1 00:00:00,560 --> 00:00:04,320 Speaker 1: Hey, hey, hey, hey, get us. Latino USA is celebrating 2 00:00:04,480 --> 00:00:08,200 Speaker 1: thirty years today, Ain't that amos? And we would love 3 00:00:08,440 --> 00:00:10,960 Speaker 1: to hear from you. Dear listener, Do you want to 4 00:00:11,000 --> 00:00:14,280 Speaker 1: share with us exactly what Latino USA has meant to you? 5 00:00:14,680 --> 00:00:17,240 Speaker 1: Do you have a birthday wish for us? Leave us 6 00:00:17,239 --> 00:00:21,239 Speaker 1: a voicemail at six four six five seven to one 7 00:00:21,360 --> 00:00:25,760 Speaker 1: one two two four. That's six four six five seven 8 00:00:25,800 --> 00:00:28,680 Speaker 1: to one one two two four, and we might feature 9 00:00:28,720 --> 00:00:32,920 Speaker 1: your message in an upcoming show grass Yas. This is 10 00:00:33,000 --> 00:00:37,040 Speaker 1: Latino USA, the Radio Journal of News and Kurture's Latino USA. 11 00:00:37,240 --> 00:00:41,239 Speaker 1: Latin Us, Latino USA. I'm Maria Inojosa. We bring you 12 00:00:41,280 --> 00:00:45,160 Speaker 1: stories that are underreported but that mattered to you, overlooked 13 00:00:45,159 --> 00:00:46,920 Speaker 1: by the rest of the media, and while the country 14 00:00:46,960 --> 00:00:48,960 Speaker 1: is struggling to deal with these we listen to the 15 00:00:49,000 --> 00:00:52,760 Speaker 1: stories of black and Latinos. Studios United Latino Front, a 16 00:00:52,880 --> 00:00:57,960 Speaker 1: cultural renaissance organizing at the forefront of the movement. I'm 17 00:00:57,960 --> 00:01:04,280 Speaker 1: Maria Inojosa, nose Bayan. Hey, Latino USA, listener, here's a 18 00:01:04,319 --> 00:01:11,679 Speaker 1: show from our archives from Futro Media and PRX. It's 19 00:01:11,760 --> 00:01:19,320 Speaker 1: Latino USA. I'm Maria no Josa. Today the Uruguayyan band Notevagusta. 20 00:01:24,200 --> 00:01:26,800 Speaker 1: You might not have heard of them here in the States, 21 00:01:26,800 --> 00:01:29,600 Speaker 1: but Noteva Gustad is an Uruguayyan band that has been 22 00:01:29,640 --> 00:01:33,600 Speaker 1: around for over twenty five years, and they still fill 23 00:01:33,720 --> 00:01:37,000 Speaker 1: arenas for their concerts in Latin America. 24 00:01:37,000 --> 00:01:39,839 Speaker 2: Nmos eleonor dere Dra Corrosa. 25 00:01:39,959 --> 00:01:42,840 Speaker 1: To mark their twenty fifth anniversary in twenty nineteen, the 26 00:01:42,880 --> 00:01:47,520 Speaker 1: band released a special album, Otras Cancionist. The album is 27 00:01:47,560 --> 00:01:51,000 Speaker 1: a compilation of some of their most popular songs, and 28 00:01:51,200 --> 00:02:03,280 Speaker 1: it includes collaborations with guests like Draco Rosa, Ulieta Venegas. 