1 00:00:00,680 --> 00:00:18,960 Speaker 1: I Am all In. I Am all in with Scott Patterson, 2 00:00:19,160 --> 00:00:23,200 Speaker 1: an I Heeart Radio podcast, Hey Everybody's Scott Patterson aim 3 00:00:23,200 --> 00:00:26,840 Speaker 1: all and Podcast one eleven productions, iHeart Radio one on 4 00:00:26,840 --> 00:00:30,800 Speaker 1: one interview. We've got a very special guest, Floyd Floyd. 5 00:00:30,840 --> 00:00:33,240 Speaker 1: Help us with your last name? Here? Van Abuse Kurt 6 00:00:34,120 --> 00:00:39,360 Speaker 1: Vans behind a van Gotcha, gotchas you. First appeared in 7 00:00:39,479 --> 00:00:42,400 Speaker 1: season one, episode five, Cinnamons Wake, and he plays Jets 8 00:00:42,400 --> 00:00:45,559 Speaker 1: Stars Hall residue of frequents. Luke's Daniel also tends to 9 00:00:45,560 --> 00:00:47,560 Speaker 1: wake at the Beets and Moore's house for the cats. 10 00:00:47,600 --> 00:00:52,159 Speaker 1: Cinnamon Uh. Jeed is dressed in overalls in My and 11 00:00:52,840 --> 00:00:56,760 Speaker 1: Mike Michelle and characteristically rude fashion refers to him as 12 00:00:56,880 --> 00:00:59,680 Speaker 1: heehaw Man. I remember that his last appearance season five 13 00:00:59,760 --> 00:01:03,600 Speaker 1: ups to a messenger nothing more, which is why he 14 00:01:03,920 --> 00:01:07,600 Speaker 1: is here. He plays Henry at the Renaissance Fair, who 15 00:01:07,680 --> 00:01:12,880 Speaker 1: shares some gossip with Luke Floyd. Welcome to the show, heys, 16 00:01:13,240 --> 00:01:17,360 Speaker 1: thank you for coming on, and I am just lost this. 17 00:01:17,520 --> 00:01:21,120 Speaker 1: There we go. Um, it's easy to get here, Yeah 18 00:01:21,360 --> 00:01:23,039 Speaker 1: it is. You know. You just have to go to 19 00:01:23,120 --> 00:01:25,320 Speaker 1: that zoom thing, push the button, they beam you right 20 00:01:25,400 --> 00:01:28,000 Speaker 1: up to the ship. It's it's it's amazing, isn't it. 21 00:01:28,040 --> 00:01:31,160 Speaker 1: So you play two characters in the series. Yeah, Jed 22 00:01:31,240 --> 00:01:33,640 Speaker 1: in season one and then again Henry in season five. 23 00:01:33,760 --> 00:01:36,360 Speaker 1: How did you initially get the role? Did you audition 24 00:01:36,480 --> 00:01:38,720 Speaker 1: or did they just offer it? Yeah? No, I I 25 00:01:38,800 --> 00:01:42,560 Speaker 1: auditioned and then they offered it. That's the best of 26 00:01:42,600 --> 00:01:45,200 Speaker 1: both worlds. They didn't know who I was. Actually not 27 00:01:45,240 --> 00:01:47,880 Speaker 1: the auditioning part. It's better if you just get the offer, right, Yeah, 28 00:01:47,920 --> 00:01:49,640 Speaker 1: it is, it is. It's nice when those come in. 29 00:01:49,680 --> 00:01:52,160 Speaker 1: It's all right. But they gotta sweatch you out, don't they. 30 00:01:52,160 --> 00:01:57,120 Speaker 1: They just gotta see the jump through. Were there any 31 00:01:57,120 --> 00:01:59,800 Speaker 1: discussions with you about coming back to play a different 32 00:02:00,240 --> 00:02:02,360 Speaker 1: or did they just so they just brought you it 33 00:02:02,520 --> 00:02:05,440 Speaker 1: was in another audition or was it or was it 34 00:02:05,480 --> 00:02:08,560 Speaker 1: they just booked you for it? They just as I recall, 35 00:02:08,800 --> 00:02:11,200 Speaker 1: think they might have just booked me for it, right good, 36 00:02:11,240 --> 00:02:14,960 Speaker 1: Although I mean it's it was a long time ago. 37 00:02:15,160 --> 00:02:18,880 Speaker 1: So yeah, I remember being surprised that I was that 38 00:02:18,960 --> 00:02:22,400 Speaker 1: I was, that I was called back right um, because 39 00:02:23,280 --> 00:02:25,440 Speaker 1: Jed was kind of like he was such a you know, 40 00:02:25,760 --> 00:02:28,160 Speaker 1: it was a little part. Was it was a it 41 00:02:28,240 --> 00:02:31,480 Speaker 1: was a great day. I really enjoyed. What do you 42 00:02:31,520 --> 00:02:35,359 Speaker 1: remember about being on set? Um? I remember hanging out 43 00:02:35,520 --> 00:02:41,040 Speaker 1: waiting waiting um to uh to shoot, and and sitting outside, 44 00:02:41,320 --> 00:02:44,120 Speaker 1: and I remember hanging out with a bunch of the actors, 45 00:02:44,400 --> 00:02:48,160 Speaker 