WEBVTT - RHOA- Kandi Quits, Phaedra Fits and Porsha is IT

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<v Speaker 1>Hey, rain Drops. Yes, so I finally got merch. That's right.

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<v Speaker 1>That's right. Get your hoodies, your T shirts, and.

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<v Speaker 2>Your mugs all on Carlos Kingshop dot com. Welc up

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<v Speaker 2>to Reality the King. It's me Carlos kings the King

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<v Speaker 2>of Reality TV and one of the most sought after

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<v Speaker 2>executive producers in reality television with over ten years a

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<v Speaker 2>production experience. Twice a week on Reality with the King,

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<v Speaker 2>we'll sit down with my friends across the entertainment industry,

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<v Speaker 2>recap our favorite reality shows and revisit unforgettable moments that

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<v Speaker 2>we are still talking and tweeting about. Oh, rain Drops,

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<v Speaker 2>it is the end of an era. Where do we begin?

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<v Speaker 2>As we discussed candy versus departure from the Real Housewives

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<v Speaker 2>of Atlanta.

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<v Speaker 1>Now this is shocking news to the world.

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<v Speaker 2>This is breaking news. This is not shocking to me.

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<v Speaker 2>It's already knew.

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<v Speaker 1>Well, honey, I am the King of reality television, darling,

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<v Speaker 1>So I knew about these days ago.

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<v Speaker 2>And when I first learned of this, I was definitely surprised.

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<v Speaker 2>I was surprised that Candy would leave, and I want

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<v Speaker 2>to set the record strate I can exclusively confirm that

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<v Speaker 2>Candy was indeed asked back for season sixteen of the

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<v Speaker 2>Real Housewives of Atlanta.

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<v Speaker 1>She did not get fired.

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<v Speaker 2>Candy was indeed asked to come back to this upcoming

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<v Speaker 2>season sixteen, and she did turn it down. Candy one

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<v Speaker 2>hundred percent walked away from the show.

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<v Speaker 1>She walked away. When I learned that she walked away, I.

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<v Speaker 2>Was surprised because I know how much the show means

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<v Speaker 2>to her and the check. I mean, listen, it's a

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<v Speaker 2>good check. I keep telling y'all. Making over two million

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<v Speaker 2>dollars allegedly for four months of work, sign me up,

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<v Speaker 2>I honey, I don't even want to be a reality star.

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<v Speaker 2>I like producing it. I like making people famous. I

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<v Speaker 2>like making people rich. I like making people be successful.

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<v Speaker 2>But bitch, you're paying me two million for four months

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<v Speaker 2>of work. I don't know. I may have to talk

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<v Speaker 2>about being the African the Dogs honey by, I don't

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<v Speaker 2>know that's a good coin. So I know that she

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<v Speaker 2>loves the show and she loves the money, and who

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<v Speaker 2>could blame her?

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<v Speaker 1>Is a que check.

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<v Speaker 2>So when I learned that she was leaving, I was

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<v Speaker 2>definitely surprised for those two reasons. But then what I

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<v Speaker 2>said to myself is you got to give her her props.

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<v Speaker 2>At least she knew to leave instead of being fired.

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<v Speaker 2>And there's a lesson in all of this that I

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<v Speaker 2>want you all to take away. You never want to

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<v Speaker 2>stay at the party when everyone else went home. And

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<v Speaker 2>this applies to everybody in the world. You don't have

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<v Speaker 2>to make two million for four months of work for

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<v Speaker 2>this to.

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<v Speaker 1>Apply to you.

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<v Speaker 2>This applies to everybody when you are at a place,

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<v Speaker 2>a marriage, a job, or friendship.

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<v Speaker 1>In this case, let's just stick to the job.

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<v Speaker 2>If you are at a job for a long period

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<v Speaker 2>of time, it's always best to not be the last

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<v Speaker 2>one to leave. It's always best to be the one

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<v Speaker 2>who is not kicked out of the party. Hey Winter,

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<v Speaker 2>Hey Joy From Love and Matters DC, you always want

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<v Speaker 2>to be the one to leave the party early. I

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<v Speaker 2>know what that feels like. When I left Atlanta Housewives

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<v Speaker 2>after season nine, I knew that I had more to

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<v Speaker 2>do with my life and my career, and I knew

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<v Speaker 2>that it was time for me to go, and I

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<v Speaker 2>wanted to leave on a high, and season nine is

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<v Speaker 2>arguably top two. Hey, season six number one. Season nine

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<v Speaker 2>is number two of the best Real Housewives of Atlanta seasons.

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<v Speaker 2>Argue with the Wall, Season nine is arguably the second

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<v Speaker 2>best season of the Real Housewives of Atlanta history. Season

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<v Speaker 2>six is number so I relate to that. Okay, I

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<v Speaker 2>wanted to leave on a high. I applaud Candy Burris

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<v Speaker 2>for leaving on the high that she felt it was

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<v Speaker 2>time for her to go.

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<v Speaker 1>Right.

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<v Speaker 2>There has been tons of conversations, tons of speculation, tons

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<v Speaker 2>of posts about whether or not.

