1 00:00:00,400 --> 00:00:03,000 Speaker 1: Hey everybody, Welcome to Disgraceland, which is brought to you 2 00:00:03,040 --> 00:00:06,160 Speaker 1: by Double Elvis. This week, we have our Andy Warhol 3 00:00:06,240 --> 00:00:09,799 Speaker 1: story and the Disgraceland feed, our Hunter S. Thompson episode 4 00:00:09,800 --> 00:00:13,640 Speaker 1: available to our Disgraceland All Access members in our Patreon 5 00:00:14,160 --> 00:00:17,320 Speaker 1: and Apple subscription feeds. And for the parents out there, 6 00:00:17,360 --> 00:00:20,360 Speaker 1: we have a brand new episode on music Land Stories 7 00:00:20,440 --> 00:00:23,599 Speaker 1: called Appearing for One Night Only. That's our fiction show 8 00:00:23,640 --> 00:00:25,720 Speaker 1: for kids and families, and that's available for you right 9 00:00:25,720 --> 00:00:31,880 Speaker 1: now as well. Hey, discos, need a little more Disgraceland 10 00:00:31,880 --> 00:00:35,360 Speaker 1: in your life, just to touch to get you through, Yeah, 11 00:00:35,440 --> 00:00:38,920 Speaker 1: me too. This is the podcast that comes after the podcast. 12 00:00:39,360 --> 00:00:57,280 Speaker 1: Welcome to Disgraceland. The after Party. Welcome to the Disgraceland 13 00:00:57,280 --> 00:01:00,240 Speaker 1: bonus episode, a little thing we like to call the 14 00:01:00,320 --> 00:01:02,920 Speaker 1: after party. This is the show after the show, the 15 00:01:02,960 --> 00:01:04,800 Speaker 1: party after the party, the bridge to get you from 16 00:01:04,840 --> 00:01:07,960 Speaker 1: one full episode of Disgraceland to the other, the backyard 17 00:01:08,000 --> 00:01:11,119 Speaker 1: to dig into the dirt. On this episode, we are 18 00:01:11,200 --> 00:01:15,120 Speaker 1: talking about our new Andy Warhol episode of DISGRACELANMD that's 19 00:01:15,160 --> 00:01:18,200 Speaker 1: in your feeds right now. Just ahead of this bonus episode, 20 00:01:18,319 --> 00:01:20,720 Speaker 1: we're talking about the sources that went into creating that 21 00:01:20,760 --> 00:01:24,520 Speaker 1: Warhol episode. We're also talking about a new Hunter S. 22 00:01:24,640 --> 00:01:28,399 Speaker 1: Thompson episode that you can access right now. We're going 23 00:01:28,440 --> 00:01:30,000 Speaker 1: to get to that in a minute. With our major 24 00:01:30,000 --> 00:01:34,360 Speaker 1: announcement today is the launch of Disgraceland All Access, a 25 00:01:34,400 --> 00:01:37,520 Speaker 1: brand new subscription feed where you can get even more 26 00:01:37,800 --> 00:01:40,200 Speaker 1: regular content from me. More on that in a bit, 27 00:01:40,440 --> 00:01:43,720 Speaker 1: and of course your voicemails, texts, dms, and a whole 28 00:01:43,760 --> 00:01:44,240 Speaker 1: lot of roads. 29 00:01:44,440 --> 00:01:56,600 Speaker 2: All right, disc goes, let's get thanks a right. 30 00:01:58,160 --> 00:02:00,520 Speaker 1: Fifteen minutes. I like to think that I can do 31 00:02:00,560 --> 00:02:03,560 Speaker 1: anything for fifteen minutes. Whenever I have to sit through 32 00:02:03,600 --> 00:02:06,200 Speaker 1: something tedious or boring, or whenever I'm forced to do 33 00:02:06,240 --> 00:02:10,560 Speaker 1: something that I don't like, I try to get some perspective. 34 00:02:10,600 --> 00:02:12,920 Speaker 1: I tell myself, this isn't so bad. What if I 35 00:02:12,960 --> 00:02:15,560 Speaker 1: was on a forced march through a Vietnamese jungle during 36 00:02:15,560 --> 00:02:18,320 Speaker 1: the war and I had to endure that for fifteen minutes, 37 00:02:18,400 --> 00:02:20,520 Speaker 1: Or what if God forbid, I had to get a 38 00:02:20,520 --> 00:02:23,239 Speaker 1: real job and be up on a roof laying tile 39 00:02:23,400 --> 00:02:26,520 Speaker 1: or something, or digging dishes somewhere, or if I had 40 00:02:26,800 --> 00:02:29,960 Speaker 1: having to endure that work for fifteen minutes. Now, that's tough, 41 00:02:30,680 --> 00:02:32,840 Speaker 1: you know, when I'm online for the DMV, or when 42 00:02:32,840 --> 00:02:35,240 Speaker 1: I'm stuck, you know, at a ten year old's birthday 43 00:02:35,240 --> 00:02:38,320 Speaker 1: party and forced to choose between eating the sugar Laiden 44 00:02:38,360 --> 00:02:40,320 Speaker 1: cake that's going to make me feel like shit, or 45 00:02:40,800 --> 00:02:43,720 Speaker 1: trying not to be annoyed by the loud clicking of 46 00:02:44,080 --> 00:02:47,440 Speaker 1: small battalions worth of NERF guns. I tell myself, Yeah, 47 00:02:47,520 --> 00:02:50,280 Speaker 1: just fifteen minutes. I can do this. I can do this. 48 00:02:51,080 --> 00:02:54,840 Speaker 