1 00:00:00,040 --> 00:00:03,320 Speaker 1: Hey, listeners, it's James Parker. Can you keep a secret? 2 00:00:03,920 --> 00:00:06,480 Speaker 1: The next episode of Daughters of d C is up next, 3 00:00:06,880 --> 00:00:12,640 Speaker 1: But first a quick word from our sponsor, Iron Horn's 4 00:00:12,640 --> 00:00:16,279 Speaker 1: Epic Productions. And I heard radio present Daughters of d C. 5 00:00:26,440 --> 00:00:30,560 Speaker 1: I'm here place the package of the base of the 6 00:00:30,640 --> 00:00:37,280 Speaker 1: contemplation of justice. Oh. I have waited years for this moment, decades. 7 00:00:38,479 --> 00:00:42,680 Speaker 1: With this pact, you shall soon walk these faunted halls. 8 00:00:43,520 --> 00:00:47,520 Speaker 1: I'll get to make my mark. Citizens United, Burwell versus 9 00:00:47,560 --> 00:00:53,680 Speaker 1: Hobby Lobby, Santa Clara versus Southern Pacific Railroad, corporations of people, 10 00:00:54,480 --> 00:00:58,520 Speaker 1: and those people will always have an ally on the court. 11 00:01:00,080 --> 00:01:09,040 Speaker 1: M It's no secret that in Washington, d C. Corruption 12 00:01:09,360 --> 00:01:13,080 Speaker 1: is everywhere. You could say it's gone viral. That's why 13 00:01:13,120 --> 00:01:15,800 Speaker 1: my friends and I decided to take on the system 14 00:01:15,800 --> 00:01:20,959 Speaker 1: from the inside. I'm James, I'm Peyton, I'm Celia, I'm Natalie, 15 00:01:21,240 --> 00:01:31,880 Speaker 1: and we're the Daughters of EC. So that happened fast, 16 00:01:32,520 --> 00:01:34,840 Speaker 1: and one weekend I went from playing hacker games to 17 00:01:35,080 --> 00:01:38,800 Speaker 1: getting hauled off to the Headmaster's office. I should be scared. 18 00:01:39,760 --> 00:01:43,160 Speaker 1: I am scared, But is it weird that I also 19 00:01:43,200 --> 00:01:46,479 Speaker 1: feel this huge head rush. I don't know if it's 20 00:01:46,480 --> 00:01:49,160 Speaker 1: from my first real hack or from being with my 21 00:01:49,200 --> 00:01:52,280 Speaker 1: friends again. Our parents kept us apart to keep us 22 00:01:52,280 --> 00:01:55,800 Speaker 1: out of trouble. But what if getting into trouble is 23 00:01:55,840 --> 00:02:04,880 Speaker 1: the right thing to do? Speaker Parker, your daughter broke 24 00:02:04,920 --> 00:02:08,440 Speaker 1: into the school's administrative records. At a point, we take 25 00:02:08,480 --> 00:02:13,320 Speaker 1: security very seriously. Usually we don't do two weeks suspensions 26 00:02:13,320 --> 00:02:16,200 Speaker 1: on first affects. You need to be very careful about 27 00:02:16,200 --> 00:02:20,480 Speaker 1: what comes next, sir. What makes my daughter different? Well 28 00:02:20,600 --> 00:02:25,040 Speaker 1: the level of the breach. So her code was too good? 29 00:02:25,600 --> 00:02:32,640 Speaker 1: Headmaster Whitford, James is bored? Is that true, James? Do 30 00:02:32,720 --> 00:02:35,720 Speaker 1: you know how many stem magnets are clamoring for her? 31 00:02:36,200 --> 00:02:38,240 Speaker 1: I keep her to point because I believe in a 32 00:02:38,320 --> 00:02:43,840 Speaker 1: well rounded education. But let's treat the disease, not the symptom. 33 00:02:43,880 --> 00:02:48,640 Speaker 1: And what's that if you ran a decent programming curriculum, 34 00:02:48,720 --> 00:02:51,840 Speaker 1: she wouldn't have to test her skills on your security servers. 