1
00:00:00,520 --> 00:00:05,120
Speaker 1: Hey, rain Drops. Yes, so I finally got merch. That's right.

2
00:00:05,600 --> 00:00:06,439
Speaker 1: You can buy.

3
00:00:06,280 --> 00:00:12,400
Speaker 2: Your Allegedly and my Boys mugs, T shirts, rain Drops,

4
00:00:12,440 --> 00:00:17,640
Speaker 2: hoodies and T shirts all on Carlos Kingshop dot com.

5
00:00:17,960 --> 00:00:21,439
Speaker 1: That's right. Get your hoodies, your T shirts, and.

6
00:00:21,360 --> 00:00:28,320
Speaker 2: Your mugs all on Carlos Kingshop dot com. Welc up

7
00:00:28,360 --> 00:00:32,120
Speaker 2: to Reality the King. It's me Carlos kings the King

8
00:00:32,280 --> 00:00:35,040
Speaker 2: of Reality TV and one of the most sought after

9
00:00:35,200 --> 00:00:39,680
Speaker 2: executive producers in reality television with over ten years a

10
00:00:39,720 --> 00:00:43,600
Speaker 2: production experience. Twice a week on Reality with the King,

11
00:00:43,840 --> 00:00:47,040
Speaker 2: we'll sit down with my friends across the entertainment industry,

12
00:00:47,280 --> 00:00:51,879
Speaker 2: recap our favorite reality shows and revisit unforgettable moments that

13
00:00:51,920 --> 00:00:59,960
Speaker 2: we are still talking and tweeting about. Oh, rain Drops,

14
00:00:59,800 --> 00:01:04,919
Speaker 2: it is the end of an era. Where do we begin?

15
00:01:05,560 --> 00:01:11,480
Speaker 2: As we discussed candy versus departure from the Real Housewives

16
00:01:11,520 --> 00:01:12,160
Speaker 2: of Atlanta.

17
00:01:12,920 --> 00:01:16,320
Speaker 1: Now this is shocking news to the world.

18
00:01:16,880 --> 00:01:21,880
Speaker 2: This is breaking news. This is not shocking to me.

19
00:01:21,959 --> 00:01:22,720
Speaker 2: It's already knew.

20
00:01:29,160 --> 00:01:31,959
Speaker 1: Well, honey, I am the King of reality television, darling,

21
00:01:32,120 --> 00:01:34,480
Speaker 1: So I knew about these days ago.

22
00:01:35,480 --> 00:01:41,000
Speaker 2: And when I first learned of this, I was definitely surprised.

23
00:01:41,680 --> 00:01:45,280
Speaker 2: I was surprised that Candy would leave, and I want

24
00:01:45,319 --> 00:01:51,040
Speaker 2: to set the record strate I can exclusively confirm that

25
00:01:51,160 --> 00:01:57,440
Speaker 2: Candy was indeed asked back for season sixteen of the

26
00:01:57,440 --> 00:01:58,720
Speaker 2: Real Housewives of Atlanta.

27
00:01:59,320 --> 00:02:00,440
Speaker 1: She did not get fired.

28
00:02:01,560 --> 00:02:05,800
Speaker 2: Candy was indeed asked to come back to this upcoming

29
00:02:05,880 --> 00:02:11,440
Speaker 2: season sixteen, and she did turn it down. Candy one

30
00:02:11,520 --> 00:02:14,600
Speaker 2: hundred percent walked away from the show.

31
00:02:15,880 --> 00:02:20,680
Speaker 1: She walked away. When I learned that she walked away, I.

32
00:02:20,680 --> 00:02:24,880
Speaker 2: Was surprised because I know how much the show means

33
00:02:24,880 --> 00:02:28,639
Speaker 2: to her and the check. I mean, listen, it's a

34
00:02:28,680 --> 00:02:32,959
Speaker 2: good check. I keep telling y'all. Making over two million

35
00:02:33,000 --> 00:02:38,080
Speaker 2: dollars allegedly for four months of work, sign me up,

36
00:02:38,560 --> 00:02:42,280
Speaker 2: I honey, I don't even want to be a reality star.

37
00:02:42,440 --> 00:02:46,440
Speaker 2: I like producing it. I like making people famous. I

38
00:02:46,600 --> 00:02:50,680
Speaker 2: like making people rich. I like making people be successful.

39
00:02:51,600 --> 00:02:54,919
Speaker 2: But bitch, you're paying me two million for four months

40
00:02:55,000 --> 00:02:57,079
Speaker 2: of work. I don't know. I may have to talk

41
00:02:57,080 --> 00:03:00,799
Speaker 2: about being the African the Dogs honey by, I don't

42
00:03:00,840 --> 00:03:05,400
Speaker 2: know that's a good coin. So I know that she

43
00:03:05,720 --> 00:03:10,320
Speaker 2: loves the show and she loves the money, and who

44
00:03:10,360 --> 00:03:11,080
Speaker 2: could blame her?

45
00:03:11,360 --> 00:03:12,079
Speaker 1: Is a que check.

46
00:03:13,280 --> 00:03:16,160
Speaker 2: So when I learned that she was leaving, I was

47
00:03:16,240 --> 00:03:21,400
Speaker 2: definitely surprised for those two reasons. But then what I

48
00:03:21,440 --> 00:03:24,720
Speaker 2: said to myself is you got to give her her props.

49
00:03:25,400 --> 00:03:30,040
Speaker 2: At least she knew to leave instead of being fired.

50
00:03:30,480 --> 00:03:32,720
Speaker 2: And there's a lesson in all of this that I

51
00:03:32,800 --> 00:03:36,640
Speaker 2: want you all to take away. You never want to

52
00:03:36,720 --> 00:03:41,760
Speaker 2: stay at the party when everyone else went home. And

53
00:03:41,840 --> 00:03:45,320
Speaker 2: this applies to everybody in the world. You don't have

54
00:03:45,400 --> 00:03:48,240
Speaker 2: to make two million for four months of work for

55
00:03:48,320 --> 00:03:48,680
Speaker 2: this to.

56
00:03:48,640 --> 00:03:49,440
Speaker 1: Apply to you.

57
00:03:50,040 --> 00:03:54,280
Speaker 2: This applies to everybody when you are at a place,

58
00:03:55,280 --> 00:03:59,160
Speaker 2: a marriage, a job, or friendship.