1: But could I be famous for fifteen minutes, truly famous, 49 00:02:55,120 --> 00:02:58,840 Speaker 1: like Andy Warhol said? Or could you maybe you have been, 50 00:02:59,080 --> 00:03:01,720 Speaker 1: maybe you already are, maybe you're going through your fifteen 51 00:03:01,760 --> 00:03:06,480 Speaker 1: minutes right now. Fame, as we touched on in last 52 00:03:06,480 --> 00:03:09,200 Speaker 1: week's episode of The After Party, relative to the Anthony 53 00:03:09,200 --> 00:03:13,920 Speaker 1: Bourdain episode, fame is a bitch. Yet it is something that, 54 00:03:14,080 --> 00:03:17,360 Speaker 1: in some ways, in this digital age, is easier to 55 00:03:17,440 --> 00:03:21,960 Speaker 1: attain than ever. The gatekeepers, the Hollywood moguls, the titans 56 00:03:21,960 --> 00:03:25,320 Speaker 1: of industry, the cigar chopping record executives, the Madison Avenue 57 00:03:25,400 --> 00:03:28,560 Speaker 1: admin they have less influence than ever, if they even 58 00:03:28,600 --> 00:03:32,480 Speaker 1: exist anymore, as archetypes that they once were. These days, 59 00:03:32,800 --> 00:03:36,640 Speaker 1: we are the influencers, you and me. It's all there 60 00:03:36,680 --> 00:03:39,520 Speaker 1: for the taking. All we have to do is create 61 00:03:39,960 --> 00:03:44,240 Speaker 1: and commit, but fame is relative. Having a podcast that 62 00:03:44,320 --> 00:03:47,200 Speaker 1: reaches millions of people is different than having a YouTube 63 00:03:47,280 --> 00:03:49,840 Speaker 1: channel that reaches millions of people, which is different than 64 00:03:49,880 --> 00:03:52,160 Speaker 1: having a television show that reaches millions of people. But 65 00:03:52,200 --> 00:03:55,920 Speaker 1: that's just the point. There are options methods of distribution 66 00:03:56,040 --> 00:03:58,320 Speaker 1: that can take a small piece of art or media 67 00:03:58,360 --> 00:04:01,680 Speaker 1: that we create in blast all over the world in seconds, 68 00:04:01,960 --> 00:04:06,760 Speaker 1: and voila, you're famous. Sort of. I'm not sure this 69 00:04:06,920 --> 00:04:10,640 Speaker 1: is exactly what Andy Warhol predicted, but it's damn close. 70 00:04:11,160 --> 00:04:13,160 Speaker 1: And then again, I wonder if Andy Warhol really even 71 00:04:13,200 --> 00:04:16,320 Speaker 1: believed in his prediction that everyone will one day be 72 00:04:16,400 --> 00:04:18,760 Speaker 1: famous for fifteen minutes, or if it was just some 73 00:04:18,800 --> 00:04:22,680 Speaker 1: bullshit that that sounded outlandish, ostentatious, the kind of thing 74 00:04:22,680 --> 00:04:25,480 Speaker 1: that you know would lead to someone becoming famous, or 75 00:04:25,480 --> 00:04:28,320 Speaker 1: at least helped reinforce the fame that Andy Warhol had 76 00:04:28,360 --> 00:04:32,200 Speaker 1: already attained. Either way, here we are, and the wicked 77 00:04:32,240 --> 00:04:34,680 Speaker 1: irony here of the Andy Warhol story, as you're going 78 00:04:34,720 --> 00:04:36,400 Speaker 1: to listen to in the full episode if you haven't 79 00:04:36,400 --> 00:04:38,760 Speaker 1: listened to it already, or you may have already heard, 80 00:04:39,080 --> 00:04:42,839 Speaker 1: the irony is that Andy's fame created a cult of 81 00:04:42,880 --> 00:04:47,000 Speaker 1: personality and then a deranged obsession that resulted in someone 82 00:04:47,040 --> 00:04:50,560 Speaker 1: putting a bullet in Andy Warhol, and that act led 83 00:04:50,600 --> 00:04:53,520 Speaker 1: to fifteen minutes of fame for the deranged mad woman 84 00:04:53,520 --> 00:04:57,800 Speaker 1: who shot him, whose bullet ultimately killed Andy almost two 85 00:04:57,800 --> 00:05:01,120 Speaker 1: decades later. It's a wild story. I want to know 86 00:05:01,120 --> 00:05:02,440 Speaker 1: what you thought of it. I want to know what 87 00:05:02,440 --> 00:05:03,800 Speaker 1: you think of this whole thing. I want to know 88 00:05:03,800 --> 00:05:06,360 Speaker 1: what you think of this crazy era that we're living in. 89 00:05:06,560 --> 00:05:09,040 Speaker 1: Six one seven, nine oh six six six three eight. 90 00:05:09,200 --> 00:05:11,760 Speaker 1: Leave me a voicemail, send me a text. I also 91 00:05:11,800 --> 00:05:14,159 Speaker 1: want to know about your own brushes with fame. Have 92 00:05:14,240 --> 00:05:16,400 Speaker 1: you ever been famous in any way? Have you ever 93 00:05:16,400 --> 00:05:18,760 Speaker 1: been on the local news caught up in some sort 94 00:05:18,760 --> 00:05:22,040 Speaker 1: of mini scandal, caught on stage by a Rolling Stone photographer, 95 00:05:22,080 --> 00:05:24,560 Speaker 1: Carnegie Hall, singing behind Patti Smith when he had no 96 00:05:24,600 --> 00:05:27,480 Speaker 1: business doing so. That last example is from my past, 97 00:05:27,520 --> 00:05:29,520 Speaker 1: but I digress. I want to hear from you, guys. 98 00:05:29,560 --> 00:05:31,960 Speaker 1: Six one seven, nine oh six six six three eight. 