35 00:02:52,440 --> 00:02:56,880 Speaker 1: Isn't that right, James? So let's do a three day 36 00:02:56,919 --> 00:03:00,360 Speaker 1: suspension and if she does not misbehave further ex bunget 37 00:03:00,400 --> 00:03:03,760 Speaker 1: from her record at the end of the year. Well, 38 00:03:03,840 --> 00:03:16,680 Speaker 1: I am thank you, Headmaster. Let's go James. James, I 39 00:03:16,720 --> 00:03:19,280 Speaker 1: can't believe you would pull a stunt like this. This 40 00:03:19,360 --> 00:03:23,200 Speaker 1: is Calorama all over again. I'm sorry, mom, and the 41 00:03:23,280 --> 00:03:26,680 Speaker 1: worst daughter of all time. Jay. What you did was wrong. 42 00:03:27,080 --> 00:03:29,360 Speaker 1: But I know as much as you play your coding games, 43 00:03:29,639 --> 00:03:32,000 Speaker 1: you would never do something like this unless you had 44 00:03:32,040 --> 00:03:36,640 Speaker 1: a good reason. What's going on? I tried to help, 45 00:03:36,720 --> 00:03:42,240 Speaker 1: and it's like, I don't know, I am, I don't know. 46 00:03:44,640 --> 00:03:47,600 Speaker 1: The rules are different for people like us, Jay, and 47 00:03:47,720 --> 00:03:52,040 Speaker 1: sometimes most times the whole system is corrupt, but one 48 00:03:52,080 --> 00:03:57,600 Speaker 1: thing always wins in the long run. Privilege and inherited wealth, integrity. Jay, 49 00:03:58,480 --> 00:04:01,600 Speaker 1: I can't fight all your battles for are you? But 50 00:04:01,680 --> 00:04:04,680 Speaker 1: I'm not like you. You're a lot like your dad. 51 00:04:05,960 --> 00:04:12,360 Speaker 1: He was measured, thoughtful, and radically kind and messy. Boy 52 00:04:12,520 --> 00:04:16,280 Speaker 1: was he messy. He was really messy. But he was 53 00:04:16,320 --> 00:04:19,800 Speaker 1: also courageous and I know he would want you to 54 00:04:19,880 --> 00:04:29,000 Speaker 1: stand up for yourself. Stand in the light, Hi, Marcia. Yes, 55 00:04:29,160 --> 00:04:35,160 Speaker 1: we're all worried about the open Supreme Court seat. Once that, James, sure, Mom, 56 00:04:35,160 --> 00:04:39,279 Speaker 1: the President's already released his short list. Justice Ramirez only 57 00:04:39,360 --> 00:04:44,400 Speaker 1: died five days ago. Who's on the list? Crawford read, 58 00:04:44,880 --> 00:04:48,640 Speaker 1: are you joking. The man gutted protections from marginalized communities 59 00:04:48,680 --> 00:04:52,360 Speaker 1: at every level. He's not a judge, he's an executioner. 60 00:04:53,240 --> 00:04:56,919 Speaker 1: Oh that's a good line. We have to go nuclear 61 00:04:57,000 --> 00:05:04,040 Speaker 1: on this guy now, James, let's get straight to it. 62 00:05:04,640 --> 00:05:07,000 Speaker 1: I'm gonna get George and the other theater kids and 63 00:05:07,080 --> 00:05:10,039 Speaker 1: we're going to occupy the headmaster's office until he agrees 64 00:05:10,080 --> 00:05:14,000 Speaker 1: to set you free. Please don't, Natalie, I'm fine. It 65 00:05:14,160 --> 00:05:17,440 Speaker 1: is so unfair. You were just trying to help exactly 66 00:05:18,560 --> 00:05:21,919 Speaker 1: getting back on track. Did you find your Auntanna? Or 67 00:05:22,000 --> 00:05:25,799 Speaker 1: do we need to kneecap him ourselves? Celia, give James 68 00:05:25,800 --> 00:05:28,960 Speaker 1: a minute to breathe. Oh my god, James tell us, 69 00:05:29,200 --> 00:05:31,160 Speaker 1: is he the misogynist Perk? We all kind of knew 70 00:05:31,160 --> 00:05:34,279 Speaker 1: he was no offense for dating him Payton. I mean, yes, 71 00:05:34,400 --> 00:05:37,880 Speaker 1: there was an incident report, but get to the point. 