WEBVTT - How 3D Printing Works

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<v Speaker 1>Welcome to you stuff you should know from house Stuffworks

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<v Speaker 1>dot com. Hey, and welcome to the podcast. I'm Josh Clark,

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<v Speaker 1>and this is kind of unusual with me. Is Ben Boldin?

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<v Speaker 1>Say Hi everybody, Ben, Hey, everybody, Um, Ben you are

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<v Speaker 1>here because well we have some pretty big news. Um well,

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<v Speaker 1>because we can't really say exactly why, but um, Chuck

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<v Speaker 1>was called away and it's not going to be with

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<v Speaker 1>us any longer. Unfortunately. It's a very very sad day

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<v Speaker 1>for all of us here. Um. You know, Chuck was

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<v Speaker 1>part of this almost from the beginning. Bend. Yeah, Chuck

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<v Speaker 1>started in July two. Yes, nice homework, Yeah he did.

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<v Speaker 1>And um, you know I always said like that's when

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<v Speaker 1>the fireworks happened, like everything, just like that first Chuck

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<v Speaker 1>episode of at Least the Amazing. So um, not to

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<v Speaker 1>set you up for anything, obviously, but you know, there's

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<v Speaker 1>some big shoes to fill and Chuckle be missed. And

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<v Speaker 1>I know you love him and everybody out there loves him,

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<v Speaker 1>but we've got to keep going on. You know. Yeah,

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<v Speaker 1>Chuck is doing what he has to do, and uh,

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<v Speaker 1>it falls if alls us. I um, I want to

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<v Speaker 1>be respectful. Well, yeah, a long time fan first Time

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<v Speaker 1>co host. Well that hopefully that that you know, that

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<v Speaker 1>will translate to this that you know that you have

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<v Speaker 1>an enthusiasm for not just the topics, but for stuff

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<v Speaker 1>you should know in general. You know, like that'll I'm

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<v Speaker 1>sure people will appreciate that. I know this is a

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<v Speaker 1>little odd. This is it was quick, it was sudden.

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<v Speaker 1>He is out of the blue. But hats off to

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<v Speaker 1>you man for stepping in like you you're a braver

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<v Speaker 1>soul than I am. Ah. Yeah, I'll be honest with you.

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<v Speaker 1>I'm a little scared. You're doing good. What Aaron Cooper

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<v Speaker 1>is gonna think everybody else is is gonna do. But

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<v Speaker 1>I think Aaron Cooper is the least of your worries

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<v Speaker 1>probably the show. So well with that, let's go on

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<v Speaker 1>with the show. We're talking today about three D printers.

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<v Speaker 1>Are you pretty familiar with three D printers? So I

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<v Speaker 1>I am as well kind of you know, mostly just

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<v Speaker 1>from keeping up with like the big news stories, um,

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<v Speaker 1>but the ins and out the details of a three

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<v Speaker 1>D printer, um, the machine itself, how it operates. I

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<v Speaker 1>didn't really know a lot about until I read this article, Like,

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<v Speaker 1>were you familiar with the intricacies of it? Yes, yeah, Um,

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<v Speaker 1>didn't you guys have one in the video department. I

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<v Speaker 1>don't know if everybody knows this or not, but you

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<v Speaker 1>originally started out you're a video guy, and then you

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<v Speaker 1>made the leap over to editorial and now here you are,

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<v Speaker 1>um and stuff you should know too. Um, but wasn't

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<v Speaker 1>there a three D printer in the video department for what? Ye?

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<v Speaker 1>And you guys made some pretty good use of that, right, Uh. Yeah.

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<v Speaker 1>The three D printer that we had is one of

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<v Speaker 1>the early models, so it has some advantages. It can

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<v Speaker 1>prints really cool stuff, but as pretty small, uh pretty

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<v Speaker 1>small production capacity, it takes a while to get to it.

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<v Speaker 1>It's cool. We only have one kind of plastic, so

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<v Speaker 1>everything is really bright green. Yes, I remember seeing that.

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<v Speaker 1>That's the kind of gives you a headache. Yes, yeah,

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<v Speaker 1>and that is that is probably um the bulk of

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<v Speaker 1>the cons when it gets to that. But I think

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<v Speaker 1>that three D printing is a fantastic and exciting thing.

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<v Speaker 1>And a lot of people don't know this, but not

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<v Speaker 1>all three D printing is created equally. There are a

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<v Speaker 1>couple of different types. So what we were hoping to

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<v Speaker 1>talk about in today's episode, right, is that h three

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<v Speaker 1>D printing isn't just for you know, cute little chess

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<v Speaker 1>pieces or car parts, right, you could do um, you

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<v Speaker 1>could do all sorts of things. As a matter of fact,

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<v Speaker 1>mentioning news stories we we recently were talking off air.

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<v Speaker 1>In my head, I was imagining that we were talking

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<v Speaker 1>off air rather about printing human tissue with a with

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<v Speaker 1>a three D printers. Some guys at harbor, which is

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<v Speaker 1>a gosh, what wake up? Wake up dude? What do

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<v Speaker 1>you do? Oh? Man, he got eyeboggers? Yeah, sorry about it.

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<v Speaker 1>That's so weird. Like I came in here, Jerry's all

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<v Speaker 1>set up in your asleep in your chair. I think

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<v Speaker 1>she put something in my coffee, you knockout pills or something. Well,

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<v Speaker 1>you looked like, I don't know, you were restless. Yeah,

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<v Speaker 1>it was weird. It has had the worst dream, like

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<v Speaker 1>you'd gone somewhere, some vague place no one knew where.

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<v Speaker 1>We weren't saying and Ben from stuff they don't want

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<v Speaker 1>you to know. Yeah, Ben was like in your place

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<v Speaker 1>and he was doing like a really good job. You

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<v Speaker 1>mean Ben, I left work and Ben took my job. Yeah,

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<v Speaker 1>I mean he was he was giving your job. He

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<v Speaker 1>was stepping up. Try to fill your shoes kind of thing.

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<v Speaker 1>He was doing good. So was it like it didn't

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<v Speaker 1>look like a nightmare? I gotta say, I mean it was.

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<v Speaker 1>It was nightmarish and that um I didn't like what

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<v Speaker 1>I was wearing. But Ben was doing great. So it

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<v Speaker 1>was a dream. It was a dream. It was a

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<v Speaker 1>pretty pedestrian, mundane dream. But I guess it was like

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<v Speaker 1>April Fool's dream of some sort. Uh you know, is

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<v Speaker 1>that what this is? I guess because there was a

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<v Speaker 1>dream today, today's April Fool's day, it all makes sense,

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<v Speaker 1>which would make it an April Fool's dream. Wow. Man,

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<v Speaker 1>All right, well you got a little drool on your

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<v Speaker 1>lips still, But otherwise I'm ready to go with I

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<v Speaker 1>have to say it was nightmarish. I'll just fess up.

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<v Speaker 1>The idea of doing stuff you should know without you

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<v Speaker 1>is you could have lead with that, you know, and

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<v Speaker 1>keep you in suspense. All right, Well, I'm just gonna

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<v Speaker 1>go have been killed very quickly, and then we probablyshod

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<v Speaker 1>because I mean, ask anybody who was hearing my dream

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<v Speaker 1>like it was. He was good. I seed his warm. Yeah,

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<v Speaker 1>he did do that a few times. All right. So

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<v Speaker 1>well here's the weird thing in my dream we were

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<v Speaker 1>about to talk about three D printing. What topic are

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<v Speaker 1>we about to cover? Now? Three D printing? What? This

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<v Speaker 1>is the craziest dream I've ever had in my life?

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<v Speaker 1>All right, my dreaming? Now, now this is for real,

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<v Speaker 1>like in fact, I have somewhere to be, so I'd

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<v Speaker 1>like to get on with it. Okay, well let's do that.

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<v Speaker 1>Then let's put you back to that afterward, and you

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<v Speaker 1>can dream about me being dead all you want, because

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<v Speaker 1>I still I'm kind of grog. All right, uh so chuck, Yeah,

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<v Speaker 1>you're ready to wrap about three D printing. Yeah, it

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<v Speaker 1>bugs me already that they call it printing why because

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<v Speaker 1>it's not printing. It's uh okay, I see where they

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<v Speaker 1>get the name, but it's it's to me, it's a

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<v Speaker 1>little bit of a confusing thing. So you're an additive

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<v Speaker 1>manufacturing guy, Is that what you're into? Yeah, because that's

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<v Speaker 1>the other term for I mean, there's a couple of

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<v Speaker 1>other terms summer kind of old timey, like stereo lithography.

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<v Speaker 1>It sounds a time um, but additive manufacturing is the

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<v Speaker 1>umbrella term for what three D printing is or three

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<v Speaker 1>D layering. I like that, Yeah, which is a little

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<v Speaker 1>more accurate than printing. Um. Although the reason that they

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<v Speaker 1>call it printing, as we will see, is because it

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<v Speaker 1>dovetails well with traditional two dimensional ancient printers. It uses

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<v Speaker 1>a lot of the same form and function. Yeah, I

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<v Speaker 1>get what they said. Yeah, but you mentioned additive manufacturing though.

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<v Speaker 1>That's the key is that it's it's not a computer

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<v Speaker 1>numerical controlled machining, which is when you start with a

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<v Speaker 1>block of something in the carpet down. This is actually

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<v Speaker 1>starting from nothing and adding to it, which is really neat.

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<v Speaker 1>It's the reverse of that. Yeah. Yeah, And with with

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<v Speaker 1>three D printing, I'm just gonna call it that, I'm sorry,

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<v Speaker 1>that's what we're gonna okay, or three D p I

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<v Speaker 1>call it three D p o um. And he'd say

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<v Speaker 1>it with like a smile and his teeth weak thing.

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<v Speaker 1>He's got great breath. Um he does. It's pretty pleasant.

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<v Speaker 1>Uh we we let's just get past the spent thing.

