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Speaker 1: There's two things that typically cross people's minds when you

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Speaker 1: talk about these kind of people. Number one is he's

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Speaker 1: too successful to be dangerous, and number two is he's

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Speaker 1: too powerful to be held account. I know he's coming home,

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Speaker 1: so it gets quiet. If you notice all of the

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Speaker 1: documentaries prior to the Centizen of Sean Combs, that was

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Speaker 1: everybody talking people that used to be cool with him

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Speaker 1: next to ing people was denouncing him. But now that

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Speaker 1: there's whispers that he's coming home soon, Netflix has to

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Speaker 1: drop a documentary with relatively unknown people in it. It

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Speaker 1: wasn't just about Cassie. It wasn't just about what he's

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Speaker 1: been convicted of or even charged with. It was other

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Speaker 1: things that they spoke to in this particular documentary that

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Speaker 1: raised awareness and also raise suspicion. We hire a bad guy.

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Speaker 1: The bad guy name is fifty cent. I see a

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Speaker 1: lot of people acting like fifty is like green lid

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Speaker 1: all amongst Netflix, and I want to push back on that.

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Speaker 1: Although fifty has built something monumental and done something that

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Speaker 1: rarely people are able to do coming out of entertainment,

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Speaker 1: we got a lot of respect for it's hustle. Fifty

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Speaker 1: ain't really greenlit at Netflix. They use fifty to hide

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Speaker 1: behind him and use that footage, and it was in

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Speaker 1: the red zone. He couldn't get anyone around him to

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Speaker 1: grab a camera. He had to go and get a

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Speaker 1: third party. A billionaire, you gotta go get a third

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Speaker 1: party because you want to shoot a documentary. Chest in

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Speaker 1: case you beat it, Yo yo yo, Welcome to us

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Speaker 1: Up that podcast. I am your active and attractive hosts

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Speaker 1: big on right now hit like subscribe. Shall let somebody

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Speaker 1: know I was there, our bare witness to the game.

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Speaker 1: Some things have changed, some things have remained the same. Listen, man,

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Speaker 1: come to patron dot com. It's up that podcast. If

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Speaker 1: you are not there already, come be a part of

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Speaker 1: the community. Come be a part of my vibe, my tribe.

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Speaker 1: You understand me. Come visit me in my sanctuary. And

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Speaker 1: that's what we usually have our ceremonies. I want to

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Speaker 1: thank everybody for the unwavering support as we are in

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Speaker 1: a position with podcasts and is going through a rough patch.

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Speaker 1: People are finding out they're not making the kind of

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Speaker 1: money that they thought that they'll be making at this

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Speaker 1: point in their career. I do want to say this,

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Speaker 1: We're gonna need our army to be more involved than

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Speaker 1: they've been. We're gonna need you guys clipping. We're gonna

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Speaker 1: need you guys posting. We're gonna need you guys sharing, right,

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Speaker 1: I understand the game is walked right into my building.

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Speaker 1: The game now is fiending. It's hungry. There's an appetite

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Speaker 1: for a certain kind of conversation and I feel as

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Speaker 1: though I'll be able to provide that with you guys.

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Speaker 1: Help so again, come to patreon dot com. It's up

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Speaker 1: there podcast that if you do want to support me.

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Speaker 1: Listen to the audio that comes out every Monday, and

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Speaker 1: I believe we're dropping every Wednesday as well. On the

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Speaker 1: audio side. Come there, hit like, hit subscribe, and hit share,

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Speaker 1: and that's all that I can ask from you guys.

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Speaker 1: I hope everyone out there is having a tremendous day.

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Speaker 1: Hopefully holiday spirit has affected everyone and you're feeling good

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Speaker 1: with your family and put yourself in a better position. Today,

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Speaker 1: we're going to talk about this Diddy documentary. For people

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Speaker 1: who do not know, we are on the heels of

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Speaker 1: Netflix dropping a documentary called The Reckoning aimed at some

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Speaker 1: of the things that Sean Diddy Combs has been accused

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Speaker 1: of and so over this up there podcast, I feel

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Speaker 1: as though my job is to not tell you what

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Speaker 1: the documentary is about. I feel as though everyone knows

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Speaker 1: what it's about. I think over here we want to

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Speaker 1: kind of get into the details and kind of iron

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Speaker 1: some of the things out, maybe look at some of

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Speaker 1: the angles and flush some of them out. And so

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Speaker 1: that's what we're coming to do today. So the title

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Speaker 1: of the documentary is Sean Combs the recording. It's on Netflix.

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Speaker 1: It's a four part docu series. It's about an hour

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Speaker 1: for each episode, and it's directed by Alex Stapleton. Executive

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Speaker 1: producers of people like fifty Cent, Brad Bernstein, other people

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Speaker 1: that's very well known in the ecosystem. As it pertains

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Speaker 1: to visual innerne a lot of conversations to have today

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Speaker 1: number one coming into this documentary, I sat back and

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Speaker 1: I said to myself, all right, didd he had just

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Speaker 1: went through trial for people who do not know you

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Speaker 1: had to be living under rock. But Diddy is now

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Speaker 1: in jail. He has played guilty to the man. He

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Speaker 1: was also accused of several other charges that the jury

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Speaker 1: felt like the federal government wasn't able to present a

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Speaker 1: strong enough case to convict him on those other things,

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Speaker 1: but he has been convicted of the Man Act. Now today,

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Speaker 1: I'm gonna try to speak to everyone because I feel

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Speaker 1: as though there's so much to get into as it

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Speaker 1: pertains that Diddy, as it pertains the Netflix fifty cent like,

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Speaker 1: there's so many layers to this conversation that we really

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Speaker 1: can do two or three hours on this, but I'm

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Speaker 1: gonna try to make it one hour. We'll get in

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Speaker 1: and get out. Diddy has been accused not only by Netflix,

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Speaker 1: but by the federal government and people that was involved

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Speaker 1: in his circle for quite some time. He's been accused

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Speaker 1: of having this psychological pipeline that he sends people through.

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Speaker 1: And they highlighted this on Netflix. It wasn't just about Cassie.

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Speaker 1: It wasn't just about what he's been convicted of or

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Speaker 1: even charged with. It was other things that they spoke

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Speaker 1: to in this particular documentary that raised awareness and also

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Speaker 1: raised suspicion. And I want to talk to both sides

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Speaker 1: of that coin today. One thing about our culture, man,

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Speaker 1: you can trick us, and a lot of people have

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Speaker 1: been trigged, whether they've been good or bad. A lot

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Speaker 1: of people had the kind of notion as it pertains

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Speaker 1: to people who are in these kind of positions, people

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Speaker 1: that are in positions of power or high earners. There's

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Speaker 1: two things that typically cross people's minds when you talk

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Speaker 1: about these kind of people. Number one is he's too

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Speaker 1: successful to be dangerous, and number two is he's too

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Speaker 1: powerful to be held accountable. What Netflix showed us in

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Speaker 1: this documentary according to people who I would say wouldn't

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Speaker 1: have the best relationship with Diddy, and so I take

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Speaker 1: it with a grain of salt, but according to Netflix,

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Speaker 1: they showed us that Diddy was a man that checked

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Speaker 1: both of those boxes, and so everything that you thought

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Speaker 1: he couldn't do, everything that you thought he wouldn't do,

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Speaker 1: was exactly what he was doing, according to Netflix. According

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Speaker 1: to the Federal Government, a couple of things I peeped

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Speaker 1: soon as I turned it on was alarming to me.

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Speaker 1: Was number one, they had some gentlemen. And I say

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Speaker 1: this with all due respect, I just don't know who

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Speaker 1: he is, but he was quote unquote the co founder

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Speaker 1: a bad boy. Now we have saw him in pictures

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Speaker 1: on Netflix. We have saw him even file a lawsuit

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Speaker 1: at some point in time, which I've gained that information

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Speaker 1: by watching a documentary, but my illustrious career over hip hop,

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Speaker 1: I've never heard who this gentleman is, and I think

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Speaker 1: some of my comrades and contemporaries from the East Coast

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Speaker 1: should probably let me know what his background is and

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Speaker 1: maybe who he is. But I say that to say,

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Speaker 1: is it is in a scenario, Well, this is a

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Speaker 1: documentary from my perspective. Soon as I turn it on,

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Speaker 1: I say, executive producer bout fifty cent. And then I

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Speaker 1: seen this gentleman who has again fouled lawsuit and doesn't

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Speaker 1: feel the greatest about Diddy, and I understand it. But

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Speaker 1: the first thing that came to my mind was I

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Speaker 1: don't know how to take everything that these people are

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Speaker 1: saying because I've also lost people on the way up.

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Speaker 1: And I'm not saying it's too excuse Diddy. I can

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Speaker 1: care less about defending Ditty under any circumstances. But I've

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Speaker 1: also lost people on the way up. And if you

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Speaker 1: put a camera in front of them and it ain't

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Speaker 1: no telling what to come out of their mouth. Because

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Speaker 1: here's the situation we find ourselves in. Depending on what

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Speaker 1: comes out of your mouth can put some in your pocket.

