WEBVTT - Mini Crush #82 0:00:00.640 --> 0:00:30.200 Welcome to Movie Crush, a production of I Heart Radio. Hey, everybody, 0:00:30.360 --> 0:00:33.800 welcome to Movie Crush. The Mini Crush edition. To my 0:00:33.880 --> 0:00:36.560 left is Knoll your left. Yeah, I guess that's true. 0:00:36.640 --> 0:00:39.240 So we're we're sort of reversed. I'm facing the door, 0:00:39.240 --> 0:00:41.520 your back is to the door, so left and right, 0:00:41.800 --> 0:00:46.000 up and down? Who knows? Topsy turvy here in the 0:00:46.080 --> 0:00:48.760 Movie Crush studio. Did you listen to this week's episode? 0:00:48.800 --> 0:00:51.080 Our episode? It was so funny. Have been talking about 0:00:51.080 --> 0:00:53.200 the one that just published? What do we talk about? 0:00:53.280 --> 0:00:55.560 I was genuinely laughing at the end. It was so great. 0:00:55.680 --> 0:00:59.920 That's when we started ripping on when you, you know, 0:01:00.760 --> 0:01:04.920 take care of my kids. Yes, started that was good. 0:01:05.160 --> 0:01:09.280 That was a tendency to get hydrated that I left it. 0:01:09.319 --> 0:01:11.280 I rewound that and all like three time. I'm glad. 0:01:11.480 --> 0:01:13.520 I'm glad. It's fun that we can even get a 0:01:13.520 --> 0:01:15.920 little joy out of listening to these stupid ninny crushes 0:01:15.959 --> 0:01:18.199 that we record. That brings us so much. Joke really 0:01:18.200 --> 0:01:19.880 does says and I always say this, and I'm gonna 0:01:19.880 --> 0:01:21.880 stay it every time. Uh, it's we always do it 0:01:21.880 --> 0:01:24.160 in the morning. Uh, it's a nice way to set 0:01:24.200 --> 0:01:26.080 the tone for it for a day for me. Sets 0:01:26.160 --> 0:01:30.319 the tone really really does tone setting. So this week, no, 0:01:30.480 --> 0:01:38.920 we're going all social studies, sociales movie, all social studies, 0:01:38.959 --> 0:01:42.680 all the time. And I'm pulling out of I'm pulling 0:01:42.680 --> 0:01:45.080 out a few old ones, some of these up to 0:01:45.240 --> 0:01:48.560 a year old, because they have stacked up with great comments. 0:01:49.880 --> 0:01:53.520 I'm gonna go ahead and started off with best last 0:01:53.600 --> 0:01:57.160 line of a movie. We did this in March. It 0:01:57.280 --> 0:01:59.960 is now the end of August, so it seems appropriate. 0:02:01.120 --> 0:02:04.760 Here we go. Jenny Ann says, the end of Arrival 0:02:05.000 --> 0:02:10.360 so moving, uh, tearing up just thinking about it. He says, 0:02:11.120 --> 0:02:15.520 you want to make a baby, and she says, yes, yeah, 0:02:15.880 --> 0:02:20.440 very simple. But in context of the film Doggy, that 0:02:20.480 --> 0:02:22.040 movie made me cry. That one had a good I 0:02:22.040 --> 0:02:23.440 don't know if you call it a twist. It's kind 0:02:23.440 --> 0:02:25.840 of a twist. It's a twist. Yeah. I don't mean 0:02:25.880 --> 0:02:28.240 we shouldn't spoil if ayone hasn't seen it. But it flipped, 0:02:28.240 --> 0:02:30.440 it flips a little bit of expectation. Let's put it 0:02:30.480 --> 0:02:33.280 that way, flips expectations. I like that. I like that 0:02:33.320 --> 0:02:34.960 movie a lot of me. I felt the same way. 0:02:35.000 --> 0:02:38.720 I'd make me very clamped. Let me see here Michelle 0:02:38.800 --> 0:02:42.400 Johnson after my own heart from the Breakfast Club. But 0:02:42.520 --> 0:02:44.400 what we found out is that each one of us 0:02:44.520 --> 0:02:47.520 is a brain and an athlete, and a basket case, 0:02:48.120 --> 0:02:51.400 a princess and a criminal. Does that answer your question? 0:02:51.840 --> 0:02:56.480 Sincerely yours the Breakfast Club. I watched that on the plane. 0:02:56.720 --> 0:02:59.120 You finally saw it, I did. Did you watch the 0:02:59.120 --> 0:03:00.480 whole thing? I didn't make it all the way through. 