WEBVTT - I Know This Much Is True (Part 1)

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<v Speaker 1>Hey, this is Danish Schwartz and this is Popcorn book

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<v Speaker 1>Club from my Heart Radio. This week we're jumping into

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<v Speaker 1>a story of sadness and tragedy and mental illness, you know,

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<v Speaker 1>just some light summer reading. It's I know this much

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<v Speaker 1>is true from Wally Lamb, which was an Oprah's Book

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<v Speaker 1>Club pick and is now an HBO series starring to

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<v Speaker 1>Mark Ruffalo's or Ruffalo as a pair of identical twins

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<v Speaker 1>double Ruffalo. Before we go into the rest of the book,

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<v Speaker 1>can we just all say our favorite Ruffalo's. My Ruffalo

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<v Speaker 1>of preference is from Eternal Sunshine of the Spot the

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<v Speaker 1>Glasses Ruffalo. Yes, yeah, it's a solid Ruffalo. Welcome to

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<v Speaker 1>Popcorn book Club. I am your host, Danish Swartz, and

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<v Speaker 1>I am joined as always by co host Karama Nqua,

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<v Speaker 1>Tian Trans, Jennifer Wright, and Melissa Hunter. How are you

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<v Speaker 1>guys doing, Karama? How you doing? Medium? I thought the

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<v Speaker 1>the book is very sad and the world is very sad.

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<v Speaker 1>But I actually got a new bookmark that helps sunflowers

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<v Speaker 1>on it, you guys, and your dress is also sunflowered,

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<v Speaker 1>which I really yes, I was very sunflowering, very mad

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<v Speaker 1>for me and mailed it to me, Tianne, Tianne, how's

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<v Speaker 1>your life in quarantine at the moment? Pretty good? Um,

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<v Speaker 1>it's nice to escape to a sad book from a

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<v Speaker 1>sad world. So that's been really fun. Um. I also

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<v Speaker 1>got a new bookmarks not as cool as yours, and

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<v Speaker 1>by god, I mean rifled in my desk forward But

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<v Speaker 1>it's star stickers. That's like a star that is a

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<v Speaker 1>very like mini economizing and who things tiny, Jennifer. You're

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<v Speaker 1>zooming in from South Carolina. But it looks like you're

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<v Speaker 1>against like a tropical background. Is it as? Are you

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<v Speaker 1>like basking in sunlight? What is the weather there? Because

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<v Speaker 1>it looks like it's like eight and perfect. It's eighty

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<v Speaker 1>six degrees here, so it's a little bit too hot. Um,

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<v Speaker 1>but yeah, it's also it's a sad week. I feel

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<v Speaker 1>a little bad that I recommended a really sad not

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<v Speaker 1>not anticipating how sad the world was going to get.

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<v Speaker 1>I know what, I actually sometimes think that sadness in

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<v Speaker 1>a fictional universe can be weirdly cathartic. Sometimes it's like,

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<v Speaker 1>if I'm feeling sad, I want to listen to sad songs,

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<v Speaker 1>and I don't you know what I mean, Like I

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<v Speaker 1>think it would be maybe I'm I'm just justifying. But

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<v Speaker 1>like if I was reading like a very happy book

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<v Speaker 1>about like people going about their happy lives, I would

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<v Speaker 1>be like, what's your problem, Melissa? How about you? How

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<v Speaker 1>are you doing? Yeah? You know, you know, a solid

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<v Speaker 1>relatively fine. I feel like it is the way I

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<v Speaker 1>describe how I am every day, Like relative to the

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<v Speaker 1>rest of the world, I'm very fine. Um, but yeah,

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<v Speaker 1>everything's on fire and everything in this book makes me

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<v Speaker 1>I think that we don't need to get into the

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<v Speaker 1>book yet. But the first chapter I like read right

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<v Speaker 1>before bed and I was like, Nope, can't do that again.

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<v Speaker 1>That was a hard path of a before so uh yeah,

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<v Speaker 1>But otherwise it's okay. Getting outside. Got outside a lot

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<v Speaker 1>this week, which was really nice, but stayed away from

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<v Speaker 1>people who were being very irresponsible. It almost like I

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<v Speaker 1>feel like some of the irresponsible people ruin the nature

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<v Speaker 1>that I'm trying to absorb to make me happy. You know. Said, um,

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<v Speaker 1>well that that is a very good segue into what

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<v Speaker 1>we're reading this week. Uh, Wally Lambs, I know this

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<v Speaker 1>much is true, which was sort of like a hit

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<v Speaker 1>at the time, you know, New number one New York

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<v Speaker 1>Times bestseller Oprah book Club and now is being adapted

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<v Speaker 1>on HBO with double ruffalo a double ruff too rough,

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<v Speaker 1>too low. That's actually that one. When we're reading, we

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<v Speaker 1>read chapters one through fifteen, So if you're following along

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<v Speaker 1>at home, that's where we cut off. And obviously there's

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<v Speaker 1>gonna be no spoilers past that point because I haven't

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<v Speaker 1>read past that. So if any of you have, please

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<v Speaker 1>don't spoil anything I have not. My mom. My mom

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<v Speaker 1>was like, you should because everyone else is going to

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<v Speaker 1>And I think that explains a lot about my life.

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<v Speaker 1>I almost did. I started reading chapter sixteen, and then

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<v Speaker 1>I realized I would get I would have gotten too

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<v Speaker 1>confused when I'm because it jumps so much in time

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<v Speaker 1>that I'm like, oh, I don't know if this bad

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<v Speaker 1>thing happened, or this bad thing happened. You know, Well,

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<v Speaker 1>thank you, Melissa. Now I owe my mother money. That

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<v Speaker 1>is exactly it, though, where it's like this book um

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<v Speaker 1>isn't linear in its plot. Really there is one one

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<v Speaker 1>quote unquote present day that carries us through, but we're

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<v Speaker 1>jumping back in time, uh to to find out about

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<v Speaker 1>the story and the childhood of our protagonist Dominic Birdseye,

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<v Speaker 1>and his twin identical twin brother Thomas Birdseye, who is

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<v Speaker 1>a diagnosed paranoid schizophrenic and um. At the start of

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<v Speaker 1>the book, Uh uh, Melissa, you want to you want

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<v Speaker 1>to dive dive into what the major inciting and y

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<v Speaker 1>sorry not what gave me a very vivid night nightmares

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<v Speaker 1>that night, that thing that happened. Yeah, that's why I'm

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<v Speaker 1>putting it on the spot. Yeah. So, um, Thomas Birdseye, Uh,

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<v Speaker 1>Dominic's brother is in a goes to a library and

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<v Speaker 1>he um it takes out a sword that he got

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<v Speaker 1>from his uh stepfather and or he stole from his stepfather,

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<v Speaker 1>and um chops off his own hand and like suitures

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<v Speaker 1>it immediately like finds a way to stoppably, but he

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<v Speaker 1>does it in protest of the what the Gulf football

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<v Speaker 1>for for um and he does it. He's he's sacrificing

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<v Speaker 1>his own hand, which is based on scripture like a um,

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<v Speaker 1>something that he's uh sort of decided is telling him

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<v Speaker 1>through scripture and through God that he must do um

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<v Speaker 1>and yeah, and terrifies a lot of people in the

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<v Speaker 1>library understandably and terrifies a lot of readers. Yes, yeah,

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<v Speaker 1>I think I would be very afraid if I were

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<v Speaker 1>in a public put their own hand off and then

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<v Speaker 1>immediately with the mae he like he like throws it

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<v Speaker 1>out into the middle of the library, like yeah, and

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<v Speaker 1>you saw a hand just dropped to the ground. Yeah,

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<v Speaker 1>you'd run the funk out of there. But you know what,

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<v Speaker 1>if this book had taken place a little bit before,

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<v Speaker 1>when normal people took place, people would have thought they

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<v Speaker 1>were being punked. People would have been like ash, but yeah, no,

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<v Speaker 1>that is it's a it's a visceral, terrifying scene that

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<v Speaker 1>is written about in such detail like that he like

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<v Speaker 1>tied the the arteries to staunch the bleeding. And someone

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<v Speaker 1>in the we have the we have a group chat.

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<v Speaker 1>But someone said, and I don't remember, so I'm very sorry,

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<v Speaker 1>um so that they for a moment like thought it

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<v Speaker 1>was a memoir because it is written. Oh that's me,

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<v Speaker 1>that's me. I'm an idiot who have not holly believed

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<v Speaker 1>that this was a memoir. I was like, interesting, but

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<v Speaker 1>it would be interesting for book club. Is I could

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<v Speaker 1>look up some of the newspaper reports on the time

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<v Speaker 1>covering this, because obviously they would cover the man who

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<v Speaker 1>chopped off his hand to try to stop the Gulf four.

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<v Speaker 1>And I was so confused by the fact that I

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<v Speaker 1>couldn't find any reporting from that time. No, I mean

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<v Speaker 1>the CIA was probably behind it, like I've learned from

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<v Speaker 1>Thomas now that they were covering it up. Um and

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<v Speaker 1>uh No, Wally Lamb is I was very relieved to

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<v Speaker 1>find out um an author of fiction, of which apparently

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<v Speaker 1>did not register in my brain. And um he has

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<v Speaker 1>a bunch of sisters and uh teaches incarcerated women how

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<v Speaker 1>to write their life stories in a very inspiring way

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<v Speaker 1>and has a really happy three loving children. Well, Wally

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<v Speaker 1>is life. And I also, yeah, I also do really

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<v Speaker 1>like I do want to say, like, when you write

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<v Speaker 1>about mental health, especially in fiction, it's so often like sensationalized.

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<v Speaker 1>And yes, cutting off your own hand is like a

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<v Speaker 1>it's a it is sort of like if it bleeds,

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<v Speaker 1>it leads, like sort of that it fits into that

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<v Speaker 1>mode of like, oh, exploitative storytelling where it's like, oh,

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<v Speaker 1>it's dramatic and attention grabbing. But I did appreciate that.

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<v Speaker 1>While Lamb the author did have like a disclaimer at

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<v Speaker 1>the beginning talking about his process and his research, he

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<v Speaker 1>has a list of like a bibliography at the end

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<v Speaker 1>of the book of his sources that he consulted. And

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<v Speaker 1>also I think statistically he represents the fact that most

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<v Speaker 1>mentally ill people are a threat to themselves far more

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<v Speaker 1>than they're a threat to other people. Yeah, I think

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<v Speaker 1>it's a nuance that that isn't often portrayed in fiction. Well,

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<v Speaker 1>you know what's interesting. Even though, even though I know

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<v Speaker 1>that this has now been adapted into an HBO limited series,

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<v Speaker 1>and I know that Mark Ruffalo plays the Birdsey twins

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<v Speaker 1>in the HBO limited series, I have not been picturing

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<v Speaker 1>Mark Ruffalo and the usually I have been picturing Mark Ruffalo.

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<v Speaker 1>So I wanted what everyone else I've been picturing a

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<v Speaker 1>Ruffalo type. For sure, I feel like and this is not.

