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Speaker 1: Are you leaving?

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Speaker 2: I you wanna way back home? Either way, we want

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Speaker 2: to be there.

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Speaker 3: Doesn't matter how much baggage you claim, and give us

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Speaker 3: time and a terminol.

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Speaker 2: And gaggie ad.

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Speaker 1: We want to send you off InStyle.

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Speaker 2: We wanna welcome you back home.

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Speaker 1: Tell us all about it. We scared her? Was it fine? Malborn?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do your need to ride?

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Speaker 2: To ride with Karen and Chris? Welcome to Do you

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Speaker 2: need to ride? This is Chris.

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Speaker 1: Fairbanks and this is Karen Colgarreth.

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Speaker 2: We are leaving for my house, which is rare, I know,

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Speaker 2: but it's so exciting. Please take a left.

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Speaker 1: Okay. Another reason today is exciting is because it's Chris's birthday.

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Speaker 2: That's right, I am fifty years old.

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Speaker 1: Is this the Big five? Oh?

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Speaker 2: Yeah?

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Speaker 1: Holy shit? How do you feel?

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Speaker 2: I mean? I went to bed feeling like, oh my god,

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Speaker 2: I can't believe I'm at a halfway point, and then

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Speaker 2: I woke up like, who am I fooling? I'm not

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Speaker 2: going to live to be a hundred. Maybe that'd be

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Speaker 2: great if I did. I'm not saying I won't. My

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Speaker 2: great grandma did. But it's more of a three fourths.

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Speaker 2: Oh god, is it two thirds?

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Speaker 1: Could be a two thirds or could be a seven

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Speaker 1: tenths or.

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Speaker 2: Yeah, if you're a oh no, that would have to

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Speaker 2: be an accident.

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Speaker 1: Maybe these guys are no, they this is gorgeous.

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Speaker 2: Yes, I this is Look at this, Look at this

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Speaker 2: rounded glass on this is that a turn? Yeah?

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Speaker 1: That's so pretty.

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Speaker 2: That is the kind of As a kid, an anxious kid,

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Speaker 2: I had nightmares about a baseball knowing into that kind

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Speaker 2: of class, in that kind of glass, or that.

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Speaker 1: Was sent there by you, or just in general.

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Speaker 2: Just in general, I just felt for homeowners, even as

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Speaker 2: a child.

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Speaker 1: Of course you did. You've always been an EmPATH.

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Speaker 2: Uh and we shall turn right, okay.

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Speaker 3: But all these yes, all these people have to do

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Speaker 3: their things, all dough mine.

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Speaker 2: The uncontrolled intersections around here. This is the I think

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Speaker 2: we've driven through in the past. We have for sure, Okay, okay,

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Speaker 2: So everyone knows this is the most Victorian homes in

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Speaker 2: all of Los Angeles, and I live near it, although

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Speaker 2: I am not in it, but it is. I get

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Speaker 2: so excited about them that this is where I drive

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Speaker 2: around and do my cameos.

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Speaker 3: It's just so pretty. It's like there's actually architecture interesting.

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Speaker 3: I mean that it's interesting, like what was that?

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Speaker 2: Even that rundown kind of a lot of them look

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Speaker 2: like haunted houses, especially the Thriller house. But there is

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Speaker 2: one street that is one more one more block and

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Speaker 2: the Milturn Left. But I want to get everyone's feedback

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Speaker 2: about this house that seemingly has a CBGB's awning, which

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Speaker 2: I've seen the guy out there working on his motorcycle.

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Speaker 2: Left turn here, Carroll Avenue is apparently the street. This

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Speaker 2: is the this is a horse historic street with the

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Speaker 2: most Victorian homes. That is the Thriller House there?

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Speaker 1: Oh cool? So has it always looked like that?

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Speaker 2: I burnt. I don't know. And it's funny, very fittingly.

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Speaker 2: The person that lives in there just peeks out the

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Speaker 2: window and there's one flickering light. She's really in character.

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Speaker 1: Wow. But oh look at the yes.

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Speaker 2: Look at that rounded like, I don't even know what

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Speaker 2: that is.

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Speaker 1: I don't either, have never seen that. And there's a

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Speaker 1: lot of Victorian.

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Speaker 3: Homes in my hometown, so like I kind of thought

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Speaker 3: I've seen it all before.

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Speaker 2: And this is this one house. The more gothic. Of

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Speaker 2: these had a Black Lives Matter a poster and the

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Speaker 2: other one had a Trump thing. But I saw them always.

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Speaker 1: Almost like across the street from each other.

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Speaker 2: Yeah, but I see it. I've driven through here enough

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Speaker 2: to see that they are indeed friends and they put

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Speaker 2: their politics aside. Nice to take a rite, okay, and yes, yes.

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Speaker 1: Wow, you know it's funny. I'm the one.

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Speaker 3: I was having all those reactions like I hadn't been

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Speaker 3: there before, even though I'm like, yes, we've done this,

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Speaker 3: like at least twice.

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Speaker 1: But I feel like I.

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Speaker 3: Always looked up instead of down, so like I was

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Speaker 3: always looking at the same side of the street, and

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Speaker 3: the other side of the street had those crazy like

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Speaker 3: that was like a porch with a built wooden instead

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Speaker 3: of like the usual lattice. It was circular porthole, a

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Speaker 3: gigantic port hole.

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Speaker 2: Yeah. Yeah, like you're walking into a submarine shaped porch.

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Speaker 1: Or a Lord of the Rings style port.

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Speaker 2: Or some sort of a horizontal well.

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Speaker 3: It's the ring well turned sideways and the girl with

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Speaker 3: the wet hair comes out forward from.

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Speaker 2: It, right right. It's horrifying and gothic but so ornate,

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Speaker 2: and you really got to appreciate the woodwork. And then

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Speaker 2: you're just in a neighborhood like this. These are the

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Speaker 2: homes that like remind me of any university district in

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Speaker 2: like a Midwest town.

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Speaker 1: These lemon trees in the front yards very inniscent of

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Speaker 1: old Los Angeles when it was all citrus groves.

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Speaker 2: Yeah, there are a lot of lemon trees.

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Speaker 1: Oh there's one for sale. Just the tree, please, we'll

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Speaker 1: take four lemons. That's seven thousand dollars. Put a skeleton

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Speaker 1: on a.

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Speaker 2: Bike, take it right here. Oh that's fun. That's what

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Speaker 2: you do when that's the bike equivalent of right, okay,

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Speaker 2: putting like a planting flowers in the hood of your camaro.

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Speaker 2: Yeah on blocks. Yeah, this is it's just a cool neighborhood.

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Speaker 2: The fact that we're near downtown it's not lost on me.

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Speaker 2: Although i'm lost right now. I'm so sorry, but I

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Speaker 2: know that I had a mission.

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Speaker 1: Well we'll just drive around, yeah, just go up and down.

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Speaker 1: It is.

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Speaker 2: It is a fun care free I mean you can

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Speaker 2: take a rider. Not here, of course, because there's a house,

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Speaker 2: but anywhere you go, we're gonna.

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Speaker 1: Want to take it. Right.

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Speaker 3: Oh thinks okay, right, could someone please move these recycling bins.

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Speaker 2: I mean, that's how you know you're in a neighborhood

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Speaker 2: that really they're all in agreeance with some sort of ordinance.

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Speaker 2: They have meetings, and that's one of these meetings. They're like,

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Speaker 2: I think they should be twelve feet because the garbage

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Speaker 2: guy told me that. Okay, all adjourned gavel. It seems

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Speaker 2: like that kind of neighborhood.

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Speaker 3: But I mean like saying we need to put them

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Speaker 3: this far into the street, right.

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Speaker 2: Some people came, yeah, it's like, okay, where this is

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Speaker 2: our third session about six to twelve feet, which is

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Speaker 2: going to be where you don't get that kind of

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Speaker 2: neighborhood action action and other parts of Los Angeles. Okay,

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Speaker 2: this is I think the right street, and up on

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Speaker 2: the left there's a CBGB's that rock club even though

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Speaker 2: stands for country, blues and blue grass a lot of bands. Okay,

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Speaker 2: what do you think is that authentic or did the guy.

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Speaker 3: Just ooh, it kind of does look authentic. I mean,

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Speaker 3: I wouldn't know. It's not like I saw it in

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Speaker 3: real life.

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Speaker 2: In New York.

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Speaker 3: But that's fucking I mean, it is the mfug thing.

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Speaker 3: I wonder if that's the correct I wonder if they

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Speaker 3: did that, because that's three fifteen and CBGB's was three

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Speaker 3: fifteen on whatever street.

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Speaker 2: They were all, oh, maybe or maybe the guy that

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Speaker 2: lives there was a door guy only.

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Speaker 1: So you look up what the real one looks like.

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Speaker 2: That's what I think that's gonna it's immediately gonna be Oh,

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Speaker 2: they were all bright red because that one's sort of

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Speaker 2: a alien skin tone.

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Speaker 1: It was gray, very gray green. Yeah.

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Speaker 2: And of course this house on the right, I never

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Speaker 2: know where I am anyway, there's a house from one

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Speaker 2: tree Hill somewhere in here.

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Speaker 3: Wait, I have breaking news though, because yes, do you

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Speaker 3: want to hear about Blossom's adventure.

