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Speaker 1: So I'm standing there with Walter Middy and I said, buddy,

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Speaker 1: you need a vacation. You look like you need a vacation.

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Speaker 1: Because he'd been working in the photos and he has

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Speaker 1: a bully at work. He was being bullied and this

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Speaker 1: woman wasn't showing interest in him, and so I said,

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Speaker 1: look over there, the photos are blowing away, and with

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Speaker 1: a one motional he was looking away. I stole the

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Speaker 1: negative for the last cover of Life magazine, and then

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Speaker 1: he had to go on a trip, and I think

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Speaker 1: he went to Greensland. Do you not like that story?

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Speaker 2: Oh, that's a good story. No, I like that. That

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Speaker 2: happened to you though, Yes, that happened to me. And

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Speaker 2: I saw that he was having trouble because he had

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Speaker 2: set up this okay Cupid profile and he hadn't even

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Speaker 2: finished it, even though the representative was calling him over

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Speaker 2: and over again and saying.

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Speaker 1: Hey, why don't you finish your profile? But he didn't

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Speaker 1: know anything about himself that made him interesting, so he

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Speaker 1: couldn't find anything to fill it in.

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Speaker 2: Sure, okay. So it's just like it's because it's that

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Speaker 2: thing where people.

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Speaker 1: Chase you down to yes, if you start to fill

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Speaker 1: out an okay, Cupid profile, someone will call you personally, yes,

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Speaker 1: anywhere in the world, and they'll meet up with you

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Speaker 1: in person. And do you know what the what the

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Speaker 1: last cover was of of Life, Life magazine.

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Speaker 2: What was it? It was a picture of Walter Mitty himself.

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Speaker 1: Because I had taken a picture of him unawares, eating

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Speaker 1: his lunch as he would every day.

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Speaker 2: Okay uh And.

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Speaker 1: It was because something about he was the person that

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Speaker 1: was really the soul of Life magazine, and that certainly

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Speaker 1: taught a lesson his bullies and that allowed him to

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Speaker 1: stick it to that woman that had dared just to

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Speaker 1: want to be friends with him.

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Speaker 2: Because she saw him as just a snooze and total

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Speaker 2: simp Yes, who And the only reason she thought he

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Speaker 2: was that is because that's how he acted every day

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Speaker 2: at work.

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Speaker 1: Yes, because he didn't talk to anyone and he wore

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Speaker 1: the same clothes every day, very nice clothes.

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Speaker 2: She didn't see how magical he was, Yes, underneath the

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Speaker 2: way he acted every day at work.

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Speaker 1: Yeah, and the year and the truth is he was

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Speaker 1: in very very good shape. Yes, for a guy who

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Speaker 1: gets pushed around, for.

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Speaker 2: A guy working in a photo editing.

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Speaker 1: Yes, you could sort of see his definition through his

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Speaker 1: work shirt, but people still looked at him and said,

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Speaker 1: this guy's a loser.

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Speaker 2: Yeah. It reminds me of the guy in the thing

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Speaker 2: who went and met his parents and then he like

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Speaker 2: had to wear a speedout because they didn't have any

54
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Speaker 2: other bathing suits. And then every he was so super

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Speaker 2: self conscious of having to wear this teeny tiny bathing

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Speaker 2: suit with his ripped chest. Yeah.

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Speaker 1: Yeah, he had this really nice body and people saw

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Speaker 1: his body and they made and they and they laughed.

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Speaker 2: Yeah, Hey, welcome to Hollywood Handbook.

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Speaker 1: And uh, let's do a New York version where it

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Speaker 1: goes and the n Wire's guide to kicking asphalt mm hmmm.

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Speaker 2: And dropping air conditioners, dropping air dropping windows, dropping air

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Speaker 2: conditioners in the asphalt lined back hallways, back alleys because

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Speaker 2: of New York and uh, this industry we call Broadway

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Speaker 2: of New York E F and city. Yeah, that's that's good.

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Speaker 2: And see, this is why we have you here, Tom.

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Speaker 2: This is such a valuable service here providing because what

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Speaker 2: this episode is. I've been in New York for the

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Speaker 2: last few weeks launching ere Wolf East. That's why I'm

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Speaker 2: here Your Wolf, Big City.

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Speaker 1: The title isn't official yet, east Wolf maybe is what

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Speaker 1: it'll be called. And we're working with you as someone

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Speaker 1: I'm in la person, but you grew up here, you

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Speaker 1: have your relationships here.

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Speaker 2: And yeah, this is this is my home, this is

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Speaker 2: my heart. Yes, they cut you. New York comes out, yeah,

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Speaker 2: like New York pizza, pizza sauce. Yeah, so that's why you.

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Speaker 2: I'm the point guy on.

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Speaker 1: This, yes, and we're we're recording this in your studio,

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Speaker 1: which is cute. It's really cute. There's there's a lot

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Speaker 1: of cute. I won't say exactly where it is. I

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Speaker 1: had to get on the train and ride it to

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Speaker 1: the last stop. Yeah, and then hide from the guards,

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Speaker 1: the conductors who are coming in to clean the train,

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Speaker 1: and hide under.

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Speaker 2: The seat the railroad the dicks. Yes.

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Speaker 1: And then the train is taken to I guess the yard, Yes,

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Speaker 1: the rail yard. And then you're in the back car yes,

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Speaker 1: of a decommissioned train line.

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Speaker 2: Yes. And I won't say which which it's in. And

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Speaker 2: I gotta say, you slid the you knew how to

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Speaker 2: slide the train doors open, which not a lot of

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Speaker 2: people get that. They go out that they everybody tries

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Speaker 2: like pushes on it a lot pushy slide out. It's

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Speaker 2: like they're just like patio doors. Yeah.

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Speaker 1: I think maybe the reason people push on them is

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Speaker 1: because as there's there's like a slime mm hmm, like

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Speaker 1: sort of covering them. It's almost like an algae that

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Speaker 1: I guess. It's almost like nature is trying to reclaim

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Speaker 1: that this this.

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Speaker 2: Train, it's working pretty hard to try to take it back,

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Speaker 2: but we're pushing back against nature. Yeah, it's like it's

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Speaker 2: us then. Admittedly, man, let this happen to where nature

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Speaker 2: at some point has to step in and say, what

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Speaker 2: have you done with this gift I gave you? Yeah,

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Speaker 2: and it's making its run at us. But we're just

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Speaker 2: like there's like a last stand and it's it's the

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Speaker 2: acoustics in here are better?

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Speaker 3: Is that?

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Speaker 2: Is that sort of what the what the thinking is

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Speaker 2: with this? Well, a lot of it, I'd be I'd

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Speaker 2: be lying if I said it's not primarily a financial decision.

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Speaker 2: It's just it's.

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Speaker 1: Very because that did occur to that did occur to me. Yeah,

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Speaker 1: I didn't want to assume that things weren't.

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Speaker 2: Going well at all for me. No, they're not. I mean,

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Speaker 2: I'll say it out loud. I appreciate you being polite

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Speaker 2: and not saying it, but no, things are not going well.

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Speaker 2: My show, it's called the Best Show, is currently not

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Speaker 2: a part of any family, but a part of a

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Speaker 2: big part of this whole kind of me being the

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Speaker 2: point man for Earwolf East and hopefully Wolf Cool East

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Speaker 2: is what I would I mean, that's I was going

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Speaker 2: to talk about that later, but I need to be

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Speaker 2: a part of a family, and so, yeah, things I

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Speaker 2: made a go at it. It's not going well. This

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Speaker 2: train yard is definitely it's scary. I will say it's scary.

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Speaker 2: A lot of these guys don't know what podcasts are.

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Speaker 2: And the worst ones are the guys who do know

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Speaker 2: what they are because they like really weird podcasts. And

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Speaker 2: the guys you're talking about the train yard guys around

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Speaker 2: the flaming garbage can outside this right abandoned railroad car,

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Speaker 2: the guys who are slicing up a bean to share,

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Speaker 2: yeah and singing do wop. They're the guys at the

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Speaker 2: beginning of Rocky basically yeah. But and the way Rocky

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Speaker 2: would be like, I'm doing it for the people, Like

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Speaker 2: those are the people Rocky did it for. Like I

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Speaker 2: thought I would have that and then I realized they

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Speaker 2: don't want me doing anything for them. Okay, they hate me.

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Speaker 2: And then one time even said I'm doing you know,

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Speaker 2: I'm doing this for you guys, and then that really

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Speaker 2: set them off. Well, I appreciate you being honest. I

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Speaker 2: would be honest with you as well.

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Speaker 1: I wouldn't want people to think that we were giving

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Speaker 1: you some kind of like payoff for helping us set

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Speaker 1: up the network by giving you a show on the network.

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Speaker 2: That makes sense. No, no, I realize I have to earn

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Speaker 2: that because.

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Speaker 1: Then people might might assume that it wasn't just because

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Speaker 1: of the quality of your show. So it's I think

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Speaker 1: it's better if we don't do that at all.

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Speaker 2: Sure, So you look at it as just like and again,

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Speaker 2: this is New York. You can yes, this is not

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Speaker 2: Hollywood where everybody so they love I love you, and

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Speaker 2: oh I want to be in the the Hollywood handbook

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Speaker 2: business and the all of that stuff. It's like this

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Speaker 2: is this is New York. It's straight talk, straight talk.

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Speaker 2: So it's just like it's like Italian stuff. This is

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Speaker 2: like you looking at me, this is like yeah, forget

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Speaker 2: about It's like all that stuff is here, not La

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Speaker 2: where it's just like, oh, it's all about the smug

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Speaker 2: and the yeah, and forget about it as a great

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Speaker 2: word to you, specifically in this case, because I should

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Speaker 2: forget about having a show on this network. Yes, ok,

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Speaker 2: sort of the phrase that I was searching for. But

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Speaker 2: what a valuable service to be able to sort of

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Speaker 2: provide a liaison and introduce us to some New York

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Speaker 2: people who might want to do like I might work for,

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Speaker 2: like arguably the premiere comedy based podcast network that doesn't

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Speaker 2: do nerd stuff or and doesn't have Adam Carolla. Yes,

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Speaker 2: so it's going pretty good so far, I think.

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Speaker 1: Yeah, because we sent you a list. Did you get

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Speaker 1: the list of guys uh to maybe like check up

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Speaker 1: on just like a bunch of New York guys.

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Speaker 2: Was there any luck? Did you have any luck with that?

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Speaker 2: With that list? The uh? Yeah, it's it did not

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Speaker 2: go well initially, Okay. I had an idea for a

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Speaker 2: thing with Neil de grass Tyson. Sure it was gonna

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Speaker 2: it was called the Grass is Greener. It's it's it's

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Speaker 2: the grass. No, but it was called the Grass because

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Speaker 2: now with his weed, it was gonna be We're gonna

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Speaker 2: he was gonna hot box the studio every week and

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Speaker 2: review marijuana, okay, And he was not into that. He

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Speaker 2: was like, I host Cosmos, now I can't be doing

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Speaker 2: your hot box show.

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Speaker 1: Okay, so you make it see like pre Cosmos, this

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Speaker 1: was something he.

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Speaker 2: Would have been I thought he'd be game willing to do.

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Speaker 1: But now that he's hosted Cosmos, yeah, doing a weed

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Speaker 1: based podcast is not something he's interested in doing anymore.

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Speaker 2: He I thought I had to play because it's like

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Speaker 2: it's yeah, it's these space guys. I mean I thought

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Speaker 2: it was like a planetarium thing, like, yeah, because he

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Speaker 2: works at the Hayden Panetarium. Yeah, and you you'd go

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Speaker 2: get like like like a laser Floyd kind of thing.

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Speaker 2: I thought that's what he would be all about, Like

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Speaker 2: he'd like listen to you know, Dark Side of the

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Speaker 2: Moon and smoke everyone out and then be like, you know,

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Speaker 2: Pluto's not a real planet guy. Yeah, okay, but he was.

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Speaker 2: He's not at all like that. He's very serious. He

201
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Speaker 2: didn't he didn't try to smoke you out even once,

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Speaker 2: not even once. No, And then when I hinted at it,

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Speaker 2: he flipped out again. I thought it was it was.

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Speaker 2: It was very reminiscent of the guys in the train yard.

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Speaker 2: He did not stand for it for a second. Yeah,

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Speaker 2: he went crazy. Yeah, so that did not go well. Okay, Yeah,

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Speaker 2: where we at on the Slimmer, he was really feeling

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Speaker 2: he wants to see what kind of business this female

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Speaker 2: Ghostbusters does before he signs up, because, yeah, he he

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Speaker 2: might want to do a show with Paul Figue and

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Speaker 2: Leslie Jones. He thought they could do a kind of

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Speaker 2: fun thing. He really wants to please, playing it very

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Speaker 2: safe in my opinion.

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Speaker 1: Okay, see, that's what I was. I was sort of

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Speaker 1: hoping we could get him before he explodes.

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Speaker 2: So he's like, it's it's a full on Cosmos thing

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Speaker 2: with him. He's this Ghostbuster's reboot is his Cosmos. Yeah yeah, okay,

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Speaker 2: So it was that a no? Was that a hard no?

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Speaker 2: That was a hard no. Yeah. And he wouldn't even

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Speaker 2: slime me. I thought it was like, well, can I

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Speaker 2: at least get slimed? And he was just like he

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Speaker 2: was like no, I.

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Speaker 1: I'm sort of with I understand how that would be

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Speaker 1: weird for him because most people request.

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Speaker 2: But I thought it was like a Kid's choice kind

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Speaker 2: of thing, you know, the Kid's Choice Awards. Sure, but

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Speaker 2: that's different slime. I'm assuming, right, that's not like ectoplasm

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Speaker 2: that they're they're not actually dumping like that's like ghost excretion.

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Speaker 1: Yeah, it's like uh, yes, and they put a bucket

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Speaker 1: on that, like when you're drawing sap, you know, when

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Speaker 1: you're drawing sap in leaf country, Yes, and the slime

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Speaker 1: comes out, and then they would.

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Speaker 2: Pour it on the kids and then sell it. They would,

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Speaker 2: so they would, Yeah, Slimer would sell this SAP to Viacom.

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Speaker 1: Yes, and so for you, I guess to just ask

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Speaker 1: for a freebie, a free a free sliming.

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Speaker 2: That's for I guess that's for people. Maybe he's a

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Speaker 2: little bit closer to which I guess I thought you were.

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Speaker 2: I guess he. I guess you sort of.

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Speaker 1: Sold yourself as someone who had access to these people. Yeah,

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Speaker 1: I had to be slide that you said you could

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Speaker 1: be slimmed by him whenever, you know, you could just

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Speaker 1: call him up and get slimed.

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Speaker 2: I thought I could have. You said that Neodigrass Tyson

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Speaker 2: would smoke you up. Yeah, and that Slimer would do

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Speaker 2: a pretty kick ass podcast. Uh yeah, those neither of

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Speaker 2: those happened so far. So those are those are you?