59
00:03:59,800 --> 00:04:01,880
Speaker 1: In this case, let's just stick to the job.

60
00:04:02,720 --> 00:04:07,560
Speaker 2: If you are at a job for a long period

61
00:04:07,640 --> 00:04:12,400
Speaker 2: of time, it's always best to not be the last

62
00:04:12,440 --> 00:04:16,799
Speaker 2: one to leave. It's always best to be the one

63
00:04:17,360 --> 00:04:19,880
Speaker 2: who is not kicked out of the party. Hey Winter,

64
00:04:20,279 --> 00:04:24,000
Speaker 2: Hey Joy From Love and Matters DC, you always want

65
00:04:24,040 --> 00:04:27,080
Speaker 2: to be the one to leave the party early. I

66
00:04:27,160 --> 00:04:30,080
Speaker 2: know what that feels like. When I left Atlanta Housewives

67
00:04:30,120 --> 00:04:33,760
Speaker 2: after season nine, I knew that I had more to

68
00:04:33,839 --> 00:04:37,200
Speaker 2: do with my life and my career, and I knew

69
00:04:37,279 --> 00:04:40,120
Speaker 2: that it was time for me to go, and I

70
00:04:40,200 --> 00:04:43,520
Speaker 2: wanted to leave on a high, and season nine is

71
00:04:43,680 --> 00:04:48,480
Speaker 2: arguably top two. Hey, season six number one. Season nine

72
00:04:48,560 --> 00:04:51,320
Speaker 2: is number two of the best Real Housewives of Atlanta seasons.

73
00:04:51,640 --> 00:04:54,760
Speaker 2: Argue with the Wall, Season nine is arguably the second

74
00:04:54,760 --> 00:04:59,160
Speaker 2: best season of the Real Housewives of Atlanta history. Season

75
00:04:59,200 --> 00:05:04,040
Speaker 2: six is number so I relate to that. Okay, I

76
00:05:04,080 --> 00:05:07,039
Speaker 2: wanted to leave on a high. I applaud Candy Burris

77
00:05:07,839 --> 00:05:11,640
Speaker 2: for leaving on the high that she felt it was

78
00:05:11,640 --> 00:05:12,520
Speaker 2: time for her to go.

79
00:05:13,040 --> 00:05:13,280
Speaker 1: Right.

80
00:05:14,240 --> 00:05:19,120
Speaker 2: There has been tons of conversations, tons of speculation, tons

81
00:05:19,120 --> 00:05:22,080
Speaker 2: of posts about whether or not.

82
00:05:21,920 --> 00:05:23,280
Speaker 1: It was time for Candy to go.

83
00:05:24,080 --> 00:05:26,680
Speaker 2: And the reason why I wanted to do this episode

84
00:05:26,720 --> 00:05:34,200
Speaker 2: solo is because I didn't want people to misread my smiles,

85
00:05:34,360 --> 00:05:38,120
Speaker 2: my smirks, my stares if I'm talking to another person.

86
00:05:38,200 --> 00:05:39,960
Speaker 1: Carlo's being shady Carlos.

87
00:05:40,200 --> 00:05:43,240
Speaker 2: You know, when Carlos talks about certain people or when

88
00:05:43,240 --> 00:05:45,360
Speaker 2: he gets certain people to talk about them, he.

89
00:05:45,320 --> 00:05:45,960
Speaker 1: Has a smirk.

90
00:05:46,440 --> 00:05:49,560
Speaker 2: So I wanted to do this episode solo because I

91
00:05:49,640 --> 00:05:52,320
Speaker 2: wanted you guys to hear from me. Obviously, I was

92
00:05:52,360 --> 00:05:55,120
Speaker 2: there season two when Candy came on the show and

93
00:05:55,160 --> 00:05:57,039
Speaker 2: I said this story before, and I say it again.

94
00:05:57,880 --> 00:06:00,400
Speaker 2: You got to give Candy her props because in two

95
00:06:00,440 --> 00:06:04,400
Speaker 2: thousand and nine, when she debuted on the Real Housewives

96
00:06:04,440 --> 00:06:09,160
Speaker 2: of Atlanta, she was the first housewife to have a

97
00:06:09,279 --> 00:06:13,480
Speaker 2: name a name outside of the city of Atlanta. She

98
00:06:13,720 --> 00:06:16,800
Speaker 2: obviously comes from a girl group, She obviously won a Grammy,

99
00:06:17,880 --> 00:06:24,040
Speaker 2: wrote songs. She was definitely a recognizable person. So her

100
00:06:24,120 --> 00:06:25,840
Speaker 2: coming on the show was a big deal to all

101
00:06:25,880 --> 00:06:30,800
Speaker 2: of the executives, myself included, in addition to the cast.

102
00:06:30,960 --> 00:06:33,400
Speaker 2: They felt like, Okay, this may give us some gravatas

103
00:06:33,480 --> 00:06:37,800
Speaker 2: that you know, the show needed. And she came on

104
00:06:38,279 --> 00:06:41,279
Speaker 2: and she made her mark, and I don't think people

105
00:06:41,320 --> 00:06:44,640
Speaker 2: give Candy her props in the sense of Candy has

106
00:06:44,760 --> 00:06:47,280
Speaker 2: definitely given.

107
00:06:47,040 --> 00:06:48,520
Speaker 1: Us some great personal story.

108
00:06:49,040 --> 00:06:51,320
Speaker 2: You can't discount the fact that when she came on

109
00:06:51,360 --> 00:06:55,279
Speaker 2: the show her first season, she was then engaged to

110
00:06:55,400 --> 00:06:57,679
Speaker 2: a man named aj who has since passed away.

111
00:06:58,560 --> 00:07:00,560
Speaker 1: She gave you personal story with that.

112
00:07:01,480 --> 00:07:04,599
Speaker 2: We were first introduced to Mama Joyce and on Bertha

113
00:07:05,320 --> 00:07:08,840
Speaker 2: and the rest of her family when they were talking

114
00:07:08,839 --> 00:07:11,360
Speaker 2: about whether or not Candy should be with this person.

115
00:07:11,800 --> 00:07:15,240
Speaker 2: We saw all of that personal story from her out

116
00:07:15,440 --> 00:07:21,200
Speaker 2: the gate personal story Galore. Candy was the first person

117
00:07:21,840 --> 00:07:25,600
Speaker 2: on the Real Housewives franchise to give us.