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<v Speaker 1>I feel like Mark Ruffalo always plays like a little

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<v Speaker 1>more likable, a little more like morally good, like picturing

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<v Speaker 1>a spotlight character that I have trouble picturing a Ruffalo

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<v Speaker 1>this sort of low down like that on the ruff

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<v Speaker 1>and Tumble. I think I'm picturing from thirteen going on thirty,

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<v Speaker 1>and not the Ruffalo that is in the trailer and

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<v Speaker 1>the show. Like I'm picturing like a younger Ruffalo before

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<v Speaker 1>we go into the rest of the book. Can we

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<v Speaker 1>just all say our favorite Ruffalo's. My Ruffalo of preference

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<v Speaker 1>is from Eternal Sunshine of the spot the Glasses. Yes, yeah,

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<v Speaker 1>it's a solid I'm gonna say aesthetically, I like Eternal

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<v Speaker 1>Sunson out of Spotless Mine because I'm a sucker for glasses.

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<v Speaker 1>But in terms of personality, I'm all Spotlight Ruffalo. I

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<v Speaker 1>love people. If it goes up to the Pope, I

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<v Speaker 1>like him little. You know, for some reason, the kids

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<v Speaker 1>are all right, Ruffalo really popped into my head, like

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<v Speaker 1>it's a really like I mean, maybe it's just like

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<v Speaker 1>a stasis Ruffalo. You know, it's like nothing too. He's

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<v Speaker 1>not too sexy, but he's also not too He's just

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<v Speaker 1>like a good guy that's around. I think I don't

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<v Speaker 1>really remember the movie Hot Ruffalo. Yeah, what about um well,

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<v Speaker 1>you know, I'm gonna say Spotlight Ruffalo. And I usually

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<v Speaker 1>thought Mark Ruffalo was kind of perfect for this because

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<v Speaker 1>I think maybe because of his political involvement, I think

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<v Speaker 1>of Mark Ruffalo as being a very righteous person, and

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<v Speaker 1>because of the Hulk, I think of human as also

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<v Speaker 1>being a person who maybe secretly is angry all the time.

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<v Speaker 1>So yeah, Dominic is clearly not secretly angry. Dominic is

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<v Speaker 1>very angry and angry. Yeah, so angry. Mind. I mean,

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<v Speaker 1>I go to thirteen going on thirty Mark Ruffalo just

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<v Speaker 1>because the one that pops in my and I love

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<v Speaker 1>a simple romcom Yeah, yeah, which is not absolutely not

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<v Speaker 1>so taking no so to continue on um in the

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<v Speaker 1>non very much not a rom com story. The major

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<v Speaker 1>conflict that I think that Dominic is dealing with in

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<v Speaker 1>the first fifteen chapters is obviously, his brother does this

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<v Speaker 1>enormously public act of self mutilation. He's brought to the hospital,

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<v Speaker 1>but then to a mental institution that's more. I don't know,

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<v Speaker 1>how do you describe it as a maximum security maximum

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<v Speaker 1>maximum security security, a more severe place than his usual

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<v Speaker 1>like group outpatient sort of centric facility. And I think

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<v Speaker 1>one of the big things also is that the hatch, Yeah,

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<v Speaker 1>the hatch and the new facility versus settled the old

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<v Speaker 1>facility has more surveillance, which for a paranoid schizophrenic is

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<v Speaker 1>just like possibly the worst possible thing that you could do. Yeah,

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<v Speaker 1>I mean you have I understand, I understand why, yeah, right,

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<v Speaker 1>And he's very comfortable at subtle and like what he

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<v Speaker 1>like works the coffee or he gets the coffee and

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<v Speaker 1>works the news stand, and it's like his home, and

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<v Speaker 1>so that's very stressful. He's very settled, oh yeah, and

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<v Speaker 1>Dominic really tries to fight to get him back to Settle,

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<v Speaker 1>where his brother seemed to be doing better until he

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<v Speaker 1>cut his hand off. But for political reasons, because it's

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<v Speaker 1>such a high profile case, the powers that be kind

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<v Speaker 1>of need to throw the book at it a little bit,

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<v Speaker 1>like we were saying before, like it was this really

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<v Speaker 1>terrifying scene where a man threw his severed hand across

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<v Speaker 1>a library, and just for public appearances, you need to

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<v Speaker 1>be like, well, we're putting him in maximum security getting evaluated,

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<v Speaker 1>and it makes the system feel very futile and scary.

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<v Speaker 1>As it was, it was really interesting in that one

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<v Speaker 1>chapter where he does meet with that social worker and

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<v Speaker 1>she essentially tells him that that like this sort of

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<v Speaker 1>move is like a pr move from from from the cops.

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<v Speaker 1>That like, because there there was an incident where someone

0:14:15.920 --> 0:14:19.880
<v Speaker 1>who had no history of violence snapped, as they said,

0:14:20.000 --> 0:14:22.800
<v Speaker 1>and attacked someone and killed someone. So like they're doing

0:14:22.800 --> 0:14:27.840
<v Speaker 1>this to Thomas as a show of you know, conservative action.

0:14:28.600 --> 0:14:32.320
<v Speaker 1>Mm hmmm. What I was gonna say is I think

0:14:32.360 --> 0:14:35.080
<v Speaker 1>that it's really interesting. The dominant keeps bringing up like

0:14:35.160 --> 0:14:37.720
<v Speaker 1>people keep saying that he's violent, but he only hurt

0:14:37.880 --> 0:14:41.640
<v Speaker 1>himself and he's not a danger to anyone else. He's

0:14:41.760 --> 0:14:45.280
<v Speaker 1>just he's his own worst enemy and he's only dangerous

0:14:45.360 --> 0:14:49.880
<v Speaker 1>to himself. But I think what's important and um, what

0:14:50.160 --> 0:14:52.680
<v Speaker 1>made me feel for some of the workers there was

0:14:52.720 --> 0:14:56.280
<v Speaker 1>the fact that she immediately replies, well, he counts if

0:14:56.360 --> 0:15:03.280
<v Speaker 1>you're violent to yourself, that's violence to yourself or up matter. Yeah, yeah,

0:15:03.600 --> 0:15:06.400
<v Speaker 1>I think that it's it's interesting. I didn't want to

0:15:06.440 --> 0:15:08.320
<v Speaker 1>dive into this so soon, but but I feel like

0:15:08.320 --> 0:15:11.760
<v Speaker 1>the natural progression is Dominic is a narrator, is not

0:15:12.160 --> 0:15:17.920
<v Speaker 1>a fundamentally great person across the board's incredibly sexist and homophobic,

0:15:17.960 --> 0:15:24.320
<v Speaker 1>and his attitude and yeah, rasis homophobic. I mean, there's

0:15:24.360 --> 0:15:27.080
<v Speaker 1>some like nineties language in here where you're like, Okay,

0:15:27.160 --> 0:15:30.640
<v Speaker 1>I guess people said that, But Jesus Christ, it is

0:15:30.720 --> 0:15:34.720
<v Speaker 1>not just the nine because I remember a good chunk

0:15:34.760 --> 0:15:38.240
<v Speaker 1>of the nineties and I'm like, oh, there is a

0:15:38.280 --> 0:15:42.160
<v Speaker 1>balance between like nineties language and then things that we're

0:15:42.280 --> 0:15:45.200
<v Speaker 1>just playing racist even in the nineties, like the homophobia

0:15:45.520 --> 0:15:49.320
<v Speaker 1>to me, feels a little more nineties. It does, but

0:15:49.400 --> 0:15:53.160
<v Speaker 1>it doesn't because his girlfriend Joy also calls him. Yeah,

0:15:53.280 --> 0:15:58.040
<v Speaker 1>she says she's homophobic. Yeah, and she's. But I do

0:15:58.160 --> 0:16:01.400
<v Speaker 1>think it was more mainstream for men to be called

0:16:01.440 --> 0:16:05.880
<v Speaker 1>homophobic and it be okay that they were homophobic. It's like, oh, sure,

0:16:05.920 --> 0:16:09.080
<v Speaker 1>that guy, he's he's he's just a homophobe. Like it

0:16:09.240 --> 0:16:14.840
<v Speaker 1>was like you, oh you you you know, silly, silly dominant. Yeah.

0:16:16.520 --> 0:16:20.360
<v Speaker 1>I feel like when you hear about Joy's gay friend Ted,

0:16:20.560 --> 0:16:23.800
<v Speaker 1>who makes duchess potatoes and lives in like a beautiful

0:16:23.840 --> 0:16:26.480
<v Speaker 1>condo and plans to become a caterer, I just wanted

0:16:26.520 --> 0:16:29.520
<v Speaker 1>to disappear to the just maybe the book could like

0:16:29.600 --> 0:16:37.040
<v Speaker 1>swerve over port of Yeah, and they take mixology classes together.

0:16:37.360 --> 0:16:40.720
<v Speaker 1>I'm so into it. What fun thing to do. I

0:16:40.760 --> 0:16:43.000
<v Speaker 1>would have been okay if we just swerved for like

0:16:43.040 --> 0:16:47.120
<v Speaker 1>a romantic comedy for Ted helps Joy find love and

0:16:47.320 --> 0:16:51.440
<v Speaker 1>you know, Tad is like you you leave him, honey,

0:16:51.640 --> 0:16:53.720
<v Speaker 1>leave him? You know, just like it's like every day,

0:16:53.840 --> 0:16:57.800
<v Speaker 1>like when are you leaving him? Is it next week?

0:16:57.880 --> 0:17:02.120
<v Speaker 1>We gotta have a plan. She is a hot twenty

0:17:02.160 --> 0:17:08.080
<v Speaker 1>three year old fitness instructor who carries Yeah. As I'm

0:17:08.080 --> 0:17:10.440
<v Speaker 1>reading that the whole time, I'm like, joy, why are

0:17:10.560 --> 0:17:16.719
<v Speaker 1>you with him? Well, I feel like because she has

0:17:16.800 --> 0:17:21.000
<v Speaker 1>low self esteem and she has problems because of the

0:17:21.040 --> 0:17:28.119
<v Speaker 1>fact that she was sexually abused when she was completely

0:17:28.200 --> 0:17:32.880
<v Speaker 1>dismisses and he's like, well, it was consensual, but as

0:17:32.920 --> 0:17:35.919
<v Speaker 1>you call it statutory statutory where it's like no, no, no,

0:17:36.080 --> 0:17:42.879
<v Speaker 1>and uncle and year old girl is in universe consensual.