99 00:05:32,000 --> 00:05:33,520 Speaker 1: I want to take a quick break, come back on 100 00:05:33,520 --> 00:05:35,640 Speaker 1: the other side with some information on the sources that 101 00:05:35,680 --> 00:05:39,120 Speaker 1: we used to build the Andy Warhol episode. Your voicemails, texts, 102 00:05:39,160 --> 00:06:05,799 Speaker 1: emails in a very special major announcement. All Right, guys, 103 00:06:05,800 --> 00:06:08,880 Speaker 1: today is a special day. Today is the day that 104 00:06:08,920 --> 00:06:13,480 Speaker 1: we are launching the Disgraceland All Access Membership Club. This 105 00:06:13,560 --> 00:06:15,240 Speaker 1: has been a long time in the making, and I've 106 00:06:15,279 --> 00:06:16,640 Speaker 1: been trying to figure out how to bring you guys 107 00:06:16,720 --> 00:06:20,000 Speaker 1: more content and find a way for us to engage 108 00:06:20,120 --> 00:06:23,640 Speaker 1: more fully, more deeply, to better connect around the subjects 109 00:06:23,680 --> 00:06:26,560 Speaker 1: and stories that we are telling. And this Disgraceland All 110 00:06:26,600 --> 00:06:28,800 Speaker 1: Access Membership Club is the way to do this. First 111 00:06:28,839 --> 00:06:31,920 Speaker 1: of all, all the episodes that you've been getting weekly, 112 00:06:32,200 --> 00:06:34,520 Speaker 1: that show that's up in your Apple and Spotify and 113 00:06:34,560 --> 00:06:36,839 Speaker 1: Amazon feeds right now or in whatever feed that you 114 00:06:36,880 --> 00:06:39,240 Speaker 1: listen to your podcasts, and that is not changing. That's 115 00:06:39,279 --> 00:06:41,560 Speaker 1: not going anywhere. Okay, this isn't us going behind a 116 00:06:41,560 --> 00:06:44,760 Speaker 1: paywall that you have to scale to listen to Disgraceland. 117 00:06:44,839 --> 00:06:46,840 Speaker 1: That is not happening. That is not what this is. 118 00:06:47,279 --> 00:06:49,960 Speaker 1: The main episodes of Disgraceland, the full episode, like the 119 00:06:50,000 --> 00:06:52,560 Speaker 1: Warhol one we just delivered in the bulk of this 120 00:06:52,640 --> 00:06:55,400 Speaker 1: bonus episode of the after Party episode, These are still 121 00:06:55,440 --> 00:06:57,560 Speaker 1: going to remain in your podcast feed. They're going to 122 00:06:57,600 --> 00:07:01,720 Speaker 1: show up as they always have However, if you want more, 123 00:07:02,320 --> 00:07:07,160 Speaker 1: that's the key word here, more. If you want more Disgraceland, 124 00:07:07,400 --> 00:07:10,080 Speaker 1: if you want to hear an extra full episode of 125 00:07:10,120 --> 00:07:13,520 Speaker 1: Disgraceland per month, like the one that we released today 126 00:07:13,880 --> 00:07:16,160 Speaker 1: on Hunter S. Thompson. Wait a minute, you're saying, wait, 127 00:07:16,160 --> 00:07:18,200 Speaker 1: where where's the Hunter S. Thompson episode? Where can I 128 00:07:18,200 --> 00:07:19,960 Speaker 1: get this? I don't see it in my feed. That's 129 00:07:20,000 --> 00:07:21,960 Speaker 1: because you haven't signed up yet to become an all 130 00:07:22,080 --> 00:07:25,480 Speaker 1: access member of Disgraceland. When you do that, you're gonna 131 00:07:25,480 --> 00:07:28,160 Speaker 1: get the Hunter S. Thompson episode, and next month you're 132 00:07:28,160 --> 00:07:30,680 Speaker 1: going to get the new Chris Cornell episode, and then 133 00:07:30,720 --> 00:07:32,680 Speaker 1: after that the month after that, you're gonna get the 134 00:07:32,720 --> 00:07:35,760 Speaker 1: new Baskett episode. You're only going to get these episodes, 135 00:07:36,040 --> 00:07:41,880 Speaker 1: these new full extra episodes in the Disgraceland All Access 136 00:07:41,880 --> 00:07:43,960 Speaker 1: feed once a month, so you get everything you're already 137 00:07:44,000 --> 00:07:46,360 Speaker 1: getting no matter what. You become a disgrace Land All 138 00:07:46,400 --> 00:07:48,880 Speaker 1: Access member, you get an extra full episode. Okay, you 139 00:07:48,960 --> 00:07:51,080 Speaker 1: also get if you want to listen to every episode 140 00:07:51,120 --> 00:07:53,680 Speaker 1: of Disgraceland, the new ones that we're releasing weekly, plus 141 00:07:53,840 --> 00:07:56,080 Speaker 1: the one hundred and sixty plus