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Speaker 1: I am all in.

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Speaker 2: Oh that's just you.

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Speaker 3: I am all in with Scott Patterson and iHeart Radio podcast.

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Speaker 1: Everybody, Scott Patterson, I am all in podcast. iHeartRadio, I

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Speaker 1: heart Podcast, iHeart Media. This Is seven, episode eighteen, Heybail

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Speaker 1: Mays otherwise known as Haybail Mays.

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Speaker 4: I keep saying hail Bail Mays. Like every time Halil

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Speaker 4: did I say hell? No, you said it perfectly.

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Speaker 1: I said, hey, hey bail Maze.

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Speaker 4: I keep saying hail bail. It's a little bit of

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Speaker 4: a hard one to say, Hey bail.

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Speaker 1: Mas say ten times in a row, go okay, hey.

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Speaker 4: Bail is, Hey bail is Hey bail miss, Hey bail miss.

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Speaker 4: It sounds like I'm saying, hey, Bill Mays, who's a

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Speaker 4: guy that works at iHeart right, Hey bail is okay.

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Speaker 1: So next time you see Bill, call him, Hey, Hey

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Speaker 1: bail maye Hey bail mans Uh. Season seven, episode eighteen,

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Speaker 1: Hey Bill May's Intrepid crew, Amy Sugarman, Susanne French. We

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Speaker 1: are minus Tara, Sue and Danielle Romo because they are

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Speaker 1: off doing really important busy.

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Speaker 4: You can say they're off on assignment. That's what all

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Speaker 4: the news that people say when they're like, Hoda isn't

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Speaker 4: here today because she's off on a sign.

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Speaker 1: I mean, let me say it in an official voice.

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Speaker 1: And uh, Tara Sude and Daniel Romo off on assignment today.

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Speaker 1: So stuck with these two and they're stuck with me.

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Speaker 4: I like this episode.

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Speaker 2: You I love this episode.

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Speaker 1: Loved Yeah, I don't know. Finally, Yeah, it's pretty good.

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Speaker 1: It's pretty good.

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Speaker 2: We got a festival, you got meeting. We got a

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Speaker 2: little bit of Paris and Doyle I Colin's it been

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Speaker 2: since we saw Maury like.

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Speaker 1: That very kirky things, and Gilmour gilmore quirky things, and yeah,

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Speaker 1: and and Babbett's morey going. We got a hay high

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Speaker 1: amaze high man. You know, we got all kinds of

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Speaker 1: good little details in there and.

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Speaker 4: Deep thoughts with Logan and Loralai. We got a lot

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Speaker 4: of we got a little.

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Speaker 1: There's a lot of confessional stuff happening, a lot of

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Speaker 1: meeting of the minds and yeah, mommy stuff, you know.

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Speaker 4: Yeah, mommy stuff. Well, let's do it. Let's do this.

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Speaker 1: iHeart Podcasts listen on the iHeartRadio app. Who's uh, Who's

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Speaker 1: taking us away? With the synopsisizations.

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Speaker 4: Answer and the pressure.

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Speaker 1: We're out there all right, coming off the bench. Gotta

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Speaker 1: hit some jump shots. Let's see how you do in

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Speaker 1: the Olympics.

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Speaker 2: Okay. This is season seven, episode eighteen, Hey Bayo Mays.

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Speaker 2: It aired on April seventeenth, two thousand and seven. As

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Speaker 2: Stars Hollow prepares for its annual Spring Flat Festival, the

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Speaker 2: town is thrown off with Taylor's hay Bale maze. Meanwhile,

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Speaker 2: Rory brings Logan home, and Laurel I sees how serious

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Speaker 2: their relationship has become and worries that Logan is too

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Speaker 2: irresponsible for Rory. Plus a reconciliation we have been waiting

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Speaker 2: for between Luke and Laurel I.

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Speaker 4: Yes, that was awesome.

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Speaker 1: It was uh that was.

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Speaker 4: That was good right in the middle of the hay

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Speaker 4: Bale maze.

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Speaker 1: Right, Yeah, it was gripping. So what do we think?

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Speaker 1: Who's taking us through?

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Speaker 4: Suzanne? Yeah, you start and then we'll we'll chime in.

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Speaker 4: Don't don't you worry?

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Speaker 2: So the the opening scene had a cute little U

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Speaker 2: slap fight with Michelle and Suki. I thought it was funny.

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Speaker 2: As they're trying to put together the gift baskets for

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Speaker 2: the spring Fling. His brochure, the brochure, and she didn't

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Speaker 2: like the brocher in the front there was it was

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Speaker 2: a cute little thing. And then this is where we

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Speaker 2: find out that Taylor kind of fooled the whole town

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Speaker 2: by putting in this hay bale maze. And I guess

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Speaker 2: there were tears involved and we didn't get to see that,

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Speaker 2: but kids set up. We kind of get the chest.

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Speaker 4: It's very Gilmoury. I don't know why they wouldn't have

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Speaker 4: the hay bale maze and all the other.

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Speaker 2: I know, I didn't I didn't get that at first either.

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Speaker 2: And then especially once you see the map of the

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Speaker 2: town with the hay bales just everywhere, like they could

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Speaker 2: still like fit it in around totally.

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Speaker 4: And also it didn't seem like that would be too

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Speaker 4: costly other than the building of the booths, because they

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Speaker 4: seemed like they were all for profits, the lemonade stand,

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Speaker 4: you know, all the things, so.

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Speaker 2: And they do it every year, so they probably already

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Speaker 2: have everything built and it's just exactlate or something.

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Speaker 4: So sort of flag but whatever, Taylor's town.

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Speaker 2: And then oh, sorry, Scott, I mean to interrupt you.

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Speaker 1: Well I was saying, I don't know you made it sound.

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Speaker 2: I thought you were gonna give us your thoughts. People.

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Speaker 4: The people want to hear more from you, Scott.

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Speaker 1: They do.

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Speaker 4: I got a less less of us, more of you.

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Speaker 4: So yeah, you should feel good. You should feel good.

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Speaker 4: They definitely want more of you.

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Speaker 1: They want more of me. I want more of them.

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Speaker 4: So what did you think?

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Speaker 1: I thought the opening was, you know, I kept saying

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Speaker 1: to myself. I said, boy, it's got to be hard

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Speaker 1: to be Michelle. I mean, imagine being that guy. Right. Uh.

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Speaker 1: I thought it was pretty funny. It wasn't great funny.

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Speaker 4: I'm with you, Yeah, I'm with you.

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Speaker 1: I think Lauren came in and saved the scene actually,

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Speaker 1: as it was kind of trailing off a little bit

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Speaker 1: and this lap fight was funny, but it was getting

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Speaker 1: like it was getting weird. Yeah, yeah, yeah, And then

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Speaker 1: she came in and did funny things and said things quickly,

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Speaker 1: and I was happy. And then yeah, I thought the

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Speaker 1: opening was pretty good, pretty strong, and uh, you know,

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Speaker 1: now we're off for the races.

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Speaker 4: Yeah, that's what's about to say. It's like we started

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Speaker 4: on a medium and it went up from there.

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Speaker 1: Right, And I think it's a it's a wise place

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Speaker 1: to begin from you you don't want to start on

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Speaker 1: a high.

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Speaker 4: Yeah, all right, and then then what happens?

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Speaker 2: Then it goes to Rory and Paris's apartment. Uh and Doyle.

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Speaker 2: Oh yeah, yes, so this I thought this was an

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Speaker 2: interesting scene we don't see like Logos apparently is now

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Speaker 2: living there, which was something we've not seen before. There

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Speaker 2: was an argument about the milk. I had the because

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Speaker 2: my family too different kinds of milk in the fridge too,

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Speaker 2: so that that.

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Speaker 4: Milk bit was funny, and Paris was very Parisy and

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Speaker 4: it was good. And I love having Doyle in there.

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Speaker 4: I love having the four of them. I could have

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Speaker 4: done more scenes of that. There's a few things that

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Speaker 4: I could have done less of and that I would

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Speaker 4: have liked more of. Yeah, and that was good.

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Speaker 1: Been hard to It would have been hard to revisit

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Speaker 1: that because Paris and Doyle weren't really involved in the

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Speaker 1: narrative at all. Right, as as it turns out in

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Speaker 1: the episode, they should have been. They could have been.

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Speaker 1: It would have been fun. They would have added humor. Well,

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Speaker 1: if they're running around the.

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Speaker 4: Building scene, good scene, good scene.

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Speaker 2: Yeah.

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Speaker 1: I thought it was a very quick scene. I thought

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Speaker 1: the timing was perfect. You know. Everybody was fast, fast, fast, fast, fast,

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Speaker 1: and that's that's good acting. That's that's good stuff. Right there.

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Speaker 4: I think you just nailed it because it's like, uh,

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Speaker 4: I think we like it so much because of the

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Speaker 4: good acting. All those people are very true to who

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Speaker 4: their characters are and we're seeing it all.

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Speaker 1: Yeah, yeah, yeah, it's it's and that's hard to do.

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Speaker 1: And there was a lot of that in this episode.

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Speaker 1: There was a lot of quick back and forth, quick quick, quick,

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Speaker 1: quick quick. But then when Lauren, uh Lorele and uh

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Speaker 1: I guess Suki were walking and talking through the haybil is,

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Speaker 1: it wasn't rushed, rushed rush. They know when to sort

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Speaker 1: of pace it, you know, which I find very I

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Speaker 1: don't find a lot of shows doing that. It's either

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Speaker 1: sometimes either two rush or it's too slow. This seems

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Speaker 1: to have the perfect pace at all time, this particular

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Speaker 1: show and most of these shows.

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Speaker 2: There was one part in that scene. If you didn't

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Speaker 2: notice it, go back and watch it because it was

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Speaker 2: pretty funny where you can see Matt Zuger was trying

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Speaker 2: to suppress a lat Yes, did you notice that when

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Speaker 2: they're paying with a lactose intolerance that we.

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Speaker 1: Had, but that's right, he's enjoying Doyle or he's enjoying

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Speaker 1: the Doyle performance, right, right.

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Speaker 2: And it was you could tell it was probably like

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Speaker 2: the third or fourth take, and he was kind of

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Speaker 2: anticipating that it was coming, and it was. It was

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Speaker 2: just funny right watching him.

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Speaker 1: Try to It was a really good natural moment. Yes,

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Speaker 1: you know what I mean. It seemed very organic and

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Speaker 1: it happening in the moment exactly. Yeah, he's good, He's

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Speaker 1: really good.

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Speaker 2: So then it goes to Luke's apartment and now we

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Speaker 2: see April. We haven't seen April for a while because

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Speaker 2: she moved away to New Mexico. I liked this scene.

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Speaker 2: I thought it was cute. They're talking about she's kind

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Speaker 2: of settled into New Mexico. She was so upset about leaving,

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Speaker 2: but then it's it seems like it's kind of working

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Speaker 2: for her.

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Speaker 1: Yeah, it was a good pace scene. Again, another example

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Speaker 1: of really quick back and forth, really just hitting the

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Speaker 1: ping pong ball all back and forth really quickly and

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Speaker 1: just getting through the scene. And the more you can

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Speaker 1: relax into that, the more naturally it flows in, the

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Speaker 1: better it sounds and feels, you know what I mean.

