WEBVTT - I Dug it Up

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<v Speaker 1>Family Secrets is a production of iHeartRadio Deep in the Woods.

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<v Speaker 2>Deep in the Woods, it was ringing real good, ten

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<v Speaker 2>inches down, ten inches down with a solid sound.

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<v Speaker 3>That's Nashville based singer, songwriter and memoirist Witthill Wits is

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<v Speaker 3>a story of love, loss, tenacity, redemption, and the way

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<v Speaker 3>secrets seep from one generation to the next without our

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<v Speaker 3>knowing how or why, until the lights finally blink on

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<v Speaker 3>and we see what had been hiding in the shadows.

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<v Speaker 3>And while finally knowing doesn't fix everything, it's a hell

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<v Speaker 3>of a start bay.

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<v Speaker 2>But you know the one no cod that dog.

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<v Speaker 3>I'm Danny Shapiro and this is family Secrets, the secrets

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<v Speaker 3>that are kept from us, the secrets we keep from others,

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<v Speaker 3>and the secrets we keep from ourselves.

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<v Speaker 1>I was born in Manhattan in nineteen fifty eight, so

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<v Speaker 1>the landscape was vertical. A lot of tall buildings and

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<v Speaker 1>small buildings and hard edges, lots of brick and stone

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<v Speaker 1>and cement and marble stairs and metal, and lots of

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<v Speaker 1>noise buses and trucks and honking and screeching of brakes.

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<v Speaker 1>I was born in Mount Sinai, and they brought me

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<v Speaker 1>home to this microscopic one bedroom apartment. It's the third floor.

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<v Speaker 1>The building was on the corner of First Avenue and

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<v Speaker 1>fifty second Street. My dad moved out, and I was yelling, well,

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<v Speaker 1>very young, like it's unclear, no one alive remembers when

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<v Speaker 1>he moved out, so it was either maybe two or

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<v Speaker 1>four something like that. So I have no memories of

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<v Speaker 1>my parents together, and so I grew up as an

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<v Speaker 1>only child. My parents were both from the South. My

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<v Speaker 1>mother was born in rural Mississippi, very poor family farmers.

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<v Speaker 1>She picked cotton as a child, and my mother had

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<v Speaker 1>two sisters, younger sisters, and little by little they moved

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<v Speaker 1>to Columbus, Mississippi, which was an upgrade from the totally

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<v Speaker 1>rural setting that she was born into, and then got

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<v Speaker 1>to go to public school. And she was very, very bright,

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<v Speaker 1>but also kind of a tortured child. She felt very different,

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<v Speaker 1>like she had been dropped into an environment that she

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<v Speaker 1>was not sated for. She had great goals and aspirations.

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<v Speaker 1>I remember her telling me once that she was in

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<v Speaker 1>the outhouse, back in the farmhouse that they first lived in,

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<v Speaker 1>and she picked up a copy of a magazine that

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<v Speaker 1>they used for other purposes and she saw an article

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<v Speaker 1>about New York City and delicatessens and decided that that's

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<v Speaker 1>where she was going to end up. And she just

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<v Speaker 1>kind of zeroed on that. And she was very bright

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<v Speaker 1>and got a scholarship to what was then called Mississippi

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<v Speaker 1>State College for Women. No one had ever said, Marian,

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<v Speaker 1>you should go to a college, but she got a

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<v Speaker 1>scholarship and graduated with a degree in speech I think

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<v Speaker 1>it was, but also did a lot of theater. And

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<v Speaker 1>the minute she got out of there, she headed north

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<v Speaker 1>and ended up at a summer stock in Massachusetts where

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<v Speaker 1>she met my dad, and he likewise was from the South,

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<v Speaker 1>well from Appalachia. He was the son of Armenian immigrants

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<v Speaker 1>who had come to this country to escape the genocide.

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<v Speaker 1>My grandfather opened a saloene called the Sanitary Lunch, and

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<v Speaker 1>my father was their first son. Then they had twin boys,

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<v Speaker 1>one of whom died young. And at that point my

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<v Speaker 1>father's mother disappeared. She was always a troubled woman, according

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<v Speaker 1>to what little my father remembers of her.

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<v Speaker 3>How old was your father when she disappeared?

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<v Speaker 1>I think he was twelve or thirteen, and his little

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<v Speaker 1>brother was more like eight. My father grew up in

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<v Speaker 1>cold country with miners in the saline at night and

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<v Speaker 1>my grandfather selling moonshine and speaking Armenian upstairs in the

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<v Speaker 1>little apartment that they lived in and English the rest

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<v Speaker 1>of the time. My dad, like my mom, was very smart,

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<v Speaker 1>kind of different from everyone else, and was encouraged by

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<v Speaker 1>a teacher to really go for it. He went to

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<v Speaker 1>college at Concord College, got a theater degree, and started

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<v Speaker 1>getting a master's degree, but ended up going to the

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<v Speaker 1>same summer stock in Plymouth, Massachusetts that my mother went

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<v Speaker 1>to in nineteen fifty four, and the die was cast.

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<v Speaker 1>I cannot get any information from my dad about how

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<v Speaker 1>that happened or what smarked their relationship. But when the

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<v Speaker 1>summer was over, they moved to New York City and

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<v Speaker 1>got an apartment together and married, and very very quickly

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<v Speaker 1>they were a couple. I think they probably got married

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<v Speaker 1>because there was a cheap apartment that they found out

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<v Speaker 1>about and they took it. So they married in nineteen

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<v Speaker 1>fifty five, and it was three years before I was born.

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<v Speaker 3>And you have no memory of the three of you

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<v Speaker 3>together as a family before your father moved out.

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<v Speaker 1>No, it's hard to say because even though I would

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<v Speaker 1>imagine things were a bit tempestuous at the time of

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<v Speaker 1>the break. They really pulled it together and were quite

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<v Speaker 1>civil with each other Throughout the rest of my upbringing.

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<v Speaker 1>My father moved very close just down the block. My

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<v Speaker 1>mother could lean out her window and look to the right,

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<v Speaker 1>and my father could lean out his window and look

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<v Speaker 1>to the left, and I could walk between their buildings,

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<v Speaker 1>and so they really kept up appearances and were quite

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<v Speaker 1>civil with each other, which was great, and so we

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<v Speaker 1>did things together. Sometimes there were times we all vacationed

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<v Speaker 1>at the same house. Some family friends lived across the

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<v Speaker 1>hall from my mother. Their names were Tom and Margaret Knight,

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<v Speaker 1>and they became my godparents, and I thought of them

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<v Speaker 1>as another set of parents. They were a childless couple,

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<v Speaker 1>older than my parents, and just the best people, and

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<v Speaker 1>I loved them so much, and they were very invested

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<v Speaker 1>in me, and I ended up thinking of my parents

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<v Speaker 1>and Tom and Margaret as being the four legs of

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<v Speaker 1>my table in my mind, and that's how I saw them,

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<v Speaker 1>that they were these four people that supported me and

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<v Speaker 1>I loved to distraction. And Tom and Margaret had a house,

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<v Speaker 1>a little tiny cottage on Cape Cod, and when I

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<v Speaker 1>was three years old, I started going there, sometimes just

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<v Speaker 1>with Tom and Margaret, sometimes with my mother, sometimes with

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<v Speaker 1>my father, sometimes all of us together. Was very progressive

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<v Speaker 1>considering what happened later. My life with my parents very

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<v Speaker 1>much revolved around theater, but also any kind of creativity.

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<v Speaker 1>It was quite clear to me from early on I

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<v Speaker 1>would be some kind of performing artist. It was destined.

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<v Speaker 1>And I say that from their perspective, and you know,

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<v Speaker 1>happily I was interested in that. How much of that

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<v Speaker 1>was because I sensed their investment in me, but there

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<v Speaker 1>certainly was a lot in me that responded to that.

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<v Speaker 1>It was very comfortable on stages. They brought me on

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<v Speaker 1>stages all the time. One of my earliest pictures of

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<v Speaker 1>me is on a stage with some actors I don't

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<v Speaker 1>even know who they were. And I loved it, you know.

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<v Speaker 1>I loved the idea of theater and plays and music

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<v Speaker 1>and dance. I always had music lessons and dance lessons

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<v Speaker 1>growing up, and you know, I'm happy about that, of course,

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<v Speaker 1>and my mother in particular was extremely invested in that.

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<v Speaker 1>For me, I look back on it and it just

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<v Speaker 1>seems kind of golden and just so cool. How I

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<v Speaker 1>was encouraged to do anything. If I didn't want to

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<v Speaker 1>go to school because I wanted to write a short

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<v Speaker 1>story about an avocado, I could stay home and do that.

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<v Speaker 1>She didn't care, and you know, I'd finished the story

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<v Speaker 1>in like fifteen minutes and watch TV the rest of

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<v Speaker 1>the day and nobody would know. And the same with

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<v Speaker 1>my dad. They were just very encouraging of my interests.

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<v Speaker 1>That said, things in the apartment with my mom were

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<v Speaker 1>I mean, this is a hackneyed word, but complicated. I

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<v Speaker 1>mean she was a very anxious person. She was moody.

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<v Speaker 1>How much she drank, I'm not sure, but there were

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<v Speaker 1>many trips to the liquor store and she could turn

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<v Speaker 1>on a dime. There could be you know, bluebirds and

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<v Speaker 1>rainbows one minute, and then just coldness and an abuse.

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<v Speaker 1>She was physically really abusive to me at times in

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<v Speaker 1>ways that it's really difficult for me to even describe.

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<v Speaker 1>And it was incredibly scarring, emotionally scarring and confusing because

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<v Speaker 1>this was somebody I loved. I just felt so accepted by.

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<v Speaker 1>And so I remember going off to college and telling

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<v Speaker 1>my roommate and my friends at college all my mom

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<v Speaker 1>and I are so close, it's like we're one person.

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<v Speaker 1>In two bodies, and I thought that was great, and

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<v Speaker 1>I thought they'd be jealous of me or something, and

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<v Speaker 1>everybody just looked at me and like I was there

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<v Speaker 1>was something wrong, which, of course there was something very

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<v Speaker 1>wrong with that.

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<v Speaker 3>It's one of the things that comes up again and

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<v Speaker 3>again on this show. And you know when we talk

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<v Speaker 3>about secrecy and family, is that as children, whatever our

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<v Speaker 3>reality is in our family just seems like it must

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<v Speaker 3>be the reality, you know, and that surely everybody's family

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<v Speaker 3>is like this, So right.

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<v Speaker 1>Yes, when I'd go and visit my friends that had

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<v Speaker 1>both parents at home and they'd all sit around the

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<v Speaker 1>dinner table together and read stories while the kids ate,

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<v Speaker 1>and my eyes were wide open, it was like, Wow,

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<v Speaker 1>this is this thing happens. And I never was jealous.

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<v Speaker 1>It just was so different early on. I mean, there

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<v Speaker 1>were times when it was just so fun and I

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<v Speaker 1>felt like we were buddies in the apartment, but I

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<v Speaker 1>was lift alone a lot. When she finally realized she

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<v Speaker 1>could leave me alone in the apartment, she did and

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<v Speaker 1>it didn't bother me. I mean, we were just on

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<v Speaker 1>top of each other all the time in that tiny space.

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<v Speaker 1>I mean we shared a one bedroom and I remember

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<v Speaker 1>I spent a lot of time looking out the windows.