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Speaker 1: Okay, I'm just wondering if this is true now because

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Speaker 1: you also said that Slimmer set you up with the

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Speaker 1: ghost that Blue dan ackroid in the movie I was,

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Speaker 1: and I'm wondering now if that if that is true,

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Speaker 1: because if not, I mean, you know, if you are

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Speaker 1: that close for that to happen, it seems like you

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Speaker 1: could get a podcast out of him or a slime.

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Speaker 2: Well, what I was hoping that would be would be

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Speaker 2: there was nothing lewed about that I was looking for

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Speaker 2: a kind of like because you know, it's New York

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Speaker 2: and it's like the streets and it's the I mean,

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Speaker 2: you don't know. You I'm gonna say, you don't know

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Speaker 2: how it was in Times Square. It was like you'd

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Speaker 2: go there and it was just like okay, tattoo parlors

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Speaker 2: and pizza joints and yeah, just guys selling just food

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Speaker 2: out of like carts. Oh wow, that's like like like

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Speaker 2: steamer trays, like hot dogs on steam steamer trays. Yeah, okay,

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Speaker 2: buffet style. Oh, they were just buffets.

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Speaker 3: All.

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Speaker 2: You'd go into Times Square and it would be like

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Speaker 2: you were at like a like a luncheon at a hotel.

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Speaker 2: But outside they got to clean that up. Well they did,

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Speaker 2: and now it's just the eminem Store. Yeah, and and

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Speaker 2: what is and the relationship between this story and because

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Speaker 2: you claiming that I've been set up on a date

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Speaker 2: with the ghost that Blue Dead, I thought I could

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Speaker 2: get the Ghosts that Blue dan Acroyd to do like

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Speaker 2: a kind of kind of like down and dirty podcast

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Speaker 2: about just like the way New York used to be

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Speaker 2: ok for ghosts, Okay, you know, because I would assume

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Speaker 2: it would have just been like rougher back then, and like,

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Speaker 2: you know, because it was back now it's just like

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Speaker 2: it's like the eminem Store and it's all these things.

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Speaker 2: It's not like it used to be. It used to

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Speaker 2: be you'd go up there and you'd get just like

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Speaker 2: you'd get like guys would be swinging chains around and

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Speaker 2: gangs and guys in like hockey masks, like the baseball Furies.

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Speaker 2: It was. It was pretty much like the movie The

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Speaker 2: Warriors toned down how it was at one point the

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Speaker 2: movie The Warriors, really yeah, because it was a sanitized

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Speaker 2: version of the rest of them. America can't handle this, okay.

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Speaker 2: I'm sort of wondering if the ghost that Blue dan

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Speaker 2: akrot is the best person to tell that story. Uh huh. Look,

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Speaker 2: I'll admit this. I thought this is how I pictured

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Speaker 2: it going. Yeah, Neil de grass Tyson, the grass is greener. Yeah,

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Speaker 2: get that lockdown again. I go into the meeting with

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Speaker 2: Slimer saying, hey, dude, we got this thing locked down.

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Speaker 2: Neil de grass Tyson's on the network. You want to

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Speaker 2: do a thing. Then he comes on and then just

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Speaker 2: like the ghosts that blue Dana Heckrod is just gravy

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Speaker 2: now as like maybe like an event pot, like a

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Speaker 2: like a.

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Speaker 1: Howl how many he like an east howel? Okay, what

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Speaker 1: about the pigeon lady from Home Alone too? Did you

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Speaker 1: go up to that attic in Carnegie Hall? She loves

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Speaker 1: the music and she sits up there and she can

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Speaker 1: always listen to the music.

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Speaker 2: I thought she would do a very kind of like

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Speaker 2: cultured Yeah, like a like live from Lincoln Center. It's

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Speaker 2: it's Carnegie Hall, it's where. But we would do this

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Speaker 2: at Lincoln Center is even more esteemed. I mean you

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Speaker 2: should see who plays Carnegie Hall. Now, it's not very impressive.

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Speaker 2: When you see the people who are there, it's like,

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Speaker 2: as he did it, I think, well, I'm not talking

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Speaker 2: about him. I'm talking about more like like Yo Yo Ma,

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Speaker 2: like okay, like guys like that. Yeah, I just I think,

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Speaker 2: I like, I actually think of these is great. I do.

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Speaker 2: But I was saying Yo Yo Ma's garbage. In terms

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Speaker 2: of classical music, it's like a very sanitized version of

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Speaker 2: classical music. It's like what they did with Times Square,

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Speaker 2: not to bring it back to that it used to

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Speaker 2: be cool, and then now you go there and it's

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Speaker 2: just it's the Eminem Store, and it's like he's the

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Speaker 2: Eminem Store of classical music. Okay. So it would be okay,

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Speaker 2: live from Lincoln Center, the Pigeon Lady from Home alone too,

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Speaker 2: and she would interview like Alec Baldwin and get like

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Speaker 2: his New York stories or Jerry Seinfeld and asked him

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Speaker 2: about stand up in New York City and the arts

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Speaker 2: and Tina Fay and Lorne Michaels and just all the

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Speaker 2: people who you just want to know more about. Okay,

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Speaker 2: And did you had that conversation with her? Yeah? She

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Speaker 2: shot me down pretty hard, she did. Yeah, Neil called

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Speaker 2: her and said, not that I was bad. She didn't

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Speaker 2: throw pigeon feed on you, did?

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Speaker 3: She?

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Speaker 2: No?

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Speaker 1: Okay, what she did do, because those are the pigeons

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Speaker 1: are weaponized. They will even if you have a gun,

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Speaker 1: they will they will disarm you.

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Speaker 2: This is what she did do. Apparently she watched the

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Speaker 2: first movie. I went into the meeting, grabbed the doorknob.

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Speaker 2: It was hot. She apparently had hung some sort of

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Speaker 2: heat thing on it. I scorched my hand. I still look,

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Speaker 2: I'm holding my hand up. You see the imprint of

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Speaker 2: a doorknob on it. Yeah, it's a letter. And then

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Speaker 2: I'm going up the steps and they're frozen, right, and

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Speaker 2: then I slip and she's sang lines that that kid says. Now,

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Speaker 2: She's like, you'll never catch me, stupid. Yeah, And I

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Speaker 2: was like, I'm not trying to. I'm just trying to

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Speaker 2: do a business selling in Okay, Sean, are you there?

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Speaker 2: Can you just hold on for one second?

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Speaker 1: Can we just pot him down for one second? I

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Speaker 1: want you to feel like this is going well, this

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Speaker 1: is you know, this is big for me as much

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Speaker 1: as it is for you.

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Speaker 2: You know, this is me on my own. Yeah, you know,

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Speaker 2: this is so so this is bad for you. If

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Speaker 2: you if you come back and say, like, he ate

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Speaker 2: it and I couldn't whip him into shape.

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Speaker 1: Sean the dynamic we sort of have. Sean is like

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Speaker 1: the funny guy, and people are sort of wondering, like

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Speaker 1: what does Hayes do? And I want my thing to

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Speaker 1: be like the guy who like gets stuff done. Sure,

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Speaker 1: Matt Stone, Yes, right exactly. I want to be the

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Speaker 1: Matt Stone, the facilitator and all this, yes exactly.

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Speaker 2: And then Seawan's the one who does all the voices

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Speaker 2: and for the show, So Sean's Sean's the one where

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Speaker 2: it's just like it'll be a room full of writers

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Speaker 2: and they're pitching all things out, and Matt's just like, hey,

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Speaker 2: I got the lunch menu, maybe we should get Thai

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Speaker 2: food today. And then and and and she's like you're like, guys,

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Speaker 2: we got to get this food order in fact.

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Speaker 1: And like someone like Trey like hates opening his mail,

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Speaker 1: sure you know so, but then gives him anxiety.

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Speaker 2: So then he's like, all the writers worked on this thing,

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Speaker 2: but I'm just gonna take it. I'll come back tomorrow

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Speaker 2: with a full episode written. I'll just come in tomorrow

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Speaker 2: and I'll do all the voices of all the characters

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Speaker 2: minus one.

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Speaker 1: Yes, and this is this is my one one voice,

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Speaker 1: which which is the voice that he does.

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Speaker 2: He'll do like uh, he'll do like Kyle's father, Kyle's dad. Okay,

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Speaker 2: Stan's dad is the funny one ye right, Okay, dad,

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Speaker 2: you can't get enough of.

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Speaker 1: This is this is my Kyle's dad is setting up

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Speaker 1: her Wolf East Okay, getting some great New York podcasts

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Speaker 1: on the air. And so we're talking about this with Sewan.

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Speaker 1: I would love for him to think, like, it's really good.

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Speaker 2: I will not Sean.

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Speaker 3: In a New York, New York, right, guys, we haven't

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Speaker 3: done that yet.

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Speaker 2: That's so that's really good.

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Speaker 3: And I can almost I can smell through the phone

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Speaker 3: the delicious, the greasy diners, and the sidewalk and all

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Speaker 3: the tall buildings. What is all the New York feelings?

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Speaker 1: What are some of your favorite what's your favorite New

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Speaker 1: York memory? We haven't gotten into this discussion yet, but

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Speaker 1: but I would love to share some of those my

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Speaker 1: New York memory.

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Speaker 3: Well, I guess you know, the thing about New York

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Speaker 3: is the spontaneity and how anything can happen at any time.

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Speaker 3: And I remember that I went to get one of

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Speaker 3: their famous bagels, which is like a big Dolley round,

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Speaker 3: you know, food and I was halfway to the store

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Speaker 3: and Spike Lee just started kissing.

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Speaker 2: Me, kissing.

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Speaker 3: Yes, he only it was on my abdomen. But it

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Speaker 3: was so it wasn't you know, Uh, it wasn't as

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Speaker 3: intimate maybe as he would have liked. It was just

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Speaker 3: sort of my torso thorax. And I just thought, in.

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Speaker 1: New York, he's a little he's a little guy. Maybe

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Speaker 1: was that is he? I thought, maybe that's how high

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Speaker 1: he could reach?

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Speaker 3: I mean to me, well, he was lying on a gurney,

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Speaker 3: so to me, it wasn't necessarily about the high. I

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Speaker 3: didn't see standing up ever, I only saw him lying

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Speaker 3: on the journey, and I thought only in New York

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Speaker 3: would Spike Lee beyond the gurney, just rushing down you know,

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Speaker 3: Broadway Avenue.

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Speaker 2: Well Tom is here as well, Tom, Hi, shot what

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Speaker 2: so what? Just oh hey, hey, Sean, how are you so?

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Speaker 3: So it's just one phone line and you could both

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Speaker 3: hear me?

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Speaker 2: Yeah, yeah, yes, Tom, we can both.

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Speaker 3: So I was talking to you and then Tom heard

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Speaker 3: me say the so what.

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Speaker 2: Before I did. But I thought I took that as

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Speaker 2: a very New York kind of things, like you're speaking

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Speaker 2: your mind. It's New York forget this.

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Speaker 3: Uh yeah, that's sort of the New York thing. Perfect.

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Speaker 2: Well, did you want to suggest that like a good

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Speaker 2: New York podcast to Tom oh Man?

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Speaker 3: Have I been thinking about because I'm so glad we're

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Speaker 3: expanding and getting into where all the action is and

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Speaker 3: where people are stressed and bumping into each other. And

433
00:25:43,760 --> 00:25:50,520
Speaker 3: isn't that the goal I want to do something with? Uh?

434
00:25:51,200 --> 00:25:53,760
Speaker 3: And I hear Tom that you know a guy, and

435
00:25:53,800 --> 00:25:57,000
Speaker 3: I'm pushing my finger on my nose. Do you know

436
00:25:57,080 --> 00:25:57,480
Speaker 3: what I mean?

437
00:25:57,640 --> 00:25:59,080
Speaker 2: Sure? No, I got you, I got you.

438
00:26:00,880 --> 00:26:07,280
Speaker 3: I want to do something with Papa John, Papa John Schnatter.

439
00:26:07,640 --> 00:26:07,840
Speaker 2: Sure.

440
00:26:07,960 --> 00:26:11,400
Speaker 3: I've learned a little bit about podcasts and that we're

441
00:26:11,520 --> 00:26:14,639
Speaker 3: the best. Most successful podcasts seem to be ones that

442
00:26:14,720 --> 00:26:20,840
Speaker 3: are recreating sort of a conversation that you maybe would

443
00:26:20,880 --> 00:26:25,440
Speaker 3: wish was over normally. Do you know what I mean?

444
00:26:25,560 --> 00:26:29,560
Speaker 3: Like where if someone's just talking about a food like

445
00:26:29,680 --> 00:26:32,960
Speaker 3: that is a podcast now if they just go like, hey,

446
00:26:33,000 --> 00:26:35,760
Speaker 3: this is what I ate today. So maybe it's Papa

447
00:26:35,880 --> 00:26:40,600
Speaker 3: John and he's talking about all the pizzas or even

448
00:26:40,600 --> 00:26:43,240
Speaker 3: the Papa packs. Do you know what the Papa pack is? Tom?

449
00:26:44,040 --> 00:26:47,680
Speaker 2: I don't. I don't because we don't have that, Rob,

450
00:26:48,200 --> 00:26:50,320
Speaker 2: I don't know if we have that out here. Papa John's.

451
00:26:50,680 --> 00:26:52,480
Speaker 3: It's like, you don't have that in New York.

452
00:26:52,560 --> 00:26:55,679
Speaker 2: It's very authentic here. We have a lot of rays here.

453
00:26:56,480 --> 00:26:59,920
Speaker 3: Okay, you do have it, and it is is real

454
00:27:00,040 --> 00:27:03,199
Speaker 3: as it gets in the Papa Pack, which shares you know,

455
00:27:03,440 --> 00:27:07,119
Speaker 3: Papa John's first name is I believe two SODA's in

456
00:27:07,119 --> 00:27:13,320
Speaker 3: a back of chips. So I'm thinking maybe that's a

457
00:27:13,359 --> 00:27:16,000
Speaker 3: whole episode or maybe even a whole season of the show.

458
00:27:16,119 --> 00:27:18,399
Speaker 1: And Tom, if you feel if you can't get Papa John's,

459
00:27:18,440 --> 00:27:20,600
Speaker 1: just say that, don't okay, Like we don't have Papa

460
00:27:20,680 --> 00:27:22,920
Speaker 1: John's here, okay, and like I don't know what a

461
00:27:22,960 --> 00:27:25,080
Speaker 1: Papa pack is, Just say.

462
00:27:24,760 --> 00:27:27,080
Speaker 3: They won't come to my house anymore because I answered

463
00:27:27,119 --> 00:27:29,439
Speaker 3: the door in the robe pizza or something.

464
00:27:30,520 --> 00:27:33,040
Speaker 1: Don't just say it. Don't act like you don't know

465
00:27:33,080 --> 00:27:35,800
Speaker 1: what we're talking about. You just have Papa John's here.

466
00:27:35,840 --> 00:27:38,280
Speaker 2: I'll admit it. I was trying to come on a

467
00:27:38,280 --> 00:27:41,640
Speaker 2: little New York with that and try to just sound

468
00:27:41,640 --> 00:27:44,240
Speaker 2: a little authentic, okay, But there's like.