72 00:05:38,480 --> 00:05:42,960 Speaker 1: When I tried to download it got corrupted. I'm sorry, 73 00:05:43,960 --> 00:05:48,400 Speaker 1: We'll need to try something else. Why didn't I tell 74 00:05:48,440 --> 00:05:52,760 Speaker 1: the girls about Locksmith? Well, I don't want Peyton to worry. 75 00:05:53,080 --> 00:05:55,880 Speaker 1: She's got enough going on. Celia would just tell me 76 00:05:55,920 --> 00:05:58,920 Speaker 1: to track him down and kick his ass, and Natalie 77 00:05:58,920 --> 00:06:00,520 Speaker 1: would try to use him to get good he's off 78 00:06:00,520 --> 00:06:06,920 Speaker 1: the dark web, but also maybe because he said he'd 79 00:06:06,960 --> 00:06:10,760 Speaker 1: teach me, and I could really use a teacher right now. 80 00:06:14,960 --> 00:06:17,400 Speaker 1: About that fifty strong to the first person who can 81 00:06:17,400 --> 00:06:21,760 Speaker 1: give me info and a hacker named lock Smith, Yes, 82 00:06:21,839 --> 00:06:24,040 Speaker 1: it has to be actual info. Have you worked with 83 00:06:24,120 --> 00:06:30,320 Speaker 1: him before? How do you contact him? You are too cute, storm, 84 00:06:30,480 --> 00:06:32,800 Speaker 1: as if I don't already have a buttonet of my own? 85 00:06:33,080 --> 00:06:37,159 Speaker 1: Hey our next? Do you know locksmith? Locksmith? No? But 86 00:06:37,200 --> 00:06:39,800 Speaker 1: the after the lock is interesting. I think he's in 87 00:06:39,920 --> 00:06:42,280 Speaker 1: a lot of key. Doesn't strike me as a comics guy, 88 00:06:42,680 --> 00:06:45,880 Speaker 1: more like John Locke, the dude from the Enlightenment. I 89 00:06:45,920 --> 00:06:48,120 Speaker 1: haven't played that game, but I'll keep an eye out. 90 00:06:48,560 --> 00:06:50,440 Speaker 1: Would you beat with this dude? Anyway? I don't need 91 00:06:50,480 --> 00:06:52,480 Speaker 1: to tell you. I'll tell you. Might see goods to 92 00:06:52,560 --> 00:06:56,159 Speaker 1: detail me yours? I don't think, so I'll start. I'm 93 00:06:56,279 --> 00:07:01,760 Speaker 1: not just stereotypical hacker. That's not a secret. That's opinion. Okay, Well, 94 00:07:01,800 --> 00:07:05,200 Speaker 1: then what's a secret? A secret is like I saw 95 00:07:05,240 --> 00:07:07,400 Speaker 1: my mom's credit card to buy Beyonce tickets and then 96 00:07:07,440 --> 00:07:09,400 Speaker 1: said it was a credit card fraud and could listen 97 00:07:09,440 --> 00:07:12,480 Speaker 1: to Beyonce for a month. Without feeling guilty, or I 98 00:07:12,520 --> 00:07:14,560 Speaker 1: have panic attacks when people ask me to dance with 99 00:07:14,640 --> 00:07:20,600 Speaker 1: parties in a totally random examples. I see then, My 100 00:07:20,760 --> 00:07:25,040 Speaker 1: secret is I think you might be the only person 101 00:07:25,160 --> 00:07:36,440 Speaker 1: who knows the real me. Wait One, the headmaster will 102 00:07:36,480 --> 00:07:41,760 Speaker 1: see you next. Peyton, Hey, Cole, what are you doing here? 103 00:07:42,120 --> 00:07:44,280 Speaker 1: Trying to get an exemption so you can join two 104 00:07:44,320 --> 00:07:47,640 Speaker 1: sports this season? Don't say that too loud. It'll get 105 00:07:47,680 --> 00:07:50,200 Speaker 1: back to my mom and suddenly I'll be on every 106 00:07:50,200 --> 00:07:53,160 Speaker 1: team in school. And I do not mess with Poland 107 00:07:54,760 --> 00:08:00,360 Speaker 1: It's true. She's so persuasive. Oh I know. Remember the 108 00:08:00,480 --> 00:08:04,080 Speaker 1: girl scout cookies? Oh yeah, James brought home enough cases 109 00:08:04,120 --> 00:08:06,400 Speaker 1: to feed Roal Island and she was too afraid to 110 00:08:06,480 --> 00:08:09,560 Speaker 1: knock on doors. So your mom convinced me Samoa's were 111 00:08:09,600 --> 00:08:14,120 Speaker 1: the best cookie ever, even though I hate coconut but 112 00:08:14,960 --> 00:08:17,280 Speaker 1: ten boxes. She kept trying to pawn them off on 113 00:08:17,320 --> 00:08:25,400 Speaker 1: Aisian interns as special bonuses. So I'm here to talk 114 00:08:25,440 --> 00:08:29,520 Speaker 1: sins into Waitford about James. Same. Are you two still friends? 