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Speaker 1: Like a squirrel? Yeah, literally, just sitting in the street

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Speaker 1: eating a nut, like a like a cartoon in the world.

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Speaker 2: Hye bye, casual squirrel with great postures.

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Speaker 1: You know why, because that casual squirrel feels protected by

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Speaker 1: these garbage cans that the way out in the fucking street.

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Speaker 2: You know what. The meting squirrels were brought up.

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Speaker 1: They were like, we must protect these nut eating squirrels.

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Speaker 2: And they have names. Okay, that dilapidated, sure, shingle. It

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Speaker 2: looks haunted, but look at it's stacked up. It reminds

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Speaker 2: me of Astoria, Oregon. It's a goony's house right there.

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Speaker 1: Yeah, totally.

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Speaker 3: So the other morning, Blossom's like, I have to get

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Speaker 3: out into the yard at five point fifteen, and I

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Speaker 3: was like, are you serious?

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Speaker 1: This is irritating, which is real insistent. So I got

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Speaker 1: up and let her out through the siding glass or

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Speaker 1: my bedroom, and then ten minutes go by. I'm just

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Speaker 1: laying there, Me and Frank get up and then we

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Speaker 1: hear Blossom yelp out in the yard and she comes

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Speaker 1: running in right and so I'm like, what did you

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Speaker 1: do whatever? And she looks super scared. I look out

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Speaker 1: the window. Two full sized coyotes. Oh shit, are walking away.

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Speaker 1: So they're on the near They're on the house side

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Speaker 1: of the path of the pool, not the other side,

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Speaker 1: and they are walking away.

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Speaker 3: And then like ten minutes later, I'm out feeding them whatever,

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Speaker 3: doing our morning routine, and I look down. Her leg

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Speaker 3: is bleeding. They nipped her no way, yes, and I

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Speaker 3: had to.

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Speaker 1: Take her to the vet, the emergency VT. And she

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Speaker 1: got bitten.

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Speaker 3: She got like nipped and almost taken by a coyote.

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Speaker 1: She got away and now she has a little her

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Speaker 1: little treated puncture wound and she has to work cone.

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Speaker 2: Oh no, but I'm so glad.

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Speaker 1: That's Oh my god.

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Speaker 2: I thought I would think your yard would be the

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Speaker 2: safest because it's not, like, doesn't it drop off after

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Speaker 2: the pool?

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Speaker 1: There's like yes, but they I think they live at

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Speaker 1: the bottom of the of like there's like a lot

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Speaker 1: of wild because it's just empty fields in all of

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Speaker 1: the neighbor's backyards. So I think there's a lot of

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Speaker 1: wildlife back there.

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Speaker 2: And yell a motor cycle look at him, go uh yeah,

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Speaker 2: that is my worst fear. And I'm not even a

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Speaker 2: dog owner.

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Speaker 1: It was pretty crazy. But she she has made it

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Speaker 1: through the rain. But you know, as opposed to just

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Speaker 1: having you name random one tree hill houses, I thought

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Speaker 1: i'd bring a little bring a little breaking news to

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Speaker 1: the poet.

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Speaker 2: Well, back to the subject at hand. The UPN Network

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Speaker 2: shot a lot of.

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Speaker 1: The subject of men. Is this really how you want

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Speaker 1: to spend your birthday? Chris? It doesn't make sense.

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Speaker 2: Old homes are my birds. I watch them, I drive

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Speaker 2: by slow, I peek in them. OEPs. No, it was

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Speaker 2: just something nearby.

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Speaker 1: No, No, it's good.

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Speaker 2: But what are you going to do? I mean lifestyle

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Speaker 2: change wise, How are you going to battle these coyotes

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Speaker 2: because they are conniving. They will taunt a dog and

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Speaker 2: have their friends waiting around the corner, like coyotes are masterful.

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Speaker 1: Yes, that's why she thought. I'm sure she thought they

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Speaker 1: were friends and so that they could go and play together.

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Speaker 1: Happy Birthdays.

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Speaker 2: Oh my gosh, are you kidding me?

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Speaker 1: I'm handing Chris a big birthday present.

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Speaker 2: This makes me so happy. I didn't even know that

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Speaker 2: you knew. I was all excited to surprise you.

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Speaker 1: I knew and you do. Do you know why? Because

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Speaker 1: of our masterful producer on the least, who texted me

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Speaker 1: and was like, I feel like this is something you

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Speaker 1: would want to know if you don't know already. And

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Speaker 1: I was like, oh, of course I already knew.

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Speaker 2: I know. I didn't know because I never have even

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Speaker 2: when I should. Family members. My sister makes a calendar

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Speaker 2: with photos of the days with like remember your niece's birthday,

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Speaker 2: and I get that's why I get these hard copy calendars.

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Speaker 2: The only way people were getting it right for a

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Speaker 2: while is when we were all on Facebook.

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Speaker 3: Yeah that's right, and you could just see other people

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Speaker 3: doing it and you're like.

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Speaker 2: Hey, whoa, this is big, big, beautiful.

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Speaker 1: Or a frame I gave Chris and or a frame

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Speaker 1: which we have done commercials for ourselves.

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Speaker 2: Right, this is the equivalent, and I'm going to read

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Speaker 2: the card out loud all their stickers thank you. Oh

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Speaker 2: that that's so me. A dog with a with his

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Speaker 2: hat bill flipped out his punk rock dog and oh yeah,

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Speaker 2: that's a that's a very salivating dog. And then wait,

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Speaker 2: where have I seen this butt man before?

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Speaker 3: It's Eric who drew the bananas logo. He's a skateboard

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Speaker 3: guy and he's like an illustrator comic book guy.

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Speaker 2: Okay, that's why it looks familiar, because I'm a skateboard.

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Speaker 1: Guy exactly, and he's super cool.

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Speaker 2: Happy birthday, my friend loved KK. Thank you KK.

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Speaker 1: You're welcome.

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Speaker 2: People know that that's when we call each other when

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Speaker 2: we're out of the.

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Speaker 3: Studio and we just don't have time to share full

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Speaker 3: names to each other.

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Speaker 2: What are the dimensions of this frame? I am this

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Speaker 2: is the biggest picture frame ever. It's like an art

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Speaker 2: gallery size.

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Speaker 1: It is now. Also, please fully feel free to keep

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Speaker 1: it and regift it to your sister or somebody if

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Speaker 1: you feel like somebody else will love it more.

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Speaker 2: But my sister has or frames she purchased through our

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Speaker 2: you know code discount code. But this one, this sign,

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Speaker 2: I mean, this is nice. And I had some too

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Speaker 2: that I gave away his gifts and leaving none no

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Speaker 2: frames for thine self.

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Speaker 1: Right you always give them away? Yes, but I do

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Speaker 1: have a little.

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Speaker 3: They were very generous and I'm sorry because this really

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Speaker 3: does sound like a commercial and it's not. But they

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Speaker 3: just gave us so many because we did ads for

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Speaker 3: so long that I'm like, hey, who wants one?

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Speaker 1: Everyone loves them?

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Speaker 2: Well I need some? Should we mention oneskin because I

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Speaker 2: need a refill? I'm just kidding. We have great sponsors.

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Speaker 2: It's our point.

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Speaker 1: Thank you, ladies and gentlemen.

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Speaker 2: Thanks and you paid unslated ad plug. I'm very excited

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Speaker 2: about this. Yeah, great, Yeah I am.

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Speaker 1: I think that's a really mature gift to get for

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Speaker 1: your fiftieth birthday, a digital frame where you can focus

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Speaker 1: on family.

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Speaker 2: I wonder is I probably shouldn't because of the size

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Speaker 2: of this. I should get some nice high reds photos,

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Speaker 2: ketsups be you know, all connected to my Instagram and

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Speaker 2: then pixel city you know what I mean, don't get

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Speaker 2: me a start.

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Speaker 1: Take a look. I don't know if that's how it is.

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Speaker 2: Yeah, I don't know either.

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Speaker 3: I mean on my dad's which is regular size, smaller

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Speaker 3: than that one. All of the pictures are digital and

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Speaker 3: they look great. Oh they're like phone pictures.

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Speaker 2: Right, I'm excited, yay for my birthday. I have where

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Speaker 2: there's going to be a photo booth or what is

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Speaker 2: it with a red carpet and a point and shoot

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Speaker 2: or a oh step and repeat, a step and repeat. Sorry,

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Speaker 2: been a while since I modeled.

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Speaker 1: Sorry, really quick, K and K donut? Did you know

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Speaker 1: that was there?

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Speaker 2: I never put it together. And it's funny because I

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Speaker 2: call you KK all the time.

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Speaker 1: It's all happening. Okay. Sorry, you're saying you have never modeled,

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Speaker 1: and yet.

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Speaker 2: Well I did. I was a foot model for a while,

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Speaker 2: but I have not ever seen a photo. You know,

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Speaker 2: when you're at an event, like I'd get invited to

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Speaker 2: Comedy Central stuff once, you know, a decade ago, and

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Speaker 2: then you'd go look up the photos and it says

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Speaker 2: Getty Images. So I on plexiglass in the foreground of

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Speaker 2: this photo backdrop, I'm printing out a Getty Images thing

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Speaker 2: on plexiglass. So it's in front of everyone, which gives

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Speaker 2: each photo a hilarious legitimacy and a wink to showbiz.