episodes that we have 142 00:07:56,160 --> 00:07:57,680 Speaker 1: in the archive. If you want to listen to these 143 00:07:57,680 --> 00:08:00,680 Speaker 1: episodes of disgrace Land ad free, you're going to get 144 00:08:00,720 --> 00:08:03,559 Speaker 1: that by becoming a Disgraceland All Access member as well. 145 00:08:03,760 --> 00:08:05,840 Speaker 1: If you want to hear the extended full version of 146 00:08:05,840 --> 00:08:08,680 Speaker 1: these bonus after party episodes going forward, you have to 147 00:08:08,680 --> 00:08:11,600 Speaker 1: become a Disgraceland All Access member. If you want to 148 00:08:11,640 --> 00:08:13,800 Speaker 1: be first to know about new merchandise and have it 149 00:08:13,800 --> 00:08:16,240 Speaker 1: made available to you before anyone else, you have to 150 00:08:16,240 --> 00:08:19,080 Speaker 1: become a disgrace Land All Access member. And if you 151 00:08:19,080 --> 00:08:21,680 Speaker 1: want to talk to me directly on a near daily 152 00:08:21,720 --> 00:08:24,760 Speaker 1: basis about the subjects that we cover here in Disgraceland 153 00:08:24,960 --> 00:08:27,680 Speaker 1: and to have a closer connection with the disco community, 154 00:08:27,720 --> 00:08:30,680 Speaker 1: you have to become a Disgraceland All Access member. But 155 00:08:31,280 --> 00:08:34,000 Speaker 1: being part of this club, being part of the Disgraceland 156 00:08:34,040 --> 00:08:37,040 Speaker 1: All Access membership club, this is not for everyone, and 157 00:08:37,080 --> 00:08:41,160 Speaker 1: that's intentional. It's for the chronics, the obsessives, those of 158 00:08:41,200 --> 00:08:44,920 Speaker 1: you who are like me, who don't want the tired 159 00:08:45,040 --> 00:08:48,079 Speaker 1: team sanitized for history stories about names that were vaguely 160 00:08:48,120 --> 00:08:50,880 Speaker 1: familiar with. You want to shine a light into the darkness, 161 00:08:50,880 --> 00:08:53,400 Speaker 1: and you want the most interesting stories about the most 162 00:08:53,440 --> 00:08:56,240 Speaker 1: interesting people who have ever lived. And you want to 163 00:08:56,280 --> 00:08:58,880 Speaker 1: know where these stories came from. You want to know 164 00:08:58,920 --> 00:09:02,400 Speaker 1: what made them come to life, what books and movies 165 00:09:02,440 --> 00:09:05,600 Speaker 1: they first appeared in, what books and movies they inspired, 166 00:09:06,040 --> 00:09:08,160 Speaker 1: And you want to help guide us here at Double 167 00:09:08,160 --> 00:09:11,560 Speaker 1: Elvis and selecting the subjects that we cover. You like us, 168 00:09:11,600 --> 00:09:14,880 Speaker 1: like I said, are obsessed. And for your obsession, my friends, 169 00:09:14,880 --> 00:09:17,199 Speaker 1: you will be rewarded with the benefit of being part 170 00:09:17,240 --> 00:09:20,960 Speaker 1: of a community of like minded obsessives the discos. You 171 00:09:21,000 --> 00:09:23,640 Speaker 1: will also be rewarded with a shit ton of exclusive content, 172 00:09:23,760 --> 00:09:25,720 Speaker 1: just like I mentioned before, just like that Hunter S. 173 00:09:25,760 --> 00:09:28,840 Speaker 1: Thompson episode that we released today. So how do you 174 00:09:28,840 --> 00:09:30,840 Speaker 1: get this content? How do you become a member of 175 00:09:30,880 --> 00:09:34,559 Speaker 1: the Disgrace and All Access Club. Well, it's five dollars 176 00:09:34,640 --> 00:09:36,880 Speaker 1: a month less if you sign up for the whole year. 177 00:09:37,080 --> 00:09:38,520 Speaker 1: That's cheaper than a couple of coffee in one of 178 00:09:38,559 --> 00:09:40,680 Speaker 1: those bougie neighborhoods that you might visit over the weekend. 179 00:09:40,720 --> 00:09:42,320 Speaker 1: Or who knows, maybe you live in one of those 180 00:09:42,360 --> 00:09:44,760 Speaker 1: bougie neighborhoods. In that case, you got no excuse. You 181 00:09:44,800 --> 00:09:47,000 Speaker 1: got five bucks to spare, all right, But most of 182 00:09:47,080 --> 00:09:49,160 Speaker 1: us I get it five bucks any amount of bucks. 