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Speaker 1: And that's that's what we're all trying to achieve, is

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Speaker 1: that kind of ease with it. You know, when it's

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Speaker 1: all when you when you're sort of tighten up and

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Speaker 1: you're trying to rush, rush, rush, you can really tell

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Speaker 1: and it kind of on the scene. But I thought

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Speaker 1: a lot of these scenes were just kind of flawless

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Speaker 1: and fast and kind of cool to watch.

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Speaker 2: Yeah, yeah, yeah, and it really conveyed that they're totally

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Speaker 2: settled into the father daughter relationship. I thought, like, I

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Speaker 2: just I really enjoyed that. And then she she really

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Speaker 2: grew up though, like we haven't seen her while, and

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Speaker 2: then she's got her ears pierced and she's got new glasses,

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Speaker 2: and then we really nice.

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Speaker 4: Sorry, it was really really nice to have them physically together.

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Speaker 4: I know you said that, but it's like it really

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Speaker 4: changes their chemistry, your chemistry, Scott and I made a

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Speaker 4: note of that, like, oh man, I'm I'm so glad

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Speaker 4: to have them back together, and I want more of that.

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Speaker 1: Yes, right, right, right, right, Yeah, She's terrific. Imagine being

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Speaker 1: she twelve thirteen at the time and she's just just

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Speaker 1: throwing the lines back at me, no problem. It was

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Speaker 1: just like, yeah, she she was she's she was precocious.

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Speaker 1: She still is.

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Speaker 2: Yeah, yeah she did.

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Speaker 4: Look she looks older, Yeah, she looks older. It's weird.

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Speaker 2: Yeah, she's great. I actually last week I started rewatching

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Speaker 2: Switched at Birth and she's she's just so good, like

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Speaker 2: she's a great actress.

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Speaker 4: Such a good show.

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Speaker 2: It is such a good show. And this is where

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Speaker 2: we see the turquoise and silver bracelet for the first time.

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Speaker 4: Oh my god, it's literal.

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Speaker 2: That counts right right, you was a good sport. He

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Speaker 2: puts it on and he's wearing it the diner, and

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Speaker 2: that was that was a cool dad thing to do.

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Speaker 4: And you just knew, you just knew this will come

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Speaker 4: up with Loralai. And we were all waiting for that

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Speaker 4: moment because there's a couple of times where it sort

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Speaker 4: of peeks out from the flannel. Yeah, and it's reminding

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Speaker 4: us it's there without being like, you know, wonder womany

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Speaker 4: about it, like here's my bracelets, just this subtle little thing.

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Speaker 3: That we're like, oh, we're waiting for that moment, right right, right, Okay,

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Speaker 3: So then it goes to the Dragonfly and we've got

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Speaker 3: a family who's checking in for spring Fling, and we

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Speaker 3: hear a story about how the mom had to melt

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Speaker 3: the kid's tongue off of the swing set or something.

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Speaker 2: So it's purfluous.

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Speaker 4: Is that the right word. It's like I didn't really

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Speaker 4: need it, but it's kind of like there.

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Speaker 1: Okay.

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Speaker 3: Yeah.

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Speaker 2: I thought it was interesting that they they brought in.

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Speaker 2: Usually when we see guests at the end, they're just

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Speaker 2: in one scene. They're checking in or checking out. We

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Speaker 2: never see them again. I thought it was interesting that

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Speaker 2: this family like appeared again later in the episode, like

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Speaker 2: they actually were the spring Fling, and then we saw

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Speaker 2: them again to go through the maze. Yeah.

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Speaker 4: No, I liked that.

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Speaker 2: Yeah, yeah, I thought it was I thought it was cool.

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Speaker 2: And then also just a shout out if anybody noticed

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Speaker 2: that the kid is.

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Speaker 4: No, it's Nolan Gould's baby brother. It's his brother. So

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Speaker 4: so modern family and this is what's so crazy. And

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Speaker 4: I'm I'm not sure if it's his baby brother or

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Speaker 4: older brother. Somebody can look that up, but it was

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Speaker 4: if you, oh it's his older brother, thank you. So okay,

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Speaker 4: so modern family. Nolan Gould plays one of the Dune fees,

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Speaker 4: so he's like the boy the boy Dune feed right. Uh,

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Speaker 4: when you hear that voice of that kid and see him,

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Speaker 4: you immediately know he's related to Nolan Gould because they

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Speaker 4: have the same voice and mannerisms. It's actually crazy. So

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Speaker 4: now we have two things to go. Rewatch Zukri laughing

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Speaker 4: or hiding his laugh and rewatch this kid because you

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Speaker 4: will immediately if you watch Modern Family and be like,

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Speaker 4: oh my god, genetics are amazing because these two siblings

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Speaker 4: are like.

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Speaker 2: Yes, it always amazes me when there's families that have

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Speaker 2: like multiple siblings achieve like stardom like the Maranos strikes

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Speaker 2: twice like the Maranos. Yeah, exactly.

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Speaker 1: Well, if they grow up around it, it's kind of

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Speaker 1: a natural fit, you know. Yeah, I have a good

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Speaker 1: I have a good buddy who's thirteen year old daughter

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Speaker 1: is blowing up to become a super You know.

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Speaker 4: You kid, You let your kid?

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Speaker 1: Oh no, no.

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Speaker 4: He's somehow they quite knew, you would say.

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Speaker 1: And here's the thing. He's really talented. He can do

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Speaker 1: any accent from any country and nail.

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Speaker 4: It because both his parents are actors.

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Speaker 1: Well, I don't do accents around him. He just picks

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Speaker 1: him up.

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Speaker 2: Maybe when he's a teenager or not.

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Speaker 1: I don't know. I'm still recovering from the business and

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Speaker 1: I'm in it, you know what I mean.

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Speaker 2: No kidd no, kidd it. Yeah, it's it's hard on kids.

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Speaker 2: So Rory calls. She's on her way home from the

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Speaker 2: interview that she was getting ready for in the apartment scene,

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Speaker 2: and she says, the interview went well, and she's all excited.

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Speaker 2: I kind of like that scene. It kind of reminded

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Speaker 2: me what I I was on the verge of graduating

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Speaker 2: from college and you're excited about the future because you

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Speaker 2: don't really know what's going to happen. I can, I

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Speaker 2: can relate to that, so that I enjoyed that.

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Speaker 1: Let's see, I think overall this episode, if I may interject,

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Speaker 1: you know, it was a lot of storylines were blooming

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Speaker 1: here that were coming to Fruition, and it was a

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Speaker 1: lot of happy, positive energy and finally everybody's getting it

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Speaker 1: together and Rory's getting a job, and you know, maybe

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Speaker 1: Luca Laurel I a sort of beginning again and all

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Speaker 1: of that. So it just it just had a very

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Speaker 1: kind of a happy vibe all the way around. No

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Speaker 1: more for Spring episode right exactly for being confused?

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Speaker 4: Was this the train scene when she's on the train yes, yes,

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Speaker 4: may I give my flags?

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Speaker 1: Though, oh there was it was an empty seat behind her,

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Speaker 1: and then the seat was filled.

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Speaker 4: Who would be that loud on their phone on the

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Speaker 4: train with all those other people. I mean, she was

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Speaker 4: so loud that every other person on the train would

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Speaker 4: be like, girl, we don't care about your.

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Speaker 2: And also there is the empty seat just you know, right,

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Speaker 2: buyers got.

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Speaker 4: Plenty of I just was like, this is unrealistic. But also, yes,

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Speaker 4: I liked the I liked it somewhat. This was sort

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Speaker 4: of my scene where I'm like, I don't know, but

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Speaker 4: point taken and that it was good energy. But I

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Speaker 4: was like, come.

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Speaker 1: On, yeah, yeah.

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Speaker 2: And this is also the other thing that happened in

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Speaker 2: the scene. This is where she announces she wants to

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Speaker 2: bring Logan to stars Hollow. So that was kind of

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Speaker 2: a milestone. Here was weird for my mind.

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Speaker 4: That's why it was like, he's been there, he dropped,

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Speaker 4: remember what he dropped? He's been there from day one

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Speaker 4: because he drops her off there after the party.

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Speaker 2: Yeah, and he also went to the Dragonfly to talk

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Speaker 2: to Lorelai when he trying to get Rory backack tour.

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Speaker 4: He's never slept over there.

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Speaker 1: Yeah, did you get the vibe during the official tour

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Speaker 1: that I was getting Christopher vibes. Yeah, Christopher said he

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Speaker 1: was a little too happy to be there after losing

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Speaker 1: millions of dollars. It's like history repeating yourself and the

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Speaker 1: father hates him, and the father hates Christopher. You know

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Speaker 1: what I'm saying. I was getting.

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Speaker 2: Like he's getting a tour of a town that like

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Speaker 2: he already kind of knows.

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Speaker 4: But what it's fine, I don't know.

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Speaker 1: It's just weird. It was a little too happy to

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Speaker 1: be there, right, And it's just like when.

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Speaker 4: She was so tang.

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Speaker 2: The first place I fell off my bike, this is

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Speaker 2: the second place I fell off my bike.

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Speaker 1: You know?

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Speaker 4: May I be a negative nelly?

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Speaker 1: Yes?

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Speaker 4: That tour could have been a lot better, I agree,

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Speaker 4: Or give me for saying better.

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Speaker 1: Right.

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Speaker 4: The writing wasn't my favorite there, And it's like.

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Speaker 1: This could have so quick, and.

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Speaker 4: It's like this could have been so funny with all

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Speaker 4: these different things and such a great opportunity for the

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Speaker 4: town to be like out and about and her being

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Speaker 4: like that's so and so and here's this, and they

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Speaker 4: do like a hint at Miss Patty's.

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Speaker 1: But like right where the lines coming from Miss Patty

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Speaker 1: her bike, right, you didn't know there was a private

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Speaker 1: jet here and wait for.

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Speaker 2: Miss Patty to come out and be super flirty with it.

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Speaker 5: Like yeah, so it was sort of about your idea

355
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Speaker 5: for a theme park, you know this kind of thing, right, yeah,

356
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Speaker 5: all kinds of opportunities.

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Speaker 1: I thought the same thing.

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Speaker 2: Yeah, so that was that.

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Speaker 4: I sort of was like, oh, that was, yeah, a

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Speaker 4: great episode. It is a great episode, and there was

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Speaker 4: a few points where I'm like, oh, that could have

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00:18:55,640 --> 00:18:56,399
Speaker 4: been elevated.

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Speaker 2: Yeah, yeah, I agree with that. And what you were

364
00:19:00,200 --> 00:19:02,320
Speaker 2: saying about it being fast. There were a couple parts

365
00:19:02,320 --> 00:19:04,479
Speaker 2: in that scene when they were outside Miss Patty's I

366
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Speaker 2: had to turn the captions on because I couldn't even

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00:19:06,280 --> 00:19:08,760
Speaker 2: understand what Alexis was saying. I mean, I know you're

368
00:19:08,800 --> 00:19:12,280
Speaker 2: supposed to talk fast on the show, but she I

369
00:19:12,359 --> 00:19:13,840
Speaker 2: just couldn't even understand the lines.

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Speaker 4: So funny you're bringing that up. I'm it's not my ears.

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00:19:20,200 --> 00:19:22,760
Speaker 4: I've had my ears checked having to turn the volume

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00:19:22,840 --> 00:19:26,400
Speaker 4: up higher and hire on shows. I'm watching that Jake

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Speaker 4: Gillenhaal thing. Finally I'm joining the party on that presumed

374
00:19:29,640 --> 00:19:31,960
Speaker 4: innocent and I'm like, why did you turn the volume

375
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Speaker 4: up so much, I can't hear these people, like what's

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Speaker 4: going on?