118
00:07:25,600 --> 00:07:27,440
Speaker 1: Great family drama.

119
00:07:28,760 --> 00:07:34,520
Speaker 2: We were introduced to the olg Ladies her first season,

120
00:07:35,720 --> 00:07:39,760
Speaker 2: dealing with being engaged to somebody that they didn't think

121
00:07:39,920 --> 00:07:42,920
Speaker 2: was worthy of Candy's time.

122
00:07:43,800 --> 00:07:44,600
Speaker 1: She gave us that.

123
00:07:45,480 --> 00:07:49,560
Speaker 2: She's the first to give us that, and she's the

124
00:07:49,680 --> 00:07:54,640
Speaker 2: first to ever produce a hit song that came from

125
00:07:54,680 --> 00:07:59,720
Speaker 2: a Real Housewife. Don't be Tardy. It's a hit, a

126
00:08:01,080 --> 00:08:06,080
Speaker 2: iconic song, and for the world, Dun't Be Tardy is legendary.

127
00:08:06,880 --> 00:08:10,440
Speaker 1: She produced it. She gave all of us.

128
00:08:10,320 --> 00:08:14,640
Speaker 2: The first ever iconic song that came out of not

129
00:08:14,800 --> 00:08:21,560
Speaker 2: only the Real Housewives universe, but also reality television if

130
00:08:21,560 --> 00:08:24,320
Speaker 2: you really think about it. And she did all that

131
00:08:25,000 --> 00:08:30,280
Speaker 2: her first season, and I think people sometimes forget about that.

132
00:08:30,760 --> 00:08:33,520
Speaker 1: She came on and then she got into Benini.

133
00:08:33,960 --> 00:08:36,160
Speaker 2: I'm gonna stop talking to you right now before I

134
00:08:36,240 --> 00:08:38,719
Speaker 2: be blowing up on your ass. She gave you an

135
00:08:38,800 --> 00:08:42,840
Speaker 2: argument with Nini. She gave you family drama. She produced

136
00:08:42,840 --> 00:08:46,040
Speaker 2: a hit song for Kimsoziak. That's a lot to do

137
00:08:46,160 --> 00:08:48,400
Speaker 2: your first season. And then when it came to the reunion,

138
00:08:49,160 --> 00:08:52,079
Speaker 2: is when we all learn prior. Like I want to say,

139
00:08:52,120 --> 00:08:54,960
Speaker 2: like a week or days prior to the taping of

140
00:08:55,000 --> 00:08:59,640
Speaker 2: the reunion, her then fiance passed away and she showed

141
00:08:59,720 --> 00:09:03,960
Speaker 2: up at the reunion. Still, she gave you all of

142
00:09:03,960 --> 00:09:07,360
Speaker 2: that her first season. So when we have these conversations

143
00:09:07,400 --> 00:09:13,680
Speaker 2: about Candy's relevancy on the show, I do think sometimes.

144
00:09:13,559 --> 00:09:18,920
Speaker 1: A lot of people miss what she brought out the gate.

145
00:09:19,640 --> 00:09:22,320
Speaker 2: She's not the loudest in the room, she's not the

146
00:09:22,360 --> 00:09:28,000
Speaker 2: most argumentative, but she had this ability to really give

147
00:09:28,040 --> 00:09:32,200
Speaker 2: you great personal story where it allowed her to showcase that,

148
00:09:33,040 --> 00:09:38,280
Speaker 2: and she was always this very interesting peacemaker because all

149
00:09:38,320 --> 00:09:42,000
Speaker 2: of the girls really did respond well to her, which

150
00:09:42,080 --> 00:09:45,680
Speaker 2: is why she became one of the fan favorites from

151
00:09:45,760 --> 00:09:46,479
Speaker 2: the franchise.

152
00:09:47,679 --> 00:09:52,000
Speaker 1: And then after that, you guys know the rest.

153
00:09:52,640 --> 00:09:57,640
Speaker 2: Todd came on, Mama Joyce started being way more integral

154
00:09:57,679 --> 00:10:02,640
Speaker 2: into the show, and we saw ultimately what happened between

155
00:10:02,679 --> 00:10:07,040
Speaker 2: her and Phedra. So she was definitely a staple on

156
00:10:07,080 --> 00:10:11,920
Speaker 2: this show, and I think all of us are. It's

157
00:10:11,960 --> 00:10:15,360
Speaker 2: a bittersweet thing to see her go again. There were

158
00:10:15,400 --> 00:10:20,840
Speaker 2: tons of conversation about Candy should go. She's boring, she

159
00:10:20,880 --> 00:10:24,280
Speaker 2: doesn't bring anything to the show. Ninni Leek said on

160
00:10:24,320 --> 00:10:27,840
Speaker 2: my podcast that Candy is not the most exciting person

161
00:10:27,880 --> 00:10:32,520
Speaker 2: to watch. She doesn't think the camera loves her. That's

162
00:10:32,520 --> 00:10:36,040
Speaker 2: her opinion. There has been conversations about whether or not

163
00:10:36,080 --> 00:10:38,679
Speaker 2: it was time for Candy to go, and I'm pretty

164
00:10:38,720 --> 00:10:43,440
Speaker 2: sure Candy has definitely seen those tweets and heard those conversations.

165
00:10:44,520 --> 00:10:48,559
Speaker 2: I always said that you should always leave on top.

166
00:10:50,080 --> 00:10:55,240
Speaker 2: I really do believe, in my heart of hearts that

167
00:10:55,280 --> 00:10:59,080
Speaker 2: it was time for her to go. I said on

168
00:10:59,160 --> 00:11:02,280
Speaker 2: my podcast as the first season where all of you

169
00:11:02,320 --> 00:11:04,880
Speaker 2: guys took it and ran with it, and y'all made

170
00:11:04,880 --> 00:11:06,920
Speaker 2: a big story out of it, y'all, which I was

171
00:11:07,200 --> 00:11:10,400
Speaker 2: really confused as to why. But my friend and fellow

172
00:11:10,480 --> 00:11:14,360
Speaker 2: podcaster Kate Casey and I did an episode about the

173
00:11:14,400 --> 00:11:18,720
Speaker 2: real hospots of Atlanta and we brought up Candy and

174
00:11:18,840 --> 00:11:21,400
Speaker 2: Kate Ksey felt that it was time for Candy to go.