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<v Speaker 1>It was time for Candy to go.

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<v Speaker 2>And the reason why I wanted to do this episode

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<v Speaker 2>solo is because I didn't want people to misread my smiles,

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<v Speaker 2>my smirks, my stares if I'm talking to another person.

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<v Speaker 1>Carlo's being shady Carlos.

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<v Speaker 2>You know, when Carlos talks about certain people or when

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<v Speaker 2>he gets certain people to talk about them, he.

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<v Speaker 1>Has a smirk.

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<v Speaker 2>So I wanted to do this episode solo because I

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<v Speaker 2>wanted you guys to hear from me. Obviously, I was

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<v Speaker 2>there season two when Candy came on the show and

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<v Speaker 2>I said this story before, and I say it again.

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<v Speaker 2>You got to give Candy her props because in two

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<v Speaker 2>thousand and nine, when she debuted on the Real Housewives

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<v Speaker 2>of Atlanta, she was the first housewife to have a

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<v Speaker 2>name a name outside of the city of Atlanta. She

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<v Speaker 2>obviously comes from a girl group, She obviously won a Grammy,

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<v Speaker 2>wrote songs. She was definitely a recognizable person. So her

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<v Speaker 2>coming on the show was a big deal to all

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<v Speaker 2>of the executives, myself included, in addition to the cast.

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<v Speaker 2>They felt like, Okay, this may give us some gravatas

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<v Speaker 2>that you know, the show needed. And she came on

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<v Speaker 2>and she made her mark, and I don't think people

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<v Speaker 2>give Candy her props in the sense of Candy has

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<v Speaker 2>definitely given.

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<v Speaker 1>Us some great personal story.

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<v Speaker 2>You can't discount the fact that when she came on

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<v Speaker 2>the show her first season, she was then engaged to

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<v Speaker 2>a man named aj who has since passed away.

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<v Speaker 1>She gave you personal story with that.

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<v Speaker 2>We were first introduced to Mama Joyce and on Bertha

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<v Speaker 2>and the rest of her family when they were talking

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<v Speaker 2>about whether or not Candy should be with this person.

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<v Speaker 2>We saw all of that personal story from her out

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<v Speaker 2>the gate personal story Galore. Candy was the first person

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<v Speaker 2>on the Real Housewives franchise to give us.

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<v Speaker 1>Great family drama.

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<v Speaker 2>We were introduced to the olg Ladies her first season,

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<v Speaker 2>dealing with being engaged to somebody that they didn't think

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<v Speaker 2>was worthy of Candy's time.

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<v Speaker 1>She gave us that.

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<v Speaker 2>She's the first to give us that, and she's the

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<v Speaker 2>first to ever produce a hit song that came from

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<v Speaker 2>a Real Housewife. Don't be Tardy. It's a hit, a

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<v Speaker 2>iconic song, and for the world, Dun't Be Tardy is legendary.

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<v Speaker 1>She produced it. She gave all of us.

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<v Speaker 2>The first ever iconic song that came out of not

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<v Speaker 2>only the Real Housewives universe, but also reality television if

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<v Speaker 2>you really think about it. And she did all that

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<v Speaker 2>her first season, and I think people sometimes forget about that.

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<v Speaker 1>She came on and then she got into Benini.

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<v Speaker 2>I'm gonna stop talking to you right now before I

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<v Speaker 2>be blowing up on your ass. She gave you an

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<v Speaker 2>argument with Nini. She gave you family drama. She produced

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<v Speaker 2>a hit song for Kimsoziak. That's a lot to do

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<v Speaker 2>your first season. And then when it came to the reunion,

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<v Speaker 2>is when we all learn prior. Like I want to say,

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<v Speaker 2>like a week or days prior to the taping of

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<v Speaker 2>the reunion, her then fiance passed away and she showed

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<v Speaker 2>up at the reunion. Still, she gave you all of

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<v Speaker 2>that her first season. So when we have these conversations

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<v Speaker 2>about Candy's relevancy on the show, I do think sometimes.

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<v Speaker 1>A lot of people miss what she brought out the gate.

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<v Speaker 2>She's not the loudest in the room, she's not the

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<v Speaker 2>most argumentative, but she had this ability to really give

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<v Speaker 2>you great personal story where it allowed her to showcase that,

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<v Speaker 2>and she was always this very interesting peacemaker because all

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<v Speaker 2>of the girls really did respond well to her, which

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<v Speaker 2>is why she became one of the fan favorites from

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<v Speaker 2>the franchise.

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<v Speaker 1>And then after that, you guys know the rest.

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<v Speaker 2>Todd came on, Mama Joyce started being way more integral

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<v Speaker 2>into the show, and we saw ultimately what happened between

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<v Speaker 2>her and Phedra. So she was definitely a staple on

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<v Speaker 2>this show, and I think all of us are. It's

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<v Speaker 2>a bittersweet thing to see her go again. There were

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<v Speaker 2>tons of conversation about Candy should go. She's boring, she

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<v Speaker 2>doesn't bring anything to the show. Ninni Leek said on

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<v Speaker 2>my podcast that Candy is not the most exciting person

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<v Speaker 2>to watch. She doesn't think the camera loves her. That's

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<v Speaker 2>her opinion. There has been conversations about whether or not

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<v Speaker 2>it was time for Candy to go, and I'm pretty

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<v Speaker 2>sure Candy has definitely seen those tweets and heard those conversations.