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00:19:35,359 --> 00:19:37,800
Speaker 1: So and then and then you get to like an

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Speaker 1: action scene and it blows your ears off, right.

379
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Speaker 4: Dare a comer'll come on, We'll all yeah, can't take

380
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Speaker 4: it anyway.

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Speaker 2: Okay, So we get to the house and Logan walks

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Speaker 2: in and says, it's a beautiful house. That that feels

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Speaker 2: a little condescending to me.

384
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Speaker 4: I don't know, I think so. I thought it was

385
00:19:57,880 --> 00:19:59,520
Speaker 4: polite and it is a beautiful house. It is a

386
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Speaker 4: beautiful some small town. I get what you're saying, because

387
00:20:01,400 --> 00:20:03,199
Speaker 4: he lives and she calls it out. That's what I like.

388
00:20:03,280 --> 00:20:06,199
Speaker 4: She's like, yeah, like the size of your foye.

389
00:20:06,320 --> 00:20:09,520
Speaker 1: That's good breeding. He was being polite and it is

390
00:20:09,560 --> 00:20:11,600
Speaker 1: a great and he was charmed by it.

391
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Speaker 4: And he brought the flowers. I thought, good on you.

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Speaker 1: I mean, at least he didn't say, well, you know,

393
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Speaker 1: this is the type of a situation our maid, one

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00:20:19,119 --> 00:20:22,879
Speaker 1: of our maids lives in you. Yeah, you know. It

395
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Speaker 1: wasn't condescending about it, Okay, I.

396
00:20:25,880 --> 00:20:28,199
Speaker 2: Just I read it that way. That might have just

397
00:20:28,240 --> 00:20:32,680
Speaker 2: been my own interpretation. And then so this is where

398
00:20:32,920 --> 00:20:35,400
Speaker 2: they have the trundle beds and it's a little kind

399
00:20:35,400 --> 00:20:37,560
Speaker 2: of awkward there's two beds and.

400
00:20:39,119 --> 00:20:39,679
Speaker 1: A giggle.

401
00:20:39,800 --> 00:20:41,440
Speaker 4: I get why there's two beds because she has a

402
00:20:41,480 --> 00:20:43,439
Speaker 4: twin and it would be kind of small, but I

403
00:20:43,480 --> 00:20:46,080
Speaker 4: still was like, oh my god, the trundle.

404
00:20:47,359 --> 00:20:51,560
Speaker 2: I laughed when Rory said she says like, oh, I

405
00:20:51,560 --> 00:20:53,760
Speaker 2: didn't know we had guest towels and loreal licenes. That's

406
00:20:53,760 --> 00:20:57,120
Speaker 2: a way of saying towels that are clean. That made

407
00:20:57,119 --> 00:20:57,520
Speaker 2: me laugh.

408
00:20:57,640 --> 00:21:01,560
Speaker 4: I have guest towels. We call him like showtels, Like, oh,

409
00:21:01,560 --> 00:21:05,320
Speaker 4: those are showtels, Like, don't use that one, don't use

410
00:21:05,359 --> 00:21:06,040
Speaker 4: the show tells.

411
00:21:06,520 --> 00:21:10,440
Speaker 2: Yeah, well, sometimes the ones that look nice aren't really

412
00:21:10,480 --> 00:21:11,120
Speaker 2: that absorbent.

413
00:21:11,200 --> 00:21:14,159
Speaker 4: So you don't want to towels because their showtel is

414
00:21:14,200 --> 00:21:15,520
Speaker 4: like not going to be a good towel.

415
00:21:15,720 --> 00:21:18,160
Speaker 1: They even make absorbent towels anymore, they really don't.

416
00:21:18,240 --> 00:21:21,360
Speaker 4: I think the Ralph Lauren towels are still pretty good.

417
00:21:21,400 --> 00:21:24,360
Speaker 4: Macy's not expensive. Just go to your Macy's and get

418
00:21:24,359 --> 00:21:27,720
Speaker 4: some Ralph Lauren towels. I go for the white because

419
00:21:27,720 --> 00:21:30,240
Speaker 4: something's going on in my washing machine with gray towels

420
00:21:30,240 --> 00:21:32,800
Speaker 4: that they always get these like bleach stains, even though

421
00:21:32,840 --> 00:21:34,160
Speaker 4: I don't use bleach. It's very odd.

422
00:21:35,920 --> 00:21:36,160
Speaker 1: Yep.

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00:21:36,680 --> 00:21:39,760
Speaker 2: Anyway, speaking of appliances, I did notice in this scene

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Speaker 2: that the faucet in the kitchen actually worked. Did you

425
00:21:43,920 --> 00:21:48,080
Speaker 2: put water in the vase for the flowers, Scott?

426
00:21:48,320 --> 00:21:50,600
Speaker 1: It's interesting. That's a big fake out. It's not hooked

427
00:21:50,640 --> 00:21:51,639
Speaker 1: up to anything.

428
00:21:51,600 --> 00:21:53,199
Speaker 4: So they just put like a bucket in it and

429
00:21:53,240 --> 00:21:53,960
Speaker 4: somehow you turn it.

430
00:21:54,040 --> 00:21:54,280
Speaker 2: Yeah.

431
00:21:54,320 --> 00:21:56,000
Speaker 1: Something, it's a big fake out.

432
00:21:55,960 --> 00:21:59,320
Speaker 4: It's not a real real faucet. It's just the.

433
00:22:00,240 --> 00:22:04,119
Speaker 1: Fakey fakey, fakey fake fake fake fake fake mhm.

434
00:22:04,720 --> 00:22:07,640
Speaker 2: Uh So this okay, So we got a little bit

435
00:22:07,640 --> 00:22:10,160
Speaker 2: ahead of ourselves because this is the Haves the town

436
00:22:10,240 --> 00:22:11,760
Speaker 2: too or no, that's fine.

437
00:22:12,560 --> 00:22:14,879
Speaker 1: They're walking through the town, bounce around.

438
00:22:16,200 --> 00:22:20,800
Speaker 2: Rory tries to explain who Taylor is. Taylor kind of defies.

439
00:22:20,600 --> 00:22:22,800
Speaker 4: Taylor have hay fever yet? Or no he's still.

440
00:22:23,440 --> 00:22:25,120
Speaker 1: No, not yet, not till the end.

441
00:22:28,000 --> 00:22:31,040
Speaker 2: And then uh. They go into the diner so that

442
00:22:31,760 --> 00:22:34,760
Speaker 2: Logan can finally see Luke's diner and Zach is in

443
00:22:34,840 --> 00:22:37,400
Speaker 2: there and he talks about Lane. But again, we haven't

444
00:22:37,440 --> 00:22:42,680
Speaker 2: seen Lane since she had the babies. Still haven't seen her.

445
00:22:43,720 --> 00:22:45,800
Speaker 2: And I thought it was cute. Rory said that they

446
00:22:45,800 --> 00:22:48,919
Speaker 2: saw Stephen Kwan and Zach was like, well Lane was

447
00:22:48,960 --> 00:22:55,920
Speaker 2: there too, right, m m mm hmm. And then Luke

448
00:22:56,640 --> 00:22:59,320
Speaker 2: goes outside to argue with Taylor about the hay band.

449
00:23:00,160 --> 00:23:00,480
Speaker 4: I have a.

450
00:23:00,520 --> 00:23:02,080
Speaker 2: Quag on this man.

451
00:23:02,119 --> 00:23:04,239
Speaker 4: I first say, though, I don't mind Zach working at

452
00:23:04,240 --> 00:23:06,639
Speaker 4: the diner. I find it sort of a musicum like,

453
00:23:07,400 --> 00:23:08,720
Speaker 4: I'm not bothered by that.

454
00:23:08,800 --> 00:23:11,000
Speaker 2: It's sort of I like it anyway. That's just my

455
00:23:11,040 --> 00:23:11,520
Speaker 2: two cents.

456
00:23:11,560 --> 00:23:14,520
Speaker 1: But that was also an opportunity for an epic Luke

457
00:23:14,840 --> 00:23:18,560
Speaker 1: a Taylor rant scene that they didn't take the opportunity

458
00:23:18,600 --> 00:23:21,480
Speaker 1: to do. They cut it off and cut the right like,

459
00:23:21,560 --> 00:23:25,760
Speaker 1: come on, man, go perfect follow him out there, let's go.

460
00:23:25,920 --> 00:23:27,320
Speaker 1: Let me tell the story. Let's go.

461
00:23:27,840 --> 00:23:31,360
Speaker 2: Yeah, I mean we did see so this is this

462
00:23:31,400 --> 00:23:34,679
Speaker 2: is partially what my flag is. So Luke does go

463
00:23:34,760 --> 00:23:37,920
Speaker 2: out there and he starts throwing the hey bails out

464
00:23:37,960 --> 00:23:40,720
Speaker 2: of the way. Now, I am a city girl. I

465
00:23:40,760 --> 00:23:42,399
Speaker 2: have never attempted to lift.

466
00:23:42,240 --> 00:23:45,680
Speaker 1: A Haydale looks a strong boy?

467
00:23:46,160 --> 00:23:48,920
Speaker 2: Is he? Okay? Is that the explanations a strong boy?

468
00:23:49,000 --> 00:23:50,880
Speaker 4: I actually have no idea.

469
00:23:51,000 --> 00:23:53,680
Speaker 1: Yeah they are. But if you're angry and you rip

470
00:23:53,760 --> 00:23:56,439
Speaker 1: something off, I mean, he wasn't lifting it and then

471
00:23:56,880 --> 00:23:59,080
Speaker 1: he was just like sort of throwing it off the

472
00:23:59,119 --> 00:24:02,320
Speaker 1: top of the other hey bail. So that's not that hard.

473
00:24:02,640 --> 00:24:05,040
Speaker 4: We ever think in a hay bale maze, like it's

474
00:24:05,040 --> 00:24:08,760
Speaker 4: hay on the outside, it's styrofoam on the inside.

475
00:24:12,280 --> 00:24:14,760
Speaker 1: Be a little tedious to build all of those like that,

476
00:24:16,480 --> 00:24:17,399
Speaker 1: it's real hay.

477
00:24:18,000 --> 00:24:20,919
Speaker 4: Yeah, I didn't know he calls caused hay fever. But

478
00:24:20,960 --> 00:24:24,040
Speaker 4: that's a side note. I actually did not know that

479
00:24:24,160 --> 00:24:25,280
Speaker 4: until this episode.

480
00:24:25,880 --> 00:24:28,600
Speaker 2: Well, I have another question about the hay while we're

481
00:24:28,720 --> 00:24:32,800
Speaker 2: discussing it. So again, I don't know. I'm not a

482
00:24:32,800 --> 00:24:36,240
Speaker 2: farm person. I don't know anything. But isn't wasn't that

483
00:24:36,320 --> 00:24:41,160
Speaker 2: technically straw isn't hay like it's more green because it's

484
00:24:41,880 --> 00:24:43,160
Speaker 2: it's like fresher straws.

485
00:24:43,200 --> 00:24:45,240
Speaker 4: Like, so you're saying it's a straw bail maze. That's

486
00:24:45,240 --> 00:24:46,440
Speaker 4: what I would call a hay bail.

487
00:24:47,960 --> 00:24:48,280
Speaker 1: I don't know.