175
00:11:22,080 --> 00:11:26,000
Speaker 2: And I remember saying, and I still stand by what

176
00:11:26,040 --> 00:11:28,319
Speaker 2: I said, because I don't regret anything I said.

177
00:11:28,320 --> 00:11:31,960
Speaker 1: I stand on business. I said that I one day see.

178
00:11:31,760 --> 00:11:35,880
Speaker 2: Candy running a network or having a network, or streaming

179
00:11:35,960 --> 00:11:40,080
Speaker 2: and winning you know a Tony an Oscar and Emmy.

180
00:11:40,200 --> 00:11:42,839
Speaker 2: I see her do all those things. And I said

181
00:11:42,880 --> 00:11:48,040
Speaker 2: that on my podcast, and then I said, I don't

182
00:11:48,080 --> 00:11:51,520
Speaker 2: see her getting all of those things as long as

183
00:11:51,600 --> 00:11:55,160
Speaker 2: she's on the show, because the show will always be

184
00:11:55,280 --> 00:12:00,200
Speaker 2: a distraction to where her future goals are. So I

185
00:12:00,280 --> 00:12:06,720
Speaker 2: started to tell my belief in terms of I believe

186
00:12:06,760 --> 00:12:09,400
Speaker 2: this show was holding her back. I believe it was

187
00:12:09,400 --> 00:12:11,360
Speaker 2: time for her to leave because I know that she

188
00:12:11,400 --> 00:12:15,840
Speaker 2: has other aspirations and goals. And I got read for

189
00:12:15,880 --> 00:12:20,800
Speaker 2: saying that, and look what's happening now. She left because

190
00:12:20,840 --> 00:12:26,120
Speaker 2: she said, and I quote, she got tired of sitting

191
00:12:26,160 --> 00:12:30,400
Speaker 2: around waiting on the Real Housewives of Atlanta producers to

192
00:12:30,440 --> 00:12:32,439
Speaker 2: figure out what they were going to do with the show.

193
00:12:33,320 --> 00:12:38,360
Speaker 2: She said that because she had so much time to

194
00:12:38,440 --> 00:12:41,520
Speaker 2: really sit and think about her life and what she

195
00:12:41,640 --> 00:12:45,720
Speaker 2: was going through and fillding all of these offers. When

196
00:12:45,760 --> 00:12:49,840
Speaker 2: they did come to her with an offer, instead of

197
00:12:49,880 --> 00:12:55,040
Speaker 2: her negotiating and being like, i'll accept that, I want

198
00:12:55,080 --> 00:12:58,760
Speaker 2: to accept this, she said, she felt like, I don't

199
00:12:58,760 --> 00:13:01,600
Speaker 2: want to do this anymore to break because she has

200
00:13:01,640 --> 00:13:02,880
Speaker 2: so many other things.

201
00:13:02,640 --> 00:13:04,199
Speaker 1: Percolating in her world.

202
00:13:05,080 --> 00:13:08,720
Speaker 2: The same thing I said last year that I got

203
00:13:08,720 --> 00:13:13,199
Speaker 2: read for filth for, especially by the fans, that I

204
00:13:13,320 --> 00:13:15,240
Speaker 2: was a hater, and I won her off the show.

205
00:13:15,920 --> 00:13:20,680
Speaker 2: So the same thing I said last year is happening now.

206
00:13:21,559 --> 00:13:24,600
Speaker 1: One day y'all going to respect my voice.

207
00:13:25,080 --> 00:13:27,360
Speaker 2: I know my voice may not sound the way you

208
00:13:27,400 --> 00:13:28,280
Speaker 2: want it to sound.

209
00:13:28,679 --> 00:13:31,400
Speaker 1: No, I don't have that much base in it. But baby,

210
00:13:31,600 --> 00:13:34,520
Speaker 1: there's truth in the voice. If I don't have base

211
00:13:34,600 --> 00:13:35,840
Speaker 1: in it, that's fine.

212
00:13:35,880 --> 00:13:41,360
Speaker 2: I got truth in this voice. Call me Judge King, Honey,

213
00:13:43,360 --> 00:13:44,640
Speaker 2: I got truth in his voice.

214
00:13:45,559 --> 00:13:49,520
Speaker 1: So I said all of that to say, that's how

215
00:13:49,840 --> 00:13:50,360
Speaker 1: you leave.

216
00:13:52,480 --> 00:13:56,360
Speaker 2: When you are a reality star. You have to know

217
00:13:56,400 --> 00:14:00,679
Speaker 2: when it's time to exit. I literally had a conversation

218
00:14:00,800 --> 00:14:04,080
Speaker 2: with somebody who will remain nameless, because despite what y'all

219
00:14:04,080 --> 00:14:07,080
Speaker 2: want to believe, I don't tell people's business when it's private.

220
00:14:07,559 --> 00:14:09,600
Speaker 2: That's why all the girls talk to me and tell

221
00:14:09,640 --> 00:14:12,120
Speaker 2: me their personal business, honey, because they not keep it

222
00:14:12,160 --> 00:14:15,680
Speaker 2: a secret. I just told y'all I knew about Candy

223
00:14:15,760 --> 00:14:18,480
Speaker 2: not coming back days ago. I didn't say anything because

224
00:14:18,480 --> 00:14:21,360
Speaker 2: it's not my story to tell. Anyways, I was talking

225
00:14:21,400 --> 00:14:28,560
Speaker 2: to a reality star recently and I said to her,

226
00:14:29,200 --> 00:14:32,280
Speaker 2: you need to leave. And I said, I feel like

227
00:14:32,400 --> 00:14:35,240
Speaker 2: God is telling me it's time for you to go.

228
00:14:35,960 --> 00:14:41,880
Speaker 2: I know that it's scary to do the unknown. It's

229
00:14:41,920 --> 00:14:44,960
Speaker 2: scary to walk away from something that is all you know.

230
00:14:45,880 --> 00:14:48,800
Speaker 2: That's why a lot of people stay at jobs they hate.

231
00:14:49,560 --> 00:14:53,080
Speaker 2: That's why a lot of people stay in relationships they hate.