0:17:43.000 --> 0:17:52.840
<v Speaker 1>But but she wrote him letters, so obviously his fingernails

0:17:52.960 --> 0:17:58.520
<v Speaker 1>love oh god um, and it's more disturbed by her

0:17:59.080 --> 0:18:01.760
<v Speaker 1>like her action and like her eating the fingernails and

0:18:01.920 --> 0:18:05.200
<v Speaker 1>like the like never condemns the uncle's actions at all

0:18:05.280 --> 0:18:08.879
<v Speaker 1>in telling us this entire So it's really well. But

0:18:08.960 --> 0:18:11.200
<v Speaker 1>what I wanted to point out is that even though

0:18:11.240 --> 0:18:17.840
<v Speaker 1>our narrator Dominic is sexist, racist, homophobic, I do really

0:18:18.040 --> 0:18:21.800
<v Speaker 1>value kind of that Wally Lamb is building this world

0:18:21.840 --> 0:18:24.160
<v Speaker 1>around him where it's like, oh, well, I don't think

0:18:24.480 --> 0:18:27.400
<v Speaker 1>while Wally Lamb is not those things, like, we're even

0:18:27.400 --> 0:18:30.359
<v Speaker 1>though we're through Dominic's perspective, I think we're getting like

0:18:30.600 --> 0:18:34.520
<v Speaker 1>really interesting women and people of color and the stories

0:18:34.720 --> 0:18:38.000
<v Speaker 1>that Dominic can't see. But we as the reader can see,

0:18:38.000 --> 0:18:42.240
<v Speaker 1>like the story of the drink Waters and dr character

0:18:42.280 --> 0:18:48.160
<v Speaker 1>in the whole book Waters who are That almost took

0:18:48.160 --> 0:18:51.159
<v Speaker 1>me out though, Like, just given everything that's happening in

0:18:51.200 --> 0:18:55.919
<v Speaker 1>the world, fact that the fact that Dominic went and

0:18:56.000 --> 0:19:00.200
<v Speaker 1>accused a little black girl but you know she all

0:19:00.200 --> 0:19:03.840
<v Speaker 1>intents and purposes reads is black. Um, he's a little

0:19:03.840 --> 0:19:06.439
<v Speaker 1>black girl. A theft made her cry in front of

0:19:06.440 --> 0:19:09.040
<v Speaker 1>the principle no one believed her. Everyone who was a

0:19:09.119 --> 0:19:12.439
<v Speaker 1>hero in his in not in his defense, but just

0:19:12.560 --> 0:19:14.960
<v Speaker 1>to say, the reason they believed him and not her

0:19:15.040 --> 0:19:18.399
<v Speaker 1>was partly because she did have a record for stealing food.

0:19:18.520 --> 0:19:21.520
<v Speaker 1>She was great to find out because she was hungry,

0:19:22.080 --> 0:19:25.399
<v Speaker 1>which nobody addresses. So he makes her cry. And then

0:19:25.440 --> 0:19:28.680
<v Speaker 1>the next day she gets kidnapped and murder and then

0:19:29.280 --> 0:19:33.399
<v Speaker 1>and then and then he writes a speech and gets

0:19:33.480 --> 0:19:37.000
<v Speaker 1>chosen to read it out loud at the memorial service

0:19:37.080 --> 0:19:40.400
<v Speaker 1>at the school. It is just such a sick, sick,

0:19:40.520 --> 0:19:42.760
<v Speaker 1>little twisted thing that he doesn't does in that chapter.

0:19:43.200 --> 0:19:46.200
<v Speaker 1>I had to put the sorry, yeah, yeah. The thing

0:19:46.320 --> 0:19:51.479
<v Speaker 1>afterwards where he sees Ralph get upset in class because

0:19:51.480 --> 0:19:54.040
<v Speaker 1>the teacher has said that they just got rid of

0:19:54.080 --> 0:19:58.119
<v Speaker 1>all the Indians. They're all gone. He disappeared, and Ralph

0:19:58.280 --> 0:20:04.080
<v Speaker 1>is part Indian. Yeah, they disappeared. Um, And then he realizes, like, huh,

0:20:04.119 --> 0:20:07.760
<v Speaker 1>maybe racism is kind of um, and it just feels

0:20:07.800 --> 0:20:12.760
<v Speaker 1>like such a evil, inadequate response to everything he's done.

0:20:12.880 --> 0:20:15.560
<v Speaker 1>I found it the most chill with that exact fam

0:20:15.720 --> 0:20:19.680
<v Speaker 1>Like one of the most chilling moments of Dominic recounting

0:20:19.840 --> 0:20:22.000
<v Speaker 1>the Penny is I think her name is Penny and

0:20:22.160 --> 0:20:26.879
<v Speaker 1>the sister who gets murdered is that He's like, I

0:20:26.920 --> 0:20:30.800
<v Speaker 1>told the teacher that she was bragging about sealing oreos,

0:20:30.880 --> 0:20:33.800
<v Speaker 1>and I knew that they would believe me. Yeah, that

0:20:33.960 --> 0:20:37.120
<v Speaker 1>is exactly the sort of like systemic racism that still exists,

0:20:37.119 --> 0:20:40.359
<v Speaker 1>where like that I mean not to bring up current events,

0:20:40.440 --> 0:20:43.520
<v Speaker 1>but that woman calling the police and knowing how she

0:20:43.560 --> 0:20:45.879
<v Speaker 1>can twist a story to her benefit. It's like and

0:20:46.080 --> 0:20:49.359
<v Speaker 1>Dominic knew that they would believe and beyond that, he

0:20:49.520 --> 0:20:52.000
<v Speaker 1>was he was like getting angry that like he's like,

0:20:52.040 --> 0:20:55.639
<v Speaker 1>they better believe me, Like he was like, I better

0:20:55.640 --> 0:20:59.360
<v Speaker 1>win this, even though he he was like getting indignant

0:20:59.359 --> 0:21:02.040
<v Speaker 1>that she was by writing for her truth, which was

0:21:02.080 --> 0:21:07.800
<v Speaker 1>the truth. He Yeah, he forgot, he forgot that part Yeah,

0:21:07.920 --> 0:21:09.679
<v Speaker 1>we forgot that the whole thing was something that he

0:21:09.760 --> 0:21:14.280
<v Speaker 1>invented because and the whole reason he did it was

0:21:14.320 --> 0:21:16.399
<v Speaker 1>because she lied about saying that her mom was going

0:21:16.440 --> 0:21:18.840
<v Speaker 1>to get her a Shetland pony for her birthday. It's like,

0:21:19.160 --> 0:21:21.240
<v Speaker 1>let her lie. We all lied when we were in

0:21:21.320 --> 0:21:25.280
<v Speaker 1>third grade. My best friend in elementary school said that

0:21:25.320 --> 0:21:27.639
<v Speaker 1>her house used to belong to giants and they had

0:21:27.680 --> 0:21:31.120
<v Speaker 1>to renovate it to make it person sized. That's an awesome,

0:21:33.240 --> 0:21:38.560
<v Speaker 1>very good, very good lie. My little niece is a

0:21:38.680 --> 0:21:41.720
<v Speaker 1>huge liar, just constant lies flying out of her mouth.

0:21:43.720 --> 0:21:48.239
<v Speaker 1>Kids love. It's just fun. Yeah. I told kids in

0:21:48.640 --> 0:21:52.960
<v Speaker 1>kindergarten that I was the author of Pnicula. It could

0:21:53.000 --> 0:22:00.320
<v Speaker 1>have been Jennifer, thank you. Yeah, I could talk fully

0:22:00.400 --> 0:22:03.480
<v Speaker 1>reading that, so it would have been like an incredible achievement.

0:22:03.640 --> 0:22:17.200
<v Speaker 1>But that's so funny. You're listening to Popcorn Book Club

0:22:17.240 --> 0:22:19.480
<v Speaker 1>for My Heart Radio, and we'll be back right after

0:22:19.520 --> 0:22:30.600
<v Speaker 1>the break. So we're back with Popcorn Book Club for

0:22:30.720 --> 0:22:34.199
<v Speaker 1>My Heart Radio. So we sort of do get this

0:22:34.359 --> 0:22:38.040
<v Speaker 1>main narrative about Dominic and Thomas and the challenges of

0:22:39.280 --> 0:22:42.160
<v Speaker 1>you know, having an identical twin who's sort of having

0:22:42.160 --> 0:22:47.879
<v Speaker 1>this descent into into further paranoid schizophrenia peppered in with

0:22:47.920 --> 0:22:50.639
<v Speaker 1>these anecdotes, and I want to focus on a different

0:22:50.680 --> 0:22:52.879
<v Speaker 1>anecdote that broke my heart. I would say like the

0:22:52.920 --> 0:22:55.640
<v Speaker 1>second saddest I've been in this book, although it's hard

0:22:55.680 --> 0:23:00.760
<v Speaker 1>to say to the New York City trap. Thought about that,

0:23:01.359 --> 0:23:04.960
<v Speaker 1>the field trip, the field trip. So what happens in

0:23:05.000 --> 0:23:08.240
<v Speaker 1>this one, just to refresh your memory, is the the

0:23:08.320 --> 0:23:12.359
<v Speaker 1>boys school, UH is going on a field trip to

0:23:12.480 --> 0:23:14.840
<v Speaker 1>New York City to like see a show at Radio

0:23:14.880 --> 0:23:17.119
<v Speaker 1>City Music Hall and see the Statue of Liberty from

0:23:17.160 --> 0:23:19.800
<v Speaker 1>Connecticut where they live, and we sort of see that

0:23:19.840 --> 0:23:22.440
<v Speaker 1>this is where Dominic was trying to distance himself from

0:23:23.000 --> 0:23:26.120
<v Speaker 1>which I think all kids, if you have like a

0:23:26.240 --> 0:23:29.040
<v Speaker 1>lame brother or lame sibling, like you sort of do

0:23:29.240 --> 0:23:31.960
<v Speaker 1>that at some point. And so he sort of is

0:23:32.040 --> 0:23:34.920
<v Speaker 1>trying to align himself with the cool kid, and he's

0:23:34.960 --> 0:23:38.120
<v Speaker 1>not sitting with Thomas on the bus, and then Thomas

0:23:38.160 --> 0:23:42.720
<v Speaker 1>accidentally locks himself in the bathroom on the bus, and

0:23:43.000 --> 0:23:47.480
<v Speaker 1>just the way it's described is so vivid and so humiliating,

0:23:47.920 --> 0:23:50.800
<v Speaker 1>both for Thomas and also I really did feel for

0:23:50.960 --> 0:23:54.000
<v Speaker 1>Dominic in this awful way where you know that like

0:23:54.160 --> 0:23:56.639
<v Speaker 1>he's not being a good person, but also who among

0:23:56.800 --> 0:24:00.399
<v Speaker 1>us has it been like humiliated like that? And I

0:24:00.400 --> 0:24:04.240
<v Speaker 1>can just like like that feeling of just thinking about

0:24:04.240 --> 0:24:07.199
<v Speaker 1>being in Thomas's shoes and like having everyone on the

0:24:07.240 --> 0:24:12.080
<v Speaker 1>bus shout at you, like the kids, the students, the driver,

0:24:12.280 --> 0:24:15.120
<v Speaker 1>the teacher, and it was like everyone telling you how

0:24:15.160 --> 0:24:17.919
<v Speaker 1>to fix something that you just can't and in the

0:24:17.960 --> 0:24:21.000
<v Speaker 1>moment of the anxiety, you can't figure it out. Yeah,

0:24:21.040 --> 0:24:23.520
<v Speaker 1>and you're in this small little room that smells like

0:24:23.640 --> 0:24:27.160
<v Speaker 1>literal shit and you and it's just like I feel

0:24:27.160 --> 0:24:30.399
<v Speaker 1>like I've been that kid several times where just like

0:24:30.560 --> 0:24:32.399
<v Speaker 1>you don't and it's just like a simple thing that

0:24:32.440 --> 0:24:34.919
<v Speaker 1>if you just it's like the left right, it was

0:24:34.960 --> 0:24:37.200
<v Speaker 1>like tell him to make it go right, and then

0:24:37.240 --> 0:24:41.159
<v Speaker 1>it was just she just mixed those up and it

0:24:41.200 --> 0:24:44.960
<v Speaker 1>was just so devastating. It's so awful and precisely the

0:24:44.960 --> 0:24:50.040
<v Speaker 1>way that children actually I think, um, I think as adults. Um,

0:24:50.200 --> 0:24:52.920
<v Speaker 1>I see like kids in third grade now and I think, oh,

0:24:52.920 --> 0:24:55.920
<v Speaker 1>they're adorable. Look what are they reading. It's so cute.