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Speaker 1: I guess what I'm saying is one of the first

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Speaker 1: things I was looking for is who are they gonna

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Speaker 1: weaponize that was around Diddy. I mean, everybody turned their

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Speaker 1: back on Ditty, but Diddy's in a different scenario right now.

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Speaker 1: They know he's coming home, so it gets quiet. If

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Speaker 1: you notice all of the documentaries prior to the sentizen

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Speaker 1: of Sean Combs, that was everybody talking, but they used

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Speaker 1: to be cool with him. Next to one people was

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Speaker 1: denouncing him. But now that there's whispers that he's coming

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Speaker 1: home soon, Netflix has to drop a documentary with relatively

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Speaker 1: unknown people in it. And so within the first ten minutes,

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Speaker 1: I'm wondering, Okay, I know they're gonna put their heavy

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Speaker 1: hitters in the first twenty minutes in the first episode,

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Speaker 1: we're gonna see some of the people who's gonna be

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Speaker 1: reoccurring characters, and I didn't see anyone worth mentioning right now.

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Speaker 1: And just so the cast and the people involved, I

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Speaker 1: was already under the assumption that this story or be

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Speaker 1: told through the lens and through the guys of people

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Speaker 1: who don't feel the greatest about Diddy. And so in

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Speaker 1: the first thirty minutes that reassured all of those claims

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Speaker 1: for me, And so at that point I had to

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Speaker 1: shift a little bit of the blame because also, as

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Speaker 1: I'm paying attention to this documentary, I see footage of

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Speaker 1: Diddy six days before he goes into jail, and so

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Speaker 1: my first question is why is did he recording itself?

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Speaker 1: Like does he think this is some kind of game?

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Speaker 1: And even if he doesn't think it's a game, started

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Speaker 1: to flush it out, and I'm like, all right, you

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Speaker 1: are Ditty, You're icon in the game. This is a

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Speaker 1: very very unique situation, not even to mention that there's

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Speaker 1: a monetary game. There's an ability to monetize it. But

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Speaker 1: if I was Ditty, I would suspect that that would

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Speaker 1: be at the bottom of the list. But him recording

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Speaker 1: itself struck me as odd. Two things. One, it shows

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Speaker 1: me that people are not as smart as I tend

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Speaker 1: to think they are, because if you are going to

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Speaker 1: record yourself, I'd rather put that camera in one of

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Speaker 1: my people hand. Just record shit. I don't care if

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Speaker 1: you don't understand the camera. Point it as shit and record.

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Speaker 1: Matter of fact, We'll hire an assistant camera operator to

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Speaker 1: be with you. But it's from our camera and my

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Speaker 1: guy's pressure recording holding the camera. You just kind of

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Speaker 1: directing them and telling them what to do. But you

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Speaker 1: don't leave with footage. There's no agreement, there's no situation

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Speaker 1: where Netflix should have been able to get this footage.

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Speaker 1: It makes people look at Diddy like, what the fuck

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Speaker 1: are you doing? My guy? You put yourself in a

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Speaker 1: scenario to go and hire a camera to follow you

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Speaker 1: six days before you go to jail, knowing that you

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Speaker 1: are in a scenario where they got a grand jury

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Speaker 1: indictment about to come down. You have your plane up

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Speaker 1: for sale, your house up for sale. You know you

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Speaker 1: in deep waters, right man? You're gonna hire a third

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Speaker 1: party camera crew to follow you? What kind of game

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Speaker 1: plan is that? If anything, you mega rich, put a

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Speaker 1: camera in one of these little fans around you. That's

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Speaker 1: the problem. Now, don't nobody around these guys want to

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Speaker 1: do nothing. That's why you see me apply. They got

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Speaker 1: people with them that have grabbed the bags, that have

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Speaker 1: grabbed the camera, that'll take the picture, that'll make sure

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Speaker 1: you engage with the fans. I remember being that Baby show,

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Speaker 1: right he was selling out arenas. I found it very

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Speaker 1: intimate and valuable that part of Baby's team will go

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Speaker 1: out into the stands, go out into the fan area,

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Speaker 1: and they'll see who's singing along and just a super

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Speaker 1: fans of Baby. Maybe you got a Baby shirt on,

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Speaker 1: or maybe you gotta see bfwor FOURPF something on and

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Speaker 1: they'll just kind of watch you for a song or two.

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Speaker 1: Next thing you know, they'll send somebody to tap you.

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Speaker 1: Go and meet your favorite artist. You gotta have people

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Speaker 1: on your team willing to do things, especially when you

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Speaker 1: in the red zone. Did it was in the red

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Speaker 1: zone and couldn't get anyone around him to grab a camera.

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Speaker 1: He had to go and get a third party. A billionaire.

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Speaker 1: You gotta go get a third party because you want

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Speaker 1: to shoot a documentary just in case you beat it.

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Speaker 1: I get it boosting, done it. Everybody do it. You

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Speaker 1: go to jail, you think you're going to jail, you

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Speaker 1: bring the cameras out and for your family sake, if

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Speaker 1: nothing else, I'm gonna sold you I'm going through something.

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Speaker 1: Cut these cameras on't let them no head up, chest stout,

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Speaker 1: whatever happened, I'm gonna lay down with it and get

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Speaker 1: up with it. Every single time, one foot in front

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Speaker 1: of the other. Won't no grass go on to my feet.

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Speaker 1: Ain't nobody tripping but them. The universe won't ignore it.

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Speaker 1: With a certain voracity, with a certain velocity in his voice, right,

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Speaker 1: the universe can't ignoring what a certain visibility. Cut these

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Speaker 1: cameras on. The folks think his game over. Cut these

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Speaker 1: cameras on. Let them see how a soldier get through it.

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Speaker 1: Sometimes I can feel that, But it gotta be your people,

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Speaker 1: somebody you trust you in the red zone right now,

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Speaker 1: it's y'all not thinking out here, y'all running around getting

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Speaker 1: all this money, and y'all letting other people think for y'all.

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Speaker 1: I think I don figured out what's going on. It's

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Speaker 1: a bunch of money. Ain't nobody thinking. They paying people

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Speaker 1: to think for them. And the people that's thinking for them,

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Speaker 1: I can now thank them. So when I see certain moves,

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Speaker 1: I'm saying, what the fuck they doing? This dude recording itself? Granted, Yo,

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Speaker 1: I'm in a bad situation, But you got a third

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Speaker 1: party that a go negotiate with Netflix because they probably

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Speaker 1: give them an offer they can't refuse. And you in

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Speaker 1: a situation where you're a billion dollars, can't get one

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Speaker 1: guy that you know and love you to hold a camera. Hey,

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Speaker 1: document this. Man. I'm scared. I'm going through something, but

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Speaker 1: I'm gonna figure it out. I'm gonna get back into

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Speaker 1: these books. I'm gonna get into this word. I'm gonna

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Speaker 1: figure some shit out. I'm gonna get some more information.

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Speaker 1: Head up, chance side, Let's go with it. God got me. Universe,

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Speaker 1: respond to my command again the universe. Don't ignore it.

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Speaker 1: With a certain visibility, with a certain vibration. The universe

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Speaker 1: gonna come and it's gonna open up for you. That's

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Speaker 1: the laws of the universe. But it's a slippery slope

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Speaker 1: because it creeps in your psyche that Diddy also understands narratives,

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Speaker 1: and so this was screaming out in the first episode. Yo,

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Speaker 1: Diddy understands narratives. Now I don't think he understands how

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Speaker 1: to respond to narratives. And this is the problem that

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Speaker 1: a lot of people are entertainment are having. They understand

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Speaker 1: that it's people like us that can change the narrative,

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Speaker 1: that can move culture, that can switch the thinking of

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Speaker 1: the consumers. They understand that it's happening, but they don't

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Speaker 1: understand how to respond to it. And these are two

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Speaker 1: different things. I always tell people they've simplified what we

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Speaker 1: have to go through when they explain it to you,

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Speaker 1: and they don't really give you the game. This is

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Speaker 1: a multi step process with anything in life. There's technique involved, right,

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Speaker 1: It's step one, two, three, and four. You got to

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Speaker 1: set your feet before you take the shot. See a

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Speaker 1: lot of people to be focused on the hand placement

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Speaker 1: on the ball, and they've ignored that their feet ain't

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Speaker 1: even set. And so when you ignore step, your results

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Speaker 1: are inconsistent. And so I'm telling people that there's a

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Speaker 1: multi step process to anything. And so there's a lot

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Speaker 1: of people understanding narratives like Diddy, but he does not

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Speaker 1: know how to respond to it. I remember when COVID

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Speaker 1: first hit, they understood it was a disease, they understood

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Speaker 1: how it was spreading. Took them a minute to understand

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Speaker 1: how to respond to it. And so it still didn't

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Speaker 1: sit right with me that Diddy had this footage. I

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Speaker 1: just was like, it didn't make sense, and so I

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Speaker 1: examined it a little further. Then what I found, or

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Speaker 1: at least noticed on first glance was oh, they only

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Speaker 1: got one day of footage and it looks like it's

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Speaker 1: only about forty five minutes, if that they may got

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Speaker 1: thirty minutes and they've spreaded it out between four episodes.