469
00:27:44,160 --> 00:27:47,120
Speaker 1: A you know, so there's a time and a place

470
00:27:47,160 --> 00:27:49,119
Speaker 1: for that, and we're actually trying to make you know,

471
00:27:49,320 --> 00:27:50,680
Speaker 1: get something wrong here.

472
00:27:51,160 --> 00:27:57,240
Speaker 2: I figure, what if this is the route to Papa John? Okay,

473
00:27:58,200 --> 00:28:02,800
Speaker 2: m JPP. I know the guy. I know, the guy

474
00:28:02,800 --> 00:28:11,520
Speaker 2: who smoothed out the gap is nub Yeah, okay, j

475
00:28:11,840 --> 00:28:15,159
Speaker 2: I talked to that guy. Yeah. JPP introduces me to

476
00:28:15,440 --> 00:28:22,520
Speaker 2: number ten Eli, Eli bounces me to Peyton. Yeah. Peyton

477
00:28:22,600 --> 00:28:28,400
Speaker 2: and Papa John are like they're like tight. Okay, so

478
00:28:28,440 --> 00:28:33,000
Speaker 2: maybe I could play it that way. Okay, I'm with

479
00:28:33,080 --> 00:28:36,159
Speaker 2: you up to the Eli Peyton connection. I wonder if

480
00:28:36,240 --> 00:28:38,760
Speaker 2: during the season, you know, they don't want to be

481
00:28:38,800 --> 00:28:43,040
Speaker 2: talking to each other when their enemies playing football. They're

482
00:28:43,040 --> 00:28:46,560
Speaker 2: not brothers during the season famously, Well, what if.

483
00:28:46,400 --> 00:28:49,520
Speaker 3: They have a bye week done the same week?

484
00:28:51,760 --> 00:28:54,760
Speaker 2: I mean, can you make that happen? I can check

485
00:28:54,960 --> 00:28:55,280
Speaker 2: if you.

486
00:28:55,240 --> 00:28:57,360
Speaker 3: Can change the schedule, because I think some of them

487
00:28:57,480 --> 00:28:58,600
Speaker 3: have already happened.

488
00:28:58,720 --> 00:29:00,840
Speaker 1: I think maybe both of them have already had their

489
00:29:00,840 --> 00:29:02,800
Speaker 1: bye weeks. Do you think you can get them another

490
00:29:02,880 --> 00:29:06,360
Speaker 1: one on the same at the same time, like a.

491
00:29:06,360 --> 00:29:08,920
Speaker 2: Bye bye week, like a second bye week.

492
00:29:09,440 --> 00:29:12,800
Speaker 1: Yeah, I guess that's what you would call it is

493
00:29:12,840 --> 00:29:13,720
Speaker 1: a bye bye week.

494
00:29:13,840 --> 00:29:17,400
Speaker 2: Okay, I'll see what I can do. I mean I'm

495
00:29:17,440 --> 00:29:20,680
Speaker 2: dedicated to making this happen, and there's been a lot

496
00:29:20,680 --> 00:29:23,240
Speaker 2: of great progress so far, Sean, And I think you're

497
00:29:23,240 --> 00:29:27,200
Speaker 2: going to be very proud of me, and by extension,

498
00:29:27,200 --> 00:29:29,920
Speaker 2: you're going to be very proud of Hayes for pulling

499
00:29:29,960 --> 00:29:30,520
Speaker 2: it out of me.

500
00:29:31,400 --> 00:29:34,600
Speaker 3: Well. Yeah, I mean everything I've been hearing is that

501
00:29:34,680 --> 00:29:37,800
Speaker 3: Hayes is just really stepping up and defining his role.

502
00:29:38,560 --> 00:29:41,320
Speaker 3: And that's something I think we've all been waiting for

503
00:29:41,320 --> 00:29:44,120
Speaker 3: for a little while now, and it's so exciting for me.

504
00:29:44,560 --> 00:29:50,480
Speaker 3: So to hear you excited, Tom is to hear me excited, and.

505
00:29:50,440 --> 00:29:53,760
Speaker 1: I'm excited too. I'm so glad people have been what

506
00:29:53,920 --> 00:29:55,160
Speaker 1: have they been texting.

507
00:29:54,840 --> 00:29:55,160
Speaker 2: You that.

508
00:29:56,760 --> 00:29:58,040
Speaker 3: About you defining your role?

509
00:29:58,240 --> 00:30:00,560
Speaker 2: Yeah? Has that sort of been the thing that people

510
00:30:00,560 --> 00:30:01,000
Speaker 2: are saying?

511
00:30:01,080 --> 00:30:03,400
Speaker 3: It must have been cyber dust. I've been getting mostly

512
00:30:03,440 --> 00:30:06,640
Speaker 3: cyberdust messages, which is sort of like an adult version

513
00:30:06,680 --> 00:30:11,160
Speaker 3: of social media for businessmen like me. Yeah, it's Mark

514
00:30:11,240 --> 00:30:15,360
Speaker 3: Cuban's thing, sure that he talks on and and I

515
00:30:15,480 --> 00:30:19,360
Speaker 3: talk on it now too, and so yeah, that's that's

516
00:30:19,400 --> 00:30:21,640
Speaker 3: been where a lot of the chatter has been coming through.

517
00:30:21,800 --> 00:30:25,600
Speaker 1: So it must be coming from him, then, from Cuban

518
00:30:25,920 --> 00:30:28,040
Speaker 1: I mean, that's the only person I know who uses

519
00:30:28,040 --> 00:30:28,800
Speaker 1: a cyber dust.

520
00:30:29,440 --> 00:30:31,320
Speaker 3: Well now you know too though, right.

521
00:30:31,520 --> 00:30:35,920
Speaker 1: Yeah, but you are receiving the message that you know that,

522
00:30:36,320 --> 00:30:38,040
Speaker 1: So I figured that he must have been the one

523
00:30:38,120 --> 00:30:38,640
Speaker 1: sending it.

524
00:30:39,600 --> 00:30:45,400
Speaker 3: Well, okay, so I'm on it. He's on it. The

525
00:30:45,440 --> 00:30:48,680
Speaker 3: corporate offices of KB Toys use it for some reason.

526
00:30:50,840 --> 00:30:54,000
Speaker 3: There's a couple companies, there's a couple uh you know,

527
00:30:54,560 --> 00:30:59,200
Speaker 3: business professionals like myself that are doing it. There's a

528
00:30:59,280 --> 00:31:03,800
Speaker 3: law firm and annoy and so it's really hot and

529
00:31:03,960 --> 00:31:07,160
Speaker 3: just exploding. And if you want to talk to your

530
00:31:07,160 --> 00:31:08,959
Speaker 3: friends but you want to use a way that no

531
00:31:09,000 --> 00:31:13,400
Speaker 3: one is on or is using, now this is definitely

532
00:31:13,480 --> 00:31:17,239
Speaker 3: the future. Oh I was Oh did so you know

533
00:31:17,320 --> 00:31:20,240
Speaker 3: that I was having to be quiet when you were

534
00:31:20,240 --> 00:31:23,320
Speaker 3: talking about south Park? Oh?

535
00:31:23,480 --> 00:31:25,960
Speaker 2: Okay, well that's a conversation for later.

536
00:31:27,560 --> 00:31:28,840
Speaker 3: Could you do that to me?

537
00:31:30,000 --> 00:31:32,840
Speaker 1: I I'm sorry, I didn't know that you could could

538
00:31:32,920 --> 00:31:35,600
Speaker 1: hear that? I would never want to leave you out

539
00:31:35,600 --> 00:31:39,800
Speaker 1: of a south Park conversation? Hello, because I know you

540
00:31:39,880 --> 00:31:44,040
Speaker 1: like to talk about the guy about the anal probe stuff.

541
00:31:46,360 --> 00:31:52,760
Speaker 3: I want my cheesy poofs Tom, do you know the

542
00:31:53,400 --> 00:31:55,240
Speaker 3: respect my authority stuff.

543
00:31:56,000 --> 00:32:04,560
Speaker 2: That's when he's on the Big Wheel, right maybe. Yeah,

544
00:32:04,720 --> 00:32:09,440
Speaker 2: the Sean thinks that South Park is like a series

545
00:32:09,480 --> 00:32:12,800
Speaker 2: of T shirts okay, yeah, and so if the Big

546
00:32:12,880 --> 00:32:15,400
Speaker 2: Wheel's not on the T shirt, he only sees so

547
00:32:15,440 --> 00:32:18,760
Speaker 2: he just knows it's a giant cartman head with sunglasses

548
00:32:19,200 --> 00:32:25,280
Speaker 2: that it says respect by authoritize okay underneath Okay, Yeah,

549
00:32:25,280 --> 00:32:27,040
Speaker 2: I don't know what he'd why he what he would

550
00:32:27,080 --> 00:32:29,480
Speaker 2: be sitting on or not sitting on when he would

551
00:32:29,480 --> 00:32:32,120
Speaker 2: wear that would say that?

552
00:32:33,080 --> 00:32:38,800
Speaker 3: Yeah. No, uh oh, this is nice.

553
00:32:39,040 --> 00:32:42,040
Speaker 1: Yeah, Sean, thank you for calling in everything. It is

554
00:32:42,080 --> 00:32:47,480
Speaker 1: really going very nice and we're having a good time too.

555
00:32:48,280 --> 00:32:50,400
Speaker 3: Well it sounds so good. Can I get a peek

556
00:32:50,440 --> 00:32:54,680
Speaker 3: a preview any like podcast you Guys Broke Open or anything?

557
00:32:54,800 --> 00:32:59,960
Speaker 3: I mean, obviously the uh the Papa John's Pizza Corner

558
00:33:00,480 --> 00:33:02,479
Speaker 3: where people talk about a meal they had that you

559
00:33:02,480 --> 00:33:04,080
Speaker 3: aren't a part of, is going to be big.

560
00:33:04,120 --> 00:33:07,560
Speaker 2: But yeah, a lot of these are at the conversation

561
00:33:08,040 --> 00:33:12,960
Speaker 2: stage right now. Uh there. Uh. Tom has spoken to

562
00:33:13,600 --> 00:33:16,360
Speaker 2: Neil deGrasse Tyson about a.

563
00:33:16,320 --> 00:33:20,600
Speaker 1: Show where the grass is Greener, The Grass is Greener

564
00:33:20,600 --> 00:33:22,520
Speaker 1: where he smokes people up.

565
00:33:24,000 --> 00:33:30,080
Speaker 3: And out dude, oh Chiba time Buds.

566
00:33:31,200 --> 00:33:34,480
Speaker 2: Yeah, a little bit of God's Greener and before you know,

567
00:33:35,280 --> 00:33:39,160
Speaker 2: and we that is that is still a discussion that's happening. Uh,

568
00:33:39,320 --> 00:33:44,000
Speaker 2: there's a there's a there's a podcast where uh Slimer

569
00:33:44,280 --> 00:33:49,720
Speaker 2: and the Ghost that uh Blue dan Ackroyd talk about

570
00:33:49,880 --> 00:33:53,400
Speaker 2: what Times Square used to be like before. I guess

571
00:33:53,440 --> 00:33:55,720
Speaker 2: the M and EBB store because yeah, because Sean, I

572
00:33:55,720 --> 00:33:57,360
Speaker 2: don't know if you know how it used. I don't

573
00:33:57,400 --> 00:34:00,760
Speaker 2: know how familiar you are with like Times Square, because

574
00:34:01,440 --> 00:34:03,680
Speaker 2: it used to be you'd go there and would be

575
00:34:03,720 --> 00:34:09,440
Speaker 2: like porn palaces and switchblades and gangs in the street,

576
00:34:09,840 --> 00:34:12,280
Speaker 2: and now it's just the eminem store.

577
00:34:13,760 --> 00:34:17,080
Speaker 3: Oh no, right, And so Dan Ecoyd would say that too.

578
00:34:18,040 --> 00:34:19,960
Speaker 2: He is not part of it as of yet. I

579
00:34:19,960 --> 00:34:22,399
Speaker 2: don't know what the relationship is now between that guy.

580
00:34:22,840 --> 00:34:25,360
Speaker 2: I think they had a very bad I think that

581
00:34:25,480 --> 00:34:28,719
Speaker 2: was like a hookup that they were both ashamed about

582
00:34:28,760 --> 00:34:32,840
Speaker 2: because he was married to Garth's dreamgirl at the time. Yeah,

583
00:34:33,360 --> 00:34:37,799
Speaker 2: and she was furious. She's like you did what Like

584
00:34:38,080 --> 00:34:41,440
Speaker 2: She's like, I know all about on set flings, but

585
00:34:43,080 --> 00:34:45,839
Speaker 2: she thought it was gonna be Sigourney Weaver and he's like,

586
00:34:46,080 --> 00:34:48,040
Speaker 2: you did what with who?

587
00:34:48,360 --> 00:34:51,000
Speaker 1: Yeah, and she said, please say your eyes didn't cross,

588
00:34:51,080 --> 00:34:53,840
Speaker 1: but she would when she went down on you.

589
00:34:55,680 --> 00:34:57,759
Speaker 3: Oh right, yeah, that's right.

590
00:34:57,840 --> 00:35:01,839
Speaker 1: And he said, no, sweetie, I only do that for you.

591
00:35:01,920 --> 00:35:03,520
Speaker 1: And then of course she sees the movie.

592
00:35:05,120 --> 00:35:10,600
Speaker 3: Oh yeah, that's because of the cameras tough.

593
00:35:11,200 --> 00:35:14,480
Speaker 1: And then there's another of the Pigeon Lady from Home

594
00:35:14,520 --> 00:35:17,600
Speaker 1: alogue too, is doing sort of an elevator because she

595
00:35:17,640 --> 00:35:20,319
Speaker 1: lives above Carnegie Hall and she loves music. Is she's

596
00:35:20,360 --> 00:35:23,279
Speaker 1: doing a sort of an elevated culture podcast where she

597
00:35:23,360 --> 00:35:28,520
Speaker 1: speaks to Alec Baldwin and Tina Fey and Lauren Michaels

598
00:35:28,760 --> 00:35:29,799
Speaker 1: and people like that.

599
00:35:30,520 --> 00:35:32,920
Speaker 2: Yeah, and Sean, can I pick your brain for a

600
00:35:32,960 --> 00:35:33,960
Speaker 2: second on an idea?

601
00:35:35,200 --> 00:35:36,160
Speaker 3: Yes, I have a.

602
00:35:36,080 --> 00:35:42,040
Speaker 2: Meeting with Danny Iello, and I'm just not sure. I

603
00:35:42,080 --> 00:35:45,520
Speaker 2: want to come in strong with it and just have

604
00:35:45,640 --> 00:35:49,640
Speaker 2: the right pitch because this guy, I'm not sure what

605
00:35:49,719 --> 00:35:53,319
Speaker 2: podcast Danny Iello listens to, you know what I mean,

606
00:35:53,520 --> 00:35:57,360
Speaker 2: Like he seems like a gimlet loyalist to me.

607
00:35:58,320 --> 00:36:00,359
Speaker 3: Yeah, I feel like he's definitely checked. You know. It's

608
00:36:00,360 --> 00:36:01,640
Speaker 3: the Mystery Show.