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Speaker 2: Do you think.

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Speaker 1: Absolutely the Getty people may sue you. Just keep it

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Speaker 1: in mind, just be ready in case they do.

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Speaker 2: I it did cross my mind. But it is also yeah,

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Speaker 2: it is their logo and they'll switch up the phone.

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Speaker 3: Well it's the whole it's not just the logo, but

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Speaker 3: it's the whole way they watermark their own pictures, right,

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Speaker 3: so you're kind of like it's mine too, which I

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Speaker 3: think they don't like.

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Speaker 2: Yeah, who I mean, that would be if the best

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Speaker 2: case scenario, if it looking I think I wanted to

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Speaker 2: be crooked and because I'm just gonna put a on

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Speaker 2: campaign sign wires and it'll be like crooked and I'm

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Speaker 2: going to make the letters slightly askew. We'll see. But

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Speaker 2: you're now that but you're just saying legal standpoint.

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Speaker 1: But you're just saying purely for your birthday as this

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Speaker 1: funny thing, right, Okay, But it.

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Speaker 2: Is a photo booth where from an iPad people can

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Speaker 2: email the photos to themselves. Oftentimes you can pay for

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Speaker 2: that service, but there are apps where you know there's

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Speaker 2: just a ring light and a red carpet. People can

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Speaker 2: take photos and send them to themselves, so it's not

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Speaker 2: like they're going online.

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Speaker 1: Then I think. Then I think, as a.

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Speaker 2: Now I'm worried about getting sued by the Getty people.

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Speaker 1: I didn't understand. I thought you were talking about something else,

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Speaker 1: because you were you started that talking about Comedy Central

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Speaker 1: and all these things, so the right kind of confused.

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Speaker 2: But here's my thing, Christopher Nolan talk.

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Speaker 1: It's what's the value of that? Because like, it's a

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Speaker 1: fun joke to you.

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Speaker 3: But then I bet you all those people who absolutely

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Speaker 3: want to post those pictures, is that a positive for them?

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Speaker 1: That Getty is on there? It looks like it's something.

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Speaker 2: Yeah, because the background I made it says fifty years

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Speaker 2: at Fairbanks, and there's Ivy Leave like film Fest Laurels,

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Speaker 2: so it really looks like we're at some sort of

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Speaker 2: a event. The backdrop is a perfect white, you know,

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00:19:28,200 --> 00:19:31,480
Speaker 2: spandex sheet that covers this frame, and it looks like

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Speaker 2: we're at an event. And I just thought, what everyone

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Speaker 2: loves getting photos taken in front of those things photo ops,

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00:19:40,880 --> 00:19:44,240
Speaker 2: why not provide one in a hilarious way wonderful?

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Speaker 1: Sorry, I think I wasn't listening.

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Speaker 2: No, no, And I do have trouble getting from point

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Speaker 2: A to.

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00:19:49,760 --> 00:19:53,400
Speaker 3: Point B, and I have trouble following in any way,

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Speaker 3: shape or form when people are speaking.

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Speaker 1: I guess, no, it's me.

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Speaker 2: Howard Kramer, I believe, has called me a huge I'm

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Speaker 2: in screensaver because yeah, I don't quite know where it's

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00:20:06,800 --> 00:20:09,159
Speaker 2: but I do know why he's saying it.

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Speaker 3: Yes, it's a it's not super specific, but it is

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Speaker 3: just kind of a funny.

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Speaker 1: You have an ability to when you're.

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Speaker 3: Speaking, Uh, you kind of sound like toasters bouncing right.

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00:20:21,880 --> 00:20:23,600
Speaker 2: There's a lot of buffering that goes on.

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00:20:23,800 --> 00:20:26,720
Speaker 1: There's a big green, beautiful hill with a beautiful blue

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Speaker 1: sky behind it. Is that you?

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00:20:30,200 --> 00:20:33,080
Speaker 2: Oh, yes, exactly. I thought you meant.

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00:20:33,200 --> 00:20:33,440
Speaker 1: Yes.

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00:20:33,520 --> 00:20:37,840
Speaker 2: There's a kaleidoscopy wheel that's always churning as I think,

382
00:20:39,600 --> 00:20:43,880
Speaker 2: but the sky. I love that. It's raining. We need it,

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Speaker 2: we want it. Bring it on for your birthday?

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Speaker 1: Do you want a milkshake from McDonald's.

385
00:20:50,240 --> 00:20:55,960
Speaker 2: Oh sure, Oh you mean right now? It is my

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Speaker 2: birthday now?

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00:20:57,040 --> 00:20:59,600
Speaker 1: Yeah, it's your birthday now. And there's a McDonald's right there.

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00:20:59,680 --> 00:21:04,879
Speaker 2: Yes, thank you, that's really very nice. I didn't know

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00:21:04,920 --> 00:21:09,040
Speaker 2: you already got me a big, nice frame I would love.

390
00:21:09,800 --> 00:21:12,680
Speaker 1: Okay, let's see if I don't kill us both by

391
00:21:12,720 --> 00:21:13,879
Speaker 1: making this left turn.

392
00:21:14,000 --> 00:21:17,840
Speaker 3: And I did it, oops, but very close, but I didn't.

393
00:21:21,920 --> 00:21:23,200
Speaker 3: Bob Newhart is eternal.

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00:21:23,600 --> 00:21:28,879
Speaker 2: Yes, I I should listen to my button down mind

395
00:21:28,920 --> 00:21:31,560
Speaker 2: of Bob Newhart if you haven't, if you're maybe not

396
00:21:31,640 --> 00:21:34,479
Speaker 2: even familiar with him or only know him from one

397
00:21:34,520 --> 00:21:38,639
Speaker 2: of his TV shows, Right, Bob Newhart's stand up is

398
00:21:38,800 --> 00:21:44,119
Speaker 2: very ahead of its time and great. Yeah, not ahead

399
00:21:44,119 --> 00:21:47,480
Speaker 2: of its time compared to today. I don't think anyone's doing

400
00:21:48,400 --> 00:21:52,120
Speaker 2: one end of a phone call on stage, but if

401
00:21:52,160 --> 00:21:54,840
Speaker 2: you saw it today, you'd be like, oh, someone's doing that.

402
00:21:55,160 --> 00:21:59,920
Speaker 2: At the time, people were losing their minds and arena's

403
00:22:00,040 --> 00:22:00,600
Speaker 2: were filled.

404
00:22:00,840 --> 00:22:01,399
Speaker 1: Yeah.

405
00:22:01,440 --> 00:22:05,480
Speaker 2: Like, if you think about someone like Bob Newhart touring

406
00:22:05,560 --> 00:22:10,000
Speaker 2: and selling out to like middle aged folks, I think

407
00:22:10,119 --> 00:22:13,159
Speaker 2: is who went to see comedy back then? Now you

408
00:22:13,200 --> 00:22:16,120
Speaker 2: know it's just a bunch of spray painting kids with mohawks.

409
00:22:16,440 --> 00:22:19,359
Speaker 1: Well also though, back then young people look like middle

410
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Speaker 1: aged people, so it's kind of kind of hard to tell.

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00:22:22,080 --> 00:22:26,199
Speaker 2: Right, That's what I'm noticing when I because you know,

412
00:22:26,320 --> 00:22:29,320
Speaker 2: turning fifty it's crazy not to just look at an

413
00:22:29,359 --> 00:22:34,160
Speaker 2: old photo of like here's the us UCLA football team,

414
00:22:34,320 --> 00:22:36,639
Speaker 2: Like when you're in a sports bar, it's like nineteen

415
00:22:36,680 --> 00:22:40,480
Speaker 2: forty five, and everyone looks like the Three Stooges. So

416
00:22:41,240 --> 00:22:46,680
Speaker 2: they're just like a bunch of mow and cheps balding.

417
00:22:47,040 --> 00:22:49,359
Speaker 2: So a couple of the kids have cigarettes in their mouth.

418
00:22:49,600 --> 00:22:52,240
Speaker 1: Thank you, Oh my.

419
00:22:53,600 --> 00:23:03,000
Speaker 2: Okay, and I believe that's yours.

420
00:22:59,680 --> 00:23:01,760
Speaker 1: Thank you, thank you.

421
00:23:02,119 --> 00:23:08,159
Speaker 2: It's my birthday, Mike Flurry, it's a milkshake. Oh is

422
00:23:08,200 --> 00:23:10,440
Speaker 2: it just a milkshake? I can't remember?

423
00:23:10,720 --> 00:23:13,639
Speaker 3: And he goes, we don't have that, but we have milkshakes,

424
00:23:13,800 --> 00:23:17,359
Speaker 3: and he goes vanilla or chocolate medium, and then you

425
00:23:17,400 --> 00:23:18,440
Speaker 3: go strawberry.

426
00:23:18,760 --> 00:23:23,320
Speaker 2: I very much did not. Nobody was saying maybe it's

427
00:23:23,320 --> 00:23:24,920
Speaker 2: because I wasn't close to the speaker.

428
00:23:25,160 --> 00:23:25,680
Speaker 1: That's true.