1: but mostly I remember Liz Liz tourists and and and 46 00:02:48,240 --> 00:02:52,959 Speaker 1: Sally Struther's just talking about talking about gigs that they've 47 00:02:53,000 --> 00:02:55,480 Speaker 1: done and and and the business and stuff like that. 48 00:02:55,720 --> 00:02:58,600 Speaker 1: And I was just like just listening and listening to 49 00:02:58,680 --> 00:03:02,480 Speaker 1: stories and gossip and stuff and just really im mentally 50 00:03:02,639 --> 00:03:09,040 Speaker 1: entertained by by Sally has that effect on people, you know, Yeah, yeah, yeah, 51 00:03:09,080 --> 00:03:11,919 Speaker 1: she was really really she was really, she was surprising. 52 00:03:12,040 --> 00:03:17,239 Speaker 1: She was surprising. She's a superb human being. And yeah, 53 00:03:17,320 --> 00:03:21,760 Speaker 1: just a bright light and great talent RT, great rock 54 00:03:21,840 --> 00:03:25,880 Speaker 1: on tour, great storyteller, keeps it. She's such a professional 55 00:03:25,919 --> 00:03:29,760 Speaker 1: because she keeps everybody happy. And I'm light and uplifted, 56 00:03:29,840 --> 00:03:32,040 Speaker 1: and she knows that people get exhausted on set, and 57 00:03:32,080 --> 00:03:34,640 Speaker 1: when she comes around, she just gives everybody energy. It 58 00:03:34,680 --> 00:03:37,480 Speaker 1: was it was Yeah, it was like being in a 59 00:03:37,600 --> 00:03:39,800 Speaker 1: kind of a cerebral hot tub. It was just very 60 00:03:39,800 --> 00:03:43,360 Speaker 1: bubbly and and yeah, and I remember I remember that 61 00:03:43,480 --> 00:03:46,560 Speaker 1: more of the more than anything else, was just hanging 62 00:03:46,640 --> 00:03:51,760 Speaker 1: hanging around with with with Sally and um And and 63 00:03:51,960 --> 00:03:55,119 Speaker 1: Sally and Liz were really we're really like going back 64 00:03:55,120 --> 00:03:58,520 Speaker 1: and forth, going back and forth. But yeah, the two 65 00:03:58,520 --> 00:04:00,880 Speaker 1: of them together was forgot. It was a house on fire. 66 00:04:01,000 --> 00:04:04,800 Speaker 1: It was really entertaining. Oh yeah, one of your lines 67 00:04:05,080 --> 00:04:10,160 Speaker 1: in season five, the episode We Just Broke Down was 68 00:04:10,280 --> 00:04:14,119 Speaker 1: quite a tongue twister. Do you remember it? A Bail Bill, 69 00:04:14,840 --> 00:04:16,839 Speaker 1: Hey Bai, I remember. I don't know why it was 70 00:04:16,920 --> 00:04:20,080 Speaker 1: so why I had you know, do you remember, Hey Bail, 71 00:04:20,720 --> 00:04:23,320 Speaker 1: I can't see it now, Hey Bail Bill, the guy 72 00:04:23,480 --> 00:04:26,839 Speaker 1: that toats the hay Bales. Hey Bail Bill, the guy 73 00:04:26,839 --> 00:04:29,160 Speaker 1: that toats the hay bales. You know you know, Hey 74 00:04:29,200 --> 00:04:34,240 Speaker 1: Bill Bill, the guy that Billy. Yeah, for some reason, 75 00:04:34,320 --> 00:04:36,720 Speaker 1: it's like, I go, come on, boyd, you've got you've 76 00:04:36,760 --> 00:04:41,760 Speaker 1: got this one one one nice line. And it was, man, 77 00:04:42,080 --> 00:04:44,760 Speaker 1: why is that so hard? Of course? You you're you're 78 00:04:44,760 --> 00:04:47,159 Speaker 1: sitting in my little cubic old trailer kind of a 79 00:04:47,200 --> 00:04:49,960 Speaker 1: thing and it going over to go that's easy. Just 80 00:04:50,440 --> 00:04:53,279 Speaker 1: think about what you're saying. It's hay Bales and Bill, 81 00:04:53,800 --> 00:04:57,080 Speaker 1: and then but it comes out, heyb all the baby. Yeah, 82 00:04:57,200 --> 00:05:01,520 Speaker 1: so it's impossible to say, you know, hey Bill Bill, 83 00:05:01,720 --> 00:05:05,760 Speaker 1: you know he hey Bill, say Hey Bell Bill? Yeah, 84 00:05:05,800 --> 00:05:07,559 Speaker 1: Hey do know Hey Bell Bill? The guy that teams 85 00:05:07,720 --> 00:05:09,920 Speaker 1: Hey bail Bill, the guy that toads the hay bales. 86 00:05:10,080 --> 00:05:12,479 Speaker 1: You know that guy, That guy know, Hey bail Bill, 87 00:05:12,520 --> 00:05:15,600 Speaker 1: the guy that tells me something some sort of some 88 00:05:16,120 --> 00:05:19,360 Speaker 1: sort of a guffuffle at the grog booth. Was it 89 00:05:19,680 --> 00:05:21,640 Speaker 1: the grog Booth? I just even remember the grock booth. 