609
00:36:01,480 --> 00:36:07,479
Speaker 2: Reply All Startup, of course, the original. So I want

610
00:36:07,520 --> 00:36:09,600
Speaker 2: to come in strong with this, and I could really

611
00:36:09,760 --> 00:36:13,600
Speaker 2: use your your uh you know, wisdom on this.

612
00:36:15,080 --> 00:36:18,120
Speaker 3: Okay, And so you're so, I'm sorry you have a

613
00:36:18,160 --> 00:36:20,560
Speaker 3: meeting with him and you don't know what podcasts he

614
00:36:20,640 --> 00:36:22,919
Speaker 3: listens to. And then what's the meeting about.

615
00:36:22,920 --> 00:36:25,200
Speaker 2: About trying to bring him to the to the.

616
00:36:25,040 --> 00:36:29,000
Speaker 3: Network, bringing him in and really launching him with the

617
00:36:29,120 --> 00:36:31,440
Speaker 3: right with the right hook.

618
00:36:31,840 --> 00:36:35,640
Speaker 1: Yeah, I know something that could get you kicked out

619
00:36:35,680 --> 00:36:40,319
Speaker 1: of that meeting. And it's comment to God that how

620
00:36:40,360 --> 00:36:43,480
Speaker 1: there should be brothers up on the wall. So I

621
00:36:43,520 --> 00:36:46,839
Speaker 1: think you go in there and say I'm glad there's

622
00:36:46,880 --> 00:36:49,399
Speaker 1: no brothers up on this wall.

623
00:36:49,520 --> 00:36:52,000
Speaker 2: But I don't know if that's the right approach either,

624
00:36:52,080 --> 00:36:55,200
Speaker 2: because uh huh, he maybe just don't mention it at all.

625
00:36:55,280 --> 00:36:56,040
Speaker 2: I think I might want to.

626
00:36:56,000 --> 00:37:02,480
Speaker 3: Maybe don't bring up brothers right away. Do you remember

627
00:37:02,640 --> 00:37:06,560
Speaker 3: in after Hours when he went into that one bar

628
00:37:06,600 --> 00:37:08,120
Speaker 3: where you're not allowed to be in the bar if

629
00:37:08,160 --> 00:37:09,200
Speaker 3: you don't have a mohawk.

630
00:37:11,120 --> 00:37:13,600
Speaker 2: Yeah, that's a very New York kind of thing.

631
00:37:14,480 --> 00:37:19,040
Speaker 3: Yes, the is that an area. Maybe you go in

632
00:37:19,080 --> 00:37:19,399
Speaker 3: with a.

633
00:37:19,360 --> 00:37:24,640
Speaker 2: Mohawk and try to what to mend fences with him?

634
00:37:24,920 --> 00:37:26,840
Speaker 3: Well, Jesus Christ, time, I'm not going to do the

635
00:37:26,840 --> 00:37:30,040
Speaker 3: whole fucking thing for you. It's not my meeting, but

636
00:37:30,120 --> 00:37:32,040
Speaker 3: I think I walked you pretty far when I told

637
00:37:32,040 --> 00:37:35,399
Speaker 3: you the alternative hair style that you might be able

638
00:37:35,440 --> 00:37:35,759
Speaker 3: to wear.

639
00:37:35,800 --> 00:37:38,279
Speaker 2: It's the meeting, this is your thing. And by the way,

640
00:37:38,400 --> 00:37:41,919
Speaker 2: someone who advertises himself as sort of a New York

641
00:37:42,040 --> 00:37:46,480
Speaker 2: conciliary type who you know, like, maybe you shouldn't need

642
00:37:46,480 --> 00:37:51,360
Speaker 2: this kind of helm. Okay, okay, fair point, fair enough,

643
00:37:51,640 --> 00:37:55,920
Speaker 2: And then Sean takes you nine tenths of the way there, yeah,

644
00:37:56,160 --> 00:37:59,719
Speaker 2: to the rest, carry me, you know, carry me across.

645
00:37:59,480 --> 00:38:00,680
Speaker 1: The finish line. And then when I want you to

646
00:38:00,719 --> 00:38:05,080
Speaker 1: go into beast mode, he took me into the red zone. Yes, right, yes,

647
00:38:05,200 --> 00:38:05,759
Speaker 1: and which is.

648
00:38:05,719 --> 00:38:10,440
Speaker 3: Where ideally you would go into bast moode Yeah, you know,

649
00:38:10,520 --> 00:38:13,800
Speaker 3: because for me seeing you not be in bst mode

650
00:38:14,560 --> 00:38:17,160
Speaker 3: when I've got you over, you know, on the on

651
00:38:17,200 --> 00:38:20,439
Speaker 3: the one yard line, essentially, I just go like, does

652
00:38:20,440 --> 00:38:23,440
Speaker 3: this guy even really want a Scorecause quite frankly, I

653
00:38:23,440 --> 00:38:25,440
Speaker 3: could show up at Danny i LA's office with a

654
00:38:25,560 --> 00:38:30,040
Speaker 3: mohawks tomorrow. I'm sure i'd get a meeting, and I

655
00:38:30,040 --> 00:38:32,200
Speaker 3: don't think I need to plan much of anything to

656
00:38:32,400 --> 00:38:35,719
Speaker 3: walk out of there. With a huge podcast contract into

657
00:38:35,760 --> 00:38:36,080
Speaker 3: my arm.

658
00:38:36,200 --> 00:38:39,520
Speaker 2: Okay, okay, I'll step You're right, You're right, Okay, Sean,

659
00:38:39,560 --> 00:38:41,560
Speaker 2: I know you have to go. You said you had

660
00:38:41,560 --> 00:38:42,200
Speaker 2: a heart out.

661
00:38:43,560 --> 00:38:46,720
Speaker 3: Yeah, well that was like a dirty joke I was making.

662
00:38:48,800 --> 00:38:52,160
Speaker 2: Oh okay, what would that what would that refer to?

663
00:38:53,400 --> 00:38:55,719
Speaker 3: Well, I just know that people use the word to

664
00:38:55,800 --> 00:39:02,360
Speaker 3: heart on to mean like freaking you know, like you've heard.

665
00:39:02,200 --> 00:39:05,279
Speaker 2: That yeah, yeah, yeah, yeah yeah when it.

666
00:39:05,360 --> 00:39:10,840
Speaker 3: Gets like that before you like finish. So I just

667
00:39:11,000 --> 00:39:12,560
Speaker 3: was sort of playing off of that.

668
00:39:13,200 --> 00:39:18,000
Speaker 2: Okay, so you don't have to go huh no, I'm good.

669
00:39:18,680 --> 00:39:20,160
Speaker 3: Why what do you want to talk about?

670
00:39:20,680 --> 00:39:24,960
Speaker 2: Well, we we we should do an ad. We we

671
00:39:25,040 --> 00:39:28,680
Speaker 2: don't actually have any paid ads this week. Uh so

672
00:39:29,280 --> 00:39:32,080
Speaker 2: we could do just some like New York style ass

673
00:39:32,200 --> 00:39:37,640
Speaker 2: like you know, ads for some like big New York institutions,

674
00:39:37,719 --> 00:39:41,640
Speaker 2: sure and stuff. Okay, what like, well, Tom is the

675
00:39:41,719 --> 00:39:45,600
Speaker 2: New York I mean what should Yeah, you know, okay,

676
00:39:46,080 --> 00:39:49,760
Speaker 2: I'll do one. Hey everyone, when you're in New York.

677
00:39:50,120 --> 00:39:52,520
Speaker 2: Uh and you really want a taste of that New

678
00:39:52,640 --> 00:40:01,839
Speaker 2: York superhero flavor, come to Times Square and meet iron Man. Yes,

679
00:40:01,960 --> 00:40:06,680
Speaker 2: he's his costume is plastic and he's got a tag

680
00:40:06,760 --> 00:40:09,839
Speaker 2: that says he's that has his actual name on it,

681
00:40:10,520 --> 00:40:14,600
Speaker 2: because people have been doing weird stuff in those costumes,

682
00:40:15,320 --> 00:40:19,200
Speaker 2: so legally he's not Iron Man. But come on by

683
00:40:19,719 --> 00:40:22,360
Speaker 2: with some money and get your picture taken with Iron

684
00:40:22,400 --> 00:40:25,520
Speaker 2: Man and ask him about what's going to happen in

685
00:40:25,560 --> 00:40:32,360
Speaker 2: the upcoming Civil War. I have one. When you're in

686
00:40:32,400 --> 00:40:36,320
Speaker 2: New York. You gotta check out the nine to eleven Museum. Guys.

687
00:40:36,880 --> 00:40:39,280
Speaker 2: I gotta tell you about this thing. It fucking rules.

688
00:40:40,239 --> 00:40:45,359
Speaker 2: The lines are really sure, the rides are incredible.

689
00:40:46,320 --> 00:40:49,960
Speaker 1: Say the hayes Man sent you. When you go check

690
00:40:50,000 --> 00:40:52,600
Speaker 1: it out for yourself, and you gotta do it.

691
00:40:52,760 --> 00:40:55,280
Speaker 2: Can I tack something on there? Yeah, with a little

692
00:40:55,360 --> 00:40:57,680
Speaker 2: New York secret? And that's another thing about New York

693
00:40:57,760 --> 00:40:59,920
Speaker 2: is that there's these like secrets to things in you

694
00:41:00,080 --> 00:41:02,160
Speaker 2: want to just like know the way to get the

695
00:41:02,200 --> 00:41:04,759
Speaker 2: things you want to get. There's a Chick fil A

696
00:41:04,920 --> 00:41:07,600
Speaker 2: in the nine to eleven Museum. Oh so, don't wait

697
00:41:07,640 --> 00:41:10,719
Speaker 2: in line at the Midtown one. Yeah, go to the

698
00:41:10,840 --> 00:41:15,880
Speaker 2: nine to eleven Museum. Pay to get in. They reimburse

699
00:41:15,920 --> 00:41:18,319
Speaker 2: your money on the way out if you show them

700
00:41:18,320 --> 00:41:21,120
Speaker 2: that you bought Chick fil A. And the thing is

701
00:41:21,760 --> 00:41:23,760
Speaker 2: the Chick fil A in the nine to eleven Museum

702
00:41:23,880 --> 00:41:26,479
Speaker 2: is open on Sundays from eleven until six.

703
00:41:28,400 --> 00:41:31,240
Speaker 3: Can I pack something onto this nine to eleven Museum plug?

704
00:41:34,160 --> 00:41:35,640
Speaker 2: Yes? Please, yes, please.

705
00:41:36,920 --> 00:41:38,920
Speaker 3: If you go to the nine to eleven Museum and

706
00:41:38,960 --> 00:41:40,799
Speaker 3: you tell them that you actually were in one of

707
00:41:40,800 --> 00:41:42,960
Speaker 3: the towers during the attacks, they will give you a

708
00:41:43,000 --> 00:41:49,200
Speaker 3: middling showbiz career for about seven years. They cap it

709
00:41:49,239 --> 00:41:52,440
Speaker 3: off at a certain point. You pay a heavy penalty,

710
00:41:52,520 --> 00:41:55,080
Speaker 3: but they will give you sort of a bubblici just

711
00:41:55,200 --> 00:41:57,200
Speaker 3: under the surface. Maybe he's going to get a movie,

712
00:41:57,200 --> 00:42:01,400
Speaker 3: but maybe not, but he won't. And you know, you

713
00:42:01,480 --> 00:42:05,359
Speaker 3: make a pretty decent living and then you you get

714
00:42:05,400 --> 00:42:08,759
Speaker 3: to do stern. So it's something to think about. It

715
00:42:08,840 --> 00:42:11,000
Speaker 3: depends if you just find an usher and grab them

716
00:42:11,000 --> 00:42:11,960
Speaker 3: and tell them, you know.

717
00:42:13,200 --> 00:42:16,160
Speaker 2: The usher that the nine to eleven Museum will do

718
00:42:16,280 --> 00:42:16,759
Speaker 2: that for you.

719
00:42:17,960 --> 00:42:21,000
Speaker 3: Yes, they yes, yes, if you yeah, if you find

720
00:42:21,120 --> 00:42:23,200
Speaker 3: an employee and you talk to them, they will sort

721
00:42:23,239 --> 00:42:23,920
Speaker 3: of set you up.

722
00:42:24,120 --> 00:42:25,759
Speaker 2: Is there an offer code for that?

723
00:42:27,440 --> 00:42:32,719
Speaker 3: Uh? Yeah, of course. Uh it's it's offer code. It's

724
00:42:32,760 --> 00:42:34,719
Speaker 3: a hashtag hard out.

725
00:42:36,040 --> 00:42:42,239
Speaker 2: Oh wow, So the offer code they like the nine

726
00:42:42,280 --> 00:42:47,040
Speaker 2: eleven Museum to get you a showbiz career is a

727
00:42:47,120 --> 00:42:51,240
Speaker 2: reference to something that you said a couple of minutes ago.

728
00:42:53,400 --> 00:42:54,960
Speaker 3: Yeah, I mean, I don't know that I'm the first

729
00:42:54,960 --> 00:42:58,440
Speaker 3: person ever say it, but yeah.

730
00:42:57,560 --> 00:42:59,040
Speaker 2: Okay, and it's a hashtag.

731
00:43:00,760 --> 00:43:04,399
Speaker 3: It is in hashtag form. Yeah. You can't just say though, yeah,

732
00:43:04,440 --> 00:43:06,360
Speaker 3: you have to put it in a hashtag with the

733
00:43:06,400 --> 00:43:07,160
Speaker 3: consign in front.

734
00:43:07,200 --> 00:43:09,719
Speaker 2: Okay, Wow, did you have an AD that you wanted

735
00:43:09,800 --> 00:43:10,040
Speaker 2: to do?

736
00:43:11,160 --> 00:43:14,040
Speaker 3: Oh gosh, I have so many that I would like

737
00:43:14,120 --> 00:43:25,719
Speaker 3: to do. I guess my ad is for the subway. Oh,

738
00:43:25,800 --> 00:43:30,200
Speaker 3: I'll do it like it's an ASD. Don't walk, you stupid,

739
00:43:30,760 --> 00:43:36,200
Speaker 3: Get downstairs and pay for a ticket that sometimes works,

740
00:43:36,600 --> 00:43:39,720
Speaker 3: go through a thing that hits you and can bruise

741
00:43:39,719 --> 00:43:42,400
Speaker 3: your hip, and when it rolls, then you get and

742
00:43:42,440 --> 00:43:47,440
Speaker 3: you stand and wait. It's dripping down here and it's

743
00:43:48,120 --> 00:43:52,759
Speaker 3: humid somehow. And don't forget to pack yourself into a

744
00:43:52,840 --> 00:43:58,640
Speaker 3: tube with a bunch of people who are violent. When

745
00:43:58,640 --> 00:44:02,759
Speaker 3: you get out, you'll feel like you never were even traveling.