0:03:00.560 --> 0:03:01.720 You know that was a short. It was a right 0:03:01.760 --> 0:03:03.959 to Orlando, so you watched an hour of it. I 0:03:04.000 --> 0:03:05.840 watched it, however, but I have to tell you there's 0:03:05.840 --> 0:03:08.079 a really funny part that I want to mention. The 0:03:08.560 --> 0:03:11.960 principle or or whatever. He's a dick like he's but 0:03:11.960 --> 0:03:15.280 there's a scene where he's dressing down Judd and Judd 0:03:15.280 --> 0:03:18.520 Nelson in like the utility closet or whatever. He says, 0:03:18.720 --> 0:03:21.960 I make thirty four thousand dollars a year and have 0:03:22.040 --> 0:03:25.040 a mortgage. You're a piece of trash. But I love it. 0:03:25.200 --> 0:03:27.200 Was he saying that was a lot of money. Not 0:03:27.240 --> 0:03:29.280 a lot of money. Yeah, I mean, I think in 0:03:29.280 --> 0:03:32.600 in the context of nineteen eighty six or eighty seven, 0:03:33.440 --> 0:03:37.440 that was an impressive number. Maybe I think for for principle. Yeah, 0:03:37.600 --> 0:03:39.360 I don't know. It was an interesting scene. It is 0:03:39.400 --> 0:03:43.080 funny how things have changed, because, uh, that was go 0:03:43.080 --> 0:03:45.640 ahead and say that was my starting salary as a 0:03:45.680 --> 0:03:47.680 writer at How Stuff Works, I think was like thirty 0:03:47.720 --> 0:03:51.320 three thousand dollars and after taxes are it's not very 0:03:51.360 --> 0:03:54.400 much money. No, because the taxes are out of control. Yeah, 0:03:54.400 --> 0:03:56.720 it's enough to like he could buy on your bills 0:03:56.760 --> 0:04:00.640 and live spooned the mouth exactly. That was a funny 0:04:00.640 --> 0:04:04.520 part that that line has not aged well, Old pal Alec. 0:04:04.880 --> 0:04:09.160 I'm sorry, Alex Klaznovich says, I'm going home to sleep 0:04:09.200 --> 0:04:13.880 with my wife. Mr Green from Clue, you still haven't 0:04:13.880 --> 0:04:16.400 seen that one? Y anyway, Are you gonna watch the 0:04:16.440 --> 0:04:19.160 second hour of Breakfast Club? That's what I do? No, 0:04:19.240 --> 0:04:20.680 I loved it. That's that's always what I do. Like 0:04:20.680 --> 0:04:24.280 I've watched whole series on plane rides like, so yeah, 0:04:24.320 --> 0:04:27.440 I'll definitely go back and finish it, all right, Paul Cook, No, 0:04:27.760 --> 0:04:29.880 you'll look like this one. Fight Club may not age well, 0:04:29.920 --> 0:04:32.360 he says, but it ends well. You met me at 0:04:32.360 --> 0:04:35.520 a very strange time in my life. Cue the Pixies. 0:04:35.720 --> 0:04:38.279 Where is my mind? Perfection? I also always thought that 0:04:38.320 --> 0:04:40.120 was a neat moment because it kind of makes you 0:04:40.160 --> 0:04:42.640 realize the whole movie was really just a love story. 0:04:42.640 --> 0:04:45.920 He manufactured the whole character of Tyler Dirton just as 0:04:45.960 --> 0:04:50.440 a way of getting to uh this love Marla. Yeah. Yeah, 0:04:50.600 --> 0:04:52.400 I know people should on that movie because if it's 0:04:52.880 --> 0:04:55.000 brow nous or whatever, but it was a very important 0:04:55.000 --> 0:04:57.040 movie to me at the time, and I still think 0:04:57.080 --> 0:05:02.000 it has some interesting storytelling qualities. Uh. Mike Doyle says 0:05:02.080 --> 0:05:06.279 this because he's the hero Gotham deserves, but not the 0:05:06.279 --> 0:05:09.240 one that needs right now. So we'll hunt him because 0:05:09.279 --> 0:05:12.479 he can take it. Because he's not our hero. He's 0:05:12.520 --> 0:05:16.440 a silent guardian, a watchful protector, a dark night. Yes, 0:05:18.080 --> 0:05:22.359 good stuff, good writing. David S. Goyer? Goyer, did you 0:05:22.400 --> 0:05:24.240 write that? Oh? I don't know who was I think 0:05:24.279 --> 0:05:27.159 it was. Have you ever written a screenplay or anything? Ang, 0:05:27.880 --> 0:05:30.440 I gotta tell you, writing the last like page of 0:05:30.440 --> 0:05:34.360 a screenplay is pretty special. Not only because you're finishing 0:05:34.720 --> 0:05:37.280 that's a big part of it, but like, uh, you 0:05:37.480 --> 0:05:39.159 you you want to wow him at the end, you know, 0:05:39.560 --> 0:05:44.400 those last lines are important, totally important with a d oh, yeah, 