90 00:05:21,680 --> 00:05:23,560 Speaker 1: It was some sort of thing in the grock Booth. 91 00:05:23,560 --> 00:05:25,360 Speaker 1: And then he built himself a fort out of hay 92 00:05:25,360 --> 00:05:31,200 Speaker 1: bales hiding in it. Than it was some sort of 93 00:05:31,480 --> 00:05:36,000 Speaker 1: some sort of you know, some juicy town gossip about 94 00:05:36,080 --> 00:05:38,440 Speaker 1: hey Bail Bill. Did you watch the episode before he 95 00:05:38,480 --> 00:05:41,279 Speaker 1: came on? Oh? Did I? Did I watch that episode 96 00:05:41,400 --> 00:05:45,240 Speaker 1: before before I came on? Yes? No, okay, I mean 97 00:05:45,279 --> 00:05:47,760 Speaker 1: I watched it several times before and I put it 98 00:05:47,760 --> 00:05:49,400 Speaker 1: on my reel and all that kind of jazz. So 99 00:05:49,600 --> 00:05:52,720 Speaker 1: oh sure, But I just because I remember that line, 100 00:05:52,720 --> 00:05:57,320 Speaker 1: because I had such a hard time with it, right, Sure, 101 00:05:57,760 --> 00:06:00,839 Speaker 1: those are the ones. Remember, I still sided in my mind, 102 00:06:00,880 --> 00:06:04,440 Speaker 1: going I'll get it right. You know, It's only like 103 00:06:04,600 --> 00:06:06,400 Speaker 1: you know, a dozen or so years ago, but it's 104 00:06:06,440 --> 00:06:08,520 Speaker 1: like it still kind of haunts me a little bit. 105 00:06:08,839 --> 00:06:11,320 Speaker 1: We had a nice little scene together. Yeah, it was. 106 00:06:11,600 --> 00:06:13,960 Speaker 1: It was nice. Was that the hay bill bill? That 107 00:06:14,040 --> 00:06:15,880 Speaker 1: was the hay bail bill that they bail bill? Well, 108 00:06:16,000 --> 00:06:19,800 Speaker 1: you got nailed, otherwise they wouldn't have moved on. Yeah, 109 00:06:19,920 --> 00:06:25,320 Speaker 1: crossing crossing paths, right, I think I was hauling beverages 110 00:06:25,400 --> 00:06:28,080 Speaker 1: or something. I was hauling something. It was. It was 111 00:06:28,120 --> 00:06:30,279 Speaker 1: some sort of a we were It was like a 112 00:06:30,440 --> 00:06:32,400 Speaker 1: kind of a ren faish kind of a field to it. 113 00:06:32,440 --> 00:06:33,839 Speaker 1: I think I was even kind of in kind of 114 00:06:33,839 --> 00:06:36,600 Speaker 1: rent fair, kind of garb sure Renaissance for sure. Yeah, yeah, 115 00:06:36,640 --> 00:06:40,240 Speaker 1: yeah that's what it was. Yeah, I remember that and 116 00:06:40,440 --> 00:06:42,960 Speaker 1: uh yeah. So You've had a lot of roles in 117 00:06:43,040 --> 00:06:45,880 Speaker 1: some pretty iconic shows. Do you have a favorite role 118 00:06:46,000 --> 00:06:53,240 Speaker 1: that you've done, a favorite role that I've done? Um, well, 119 00:06:53,240 --> 00:06:55,520 Speaker 1: I had a I had. I had a role in 120 00:06:55,520 --> 00:06:58,040 Speaker 1: in Las in Vegas. I actually did again. I did 121 00:06:58,080 --> 00:07:01,920 Speaker 1: like two roles, two different characters in another show called 122 00:07:02,040 --> 00:07:05,800 Speaker 1: Las Vegas. And I had a scene with with James 123 00:07:05,880 --> 00:07:09,159 Speaker 1: Kahn where I was kind of easy used car salesman. 124 00:07:09,680 --> 00:07:15,440 Speaker 1: Tell me about your experience with James Kahn. Uh. It 125 00:07:15,520 --> 00:07:18,440 Speaker 1: was it was really, it was really really cool. I 126 00:07:18,480 --> 00:07:21,480 Speaker 1: mean he was like I was kind of awestruck. I mean, 127 00:07:22,120 --> 00:07:25,960 Speaker 1: you get to work with people and who are who 128 00:07:26,000 --> 00:07:30,120 Speaker 1: you've seen for years, you know, like Sally and Liz 129 00:07:30,240 --> 00:07:34,760 Speaker 1: and but this this scene with with with James and I. 130 00:07:34,880 --> 00:07:38,080 Speaker 1: Usually I tend to just keep my distance from people because, 131 00:07:38,520 --> 00:07:42,120 Speaker 1: you know, especially you know, celebrity type people, because I 132 00:07:42,160 --> 00:07:44,800 Speaker 1: don't want to bother anybody. I don't get anybody's girl. 133 00:07:45,520 --> 00:07:47,480 Speaker 1: But so I just sort of like waiting my trailer 134 00:07:47,520 --> 00:07:49,080 Speaker 1: and wait to one called and then and then try 135 00:07:49,120 --> 00:07:52,240 