29 00:02:06,960 --> 00:02:20,680 Speaker 3: Estav Mos, Loss Mirandola Porte, Drexler, Bena Lasi, Belfork, Lena. 30 00:02:20,400 --> 00:02:37,000 Speaker 1: Las and Florid Tolace Lava came Notevagustad, which started as 31 00:02:37,000 --> 00:02:40,359 Speaker 1: a trio in nineteen ninety four, now has nine members 32 00:02:40,360 --> 00:02:44,119 Speaker 1: in its lineup. It's primarily a rock band, but they're 33 00:02:44,160 --> 00:02:48,240 Speaker 1: also influenced by other styles like reggae, salsa, and ska. 34 00:02:48,880 --> 00:02:52,240 Speaker 1: Three members of Noteva Gustad join us to talk about 35 00:02:52,280 --> 00:02:56,040 Speaker 1: their music, touring, and what it means to be together 36 00:02:56,120 --> 00:03:00,320 Speaker 1: for twenty five years. Here are Diego Gartaburu, Martin Hill, 37 00:03:00,639 --> 00:03:02,240 Speaker 1: and Francisco nase. 38 00:03:03,200 --> 00:03:07,480 Speaker 4: Hello, I am Diego, but we do drummer for not 39 00:03:07,560 --> 00:03:09,200 Speaker 4: a autar Hi. 40 00:03:09,280 --> 00:03:11,960 Speaker 5: My name is Martin and I played trumpet and I 41 00:03:11,960 --> 00:03:12,760 Speaker 5: also sing. 42 00:03:12,600 --> 00:03:13,959 Speaker 6: A little Hi. 43 00:03:14,120 --> 00:03:17,600 Speaker 7: My name is Francy Connasse and the keyboard player if 44 00:03:17,639 --> 00:03:18,360 Speaker 7: not about. 45 00:03:18,120 --> 00:03:22,280 Speaker 8: Stark At the scaler sles and. 46 00:03:25,000 --> 00:03:29,000 Speaker 2: Solos, Fradolo get. 47 00:03:32,320 --> 00:03:36,600 Speaker 5: Well not At is a Uayan band. It started playing 48 00:03:36,680 --> 00:03:40,080 Speaker 5: at nineteen ninety four. It started just like a power 49 00:03:40,200 --> 00:03:44,440 Speaker 5: trio and we have nine musicians. At this time, we 50 00:03:44,600 --> 00:03:49,400 Speaker 5: have nine albums released at this moment studio albums and 51 00:03:49,560 --> 00:03:54,240 Speaker 5: nowadays we just have visited more than twenty countries and 52 00:03:54,440 --> 00:03:59,760 Speaker 5: we've been playing for for more than one hundred concerts areas. 53 00:03:59,800 --> 00:04:04,960 Speaker 6: So it changed a lot our lives. We we grew 54 00:04:05,120 --> 00:04:07,040 Speaker 6: in here and we became. 55 00:04:08,320 --> 00:04:14,240 Speaker 5: Fathers most of us, and so it's been almost behalf 56 00:04:14,280 --> 00:04:14,920 Speaker 5: of our lives. 57 00:04:17,040 --> 00:04:20,440 Speaker 6: Okay. Our first album is called Solo Energy. 58 00:04:20,720 --> 00:04:24,320 Speaker 5: It was released at nineteen ninety nine, and I would 59 00:04:24,600 --> 00:04:28,600 Speaker 5: like to let you hear Nedra Serto, which became an 60 00:04:28,640 --> 00:04:30,960 Speaker 5: emblematic song for us and. 61 00:04:31,200 --> 00:04:35,480 Speaker 6: For people that like our music, so we hope you 62 00:04:35,640 --> 00:04:35,839 Speaker 6: like it. 63 00:04:37,360 --> 00:04:42,360 Speaker 2: Allwhere to casa quando quieras. 64 00:04:45,960 --> 00:04:50,360 Speaker 4: Siam preti Space on a center. 65 00:04:54,720 --> 00:04:59,719 Speaker 2: Booz kandoas Dmo. 66 00:05:03,680 --> 00:05:05,200 Speaker 4: Extrauito. 67 00:05:09,640 --> 00:05:13,159 Speaker 7: We are like an I don't know the word eclectic band. 68 00:05:14,240 --> 00:05:18,320 Speaker 7: We've got so many influences. We are nine musicians with 69 00:05:19,080 --> 00:05:21,120 Speaker 7: everyone has his own. 70 00:05:24,120 --> 00:05:33,120 Speaker 2: Sasies, schools, Bokay, shallow see another. 