0:05:45.000 --> 0:05:46.600 maybe I'll give it a try. I've got I've got 0:05:46.600 --> 0:05:49.440 a little book of notes of real life shit that 0:05:49.520 --> 0:05:52.080 I overhear that I think would work really well in 0:05:52.120 --> 0:05:55.800 the screenplay. Oh yeah, it possibly exists in Okay, we'll 0:05:55.800 --> 0:05:59.920 see you're collecting. I like it. Let me see here. 0:06:00.000 --> 0:06:02.839 Oh wow, this is a great one, Lindsay Livingstone says, 0:06:03.600 --> 0:06:07.040 eventually all things merge into one and a river runs 0:06:07.040 --> 0:06:10.440 through it. How do you feel that the last line 0:06:10.480 --> 0:06:12.200 that has the name of the movie in it? I 0:06:12.240 --> 0:06:14.520 think it's great. You think it's good? Yeah, I mean 0:06:14.600 --> 0:06:17.000 when it works, for sure, But it absolutely works in 0:06:17.040 --> 0:06:19.880 that movie. But that does sort of remind me of 0:06:19.920 --> 0:06:23.120 the little bit that you showed me with Welcome to 0:06:23.279 --> 0:06:27.480 Jurassic It's been one week since you looked at me. 0:06:29.320 --> 0:06:33.120 That's a funny bit. Let me see here, Jonathan Cooley 0:06:33.160 --> 0:06:35.800 from the Diary of Anne Frank. I still believe, in 0:06:35.839 --> 0:06:39.120 spite of everything, that people are still truly good at heart. 0:06:40.279 --> 0:06:44.960 I like what you're laying down there, Coolly Positivity, Old 0:06:44.960 --> 0:06:48.640 pal Austin Handler. Depending on which version of Blade Runner 0:06:48.680 --> 0:06:52.799 you subscribe to, either Gaff's last line from Final cut 0:06:53.320 --> 0:06:56.400 it's too bad she won't live, but then again, who does, 0:06:57.920 --> 0:07:01.520 or Deckard's last voiceover line in the monologue and the 0:07:01.880 --> 0:07:05.640 theatrical release. Gaff had been there and let her live 0:07:07.440 --> 0:07:10.960 four years. He figured he was wrong. Terrell had told 0:07:10.960 --> 0:07:14.160 me Rachel was special. No termination date. I don't know 0:07:14.200 --> 0:07:17.760 how long we had together. Who does like the first 0:07:17.760 --> 0:07:21.800 one better? Yeah? More succinct. Yep, hits you, hits you 0:07:21.880 --> 0:07:24.960 in the heart place, a little quicker, Yes, for sure, 0:07:25.520 --> 0:07:29.080 Stephen Michael Lynn says Michael Corleone lies to his wife 0:07:29.160 --> 0:07:31.440 k about killing Carlo at the end of The Godfather. 0:07:32.280 --> 0:07:35.559 The way he coldly and easily delivers that no gives 0:07:35.600 --> 0:07:39.040 me chills just thinking about it. Yeah, that's great. It 0:07:39.040 --> 0:07:44.040 shows his true transformation. Yeah, for sure, Ben Harrison, A 0:07:44.080 --> 0:07:47.000 Friendly Fire was just talking about The Godfather essentially being 0:07:47.000 --> 0:07:51.720 a movie about um, a man and his wife, sort 0:07:51.720 --> 0:07:54.000 of set amongst the world of a gangster family, but 0:07:54.280 --> 0:07:56.800 a man being true to his wife and true to 0:07:56.880 --> 0:07:59.440 his word, which is uh. There could be an argument 0:07:59.440 --> 0:08:01.920 made for that. And I just spent the weekend with 0:08:02.040 --> 0:08:05.560 Ben Harrison and Adam Pranica of the Greatest Generation and 0:08:05.640 --> 0:08:08.160 Friendly Fire. We all went to the lake together along 0:08:08.200 --> 0:08:11.120 with our booking agent that we all share, Josh Linggren, 0:08:11.600 --> 0:08:13.920 and the wives and boy, we had a great time. 0:08:14.000 --> 0:08:17.960 That sounds fun. We drank a lot. They're younger, Noel, 0:08:18.720 --> 0:08:22.360 I forgot these day drinkers. You have a hard time 0:08:22.360 --> 0:08:24.800 with that myself. They put a hurting on me. I hung, 0:08:24.840 --> 0:08:29.080 though I hanged, proud of your check. Uh let me 0:08:29.120 --> 0:08:31.400 see here, all right? How about this from white Earp? 0:08:31.560 --> 0:08:33.800 Brooks Hudgens says this because I know you like that 0:08:33.840 --> 0:08:37.040 movie nol Oh no, you love Oh no, this is Tombstone. 