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<v Speaker 1>I'm sorry about my print okay, okay, um. So anyway,

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<v Speaker 1>with with three D printing, the whole basis of it

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<v Speaker 1>is is you you print a three dimensional object or

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<v Speaker 1>you manufacture a three dimensional object layer by layer by

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<v Speaker 1>layer by layer, layers can be a micron up to

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<v Speaker 1>a millimeter or so thick, and um as each layer

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<v Speaker 1>is deposited on top of the next, you have a

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<v Speaker 1>three D object that's built. That's I mean, that's there's

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<v Speaker 1>some total of it, like everything from I think Ben

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<v Speaker 1>even mentioned chess pieces to like you know whatever, I mean,

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<v Speaker 1>whatever you can think of. You can three D print virtually,

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<v Speaker 1>including guns in potentially one day, bodily organs and things

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<v Speaker 1>like that. Ye I can see like an artificial heart

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<v Speaker 1>being three D printed. They're working on it. Yeah, yep,

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<v Speaker 1>there's I mean, like you say, anything you can come

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<v Speaker 1>up with somebody who's trying to three D print or

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<v Speaker 1>already has. It's the latest and greatest. It is, and

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<v Speaker 1>in fact, Chuck, a lot of people think it's going

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<v Speaker 1>to be the next industrial revolution, honestly, and there's a

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<v Speaker 1>lot of reason to put some money behind that because

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<v Speaker 1>if it, if it does take off, and it's becoming

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<v Speaker 1>increasingly possible that it does, is costs come down for

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<v Speaker 1>materials and the actual printers themselves, um, the the the

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<v Speaker 1>more and more barriers are coming down. And if if

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<v Speaker 1>it becomes widespread, man, so long manufacturing and transportation sectors

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<v Speaker 1>as we know them. Yeah, and say hello too custom everything. Yeah,

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<v Speaker 1>broke your spatula in your kitchen and it's like one

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<v Speaker 1>in the morning and you're one of those weirdos eats

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<v Speaker 1>dinner at one in the morning. You get a broken

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<v Speaker 1>spatula and you can't go to bed, bath and beyond

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<v Speaker 1>or else you'd have to break in and know. All

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<v Speaker 1>you do is go to your your office computer at

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<v Speaker 1>home say hey, Amazon, I need a new spatulate. It

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<v Speaker 1>sends the designs to your three D printer, print, you

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<v Speaker 1>out a new spatula, wait till cools down, and then

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<v Speaker 1>you go finished cooking spaghetti. Yeah. I think the trick is,

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<v Speaker 1>uh is cost, Like with any kind of early technology

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<v Speaker 1>like this, like costs and size, that's got to come down,

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<v Speaker 1>and it already is. And you can buy these things

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<v Speaker 1>for like eight hundred bucks. Now you can get them

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<v Speaker 1>for I think there's you can get unassembled ones for

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<v Speaker 1>like two hundred. Really you can get assembled for like

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<v Speaker 1>three or four or five. Yeah. So alright, so should

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<v Speaker 1>totally have one in the office we do? Was that

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<v Speaker 1>was that real? What was what real? Were you controlling

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<v Speaker 1>my dream? I knew it? I knew you were controlling

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<v Speaker 1>my dream. Really, that's why I was wearing that. Yeah,

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<v Speaker 1>dressing up. It's a little bope. Yeah, I didn't like it.

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<v Speaker 1>Uh yeah, there is one somewhere and it really works

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<v Speaker 1>like we have used it. Yeah, I remember the did

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<v Speaker 1>you you have you not seen the little green like

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<v Speaker 1>chest pieces that he was talking about, And no, unless

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<v Speaker 1>I saw them and didn't realize that they're awful, some

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<v Speaker 1>awful neon green. But yeah, there there's a as far

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<v Speaker 1>as I know, it's still here. Cool. But well, you're

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<v Speaker 1>saying like this is kind of early on in in

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<v Speaker 1>the UM. It's nascent. It's a nascent technology but going fast. Yes,

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<v Speaker 1>and it's nascent really as far as entering people's homes

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<v Speaker 1>are concerned. As far as industry is concerned, it's been

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<v Speaker 1>around for decades now. As a matter of fact, the

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<v Speaker 1>mid eighties was when UM additive manufacturing, the the prototypical

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<v Speaker 1>three D manufacturing UM or three D printing was really

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<v Speaker 1>introduced to the industry sector and saying, hey, guys, you

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<v Speaker 1>know you're prototyping process, Well, prepare to cut it by

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<v Speaker 1>like seven eights. Yeah, and speed wise, speed wise, materials wise,

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<v Speaker 1>c O two output wise. In every way it's called

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<v Speaker 1>rapid prototyping, and that, like you said, in the eighties

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<v Speaker 1>and early nineties is when they said, you you have

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<v Speaker 1>some ideas for maybe a car part or something, how

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<v Speaker 1>would you like to And you know what prototyping is

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<v Speaker 1>is when you build something to test out. Basically, yes,

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<v Speaker 1>as a manufacturer your prototype, but um, they said, how

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<v Speaker 1>would you like to work with that prototype tomorrow instead

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<v Speaker 1>of you know, a month from now, manufactured and then

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<v Speaker 1>like coming up with the design sending him overseas, having

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<v Speaker 1>the the prototype built, shipped back to you, finding out

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<v Speaker 1>that it didn't quite fit, recalculating, singing it back like

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<v Speaker 1>this was the prototyping process until like the rapid rapid

0:12:31.160 --> 0:12:35.040
<v Speaker 1>prototyping was introduced. Yeah, and I think, like in many

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<v Speaker 1>cases with technology, we have m I T to Bank,

0:12:39.080 --> 0:12:41.920
<v Speaker 1>Massachusetts Institute of Technology. They were definitely one of them,

0:12:41.920 --> 0:12:44.880
<v Speaker 1>but it seems like there was a several different people

0:12:45.840 --> 0:12:49.200
<v Speaker 1>or companies or institutions that were coming up with this

0:12:49.280 --> 0:12:51.360
<v Speaker 1>at about the same time. I think car companies had

0:12:51.400 --> 0:12:53.880
<v Speaker 1>a lot of the early They definitely bought a lot

0:12:53.880 --> 0:12:56.559
<v Speaker 1>of the early ones for sure. So like in in

0:12:56.640 --> 0:12:59.520
<v Speaker 1>the in the mid eighties, a guy named Charles Hole

0:13:00.040 --> 0:13:02.480
<v Speaker 1>came up with this technique that's still in use today,

0:13:02.679 --> 0:13:06.480
<v Speaker 1>where you use a laser two turn some sort of

0:13:06.559 --> 0:13:11.720
<v Speaker 1>um plastic e dust a polymer dust into something solid.

0:13:12.040 --> 0:13:16.600
<v Speaker 1>It's called alchemy, but pretty much photo polymerization. And it

0:13:16.720 --> 0:13:19.319
<v Speaker 1>was one of the earliest types of three D printing.

0:13:19.440 --> 0:13:21.800
<v Speaker 1>And like I said, it's still in use today. Um

0:13:21.880 --> 0:13:24.719
<v Speaker 1>and Hole went on to create a company called three

0:13:24.800 --> 0:13:28.000
<v Speaker 1>D Systems that's still around today, one of the leaders

0:13:28.040 --> 0:13:31.840
<v Speaker 1>in three D printing. So he's loaded. Yeah, he's still

0:13:31.880 --> 0:13:35.080
<v Speaker 1>the CTO of the company. Uh. Well, I guess we

0:13:35.080 --> 0:13:38.320
<v Speaker 1>should talk about the two main processes on direct and

0:13:38.360 --> 0:13:44.240
<v Speaker 1>binder printing. Uh. Direct printing is uh, that's the one

0:13:44.280 --> 0:13:47.480
<v Speaker 1>that looks and behaves most like your regular like ink

0:13:47.559 --> 0:13:50.360
<v Speaker 1>jet printer when you see it moving along. It's the

0:13:50.400 --> 0:13:52.559
<v Speaker 1>little metal bars. It looks, you know, a lot like that.

0:13:53.360 --> 0:13:56.199
<v Speaker 1>It's got a little nozzle and it's gonna instead of

0:13:56.240 --> 0:14:00.400
<v Speaker 1>dispensing inc though, it dispenses either a plastic polymer or

0:14:00.400 --> 0:14:05.360
<v Speaker 1>a waxy substance, something that's heated up and melted sprayed, Yeah,

0:14:05.400 --> 0:14:08.280
<v Speaker 1>in a pattern that it's supposed to be onto the surface,

0:14:08.640 --> 0:14:11.360
<v Speaker 1>and then it cools and harden. Yeah, And that's the

0:14:11.440 --> 0:14:13.560
<v Speaker 1>key is it has to come out really hot, and

0:14:13.600 --> 0:14:16.559
<v Speaker 1>it has the cool really fast. And if you've seen

0:14:16.600 --> 0:14:18.600
<v Speaker 1>these nozzles, it's like you can think of it kind

0:14:18.600 --> 0:14:21.240
<v Speaker 1>of like a hot glue gun. Um. That's sort of

0:14:21.240 --> 0:14:24.960
<v Speaker 1>what the tip looks like, except much finer obviously, And

0:14:25.200 --> 0:14:29.240
<v Speaker 1>it'll even leave like if you're printing like uh, like

0:14:29.280 --> 0:14:33.720
<v Speaker 1>a Yoda head which people love to print, and you

0:14:33.840 --> 0:14:36.200
<v Speaker 1>have to come from the head to the ear that

0:14:36.280 --> 0:14:38.560
<v Speaker 1>sticks out, there's a gap there. There will be even

0:14:38.600 --> 0:14:41.360
<v Speaker 1>like little hot glue strings left behind the stuff you

0:14:41.400 --> 0:14:43.440
<v Speaker 1>gotta go and like clean up later, right, which is

0:14:43.560 --> 0:14:47.320
<v Speaker 1>part of the process. Um. So that's uh, that's direct

0:14:47.360 --> 0:14:51.400
<v Speaker 1>three D printing. There's another type that's similar called um

0:14:51.480 --> 0:14:54.880
<v Speaker 1>binder three D printing, and it's called binder because you

0:14:55.040 --> 0:15:00.360
<v Speaker 1>use a like your base substance is a powder, yeah,

0:15:00.720 --> 0:15:04.560
<v Speaker 1>polymer something it's but it's in powdered form and that's

0:15:04.560 --> 0:15:08.400
<v Speaker 1>sprayed or laid down in the arrangement that it's supposed

0:15:08.400 --> 0:15:11.240
<v Speaker 1>to be for that layer, and then a binder of

0:15:11.320 --> 0:15:14.680
<v Speaker 1>like glue or some sort of um liquid that holds

0:15:14.680 --> 0:15:18.040
<v Speaker 1>it in place and steals it together um is sprayed

0:15:18.040 --> 0:15:21.360
<v Speaker 1>over it. Yeah, So it's two passes, powder pass and

0:15:21.360 --> 0:15:23.600
<v Speaker 1>then the liquid paths right, and even though it's there's

0:15:23.640 --> 0:15:26.960
<v Speaker 1>two passes, it's actually faster because you don't have all

0:15:27.000 --> 0:15:29.640
<v Speaker 1>these different nozzles having to add all this different stuff.