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<v Speaker 1>And if I looked out the living room window, it

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<v Speaker 1>was on to First Avenue, and I could just watch

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<v Speaker 1>this river of cars going by, and I would stare

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<v Speaker 1>at it just for hours. It was like watching the

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<v Speaker 1>sun on distant mountains or something like that. It was

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<v Speaker 1>always changed, and it was always fascinating to me, the

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<v Speaker 1>movement and the fact that it always flowed in one direction.

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<v Speaker 1>And if I went and looked out my bedroom window,

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<v Speaker 1>I looked out onto fifty second Street, and it was

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<v Speaker 1>quieter there, but not much. And there was a building

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<v Speaker 1>across the street, kind of a large, much nicer building

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<v Speaker 1>than ours, with many, many windows, and I could stare

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<v Speaker 1>in those windows at night and just watch all kinds

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<v Speaker 1>of things happen, which was very instructive to me growing

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<v Speaker 1>up and fascinating. And I remember I did, I said

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<v Speaker 1>this thing where I would write notes and I would

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<v Speaker 1>say I am very happy, I am a very happy child,

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<v Speaker 1>and I would crumple them up and throw them out

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<v Speaker 1>the window, and then watch to see if anyone would

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<v Speaker 1>pick them up. And I look at that now, and

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<v Speaker 1>I think, what was I doing? Was I trying to

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<v Speaker 1>be rescued and I didn't even realize it. Basically, what

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<v Speaker 1>I was doing was littering. Nobody ever picked it up,

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<v Speaker 1>not one time. And I did that at the bank too.

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<v Speaker 1>If I went in a bank, I would find a

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<v Speaker 1>deposit slip at the bottom of the stack of deposit

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<v Speaker 1>slips and write how happy I was on the deposit

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<v Speaker 1>slip and slip it in for somebody to read, which

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<v Speaker 1>was I don't understand that.

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<v Speaker 3>Do you think that you were trying to convince yourself

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<v Speaker 3>so that you were a happy childhood? What do you

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<v Speaker 3>think your motivation was.

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<v Speaker 1>I think subconsciously it was probably a bit of a

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<v Speaker 1>message in a bottle kind of thing. But I do

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<v Speaker 1>say looking back that all the window gazing was I

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<v Speaker 1>really saw myself as Rapunzel and like the princess in

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<v Speaker 1>a tower. The only thing I didn't have was the

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<v Speaker 1>braid because my mother kept my hair chopped really short.

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<v Speaker 1>I begged her for long hair. I had a long

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<v Speaker 1>haired wig that I wear around the house because I

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<v Speaker 1>wanted long hair so badly. She had long hair, but

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<v Speaker 1>I couldn't, and she would just chop it off with scissors.

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<v Speaker 1>And throughout my childhood till I was probably about ten

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<v Speaker 1>until I really laid it down the lawn said, I'm

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<v Speaker 1>growing my hair out and it's just what it is.

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<v Speaker 1>Until then I had just this very strange chopped haircut.

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<v Speaker 3>Why do you think she did that?

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<v Speaker 1>I don't know. I've never understood why she did that.

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<v Speaker 1>It looked terrible, I mean, look ridiculous.

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<v Speaker 3>In pictures, Witt has taken on the role of the observer,

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<v Speaker 3>as only children often do. She watches and listens. She

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<v Speaker 3>continues to look out her windows and into the windows

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<v Speaker 3>of others, and when her mom leaves her home alone,

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<v Speaker 3>in many ways, things are better, more calm. After all,

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<v Speaker 3>Witt never knows which version of her mother she's going

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<v Speaker 3>to get, so in her mom's absence, Wit does her

0:14:35.440 --> 0:14:38.600
<v Speaker 3>best to connect with herself and with the world. She

0:14:38.680 --> 0:14:41.360
<v Speaker 3>gazes out at the traffic on the street below and

0:14:41.440 --> 0:14:45.560
<v Speaker 3>tosses notes to the sidewalk. She blasts the stereo and

0:14:45.640 --> 0:14:47.440
<v Speaker 3>dances in the living room as hard and as long

0:14:47.480 --> 0:14:50.960
<v Speaker 3>as she wants. She creates a whole world for herself

0:14:51.400 --> 0:14:55.760
<v Speaker 3>alone in that apartment. Outside the apartment, she has a

0:14:55.760 --> 0:14:58.840
<v Speaker 3>world too. She's just gotten accepted to the High School

0:14:58.840 --> 0:15:00.520
<v Speaker 3>for Performing Arts.

0:15:02.160 --> 0:15:05.000
<v Speaker 1>Oh my god, when I got into that school. My

0:15:05.080 --> 0:15:10.040
<v Speaker 1>mother was just over the moon. Everything was going according

0:15:10.080 --> 0:15:13.520
<v Speaker 1>to plan. I was a drama student that I was

0:15:13.560 --> 0:15:19.960
<v Speaker 1>also dancing, and midway through my time at Performing Arts,

0:15:20.240 --> 0:15:23.600
<v Speaker 1>I wanted to switch to the dance department, and my

0:15:23.680 --> 0:15:25.880
<v Speaker 1>mother was all for it. She wanted me to be

0:15:25.880 --> 0:15:28.480
<v Speaker 1>a dancer more than anything. I don't know what that

0:15:28.600 --> 0:15:31.640
<v Speaker 1>was about. The fact that I wanted to switch majors

0:15:31.640 --> 0:15:33.600
<v Speaker 1>and be a dance major was huge for my mom,

0:15:34.160 --> 0:15:36.840
<v Speaker 1>and the school said that I could not do that,

0:15:36.840 --> 0:15:40.000
<v Speaker 1>that I would not get a degree from the High

0:15:40.000 --> 0:15:42.560
<v Speaker 1>School for Performing Arts if I switched majors. And you

0:15:42.560 --> 0:15:47.440
<v Speaker 1>would think that the school had sent me to Siberia

0:15:47.680 --> 0:15:51.440
<v Speaker 1>for the amount of rage that instilled in her.

0:15:53.960 --> 0:15:57.240
<v Speaker 3>When Wit finishes high school as a drama major, Alas

0:15:57.840 --> 0:16:01.680
<v Speaker 3>she leaves for college to study dance. She spends her

0:16:01.720 --> 0:16:04.440
<v Speaker 3>first two years at the State University of New York

0:16:04.800 --> 0:16:08.040
<v Speaker 3>and then transfers to the University of Michigan in ann Arbor.

0:16:08.960 --> 0:16:14.400
<v Speaker 3>Wit flourishes there, excelling academically and creatively. She meets a guy.

0:16:14.920 --> 0:16:20.000
<v Speaker 3>He's a dancer and carpenter, an enticing combination. They begin dating,

0:16:20.360 --> 0:16:22.800
<v Speaker 3>and after graduation they moved to New York City together

0:16:23.600 --> 0:16:27.560
<v Speaker 3>with all the changes, their relationship becomes rocky, but they're

0:16:27.560 --> 0:16:33.080
<v Speaker 3>in it. Then Wit becomes unexpectedly pregnant. She thinks back

0:16:33.120 --> 0:16:35.800
<v Speaker 3>on how her mother had always made it very almost

0:16:35.840 --> 0:16:40.000
<v Speaker 3>abundantly clear to her that women had abortion rights, but

0:16:40.120 --> 0:16:43.720
<v Speaker 3>Wit doesn't want an abortion. She wants to have the child.

0:16:45.840 --> 0:16:49.520
<v Speaker 1>It wasn't an ideal relationship, but I felt like we

0:16:49.560 --> 0:16:54.120
<v Speaker 1>could make it work. I had heard from my dad

0:16:54.160 --> 0:16:59.400
<v Speaker 1>and probably from Tom and Margaret, how distressed my mother

0:16:59.560 --> 0:17:04.239
<v Speaker 1>was when she she got pregnant with me, and I

0:17:04.320 --> 0:17:08.520
<v Speaker 1>know that she threatened suicide. My father had to physically

0:17:08.560 --> 0:17:13.119
<v Speaker 1>restrain her from throwing herself down the stairs of our

0:17:13.160 --> 0:17:18.200
<v Speaker 1>apartment building. And I also know that she starved herself.

0:17:19.920 --> 0:17:24.119
<v Speaker 1>She told me that her doctor said, don't gain too

0:17:24.200 --> 0:17:27.080
<v Speaker 1>much weight, and so she took that to me to

0:17:27.200 --> 0:17:30.679
<v Speaker 1>not eat. And they say that by the time I

0:17:30.800 --> 0:17:35.359
<v Speaker 1>was born, she was skin and bones, and I was fine,

0:17:35.560 --> 0:17:37.280
<v Speaker 1>you know. I took what I needed and was a

0:17:37.280 --> 0:17:41.000
<v Speaker 1>healthy baby, a small but healthy baby. And that was

0:17:41.000 --> 0:17:45.560
<v Speaker 1>a clue that became really apparent in later years that

0:17:45.600 --> 0:17:47.840
<v Speaker 1>there was a connection between what happened when she was

0:17:47.880 --> 0:17:50.960
<v Speaker 1>pregnant and what happened when I got pregnant.

0:17:51.760 --> 0:17:55.320
<v Speaker 3>When were you told that this was the case and

0:17:55.320 --> 0:17:57.239
<v Speaker 3>this was the way that your mother was when she

0:17:57.480 --> 0:17:58.720
<v Speaker 3>was pregnant with you.

0:17:59.720 --> 0:18:03.000
<v Speaker 1>That's one of those things where you just kind of

0:18:03.040 --> 0:18:05.480
<v Speaker 1>always knew it and you don't remember who told you

0:18:05.520 --> 0:18:09.040
<v Speaker 1>were how so it was just part of legend. Ha

0:18:09.040 --> 0:18:11.840
<v Speaker 1>ha Marion tried to throw herself down the stairs, ha ha,

0:18:12.280 --> 0:18:16.200
<v Speaker 1>and oh she was so skinny, as sort of family lore,

0:18:16.280 --> 0:18:20.040
<v Speaker 1>but it was not presented in this within hushed tones.

0:18:20.160 --> 0:18:24.560
<v Speaker 1>It was just part of family legend.

0:18:25.000 --> 0:18:31.359
<v Speaker 3>That's so interesting because you'd think that that could be

0:18:32.280 --> 0:18:37.679
<v Speaker 3>pretty traumatizing for a child or a teenager, you know,

0:18:37.840 --> 0:18:42.160
<v Speaker 3>a young person to hear about the way their mother

0:18:42.160 --> 0:18:44.840
<v Speaker 3>felt about being pregnant with them. That you know that

0:18:44.880 --> 0:18:48.320
<v Speaker 3>it wouldn't be like, oh, presented with you know, some

0:18:48.800 --> 0:18:51.080
<v Speaker 3>sense of lightness and hilarity around it.

0:18:51.640 --> 0:18:54.520
<v Speaker 1>A year or so, right, And in my memory, that's

0:18:54.560 --> 0:18:57.320
<v Speaker 1>how it was presented, And I don't remember taking it personally.

0:18:57.720 --> 0:19:00.280
<v Speaker 1>I was like, yeah, she's a little weird. Whatever, I'm here,

0:19:00.280 --> 0:19:06.080
<v Speaker 1>Woo woo, everything's great, We'll be right back.