183 00:09:49,160 --> 00:09:51,160 Speaker 1: That's real money, and that shit is hard to come 184 00:09:51,200 --> 00:09:53,280 Speaker 1: by and it's harder to part with, which is why 185 00:09:53,320 --> 00:09:56,160 Speaker 1: I am committed to making this all access membership club 186 00:09:56,200 --> 00:09:59,320 Speaker 1: pay off for five bucks less than a beer, less 187 00:09:59,360 --> 00:10:01,160 Speaker 1: than a beer those bars where all the dudes have 188 00:10:01,200 --> 00:10:02,600 Speaker 1: beers and none of the girls want to talk to you. 189 00:10:02,640 --> 00:10:05,480 Speaker 1: For that five bucks, you're going to get hooked up. 190 00:10:05,760 --> 00:10:07,960 Speaker 1: And it's simple to become a member. Just go to 191 00:10:08,000 --> 00:10:13,000 Speaker 1: disgracelampod dot com slash membership. You can sign up right 192 00:10:13,040 --> 00:10:16,400 Speaker 1: there with your choice of platform at disgracelampod dot com 193 00:10:16,440 --> 00:10:19,520 Speaker 1: slash membership. If you're an Apple podcast user, you can 194 00:10:19,559 --> 00:10:21,679 Speaker 1: become a member through Apple, same as you do by 195 00:10:21,679 --> 00:10:25,720 Speaker 1: subscribing to other podcasts. Or if you use Spotify or 196 00:10:25,760 --> 00:10:28,720 Speaker 1: Amazon or some other platform to listen to Disgraceland, then 197 00:10:29,000 --> 00:10:31,600 Speaker 1: you can sign up for our all access through Patreon. 198 00:10:31,720 --> 00:10:34,120 Speaker 1: And again you can do that all just by going 199 00:10:34,320 --> 00:10:38,320 Speaker 1: to disgracelampod dot com slash membership. And just so you know, 200 00:10:38,400 --> 00:10:40,400 Speaker 1: for those of you who become a member via Patreon, 201 00:10:40,440 --> 00:10:43,520 Speaker 1: Patreon has this cool chat functionality and I'm going to 202 00:10:43,559 --> 00:10:46,079 Speaker 1: be hanging out in there with you pretty much every 203 00:10:46,160 --> 00:10:47,959 Speaker 1: day for most of the day. I'll be in there. 204 00:10:47,960 --> 00:10:50,120 Speaker 1: We'll be talking disgracelam, We'll be talking music, we'll be 205 00:10:50,120 --> 00:10:52,800 Speaker 1: talking movies. We'll be talking batshit crazy stories about batshit 206 00:10:52,840 --> 00:10:57,480 Speaker 1: crazy people. Okay, So to recap, go to disgracelampod dot 207 00:10:57,520 --> 00:11:01,400 Speaker 1: com slash membership, sign up for five bucks at Apple 208 00:11:01,559 --> 00:11:04,480 Speaker 1: or Patreon. You get an extra full episode per month, 209 00:11:04,520 --> 00:11:07,360 Speaker 1: like today's episode on Hunter S. Thompson, like next month's 210 00:11:07,360 --> 00:11:10,120 Speaker 1: episode on Chris Cornell, like the episode we're releasing a 211 00:11:10,120 --> 00:11:12,679 Speaker 1: month after that on bass Gat, On and on and on. 212 00:11:12,760 --> 00:11:14,720 Speaker 1: Every month, you're going to get a new free episode, 213 00:11:14,800 --> 00:11:17,719 Speaker 1: and you get ad free listening on all episodes, and 214 00:11:17,760 --> 00:11:19,880 Speaker 1: you get access to merch before everyone else. You get 215 00:11:19,880 --> 00:11:22,400 Speaker 1: to hear the full version of the after party bonus episodes, 216 00:11:22,559 --> 00:11:24,839 Speaker 1: and you get direct access to me and the rest 217 00:11:24,880 --> 00:11:27,840 Speaker 1: of the DISGRACELANMD community on a regular basis, all for 218 00:11:28,000 --> 00:11:32,719 Speaker 1: just five bucks at disgracelampod dot com slash membership. Hit 219 00:11:32,760 --> 00:11:36,280 Speaker 1: me up at disgracelampod dot com, on Instagram, x TikTok, Facebook, 220 00:11:36,360 --> 00:11:39,640 Speaker 1: Email me disgrace lampod at gmail dot com with any 221 00:11:39,720 --> 00:11:42,480 Speaker 1: questions otherwise I will see you in the chat on Patreon. 222 00:11:42,720 --> 00:11:44,319 Speaker 1: All right, I'm gonna take a quick break and I'll 223 00:11:44,320 --> 00:11:46,800 Speaker 1: be back in a flash with a message about your 224 00:11:46,840 --> 00:12:04,920 Speaker 1: voicemails and your text and your emails. All right, guys, 225 00:12:04,920 --> 00:12:07,559 Speaker 1: we are back momentarily. We're going to get into some texts, 226 00:12:07,559 --> 00:12:11,440 Speaker 1: some voicemails, some emails here, and then then we're gonna 227 00:12:11,440 --> 00:12:13,280 Speaker 1: wrap it up here in the after party to hear 228 00:12:13,320 --> 00:12:16,479 Speaker 1: the rest of the after party, and to hear more voicemails, 229 00:12:16,480 --> 00:12:20,320 Speaker 1: more texts, more emails, more engagement here, more on Andy Warhol, 230 00:12:20,400 --> 00:12:22,320 Speaker 1: hear more about the subjects that we have coming up 231 00:12:22,320 --> 00:12:24,920 Speaker 1: in Disgraceland. You're gonna have to head over to disgrace 232 00:12:25,000 --> 00:12:28,640 Speaker 1: lampod dot com slash membership become an all access member. 