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<v Speaker 2>I always said that you should always leave on top.

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<v Speaker 2>I really do believe, in my heart of hearts that

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<v Speaker 2>it was time for her to go. I said on

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<v Speaker 2>my podcast as the first season where all of you

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<v Speaker 2>guys took it and ran with it, and y'all made

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<v Speaker 2>a big story out of it, y'all, which I was

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<v Speaker 2>really confused as to why. But my friend and fellow

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<v Speaker 2>podcaster Kate Casey and I did an episode about the

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<v Speaker 2>real hospots of Atlanta and we brought up Candy and

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<v Speaker 2>Kate Ksey felt that it was time for Candy to go.

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<v Speaker 2>And I remember saying, and I still stand by what

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<v Speaker 2>I said, because I don't regret anything I said.

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<v Speaker 1>I stand on business. I said that I one day see.

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<v Speaker 2>Candy running a network or having a network, or streaming

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<v Speaker 2>and winning you know a Tony an Oscar and Emmy.

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<v Speaker 2>I see her do all those things. And I said

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<v Speaker 2>that on my podcast, and then I said, I don't

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<v Speaker 2>see her getting all of those things as long as

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<v Speaker 2>she's on the show, because the show will always be

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<v Speaker 2>a distraction to where her future goals are. So I

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<v Speaker 2>started to tell my belief in terms of I believe

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<v Speaker 2>this show was holding her back. I believe it was

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<v Speaker 2>time for her to leave because I know that she

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<v Speaker 2>has other aspirations and goals. And I got read for

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<v Speaker 2>saying that, and look what's happening now. She left because

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<v Speaker 2>she said, and I quote, she got tired of sitting

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<v Speaker 2>around waiting on the Real Housewives of Atlanta producers to

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<v Speaker 2>figure out what they were going to do with the show.

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<v Speaker 2>She said that because she had so much time to

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<v Speaker 2>really sit and think about her life and what she

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<v Speaker 2>was going through and fillding all of these offers. When

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<v Speaker 2>they did come to her with an offer, instead of

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<v Speaker 2>her negotiating and being like, i'll accept that, I want

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<v Speaker 2>to accept this, she said, she felt like, I don't

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<v Speaker 2>want to do this anymore to break because she has

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<v Speaker 2>so many other things.

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<v Speaker 1>Percolating in her world.

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<v Speaker 2>The same thing I said last year that I got

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<v Speaker 2>read for filth for, especially by the fans, that I

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<v Speaker 2>was a hater, and I won her off the show.

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<v Speaker 2>So the same thing I said last year is happening now.

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<v Speaker 1>One day y'all going to respect my voice.

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<v Speaker 2>I know my voice may not sound the way you

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<v Speaker 2>want it to sound.

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<v Speaker 1>No, I don't have that much base in it. But baby,

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<v Speaker 1>there's truth in the voice. If I don't have base

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<v Speaker 1>in it, that's fine.

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<v Speaker 2>I got truth in this voice. Call me Judge King, Honey,

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<v Speaker 2>I got truth in his voice.

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<v Speaker 1>So I said all of that to say, that's how

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<v Speaker 1>you leave.

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<v Speaker 2>When you are a reality star. You have to know

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<v Speaker 2>when it's time to exit. I literally had a conversation

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<v Speaker 2>with somebody who will remain nameless, because despite what y'all

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<v Speaker 2>want to believe, I don't tell people's business when it's private.

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<v Speaker 2>That's why all the girls talk to me and tell

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<v Speaker 2>me their personal business, honey, because they not keep it

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<v Speaker 2>a secret. I just told y'all I knew about Candy

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<v Speaker 2>not coming back days ago. I didn't say anything because

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<v Speaker 2>it's not my story to tell. Anyways, I was talking

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<v Speaker 2>to a reality star recently and I said to her,

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<v Speaker 2>you need to leave. And I said, I feel like

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<v Speaker 2>God is telling me it's time for you to go.

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<v Speaker 2>I know that it's scary to do the unknown. It's

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<v Speaker 2>scary to walk away from something that is all you know.

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<v Speaker 2>That's why a lot of people stay at jobs they hate.

0:14:49.560 --> 0:14:53.080
<v Speaker 2>That's why a lot of people stay in relationships they hate.