746
00:44:02,840 --> 00:44:06,480
Speaker 3: And go upstairs and then do it again. And don't

747
00:44:06,480 --> 00:44:15,840
Speaker 3: forget when you're at the subway that you're allowed to

748
00:44:15,840 --> 00:44:23,920
Speaker 3: be drunk. So Hollywood Handbook, So anyway, that's for this

749
00:44:24,000 --> 00:44:24,960
Speaker 3: week for the subway.

750
00:44:27,000 --> 00:44:28,600
Speaker 2: That's really nice.

751
00:44:28,880 --> 00:44:31,799
Speaker 1: Yeah, Tom, did you want to share your best New

752
00:44:31,880 --> 00:44:35,000
Speaker 1: York memory while we have Sean? Because Sean shared his

753
00:44:35,160 --> 00:44:37,399
Speaker 1: with you, and so I think it would be nice

754
00:44:37,400 --> 00:44:39,560
Speaker 1: if you shared your favorite New York memory with him

755
00:44:39,600 --> 00:44:44,200
Speaker 1: as well. Sure, that's sort of how people respond when

756
00:44:44,280 --> 00:44:47,960
Speaker 1: someone shares something with them. I will nice to respond

757
00:44:48,040 --> 00:44:51,640
Speaker 1: and cool fair enough in turn. Uh huh, okay, with

758
00:44:51,760 --> 00:44:53,239
Speaker 1: your own story.

759
00:44:53,280 --> 00:45:01,239
Speaker 2: It was my high school graduation and we were all

760
00:45:01,239 --> 00:45:06,840
Speaker 2: in the backyard having a cookout, and everybody was celebrating

761
00:45:06,840 --> 00:45:10,840
Speaker 2: the fact that I did it, got to the finish

762
00:45:10,880 --> 00:45:14,319
Speaker 2: line of high school. Didn't seem like it was going

763
00:45:14,400 --> 00:45:17,319
Speaker 2: to happen for a while there, but I did it.

764
00:45:18,160 --> 00:45:22,000
Speaker 2: And then we hear this screeching right like a car

765
00:45:22,160 --> 00:45:25,600
Speaker 2: out of control, and it drives up smashes right through

766
00:45:25,640 --> 00:45:30,120
Speaker 2: the front of my house, and it's Billy Joel. And

767
00:45:30,160 --> 00:45:34,360
Speaker 2: then he gets out and he's drunk, and then he

768
00:45:34,440 --> 00:45:38,439
Speaker 2: plays a few songs, and then his manager pulled up

769
00:45:38,840 --> 00:45:43,919
Speaker 2: and and wrote a check. He plays a few songs. Yeah,

770
00:45:44,400 --> 00:45:48,880
Speaker 2: on what he is? A keyboard in his trunk? Is

771
00:45:48,920 --> 00:45:51,920
Speaker 2: it like an electric keyboard? Because that wouldn't make any noise.

772
00:45:52,320 --> 00:45:55,000
Speaker 2: He plugged it in. We set him up because we

773
00:45:55,040 --> 00:45:57,880
Speaker 2: had chords like crazy going in the backyard. Yeah, because

774
00:45:57,880 --> 00:46:00,759
Speaker 2: it was my graduation party. Of course you would have

775
00:46:00,880 --> 00:46:05,359
Speaker 2: chords because we got to plug the steamer trays in. Right. Yeah,

776
00:46:05,480 --> 00:46:10,000
Speaker 2: we had hot dogs. We had you should have seen

777
00:46:10,000 --> 00:46:15,080
Speaker 2: it show. We had hot dogs and then in water chestnuts.

778
00:46:16,760 --> 00:46:22,200
Speaker 2: We had hot dogs, chestnuts, pretzels, hollow meat.

779
00:46:24,280 --> 00:46:25,280
Speaker 3: Yeah, you get to flock.

780
00:46:28,680 --> 00:46:34,839
Speaker 2: We had candied nuts like super sweet that no one likes.

781
00:46:35,040 --> 00:46:38,440
Speaker 2: It's really strange, like they smell really good, but then

782
00:46:38,480 --> 00:46:41,040
Speaker 2: you eat two and you're just like, I think I'm

783
00:46:41,040 --> 00:46:41,880
Speaker 2: gonna throw up.

784
00:46:43,080 --> 00:46:43,879
Speaker 3: Yeah, that's good.

785
00:46:44,760 --> 00:46:48,080
Speaker 2: So we had all the New York all the finest

786
00:46:48,360 --> 00:46:52,000
Speaker 2: food of New York. And then Billy Joel crashed into

787
00:46:52,000 --> 00:46:56,000
Speaker 2: our house and then played three songs on Yeah.

788
00:46:56,640 --> 00:46:59,239
Speaker 3: Well it was what are we rocking out? We got

789
00:46:59,239 --> 00:47:00,680
Speaker 3: stile what are we doing?

790
00:47:01,640 --> 00:47:02,640
Speaker 2: He did do stiletto.

791
00:47:03,800 --> 00:47:05,640
Speaker 3: Oh that's nice.

792
00:47:05,600 --> 00:47:10,760
Speaker 2: Yeah, and then he did then he did Captain Jack

793
00:47:12,200 --> 00:47:15,440
Speaker 2: didn't say the Masterbait line because he because there were

794
00:47:15,520 --> 00:47:18,520
Speaker 2: kids there, so he kind of like he kind of

795
00:47:18,560 --> 00:47:22,440
Speaker 2: just went like then you sit alone and you and

796
00:47:22,520 --> 00:47:26,800
Speaker 2: everybody was like ah, even Billy Joel's so in control

797
00:47:26,840 --> 00:47:30,200
Speaker 2: of it. Even though this guy is looks like he's

798
00:47:30,239 --> 00:47:33,879
Speaker 2: gonna die from alcohol poisoning, he still knows how to

799
00:47:34,239 --> 00:47:37,400
Speaker 2: censor himself in front of children at a crowd.

800
00:47:37,280 --> 00:47:40,360
Speaker 3: Control of car, but he's in control of his lyrics.

801
00:47:40,400 --> 00:47:41,120
Speaker 3: That's nice.

802
00:47:41,920 --> 00:47:46,200
Speaker 2: Why is Billy Joel would be in perfect shape if

803
00:47:47,040 --> 00:47:49,960
Speaker 2: the steering wheel was a keyboard because he was in

804
00:47:50,080 --> 00:47:53,400
Speaker 2: such good control of that. If only you could steer

805
00:47:53,400 --> 00:47:56,399
Speaker 2: a car with the What I should pitch that one

806
00:47:56,440 --> 00:47:58,239
Speaker 2: to one of these, like if I'm going to talk

807
00:47:58,280 --> 00:48:01,719
Speaker 2: to Seinfeld like a, I mean, it's a bad form.

808
00:48:01,760 --> 00:48:04,600
Speaker 2: If I pitch him jokes for his live stage act

809
00:48:04,760 --> 00:48:06,680
Speaker 2: as you're trying to get him to do up yeah

810
00:48:06,719 --> 00:48:09,239
Speaker 2: up an Earwolf podcast, like as a boat, like if

811
00:48:09,239 --> 00:48:12,360
Speaker 2: I throw it in as like this is what you

812
00:48:12,480 --> 00:48:15,520
Speaker 2: get from this family in return? Yes, like this is

813
00:48:15,560 --> 00:48:18,240
Speaker 2: just this is our attitude here. The kind of jokes

814
00:48:18,239 --> 00:48:22,960
Speaker 2: we make is why isn't Billy Joel? Like why don't

815
00:48:23,000 --> 00:48:26,520
Speaker 2: they make the key establishing Billy Joel as a notorious

816
00:48:26,800 --> 00:48:30,520
Speaker 2: drug driver? Yeah, why don't they make the steering wheel

817
00:48:30,520 --> 00:48:33,760
Speaker 2: out of the thing that the keyboards made out of? Keyboard? Yeah?

818
00:48:33,840 --> 00:48:36,040
Speaker 2: Because he'd be in control of that as he was

819
00:48:36,080 --> 00:48:40,080
Speaker 2: at my graduation party. Yeah, so he did do Stiletto,

820
00:48:40,320 --> 00:48:43,279
Speaker 2: he did do Captain Jack, and then he did down

821
00:48:43,320 --> 00:48:47,160
Speaker 2: Easter Alexa, which nobody wanted him to do, but he

822
00:48:47,239 --> 00:48:51,480
Speaker 2: said this one's for me. Wow, and that they paid

823
00:48:51,560 --> 00:48:57,560
Speaker 2: you for his performance. Well, our house was ruined, our

824
00:48:57,600 --> 00:49:03,520
Speaker 2: house was declared unsafe. And turns out he only gave

825
00:49:03,600 --> 00:49:07,600
Speaker 2: us ten percent of what it costs to get it fixed.

826
00:49:08,960 --> 00:49:11,360
Speaker 2: So is that is that what was written on the

827
00:49:11,440 --> 00:49:15,680
Speaker 2: check ten percent of the cost of repair. No, it

828
00:49:15,760 --> 00:49:17,960
Speaker 2: was pre it was in the memo line. It was

829
00:49:18,040 --> 00:49:23,160
Speaker 2: pre written. It said it said home repair, Ye, home repair,

830
00:49:23,160 --> 00:49:31,240
Speaker 2: and then in parentheses car crash. Wow. What a nice memory.

831
00:49:32,120 --> 00:49:34,480
Speaker 3: That was my best New York memory, New York memory.

832
00:49:34,520 --> 00:49:36,960
Speaker 3: That's nice that you shared that with me, as opposed

833
00:49:37,000 --> 00:49:39,360
Speaker 3: to like when I first shared mine, you just started

834
00:49:39,480 --> 00:49:40,640
Speaker 3: ragging about Danny.

835
00:49:40,640 --> 00:49:43,879
Speaker 1: I Ella, I'll share mine. I don't I don't need

836
00:49:43,920 --> 00:49:46,520
Speaker 1: to be I don't need to be asked. I don't need,

837
00:49:46,680 --> 00:49:48,879
Speaker 1: you know, to be told that it's polite to share

838
00:49:48,880 --> 00:49:51,000
Speaker 1: a nice memory when someone shares one with you.

839
00:49:51,680 --> 00:49:54,480
Speaker 3: Oh boy, and now, and my mouth is watering and

840
00:49:54,520 --> 00:49:56,200
Speaker 3: to hear this juicy memory.

841
00:49:57,080 --> 00:50:01,480
Speaker 1: Mine would be I suppose if I can think back,

842
00:50:01,680 --> 00:50:07,000
Speaker 1: it would be seeing the Statue of Liberty come over

843
00:50:07,080 --> 00:50:14,640
Speaker 1: the horizon as I arrived on the boat, and this

844
00:50:15,400 --> 00:50:23,080
Speaker 1: was did take me back to nineteen forty forty and

845
00:50:23,200 --> 00:50:28,160
Speaker 1: I see her and I don't know, you know, I've

846
00:50:28,200 --> 00:50:29,080
Speaker 1: never seen this before.

847
00:50:29,080 --> 00:50:29,440
Speaker 2: I don't know.

848
00:50:29,480 --> 00:50:32,879
Speaker 1: I see this lovely American woman and I say, oh,

849
00:50:33,320 --> 00:50:35,160
Speaker 1: Ishiba at the time.

850
00:50:35,120 --> 00:50:37,800
Speaker 2: Is what I would have said.

851
00:50:39,760 --> 00:50:44,920
Speaker 1: And you're coming from Austria Hungary, like, you know, we

852
00:50:44,960 --> 00:50:49,000
Speaker 1: didn't have these big ladies there, But do you have a.

853
00:50:48,960 --> 00:50:53,400
Speaker 3: Really funny name back then? Yeah, they fixed you up.

854
00:50:55,040 --> 00:51:00,120
Speaker 1: My last name was Hoan Shroangou, which was actually the

855
00:51:00,320 --> 00:51:07,040
Speaker 1: sort of the estate where my family grew up. And

856
00:51:08,800 --> 00:51:12,000
Speaker 1: at the time, we have been made a lot of

857
00:51:12,000 --> 00:51:15,279
Speaker 1: promises about like, you know, when like when these like

858
00:51:15,320 --> 00:51:19,719
Speaker 1: certain guys were in power, we would like be able

859
00:51:19,760 --> 00:51:24,319
Speaker 1: to you know, like have like political positions and and

860
00:51:24,400 --> 00:51:27,640
Speaker 1: things like that. But as those things started, now that

861
00:51:27,719 --> 00:51:29,360
Speaker 1: I think about it, it's actually a little later that

862
00:51:29,400 --> 00:51:31,560
Speaker 1: I came over on the boat when things were starting

863
00:51:31,560 --> 00:51:36,319
Speaker 1: to go south. We we eventually you know, had to

864
00:51:36,600 --> 00:51:37,440
Speaker 1: had to leave.

865
00:51:39,320 --> 00:51:42,960
Speaker 3: And it's just like showed this, Yeah, I.

866
00:51:42,920 --> 00:51:44,799
Speaker 2: Have an idea for a show that's maybe not as

867
00:51:44,880 --> 00:51:49,439
Speaker 2: New York based as I thought. Okay, but you're gonna

868
00:51:49,480 --> 00:51:52,080
Speaker 2: say it anyway. I am, because I just think ideas

869
00:51:52,120 --> 00:51:56,680
Speaker 2: are the value comes from a good idea. Yeah, right,

870
00:51:56,719 --> 00:52:00,560
Speaker 2: that's the gold. Everybody knows that ideas are the hard

871
00:52:00,640 --> 00:52:03,880
Speaker 2: part with things and the work that you do after

872
00:52:04,600 --> 00:52:07,719
Speaker 2: that's the execution. Is a diamond, doesn't Yeah, it's all

873
00:52:07,920 --> 00:52:10,640
Speaker 2: just about the core idea. Yeah. Something you can say

874
00:52:10,680 --> 00:52:15,000
Speaker 2: in two sentences is the total value, it's irreplaceable and

875
00:52:15,080 --> 00:52:17,799
Speaker 2: going off and making it and then it doesn't matter

876
00:52:17,840 --> 00:52:22,800
Speaker 2: if that happens. That just happens exactly. That's the anyone

877
00:52:22,840 --> 00:52:25,520
Speaker 2: can do that part. Just make a thing, make the thing.

878
00:52:25,560 --> 00:52:29,200
Speaker 2: It's coming up with a notion. It could be called

879
00:52:29,360 --> 00:52:32,480
Speaker 2: is nice? Right, Okay?

880
00:52:33,440 --> 00:52:34,399
Speaker 3: I like it so fun?

881
00:52:34,520 --> 00:52:36,960
Speaker 2: Yeah? Okay, I hope. I know who's involved with this?

882
00:52:37,440 --> 00:52:40,120
Speaker 2: Is he Stradlin? Oh? Okay? I thought I thought it was,

883
00:52:40,760 --> 00:52:43,160
Speaker 2: But it would be him doing Borat Okay, it would

884
00:52:43,160 --> 00:52:45,960
Speaker 2: be easy Straddlin doing his characters. So it's I Z

885
00:52:46,960 --> 00:52:50,319
Speaker 2: is nice nice, And it would be busy Stradling from

886
00:52:50,400 --> 00:52:55,840
Speaker 2: Guns and Roses doing those three characters that Sasha Baron

887
00:52:55,880 --> 00:52:56,719
Speaker 2: Cohen did.