232
00:14:54,040 --> 00:14:56,600
Speaker 2: That's why a lot of people stay in friendships they hate,

233
00:14:57,640 --> 00:15:01,640
Speaker 2: because they're afraid of the unknown. And as I was

234
00:15:01,680 --> 00:15:06,240
Speaker 2: talking to this reality star, I promise you all, I

235
00:15:06,280 --> 00:15:12,040
Speaker 2: felt like God was telling me to speak on his behalf,

236
00:15:12,840 --> 00:15:17,160
Speaker 2: and I said, it's so sad that you just don't

237
00:15:17,200 --> 00:15:22,040
Speaker 2: see more for your life than this show. You've been

238
00:15:22,120 --> 00:15:25,120
Speaker 2: on this show for X amount of years. It's time

239
00:15:25,320 --> 00:15:29,520
Speaker 2: to just go. And any time you are ever in

240
00:15:29,560 --> 00:15:34,120
Speaker 2: a situation where you're only staying for money, it's never

241
00:15:34,280 --> 00:15:38,520
Speaker 2: going to end well. I promise you it's never going

242
00:15:38,560 --> 00:15:40,440
Speaker 2: to end well.

243
00:15:40,520 --> 00:15:42,600
Speaker 1: That's just the law of life.

244
00:15:42,800 --> 00:15:46,000
Speaker 2: Anytime you stay in a situation for financial gain and

245
00:15:46,040 --> 00:15:50,680
Speaker 2: you are miserable, you're telling God, I don't trust that

246
00:15:50,880 --> 00:15:57,480
Speaker 2: you have more for me financially than what I currently see.

247
00:15:58,400 --> 00:16:02,600
Speaker 2: An I applaud Candy, who has a shitload of money.

248
00:16:03,560 --> 00:16:09,720
Speaker 2: I applaud her for saying, you know what, maybe it's

249
00:16:09,840 --> 00:16:13,360
Speaker 2: time I take a break now. She said, A break

250
00:16:13,760 --> 00:16:16,920
Speaker 2: In my opinion, I think she should leave and never

251
00:16:17,120 --> 00:16:20,480
Speaker 2: come back to the show because I think there's more

252
00:16:20,680 --> 00:16:24,960
Speaker 2: for her to do, and I think that show is

253
00:16:25,040 --> 00:16:27,520
Speaker 2: a huge distraction.

254
00:16:27,600 --> 00:16:29,720
Speaker 1: From the goals that she wants.

255
00:16:30,200 --> 00:16:33,560
Speaker 2: And my hope for her is that the same way

256
00:16:34,200 --> 00:16:39,880
Speaker 2: she left a top selling group and ultimately found her

257
00:16:39,960 --> 00:16:44,640
Speaker 2: way writing music and winning a Grammy for writing those scrubs,

258
00:16:45,560 --> 00:16:49,520
Speaker 2: that's the same God who can take you and show

259
00:16:49,560 --> 00:16:54,800
Speaker 2: you that there is life after the Real Housewives. And

260
00:16:54,880 --> 00:17:00,200
Speaker 2: a lot of the reasons why the Real Housewives orbit

261
00:17:00,520 --> 00:17:06,399
Speaker 2: of reality stars reeks of desperation is because a lot

262
00:17:06,480 --> 00:17:08,639
Speaker 2: of those women don't.

263
00:17:08,400 --> 00:17:10,640
Speaker 1: See what their life is like without it.

264
00:17:11,520 --> 00:17:14,520
Speaker 2: That's why you see them so desperately trying to do

265
00:17:14,560 --> 00:17:18,240
Speaker 2: anything to stay on the show, because they don't know

266
00:17:18,280 --> 00:17:21,399
Speaker 2: what life is like without the show. A lot of

267
00:17:21,440 --> 00:17:24,600
Speaker 2: them see themselves, and I'm not saying I see them

268
00:17:24,600 --> 00:17:24,920
Speaker 2: this way.

269
00:17:25,400 --> 00:17:27,160
Speaker 1: A lot of them see themselves.

270
00:17:26,800 --> 00:17:30,200
Speaker 2: As middle aged women who was given a second chance

271
00:17:30,240 --> 00:17:36,399
Speaker 2: in life. Because you are internationally famous within four months.

272
00:17:36,520 --> 00:17:40,679
Speaker 1: Of the show airing, the entire world knows you, and

273
00:17:40,840 --> 00:17:43,200
Speaker 1: fame is a drug, and.

274
00:17:43,160 --> 00:17:48,600
Speaker 2: It's hard for them to not get their fix. It's

275
00:17:48,640 --> 00:17:53,920
Speaker 2: hard for them to not be injected with the drug

276
00:17:54,960 --> 00:17:58,080
Speaker 2: that pleases them. That's why a lot of them leave

277
00:17:58,119 --> 00:18:01,840
Speaker 2: their husbands, leave their family, and lose sight on who

278
00:18:01,840 --> 00:18:04,280
Speaker 2: they are because of the drug of fame.

279
00:18:05,160 --> 00:18:06,520
Speaker 1: And as you watch.

280
00:18:07,960 --> 00:18:15,800
Speaker 2: Candy go through some very challenging times. In my opinion,

281
00:18:16,600 --> 00:18:20,800
Speaker 2: I felt that Candy should have left seasons ago because

282
00:18:20,920 --> 00:18:24,679
Speaker 2: I could tell by knowing her that she wasn't into it.

283
00:18:25,400 --> 00:18:28,800
Speaker 2: You will never be happy when you don't follow God's direction.

284
00:18:29,440 --> 00:18:32,080
Speaker 1: I appreciate people who leave my.

285
00:18:32,119 --> 00:18:37,359
Speaker 2: Shows who's like, I'm good, it ain't for me, lows love,

286
00:18:37,440 --> 00:18:40,840
Speaker 2: you love your crew. I got to go. I don't

287
00:18:40,840 --> 00:18:45,320
Speaker 2: beg anyone to stay. I don't beg staff to stay.

288
00:18:45,520 --> 00:18:49,479
Speaker 2: I don't beg my stars to stay. I've had stars

289
00:18:49,520 --> 00:18:51,120
Speaker 2: come to me and say I would like to leave,

290
00:18:51,760 --> 00:18:55,040
Speaker 2: and I say you should go. Then you should never

291
00:18:55,160 --> 00:18:58,439
Speaker 2: be in any situation that doesn't surface you.

292
00:18:58,320 --> 00:19:00,800
Speaker 1: You should go. You should definitely go.