429
00:23:26,560 --> 00:23:28,960
Speaker 2: Oh I can't wait. I have a feeling we're gonna

430
00:23:28,960 --> 00:23:31,600
Speaker 2: have to run around the building again and thank him

431
00:23:31,760 --> 00:23:34,359
Speaker 2: because he said sorry five times.

432
00:23:34,560 --> 00:23:37,600
Speaker 1: I know, thank you.

433
00:23:38,440 --> 00:23:43,119
Speaker 2: The great part of this beverage is the silent enjoyment.

434
00:23:43,520 --> 00:23:48,160
Speaker 2: Oh zero sound here. I am enjoying it. I guarantee

435
00:23:48,480 --> 00:23:51,280
Speaker 2: you could hear a pin drop because it.

436
00:23:51,280 --> 00:23:56,040
Speaker 1: Takes a lot of power to suction up that milkshake.

437
00:23:56,280 --> 00:23:58,879
Speaker 2: Yeah, you gotta be careful. Actually, I don't want to

438
00:23:58,880 --> 00:24:01,479
Speaker 2: burst a blood vessel in my eye.

439
00:24:01,840 --> 00:24:02,199
Speaker 3: Hmmm.

440
00:24:04,520 --> 00:24:08,000
Speaker 2: That is I mean, I've never accused anything of being

441
00:24:08,080 --> 00:24:08,840
Speaker 2: too chocolate.

442
00:24:08,920 --> 00:24:10,320
Speaker 1: This is to chocolate.

443
00:24:11,040 --> 00:24:14,920
Speaker 2: No, it's more it is as chocolatey as a piece

444
00:24:14,960 --> 00:24:15,600
Speaker 2: of chocolate.

445
00:24:15,760 --> 00:24:15,960
Speaker 1: Wow.

446
00:24:17,119 --> 00:24:20,080
Speaker 2: I wish Yeah, flavor Wise housed the room for the

447
00:24:20,160 --> 00:24:25,800
Speaker 2: ice because I'm basically drinking a chocolate war delicious.

448
00:24:26,119 --> 00:24:26,920
Speaker 1: That's exciting.

449
00:24:27,040 --> 00:24:29,600
Speaker 2: El Sid on the right, did you know that was

450
00:24:30,200 --> 00:24:34,520
Speaker 2: a It was a comedy venue when I used to

451
00:24:34,560 --> 00:24:39,520
Speaker 2: perform there often, but it was before that a restaurant

452
00:24:39,960 --> 00:24:44,280
Speaker 2: that was prison themed and each booth was behind bars,

453
00:24:44,440 --> 00:24:48,919
Speaker 2: and all the waiters were wearing prisoner outfits. And they

454
00:24:48,920 --> 00:24:51,880
Speaker 2: have photos of it. It seems like the craziest theme

455
00:24:51,960 --> 00:24:55,679
Speaker 2: ever from back when forty five year olds were on

456
00:24:55,720 --> 00:24:57,320
Speaker 2: the UCLA football team.

457
00:24:58,200 --> 00:24:58,560
Speaker 1: It's like.

458
00:25:00,040 --> 00:25:04,159
Speaker 2: Larious these photos and you can tell even by the

459
00:25:04,240 --> 00:25:07,000
Speaker 2: looks on the people's faces that they're like, this is

460
00:25:07,000 --> 00:25:11,160
Speaker 2: a weird. I'm all for prison themed.

461
00:25:11,000 --> 00:25:16,840
Speaker 1: Events, sure, fun, but is this appropriate? Have you?

462
00:25:17,359 --> 00:25:20,760
Speaker 2: Of course you have being a Bay Area kid gone

463
00:25:20,760 --> 00:25:24,760
Speaker 2: to the Alcatraz tour? Yes, where they have like the

464
00:25:24,880 --> 00:25:28,679
Speaker 2: recording of and you can hear as you hear the

465
00:25:28,720 --> 00:25:32,600
Speaker 2: recordings that are walking you through the prison, you can

466
00:25:32,640 --> 00:25:37,719
Speaker 2: hear hired actors like saying things in the background, and

467
00:25:37,760 --> 00:25:39,200
Speaker 2: they say funny things.

468
00:25:39,560 --> 00:25:42,440
Speaker 1: They're kind of the rabble trying to make it seem realistic,

469
00:25:42,480 --> 00:25:42,960
Speaker 1: like a prison.

470
00:25:43,440 --> 00:25:45,639
Speaker 2: You are about to make me punch you with my fist,

471
00:25:45,720 --> 00:25:50,480
Speaker 2: I said, no, one says that. Yeah, it's just it's just.

472
00:25:50,920 --> 00:25:52,119
Speaker 1: Not in prison, they don't warn you.

473
00:25:52,440 --> 00:25:58,000
Speaker 2: Yeah, it's just when extra's riff, you know, you know

474
00:25:58,080 --> 00:25:58,600
Speaker 2: how it is.

475
00:25:58,760 --> 00:26:01,480
Speaker 1: I wonder if one of those extra was Robin Williams.

476
00:26:03,119 --> 00:26:07,879
Speaker 2: What do you know of Robin Williams's earlier work? Was

477
00:26:07,920 --> 00:26:09,960
Speaker 2: he a Bay Area struggling actor?

478
00:26:10,040 --> 00:26:12,359
Speaker 1: He was a San Fran guy. Do you want any

479
00:26:12,359 --> 00:26:13,240
Speaker 1: fries with your shake?

480
00:26:13,920 --> 00:26:16,280
Speaker 2: Oh? Yeah, you know, I'm not going to be one

481
00:26:16,320 --> 00:26:18,640
Speaker 2: of these people that dips it in the shake. I've

482
00:26:18,680 --> 00:26:19,880
Speaker 2: seen that you can.

483
00:26:20,160 --> 00:26:23,120
Speaker 1: Why not? You're fifty now, I you're right.

484
00:26:23,200 --> 00:26:25,159
Speaker 2: Why don't I do it? Even though when I see it,

485
00:26:25,200 --> 00:26:30,480
Speaker 2: I walk the room, Well, there's a lid, thank you,

486
00:26:30,560 --> 00:26:36,640
Speaker 2: welcome those There's a reason people just want those fries.

487
00:26:37,000 --> 00:26:38,560
Speaker 1: I know, they're so fucking good.

488
00:26:39,160 --> 00:26:43,199
Speaker 2: Yeah, the flavor of other fries. Really, it's just so

489
00:26:43,359 --> 00:26:49,280
Speaker 2: obviously a potato that is something else that is chemicals.

490
00:26:49,480 --> 00:26:52,280
Speaker 1: There's a lot of salt, sugar.

491
00:26:53,400 --> 00:26:56,720
Speaker 2: I mean, hey, there's no escaping chemicals. They are raining

492
00:26:56,760 --> 00:26:57,600
Speaker 2: down upon us.

493
00:26:57,880 --> 00:27:00,600
Speaker 1: They are inside us. The plastics are inside it.

494
00:27:01,000 --> 00:27:03,879
Speaker 2: Yeah, I might as well have control over some of

495
00:27:03,920 --> 00:27:05,040
Speaker 2: the chemicals entering.

496
00:27:06,800 --> 00:27:07,840
Speaker 1: Yeah, I get to choose.

497
00:27:08,080 --> 00:27:13,840
Speaker 2: Yeah, uh yeah, there are those are delicious, man, right,

498
00:27:13,880 --> 00:27:15,200
Speaker 2: I feel like a gerbil.

499
00:27:16,080 --> 00:27:17,040
Speaker 1: Why could you want more?

500
00:27:17,320 --> 00:27:18,960
Speaker 2: Yeah?

501
00:27:19,040 --> 00:27:24,399
Speaker 1: That was my big thing, or kind of like my

502
00:27:24,680 --> 00:27:29,240
Speaker 1: secret shame, which was that I would always like after

503
00:27:29,280 --> 00:27:31,879
Speaker 1: a comedy show or like going out at night, on

504
00:27:31,960 --> 00:27:33,439
Speaker 1: my way home, I'd be like, well, I have to

505
00:27:33,440 --> 00:27:35,520
Speaker 1: get McDonald's. I'm out you know what I mean, Like,

506
00:27:35,560 --> 00:27:36,280
Speaker 1: I'm out here.

507
00:27:36,240 --> 00:27:38,480
Speaker 3: I need to eat fries. Yeah, And then I'd be like,

508
00:27:38,520 --> 00:27:41,480
Speaker 3: what are you doing? You're not like, don't do it,

509
00:27:41,480 --> 00:27:43,680
Speaker 3: it's not worth it or whatever. But it's like there

510
00:27:43,720 --> 00:27:46,080
Speaker 3: are chemicals that are like, yes, you will do it,

511
00:27:46,240 --> 00:27:47,800
Speaker 3: and you buy it right now.