0:19:24.440 --> 0:19:28.360
<v Speaker 3>It's September fourteenth, nineteen eighty, the day of what wit

0:19:28.640 --> 0:19:32.440
<v Speaker 3>now calls the Telling the day she tells her mother

0:19:32.560 --> 0:19:36.639
<v Speaker 3>the news of her pregnancy. It's a beautiful day. And

0:19:36.680 --> 0:19:40.159
<v Speaker 3>Wit takes the train up Lexington Avenue and walks the

0:19:40.200 --> 0:19:43.720
<v Speaker 3>same blocks she's walked thousands of times from the subway

0:19:43.760 --> 0:19:46.359
<v Speaker 3>station to the apartment she grew up in with her mom.

0:19:47.320 --> 0:19:51.320
<v Speaker 3>But despite the familiar steps, a sense of foreboding weighs

0:19:51.359 --> 0:19:51.760
<v Speaker 3>her down.

0:19:54.400 --> 0:19:57.200
<v Speaker 1>And I told her I was pregnant, and it hung

0:19:57.280 --> 0:20:00.240
<v Speaker 1>there in the space, and all the cars and the

0:20:00.280 --> 0:20:03.240
<v Speaker 1>trucks are zooming by, and the whole world is completely

0:20:03.320 --> 0:20:08.440
<v Speaker 1>unconcerned about what's going on in here. And I remember

0:20:08.520 --> 0:20:11.000
<v Speaker 1>she was standing over by the window of the doorway

0:20:11.040 --> 0:20:14.080
<v Speaker 1>to the kitchen and she just turned to me and

0:20:14.160 --> 0:20:20.720
<v Speaker 1>she said, get it taken care of. And I knew

0:20:20.720 --> 0:20:25.040
<v Speaker 1>what she meant, and I said, no, or, we're not

0:20:25.080 --> 0:20:27.639
<v Speaker 1>going to do that. I don't want to. It's going

0:20:27.720 --> 0:20:30.880
<v Speaker 1>to be fine. We're going to get married and we're

0:20:30.880 --> 0:20:33.680
<v Speaker 1>going to move to Cape Cod. And we had already

0:20:33.760 --> 0:20:37.840
<v Speaker 1>planned to move to Cape Cod and renovate this old theater,

0:20:38.440 --> 0:20:40.280
<v Speaker 1>and that plan was in the works and we were

0:20:40.320 --> 0:20:42.679
<v Speaker 1>so excited about it, and so I said, that's what

0:20:42.680 --> 0:20:44.440
<v Speaker 1>we're going to do. And it's going to be fine,

0:20:44.480 --> 0:20:47.520
<v Speaker 1>don't worry. We're going to get married. And she said

0:20:47.520 --> 0:20:50.760
<v Speaker 1>you're going to be barefoot and pregnant on cape cod.

0:20:50.840 --> 0:20:53.200
<v Speaker 1>I said, no, I'm not. It's going to be fine,

0:20:53.320 --> 0:20:56.800
<v Speaker 1>you know. And it was just like talking to a

0:20:58.160 --> 0:21:03.800
<v Speaker 1>snarling dog. It was terrifying. She was like a frozen human.

0:21:04.840 --> 0:21:08.400
<v Speaker 1>And then she said, then there can be nothing more

0:21:08.520 --> 0:21:13.879
<v Speaker 1>between us. And I don't remember anything after that, I

0:21:14.560 --> 0:21:18.200
<v Speaker 1>guess I grabbed my bag and went to the door

0:21:18.359 --> 0:21:22.280
<v Speaker 1>and went downstairs, and I walked to second Avenue, and

0:21:22.320 --> 0:21:24.840
<v Speaker 1>then I walked to the third avenue and then I

0:21:24.840 --> 0:21:27.800
<v Speaker 1>turned right and I went down in the subway and

0:21:28.400 --> 0:21:32.480
<v Speaker 1>went back to Soho and I remember calling my aunt.

0:21:32.640 --> 0:21:37.280
<v Speaker 1>My mother had these two magnificent sisters who I just loved.

0:21:37.280 --> 0:21:40.360
<v Speaker 1>And I called my aunt Celia, and I was crying

0:21:40.440 --> 0:21:44.159
<v Speaker 1>and saying, you know, telling her what had happened. And

0:21:44.200 --> 0:21:47.160
<v Speaker 1>my aunt Celia said, oh, honey, you know, of course

0:21:47.200 --> 0:21:49.520
<v Speaker 1>she's shocked right now, but she'll be fine. She'll get

0:21:49.560 --> 0:21:51.440
<v Speaker 1>over it and it's going to be fine. And I

0:21:51.480 --> 0:21:55.280
<v Speaker 1>really took that to heart, and it wasn't fine. It

0:21:55.400 --> 0:21:56.600
<v Speaker 1>was never fine after that.

0:22:00.920 --> 0:22:04.639
<v Speaker 3>Perhaps she just needs some space, Wit thinks, and thankfully

0:22:04.680 --> 0:22:07.399
<v Speaker 3>that space is filled with the support and love from others.

0:22:08.320 --> 0:22:12.000
<v Speaker 3>WIT's dad is over the moon, optimistic as he's always been.

0:22:12.720 --> 0:22:16.760
<v Speaker 3>Tom and Margaret are thrilled too, So hard as it is,

0:22:17.280 --> 0:22:20.439
<v Speaker 3>Wit doesn't reach out to her mom, she lets it rest.

0:22:21.400 --> 0:22:24.760
<v Speaker 3>Some weeks later, one of WIT's medical bills of twenty

0:22:24.880 --> 0:22:28.080
<v Speaker 3>dollars is routed to her mom's apartment, as her mom

0:22:28.119 --> 0:22:32.240
<v Speaker 3>still has Wit on her insurance plan. Soon after, Wit

0:22:32.359 --> 0:22:36.680
<v Speaker 3>receives a frosty note from her mom with the bill attached, saying,

0:22:37.320 --> 0:22:38.840
<v Speaker 3>if this is the way things are going to go,

0:22:39.320 --> 0:22:42.600
<v Speaker 3>you're going to have to pay your own bills. Wit

0:22:42.760 --> 0:22:46.120
<v Speaker 3>is struck by her mom's tone, but of course she'll

0:22:46.119 --> 0:22:49.159
<v Speaker 3>take care of the bills. Not a problem, and yet

0:22:49.400 --> 0:22:54.280
<v Speaker 3>the problem. The big problem persists. In the fall, Wit

0:22:54.400 --> 0:22:57.120
<v Speaker 3>and her boyfriend designed to get married, despite the fact

0:22:57.160 --> 0:23:01.159
<v Speaker 3>that their relationship is still unsteady, a small affair just

0:23:01.280 --> 0:23:05.040
<v Speaker 3>friends her dad, Tom and Margaret and her future mother

0:23:05.080 --> 0:23:08.440
<v Speaker 3>in law. After the wedding, the two moved to Cape

0:23:08.440 --> 0:23:10.879
<v Speaker 3>cod to the same town where Tom and Margaret had

0:23:10.880 --> 0:23:11.639
<v Speaker 3>their summer house.

0:23:14.080 --> 0:23:17.280
<v Speaker 1>It's the place that I loved, This town called South Yarmouth.

0:23:18.119 --> 0:23:22.399
<v Speaker 1>We rented this little old house on Main streets from

0:23:22.440 --> 0:23:25.000
<v Speaker 1>the eighteen hundred said it was just beautiful. I love

0:23:25.040 --> 0:23:29.120
<v Speaker 1>old things and old houses, and it had those shiny,

0:23:29.440 --> 0:23:33.399
<v Speaker 1>wide pine floors. And he sold the loft, you know,

0:23:33.440 --> 0:23:36.560
<v Speaker 1>he sold the fixtures, took the loft, and he moved

0:23:36.640 --> 0:23:39.920
<v Speaker 1>up a couple of months after me, and we just

0:23:39.960 --> 0:23:43.560
<v Speaker 1>sort of settled in. In May of that year, I

0:23:43.960 --> 0:23:48.840
<v Speaker 1>had this baby in the house with my husband and

0:23:49.600 --> 0:23:53.080
<v Speaker 1>a college friend who took the train in from Boston.

0:23:53.440 --> 0:23:57.639
<v Speaker 1>And it was fantastic. It was magical, and you know it.

0:23:57.760 --> 0:24:03.960
<v Speaker 1>Through this entire gestation period, I wrote to my mom constantly.

0:24:04.600 --> 0:24:07.080
<v Speaker 1>I thought, I'm just going to keep writing and pretend

0:24:07.080 --> 0:24:11.439
<v Speaker 1>everything's okay. She's got to wonder how I'm doing. I

0:24:11.480 --> 0:24:14.119
<v Speaker 1>wrote all these little, chatty little letters about oh, and

0:24:14.119 --> 0:24:15.520
<v Speaker 1>then we went to the movies, and then we went

0:24:15.560 --> 0:24:18.040
<v Speaker 1>for a walk on the beach. And the baby's growing

0:24:18.119 --> 0:24:19.840
<v Speaker 1>and I can feel her kicking. You know, all the

0:24:19.840 --> 0:24:24.199
<v Speaker 1>stuff that you would write to a mother, and I

0:24:24.320 --> 0:24:27.600
<v Speaker 1>just sent them out into the world. And sometimes I'd say,

0:24:27.640 --> 0:24:29.800
<v Speaker 1>you know, I don't even know if you're reading these letters.

0:24:30.520 --> 0:24:33.000
<v Speaker 1>If with a tree falls in the forest, does anyone

0:24:33.080 --> 0:24:36.119
<v Speaker 1>hear it? And you know, ha ha, And just keeping

0:24:36.160 --> 0:24:40.000
<v Speaker 1>it light and talking about how I felt and how

0:24:40.080 --> 0:24:42.480
<v Speaker 1>much I missed her and that maybe we could work

0:24:42.520 --> 0:24:49.120
<v Speaker 1>it out, and so many letters and she never answered them.

0:24:49.760 --> 0:24:53.879
<v Speaker 3>It's so interesting with the parallel between throwing those notes

0:24:53.880 --> 0:24:56.600
<v Speaker 3>saying I am happy out your window as a kid

0:24:57.000 --> 0:24:57.720
<v Speaker 3>into the void.

0:24:58.400 --> 0:25:04.960
<v Speaker 1>Yes, you're so right. I never thought what about dad.

0:25:05.240 --> 0:25:07.840
<v Speaker 3>After the baby is born, the new family of three

0:25:08.000 --> 0:25:11.679
<v Speaker 3>moves back to Michigan, where WIT's husband goes to graduate school,

0:25:12.160 --> 0:25:16.960
<v Speaker 3>and Wit falls absolutely in love with motherhood. She's living

0:25:17.000 --> 0:25:20.200
<v Speaker 3>a rich and fulfilling life that combines being a mom,

0:25:20.840 --> 0:25:24.560
<v Speaker 3>the very thing her own mother abhorred was eventually returning

0:25:24.560 --> 0:25:28.600
<v Speaker 3>to dance, teaching classes and founding her own dance company.

0:25:29.359 --> 0:25:32.359
<v Speaker 3>She's actively making up for the loss she's experienced with

0:25:32.440 --> 0:25:36.919
<v Speaker 3>her mother, adapting to a new life without her. In

0:25:37.000 --> 0:25:40.800
<v Speaker 3>nineteen eighty six, she has another child, a boy named Sam,

0:25:42.440 --> 0:25:43.240
<v Speaker 3>and all.