0:15:29.640 --> 0:15:32.400
<v Speaker 1>It's just like there's your powder, there's your binder. Yeah,

0:15:32.440 --> 0:15:35.040
<v Speaker 1>and you can use that's where you can like use

0:15:35.080 --> 0:15:37.760
<v Speaker 1>metals in ceramics and things like that. It really opens

0:15:37.840 --> 0:15:41.720
<v Speaker 1>up your world material wise. And then there's multi jet modeling,

0:15:41.720 --> 0:15:44.600
<v Speaker 1>which is pretty cool. That's when you have, well you

0:15:44.640 --> 0:15:46.760
<v Speaker 1>have many of those jets and if you've seen these

0:15:46.800 --> 0:15:50.920
<v Speaker 1>things at work, it's like really cool, just all operating

0:15:50.920 --> 0:15:52.800
<v Speaker 1>at the same time, building something right in front of

0:15:52.800 --> 0:15:56.160
<v Speaker 1>your eyes, moving like little robots, spraying plastic all over

0:15:56.240 --> 0:16:00.280
<v Speaker 1>the place pretty much, um, but in very precise places. Yeah,

0:16:00.360 --> 0:16:03.080
<v Speaker 1>like you said, microns at times. And then there's another

0:16:03.080 --> 0:16:04.800
<v Speaker 1>one we wanted to give a shout out to called

0:16:04.840 --> 0:16:10.040
<v Speaker 1>fueled fuse deposition. I think yes, fuel fuse. Wow, I'm

0:16:10.040 --> 0:16:15.160
<v Speaker 1>really having trouble with this one. Fused deposition modeling, which

0:16:15.240 --> 0:16:19.120
<v Speaker 1>is basically you're using like even smaller nozzles that are

0:16:19.160 --> 0:16:22.800
<v Speaker 1>actually they're not spraying their injecting things, which gives you

0:16:22.840 --> 0:16:28.320
<v Speaker 1>an incredibly intricate amount of detail. Or amount of intricate detail,

0:16:28.520 --> 0:16:31.880
<v Speaker 1>so you get direct and binder and those are kind

0:16:31.960 --> 0:16:34.360
<v Speaker 1>of common, right, they are, yes, very common, and then

0:16:34.360 --> 0:16:37.880
<v Speaker 1>there's kind of subsets of those. There's basically, if we

0:16:37.960 --> 0:16:40.640
<v Speaker 1>did this episode five years from now, we'd be like,

0:16:40.680 --> 0:16:42.680
<v Speaker 1>here's how three D printing works. Going to be one

0:16:42.720 --> 0:16:45.320
<v Speaker 1>of these. That's what I had a feeling that as

0:16:45.360 --> 0:16:47.440
<v Speaker 1>time goes on, then some of these will fall away,

0:16:47.440 --> 0:16:50.280
<v Speaker 1>Like definitely, they're all right now, they're competing to be

0:16:50.440 --> 0:16:53.560
<v Speaker 1>basically the three D printing technology that becomes the standard

0:16:53.640 --> 0:16:57.760
<v Speaker 1>for all like inkjet. Inkjet printers were invented in the sixties,

0:16:58.000 --> 0:16:59.920
<v Speaker 1>but there was dot matrix, all these others, and then

0:17:00.080 --> 0:17:03.160
<v Speaker 1>it just became clear that inkjet printing was the way

0:17:03.160 --> 0:17:05.080
<v Speaker 1>to go. I think that's what's going on with three

0:17:05.119 --> 0:17:07.399
<v Speaker 1>D printing right now. Whichever one is most viable for

0:17:07.400 --> 0:17:09.240
<v Speaker 1>the consumer is the one that will usually went out

0:17:09.359 --> 0:17:11.880
<v Speaker 1>exactly because that's the one that companies will put all

0:17:11.880 --> 0:17:14.840
<v Speaker 1>their money into, and then that's that's where all the

0:17:14.880 --> 0:17:17.720
<v Speaker 1>breakthroughs will come from. And maybe on on the manufacturing side,

0:17:17.760 --> 0:17:20.320
<v Speaker 1>they might still have their own, like super expensive ways

0:17:20.320 --> 0:17:22.800
<v Speaker 1>of doing things, but if you want one at your house,

0:17:23.200 --> 0:17:24.960
<v Speaker 1>they're going to have to like scale it down, you

0:17:25.000 --> 0:17:29.080
<v Speaker 1>know exactly. So one of the you've got binder printing,

0:17:29.080 --> 0:17:31.040
<v Speaker 1>you've got direct three D printing, and then you have

0:17:31.119 --> 0:17:34.040
<v Speaker 1>different ways that these can be used. So um, for example,

0:17:34.080 --> 0:17:39.040
<v Speaker 1>remember I mentioned Charles Hole in his photo polymerization. Um,

0:17:39.080 --> 0:17:42.160
<v Speaker 1>that's you can use that for binding, right. So that's

0:17:42.240 --> 0:17:44.480
<v Speaker 1>the laser one. Yeah, so you would use some sort

0:17:44.480 --> 0:17:47.640
<v Speaker 1>of powder, right, and then you would use a UV

0:17:48.320 --> 0:17:52.639
<v Speaker 1>laser too that expose that powder and turned it into

0:17:52.640 --> 0:17:56.240
<v Speaker 1>a solid, right. Just I think it makes that sound.

0:17:56.560 --> 0:17:59.879
<v Speaker 1>That's why people love that three D printer. Um. So

0:18:00.359 --> 0:18:02.840
<v Speaker 1>you were using like a technically a three D bind

0:18:02.920 --> 0:18:06.600
<v Speaker 1>or printing method, but you're using photo polymerization as the

0:18:06.640 --> 0:18:11.000
<v Speaker 1>technique to actually buying this stuff together. Right. And then

0:18:11.040 --> 0:18:13.800
<v Speaker 1>depending on your material, you might want to use a

0:18:13.840 --> 0:18:17.879
<v Speaker 1>different kind of technique like um, selective laser centering is

0:18:17.920 --> 0:18:21.879
<v Speaker 1>really good for metals. Yeah, and that that's a laser

0:18:21.920 --> 0:18:26.760
<v Speaker 1>as well, and it melts actually melts this plastic powder

0:18:26.800 --> 0:18:29.760
<v Speaker 1>and then solidifies it after that, or it can melt

0:18:29.920 --> 0:18:33.919
<v Speaker 1>metal powder. So if you're creating like something that normally

0:18:33.920 --> 0:18:36.000
<v Speaker 1>would have to be like die cast or machined or

0:18:36.080 --> 0:18:38.840
<v Speaker 1>something like that, you're creating a structure that's just a

0:18:38.920 --> 0:18:41.800
<v Speaker 1>sturdy But here's the big This is one of the

0:18:41.800 --> 0:18:45.720
<v Speaker 1>reasons why three D printing could lead to a revolution

0:18:45.760 --> 0:18:50.959
<v Speaker 1>and manufacturing. Um. When you are creating something using a

0:18:51.000 --> 0:18:55.760
<v Speaker 1>three D printer, you are able to you're creating a

0:18:55.800 --> 0:18:59.720
<v Speaker 1>cross section of it layer by layer. But it's just

0:18:59.720 --> 0:19:04.159
<v Speaker 1>a dirty is something solid? Yeah, like the insides of these,

0:19:04.400 --> 0:19:08.480
<v Speaker 1>it's neither hollow nor solid. It's got like a lattice

0:19:09.240 --> 0:19:12.159
<v Speaker 1>support systems if that's what it calls for. Right, So

0:19:12.240 --> 0:19:14.400
<v Speaker 1>you can do honeycomb, you could do lattice. You can

0:19:14.560 --> 0:19:17.880
<v Speaker 1>you can subtract a lot of what has to be

0:19:18.200 --> 0:19:21.040
<v Speaker 1>in something that's die cast, just because the human hander,

0:19:21.080 --> 0:19:24.440
<v Speaker 1>the machines we have aren't capable of making something so intricate.

0:19:24.560 --> 0:19:27.000
<v Speaker 1>So you have a lot of waste in manufacturing. There's

0:19:27.040 --> 0:19:30.159
<v Speaker 1>a lot of um extra metal in a widget that

0:19:30.200 --> 0:19:33.280
<v Speaker 1>doesn't have to be there. With three D printing, you

0:19:33.440 --> 0:19:36.159
<v Speaker 1>use just the amount of material you need, and you

0:19:36.200 --> 0:19:40.800
<v Speaker 1>can make the thing as lightweight as it's structural soundness

0:19:41.000 --> 0:19:42.800
<v Speaker 1>can call for. So like if you want to make

0:19:42.800 --> 0:19:46.359
<v Speaker 1>a die cast Civil War soldier, right that's six inches tall,

0:19:46.760 --> 0:19:51.760
<v Speaker 1>it can be hollow and use less material. Right, If

0:19:51.800 --> 0:19:54.479
<v Speaker 1>you want detail in his laces, you use a three

0:19:54.560 --> 0:19:57.359
<v Speaker 1>D printer for that. If you want this clumpy Homer

0:19:57.400 --> 0:20:01.600
<v Speaker 1>Simpsons shoes, you can make it die cast. But but but

0:20:02.119 --> 0:20:04.520
<v Speaker 1>to to use an even more to the point real

0:20:04.560 --> 0:20:08.359
<v Speaker 1>world example, if you're making airplane parts and you are

0:20:08.440 --> 0:20:14.639
<v Speaker 1>making a hinge and the hinge made using die cast

0:20:14.720 --> 0:20:18.600
<v Speaker 1>techniques is blocky and clunky, and the one with three

0:20:18.680 --> 0:20:21.720
<v Speaker 1>D printing is like lattice. Like you said, the lattice

0:20:21.720 --> 0:20:23.639
<v Speaker 1>one is going to be more lightweight. If you have

0:20:23.760 --> 0:20:26.800
<v Speaker 1>a thousand hinges on a plane, all that extra weight

0:20:26.920 --> 0:20:29.680
<v Speaker 1>adds up in the die cast one. It's not there

0:20:29.720 --> 0:20:32.600
<v Speaker 1>with the three D printed one, which means the plane

0:20:32.920 --> 0:20:36.040
<v Speaker 1>weighs less, which means it uses less fuel, which means

0:20:36.080 --> 0:20:38.960
<v Speaker 1>it puts out less c O two or could carry

0:20:39.000 --> 0:20:41.920
<v Speaker 1>more even right exactly, and it's possibly even more sound

0:20:41.960 --> 0:20:47.000
<v Speaker 1>structurally because this thing has been so intricately created, why

0:20:47.320 --> 0:20:50.760
<v Speaker 1>it's really almost endless. The applications for this in the future.