115 00:08:30,000 --> 00:08:34,160 Speaker 1: I thought you all grew apart. Yeah, but you know, James, 116 00:08:34,160 --> 00:08:40,640 Speaker 1: She's so loyal and it was kind of my fault. Um, 117 00:08:40,679 --> 00:08:42,920 Speaker 1: it was because of me that James. I get it. 118 00:08:43,200 --> 00:08:46,720 Speaker 1: You two always had each other's backs. Yeah we did. 119 00:08:48,040 --> 00:08:59,640 Speaker 1: We do all right? Kids. I'm on in, got your 120 00:08:59,679 --> 00:09:02,920 Speaker 1: paying next definating not yet. I just wanted to see 121 00:09:02,920 --> 00:09:06,640 Speaker 1: if you heard about James Parker. Ah, but I mean, 122 00:09:06,640 --> 00:09:10,040 Speaker 1: who speak to Angela Parker's kid? She got busted for hacking? 123 00:09:10,240 --> 00:09:13,800 Speaker 1: What a new? That's wild? I hadn't heard read it 124 00:09:13,880 --> 00:09:16,440 Speaker 1: the White hand, All the forms are blown up about it. 125 00:09:16,679 --> 00:09:19,360 Speaker 1: She actually did it well at school. That's hacking one 126 00:09:19,360 --> 00:09:22,920 Speaker 1: on one off site girl. Yeah, but it's not like 127 00:09:22,960 --> 00:09:25,439 Speaker 1: we know all the details. Maybe she was in a hurry. 128 00:09:25,600 --> 00:09:30,200 Speaker 1: Are you defending her? Even your skills are above that greenhorn? Well, 129 00:09:30,200 --> 00:09:33,040 Speaker 1: she sounds like she's better than you, at least anyway. 130 00:09:33,200 --> 00:09:35,280 Speaker 1: I'm gonna bounce. I hear the toilet flushing and it 131 00:09:35,280 --> 00:09:42,800 Speaker 1: reminds me after pay that was close and awful. I'm 132 00:09:42,800 --> 00:09:48,360 Speaker 1: the laughing stock of the hacker verse. What's going on? 133 00:09:48,800 --> 00:09:52,480 Speaker 1: I got my SAT scores back and I kicked it 134 00:09:52,520 --> 00:09:57,880 Speaker 1: in its elitist white supremises, traditionalist ass on nad way 135 00:09:57,920 --> 00:10:01,120 Speaker 1: to go. I know you worked so long or so, 136 00:10:01,200 --> 00:10:04,000 Speaker 1: the Ivy League is back on the table. I don't 137 00:10:04,000 --> 00:10:05,880 Speaker 1: even want to go to college. But now my dad 138 00:10:05,920 --> 00:10:10,000 Speaker 1: can yell at me about my grads anymore. Actually that's 139 00:10:10,040 --> 00:10:13,600 Speaker 1: not why we called you and James. Oh yeah, being 140 00:10:13,640 --> 00:10:15,560 Speaker 1: and col tried to break you out of suspension jail, 141 00:10:16,280 --> 00:10:22,559 Speaker 1: but Headmaster Whitford Wooden budge, sorry, thanks for trying anyway, 142 00:10:22,760 --> 00:10:25,480 Speaker 1: As promised, I've got a plan. If we can't get 143 00:10:25,480 --> 00:10:29,040 Speaker 1: the digital copy of Tanner's records, we'll get the hard copy. 144 00:10:29,800 --> 00:10:32,600 Speaker 1: Are you saying? Natalie and I are breaking into the 145 00:10:32,600 --> 00:10:37,319 Speaker 1: school tonight? Hie baby, whoa? Y'all count me out. If 146 00:10:37,320 --> 00:10:40,520 Speaker 1: I got caught, my dad would ground me forever. Let's 147 00:10:40,559 --> 00:10:42,800 Speaker 1: do this. I'll be your girl in the chair, the 148 00:10:42,840 --> 00:10:46,319 Speaker 1: eyes and the ears of the whole operation. Y'all. I'll 149 00:10:46,360 --> 00:10:51,400 Speaker 1: really appreciate this. You're such good friends. I'm already putting 150 00:10:51,400 --> 00:10:55,319 Speaker 1: on my sneaking blacks. They're my theater blacks, got for sneaking. 