0:25:42.960 --> 0:25:46.320
<v Speaker 1>Through this, I'm writing to my mom and also going

0:25:46.320 --> 0:25:49.400
<v Speaker 1>to therapy, a lot of therapy. I couldn't afford anything,

0:25:49.440 --> 0:25:54.960
<v Speaker 1>but I paid for that therapy, and the therapists uniformly

0:25:55.760 --> 0:26:00.480
<v Speaker 1>were horrified, which was gratifying to me. Would have been

0:26:00.560 --> 0:26:02.439
<v Speaker 1>upset if they'd said I'd just get over it. No.

0:26:02.840 --> 0:26:07.400
<v Speaker 1>They were like, what happened? She what? And they said, well,

0:26:07.400 --> 0:26:10.600
<v Speaker 1>of course you're having a hard time. You have no closure.

0:26:11.080 --> 0:26:14.000
<v Speaker 1>You have to find out about this. You need to

0:26:14.040 --> 0:26:19.919
<v Speaker 1>reach out. And one of them suggested that I call her.

0:26:20.560 --> 0:26:24.320
<v Speaker 1>And I remember being in the kitchen of my house.

0:26:25.040 --> 0:26:29.680
<v Speaker 1>My kids were asleep, and it was a beautiful day,

0:26:30.240 --> 0:26:34.320
<v Speaker 1>and I just did it. I called my number. This

0:26:34.480 --> 0:26:38.520
<v Speaker 1>is the number of my childhood. And to be honest,

0:26:38.760 --> 0:26:41.320
<v Speaker 1>I had called it many times. I had called it

0:26:41.760 --> 0:26:43.920
<v Speaker 1>dozens of times. I would call it and just let

0:26:43.960 --> 0:26:47.360
<v Speaker 1>it ring, and then I'd hang up. I just wanted

0:26:47.520 --> 0:26:50.760
<v Speaker 1>to own my home. You know. I didn't just lose

0:26:50.760 --> 0:26:54.160
<v Speaker 1>my mom. I lost my home, my apartment where I'd

0:26:54.200 --> 0:26:59.360
<v Speaker 1>lived for eighteen years, and I wanted to own it.

0:26:59.440 --> 0:27:02.200
<v Speaker 1>I wanted to be there. I wanted to see my stuff.

0:27:03.320 --> 0:27:06.560
<v Speaker 1>But I'd always hung up, and this time I let

0:27:06.560 --> 0:27:09.639
<v Speaker 1>her answer, and she answered and she said yes. My

0:27:09.720 --> 0:27:13.359
<v Speaker 1>mother never said hello, she always said yes, And I

0:27:13.520 --> 0:27:17.640
<v Speaker 1>just said it's me, and I said, I just need

0:27:17.680 --> 0:27:21.160
<v Speaker 1>to know if this is permanent, is there any chance

0:27:21.280 --> 0:27:25.240
<v Speaker 1>for us moving forward? And oh my god, it was

0:27:25.320 --> 0:27:30.080
<v Speaker 1>so bad. She screamed. She screamed into the phone, and

0:27:30.119 --> 0:27:33.480
<v Speaker 1>she screamed, I can't stand it. I can't stand it,

0:27:33.600 --> 0:27:38.520
<v Speaker 1>over and over again, and I just hung up. And

0:27:38.560 --> 0:27:43.640
<v Speaker 1>it was, oh the worst, it was so painful. Then

0:27:43.680 --> 0:27:47.360
<v Speaker 1>this weird thing happened a few days later. I got

0:27:47.359 --> 0:27:51.280
<v Speaker 1>a card in the mail from her, and she apologized,

0:27:53.359 --> 0:27:57.280
<v Speaker 1>and it was the weirdest note. It said, I'm so sorry.

0:27:57.320 --> 0:28:02.040
<v Speaker 1>I screamed, and she said, none of this is your fault.

0:28:02.840 --> 0:28:08.560
<v Speaker 1>She said, it's my bete noir and mine alone. And

0:28:08.640 --> 0:28:11.199
<v Speaker 1>of course, well I took French and that means black beast.

0:28:11.560 --> 0:28:16.080
<v Speaker 1>And she said something about I hope you're as happy

0:28:16.080 --> 0:28:19.440
<v Speaker 1>as you deserve to be, and then she said if

0:28:19.480 --> 0:28:22.480
<v Speaker 1>I was thinking any part of this was warm, She

0:28:22.720 --> 0:28:27.679
<v Speaker 1>closed with, if it ever is profitable to make contact,

0:28:27.800 --> 0:28:31.240
<v Speaker 1>I will contact you, and then she just signed it

0:28:31.280 --> 0:28:36.120
<v Speaker 1>with her initial and that hurt. That just hurt.

0:28:37.119 --> 0:28:40.920
<v Speaker 3>The word profitable is is profitable? What do you think

0:28:40.960 --> 0:28:41.760
<v Speaker 3>she meant by that?

0:28:43.320 --> 0:28:49.479
<v Speaker 1>Well? Profitable for her Throughout this whole experience of losing

0:28:49.520 --> 0:28:52.720
<v Speaker 1>someone this way, the parrot that has been so hard

0:28:53.320 --> 0:28:58.160
<v Speaker 1>is that she was never uniformly horrible. I mean, I

0:28:58.240 --> 0:29:02.120
<v Speaker 1>loved her. She's knuggled with me, she rubbed my back.

0:29:03.000 --> 0:29:05.160
<v Speaker 1>She said she loved me, and then she'd hit me

0:29:05.280 --> 0:29:09.200
<v Speaker 1>like crazy, and then she'd want to hear my every thought,

0:29:09.320 --> 0:29:13.440
<v Speaker 1>and then she wouldn't speak to me, and then the disowning,

0:29:14.160 --> 0:29:17.920
<v Speaker 1>and then this letter that seems apologetic and like she's

0:29:17.920 --> 0:29:21.240
<v Speaker 1>owning her shit. You know it's my fault and mine alone,

0:29:21.760 --> 0:29:25.520
<v Speaker 1>and then ending with this. It's so back and forth.

0:29:25.880 --> 0:29:28.400
<v Speaker 1>It's so ambiguous that it's hard. It was always so

0:29:28.520 --> 0:29:32.600
<v Speaker 1>hard for me to know how to feel about her.

0:29:32.640 --> 0:29:34.160
<v Speaker 1>And I'm the kind of person that wants to know.

0:29:34.200 --> 0:29:35.720
<v Speaker 1>I want to know how to feel. I wonder what

0:29:36.040 --> 0:29:39.880
<v Speaker 1>my role is. I wonder what your role is. I

0:29:39.960 --> 0:29:42.440
<v Speaker 1>never got that with her, and it just got worse

0:29:42.480 --> 0:29:47.720
<v Speaker 1>and worse. Through this process, and through the years, I

0:29:47.840 --> 0:29:53.200
<v Speaker 1>found that I did get stronger, and I started writing

0:29:53.360 --> 0:30:03.920
<v Speaker 1>less in parts because I was so busy with life.

0:30:04.560 --> 0:30:21.400
<v Speaker 3>We'll be back in a moment with more family secrets.

0:30:22.440 --> 0:30:25.640
<v Speaker 3>Not only is life busy, but it's also pretty wonderful.

0:30:26.240 --> 0:30:30.640
<v Speaker 3>Wit has fantastic kids, a fantastic dance company, and now

0:30:30.920 --> 0:30:34.760
<v Speaker 3>positions teaching dance at universities too. She has a robust

0:30:34.800 --> 0:30:38.080
<v Speaker 3>group of cool, creative friends, and she thinks to herself

0:30:38.120 --> 0:30:41.600
<v Speaker 3>more than once, my mom would love these people. Why

0:30:41.640 --> 0:30:44.680
<v Speaker 3>did this have to happen? Everything would be so different

0:30:44.760 --> 0:30:48.000
<v Speaker 3>if she were still in my life. As she gets

0:30:48.040 --> 0:30:51.800
<v Speaker 3>closer to these friends, inevitably people start to ask her

0:30:51.840 --> 0:30:55.760
<v Speaker 3>about her family. She doesn't know how to handle the

0:30:55.840 --> 0:30:57.880
<v Speaker 3>fact of her estrangement from her mother.

0:31:00.240 --> 0:31:03.440
<v Speaker 1>I really never quite knew what to say, and I

0:31:03.520 --> 0:31:06.560
<v Speaker 1>had all these stock answers, none of which were good.

0:31:07.320 --> 0:31:10.120
<v Speaker 1>And one of them was, oh, yes, she lives in

0:31:10.120 --> 0:31:15.640
<v Speaker 1>New York. Changed subject immediately. Another one was, yeah, my

0:31:15.720 --> 0:31:18.360
<v Speaker 1>parents are divorced and you know we're not terribly close,

0:31:18.800 --> 0:31:24.560
<v Speaker 1>changed subject immediately. And then sometimes I'd say, yeah, she

0:31:24.720 --> 0:31:27.160
<v Speaker 1>lives in New York. I guess you could call it

0:31:27.200 --> 0:31:30.480
<v Speaker 1>a living and that would shut the conversation down, and

0:31:30.520 --> 0:31:33.160
<v Speaker 1>it was a little hostile, and I didn't know which

0:31:33.160 --> 0:31:35.720
<v Speaker 1>one was right, and it really put me in this

0:31:36.240 --> 0:31:40.400
<v Speaker 1>kind of awful situation to have to answer that question.

0:31:41.520 --> 0:31:45.840
<v Speaker 3>Well, it's interesting too, because the desire to shut it down,

0:31:46.520 --> 0:31:49.720
<v Speaker 3>you know, in the sense of, you know, mothers and daughters,

0:31:50.280 --> 0:31:54.880
<v Speaker 3>you know they're supposed to be together in some fairy

0:31:54.920 --> 0:31:57.920
<v Speaker 3>tale way forever. I mean, to be someone's mother is

0:31:58.160 --> 0:32:01.480
<v Speaker 3>you know, that is an idea shifting thing. Once you

0:32:01.520 --> 0:32:05.360
<v Speaker 3>are somebody's mother. You are always somebody's mother, right, And

0:32:06.000 --> 0:32:10.320
<v Speaker 3>I would imagine that, you know, in meeting new people

0:32:10.400 --> 0:32:13.320
<v Speaker 3>and making new friends, part of not wanting to talk

0:32:13.360 --> 0:32:17.960
<v Speaker 3>about it is there's something that's so kind of dark

0:32:18.080 --> 0:32:21.640
<v Speaker 3>and secretive that you might have felt that it reflected

0:32:21.680 --> 0:32:25.720
<v Speaker 3>on you and not only on your mother exactly.

0:32:26.400 --> 0:32:29.040
<v Speaker 1>Those conversations were hard, like if it was somebody and

0:32:29.080 --> 0:32:31.440
<v Speaker 1>I just I said, I'm throwing caution to the wind,

0:32:31.480 --> 0:32:33.560
<v Speaker 1>and I'm going to tell this nice person what happened.

0:32:34.240 --> 0:32:38.400
<v Speaker 1>They were horrified, they couldn't well, and also filled with disbelief.

0:32:38.520 --> 0:32:41.840
<v Speaker 1>They didn't believe that such a thing could happen. And

0:32:42.520 --> 0:32:46.120
<v Speaker 1>I didn't really want to get into the minutia of

0:32:46.160 --> 0:32:48.760
<v Speaker 1>what happened. And I didn't want them to think that

0:32:48.800 --> 0:32:52.080
<v Speaker 1>I was a bad person, because maybe they think I'm

0:32:52.120 --> 0:32:55.440
<v Speaker 1>a bad person because what mother would do something like that?