488
00:24:49,200 --> 00:24:53,480
Speaker 4: Maybe hay becomes more straw e as it's dried, right,

489
00:24:55,000 --> 00:24:55,720
Speaker 4: That's what I.

490
00:24:55,640 --> 00:24:58,240
Speaker 2: Thought too, Like I thought hay was greener and this

491
00:24:58,359 --> 00:24:59,320
Speaker 2: was just maybe it is.

492
00:24:59,400 --> 00:25:01,280
Speaker 4: Hey, maybe when it's growing out of the ground and

493
00:25:01,280 --> 00:25:03,840
Speaker 4: then when it becomes a haybale, it dries out.

494
00:25:04,840 --> 00:25:06,439
Speaker 1: Can you hear the laughter coming at us from the

495
00:25:06,480 --> 00:25:07,360
Speaker 1: Midwest right now?

496
00:25:07,680 --> 00:25:09,960
Speaker 2: Yeah, people are like, I know, I'm going to probably

497
00:25:10,080 --> 00:25:12,960
Speaker 2: get slaughtered for that, but that's okay to me. How

498
00:25:13,040 --> 00:25:15,760
Speaker 2: hay and straw work. I am all here.

499
00:25:15,560 --> 00:25:18,320
Speaker 4: To be educate. I actually did inspire me though, because

500
00:25:18,640 --> 00:25:20,199
Speaker 4: I do think it's real cute when people take a

501
00:25:20,200 --> 00:25:22,240
Speaker 4: hay bale and put it on their front porch for

502
00:25:22,800 --> 00:25:25,800
Speaker 4: Halloween and then you put your pumpkins on that, just

503
00:25:25,800 --> 00:25:29,480
Speaker 4: saying I don't know if I'll be able to lift

504
00:25:29,480 --> 00:25:32,120
Speaker 4: the hay bail. We'll find out, we'll stick and do it.

505
00:25:32,560 --> 00:25:33,040
Speaker 1: I'll do it.

506
00:25:33,119 --> 00:25:36,879
Speaker 2: Yeah, that's just like he's like the Hulk.

507
00:25:37,320 --> 00:25:37,760
Speaker 1: There you go.

508
00:25:39,080 --> 00:25:43,560
Speaker 2: Okay, so this is years ago, you can still do it.

509
00:25:44,560 --> 00:25:46,719
Speaker 2: This is the thing where Suki Laurel I are walking

510
00:25:46,760 --> 00:25:49,439
Speaker 2: around the hay bale maze and kind of Laurel I

511
00:25:49,560 --> 00:25:53,000
Speaker 2: sort of going through her thought process about Logan, and

512
00:25:53,040 --> 00:25:55,760
Speaker 2: I thought she made a good point about how, you know,

513
00:25:56,160 --> 00:26:00,280
Speaker 2: Rory is an adult now and so Laurel like have

514
00:26:00,320 --> 00:26:04,760
Speaker 2: an opinion on jessin Dean, but now that she's with Logan,

515
00:26:04,880 --> 00:26:07,680
Speaker 2: like she it's kind of up to Rory what to do.

516
00:26:09,560 --> 00:26:11,879
Speaker 2: It just that kind of struck a chord with me

517
00:26:11,920 --> 00:26:14,640
Speaker 2: because my oldest just turned twenty one, so I'm kind

518
00:26:14,640 --> 00:26:16,639
Speaker 2: of like trying to figure out this whole thing in

519
00:26:16,680 --> 00:26:20,800
Speaker 2: my head too, So I don't know, I just thought

520
00:26:20,800 --> 00:26:22,760
Speaker 2: that was interesting to point that out.

521
00:26:24,160 --> 00:26:27,560
Speaker 1: Yeah, she's concerned, and but she doesn't want to be,

522
00:26:27,880 --> 00:26:31,200
Speaker 1: you know, the helicoptering her twenty one year old twenty

523
00:26:31,200 --> 00:26:33,879
Speaker 1: two year old daughter. Yeah right, so yeah it's a

524
00:26:33,960 --> 00:26:34,679
Speaker 1: fine line.

525
00:26:35,200 --> 00:26:37,159
Speaker 4: Yes, yes, yes it is.

526
00:26:37,720 --> 00:26:39,720
Speaker 2: And then at the end they stop and they look

527
00:26:39,720 --> 00:26:41,879
Speaker 2: around and they're like, wait, where are the booths for

528
00:26:41,920 --> 00:26:48,879
Speaker 2: the festival? And then we go to a daytimetown.

529
00:26:48,160 --> 00:26:58,359
Speaker 1: Meeting, maybe the only one ever usually Yeah, yeah, mercifully short,

530
00:26:58,480 --> 00:27:02,000
Speaker 1: by the way. It was, Yes, it was, And it

531
00:27:02,040 --> 00:27:05,320
Speaker 1: was filled with humor, was it was? It was. It

532
00:27:05,359 --> 00:27:05,920
Speaker 1: was really like.

533
00:27:05,880 --> 00:27:08,159
Speaker 2: An old time. It was, you know, like a season

534
00:27:08,200 --> 00:27:11,520
Speaker 2: one town meeting. I loved it, and I loved that

535
00:27:11,680 --> 00:27:14,280
Speaker 2: April and Lorelei gretted each other with a hug.

536
00:27:15,240 --> 00:27:18,720
Speaker 4: I thought that was so that really, I thought, oh

537
00:27:18,720 --> 00:27:20,760
Speaker 4: my gosh, these two really like each other. All that

538
00:27:20,800 --> 00:27:22,400
Speaker 4: stuff was such nonsense.

539
00:27:22,720 --> 00:27:27,080
Speaker 2: Yeah, yeah, I agree. It was like, oh, they could

540
00:27:27,080 --> 00:27:30,760
Speaker 2: have been doing this the whole time. But Luke and

541
00:27:30,800 --> 00:27:33,399
Speaker 2: Laurelai had a nice conversation. I thought, kind of breaking

542
00:27:33,400 --> 00:27:36,880
Speaker 2: the ice, and you know, kind of not about anything important,

543
00:27:37,160 --> 00:27:40,520
Speaker 2: but at least they were having a conversation.

544
00:27:40,359 --> 00:27:44,119
Speaker 1: The appropriate nervousness of running into your ex and being nice.

545
00:27:44,760 --> 00:27:50,399
Speaker 2: Yeah, and then we find out that Taylor has taken

546
00:27:50,440 --> 00:27:52,880
Speaker 2: away the budget for all of the booths and spent

547
00:27:52,920 --> 00:27:56,199
Speaker 2: them all, spent the whole as sort of a flag.

548
00:27:56,280 --> 00:27:59,359
Speaker 1: But I have to tell you when they revealed Kirk

549
00:27:59,400 --> 00:28:04,160
Speaker 1: as the with the moosehead, cow head, the minotaur, the minotaur,

550
00:28:04,320 --> 00:28:09,240
Speaker 1: when when I said the exact same line right before

551
00:28:10,080 --> 00:28:13,359
Speaker 1: uh Gypsy said her line, I said, what the hell

552
00:28:13,480 --> 00:28:16,280
Speaker 1: is that? And then she said what the hell is?

553
00:28:18,280 --> 00:28:22,920
Speaker 1: And did did Sally Strothers not steal this scene? She did?

554
00:28:23,720 --> 00:28:28,640
Speaker 2: Yeah, yeah, she stole the town meeting more of them.

555
00:28:28,720 --> 00:28:31,000
Speaker 4: To be honest, I know it was so good.

556
00:28:31,080 --> 00:28:34,639
Speaker 2: I just I love all of them.

557
00:28:35,880 --> 00:28:38,520
Speaker 1: And at the height of it, everybody gets up in leaves.

558
00:28:41,800 --> 00:28:42,920
Speaker 1: It's like, we're not doing this.

559
00:28:43,360 --> 00:28:44,760
Speaker 2: Taylor's like, wait, where are you going?

560
00:28:46,200 --> 00:28:47,720
Speaker 4: I like that They come around to the hay Bale

561
00:28:47,760 --> 00:28:49,160
Speaker 4: maze later, but we'll get to that.

562
00:28:51,120 --> 00:28:54,960
Speaker 2: And then the shot of the gazebo being lifted by

563
00:28:55,000 --> 00:28:55,479
Speaker 2: the crane.

564
00:28:55,520 --> 00:28:57,959
Speaker 4: I know, it's just so banana.

565
00:28:58,280 --> 00:29:01,040
Speaker 1: That was a big deal, A big deal. It's like

566
00:29:01,120 --> 00:29:03,920
Speaker 1: ripping the heart out of Gilmore fans. Right, do you

567
00:29:03,960 --> 00:29:04,560
Speaker 1: remember all this?

568
00:29:04,640 --> 00:29:06,800
Speaker 4: Hey? Sorry?

569
00:29:07,120 --> 00:29:08,160
Speaker 1: What you got? You go?

570
00:29:08,280 --> 00:29:10,360
Speaker 4: You go first in then Oscar. I don't know if

571
00:29:10,360 --> 00:29:13,240
Speaker 4: you remembered this all this, hey, because it's pretty major.

572
00:29:13,760 --> 00:29:14,840
Speaker 1: Yeah, I remember it.

573
00:29:15,000 --> 00:29:16,400
Speaker 4: Yeah, go back on to the gazebo.

574
00:29:16,480 --> 00:29:17,920
Speaker 1: You know, you know what my memory of it was,

575
00:29:17,920 --> 00:29:20,440
Speaker 1: there was a ton of hay around That was it.

576
00:29:22,280 --> 00:29:23,800
Speaker 1: If we get on set and like, oh there's a

577
00:29:23,840 --> 00:29:25,480
Speaker 1: lot of hay bells. It's a lot of hay bells.

578
00:29:25,480 --> 00:29:26,800
Speaker 4: Hey, it's going on around here.

579
00:29:28,440 --> 00:29:32,880
Speaker 1: Hey man, what a pain for the crew to have

580
00:29:32,920 --> 00:29:36,080
Speaker 1: to move that around like scene to scene because it

581
00:29:36,120 --> 00:29:39,600
Speaker 1: was so much. Boy, they are they are in their

582
00:29:39,600 --> 00:29:40,520
Speaker 1: money that day.

583
00:29:40,520 --> 00:29:44,600
Speaker 4: Or those Yeah, because they was like it wasn't just

584
00:29:44,680 --> 00:29:48,560
Speaker 4: like uh, they didn't fake it for TV like the

585
00:29:48,600 --> 00:29:50,719
Speaker 4: whole town was hey, hey bill mates.

586
00:29:51,160 --> 00:29:54,680
Speaker 2: Yeah, because they showed they had several scenes of the

587
00:29:54,760 --> 00:29:58,360
Speaker 2: characters walking through the entire square and there was hey everywhere.

588
00:29:58,640 --> 00:30:01,840
Speaker 4: They didn't can find of it. You can find photos

589
00:30:01,880 --> 00:30:04,120
Speaker 4: of it. I'm sure online man in the Gilmore book

590
00:30:04,400 --> 00:30:07,040
Speaker 4: where you see the entire lot is like a hey

591
00:30:07,040 --> 00:30:12,080
Speaker 4: bale maze, the whole Gilmore town. Crazy.

592
00:30:12,320 --> 00:30:17,000
Speaker 1: Yeah, I thought Taylor revealing the maye the first time

593
00:30:17,000 --> 00:30:18,760
Speaker 1: in the town hall meeting was funny. He was so

594
00:30:18,840 --> 00:30:21,760
Speaker 1: excited about Yeah, and it was so big, it was

595
00:30:21,800 --> 00:30:23,200
Speaker 1: so complex.