0:14:54.040 --> 0:14:56.600
<v Speaker 2>That's why a lot of people stay in friendships they hate,

0:14:57.640 --> 0:15:01.640
<v Speaker 2>because they're afraid of the unknown. And as I was

0:15:01.680 --> 0:15:06.240
<v Speaker 2>talking to this reality star, I promise you all, I

0:15:06.280 --> 0:15:12.040
<v Speaker 2>felt like God was telling me to speak on his behalf,

0:15:12.840 --> 0:15:17.160
<v Speaker 2>and I said, it's so sad that you just don't

0:15:17.200 --> 0:15:22.040
<v Speaker 2>see more for your life than this show. You've been

0:15:22.120 --> 0:15:25.120
<v Speaker 2>on this show for X amount of years. It's time

0:15:25.320 --> 0:15:29.520
<v Speaker 2>to just go. And any time you are ever in

0:15:29.560 --> 0:15:34.120
<v Speaker 2>a situation where you're only staying for money, it's never

0:15:34.280 --> 0:15:38.520
<v Speaker 2>going to end well. I promise you it's never going

0:15:38.560 --> 0:15:40.440
<v Speaker 2>to end well.

0:15:40.520 --> 0:15:42.600
<v Speaker 1>That's just the law of life.

0:15:42.800 --> 0:15:46.000
<v Speaker 2>Anytime you stay in a situation for financial gain and

0:15:46.040 --> 0:15:50.680
<v Speaker 2>you are miserable, you're telling God, I don't trust that

0:15:50.880 --> 0:15:57.480
<v Speaker 2>you have more for me financially than what I currently see.

0:15:58.400 --> 0:16:02.600
<v Speaker 2>An I applaud Candy, who has a shitload of money.

0:16:03.560 --> 0:16:09.720
<v Speaker 2>I applaud her for saying, you know what, maybe it's

0:16:09.840 --> 0:16:13.360
<v Speaker 2>time I take a break now. She said, A break

0:16:13.760 --> 0:16:16.920
<v Speaker 2>In my opinion, I think she should leave and never

0:16:17.120 --> 0:16:20.480
<v Speaker 2>come back to the show because I think there's more

0:16:20.680 --> 0:16:24.960
<v Speaker 2>for her to do, and I think that show is

0:16:25.040 --> 0:16:27.520
<v Speaker 2>a huge distraction.

0:16:27.600 --> 0:16:29.720
<v Speaker 1>From the goals that she wants.

0:16:30.200 --> 0:16:33.560
<v Speaker 2>And my hope for her is that the same way

0:16:34.200 --> 0:16:39.880
<v Speaker 2>she left a top selling group and ultimately found her

0:16:39.960 --> 0:16:44.640
<v Speaker 2>way writing music and winning a Grammy for writing those scrubs,

0:16:45.560 --> 0:16:49.520
<v Speaker 2>that's the same God who can take you and show

0:16:49.560 --> 0:16:54.800
<v Speaker 2>you that there is life after the Real Housewives. And

0:16:54.880 --> 0:17:00.200
<v Speaker 2>a lot of the reasons why the Real Housewives orbit

0:17:00.520 --> 0:17:06.399
<v Speaker 2>of reality stars reeks of desperation is because a lot

0:17:06.480 --> 0:17:08.639
<v Speaker 2>of those women don't.

0:17:08.400 --> 0:17:10.640
<v Speaker 1>See what their life is like without it.

0:17:11.520 --> 0:17:14.520
<v Speaker 2>That's why you see them so desperately trying to do

0:17:14.560 --> 0:17:18.240
<v Speaker 2>anything to stay on the show, because they don't know

0:17:18.280 --> 0:17:21.399
<v Speaker 2>what life is like without the show. A lot of

0:17:21.440 --> 0:17:24.600
<v Speaker 2>them see themselves, and I'm not saying I see them

0:17:24.600 --> 0:17:24.920
<v Speaker 2>this way.

0:17:25.400 --> 0:17:27.160
<v Speaker 1>A lot of them see themselves.

0:17:26.800 --> 0:17:30.200
<v Speaker 2>As middle aged women who was given a second chance

0:17:30.240 --> 0:17:36.399
<v Speaker 2>in life. Because you are internationally famous within four months.

0:17:36.520 --> 0:17:40.679
<v Speaker 1>Of the show airing, the entire world knows you, and

0:17:40.840 --> 0:17:43.200
<v Speaker 1>fame is a drug, and.

0:17:43.160 --> 0:17:48.600
<v Speaker 2>It's hard for them to not get their fix. It's

0:17:48.640 --> 0:17:53.920
<v Speaker 2>hard for them to not be injected with the drug

0:17:54.960 --> 0:17:58.080
<v Speaker 2>that pleases them. That's why a lot of them leave

0:17:58.119 --> 0:18:01.840
<v Speaker 2>their husbands, leave their family, and lose sight on who

0:18:01.840 --> 0:18:04.280
<v Speaker 2>they are because of the drug of fame.

0:18:05.160 --> 0:18:06.520
<v Speaker 1>And as you watch.

0:18:07.960 --> 0:18:15.800
<v Speaker 2>Candy go through some very challenging times. In my opinion,

0:18:16.600 --> 0:18:20.800
<v Speaker 2>I felt that Candy should have left seasons ago because

0:18:20.920 --> 0:18:24.679
<v Speaker 2>I could tell by knowing her that she wasn't into it.

0:18:25.400 --> 0:18:28.800
<v Speaker 2>You will never be happy when you don't follow God's direction.

