20,800 Speaker 1: the eighties, if you look at the worm right scene 788 00:41:20,800 --> 00:41:24,880 Speaker 1: from the original Dune, it looks pretty terrible, it looks laughable. 789 00:41:25,400 --> 00:41:29,000 Speaker 1: That was such a grand scene to pull off in 790 00:41:29,040 --> 00:41:31,880 Speaker 1: the eighties that it just didn't really work then, But 791 00:41:32,400 --> 00:41:34,320 Speaker 1: is one of the best things about Dune two in 792 00:41:34,400 --> 00:41:37,880 Speaker 1: theaters now that moment was awesome, So to remake that 793 00:41:38,000 --> 00:41:40,400 Speaker 1: now makes more sense because you can do things that 794 00:41:40,440 --> 00:41:44,239 Speaker 1: you couldn't do. Then there are other movies, arguably like 795 00:41:44,440 --> 00:41:47,200 Speaker 1: road House, which I will review here later at some 796 00:41:47,239 --> 00:41:50,560 Speaker 1: point on the podcast, is are you really remaking that 797 00:41:50,719 --> 00:41:54,040 Speaker 1: movie for the sake that it needs to be refreshed 798 00:41:54,080 --> 00:41:57,040 Speaker 1: or reintroduced to audiences or are you just playing off 799 00:41:57,080 --> 00:42:01,040 Speaker 1: that familiarity Now? With the first look at the Beetlejuice trailer, 800 00:42:01,200 --> 00:42:03,400 Speaker 1: I think it looks a lot better than I was expecting. 801 00:42:03,480 --> 00:42:06,520 Speaker 1: It also looks like it's really picking up thirty six 802 00:42:06,560 --> 00:42:08,440 Speaker 1: years later, which the first one came out back in 803 00:42:08,520 --> 00:42:11,680 Speaker 1: nineteen eighty eight. Everybody is back in this one. It's 804 00:42:11,680 --> 00:42:15,400 Speaker 1: coming out on September sixth. Director Tim Burton is back. 805 00:42:15,640 --> 00:42:17,919 Speaker 1: In the trailer, we see that Michael Keaton is back 806 00:42:17,960 --> 00:42:21,440 Speaker 1: as Beatlejuice, Catherine O'Hara is returning. Why Not a Rider 807 00:42:21,520 --> 00:42:23,000 Speaker 1: is going to be in this movie, and it looks 808 00:42:23,000 --> 00:42:25,879 Speaker 1: like Jenna Ortega is going to play her daughter who 809 00:42:25,920 --> 00:42:27,960 Speaker 1: Why I know a Rider was seventeen years old when 810 00:42:27,960 --> 00:42:31,040 Speaker 1: the first one came out. Jenna Ortega is twenty one, 811 00:42:31,160 --> 00:42:35,200 Speaker 1: so it's kind of cool how their career timelines almost 812 00:42:35,200 --> 00:42:37,720 Speaker 1: line up almost feels like it's really coming full circle 813 00:42:37,800 --> 00:42:41,600 Speaker 1: because Jenna Ortega, I would say, is the new face 814 00:42:42,200 --> 00:42:45,960 Speaker 1: of modern horror, with her being Wednesday Adams also being 815 00:42:46,000 --> 00:42:48,479 Speaker 1: in the screen movies. So before I get into more 816 00:42:48,520 --> 00:42:51,319 Speaker 1: about Beetlejuice Beetlejuice, here's just a little bit of the 817 00:42:51,360 --> 00:42:54,600 Speaker 1: first trailer, which for the most part is just the 818 00:42:54,600 --> 00:42:57,879 Speaker 1: song from the movie over all the imagery, but there 819 00:42:58,000 --> 00:43:01,080 Speaker 1: is one iconic line spoken by so here's just a 820 00:43:01,080 --> 00:43:24,000 Speaker 1: little bit of that. The juice is loose, So what 821 00:43:24,040 --> 00:43:27,400 Speaker 1: we get in this trailer is Waynona Rider and her 822 00:43:27,480 --> 00:43:30,400 Speaker 1: daughter played by Jenna Ortega going back to the house, 823 00:43:30,440 --> 00:43:34,720 Speaker 1: that iconic big, white, creepy looking house. We have them 824 00:43:34,760 --> 00:43:39,279 Speaker 1: going over the red covered bridge that is also very 825 00:43:39,520 --> 00:43:42,640 Speaker 1: iconic from the original movie. And even though this movie 826 00:43:42,680 --> 00:43:45,799 Speaker 1: is set in a fictional town of Winter River, Connecticut, 827 00:43:46,200 --> 00:43:49,279 Speaker 1: this movie location is actually in Vermont, and you can 828 00:43:49,320 --> 00:43:52,120 Speaker 1: go see the house and the bridge, but I think 829 00:43:52,160 --> 00:43:54,279 Speaker 1: for some reason it's closed right now. But I did 830 00:43:54,320 --> 00:43:57,280 Speaker 1: have a friend go fairly recently and took a picture 831 00:43:57,280 --> 00:43:59,560 Speaker 1: out in front of that bridge, so maybe too many 832 00:43:59,560 --> 00:44:01,839 Speaker 1: people were going. Maybe with the movie coming out, they 833 00:44:01,840 --> 00:44:05,040 Speaker 1: don't want people flooding this small town, but it is 834 00:44:05,200 --> 00:44:09,200 Speaker 1: one of those truly iconic filming locations. What we see 835 00:44:09,200 --> 00:44:12,680 Speaker 1: in this small teaser trailer is then going back there. 836 00:44:13,080 --> 00:44:15,880 Speaker 1: Jenna Ortega goes up into the attic and pulls a 837 00:44:15,880 --> 00:44:19,319 Speaker 1: sheet off of that small little model town that Beetlejuice 838 00:44:19,360 --> 00:44:21,719 Speaker 1: lives in. Why I know in the writer's character goes 839 00:44:21,800 --> 00:44:25,120 Speaker 1: up there as well, and then we see Michael Keaton 840 00:44:25,360 --> 00:44:28,200 Speaker 1: re emerge as Beetlejuice, and I will have to say, 841 00:44:28,840 --> 00:44:32,760 Speaker 1: looks fantastic coming back in the costume and in the makeup. 842 00:44:33,040 --> 00:44:35,640 Speaker 1: The only problem I had and the worry I had 843 00:44:36,640 --> 00:44:39,440 Speaker 1: was I had this same feeling last year with the 844 00:44:39,520 --> 00:44:42,560 Speaker 1: Flash whenever he returned as the nineteen eighty nine Batman. 845 00:44:43,239 --> 00:44:46,600 Speaker 1: In that trailer, he also gave the iconic Batman line, 846 00:44:46,840 --> 00:44:48,880 Speaker 1: also made a reference to it you want to get nuts, 847 00:44:48,960 --> 00:44:52,520 Speaker 1: And essentially it is him again coming back as an 848 00:44:52,680 --> 00:44:56,120 Speaker 1: iconic character in the suit and saying another memorable line. 849 00:44:56,160 --> 00:44:59,440 Speaker 1: So I worry about that. Maybe Michael Keaton is at 850 00:44:59,440 --> 00:45:02,239 Speaker 1: a point in his career where he thinks it's fun 851 00:45:02,239 --> 00:45:04,960 Speaker 1: to go back and relive some of these roles. Also 852 00:45:05,120 --> 00:45:08,160 Speaker 1: just stacking out the cash and taking the paycheck for 853 00:45:08,239 --> 00:45:10,480 Speaker 1: coming back and doing a movie like this, But when 854 00:45:10,520 --> 00:45:12,680 Speaker 1: it comes to I know in a rider, this woman 855 00:45:12,760 --> 00:45:15,960 Speaker 1: does not age. She looks exactly like she did in 856 00:45:16,000 --> 00:45:19,400 Speaker 1: the original movie when she was seventeen years old, and 857 00:45:19,440 --> 00:45:23,080 Speaker 1: she has been consistently great. I love her on Stranger 858 00:45:23,120 --> 00:45:25,440 Speaker 1: Things and hope to see her come back and really 859 00:45:25,480 --> 00:45:28,680 Speaker 1: close out that series in the final season of that show. 860 00:45:28,920 --> 00:45:31,120 Speaker 1: But it's awesome to see her coming back and doing 861 00:45:31,160 --> 00:45:33,480 Speaker 1: this movie at fifty two years old. So I do 862 00:45:33,600 --> 00:45:36,320 Speaker 1: love that the look of this movie looks really close 863 00:45:36,360 --> 00:45:39,360 Speaker 1: to the original. I think where it's going to advance 864 00:45:39,640 --> 00:45:42,720 