Speaker 1: to be as plaist as possible. But he was just 136 00:07:52,920 --> 00:07:57,640 Speaker 1: he was just very cool and so relaxed and really 137 00:07:57,640 --> 00:08:05,000 Speaker 1: really easy and um but I remember kind of like 138 00:08:06,360 --> 00:08:10,400 Speaker 1: a couple of times just kind of like pinching myself, going, wow, 139 00:08:10,440 --> 00:08:15,120 Speaker 1: that's that's sunny. She's right there, he's right there. But 140 00:08:15,240 --> 00:08:18,440 Speaker 1: I'm being all of your ivy leagues soup yeah, yeah, yeah, 141 00:08:18,480 --> 00:08:20,880 Speaker 1: And and it was awesome and it's and it's odd. 142 00:08:21,000 --> 00:08:24,480 Speaker 1: Later on I ended up I was in I've been 143 00:08:24,640 --> 00:08:27,120 Speaker 1: an an improv company for years and years and years, 144 00:08:27,720 --> 00:08:32,680 Speaker 1: and I one of his sons, Alex, I was in 145 00:08:32,720 --> 00:08:34,480 Speaker 1: our is in our group was one of our young 146 00:08:34,600 --> 00:08:40,679 Speaker 1: improvisers and so um James came to see uh one 147 00:08:40,720 --> 00:08:42,480 Speaker 1: of our shows, one of our improv shows. I was 148 00:08:42,559 --> 00:08:46,280 Speaker 1: a group called impro Theater and we do long form 149 00:08:46,400 --> 00:08:48,839 Speaker 1: improvised plays and we were doing a show at the 150 00:08:48,880 --> 00:08:51,880 Speaker 1: Gary Marshall and Alex was Alex was I think he 151 00:08:51,920 --> 00:08:53,400 Speaker 1: was doing tech for us. I think he was doing 152 00:08:53,480 --> 00:08:58,520 Speaker 1: lights or sound or both, and and and and James 153 00:08:58,600 --> 00:09:00,640 Speaker 1: came to see the show and he took us all 154 00:09:00,640 --> 00:09:02,959 Speaker 1: out for We all went out for beer next door 155 00:09:03,000 --> 00:09:05,440 Speaker 1: and he bought us burger and a beer and and 156 00:09:05,640 --> 00:09:08,400 Speaker 1: was just telling us stories. But again, it's like the 157 00:09:08,640 --> 00:09:11,040 Speaker 1: coolest it's it's cool working with these people. But the 158 00:09:11,080 --> 00:09:13,840 Speaker 1: coolest part is like when the cameras aren't are off 159 00:09:13,880 --> 00:09:16,120 Speaker 1: and they're just like hanging out and talking and they 160 00:09:16,320 --> 00:09:19,840 Speaker 1: get you get to hear stories. I remember him just 161 00:09:21,280 --> 00:09:24,920 Speaker 1: it was just some of the stories that that would 162 00:09:24,920 --> 00:09:27,120 Speaker 1: tell that he would tell. It was like, can I 163 00:09:27,120 --> 00:09:30,400 Speaker 1: tell like Brando stories? Yeah, a little bit, you know 164 00:09:30,440 --> 00:09:32,760 Speaker 1: about on that setting, but he's done so much stuff 165 00:09:32,800 --> 00:09:34,560 Speaker 1: that it was like it's almost like I can't even 166 00:09:35,040 --> 00:09:36,920 Speaker 1: and it's all just and it's all just like things 167 00:09:36,960 --> 00:09:45,600 Speaker 1: that go by in passing that are. So you were 168 00:09:45,679 --> 00:09:52,040 Speaker 1: also the voice of the wildly popular game World of Warcraft. 169 00:09:52,160 --> 00:09:55,080 Speaker 1: You do a voice? Now, do you do comic cons 170 00:09:55,160 --> 00:09:59,160 Speaker 1: because you're positive? No, I haven't, but you know, the 171 00:09:59,200 --> 00:10:02,280 Speaker 1: World of Wark Draft would fit right into the yeah, 172 00:10:02,280 --> 00:10:06,280 Speaker 1: oh yeah, yeah. Well my wife, my wife Elisa, I play. 173 00:10:06,520 --> 00:10:11,040 Speaker 1: I do the voice of Lord Terrian, uh Terrian for Driant, 174 00:10:12,000 --> 00:10:15,200 Speaker 1: and my wife does the voice of Ronda Okay, which 175 00:10:15,240 --> 00:10:19,840 Speaker 1: is a huge She's her characters is huge. So you 176 00:10:20,040 --> 00:10:23,920 Speaker 1: two have never been invited to do a con um. 177 00:10:23,960 --> 00:10:26,720 Speaker 1: I don't know that we've ever liked, like looked to 178 00:10:26,800 --> 00:10:30,360 Speaker 1: going into it. She still she still works an awful lot. 179 00:10:30,400 --> 00:10:32,120 Speaker 1: She's actually went to do a job right now. She 180 00:10:32,200 --> 00:10:35,120 Speaker 1: does a lot of uh she's not only on camera work, 181 00:10:35,160 --> 00:10:39,240 Speaker 1: but a lot of voiceover and a lot of looping 182 00:10:40,320 --> 00:10:42,360 Speaker 1: stuff like that. And I've got into that a little bit, 183 00:10:42,679 --> 00:10:44,040 Speaker 1: but she does a lot of that. And she's off 184 00:10:44,160 --> 00:10:47,640 Speaker 1: working on a new show right now. Burbank, she just 185 00:10:47,720 --> 00:10:50,040 Speaker 1: left to do that. She started on the time we start. 