0:24:56.080 --> 0:24:58.119
<v Speaker 1>And then you remember that when you were that age,

0:24:58.240 --> 0:25:02.840
<v Speaker 1>they were life size and they were yeah that um, yeah,

0:25:02.880 --> 0:25:05.600
<v Speaker 1>they have no patience with anyhing. Um, they can say

0:25:05.680 --> 0:25:10.200
<v Speaker 1>vividly cruel things without anyone calling them out or any

0:25:10.240 --> 0:25:14.240
<v Speaker 1>personal feelings of guilt. And that's everything that's happened to

0:25:14.280 --> 0:25:17.080
<v Speaker 1>tell us. And also they stuck out. What stuck out

0:25:17.119 --> 0:25:19.199
<v Speaker 1>for me in that scene, there were two things up.

0:25:19.400 --> 0:25:22.840
<v Speaker 1>First is actually there were three things. First is that

0:25:23.520 --> 0:25:27.680
<v Speaker 1>Dominic was um ultimately concerned with whether or not this cool,

0:25:27.800 --> 0:25:31.359
<v Speaker 1>rich kid would still be his friend afterwards. And I

0:25:31.400 --> 0:25:35.399
<v Speaker 1>think that being accepted in that way was something that

0:25:35.480 --> 0:25:37.560
<v Speaker 1>was very important to him, and he could see it

0:25:37.920 --> 0:25:42.240
<v Speaker 1>literally just slipping away as his brother became this embarrassment.

0:25:42.600 --> 0:25:44.520
<v Speaker 1>And I think that that's part of the tough thing

0:25:44.560 --> 0:25:48.960
<v Speaker 1>about him looking exactly like his brother and either like

0:25:49.359 --> 0:25:52.159
<v Speaker 1>we all want to distance ourselves from people at times,

0:25:52.160 --> 0:25:54.959
<v Speaker 1>and it's like you can't because they're just a living

0:25:55.880 --> 0:25:58.600
<v Speaker 1>mirror image of you. And then the second thing that

0:25:58.640 --> 0:26:02.159
<v Speaker 1>really stuck out to me was that the teacher just

0:26:02.320 --> 0:26:04.440
<v Speaker 1>was like, oh man, this kid is having a real

0:26:04.560 --> 0:26:07.080
<v Speaker 1>rough time, Dominic, why don't you stay with him? And

0:26:07.080 --> 0:26:10.639
<v Speaker 1>it's sort of the beginning of this lifelong thing where

0:26:10.760 --> 0:26:15.320
<v Speaker 1>Thomas is Dominic's responsibility, even when there are other people

0:26:15.359 --> 0:26:19.400
<v Speaker 1>who should be responsible, that should probably be more responsible,

0:26:20.280 --> 0:26:23.159
<v Speaker 1>and like even as an adult adult or adults, that

0:26:23.280 --> 0:26:27.680
<v Speaker 1>should be more responsible, Like Ray takes no responsibility as

0:26:27.720 --> 0:26:32.600
<v Speaker 1>a parental figure as as he gets older. And then

0:26:32.640 --> 0:26:35.360
<v Speaker 1>the other thing was that this that scene where they're

0:26:35.359 --> 0:26:38.600
<v Speaker 1>at the Statue of Liberty and Thomas isn't feeling great

0:26:38.600 --> 0:26:40.720
<v Speaker 1>and so Dominic has to stay with him and doesn't

0:26:40.720 --> 0:26:43.359
<v Speaker 1>get to go inside the Statue of Liberty is the

0:26:43.400 --> 0:26:46.040
<v Speaker 1>first time that he swears out loud, first time he

0:26:46.080 --> 0:26:49.480
<v Speaker 1>says the F word out loud when he tells when

0:26:49.480 --> 0:26:51.719
<v Speaker 1>he tells Thomas to shut the funk up, And I

0:26:51.720 --> 0:26:56.600
<v Speaker 1>think that that sort of is the beginning of the anger. Yeah,

0:26:56.720 --> 0:27:00.680
<v Speaker 1>it's like he you really see why he's such an

0:27:00.720 --> 0:27:05.760
<v Speaker 1>angry person because he decides to be a martyr, which

0:27:05.760 --> 0:27:09.160
<v Speaker 1>is interesting because Thomas is literally trying to be a martyr.

0:27:09.200 --> 0:27:12.840
<v Speaker 1>But I feel like with Dominic, he makes he like

0:27:13.080 --> 0:27:15.400
<v Speaker 1>takes care of his brother, but he uses it as

0:27:15.400 --> 0:27:17.800
<v Speaker 1>a reason to be angry with the world. And you're right,

0:27:17.880 --> 0:27:21.040
<v Speaker 1>that started right there. I also found it so interesting

0:27:21.160 --> 0:27:24.240
<v Speaker 1>how he like spent that money, the like thirty seven

0:27:24.240 --> 0:27:27.239
<v Speaker 1>dollars or whatever that he saved just on nothing, just

0:27:27.280 --> 0:27:30.119
<v Speaker 1>to make, which is like so relatable when you're upset,

0:27:30.160 --> 0:27:32.840
<v Speaker 1>you're just like, I'm spend a bunch of money and

0:27:32.840 --> 0:27:34.760
<v Speaker 1>all the money that I have, and maybe that will

0:27:34.800 --> 0:27:37.439
<v Speaker 1>make me feel something, and it never does. You know.

0:27:38.520 --> 0:27:42.359
<v Speaker 1>The religion is so interesting because obviously them being identical twins,

0:27:42.359 --> 0:27:46.080
<v Speaker 1>they are sort of that mirror image where Thomas falls

0:27:46.119 --> 0:27:50.119
<v Speaker 1>into being i think past incredibly religious thinking. He's literally

0:27:50.200 --> 0:27:53.360
<v Speaker 1>like a prophet of God, and some of his delusions

0:27:53.760 --> 0:27:58.840
<v Speaker 1>dominic after going through numerous tragedies and losses, you know,

0:27:59.080 --> 0:28:01.399
<v Speaker 1>except that there is no God, and so he becomes

0:28:01.440 --> 0:28:04.720
<v Speaker 1>incredibly nihilistic. But as he said, like still thinks of

0:28:04.800 --> 0:28:07.080
<v Speaker 1>himself as a martyr, and it goes back to like

0:28:07.640 --> 0:28:11.119
<v Speaker 1>I mean Kane enable the story of the Biblical Brothers.

0:28:11.160 --> 0:28:13.560
<v Speaker 1>He goes, I'm not my brother's keeper, and so it's

0:28:13.600 --> 0:28:17.000
<v Speaker 1>like I'm not like a biblical scholar. But right, it's

0:28:17.000 --> 0:28:19.520
<v Speaker 1>this that is like such a fundamental tie of like

0:28:19.560 --> 0:28:24.119
<v Speaker 1>what is your responsibility to your literal brother and to mankind?

0:28:24.240 --> 0:28:29.480
<v Speaker 1>And they've taken different approaches towards you know, religion and God.

0:28:29.560 --> 0:28:31.679
<v Speaker 1>And I think it also goes in the in chapter

0:28:31.760 --> 0:28:34.440
<v Speaker 1>fifteen when he's talking with Dr Patel, like he kind

0:28:34.480 --> 0:28:38.040
<v Speaker 1>of admits how much it has heard him, that Thomas

0:28:38.120 --> 0:28:41.000
<v Speaker 1>no longer like seems to look out for him, that

0:28:41.040 --> 0:28:47.520
<v Speaker 1>Thomas in his schizophren yet becomes really um narcissistic and looking.

0:28:48.040 --> 0:28:49.920
<v Speaker 1>And so I think that's sort of an interesting thing

0:28:49.920 --> 0:28:52.280
<v Speaker 1>where Dominic feels like he always has to watch out

0:28:52.280 --> 0:28:59.560
<v Speaker 1>for his brother. I love dr I love that. Her

0:28:59.680 --> 0:29:01.800
<v Speaker 1>count or to that is, well, aren't we all a

0:29:01.800 --> 0:29:05.880
<v Speaker 1>little nurse assistic? Like she gets that particular anecdote about

0:29:05.880 --> 0:29:07.480
<v Speaker 1>how she was running late to a meeting and the

0:29:07.480 --> 0:29:09.440
<v Speaker 1>guy in front of her was going really slowly and

0:29:09.440 --> 0:29:11.400
<v Speaker 1>she's like, why is he making me move for my

0:29:11.520 --> 0:29:15.320
<v Speaker 1>meeting when it's like maybe he is not a confident driver,

0:29:15.440 --> 0:29:17.560
<v Speaker 1>And he's like, why is this person trying to get

0:29:17.560 --> 0:29:20.280
<v Speaker 1>me to speed behind him? And so we're all sort

0:29:20.320 --> 0:29:23.960
<v Speaker 1>of wrapped up, and I definitely default to that in

0:29:24.000 --> 0:29:26.959
<v Speaker 1>our own narrative, where we're the star of our own story,

0:29:27.200 --> 0:29:31.920
<v Speaker 1>hopefully a romantic comedy for me first, not a c

0:29:32.040 --> 0:29:35.480
<v Speaker 1>I a thriller for Thomas. The thing about Dominic two

0:29:35.520 --> 0:29:37.440
<v Speaker 1>is that we're you know, he is such this martyr.

0:29:37.520 --> 0:29:41.120
<v Speaker 1>He's like this like belabored martyr, but he's such an

0:29:41.160 --> 0:29:43.840
<v Speaker 1>unlikable character in so many ways, and it's very angry,

0:29:43.880 --> 0:29:45.840
<v Speaker 1>but there are so many moments that I feel very

0:29:45.880 --> 0:29:50.360
<v Speaker 1>tender to him, even though he's so unlikable, Like just

0:29:50.480 --> 0:29:53.960
<v Speaker 1>him talking about how he would go visit his brother

0:29:54.080 --> 0:29:58.360
<v Speaker 1>every single Sunday, and that that scene where Joys like

0:29:58.400 --> 0:30:01.760
<v Speaker 1>can you just not do it? Or one weekend and

0:30:01.800 --> 0:30:04.760
<v Speaker 1>he's like no, like my brother is expecting me. It's

0:30:04.760 --> 0:30:08.040
<v Speaker 1>almost like he needs it as well, and in in

0:30:08.200 --> 0:30:11.520
<v Speaker 1>knowing that his brother is doing okay. Like in those moments,

0:30:11.520 --> 0:30:15.240
<v Speaker 1>I'm like, oh, Dominic, you're You're so tender and loving

0:30:15.320 --> 0:30:19.880
<v Speaker 1>and also a total asshole and and you know, using

0:30:19.920 --> 0:30:22.640
<v Speaker 1>it in this like Martyrie way. I kind of feel

0:30:22.680 --> 0:30:25.720
<v Speaker 1>like anyone in this book can be slightly redeemed just

0:30:25.840 --> 0:30:29.760
<v Speaker 1>by being nice too Dominant. I felt the same way