596
00:30:23,040 --> 00:30:26,120
Speaker 2: And the very detailed mockup of the whole town it

597
00:30:26,200 --> 00:30:30,080
Speaker 2: was pretty cool. And even showed it even showed the

598
00:30:30,120 --> 00:30:33,120
Speaker 2: gazebo off to the side, so like they it literally

599
00:30:33,160 --> 00:30:45,360
Speaker 2: matched what they actually built. Okay, So then Lorla walks

600
00:30:45,440 --> 00:30:48,000
Speaker 2: into her house and is shocked to find that cooking

601
00:30:48,120 --> 00:30:49,920
Speaker 2: is happening in her house.

602
00:30:50,280 --> 00:30:51,960
Speaker 4: Very cute, but I don't know why she was so

603
00:30:52,000 --> 00:30:53,680
Speaker 4: shocked because it's the same thing that happened on the

604
00:30:53,760 --> 00:30:56,440
Speaker 4: Valentine's episode when they went to the fake Martha's vineyard.

605
00:30:56,600 --> 00:30:59,080
Speaker 4: Oh that's right. Yeah. So it was like, okay, well

606
00:30:59,560 --> 00:31:03,440
Speaker 4: you know that these two do this. Yeah, okay, fine, fine,

607
00:31:03,640 --> 00:31:06,160
Speaker 4: I like, let it go. But I also was like,

608
00:31:06,200 --> 00:31:07,880
Speaker 4: you know, these two love to cook, and they're very

609
00:31:07,920 --> 00:31:09,320
Speaker 4: like kind of domestic story.

610
00:31:09,720 --> 00:31:11,640
Speaker 1: You're like pulling the flag out of your pocket that

611
00:31:11,720 --> 00:31:13,400
Speaker 1: decided not to throw it yeah.

612
00:31:13,200 --> 00:31:15,520
Speaker 4: It's like a flag that I didn't care about. It's like, okay,

613
00:31:15,560 --> 00:31:18,240
Speaker 4: well you know they cook. You've literally walked in on

614
00:31:18,280 --> 00:31:18,800
Speaker 4: this before.

615
00:31:19,080 --> 00:31:21,320
Speaker 1: It's like you threw the flag, but then you reverse

616
00:31:21,360 --> 00:31:22,440
Speaker 1: the call right away.

617
00:31:22,640 --> 00:31:26,280
Speaker 2: Hiyah yeah, yeah, but she just has the flag in

618
00:31:26,280 --> 00:31:28,080
Speaker 2: her hand, but has that right.

619
00:31:30,920 --> 00:31:31,200
Speaker 1: Scott?

620
00:31:31,280 --> 00:31:31,560
Speaker 2: Thank you?

621
00:31:31,640 --> 00:31:33,880
Speaker 4: Yeah, although I don't know that. Ye, I mean they

622
00:31:33,880 --> 00:31:37,880
Speaker 4: definitely had to go to the market, but yeah, whatever.

623
00:31:38,000 --> 00:31:42,880
Speaker 1: I don't even know what is. It's like a fish chicken.

624
00:31:43,280 --> 00:31:44,800
Speaker 1: I thought it was chicken chicken.

625
00:31:45,480 --> 00:31:47,000
Speaker 4: Don't you worry You'll be making pie?

626
00:31:47,200 --> 00:31:49,920
Speaker 1: Yeah, no, no, I will, I will.

627
00:31:50,680 --> 00:31:52,880
Speaker 4: Yeah, that's a little tease of what's coming up. That's

628
00:31:52,920 --> 00:31:54,360
Speaker 4: a little hint to the future.

629
00:31:54,640 --> 00:31:59,880
Speaker 1: Oh my god, wait why now? She very excited about it,

630
00:32:00,760 --> 00:32:02,480
Speaker 1: even though I don't know what you're talking about.

631
00:32:02,720 --> 00:32:05,240
Speaker 4: We had the little toast, the wine toast?

632
00:32:06,640 --> 00:32:06,840
Speaker 2: Was this?

633
00:32:06,880 --> 00:32:07,200
Speaker 1: When? So?

634
00:32:07,320 --> 00:32:07,520
Speaker 2: Was this?

635
00:32:07,560 --> 00:32:10,320
Speaker 4: When she found out she got the offer because she's

636
00:32:10,320 --> 00:32:12,280
Speaker 4: been checking the phone so much.

637
00:32:13,400 --> 00:32:16,120
Speaker 2: Right, that's why she left the room, and that gave

638
00:32:16,200 --> 00:32:19,920
Speaker 2: us the little conversation between Loralai and Logan the beginning

639
00:32:20,000 --> 00:32:22,880
Speaker 2: of it. Right, So, Rory had left the room to

640
00:32:22,920 --> 00:32:25,080
Speaker 2: answer her phone, and then that's when they have their

641
00:32:25,120 --> 00:32:30,600
Speaker 2: conversation that then finished. Later started out and they started

642
00:32:30,600 --> 00:32:34,040
Speaker 2: out nice, but then she was like when Logan was

643
00:32:34,080 --> 00:32:37,280
Speaker 2: just being so casual and nonchalant that she kind of

644
00:32:37,320 --> 00:32:39,720
Speaker 2: see her tone changing a little bit. But then finish

645
00:32:40,600 --> 00:32:42,360
Speaker 2: right right, yeah, She's like, I got the job. I

646
00:32:42,360 --> 00:32:47,040
Speaker 2: got the job. So ended on a happy note and

647
00:32:47,080 --> 00:32:52,000
Speaker 2: then uh there. So now there're another walking through the town,

648
00:32:53,360 --> 00:32:55,880
Speaker 2: walking through all the hay bales everywhere. They're going to

649
00:32:55,920 --> 00:32:59,520
Speaker 2: Weston's to get pies, and so Rory's kind of thinking

650
00:32:59,560 --> 00:33:02,240
Speaker 2: through her options. Does she want to take this, give

651
00:33:02,320 --> 00:33:04,000
Speaker 2: up a fellowship or.

652
00:33:04,200 --> 00:33:06,000
Speaker 4: Is this where he is this where he says, don't

653
00:33:06,000 --> 00:33:06,640
Speaker 4: factor me in.

654
00:33:07,920 --> 00:33:11,760
Speaker 2: No, he says that she should go for the fellowship,

655
00:33:11,800 --> 00:33:14,000
Speaker 2: and laurel I disagree with him.

656
00:33:14,120 --> 00:33:20,520
Speaker 6: Oh right right, yeah, okay, So which I want to

657
00:33:20,520 --> 00:33:22,840
Speaker 6: at the end, I want to discuss her options, but

658
00:33:22,880 --> 00:33:25,120
Speaker 6: I want to wait till we get further.

659
00:33:25,520 --> 00:33:27,080
Speaker 4: Keep keep going and then we'll talk about that.

660
00:33:27,320 --> 00:33:30,440
Speaker 2: Yeah. Yeah, because that scene is coming up with the.

661
00:33:30,400 --> 00:33:32,640
Speaker 4: Bird in the hands, two in the bush, is that

662
00:33:32,720 --> 00:33:33,160
Speaker 4: the thing?

663
00:33:33,520 --> 00:33:36,719
Speaker 2: Yes, yes, we'll get exactly. And Lorelai points out that

664
00:33:36,920 --> 00:33:40,000
Speaker 2: to Logan that he's a gambler, but Rory is very

665
00:33:40,040 --> 00:33:43,040
Speaker 2: calculating and she plans everything and she's not a gambler,

666
00:33:45,520 --> 00:33:48,520
Speaker 2: and so it was just an interesting I you know,

667
00:33:48,560 --> 00:33:53,400
Speaker 2: Laurela is kind of speaking from her perspective of being

668
00:33:53,520 --> 00:33:58,520
Speaker 2: the responsible adult, and Logan, you know, is coming from

669
00:33:58,560 --> 00:34:01,240
Speaker 2: the different perspective where he is and of that experience.

670
00:34:01,320 --> 00:34:02,920
Speaker 2: I mean, even though he did just lose a bunch,

671
00:34:03,560 --> 00:34:07,640
Speaker 2: it's all yeah, yeah, right, got credit card statement.

672
00:34:07,800 --> 00:34:11,160
Speaker 1: And there's a class warfare scene.

673
00:34:11,560 --> 00:34:13,200
Speaker 4: Class warfare, yes exactly.

674
00:34:14,160 --> 00:34:16,360
Speaker 2: It's the tea up to the worst spoor household.

675
00:34:16,440 --> 00:34:17,120
Speaker 4: But we'll get to that.

676
00:34:18,280 --> 00:34:23,360
Speaker 2: Yeah, Sport City all the way. So that's actually the

677
00:34:23,400 --> 00:34:27,640
Speaker 2: next scene is uh, they're in Rory's bedroom and Loucan

678
00:34:27,960 --> 00:34:29,960
Speaker 2: like gets dressed to go back out in the kitchen.

679
00:34:30,120 --> 00:34:32,760
Speaker 2: But sorry, Scott, you might need to plug your ears.

680
00:34:34,040 --> 00:34:41,120
Speaker 4: Suzan before that, hello, Like, that was a very I

681
00:34:41,120 --> 00:34:44,839
Speaker 4: don't want to be gross, I understand, but thank you

682
00:34:45,080 --> 00:34:47,520
Speaker 4: mad Zukri before you put your shirt on.

683
00:34:47,680 --> 00:34:49,319
Speaker 2: That was a great They had to make sure to

684
00:34:49,960 --> 00:34:50,920
Speaker 2: hubba hubba.

685
00:34:51,120 --> 00:34:56,319
Speaker 4: This guy is so beayblicious anyway, Sorry.

686
00:34:56,000 --> 00:34:59,160
Speaker 1: Scott, No, I was thinking of the exact same thing

687
00:34:59,280 --> 00:34:59,680
Speaker 1: we did a.

688
00:34:59,680 --> 00:35:01,799
Speaker 4: Tea when you had to have those I.

689
00:35:03,480 --> 00:35:06,120
Speaker 1: Bear no ill will. I mean, I am not jealous

690
00:35:06,160 --> 00:35:09,640
Speaker 1: of other men. If they put the time in, they

691
00:35:09,680 --> 00:35:10,640
Speaker 1: deserve the accolade.

692
00:35:10,800 --> 00:35:14,080
Speaker 4: True, he definitely was hitting the gym before this episode.

693
00:35:14,160 --> 00:35:16,120
Speaker 1: Well, yeah, I mean you can't. You don't roll out

694
00:35:16,120 --> 00:35:19,040
Speaker 1: of bed looking like that. You're got to work at it.

695
00:35:19,040 --> 00:35:21,000
Speaker 1: It takes dedication, takes grit.

696
00:35:21,640 --> 00:35:23,400
Speaker 4: I was a good scene that he's putting on the pants,

697
00:35:23,400 --> 00:35:24,880
Speaker 4: putting on the shirt, putting on the socks.

698
00:35:25,200 --> 00:35:27,080
Speaker 1: Yeah, and that was a.

699
00:35:27,120 --> 00:35:30,800
Speaker 4: Very good conversation they have following that. This is where

700
00:35:30,920 --> 00:35:33,840
Speaker 4: they really have the heart to heart. And also I

701
00:35:33,880 --> 00:35:35,640
Speaker 4: was glad we resolved it and that it didn't like

702
00:35:35,760 --> 00:35:37,359
Speaker 4: I didn't have to deal with this for like so

703
00:35:37,440 --> 00:35:38,279
Speaker 4: many episodes.