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Speaker 1: That then told me, because I'm in this business. That

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Speaker 1: then told me, at least from my perspective, is that

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Speaker 1: Netflix was probably working on two different documentaries and they

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Speaker 1: smashed them together and then used fifty as a cultural

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Speaker 1: shield so they wouldn't be viewed as doing what they'd

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Speaker 1: done the didty as exploitation. I believe they were working

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Speaker 1: on a documentary, maybe surrounding Keefy d maybe surrounding Tupac's murder,

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Speaker 1: and maybe Diddy was the center of that documentary, and

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Speaker 1: now they were working on another documentary as it pertains

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Speaker 1: to his legal case with the federal government. I think

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Speaker 1: they mashed both of those together, the Diddy documentary, which

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Speaker 1: is the footage that you see. At least, what they're

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Speaker 1: saying amongst my industry peers is that Diddy was doing

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Speaker 1: a documentary when Netflix and he bailed on it. Netflix

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Speaker 1: didn't win it got with the camera guys who were

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Speaker 1: shooting a documentary for it. Did. He negotiated the raid

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Speaker 1: and got their footage. There's a weird rule that I

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Speaker 1: think needs to be adjusted, revisited and revised that whoever

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Speaker 1: equipment it is and maintains that recording, owns the footage.

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Speaker 1: And that's why I've always owned my equipment. I understood

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Speaker 1: that from day one, just so it wouldn't be any

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Speaker 1: kind of negotiation going on or any kind of confusion.

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Speaker 1: Even if I hire some people that own production companies,

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Speaker 1: They'll come in and I'll have them use my equipment,

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Speaker 1: my stuff, because I just don't want to even get

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Speaker 1: into that gray area. So this footage is up in

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Speaker 1: the hands of Netflix. Netflix is a big corporation. I

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Speaker 1: want you guys to understand that Netflix is, that Netflix

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Speaker 1: is planning on tomorrow, and everybody that knows me knows

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Speaker 1: I have a lot of respect for fifty But we're

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Speaker 1: gonna dissect some of the business behind what I think

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Speaker 1: happened with Netflix and fifty Cent as it pertains to

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Speaker 1: this documentary. I believe Netflix found themselves in a very

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Speaker 1: interesting situation. They working on two documentaries, probably had money

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Speaker 1: tied up in both, and then all of a sudden,

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Speaker 1: Diddy bags out of doing the documentary. Diddy didn't get

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Speaker 1: the time Netflix probably even thought he was gonna get

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Speaker 1: So now all of this stuff, although it's still valuable.

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Speaker 1: It less, it's in value from Netflix perspective. Again, this

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Speaker 1: is a high level conversation. When I said this is

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Speaker 1: in value, I need you to understand it. They were

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Speaker 1: probably at the table at the start of this with

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Speaker 1: a Diddy documentary with footage from Diddy in his process,

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Speaker 1: going all through it, what happened during trial. They were

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Speaker 1: probably tapped in with him with an understanding saying that, Yo,

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Speaker 1: we're going to be involved with you in a way

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Speaker 1: where we're going to get the exclusive documentary about what happened,

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Speaker 1: how you felt and from your perspective. Those conversations break

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Speaker 1: down to now, we gotta do a Diddy documentary without

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Speaker 1: Diddy's involvement. We do have a camera crew that was

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Speaker 1: following them, they have a little bit of footage. Maybe

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Speaker 1: we can negotiate that, but we can't be viewed in

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Speaker 1: the open market. It is that we're exploring people in

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Speaker 1: that way, although sometimes they throw that label around on Netflix.

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Speaker 1: But we had a relationship with Diddy and so we

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Speaker 1: don't want to be viewed in that way. And so

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Speaker 1: what do we do. We hire a bad guy. The

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Speaker 1: bad guy name is fifty cent. I see a lot

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Speaker 1: of people acting like fifty is like green Lid all

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Speaker 1: amongst Netflix, and I want to push back on that.

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Speaker 1: Although fifty has built something monumental and done something that

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Speaker 1: rarely people are able to do coming out of entertainment,

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Speaker 1: we got a lot of respect for its hustle, Fifty

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Speaker 1: ain't really green Lid At Netflix. They use fifty to

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Speaker 1: hide behind him and use that footage and so no

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Speaker 1: one that's a quote unquote exec can be held accountable.

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Speaker 1: They'll just blame it on fifty. It's messy like that

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Speaker 1: because fifty was involved. One thing you got to understand

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Speaker 1: is I believe fifty to be someone who understands marketing

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Speaker 1: at the level that did. He understands and and so

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Speaker 1: as soon as this stuff is happening, when he comes out,

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Speaker 1: he's signaling to the companies. When he's says documentary coming soon.

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Speaker 1: Did he do it? That's really like a signal to

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Speaker 1: the companies that, Yo, I'm willing to work on this documentary.

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Speaker 1: So if y'all need someone from culture, powerful from culture

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Speaker 1: that'll speak on Diddy on the other side and what's

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Speaker 1: going on, and you know, I'm gonna do what I

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Speaker 1: want to do. Yo, I'm willing to be involved. He's

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Speaker 1: throwing his hat in the market, and so as it

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Speaker 1: pertains to this, I believe fifty was just utilized as

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Speaker 1: a tool for them to shield themselves from bad business.

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Speaker 1: And it's like, whatever y'all blame on this documentary, blame

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Speaker 1: it on fifty. Now where the accolades go to fifty

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Speaker 1: the same way to blame or go to fifty. See,

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Speaker 1: these are the tricks that you have to watch and

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Speaker 1: salute the Netflix. They do a lot of good business.

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Speaker 1: I know a lot of creators that make money with them,

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Speaker 1: So this isn't about them. I'm just speaking from the

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Speaker 1: industry standards standpoint what I'm viewing and with breaking down information,

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Speaker 1: and I don't feel as though it's divisive. I think

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Speaker 1: it's informative, and I have a duty to do that

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Speaker 1: on behalf of not only culture, but just business. We

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Speaker 1: live in a gray area at this point, and so

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Speaker 1: as things become more and more gray, I have to

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Speaker 1: make them black and white for my people. And so

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00:20:07,200 --> 00:20:09,800
Speaker 1: we find our tribe and then we segregate ourselves and

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00:20:09,840 --> 00:20:13,359
Speaker 1: live on the island where information is keen, money is needed,

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Speaker 1: and love is always currency. I think too many people

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Speaker 1: get lost in the sauce these days, and so I

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Speaker 1: try to remain humble. But when I see fifty do

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Speaker 1: stuff like this, right, I think fifty has built his

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Speaker 1: brand in a way where it's kind of bulletproof. No

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Speaker 1: one really says anything he lives. He lives a certain way.

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Speaker 1: People done in bad. See. That's the thing, right, And

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Speaker 1: that's why I can't really say nothing either, because I

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00:20:37,480 --> 00:20:39,199
Speaker 1: get it right. Come up in the spot where they

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Speaker 1: do you bad, where they kind of try to discredit you,

396
00:20:42,240 --> 00:20:44,359
Speaker 1: where they shoot you up, where they don't let you in.

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Speaker 1: Because these old round here really behate us. They always

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Speaker 1: so scared somebody gonna take the light from them. They

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Speaker 1: don't want to make no cause and help nobody. They

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Speaker 1: don't want to point on no right direction. They so

401
00:20:56,160 --> 00:20:58,800
Speaker 1: busy word about the next man. I always tell dudes,

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Speaker 1: I ain't trying to be better than you. I'm trying

403
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Speaker 1: to be better than I was, a better version of

404
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Speaker 1: what I was. I'm trying to beat the old me.

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Speaker 1: I was doing hell of good fold this, so I'm

406
00:21:08,040 --> 00:21:10,400
Speaker 1: still trying to outdo what I've done for I ran

407
00:21:10,520 --> 00:21:13,800
Speaker 1: into y'all folk, you understand me, And so Fitty got

408
00:21:13,840 --> 00:21:15,920
Speaker 1: some of that energy, like it was hard to come

409
00:21:16,000 --> 00:21:19,000
Speaker 1: up was hard. You know, I still can't excuse certain things.