Speaker 1: is with some of the special effects, which were really 865 00:45:42,840 --> 00:45:46,600 Speaker 1: campy in the original Beetlejuice movie, and a lot of 866 00:45:46,600 --> 00:45:50,160 Speaker 1: that was from director Tim Burton's style. I feel like 867 00:45:50,160 --> 00:45:53,120 Speaker 1: the limitations of the eighties allowed Tim Burton to be 868 00:45:53,200 --> 00:45:56,200 Speaker 1: a little bit more creative, and he always kind of 869 00:45:56,239 --> 00:45:59,719 Speaker 1: has like that live action claymation style that I really like. 870 00:46:00,320 --> 00:46:04,040 Speaker 1: So hopefully they keep a little bit of that in 871 00:46:04,080 --> 00:46:06,760 Speaker 1: this movie. But I think at this point the style 872 00:46:06,880 --> 00:46:09,960 Speaker 1: may be a little bit dated to the eighties, so 873 00:46:10,320 --> 00:46:12,600 Speaker 1: I wonder the line that this is going to walk 874 00:46:12,680 --> 00:46:16,239 Speaker 1: between keeping some of those original special effects elements from 875 00:46:16,280 --> 00:46:19,560 Speaker 1: the original to saying, okay, it's twenty twenty four. We 876 00:46:19,600 --> 00:46:21,640 Speaker 1: need to make this movie look a lot more slick, 877 00:46:21,960 --> 00:46:24,560 Speaker 1: and there are some more cool stylistic things that we 878 00:46:24,600 --> 00:46:27,640 Speaker 1: can do to give this movie a bit of a facelift. 879 00:46:28,160 --> 00:46:30,880 Speaker 1: I think where this movie is going to struggle, like 880 00:46:30,920 --> 00:46:34,600 Speaker 1: I was mentioning earlier, is finding that new audience. If 881 00:46:34,640 --> 00:46:37,840 Speaker 1: I was gen Z and saw this trailer, honestly, I 882 00:46:37,880 --> 00:46:39,759 Speaker 1: don't think it would make me feel anything. I think 883 00:46:39,760 --> 00:46:43,160 Speaker 1: this initial trailer is for those fans of the original 884 00:46:43,200 --> 00:46:46,600 Speaker 1: movie who are now probably in their late thirties, forties, 885 00:46:46,640 --> 00:46:50,040 Speaker 1: even fifties, depending on when you first discovered Beetlejuice. For me, 886 00:46:50,239 --> 00:46:52,759 Speaker 1: it was always a movie I enjoyed and would watch 887 00:46:52,800 --> 00:46:56,600 Speaker 1: around Halloween time, even though it's not a Halloween movie, 888 00:46:56,800 --> 00:46:59,239 Speaker 1: I just kind of associate it with that time of year. 889 00:46:59,560 --> 00:47:01,920 Speaker 1: And this coming out in September, I feel like that 890 00:47:02,040 --> 00:47:04,560 Speaker 1: is also what they are playing into. But I'm not 891 00:47:05,000 --> 00:47:08,440 Speaker 1: really a diehard Beatle Juice fan and coming get it 892 00:47:08,480 --> 00:47:11,319 Speaker 1: from that perspective, So even for me, they really have 893 00:47:11,400 --> 00:47:13,640 Speaker 1: to win me over a little bit. And honestly, for 894 00:47:13,760 --> 00:47:17,120 Speaker 1: me and probably a lot of gen Z, the real 895 00:47:17,200 --> 00:47:20,640 Speaker 1: interest we have here is Jenna Ortega in the leading role. 896 00:47:20,880 --> 00:47:23,960 Speaker 1: I think she is greatly on the rise right now, 897 00:47:24,239 --> 00:47:28,040 Speaker 1: after crushing it as Wednesday, is now really making her 898 00:47:28,120 --> 00:47:31,280 Speaker 1: name known in movies. So I think Warner Brothers cast 899 00:47:31,400 --> 00:47:35,120 Speaker 1: her to appeal to those people and introduce Beetlejuice to 900 00:47:35,280 --> 00:47:37,799 Speaker 1: a new audience, because I don't think anybody under the 901 00:47:37,840 --> 00:47:40,920 Speaker 1: age of twenty one, maybe even older than that, is 902 00:47:40,960 --> 00:47:43,799 Speaker 1: even gonna know