0:32:56.000 --> 0:33:00.720
<v Speaker 1>And I did internalize this line of questioning brings this

0:33:01.000 --> 0:33:04.920
<v Speaker 1>around to how I internalized this stuff. I did feel

0:33:04.960 --> 0:33:10.680
<v Speaker 1>sometimes like did I do something really bad that I

0:33:10.720 --> 0:33:17.280
<v Speaker 1>don't remember? And that became kind of this sneaky snake

0:33:17.720 --> 0:33:23.640
<v Speaker 1>in my mind. They kind of undermined me in my life.

0:33:23.840 --> 0:33:26.160
<v Speaker 1>You know, I've always been an artist, a performing artist,

0:33:27.440 --> 0:33:30.040
<v Speaker 1>an actor or a dancer, you know, and now a

0:33:30.040 --> 0:33:34.240
<v Speaker 1>songwriter and writer. And there's an undercurrent in me of

0:33:35.280 --> 0:33:39.200
<v Speaker 1>and I'm just making my little dances. Oh, I'm writing

0:33:39.200 --> 0:33:42.160
<v Speaker 1>my little thing, and it won't make any difference in

0:33:42.200 --> 0:33:45.560
<v Speaker 1>the world. And I'm you know, sort of comparing her

0:33:45.640 --> 0:33:49.240
<v Speaker 1>life to mine and undercutting the value that I've put

0:33:49.280 --> 0:33:51.760
<v Speaker 1>into the world. I'm not saying I'm the greatest person

0:33:51.800 --> 0:33:54.200
<v Speaker 1>in the world at all, of course not. But I've

0:33:54.240 --> 0:33:58.320
<v Speaker 1>looked from the outside at myself and my lack of

0:33:58.560 --> 0:34:02.080
<v Speaker 1>drive and my life of ambition, and my willingness to

0:34:02.880 --> 0:34:07.120
<v Speaker 1>sort of undermine my successes. And now, whether that's because

0:34:07.160 --> 0:34:10.120
<v Speaker 1>of what my mom did, or whether that's how I'm wired,

0:34:10.239 --> 0:34:13.759
<v Speaker 1>I don't know. I can't say for sure. While all

0:34:13.800 --> 0:34:18.080
<v Speaker 1>this was happening for me and my little world of

0:34:18.320 --> 0:34:22.719
<v Speaker 1>my family and friends in Michigan, this happened to my

0:34:22.920 --> 0:34:27.640
<v Speaker 1>family too, to my mother's family. Before this happened, we

0:34:27.719 --> 0:34:33.160
<v Speaker 1>had these fantastic holidays together, Christmas in Easter, and you know,

0:34:33.400 --> 0:34:36.120
<v Speaker 1>we weren't a huge family, but I had four cousins

0:34:36.160 --> 0:34:39.600
<v Speaker 1>that I was very close to, more or less my age.

0:34:39.719 --> 0:34:42.800
<v Speaker 1>We adored each other and my two aunts, who I

0:34:42.880 --> 0:34:45.760
<v Speaker 1>just absolutely can't even tell you how much I adored

0:34:45.840 --> 0:34:50.000
<v Speaker 1>them and their families, and we got together all, you know,

0:34:50.120 --> 0:34:55.080
<v Speaker 1>every possible chance. And this affected them too, because they

0:34:55.280 --> 0:35:00.799
<v Speaker 1>were forced to take sides. My mother was like the puppeteer,

0:35:01.800 --> 0:35:05.480
<v Speaker 1>and you know, her name was Marian. And it was

0:35:06.160 --> 0:35:10.359
<v Speaker 1>years later when I thought, she's like the Marionette, and

0:35:10.440 --> 0:35:14.920
<v Speaker 1>she's like this grand puppeteer telling everybody in our family

0:35:15.000 --> 0:35:18.440
<v Speaker 1>how to behave She shut down any mention of me,

0:35:18.920 --> 0:35:23.040
<v Speaker 1>and she's a powerful personality. Everybody felt bad. She's the

0:35:23.120 --> 0:35:24.680
<v Speaker 1>kind of person who walks in the room and you

0:35:24.719 --> 0:35:30.400
<v Speaker 1>feel her power and positive or negative. And everybody was

0:35:30.440 --> 0:35:35.240
<v Speaker 1>a little spirit of Marian, and so nobody wanted to

0:35:35.280 --> 0:35:38.319
<v Speaker 1>bring me up. If there was going to be Christmas

0:35:38.440 --> 0:35:42.680
<v Speaker 1>down in Baton Rouge one year, I might get a

0:35:42.800 --> 0:35:45.799
<v Speaker 1>very cautious little phone call saying, just so you know

0:35:46.000 --> 0:35:49.319
<v Speaker 1>your mom's coming down this crispin I play okay, Well,

0:35:49.480 --> 0:35:53.960
<v Speaker 1>I won't call. And that was painful. I hated that

0:35:54.040 --> 0:35:57.440
<v Speaker 1>I didn't even get to go to my grandparents' funerals.

0:35:58.120 --> 0:36:00.480
<v Speaker 1>I mean I volunteered to not go. I didn't want

0:36:00.480 --> 0:36:04.279
<v Speaker 1>to make a scene. I thought, oh you know her parents,

0:36:04.320 --> 0:36:09.600
<v Speaker 1>She gets the custody of the funeral. You know, these

0:36:09.840 --> 0:36:13.920
<v Speaker 1>tilsees with killus. Decisions that had to be made, and

0:36:14.000 --> 0:36:17.400
<v Speaker 1>everybody was just trying their best to keep the peace.

0:36:18.480 --> 0:36:20.320
<v Speaker 1>And some of them thought, oh, you know, if we

0:36:20.560 --> 0:36:22.920
<v Speaker 1>just keep the piece long enough, she'll come around.

0:36:22.960 --> 0:36:28.360
<v Speaker 3>And I knew she wouldn't, and of course she didn't.

0:36:29.520 --> 0:36:33.480
<v Speaker 3>But Witt continues to thrive. Her dance company is successful.

0:36:34.040 --> 0:36:37.760
<v Speaker 3>She begins writing songs as well. She's creatively on fire.

0:36:38.520 --> 0:36:41.839
<v Speaker 3>She and her first husband divorce, and a few years later,

0:36:42.120 --> 0:36:45.000
<v Speaker 3>Wit marries a musician in ann Arbor and becomes part

0:36:45.040 --> 0:36:49.040
<v Speaker 3>of his wonderful, warm, open family. His mom steps in

0:36:49.400 --> 0:36:53.239
<v Speaker 3>and treats Wit like a daughter. Eventually, Witt is ready

0:36:53.280 --> 0:36:56.040
<v Speaker 3>to step back from dancing, which has become hard on

0:36:56.080 --> 0:36:59.480
<v Speaker 3>her body after so many years. She and her husband

0:36:59.560 --> 0:37:03.799
<v Speaker 3>relocated to Nashville. She writes more and more music, and

0:37:03.840 --> 0:37:06.000
<v Speaker 3>it's been a long time since she's tried to contact

0:37:06.000 --> 0:37:09.640
<v Speaker 3>her mom. Life has great momentum, and she's in the

0:37:09.719 --> 0:37:13.319
<v Speaker 3>right place at the right time, in the flow. And

0:37:13.360 --> 0:37:17.000
<v Speaker 3>then comes the pandemic, and though she worries about her mother,

0:37:17.280 --> 0:37:20.279
<v Speaker 3>she doesn't reach out. She's just going to upset an

0:37:20.280 --> 0:37:22.560
<v Speaker 3>old woman, there's just no point.

0:37:24.280 --> 0:37:27.360
<v Speaker 1>In June of twenty twenty, my aunt calls me on

0:37:27.400 --> 0:37:31.319
<v Speaker 1>the phone and says she always calls me a little chick, said,

0:37:31.320 --> 0:37:36.920
<v Speaker 1>little chick, I can't reach her mother. And there, you know,

0:37:37.000 --> 0:37:39.000
<v Speaker 1>the bottom kind of dropped out of my stomach because

0:37:39.000 --> 0:37:42.200
<v Speaker 1>I knew. I figured at some point i'd get a

0:37:42.239 --> 0:37:44.520
<v Speaker 1>call like that, but I didn't know how it would happen.

0:37:46.080 --> 0:37:50.000
<v Speaker 1>And she said, yeah, I've been calling since Wednesday and

0:37:50.040 --> 0:37:53.680
<v Speaker 1>there's no response. I leave messages on the machine and

0:37:53.719 --> 0:37:59.359
<v Speaker 1>she doesn't answer. And then we got a hold of

0:38:00.000 --> 0:38:02.439
<v Speaker 1>the business office of her apartment building and they said

0:38:02.480 --> 0:38:05.319
<v Speaker 1>that she had been taken to a hospital. They didn't

0:38:05.360 --> 0:38:08.160
<v Speaker 1>know which one, and my aunt was like, how are

0:38:08.200 --> 0:38:10.799
<v Speaker 1>we going to find out which hospital she's at? And

0:38:10.840 --> 0:38:15.360
<v Speaker 1>I said, I'll call you right back. And I called

0:38:15.440 --> 0:38:20.880
<v Speaker 1>two hospitals nearby and found her at a nearby hospital,

0:38:21.440 --> 0:38:23.120
<v Speaker 1>and of course, the operator said, do you want it

0:38:23.120 --> 0:38:24.759
<v Speaker 1>and want me to connect to I said no, thank you,

0:38:25.960 --> 0:38:28.000
<v Speaker 1>and I called Judy back and gave for the number,

0:38:28.520 --> 0:38:32.560
<v Speaker 1>and the story was that she had broken her leg,

0:38:32.680 --> 0:38:36.960
<v Speaker 1>broken her femur. My mother said, Judy, I've broken my femur.

0:38:37.480 --> 0:38:41.080
<v Speaker 1>And I'm going home to die in three weeks, none

0:38:41.080 --> 0:38:43.920
<v Speaker 1>of which made any sense. My mother didn't want anybody

0:38:44.120 --> 0:38:46.440
<v Speaker 1>to have found her. She was furious that Judy had

0:38:46.480 --> 0:38:50.520
<v Speaker 1>tracked her down and didn't want anybody to come up.

0:38:50.640 --> 0:38:53.959
<v Speaker 1>She didn't want any help. But little by little word

0:38:54.000 --> 0:38:56.680
<v Speaker 1>came out that she had had cancer for years, nobody

0:38:56.760 --> 0:38:59.799
<v Speaker 1>knew about it, and she had broken her hit for

0:38:59.840 --> 0:39:04.760
<v Speaker 1>her leg, and she probably was in her last weeks

0:39:04.840 --> 0:39:10.320
<v Speaker 1>or months she worsened. She came home to be cared

0:39:10.360 --> 0:39:13.600
<v Speaker 1>for by a woman who cleaned her house. That's the

0:39:13.640 --> 0:39:18.440
<v Speaker 1>only person she wanted with her. And I immediately go

0:39:18.560 --> 0:39:22.040
<v Speaker 1>into this. I could help, you know, maybe I could

0:39:22.080 --> 0:39:25.120
<v Speaker 1>help in some way, And just my brain just kept going,

0:39:25.200 --> 0:39:27.680
<v Speaker 1>what can I do? And then you're not involved, You're

0:39:27.680 --> 0:39:29.719
<v Speaker 1>not involved in this, but I want maybe I could.