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Speaker 1: I wouldn't go that far, you know what I mean,

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Speaker 1: I probably wouldn't go that far, but I noticed he

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Speaker 1: it's certain things that he stayed away from on that

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Speaker 1: as well, and so maybe he got involved so he

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Speaker 1: can make sure certain things are not spoken to because

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Speaker 1: there's family involved as well. So I don't know. All

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Speaker 1: I'm saying is I feel as though that he was

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00:21:37,040 --> 00:21:39,399
Speaker 1: used as a shield. And again, that's some behavior in

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Speaker 1: this documentary that we can't excuse. Right, there's a lot

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00:21:42,359 --> 00:21:44,720
Speaker 1: of things that I'm not excusing. I'm speaking from a

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Speaker 1: business perspective, but I do want to be clear to

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00:21:47,400 --> 00:21:51,440
Speaker 1: the audience there's things in this documentary that's just inexcusable behavior,

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00:21:52,400 --> 00:21:54,760
Speaker 1: but just from a business perspective, let's kind of drill

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Speaker 1: it down and view some of the other angles and

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00:21:56,840 --> 00:21:59,720
Speaker 1: see what we come up with. Also, in episode one,

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00:21:59,720 --> 00:22:02,440
Speaker 1: he would it's very interesting in his in his pr

426
00:22:03,359 --> 00:22:06,159
Speaker 1: he was saying, man, you just talking to CNN, and

427
00:22:06,200 --> 00:22:10,240
Speaker 1: so that paranoia tells me that didd is someone watching

428
00:22:10,280 --> 00:22:15,359
Speaker 1: YouTube videos? Yeah? Nah, did is someone watching them? Same

429
00:22:15,440 --> 00:22:18,600
Speaker 1: YouTube videos that all y'all was watching through COVID that

430
00:22:18,680 --> 00:22:21,160
Speaker 1: people be watching that. I always tell for you don't

431
00:22:21,160 --> 00:22:23,760
Speaker 1: know who watching you. Man, Your shit may got six

432
00:22:23,880 --> 00:22:26,439
Speaker 1: hundred views. It may be in that it really is

433
00:22:26,520 --> 00:22:29,760
Speaker 1: some of them joints, you know what I mean. It

434
00:22:29,840 --> 00:22:32,720
Speaker 1: may be women in that it's really joints. It may

435
00:22:32,760 --> 00:22:35,840
Speaker 1: be a just seven hundred joints watching your shit. Right,

436
00:22:35,880 --> 00:22:39,119
Speaker 1: you gotta move with that kind of vibration. But the

437
00:22:39,240 --> 00:22:42,359
Speaker 1: vibe I was getting from Diddy in episode one speaking

438
00:22:42,400 --> 00:22:44,439
Speaker 1: to his lawyers is yo, I ain't really trusting what

439
00:22:44,520 --> 00:22:47,240
Speaker 1: y'all doing you on seeing then sound and funning y'all

440
00:22:47,680 --> 00:22:52,679
Speaker 1: tmz yo. That paranoia is birthed because Diddy is aware

441
00:22:52,720 --> 00:22:55,639
Speaker 1: that these YouTube videos and these low budget like poor

442
00:22:55,720 --> 00:22:58,920
Speaker 1: people started all of these narratives and uncovered a lot

443
00:22:58,960 --> 00:23:02,680
Speaker 1: of this shit cenn one looking at my sixth life,

444
00:23:02,760 --> 00:23:05,400
Speaker 1: This shit started at the ground level. So if anybody

445
00:23:05,480 --> 00:23:08,440
Speaker 1: can tell you that these little bit of YouTube videos

446
00:23:08,480 --> 00:23:11,399
Speaker 1: and people doing these narratives in these pockets, is Diddy

447
00:23:11,440 --> 00:23:14,320
Speaker 1: beack you. It's a lot of They can really testify

448
00:23:14,440 --> 00:23:16,840
Speaker 1: to all of those sector of YouTube that damned that

449
00:23:17,000 --> 00:23:20,719
Speaker 1: dry snitching and all that it's being utilized on a

450
00:23:20,720 --> 00:23:23,600
Speaker 1: real level. Also, something I found interesting out of that

451
00:23:23,680 --> 00:23:27,680
Speaker 1: footage that Diddy's team came out and said basically was stolen.

452
00:23:27,760 --> 00:23:30,159
Speaker 1: You know his team is playing pr games and saying, Yo,

453
00:23:30,200 --> 00:23:32,919
Speaker 1: we don't know what y'all are doing. This is stolen footage.

454
00:23:33,200 --> 00:23:36,280
Speaker 1: Netflix is already probably on top of that from a

455
00:23:36,359 --> 00:23:39,040
Speaker 1: legal perspective, they don't have anything to worry about. I'm

456
00:23:39,080 --> 00:23:42,800
Speaker 1: sure that Diddy hired a third party to come in

457
00:23:42,920 --> 00:23:44,920
Speaker 1: for maybe a day, because it looks like all of

458
00:23:44,960 --> 00:23:47,639
Speaker 1: the footage that they use over the four episodes was

459
00:23:47,720 --> 00:23:51,840
Speaker 1: really about maybe under five hours of footage, maybe one day,

460
00:23:51,920 --> 00:23:53,960
Speaker 1: half a day he had those people with him, or

461
00:23:54,000 --> 00:23:56,840
Speaker 1: maybe a four day. Feels like he had those people

462
00:23:56,880 --> 00:23:58,840
Speaker 1: with him. They did a great job of using b

463
00:23:59,040 --> 00:24:01,240
Speaker 1: roll and other footage to tie it all in and

464
00:24:01,280 --> 00:24:04,679
Speaker 1: make it stretch over four episodes. But another point I

465
00:24:04,800 --> 00:24:09,439
Speaker 1: was watching for was his demeanor, because when I'm watching

466
00:24:09,440 --> 00:24:12,359
Speaker 1: this Netflix documentary, he didn't seem like his head was

467
00:24:12,440 --> 00:24:15,040
Speaker 1: down and he was down and out. But if you

468
00:24:15,119 --> 00:24:18,280
Speaker 1: remember from that time I remember reporting on it, did

469
00:24:18,320 --> 00:24:20,920
Speaker 1: it was looking like lost in space just doing this.

470
00:24:21,000 --> 00:24:24,560
Speaker 1: He wasn't even talking. I was like, man, what going

471
00:24:24,600 --> 00:24:29,840
Speaker 1: on in did it? Just space? Stout? They were presenting

472
00:24:29,920 --> 00:24:33,959
Speaker 1: Diddy in the public like but when you look at

473
00:24:33,960 --> 00:24:37,359
Speaker 1: this footage, he still high vibration. He still felt like

474
00:24:37,400 --> 00:24:40,040
Speaker 1: he a worried going through it. He was getting phone

475
00:24:40,040 --> 00:24:42,480
Speaker 1: calls of people filing suit in real time, and he

476
00:24:42,560 --> 00:24:44,920
Speaker 1: was telling his lawyers get out there and say something,

477
00:24:45,000 --> 00:24:47,639
Speaker 1: or he was asking people to go on the record. Listen,

478
00:24:47,960 --> 00:24:50,920
Speaker 1: did he as a manipulator, Let's just say what it is.

479
00:24:52,240 --> 00:24:57,000
Speaker 1: But most people that run businesses, that's strategic and so

480
00:24:57,520 --> 00:25:00,480
Speaker 1: these individuals know how to put things together then put

481
00:25:00,480 --> 00:25:03,240
Speaker 1: people in positions. He were calling out for favors. I

482
00:25:03,280 --> 00:25:04,720
Speaker 1: need you to go on the record and letting the

483
00:25:04,760 --> 00:25:06,840
Speaker 1: folks know I ain't really like that, you know me.

484
00:25:07,680 --> 00:25:10,000
Speaker 1: And then he'll say, well, if it's not in your heart,

485
00:25:10,160 --> 00:25:11,920
Speaker 1: just don't do it. Well, you do not already put

486
00:25:11,920 --> 00:25:14,760
Speaker 1: it on my heart. See that's a little trick. You

487
00:25:14,760 --> 00:25:17,800
Speaker 1: do not already put it on my heart. Now now

488
00:25:17,800 --> 00:25:19,919
Speaker 1: you're saying if it ain't on my hard w whatn't

489
00:25:19,920 --> 00:25:21,760
Speaker 1: on my heart? Because if it was on my heart,

490
00:25:21,800 --> 00:25:24,119
Speaker 1: I would have been none done it. But because you

491
00:25:24,200 --> 00:25:25,960
Speaker 1: put it on my heart, and now you put me

492
00:25:26,000 --> 00:25:28,399
Speaker 1: in the right. If I love you, gone not on

493
00:25:28,440 --> 00:25:31,359
Speaker 1: the record and Shorty went out on the record and said, Yo, Diddy,

494
00:25:32,440 --> 00:25:34,840
Speaker 1: that's not the ditty I know. I don't know which

495
00:25:34,920 --> 00:25:37,240
Speaker 1: version of Diddy I would have been more comfortable seeing

496
00:25:37,280 --> 00:25:39,840
Speaker 1: the one that was spaced out, felt like he understood

497
00:25:39,840 --> 00:25:42,119
Speaker 1: the gravity, like, Yo, I'm in the twilight zone. These

498
00:25:42,160 --> 00:25:46,680
Speaker 1: folks trying to lock me up versus the confident one.

499
00:25:46,760 --> 00:25:49,760
Speaker 1: I think the confident one resonates more with me. But

500
00:25:49,840 --> 00:25:51,919
Speaker 1: if you've never been under attacking, you just see that

501
00:25:52,000 --> 00:25:55,119
Speaker 1: it can be took like, oh, he's naive, he doesn't

502
00:25:55,200 --> 00:25:57,760
Speaker 1: understand the gravity of the situation. And I wouldn't say

503
00:25:57,760 --> 00:25:59,640
Speaker 1: that's the case. I would say that he's just trying

504
00:25:59,640 --> 00:26:02,320
Speaker 1: to fight through it. And sometimes black men are getting

505
00:26:02,359 --> 00:26:04,160
Speaker 1: a coin and fight through it, and that Diddy's done

506
00:26:04,160 --> 00:26:07,359
Speaker 1: some nasty shit, but Diddy still did it. And so

507
00:26:07,480 --> 00:26:10,640
Speaker 1: he's a strategic mind. No matter where they put him.