0:08:37.600 --> 0:08:40.400 It is the character white Earp in Tombstone? Isn't that 0:08:40.880 --> 0:08:44.959 delivering the final line? Who plays white Earp? That's Kevin Costner, right, No, 0:08:45.120 --> 0:08:47.120 he played wide up and white Earp? Shit? Who is 0:08:47.120 --> 0:08:52.880 in Tombstone? Uh? Val Kilmer holiday, he's your Huckleberry. I 0:08:52.880 --> 0:08:55.280 don't know, look at up. But here's the last line. 0:08:55.679 --> 0:08:57.880 I haven't seen that in a long time. Tell them 0:08:57.920 --> 0:09:02.320 I'm coming in Hell's coming with me. That's good, not bad. 0:09:03.440 --> 0:09:06.760 It's it's Kurt Russell. Oh, of course it is. And 0:09:06.880 --> 0:09:09.640 Sam Elliott is in it as well, playing Virgil. I'm 0:09:09.640 --> 0:09:12.160 picturing the mustache now on Kurt Russell. There's a lot 0:09:12.200 --> 0:09:15.640 of herbs in this. Yeah, there's there's Virgil RP I'm 0:09:15.720 --> 0:09:18.840 Morgan RP. Played by Bill Paxton. How about herb dirp. 0:09:19.080 --> 0:09:22.840 There ain't no there's no herp dirp. Jane Longshore are 0:09:22.880 --> 0:09:28.760 old Pal says from Ghostbusters? I love this town. Yeah, 0:09:29.160 --> 0:09:31.640 that's a good last line. And what's what's the one 0:09:31.679 --> 0:09:33.439 from Chinatown that just just says the name of the 0:09:33.480 --> 0:09:35.800 ways like that? It's Chinatowns Yeah, I forget about it. 0:09:36.400 --> 0:09:41.120 It's Chinatown. Yeah, that's another good example. Matthew A. Trotta 0:09:41.240 --> 0:09:44.680 says the Great Gatsby. So we beat on boats against 0:09:44.720 --> 0:09:50.240 the current, born back ceaselessly into the past, and then 0:09:50.240 --> 0:09:52.080 we'll finish up with Kyle Knox. One of the great 0:09:52.200 --> 0:09:55.120 iconic glass lines ever knowl from Back to the Future. 0:09:55.160 --> 0:09:57.800 I'm sure you know it by heart, right, I know 0:09:57.840 --> 0:09:59.040 a lot of it? Yeah, for sure. Do you know 0:09:59.080 --> 0:10:04.560 the last line? Wait? Sure you do? No, what happens 0:10:04.559 --> 0:10:09.040 at the end? I don't remember. You don't remember the 0:10:09.080 --> 0:10:10.559 end of Back to the Future. Well, I mean a 0:10:10.600 --> 0:10:13.080 lot of things happen at the end. Oh he doesn't 0:10:13.080 --> 0:10:16.280 he say? Doesn't he say back to the future? Did 0:10:16.320 --> 0:10:18.160 he say? Where are we going? We're going back to 0:10:18.240 --> 0:10:23.120 the future. Back to the future, Chuck, that's not what 0:10:23.240 --> 0:10:25.000 he says. That's like in the middle of the movie. 0:10:25.200 --> 0:10:27.400 What does he say at the end the end Doc 0:10:27.480 --> 0:10:30.000 comes back from the future. The DeLorean is now a 0:10:30.040 --> 0:10:36.000 spaceship and he's pouring we go. We won't need where 0:10:36.000 --> 0:10:38.719 we're going, we don't need so sorry, I need a 0:10:38.720 --> 0:10:41.960 little prompting back to the future. Back to the future. Shock. 0:10:43.360 --> 0:10:45.480 He does say that in in the middle of the picture, though, 0:10:45.760 --> 0:10:48.079 I think he does because he does that great look 0:10:48.120 --> 0:10:50.440 at camera. I'm going to send them back to the future. 0:10:52.640 --> 0:10:54.760 I love how you blanked on that so hard. You 0:10:54.840 --> 0:10:58.040 look so scared. Well, I mean because I knew I 0:10:58.080 --> 0:11:00.000 should know it, but it was just you know how 0:11:00.040 --> 0:11:02.720 that is when you're like, it's your brain. Tip of 0:11:02.720 --> 0:11:05.719 the brain put you on the spot. You're still a 0:11:05.760 --> 0:11:09.920 little flustered. I'm not chuck, I'm fine. I'm easing into it. Okay, ease, 0:11:10.080 --> 0:11:12.200 And I gotta call with walk a flock of Flame 0:11:12.240 --> 0:11:14.280 at ten. Alright, I'm a little stressed about that. Who's 0:11:14.320 --> 0:11:16.960 that he's a rapper? Oh yeah, yeah, you got a 0:11:16.960 --> 0:11:19.360 call with the flocks. He did that song hard in 0:11:19.360 --> 0:11:22.760 the