0:39:29.960 --> 0:39:32.200
<v Speaker 1>She loves tomato sandwiches. Maybe I can arrange to have

0:39:32.239 --> 0:39:35.480
<v Speaker 1>a really good tomato sandwich sent to her apartment and

0:39:35.640 --> 0:39:38.200
<v Speaker 1>then stopped. That makes no sense. No one is going

0:39:38.280 --> 0:39:40.719
<v Speaker 1>to send it's a pandemic. No one's going to bring

0:39:40.760 --> 0:39:44.600
<v Speaker 1>her a sandwich, you know. Just these crazy thoughts of

0:39:44.760 --> 0:39:53.200
<v Speaker 1>wanting to ultimately know what happened, be forgiven, be spoken

0:39:53.239 --> 0:39:57.480
<v Speaker 1>to be involved in some way, and it was a

0:39:57.600 --> 0:40:03.080
<v Speaker 1>strange place to be, just liminal place between being a

0:40:03.200 --> 0:40:10.120
<v Speaker 1>daughter and a nobody. And as she worsened, her attorney

0:40:10.320 --> 0:40:17.080
<v Speaker 1>contacted me and he knew about this disowning and he

0:40:17.120 --> 0:40:19.279
<v Speaker 1>didn't have to reach out to me, but he did,

0:40:19.719 --> 0:40:23.239
<v Speaker 1>but didn't really tell me very much. She died on

0:40:23.400 --> 0:40:28.399
<v Speaker 1>July twenty third in her apartment with her housekeeper, and

0:40:28.520 --> 0:40:31.920
<v Speaker 1>my aunt Judy called and told me, and I cried

0:40:31.960 --> 0:40:35.160
<v Speaker 1>a very particular cry. You know, I was in my

0:40:35.280 --> 0:40:40.879
<v Speaker 1>sixties and I just felt like a kid abandoned all over,

0:40:40.920 --> 0:40:43.520
<v Speaker 1>which is ridiculous, but you know, you feel what you feel.

0:40:44.920 --> 0:40:47.720
<v Speaker 3>Yeah, it doesn't strike me as ridiculous at all, because

0:40:48.400 --> 0:40:52.160
<v Speaker 3>you were that kid. You know, all of those selves

0:40:52.239 --> 0:40:56.560
<v Speaker 3>are always alive inside of us, and you never got closure,

0:40:56.680 --> 0:41:01.080
<v Speaker 3>and the you know, the idea that they're could possibly

0:41:01.200 --> 0:41:05.320
<v Speaker 3>be closure was always there, even as this most remote

0:41:05.800 --> 0:41:09.480
<v Speaker 3>possibility while she was still alive, and that died with her.

0:41:10.200 --> 0:41:15.359
<v Speaker 1>Yeah, I mean the lawyer, he blessed him. He went

0:41:15.400 --> 0:41:18.480
<v Speaker 1>over to her apartment and said, you really need to

0:41:18.480 --> 0:41:21.200
<v Speaker 1>talk to your daughter, you know, would you like to

0:41:21.200 --> 0:41:22.799
<v Speaker 1>talk to her. She's ready to talk to you if

0:41:22.800 --> 0:41:24.799
<v Speaker 1>you like, and she just wouldn't even respond to him.

0:41:25.480 --> 0:41:29.840
<v Speaker 1>And at that point I just said, like that was

0:41:29.880 --> 0:41:31.840
<v Speaker 1>a lawyer. I like, just let it go. It's not

0:41:31.880 --> 0:41:35.840
<v Speaker 1>going to happen. And you know, I had pity for

0:41:35.960 --> 0:41:38.600
<v Speaker 1>her at this point. You know, she's suffering and dying,

0:41:38.680 --> 0:41:40.600
<v Speaker 1>and I didn't want to make it worse for her,

0:41:40.640 --> 0:41:42.560
<v Speaker 1>so you know, of course I'm not going to push that.

0:41:43.960 --> 0:41:48.719
<v Speaker 1>And then came the realization that she had remembered me

0:41:48.800 --> 0:41:53.759
<v Speaker 1>in her will and that my aunt and I had

0:41:54.040 --> 0:41:58.919
<v Speaker 1>full custody of all her belongings, her entire apartment, which

0:41:59.000 --> 0:42:03.960
<v Speaker 1>was filled with beautiful antiques and art paintings and silver.

0:42:04.239 --> 0:42:08.479
<v Speaker 1>And a few months later, my husband and I were

0:42:08.560 --> 0:42:12.480
<v Speaker 1>in we were visiting my dad, and I got a

0:42:12.480 --> 0:42:16.799
<v Speaker 1>call from the attorney that he had made arrangements with

0:42:16.920 --> 0:42:19.920
<v Speaker 1>the superintendent of the building to let me into the apartment.

0:42:21.960 --> 0:42:24.720
<v Speaker 1>Could we be there in six hours? I was like, okay,

0:42:24.880 --> 0:42:28.839
<v Speaker 1>we'll be there, and we were actually getting ready to

0:42:29.120 --> 0:42:31.560
<v Speaker 1>return to Nashville, so we just packed up our stuff

0:42:31.560 --> 0:42:35.840
<v Speaker 1>a little early and we drove into Manhattan and parked

0:42:35.880 --> 0:42:38.319
<v Speaker 1>across the street from her building, and we went in

0:42:39.000 --> 0:42:44.840
<v Speaker 1>and it was it was like walking into an Egyptian tomb.

0:42:44.920 --> 0:42:49.160
<v Speaker 1>I would imagine where you feel like the world has stopped,

0:42:50.320 --> 0:42:55.799
<v Speaker 1>the world from a different time is preserved. And that

0:42:55.960 --> 0:43:00.279
<v Speaker 1>was just me and with my life experience feeling that.

0:43:00.480 --> 0:43:03.240
<v Speaker 1>I mean, it was just an apartment sold with stuff.

0:43:03.160 --> 0:43:05.080
<v Speaker 3>An apartment you'd never been in it before.

0:43:05.480 --> 0:43:09.280
<v Speaker 1>I had never been in this apartment. But there were stings. Oh,

0:43:09.320 --> 0:43:12.600
<v Speaker 1>there were things that I remembered, and those were the

0:43:12.640 --> 0:43:16.560
<v Speaker 1>things that I looked for and wanted. A certain cabinet

0:43:17.200 --> 0:43:21.160
<v Speaker 1>that our telephone sat on, a tiny little table that

0:43:21.239 --> 0:43:23.920
<v Speaker 1>sat in front of the sofa when I was growing up,

0:43:24.280 --> 0:43:26.839
<v Speaker 1>and my dad used to turn that table upside down

0:43:27.239 --> 0:43:29.600
<v Speaker 1>and I'd get inside it and he'd swing me around.

0:43:30.080 --> 0:43:34.760
<v Speaker 1>I wanted the things for my childhood, and I looked

0:43:34.920 --> 0:43:39.000
<v Speaker 1>for the sculptures. When I was young, my mom went

0:43:39.120 --> 0:43:43.880
<v Speaker 1>and had her bust made by a very good artist,

0:43:44.000 --> 0:43:50.319
<v Speaker 1>a sculptor, and it sat in our living room, the

0:43:50.360 --> 0:43:53.440
<v Speaker 1>head of my mother with these hollowed out eyeballs. It

0:43:53.520 --> 0:43:57.520
<v Speaker 1>was very beautiful, bronze, very it was life sized. And

0:43:57.560 --> 0:44:01.279
<v Speaker 1>I remember when I was a child, she said, Oh,

0:44:01.400 --> 0:44:04.640
<v Speaker 1>the sculptor would like to do your sculpture too, and

0:44:04.680 --> 0:44:07.440
<v Speaker 1>I'm like, yeah, I don't know about that, and she

0:44:07.560 --> 0:44:11.240
<v Speaker 1>talked me into it, and for a couple of months

0:44:12.080 --> 0:44:16.480
<v Speaker 1>I had to go down to this creepy, cold, filthy

0:44:16.880 --> 0:44:20.560
<v Speaker 1>artists studio in the West twenties somewhere before that was cool,

0:44:21.760 --> 0:44:24.600
<v Speaker 1>and climb up these filthy stairs and put on a

0:44:24.680 --> 0:44:27.480
<v Speaker 1>leotard and stand in front of this sculptor. I mean,

0:44:27.520 --> 0:44:31.480
<v Speaker 1>she was with me, but it was cold and uncomfortable,

0:44:31.520 --> 0:44:33.560
<v Speaker 1>and I didn't understand why we were doing this. And

0:44:33.600 --> 0:44:36.719
<v Speaker 1>she sort of had me in similar pose to the

0:44:37.440 --> 0:44:39.840
<v Speaker 1>little ballerina at the Met and so I had my

0:44:40.000 --> 0:44:42.120
<v Speaker 1>arms crossed, but I did not look anything like the

0:44:42.120 --> 0:44:44.600
<v Speaker 1>little ballerina at the Met, let me tell you. And

0:44:45.160 --> 0:44:48.840
<v Speaker 1>it was maybe three feet high when it was finished,

0:44:48.840 --> 0:44:50.960
<v Speaker 1>and she had it cast in bronze and put it

0:44:51.560 --> 0:44:55.080
<v Speaker 1>on the bookshelf next to her. So we were there together,

0:44:55.360 --> 0:44:59.040
<v Speaker 1>cast in bronze, and those were there long after she

0:44:59.200 --> 0:45:02.440
<v Speaker 1>disowned me. I remember relatives seeing, Yeah, we went to

0:45:02.480 --> 0:45:05.920
<v Speaker 1>the apartment, and that sculpture of you is still there.

0:45:06.040 --> 0:45:08.839
<v Speaker 1>And so I went into her apartment after she died,

0:45:08.880 --> 0:45:11.000
<v Speaker 1>and I thought maybe I would find those things, and

0:45:11.040 --> 0:45:13.120
<v Speaker 1>they weren't there. And all I can imagine is they

0:45:13.160 --> 0:45:16.799
<v Speaker 1>wound up at goodwill, and I hope wherever has them

0:45:17.000 --> 0:45:19.440
<v Speaker 1>enjoys them. Or if they were melted.

0:45:19.040 --> 0:45:21.439
<v Speaker 3>Down, maybe they were turned into something good, or maybe

0:45:21.440 --> 0:45:22.279
<v Speaker 3>they were separated.

0:45:22.800 --> 0:45:27.719
<v Speaker 1>I actually think that the bust she returned to the sculptor,

0:45:27.880 --> 0:45:30.600
<v Speaker 1>and I saw some paperwork about that she turned the

0:45:30.600 --> 0:45:32.600
<v Speaker 1>bust to the sculpture, But I don't know what happened

0:45:32.640 --> 0:45:33.360
<v Speaker 1>to my sculpture.

0:45:34.480 --> 0:45:35.440
<v Speaker 3>Metaphors abound.

0:45:35.800 --> 0:45:37.719
<v Speaker 1>Metaphor is about absolutely.

0:45:40.560 --> 0:45:43.799
<v Speaker 3>Instead of her mom's sculptures, what Wit does end up

0:45:43.800 --> 0:45:48.040
<v Speaker 3>with are her mom's journals, of which there are many.