512
00:27:48,200 --> 00:27:51,439
Speaker 2: Well, it's hard not to get into that habit. I

513
00:27:51,440 --> 00:27:55,000
Speaker 2: think mine was always Taco Bell because I don't like

514
00:27:55,040 --> 00:27:59,520
Speaker 2: to eat before a show. I'm riddled with anxiety before

515
00:28:00,840 --> 00:28:04,760
Speaker 2: to this day not as bad, but early years in Hollywood,

516
00:28:04,800 --> 00:28:08,480
Speaker 2: I'm like, well, I can't eat. I have to have

517
00:28:08,600 --> 00:28:13,919
Speaker 2: that frantic energy of being hungry because of one time

518
00:28:14,000 --> 00:28:17,280
Speaker 2: I was full and had low energy that dictated the

519
00:28:17,320 --> 00:28:22,440
Speaker 2: rest of my life. And so I wait till after

520
00:28:22,520 --> 00:28:27,760
Speaker 2: a show, and then I go, what's available? Oh, nothing

521
00:28:27,800 --> 00:28:31,280
Speaker 2: but drive through. Let's do it. Let's do it.

522
00:28:31,600 --> 00:28:32,280
Speaker 1: Let's go for.

523
00:28:32,240 --> 00:28:33,920
Speaker 2: It, you and me together, body.

524
00:28:35,040 --> 00:28:41,120
Speaker 1: I am so sick of this car's GPS just leading

525
00:28:41,160 --> 00:28:44,760
Speaker 1: me down impossible left turns. It's all it does. It's

526
00:28:44,800 --> 00:28:47,760
Speaker 1: so irritating. Just like, here's a great way to go

527
00:28:47,880 --> 00:28:51,200
Speaker 1: to get away from traffic, take a left on sunset.

528
00:28:51,240 --> 00:28:54,080
Speaker 1: It's five pm with everyone wanting to kill you.

529
00:28:54,520 --> 00:28:57,840
Speaker 2: Yeah. Yeah, Maybe it's elon tapping into a thing kind

530
00:28:57,840 --> 00:29:00,360
Speaker 2: of like my Instagram. It's leading me to all day things.

531
00:29:00,400 --> 00:29:03,800
Speaker 2: I am very much non interested. Now he's like, it's

532
00:29:04,040 --> 00:29:06,920
Speaker 2: all of the directions are right leaning, where it's just

533
00:29:07,840 --> 00:29:09,040
Speaker 2: you never can go left.

534
00:29:09,320 --> 00:29:10,800
Speaker 1: He knows my political affiliation.

535
00:29:10,880 --> 00:29:13,000
Speaker 2: He's going to fuck me over, and he loves puns.

536
00:29:13,280 --> 00:29:15,960
Speaker 1: I already looked up by just by the bye, I

537
00:29:16,000 --> 00:29:19,560
Speaker 1: already looked up my trade in I've got my trade

538
00:29:19,560 --> 00:29:21,440
Speaker 1: in thing lined up. I'm getting rid of this car

539
00:29:21,520 --> 00:29:21,920
Speaker 1: for sure.

540
00:29:23,160 --> 00:29:27,480
Speaker 2: Right, Well, do you remember that there are a couple

541
00:29:27,600 --> 00:29:30,400
Speaker 2: guys that he pushed out of the company m hmm

542
00:29:30,560 --> 00:29:35,040
Speaker 2: that originally conceived this car. I know for good reasons.

543
00:29:35,440 --> 00:29:38,880
Speaker 2: You bought it for good reasons. I don't beat yourself up.

544
00:29:39,480 --> 00:29:42,480
Speaker 2: And as the sticker that almost made it on your

545
00:29:42,520 --> 00:29:47,000
Speaker 2: car says, you bought it before you knew how crazy

546
00:29:47,080 --> 00:29:48,480
Speaker 2: he was or something like.

547
00:29:48,440 --> 00:29:53,360
Speaker 1: That, Yeah, what an Asthley was. Yes, also that technically

548
00:29:53,440 --> 00:29:57,200
Speaker 1: that sticker made it onto the car, right, because there's

549
00:29:57,320 --> 00:30:00,200
Speaker 1: still an O and a Y and an A back there.

550
00:30:00,440 --> 00:30:07,720
Speaker 2: Yeah. I just it's just a visual IQ test brain teaser,

551
00:30:08,000 --> 00:30:12,720
Speaker 2: which I think we're are we about to replay an

552
00:30:12,720 --> 00:30:17,000
Speaker 2: old patent episode? I think it's coming up. But his

553
00:30:17,160 --> 00:30:22,640
Speaker 2: show that show it, I am so good at it.

554
00:30:23,880 --> 00:30:27,360
Speaker 2: And it's because you know, how are these photos different?

555
00:30:27,440 --> 00:30:30,480
Speaker 2: Which one is a perfect mirrored image of this photo?

556
00:30:31,600 --> 00:30:36,480
Speaker 2: What is the pattern with these numbers? But it's not math,

557
00:30:36,880 --> 00:30:40,160
Speaker 2: it's just looking for patterns and things. And I remembered

558
00:30:40,200 --> 00:30:42,560
Speaker 2: a long time ago, and I'm you know, I don't brag,

559
00:30:42,880 --> 00:30:46,400
Speaker 2: but I took an IQ test in college and they

560
00:30:46,400 --> 00:30:49,440
Speaker 2: were like, well, this is your i Q, and I'm like,

561
00:30:49,560 --> 00:30:53,840
Speaker 2: that's there's no way because that was all stuff that

562
00:30:53,960 --> 00:30:56,960
Speaker 2: was easy for me. There's no English in math. And

563
00:30:56,960 --> 00:30:59,400
Speaker 2: they're like, yeah, that's not when an IQ is based

564
00:30:59,440 --> 00:31:02,560
Speaker 2: on you're bad at those things because you have ADHD

565
00:31:02,840 --> 00:31:08,040
Speaker 2: or whatever. Right, So it is those kind of questions.

566
00:31:08,160 --> 00:31:11,320
Speaker 1: I want what was your IQ because I couldn't tell

567
00:31:11,360 --> 00:31:13,880
Speaker 1: if you were saying when you said that's not it?

568
00:31:13,960 --> 00:31:14,560
Speaker 2: Well was it?

569
00:31:14,560 --> 00:31:16,120
Speaker 1: Because it was really high or really long?

570
00:31:16,440 --> 00:31:19,360
Speaker 2: They said it was high, but I didn't want to.

571
00:31:19,920 --> 00:31:22,440
Speaker 2: I don't remember what it was. Come on, I don't know.

572
00:31:22,720 --> 00:31:26,080
Speaker 2: I don't remember. That's see, that's the part of my brain.

573
00:31:26,480 --> 00:31:27,680
Speaker 1: Over one thirty.

574
00:31:29,160 --> 00:31:34,640
Speaker 2: No, I don't think so. But it was it was

575
00:31:34,640 --> 00:31:39,040
Speaker 2: one hundred something. I don't know. I do know it

576
00:31:39,080 --> 00:31:43,720
Speaker 2: was a hundred something. Wait, what is is one thirty average? No?

577
00:31:43,720 --> 00:31:46,640
Speaker 1: No, no, it's high, okay, but I mean I think

578
00:31:46,680 --> 00:31:51,200
Speaker 1: it's it's over a hundred. I feel like the when

579
00:31:51,240 --> 00:31:54,960
Speaker 1: people brag about a rhyme and mensa right, Like, for example,

580
00:31:55,120 --> 00:31:58,080
Speaker 1: I just watched an episode of Seinfeld, which is my

581
00:31:58,120 --> 00:32:01,800
Speaker 1: new weird addict show, because I never watched it the

582
00:32:01,800 --> 00:32:03,000
Speaker 1: first time around, and now I'm.

583
00:32:02,880 --> 00:32:06,720
Speaker 2: Sorry you didn't. Oh that's great. Have you heard it? Cheers,

584
00:32:06,760 --> 00:32:11,480
Speaker 2: you'll love it? Oh who was a mensa? But I'm

585
00:32:11,600 --> 00:32:12,560
Speaker 2: vaguely remembering.

586
00:32:12,680 --> 00:32:16,560
Speaker 1: Elane just brags that her IQ is like pardon me,

587
00:32:16,640 --> 00:32:20,520
Speaker 1: one forty or one fifty, right or something like that,

588
00:32:21,280 --> 00:32:22,920
Speaker 1: but then once she takes the test, it's not.

589
00:32:23,760 --> 00:32:26,760
Speaker 2: Oh right, you know whatever. Well, that's more what I

590
00:32:26,880 --> 00:32:30,200
Speaker 2: was doubting. When I took this test. It was given

591
00:32:30,200 --> 00:32:34,880
Speaker 2: to me by a ta in a lab for psycholog

592
00:32:35,320 --> 00:32:39,400
Speaker 2: like psychology credit or something yea, so it was it

593
00:32:39,440 --> 00:32:41,440
Speaker 2: was not done by like a guy in a lab

594
00:32:41,520 --> 00:32:43,200
Speaker 2: coat that's done it many times.

595
00:32:43,440 --> 00:32:48,560
Speaker 1: It's way more legit than me taking it on like

596
00:32:48,600 --> 00:32:51,840
Speaker 1: a I was going to brag them up mine, but

597
00:32:51,960 --> 00:32:55,120
Speaker 1: it was an internet test. I had this friend that

598
00:32:55,240 --> 00:32:58,800
Speaker 1: was obsessed with IQs and like her own IQ and

599
00:32:58,840 --> 00:33:00,000
Speaker 1: being smarter than other people.