186 00:10:50,160 --> 00:10:54,560 Speaker 1: She's just now starting work. Um. Bobby two thousand and six, 187 00:10:54,760 --> 00:10:59,640 Speaker 1: was this the Ameilio Estevez Um the film that he 188 00:11:00,480 --> 00:11:03,679 Speaker 1: about Bobby Kennedy. Yes, oh okay, what role did you 189 00:11:03,720 --> 00:11:06,360 Speaker 1: play in that? I was doing several different voices on that. 190 00:11:06,480 --> 00:11:09,040 Speaker 1: I don't even remember what they were. I think voices 191 00:11:09,280 --> 00:11:12,400 Speaker 1: on Bobby, voices on Bobby. So I was. I was 192 00:11:12,440 --> 00:11:14,160 Speaker 1: doing a d R on that too, I was doing 193 00:11:14,200 --> 00:11:17,160 Speaker 1: oh so you were? Okay. So I get credits for 194 00:11:17,200 --> 00:11:19,720 Speaker 1: a lot of stuff that is that are looping jobs, 195 00:11:19,920 --> 00:11:22,360 Speaker 1: because a lot of times they don't give you, they 196 00:11:22,360 --> 00:11:25,640 Speaker 1: don't give you any screen credit at all for loop mum, 197 00:11:25,840 --> 00:11:30,160 Speaker 1: but occasionally they do so. Um on that one I got. 198 00:11:30,600 --> 00:11:33,640 Speaker 1: I got credit on IMDb for doing for doing a 199 00:11:33,720 --> 00:11:40,200 Speaker 1: background voices and possibly um, you know radio uh like 200 00:11:40,880 --> 00:11:44,800 Speaker 1: the voice of possibly a radio or TV announcer or 201 00:11:45,400 --> 00:11:48,200 Speaker 1: something that might be in the background. M hmmm. And 202 00:11:48,320 --> 00:11:50,320 Speaker 1: you did This is Us? You did an episode of 203 00:11:50,360 --> 00:11:54,200 Speaker 1: This Is You? You appeared on that. Yeah, I played 204 00:11:54,360 --> 00:11:56,920 Speaker 1: did you did you? Did you work with Milo's boss 205 00:11:57,120 --> 00:12:00,440 Speaker 1: there you go in season one? Um? And he was 206 00:12:00,480 --> 00:12:03,559 Speaker 1: it was this. It was the episode about ended up 207 00:12:03,559 --> 00:12:08,400 Speaker 1: buying because this it was this this mess of a house. 208 00:12:08,440 --> 00:12:11,080 Speaker 1: He was working construction and I was his boss and 209 00:12:11,160 --> 00:12:12,640 Speaker 1: he had just found out that they were going to 210 00:12:12,720 --> 00:12:16,920 Speaker 1: have that they were going to have was it triplets 211 00:12:18,080 --> 00:12:22,320 Speaker 1: because they yeah, they just found out that they were 212 00:12:22,320 --> 00:12:25,240 Speaker 1: going to have multiple So he was asking me for 213 00:12:25,360 --> 00:12:29,280 Speaker 1: rais and I was basically declined give him. What was 214 00:12:29,559 --> 00:12:31,520 Speaker 1: So what was your experience like working with myle I've 215 00:12:31,559 --> 00:12:34,000 Speaker 1: heard he's a giant pain. He was? He was? He 216 00:12:34,040 --> 00:12:39,720 Speaker 1: was really sweet. No, such a such a horrible person, No, 217 00:12:39,880 --> 00:12:43,080 Speaker 1: he was. He was really he was really kind and 218 00:12:43,200 --> 00:12:45,960 Speaker 1: generous and really humble. It still is, I guess, a 219 00:12:46,000 --> 00:12:48,280 Speaker 1: really sweet guy, unless he's turned horrible or something. He's 220 00:12:49,120 --> 00:12:52,160 Speaker 1: as I recall, he was. He was really really nice. 221 00:12:52,400 --> 00:12:56,040 Speaker 1: You know who was really great was when I worked 222 00:12:56,040 --> 00:13:00,240 Speaker 1: on when I worked on Gilmour Girls. Um, I mean 223 00:13:00,480 --> 00:13:04,080 Speaker 1: that was very enjoyable all the way around, but it 224 00:13:04,160 --> 00:13:05,760 Speaker 1: was it was I think it was when I was 225 00:13:05,760 --> 00:13:08,720 Speaker 1: working on Sinnamon's Wake in season one and I met 226 00:13:08,760 --> 00:13:15,480 Speaker 