71 00:05:35,600 --> 00:05:39,320 Speaker 4: Yeah, maybe you can listen from influence from reggae reggae 72 00:05:39,320 --> 00:05:46,680 Speaker 4: bands or traditional Mexican music or rye music or rock. 73 00:05:47,600 --> 00:05:48,719 Speaker 6: Yeah, rock bands. 74 00:05:49,839 --> 00:05:53,440 Speaker 8: We have to mix rhythms. We have to to do 75 00:05:53,560 --> 00:05:56,640 Speaker 8: whatever the song tells you to do. Anything that happening. 76 00:05:56,880 --> 00:06:00,160 Speaker 8: That's the thing about not about that that it's not 77 00:06:00,279 --> 00:06:01,640 Speaker 8: like a rock and roll band. 78 00:06:02,440 --> 00:06:05,320 Speaker 4: We can play a pop pop song or more folk song, 79 00:06:05,560 --> 00:06:10,560 Speaker 4: or reggae song or more hard rock songs. That what's 80 00:06:10,560 --> 00:06:15,640 Speaker 4: special about this man It has not doesn't concentrate on 81 00:06:15,760 --> 00:06:16,200 Speaker 4: one style. 82 00:06:16,279 --> 00:06:17,480 Speaker 6: We play a lot of styles. 83 00:06:21,800 --> 00:06:26,080 Speaker 4: Okay, This next song is called Chao. It's about basically 84 00:06:27,240 --> 00:06:30,760 Speaker 4: the girl broke up with the guy and then several 85 00:06:30,920 --> 00:06:35,360 Speaker 4: years later she came back, but he no longer went 86 00:06:35,440 --> 00:06:35,960 Speaker 4: away with her. 87 00:06:38,000 --> 00:06:41,120 Speaker 7: Let's have about most loose, doom and dormo. 88 00:06:53,400 --> 00:07:02,280 Speaker 4: Broken well. 89 00:07:02,320 --> 00:07:06,000 Speaker 5: Symp Gilaria talks about the life of a person that 90 00:07:06,120 --> 00:07:10,800 Speaker 5: reaches eighty years and and he just see that has 91 00:07:11,200 --> 00:07:14,600 Speaker 5: nothing to left. He's not concerned with with what is 92 00:07:14,680 --> 00:07:17,800 Speaker 5: happening around and with people that were near him. So 93 00:07:18,520 --> 00:07:21,880 Speaker 5: so he can't feel that he's going to die, and 94 00:07:22,040 --> 00:07:24,480 Speaker 5: he will do that without glory and no one will 95 00:07:24,840 --> 00:07:25,440 Speaker 5: cry for him. 96 00:07:26,960 --> 00:07:29,520 Speaker 4: He does. 97 00:07:31,320 --> 00:07:31,760 Speaker 6: For that. 98 00:07:35,720 --> 00:07:38,720 Speaker 2: Meslan as he means Salban. 99 00:07:38,640 --> 00:07:40,360 Speaker 6: Or Suprian. 100 00:07:41,840 --> 00:07:42,400 Speaker 7: Issues. 101 00:07:43,680 --> 00:07:46,720 Speaker 4: I mean, he didn't do like anything evil, but also 102 00:07:47,240 --> 00:07:50,960 Speaker 4: anything good. You know, he feels like he awaited his life. 103 00:07:51,040 --> 00:07:51,200 Speaker 8: Yeah. 104 00:08:00,080 --> 00:08:08,760 Speaker 7: Ye, every country is so different. You can play in 105 00:08:08,960 --> 00:08:12,400 Speaker 7: the wise our country is like playing for the family 106 00:08:12,520 --> 00:08:16,400 Speaker 7: and the friends and and people you know, and the fans. 107 00:08:16,760 --> 00:08:20,960 Speaker 7: It's so But in Argentina is another study. It's a 108 00:08:21,160 --> 00:08:24,040 Speaker 7: very warm audience. They sing a