0:20:51.200 --> 0:20:57.400
<v Speaker 1>Oh yeah, you spatula is to airplane hinges, Simpson civil

0:20:57.480 --> 0:21:00.640
<v Speaker 1>war figures. Well, I guess we should talk a little

0:21:00.640 --> 0:21:02.960
<v Speaker 1>bit about the process because this is where it and

0:21:03.000 --> 0:21:04.840
<v Speaker 1>you should look at a video if you haven't yet

0:21:04.880 --> 0:21:06.520
<v Speaker 1>of a three D printer in action. It's pretty neat

0:21:06.680 --> 0:21:10.439
<v Speaker 1>it is, but also it's very tough to describe UM,

0:21:10.480 --> 0:21:13.480
<v Speaker 1>and it's just so much easier to just see it. Yeah,

0:21:13.560 --> 0:21:17.000
<v Speaker 1>there's a good TED talk from I think two eleven UM.

0:21:17.240 --> 0:21:19.119
<v Speaker 1>I can't remember the woman's name, but she does a

0:21:19.119 --> 0:21:21.680
<v Speaker 1>good job of just step by step, here is the

0:21:21.720 --> 0:21:25.119
<v Speaker 1>basis of of UM three D printing. And here's some

0:21:25.440 --> 0:21:27.840
<v Speaker 1>you know, video footage that you're just like, Okay, I

0:21:27.880 --> 0:21:30.720
<v Speaker 1>totally get it now. So here's us clumsily. It's something

0:21:30.760 --> 0:21:36.000
<v Speaker 1>to explain it well. They all use a similar approach. UM.

0:21:36.119 --> 0:21:39.879
<v Speaker 1>Step one is uh C, a D computer aid to design.

0:21:39.920 --> 0:21:41.320
<v Speaker 1>This is what you have to start with. It's a

0:21:41.359 --> 0:21:45.520
<v Speaker 1>software that you know. It's the same as when you

0:21:45.560 --> 0:21:48.320
<v Speaker 1>do like a three D graphics for a motion picture.

0:21:48.359 --> 0:21:55.000
<v Speaker 1>What you're doing is just creating a three dimensional structure

0:21:55.080 --> 0:21:59.359
<v Speaker 1>on your computer screen. That's basically your blueprint. Yeah, it's

0:21:59.400 --> 0:22:01.520
<v Speaker 1>what you're gonna end making. It's CAD software. It's like

0:22:01.640 --> 0:22:05.000
<v Speaker 1>the same stuff that architects or engineers use because not

0:22:05.119 --> 0:22:08.239
<v Speaker 1>only can you design it in three dimensions, you can

0:22:08.280 --> 0:22:11.639
<v Speaker 1>also test its soundness. You can model it. Yeah, like

0:22:11.680 --> 0:22:14.840
<v Speaker 1>a big warning light goes on the breachieve model that

0:22:14.840 --> 0:22:18.399
<v Speaker 1>isn't gonna hold cars. Uh number two. And this is

0:22:18.440 --> 0:22:20.959
<v Speaker 1>some you know, kind of technical, geeky stuff, but it's

0:22:21.000 --> 0:22:23.840
<v Speaker 1>all part of the process. You have to convert that

0:22:23.920 --> 0:22:29.320
<v Speaker 1>to something called the st L format Standard Tesselation Language,

0:22:30.280 --> 0:22:33.520
<v Speaker 1>and that's basically just a file format developed in the eighties.

0:22:34.320 --> 0:22:40.000
<v Speaker 1>UM that allows the two the machine to read the

0:22:40.040 --> 0:22:43.560
<v Speaker 1>CAD software. Right, it translates it from the CAD yeah

0:22:43.800 --> 0:22:47.880
<v Speaker 1>language to the printers language. Is just a very geeky

0:22:47.920 --> 0:22:50.919
<v Speaker 1>step in the process. And that STL format that was

0:22:51.000 --> 0:22:53.880
<v Speaker 1>a Charles Whole invention to see. I wonder if if

0:22:53.960 --> 0:22:57.399
<v Speaker 1>eliminating some of these steps at some point is going

0:22:57.480 --> 0:22:59.680
<v Speaker 1>to be the deal to where you can like draw

0:22:59.760 --> 0:23:01.879
<v Speaker 1>something on your computer and plug it into your three

0:23:01.960 --> 0:23:06.320
<v Speaker 1>D printer. Yeah, I think that's kind of already there,

0:23:06.359 --> 0:23:08.720
<v Speaker 1>but you just have to have CAD and then you

0:23:08.800 --> 0:23:11.600
<v Speaker 1>can probably in CAD, I would imagine just export to

0:23:11.880 --> 0:23:16.520
<v Speaker 1>um STL format, like changing a word documentaryf or something

0:23:16.560 --> 0:23:18.359
<v Speaker 1>like that. I think it's that simple, so it's not

0:23:18.440 --> 0:23:21.320
<v Speaker 1>the big of a deal. Uh. And then you're gonna

0:23:21.960 --> 0:23:25.720
<v Speaker 1>you're gonna transfer all that to your machine, and there

0:23:25.800 --> 0:23:27.600
<v Speaker 1>is a computer that is attached to your three D

0:23:27.680 --> 0:23:32.600
<v Speaker 1>printer obviously, and so now it has the the the blueprint,

0:23:32.800 --> 0:23:35.960
<v Speaker 1>it is converted to the proper language, and it's ready

0:23:36.000 --> 0:23:39.199
<v Speaker 1>to go. Yeah, and you press the green button and

0:23:39.240 --> 0:23:42.199
<v Speaker 1>you sit back and put yourself a scotch and you

0:23:42.240 --> 0:23:44.840
<v Speaker 1>watch the magic happen. Yeah, or you go to bed

0:23:44.840 --> 0:23:46.879
<v Speaker 1>and you wake up the next day and you're like, wow,

0:23:46.920 --> 0:23:49.600
<v Speaker 1>that didn't turn out how I was supposed to. Yeah.

0:23:49.640 --> 0:23:51.439
<v Speaker 1>It does take a while, it can, at least. So

0:23:51.480 --> 0:23:54.800
<v Speaker 1>there's a there's a tumbler called Epic three D Printing Fail.

0:23:55.000 --> 0:23:56.640
<v Speaker 1>Of course there is. You should check it out. It's

0:23:56.720 --> 0:24:00.720
<v Speaker 1>um like these things go wrong, like when they go wrong,

0:24:00.760 --> 0:24:02.960
<v Speaker 1>they really go wrong. Yeah, And it's fun to go

0:24:03.000 --> 0:24:04.640
<v Speaker 1>to YouTube and see some of the people that are

0:24:04.640 --> 0:24:07.600
<v Speaker 1>doing this at home, and it's it's a process, you know,

0:24:07.680 --> 0:24:10.800
<v Speaker 1>to learn how to do it right. You know, you're

0:24:10.800 --> 0:24:12.719
<v Speaker 1>probably not going to get a great result right right

0:24:12.720 --> 0:24:14.840
<v Speaker 1>out of the gate. Yeah, and if you if you could,

0:24:14.840 --> 0:24:17.080
<v Speaker 1>it's just pure luck. Like you're gonna waste a lot

0:24:17.160 --> 0:24:21.040
<v Speaker 1>of a lot of consumables and start easy and work

0:24:21.080 --> 0:24:23.840
<v Speaker 1>your way up, as would be my advice. But you

0:24:23.840 --> 0:24:26.000
<v Speaker 1>do have to set up your machine, which means, just

0:24:26.040 --> 0:24:27.600
<v Speaker 1>like you would with your printer, you're gonna make sure

0:24:27.600 --> 0:24:32.280
<v Speaker 1>it's full of whatever polymer binder you're gonna use. Uh,

0:24:32.320 --> 0:24:38.680
<v Speaker 1>there's generally generally the the ink jets, aren't They move

0:24:38.880 --> 0:24:41.720
<v Speaker 1>left and right, and you're gonna have a base underneath

0:24:41.760 --> 0:24:44.200
<v Speaker 1>it moves it up and down. Right. They they exist,

0:24:44.280 --> 0:24:48.920
<v Speaker 1>the ink jet, the printer jets or whatever. They move

0:24:49.000 --> 0:24:51.480
<v Speaker 1>left and right, like you say, up forward and backwards,

0:24:51.560 --> 0:24:53.240
<v Speaker 1>and then yeah, the platform goes up and down to

0:24:53.280 --> 0:24:58.120
<v Speaker 1>add that third dimension. Right. So apparently with the platforms

0:24:58.560 --> 0:25:02.919
<v Speaker 1>they nickel and dime you because they're not reusable, or

0:25:03.040 --> 0:25:06.119
<v Speaker 1>if they are reusable there I think because they're heated,

0:25:06.440 --> 0:25:09.520
<v Speaker 1>they're supposed to stay heated, so I think it they Yeah,

0:25:10.080 --> 0:25:12.480
<v Speaker 1>if you look at like a package for a three

0:25:12.560 --> 0:25:16.359
<v Speaker 1>D printer you buy like replacement trade, how much are

0:25:16.359 --> 0:25:19.280
<v Speaker 1>they They're not that much, but still it's like a

0:25:19.520 --> 0:25:26.840
<v Speaker 1>it's like another expense, uh, just to print your special. Yeah,

0:25:27.000 --> 0:25:31.080
<v Speaker 1>you end up paying like hundred dollars for your stupid special. Um. So,

0:25:31.160 --> 0:25:33.000
<v Speaker 1>like I said, you're gonna let the machine do its

0:25:33.040 --> 0:25:35.920
<v Speaker 1>thing and then afterward you're gonna take it out. You

0:25:35.960 --> 0:25:37.719
<v Speaker 1>might want to check on occasionally to make sure your

0:25:37.800 --> 0:25:39.879
<v Speaker 1>goda is an all cock eye. Didn't you think that

0:25:40.000 --> 0:25:43.920
<v Speaker 1>was hilarious? Those step six removal, remove your three D

0:25:44.000 --> 0:25:47.240
<v Speaker 1>printed object from the machine, try to put the potto

0:25:47.280 --> 0:25:51.080
<v Speaker 1>spaghetti on your machine and use the spechuler like that,

0:25:51.160 --> 0:25:53.560
<v Speaker 1>actually take the special out of the machine. That does

0:25:53.800 --> 0:25:56.800
<v Speaker 1>like an unnecessary step And that's even apparently from a book.