704
00:35:38,360 --> 00:35:41,680
Speaker 2: It's like, okay, right, I agree, they got it out there.

705
00:35:41,920 --> 00:35:46,279
Speaker 2: Logan understood what laurla I was saying and addressed it,

706
00:35:46,360 --> 00:35:49,439
Speaker 2: and then you know, vice versa. I thought it was good.

707
00:35:49,480 --> 00:35:53,760
Speaker 2: And you know, he compared himself to what she did,

708
00:35:54,160 --> 00:35:57,400
Speaker 2: and you know, she walked away from a life of privilege.

709
00:35:56,960 --> 00:36:00,160
Speaker 4: And yeah, and he calls that out right right like

710
00:36:00,239 --> 00:36:02,359
Speaker 4: she says, I understand that, and he says, I thought

711
00:36:02,400 --> 00:36:04,040
Speaker 4: you would, because that's what you did. You left the

712
00:36:04,040 --> 00:36:06,840
Speaker 4: world of privilege to do things your way. And I

713
00:36:07,000 --> 00:36:08,360
Speaker 4: spit when I said that.

714
00:36:08,760 --> 00:36:12,160
Speaker 1: Sorry, a little a little different circumstances, I would say.

715
00:36:12,160 --> 00:36:15,960
Speaker 4: True, very true, very a little different. But she does say,

716
00:36:16,000 --> 00:36:17,600
Speaker 4: I guess I never thought of it that way.

717
00:36:17,800 --> 00:36:19,399
Speaker 1: Did she call him Christopher at all?

718
00:36:21,680 --> 00:36:23,839
Speaker 4: You know, I've seen a lot of people make comparisons

719
00:36:23,880 --> 00:36:28,840
Speaker 4: to April and Rory having a lot of similarities speaking.

720
00:36:28,520 --> 00:36:31,560
Speaker 2: Up, you know, with the books and their whole thing.

721
00:36:31,760 --> 00:36:33,560
Speaker 4: So yeah, just calling that out.

722
00:36:34,440 --> 00:36:37,239
Speaker 2: Yeah, And I mean I've seen people, you know, kind

723
00:36:37,280 --> 00:36:40,480
Speaker 2: of make a comparison between Christopher and Logan too, I'm sure.

724
00:36:40,680 --> 00:36:43,080
Speaker 2: I mean, I don't think Christopher has the drive that

725
00:36:43,120 --> 00:36:48,239
Speaker 2: Logan has, right, Christopher's kind of just you know, he

726
00:36:48,320 --> 00:36:51,560
Speaker 2: lives his life just kind of screw up, which.

727
00:36:51,360 --> 00:36:53,160
Speaker 1: And I think he looks better than Christopher with his

728
00:36:53,239 --> 00:36:53,680
Speaker 1: shirt off.

729
00:36:54,760 --> 00:36:59,760
Speaker 4: Thank you, thank you, thank you for that. Hello.

730
00:37:00,160 --> 00:37:03,919
Speaker 2: Agree. And then the scene ends with pie and ice cream,

731
00:37:04,000 --> 00:37:05,279
Speaker 2: Like how you can't go wrong with that?

732
00:37:05,640 --> 00:37:13,240
Speaker 4: So all right, so now it's sell On girls, it is, Yeah.

733
00:37:13,160 --> 00:37:15,799
Speaker 2: Pie and ice cream. It's that's just how it is.

734
00:37:15,880 --> 00:37:17,160
Speaker 1: That was what they were gonna call it. They were

735
00:37:17,200 --> 00:37:19,200
Speaker 1: gonna call it pie and ice cream, not Gilmore Girls.

736
00:37:19,200 --> 00:37:24,240
Speaker 2: And I liked that it was just Logan and Loralai,

737
00:37:24,360 --> 00:37:26,600
Speaker 2: like they didn't have Rory come join them, Like it

738
00:37:26,640 --> 00:37:29,000
Speaker 2: was just the two of them, you know, having having

739
00:37:29,000 --> 00:37:34,560
Speaker 2: the snacks. So I thought that was yeah. Yeah. And

740
00:37:34,600 --> 00:37:36,920
Speaker 2: then now it's the next day and we're at the

741
00:37:36,960 --> 00:37:40,440
Speaker 2: hay Bale Maze and uh, this is where we meet

742
00:37:40,480 --> 00:37:42,680
Speaker 2: the Saint Clair family again. And the kid is not

743
00:37:43,000 --> 00:37:46,480
Speaker 2: impressed with the hay Baise. He's like, is that all

744
00:37:46,520 --> 00:37:46,880
Speaker 2: there is?

745
00:37:46,920 --> 00:37:47,239
Speaker 4: Are there?

746
00:37:47,360 --> 00:37:48,520
Speaker 2: Fireworks? Are there?

747
00:37:49,080 --> 00:37:49,239
Speaker 1: You know?

748
00:37:49,280 --> 00:37:50,800
Speaker 2: I'm like, I don't know if you should have fireworks

749
00:37:50,800 --> 00:37:51,680
Speaker 2: and hay bail may so.

750
00:37:51,680 --> 00:37:54,359
Speaker 4: No, hay bail may so bad. We'll talk about that too.

751
00:37:54,400 --> 00:37:59,719
Speaker 2: But and then Logan like kind of pumps the kid up,

752
00:37:59,719 --> 00:38:03,600
Speaker 2: and then they go into the maze and everybody, everybody

753
00:38:03,680 --> 00:38:08,319
Speaker 2: loves the maze. When Maury comes out, he's like, I'm

754
00:38:08,360 --> 00:38:16,320
Speaker 2: just on the maize. You know, it's pretty good. This series, really,

755
00:38:16,440 --> 00:38:20,720
Speaker 2: the entire seven seasons would have benefited from more Maury.

756
00:38:21,000 --> 00:38:25,160
Speaker 1: He's just for sure for sure?

757
00:38:26,200 --> 00:38:26,839
Speaker 2: Yeah?

758
00:38:26,960 --> 00:38:27,480
Speaker 4: Or Kirk.

759
00:38:28,320 --> 00:38:33,759
Speaker 2: Yeah. And so this is where Rory reveals she's made

760
00:38:33,800 --> 00:38:37,400
Speaker 2: her decision and she's gonna say no to the Providence

761
00:38:37,480 --> 00:38:41,799
Speaker 2: General Bulletin, and I hope that she gets the fellowship.

762
00:38:42,880 --> 00:38:44,520
Speaker 2: I don't know what did you guys think of that decision.

763
00:38:45,520 --> 00:38:47,160
Speaker 4: I think there could have been I think it could

764
00:38:47,160 --> 00:38:48,919
Speaker 4: have been played a bit better. I think she could

765
00:38:48,920 --> 00:38:51,360
Speaker 4: have gone back and said, thank you so much for

766
00:38:51,400 --> 00:38:54,000
Speaker 4: this offer, can you give me another week? You know,

767
00:38:54,080 --> 00:38:57,080
Speaker 4: I think there's way I think she's just taking their deadline,

768
00:38:57,120 --> 00:38:59,319
Speaker 4: and like, because I think she should see what she

769
00:38:59,360 --> 00:39:02,600
Speaker 4: gets from all these other jobs that she's applied for.

770
00:39:02,760 --> 00:39:06,000
Speaker 4: It was that was like. And also, I don't know

771
00:39:06,200 --> 00:39:08,759
Speaker 4: why she's all into this fellowship. I don't know. It's

772
00:39:08,800 --> 00:39:10,719
Speaker 4: not necessarily the decision I would have made.

773
00:39:12,160 --> 00:39:14,480
Speaker 2: I agree. I think I do a little short sighted

774
00:39:14,480 --> 00:39:18,440
Speaker 2: because the fellowship is only six weeks. Correct, we are

775
00:39:18,480 --> 00:39:19,720
Speaker 2: You're just not thinking big plasure.

776
00:39:20,480 --> 00:39:23,360
Speaker 4: You're not really thinking big picture, correct, right, because.

777
00:39:23,120 --> 00:39:26,960
Speaker 2: She could have told the Providence newspaper, Hey, if I

778
00:39:27,000 --> 00:39:29,560
Speaker 2: get this, I'll go do that, yes, exactly, like a

779
00:39:29,840 --> 00:39:30,840
Speaker 2: start date or something.

780
00:39:31,680 --> 00:39:37,440
Speaker 4: Right, she's not a great negotiator with her prospective potential jobs.

781
00:39:37,520 --> 00:39:41,720
Speaker 4: But whatever, Maybe she's just young and out of college

782
00:39:41,760 --> 00:39:43,839
Speaker 4: and maybe we have the wisdom of going I think

783
00:39:43,880 --> 00:39:44,839
Speaker 4: you can work this out.

784
00:39:45,120 --> 00:39:48,560
Speaker 2: No, I probably wasn't a good negotiator at that age either.

785
00:39:49,000 --> 00:39:51,359
Speaker 2: But I mean me with my four dollars and twenty

786
00:39:51,360 --> 00:39:52,799
Speaker 2: five cents an hour, I don't think I was either.

787
00:39:53,320 --> 00:39:57,520
Speaker 4: I know I was like an hour. I'll take it.

788
00:39:58,239 --> 00:40:02,160
Speaker 2: Yes, But this might be a good time to point

789
00:40:02,200 --> 00:40:07,279
Speaker 2: out that she we had that episode where she went

790
00:40:07,400 --> 00:40:10,200
Speaker 2: back to Mitcham's newspaper and totally bugged that guy to

791
00:40:10,239 --> 00:40:13,359
Speaker 2: give her a job, and he does, and then we

792
00:40:13,400 --> 00:40:14,800
Speaker 2: never we never hear about.

793
00:40:14,640 --> 00:40:17,960
Speaker 4: It, like it just it just vanish semi famous guy,

794
00:40:18,000 --> 00:40:20,239
Speaker 4: like that guy's kind of like in a lot of things.

795
00:40:19,960 --> 00:40:23,080
Speaker 2: That guy. Right, Yeah, we interviewed him and that after

796
00:40:23,120 --> 00:40:25,120
Speaker 2: she like bugged the crap out of him to give

797
00:40:25,120 --> 00:40:27,239
Speaker 2: her that job. Back then she makes like one more

798
00:40:27,280 --> 00:40:29,320
Speaker 2: reference to it, and then we never hear from it

799
00:40:29,320 --> 00:40:31,960
Speaker 2: again the whole rest of the series. So I didn't.

800
00:40:32,239 --> 00:40:34,759
Speaker 2: I never understood why the writers like abandoned that whole

801
00:40:34,800 --> 00:40:39,560
Speaker 2: storyline because it could have been a well opportunities there,

802
00:40:39,640 --> 00:40:43,960
Speaker 2: but but whatever. Also, I wanted to point out we

803
00:40:44,000 --> 00:40:51,760
Speaker 2: finally got to see Martha Suki's second kid. You are corregged.

804
00:40:51,920 --> 00:40:54,920
Speaker 2: Yes we did at the baptism, but she was just

805
00:40:54,960 --> 00:40:57,680
Speaker 2: a baby in the stroller and we finally get to

806
00:40:57,719 --> 00:40:59,520
Speaker 2: see her as a little toddler. So I thought she

807
00:40:59,600 --> 00:40:59,960
Speaker 2: was cute.