1: Melissa McCarthy and she was I I fell in love 227 00:13:15,520 --> 00:13:21,840 Speaker 1: with her immediately. She's like, um, so humble and so 228 00:13:22,440 --> 00:13:26,160 Speaker 1: um appreciative. And I think this was really because it's 229 00:13:26,200 --> 00:13:28,560 Speaker 1: really kind of like Gilmore Girls is really where she 230 00:13:28,679 --> 00:13:33,120 Speaker 1: kind of like launched is all sure, I mean that's 231 00:13:33,200 --> 00:13:36,400 Speaker 1: kind of where she where she kind of people sort 232 00:13:36,440 --> 00:13:39,480 Speaker 1: of isn't it amazing to you, because it's amazing to 233 00:13:39,559 --> 00:13:43,000 Speaker 1: me that it took another series for her to get 234 00:13:43,520 --> 00:13:47,160 Speaker 1: before she really started getting noticed. Yeah you know, I 235 00:13:47,200 --> 00:13:51,280 Speaker 1: mean she did all of this spectacular work in Gilmore Girls, 236 00:13:51,440 --> 00:13:54,600 Speaker 1: and that didn't give her a film career. Yeah, that 237 00:13:54,720 --> 00:13:57,560 Speaker 1: like that wasn't enough, right, it wasn't in years of 238 00:13:57,679 --> 00:13:59,679 Speaker 1: just hitting it out of the park. Yeah, you know, 239 00:14:00,120 --> 00:14:05,720 Speaker 1: nobody else can do like the comedy Chops's She's amazing. 240 00:14:05,840 --> 00:14:08,840 Speaker 1: I would I would watch I would watch her do laundry, right, 241 00:14:09,400 --> 00:14:11,920 Speaker 1: so would I. I would watch her du laundry. And 242 00:14:11,960 --> 00:14:15,480 Speaker 1: her husband Ben, they just seemed like, this is like this, 243 00:14:15,679 --> 00:14:17,600 Speaker 1: I would like to go on a camping trip with 244 00:14:17,679 --> 00:14:21,000 Speaker 1: those guys. Let's just go on a road trip with him. 245 00:14:21,200 --> 00:14:23,320 Speaker 1: They're just like But when when I met her on 246 00:14:23,680 --> 00:14:25,560 Speaker 1: Gilmore Girls, she just like she came right up to 247 00:14:25,560 --> 00:14:27,800 Speaker 1: me and she said, this is so great, this is 248 00:14:27,800 --> 00:14:30,440 Speaker 1: so great. I feel so lucky, I feel so blessed 249 00:14:30,600 --> 00:14:34,640 Speaker 1: to be here. And she was so humble and gracious 250 00:14:34,720 --> 00:14:39,760 Speaker 1: and and and excited. It was. She was absolutely delightful. 251 00:14:39,800 --> 00:14:43,440 Speaker 1: And I remember that a dear friend of mine had 252 00:14:43,520 --> 00:14:46,720 Speaker 1: had auditioned for the same role as Suki had also 253 00:14:46,760 --> 00:14:50,800 Speaker 1: auditioned for Suki and um and so, and I really 254 00:14:50,800 --> 00:14:52,600 Speaker 1: wanted her to get it, and she didn't get it, 255 00:14:52,600 --> 00:14:54,200 Speaker 1: and Melissa got it. And then it's like I came 256 00:14:54,240 --> 00:14:57,680 Speaker 1: away after that going, Okay, well, if Tracy didn't get it, 257 00:14:58,320 --> 00:15:01,880 Speaker 1: I'm glad she did because I just thought that she 258 00:15:02,000 --> 00:15:04,880 Speaker 1: was just just such a delightful person. And you know 259 00:15:04,960 --> 00:15:08,320 Speaker 1: Melissa didn't, you know that was Melissa didn't get the 260 00:15:08,320 --> 00:15:12,520 Speaker 1: original role. The original role went to Alex Borstein. Oh 261 00:15:12,560 --> 00:15:16,360 Speaker 1: really in the pilot. Alex Borstein appears in the pilot 262 00:15:16,400 --> 00:15:19,280 Speaker 1: as Drella, the harpist in the Dragon Flow or the 263 00:15:19,800 --> 00:15:23,160 Speaker 1: Dragonfly in or not the Dragonflight. It was the the 264 00:15:23,200 --> 00:15:25,800 Speaker 1: other one. What do they call it? The cheez There 265 00:15:25,800 --> 00:15:31,600 Speaker 1: you go, the original inn right, the independence in Yeah, right, 266 00:15:31,680 --> 00:15:37,400 Speaker 1: So that was and then uh, Alex was on and 267 00:15:37,560 --> 00:15:39,160 Speaker 1: Living Color and they wouldn't let her out of her 268 00:15:39,200 --> 00:15:42,320 Speaker 1: contract to do the series, so they had to recast 269 00:15:42,320 --> 00:15:45,440 Speaker 1: the role and they took obviously it wasn't a harpist anymore. 