600
00:33:00,680 --> 00:33:05,960
Speaker 3: Right, you really fucked me. But we were stoned when

601
00:33:05,960 --> 00:33:09,160
Speaker 3: we took the IQ test. I was and I got

602
00:33:09,200 --> 00:33:13,040
Speaker 3: like one thirty nine or something wild, and she was

603
00:33:13,160 --> 00:33:16,280
Speaker 3: really mad because I got higher than her, and.

604
00:33:16,200 --> 00:33:18,240
Speaker 1: She was like, how did you do that? I don't

605
00:33:18,240 --> 00:33:20,800
Speaker 1: even know what this test is, like, this is like

606
00:33:20,880 --> 00:33:21,160
Speaker 1: you know.

607
00:33:21,560 --> 00:33:25,240
Speaker 2: What, Oh, I think that that has a lot to

608
00:33:25,320 --> 00:33:28,680
Speaker 2: do the anxiety that I would get when a test

609
00:33:28,760 --> 00:33:32,960
Speaker 2: meant something like going towards your grade. I it bothered

610
00:33:33,000 --> 00:33:38,640
Speaker 2: me throughout all of my schooling, but this test was like, oh,

611
00:33:38,800 --> 00:33:42,680
Speaker 2: credit in a lab, sure, whatever, right, Oh, these are

612
00:33:42,720 --> 00:33:46,840
Speaker 2: pictures that one. Oh that's the missing piece. And then

613
00:33:46,920 --> 00:33:52,800
Speaker 2: they're like, but but sir, I'm not saying he said

614
00:33:52,840 --> 00:33:56,800
Speaker 2: the word genius, but other geniuses were mentioned by name.

615
00:33:58,080 --> 00:33:58,920
Speaker 1: Albert Einstein.

616
00:34:00,720 --> 00:34:05,360
Speaker 2: Albert Einstein, that's the only genius anyone can summon from memory.

617
00:34:07,840 --> 00:34:10,360
Speaker 1: Him and Andy Richter. He's supposed to be very smart.

618
00:34:10,680 --> 00:34:14,640
Speaker 2: Oh yeah, sure I could Yes, I could tell.

619
00:34:15,680 --> 00:34:18,359
Speaker 1: He won Jeopardy a bunch of times. Oh really yeah,

620
00:34:18,400 --> 00:34:20,880
Speaker 1: like Celebrity Jeopardy, Jeopardy he just destroyed.

621
00:34:22,000 --> 00:34:26,440
Speaker 2: That's amazing. What a terrible trait to be for a

622
00:34:26,560 --> 00:34:29,160
Speaker 2: side host that can only chime in every once in

623
00:34:29,200 --> 00:34:34,280
Speaker 2: a while, like, oh, I actually know exactly what should

624
00:34:34,280 --> 00:34:36,520
Speaker 2: be said right now, But I'll do my job.

625
00:34:36,640 --> 00:34:39,000
Speaker 1: I just have to sit here and wait for the zinger.

626
00:34:40,239 --> 00:34:42,680
Speaker 2: Oh someone has a pet snake or something?

627
00:34:44,040 --> 00:34:44,799
Speaker 1: Is that what that is?

628
00:34:44,920 --> 00:34:46,480
Speaker 2: I just love looking in windows.

629
00:34:46,560 --> 00:34:51,319
Speaker 1: Are they're grown weed? Yeah? Oh yeah, there's a lot

630
00:34:51,320 --> 00:34:54,200
Speaker 1: of people walking dogs today? Is it because they just

631
00:34:54,200 --> 00:34:54,880
Speaker 1: stopped raining?

632
00:34:55,480 --> 00:34:59,839
Speaker 2: I think dogs really love I mean it's the only

633
00:35:00,080 --> 00:35:02,640
Speaker 2: way they really get to travel the world is by

634
00:35:02,680 --> 00:35:07,080
Speaker 2: smelling new smells. And when it's rating, it's just like,

635
00:35:07,440 --> 00:35:09,080
Speaker 2: where are we Hawaii?

636
00:35:11,120 --> 00:35:15,440
Speaker 1: You know they can't they're freaking out. Have you ever

637
00:35:15,480 --> 00:35:18,239
Speaker 1: gone to that's an air one. There's a hotel over

638
00:35:18,280 --> 00:35:24,040
Speaker 1: here that has a.

639
00:35:22,400 --> 00:35:25,879
Speaker 2: Yeah, it's the wrap it around there. There's no rules here.

640
00:35:25,960 --> 00:35:30,200
Speaker 2: They put these sticks up. But what rideshare drivers always

641
00:35:30,280 --> 00:35:34,080
Speaker 2: park in the middle. Yes, this hotel, Michelle Bluno always

642
00:35:34,120 --> 00:35:36,040
Speaker 2: stays here. And so I've hung out by the pool

643
00:35:36,120 --> 00:35:38,400
Speaker 2: and it's it's very it's very cool.

644
00:35:38,560 --> 00:35:40,560
Speaker 1: That pool area looks so cool.

645
00:35:40,880 --> 00:35:43,040
Speaker 2: It is I want to go to it. It is

646
00:35:43,120 --> 00:35:45,560
Speaker 2: you can. I think you can go there and say

647
00:35:45,560 --> 00:35:49,000
Speaker 2: I'm just here for a sandwich and then just jump

648
00:35:49,000 --> 00:35:50,040
Speaker 2: in naked.

649
00:35:51,360 --> 00:35:55,359
Speaker 3: And then order sandwich stripped down really fast. Yeah, get

650
00:35:55,360 --> 00:35:56,319
Speaker 3: in that pool.

651
00:35:56,719 --> 00:36:00,759
Speaker 2: But still before you run out, go sorry, I got

652
00:36:00,760 --> 00:36:01,840
Speaker 2: a sandwich Earlier.

653
00:36:02,000 --> 00:36:03,359
Speaker 1: As you're getting out of the pool, you're like, will

654
00:36:03,360 --> 00:36:04,320
Speaker 1: you hear me that sandwich?

655
00:36:04,360 --> 00:36:06,759
Speaker 2: I have to dry off, and they're like, get chase

656
00:36:06,840 --> 00:36:07,919
Speaker 2: you out with a rolling pin.

657
00:36:08,160 --> 00:36:08,400
Speaker 3: Get it?

658
00:36:08,440 --> 00:36:12,160
Speaker 1: Out of here. I bought a sandwitch. I am allowed

659
00:36:12,560 --> 00:36:13,200
Speaker 1: to be here.

660
00:36:13,680 --> 00:36:16,320
Speaker 2: I'm not done making the bread. That's why I'm showing

661
00:36:16,320 --> 00:36:20,560
Speaker 2: you this rolling pin that when we had Jake Johansson

662
00:36:20,640 --> 00:36:23,280
Speaker 2: on a decade.

663
00:36:22,800 --> 00:36:24,760
Speaker 1: Ago, we shouldn't get him again.

664
00:36:25,520 --> 00:36:29,879
Speaker 2: Remember how funny he was again and took this as

665
00:36:29,920 --> 00:36:32,880
Speaker 2: an assignment to like, because that was when we actually

666
00:36:33,080 --> 00:36:36,440
Speaker 2: picked up people at airport. Uh huh at airport.

667
00:36:36,440 --> 00:36:37,319
Speaker 1: At the airport, we.

668
00:36:37,280 --> 00:36:40,960
Speaker 2: Pick up that airport, take them to a dark alley.

669
00:36:41,280 --> 00:36:45,600
Speaker 2: What country? It's many different countries, that's all, you know.

670
00:36:45,640 --> 00:36:49,440
Speaker 2: I'm not alien and alienating a very high IQ by the.

671
00:36:49,440 --> 00:36:52,000
Speaker 1: Way, Yeah, so much so that you could do three

672
00:36:52,040 --> 00:36:53,279
Speaker 1: and four accents at once.

673
00:36:53,400 --> 00:36:57,400
Speaker 2: Yeah, but I can't finish a sentence. He just said sorry.

674
00:36:57,400 --> 00:37:02,440
Speaker 2: I what did he say about coin? I had a pocket?

675
00:37:02,719 --> 00:37:06,640
Speaker 2: I can't remember. It was so funny right away. And

676
00:37:06,680 --> 00:37:09,759
Speaker 2: then he talked about when we dropped him off, his

677
00:37:09,840 --> 00:37:11,840
Speaker 2: wife was gonna chase him out of the house with

678
00:37:11,920 --> 00:37:16,000
Speaker 2: a rolling pin, which made us laugh so hard because

679
00:37:16,560 --> 00:37:20,680
Speaker 2: that's like a reference from Andy Capp or some terrible

680
00:37:22,520 --> 00:37:25,120
Speaker 2: comic strip. I don't know, just the idea of being

681
00:37:25,239 --> 00:37:26,440
Speaker 2: chased with a rolling pin.