0:18:29.440 --> 0:18:32.080
<v Speaker 1>I appreciate people who leave my.

0:18:32.119 --> 0:18:37.359
<v Speaker 2>Shows who's like, I'm good, it ain't for me, lows love,

0:18:37.440 --> 0:18:40.840
<v Speaker 2>you love your crew. I got to go. I don't

0:18:40.840 --> 0:18:45.320
<v Speaker 2>beg anyone to stay. I don't beg staff to stay.

0:18:45.520 --> 0:18:49.479
<v Speaker 2>I don't beg my stars to stay. I've had stars

0:18:49.520 --> 0:18:51.120
<v Speaker 2>come to me and say I would like to leave,

0:18:51.760 --> 0:18:55.040
<v Speaker 2>and I say you should go. Then you should never

0:18:55.160 --> 0:18:58.439
<v Speaker 2>be in any situation that doesn't surface you.

0:18:58.320 --> 0:19:00.800
<v Speaker 1>You should go. You should definitely go.

0:19:02.320 --> 0:19:05.679
<v Speaker 2>I think it's weird that people people think there has

0:19:05.760 --> 0:19:10.480
<v Speaker 2>to be some dramatic situation to leave. As an executive

0:19:10.520 --> 0:19:15.600
<v Speaker 2>producer of reality shows, we as executives sometimes know when

0:19:15.600 --> 0:19:22.359
<v Speaker 2>it's time to have the conversation and the conversation isn't great.

0:19:23.119 --> 0:19:26.359
<v Speaker 2>I never think it's surprising, though, but the conversation is

0:19:26.400 --> 0:19:29.480
<v Speaker 2>never great when it's time for someone to leave, especially

0:19:29.560 --> 0:19:32.240
<v Speaker 2>somebody who's been on the show for so long. Candy's

0:19:32.240 --> 0:19:34.760
<v Speaker 2>been on the show for fourteen years. That's a very

0:19:34.760 --> 0:19:38.080
<v Speaker 2>long time, and the show has done wonder for her

0:19:38.640 --> 0:19:42.479
<v Speaker 2>and her career and her personal life. She met her

0:19:42.560 --> 0:19:46.639
<v Speaker 2>husband on set, so everything surrounding the show has been

0:19:46.640 --> 0:19:51.040
<v Speaker 2>a huge benefit to her. So when you are an

0:19:51.080 --> 0:19:54.960
<v Speaker 2>executive and you feel like it's time for someone to go,

0:19:55.760 --> 0:19:58.440
<v Speaker 2>there is a conversation to be had. And I think

0:19:58.560 --> 0:20:00.840
<v Speaker 2>just based on the fact that they did give her

0:20:01.240 --> 0:20:06.000
<v Speaker 2>a contract showed her that they do value her. At

0:20:06.040 --> 0:20:08.720
<v Speaker 2>the end of the day, I think it was smart

0:20:09.240 --> 0:20:13.560
<v Speaker 2>to leave, and I thought it was smart to leave

0:20:14.359 --> 0:20:19.200
<v Speaker 2>with your head up high and with grace and with dignity.

0:20:19.960 --> 0:20:23.720
<v Speaker 2>Because Shelle she wants to come back. I strongly believe

0:20:24.000 --> 0:20:28.680
<v Speaker 2>they will invite her back and that the door isn't.

0:20:28.440 --> 0:20:29.120
<v Speaker 1>Closed on her.

0:20:29.520 --> 0:20:32.840
<v Speaker 2>Now that she is gone, we get to now talk

0:20:32.840 --> 0:20:39.719
<v Speaker 2>about who's coming back, bitch. Yeah, Okay, So look, all

0:20:39.760 --> 0:20:41.720
<v Speaker 2>I'm gonna say is this as I go through my

0:20:41.800 --> 0:20:44.159
<v Speaker 2>text shot because my phone has been blown up all

0:20:44.240 --> 0:20:47.240
<v Speaker 2>day with people like Carlos, have you heard the news?

0:20:47.720 --> 0:20:49.760
<v Speaker 2>Are you going to the cloth office? Blah blah blah

0:20:49.760 --> 0:20:54.239
<v Speaker 2>blah blah blah blah. So, now that Candy is not

0:20:54.280 --> 0:20:57.600
<v Speaker 2>coming back to the Real Housewives of Atlanta Season sixteen,

0:20:58.240 --> 0:20:59.920
<v Speaker 2>I'm gonna say this, and I don't care what talk.

0:21:00.960 --> 0:21:07.080
<v Speaker 1>Bring Favra back to the show. Please, please, please.

0:21:06.800 --> 0:21:12.320
<v Speaker 2>Bring favor back. Faedra is excellent on Traders. She's excellent

0:21:12.359 --> 0:21:17.359
<v Speaker 2>on Traders. Faedr is not so excellent American Medicine because

0:21:17.359 --> 0:21:18.640
<v Speaker 2>she's not meant to be in that show.

0:21:18.720 --> 0:21:19.840
<v Speaker 1>I said it, I said it.