293
00:19:02,320 --> 00:19:05,679
Speaker 2: I think it's weird that people people think there has

294
00:19:05,760 --> 00:19:10,480
Speaker 2: to be some dramatic situation to leave. As an executive

295
00:19:10,520 --> 00:19:15,600
Speaker 2: producer of reality shows, we as executives sometimes know when

296
00:19:15,600 --> 00:19:22,359
Speaker 2: it's time to have the conversation and the conversation isn't great.

297
00:19:23,119 --> 00:19:26,359
Speaker 2: I never think it's surprising, though, but the conversation is

298
00:19:26,400 --> 00:19:29,480
Speaker 2: never great when it's time for someone to leave, especially

299
00:19:29,560 --> 00:19:32,240
Speaker 2: somebody who's been on the show for so long. Candy's

300
00:19:32,240 --> 00:19:34,760
Speaker 2: been on the show for fourteen years. That's a very

301
00:19:34,760 --> 00:19:38,080
Speaker 2: long time, and the show has done wonder for her

302
00:19:38,640 --> 00:19:42,479
Speaker 2: and her career and her personal life. She met her

303
00:19:42,560 --> 00:19:46,639
Speaker 2: husband on set, so everything surrounding the show has been

304
00:19:46,640 --> 00:19:51,040
Speaker 2: a huge benefit to her. So when you are an

305
00:19:51,080 --> 00:19:54,960
Speaker 2: executive and you feel like it's time for someone to go,

306
00:19:55,760 --> 00:19:58,440
Speaker 2: there is a conversation to be had. And I think

307
00:19:58,560 --> 00:20:00,840
Speaker 2: just based on the fact that they did give her

308
00:20:01,240 --> 00:20:06,000
Speaker 2: a contract showed her that they do value her. At

309
00:20:06,040 --> 00:20:08,720
Speaker 2: the end of the day, I think it was smart

310
00:20:09,240 --> 00:20:13,560
Speaker 2: to leave, and I thought it was smart to leave

311
00:20:14,359 --> 00:20:19,200
Speaker 2: with your head up high and with grace and with dignity.

312
00:20:19,960 --> 00:20:23,720
Speaker 2: Because Shelle she wants to come back. I strongly believe

313
00:20:24,000 --> 00:20:28,680
Speaker 2: they will invite her back and that the door isn't.

314
00:20:28,440 --> 00:20:29,120
Speaker 1: Closed on her.

315
00:20:29,520 --> 00:20:32,840
Speaker 2: Now that she is gone, we get to now talk

316
00:20:32,840 --> 00:20:39,719
Speaker 2: about who's coming back, bitch. Yeah, Okay, So look, all

317
00:20:39,760 --> 00:20:41,720
Speaker 2: I'm gonna say is this as I go through my

318
00:20:41,800 --> 00:20:44,159
Speaker 2: text shot because my phone has been blown up all

319
00:20:44,240 --> 00:20:47,240
Speaker 2: day with people like Carlos, have you heard the news?

320
00:20:47,720 --> 00:20:49,760
Speaker 2: Are you going to the cloth office? Blah blah blah

321
00:20:49,760 --> 00:20:54,239
Speaker 2: blah blah blah blah. So, now that Candy is not

322
00:20:54,280 --> 00:20:57,600
Speaker 2: coming back to the Real Housewives of Atlanta Season sixteen,

323
00:20:58,240 --> 00:20:59,920
Speaker 2: I'm gonna say this, and I don't care what talk.

324
00:21:00,960 --> 00:21:07,080
Speaker 1: Bring Favra back to the show. Please, please, please.

325
00:21:06,800 --> 00:21:12,320
Speaker 2: Bring favor back. Faedra is excellent on Traders. She's excellent

326
00:21:12,359 --> 00:21:17,359
Speaker 2: on Traders. Faedr is not so excellent American Medicine because

327
00:21:17,359 --> 00:21:18,640
Speaker 2: she's not meant to be in that show.

328
00:21:18,720 --> 00:21:19,840
Speaker 1: I said it, I said it.

329
00:21:20,359 --> 00:21:22,160
Speaker 2: Be mad at me all you want to you'a were

330
00:21:22,200 --> 00:21:24,680
Speaker 2: mad at me last year when I say Candy should leave,

331
00:21:24,920 --> 00:21:27,320
Speaker 2: And these are the reasons why she would leave. Now

332
00:21:27,359 --> 00:21:30,080
Speaker 2: that she left, y'all like, well, damn, Carlos was right.

333
00:21:31,040 --> 00:21:34,280
Speaker 2: Faedra is not great on Meriti medicine because that's not

334
00:21:34,359 --> 00:21:37,520
Speaker 2: her world. It's like me being on a show called

335
00:21:37,600 --> 00:21:41,399
Speaker 2: Botch and I'm not a plastic surgeon. Why would I

336
00:21:41,440 --> 00:21:43,560
Speaker 2: go on a show called botch and I don't know

337
00:21:43,600 --> 00:21:47,320
Speaker 2: how to fix botch surgeries because I'm not a plastic surgeon.

338
00:21:48,280 --> 00:21:51,760
Speaker 1: Why is Faedri here? She doesn't even go to the school.

339
00:21:52,680 --> 00:21:57,159
Speaker 2: Faedr is a formidable talent. She's a great talent. Faedri

340
00:21:57,280 --> 00:22:00,000
Speaker 2: needs to get off of Meriti Medicine. That show is

341
00:22:00,200 --> 00:22:02,879
Speaker 2: not for you. You do not fit there, you do

342
00:22:03,000 --> 00:22:06,200
Speaker 2: not belong there. You don't go to that school. You

343
00:22:06,440 --> 00:22:10,200
Speaker 2: are a sore thumb. It doesn't make sense. You need

344
00:22:10,240 --> 00:22:13,480
Speaker 2: to get back on the Real Housewives of Atlanta. Fadrin

345
00:22:13,480 --> 00:22:15,719
Speaker 2: needs to come back to the Real Housewise of Atlanta,

346
00:22:15,800 --> 00:22:19,119
Speaker 2: and I'm on a Porsche to come back with her.

347
00:22:20,359 --> 00:22:23,240
Speaker 2: This show will always be my legacy, and I'm about

348
00:22:23,240 --> 00:22:26,760
Speaker 2: to have a moment, a meltdown, if you will. I

349
00:22:26,800 --> 00:22:30,560
Speaker 2: am so sick and tired of seeing my legacy tarnished.