0:30:29.760 --> 0:30:34.200
<v Speaker 1>to a much lesser extent. Yea, it just seems like

0:30:34.280 --> 0:30:37.600
<v Speaker 1>a nightmare of a person. Um just cheats on his

0:30:37.680 --> 0:30:42.160
<v Speaker 1>wife relentlessly, like was addicted to cocaine. Yeah that was

0:30:42.400 --> 0:30:49.480
<v Speaker 1>very casual. Yeah, just just just seems like kind of

0:30:49.480 --> 0:30:51.400
<v Speaker 1>a mess. But then he says, you know, if you

0:30:51.440 --> 0:30:53.200
<v Speaker 1>want me to want to put me on the visitors,

0:30:53.240 --> 0:30:56.120
<v Speaker 1>they'll go down and I mean Thomas saying, I thought, oh,

0:30:56.240 --> 0:30:59.960
<v Speaker 1>that's that's really kind of do Yeah, that's so, that's

0:31:00.080 --> 0:31:07.080
<v Speaker 1>really nice. We also get kindness from Deesta. Dominics is

0:31:07.240 --> 0:31:13.520
<v Speaker 1>a single thing wrong. She was like a story part

0:31:13.760 --> 0:31:16.880
<v Speaker 1>of Dominic, you know. Or it felt like that was

0:31:17.280 --> 0:31:22.200
<v Speaker 1>his goodness, was Indessa, and now that he's separated from that,

0:31:23.000 --> 0:31:26.720
<v Speaker 1>it's like part of his goodness is gone. You know. Yeah,

0:31:27.320 --> 0:31:30.080
<v Speaker 1>I kind of wondered if we feel entirely different about

0:31:30.120 --> 0:31:32.600
<v Speaker 1>this character if we had met him at the point

0:31:33.280 --> 0:31:35.240
<v Speaker 1>he and Desso were expecting a chime. It was a

0:31:35.320 --> 0:31:39.040
<v Speaker 1>teacher in his classroom about what the weight was going

0:31:39.080 --> 0:31:42.000
<v Speaker 1>to be, and everybody was so excited. I'm ready to

0:31:42.040 --> 0:31:45.680
<v Speaker 1>talk about Angela and that whole story. But but the

0:31:45.840 --> 0:31:48.600
<v Speaker 1>visectomy thing, oh my, was like one of the worst

0:31:49.360 --> 0:31:53.880
<v Speaker 1>things I've ever heard someone too in a marriage. But

0:31:54.600 --> 0:31:59.040
<v Speaker 1>how dare truly? I mean, I feel like I feel

0:31:59.080 --> 0:32:01.240
<v Speaker 1>so responsible for us, so like she's a real person,

0:32:01.360 --> 0:32:04.320
<v Speaker 1>Like thank god she left, like good he deserves that

0:32:04.640 --> 0:32:08.760
<v Speaker 1>artist and that little farm was there, a little male

0:32:09.720 --> 0:32:14.640
<v Speaker 1>potter And I'm sad she went to Greece by herself,

0:32:14.880 --> 0:32:19.000
<v Speaker 1>Like thank goodness. She felt free for the first time. Um,

0:32:19.960 --> 0:32:22.200
<v Speaker 1>and yeah, I really related to her. I feel like

0:32:22.840 --> 0:32:26.400
<v Speaker 1>I've been in one very bad, toxic relationship and earlier

0:32:26.480 --> 0:32:28.960
<v Speaker 1>on in my life, and it was like I spent

0:32:29.080 --> 0:32:31.480
<v Speaker 1>a week away from him and it was like when

0:32:31.560 --> 0:32:34.360
<v Speaker 1>she described how she felt, it was like, yeah, that

0:32:34.560 --> 0:32:36.360
<v Speaker 1>was It's like it is this when you're in a

0:32:36.480 --> 0:32:39.200
<v Speaker 1>kind of with a toxic person and you like separate

0:32:39.320 --> 0:32:41.320
<v Speaker 1>and you feel like you have your whole self back.

0:32:41.560 --> 0:32:44.920
<v Speaker 1>Like I was just like, yeah, Dessa, leave him now,

0:32:44.960 --> 0:32:48.680
<v Speaker 1>we just gotta work on joy leaving him. Well, Joy

0:32:48.760 --> 0:32:55.560
<v Speaker 1>needs but I feel like they don't need to beat it. No,

0:32:55.920 --> 0:32:58.680
<v Speaker 1>he doesn't. He doesn't even seem to like her. He

0:32:58.800 --> 0:33:04.840
<v Speaker 1>doesn't he still loves does He's not nice. Yeah it's um, yeah, um,

0:33:04.960 --> 0:33:08.560
<v Speaker 1>I wish joy. And there's weird details where you're like

0:33:08.840 --> 0:33:10.840
<v Speaker 1>you can sort of read between the lines and be like, oh,

0:33:10.960 --> 0:33:13.840
<v Speaker 1>Joyce kind of triang Like at the very end of

0:33:13.920 --> 0:33:17.640
<v Speaker 1>chapter four year, it's this throwaway detail that she's doing

0:33:18.080 --> 0:33:20.239
<v Speaker 1>his laundry and like catches a note and he's like, oh,

0:33:20.360 --> 0:33:22.080
<v Speaker 1>did you want this? So it's like when you think

0:33:22.080 --> 0:33:24.680
<v Speaker 1>about it, like this woman who he's not nice to

0:33:24.920 --> 0:33:28.000
<v Speaker 1>at all, and it's incredibly dismissive of and sexist to.

0:33:28.120 --> 0:33:31.880
<v Speaker 1>In his own internal monologue, He's like doing his laundry

0:33:32.000 --> 0:33:34.880
<v Speaker 1>and cleaning his chucking pocket. I literally didn't think about that.

0:33:35.000 --> 0:33:39.000
<v Speaker 1>I think men like Dominic takes that so much for granted,

0:33:39.120 --> 0:33:44.520
<v Speaker 1>that like the laundry ferry. Yeah, yeah, Dominic doesn't even

0:33:44.600 --> 0:33:47.600
<v Speaker 1>acknowledge it. He doesn't see that Joyce serves any purpose

0:33:47.680 --> 0:33:51.400
<v Speaker 1>in his life. Just I imagine his mother was also

0:33:51.480 --> 0:33:54.880
<v Speaker 1>kind of forced into Yeah, I bet he had a

0:33:55.000 --> 0:33:58.360
<v Speaker 1>mom who pretty much catered to everything. I mean, we

0:33:58.480 --> 0:34:02.440
<v Speaker 1>know in the box out, I can pretty much infer

0:34:02.560 --> 0:34:04.760
<v Speaker 1>that she wasn't like, Okay, you're old enough, now I'm

0:34:04.760 --> 0:34:07.480
<v Speaker 1>going to teach you how to do your laundry. Yeah.

0:34:07.600 --> 0:34:10.080
<v Speaker 1>I mean everything that we learned about his mom is

0:34:10.360 --> 0:34:15.840
<v Speaker 1>also so devastating. It'saking, it's tragic. Like we learned that,

0:34:16.560 --> 0:34:19.800
<v Speaker 1>you know that she is in this abusive relationship with

0:34:20.000 --> 0:34:24.440
<v Speaker 1>Ray emotionally and sometimes physically, And we learned that she

0:34:24.600 --> 0:34:27.759
<v Speaker 1>dies of breast cancer, and then I was like, this

0:34:27.960 --> 0:34:30.719
<v Speaker 1>is just gonna keep getting sadder, isn't it. We also

0:34:30.880 --> 0:34:40.720
<v Speaker 1>learned and she is. It's so hardbreak it's always I remember,

0:34:41.120 --> 0:34:44.040
<v Speaker 1>this is not the same situation at all. But I

0:34:44.960 --> 0:34:47.160
<v Speaker 1>used to have like a very gummy smile because my

0:34:47.320 --> 0:34:49.600
<v Speaker 1>job was misaligned, so I was probably like I had

0:34:49.640 --> 0:34:53.279
<v Speaker 1>more gum than two when And so for like a

0:34:53.400 --> 0:34:56.360
<v Speaker 1>good few years when I smiled, I always covered my

0:34:56.480 --> 0:34:59.279
<v Speaker 1>mouth when I smiled or laughed in person. Yeah, and

0:35:00.000 --> 0:35:01.759
<v Speaker 1>my mom would always say, like how much that broke

0:35:01.840 --> 0:35:03.480
<v Speaker 1>her heart? And when I had to go through this

0:35:03.560 --> 0:35:05.640
<v Speaker 1>whole surgery and like getting jow surgery, it was like

0:35:05.680 --> 0:35:07.960
<v Speaker 1>a whole thing, but it was like it was such

0:35:08.040 --> 0:35:10.759
<v Speaker 1>a weird and visceral thing that I've never really talked about,

0:35:10.760 --> 0:35:12.880
<v Speaker 1>Like how nice it is to like I want to

0:35:13.040 --> 0:35:17.279
<v Speaker 1>smile and not cover your mouth. Yeah, it's like on

0:35:17.600 --> 0:35:19.920
<v Speaker 1>that episode of Queer Eye did you with with the

0:35:20.040 --> 0:35:23.920
<v Speaker 1>sisters that like, and she and she had messed up

0:35:24.000 --> 0:35:26.160
<v Speaker 1>teeth and she would always cover her mouth and then

0:35:26.200 --> 0:35:28.200
<v Speaker 1>at the end they picked her teeth and then she's

0:35:28.200 --> 0:35:32.759
<v Speaker 1>smiling with it. That made me cry. Um, Yeah, it

0:35:32.880 --> 0:35:37.800
<v Speaker 1>was very nice. Uh. Does Delminic's mother ever get to

0:35:37.880 --> 0:35:40.520
<v Speaker 1>be happy? Is it just that one day where they

0:35:40.600 --> 0:35:47.520
<v Speaker 1>get to meet who was one time? I think she

0:35:47.760 --> 0:35:52.000
<v Speaker 1>was almost happy when they went out to the movies

0:35:52.120 --> 0:35:54.239
<v Speaker 1>for the back to school day and then she got

0:35:54.320 --> 0:35:56.080
<v Speaker 1>that panting and she was like, I'm going to get

0:35:56.120 --> 0:35:58.520
<v Speaker 1>this painting of Jesus because it makes me happy. But

0:35:58.600 --> 0:36:03.880
<v Speaker 1>then was like change immediately. I think that that that

0:36:04.160 --> 0:36:07.160
<v Speaker 1>image of the quote unquote crazy man on the bus,

0:36:07.280 --> 0:36:11.400
<v Speaker 1>it's sexually harasss mom. I think really haunts Dominic because

0:36:11.440 --> 0:36:15.360
<v Speaker 1>obviously he has the same genetics as as Thomas, and

0:36:15.480 --> 0:36:19.200
<v Speaker 1>I think this idea of crazy is very nebulous, you know,

0:36:19.360 --> 0:36:21.839
<v Speaker 1>to his understanding, and I think he has this deep

0:36:22.000 --> 0:36:26.360
<v Speaker 1>fear of becoming the crazy man. He marked that it

0:36:26.520 --> 0:36:29.000
<v Speaker 1>was like this space that haunts my dreams because I

0:36:29.080 --> 0:36:30.600
<v Speaker 1>thought it was going to be I mean, obviously was

0:36:30.640 --> 0:36:32.759
<v Speaker 1>a terrifying scene, but I thought something worse was going

0:36:32.840 --> 0:36:35.560
<v Speaker 1>to happen, like you know, they would be get to

0:36:35.640 --> 0:36:37.520
<v Speaker 1>go to the hospital or something because of the way

0:36:38.200 --> 0:36:40.759
<v Speaker 1>he marks it, you know, of how this space will

0:36:40.880 --> 0:36:44.560
<v Speaker 1>forever haunt him. Um. And they also just thinking about

0:36:44.600 --> 0:36:49.319
<v Speaker 1>like toxic relationships and abusive relationships. When she goes home

0:36:49.400 --> 0:36:51.959
<v Speaker 1>and is crying and can't stop crying and then makes

0:36:52.000 --> 0:36:55.920
<v Speaker 1>them promise not to tell ray it's like that, and

0:36:56.080 --> 0:36:58.799
<v Speaker 1>not to tell ray that something that was not your

0:36:58.840 --> 0:37:01.840
<v Speaker 1>fault a very very bad thing, scary thing, that happened.