0:21:20.359 --> 0:21:22.160
<v Speaker 2>Be mad at me all you want to you'a were

0:21:22.200 --> 0:21:24.680
<v Speaker 2>mad at me last year when I say Candy should leave,

0:21:24.920 --> 0:21:27.320
<v Speaker 2>And these are the reasons why she would leave. Now

0:21:27.359 --> 0:21:30.080
<v Speaker 2>that she left, y'all like, well, damn, Carlos was right.

0:21:31.040 --> 0:21:34.280
<v Speaker 2>Faedra is not great on Meriti medicine because that's not

0:21:34.359 --> 0:21:37.520
<v Speaker 2>her world. It's like me being on a show called

0:21:37.600 --> 0:21:41.399
<v Speaker 2>Botch and I'm not a plastic surgeon. Why would I

0:21:41.440 --> 0:21:43.560
<v Speaker 2>go on a show called botch and I don't know

0:21:43.600 --> 0:21:47.320
<v Speaker 2>how to fix botch surgeries because I'm not a plastic surgeon.

0:21:48.280 --> 0:21:51.760
<v Speaker 1>Why is Faedri here? She doesn't even go to the school.

0:21:52.680 --> 0:21:57.159
<v Speaker 2>Faedr is a formidable talent. She's a great talent. Faedri

0:21:57.280 --> 0:22:00.000
<v Speaker 2>needs to get off of Meriti Medicine. That show is

0:22:00.200 --> 0:22:02.879
<v Speaker 2>not for you. You do not fit there, you do

0:22:03.000 --> 0:22:06.200
<v Speaker 2>not belong there. You don't go to that school. You

0:22:06.440 --> 0:22:10.200
<v Speaker 2>are a sore thumb. It doesn't make sense. You need

0:22:10.240 --> 0:22:13.480
<v Speaker 2>to get back on the Real Housewives of Atlanta. Fadrin

0:22:13.480 --> 0:22:15.719
<v Speaker 2>needs to come back to the Real Housewise of Atlanta,

0:22:15.800 --> 0:22:19.119
<v Speaker 2>and I'm on a Porsche to come back with her.

0:22:20.359 --> 0:22:23.240
<v Speaker 2>This show will always be my legacy, and I'm about

0:22:23.240 --> 0:22:26.760
<v Speaker 2>to have a moment, a meltdown, if you will. I

0:22:26.800 --> 0:22:30.560
<v Speaker 2>am so sick and tired of seeing my legacy tarnished.

0:22:31.280 --> 0:22:35.400
<v Speaker 2>It's upsetting to me and my homegirls when we talk

0:22:35.480 --> 0:22:38.440
<v Speaker 2>about the Real Housewalds Atlanta. I was having dinner recently

0:22:38.960 --> 0:22:42.760
<v Speaker 2>with a black actress who's a friend of mine, and

0:22:43.080 --> 0:22:45.520
<v Speaker 2>we were just talking about, like, what happened to that show, Carlos,

0:22:45.560 --> 0:22:48.959
<v Speaker 2>what happened to it? And I'm just like, why are

0:22:48.960 --> 0:22:54.120
<v Speaker 2>you asking me? And she's like, let's bitch, it's your show.

0:22:54.480 --> 0:23:00.040
<v Speaker 2>You will always be associated with that show. Sorry, So

0:23:00.040 --> 0:23:00.560
<v Speaker 2>what we gonna do?

0:23:00.680 --> 0:23:02.000
<v Speaker 1>And I was like, I ain't doing nothing.

0:23:03.280 --> 0:23:06.720
<v Speaker 2>So I sell all that to say that show is

0:23:07.359 --> 0:23:12.000
<v Speaker 2>my legacy and it will always be my legacy, and

0:23:12.040 --> 0:23:14.600
<v Speaker 2>I want the show to win. That's the reason why

0:23:14.840 --> 0:23:17.920
<v Speaker 2>when I interview Kenya, I told y'all for the first

0:23:17.920 --> 0:23:20.399
<v Speaker 2>time that I was the one who told Kenya, go

0:23:20.640 --> 0:23:25.320
<v Speaker 2>to Cynthia's party while you're pregnant because you would come

0:23:25.359 --> 0:23:28.399
<v Speaker 2>back next season. I'm the one who have off the

0:23:28.440 --> 0:23:32.119
<v Speaker 2>record conversations with some of the girls, not all, with

0:23:32.280 --> 0:23:35.040
<v Speaker 2>some of the girls, and give them advice on how

0:23:35.080 --> 0:23:38.800
<v Speaker 2>to keep him pushing, because that's how much I love

0:23:38.840 --> 0:23:39.280
<v Speaker 2>the show.

0:23:40.000 --> 0:23:45.280
<v Speaker 1>I'm tired of the show being not great. I want

0:23:45.320 --> 0:23:45.960
<v Speaker 1>the show to win.