270 00:15:45,480 --> 00:15:48,560 Speaker 1: It became the chef. Yeah. Yeah. And then and then 271 00:15:48,760 --> 00:15:51,960 Speaker 1: Melissa McCarthy got her opportunity in there. She wasn't amazing 272 00:15:51,960 --> 00:15:56,479 Speaker 1: how much talent there is out there that's not even working. Yeah, 273 00:15:56,800 --> 00:15:59,680 Speaker 1: it's not a question of like, oh nobody see people 274 00:15:59,680 --> 00:16:01,960 Speaker 1: always say I can't imagine anybody else in that role. 275 00:16:02,360 --> 00:16:04,400 Speaker 1: Nobody else could have played that. Yeah, there's lots of 276 00:16:04,440 --> 00:16:07,720 Speaker 1: people that could have played There are and and and 277 00:16:07,440 --> 00:16:10,360 Speaker 1: in many different interesting ways that no one's ever thought 278 00:16:10,400 --> 00:16:13,280 Speaker 1: of and would be maybe even better than what you saw, 279 00:16:13,440 --> 00:16:15,080 Speaker 1: you know. So I don't I don't buy into there's 280 00:16:15,200 --> 00:16:18,760 Speaker 1: tons of great actors, tons of that. There just aren't 281 00:16:18,880 --> 00:16:22,320 Speaker 1: enough parts, you know. That's the thing that well, one 282 00:16:22,320 --> 00:16:24,280 Speaker 1: thing that is one thing that it's nice is that 283 00:16:24,800 --> 00:16:28,840 Speaker 1: although it's confusing, there's so much content now, right, there's 284 00:16:28,880 --> 00:16:31,720 Speaker 1: so much content there are there are a lot of 285 00:16:31,840 --> 00:16:34,080 Speaker 1: there are a lot of opportunities, but of course there's 286 00:16:34,160 --> 00:16:37,280 Speaker 1: there's never enough, no matter how much more there is, 287 00:16:37,280 --> 00:16:40,160 Speaker 1: it seems like there's there's never quite enough for all 288 00:16:40,200 --> 00:16:44,080 Speaker 1: the all the talent that there is, um so much. Yeah, 289 00:16:44,120 --> 00:16:47,200 Speaker 1: I think outside of the big agencies, it's really hard 290 00:16:47,280 --> 00:16:49,640 Speaker 1: to get into one of these shows, right, you know 291 00:16:49,680 --> 00:16:52,640 Speaker 1: how the packaging world is and yeah, yeah, how much 292 00:16:52,680 --> 00:16:55,840 Speaker 1: pressure there is on these producers that are represented by 293 00:16:55,880 --> 00:16:59,280 Speaker 1: that agency. I mean they you know, the actors the producers, 294 00:16:59,280 --> 00:17:02,480 Speaker 1: the writers, below the line talent is all represented by 295 00:17:02,520 --> 00:17:05,880 Speaker 1: the same agency and they make those deals and everybody 296 00:17:05,920 --> 00:17:07,840 Speaker 1: else in the business is locked out of any of 297 00:17:07,840 --> 00:17:09,879 Speaker 1: those shows. And there's so many of them. There's like 298 00:17:09,960 --> 00:17:13,960 Speaker 1: five shows going right, Yeah, And it's all those film 299 00:17:14,040 --> 00:17:17,879 Speaker 1: people that that came over and they migrated into the 300 00:17:17,880 --> 00:17:21,600 Speaker 1: television space. Yeah, you see all this great television and 301 00:17:21,760 --> 00:17:24,800 Speaker 1: so it's so fractionalized at this point, you know. And 302 00:17:24,840 --> 00:17:27,040 Speaker 1: it's like that's the thing, so much, so much of 303 00:17:27,080 --> 00:17:33,160 Speaker 1: the there's so much more really terrific content on television now, 304 00:17:33,600 --> 00:17:36,040 Speaker 1: Like a lot of a lot of the film actors 305 00:17:36,040 --> 00:17:39,200 Speaker 1: have thought, I want to do that, right, I want 306 00:17:39,200 --> 00:17:42,200 Speaker 1: to I want to do that that looks that looks great, 307 00:17:42,240 --> 00:17:44,800 Speaker 1: that looks challenging, And I mean, who can blame them? 308 00:17:44,880 --> 00:17:47,560 Speaker 1: You know? Yeah, just because there's more content doesn't mean 309 00:17:47,600 --> 00:17:51,480 Speaker 1: it's easy to get a job anymore. Right, It's actually harder. Yeah, 310 00:17:51,480 --> 00:18:00,399 Speaker 1: you know, it's harder. All right. So it's that time again, Floyd, 311 00:18:00,440 --> 00:18:06,800 Speaker 1: as you well know, where you are going to be 312 00:18:06,960 --> 00:18:11,879 Speaker 1: forced against your will to play rapid fire? Are you ready? 