0:37:01.880 --> 0:37:03.919
<v Speaker 1>That was not your fault. It's such a clear sign

0:37:04.000 --> 0:37:07.040
<v Speaker 1>of abuse of like they she would have yelled at

0:37:07.080 --> 0:37:09.200
<v Speaker 1>her about that, that would have turned into a fight,

0:37:09.320 --> 0:37:12.800
<v Speaker 1>And it was just very heartbreaking. Yeah. The other the

0:37:12.880 --> 0:37:15.400
<v Speaker 1>other scene about Mom that was like so heartbreaking was

0:37:16.080 --> 0:37:18.960
<v Speaker 1>when she gets them that gift the typewriter and like

0:37:19.080 --> 0:37:21.120
<v Speaker 1>wants them to go to college, but raised like they

0:37:21.160 --> 0:37:23.520
<v Speaker 1>don't have enough. We we as a family don't have enough,

0:37:23.560 --> 0:37:26.680
<v Speaker 1>and so she wants to try and work. And just

0:37:26.840 --> 0:37:29.400
<v Speaker 1>thinking about her on that first day of work with

0:37:29.560 --> 0:37:32.799
<v Speaker 1>her hands shaking, and I like it took me back

0:37:32.840 --> 0:37:34.880
<v Speaker 1>to my mom, because my mom stayed at home and

0:37:34.920 --> 0:37:37.480
<v Speaker 1>then when all of us had grown up, she like

0:37:38.480 --> 0:37:41.560
<v Speaker 1>started working again for the first time in like twenty years.

0:37:42.160 --> 0:37:45.360
<v Speaker 1>And it never hit me, like how nerve wracking that

0:37:45.520 --> 0:37:48.320
<v Speaker 1>must be to have been out of the workforce for

0:37:48.400 --> 0:37:51.040
<v Speaker 1>so long and then going out into the It just

0:37:51.200 --> 0:37:53.640
<v Speaker 1>like the thought of the hands shaking and her going

0:37:53.680 --> 0:37:56.080
<v Speaker 1>out to work and and I'm not even getting to

0:37:56.239 --> 0:38:00.799
<v Speaker 1>do it. It was just so it was heartbreaking. Well,

0:38:00.840 --> 0:38:03.040
<v Speaker 1>I mean, I think it's also like a tiny little

0:38:03.080 --> 0:38:05.719
<v Speaker 1>bit of a triumphant moment for me too, that Ray

0:38:05.800 --> 0:38:07.680
<v Speaker 1>tells her that she will never be able to get

0:38:07.680 --> 0:38:09.320
<v Speaker 1>a job, like what does she even know how to do?

0:38:10.080 --> 0:38:12.360
<v Speaker 1>She goes down to a hotel and she applies and

0:38:12.440 --> 0:38:17.279
<v Speaker 1>she gets hired a medium. Um like yeah, and um,

0:38:17.920 --> 0:38:21.080
<v Speaker 1>in a way, UM, I understand that she did not

0:38:21.280 --> 0:38:24.080
<v Speaker 1>want to work and that that should be a choice

0:38:24.120 --> 0:38:27.919
<v Speaker 1>for people, But um, I desperately wish she had taken

0:38:27.960 --> 0:38:30.160
<v Speaker 1>that job because I think it might have given her

0:38:30.200 --> 0:38:32.960
<v Speaker 1>a support system outside of it, might have let her

0:38:33.040 --> 0:38:37.000
<v Speaker 1>see that there were people who valued her labor. And yeah, yeah, yeah,

0:38:37.680 --> 0:38:41.200
<v Speaker 1>I think Ma is a is a incredibly heartbreaking character.

0:38:41.440 --> 0:38:47.960
<v Speaker 1>But Ray is also this major figure that looms over Dominic. Uh.

0:38:48.080 --> 0:38:50.080
<v Speaker 1>The detail that stuck with me is this idea that

0:38:51.320 --> 0:38:55.319
<v Speaker 1>Ray kind of preferred Dominic and he Dominic goes into

0:38:55.400 --> 0:38:57.680
<v Speaker 1>this with Dr Battel, but this weird feeling of like

0:38:58.080 --> 0:39:02.239
<v Speaker 1>both guilt and pride. Ray was sort of like, you know,

0:39:02.239 --> 0:39:05.040
<v Speaker 1>because Dominic was more like an athlete, more popular, that

0:39:05.200 --> 0:39:09.560
<v Speaker 1>he really attacked Ma and Thomas and Dominic sort of

0:39:09.640 --> 0:39:12.680
<v Speaker 1>got away. I don't know what did you guys make

0:39:12.719 --> 0:39:14.200
<v Speaker 1>of that. I just want to say something about the

0:39:14.200 --> 0:39:17.120
<v Speaker 1>work scene because that was when like the racism really

0:39:17.320 --> 0:39:19.360
<v Speaker 1>jumped out at me because that scene I don't know

0:39:19.360 --> 0:39:22.200
<v Speaker 1>if y'all remember, but has the N word in it,

0:39:22.680 --> 0:39:26.520
<v Speaker 1>and that's what that's what really forces raised hand in

0:39:26.600 --> 0:39:29.520
<v Speaker 1>this college situation. And he's like, fine, I will pay

0:39:29.640 --> 0:39:32.719
<v Speaker 1>for college because I don't want my wife to have

0:39:32.840 --> 0:39:35.640
<v Speaker 1>to do nigger work. And just for everybody listening and reminder,

0:39:35.680 --> 0:39:39.200
<v Speaker 1>I am black, um, so you can't see me, but

0:39:39.320 --> 0:39:42.000
<v Speaker 1>I am. But that I had to put the book

0:39:42.040 --> 0:39:45.000
<v Speaker 1>down after that because I was like, oh God, it's

0:39:45.040 --> 0:39:48.520
<v Speaker 1>not even about like I want you to stay home

0:39:48.680 --> 0:39:53.919
<v Speaker 1>because of like being a homemaker is a full time

0:39:54.000 --> 0:39:55.759
<v Speaker 1>job and you're not gonna be able to do that well.

0:39:55.840 --> 0:39:58.319
<v Speaker 1>And we've arranged this house so that it works this way,

0:39:58.800 --> 0:40:00.720
<v Speaker 1>or I want you to be home for of the kids.

0:40:01.280 --> 0:40:06.400
<v Speaker 1>Know that being a good racism and this deep seated

0:40:06.719 --> 0:40:09.440
<v Speaker 1>like honor thing like you are my property and I

0:40:09.480 --> 0:40:12.080
<v Speaker 1>don't want anyone to see my property engaged in something

0:40:12.160 --> 0:40:16.080
<v Speaker 1>that I believe to be beneath them, And that just

0:40:16.239 --> 0:40:19.440
<v Speaker 1>like made my skin crawl and ray. From then on,

0:40:19.640 --> 0:40:21.480
<v Speaker 1>I was just like, I don't care what he does.

0:40:21.600 --> 0:40:25.800
<v Speaker 1>He is the least redeemable character in this book again

0:40:25.920 --> 0:40:31.719
<v Speaker 1>because he both physically and psychologically abuses Thomas. Dominic mom,

0:40:31.840 --> 0:40:35.960
<v Speaker 1>I mean he physically abuses Thomas in the book, Well,

0:40:36.080 --> 0:40:39.600
<v Speaker 1>there's a moment that was I also feel like kind

0:40:39.680 --> 0:40:43.520
<v Speaker 1>of blossed over where Dominic talks about when they were younger. Um,

0:40:43.800 --> 0:40:46.880
<v Speaker 1>he has them kneeling on right. Oh my god, that

0:40:47.080 --> 0:40:52.320
<v Speaker 1>was terrifying because you don't even like when they said it,

0:40:52.680 --> 0:40:55.080
<v Speaker 1>I was like, what is what? And then when he

0:40:55.200 --> 0:40:58.279
<v Speaker 1>explained he didn't even understand until it was happening, the

0:40:58.400 --> 0:41:02.480
<v Speaker 1>pain of it, and like the taping his um that

0:41:02.680 --> 0:41:05.840
<v Speaker 1>was at hand hands so he couldn't eat. It was

0:41:06.640 --> 0:41:10.080
<v Speaker 1>like a dog. It was. It was such like this

0:41:10.239 --> 0:41:14.160
<v Speaker 1>sounds like I'm glorifying it, but like creative abuse, like

0:41:14.320 --> 0:41:16.880
<v Speaker 1>abuse of a kind of person that has such a

0:41:17.000 --> 0:41:20.440
<v Speaker 1>sick mind that they are like I I don't just

0:41:20.480 --> 0:41:23.000
<v Speaker 1>want to hit this person. I want to find ways

0:41:23.280 --> 0:41:28.239
<v Speaker 1>to torture them. It's all tord it's all means of torture. Um.

0:41:28.960 --> 0:41:31.840
<v Speaker 1>It was. It was awful. That was the note I

0:41:31.920 --> 0:41:36.760
<v Speaker 1>made that scene that Ray like duct tapes Thomas's hands

0:41:36.880 --> 0:41:39.960
<v Speaker 1>so he can't I guess chew on them whatever he

0:41:40.080 --> 0:41:44.040
<v Speaker 1>was doing wrong, which children, especially anxious children do. So

0:41:44.360 --> 0:41:47.600
<v Speaker 1>the scene that they described then is Thomas having to

0:41:47.680 --> 0:41:50.200
<v Speaker 1>eat his dinner just with his like face, like a

0:41:50.280 --> 0:41:52.600
<v Speaker 1>dog in a ball. And also then I wrote in

0:41:52.680 --> 0:41:55.439
<v Speaker 1>the margin, like and then he cuts off his own hand,

0:41:55.600 --> 0:41:59.759
<v Speaker 1>Like there has to be some sort of maybe metaphorical

0:42:00.000 --> 0:42:02.279
<v Speaker 1>are alel to that idea of like, I don't know.