0:23:47.359 --> 0:23:49.119
<v Speaker 2>The only thing I'm gonna say to y'all because I'm

0:23:49.160 --> 0:23:50.960
<v Speaker 2>not gonna give you out the whole cast that I see,

0:23:51.240 --> 0:23:55.560
<v Speaker 2>because honey, that cost so rain drops. I'm giving y'all

0:23:55.600 --> 0:23:59.320
<v Speaker 2>the exclusive In order for season sixteen to be great,

0:24:00.520 --> 0:24:05.320
<v Speaker 2>you at least need Porsche and Phaedra back. Phaedra is

0:24:05.400 --> 0:24:11.040
<v Speaker 2>having the best year she's had in years, and it's

0:24:11.119 --> 0:24:13.520
<v Speaker 2>not because of Maritime Medicine. I can tell you that

0:24:14.960 --> 0:24:19.320
<v Speaker 2>Faedra does not belong a Meriti medicine. It doesn't make sense.

0:24:19.720 --> 0:24:24.760
<v Speaker 2>It was called stunt casting. It was to get the eyeballs,

0:24:25.560 --> 0:24:29.720
<v Speaker 2>and that's not what's gonna make That show already been great.

0:24:29.720 --> 0:24:32.880
<v Speaker 2>It's the best showan Bravo to me, you don't need

0:24:32.920 --> 0:24:35.240
<v Speaker 2>Faedra to make Meritive Medicine great.

0:24:35.720 --> 0:24:37.960
<v Speaker 1>Mariti Medicine was great before Faedra.

0:24:38.359 --> 0:24:42.240
<v Speaker 2>We call that BP before Phaedra, and it'll be great

0:24:42.320 --> 0:24:47.080
<v Speaker 2>ap after Phaedra put Faedra back on the show she

0:24:47.160 --> 0:24:51.160
<v Speaker 2>helped make successful, which is the Real Housewives of Atlanta.

0:24:52.520 --> 0:24:58.280
<v Speaker 2>She fits that show like the body con dresses. She

0:24:58.320 --> 0:24:59.600
<v Speaker 2>wears a Mariti Medicine.

0:25:00.160 --> 0:25:00.959
<v Speaker 1>It fits.

0:25:01.480 --> 0:25:06.280
<v Speaker 2>It hugs her curves those body con dresses. Honey, we

0:25:06.320 --> 0:25:09.280
<v Speaker 2>want to see Apollo. I want to see Porsche's house.

0:25:10.119 --> 0:25:13.840
<v Speaker 2>I want to see Porsche's Rose Royce, her Bentley, her

0:25:13.920 --> 0:25:19.400
<v Speaker 2>private play. Simon is looking good. Sorry, Porsche, no shade.

0:25:19.760 --> 0:25:23.840
<v Speaker 2>Simon looks good, Porsche. I'm sorry, we both have apricants.

0:25:24.359 --> 0:25:28.359
<v Speaker 2>I'm just saying, Simon looks good. I want to see

0:25:28.600 --> 0:25:32.199
<v Speaker 2>Simon and Porsche in the bathroom when she's putting on

0:25:32.240 --> 0:25:34.560
<v Speaker 2>her wig and she got the glue on the forehead

0:25:34.880 --> 0:25:37.639
<v Speaker 2>and he comes in. I want to see a double

0:25:37.760 --> 0:25:41.120
<v Speaker 2>date with I'm telling y'all too much that I want

0:25:41.119 --> 0:25:41.720
<v Speaker 2>to see, I.

0:25:41.800 --> 0:25:42.320
<v Speaker 1>Might as well.

0:25:42.440 --> 0:25:47.960
<v Speaker 2>Just my advice costs a COI, Honey, I'm about to

0:25:47.960 --> 0:25:50.840
<v Speaker 2>give y'all so much tea about what needs to happen.

0:25:51.920 --> 0:25:55.720
<v Speaker 2>Porsche is missed on television. It was great seeing her

0:25:55.880 --> 0:25:59.520
<v Speaker 2>Ultimus Girls trip. I just I want to see Porscha

0:25:59.600 --> 0:26:02.600
<v Speaker 2>in her hand happiness. I want to see Porsche on

0:26:02.680 --> 0:26:06.560
<v Speaker 2>the course side seats, Honey at the Hawks game. I'm

0:26:06.640 --> 0:26:09.200
<v Speaker 2>tired of watching mediocrity on that show.

0:26:09.800 --> 0:26:10.879
<v Speaker 1>I need to see wealth.

0:26:11.920 --> 0:26:15.119
<v Speaker 2>The show is missing wealth y'all have some girls on

0:26:15.200 --> 0:26:17.760
<v Speaker 2>the show who are declassing the show. Thein't got a coin.

0:26:18.400 --> 0:26:21.040
<v Speaker 2>We don't watch the Real Housewives of Atlanta to see

0:26:21.080 --> 0:26:23.320
<v Speaker 2>people attend thecent restaurants that we go to.

0:26:23.640 --> 0:26:28.280
<v Speaker 1>Well, I go to the bus a housewife. I did

0:26:28.320 --> 0:26:32.800
<v Speaker 1>that category.