508
00:26:10,960 --> 00:26:13,600
Speaker 1: They can put him in Fort Dix or Fort Nicks.

509
00:26:14,280 --> 00:26:16,639
Speaker 1: He's a strategic mind, and so he's gonna find a

510
00:26:16,680 --> 00:26:19,119
Speaker 1: way to be strategic. Now again, I just want to

511
00:26:19,160 --> 00:26:22,760
Speaker 1: reiterate that this documentary, one of the main characters is

512
00:26:22,800 --> 00:26:26,640
Speaker 1: a gentleman that says he co founded Puff Daddy's Bad

513
00:26:26,680 --> 00:26:30,560
Speaker 1: Boy Entertainment and he was told that YO, sign over

514
00:26:30,640 --> 00:26:33,960
Speaker 1: your rights. And when he explained the environment, he said, YO.

515
00:26:34,000 --> 00:26:35,960
Speaker 1: Diddy came in and he had a bat and he

516
00:26:36,040 --> 00:26:38,360
Speaker 1: told me sign it. I need to do this business

517
00:26:38,359 --> 00:26:40,679
Speaker 1: deal and you need to sign over twenty five percent.

518
00:26:40,760 --> 00:26:43,800
Speaker 1: That's what your that's what your stake is in the company.

519
00:26:44,000 --> 00:26:46,359
Speaker 1: You better sign over your twenty five percent. And he

520
00:26:46,400 --> 00:26:49,480
Speaker 1: made him do it under durest with a bat. And

521
00:26:49,560 --> 00:26:51,960
Speaker 1: the first thing that came to my mind is you're

522
00:26:51,960 --> 00:26:53,520
Speaker 1: gonna have to have more than a bat to make

523
00:26:53,600 --> 00:26:58,320
Speaker 1: me sign over twenty five percent. The only way you

524
00:26:58,320 --> 00:27:00,240
Speaker 1: could get a nigga to sign over twenty five five

525
00:27:00,240 --> 00:27:03,000
Speaker 1: percent with the badest high ladies and gentlemen. You got

526
00:27:03,040 --> 00:27:05,240
Speaker 1: to come right in and whack him. It's got bout

527
00:27:06,119 --> 00:27:08,320
Speaker 1: sign it right now. He got to be bleeding when

528
00:27:08,359 --> 00:27:10,920
Speaker 1: you put the contract up. But if you just come

529
00:27:10,960 --> 00:27:13,520
Speaker 1: in with a bat in your hand, holing twenty five percent,

530
00:27:13,720 --> 00:27:15,720
Speaker 1: you least got to break something. You got to hit

531
00:27:15,800 --> 00:27:18,159
Speaker 1: something in here, my nigga. I got to know you

532
00:27:18,240 --> 00:27:20,800
Speaker 1: a killer nigga with your bad hands, with that bad

533
00:27:20,960 --> 00:27:23,240
Speaker 1: because I don't believe it. So you're gonna have to

534
00:27:23,280 --> 00:27:26,080
Speaker 1: do something about this twenty five percent to make me

535
00:27:26,200 --> 00:27:29,280
Speaker 1: feel something, because I don't. Man, I'm not signing over

536
00:27:29,320 --> 00:27:31,320
Speaker 1: no twenty five percent cut. No nigga come in no

537
00:27:31,440 --> 00:27:34,080
Speaker 1: room with no bat in his hand. Man, I'm not

538
00:27:34,320 --> 00:27:37,280
Speaker 1: raised like that. Bro. I ain't gonna lie to you.

539
00:27:37,240 --> 00:27:39,680
Speaker 1: You're gonna have to whack on this soon you come in, see,

540
00:27:39,680 --> 00:27:42,080
Speaker 1: because this is what this is what you learned early

541
00:27:42,160 --> 00:27:44,680
Speaker 1: when when these dudes be doing these robbing things, they

542
00:27:44,720 --> 00:27:46,800
Speaker 1: know soon they come in, they got to shoot. They

543
00:27:46,800 --> 00:27:48,919
Speaker 1: got to hit somebody something, got to have it. Soon

544
00:27:49,080 --> 00:27:53,040
Speaker 1: they get on location. Soon they kicked the door, Lead

545
00:27:53,040 --> 00:27:55,760
Speaker 1: it down. Nigga, you know I used this motherfucker. Ain't

546
00:27:55,800 --> 00:27:59,080
Speaker 1: no toy gun. You gotta bat in your hand. I'm

547
00:27:59,080 --> 00:28:01,639
Speaker 1: supposed to think you got the veracity to beat a

548
00:28:01,720 --> 00:28:04,400
Speaker 1: nigga to death with a bat that owned twenty five

549
00:28:04,440 --> 00:28:06,639
Speaker 1: percent of your company, and you famous. I'm gonna just

550
00:28:06,680 --> 00:28:09,760
Speaker 1: go for that one. Man. You pushing the wrong one. Man, y'all,

551
00:28:09,800 --> 00:28:12,520
Speaker 1: nigga better come in here with an AK forty seven.

552
00:28:12,640 --> 00:28:15,240
Speaker 1: Shoot it soon you hit the door. But this gentleman

553
00:28:15,320 --> 00:28:19,720
Speaker 1: went ahead to explain how Diddy was a violent individual,

554
00:28:20,240 --> 00:28:22,480
Speaker 1: and when he said he was violent, he was explaining

555
00:28:22,560 --> 00:28:24,919
Speaker 1: a scenario that I never knew about because I'm not

556
00:28:24,960 --> 00:28:29,600
Speaker 1: necessarily ingratiated in all of Diddy's history. And he spoke

557
00:28:29,640 --> 00:28:31,760
Speaker 1: about how did it was in a scenario to where

558
00:28:31,920 --> 00:28:34,159
Speaker 1: some of his fame was built on a tragedy He

559
00:28:34,200 --> 00:28:38,240
Speaker 1: had over promoted a get together party and people actually

560
00:28:38,720 --> 00:28:41,680
Speaker 1: died or ap of those people in those families, but

561
00:28:41,720 --> 00:28:45,520
Speaker 1: people actually died at this event because he over promoted. Now,

562
00:28:45,960 --> 00:28:49,040
Speaker 1: I understand that there's capacity for a reason, there's weight

563
00:28:49,120 --> 00:28:51,760
Speaker 1: limits for a reason. I get it right. I understand

564
00:28:51,800 --> 00:28:55,160
Speaker 1: tragedy happens. This is a very tragedy situation. But the

565
00:28:55,240 --> 00:28:57,440
Speaker 1: gentleman telling us this, I still think we have to

566
00:28:57,560 --> 00:29:01,160
Speaker 1: view him with a side eye, no disrespect to him,

567
00:29:01,240 --> 00:29:04,080
Speaker 1: because his next statement took me back, and I want

568
00:29:04,080 --> 00:29:06,320
Speaker 1: to get your all opinion on this. His next statement,

569
00:29:06,360 --> 00:29:09,000
Speaker 1: he says his mom. Diddy's mom came to him and

570
00:29:09,040 --> 00:29:12,840
Speaker 1: she said that your son, I'm worried for you. You know,

571
00:29:12,880 --> 00:29:15,600
Speaker 1: you had this big tragedy happen. You done left college,

572
00:29:15,600 --> 00:29:18,320
Speaker 1: You're now in the music business. Do you really think

573
00:29:18,360 --> 00:29:22,200
Speaker 1: you did the right thing? I'm concerned. I really want

574
00:29:22,240 --> 00:29:25,000
Speaker 1: the best for you, and he said. Diddy went over

575
00:29:25,040 --> 00:29:27,320
Speaker 1: there and put his hands on his mom and smacked

576
00:29:27,360 --> 00:29:29,880
Speaker 1: the dog shit out of his mama. Now, I said,

577
00:29:29,960 --> 00:29:33,080
Speaker 1: now this, now they taking me too far. I don't

578
00:29:33,120 --> 00:29:37,120
Speaker 1: have no understanding for what did it undone, but now

579
00:29:37,160 --> 00:29:39,440
Speaker 1: they taking me too far. They just telling me did

580
00:29:39,480 --> 00:29:41,920
Speaker 1: it just walking up on his mom for being concerned

581
00:29:42,000 --> 00:29:45,040
Speaker 1: with him? Now, if you gonna tell a lie, and

582
00:29:45,080 --> 00:29:47,200
Speaker 1: I ain't even gonna call it a lie because I

583
00:29:47,200 --> 00:29:49,400
Speaker 1: don't know if it's the truth or not, but from

584
00:29:49,440 --> 00:29:52,400
Speaker 1: my perspective, if you're gonna say something like that, you

585
00:29:52,440 --> 00:29:55,360
Speaker 1: got at least create an environment where he was acting

586
00:29:55,400 --> 00:29:58,440
Speaker 1: out of rage or are y'all trying to position didd

587
00:29:58,440 --> 00:30:00,600
Speaker 1: It as someone that can go from hot to cold

588
00:30:00,720 --> 00:30:03,360
Speaker 1: like that? But to tell me that his mom came

589
00:30:03,400 --> 00:30:06,320
Speaker 1: to him concerned, he put his hands on and smacked

590
00:30:06,320 --> 00:30:09,640
Speaker 1: his mom about being concerned for him feels a little

591
00:30:09,680 --> 00:30:13,280
Speaker 1: bit much to me. I'm just saying it feels a

592
00:30:13,280 --> 00:30:16,200
Speaker 1: bit much to me. Episode two is when my mind said, oh,

593
00:30:16,200 --> 00:30:19,360
Speaker 1: they were working on two documentaries. Because episode two comes

594
00:30:19,400 --> 00:30:21,920
Speaker 1: in and I'm like, why are we talking about pocking big?