0:42:02.360 --> 0:42:04.800
<v Speaker 1>I mean this is because this is fiction, you know,

0:42:05.160 --> 0:42:07.040
<v Speaker 1>I could be reading too much of date, But also

0:42:07.560 --> 0:42:11.640
<v Speaker 1>there's this idea like I think I'm not an expert

0:42:11.760 --> 0:42:16.000
<v Speaker 1>on psychology or mental illness, but like, I can't imagine

0:42:16.040 --> 0:42:21.000
<v Speaker 1>a childhood of traumatic abuse helps healthy development if you're

0:42:21.000 --> 0:42:27.800
<v Speaker 1>already have those uh you know, programs inside your chemical

0:42:30.640 --> 0:42:34.200
<v Speaker 1>It just broke my heart. Yeah. Um. One of the

0:42:34.280 --> 0:42:37.239
<v Speaker 1>most terrible, the most terrifying moment in this for me

0:42:37.800 --> 0:42:40.080
<v Speaker 1>is when Ray's solutionus like, maybe I should have been

0:42:40.160 --> 0:42:44.560
<v Speaker 1>harder on him, like your mother hating him, So maybe

0:42:44.600 --> 0:42:46.080
<v Speaker 1>if I just beat in him a little more it

0:42:46.080 --> 0:42:48.319
<v Speaker 1>would have been better, which, um, I think we can

0:42:48.440 --> 0:42:51.279
<v Speaker 1>all agree with not have helped. And even if their

0:42:51.360 --> 0:42:55.200
<v Speaker 1>childhood already seems very traumatic and if that's how paranoid

0:42:55.239 --> 0:43:01.640
<v Speaker 1>schizophrenia started was because of behaviors in childhood, no, Like,

0:43:02.080 --> 0:43:05.200
<v Speaker 1>why would you think that because with the rice thing

0:43:05.280 --> 0:43:08.560
<v Speaker 1>what stuck out to me about that Rice torture was

0:43:08.760 --> 0:43:11.759
<v Speaker 1>that if you didn't cry, you got to get up,

0:43:11.920 --> 0:43:15.560
<v Speaker 1>but if you reacted in any way to being tortured,

0:43:15.800 --> 0:43:19.960
<v Speaker 1>you got tortured longer. And then with the tragedy is dominic.

0:43:20.440 --> 0:43:24.520
<v Speaker 1>His inability to show grief and express himself is partly

0:43:24.640 --> 0:43:28.400
<v Speaker 1>what leads to the end of his marriage. He to

0:43:28.520 --> 0:43:31.200
<v Speaker 1>get into it a tiny bit. He and his wife, Dessa,

0:43:31.360 --> 0:43:35.880
<v Speaker 1>lose a child at three weeks incredibly tragically, and Dessa

0:43:36.040 --> 0:43:38.680
<v Speaker 1>wants him to open up, wants him to be able

0:43:38.760 --> 0:43:42.160
<v Speaker 1>to express their shared grief, and he bottles it up

0:43:42.280 --> 0:43:46.080
<v Speaker 1>until he literally just burst out into tears while teaching

0:43:46.160 --> 0:43:50.200
<v Speaker 1>a class, and then he leaves and never comes back back.

0:43:51.760 --> 0:43:54.560
<v Speaker 1>It gave me so much hope towards the end when

0:43:54.640 --> 0:43:57.360
<v Speaker 1>dr tell told him that he can't keep being like

0:43:57.480 --> 0:44:01.680
<v Speaker 1>a Tupper war love, that she could not the word

0:44:03.480 --> 0:44:09.800
<v Speaker 1>you and sell those things to you. But it broke

0:44:09.880 --> 0:44:12.000
<v Speaker 1>my heart. It broke my heart with Dessa where you

0:44:12.040 --> 0:44:15.320
<v Speaker 1>could so tell that Dessa needed to share that grief

0:44:15.400 --> 0:44:18.360
<v Speaker 1>with her partner and needed him to open up and

0:44:18.520 --> 0:44:20.600
<v Speaker 1>be there with him and express that, and he and

0:44:21.000 --> 0:44:24.880
<v Speaker 1>I could not, And I mean the most heartbreaking moment

0:44:25.160 --> 0:44:29.000
<v Speaker 1>for me, and that maybe was when he hears her

0:44:29.160 --> 0:44:33.560
<v Speaker 1>crying in in the baby's room and he's like, just

0:44:33.960 --> 0:44:37.680
<v Speaker 1>lets her cry, like, doesn't go comfort her. And he's

0:44:37.760 --> 0:44:41.880
<v Speaker 1>like and has the thought that, like only a psychotic

0:44:42.040 --> 0:44:44.960
<v Speaker 1>person wouldn't go help her. I'm not going to help

0:44:45.000 --> 0:44:48.000
<v Speaker 1>her though, Yeah, and then he thinks back to that moment,

0:44:48.160 --> 0:44:50.960
<v Speaker 1>like if I had gone and comforted her, would we

0:44:51.000 --> 0:44:54.440
<v Speaker 1>still be together? And like maybe maybe, like maybe, because

0:44:54.560 --> 0:44:56.680
<v Speaker 1>it could have been, like you might have cried and

0:44:56.800 --> 0:44:59.000
<v Speaker 1>then you could have talked to each other instead of

0:44:59.040 --> 0:45:02.080
<v Speaker 1>getting a basective me. Well, she's in Greece a trip

0:45:02.160 --> 0:45:05.160
<v Speaker 1>that she asked you to come on. Yeah, but I

0:45:05.320 --> 0:45:09.200
<v Speaker 1>think she's making and maybe think she'll be happy about

0:45:09.680 --> 0:45:12.760
<v Speaker 1>I mean without telling her. Yeah, that was like Dessa

0:45:12.960 --> 0:45:16.080
<v Speaker 1>was going doing this really big thing, like let's go

0:45:16.280 --> 0:45:19.120
<v Speaker 1>to Greece, let's like reconnect, let's be with each other.

0:45:19.200 --> 0:45:21.040
<v Speaker 1>And then when she comes back, they have this really

0:45:21.120 --> 0:45:24.560
<v Speaker 1>cathartic moment and she cries and you're like, maybe they're

0:45:24.560 --> 0:45:26.520
<v Speaker 1>going to get through this. And then he's like, I

0:45:26.600 --> 0:45:32.600
<v Speaker 1>got a vasectomy without telling you. I don't believe in

0:45:32.680 --> 0:45:37.200
<v Speaker 1>God and I got a vasectomy. Yeah, and what I

0:45:37.400 --> 0:45:40.600
<v Speaker 1>thought was so beautiful in that chapter with Tessa was

0:45:40.719 --> 0:45:45.040
<v Speaker 1>like she had done the work of dealing with this

0:45:45.280 --> 0:45:49.520
<v Speaker 1>loss and grieving that she it started to show that

0:45:49.640 --> 0:45:51.200
<v Speaker 1>she was on the other side of it, like not

0:45:51.320 --> 0:45:54.160
<v Speaker 1>that she was finished grieving, but that her saying that

0:45:54.320 --> 0:45:57.560
<v Speaker 1>like now the memory of this baby is like not

0:45:57.719 --> 0:46:00.640
<v Speaker 1>a tragedy, but it's like she's so grateful, And it

0:46:00.800 --> 0:46:03.759
<v Speaker 1>really showed like that kind of progress that people go

0:46:03.880 --> 0:46:06.600
<v Speaker 1>through with grief, and she got on the other side

0:46:06.640 --> 0:46:09.360
<v Speaker 1>of it. But He's just still so stuck in the

0:46:09.440 --> 0:46:13.879
<v Speaker 1>tupperware um of anger, at the tupperware field with rage

0:46:14.480 --> 0:46:17.760
<v Speaker 1>that he did this horrible thing. Well, because you know, Melissa,

0:46:18.239 --> 0:46:20.920
<v Speaker 1>if you cry, you get more time kneeling in the

0:46:21.239 --> 0:46:25.320
<v Speaker 1>right kneeling right, there is something to him being like that,

0:46:25.800 --> 0:46:28.840
<v Speaker 1>like the martyr, like taking that position of being the

0:46:28.920 --> 0:46:32.080
<v Speaker 1>martyr in this situation where he does describe like at

0:46:32.120 --> 0:46:36.360
<v Speaker 1>the very first several weeks months of after losing their daughter,

0:46:36.880 --> 0:46:41.640
<v Speaker 1>that he's kind of holding things together, is like letting Dessa,

0:46:42.480 --> 0:46:45.520
<v Speaker 1>you know, be with his with her mother and sister

0:46:45.760 --> 0:46:49.480
<v Speaker 1>and crying and grieving and he's you know, doing things

0:46:49.560 --> 0:46:53.719
<v Speaker 1>around the house, getting groceries together, spending time with his

0:46:54.239 --> 0:46:57.000
<v Speaker 1>father in law, and in some ways is like is

0:46:57.040 --> 0:47:01.080
<v Speaker 1>sharing with us that he was an emotional rock, even

0:47:01.120 --> 0:47:03.960
<v Speaker 1>though it was not the healthiest of things that he

0:47:04.160 --> 0:47:06.720
<v Speaker 1>was doing. But that's sort of like taking that position

0:47:06.760 --> 0:47:08.520
<v Speaker 1>of being in the martyr he's doing. He's doing it

0:47:08.560 --> 0:47:12.120
<v Speaker 1>all over again, like taking on the emotional burden of

0:47:12.239 --> 0:47:17.720
<v Speaker 1>like taking care instead of opening up. It is interesting

0:47:17.840 --> 0:47:20.480
<v Speaker 1>because yeah, it's like she he goes to the funeral home,

0:47:20.680 --> 0:47:23.560
<v Speaker 1>and it's like he does all the things that are

0:47:24.239 --> 0:47:28.200
<v Speaker 1>taught in sort of like fifties traditional masculine ways in

0:47:28.280 --> 0:47:30.719
<v Speaker 1>which you handle tragedies. It's like, I'm going to be

0:47:30.840 --> 0:47:34.200
<v Speaker 1>the tough one that the girl can collapse on, and

0:47:34.280 --> 0:47:36.120
<v Speaker 1>I'm going to be like a tree trunk, you know.

0:47:36.400 --> 0:47:40.320
<v Speaker 1>And but he can't do the other part um. And

0:47:40.400 --> 0:47:42.320
<v Speaker 1>it is important to remember that he was raised in

0:47:42.360 --> 0:47:45.640
<v Speaker 1>the nineteen fifties. Yes, because when the book starts, he's

0:47:45.640 --> 0:47:55.200
<v Speaker 1>like forty. I think, yeah, this is Popcorn Book Club.

0:47:55.400 --> 0:48:04.759
<v Speaker 1>We'll be right back after this quick break. Okay, we're

0:48:04.840 --> 0:48:08.120
<v Speaker 1>back with Popcorn Book Club. I want to take a

0:48:08.320 --> 0:48:11.480
<v Speaker 1>brief detour. There is one story we get early on

0:48:11.680 --> 0:48:14.719
<v Speaker 1>that seems to be kind of a departure because it's

0:48:14.760 --> 0:48:18.560
<v Speaker 1>not about tragedy really, and it's not about Thomas. But

0:48:18.680 --> 0:48:24.040
<v Speaker 1>it's a story about Ma having a handwritten memoir written

0:48:24.120 --> 0:48:28.040
<v Speaker 1>by her father. Say it again, it feels like a

0:48:28.120 --> 0:48:31.719
<v Speaker 1>weird departure. Like, so the story is Ma has a

0:48:31.840 --> 0:48:35.800
<v Speaker 1>handwritten memoir by her immigrant father who came from Italy

0:48:36.239 --> 0:48:39.760
<v Speaker 1>and builed himself up. And he we get this subplot

0:48:39.840 --> 0:48:42.919
<v Speaker 1>that he tried to hire a stenographer and it didn't work.