151 00:10:59,520 --> 00:11:03,160 Speaker 1: M Hey. D O DC fans, stay tuned more Daughters 152 00:11:03,200 --> 00:11:05,720 Speaker 1: of d C is up next, But first a quick 153 00:11:05,760 --> 00:11:18,800 Speaker 1: word from our sponsor. What's up? Daughters of DC fans 154 00:11:19,360 --> 00:11:22,240 Speaker 1: want to be a real d o DC insider, follow 155 00:11:22,280 --> 00:11:24,839 Speaker 1: us on Instagram at Daughters of DC official to get 156 00:11:24,880 --> 00:11:28,960 Speaker 1: exclusive d O DC news updates and content before everybody else. 157 00:11:35,600 --> 00:11:39,640 Speaker 1: What is this late night rendezvous about? Miss Luke? Justice 158 00:11:39,720 --> 00:11:42,800 Speaker 1: for bench? A peon at DuPont must with one of 159 00:11:42,800 --> 00:11:47,680 Speaker 1: our friends. Now he's going to get his This is interesting. 160 00:11:48,000 --> 00:11:51,120 Speaker 1: Celia says, you were in the military, William any tips? 161 00:11:51,600 --> 00:11:55,720 Speaker 1: If the military taught me anything, it was shoot to kids. 162 00:11:56,679 --> 00:11:59,920 Speaker 1: You're terrifying will also nice music? Single one not a 163 00:12:00,080 --> 00:12:11,920 Speaker 1: he wants to keep his job. Wait here, George is 164 00:12:12,040 --> 00:12:14,360 Speaker 1: never going to believe this. I mean I will tell 165 00:12:14,400 --> 00:12:17,480 Speaker 1: him because secrets, but he wouldn't believe it anyway. Who's 166 00:12:17,520 --> 00:12:20,840 Speaker 1: George my theater? Bff? He's adorable. I didn't know you 167 00:12:20,880 --> 00:12:26,760 Speaker 1: how to hook up? George is not He's like never 168 00:12:26,960 --> 00:12:29,559 Speaker 1: long Bottom minus whatever happened with him? A Luna? I 169 00:12:29,600 --> 00:12:35,200 Speaker 1: always shipped Hermione and Luna. Mackenzie's a total harmony. I mean, 170 00:12:35,600 --> 00:12:39,280 Speaker 1: who was Mackenzie one? Celia, shut up. We're breaking and 171 00:12:39,400 --> 00:12:44,280 Speaker 1: entering right now. Whos tell me everything? Fine? She's at Georgetown. 172 00:12:44,640 --> 00:12:46,880 Speaker 1: We met an Abisa when our parents were vacationing over 173 00:12:46,880 --> 00:12:49,240 Speaker 1: the summer. You see her maybe once a month. It's 174 00:12:49,440 --> 00:12:53,040 Speaker 1: kind of perfect. Oh my god, not a big deal. 175 00:12:55,480 --> 00:12:57,480 Speaker 1: I mean the doors locked with like five dead bolts, 176 00:12:57,520 --> 00:13:00,040 Speaker 1: so I can't pick the lock the locks. Seriously, I 177 00:13:00,040 --> 00:13:05,679 Speaker 1: don't know I can pick confirmed you have, James, how 178 00:13:05,679 --> 00:13:08,080 Speaker 1: do we get in? Do we need to break a window? 