233 00:12:28,640 --> 00:12:30,600 Speaker 1: That's how we're going to do these from now on. 234 00:12:30,679 --> 00:12:33,160 Speaker 1: Every week, you're going to get about fifteen to twenty 235 00:12:33,200 --> 00:12:35,480 Speaker 1: minutes of the after party, and then to hear the 236 00:12:35,520 --> 00:12:37,160 Speaker 1: rest of the after party, you're going to have to 237 00:12:37,520 --> 00:12:40,040 Speaker 1: head on over and become a member, and we'll be 238 00:12:40,040 --> 00:12:42,360 Speaker 1: doing some fun things over in the membership. We're going 239 00:12:42,400 --> 00:12:45,280 Speaker 1: to keep this pretty much the same here. This week's 240 00:12:45,320 --> 00:12:48,880 Speaker 1: a little different, obviously, because I'm laying all this explanatory 241 00:12:48,960 --> 00:12:51,080 Speaker 1: information on you about how to become a member. But 242 00:12:51,440 --> 00:12:53,640 Speaker 1: these after parties will remain pretty much the same. But 243 00:12:53,720 --> 00:12:55,560 Speaker 1: to get that extra bonus piece, you're going to have 244 00:12:55,559 --> 00:12:57,840 Speaker 1: to head over and become a member at Disgrace lampod 245 00:12:57,880 --> 00:13:01,760 Speaker 1: dot com slash membership as always those six one seven, 246 00:13:01,840 --> 00:13:03,880 Speaker 1: nine oh six, six six three eight to leave me 247 00:13:03,920 --> 00:13:06,760 Speaker 1: a voicemail or to send me a text just like 248 00:13:07,120 --> 00:13:08,160 Speaker 1: this listener in. 249 00:13:08,120 --> 00:13:11,880 Speaker 3: The three one oh, Hey j I'm calling from the 250 00:13:11,960 --> 00:13:14,720 Speaker 3: three one oh and the plus three nine. I am 251 00:13:15,040 --> 00:13:21,280 Speaker 3: bi countinental. I suggest you do an episode on Raymond Petibone, 252 00:13:22,200 --> 00:13:27,280 Speaker 3: the artist and brother of Greg Ginn. Anyway, I worked 253 00:13:27,320 --> 00:13:32,199 Speaker 3: as a studio assistant and I'll message you the email 254 00:13:32,360 --> 00:13:35,079 Speaker 3: if you want to have the load on on it. 255 00:13:35,120 --> 00:13:39,120 Speaker 3: But it would be a pretty rocket episode. 256 00:13:39,720 --> 00:13:44,199 Speaker 1: Yes, love the biicontinental voicemails. Thank you so much. Raymond Pettibone, 257 00:13:44,280 --> 00:13:48,160 Speaker 1: the amazing artist did so many of those great punk 258 00:13:48,280 --> 00:13:52,719 Speaker 1: rock album covers and flyers, brother of Greg Ginn from 259 00:13:52,800 --> 00:13:57,160 Speaker 1: Black Flag. This sounds amazing. Please, yes, get in touch 260 00:13:57,800 --> 00:14:00,720 Speaker 1: Disgrace sampod at gmail dot com would very much like 261 00:14:00,760 --> 00:14:02,880 Speaker 1: to get into this H six one seven nine oh 262 00:14:02,960 --> 00:14:05,240 Speaker 1: six six, six three eight for the voicemail and the 263 00:14:05,280 --> 00:14:09,319 Speaker 1: text let's check in with this text here from seven 264 00:14:09,320 --> 00:14:11,960 Speaker 1: to one three rights in Hey, love your show and 265 00:14:12,080 --> 00:14:15,000 Speaker 1: love Boordain. The bird eating with a napkin over your 266 00:14:15,040 --> 00:14:18,400 Speaker 1: head is in or toolin. I'm pronouncing that wrong. I 267 00:14:18,480 --> 00:14:21,160 Speaker 1: guarantee it, but it is spelled O R T O 268 00:14:21,440 --> 00:14:24,720 Speaker 1: L A N. Check it out on the one nine 269 00:14:24,840 --> 00:14:28,080 Speaker 1: six eight sixth Wait, sorry, check it out on the 270 00:14:28,200 --> 00:14:31,400 Speaker 1: nineteen sixty eight sixty minute segment. Wow, that's from Kevin 271 00:14:31,440 --> 00:14:34,200 Speaker 1: in the seven to one three. Great text, Kevin, thank you. 272 00:14:34,200 --> 00:14:35,680 Speaker 1: I appreciate that I knew one of you guys was 273 00:14:35,680 --> 00:14:38,120 Speaker 1: going to get back to me on this talked about 274 00:14:38,160 --> 00:14:41,200 Speaker 1: in the after party last week, the piece where you 275 00:14:41,240 --> 00:14:45,080 Speaker 1: know Anthony Bourdain is in that episode eating that bird 276 00:14:45,240 --> 00:14:49,280 Speaker 1: with the uh napkin over his head six' one oh 277 00:14:49,440 --> 00:14:53,000 Speaker 1: rights in amazing Andy Warhol episode today. Kudos to always 278 00:14:53,040 --> 00:14:56,720 Speaker 1: setting the bar high and consistently overachieving. Rock a rolla 279 00:14:56,800 --> 00:14:59,360 Speaker 1: Jonathan in the six to one, Oh Jonathan, you got 280 00:14:59,360 --> 00:15:01,360 Speaker 1: it man, And if if you want to talk about overachieving, 281 00:15:01,400 --> 00:15:03,360 Speaker 1: wait until you hear the Hunter the Rest Thompson episode. 