0:25:57.840 --> 0:26:01.880
<v Speaker 1>What additive manufacturing technology is colin rapid prototyping to direct

0:26:01.960 --> 0:26:06.320
<v Speaker 1>digital manufacturing Steps six removal. Well, I think maybe they

0:26:06.320 --> 0:26:09.119
<v Speaker 1>include a removal because they do indicate that just to

0:26:09.160 --> 0:26:11.399
<v Speaker 1>be careful and you might need to wear gloves and

0:26:11.440 --> 0:26:14.920
<v Speaker 1>stuff like that. Yeah, because apparently don't forget what you're

0:26:14.960 --> 0:26:18.919
<v Speaker 1>doing is you're spraying or your machine is spraying hot

0:26:19.040 --> 0:26:23.720
<v Speaker 1>melted plastic in an enclosed location, in an enclosed room.

0:26:23.800 --> 0:26:27.560
<v Speaker 1>Probably so yeah, there's a lot of toxic chemicals involved.

0:26:27.760 --> 0:26:29.640
<v Speaker 1>You may want to wear gloves. You may want to

0:26:29.840 --> 0:26:35.680
<v Speaker 1>wear like um, a respirator, uh whatever, a Yoda mask

0:26:36.680 --> 0:26:40.080
<v Speaker 1>made with your ear. And then afterwards, like I said,

0:26:40.080 --> 0:26:41.359
<v Speaker 1>you may need to clean it up. There may be

0:26:41.520 --> 0:26:44.199
<v Speaker 1>little hairs, there may need to the things, you need

0:26:44.240 --> 0:26:48.200
<v Speaker 1>to brush off some powder and uh then dude, you're ready. Well,

0:26:48.240 --> 0:26:51.040
<v Speaker 1>some of them use supports that are water soluble too,

0:26:51.119 --> 0:26:55.120
<v Speaker 1>So like these things like that keep Yoda's ears up. Um,

0:26:55.600 --> 0:26:57.760
<v Speaker 1>they you can just drop the whole thing in water

0:26:57.840 --> 0:27:01.359
<v Speaker 1>after it cures, and then those supports go away and

0:27:01.720 --> 0:27:05.119
<v Speaker 1>because they dissolve in water, like they never happened. All right,

0:27:05.200 --> 0:27:07.160
<v Speaker 1>So we need to talk about some of the applications

0:27:07.200 --> 0:27:13.600
<v Speaker 1>now and in the future right after this message. Alright,

0:27:13.640 --> 0:27:17.159
<v Speaker 1>so the future, the future, the present, and the future

0:27:17.200 --> 0:27:21.680
<v Speaker 1>of three D printing. It's applications are really really piling up,

0:27:21.840 --> 0:27:26.240
<v Speaker 1>like daily. It seems like, yeah, Yoda figuring, that's right.

0:27:27.200 --> 0:27:32.360
<v Speaker 1>One reason is, um, the article points out, is because uh,

0:27:32.400 --> 0:27:34.800
<v Speaker 1>well there's there's a couple of fronts going on. You

0:27:34.840 --> 0:27:38.560
<v Speaker 1>have industrial manufacturing, and you have like artists. I guess

0:27:38.560 --> 0:27:41.400
<v Speaker 1>there's three, and then you have just your regular dope

0:27:41.440 --> 0:27:45.920
<v Speaker 1>at home that just has like eight bucks laying around. Uh,

0:27:46.000 --> 0:27:50.480
<v Speaker 1>and industrial manufacturing is obviously gonna speed things up like

0:27:50.880 --> 0:27:54.359
<v Speaker 1>plain wings and artificial limbs. And I saw really cool.

0:27:54.760 --> 0:28:00.440
<v Speaker 1>Did you see the three D printed cast? It was like,

0:28:01.000 --> 0:28:03.320
<v Speaker 1>you know, it wasn't solid, It was like a like

0:28:03.359 --> 0:28:08.240
<v Speaker 1>a honeycomb. So bye bye to the days of like ants, yeah,

0:28:08.240 --> 0:28:10.160
<v Speaker 1>and not be able to itch your it's your arm

0:28:10.240 --> 0:28:13.399
<v Speaker 1>or whatever. I can't sign sign those though. That's a

0:28:13.400 --> 0:28:18.080
<v Speaker 1>good point. You can't really sign the fiberglass ones anyway though. Well,

0:28:18.119 --> 0:28:20.119
<v Speaker 1>the back in the old days and it was just

0:28:20.160 --> 0:28:22.879
<v Speaker 1>plaster like those were the that was the heyday of

0:28:22.960 --> 0:28:27.359
<v Speaker 1>cats signing. And then when they went to not fiberglass,

0:28:27.359 --> 0:28:29.040
<v Speaker 1>what is it they used the I don't even know.

0:28:29.080 --> 0:28:32.640
<v Speaker 1>I haven't broken a limb. Now. It's not titanium. It's

0:28:32.680 --> 0:28:37.679
<v Speaker 1>more like the fabric bandage that ends up hardenings. You

0:28:37.720 --> 0:28:39.840
<v Speaker 1>can't write on it. I can't do anything with it.

0:28:40.120 --> 0:28:42.200
<v Speaker 1>No one asked me to sign their cast anyway, so

0:28:42.520 --> 0:28:44.160
<v Speaker 1>I don't. I don't keep up with the cast. Does

0:28:44.200 --> 0:28:46.320
<v Speaker 1>anyone even do that anymore? Or is that a totally

0:28:46.360 --> 0:28:51.400
<v Speaker 1>antiquated thing. I'm sure they do. Um No, I didn't

0:28:51.400 --> 0:28:53.720
<v Speaker 1>see the cast to answer your question. Okay, but that's

0:28:53.800 --> 0:28:57.959
<v Speaker 1>that's industrial manufacturing. They're tackling like the big things like

0:28:58.120 --> 0:29:00.760
<v Speaker 1>organs and car parts and playing parts. And that's actually

0:29:00.800 --> 0:29:05.520
<v Speaker 1>the second sea change that additive manufacturing has created for

0:29:05.720 --> 0:29:09.800
<v Speaker 1>the industrial sector. Because first of all, they revolutionized prototyping,

0:29:10.240 --> 0:29:12.680
<v Speaker 1>and then these three D printers got so good that

0:29:12.720 --> 0:29:15.120
<v Speaker 1>they're like, well, we can actually produce the actual thing,

0:29:15.680 --> 0:29:18.360
<v Speaker 1>like not just the prototype of the model anymore. We

0:29:18.400 --> 0:29:23.440
<v Speaker 1>can produce the actual end result. So that's the second revolution,

0:29:23.480 --> 0:29:26.080
<v Speaker 1>and it's it's very much here now, Like, hey, you're

0:29:26.120 --> 0:29:30.720
<v Speaker 1>a surgeon and Josh was in a horrible accident and

0:29:30.800 --> 0:29:32.560
<v Speaker 1>his face was disfigured and you want to put them

0:29:32.560 --> 0:29:36.240
<v Speaker 1>back together. We can print out your old lovely face

0:29:36.760 --> 0:29:41.280
<v Speaker 1>and show that surgeon shove it under the skin. Yeah,

0:29:41.840 --> 0:29:43.680
<v Speaker 1>we can't do that obviously, but it just serves as

0:29:43.720 --> 0:29:45.880
<v Speaker 1>the model for the surgeon out instead of looking at

0:29:45.880 --> 0:29:48.440
<v Speaker 1>it on a computer screen. Right. Um, and there's a

0:29:48.720 --> 0:29:51.840
<v Speaker 1>there's apparently m R I S or f m R

0:29:51.880 --> 0:29:55.960
<v Speaker 1>I s are going to be pretty much delivering the

0:29:56.000 --> 0:29:59.520
<v Speaker 1>CAD file to a three D printer pretty soon to

0:29:59.640 --> 0:30:02.720
<v Speaker 1>create oh yeah, yeah, to create stuff that you need.

0:30:03.280 --> 0:30:04.800
<v Speaker 1>All you do is just get an m R I

0:30:04.840 --> 0:30:08.200
<v Speaker 1>skin and then bam, here's your implant. Apparently it's all

0:30:08.200 --> 0:30:11.760
<v Speaker 1>the rage and dental implants. Yeah, you know, I got

0:30:11.840 --> 0:30:15.560
<v Speaker 1>my fake tooth, which took a long time to manufacture

0:30:15.640 --> 0:30:17.840
<v Speaker 1>because they weren't using three D printers now, but they

0:30:17.840 --> 0:30:22.680
<v Speaker 1>could whip out a tooth for me tomorrow. Ten seconds. Um.

0:30:22.880 --> 0:30:25.720
<v Speaker 1>Artists are way into it. UM. If you've been to

0:30:25.840 --> 0:30:28.160
<v Speaker 1>a an art show in the past couple of years,

0:30:28.160 --> 0:30:31.880
<v Speaker 1>you've probably seen some sort of three D printed um

0:30:31.960 --> 0:30:36.360
<v Speaker 1>object UM. Which I feel like at this point, a

0:30:36.400 --> 0:30:39.120
<v Speaker 1>lot of the art that's being three D printed, it's

0:30:39.160 --> 0:30:42.880
<v Speaker 1>more like it's made by three D printers. It's the

0:30:42.920 --> 0:30:45.880
<v Speaker 1>big thing. Yeah, yeah, it's not. Wow, it's really amazing

0:30:46.200 --> 0:30:48.080
<v Speaker 1>and it was made by three D It's more like

0:30:48.160 --> 0:30:50.200
<v Speaker 1>this is made by a three D printer. Yeah, But

0:30:50.280 --> 0:30:54.120
<v Speaker 1>for me, I'd still I guess it's impressive, but I'd

0:30:54.120 --> 0:30:57.000
<v Speaker 1>still rather see a sculpture by hand that's something that

0:30:57.080 --> 0:30:59.800
<v Speaker 1>was three D printed, you know, I mean that seems

0:30:59.800 --> 0:31:04.680
<v Speaker 1>to be a lot more difficult the old school. Um.