motherfucking paint. I don't know any of that's about basketball. Yeah, 0:11:22.840 --> 0:11:24.280 that's what hard in the paint means when you go 0:11:24.320 --> 0:11:26.160 hard that we're doing a show with him. I would, 0:11:26.280 --> 0:11:27.920 I'll see, I'll see what I can do, Chuck, Is 0:11:27.920 --> 0:11:30.640 that what it's about developing the show? Possibly? Very nice, 0:11:30.760 --> 0:11:40.640 I'll see. That's insider ship. Everyone. All right, we're gonna 0:11:40.640 --> 0:11:45.480 move on to one from Marchinal Social Studies after Dark. 0:11:45.559 --> 0:11:48.760 Remember when I asked about favorite sex scene. Yes, this 0:11:48.800 --> 0:11:52.320 is good. This has got three eighteen comments, and we'll 0:11:52.320 --> 0:11:55.199 just bust through some of these. Dave Lindquist says, demolition 0:11:55.280 --> 0:11:59.760 man with the headsets. Wait, why are they wearing headsets? 0:12:00.040 --> 0:12:01.880 Don't remember I walked out of that movie some kind 0:12:01.880 --> 0:12:07.800 of future sex, Back to the future sex, our oldest 0:12:07.840 --> 0:12:11.640 of pal's Stellin Carlson says Bradley Cooper and Michael Ian 0:12:11.679 --> 0:12:14.959 Black and wet hot American Summer. It's the one serious 0:12:14.960 --> 0:12:17.960 part of a very silly movie, which wearing masks, throwing masks. 0:12:18.000 --> 0:12:20.520 I think, uh no, they're not wearing masks. I'm thinking 0:12:20.520 --> 0:12:21.959 that's in the that's in I'm sorry, that's in the 0:12:22.240 --> 0:12:24.800 new the reboot or whatever. Yes, no, I know exactly 0:12:24.840 --> 0:12:28.680 what you're talking about. He said. It's usually anything gay, 0:12:28.840 --> 0:12:31.800 which he put in quotes in a comedy means we're 0:12:31.800 --> 0:12:34.079 the butt of the joke, but not this time. It's 0:12:34.080 --> 0:12:36.640 really quite beautiful. It is a very nice scene. I agree. 0:12:36.640 --> 0:12:39.040 I think they that was a pretty fun choice to 0:12:39.120 --> 0:12:42.160 just be like, let's treat this as a really romantic 0:12:42.280 --> 0:12:44.600 love scene between these two guys. It was great and 0:12:44.600 --> 0:12:47.480 it worked well in context of the film that was 0:12:47.520 --> 0:12:51.719 otherwise very silly. Derrek Tindall my old friend from high 0:12:51.720 --> 0:12:57.520 school and elementary school. How about that? That's exciting shocking? 0:12:57.880 --> 0:13:00.160 Are you guys? If you guys reconnected? Uh know, I 0:13:00.160 --> 0:13:02.240 mean just on Facebook. But yeah, Derek, I've known since 0:13:02.280 --> 0:13:04.240 I was six and he's uh, he's a DP now. 0:13:04.280 --> 0:13:06.840 I think he lives in I think North Carolina and 0:13:06.840 --> 0:13:09.440 as a director of photography. So our careers have a 0:13:09.480 --> 0:13:12.520 line somewhat funny enough. So how you doing, Derek? Good 0:13:12.520 --> 0:13:15.200 to see a old friend, he says, this, um surprised 0:13:15.200 --> 0:13:17.720 no one mentioned out of sight. Oh boy, Derek just 0:13:17.760 --> 0:13:20.040 listened to the episode on that one. Maybe it's more 0:13:20.040 --> 0:13:23.079 of a seduction scene. Uh no, I mean there is 0:13:23.120 --> 0:13:25.440 a sex scene. It doesn't really show them getting down, 0:13:25.480 --> 0:13:28.040 but I count that. And he says, let's not forget 0:13:28.080 --> 0:13:31.040 some of the hilarity and skin deep, especially the glow 0:13:31.040 --> 0:13:34.760 in the dark condoms. I didn't see. I don't know 0:13:34.800 --> 0:13:37.679 this film. I don't either, really quick chuck, just not 0:13:37.720 --> 0:13:40.560 to derail, but did you know that the director of 0:13:40.679 --> 0:13:44.839 Tombstone was a guy named George P. Cosmatos and his 0:13:44.920 --> 0:13:50.520 son his Panos Cosmatos, who directed Mandy, one of my 0:13:50.600 --> 0:13:55.000 favorite pictures. So what did his dad direct Tombstone? Interesting? 