what it means to summon beetlejuice. So 903 00:47:43,840 --> 00:47:45,920 Speaker 1: I think even the quote that Michael Keaton says in 904 00:47:46,000 --> 00:47:48,520 Speaker 1: this trailer is lost on a lot of people, and 905 00:47:48,640 --> 00:47:53,200 Speaker 1: clips like this are lost on a younger audience. Beetle Juice, Beetlejuice, 906 00:47:53,320 --> 00:47:59,160 Speaker 1: Beetlejuice gets show Dad. So maybe this trailer is a 907 00:47:59,160 --> 00:48:01,520 Speaker 1: little bit of no doll debate, but I'm hoping that's 908 00:48:01,560 --> 00:48:03,640 Speaker 1: not the case for the full story, and it's not 909 00:48:03,760 --> 00:48:06,480 Speaker 1: them just going back and redoing all the same gags 910 00:48:06,520 --> 00:48:09,040 Speaker 1: and just lifting the plot from the original movie and 911 00:48:09,080 --> 00:48:12,480 Speaker 1: doing it again with Jenna Ortega in place of Anna Rider. 912 00:48:12,600 --> 00:48:15,480 Speaker 1: But again, this movie is coming out on September sixth 913 00:48:15,560 --> 00:48:17,960 Speaker 1: later this year, just in time for spooky season. 914 00:48:18,640 --> 00:48:22,719 Speaker 2: And that was this week's edition of Movie Mine Framer Bar. 915 00:48:23,560 --> 00:48:25,640 Speaker 1: That is gonna do it for another episode here of 916 00:48:25,719 --> 00:48:27,799 Speaker 1: the podcast, but before I go, I gotta give my 917 00:48:27,880 --> 00:48:30,640 Speaker 1: listeners shout out of the week. This week, I'm going 918 00:48:30,680 --> 00:48:34,520 Speaker 1: over to Instagram and it is going to music nut Matt, 919 00:48:34,719 --> 00:48:37,320 Speaker 1: who tagged me in his Instagram story with a picture 920 00:48:37,360 --> 00:48:40,400 Speaker 1: of his car dashboard listening to last week's episode with 921 00:48:40,520 --> 00:48:43,600 Speaker 1: my favorite female directors of the twenty first century. And 922 00:48:43,680 --> 00:48:46,520 Speaker 1: Matt wrote first Monday Morning Listen in a few weeks, 923 00:48:46,560 --> 00:48:51,040 Speaker 1: hashtag movie Mike's Movie Podcast, hashtag Monday Morning Movie Crew. 924 00:48:51,239 --> 00:48:54,160 Speaker 1: Thanks Matt. That is quite honestly my favorite thing to 925 00:48:54,200 --> 00:48:58,000 Speaker 1: see on Monday's people tagging me in their Instagram story, 926 00:48:58,040 --> 00:49:01,360 Speaker 1: listening in their car, listening at the gym, or listening 927 00:49:01,400 --> 00:49:03,720 Speaker 1: at work. So thank you, Matt. And if you're listening 928 00:49:03,760 --> 00:49:05,919 Speaker 1: right now, want a listener shout out of the week, 929 00:49:06,000 --> 00:49:07,719 Speaker 1: that is the easy way to get one. Just tag 930 00:49:07,760 --> 00:49:10,520 Speaker 1: me in your Instagram story. At Mike Distro, you can 931 00:49:10,560 --> 00:49:14,200 Speaker 1: always find all my socials in the episode notes. And 932 00:49:14,239 --> 00:49:17,160 Speaker 1: if you are not subscribed to this podcast, do that 933 00:49:17,280 --> 00:49:19,640 Speaker 1: right now wherever you're listening to it. And if you 934 00:49:19,680 --> 00:49:22,200 Speaker 1: want to see individual movie reviews, you can always go 935 00:49:22,280 --> 00:49:25,359 Speaker 1: over to my YouTube channel, YouTube dot com slash Mike 936 00:49:25,400 --> 00:49:27,759 Speaker 1: Dstro and all of those are up there for you. 937 00:49:28,120 --> 00:49:29,840 Speaker 1: So if you miss an episode and just want to 938 00:49:29,840 --> 00:49:32,919 Speaker 1: go hear my thoughts on one specific movie, go check 939 00:49:32,960 --> 00:49:36,280 Speaker 1: that out there. And until next time, go out watch 940 00:49:36,280 --> 00:49:39,120 Speaker 1: good movies and I will talk to you later