282 00:15:03,360 --> 00:15:05,280 Speaker 1: You gotta become a member to do that though, Disgrace 283 00:15:05,360 --> 00:15:08,920 Speaker 1: lampod dot com slash membership that is waiting for you. 284 00:15:09,000 --> 00:15:11,760 Speaker 1: There six one seven nine oh six six six three 285 00:15:11,960 --> 00:15:15,840 Speaker 1: eight for you guys to get in touch via text 286 00:15:16,080 --> 00:15:20,400 Speaker 1: via voicemail. You can also email me Disgrace lampod at 287 00:15:20,480 --> 00:15:25,600 Speaker 1: gmail dot com. All right, this email comes from no 288 00:15:25,760 --> 00:15:30,960 Speaker 1: name here? Uh aliverk is the is? Is that the name? 289 00:15:31,000 --> 00:15:32,320 Speaker 1: I don't know what the hell this name is, but 290 00:15:32,360 --> 00:15:35,680 Speaker 1: the subject says the name. Excuse me, says okay, subject 291 00:15:35,720 --> 00:15:40,040 Speaker 1: says podcast subject, and the message says greetings. I enjoy 292 00:15:40,040 --> 00:15:42,560 Speaker 1: your IG stories and your podcast. I was wondering if 293 00:15:42,560 --> 00:15:44,720 Speaker 1: you were familiar with the band that Gets and the 294 00:15:44,800 --> 00:15:46,920 Speaker 1: untimely death of their lead singer, me Is a Potter. 295 00:15:47,000 --> 00:15:50,480 Speaker 1: She was a beautiful soul with a viscerally haunting and 296 00:15:50,520 --> 00:15:54,760 Speaker 1: then nothing. But then wait, wait for it. Wait, there's 297 00:15:54,800 --> 00:15:57,800 Speaker 1: another email, and it goes on to say, let's try 298 00:15:57,840 --> 00:15:59,960 Speaker 1: this again. Mea was murdered and her killer was all 299 00:16:00,120 --> 00:16:02,480 Speaker 1: really brought to justice. Years later, the Gets were on 300 00:16:02,520 --> 00:16:04,560 Speaker 1: their way to something big. Yes they were. And I'm 301 00:16:04,640 --> 00:16:07,040 Speaker 1: very familiar with this story, and I've wanted to tell 302 00:16:07,080 --> 00:16:08,680 Speaker 1: it all the way, going all the way back to 303 00:16:08,720 --> 00:16:12,120 Speaker 1: season one of Disgraceland. I've never gotten into it because 304 00:16:12,160 --> 00:16:14,120 Speaker 1: I just I felt like I haven't had the time 305 00:16:14,240 --> 00:16:19,240 Speaker 1: to dedicate to this story. The story feels bigger than 306 00:16:19,360 --> 00:16:21,520 Speaker 1: just one episode, and I don't quite know what to 307 00:16:21,560 --> 00:16:24,080 Speaker 1: do with it. It gets recommended to me all the time. 308 00:16:24,400 --> 00:16:26,960 Speaker 1: We have to do something here on Miya Zapata and 309 00:16:27,000 --> 00:16:30,440 Speaker 1: the gets in this story, and we will in time. 310 00:16:30,560 --> 00:16:32,360 Speaker 1: We get a lot of time. We're not going anywhere. 311 00:16:32,440 --> 00:16:34,440 Speaker 1: And just so you guys know, on the subject of 312 00:16:34,760 --> 00:16:38,880 Speaker 1: episode subjects, I'm working on some sort of device for 313 00:16:39,000 --> 00:16:43,960 Speaker 1: us to track this, to track the subjects that you're 314 00:16:44,000 --> 00:16:47,120 Speaker 1: all recommending, because I get so many great suggestions, and 315 00:16:47,160 --> 00:16:50,760 Speaker 1: to help us actually select these together sort of by 316 00:16:51,480 --> 00:16:53,720 Speaker 1: as a community. I almost said by committee, but as 317 00:16:53,760 --> 00:16:57,239 Speaker 1: a community here. More on that in the coming episodes 318 00:16:57,280 --> 00:16:59,760 Speaker 1: of the After Party, and of course over in the 319 00:16:59,800 --> 00:17:02,840 Speaker 1: All Access Membership Club. All right, you want to send 320 00:17:02,840 --> 00:17:05,720 Speaker 1: me an email, though you can't Disgrace Lampod at gmail 321 00:17:05,760 --> 00:17:07,399 Speaker 1: dot com. You want to call me, you can do 322 00:17:07,480 --> 00:17:10,480 Speaker 1: that as well. Six one seven nine oh six sixty 323 00:17:10,520 --> 00:17:14,040 Speaker 1: six three eight voicemail and text. You want to keep 324 00:17:14,040 --> 00:17:16,880 Speaker 1: this engagement going, this conversation going. You want to connect 325 00:17:16,880 --> 00:17:18,600 Speaker 1: with me, you want to connect with other members of 326 00:17:18,640 --> 00:17:22,240 Speaker 1: the community, the discos go to disgrace lampod dot com 327 00:17:22,280 --> 00:17:26,080 Speaker 1: slash Membership become a member today. You're not only going 328 00:17:26,080 --> 00:17:29,359 Speaker 1: to get the connection and the conversation that we're doing here, 329 00:17:29,680 --> 00:17:31,639 Speaker 1: You're not only going to get a greater amount of that, 330 00:17:31,680 --> 00:17:34,280 Speaker 1: but you're also going to get extra content like the 331 00:17:34,359 --> 00:17:37,320 Speaker 1: Hunter S. Thompson full episode that we released today, like 332 00:17:37,359 --> 00:17:39,720 Speaker 1: the Chris Cornell episode that we have coming up next month, 333 00:17:39,920 --> 00:17:41,359 Speaker 1: and every month you're going to get a new one 334 00:17:41,400 --> 00:17:43,280 Speaker 1: of these. Plus like I said, there's a whole bunch 335 00:17:43,280 --> 00:17:47,120 Speaker 1: of other content coming, including the extended versions of these 336 00:17:47,200 --> 00:17:49,920 Speaker 1: after party episodes. So to hear the rest of this episode, 337 00:17:49,960 --> 00:17:52,680 Speaker 1: like I said, head on over to disgrace lampod dot 338 00:17:52,720 --> 00:17:54,800 Speaker 1: com slash Membership become a member. I'm going to be 339 00:17:54,880 --> 00:17:57,879 Speaker 1: over there right now, answering more text, answering more voicemails, 340 00:17:57,960 --> 00:18:00,760 Speaker 1: reading more emails, and then I go to discuss the 341 00:18:01,000 --> 00:18:04,600 Speaker 1: sourcing material for this week's Andy Warhol episode and perhaps 342 00:18:04,640 --> 00:18:07,479 Speaker 1: the Hunter S. Thompson episode as well. But for that, 343 00:18:07,560 --> 00:18:09,200 Speaker 1: like I said, you got to head over to Disgraceland 344 00:18:09,280 --> 00:18:12,440 Speaker 1: All Access Membership Club to do that go to disgracelandpod 345 00:18:12,520 --> 00:18:15,280 Speaker 1: dot com slash membership, and remember that's the only place 346 00:18:15,280 --> 00:18:17,520 Speaker 1: that you're gonna get this new Hunter S. Thompson episode. 347 00:18:17,600 --> 00:18:19,399 Speaker 1: I'll see you over there. In the meantime, be on 348 00:18:19,440 --> 00:18:23,480 Speaker 1: the lookout for next week's Disgraceland episode on Peter Tosh 349 00:18:23,840 --> 00:18:27,000 Speaker 1: coming tomorrow in the Disgraceland Feed, a rewind episode on 350 00:18:27,119 --> 00:18:45,960 Speaker 1: Chuck Berry. All right, rock a rolla, So let's recap, 351 00:18:46,000 --> 00:18:47,800 Speaker 1: shall we number one right now and you feed A 352 00:18:47,840 --> 00:18:51,240 Speaker 1: brand new episode on Andy Warhol number two coming tomorrow. 353 00:18:51,359 --> 00:18:54,119 Speaker 1: A rewind episode on chuck Berry number three. Over in 354 00:18:54,160 --> 00:18:56,119 Speaker 1: the Badlands Feed, we get an episode from the archive 355 00:18:56,200 --> 00:19:00,080 Speaker 1: on George Reeves for next week in the Disgraceland feedr 356 00:19:00,280 --> 00:19:03,320 Speaker 1: new episode on Peter Tosh five six one seven nine 357 00:19:03,359 --> 00:19:05,199 Speaker 1: oh six six six three eight Call me on the 358 00:19:05,200 --> 00:19:07,760 Speaker 1: telephone or text me number six. Remember, no one cares 359 00:19:07,800 --> 00:19:09,480 Speaker 1: about the music you love more than you doing well. 360 00:19:09,560 --> 00:19:12,240 Speaker 1: That's a disgrace. Now my moment of list in honor 361 00:19:12,280 --> 00:19:14,720 Speaker 1: of this week's rewind episode, me reading you the Billboard 362 00:19:14,720 --> 00:19:17,080 Speaker 1: Hot one hundred in the week of June first, nineteen 363 00:19:17,160 --> 00:19:19,760 Speaker 1: sixty eight, the same week that Andy Warhol was shot 364 00:19:19,760 --> 00:19:24,000 Speaker 1: and declared clinically did if only for a few moments. 365 00:19:25,200 --> 00:19:30,200 Speaker 1: Number one Missus Robinson, Simon and Garfungo last week two, 366 00:19:30,640 --> 00:19:36,560 Speaker 1: peak position one weeks on chart six Number two, The Good, 367 00:19:36,680 --> 00:19:40,480 Speaker 1: the Bad, and the Ugly Hugo Montenegro Is Orchestra and Chorus. 368 00:19:41,160 --> 00:19:46,400 Speaker 1: Last week four, peak position two weeks on Chart sixteen. 369 00:19:47,400 --> 00:19:50,040 Speaker 1: Number three, A Beautiful Morning, The. 370 00:19:50,080 --> 00:19:56,160 Speaker 4: Rascals last week three, peak position three weeks on Charts 371 00:19:56,480 --> 00:20:03,440 Speaker 4: eight four, Titan nine, Archie the Drills last week last 372 00:20:03,440 --> 00:20:08,320 Speaker 4: peak position for one peak weeks on Sure Sure sixty 373 00:20:08,440 --> 00:20:10,040 Speaker 4: five hundred. 374 00:20:10,119 --> 00:20:11,639 Speaker 1: Bobby Goes were on your Phone? 375 00:20:11,800 --> 00:20:17,840 Speaker 2: Last last five last peak Posiion Waters weeks on Shine 376 00:20:18,720 --> 00:20:19,320 Speaker 2: number six. 377 00:20:23,600 --> 00:20:26,520 Speaker 1: Quit talking and start mixing coul