888
00:52:57,800 --> 00:53:00,719
Speaker 1: So he's doing Bruno. He's doing Bruno and he's doing

889
00:53:00,760 --> 00:53:04,719
Speaker 1: Alig as well. Yeah, Alig and then bull Rat.

890
00:53:05,719 --> 00:53:08,759
Speaker 2: And now you're you're concerned that this doesn't have enough

891
00:53:08,760 --> 00:53:12,000
Speaker 2: to do with New York. Well, I don't know where

892
00:53:12,000 --> 00:53:14,680
Speaker 2: he's located. He seems like a very la kind of guy.

893
00:53:14,680 --> 00:53:16,160
Speaker 2: I don't know if that's something you want to walk

894
00:53:16,200 --> 00:53:16,640
Speaker 2: over to him.

895
00:53:17,000 --> 00:53:22,720
Speaker 1: Well, he's from Lafayette, Indiana, Okay, which is where Axel

896
00:53:22,880 --> 00:53:24,600
Speaker 1: is from Okay as well.

897
00:53:24,920 --> 00:53:27,040
Speaker 3: So I was thinking, I don't know how, I don't

898
00:53:27,040 --> 00:53:30,879
Speaker 3: know if it's I think it might be to New York.

899
00:53:31,040 --> 00:53:32,000
Speaker 3: Like I'm trying to figure.

900
00:53:31,800 --> 00:53:35,200
Speaker 2: Out it's feeling. It's feeling very New York to me

901
00:53:35,280 --> 00:53:38,120
Speaker 2: as well. It's almost it's almost it's almost oppressive.

902
00:53:38,920 --> 00:53:40,920
Speaker 3: Why not because when I pitched but like my Papa

903
00:53:41,000 --> 00:53:46,719
Speaker 3: John idea or something like that, you did. What is

904
00:53:46,800 --> 00:53:51,399
Speaker 3: so nice is even if you aren't from New York.

905
00:53:51,719 --> 00:53:55,640
Speaker 2: And he's actually from Indianna as well. And that's what's so.

906
00:53:56,520 --> 00:54:00,400
Speaker 2: You know, did he ride that same bus that Axel

907
00:54:00,480 --> 00:54:05,200
Speaker 2: Rose Road that they that they re staged for the

908
00:54:05,280 --> 00:54:07,640
Speaker 2: Welcome to the Jungle video When he gets off of

909
00:54:07,640 --> 00:54:10,200
Speaker 2: the bus with a piece of hay in his mouth.

910
00:54:10,520 --> 00:54:16,240
Speaker 1: Well he Papa John famously rode in a Chevy something

911
00:54:16,480 --> 00:54:22,520
Speaker 1: that he sold to finance his first door, which I

912
00:54:22,600 --> 00:54:27,560
Speaker 1: read in a box shaped a box shaped book.

913
00:54:28,400 --> 00:54:31,600
Speaker 2: That he wrote and sent to my house. Okay, like

914
00:54:31,640 --> 00:54:32,719
Speaker 2: a coffee table book.

915
00:54:33,640 --> 00:54:36,120
Speaker 1: Yeah, well it has become sort of a coffee table

916
00:54:36,120 --> 00:54:39,880
Speaker 1: book and in my house. Yes, but it's it's shaped

917
00:54:39,920 --> 00:54:41,680
Speaker 1: like a box and it's his autobiography.

918
00:54:42,600 --> 00:54:44,440
Speaker 3: Real quick, guys, what do you think is going to

919
00:54:44,480 --> 00:54:46,319
Speaker 3: happen in that Ron Brousei fight?

920
00:54:47,800 --> 00:54:47,920
Speaker 4: Oh?

921
00:54:48,160 --> 00:54:53,000
Speaker 2: Are you okay? See, I've got like I'm a little confused,

922
00:54:53,040 --> 00:54:56,960
Speaker 2: because are you trying to like time stamp this before

923
00:54:57,040 --> 00:54:57,720
Speaker 2: that happened?

924
00:54:58,400 --> 00:54:58,799
Speaker 3: Mm hmm?

925
00:55:01,280 --> 00:55:03,960
Speaker 2: And why is that? It's almost it almost has It

926
00:55:04,040 --> 00:55:07,000
Speaker 2: almost sounds like, to be Sean, you want to prove

927
00:55:08,719 --> 00:55:11,960
Speaker 2: you were like an Alabie, that you were and that

928
00:55:12,040 --> 00:55:12,399
Speaker 2: you were.

929
00:55:12,400 --> 00:55:14,160
Speaker 3: Phone called several hours before the fight.

930
00:55:15,400 --> 00:55:17,840
Speaker 1: Okay, So it almost sounds like you need to prove

931
00:55:18,000 --> 00:55:20,239
Speaker 1: you were doing a certain thing.

932
00:55:21,680 --> 00:55:25,160
Speaker 3: All I'm saying is fight's happening in three hours and

933
00:55:25,200 --> 00:55:28,440
Speaker 3: twenty two minutes, and the whole world's talking about what

934
00:55:28,560 --> 00:55:32,040
Speaker 3: might happen. But I want your take, you know, two

935
00:55:32,120 --> 00:55:35,279
Speaker 3: guys who are no strangers to roughen it up with

936
00:55:35,360 --> 00:55:36,520
Speaker 3: a little bit of fisticuff.

937
00:55:37,320 --> 00:55:38,640
Speaker 2: Yeah, you know who?

938
00:55:38,680 --> 00:55:40,759
Speaker 3: Do you think Scott the Goods to go the whole way?

939
00:55:40,800 --> 00:55:43,000
Speaker 3: And don'tly think she'sy over woman's favorite?

940
00:55:43,120 --> 00:55:45,359
Speaker 1: Yeah, no, I'm I'm very excited for her to win.

941
00:55:45,480 --> 00:55:48,200
Speaker 1: Is there a specific thing since you're calling into the

942
00:55:48,239 --> 00:55:51,400
Speaker 1: show right now, is there a specific thing that you

943
00:55:51,920 --> 00:55:52,759
Speaker 1: are not doing?

944
00:55:54,320 --> 00:55:54,440
Speaker 2: Uh?

945
00:55:54,680 --> 00:55:57,279
Speaker 3: Yeah, there's a place that I'm not and there's a

946
00:55:57,320 --> 00:56:07,160
Speaker 3: person I'm not near, and there's something I'm not showing them.

947
00:56:04,200 --> 00:56:06,239
Speaker 1: Because you couldn't be on the phone while you were

948
00:56:06,640 --> 00:56:10,080
Speaker 1: showing somebody something. You would need to you need two hands.

949
00:56:11,360 --> 00:56:15,840
Speaker 3: Yes, and it would be very noisy. M and there's

950
00:56:15,920 --> 00:56:18,319
Speaker 3: and there's some noises you aren't hearing that say a

951
00:56:18,360 --> 00:56:22,279
Speaker 3: lot more than the words that you are. So this

952
00:56:22,480 --> 00:56:23,319
Speaker 3: was a great talk.

953
00:56:24,360 --> 00:56:26,399
Speaker 1: So let's say goodbye to Sean and then I'll sort

954
00:56:26,440 --> 00:56:30,840
Speaker 1: of sign off privately with with you Tom. Sure that

955
00:56:30,960 --> 00:56:38,200
Speaker 1: sounds good bye bye Sean, Okay, buddy bye, Okay.

956
00:56:39,239 --> 00:56:42,160
Speaker 2: I didn't want to do this with him on the phone. Okay,

957
00:56:42,239 --> 00:56:44,400
Speaker 2: Like I said, Ian, I want this to be yeah, yeah,

958
00:56:45,080 --> 00:56:45,440
Speaker 2: mm hmm.

959
00:56:47,360 --> 00:56:52,680
Speaker 1: Uh, you need to get somebody uh soon.

960
00:56:53,840 --> 00:56:53,960
Speaker 3: Uh.

961
00:56:54,360 --> 00:56:57,719
Speaker 1: For for this relationship to continue, you need to like

962
00:56:57,800 --> 00:57:01,799
Speaker 1: turn up results. Okay, you need to follow through on

963
00:57:01,840 --> 00:57:05,879
Speaker 1: some of the promises that you made, Okay, like being

964
00:57:05,920 --> 00:57:13,279
Speaker 1: friends with the Roquettes, Yeah, getting a Roquette podcast together. Yes, okay, hmm.

965
00:57:13,920 --> 00:57:18,120
Speaker 1: I still think there's a shot at that being Lou

966
00:57:18,160 --> 00:57:22,560
Speaker 1: Aminson's brother in law. Yeah, which you said that you

967
00:57:22,640 --> 00:57:23,880
Speaker 1: were sweet Lou.

968
00:57:24,320 --> 00:57:27,120
Speaker 2: Yeah. Yeah. And he's on the New York Knicks. He is.

969
00:57:27,560 --> 00:57:29,520
Speaker 1: And he's the star of the New York Knicks. No,

970
00:57:29,640 --> 00:57:33,960
Speaker 1: I know, he's the guy sort of behind the scenes.

971
00:57:34,400 --> 00:57:37,440
Speaker 1: He doesn't need like stats, you know. This is my

972
00:57:37,480 --> 00:57:40,160
Speaker 1: thing with Carmelo, the guy's like this guy, this thug

973
00:57:40,280 --> 00:57:44,080
Speaker 1: basically just needs like, you know, point like give me points, points,

974
00:57:44,080 --> 00:57:44,800
Speaker 1: points points.

975
00:57:45,120 --> 00:57:45,320
Speaker 3: You know.

976
00:57:45,800 --> 00:57:48,640
Speaker 1: But a guy like Lou Aminson is about the team.

977
00:57:48,920 --> 00:57:51,600
Speaker 1: He wants the team to win. He doesn't need to

978
00:57:51,640 --> 00:57:55,080
Speaker 1: be playing on the court to get results.

979
00:57:55,120 --> 00:57:57,640
Speaker 2: He's in the tradition of the great New York Knicks

980
00:57:57,720 --> 00:58:04,000
Speaker 2: like Bill Bradley and Dave de Busher. Yes, yes, Phil Jackson,

981
00:58:04,440 --> 00:58:09,760
Speaker 2: Phil Jackson and David Lee. That's my starting five. It's

982
00:58:09,800 --> 00:58:13,800
Speaker 2: a lot of it's a lot of size. Everyone is

983
00:58:14,160 --> 00:58:19,200
Speaker 2: six or nine or above. But it's also a lot

984
00:58:19,240 --> 00:58:22,080
Speaker 2: of heart and a lot of guys that are willing

985
00:58:22,120 --> 00:58:26,080
Speaker 2: to sacrifice fundamentals. Yes, a lot of just guys who

986
00:58:26,200 --> 00:58:28,800
Speaker 2: know how to play the game right. Those are those

987
00:58:28,840 --> 00:58:31,240
Speaker 2: are my starting five knicks. I think I could get

988
00:58:31,640 --> 00:58:35,720
Speaker 2: Sweet Lou to do to just sit down and do

989
00:58:35,760 --> 00:58:38,600
Speaker 2: a podcast, and I mean, what do we want him

990
00:58:38,640 --> 00:58:41,000
Speaker 2: to talk about on that? I mean, is it should

991
00:58:41,000 --> 00:58:44,480
Speaker 2: it be? Should he interview the other knicks? Should he

992
00:58:44,600 --> 00:58:48,960
Speaker 2: just be like, Hey, it's Sweet Lou here, I'm sitting

993
00:58:49,000 --> 00:58:52,400
Speaker 2: down with I'm sitting down with Jerry and Grant.

994
00:58:53,080 --> 00:58:56,640
Speaker 1: Listen, if you can get Lou to speak to Kle

995
00:58:56,720 --> 00:59:05,800
Speaker 1: Anthony early away, Kyle O'Quinn uh, Sasha, like, like, if.

996
00:59:05,720 --> 00:59:08,800
Speaker 2: He's not one of your favorite all time Nicks, No,

997
00:59:08,880 --> 00:59:11,680
Speaker 2: he's he's he's a six man. He's the first Sasha

998
00:59:12,000 --> 00:59:13,520
Speaker 2: is the first guy off of the bench because he's

999
00:59:13,520 --> 00:59:15,400
Speaker 2: a micro with mm hmmm.

1000
00:59:17,320 --> 00:59:20,400
Speaker 1: If yes, if you can get Lou to talk to

1001
00:59:20,440 --> 00:59:22,720
Speaker 1: some of those guys, that would be that would be

1002
00:59:22,840 --> 00:59:23,920
Speaker 1: very exciting.

1003
00:59:23,600 --> 00:59:26,320
Speaker 2: Because then he could talk to Phil Jackson maybe if

1004
00:59:26,320 --> 00:59:29,480
Speaker 2: he could get when Phil's in New York, one of

1005
00:59:29,520 --> 00:59:32,920
Speaker 2: the like one of the windows. When Phil Jackson is

1006
00:59:32,920 --> 00:59:35,800
Speaker 2: in New York. I think he's coming into town sometime

1007
00:59:35,840 --> 00:59:41,360
Speaker 2: in the next few weeks. Yes, I think he. I

1008
00:59:41,360 --> 00:59:43,440
Speaker 2: think he might actually might he might be going to

1009
00:59:43,480 --> 00:59:51,840
Speaker 2: a game, so you could grab him in the hallway. Yeah. Yeah,

1010
00:59:52,320 --> 00:59:56,520
Speaker 2: so okay, because he has a you know, relocated in

1011
00:59:56,520 --> 01:00:01,200
Speaker 2: his family of Los Angeles. Yeah, so obviously he's got

1012
01:00:01,200 --> 01:00:03,120
Speaker 2: to be you know, back there with his with his

1013
01:00:03,160 --> 01:00:05,760
Speaker 2: wife from from time to time. That's the most important.

1014
01:00:05,840 --> 01:00:09,240
Speaker 2: He's the president of the team. Of course, he would

1015
01:00:09,240 --> 01:00:14,920
Speaker 2: swing through town two times a year. So you know

1016
01:00:14,960 --> 01:00:17,040
Speaker 2: what also is hot and I'm trying to just get

1017
01:00:17,160 --> 01:00:22,880
Speaker 2: is Hamilton you okay, so this is what I did.

1018
01:00:24,080 --> 01:00:28,120
Speaker 2: And you said there was a certain amount of money,

1019
01:00:28,160 --> 01:00:31,720
Speaker 2: like a like an expense account I could use. I

1020
01:00:31,760 --> 01:00:35,680
Speaker 2: went to see Hamilton and then I walked up during

1021
01:00:35,720 --> 01:00:40,080
Speaker 2: the thing with one of the Boilerplate podcast contracts part

1022
01:00:40,120 --> 01:00:42,920
Speaker 2: way through the show, and then I went up to

1023
01:00:42,960 --> 01:00:48,600
Speaker 2: Hamilton and I was just like, Hamilton, well, you we're

1024
01:00:48,640 --> 01:00:52,920
Speaker 2: doing this podcast network, do you know? You know you're Wolf? Right?