0:31:04.840 --> 0:31:07.800
<v Speaker 1>There's also like a lot of that's kind of doves

0:31:07.960 --> 0:31:11.200
<v Speaker 1>dovetails and with art is um. You know, you can

0:31:11.240 --> 0:31:14.960
<v Speaker 1>buy a piece of art now that's someone sculpted using

0:31:15.000 --> 0:31:18.200
<v Speaker 1>CAD and print it out at your house and then

0:31:18.440 --> 0:31:21.600
<v Speaker 1>you have a piece by that artist. It's kind of

0:31:21.680 --> 0:31:26.800
<v Speaker 1>changing art as well. UM. There's also a that's also

0:31:26.880 --> 0:31:31.600
<v Speaker 1>kind of being revolutionized in commerce as well. So like um,

0:31:31.640 --> 0:31:33.640
<v Speaker 1>I guess going back to the medical thing, there's a

0:31:33.680 --> 0:31:36.880
<v Speaker 1>company called the spoke prosthetics where they can kind of

0:31:36.920 --> 0:31:39.120
<v Speaker 1>measure your stuff and create a model for it and

0:31:39.160 --> 0:31:43.080
<v Speaker 1>then print out your prosthetic that's super tailored. Or you know,

0:31:43.160 --> 0:31:46.560
<v Speaker 1>going back to that spatial example, you know, you can

0:31:46.680 --> 0:31:50.040
<v Speaker 1>ultimately have some design sent to your three D printer

0:31:50.480 --> 0:31:52.800
<v Speaker 1>and then you print out your special So you're paying

0:31:52.800 --> 0:31:55.440
<v Speaker 1>for the design and that only has to be designed

0:31:55.440 --> 0:31:58.680
<v Speaker 1>once and then it's on it's on the person who

0:31:58.760 --> 0:32:01.560
<v Speaker 1>is buying it. It's up to you to manufacture it.

0:32:02.040 --> 0:32:03.840
<v Speaker 1>So that kind of takes a lot of the costs

0:32:03.840 --> 0:32:06.440
<v Speaker 1>away too. It's really just you don't even have to

0:32:06.480 --> 0:32:08.720
<v Speaker 1>build that first one. You just come up with a

0:32:08.760 --> 0:32:10.840
<v Speaker 1>good design and you can sell the design over and

0:32:10.880 --> 0:32:14.520
<v Speaker 1>over again without ever actually manufacturing anything. Right, Or if

0:32:14.560 --> 0:32:18.800
<v Speaker 1>you just think of some cool little thing you want built, um,

0:32:18.840 --> 0:32:21.240
<v Speaker 1>maybe your own prototype of something you can you don't

0:32:21.280 --> 0:32:23.120
<v Speaker 1>even have to buy all the stuff. There are companies

0:32:23.160 --> 0:32:26.160
<v Speaker 1>now that will make your little prototype for you. Yeah,

0:32:26.360 --> 0:32:28.560
<v Speaker 1>which is I think far more prevalent these days. Like

0:32:28.600 --> 0:32:31.720
<v Speaker 1>if you do order something off the internet, they'll, um,

0:32:32.080 --> 0:32:34.840
<v Speaker 1>they'll they send the file to a company that actually

0:32:34.880 --> 0:32:37.160
<v Speaker 1>prints it out for you. And there's a professional job.

0:32:37.920 --> 0:32:41.800
<v Speaker 1>Unless you want it yourself, for like the home inventoring,

0:32:41.800 --> 0:32:43.560
<v Speaker 1>you know, and they want to try out their new

0:32:43.560 --> 0:32:46.920
<v Speaker 1>widget that they just made. Speaking of home inventors, we

0:32:46.960 --> 0:32:49.440
<v Speaker 1>would be very remiss. Its not in this article. But

0:32:49.760 --> 0:32:52.960
<v Speaker 1>there is another, yet another revolution. If you haven't gotten

0:32:52.960 --> 0:32:56.520
<v Speaker 1>the idea that three D printing is revolutionary, just rewind

0:32:56.560 --> 0:33:01.600
<v Speaker 1>this and start over. UM. The there's a three D

0:33:01.640 --> 0:33:06.280
<v Speaker 1>printer called a rep wrap, which is a but it's

0:33:06.320 --> 0:33:09.800
<v Speaker 1>a d I Y from scratch three D printer that

0:33:09.840 --> 0:33:12.000
<v Speaker 1>you build. You build, you can get the parts that

0:33:12.200 --> 0:33:15.800
<v Speaker 1>just just about anywhere UM for a couple of hundred bucks,

0:33:16.320 --> 0:33:19.000
<v Speaker 1>and you put it together and you download the open

0:33:19.000 --> 0:33:22.640
<v Speaker 1>source software. All this is free, all open source UM.

0:33:22.680 --> 0:33:25.080
<v Speaker 1>And the first thing the printer does is it prints

0:33:25.080 --> 0:33:27.880
<v Speaker 1>out the remaining parts that it needs. Shut up, swear

0:33:27.880 --> 0:33:32.360
<v Speaker 1>to god. It's in its second incarnation now, second generation

0:33:32.400 --> 0:33:35.960
<v Speaker 1>rep wrap is called the mendel Ter gregor mendel UM.

0:33:36.040 --> 0:33:38.640
<v Speaker 1>And once you have this thing up and running, there's

0:33:38.680 --> 0:33:42.280
<v Speaker 1>like a whole world of open source UM three D

0:33:42.360 --> 0:33:46.160
<v Speaker 1>printing projects that you can download and print. You can

0:33:46.240 --> 0:33:48.640
<v Speaker 1>upload your own stuff. And the great part about it,

0:33:48.720 --> 0:33:51.200
<v Speaker 1>since it's open source, if somebody's like this would be

0:33:51.240 --> 0:33:54.240
<v Speaker 1>so much better if we just replaced this lattice structure

0:33:54.640 --> 0:33:57.520
<v Speaker 1>with a honeycomb structure here, and then all of a sudden,

0:33:57.520 --> 0:34:00.400
<v Speaker 1>now it's indestructible and then bam, that thing just got

0:34:00.400 --> 0:34:04.840
<v Speaker 1>improved for everybody to come. Yeah, this sounds like something

0:34:04.880 --> 0:34:07.840
<v Speaker 1>that's like early Internet stuff that at some point some

0:34:08.360 --> 0:34:12.080
<v Speaker 1>government being will squatch. Well yeah, well, I mean all

0:34:12.120 --> 0:34:15.520
<v Speaker 1>this free trading of great ideas and things. Exactly. One

0:34:15.520 --> 0:34:17.920
<v Speaker 1>of the things is the people who are open source

0:34:18.400 --> 0:34:22.120
<v Speaker 1>fanatics are like, dude, you want to solve poverty. You

0:34:22.120 --> 0:34:25.080
<v Speaker 1>want to solve like, um, poor healthcare in these areas

0:34:25.160 --> 0:34:28.759
<v Speaker 1>like give the give a town a three D printer two,

0:34:29.280 --> 0:34:31.040
<v Speaker 1>or teach them how to how to set up a

0:34:31.080 --> 0:34:34.520
<v Speaker 1>mental and then they can print out their lab parts,

0:34:34.600 --> 0:34:37.360
<v Speaker 1>they can print out replacement parts, they can print out whatever,

0:34:38.080 --> 0:34:41.400
<v Speaker 1>and all of a sudden they can take care of

0:34:41.440 --> 0:34:45.359
<v Speaker 1>themselves and give deliver good health care. And there's not

0:34:45.440 --> 0:34:48.920
<v Speaker 1>they're not relying on you know, aid or donors or whatever.

0:34:49.440 --> 0:34:53.160
<v Speaker 1>They're they're handling it themselves because now they're not off

0:34:53.160 --> 0:34:56.680
<v Speaker 1>of the supply line. They're totally tapped in just because

0:34:56.719 --> 0:34:59.040
<v Speaker 1>they have an Internet connection and a three D printer. Well,

0:34:59.040 --> 0:35:01.640
<v Speaker 1>and you sent me an article about a gentleman who

0:35:01.680 --> 0:35:06.440
<v Speaker 1>is working on three D printing food, and um, I

0:35:06.760 --> 0:35:08.879
<v Speaker 1>don't think of it as like I'm gonna go print

0:35:08.880 --> 0:35:11.040
<v Speaker 1>a hamburger. You have to kind of change your conception

0:35:11.040 --> 0:35:14.840
<v Speaker 1>of what food is. But it's essentially gonna be a

0:35:14.960 --> 0:35:19.200
<v Speaker 1>mix of you know, water and proteins and oils and

0:35:19.320 --> 0:35:23.239
<v Speaker 1>whatever makes up the components of a food. And then

0:35:23.239 --> 0:35:26.280
<v Speaker 1>he printed out as a little cube or a little

0:35:26.480 --> 0:35:29.680
<v Speaker 1>four leaf clover and eat it. Yeah. I don't know

0:35:29.680 --> 0:35:32.279
<v Speaker 1>about I mean, it's way early in the stages, but

0:35:32.320 --> 0:35:35.000
<v Speaker 1>he's talking about solving world hunger with three D printing. Yeah,

0:35:35.040 --> 0:35:37.520
<v Speaker 1>and he totally could because if you have the macro

0:35:37.680 --> 0:35:42.120
<v Speaker 1>nutrients right, like you have a protein cartridge, a carbohydrate cartridge,

0:35:42.160 --> 0:35:45.839
<v Speaker 1>and fast cartridge, and you're using binder printing, so you're

0:35:45.880 --> 0:35:49.399
<v Speaker 1>just putting them together and adding water or something like that. Um,

0:35:49.480 --> 0:35:53.000
<v Speaker 1>instant food, right. So his his first proof of concept

0:35:53.000 --> 0:35:54.680
<v Speaker 1>I think was chocolate, but the one he's working on

0:35:54.800 --> 0:35:57.520
<v Speaker 1>now is pizza, which is perfect because it's in the

0:35:57.600 --> 0:36:02.480
<v Speaker 1>layers anyway. So, UM, remember the the the platform that

0:36:02.560 --> 0:36:04.839
<v Speaker 1>goes up and down as he did often. The guy

0:36:04.880 --> 0:36:09.360
<v Speaker 1>who created that, he he used, Um that characteristic to

0:36:09.840 --> 0:36:13.960
<v Speaker 1>bake the dough as it's the pizzas being built like

0:36:14.120 --> 0:36:17.080
<v Speaker 1>at the carb layer and then the tomato layer, and

0:36:17.080 --> 0:36:20.600
<v Speaker 1>then a protein layer, and the proteins come from like

0:36:20.719 --> 0:36:23.759
<v Speaker 1>insects or whatever, which if you're eating it, if it

0:36:23.840 --> 0:36:26.680
<v Speaker 1>tastes right, you don't care where it comes from, of course,

0:36:27.239 --> 0:36:29.960
<v Speaker 1>unless you pay attention to that kind of thing. But yeah,

0:36:30.040 --> 0:36:33.520
<v Speaker 1>he could very easily like that could totally revolutionized food.