808
00:41:00,200 --> 00:41:03,640
Speaker 4: Yeah, I think I don't know that they're aging exactly correctly.

809
00:41:04,160 --> 00:41:04,839
Speaker 2: Yeah, I don't think.

810
00:41:04,880 --> 00:41:07,000
Speaker 4: So something's a little off because the one guy seems

811
00:41:07,040 --> 00:41:09,520
Speaker 4: so much older than I think he is. But whatever. Yeah,

812
00:41:10,320 --> 00:41:13,080
Speaker 4: they also see Kirk on stilts, and I learned that

813
00:41:13,120 --> 00:41:17,040
Speaker 4: Sean Gun. Sean Gun did not necessarily know how to

814
00:41:17,040 --> 00:41:18,200
Speaker 4: walk on stilts.

815
00:41:19,560 --> 00:41:22,960
Speaker 1: So how would one know how to walk on stilts

816
00:41:23,000 --> 00:41:24,640
Speaker 1: unless they were with a circus?

817
00:41:25,040 --> 00:41:27,040
Speaker 4: Well, I don't know. You don't know that. I don't

818
00:41:27,040 --> 00:41:28,160
Speaker 4: know how to walk on Still.

819
00:41:28,040 --> 00:41:29,839
Speaker 1: Some people I know you. I know you don't know

820
00:41:29,840 --> 00:41:30,319
Speaker 1: how to walk.

821
00:41:30,320 --> 00:41:34,600
Speaker 4: I did not, but you people learn things.

822
00:41:35,120 --> 00:41:36,719
Speaker 2: Yeah, I know how to twirl a baton, and you

823
00:41:36,800 --> 00:41:37,640
Speaker 2: might not think I do.

824
00:41:37,760 --> 00:41:38,279
Speaker 4: And I do.

825
00:41:38,719 --> 00:41:41,279
Speaker 1: I know you know how to twirl a baton. I

826
00:41:41,320 --> 00:41:41,839
Speaker 1: am a.

827
00:41:41,880 --> 00:41:43,799
Speaker 4: Really good baton whirler.

828
00:41:44,200 --> 00:41:45,400
Speaker 1: Oh I know, I know.

829
00:41:46,000 --> 00:41:47,440
Speaker 2: But I do not know how to walk on stilts,

830
00:41:47,440 --> 00:41:48,640
Speaker 2: and I don't think I want to.

831
00:41:49,239 --> 00:41:51,319
Speaker 1: I can juggle, can you juggle? Three balls?

832
00:41:51,400 --> 00:41:51,920
Speaker 2: Can juggle?

833
00:41:52,000 --> 00:41:55,120
Speaker 4: Actually I can juggle three tennis balls like I used

834
00:41:55,120 --> 00:41:57,080
Speaker 4: to be better. But I can juggle, but I cannot

835
00:41:57,440 --> 00:42:00,360
Speaker 4: do a hula hoop anymore. My niece can do hula

836
00:42:00,400 --> 00:42:03,040
Speaker 4: hoop for like, she could just go for ten minutes

837
00:42:03,080 --> 00:42:04,360
Speaker 4: if you wanted her to, and I can't go.

838
00:42:04,800 --> 00:42:07,879
Speaker 1: Can you Can you juggle two balls with one hand? Ah?

839
00:42:07,960 --> 00:42:09,920
Speaker 4: Yes, I used to be able to do that. It's

840
00:42:09,960 --> 00:42:13,920
Speaker 4: all about the rhythm of the juggling. Sure, I can't.

841
00:42:14,120 --> 00:42:15,640
Speaker 4: I don't know it's any magic tricks.

842
00:42:15,680 --> 00:42:17,719
Speaker 1: But we'll have to have a juggle off one day.

843
00:42:17,920 --> 00:42:18,560
Speaker 2: That'd be fun.

844
00:42:18,920 --> 00:42:20,960
Speaker 4: Actually I cannot walk on stilts, can you?

845
00:42:22,040 --> 00:42:26,480
Speaker 1: I don't care to. I'm not interested in.

846
00:42:26,480 --> 00:42:30,000
Speaker 4: Walking to go to the circus.

847
00:42:30,080 --> 00:42:38,480
Speaker 1: Actually no, I'm not fond of clothes. We hired one

848
00:42:38,520 --> 00:42:42,760
Speaker 1: for next but you did not, And I just couldn't

849
00:42:42,760 --> 00:42:44,200
Speaker 1: wait till the guy left. Oh.

850
00:42:44,840 --> 00:42:46,680
Speaker 4: When we were that age, when we were a little

851
00:42:46,840 --> 00:42:49,400
Speaker 4: our mom hired Miss Mouse. She was sort of this,

852
00:42:49,520 --> 00:42:52,800
Speaker 4: like did the birthday party circuit. And I'm like, why

853
00:42:52,840 --> 00:42:56,360
Speaker 4: did we had this creepy lady in a mouse costume?

854
00:42:56,520 --> 00:42:57,120
Speaker 1: Like what?

855
00:42:58,360 --> 00:42:58,880
Speaker 2: Why?

856
00:42:59,520 --> 00:43:01,919
Speaker 4: But yeah, clowns are you can't wait till they leave

857
00:43:02,160 --> 00:43:04,719
Speaker 4: because there it's weird. I told you I once had

858
00:43:04,760 --> 00:43:07,000
Speaker 4: a clown try to steal my wall.

859
00:43:08,000 --> 00:43:11,440
Speaker 1: Steal your what, steal your wallet?

860
00:43:11,840 --> 00:43:14,359
Speaker 4: Degret and I. We were like in the studio, this

861
00:43:14,400 --> 00:43:16,920
Speaker 4: is so many years ago. I mean, this is twenty

862
00:43:17,280 --> 00:43:21,400
Speaker 4: twenty years plus years ago. And someone sent Ryan a

863
00:43:21,440 --> 00:43:26,279
Speaker 4: singing telegram and it was this creepy clown lady and

864
00:43:26,360 --> 00:43:31,319
Speaker 4: she's got some creepy basket and I see her take

865
00:43:31,400 --> 00:43:34,480
Speaker 4: my wallet off the counter and put it.

866
00:43:34,360 --> 00:43:37,279
Speaker 2: In her basket, and I'm just like, I.

867
00:43:37,239 --> 00:43:40,440
Speaker 4: Just took my wallet back out of her basket, and

868
00:43:40,640 --> 00:43:45,520
Speaker 4: just like I'll never forget it. I'm like, I literally

869
00:43:45,520 --> 00:43:48,560
Speaker 4: I can't remember what I had for lunch today, but

870
00:43:48,680 --> 00:43:53,120
Speaker 4: I can remember that clown woman trying to take my wallet.

871
00:43:53,239 --> 00:43:54,560
Speaker 4: And I was just sad something.

872
00:43:55,320 --> 00:43:58,239
Speaker 1: You got to keep your eye on clowns. Can't take

873
00:43:58,239 --> 00:43:58,839
Speaker 1: your eyes off.

874
00:43:58,840 --> 00:44:14,760
Speaker 2: Those clowns, are you Okay? So now we're at the diner.

875
00:44:14,960 --> 00:44:19,000
Speaker 2: It's all the craziness of the maze. April is working there,

876
00:44:19,040 --> 00:44:24,319
Speaker 2: which was fun to watch. She was delivering a few meals,

877
00:44:24,080 --> 00:44:25,040
Speaker 2: can really fast.

878
00:44:25,160 --> 00:44:27,360
Speaker 4: Question, wasn't there a rule no running in the maze,

879
00:44:27,400 --> 00:44:29,400
Speaker 4: and yet I felt like everyone was running in the maze.

880
00:44:29,440 --> 00:44:33,240
Speaker 2: Okay, just making sure I'm not. You know, it's so tempting.

881
00:44:36,120 --> 00:44:39,680
Speaker 1: I actually shouted out to stop running. Yeah, I do

882
00:44:39,719 --> 00:44:41,360
Speaker 1: it at the pool we go to too. I say, the

883
00:44:41,440 --> 00:44:45,240
Speaker 1: kids are running. I say slow down, slow down, nobody's

884
00:44:45,239 --> 00:44:47,560
Speaker 1: gonna get hurt.

885
00:44:47,960 --> 00:44:51,480
Speaker 2: That's funny that you say that because of the year

886
00:44:51,480 --> 00:44:54,960
Speaker 2: in the life. But anyways, we'll get to that. So

887
00:44:55,040 --> 00:44:59,960
Speaker 2: April Zach has the maze memorized basically because he's delivering

888
00:45:00,120 --> 00:45:03,640
Speaker 2: to people's houses and so he instead of going around.

889
00:45:03,760 --> 00:45:08,279
Speaker 2: That was pretty hard. Yeah, And then so April goes

890
00:45:08,320 --> 00:45:10,160
Speaker 2: to the maize and she runs off. That was just

891
00:45:10,200 --> 00:45:13,759
Speaker 2: a cute little sort of in between and now we

892
00:45:13,800 --> 00:45:17,759
Speaker 2: see uh. This I thought was my favorite part of

893
00:45:17,800 --> 00:45:22,160
Speaker 2: the episode was Lorelei and Luke in the main the best.

894
00:45:22,480 --> 00:45:26,280
Speaker 2: It was great. Shout out to the blue and green

895
00:45:26,360 --> 00:45:28,760
Speaker 2: plaid shirt she was wearing. We saw that in another

896
00:45:28,800 --> 00:45:31,239
Speaker 2: episode when she was with Chris, and I always liked

897
00:45:31,239 --> 00:45:34,200
Speaker 2: that shirt. I actually have the speech if you want it.

898
00:45:34,760 --> 00:45:35,760
Speaker 2: Do you want to hear the speech?

899
00:45:36,320 --> 00:45:38,920
Speaker 4: Sure? I messed up that night. I went to Christopher.

900
00:45:39,120 --> 00:45:43,760
Speaker 4: I'm sorry, Luke, Yeah, yeah, I mean I never admitted

901
00:45:43,800 --> 00:45:46,400
Speaker 4: to you. I never admitted it to you. It was

902
00:45:46,440 --> 00:45:50,960
Speaker 4: wrong what I did, and it was and I'm really sorry. Okay, thanks.

903
00:45:51,239 --> 00:45:53,320
Speaker 4: I don't know why I didn't say this before, and

904
00:45:53,480 --> 00:45:55,560
Speaker 4: he was more warm about it. I think I'm not

905
00:45:55,640 --> 00:46:00,839
Speaker 4: doing good acting. Luke says, you know, I'm sorry because

906
00:46:00,880 --> 00:46:03,480
Speaker 4: I don't know. It's just not that I've had April.

907
00:46:03,600 --> 00:46:05,560
Speaker 4: I've learned a lot, and I was crazy to think

908
00:46:05,560 --> 00:46:07,360
Speaker 4: that I had to fix everything in my relationship with

909
00:46:07,400 --> 00:46:09,600
Speaker 4: April before I could really be with you. And that's

910
00:46:09,640 --> 00:46:11,600
Speaker 4: just not how you fix things. I mean, things just

911
00:46:11,600 --> 00:46:14,960
Speaker 4: don't stand still. They're always changing. And then she says, yeah,

912
00:46:15,160 --> 00:46:17,440
Speaker 4: I guess I was compartmentalizing, if that's what you call it.