0:13:55.040 --> 0:13:57.360 And I think that he worked on it when he 0:13:57.400 --> 0:13:58.760 was a kid. He was like a deep he was 0:13:58.800 --> 0:14:02.640 like a pier or what day or whatever? Yeah? Interesting neat. 0:14:03.120 --> 0:14:05.719 I like that and all throwing out the knowledge part 0:14:05.800 --> 0:14:09.840 of the nessa squad. Vanessa Cashman says true romance when 0:14:09.880 --> 0:14:14.079 Clarence in Alabama and the phone booth with Dick Ritchie 0:14:14.120 --> 0:14:16.120 on the line. Loved the shoes on the phone books 0:14:16.120 --> 0:14:18.920 she Antilly lace playing. Yeah, that's a pretty classic scene. 0:14:19.880 --> 0:14:24.160 It's fun and slightly hot for being a phone booth jam, 0:14:24.240 --> 0:14:28.560 you know what I mean? Absolutely, Tracy Driver, McCarthy, Thomas 0:14:28.640 --> 0:14:32.840 Crown Affair, Pierce Brosnan, and Renee Russo over all over 0:14:32.960 --> 0:14:36.200 his house and staircase. Oh my, and she got a 0:14:36.200 --> 0:14:38.640 lot of up likes and loves for that one and 0:14:38.680 --> 0:14:41.600 even some comments. I don't think I saw that what's 0:14:41.640 --> 0:14:44.520 the what's the movie called The Thomas Crown Affair and 0:14:44.720 --> 0:14:46.480 I saw the original, I did not see that remake 0:14:46.520 --> 0:14:50.720 that Pierce bros. Yeah, and uh, commented kim Merritt says, 0:14:50.720 --> 0:14:53.720 one of my favorites to Tracy Renee Russo was sexy 0:14:53.800 --> 0:14:56.560 a f in that movie. She is sexy. Yeah, I 0:14:56.600 --> 0:14:59.640 like her in general. Yeah, very beautiful woman. Yeah, has 0:14:59.680 --> 0:15:02.440 a good up poised kind of the way she carries herself. 0:15:02.480 --> 0:15:04.640 I really like. Yeah. She always she always seems like 0:15:04.680 --> 0:15:08.840 a classy broad. Classy broad. That's what I was getting at. Uh, 0:15:08.840 --> 0:15:11.560 we're kidding everyone. We don't really call ladies broad unless 0:15:11.600 --> 0:15:14.920 it's in jest or if it's like the right. Carolyn Gaston, 0:15:15.040 --> 0:15:18.200 one of our oldest of friends, says, there's a lot 0:15:18.240 --> 0:15:22.000 I hate about it now, Uh, Woody Allen. That is 0:15:22.040 --> 0:15:25.640 in the cheating storyline, but match point the blisteringly hot 0:15:25.800 --> 0:15:32.840 pairing of Scarlett Johansson and Jonathan Reese Myers bisexuality reaffirmed flames. Yeah, 0:15:32.880 --> 0:15:34.680 that was a hot scene. That was a hot movie. 0:15:35.200 --> 0:15:36.880 There's a couple of hot scenes in that movie. I 0:15:36.880 --> 0:15:40.960 haven't seen it. Match Point was very good, very good film. 0:15:41.400 --> 0:15:44.160 Our old pal Dylan Thomas the Poet, says, I don't 0:15:44.200 --> 0:15:46.200 really have a favorite, but my wife says, the hottest 0:15:46.240 --> 0:15:49.120 of all times was Rachel McAdams and Ryan Gossling in 0:15:49.160 --> 0:15:52.520 The Notebook. Yeah, she'sa he said, you don't have to 0:15:52.560 --> 0:15:55.240 see everything. The chemistry was so incredible. I think they 0:15:55.320 --> 0:15:57.400 like they were really in love too, So that helps. 0:15:57.600 --> 0:15:59.960 Is that the one in the rain, well, that was 0:16:00.040 --> 0:16:03.920 certainly a rain shot in the cover of the box. Yeah. 0:16:04.120 --> 0:16:05.720 I like The Notebook a lot. Yeah, I know people 0:16:05.800 --> 0:16:07.400 people I've never seen people really like. I was a 0:16:07.440 --> 0:16:11.520 sucker for it. Very very kind of classic romance, very 0:16:11.520 --> 0:16:15.560 well acted. And then you've got the them as older 0:16:15.600 --> 0:16:18.120 people with the General Rolan's and James Garner, and it's 0:16:18.160 --> 0:16:21.440 just you can't watch it without bawling like a baby. 0:16:21.640 --> 0:16:24.360 I can only imagine. I quite enjoyed it. I'm gonna 0:16:24.360 --> 0:16:27.640 stand up for The Notebook anytime, Jean Sharp says. The 0:16:27.640 --> 0:16:33.000 montage and Deadpool, yeah that was good. It's a good 0:16:33.040 --> 0:16:36.800 sex scene. That woman the actor has the longest neck, 0:16:37.640 --> 0:16:41.000 very Swan like long neck. I never noticed. I can't 0:16:41.000 --> 0:16:46.600 remember her name. She she played Remember the Home I 0:16:46.680 --> 0:16:48.520 remember that, there's a there's a tell there's like, you know, 0:16:48.520 --> 0:16:51.680 the one from the eighties, and they remade it and 0:16:51.800 --> 0:16:56.240 she was the Alien Queen and really made too great 0:16:56.240 --> 0:16:59.160 advantage of her her long neck. Yeah, alien like, very 0:16:59.160 --> 0:17:02.760 alien like. She's very pretty good, gorgeous, good actor. Yes, 0:17:02.800 --> 0:17:05.919 for sure. I liked her in Homeland. Brendan Reese, one 0:17:05.960 --> 0:17:10.359 of our old pal, says, uh, the First Terminator. He 0:17:10.400 --> 0:17:12.480 said it was rated R and for me, my first 0:17:13.040 --> 0:17:17.919 on screen topless scene for him, hot Shots is definitely 0:17:18.000 --> 0:17:25.360 in there. Watchman and the Second Matrix. Speaking of which, 0:17:25.359 --> 0:17:28.000 how are you feeling about the fourth Matrix coming up? Well, 0:17:28.040 --> 0:17:29.720 you know, it's funny. Noll Is, Matt Frederick and I 0:17:29.720 --> 0:17:33.120 are recording the Matrix right after this. That's cool. And 0:17:33.400 --> 0:17:35.920 I asked him yesterday and it was announced yesterday about 0:17:35.920 --> 0:17:38.000 the fourth He was like, dude, how did you know? 0:17:38.680 --> 0:17:41.040 And of course I didn't know. I don't know. How 0:17:41.040 --> 0:17:43.439 I feel. I feel great if it's great, I hope so, 0:17:43.520 --> 0:17:46.280 because I mean the second, third ones were not that great. 0:17:46.359 --> 0:17:48.560 I try to imagine they don't exist. That's how I 0:17:48.600 --> 0:17:50.760 came by. Yeah, that's why I lived my life that's 0:17:50.800 --> 0:17:52.679 probably a good way. Maybe the fourth will be like 0:17:52.720 --> 0:17:58.159 really cool, Wow, it's only Lanta, I guarantee Wakowski. So 0:17:58.280 --> 0:18:00.879 I'm not sure why he's not involved. Uh, and that 0:18:00.920 --> 0:18:03.600 worries me a little bit. Really, I don't know. My 0:18:03.600 --> 0:18:06.160 my my my thing is like I bet you they're like, Okay, 0:18:06.520 --> 0:18:09.919 Keanu is blowing the world up with this John Wick situation. 0:18:09.960 --> 0:18:13.040 You know, he's obviously still got it. Let's make another matrix. 0:18:13.080 --> 0:18:14.760 Now is the time? People love that had a lot 0:18:14.800 --> 0:18:16.679 to do with it. I love that property. Yeah, Keanu, 0:18:16.880 --> 0:18:19.320 especially with the toy story, for he's like super hot 0:18:19.400 --> 0:18:21.720 right now, hotter than ever. You know, it's funny, is 0:18:21.760 --> 0:18:23.720 what a baby he was in the Matrix? I kind 0:18:23.760 --> 0:18:25.760 of forgotten when I saw him. I was like a 0:18:25.760 --> 0:18:28.919 little baby cannot I know it's true years ago. You 0:18:28.960 --> 0:18:35.840 believe that what a movie holds up? I disagree. Oh really, listen, 0:18:35.920 --> 0:18:37.760 I I there's the debate amongst me and a lot 0:18:37.800 --> 0:18:41.040 of my friends. I think it's a very important, great movie. 0:18:41.600 --> 0:18:46.520 I think the acting is a little B movie level churchlocky, 0:18:46.560 --> 0:18:47.919 but that's sort of what it is. That's the kind 0:18:47.920 --> 0:18:50.919 of movie it is. I think the special effects suffer 0:18:51.000 --> 0:18:53.320 from the fact that they've been copied so many times 0:18:53.400 --> 0:18:55.359 since then that when you go back and watch the 0:18:55.359 --> 0:18:58.040 original and you see that bullet time stuff, it just 0:18:58.119 --> 0:19:01.120 looks kind of hackneyed and like over overdone. But it's 0:19:01.160 --> 0:19:03.239 not the movie's fault, because they're the ones that did 0:19:03.240 --> 0:19:05.199 it the first time. But I watched it with my 0:19:05.280 --> 0:19:08.720 kid and she was like, this looks cheesy, you know, 0:19:08.800 --> 0:19:11.720 because because she's seeing all of the you know, the 0:19:12.160 --> 0:19:14.800 retreads of it or whatever. But I do think it's 0:19:14.800 --> 0:19:17.439 a very very important film. It took sci fi, smart 0:19:17.520 --> 0:19:20.280 sci fi and pushed it, you know, into the mainstream 0:19:20.320 --> 0:19:22.399 kind of in a really cool way. Interesting. I don't know, 0:19:22.440 --> 0:19:25.040 that's just my take. I think Matt and I will 0:19:25.040 --> 0:19:29.720 have a different conversation problem. I think you might be right. Uh, 0:19:29.840 --> 0:19:32.400 let me see here, Felicia, this is an old friend. 