0:26:33.840 --> 0:26:36.879
<v Speaker 2>We don't want to see these real housewives, Honey, going

0:26:37.000 --> 0:26:44.040
<v Speaker 2>to the local bars or going on domestic trips. We

0:26:44.560 --> 0:26:48.320
<v Speaker 2>need to see the wealth, and Porsche is wealthy. Porsche

0:26:48.440 --> 0:26:51.320
<v Speaker 2>is wealthy. Porsche hangs out with this crew.

0:26:51.359 --> 0:26:51.719
<v Speaker 1>Honey.

0:26:52.000 --> 0:26:54.040
<v Speaker 2>I'm not gonna tell you their names because I would

0:26:54.040 --> 0:26:55.800
<v Speaker 2>give away who I think should be on the show.

0:26:56.080 --> 0:26:59.200
<v Speaker 2>But Porsche got some baddies. I want to see Porsche

0:26:59.560 --> 0:27:04.000
<v Speaker 2>and her, her wealth and her comedy, her her husband,

0:27:04.359 --> 0:27:05.920
<v Speaker 2>their kids.

0:27:05.359 --> 0:27:06.480
<v Speaker 1>A blended family.

0:27:07.400 --> 0:27:09.720
<v Speaker 2>We need Porsche and Phaedri or the real freaking Frack

0:27:10.160 --> 0:27:14.640
<v Speaker 2>because apparently I thought Quad and Faedra Americian Medicine. We're

0:27:14.720 --> 0:27:18.159
<v Speaker 2>going to be freaking Frack part two. But child Faedri

0:27:18.320 --> 0:27:21.359
<v Speaker 2>left Quad at the airport. It took another flight because

0:27:21.359 --> 0:27:23.520
<v Speaker 2>she want to be seen with her because she said, Honey,

0:27:23.560 --> 0:27:26.639
<v Speaker 2>you are seeking ship and I can't be seen on

0:27:26.680 --> 0:27:27.399
<v Speaker 2>this Titanic.

0:27:27.400 --> 0:27:29.680
<v Speaker 1>Honey, let me catch this other flight.

0:27:29.720 --> 0:27:32.919
<v Speaker 2>Honey, I can't borrow porsche 's PJ, so let me

0:27:32.920 --> 0:27:33.720
<v Speaker 2>go Delta one.

0:27:33.760 --> 0:27:39.480
<v Speaker 1>Honey. We want to see that. So we would like to.

0:27:39.480 --> 0:27:45.280
<v Speaker 2>See Phaedra and Porscha back on the show. So, Candy,

0:27:45.880 --> 0:27:48.479
<v Speaker 2>we wish you nothing but the best. We know that

0:27:48.520 --> 0:27:51.880
<v Speaker 2>we're going to see and hear from you again, and

0:27:51.920 --> 0:27:56.240
<v Speaker 2>we thank you for your amazing contributions to the Real

0:27:56.240 --> 0:28:01.800
<v Speaker 2>Housewives of Atlanta fourteen seasons and it's nothing to sneeze at.

0:28:02.200 --> 0:28:05.359
<v Speaker 2>So I want to dedicate this episode to you and

0:28:05.440 --> 0:28:09.040
<v Speaker 2>to the amazing work you have given the Real Housewives

0:28:09.040 --> 0:28:13.159
<v Speaker 2>of Atlanta. And we cannot wait until we see what

0:28:13.480 --> 0:28:20.600
<v Speaker 2>other legendary things you embark on. Congratulations, happy birthday and

0:28:20.720 --> 0:28:23.280
<v Speaker 2>many many more to come, and.

0:28:23.240 --> 0:28:29.000
<v Speaker 1>To Portia and Phaedra. Please sign on the dot a line.

0:28:32.440 --> 0:28:34.720
<v Speaker 1>Thank you for listening to Reality with the Kings.

0:28:35.119 --> 0:28:40.719
<v Speaker 2>New episodes dropped on Tuesdays and Thursdays. Share, comment, follow,

0:28:40.920 --> 0:28:44.520
<v Speaker 2>and subscribe to Reality with the Kings. Wherever you get

0:28:44.600 --> 0:28:49.280
<v Speaker 2>your podcast, visit Reality Withtheking dot com and be sure

0:28:49.320 --> 0:28:54.160
<v Speaker 2>to follow me at Deep Carlos King, Underscore on Instagram, Twitter,

0:28:54.400 --> 0:28:57.840
<v Speaker 2>TikTok and Yes Baby, my YouTube channel where you can

0:28:57.920 --> 0:29:01.960
<v Speaker 2>get all of my visuals, baby, my expressions, Yeah, and

0:29:02.040 --> 0:29:05.440
<v Speaker 2>don't forget Tweet me your thoughts and hot takes about

0:29:05.480 --> 0:29:11.280
<v Speaker 2>this episode using the hashtag Reality with the King. Reality

0:29:11.320 --> 0:29:14.800
<v Speaker 2>with the King is a production of Kingdom Rain Entertainment.

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<v Speaker 1>It is produced by Sierra Spragley

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<v Speaker 2>Rix An executive produced by Me Carlos King, Kingdom Reign Entertainment,

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<v Speaker 2>Baby