179 00:13:08,080 --> 00:13:10,240 Speaker 1: He was grappling hooks to repel the roof. I bet 180 00:13:10,280 --> 00:13:13,480 Speaker 1: your driver has one of those. Scary so I tried 181 00:13:13,520 --> 00:13:15,480 Speaker 1: to break into the school security feed and unlock the 182 00:13:15,480 --> 00:13:18,839 Speaker 1: doors automatically. Didn't work. It turns out I don't know 183 00:13:18,880 --> 00:13:21,680 Speaker 1: how to do that. I did remember that Miss Norris, 184 00:13:21,720 --> 00:13:23,760 Speaker 1: the lunch lady, takes so many smoke breaks during the 185 00:13:23,840 --> 00:13:26,720 Speaker 1: day that she always leaves the cafeteria delivery door open. 186 00:13:27,920 --> 00:13:31,040 Speaker 1: How do you know that? They give me my tray 187 00:13:31,040 --> 00:13:32,720 Speaker 1: out the back door and then I go eat in 188 00:13:32,720 --> 00:13:36,959 Speaker 1: the computer lab. That is just use a stupid door 189 00:13:37,040 --> 00:13:44,280 Speaker 1: and block Smith. You've been searching for me, Yeah, you've 190 00:13:44,280 --> 00:13:46,840 Speaker 1: got me in a lot of trouble. You can't avoid 191 00:13:46,880 --> 00:13:51,960 Speaker 1: such dangers if you simply cease and the status quo. 192 00:13:53,040 --> 00:13:56,520 Speaker 1: I just want the files back. That's not how this 193 00:13:56,600 --> 00:14:03,280 Speaker 1: relationship works. James, James, come in, Come in, James, James, 194 00:14:03,360 --> 00:14:06,000 Speaker 1: come in over? Is this all this worst? It's not 195 00:14:06,040 --> 00:14:09,320 Speaker 1: a walkie talkie. I'm sorry I got distracted. Are you in. 196 00:14:09,559 --> 00:14:12,480 Speaker 1: Tell me what's happening we're in This is so cool. 197 00:14:12,960 --> 00:14:19,520 Speaker 1: I feel like Oracle or Alfred or here's that security hide? Oh, 198 00:14:20,320 --> 00:14:24,320 Speaker 1: let me see if I can find security schedule. Harry James, 199 00:14:25,320 --> 00:14:29,520 Speaker 1: head Master Whitford. Still haven't changed this password. Okay, securities 200 00:14:29,560 --> 00:14:31,400 Speaker 1: on this floor for ten minutes. So you want to 201 00:14:31,440 --> 00:14:34,920 Speaker 1: use the secret passageways? Come on? Not only excuse, say 202 00:14:35,360 --> 00:14:40,120 Speaker 1: what right can you reach peak economic status? Certain doors 203 00:14:40,120 --> 00:14:45,560 Speaker 1: open for you must are metaphorical, buts some some are 204 00:14:45,640 --> 00:14:57,040 Speaker 1: quite literal. Holy, grab a secret door, an actual secret passageway. 205 00:14:57,200 --> 00:14:59,360 Speaker 1: This is just like Zelda. Of course, the rich kids 206 00:14:59,400 --> 00:15:01,760 Speaker 1: have their own private passageways, so I'm brand for the 207 00:15:01,800 --> 00:15:04,440 Speaker 1: one percent. This route takes us past the guard and 208 00:15:04,480 --> 00:15:06,720 Speaker 1: connects us to the biolob stock room. How did this 209 00:15:06,760 --> 00:15:09,360 Speaker 1: even get here? It's nothing compared to the empty house 210 00:15:09,400 --> 00:15:12,480 Speaker 1: past the athletic field. It was a military bunker in 211 00:15:12,520 --> 00:15:14,840 Speaker 1: case DC got invaded. Now we use it to throw 212 00:15:14,920 --> 00:15:18,600 Speaker 1: free homecoming Square's you knew about all these places and 213 00:15:18,680 --> 00:15:21,800 Speaker 1: never told us there aren't that many. Sure, there's the 214 00:15:21,880 --> 00:15:24,280 Speaker 1: secret old teacher's lounge hidden behind the art room on 215 00:15:24,320 --> 00:15:27,360 Speaker 1: the third floor that we retrofitted into a club. How 216 00:15:27,400 --> 00:15:29,840 Speaker 1: can you keep this from us? Celia? We're supposed to 217 00:15:29,880 --> 00:15:32,760 Speaker 1: be friends. We are friends, James, but I can have 218 00:15:32,840 --> 00:15:36,560 Speaker 1: other friends too. You should try it sometime. Seriously, you 219 00:15:36,560 --> 00:15:38,480 Speaker 1: don't need to eat lunch alone. But that's not what 220 00:15:41,040 --> 00:15:45,160 Speaker 1: so you called me to appear and empting to ignore me. 221 00:15:46,080 --> 00:15:49,480 Speaker 1: My benevolence is not guaranteed. Sorry, you've been a little 222 00:15:49,520 --> 00:15:56,080 Speaker 1: busy not breaking into school records again? No cost, no 223 00:15:56,280 --> 00:16:02,120 Speaker 1: one baby anchor. So what is it? You could be 224 00:16:02,280 --> 00:16:04,960 Speaker 1: up to nothing. I just want you to teach me 225 00:16:04,960 --> 00:16:07,320 Speaker 1: how to be a better coder, like I don't know 226 00:16:07,440 --> 00:16:17,920 Speaker 1: how to access security footage. It's interesting, h We're in 227 00:16:17,920 --> 00:16:21,360 Speaker 1: the bio stock room. Where's the headmaster's office? This way? 228 00:16:21,480 --> 00:16:23,560 Speaker 1: I protested Whitford enough to know it in my sleep. 229 00:16:24,360 --> 00:16:27,280 Speaker 1: The guard should be on the second floor now, but 230 00:16:27,400 --> 00:16:29,680 Speaker 1: he'll be back down in about ten minutes. Won't the 231 00:16:29,720 --> 00:16:32,360 Speaker 1: office be locked? That's why I always wear twenty bobby 232 00:16:32,400 --> 00:16:36,840 Speaker 1: bans one girl control to lock bigs. You don't know how, Yes, 233 00:16:37,000 --> 00:16:39,520 Speaker 1: I told you every revolutionary worth their salt knows how 234 00:16:39,520 --> 00:16:49,920 Speaker 1: to pick a lock. Shut up. We're searching through the files. 235 00:16:50,680 --> 00:16:52,560 Speaker 1: This is the most exciting game. That's not really game 236 00:16:52,600 --> 00:16:58,120 Speaker 1: that I've ever played. I found danners. Let me see. Yeah, 237 00:16:58,400 --> 00:17:01,760 Speaker 1: very similar to Peyton happened after all the cross game 238 00:17:02,280 --> 00:17:07,800 Speaker 1: off campus. No proof? So so what detention bench from 239 00:17:07,840 --> 00:17:15,919 Speaker 1: the team? What? Nothing? He got nothing? Dang? Who filed 240 00:17:15,920 --> 00:17:20,760 Speaker 1: the complaint? I don't know. It's blacked out adapted. That's 241 00:17:20,800 --> 00:17:26,680 Speaker 1: like n s A level sketchy ship. The guard he's 242 00:17:26,680 --> 00:17:30,359 Speaker 1: early quite shut the door in there. I've got you 243 00:17:30,440 --> 00:17:34,840 Speaker 1: cornered radio for the police right now. No, no, no crap. 244 00:17:35,400 --> 00:17:40,400 Speaker 1: Run you're right about the hedge on the cuff lawn 245 00:17:40,920 --> 00:17:43,280 Speaker 1: head of the stoft right, come out the window. What 246 00:17:43,320 --> 00:17:48,560 Speaker 1: do you think I'm doing them? It's ducking near you 247 00:17:48,600 --> 00:17:53,760 Speaker 1: with there the moolice other way, let me try. Yeah, 248 00:17:53,920 --> 00:17:59,600 Speaker 1: all right, get out of my way. Stop back here, 249 00:18:01,359 --> 00:18:04,520 Speaker 1: I go. Oh my god, I read please make it, 250 00:18:04,560 --> 00:18:18,120 Speaker 1: make it, make it, make it. Step it, William. They 251 00:18:18,160 --> 00:18:25,200 Speaker 1: made it. Thank god, that was so close. I've decided 252 00:18:25,240 --> 00:18:28,679 Speaker 1: to grant you your request. Here's the code for apprhanding 253 00:18:28,680 --> 00:18:33,680 Speaker 1: and destroying security footage. Thank you tell me? Could Chris 254 00:18:33,680 --> 00:18:36,000 Speaker 1: pertain to a call I intercepted from a due punk 255 00:18:36,040 --> 00:18:41,320 Speaker 1: Print security guard to the local police about a shooters. 