313 00:18:12,400 --> 00:18:21,440 Speaker 1: I'm gonna what I'm gonna What are you being forced 314 00:18:21,480 --> 00:18:24,200 Speaker 1: to do? What? Do I push you make the stop. 315 00:18:27,359 --> 00:18:30,320 Speaker 1: I'm gonna ask you questions and you're gonna give me answers. 316 00:18:31,160 --> 00:18:37,000 Speaker 1: I'm just very right, exactly exactly, exactly. H how many 317 00:18:37,000 --> 00:18:39,760 Speaker 1: cups of coffee do you have in a day? Three? 318 00:18:40,359 --> 00:18:44,080 Speaker 1: Are your Team Logan, Team jes or Team Dean? I'm 319 00:18:44,119 --> 00:18:46,520 Speaker 1: gonna you don't know what that means? Okay, uh yeah, 320 00:18:46,920 --> 00:18:50,400 Speaker 1: your Team Logan. By the way, I'm gonna go to um. 321 00:18:50,440 --> 00:18:52,800 Speaker 1: I just our executive producer wants you to say that, 322 00:18:53,280 --> 00:19:02,919 Speaker 1: who's your favorite Gilmore Girl's character? Rapid Fire Floyd, rapid Fire. 323 00:19:03,520 --> 00:19:06,200 Speaker 1: I gotta I gotta go, Suki, thank you? What would 324 00:19:06,240 --> 00:19:10,600 Speaker 1: you order it? Luke Steiner, Patty? Would you rather go 325 00:19:10,640 --> 00:19:14,520 Speaker 1: on a road trip with Taylor or Michelle? Michelle? Finish 326 00:19:14,560 --> 00:19:17,840 Speaker 1: the lyric and where you lead? I will follow dot 327 00:19:17,920 --> 00:19:25,439 Speaker 1: dot dot where you lead, anywhere you go close anywhere 328 00:19:25,480 --> 00:19:29,960 Speaker 1: that you tell me too. Sorry, Judges, hang on, Nat, 329 00:19:29,960 --> 00:19:31,960 Speaker 1: We're not going to give you the thanks. Sorry you 330 00:19:32,000 --> 00:19:37,240 Speaker 1: were Yeah, um Jackson's vegetables or Suki's baked goods. I 331 00:19:37,320 --> 00:19:39,639 Speaker 1: think we know the answer to this. I'm all the 332 00:19:39,680 --> 00:19:42,800 Speaker 1: way you very much. Would you would you rather listen 333 00:19:42,840 --> 00:19:48,320 Speaker 1: to Drella's harp? Or the Troubadours cover songs. Uh Chilton, 334 00:19:48,359 --> 00:19:54,560 Speaker 1: Prepper stars Hollow Hi. Hi, there you go, Floyd. Keep 335 00:19:54,600 --> 00:19:58,280 Speaker 1: on keeping on, brother, and keep nailing those jobs, and 336 00:19:58,920 --> 00:20:01,800 Speaker 1: try to get involved in the convention game, because boy, 337 00:20:01,840 --> 00:20:05,240 Speaker 1: there's a lot, there's a lot of need for there's 338 00:20:05,400 --> 00:20:09,320 Speaker 1: voice actors do very well on that circuit. Yeah, yeah, yeah, 339 00:20:09,600 --> 00:20:11,840 Speaker 1: I know. We've we have several friends that that do 340 00:20:11,880 --> 00:20:14,600 Speaker 1: a lot of voice over work. Yeah, and they do 341 00:20:14,680 --> 00:20:17,720 Speaker 1: conventions a lot. Of course since since the lockdown, it's 342 00:20:17,760 --> 00:20:21,320 Speaker 1: like it's, you know, but they're they're up and going again. 343 00:20:21,560 --> 00:20:23,560 Speaker 1: But they're up, They're up and going. Now. I'm a 344 00:20:23,560 --> 00:20:25,280 Speaker 1: little I'm a little slow out of the gate. I'm 345 00:20:25,320 --> 00:20:28,560 Speaker 1: still very shy so about like not going anywhere without 346 00:20:28,560 --> 00:20:32,359 Speaker 1: a mask. But um, it's I'm starting to feel like, Okay, 347 00:20:33,080 --> 00:20:36,960 Speaker 1: I think I think we're okay. I think time things 348 00:20:37,040 --> 00:20:39,440 Speaker 1: warm up, if they ever finally do really warm up here, 349 00:20:39,680 --> 00:20:42,000 Speaker 1: I think it's think it's gonna be okay. Man. That 350 00:20:42,160 --> 00:20:45,680 Speaker 1: was yeah, look into that. You're gonna you're gonna yeah. Okay, 351 00:20:45,720 --> 00:20:48,080 Speaker 1: all right, Floyd, thank you so much for your time, 352 00:20:48,560 --> 00:20:52,399 Speaker 1: good luck with everything, and you too, all the best, buddy. Okay, 353 00:20:52,440 --> 00:21:24,240 Speaker 1: you too. Man, All right, take care dot hey everybody, 354 00:21:24,280 --> 00:21:27,600 Speaker 1: and don't forget Follow us on Instagram at I Am 355 00:21:27,680 --> 00:21:32,879 Speaker 1: all In podcast and email us at Gilmore at iHeartRadio 356 00:21:32,960 --> 00:21:35,520 Speaker 1: dot com. Oh you Gilmore fans. 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