682
00:37:26,719 --> 00:37:29,759
Speaker 3: I feel like that episode and if anyone cares, you

683
00:37:29,760 --> 00:37:32,760
Speaker 3: should go find it and listen to it. It's that

684
00:37:32,760 --> 00:37:34,960
Speaker 3: That's why I got into stand up, that kind of

685
00:37:35,040 --> 00:37:37,959
Speaker 3: riffing where it feels like everyone's kind of in love

686
00:37:38,000 --> 00:37:39,799
Speaker 3: with each other, Like the way he wants talking is

687
00:37:39,840 --> 00:37:44,600
Speaker 3: like yes, yes, it's like it's that energy of like

688
00:37:44,600 --> 00:37:46,799
Speaker 3: like the best first date of all time, but you're

689
00:37:46,920 --> 00:37:50,000
Speaker 3: just all comics friends driving around but like loving each

690
00:37:50,080 --> 00:37:50,720
Speaker 3: other's mind.

691
00:37:50,920 --> 00:37:54,640
Speaker 2: Yeah, it's hard to I mean with this podcast has

692
00:37:54,680 --> 00:37:57,960
Speaker 2: evolved into more of a well oiled machine. Where were

693
00:37:58,000 --> 00:38:00,880
Speaker 2: you used to? We've had some big top names in

694
00:38:00,920 --> 00:38:05,279
Speaker 2: here now, but back then we were giddy children. But

695
00:38:05,360 --> 00:38:08,320
Speaker 2: we still get giddy and silly with a Bruce McCullough

696
00:38:08,440 --> 00:38:10,000
Speaker 2: or someone that we just admire.

697
00:38:10,080 --> 00:38:13,200
Speaker 3: So remember when he called us, Remember what did he say? Oh,

698
00:38:13,400 --> 00:38:14,480
Speaker 3: my little weirdo.

699
00:38:14,280 --> 00:38:18,319
Speaker 2: Children, my little weirdo babies, or I think it was

700
00:38:18,360 --> 00:38:24,120
Speaker 2: weirdo children. Yeah, which, like I was like a pilot

701
00:38:24,360 --> 00:38:28,600
Speaker 2: stamping wings on my little vest that I fly in

702
00:38:28,719 --> 00:38:32,640
Speaker 2: my flying vest. Is that comedy, yeah, just the stamp

703
00:38:32,680 --> 00:38:36,800
Speaker 2: of approval. Yes, But if someone calls you a baby

704
00:38:36,880 --> 00:38:39,400
Speaker 2: or a child or a weirdo on their own, but

705
00:38:39,560 --> 00:38:47,200
Speaker 2: from the mouth of mister Pajamas himself. That's just one

706
00:38:47,200 --> 00:38:51,120
Speaker 2: of his online personas. Hi, mister Pajamas here, that's.

707
00:38:50,960 --> 00:38:53,719
Speaker 1: Right when he kind of walks around like he's gonna say,

708
00:38:53,719 --> 00:38:55,800
Speaker 1: I'm going to do a show in Toronto.

709
00:38:56,080 --> 00:38:59,880
Speaker 2: Yeah, just a character solely based on the fact he

710
00:39:00,080 --> 00:39:05,200
Speaker 2: puts on pajamas before recording. Uh. Yeah, we get very

711
00:39:05,239 --> 00:39:11,560
Speaker 2: excited to riff. And it is that childhood thing, like

712
00:39:11,760 --> 00:39:15,040
Speaker 2: at a sleepover with cool kids where everyone gets so

713
00:39:15,239 --> 00:39:22,919
Speaker 2: hyper and excited, laughing and drinks too much caffeine. It's great,

714
00:39:23,000 --> 00:39:28,480
Speaker 2: it's it's maybe it's the fact that I'm turning exactly

715
00:39:28,600 --> 00:39:33,239
Speaker 2: one half of my life old today, but I've been yeah, yeah,

716
00:39:33,239 --> 00:39:36,200
Speaker 2: I'm going to be one hundred, and I just am

717
00:39:36,520 --> 00:39:40,120
Speaker 2: a lot of memories, childhood memories of things like that,

718
00:39:40,320 --> 00:39:43,200
Speaker 2: like parties, and I'm about to have a birthday party.

719
00:39:43,200 --> 00:39:45,760
Speaker 2: I haven't the last time I had a birthday party.

720
00:39:46,320 --> 00:39:51,319
Speaker 2: I invited the most hyper a group of boys that

721
00:39:52,400 --> 00:39:55,120
Speaker 2: what I had in common with them is they'd sleep

722
00:39:55,160 --> 00:39:57,560
Speaker 2: over and we'd draw pictures. So it was boys that

723
00:39:59,239 --> 00:40:01,960
Speaker 2: like to calm there and draw very well, which if

724
00:40:01,960 --> 00:40:05,000
Speaker 2: you could imagine, you put them all outside with a

725
00:40:05,040 --> 00:40:09,640
Speaker 2: stick in a pinionta and they're it's just all a

726
00:40:09,719 --> 00:40:15,000
Speaker 2: spectrum of ill behavior. And then these two sweet girls,

727
00:40:15,000 --> 00:40:19,240
Speaker 2: Elise and Olivia, where my friends in school, and they're

728
00:40:19,320 --> 00:40:24,480
Speaker 2: just nice, smart girls that were terrified they showed up

729
00:40:24,520 --> 00:40:28,279
Speaker 2: at my party. I didn't think, like, oh, these were

730
00:40:28,320 --> 00:40:32,760
Speaker 2: in fifth grade, it's totally normal to invite a group

731
00:40:32,800 --> 00:40:37,080
Speaker 2: of hyper crazy boys. And then the smartest two girls

732
00:40:37,320 --> 00:40:41,759
Speaker 2: who were all the photos were just them hiding by

733
00:40:41,800 --> 00:40:48,160
Speaker 2: the fence and froving, red faced, lunatic wielding a bat,

734
00:40:48,600 --> 00:40:54,440
Speaker 2: swinging at candy. And yeah, yeah, it's fourth or fifth grade,

735
00:40:54,480 --> 00:40:58,120
Speaker 2: and you know that's the age where it's like clearly

736
00:41:00,200 --> 00:41:05,560
Speaker 2: every girl figured out behavior in school and everything before

737
00:41:05,600 --> 00:41:08,680
Speaker 2: the boys. We were all just like a couple of

738
00:41:08,680 --> 00:41:11,880
Speaker 2: those kids probably still had some sort of a diaper on.

739
00:41:12,040 --> 00:41:16,200
Speaker 2: But oh man, it was it. I think back on

740
00:41:16,320 --> 00:41:20,760
Speaker 2: that because I remembered being embarrassed that I didn't curate

741
00:41:20,800 --> 00:41:25,000
Speaker 2: the list more and invite more friends of theirs, maybe

742
00:41:25,040 --> 00:41:28,440
Speaker 2: not just a random group of just eight kids.

743
00:41:29,400 --> 00:41:32,120
Speaker 1: Yeah, that's it. Well, and also doing co ed that

744
00:41:32,200 --> 00:41:33,839
Speaker 1: you were a bit of a bit ahead of your.

745
00:41:33,719 --> 00:41:38,120
Speaker 2: Time, right, Yeah, I did want everyone to know that

746
00:41:38,160 --> 00:41:39,520
Speaker 2: there was a brag in there.

747
00:41:39,880 --> 00:41:42,320
Speaker 1: Yeah, I'll brag for you. Yeah, yeah, you won't do it,

748
00:41:42,360 --> 00:41:42,799
Speaker 1: I'll do it.

749
00:41:43,080 --> 00:41:48,200
Speaker 2: Yeah I did. But because it backfired, and because Olivia

750
00:41:48,239 --> 00:41:52,480
Speaker 2: and a Lease were uh, it's great. I remember their names.

751
00:41:52,880 --> 00:41:56,560
Speaker 2: That's the thing. I'm remembering childhood things I hope to

752
00:41:56,640 --> 00:41:59,879
Speaker 2: remember at some point last week or this year.

753
00:42:01,200 --> 00:42:04,680
Speaker 1: But you know what, focus on what you can remember. Yes, yes,

754
00:42:04,920 --> 00:42:07,280
Speaker 1: do gus on a Lease? Focus on Olivia?

755
00:42:07,560 --> 00:42:11,359
Speaker 2: Yes, yes, sweet sweet girls that were terrified. And then

756
00:42:11,520 --> 00:42:15,160
Speaker 2: the years after that, I'm like, okay, wild boys only,

757
00:42:15,280 --> 00:42:15,880
Speaker 2: let's take.

758
00:42:15,760 --> 00:42:17,440
Speaker 1: Our shirts off and go for it.

759
00:42:17,520 --> 00:42:22,040
Speaker 2: Yeah, set up the tripod we are wrestling or there.

760
00:42:22,040 --> 00:42:26,560
Speaker 2: There'd be kids that didn't have a lot of other friends,

761
00:42:26,600 --> 00:42:30,239
Speaker 2: but they saw me as a safe person. So I

762
00:42:30,360 --> 00:42:35,880
Speaker 2: befriended kids with like emotional problems. And then I have

763
00:42:35,960 --> 00:42:39,440
Speaker 2: a party and there's this kid. They my friends like

764
00:42:39,600 --> 00:42:42,080
Speaker 2: wanted him to leave and it was time to sleep

765
00:42:42,920 --> 00:42:49,200
Speaker 2: and he had a hysterical breakdown. Yeah, this kid, I can't.