0:19:32.400 --> 0:19:37.840 Felicia TRULYO Brian, I hope I pronounced that right. She said, 0:19:37.840 --> 0:19:40.720 good luck, Chuck. She's not a great movie at all. 0:19:40.720 --> 0:19:43.440 But the sex montage really cracked me up. Sometimes a 0:19:43.440 --> 0:19:46.560 funny sex scene is you know, it's a lot can 0:19:46.560 --> 0:19:48.240 be a lot of fun. Yeah, remember that one in 0:19:48.240 --> 0:19:49.880 the Naked Gun movie where they were in the full 0:19:49.920 --> 0:19:54.000 body condoms. Sure, I think naked gun too. I guess 0:19:54.040 --> 0:19:56.119 I think it was the person. I'm not sure if 0:19:57.840 --> 0:20:02.399 Ashton mcdarris young answered for his wife and himself for 0:20:02.520 --> 0:20:05.960 his wife at his Black Swan that's pretty hot movie, 0:20:06.359 --> 0:20:08.920 and for himself. It was Pearl Harbor with Kate Beckinsale 0:20:08.920 --> 0:20:14.520 and Josh Hartnett. I never saw Pearl Harbor. Uh, it's terrible, yeah, 0:20:14.560 --> 0:20:17.480 because it struck me as like, what's his face Bruckheimer 0:20:17.520 --> 0:20:21.240 trying to do a Titanic. Yeah, you know, right, that's 0:20:21.240 --> 0:20:23.240 what it was. Was Michael Bay Michael by excuse me, 0:20:23.240 --> 0:20:26.159 brock Bruckheimer probably produced it. Oh, that's right, that's right. 0:20:26.280 --> 0:20:28.639 It was terrible. It was. It was dogshit. One of 0:20:28.680 --> 0:20:31.159 the worst films, fair enough. I left. I went and 0:20:31.160 --> 0:20:32.760 saw in the movie theater just because I wanted to 0:20:32.800 --> 0:20:36.439 see the attack on Pearl Pearl Harbor, because at the 0:20:36.480 --> 0:20:39.240 time it was like a you know, a spectacle to 0:20:39.320 --> 0:20:42.119 do a big attack scene like and I watched that 0:20:42.160 --> 0:20:44.879 scene and then I left the movie theater because it 0:20:44.960 --> 0:20:48.600 was all this kind of bullshit manufactured dog shit. Yeah, sorry, 0:20:48.800 --> 0:20:53.199 romance kind of thing. So bad. Uh. The script is 0:20:53.240 --> 0:20:56.200 just beyond awful. It was written by an Ai Butt 0:20:56.240 --> 0:20:59.680 as well. Samantha Rossetti, one of our old friends, says, 0:20:59.840 --> 0:21:03.600 M them and Brittany Murphy an eight mile dir, Dr 0:21:03.960 --> 0:21:14.080 Dr Dirt Raw and Short. I agree. Dan Maynard says 0:21:14.119 --> 0:21:17.320 a mcgrouber, I never laughed so hard during a sex 0:21:17.600 --> 0:21:19.960 sex scene. You really need to watch it, Chuck. I 0:21:20.040 --> 0:21:22.280 don't know why I haven't seen mcgrouber. Haven't. I love 0:21:22.400 --> 0:21:24.760 mcgrouber heard it's great. It's the Lonely Island guys that 0:21:24.840 --> 0:21:26.600 made the movie. I know. I didn't even realize that 0:21:26.680 --> 0:21:28.760 until recently. I gotta do it. This is one of 0:21:28.800 --> 0:21:31.159 those things where that's so off my radar. I never 0:21:31.280 --> 0:21:33.680 think to watch mcgrouber. You know. It's it's one of 0:21:33.720 --> 0:21:36.440 those these window passed and it's not like high on 0:21:36.520 --> 0:21:39.160 the list. Have you seen hot Rod? No, I haven't 0:21:39.200 --> 0:21:41.640 seen hot Rod either. I hadn't either, said. That's the thing, Chuck, 0:21:41.680 --> 0:21:43.040 you kind of have to be forced to watch a 0:21:43.080 --> 0:21:44.879 movie like that. And that's what happened with me in 0:21:44.920 --> 0:21:46.600 hot Rod. Like other group of friends and they're like, 0:21:46.680 --> 0:21:48.920 you haven't seen hot Rod? And they made me watch 0:21:48.960 --> 0:21:51.600