lot. 109 00:08:24,520 --> 00:08:26,160 Speaker 4: They are part of the show, you know, they like 110 00:08:26,280 --> 00:08:37,959 Speaker 4: to be a part of the show, so they sing along. Lookie, 111 00:08:44,840 --> 00:08:47,920 Speaker 4: we love playing live. Yeah, yeah, I mean I think 112 00:08:47,960 --> 00:08:51,240 Speaker 4: we're pretty good playing playing live, you know, since we 113 00:08:51,320 --> 00:08:53,559 Speaker 4: go to the studio like every two or three years, 114 00:08:53,760 --> 00:08:55,880 Speaker 4: like you have to get used to it every time. 115 00:08:57,000 --> 00:08:59,480 Speaker 4: You have to play in a different way that you 116 00:08:59,559 --> 00:08:59,880 Speaker 4: play like. 117 00:09:00,440 --> 00:09:05,199 Speaker 7: But the band has a special special energy on stage, 118 00:09:05,320 --> 00:09:07,640 Speaker 7: so I think we really love that. 119 00:09:10,559 --> 00:09:18,920 Speaker 4: Comb You guys know what not about means if you 120 00:09:19,000 --> 00:09:22,520 Speaker 4: don't The name means you're not gonna like it. That's 121 00:09:22,559 --> 00:09:24,280 Speaker 4: what the name of the song the band. 122 00:09:24,679 --> 00:09:27,800 Speaker 6: But be patient, Be patient R S. M. D. 123 00:09:28,120 --> 00:09:28,720 Speaker 4: Tomo, Ma. 124 00:09:31,600 --> 00:09:54,920 Speaker 2: Costalo inover Miss manianassare Co s CORALLAOA Bresao, He show 125 00:09:55,040 --> 00:09:55,680 Speaker 2: me his mother. 126 00:10:03,920 --> 00:10:06,960 Speaker 1: This episode was produced by Nien Macias and edited by 127 00:10:07,080 --> 00:10:12,400 Speaker 1: Sophia Parisaka. The Latino USA team includes Andrea Lopez Crusado, 128 00:10:12,640 --> 00:10:18,560 Speaker 1: Marta Martinez, Mike Sargent, Daisy Contreras, Victoria Estrada, Renaldo Leanus Junior, 129 00:10:18,840 --> 00:10:23,480 Speaker 1: Patricia Sulbaran, and Elizabeth Lenthal Torres. Our editorial director is 130 00:10:23,679 --> 00:10:27,280 Speaker 1: Fernandes Santos. Our director of engineering is Stephanie Lebou. Our 131 00:10:27,320 --> 00:10:30,520 Speaker 1: senior engineer is Julia Caruso. Our associate engineers are Gabriel 132 00:10:30,520 --> 00:10:35,000 Speaker 1: Abiez JJ Carubin. Our marketing manager is Luis Luna. Our 133 00:10:35,040 --> 00:10:37,720 Speaker 1: theme music was composed by Sania Rubinos. I'm your host 134 00:10:37,800 --> 00:10:41,280 Speaker 1: and executive producer Maria Jojosa. Join us on our next episode. 135 00:10:41,480 --> 00:10:44,000 Speaker 1: You can also find us on your social media and 136 00:10:44,280 --> 00:10:46,480 Speaker 1: I say no de riyas ciao. 137 00:10:50,040 --> 00:10:53,040 Speaker 6: Funding for Latino USA is coverage of a culture of 138 00:10:53,160 --> 00:10:55,719 Speaker 6: health is made possible in part by a grant from 139 00:10:55,760 --> 00:10:59,840 Speaker 6: the Robert Wood Johnson Foundation, the John D. And Catherine Team, 140 00:11:00,080 --> 00:11:03,640 Speaker 6: Garthur Foundation, and the Ford Foundation. 141 00:11:04,320 --> 00:11:08,240 Speaker 4: Working with visionaries on the front lines of social change worldwide.