595
00:30:23,200 --> 00:30:25,400
Speaker 1: I thought we was talking about the reckoning, right, We're

596
00:30:25,400 --> 00:30:29,320
Speaker 1: gonna talk about his reco charge and the prostitution ring

597
00:30:29,440 --> 00:30:32,560
Speaker 1: and how many people was involved and the people covering up.

598
00:30:32,600 --> 00:30:35,920
Speaker 1: I'm thinking this is gonna be about his trial and

599
00:30:35,960 --> 00:30:39,080
Speaker 1: the charges that he had caught. Episode two were talking

600
00:30:39,120 --> 00:30:44,200
Speaker 1: about Tupac and Big and so they position did in

601
00:30:44,280 --> 00:30:47,080
Speaker 1: a way where all the beef was about him. Matter

602
00:30:47,080 --> 00:30:49,880
Speaker 1: of fact, Biggie even named his album Life After Death,

603
00:30:50,000 --> 00:30:53,720
Speaker 1: not on his own accord, but because of the situation

604
00:30:53,800 --> 00:30:56,160
Speaker 1: where Tupac happened and he had died and his Life

605
00:30:56,200 --> 00:31:01,280
Speaker 1: after Death. You understand me. They visit this scenario with

606
00:31:01,400 --> 00:31:04,560
Speaker 1: Diddy and Parc don't see things on each other terms,

607
00:31:04,560 --> 00:31:07,320
Speaker 1: and they never able to do business. But Park has

608
00:31:07,360 --> 00:31:11,480
Speaker 1: a relationship with Biggie. Again me understanding some of this.

609
00:31:11,600 --> 00:31:13,479
Speaker 1: I've been new a lot of this. I'm wondering, how

610
00:31:13,600 --> 00:31:16,920
Speaker 1: is this episode too in a Diddy documentary called Direconing.

611
00:31:17,320 --> 00:31:20,920
Speaker 1: Then it starts to dawn on me. Oh okay, they're

612
00:31:20,960 --> 00:31:23,600
Speaker 1: trying to pay the pattern of behavior and say that yo,

613
00:31:23,720 --> 00:31:26,040
Speaker 1: this was gonna come to an end one day, And

614
00:31:26,080 --> 00:31:28,520
Speaker 1: so the marketing promotion got me and made me thought

615
00:31:28,560 --> 00:31:30,680
Speaker 1: it was gonna be about his charges and some of

616
00:31:30,720 --> 00:31:33,680
Speaker 1: the sex ring and whatever that they alleged that he

617
00:31:33,760 --> 00:31:36,280
Speaker 1: had going on. But I think if I'm Netflix, you

618
00:31:36,360 --> 00:31:39,560
Speaker 1: get the most value. Instead of doing two standalone documentaries

619
00:31:39,560 --> 00:31:42,480
Speaker 1: about this Tupac murder, was Diddy involved and then it's

620
00:31:42,520 --> 00:31:45,960
Speaker 1: Diddy thing, you look better during the docuseries four episodes.

621
00:31:46,040 --> 00:31:48,920
Speaker 1: Mash them all together. Whatever footage we got, we got

622
00:31:48,920 --> 00:31:50,719
Speaker 1: this little bit of footage from the people with him,

623
00:31:50,800 --> 00:31:53,160
Speaker 1: Let's put this all together. You get the most value

624
00:31:53,240 --> 00:31:55,840
Speaker 1: rolling it out all at once like that. People are

625
00:31:55,840 --> 00:31:58,160
Speaker 1: gonna come over thinking this about this, get a little

626
00:31:58,200 --> 00:32:00,840
Speaker 1: bit of this that, and the third with the Tupac

627
00:32:00,880 --> 00:32:03,520
Speaker 1: and Biggie thing. It feels like that, Yo, the fists

628
00:32:03,560 --> 00:32:05,280
Speaker 1: may come back and try to get him on that

629
00:32:05,400 --> 00:32:08,120
Speaker 1: because trust me, they're not happy with the outcome of

630
00:32:08,200 --> 00:32:10,640
Speaker 1: what took place. As it pertains to the indictment that

631
00:32:10,680 --> 00:32:13,360
Speaker 1: they brought down on Sean Combs. They spent a lot

632
00:32:13,400 --> 00:32:16,120
Speaker 1: of money, They raided homes. They were looking to either

633
00:32:16,160 --> 00:32:19,600
Speaker 1: have him liquid, they to confiscate most of his fortune.

634
00:32:19,880 --> 00:32:23,680
Speaker 1: They came out with two prostitution charges, Man Act charges,

635
00:32:24,120 --> 00:32:26,040
Speaker 1: and they had to fight to get the dude to

636
00:32:26,080 --> 00:32:30,280
Speaker 1: serve five years. So this was not necessarily a win

637
00:32:30,400 --> 00:32:33,600
Speaker 1: from the federal perspective, But I do believe if they

638
00:32:33,640 --> 00:32:36,880
Speaker 1: continue to push this Tupac thing, it kind of feels

639
00:32:36,880 --> 00:32:38,920
Speaker 1: like people are trying to get him. Yo, man, look

640
00:32:38,960 --> 00:32:42,080
Speaker 1: into this Tupac thing. But it's been so long, man,

641
00:32:42,640 --> 00:32:45,160
Speaker 1: it just feels like the evidence and the people speaking

642
00:32:45,240 --> 00:32:48,640
Speaker 1: now just they've said so many different things, so many

643
00:32:48,640 --> 00:32:50,600
Speaker 1: different ways. I'm not sure how far you can get

644
00:32:50,640 --> 00:32:53,440
Speaker 1: with it now. Overall, it was a good documentary, you know.

645
00:32:53,520 --> 00:32:55,840
Speaker 1: I think they told the story how they wanted to

646
00:32:55,880 --> 00:32:58,479
Speaker 1: tell it. I'm always interested in like the editing and

647
00:32:58,520 --> 00:33:02,560
Speaker 1: the transitions and the bell and the voice selection, and like,

648
00:33:02,680 --> 00:33:05,040
Speaker 1: because I make content, I'm always saying I need to

649
00:33:05,040 --> 00:33:07,360
Speaker 1: do a document I need to start doing them right,

650
00:33:07,400 --> 00:33:09,000
Speaker 1: but I need the team to do them. But I

651
00:33:09,000 --> 00:33:11,400
Speaker 1: think it was a good documentary. I think the Kirk

652
00:33:11,400 --> 00:33:14,680
Speaker 1: guy was someone who had already had sued did it.

653
00:33:14,800 --> 00:33:17,800
Speaker 1: He had had access to what he knew could be

654
00:33:17,920 --> 00:33:21,200
Speaker 1: and then they took that access from him. And you know,

655
00:33:21,280 --> 00:33:23,480
Speaker 1: I just take whatever people like that say with the

656
00:33:23,560 --> 00:33:26,160
Speaker 1: grain in sout. And that's not to disrespect him. Think

657
00:33:26,200 --> 00:33:29,000
Speaker 1: he's a cool gentleman and I don't want to undermine

658
00:33:29,000 --> 00:33:31,440
Speaker 1: his contributions to hip hop as a whole. But at

659
00:33:31,480 --> 00:33:33,480
Speaker 1: the same time. I also want to second a notion

660
00:33:33,600 --> 00:33:35,760
Speaker 1: that Yo, it was not cool for Puff to try

661
00:33:35,800 --> 00:33:38,720
Speaker 1: to charge biggest family for the funeral. But that's that

662
00:33:38,880 --> 00:33:43,680
Speaker 1: label rap bullshit, that's that industry bullshit. You understand a

663
00:33:43,680 --> 00:33:46,960
Speaker 1: lot of this shit not genuine. And so you had

664
00:33:46,960 --> 00:33:49,400
Speaker 1: these niggas. I remember talking to rich Homie Kawn for

665
00:33:49,640 --> 00:33:51,960
Speaker 1: the Core, and I would always ask him like, did

666
00:33:52,000 --> 00:33:55,400
Speaker 1: anybody reach out? Did anybody offer the help? What did

667
00:33:55,400 --> 00:33:58,480
Speaker 1: it feel like? Right? You got a young legend come

668
00:33:58,520 --> 00:34:01,400
Speaker 1: about the gutta, we come from the South. What does

669
00:34:01,440 --> 00:34:03,520
Speaker 1: it feel like? That's why when I talk to Thud,

670
00:34:03,520 --> 00:34:05,560
Speaker 1: you go to jail, how does it feel? But Thug

671
00:34:05,600 --> 00:34:07,640
Speaker 1: was at a high point, so he still don't know.