0:45:48.280 --> 0:45:50.920
<v Speaker 3>She grabs all the notebooks and papers she can find,

0:45:51.440 --> 0:45:55.080
<v Speaker 3>hoping that something must be recorded somewhere that it would

0:45:55.120 --> 0:45:59.040
<v Speaker 3>explain in her mom's eyes, what happened between the two

0:45:59.080 --> 0:46:03.840
<v Speaker 3>of them, something that is perhaps introspective, self aware, some

0:46:04.040 --> 0:46:07.320
<v Speaker 3>snippet that perhaps can provide answers and closure.

0:46:09.040 --> 0:46:12.040
<v Speaker 1>When I got home with all her writing, I remember

0:46:12.080 --> 0:46:15.279
<v Speaker 1>sitting in my room that I often write in and

0:46:16.239 --> 0:46:19.000
<v Speaker 1>just looking around, thinking, there's got to be something in there.

0:46:19.160 --> 0:46:24.320
<v Speaker 1>This got to be the reason. And I started writing

0:46:25.239 --> 0:46:29.319
<v Speaker 1>my own accounts of what had happened and staring at

0:46:29.360 --> 0:46:35.200
<v Speaker 1>these journals, and I suddenly realized one day that in

0:46:35.280 --> 0:46:40.640
<v Speaker 1>her travel journals they were dated, and I had my

0:46:40.840 --> 0:46:44.000
<v Speaker 1>journals that were dated, and I thought, what if I

0:46:44.200 --> 0:46:50.319
<v Speaker 1>compare my journals with her journals on specific days, then

0:46:50.480 --> 0:46:54.120
<v Speaker 1>I could answer this question that I'd asked myself so

0:46:54.239 --> 0:46:57.839
<v Speaker 1>many times, and that question was I wonder what she's

0:46:57.880 --> 0:47:03.120
<v Speaker 1>doing right now? And it worked. I was able to

0:47:03.320 --> 0:47:09.719
<v Speaker 1>match up my wife with hers on specific dates. And

0:47:10.040 --> 0:47:12.560
<v Speaker 1>I looked at my journal for April twenty second, nineteen

0:47:12.600 --> 0:47:15.880
<v Speaker 1>eighty six, which was when my son was born, and

0:47:15.920 --> 0:47:17.959
<v Speaker 1>I was in labor in my house at ann Arbor

0:47:18.400 --> 0:47:20.960
<v Speaker 1>and giving birth and all that that entailed, and I

0:47:21.080 --> 0:47:23.520
<v Speaker 1>just I had in kinded this hour by hour account

0:47:23.560 --> 0:47:27.120
<v Speaker 1>of what had happened. And I looked in her travel journals,

0:47:27.160 --> 0:47:31.400
<v Speaker 1>and she was in Kenya at the time at a safari,

0:47:32.640 --> 0:47:36.160
<v Speaker 1>and I accounted for the time change, and I matched

0:47:36.239 --> 0:47:40.480
<v Speaker 1>up what was happening like when I was roaming the

0:47:40.520 --> 0:47:43.480
<v Speaker 1>house in the middle of the night by myself in

0:47:43.640 --> 0:47:46.680
<v Speaker 1>labor and looking out the window at the snow. And

0:47:46.719 --> 0:47:49.160
<v Speaker 1>then I could look at her journal and know that

0:47:49.760 --> 0:47:53.440
<v Speaker 1>what she was doing she was having little teacakes for

0:47:53.520 --> 0:47:56.279
<v Speaker 1>breakfast and then going out on her first safari of

0:47:56.320 --> 0:47:59.799
<v Speaker 1>the day and looking for the tigers and the hyenas

0:48:00.000 --> 0:48:03.000
<v Speaker 1>and the lions, and she wanted to see the cubs

0:48:03.480 --> 0:48:07.200
<v Speaker 1>and it was fascinating to see. And you know, I

0:48:07.239 --> 0:48:10.759
<v Speaker 1>don't know that there is any psychic relevance to that,

0:48:10.800 --> 0:48:15.920
<v Speaker 1>but boy, it sure felt it was so interesting to me.

0:48:15.960 --> 0:48:18.000
<v Speaker 1>And there were more there were more instances of that,

0:48:18.080 --> 0:48:21.759
<v Speaker 1>and I ended up writing about those connections. I called

0:48:21.760 --> 0:48:25.080
<v Speaker 1>them connections, but you know, I think they were just

0:48:25.719 --> 0:48:29.680
<v Speaker 1>coincidences that I tried to make into connections.

0:48:30.440 --> 0:48:33.759
<v Speaker 3>So one connection that you do make is there's a

0:48:33.840 --> 0:48:34.520
<v Speaker 3>letter from her.

0:48:34.840 --> 0:48:39.200
<v Speaker 1>Yeah, So my mother's belongings were brought to a storage

0:48:39.200 --> 0:48:45.160
<v Speaker 1>facility in Alabama, and my cousin, while going through a

0:48:45.200 --> 0:48:52.040
<v Speaker 1>desk drawer, found a letter actually more like notes for

0:48:52.120 --> 0:48:57.160
<v Speaker 1>a letter to me, and their dated November of nineteen eighty,

0:48:57.640 --> 0:49:02.719
<v Speaker 1>so just a short pit after the separation, and my

0:49:03.120 --> 0:49:07.920
<v Speaker 1>cousin made a PBF of the document and emailed it

0:49:07.960 --> 0:49:11.279
<v Speaker 1>to me, and in the email, she said, cause this

0:49:11.360 --> 0:49:13.400
<v Speaker 1>is going to be painful, and I'm so sorry, and

0:49:13.440 --> 0:49:16.520
<v Speaker 1>I knew that this was going to be bad. And

0:49:18.120 --> 0:49:21.799
<v Speaker 1>in this document, which is born and tattered, and it's

0:49:21.880 --> 0:49:27.439
<v Speaker 1>really just notes scribbled and also typewritten notes, but she's

0:49:27.480 --> 0:49:33.520
<v Speaker 1>trying to explain what happened, And there's a lot, but

0:49:33.800 --> 0:49:39.200
<v Speaker 1>the part that I found really really interesting is this,

0:49:39.680 --> 0:49:42.800
<v Speaker 1>and I'll just quote a little bit of it. She said,

0:49:44.280 --> 0:49:48.040
<v Speaker 1>your recent choices have disappointed me and distressed me acutely.

0:49:48.480 --> 0:49:52.080
<v Speaker 1>But that's none of my business. But that's only one

0:49:52.200 --> 0:49:57.200
<v Speaker 1>level of my problem. The outer crust. My deeper problems

0:49:57.239 --> 0:50:00.480
<v Speaker 1>have to do with, if you will, a psychological wark,

0:50:00.880 --> 0:50:04.840
<v Speaker 1>the origins of which are vague, buried under nearly fifty

0:50:04.920 --> 0:50:10.880
<v Speaker 1>years of fears, denials, confusions, ignorance regarding pregnancy and birth,

0:50:11.440 --> 0:50:14.680
<v Speaker 1>and the bottom line adds up to a response of

0:50:14.920 --> 0:50:21.759
<v Speaker 1>passionate hysterical revulsion since the time of my own pregnancy

0:50:22.080 --> 0:50:24.400
<v Speaker 1>of what yours is turning out to be a replay

0:50:24.440 --> 0:50:29.360
<v Speaker 1>emotion wise, I've obviously known something was wrong. Perhaps unconsciously

0:50:30.040 --> 0:50:32.640
<v Speaker 1>I believed and hoped you would make other sets of

0:50:32.719 --> 0:50:35.120
<v Speaker 1>choices so that I'd not have to deal with it.

0:50:36.360 --> 0:50:40.760
<v Speaker 1>The clincher, I now weighed into the ever deeper, darker

0:50:41.440 --> 0:50:44.520
<v Speaker 1>Maybe I never loved you. All My life with you

0:50:44.600 --> 0:50:48.040
<v Speaker 1>as a mother was a performance designed to atone for

0:50:48.200 --> 0:50:52.839
<v Speaker 1>never having wanted you, an attempt to make good at

0:50:52.880 --> 0:50:58.680
<v Speaker 1>the same time, a desperate attempt to make you so informed, aware, sophisticated.

0:50:58.719 --> 0:51:02.000
<v Speaker 1>If you will, you should never face the nine months

0:51:02.040 --> 0:51:05.400
<v Speaker 1>of sheer hell, my ignorance and fear brought me to

0:51:05.480 --> 0:51:07.000
<v Speaker 1>make you different from me.

0:51:08.840 --> 0:51:13.520
<v Speaker 3>There's so many layers to that, yeah, so many, you know.

0:51:13.560 --> 0:51:16.440
<v Speaker 3>And one thing that strikes me is that you were

0:51:16.480 --> 0:51:19.800
<v Speaker 3>different from her. Earlier in our conversation when you quoted

0:51:19.840 --> 0:51:21.520
<v Speaker 3>her as saying something like, you know, now you're going

0:51:21.560 --> 0:51:23.839
<v Speaker 3>to be barefoot and pregnant in Cape cod the thought

0:51:23.880 --> 0:51:26.680
<v Speaker 3>that went through my mind was and what's wrong with that?

0:51:27.440 --> 0:51:30.560
<v Speaker 3>Of course right? But for her, for her, it was

0:51:30.600 --> 0:51:36.400
<v Speaker 3>a nightmare. But for you, you weren't her. You weren't her.

0:51:37.040 --> 0:51:39.560
<v Speaker 1>Yeah, you know, we had to separate at some point.

0:51:39.640 --> 0:51:42.839
<v Speaker 1>I mean, every therapist I ever have spoken to it said,

0:51:43.080 --> 0:51:46.839
<v Speaker 1>you know, you were incredibly enmeshed with this woman, and

0:51:47.520 --> 0:51:50.640
<v Speaker 1>you knew that in some way that this gave you

0:51:50.680 --> 0:51:53.319
<v Speaker 1>the perfect out. You had to separate so that you

0:51:53.360 --> 0:51:55.600
<v Speaker 1>could be a mom and live the life you were

0:51:55.640 --> 0:51:58.080
<v Speaker 1>intended to live, the life that you wanted to live.

0:51:58.239 --> 0:52:01.720
<v Speaker 1>And so at the end of it, she basically just says,

0:52:02.800 --> 0:52:07.080
<v Speaker 1>I can do you no good except by absenting myself

0:52:07.239 --> 0:52:09.879
<v Speaker 1>from you, which is what she did. And she meant it.

0:52:14.719 --> 0:52:18.080
<v Speaker 3>Witt learns that there is actually a clinical term from

0:52:18.160 --> 0:52:22.760
<v Speaker 3>what her mother suffered from, one that shaped their entire relationship,

0:52:23.239 --> 0:52:29.520
<v Speaker 3>totophobia of fear and revulsion revolving around pregnancy. In her journals,

0:52:29.880 --> 0:52:34.120
<v Speaker 3>WIT's mom writes extensively about her own childhood experience of

0:52:34.200 --> 0:52:39.440
<v Speaker 3>watching her mother give birth and how it terrified her heartbreakingly.

0:52:39.960 --> 0:52:43.400
<v Speaker 3>Wit also discovers all of the letters she wrote to

0:52:43.440 --> 0:52:47.200
<v Speaker 3>her mother over the years, all those letters filled with

0:52:47.320 --> 0:52:51.560
<v Speaker 3>hopeful updates on her life. They were tied together in

0:52:51.640 --> 0:52:53.560
<v Speaker 3>a bundle, unopened.