350
00:22:31,280 --> 00:22:35,400
Speaker 2: It's upsetting to me and my homegirls when we talk

351
00:22:35,480 --> 00:22:38,440
Speaker 2: about the Real Housewalds Atlanta. I was having dinner recently

352
00:22:38,960 --> 00:22:42,760
Speaker 2: with a black actress who's a friend of mine, and

353
00:22:43,080 --> 00:22:45,520
Speaker 2: we were just talking about, like, what happened to that show, Carlos,

354
00:22:45,560 --> 00:22:48,959
Speaker 2: what happened to it? And I'm just like, why are

355
00:22:48,960 --> 00:22:54,120
Speaker 2: you asking me? And she's like, let's bitch, it's your show.

356
00:22:54,480 --> 00:23:00,040
Speaker 2: You will always be associated with that show. Sorry, So

357
00:23:00,040 --> 00:23:00,560
Speaker 2: what we gonna do?

358
00:23:00,680 --> 00:23:02,000
Speaker 1: And I was like, I ain't doing nothing.

359
00:23:03,280 --> 00:23:06,720
Speaker 2: So I sell all that to say that show is

360
00:23:07,359 --> 00:23:12,000
Speaker 2: my legacy and it will always be my legacy, and

361
00:23:12,040 --> 00:23:14,600
Speaker 2: I want the show to win. That's the reason why

362
00:23:14,840 --> 00:23:17,920
Speaker 2: when I interview Kenya, I told y'all for the first

363
00:23:17,920 --> 00:23:20,399
Speaker 2: time that I was the one who told Kenya, go

364
00:23:20,640 --> 00:23:25,320
Speaker 2: to Cynthia's party while you're pregnant because you would come

365
00:23:25,359 --> 00:23:28,399
Speaker 2: back next season. I'm the one who have off the

366
00:23:28,440 --> 00:23:32,119
Speaker 2: record conversations with some of the girls, not all, with

367
00:23:32,280 --> 00:23:35,040
Speaker 2: some of the girls, and give them advice on how

368
00:23:35,080 --> 00:23:38,800
Speaker 2: to keep him pushing, because that's how much I love

369
00:23:38,840 --> 00:23:39,280
Speaker 2: the show.

370
00:23:40,000 --> 00:23:45,280
Speaker 1: I'm tired of the show being not great. I want

371
00:23:45,320 --> 00:23:45,960
Speaker 1: the show to win.

372
00:23:47,359 --> 00:23:49,119
Speaker 2: The only thing I'm gonna say to y'all because I'm

373
00:23:49,160 --> 00:23:50,960
Speaker 2: not gonna give you out the whole cast that I see,

374
00:23:51,240 --> 00:23:55,560
Speaker 2: because honey, that cost so rain drops. I'm giving y'all

375
00:23:55,600 --> 00:23:59,320
Speaker 2: the exclusive In order for season sixteen to be great,

376
00:24:00,520 --> 00:24:05,320
Speaker 2: you at least need Porsche and Phaedra back. Phaedra is

377
00:24:05,400 --> 00:24:11,040
Speaker 2: having the best year she's had in years, and it's

378
00:24:11,119 --> 00:24:13,520
Speaker 2: not because of Maritime Medicine. I can tell you that

379
00:24:14,960 --> 00:24:19,320
Speaker 2: Faedra does not belong a Meriti medicine. It doesn't make sense.

380
00:24:19,720 --> 00:24:24,760
Speaker 2: It was called stunt casting. It was to get the eyeballs,

381
00:24:25,560 --> 00:24:29,720
Speaker 2: and that's not what's gonna make That show already been great.

382
00:24:29,720 --> 00:24:32,880
Speaker 2: It's the best showan Bravo to me, you don't need

383
00:24:32,920 --> 00:24:35,240
Speaker 2: Faedra to make Meritive Medicine great.

384
00:24:35,720 --> 00:24:37,960
Speaker 1: Mariti Medicine was great before Faedra.

385
00:24:38,359 --> 00:24:42,240
Speaker 2: We call that BP before Phaedra, and it'll be great

386
00:24:42,320 --> 00:24:47,080
Speaker 2: ap after Phaedra put Faedra back on the show she

387
00:24:47,160 --> 00:24:51,160
Speaker 2: helped make successful, which is the Real Housewives of Atlanta.

388
00:24:52,520 --> 00:24:58,280
Speaker 2: She fits that show like the body con dresses. She

389
00:24:58,320 --> 00:24:59,600
Speaker 2: wears a Mariti Medicine.

390
00:25:00,160 --> 00:25:00,959
Speaker 1: It fits.

391
00:25:01,480 --> 00:25:06,280
Speaker 2: It hugs her curves those body con dresses. Honey, we

392
00:25:06,320 --> 00:25:09,280
Speaker 2: want to see Apollo. I want to see Porsche's house.

393
00:25:10,119 --> 00:25:13,840
Speaker 2: I want to see Porsche's Rose Royce, her Bentley, her

394
00:25:13,920 --> 00:25:19,400
Speaker 2: private play. Simon is looking good. Sorry, Porsche, no shade.

395
00:25:19,760 --> 00:25:23,840
Speaker 2: Simon looks good, Porsche. I'm sorry, we both have apricants.

396
00:25:24,359 --> 00:25:28,359
Speaker 2: I'm just saying, Simon looks good. I want to see

397
00:25:28,600 --> 00:25:32,199
Speaker 2: Simon and Porsche in the bathroom when she's putting on

398
00:25:32,240 --> 00:25:34,560
Speaker 2: her wig and she got the glue on the forehead

399
00:25:34,880 --> 00:25:37,639
Speaker 2: and he comes in. I want to see a double

400
00:25:37,760 --> 00:25:41,120
Speaker 2: date with I'm telling y'all too much that I want

401
00:25:41,119 --> 00:25:41,720
Speaker 2: to see, I.

402
00:25:41,800 --> 00:25:42,320
Speaker 1: Might as well.

403
00:25:42,440 --> 00:25:47,960
Speaker 2: Just my advice costs a COI, Honey, I'm about to

404
00:25:47,960 --> 00:25:50,840
Speaker 2: give y'all so much tea about what needs to happen.