0:36:33.800 --> 0:36:36.640
<v Speaker 1>And as we get closer to things like being able

0:36:36.680 --> 0:36:41.399
<v Speaker 1>to three D print living tissue, which apparently we're at

0:36:41.560 --> 0:36:44.680
<v Speaker 1>right there, but the the problem that everybody keeps running

0:36:44.719 --> 0:36:48.239
<v Speaker 1>up against his blood vessels, generating blood vessels just just

0:36:48.360 --> 0:36:51.239
<v Speaker 1>beyond our technology right now. Once we start being able

0:36:51.239 --> 0:36:53.160
<v Speaker 1>to do that, then you will be able to print

0:36:53.239 --> 0:36:57.400
<v Speaker 1>a nice, juicy hamburger in your home, Manu. Some of

0:36:57.440 --> 0:37:00.239
<v Speaker 1>the some of the downsides of three D printing is

0:37:00.880 --> 0:37:03.000
<v Speaker 1>as of now, and and I think a lot of

0:37:03.000 --> 0:37:04.960
<v Speaker 1>this stuff, like with anything and technology is going to

0:37:05.040 --> 0:37:07.319
<v Speaker 1>get better. They're gonna refine it and make it more

0:37:07.760 --> 0:37:11.799
<v Speaker 1>environmentally friendly. But right now, uh, they burn a lot

0:37:11.840 --> 0:37:15.160
<v Speaker 1>of energy, about fifty to a hundred times more electrical

0:37:15.280 --> 0:37:19.560
<v Speaker 1>energy than injection molding for something that's you know, similar

0:37:19.600 --> 0:37:23.839
<v Speaker 1>in size, so that's no good. A hundred times more

0:37:23.840 --> 0:37:27.759
<v Speaker 1>electricity is traditional casting or machining. So right now they're

0:37:27.840 --> 0:37:30.200
<v Speaker 1>recommending it. It's it's not up to like large scale

0:37:30.239 --> 0:37:34.160
<v Speaker 1>manufacturing or anything like that, right like assembly line stuff,

0:37:35.239 --> 0:37:37.919
<v Speaker 1>just because it's just burning too much, is wasting too much.

0:37:38.800 --> 0:37:42.759
<v Speaker 1>The emissions aren't very healthy. Um. Obviously, if you have

0:37:42.800 --> 0:37:44.080
<v Speaker 1>one of these in your home, like you said, you're

0:37:44.080 --> 0:37:48.359
<v Speaker 1>an enclosed space, you're burning plastic um, there's gonna be

0:37:48.440 --> 0:37:51.840
<v Speaker 1>some emissions giving off given off from that in your house.

0:37:52.560 --> 0:37:54.640
<v Speaker 1>So if you know, I don't know what kind of

0:37:54.680 --> 0:37:58.200
<v Speaker 1>they probably have venting systems already, don't they. I don't know.

0:37:58.280 --> 0:38:01.200
<v Speaker 1>If you in an industrial and I'm sure like they say,

0:38:01.280 --> 0:38:03.600
<v Speaker 1>you should probably put this in a vented room. But no,

0:38:03.760 --> 0:38:07.239
<v Speaker 1>if you're just a dude with a maker bought on

0:38:07.320 --> 0:38:10.520
<v Speaker 1>your desktop, it's in your it's in your room. Yeah,

0:38:10.719 --> 0:38:14.719
<v Speaker 1>your rooms as vented as it normally, as I would guess. Uh,

0:38:14.840 --> 0:38:18.920
<v Speaker 1>plastics is something we're trying to get away from UM

0:38:18.960 --> 0:38:22.440
<v Speaker 1>as a planet, and plastic filament is kind of the

0:38:22.520 --> 0:38:26.200
<v Speaker 1>main game right now. Yeah, for for now, I mean,

0:38:26.239 --> 0:38:29.640
<v Speaker 1>like as as metals and ceramics, are more and more introduced.

0:38:29.640 --> 0:38:32.160
<v Speaker 1>I think, you know, plastics will kind of fall away

0:38:32.239 --> 0:38:35.120
<v Speaker 1>or they could, but yeah, for sure, like all three

0:38:35.200 --> 0:38:38.600
<v Speaker 1>D printers use plastics right now. You know this one

0:38:38.640 --> 0:38:40.400
<v Speaker 1>I would never consider. I thought it was pretty interesting,

0:38:40.480 --> 0:38:44.120
<v Speaker 1>is that the piracy uh licensing deals of Like if

0:38:44.160 --> 0:38:48.000
<v Speaker 1>you want to go make your own hobbit figuring instead

0:38:48.000 --> 0:38:53.000
<v Speaker 1>of paying what's the dude's name, Pete Peter Jacks, Peter

0:38:53.080 --> 0:38:56.440
<v Speaker 1>Jackson his cut, or George Lucas his cut, you can

0:38:56.440 --> 0:38:59.800
<v Speaker 1>make your own Little Star Wars figures or or printed

0:38:59.800 --> 0:39:01.480
<v Speaker 1>but to him and go sell him in the subway.

0:39:02.200 --> 0:39:07.200
<v Speaker 1>Kids who don't know any different who ride the subway. Yeah,

0:39:07.239 --> 0:39:08.960
<v Speaker 1>we're set up on your own, you know, your own

0:39:09.719 --> 0:39:11.719
<v Speaker 1>online shopper or whatever. You know. Yeah, And I mean,

0:39:11.800 --> 0:39:14.600
<v Speaker 1>like you can make the argument like, yeah, that's I mean,

0:39:14.640 --> 0:39:17.200
<v Speaker 1>that's a problem, and but that's something that would have

0:39:17.239 --> 0:39:21.520
<v Speaker 1>to be dealt with, just like everyone lived with the

0:39:21.560 --> 0:39:24.399
<v Speaker 1>piracy from music and movies and all that. Like those

0:39:24.440 --> 0:39:27.360
<v Speaker 1>industries haven't collapsed. It's true. People are still making music,

0:39:27.400 --> 0:39:30.879
<v Speaker 1>people are still making movies, people will still make figurines. Yeah,

0:39:30.920 --> 0:39:33.080
<v Speaker 1>that's a good point. And then the whole gun thing

0:39:33.200 --> 0:39:36.960
<v Speaker 1>is definitely a touchy issue. Yeah. This guy, Cody Wilson,

0:39:37.280 --> 0:39:40.600
<v Speaker 1>twenty six years old, a couple of years ago, Yeah,

0:39:40.760 --> 0:39:43.279
<v Speaker 1>was it last year? Was like within the last two

0:39:43.360 --> 0:39:45.800
<v Speaker 1>years I think, made it his own three D printed

0:39:45.800 --> 0:39:50.040
<v Speaker 1>gun that shot a bullet, and um, they have now

0:39:50.120 --> 0:39:54.880
<v Speaker 1>even another company has manufactured a metal gun that shoots bullets.

0:39:55.880 --> 0:39:59.600
<v Speaker 1>And that means if you can sell that software, then

0:40:00.000 --> 0:40:02.480
<v Speaker 1>book could just skirt gun laws and print a gun

0:40:02.560 --> 0:40:06.560
<v Speaker 1>at home. Yes, apparently they already are. Um. I guess

0:40:06.880 --> 0:40:09.480
<v Speaker 1>Cody Wilson put it up in the Justice Department took

0:40:09.520 --> 0:40:12.440
<v Speaker 1>it down, but not before it was already downloaded a

0:40:12.520 --> 0:40:16.719
<v Speaker 1>hundred thousand times at least. And that's the that's a

0:40:16.760 --> 0:40:19.960
<v Speaker 1>magic number. That means it's out there forever. Yeah, and

0:40:19.960 --> 0:40:24.680
<v Speaker 1>apparently the Congress has already got laws regarding this. Um

0:40:24.719 --> 0:40:27.440
<v Speaker 1>as far as having guns that are not made of

0:40:27.480 --> 0:40:29.640
<v Speaker 1>metal or like i e. One that you could sneak

0:40:29.640 --> 0:40:32.400
<v Speaker 1>onto a plane. But there's a small loophole in that

0:40:32.560 --> 0:40:35.600
<v Speaker 1>some of these gun plans have like the tiniest little

0:40:35.640 --> 0:40:39.360
<v Speaker 1>piece of metal that maybe not picked up by a

0:40:39.400 --> 0:40:43.360
<v Speaker 1>metal detector, but it is untill technically metal, right, and

0:40:43.520 --> 0:40:48.680
<v Speaker 1>it's deliberator does have that. It does have that piece

0:40:49.320 --> 0:40:52.040
<v Speaker 1>a metal piece. But apparently if if you have the plans,

0:40:52.040 --> 0:40:53.959
<v Speaker 1>you can very easily go in and ex that part

0:40:53.960 --> 0:40:56.600
<v Speaker 1>out and you have an all plastic gun. Right. Apparently

0:40:56.640 --> 0:41:00.960
<v Speaker 1>this Arai Israeli television group printed out their own version

0:41:01.000 --> 0:41:03.879
<v Speaker 1>of it, and um I wanted to see how far

0:41:03.920 --> 0:41:06.480
<v Speaker 1>they could get with one, and basically we're standing right

0:41:06.520 --> 0:41:11.759
<v Speaker 1>next to Benjamin and Yahoo with this plastic gun on them.