1025
01:00:53,680 --> 01:00:58,720
Speaker 2: And then and then he it didn't long story short,

1026
01:00:58,920 --> 01:01:01,800
Speaker 2: he's not Hamilton's not going to be on the network either.

1027
01:01:03,200 --> 01:01:05,400
Speaker 2: That didn't go as well as I thought it would.

1028
01:01:05,520 --> 01:01:07,760
Speaker 2: This is very disappointing for me to hear this because

1029
01:01:08,360 --> 01:01:11,960
Speaker 2: I'm just like putting myself in this situation. Tom.

1030
01:01:14,120 --> 01:01:19,160
Speaker 1: What you should have done is taken the podcast contract backstage,

1031
01:01:20,160 --> 01:01:23,800
Speaker 1: switched it out with the Declaration Hip Hop Declaration of

1032
01:01:23,840 --> 01:01:28,880
Speaker 1: Independants that they sign. Yeah, and then he signed the

1033
01:01:28,920 --> 01:01:30,920
Speaker 1: real thing instead of the fake, sort of like what

1034
01:01:30,960 --> 01:01:32,120
Speaker 1: happened to Brandon Lee.

1035
01:01:35,760 --> 01:01:38,920
Speaker 2: Switch out the real one for the for the fake one. Yes,

1036
01:01:38,920 --> 01:01:42,120
Speaker 2: it's the perfect crime. Sure, that's that's how they got

1037
01:01:42,160 --> 01:01:47,840
Speaker 2: him on camera, because that's how they silenced him. Yeah,

1038
01:01:48,240 --> 01:01:52,200
Speaker 2: if his dad had only not done all those dirty

1039
01:01:52,240 --> 01:01:58,880
Speaker 2: dealings with the yakuza. Yes, it was like two generations

1040
01:01:58,880 --> 01:02:03,240
Speaker 2: of revenge. He was paid the price for his dad's cribs. Yeah,

1041
01:02:03,320 --> 01:02:06,439
Speaker 2: they were like, They're like, and we're gonna get your kid. Yeah,

1042
01:02:06,960 --> 01:02:09,480
Speaker 2: thirty years from now when he's filming a movie for

1043
01:02:09,600 --> 01:02:13,440
Speaker 2: New Line And some people say the Yakuza at Bruce

1044
01:02:13,560 --> 01:02:18,960
Speaker 2: Lee aren't even from the same country. Yeah, countries are

1045
01:02:19,000 --> 01:02:23,040
Speaker 2: thousands of miles apart. But that's what made it such

1046
01:02:23,080 --> 01:02:28,600
Speaker 2: a great relationship. Yes, and so I should have done

1047
01:02:28,600 --> 01:02:30,400
Speaker 2: that with Hamilton. Do you think it's too late to

1048
01:02:30,920 --> 01:02:33,760
Speaker 2: do that. If like, I, how about this, I pose

1049
01:02:33,840 --> 01:02:36,040
Speaker 2: like I'm working at the theater, like I just carrying

1050
01:02:36,120 --> 01:02:38,880
Speaker 2: a mirror, Like I just like just go like I

1051
01:02:38,880 --> 01:02:41,400
Speaker 2: show because the show's at like seven, I show up

1052
01:02:41,400 --> 01:02:44,720
Speaker 2: at like six carrying a mirror. I'm just like, all right,

1053
01:02:45,960 --> 01:02:48,680
Speaker 2: back out of the way, out of the way, there's

1054
01:02:48,720 --> 01:02:54,080
Speaker 2: a mirror for the show. Clear a path. Yeah, Like right,

1055
01:02:54,200 --> 01:02:56,000
Speaker 2: I'll be like, what are you looking at? Like if

1056
01:02:56,000 --> 01:02:59,080
Speaker 2: the guys like excuse me, I'll be like, oh, what

1057
01:02:59,160 --> 01:03:02,200
Speaker 2: are you looking at? And then that'll give him a

1058
01:03:02,200 --> 01:03:05,680
Speaker 2: little New York too. I'll get in uh huh. Then

1059
01:03:05,720 --> 01:03:08,960
Speaker 2: I just hide with the prop thing, or maybe I

1060
01:03:09,000 --> 01:03:11,520
Speaker 2: do I have to do. I have to like conk

1061
01:03:11,560 --> 01:03:13,960
Speaker 2: the prop prop person over the head and time up

1062
01:03:14,000 --> 01:03:16,760
Speaker 2: in a closet with a rag in their mouth. Yeah,

1063
01:03:16,960 --> 01:03:19,400
Speaker 2: but I'm so curious what's gonna happen with this mirror?

1064
01:03:20,440 --> 01:03:24,640
Speaker 2: Well I figured the mirror I could. I should, Well,

1065
01:03:24,720 --> 01:03:27,120
Speaker 2: if it's not going to be whatever it is, should

1066
01:03:27,120 --> 01:03:28,480
Speaker 2: help me with this scheme.

1067
01:03:29,200 --> 01:03:34,000
Speaker 1: So initially, why are you carrying a mirror.

1068
01:03:33,880 --> 01:03:35,680
Speaker 2: Because it's a I figured because it would go in

1069
01:03:35,720 --> 01:03:42,480
Speaker 2: a dressing room? Right, Oh right, okay, Oh, how about this.

1070
01:03:43,200 --> 01:03:46,320
Speaker 2: I go, you go, I so boss, you go.

1071
01:03:46,880 --> 01:03:52,040
Speaker 1: You take a pane of glass into his dressing room.

1072
01:03:52,080 --> 01:03:55,160
Speaker 1: You replace his mirror with it, actually a pane on

1073
01:03:55,240 --> 01:03:57,640
Speaker 1: the same page. Right, you knock out the prop guy,

1074
01:03:57,800 --> 01:04:01,960
Speaker 1: disguise yourself as Hamilton, so you're on the other side

1075
01:04:02,000 --> 01:04:04,520
Speaker 1: of the mirror, mimicking his motions, and.

1076
01:04:05,360 --> 01:04:07,640
Speaker 2: I have a contract in front of me, and he

1077
01:04:07,800 --> 01:04:10,880
Speaker 2: falls into the rhythms of me you doing this. Oh,

1078
01:04:10,960 --> 01:04:13,439
Speaker 2: my mirror image is side of this contract. I must

1079
01:04:13,480 --> 01:04:15,160
Speaker 2: be doing this. So then I'll do things slowly, like

1080
01:04:15,200 --> 01:04:17,960
Speaker 2: I'll slowly lift a drink up to my mouth, and

1081
01:04:17,960 --> 01:04:22,400
Speaker 2: then he'll just find himself swept up into that, matching

1082
01:04:22,440 --> 01:04:26,040
Speaker 2: the motions. And then I reach I pull out the

1083
01:04:26,080 --> 01:04:30,120
Speaker 2: contract and I have one waiting for him in a

1084
01:04:30,280 --> 01:04:35,800
Speaker 2: in a in a like an equivalent spot, and then

1085
01:04:35,880 --> 01:04:39,280
Speaker 2: he's just finding himself matching the person on the other side.

1086
01:04:39,600 --> 01:04:44,320
Speaker 2: He signs it, and then I go, you're on the network, sucker.

1087
01:04:44,760 --> 01:04:48,800
Speaker 2: And then I grab the contract from the other thing, right,

1088
01:04:49,240 --> 01:04:52,360
Speaker 2: and then I'm just like, first podcast is do Monday

1089
01:04:53,640 --> 01:04:55,920
Speaker 2: Interview the Naked Cowboy. I love this.

1090
01:04:56,400 --> 01:04:59,120
Speaker 1: Okay, this is great, and I really love the direction

1091
01:04:59,160 --> 01:05:00,600
Speaker 1: we're heading in a very positive direction.

1092
01:05:00,720 --> 01:05:00,960
Speaker 3: I think.

1093
01:05:01,080 --> 01:05:03,840
Speaker 1: Okay, I think one thing that will have to happen

1094
01:05:04,000 --> 01:05:07,040
Speaker 1: is he is in basically peak physical condition to do

1095
01:05:07,160 --> 01:05:09,520
Speaker 1: the show every night. There might be a moment where

1096
01:05:10,360 --> 01:05:14,280
Speaker 1: you're in his mirror dressing room. Uh, and he is

1097
01:05:14,720 --> 01:05:19,080
Speaker 1: changing clothes. Sure, so you would need to be like,

1098
01:05:19,440 --> 01:05:21,480
Speaker 1: you know, so you need to look in the mirror

1099
01:05:21,840 --> 01:05:23,640
Speaker 1: and recognize his body.

1100
01:05:23,960 --> 01:05:27,000
Speaker 2: So I should like hit the hit the weights, right,

1101
01:05:27,120 --> 01:05:29,720
Speaker 2: I think you have to learn what regimen he does

1102
01:05:30,000 --> 01:05:35,120
Speaker 2: and you know, and and start hitting or or since

1103
01:05:35,160 --> 01:05:38,560
Speaker 2: this is since time is of the essence. Yeah, I

1104
01:05:38,760 --> 01:05:43,880
Speaker 2: pull a Cyrano type move. On the other side of

1105
01:05:43,920 --> 01:05:45,680
Speaker 2: the glass, I get a I get a guy who's

1106
01:05:45,720 --> 01:05:49,680
Speaker 2: in equivalent shape to Hamilton. Okay, he's got a little

1107
01:05:49,760 --> 01:05:52,640
Speaker 2: one piece in his ear, a little little thing, and

1108
01:05:52,720 --> 01:05:53,800
Speaker 2: I'm in the side.

1109
01:05:53,800 --> 01:06:00,840
Speaker 4: I'm just like, okay, now, drink of water. Machine is

1110
01:06:01,080 --> 01:06:04,600
Speaker 4: matching your motion. And then I'll be like, now get

1111
01:06:04,640 --> 01:06:07,560
Speaker 4: the gun, get in the sun and thing, and.

1112
01:06:07,600 --> 01:06:11,800
Speaker 2: Then I pop up behind Hamil because it's quicker to

1113
01:06:11,800 --> 01:06:15,240
Speaker 2: because there's still a chance you get handled this dressing group. Yeah,

1114
01:06:15,480 --> 01:06:20,800
Speaker 2: whispering from a closet, But I would pop up behind him.

1115
01:06:21,040 --> 01:06:22,880
Speaker 2: But here's the thing that wouldn't scare him. I'd have

1116
01:06:22,920 --> 01:06:27,840
Speaker 2: an equivalent of me behind me, who rises when I do,

1117
01:06:28,120 --> 01:06:30,680
Speaker 2: and he'd be so distracted by that he'd be like

1118
01:06:31,160 --> 01:06:35,520
Speaker 2: look out, yelling to the guy in the mirror, and

1119
01:06:35,640 --> 01:06:39,520
Speaker 2: then that I would just grab the contract or no,

1120
01:06:39,640 --> 01:06:43,360
Speaker 2: what if the sirena in the mirror starts strangling the

1121
01:06:43,440 --> 01:06:45,640
Speaker 2: other one and he's like, wait, that's not happening to me,

1122
01:06:46,560 --> 01:06:48,560
Speaker 2: and that distracts him enough that I could grab the

1123
01:06:48,640 --> 01:06:51,760
Speaker 2: contract that he signed already and then and I would

1124
01:06:51,840 --> 01:06:54,080
Speaker 2: switch it out, switch it out, and then he would

1125
01:06:54,120 --> 01:06:58,800
Speaker 2: realize I have thirty six hours to get this first

1126
01:06:58,840 --> 01:07:00,400
Speaker 2: episode of this podcast. Stuff.

1127
01:07:02,080 --> 01:07:04,280
Speaker 1: I'm a hundred percent with you, except for the what

1128
01:07:04,360 --> 01:07:06,280
Speaker 1: I think I know the person you're talking about who

1129
01:07:06,760 --> 01:07:15,280
Speaker 1: is Hamilton's physical equal, except he is circumcised, and Hamilton

1130
01:07:15,560 --> 01:07:17,520
Speaker 1: is uncircumcised.

1131
01:07:17,640 --> 01:07:19,880
Speaker 2: Okay, well that's going to be a problem. So you

1132
01:07:19,920 --> 01:07:22,560
Speaker 2: would need to, I guess consult the prop guy or

1133
01:07:22,640 --> 01:07:27,720
Speaker 2: something or get someone to circumcise Hamilton before this happens, right,

1134
01:07:28,800 --> 01:07:32,120
Speaker 2: So we need to like do something to where he'd

1135
01:07:32,160 --> 01:07:34,440
Speaker 2: have to he'd like, we like if he has to

1136
01:07:34,480 --> 01:07:37,080
Speaker 2: go to the hospital. Not gotta be easy, because I mean,

1137
01:07:37,320 --> 01:07:40,240
Speaker 2: he is like a sort of an advocate. He's very

1138
01:07:40,320 --> 01:07:45,440
Speaker 2: outspoken of for nonsense anti circumcision advocate. But what if

1139
01:07:45,480 --> 01:07:48,680
Speaker 2: we put something in his and is like, I'm sure

1140
01:07:48,720 --> 01:07:51,520
Speaker 2: he has some sort of bottle of water on side

1141
01:07:51,560 --> 01:07:53,640
Speaker 2: that like, if I put something that makes him sick,

1142
01:07:54,240 --> 01:07:58,800
Speaker 2: he goes to the hospital. I pose as now an

1143
01:07:59,040 --> 01:08:03,240
Speaker 2: orderly who changed just the order on the chart. I

1144
01:08:03,400 --> 01:08:08,440
Speaker 2: just write, like, circumcise this man immediately. Well, and you

1145
01:08:08,560 --> 01:08:10,640
Speaker 2: need to treat him for whatever the thing that said

1146
01:08:10,680 --> 01:08:13,919
Speaker 2: to the hospital, so you would have to just add it, yes,

1147
01:08:14,280 --> 01:08:22,599
Speaker 2: and circumcise him. Save his life. Things to do first

1148
01:08:22,960 --> 01:08:27,559
Speaker 2: to this first number one, save his life, and I'll

1149
01:08:27,640 --> 01:08:34,760
Speaker 2: underline save his life. Number two. Circumcise this man. Then

1150
01:08:36,080 --> 01:08:40,400
Speaker 2: he recovers, goes back, and then he'll match the look

1151
01:08:40,479 --> 01:08:44,960
Speaker 2: alike the Syrana. Okay, Okay, I think this will I

1152
01:08:45,080 --> 01:08:48,760
Speaker 2: think this one will actually work. Okay, So I have

1153
01:08:48,960 --> 01:08:53,000
Speaker 2: my I have my marching orders. Now, yeah, Hamilton, Yeah,

1154
01:08:53,280 --> 01:08:56,759
Speaker 2: I've got to poison him, then pose as an orderly

1155
01:08:58,160 --> 01:09:01,439
Speaker 2: and order his circumcision and then sneak into the theater

1156
01:09:02,240 --> 01:09:06,599
Speaker 2: carrying a fake mirror that's actually just a piece of glass.