256 00:18:42,640 --> 00:18:45,880 Speaker 1: I don't know what you're talking about Oh yes, much 257 00:18:45,960 --> 00:18:49,920 Speaker 1: like Alexander Hamilton. You need to be more Carol hiding 258 00:18:50,000 --> 00:18:57,200 Speaker 1: your affairs, James Partner, you know who I am? Are 259 00:18:57,240 --> 00:18:59,600 Speaker 1: you along now? It called me a matter of time 260 00:18:59,640 --> 00:19:03,000 Speaker 1: before to check the feed better wifely clean and hope 261 00:19:03,000 --> 00:19:06,800 Speaker 1: no one else got to it first. Yes, thank you, 262 00:19:06,960 --> 00:19:20,439 Speaker 1: I will Okay, that was way too close? Is everything 263 00:19:20,440 --> 00:19:25,480 Speaker 1: in place? It's about your son. I don't know what 264 00:19:25,520 --> 00:19:28,919 Speaker 1: you're talking about. How sure you do? Judge read? And 265 00:19:29,000 --> 00:19:32,400 Speaker 1: if you want to become a justice read I'm going 266 00:19:32,440 --> 00:19:37,080 Speaker 1: to need a little more from you. What do you need? 267 00:19:43,880 --> 00:19:47,680 Speaker 1: Iron Horns Epic Productions and I Heard Radio present Daughters 268 00:19:47,720 --> 00:19:52,280 Speaker 1: of DC, created and executive produced by Heather Ironhorn and 269 00:19:52,359 --> 00:19:58,480 Speaker 1: Adam STAFFARONI head writer Sasha Stewart, Senior writer Louis Cornfelt 270 00:19:59,119 --> 00:20:04,680 Speaker 1: writers Tyler english beckwith Cha Roos Senna and Adam Stafferoni 271 00:20:05,359 --> 00:20:10,359 Speaker 1: directed by J. B. Bloch, Executive produced by I Heart Radio. 272 00:20:11,040 --> 00:20:15,159 Speaker 1: Produced by A Rupe Senna, Kayla Kimberly Woods as James Parker, 273 00:20:15,760 --> 00:20:21,320 Speaker 1: Melissa Vanderska as Peyton Blackburn, Talia Romana as Natalie Rosenberg, 274 00:20:21,960 --> 00:20:26,080 Speaker 1: Suzie Young as Celia Lou with performances by O. G. 275 00:20:26,280 --> 00:20:31,960 Speaker 1: Banks k Bess, Vick Chow Phyador Chen Darren De Paul 276 00:20:32,600 --> 00:20:38,720 Speaker 1: Dave Panoi, Paul Gayette, Jurie Lowenthal, Brandon Middleton, Stephanie Say, 277 00:20:39,160 --> 00:20:44,760 Speaker 1: Shelley Noy, Richard Tatum, Genie Toronto, Andya Winslow Marshall York 278 00:20:45,240 --> 00:20:50,280 Speaker 1: with Francesca Ramsey and J. B. Blanc. Development executive Greg Locker, 279 00:20:51,000 --> 00:20:57,080 Speaker 1: production manager Gail Artino, Production coordinator and script supervisor Laura Martin. 280 00:20:57,880 --> 00:21:01,360 Speaker 1: Creative direction and designed by Ryan mc can. He Aren't 281 00:21:01,359 --> 00:21:07,280 Speaker 1: Illustrated by Heather Danforth, Casting by don Neowen, Record and edit, 282 00:21:07,760 --> 00:21:14,400 Speaker 1: Home and sound recording Engineer Diana David. Additional recordings Claudio Santos. 283 00:21:14,880 --> 00:21:23,520 Speaker 1: Additional recordings Michael Schneider, Sound supervision Christian Wiggins. Sound designers R. D. 284 00:21:23,640 --> 00:21:28,879 Speaker 1: White and Josh Melody. Original music Josh Melody, Additional music 285 00:21:28,920 --> 00:21:34,280 Speaker 1: from Jingle Punks. Consultant Kelsey Fraser, M S. W. Culture 286 00:21:34,320 --> 00:21:39,680 Speaker 1: Consultants Logan Davis, Casey Davis and Davis Family. Special Thank 287 00:21:39,720 --> 00:21:43,399 Speaker 1: you to The Shadow Unicorn, Iron Horn's Epic Productions and 288 00:21:43,480 --> 00:21:46,320 Speaker 1: I Heart Radio Present Daughters of d City