0:41:11.800 --> 0:41:14.280
<v Speaker 1>They were able to smuggle it all the way into

0:41:14.520 --> 0:41:19.439
<v Speaker 1>Parliament um on on the news. So I mean, yeah,

0:41:19.480 --> 0:41:22.879
<v Speaker 1>it's it's it's a plastic gun that you could take

0:41:22.960 --> 0:41:25.400
<v Speaker 1>through a metal detector, which is a great thing to

0:41:25.560 --> 0:41:27.959
<v Speaker 1>unleash on the world. And this guy's a what about

0:41:27.960 --> 0:41:30.520
<v Speaker 1>the bullets? I don't know, Yeah, I don't. I don't

0:41:30.600 --> 0:41:32.600
<v Speaker 1>understand why it wouldn't be picked up or whatever. But

0:41:32.840 --> 0:41:36.719
<v Speaker 1>or maybe they could make plastic bullets. Yeah, but you're

0:41:36.719 --> 0:41:40.759
<v Speaker 1>just shooting somebody with plastic bullets. It's like, yeah, jerk, Yeah,

0:41:40.760 --> 0:41:43.120
<v Speaker 1>they already make those and they sell them it TWI us. Yeah.

0:41:43.440 --> 0:41:46.279
<v Speaker 1>I read this Guardian article and it was like, you know,

0:41:46.480 --> 0:41:50.280
<v Speaker 1>this kid is a he's very much like um russ Olbrick.

0:41:50.440 --> 0:41:57.080
<v Speaker 1>He was like a libertarian slash anarchists kinda, and um,

0:41:57.840 --> 0:42:00.799
<v Speaker 1>he was like, well, it's not my responsibile that I

0:42:00.920 --> 0:42:04.480
<v Speaker 1>just you know, I unleashed this on the world. Who cares, right,

0:42:04.840 --> 0:42:06.920
<v Speaker 1>you can't. You can't govern this kind of thing. The

0:42:06.920 --> 0:42:09.920
<v Speaker 1>Internet is supposed to be free, and it's like, and

0:42:10.040 --> 0:42:12.080
<v Speaker 1>that is a that is a can of worms that

0:42:12.160 --> 0:42:14.680
<v Speaker 1>I don't think exists in black and white. Yeah, Or

0:42:14.719 --> 0:42:17.600
<v Speaker 1>who's responsible legally for some of this stuff one day,

0:42:17.680 --> 0:42:20.799
<v Speaker 1>like the manufacturer of the software or you know, but

0:42:20.880 --> 0:42:26.000
<v Speaker 1>even beyond legally, who's responsible morally? Yeah? You know you

0:42:26.160 --> 0:42:29.000
<v Speaker 1>are my friend, not me, not you, but the individual.

0:42:30.239 --> 0:42:32.839
<v Speaker 1>You're not gonna print a gun, No, you'll just print

0:42:32.880 --> 0:42:37.920
<v Speaker 1>out a little figures have been Man, that's dream. You

0:42:38.000 --> 0:42:40.279
<v Speaker 1>got anything else? Right now? I got nothing else. I

0:42:40.320 --> 0:42:43.280
<v Speaker 1>think it's a good overview. Yeah it is. We'll revisit

0:42:43.280 --> 0:42:45.200
<v Speaker 1>in five years and talk about which one one out.

0:42:46.040 --> 0:42:49.319
<v Speaker 1>This article is hilariously out of date. The lowest, the

0:42:49.360 --> 0:42:56.000
<v Speaker 1>lowest price it quotes is it something? It doesn't even

0:42:56.000 --> 0:42:59.960
<v Speaker 1>mention the rep rap, the rep rap, it's the big deal. Okay.

0:43:00.480 --> 0:43:03.399
<v Speaker 1>Uh So if you want to learn more about three

0:43:03.520 --> 0:43:05.960
<v Speaker 1>D printing, you should go read this hilariously out of

0:43:06.040 --> 0:43:08.160
<v Speaker 1>date article. On house top works, which by the way,

0:43:08.360 --> 0:43:11.000
<v Speaker 1>is being updated to put in an update requests, so

0:43:11.160 --> 0:43:15.439
<v Speaker 1>it should be nice and fancy soon. Um. And since

0:43:15.480 --> 0:43:17.479
<v Speaker 1>I said search bar, I think I did, It's time

0:43:17.520 --> 0:43:23.720
<v Speaker 1>for listener mail. I'm gonna call this wild parrots. Remember

0:43:23.760 --> 0:43:28.960
<v Speaker 1>when we talked about the wild parrots confirmed, Um, hey,

0:43:29.000 --> 0:43:31.600
<v Speaker 1>guys really enjoyed hanging out with you during the Tattoo podcast.

0:43:31.680 --> 0:43:35.440
<v Speaker 1>By the way, it is called a tattoo machine, not

0:43:35.520 --> 0:43:38.279
<v Speaker 1>a tattoo gun. Apparently they don't like that. They don't

0:43:38.320 --> 0:43:41.759
<v Speaker 1>like that, and we heard about it tattoo people. Are

0:43:42.360 --> 0:43:48.879
<v Speaker 1>they tattoo people? Um? Burning man people and who who else?

0:43:48.960 --> 0:43:50.920
<v Speaker 1>Seems like there's been one more subset of people that

0:43:50.920 --> 0:43:55.520
<v Speaker 1>you wouldn't think just be so like angry. Yeah. I

0:43:55.600 --> 0:43:59.640
<v Speaker 1>can't think of anybody any other group that's responded on

0:43:59.760 --> 0:44:04.600
<v Speaker 1>mat so angrily. Yeah, burning man and tattoos. Uh. So,

0:44:04.640 --> 0:44:07.720
<v Speaker 1>when Josh heard um that parrots like to hang together

0:44:08.400 --> 0:44:10.480
<v Speaker 1>when free, I wanted to burst into the podcast room

0:44:10.480 --> 0:44:12.920
<v Speaker 1>and tell you about the wild parrots of San Francisco,

0:44:13.040 --> 0:44:15.800
<v Speaker 1>my hometown. I'm not gonna get into it except to

0:44:15.840 --> 0:44:17.960
<v Speaker 1>say that over the course of my life, the parents

0:44:17.960 --> 0:44:19.880
<v Speaker 1>were sort of a living legend that one would occasionally

0:44:19.880 --> 0:44:22.399
<v Speaker 1>get the privilege of spotting now and then. However, about

0:44:22.400 --> 0:44:25.000
<v Speaker 1>three years ago I moved in with my aunt in

0:44:25.040 --> 0:44:29.200
<v Speaker 1>the little San Francisco suburb of Brisbane, and apparently the

0:44:29.239 --> 0:44:31.680
<v Speaker 1>famous flock of parrots were also making their home there,

0:44:32.120 --> 0:44:34.719
<v Speaker 1>since it was warmer and less windy than most of

0:44:34.719 --> 0:44:37.520
<v Speaker 1>San Francisco. Uh. They were often hanging out right outside

0:44:37.560 --> 0:44:40.320
<v Speaker 1>my bedroom window, which is pretty amusing but also someone annoying,

0:44:40.680 --> 0:44:43.479
<v Speaker 1>especially since my first son was just a little guy

0:44:43.560 --> 0:44:46.239
<v Speaker 1>and they are loud. I can vouch for that they're

0:44:46.280 --> 0:44:49.080
<v Speaker 1>super loud. Also, guys, I'm sending you the link to

0:44:49.200 --> 0:44:52.719
<v Speaker 1>watch the documentary from two thousand three, The Wild Parrots

0:44:53.120 --> 0:44:58.400
<v Speaker 1>of Telegraph Hill. So she's recommended that we watched that. Anyway,

0:44:58.560 --> 0:45:02.600
<v Speaker 1>did we get that documentary? No? I think it's Um. Yeah,

0:45:02.640 --> 0:45:06.920
<v Speaker 1>it was just a link. It's online, so keep it up. Seriously,

0:45:07.000 --> 0:45:10.400
<v Speaker 1>if you stopped making podcasts, I'd be one that majorly bummed.

0:45:10.560 --> 0:45:18.240
<v Speaker 1>Mama Child Bellow Amy, Thanks Amy and San Francisco via Italy.

0:45:19.480 --> 0:45:24.400
<v Speaker 1>Yeah that was weird. Um that it was good. I

0:45:24.440 --> 0:45:26.360
<v Speaker 1>didn't doubt you. I want to say, Oh no, I

0:45:26.360 --> 0:45:28.879
<v Speaker 1>didn't think so, okay, I that would just be such

0:45:29.040 --> 0:45:33.200
<v Speaker 1>a bizarre thing to make up. Um, but yeah, thanks

0:45:33.280 --> 0:45:38.040
<v Speaker 1>Amy for supporting Chuck. Chuck loves to be supported and proven, right,

0:45:39.280 --> 0:45:41.399
<v Speaker 1>don't we. All. Yeah, if you want to hang out

0:45:41.440 --> 0:45:44.120
<v Speaker 1>with us, we've got a bunch of ways you can. Uh,

0:45:44.320 --> 0:45:47.200
<v Speaker 1>you can hang out with us, um Pinterest, look for

0:45:47.400 --> 0:45:52.279
<v Speaker 1>s Y s K podcast on Pinterest, Twitter, and Instagram. Yeah,

0:45:52.320 --> 0:45:56.120
<v Speaker 1>We've got a couple of new social platforms Instagram and Pinterest,

0:45:56.160 --> 0:46:02.480
<v Speaker 1>and it's pretty cool. I'm excited. These are just everything

0:46:02.560 --> 0:46:05.439
<v Speaker 1>is different, man, Like you very rarely see one thing

0:46:05.560 --> 0:46:09.040
<v Speaker 1>is that's on everything. It's like all, if you keep

0:46:09.120 --> 0:46:11.920
<v Speaker 1>up with us on like Pinterest, Instagram, Twitter, and Facebook,

0:46:11.960 --> 0:46:14.839
<v Speaker 1>you're gonna get a bunch of different awesome information. Yeah,

0:46:14.840 --> 0:46:17.279
<v Speaker 1>it's pretty nat cool stuff. So thanks for that. Yeah,

0:46:17.360 --> 0:46:19.799
<v Speaker 1>and then like I said, Facebook, Facebook, dot Com, slash

0:46:19.840 --> 0:46:23.000
<v Speaker 1>stuff you should Know, um, and you can always send

0:46:23.040 --> 0:46:27.160
<v Speaker 1>us an email to Stuff Podcast at Discovery dot com

0:46:27.200 --> 0:46:28.880
<v Speaker 1>and uh hang out with us at her home on

0:46:28.920 --> 0:46:36.919
<v Speaker 1>the web. Stuff you should Know dot com for more

0:46:36.960 --> 0:46:39.239
<v Speaker 1>on this and thousands of other topics. Is it how

0:46:39.280 --> 0:46:47.080
<v Speaker 1>Stuff works dot Com