766
00:42:49,239 --> 00:42:51,960
Speaker 2: I do remember his name, but I don't. We don't

767
00:42:52,000 --> 00:42:56,000
Speaker 2: need to say it first and last names. No, Well,

768
00:42:56,160 --> 00:42:58,000
Speaker 2: you don't take that tone. You do it all the.

769
00:42:57,960 --> 00:43:03,799
Speaker 3: Time, not when it's connected to having a nervous right right.

770
00:43:03,880 --> 00:43:08,760
Speaker 2: Anyway, well, I think that was his name, but his pillow.

771
00:43:09,360 --> 00:43:11,960
Speaker 2: Everyone was yelling at him. He's like, I will leave,

772
00:43:12,120 --> 00:43:15,520
Speaker 2: knock it off. And then his pillow was close to

773
00:43:15,600 --> 00:43:19,719
Speaker 2: the space heater and burst into flames. So now, and

774
00:43:19,800 --> 00:43:23,320
Speaker 2: I remember my dad just coming down and there's a fire,

775
00:43:23,840 --> 00:43:29,600
Speaker 2: a flaming pillow and he was just tossing kids out

776
00:43:29,640 --> 00:43:33,719
Speaker 2: of the way of the pillow. Children were flying, and

777
00:43:34,280 --> 00:43:37,480
Speaker 2: water was poured on the pillow and it was it

778
00:43:37,520 --> 00:43:40,440
Speaker 2: was And then we all just went to sleep silently

779
00:43:40,480 --> 00:43:42,360
Speaker 2: because we were all in trouble.

780
00:43:42,040 --> 00:43:45,040
Speaker 1: In a smoky room. Just wait, did that get Was

781
00:43:45,080 --> 00:43:46,640
Speaker 1: it his own pillow from home?

782
00:43:48,200 --> 00:43:51,040
Speaker 2: Probably? Yeah, yeah, it was a bunch of kids, so

783
00:43:51,880 --> 00:43:56,880
Speaker 2: hopefully it wasn't one of our Back then though pillows

784
00:43:56,920 --> 00:44:00,839
Speaker 2: where you know you used him, You take the pillowcase.

785
00:44:00,920 --> 00:44:04,000
Speaker 2: Often it's just been dipped in coffee somehow.

786
00:44:04,120 --> 00:44:05,640
Speaker 1: Yeah, just so gross.

787
00:44:05,960 --> 00:44:09,320
Speaker 2: Now we know to buy new pillows every.

788
00:44:09,080 --> 00:44:11,920
Speaker 1: Ten years and get the inner case and then the

789
00:44:12,000 --> 00:44:13,840
Speaker 1: outer case, right, you know.

790
00:44:14,239 --> 00:44:18,719
Speaker 2: Yeah, we're into we're conscious of microbes. I now have

791
00:44:18,760 --> 00:44:23,680
Speaker 2: an air purifier. Multiple we have to think about what's

792
00:44:23,719 --> 00:44:27,160
Speaker 2: going into us because if you get under a microscope,

793
00:44:27,760 --> 00:44:30,160
Speaker 2: it's stuffed with six legs.

794
00:44:30,560 --> 00:44:33,640
Speaker 1: I mean it's so if you get under a microscope,

795
00:44:33,680 --> 00:44:37,279
Speaker 1: everything is a horrifying sci fi nightmare. Right, you know

796
00:44:37,600 --> 00:44:39,239
Speaker 1: watch that habit.

797
00:44:39,440 --> 00:44:43,720
Speaker 2: And if you're able to get physically under a microscope,

798
00:44:43,960 --> 00:44:46,480
Speaker 2: Oh the damage that's done. Your Rick Marine, You've been

799
00:44:46,520 --> 00:44:48,720
Speaker 2: shrunk your inner space.

800
00:44:48,920 --> 00:44:51,360
Speaker 1: There's a we Got bad News for you. You're too small.

801
00:44:51,800 --> 00:44:56,080
Speaker 2: Yeah. The original title of the Rick Branda's film We've

802
00:44:56,120 --> 00:44:59,960
Speaker 2: Got Big News called You're Too Small, and then they

803
00:45:00,080 --> 00:45:01,200
Speaker 2: did some spitballing.

804
00:45:01,880 --> 00:45:05,200
Speaker 1: They said people aren't really getting what this is about.

805
00:45:06,120 --> 00:45:10,239
Speaker 2: Yeah, it's one of those far fetched ideas that you

806
00:45:10,480 --> 00:45:13,399
Speaker 2: wonder how how was this movie made? But I did

807
00:45:13,440 --> 00:45:17,239
Speaker 2: watch Inner Space just for the Martin short of it.

808
00:45:17,640 --> 00:45:18,760
Speaker 1: Right, it's so good.

809
00:45:19,400 --> 00:45:20,200
Speaker 2: It holds up.

810
00:45:20,360 --> 00:45:23,120
Speaker 1: Yeah, that's a good movie. It's a great movie, although it.

811
00:45:23,160 --> 00:45:26,280
Speaker 3: Is a little claustrophobic where it's like he's inside a person.

812
00:45:26,320 --> 00:45:29,520
Speaker 3: He's just kind of stuck inside, right short.

813
00:45:29,760 --> 00:45:32,000
Speaker 2: Yeah, it is you feel for him, you.

814
00:45:32,000 --> 00:45:34,480
Speaker 1: Feel I don't want to be in there, I guess

815
00:45:34,640 --> 00:45:36,840
Speaker 1: is my ultimate comment.

816
00:45:37,280 --> 00:45:41,840
Speaker 2: But the cool you don't expect the special effects to

817
00:45:41,880 --> 00:45:47,319
Speaker 2: be practically done like they when he's going into a heart,

818
00:45:47,600 --> 00:45:53,359
Speaker 2: they actually built a heart like that is pumping. It's

819
00:45:53,400 --> 00:45:57,000
Speaker 2: not just video from a monitor. Like all of the

820
00:45:57,120 --> 00:46:00,560
Speaker 2: traveling through the body is the most amazing, like probably

821
00:46:00,920 --> 00:46:05,239
Speaker 2: done on a tabletop, like all the effects. It's so

822
00:46:05,360 --> 00:46:09,480
Speaker 2: cool and it's just one of those movies. Why I've

823
00:46:09,520 --> 00:46:13,080
Speaker 2: been here? This is not I feel like I've been here?

824
00:46:13,960 --> 00:46:16,200
Speaker 3: Should roll down the window so it doesn't smell like franchchise?

825
00:46:17,160 --> 00:46:24,319
Speaker 2: Well, should we wrap wrap up this historic fifty year

826
00:46:24,440 --> 00:46:25,719
Speaker 2: birthday episode?

827
00:46:25,880 --> 00:46:26,920
Speaker 1: Chris, Happy Birthday?

828
00:46:27,160 --> 00:46:29,240
Speaker 3: I would like to speak on behalf of the whole

829
00:46:29,280 --> 00:46:32,839
Speaker 3: audience and say that we appreciate you and we love

830
00:46:32,880 --> 00:46:34,360
Speaker 3: you and.

831
00:46:35,800 --> 00:46:39,239
Speaker 1: Whether you are or are not like a screensaver? Is

832
00:46:39,239 --> 00:46:39,880
Speaker 1: that what he said?

833
00:46:40,080 --> 00:46:45,000
Speaker 3: Yes, you're a hilarious, delightful man that should live at

834
00:46:45,080 --> 00:46:46,280
Speaker 3: least twenty more years.

835
00:46:46,400 --> 00:46:51,920
Speaker 2: Yeah. Thanks, yay, that's my favorite. It had the tone

836
00:46:51,960 --> 00:46:56,400
Speaker 2: of vopeful, but twenty thank you, twenty would be great, right,

837
00:46:57,320 --> 00:46:59,960
Speaker 2: so much, thank you. It's been a great birthday.

838
00:47:00,080 --> 00:47:03,960
Speaker 3: Ry birthday, and you've been listening to do you need

839
00:47:03,960 --> 00:47:04,440
Speaker 3: a ride?

840
00:47:05,000 --> 00:47:06,520
Speaker 1: Dyn Ar?

841
00:47:14,880 --> 00:47:17,320
Speaker 2: This has been an exactly right production.

842
00:47:17,800 --> 00:47:20,040
Speaker 1: Our senior producer is Annalise Nelson.

843
00:47:20,440 --> 00:47:22,600
Speaker 2: Mixed by Edson Choy, our.

844
00:47:22,480 --> 00:47:24,160
Speaker 1: Talent booker is Patrick Cootner.

845
00:47:24,440 --> 00:47:28,239
Speaker 2: Theme song by Karen Kilgareth, artwork by Chris Fairbanks.

846
00:47:28,480 --> 00:47:31,560
Speaker 3: Follow the show on Instagram, Twitter, and Facebook at dinar

847
00:47:31,680 --> 00:47:34,759
Speaker 3: podcast That's d y n ar Podcast.

848
00:47:35,160 --> 00:47:38,759
Speaker 2: For more information, go to exactly rightmedia dot com.

849
00:47:38,760 --> 00:47:41,040
Speaker 1: Thank you, Oh You're welcome.

850
00:47:44,880 --> 00:47:46,720
Speaker 2: We flipped. We flipped.

851
00:47:46,760 --> 00:47:49,680
Speaker 1: We flipped the script after fourteen years