405
00:25:51,920 --> 00:25:55,720
Speaker 2: Porsche is missed on television. It was great seeing her

406
00:25:55,880 --> 00:25:59,520
Speaker 2: Ultimus Girls trip. I just I want to see Porscha

407
00:25:59,600 --> 00:26:02,600
Speaker 2: in her hand happiness. I want to see Porsche on

408
00:26:02,680 --> 00:26:06,560
Speaker 2: the course side seats, Honey at the Hawks game. I'm

409
00:26:06,640 --> 00:26:09,200
Speaker 2: tired of watching mediocrity on that show.

410
00:26:09,800 --> 00:26:10,879
Speaker 1: I need to see wealth.

411
00:26:11,920 --> 00:26:15,119
Speaker 2: The show is missing wealth y'all have some girls on

412
00:26:15,200 --> 00:26:17,760
Speaker 2: the show who are declassing the show. Thein't got a coin.

413
00:26:18,400 --> 00:26:21,040
Speaker 2: We don't watch the Real Housewives of Atlanta to see

414
00:26:21,080 --> 00:26:23,320
Speaker 2: people attend thecent restaurants that we go to.

415
00:26:23,640 --> 00:26:28,280
Speaker 1: Well, I go to the bus a housewife. I did

416
00:26:28,320 --> 00:26:32,800
Speaker 1: that category.

417
00:26:33,840 --> 00:26:36,879
Speaker 2: We don't want to see these real housewives, Honey, going

418
00:26:37,000 --> 00:26:44,040
Speaker 2: to the local bars or going on domestic trips. We

419
00:26:44,560 --> 00:26:48,320
Speaker 2: need to see the wealth, and Porsche is wealthy. Porsche

420
00:26:48,440 --> 00:26:51,320
Speaker 2: is wealthy. Porsche hangs out with this crew.

421
00:26:51,359 --> 00:26:51,719
Speaker 1: Honey.

422
00:26:52,000 --> 00:26:54,040
Speaker 2: I'm not gonna tell you their names because I would

423
00:26:54,040 --> 00:26:55,800
Speaker 2: give away who I think should be on the show.

424
00:26:56,080 --> 00:26:59,200
Speaker 2: But Porsche got some baddies. I want to see Porsche

425
00:26:59,560 --> 00:27:04,000
Speaker 2: and her, her wealth and her comedy, her her husband,

426
00:27:04,359 --> 00:27:05,920
Speaker 2: their kids.

427
00:27:05,359 --> 00:27:06,480
Speaker 1: A blended family.

428
00:27:07,400 --> 00:27:09,720
Speaker 2: We need Porsche and Phaedri or the real freaking Frack

429
00:27:10,160 --> 00:27:14,640
Speaker 2: because apparently I thought Quad and Faedra Americian Medicine. We're

430
00:27:14,720 --> 00:27:18,159
Speaker 2: going to be freaking Frack part two. But child Faedri

431
00:27:18,320 --> 00:27:21,359
Speaker 2: left Quad at the airport. It took another flight because

432
00:27:21,359 --> 00:27:23,520
Speaker 2: she want to be seen with her because she said, Honey,

433
00:27:23,560 --> 00:27:26,639
Speaker 2: you are seeking ship and I can't be seen on

434
00:27:26,680 --> 00:27:27,399
Speaker 2: this Titanic.

435
00:27:27,400 --> 00:27:29,680
Speaker 1: Honey, let me catch this other flight.

436
00:27:29,720 --> 00:27:32,919
Speaker 2: Honey, I can't borrow porsche 's PJ, so let me

437
00:27:32,920 --> 00:27:33,720
Speaker 2: go Delta one.

438
00:27:33,760 --> 00:27:39,480
Speaker 1: Honey. We want to see that. So we would like to.

439
00:27:39,480 --> 00:27:45,280
Speaker 2: See Phaedra and Porscha back on the show. So, Candy,

440
00:27:45,880 --> 00:27:48,479
Speaker 2: we wish you nothing but the best. We know that

441
00:27:48,520 --> 00:27:51,880
Speaker 2: we're going to see and hear from you again, and

442
00:27:51,920 --> 00:27:56,240
Speaker 2: we thank you for your amazing contributions to the Real

443
00:27:56,240 --> 00:28:01,800
Speaker 2: Housewives of Atlanta fourteen seasons and it's nothing to sneeze at.

444
00:28:02,200 --> 00:28:05,359
Speaker 2: So I want to dedicate this episode to you and

445
00:28:05,440 --> 00:28:09,040
Speaker 2: to the amazing work you have given the Real Housewives

446
00:28:09,040 --> 00:28:13,159
Speaker 2: of Atlanta. And we cannot wait until we see what

447
00:28:13,480 --> 00:28:20,600
Speaker 2: other legendary things you embark on. Congratulations, happy birthday and

448
00:28:20,720 --> 00:28:23,280
Speaker 2: many many more to come, and.

449
00:28:23,240 --> 00:28:29,000
Speaker 1: To Portia and Phaedra. Please sign on the dot a line.

450
00:28:32,440 --> 00:28:34,720
Speaker 1: Thank you for listening to Reality with the Kings.

451
00:28:35,119 --> 00:28:40,719
Speaker 2: New episodes dropped on Tuesdays and Thursdays. Share, comment, follow,

452
00:28:40,920 --> 00:28:44,520
Speaker 2: and subscribe to Reality with the Kings. Wherever you get

453
00:28:44,600 --> 00:28:49,280
Speaker 2: your podcast, visit Reality Withtheking dot com and be sure

454
00:28:49,320 --> 00:28:54,160
Speaker 2: to follow me at Deep Carlos King, Underscore on Instagram, Twitter,

455
00:28:54,400 --> 00:28:57,840
Speaker 2: TikTok and Yes Baby, my YouTube channel where you can

456
00:28:57,920 --> 00:29:01,960
Speaker 2: get all of my visuals, baby, my expressions, Yeah, and

457
00:29:02,040 --> 00:29:05,440
Speaker 2: don't forget Tweet me your thoughts and hot takes about

458
00:29:05,480 --> 00:29:11,280
Speaker 2: this episode using the hashtag Reality with the King. Reality

459
00:29:11,320 --> 00:29:14,800
Speaker 2: with the King is a production of Kingdom Rain Entertainment.

460
00:29:15,600 --> 00:29:17,760
Speaker 1: It is produced by Sierra Spragley

461
00:29:17,840 --> 00:29:33,040
Speaker 2: Rix An executive produced by Me Carlos King, Kingdom Reign Entertainment,

462
00:29:33,320 --> 00:29:33,840
Speaker 2: Baby