672
00:34:08,200 --> 00:34:11,000
Speaker 1: But there's some niggas that will go into a bad

673
00:34:11,080 --> 00:34:14,960
Speaker 1: scenario and everything they've worked for, all of the people

674
00:34:15,000 --> 00:34:18,120
Speaker 1: that were screaming their name and shouting for him evaporade.

675
00:34:18,960 --> 00:34:22,560
Speaker 1: You know, when the road get tough, people will abandon you,

676
00:34:22,640 --> 00:34:25,600
Speaker 1: my nigga, And so you will have these industry niggas

677
00:34:25,600 --> 00:34:28,080
Speaker 1: that will be your homeboys and being business with them,

678
00:34:28,320 --> 00:34:30,719
Speaker 1: and nigga, they'll charge your family to put you the

679
00:34:30,800 --> 00:34:33,440
Speaker 1: rest and then go on to a screaming how much

680
00:34:33,480 --> 00:34:35,719
Speaker 1: they miss you and got songs about how much they

681
00:34:35,760 --> 00:34:38,480
Speaker 1: miss you. That's my best friend. Like they holding on

682
00:34:38,560 --> 00:34:40,800
Speaker 1: to your legacy and holding it up while you charging

683
00:34:40,800 --> 00:34:43,520
Speaker 1: the family for the funeral. I think that wasn't cool.

684
00:34:44,200 --> 00:34:47,600
Speaker 1: I can't stand by that because then the new conversation

685
00:34:47,719 --> 00:34:50,520
Speaker 1: become how much you fuck niggas think y'all co side work?

686
00:34:51,280 --> 00:34:53,160
Speaker 1: See that be the problem. A lot of these niggas

687
00:34:53,160 --> 00:34:55,799
Speaker 1: in his industry and doing business in the game, they

688
00:34:55,800 --> 00:34:57,960
Speaker 1: walk around like they co signed jaim Man. How much

689
00:34:58,040 --> 00:35:00,600
Speaker 1: y'all fuck niggas think they little co signing or worth?

690
00:35:00,920 --> 00:35:03,400
Speaker 1: The interesting thing about this game is you'll be the

691
00:35:03,480 --> 00:35:05,799
Speaker 1: last one to know your co sign ain't worth nothing.

692
00:35:06,400 --> 00:35:08,680
Speaker 1: And that's the problem. A lot of you niggas cost signs,

693
00:35:08,719 --> 00:35:11,520
Speaker 1: ain't worth the value y'all putting only pushing around like

694
00:35:11,600 --> 00:35:14,600
Speaker 1: y'all really pushing your I look around. Niggas ain't turned

695
00:35:14,640 --> 00:35:18,879
Speaker 1: nobody up. Niggas that stopped liking and repost it may

696
00:35:19,120 --> 00:35:22,000
Speaker 1: your reposts ain't never turned nobody up. Your co sign

697
00:35:22,040 --> 00:35:25,080
Speaker 1: ain't never done nothing for nobody. You ain't never push

698
00:35:25,160 --> 00:35:28,280
Speaker 1: nobody to become a million there. See, it's the illusion

699
00:35:28,360 --> 00:35:31,799
Speaker 1: cause and the confusion I know what's causing the confusion

700
00:35:32,040 --> 00:35:34,560
Speaker 1: you're getting this entertainment being. They teach you how to

701
00:35:34,640 --> 00:35:36,960
Speaker 1: dug it. They teach you how to act like it.

702
00:35:37,040 --> 00:35:40,759
Speaker 1: They teach you how to dance. So I'm saying, they

703
00:35:40,800 --> 00:35:42,680
Speaker 1: teach you how to look good in front of the camera.

704
00:35:42,840 --> 00:35:44,600
Speaker 1: They teach you how to make it seem like you

705
00:35:44,680 --> 00:35:46,680
Speaker 1: understand you putting pain where it ain't. But a lot

706
00:35:46,719 --> 00:35:49,440
Speaker 1: of y'all niggas coat signs ain't worth nothing. The people

707
00:35:49,480 --> 00:35:52,920
Speaker 1: I fuck with, I fuck with them genuinely, whether they

708
00:35:53,040 --> 00:35:56,480
Speaker 1: big dogs or ain't big dogs, it's a genuine relationship.

709
00:35:56,600 --> 00:35:58,560
Speaker 1: But see a lot of y'all go to chasing that

710
00:35:59,000 --> 00:36:01,160
Speaker 1: and Diddy you come up off his petty doing that.

711
00:36:01,200 --> 00:36:04,040
Speaker 1: I don't respect that, But I know Diddy bugged out.

712
00:36:04,200 --> 00:36:06,840
Speaker 1: When I seen Diddy run out of the whotel room

713
00:36:07,280 --> 00:36:10,359
Speaker 1: and do that stupid ass shit to Cassie, I knew

714
00:36:10,400 --> 00:36:14,400
Speaker 1: he was bugged out. He had a towel on with

715
00:36:14,560 --> 00:36:18,359
Speaker 1: socks on. The argument could not have been he got

716
00:36:18,360 --> 00:36:22,360
Speaker 1: out the shower because you had socks on, which tells

717
00:36:22,440 --> 00:36:25,560
Speaker 1: me that Diddy was walking around the whotel room argan

718
00:36:26,000 --> 00:36:29,720
Speaker 1: butt naked with socks. This is the kind of Nigga.

719
00:36:29,760 --> 00:36:31,560
Speaker 1: That why I'm trying to tell you. He was bugged

720
00:36:31,560 --> 00:36:36,120
Speaker 1: the fuck out man, and my heart goes out to

721
00:36:36,200 --> 00:36:38,160
Speaker 1: Cassie to go have to go through that. But at

722
00:36:38,160 --> 00:36:42,200
Speaker 1: the same time, this is a bugged out gentleman. He's

723
00:36:42,280 --> 00:36:45,040
Speaker 1: running down the hallway with a towel on in socks,

724
00:36:45,160 --> 00:36:47,360
Speaker 1: his body ain't wear that. He was standing in the

725
00:36:47,440 --> 00:36:52,600
Speaker 1: room with that woman arguing butt naked for you cannot

726
00:36:52,719 --> 00:36:56,680
Speaker 1: argue with your meat out. Shit gonna spoil. Yeah, nah,

727
00:36:56,800 --> 00:36:59,759
Speaker 1: put your meat in thefigerator. My nigga came up, Hey, hey,

728
00:36:59,840 --> 00:37:03,400
Speaker 1: you me that shit gonna spoil, man, You understand me.

729
00:37:03,960 --> 00:37:08,319
Speaker 1: But watching his demeanor in those episodes, it didn't feel

730
00:37:08,320 --> 00:37:10,279
Speaker 1: like he was broken. It did feel like he was

731
00:37:10,320 --> 00:37:13,399
Speaker 1: someone who had made his mind up that he had

732
00:37:13,400 --> 00:37:15,880
Speaker 1: a fight coming and he was gonna go down fighting.

733
00:37:17,719 --> 00:37:20,880
Speaker 1: Very different than what I seen in the media prior

734
00:37:20,960 --> 00:37:23,719
Speaker 1: to seeing his documentity. It felt like, looked like, and

735
00:37:24,120 --> 00:37:27,040
Speaker 1: it felt like from the viewing public's perspective that he

736
00:37:27,200 --> 00:37:29,640
Speaker 1: was just like in La Lailand and lost. In every

737
00:37:29,680 --> 00:37:32,040
Speaker 1: picture he was stressed out and somewhere looking at his

738
00:37:32,080 --> 00:37:35,000
Speaker 1: phone and screaming it didn't know. But all in all,

739
00:37:35,040 --> 00:37:38,920
Speaker 1: it was a great documentary. Netflix always has the best cameras,

740
00:37:39,400 --> 00:37:42,719
Speaker 1: the best editors. It looks well, it's in that very

741
00:37:42,840 --> 00:37:47,600
Speaker 1: dark setting, gloomy setting, right, They just they've created an

742
00:37:47,600 --> 00:37:50,600
Speaker 1: excellent vibe. But I understand that their business model says

743
00:37:50,640 --> 00:37:52,640
Speaker 1: that they're gonna be telling these kind of stories for

744
00:37:52,680 --> 00:37:57,000
Speaker 1: a long time and they don't necessarily need to participation

745
00:37:57,160 --> 00:37:59,680
Speaker 1: from the people that they tell the stories about. But

746
00:37:59,719 --> 00:38:02,280
Speaker 1: I think I think because they had a relationship with Diddy,

747
00:38:02,480 --> 00:38:06,840
Speaker 1: they needed to shield themselves from looking like, you know,

748
00:38:06,920 --> 00:38:10,440
Speaker 1: we did something that was kind of frowned upon in

749
00:38:10,480 --> 00:38:13,080
Speaker 1: the business, and so they use fifty. But I watched

750
00:38:13,080 --> 00:38:17,160
Speaker 1: the entire thing. You know, I heard some people say, yo,

751
00:38:17,400 --> 00:38:21,160
Speaker 1: looking at that documentary, he deserved more time. And I

752
00:38:21,200 --> 00:38:24,000
Speaker 1: wouldn't discredit or disagree with anyone's opinion as to what

753
00:38:24,040 --> 00:38:27,080
Speaker 1: they think he should have been held accountable for what happened.