1157
01:09:06,600 --> 01:09:09,559
Speaker 2: And I'm gonna swap out for his actual backstage mirror. Yeah,

1158
01:09:11,600 --> 01:09:16,320
Speaker 2: get his his uh, his his look alike in and

1159
01:09:16,600 --> 01:09:19,080
Speaker 2: the look like there's a look like for you as

1160
01:09:19,120 --> 01:09:25,000
Speaker 2: we're get us in. Yeah, and then get him to

1161
01:09:25,080 --> 01:09:26,560
Speaker 2: sign the podcast contract.

1162
01:09:27,000 --> 01:09:30,920
Speaker 1: Yes, using you know you're on a microphone communicating with

1163
01:09:31,640 --> 01:09:35,040
Speaker 1: the seer now as you call it, sure who is

1164
01:09:35,920 --> 01:09:41,400
Speaker 1: sort of lulling him to sleep with mating emotions emotions, uh,

1165
01:09:42,400 --> 01:09:47,080
Speaker 1: lifting a glass to his lips exactly, well until.

1166
01:09:47,080 --> 01:09:49,640
Speaker 2: Like sliding out of the way of the mirror and

1167
01:09:49,840 --> 01:09:51,800
Speaker 2: going back all the way in and being like you

1168
01:09:51,880 --> 01:09:53,280
Speaker 2: know what I mean, just like and then just like

1169
01:09:53,880 --> 01:09:55,960
Speaker 2: lifting a hand up so we're putting it down real fast.

1170
01:09:56,680 --> 01:09:59,640
Speaker 2: And then but this, yes, it's probably gonna mean I'm

1171
01:09:59,640 --> 01:10:01,360
Speaker 2: gonna some rehearsal time with this.

1172
01:10:01,439 --> 01:10:02,840
Speaker 1: Well, I want to make sure we're clear out of

1173
01:10:02,840 --> 01:10:04,640
Speaker 1: the way to the end of this, because at some

1174
01:10:04,720 --> 01:10:10,120
Speaker 1: point he has signed the podcast contract. And what you're

1175
01:10:10,280 --> 01:10:13,200
Speaker 1: what you were proposing, is that the the the copy

1176
01:10:13,320 --> 01:10:18,600
Speaker 1: of you then rises up behind the double start strangling,

1177
01:10:18,680 --> 01:10:23,200
Speaker 1: and you rise up behind Cerrum, behind Hamilton. But I

1178
01:10:23,280 --> 01:10:27,479
Speaker 1: guess the double starts strangling because and then he would

1179
01:10:27,520 --> 01:10:30,400
Speaker 1: be like he would probably I would think he would

1180
01:10:30,400 --> 01:10:32,679
Speaker 1: go forward like, no, let me help you, and which

1181
01:10:33,080 --> 01:10:34,599
Speaker 1: is a clear path to that contract.

1182
01:10:34,720 --> 01:10:38,040
Speaker 2: Yes, I'm also going to need a contract that's backwards

1183
01:10:39,439 --> 01:10:41,800
Speaker 2: for the Doubles.

1184
01:10:42,360 --> 01:10:44,800
Speaker 1: I can see God and that. Thank you so much

1185
01:10:44,840 --> 01:10:47,160
Speaker 1: for mentioning that, because imagine if he saw the contract

1186
01:10:47,200 --> 01:10:51,000
Speaker 1: in the mirror and it wasn't a mirror and exactly. Yeah,

1187
01:10:51,040 --> 01:10:53,120
Speaker 1: so I'm probably going to need that would just fall apart.

1188
01:10:53,320 --> 01:10:56,559
Speaker 2: I'm gonna need a backwards contract, probably a backwards New

1189
01:10:56,640 --> 01:10:59,360
Speaker 2: York Times, yeah, or whatever. I need to find out

1190
01:10:59,360 --> 01:11:02,040
Speaker 2: what Hamilton reads is what I'm gonna need or what's

1191
01:11:02,080 --> 01:11:06,479
Speaker 2: back there to get a reverse image version of it? Yeah,

1192
01:11:06,640 --> 01:11:10,200
Speaker 2: through the through the glass, mm hmm. I hope it's

1193
01:11:10,240 --> 01:11:12,920
Speaker 2: not any like crazy autographed picture because I don't have

1194
01:11:12,960 --> 01:11:15,920
Speaker 2: to go get that same famous person to sign it backwards.

1195
01:11:16,720 --> 01:11:20,599
Speaker 1: Yeah, so we can frame it and I guess it's

1196
01:11:20,640 --> 01:11:23,519
Speaker 1: just a way out of the building. Would be good

1197
01:11:23,600 --> 01:11:26,200
Speaker 1: because like, once you get that contract, you're going to

1198
01:11:26,240 --> 01:11:28,200
Speaker 1: have to move of a smoke bombs.

1199
01:11:29,000 --> 01:11:31,719
Speaker 2: I'll just vanish into the smoke bombs. Do the Doubles

1200
01:11:31,800 --> 01:11:33,960
Speaker 2: have smoke bombs? I don't care about them. Once I

1201
01:11:34,000 --> 01:11:35,640
Speaker 2: get the contract, I'm a company I guess one of

1202
01:11:35,680 --> 01:11:41,400
Speaker 2: them is maybe dead. I would assume to look real. Yeah,

1203
01:11:41,720 --> 01:11:45,320
Speaker 2: so the Hamilton double is not your concern anymore. And

1204
01:11:45,439 --> 01:11:49,600
Speaker 2: the first episode of his podcast can be him discussing

1205
01:11:49,880 --> 01:11:53,840
Speaker 2: the murder of a man backstage at Hamilton and how

1206
01:11:54,960 --> 01:11:58,640
Speaker 2: he had nothing to do with it and oh if

1207
01:11:58,680 --> 01:12:01,280
Speaker 2: he gets accused of it and bad, that's that's it's

1208
01:12:01,360 --> 01:12:03,639
Speaker 2: like cereal, that's not good. Then it would be well,

1209
01:12:03,680 --> 01:12:06,719
Speaker 2: that would be very good for us. Yes, that's that's

1210
01:12:06,800 --> 01:12:08,880
Speaker 2: the king of podcasts. That would be amazing for us.

1211
01:12:08,920 --> 01:12:11,439
Speaker 2: Would be great if this Hamilton guy, because because he's

1212
01:12:11,520 --> 01:12:15,080
Speaker 2: under contract too, he'll be in jail and then it'll

1213
01:12:15,240 --> 01:12:18,760
Speaker 2: just be like like we can visit him and bring

1214
01:12:18,880 --> 01:12:22,400
Speaker 2: in like a zoom recorder to microphones and he'll be

1215
01:12:22,520 --> 01:12:25,519
Speaker 2: like what's this? Yeah, like it and you hold up

1216
01:12:25,560 --> 01:12:26,120
Speaker 2: the contract.

1217
01:12:26,160 --> 01:12:29,240
Speaker 1: It's like because he'll have to fulfill the contract still

1218
01:12:29,320 --> 01:12:30,759
Speaker 1: or else he'll go to jail again.

1219
01:12:31,200 --> 01:12:34,479
Speaker 2: Yes, he'll go to it different. You don't want to

1220
01:12:34,479 --> 01:12:37,439
Speaker 2: go to podcast jail. He'll be begging to go back

1221
01:12:37,479 --> 01:12:40,559
Speaker 2: to murder jail. Yeah. Well, also don't want the warden

1222
01:12:41,160 --> 01:12:45,160
Speaker 2: being down on you, Yes, because if the warden loves podcasts,

1223
01:12:45,560 --> 01:12:47,800
Speaker 2: he also might do like a like a like a

1224
01:12:48,040 --> 01:12:53,280
Speaker 2: last yard situation, longest yard situation with him in jail

1225
01:12:53,360 --> 01:12:56,600
Speaker 2: and be like, you're going to record a podcast for

1226
01:12:56,720 --> 01:13:01,120
Speaker 2: the warden's podcast network. That would be a bad So

1227
01:13:01,240 --> 01:13:03,040
Speaker 2: that's where the contract will come in handy, because we

1228
01:13:03,080 --> 01:13:05,200
Speaker 2: could say to the ward and it's like, yeah, it's

1229
01:13:05,240 --> 01:13:06,880
Speaker 2: all well and good that you want this guy on

1230
01:13:06,960 --> 01:13:09,519
Speaker 2: your podcast network. Yeah, he's under contract.

1231
01:13:09,640 --> 01:13:12,439
Speaker 1: I like this though, getting together a bunch of inmates

1232
01:13:12,560 --> 01:13:15,599
Speaker 1: and you know, them being like, oh, we're no good

1233
01:13:15,640 --> 01:13:16,639
Speaker 1: at podcast dick.

1234
01:13:16,920 --> 01:13:20,320
Speaker 2: Yeah, and then he rallies them. He's like, guys, you

1235
01:13:20,520 --> 01:13:24,720
Speaker 2: can sit around a table and blather with each other

1236
01:13:27,080 --> 01:13:30,400
Speaker 2: and just talk about dumb stuff that no one cares about.

1237
01:13:30,880 --> 01:13:35,920
Speaker 2: And then they beat the Farale audio team. So then

1238
01:13:36,000 --> 01:13:39,479
Speaker 2: it would be there would be probably like the New

1239
01:13:39,600 --> 01:13:44,360
Speaker 2: York Podfest, right, yeah, so be like here comes dork

1240
01:13:44,520 --> 01:13:52,320
Speaker 2: Forest or or uh weird Adults I think is on there. Uh,

1241
01:13:53,400 --> 01:13:58,400
Speaker 2: there's some other Johnny Pemberton as what Duncan and Trussell okay,

1242
01:13:58,560 --> 01:14:00,960
Speaker 2: and this is who they come like, you know, marching

1243
01:14:01,080 --> 01:14:05,559
Speaker 2: in the room like all in a row, yeah, like badass. Yeah,

1244
01:14:05,640 --> 01:14:08,240
Speaker 2: And then you just have to hope that Dan Harmon

1245
01:14:08,320 --> 01:14:11,760
Speaker 2: doesn't fill a light bulb full of gasoline in one

1246
01:14:11,840 --> 01:14:16,040
Speaker 2: of the prison cells, which would kill like one of

1247
01:14:16,080 --> 01:14:19,640
Speaker 2: the hot prison podcasters. They would turn the lights on

1248
01:14:19,760 --> 01:14:21,479
Speaker 2: and suddenly they'd catch on fire.

1249
01:14:22,439 --> 01:14:27,880
Speaker 1: That's I think this will work. I think we've gotten

1250
01:14:27,920 --> 01:14:29,200
Speaker 1: it to a really good place.

1251
01:14:29,400 --> 01:14:29,679
Speaker 2: Great.

1252
01:14:29,800 --> 01:14:34,600
Speaker 1: Great, Thank you, Tom, Thank you for a sort of

1253
01:14:34,720 --> 01:14:39,720
Speaker 1: being our liaison into this this great city. Do you

1254
01:14:39,840 --> 01:14:42,920
Speaker 1: have anything that you'd like to any personal thing going

1255
01:14:43,000 --> 01:14:44,679
Speaker 1: on that you'd like to plug.

1256
01:14:45,120 --> 01:14:47,960
Speaker 2: Well, I'm serious about the Iron Man guy in Times Square.

1257
01:14:48,040 --> 01:14:48,320
Speaker 3: That was.

1258
01:14:48,400 --> 01:14:50,320
Speaker 2: I know that sounded like just like it was a

1259
01:14:50,600 --> 01:14:51,400
Speaker 2: sponsored thing.

1260
01:14:51,479 --> 01:14:51,840
Speaker 3: That was.

1261
01:14:52,520 --> 01:14:55,200
Speaker 2: He's a cool guy and you should really hang out

1262
01:14:55,280 --> 01:14:57,840
Speaker 2: with him in Times Aga and he'll tell you all

1263
01:14:57,960 --> 01:15:02,439
Speaker 2: about fighting Captain America in the upcoming Civil War.

1264
01:15:02,680 --> 01:15:08,360
Speaker 1: Okay, now I noticed there's I could see your washer

1265
01:15:08,520 --> 01:15:10,360
Speaker 1: dryer that you have set up here. Yeah, and I

1266
01:15:10,400 --> 01:15:13,160
Speaker 1: could see in the dryer. Yeah, there's an iron Man

1267
01:15:13,560 --> 01:15:16,400
Speaker 1: costume sort of I can you know hear the masks

1268
01:15:16,479 --> 01:15:19,599
Speaker 1: sort of thudding, yes, every time it goes there.

1269
01:15:19,640 --> 01:15:24,599
Speaker 2: I don't know why it would ever need to dry. Yeah. Well,

1270
01:15:25,000 --> 01:15:29,080
Speaker 2: someone threw something at iron Man today for your information.

1271
01:15:30,240 --> 01:15:33,040
Speaker 2: All sorts of people come to Times Square and all

1272
01:15:33,080 --> 01:15:37,080
Speaker 2: sorts of people. Sometimes those people are holding things like

1273
01:15:37,760 --> 01:15:40,920
Speaker 2: melty chocolate from the M and M store and they

1274
01:15:41,240 --> 01:15:43,600
Speaker 2: throw it at iron Man when he won't take a

1275
01:15:43,680 --> 01:15:48,720
Speaker 2: free picture with them. So iron Man does not have

1276
01:15:48,880 --> 01:15:55,120
Speaker 2: repulsor rays like the other iron Man. So okay, so

1277
01:15:55,280 --> 01:15:58,240
Speaker 2: that what is the other iron Man? This guy is?

1278
01:15:58,680 --> 01:16:00,920
Speaker 2: This guy is iron Man. This guy is iron and

1279
01:16:01,040 --> 01:16:05,400
Speaker 2: he's very he's a good guy, and you should pay

1280
01:16:05,560 --> 01:16:08,000
Speaker 2: to get your pick. Don't just take a picture. Don't

1281
01:16:08,080 --> 01:16:10,599
Speaker 2: just get one person with their cell phone to hover

1282
01:16:10,840 --> 01:16:15,600
Speaker 2: near him and then you take food out of his No,

1283
01:16:15,840 --> 01:16:19,080
Speaker 2: don't steal a photo with iron Man. Pay him the

1284
01:16:19,200 --> 01:16:23,240
Speaker 2: ten dollars. He'll put his arm around you and you'll

1285
01:16:23,280 --> 01:16:27,000
Speaker 2: get a quality photo with iron Man. Does he put

1286
01:16:27,120 --> 01:16:30,160
Speaker 2: up his hand like he's shooting out a repulsor. That's

1287
01:16:30,200 --> 01:16:34,400
Speaker 2: five dollars more. Wow, because there's some kind of effect

1288
01:16:35,000 --> 01:16:37,880
Speaker 2: because his back hurts and he has to get into

1289
01:16:37,960 --> 01:16:42,760
Speaker 2: that pose, and when you do it a lot, his

1290
01:16:42,960 --> 01:16:45,400
Speaker 2: back hurts. Wow.

1291
01:16:47,280 --> 01:16:47,519
Speaker 3: Bye.

1292
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Speaker 2: Handbook is brought to you by Wolf Cool Production, to

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Speaker 2: subsidiary of

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Speaker 3: Baby