0:52:56.360 --> 0:52:58.960
<v Speaker 1>I figured she would have thrown them out, so I

0:52:59.040 --> 0:53:01.919
<v Speaker 1>thought it was interesting she saved them in a way

0:53:02.000 --> 0:53:04.520
<v Speaker 1>that was a message like I'm just going to save

0:53:04.560 --> 0:53:06.319
<v Speaker 1>these so that when I die, you will know that

0:53:06.400 --> 0:53:09.440
<v Speaker 1>I never even opened your letters. So I thought that

0:53:09.600 --> 0:53:15.719
<v Speaker 1>was that's communication. There's some sort of communication going on there.

0:53:15.760 --> 0:53:16.520
<v Speaker 3>It surely is.

0:53:17.680 --> 0:53:21.200
<v Speaker 1>But it's been fascinating to open them. I could only

0:53:21.239 --> 0:53:22.840
<v Speaker 1>do one or two at a time because it was

0:53:22.920 --> 0:53:28.560
<v Speaker 1>just too much. It's just overwhelming to hear my own

0:53:28.640 --> 0:53:33.560
<v Speaker 1>voice change as I grew older, my written voice. You know.

0:53:33.600 --> 0:53:36.719
<v Speaker 1>She's just so young and so positive, and we're going

0:53:36.760 --> 0:53:37.319
<v Speaker 1>to get through this.

0:53:37.440 --> 0:53:39.880
<v Speaker 4>And oh, it's going to be fine, and oh I

0:53:39.920 --> 0:53:43.000
<v Speaker 4>went and went to the library today, and I wish

0:53:43.040 --> 0:53:45.200
<v Speaker 4>you would respond, but it's okay if you don't, because

0:53:45.239 --> 0:53:48.520
<v Speaker 4>I'm still you know, just that voice compared to the

0:53:48.560 --> 0:53:51.440
<v Speaker 4>one in later years, where in the nineties it's like,

0:53:52.440 --> 0:53:55.080
<v Speaker 4>where are your manners? I sent you a letter, why

0:53:55.080 --> 0:53:58.880
<v Speaker 4>don't you respond? I became a little bit more hard edged.

0:54:03.440 --> 0:54:07.520
<v Speaker 3>Alongside all of these discoveries, Wit makes another one, but

0:54:07.640 --> 0:54:10.520
<v Speaker 3>this time it isn't a secret she discovers or a

0:54:10.560 --> 0:54:15.719
<v Speaker 3>stack of papers. It's a hobby, possibly the most poetic

0:54:15.760 --> 0:54:20.600
<v Speaker 3>hobby you could ever imagine. Wit has taken up metal detecting.

0:54:21.520 --> 0:54:24.440
<v Speaker 3>She finds a metal detector on Craigslist for two hundred

0:54:24.440 --> 0:54:26.960
<v Speaker 3>and fifty dollars and takes the plunge.

0:54:29.960 --> 0:54:32.759
<v Speaker 1>It changed my life. Nashville is a great place to

0:54:32.800 --> 0:54:36.880
<v Speaker 1>metal detect There have been people here for centuries and centuries,

0:54:36.920 --> 0:54:41.040
<v Speaker 1>and I've dug Indian artifacts, native artifacts in my garden.

0:54:41.880 --> 0:54:45.560
<v Speaker 1>This is a place where people have lived since before time.

0:54:48.160 --> 0:54:52.080
<v Speaker 1>And so I started metal detecting, and it provided this

0:54:52.400 --> 0:54:55.800
<v Speaker 1>enormous amount of relief for me. Always been a little

0:54:55.840 --> 0:55:02.680
<v Speaker 1>tightly wound, a little anxious, and it is the most meditative,

0:55:03.640 --> 0:55:08.360
<v Speaker 1>meaningful hobby, and anyone who does it knows. I joined

0:55:08.360 --> 0:55:11.240
<v Speaker 1>a club. I joined the Middle Tennessee Metal Detecting Club,

0:55:11.280 --> 0:55:13.880
<v Speaker 1>and I started in the backyard and dug up Civil

0:55:13.920 --> 0:55:19.759
<v Speaker 1>War bullets and musketballs, and I've dug Spanish reals from

0:55:19.760 --> 0:55:23.120
<v Speaker 1>the seventeen hundreds right in my neighborhood. And yeah, there's

0:55:23.239 --> 0:55:26.359
<v Speaker 1>meaning to it. When you're looking in the dirt and

0:55:26.400 --> 0:55:30.359
<v Speaker 1>it's chaos in the dirt. It's roots and rocks and

0:55:30.920 --> 0:55:34.000
<v Speaker 1>mud and bits of grass, and then all of a sudden,

0:55:34.280 --> 0:55:37.880
<v Speaker 1>you see something shiny and you pull it out and

0:55:37.920 --> 0:55:42.600
<v Speaker 1>it's a Liberty dime from nineteen twenty two, and it's

0:55:42.640 --> 0:55:44.640
<v Speaker 1>as shiny as it was when it fell out of

0:55:44.680 --> 0:55:48.120
<v Speaker 1>someone's pocket and you hold it in your hand and

0:55:48.120 --> 0:55:50.080
<v Speaker 1>you think about the person who dropped it, and there's

0:55:50.120 --> 0:55:53.120
<v Speaker 1>this connection to the past. And not everybody has that,

0:55:53.160 --> 0:55:55.719
<v Speaker 1>but people who metal detect have that. They get this

0:55:55.880 --> 0:55:59.360
<v Speaker 1>history rush. You want to connect with people from the past.

0:55:59.360 --> 0:56:03.160
<v Speaker 1>And I think that's probably one reason this thing with

0:56:03.239 --> 0:56:08.000
<v Speaker 1>my mom has been so painful, because I feel connected

0:56:08.040 --> 0:56:10.880
<v Speaker 1>to her. I felt connected to her even when she

0:56:10.920 --> 0:56:15.759
<v Speaker 1>did terrible things to me, Even remembering the things she

0:56:15.840 --> 0:56:19.000
<v Speaker 1>did when I was a child that were really not good.

0:56:20.360 --> 0:56:23.080
<v Speaker 1>I felt connected to her and I told her that,

0:56:23.200 --> 0:56:26.239
<v Speaker 1>I said, Mom, I feel like we're connected by a

0:56:26.280 --> 0:56:29.360
<v Speaker 1>silver band, and no matter where we are, we have

0:56:29.440 --> 0:56:33.640
<v Speaker 1>a connection with a silver band. She appreciated that. She

0:56:33.800 --> 0:56:36.680
<v Speaker 1>liked that, she liked to know that I loved her.

0:56:37.719 --> 0:56:40.560
<v Speaker 1>But you know, it didn't last. And then she went

0:56:40.600 --> 0:56:45.280
<v Speaker 1>off and had her freedom and saw the world. And

0:56:45.320 --> 0:56:48.600
<v Speaker 1>in all the writings, in all the journals, there was

0:56:48.640 --> 0:56:51.120
<v Speaker 1>only one place in all of that writing where she

0:56:51.200 --> 0:56:55.520
<v Speaker 1>mentioned me. And it was the saddest thing I've ever seen.

0:56:56.360 --> 0:56:59.040
<v Speaker 1>And she had written it in the middle of the

0:56:59.120 --> 0:57:03.080
<v Speaker 1>night after having the dream, and she just talked about

0:57:03.080 --> 0:57:06.400
<v Speaker 1>me being a baby. It's too sad to even say that.

0:57:06.480 --> 0:57:09.920
<v Speaker 1>It was very short, just a couple of lines, and

0:57:09.960 --> 0:57:14.000
<v Speaker 1>it showed her ability to self reflect and to look

0:57:14.040 --> 0:57:18.280
<v Speaker 1>at herself and to acknowledge that what had happened was

0:57:18.360 --> 0:57:23.760
<v Speaker 1>really sad. And so you know, I found that, and

0:57:23.880 --> 0:57:26.920
<v Speaker 1>it happened in a hotel in Tokyo, and I just

0:57:27.280 --> 0:57:29.080
<v Speaker 1>I don't really know the meaning of it. I just

0:57:29.160 --> 0:57:32.880
<v Speaker 1>know that she did dream about me. So there was

0:57:32.920 --> 0:57:38.040
<v Speaker 1>that where this lives inside me. Now I will tell

0:57:38.080 --> 0:57:41.120
<v Speaker 1>you that a long time ago, when I was in

0:57:41.160 --> 0:57:44.360
<v Speaker 1>the throes of it and she was still alive, and

0:57:44.400 --> 0:57:47.840
<v Speaker 1>I thought about her a lot, and so often I

0:57:47.880 --> 0:57:50.439
<v Speaker 1>would think, Oh, she woke up today and she's still

0:57:50.480 --> 0:57:53.960
<v Speaker 1>not calling me. Even the thousands and thousands of days later,

0:57:54.080 --> 0:57:57.240
<v Speaker 1>I'd still think that, and it would hurt. She made

0:57:57.280 --> 0:58:02.200
<v Speaker 1>the decision every day to let this happened. And I

0:58:02.240 --> 0:58:04.880
<v Speaker 1>remember sitting with a girlfriend of mine in nan Arbor

0:58:05.200 --> 0:58:07.720
<v Speaker 1>and I was crying and remembering this because it's still hurt,

0:58:07.720 --> 0:58:10.800
<v Speaker 1>and I would still cry, and I said, how am

0:58:10.840 --> 0:58:13.600
<v Speaker 1>I going to feel when she dies? If we haven't

0:58:13.600 --> 0:58:17.200
<v Speaker 1>worked this out? How am I going to feel? And

0:58:17.280 --> 0:58:21.360
<v Speaker 1>my friend looked at me and she said, relieved. You're

0:58:21.400 --> 0:58:25.439
<v Speaker 1>going to feel. Relieved had never occurred to me, And

0:58:26.120 --> 0:58:40.080
<v Speaker 1>that's how I feel. It's over. You're so sweet. I'm

0:58:40.120 --> 0:58:43.880
<v Speaker 1>going to take you home with me. I dug it up.

0:58:44.760 --> 0:58:45.680
<v Speaker 1>I dug it.

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<v Speaker 2>Up from my baby buddy one.

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<v Speaker 1>Now he says, go wash your hands.

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<v Speaker 3>But what about Only Secrets is a production of iHeartRadio.

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<v Speaker 3>Molly's Acre is the story editor and Dylan Fagan is

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<v Speaker 3>the executive producer. If you have a family secret you'd

0:59:09.800 --> 0:59:12.240
<v Speaker 3>like to share, please leave us a voicemail and your

0:59:12.280 --> 0:59:15.680
<v Speaker 3>story could appear on an upcoming episode. Our number is

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<v Speaker 3>one eight eight eight Secret zero. That's the number zero.

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<v Speaker 3>You can also find me on Instagram at Danny Rider.

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<v Speaker 3>And if you'd like to know more about the story

0:59:26.840 --> 0:59:31.160
<v Speaker 3>that inspired this podcast, check out my memoir Inheritance.

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<v Speaker 2>Under the Sand, Under the Sand, Bad Goal, Band.

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<v Speaker 4>Big.

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<v Speaker 1>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

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<v Speaker 1>or wherever you listen to your favorite IT shows.