754
00:38:27,560 --> 00:38:30,800
Speaker 1: What I think rides my eyebrows. What I think raises

755
00:38:30,880 --> 00:38:33,200
Speaker 1: my eyebrows is these are the same people that was

756
00:38:33,280 --> 00:38:37,480
Speaker 1: cool with did it and they was waving a Diddy flag.

757
00:38:37,560 --> 00:38:39,600
Speaker 1: And that's again to speak to the industry kind of

758
00:38:39,600 --> 00:38:41,960
Speaker 1: love this industry thing that they have going on. You

759
00:38:42,040 --> 00:38:44,800
Speaker 1: heard pain speak about Sometimes you hear me speak about it,

760
00:38:44,920 --> 00:38:47,560
Speaker 1: not because I participate in it, because I view it.

761
00:38:48,040 --> 00:38:50,920
Speaker 1: I'm an expert in human behavior, so I watch things

762
00:38:50,960 --> 00:38:53,839
Speaker 1: that I watch people, and I trust patterns. There's only

763
00:38:53,920 --> 00:38:56,320
Speaker 1: a select group of people that can break their pattern.

764
00:38:56,320 --> 00:38:58,480
Speaker 1: That's why it's easy to catch these dudes in the

765
00:38:58,520 --> 00:39:01,640
Speaker 1: same scenarios over over and over and over because they

766
00:39:01,640 --> 00:39:04,719
Speaker 1: don't break pattern. They drive home the same way, they

767
00:39:05,320 --> 00:39:08,920
Speaker 1: engage with women the same way. They like the same things.

768
00:39:08,960 --> 00:39:11,880
Speaker 1: They don't try anything different. They don't expand their palace,

769
00:39:11,880 --> 00:39:14,880
Speaker 1: and so they've always stuck in the loop where you

770
00:39:14,920 --> 00:39:17,759
Speaker 1: can grab them at any moment. They also spoke to

771
00:39:17,800 --> 00:39:19,600
Speaker 1: a poet, where did it try to be street? I

772
00:39:19,640 --> 00:39:21,719
Speaker 1: always tell y'all, it ain't what you do is when

773
00:39:21,719 --> 00:39:23,560
Speaker 1: you've done it. So if you do some gangster shit

774
00:39:23,600 --> 00:39:29,279
Speaker 1: after you got rich, that ain't no gangster shit. See,

775
00:39:29,320 --> 00:39:32,960
Speaker 1: y'all done read the wrong books, y'all done downloaded the

776
00:39:32,960 --> 00:39:36,319
Speaker 1: wrong Softwell. See, I'm from the era where we teach

777
00:39:36,360 --> 00:39:38,600
Speaker 1: the young niggas having money don't make you really be

778
00:39:38,640 --> 00:39:41,480
Speaker 1: it broke, don't make you a sucker. Don't let that

779
00:39:41,600 --> 00:39:44,760
Speaker 1: confuse you. So a lot of these niggas got money,

780
00:39:44,800 --> 00:39:49,200
Speaker 1: they don't mean much. They printed every day. How many

781
00:39:49,239 --> 00:39:52,799
Speaker 1: of these niggas got integrity, moral standards? How many of

782
00:39:52,800 --> 00:39:56,640
Speaker 1: these niggas stand for something, stand on their word, ain't

783
00:39:56,680 --> 00:40:00,520
Speaker 1: really into the pump faking? How many people? How many

784
00:40:00,520 --> 00:40:03,959
Speaker 1: of you know? That's why I want no nigga talking

785
00:40:04,000 --> 00:40:07,000
Speaker 1: street talk to me. I beat the streets. They stayed

786
00:40:07,040 --> 00:40:09,720
Speaker 1: them on talking street talk. Nigga. I beat the streets.

787
00:40:10,280 --> 00:40:12,120
Speaker 1: And when I say I beat the streets, don't take

788
00:40:12,160 --> 00:40:14,320
Speaker 1: that as me being arrogant. Take that as a black

789
00:40:14,360 --> 00:40:18,800
Speaker 1: man and say he broke the chains. You can't be

790
00:40:18,840 --> 00:40:22,879
Speaker 1: afraid to be a student, be new, be a newbie. Yeah,

791
00:40:22,920 --> 00:40:25,120
Speaker 1: my children call me a new when I jump on

792
00:40:25,160 --> 00:40:27,360
Speaker 1: the game and I'm running the salists in the match.

793
00:40:29,000 --> 00:40:31,200
Speaker 1: But you can't be afraid to be a newbie, right,

794
00:40:32,440 --> 00:40:36,080
Speaker 1: So I broke the change when it got new on them. See,

795
00:40:36,080 --> 00:40:37,840
Speaker 1: they want new shit, but they don't want to do

796
00:40:38,000 --> 00:40:40,120
Speaker 1: new things. I want to done new things to get

797
00:40:40,200 --> 00:40:44,160
Speaker 1: new shit again. We've been under sold the process. I'm

798
00:40:44,200 --> 00:40:46,239
Speaker 1: the one telling y'all, I'm standing at the top of

799
00:40:46,280 --> 00:40:48,520
Speaker 1: the mountain. Ain't no such thing as a get rich

800
00:40:48,760 --> 00:40:54,080
Speaker 1: quick scheme. Everything is a multi step process. You learn

801
00:40:54,160 --> 00:40:55,960
Speaker 1: to walk, then you learn to run. Why do you

802
00:40:56,000 --> 00:40:57,759
Speaker 1: want to run? If you can just walk? Where you

803
00:40:57,880 --> 00:41:01,680
Speaker 1: have to get their fast efficiencies? Key, You gotta optimize,

804
00:41:03,320 --> 00:41:07,680
Speaker 1: you understand. And so just because you get rich, don't

805
00:41:07,719 --> 00:41:09,839
Speaker 1: think you made it, because you ain't made it until

806
00:41:09,880 --> 00:41:12,680
Speaker 1: you can protect what you worked for. And then when

807
00:41:12,719 --> 00:41:14,680
Speaker 1: you look at what you worked for, the new question

808
00:41:14,920 --> 00:41:17,920
Speaker 1: is that enough to last me forever? And that's a

809
00:41:18,000 --> 00:41:21,200
Speaker 1: question that a lot of people can't answer. And so

810
00:41:21,320 --> 00:41:23,719
Speaker 1: the blanket that comes along with going to work every

811
00:41:23,800 --> 00:41:26,399
Speaker 1: day and the full one K and the retirement plan

812
00:41:26,800 --> 00:41:30,279
Speaker 1: allows some people to sleep nights at night, and it

813
00:41:30,320 --> 00:41:34,800
Speaker 1: scares other people the fact I work all my life

814
00:41:34,800 --> 00:41:37,439
Speaker 1: and get paid pennies to get paid even cheaper when

815
00:41:37,480 --> 00:41:42,200
Speaker 1: I You get the picture, And so I always push

816
00:41:42,239 --> 00:41:45,799
Speaker 1: a different message. You know, I'm talking from a different altitoe.

817
00:41:45,840 --> 00:41:48,160
Speaker 1: That's why it's called it up there, because I'm speaking

818
00:41:48,160 --> 00:41:51,400
Speaker 1: from way up there. I hear them and I understand

819
00:41:51,400 --> 00:41:54,319
Speaker 1: what they're saying. And no disrespect to nobody, but I'm

820
00:41:54,360 --> 00:41:56,279
Speaker 1: just speaking from up there, you know. To nil, I'm

821
00:41:56,280 --> 00:42:01,000
Speaker 1: speaking from the towers. Yeah, man, it's really up there.

822
00:42:01,080 --> 00:42:03,160
Speaker 1: You hear me? Man? So I want to thank each

823
00:42:03,200 --> 00:42:05,839
Speaker 1: and every person that stopped, then checked, then twists Up

824
00:42:05,840 --> 00:42:08,200
Speaker 1: there podcast. This is two this week. I know y'all

825
00:42:08,280 --> 00:42:10,640
Speaker 1: love me, but if you really love me, shad like

826
00:42:10,719 --> 00:42:12,759
Speaker 1: it A subscribe. Let your people know I was there,

827
00:42:12,920 --> 00:42:15,960
Speaker 1: bad witness to the game. It's up there podcast hitl like.

828
00:42:16,320 --> 00:42:18,680
Speaker 1: I see y'all on patron You know I see you

829
00:42:18,760 --> 00:42:21,200
Speaker 1: again soon. I love you. Shit Show