913
00:46:17,520 --> 00:46:19,320
Speaker 4: I mean I should have opened my compartments. It should

914
00:46:19,320 --> 00:46:21,799
Speaker 4: have gotten your help. I wanted to help, I know,

915
00:46:21,880 --> 00:46:24,160
Speaker 4: and I'm sorry. And I'm sorry also because I think

916
00:46:24,200 --> 00:46:30,000
Speaker 4: I kind of used April to push you away. Good scene, people,

917
00:46:30,040 --> 00:46:31,840
Speaker 4: I've been waiting for this for so long.

918
00:46:32,120 --> 00:46:35,680
Speaker 1: That yeah, good scene.

919
00:46:36,120 --> 00:46:38,880
Speaker 2: Yeah. It was good to see them finally acknowledged that

920
00:46:38,920 --> 00:46:42,040
Speaker 2: they both had a role in the insanity.

921
00:46:43,480 --> 00:46:45,640
Speaker 4: I'm glad that they did it the way they did

922
00:46:45,640 --> 00:46:49,279
Speaker 4: it like that. There was no sudden like and I

923
00:46:49,360 --> 00:46:50,879
Speaker 4: love you kissed, do you know what I'm saying?

924
00:46:50,960 --> 00:46:51,520
Speaker 2: Thing like that?

925
00:46:51,600 --> 00:46:53,799
Speaker 4: It was just how it was. And then off they went.

926
00:46:55,200 --> 00:46:55,399
Speaker 3: Yeah.

927
00:46:55,400 --> 00:46:58,600
Speaker 4: I thought, okay, Okay, that would have been a hard

928
00:46:58,640 --> 00:47:02,520
Speaker 4: conversation for me to like walk away from. Yeah it

929
00:47:02,600 --> 00:47:03,520
Speaker 4: was good, really good.

930
00:47:04,200 --> 00:47:06,279
Speaker 1: Yeah. I think they both have to process what that

931
00:47:06,480 --> 00:47:11,719
Speaker 1: conversation really meant, yeah, and what it could potentially lead to.

932
00:47:11,760 --> 00:47:16,840
Speaker 1: And nobody was going to move too fast, right, They're

933
00:47:16,840 --> 00:47:18,080
Speaker 1: just gonna sleep on.

934
00:47:18,120 --> 00:47:22,040
Speaker 2: It exactly, Yeah, like what what's the next step going

935
00:47:22,080 --> 00:47:23,880
Speaker 2: to be? Is going to be a next step?

936
00:47:24,400 --> 00:47:26,919
Speaker 4: Right right right?

937
00:47:27,960 --> 00:47:30,319
Speaker 2: M And then we got the trouba Door, Like this

938
00:47:30,800 --> 00:47:32,720
Speaker 2: episode had everything.

939
00:47:33,080 --> 00:47:34,719
Speaker 1: The Troubadour following him in.

940
00:47:35,120 --> 00:47:36,719
Speaker 2: Good to see the Troubadour.

941
00:47:38,239 --> 00:47:42,000
Speaker 1: And no one's gonna know, there's gonna be no heartbreak tonight,

942
00:47:42,080 --> 00:47:47,400
Speaker 1: no one's losing their life tonight or whatever. Those lyrics perfect.

943
00:47:47,920 --> 00:47:49,560
Speaker 2: Yeah, it was good. And then it goes to the

944
00:47:49,600 --> 00:47:51,960
Speaker 2: crane shop that lives up and you can see literally

945
00:47:52,000 --> 00:47:56,239
Speaker 2: the whole square with the flags, and I just I

946
00:47:56,360 --> 00:47:57,360
Speaker 2: really liked that scene.

947
00:47:57,800 --> 00:47:59,760
Speaker 1: I want to give a shout out to Grantly Phillips.

948
00:48:00,480 --> 00:48:03,560
Speaker 1: I think he's still touring now, I'm not. If you

949
00:48:03,560 --> 00:48:05,680
Speaker 1: have a chance to go see him, you should. He's fantastic.

950
00:48:06,040 --> 00:48:10,880
Speaker 1: He's fantastic live and a great storyteller and just an

951
00:48:10,880 --> 00:48:12,520
Speaker 1: all round great guy. So go see him.

952
00:48:13,600 --> 00:48:16,200
Speaker 4: Give a shout out to this episode for being like Gilmore.

953
00:48:17,000 --> 00:48:20,799
Speaker 1: Yeah, it was really the essence of Gilmour. It really

954
00:48:20,840 --> 00:48:23,640
Speaker 1: gave you the It was so grounded, and it gave

955
00:48:23,640 --> 00:48:27,080
Speaker 1: you that, you know, the real community feel. And we're

956
00:48:27,080 --> 00:48:29,960
Speaker 1: going to do a festival. Imagine and boy, I mean

957
00:48:30,080 --> 00:48:32,239
Speaker 1: I'm beating a dead horse on this thing, and I'm

958
00:48:32,280 --> 00:48:35,319
Speaker 1: going to get lamb basted for this. But imagine what

959
00:48:35,400 --> 00:48:41,640
Speaker 1: a Luke and Laurel I wedding would have been. Yes, disgust, gosh.

960
00:48:42,360 --> 00:48:45,360
Speaker 4: I also think we had like some fair and you

961
00:48:45,400 --> 00:48:48,080
Speaker 4: said this, Scott, I'm just reiterating, we had very pivotable,

962
00:48:48,440 --> 00:48:53,840
Speaker 4: pivotal Rory Logan, Laurel I, Luke moments in this Like,

963
00:48:53,920 --> 00:48:56,800
Speaker 4: this was not a fluff episode. It had a lot.

964
00:48:57,520 --> 00:49:02,040
Speaker 2: Yeah, it really on all fronts advanced the story.

965
00:49:02,200 --> 00:49:04,960
Speaker 1: Yeah, there was there was rehabilitation, there was there was

966
00:49:05,040 --> 00:49:08,759
Speaker 1: personal growth, there was introspection, and I mean it was

967
00:49:08,840 --> 00:49:13,120
Speaker 1: it was terrific. It was really terrific. And it was active. Yeah,

968
00:49:13,160 --> 00:49:15,960
Speaker 1: you know, and they were doing fun stuff, fun stars,

969
00:49:15,960 --> 00:49:19,480
Speaker 1: hollow stuff. I just you know, Amy, I think you're right.

970
00:49:19,520 --> 00:49:22,759
Speaker 1: I think we could have used more of the peripheral characters.

971
00:49:22,960 --> 00:49:26,040
Speaker 1: And bring them more into the fold, especially if we're

972
00:49:26,080 --> 00:49:29,080
Speaker 1: spending a lot of time in that community, you know,

973
00:49:29,200 --> 00:49:31,520
Speaker 1: and we were that they had the opportunity actually taken

974
00:49:31,520 --> 00:49:34,000
Speaker 1: that opportunity would have been an A plus episode for me,

975
00:49:34,120 --> 00:49:39,239
Speaker 1: But instead I think it's just an A. So yeah, anyway, I.

976
00:49:39,160 --> 00:49:41,600
Speaker 4: Think are we ready to give our what we get?

977
00:49:41,719 --> 00:49:43,640
Speaker 1: I think, yeah, let's let's rate it.

978
00:49:44,080 --> 00:49:46,920
Speaker 2: I really loved this episode. I'm going to give it

979
00:49:47,360 --> 00:49:51,040
Speaker 2: eight point nine salty nuts.

980
00:49:52,480 --> 00:49:57,080
Speaker 4: Two point five uh HIAA pans of.

981
00:49:57,120 --> 00:49:59,719
Speaker 1: Payea, Susanna, what't you give it?

982
00:50:00,000 --> 00:50:01,560
Speaker 2: I gave it eight point nine.

983
00:50:01,680 --> 00:50:05,439
Speaker 1: Eight point nine and nine point five from Amikins. Yeah,

984
00:50:05,480 --> 00:50:08,080
Speaker 1: I think I'm gonna give it a I think I'm

985
00:50:08,120 --> 00:50:10,440
Speaker 1: right there with you, Amy. I think a nine point

986
00:50:10,520 --> 00:50:13,440
Speaker 1: five turquoise bracelets.

987
00:50:14,680 --> 00:50:18,000
Speaker 4: Oh my god, we forgot to say when the bracelet

988
00:50:18,080 --> 00:50:25,600
Speaker 4: pops out and she sees it my bracelet, everybody, Jackie,

989
00:50:25,600 --> 00:50:28,080
Speaker 4: can you try to find bracelets like that so we

990
00:50:28,120 --> 00:50:29,040
Speaker 4: can all wear them?

991
00:50:29,200 --> 00:50:29,640
Speaker 1: Please?

992
00:50:30,520 --> 00:50:32,640
Speaker 4: I will pay for them. If somebody can find a

993
00:50:32,680 --> 00:50:33,920
Speaker 4: bracelet that looks.

994
00:50:33,719 --> 00:50:36,839
Speaker 1: Just like it, all right, well that's gonna do it.

995
00:50:37,920 --> 00:50:41,239
Speaker 1: Thank you, everybody, Amy, Susanne, best fans, all the plant.

996
00:50:41,400 --> 00:50:43,279
Speaker 1: Thanks for download to keep the cards, letters come and

997
00:50:43,280 --> 00:50:49,080
Speaker 1: smoke signals. Pigeon dropped, not pigeon droppings, but pigeon bye

998
00:50:49,120 --> 00:50:53,280
Speaker 1: notes by pigeon pigeon droppings. We're going to get those anyway.

999
00:50:55,440 --> 00:50:58,040
Speaker 1: Y'all are great, We love you, and it's.

1000
00:50:57,960 --> 00:50:59,000
Speaker 4: Just like riding a bike.

1001
00:51:00,080 --> 00:51:03,120
Speaker 1: Yeah, next week, just like we keep doing them. Oh,

1002
00:51:03,200 --> 00:51:06,840
Speaker 1: write the name of the episode Hilltops and Hannah Barberous

1003
00:51:07,040 --> 00:51:16,640
Speaker 1: right next we did we do a comedy show or

1004
00:51:16,680 --> 00:51:19,200
Speaker 1: just give up that dream? We should give it up.

1005
00:51:19,640 --> 00:51:20,719
Speaker 1: We should give up the dream.

1006
00:51:20,719 --> 00:51:23,080
Speaker 4: Funny, and it was funnier because it took me a

1007
00:51:23,120 --> 00:51:27,680
Speaker 4: minute to get it where I'm like, and then I

1008
00:51:27,680 --> 00:51:30,400
Speaker 4: also just clicked and I just was like, also, I

1009
00:51:30,440 --> 00:51:32,080
Speaker 4: have to go turn my air conditioning on because I'm

1010
00:51:32,120 --> 00:51:34,319
Speaker 4: so hot. I'm having a hoflash. So oh my god,

1011
00:51:34,360 --> 00:51:35,680
Speaker 4: say you're goodbyes while I do that.

1012
00:51:35,880 --> 00:51:39,680
Speaker 1: All right, bye bye, I love y'all, see ya bye,

1013
00:51:40,600 --> 00:51:43,600
Speaker 1: and remember we and I am all In.

1014
00:51:43,880 --> 00:52:14,720
Speaker 7: Stay safe everyone, everybody, don't forget.

1015
00:52:14,760 --> 00:52:18,799
Speaker 1: Follow us on Instagram at I Am All In podcast

1016
00:52:18,920 --> 00:52:38,160
Speaker 1: and email us at Gilmore at iHeartRadio dot com