0:48:43.040 --> 0:48:45.880
<v Speaker 1>So then he's like, I'm just doing it myself, and

0:48:46.000 --> 0:48:50.800
<v Speaker 1>we kind of he's Dominic's namesake, dominica Um. But basically

0:48:51.200 --> 0:48:53.880
<v Speaker 1>Mam leaves it to Dominic and it's like, here's you know,

0:48:54.000 --> 0:48:57.799
<v Speaker 1>your grandfather's memoir and story, but it's all in uh

0:48:58.239 --> 0:49:06.680
<v Speaker 1>peasant Italian and hasn't Sicilian Sicilian. My apologies. He brings

0:49:06.760 --> 0:49:09.760
<v Speaker 1>it to a local university to get a grad student

0:49:09.880 --> 0:49:12.240
<v Speaker 1>to translate it for him. I mean, get the story

0:49:12.280 --> 0:49:14.800
<v Speaker 1>about a woman named Nidra. Doesn't want to pick it

0:49:14.880 --> 0:49:19.000
<v Speaker 1>up nature. I mean with Nidra, I only want to

0:49:19.080 --> 0:49:21.319
<v Speaker 1>say that he describes her the thing that stuck out

0:49:21.360 --> 0:49:23.520
<v Speaker 1>to me, and only maybe because I'm like, my partner

0:49:23.640 --> 0:49:25.920
<v Speaker 1>is a professor, so I'm like this sticks out to

0:49:26.000 --> 0:49:28.200
<v Speaker 1>be so much. But he walks in and it's like

0:49:28.719 --> 0:49:32.000
<v Speaker 1>she looked about forty or who knows. You can't tell

0:49:32.080 --> 0:49:35.040
<v Speaker 1>with women who pull their hair back tight up into

0:49:35.120 --> 0:49:37.160
<v Speaker 1>a bun and wear glasses around their neck. And I

0:49:37.280 --> 0:49:42.640
<v Speaker 1>was like, that's so rude. I have both of these

0:49:42.680 --> 0:49:48.440
<v Speaker 1>things going on. I could be funny. You just don't know.

0:49:48.760 --> 0:49:52.280
<v Speaker 1>You just don't know. I assumed you were eight years old, Melissa.

0:49:52.440 --> 0:49:57.120
<v Speaker 1>I just I cannot tell. I don't know. Um, I

0:49:57.200 --> 0:49:58.960
<v Speaker 1>can take it from here a little bit. But he

0:49:59.440 --> 0:50:02.319
<v Speaker 1>he tries. He asked this woman to translate this book

0:50:02.400 --> 0:50:04.840
<v Speaker 1>for her, and she's very which I love. She's like

0:50:05.000 --> 0:50:08.239
<v Speaker 1>unemotionally attached to the whole project. Doesn't see why this

0:50:08.440 --> 0:50:11.200
<v Speaker 1>is like of utmost importance to this man. But it's

0:50:11.239 --> 0:50:13.920
<v Speaker 1>just like, yeah, sure, I'll charge such and such page

0:50:14.040 --> 0:50:15.800
<v Speaker 1>for such and such. I think like eight bucks a

0:50:15.840 --> 0:50:19.719
<v Speaker 1>page or five books a page. It was very expensive.

0:50:20.640 --> 0:50:24.840
<v Speaker 1>Is it really? Whatever? Great? He is? He agrees, especially

0:50:24.920 --> 0:50:30.200
<v Speaker 1>in eight Oh my gosh, right, I'm thinking about it earlier.

0:50:30.560 --> 0:50:33.359
<v Speaker 1>I guess because the big event happened in this could

0:50:33.360 --> 0:50:40.359
<v Speaker 1>be like eight five maybe yeah, because it's like someone

0:50:40.400 --> 0:50:45.080
<v Speaker 1>who Yeah, he's just messed around, although you know what

0:50:45.239 --> 0:50:48.080
<v Speaker 1>what she's saying is she has a very specific skill

0:50:48.160 --> 0:50:52.480
<v Speaker 1>set where knowing peasant Sicilian is not probably does not

0:50:52.600 --> 0:50:55.279
<v Speaker 1>have a lot of income opportunities, and so she's like,

0:50:55.400 --> 0:50:58.960
<v Speaker 1>here's an opportunity I am getting. Yeah, I just think

0:50:59.000 --> 0:51:02.000
<v Speaker 1>it's important to note that the mom is actively dying

0:51:02.320 --> 0:51:05.600
<v Speaker 1>during the whole process, and she's like, like it does

0:51:05.680 --> 0:51:08.000
<v Speaker 1>not face her at all, Like, Okay, well it's going

0:51:08.040 --> 0:51:10.320
<v Speaker 1>to take a long time, and I don't care that

0:51:10.400 --> 0:51:14.320
<v Speaker 1>your mother has to live. He wanted he wanted to

0:51:14.360 --> 0:51:16.880
<v Speaker 1>have it translated that he could give it to his

0:51:17.040 --> 0:51:21.400
<v Speaker 1>mom dying mother as a gift. Yeah. Um, I just

0:51:21.560 --> 0:51:24.640
<v Speaker 1>kept thinking, Um, social media is very bad on a

0:51:24.719 --> 0:51:28.000
<v Speaker 1>lot of levels. But the one thing that I thought

0:51:28.040 --> 0:51:30.240
<v Speaker 1>would be great is if you were doing this today,

0:51:30.360 --> 0:51:32.399
<v Speaker 1>you would just put a post up on Facebook saying,

0:51:32.480 --> 0:51:35.560
<v Speaker 1>like he does anybody speaks Sicilian? I need a book

0:51:35.560 --> 0:51:37.560
<v Speaker 1>in like two weeks. Can you give me a rough

0:51:37.600 --> 0:51:40.600
<v Speaker 1>translation what I've done it for like a hundred and

0:51:40.680 --> 0:51:44.560
<v Speaker 1>fifty Yeah, isn't it. In that first meeting too, as

0:51:44.600 --> 0:51:46.719
<v Speaker 1>she's flipping through the book and seeing that it's like

0:51:47.120 --> 0:51:49.759
<v Speaker 1>put together haphazardly. Some of its type some of it's

0:51:49.760 --> 0:51:52.360
<v Speaker 1>in peasants Sicilian, some of it is in Italian, and

0:51:52.920 --> 0:51:55.480
<v Speaker 1>she's like, man, is your grandfather is schizo? She makes

0:51:55.520 --> 0:51:58.480
<v Speaker 1>like a quick she makes a clear little reference like

0:51:58.600 --> 0:52:01.680
<v Speaker 1>whoa was he a schizo? And he and dominic is

0:52:01.800 --> 0:52:06.640
<v Speaker 1>like fills with rage, and I think turns to leave,

0:52:06.719 --> 0:52:08.920
<v Speaker 1>and then she's like, fine, I'll do it. And I

0:52:09.000 --> 0:52:11.680
<v Speaker 1>think that's maybe the first little glimpse that we get

0:52:11.800 --> 0:52:16.200
<v Speaker 1>about Papa and like having this off handed comment from

0:52:16.239 --> 0:52:19.759
<v Speaker 1>this woman. And then I mean, the big arc of

0:52:19.880 --> 0:52:23.640
<v Speaker 1>it is that she ends up coming over to his

0:52:23.719 --> 0:52:28.840
<v Speaker 1>house one night, getting super drunk during a snowstorm, tries

0:52:28.960 --> 0:52:31.560
<v Speaker 1>to like hook up with him, he doesn't want it,

0:52:31.680 --> 0:52:34.680
<v Speaker 1>and then she runs away, accusing him of sexual assault,

0:52:35.080 --> 0:52:39.399
<v Speaker 1>takes the memoir and all the pages, and then disappears

0:52:40.320 --> 0:52:44.840
<v Speaker 1>completely completely from her job. That is a really important

0:52:44.960 --> 0:52:49.439
<v Speaker 1>detail you forgot. She stole the blanket off of his bed.

0:52:51.520 --> 0:52:53.359
<v Speaker 1>She didn't take it home with her. She didn't take

0:52:53.400 --> 0:52:55.480
<v Speaker 1>it home with her, But when he was getting the

0:52:55.600 --> 0:52:58.040
<v Speaker 1>pizza or something like, he stepped out of the room

0:52:58.080 --> 0:53:00.440
<v Speaker 1>for a moment and she had gone up into his

0:53:00.600 --> 0:53:03.880
<v Speaker 1>bedroom and taking the comforter off of his bed and

0:53:04.040 --> 0:53:07.239
<v Speaker 1>wrapped herself in it, and I was just like, she

0:53:07.320 --> 0:53:13.160
<v Speaker 1>has no boundary. She so aggressive, just like eventually like

0:53:13.239 --> 0:53:17.520
<v Speaker 1>getting her own beers and just being like, well, what

0:53:17.640 --> 0:53:22.080
<v Speaker 1>are we doing for dinner? Just oh, yeah, he hasn't

0:53:22.120 --> 0:53:25.560
<v Speaker 1>given her. She took it out. She took it out

0:53:25.640 --> 0:53:31.000
<v Speaker 1>the check that he gave her, like my and she

0:53:31.160 --> 0:53:36.520
<v Speaker 1>has the most aggressive person in this book. Yeah, she's

0:53:36.640 --> 0:53:39.440
<v Speaker 1>so weird. She's played by Juliette Louis, to which I

0:53:39.560 --> 0:53:44.840
<v Speaker 1>feel that makes sense to me that I haven't that

0:53:44.960 --> 0:53:48.000
<v Speaker 1>actually want to watch the I haven't watched it, but

0:53:48.160 --> 0:53:51.560
<v Speaker 1>that detail, I'm like, I want to see that. That's

0:53:51.719 --> 0:53:55.880
<v Speaker 1>perfect casting. Yes, I agreed, I haven't watched any of

0:53:55.960 --> 0:53:58.279
<v Speaker 1>it yet and I didn't look at any casting either.

0:53:59.080 --> 0:54:01.960
<v Speaker 1>Can I also say there's one the one very funny

0:54:02.120 --> 0:54:05.480
<v Speaker 1>detail about Nidra, And maybe it's like funny just because

0:54:05.520 --> 0:54:07.600
<v Speaker 1>the rest of this book is so pitch black, but

0:54:07.719 --> 0:54:10.160
<v Speaker 1>the fact that she's like she when he like checks

0:54:10.200 --> 0:54:12.959
<v Speaker 1>in with hers, she's like, you shouldn't give this book

0:54:13.040 --> 0:54:15.960
<v Speaker 1>to your mom. You haven't read this. This sucks, And

0:54:16.600 --> 0:54:19.640
<v Speaker 1>she's like, this book straight up sucks, and your grandfather

0:54:19.800 --> 0:54:24.920
<v Speaker 1>is a misogynist and like a nightmare Yeah, it's funny

0:54:25.320 --> 0:54:29.960
<v Speaker 1>because that whole section it felt like comedy even though

0:54:30.000 --> 0:54:33.000
<v Speaker 1>it's so dark. But it just everything else is so

0:54:33.280 --> 0:54:39.040
<v Speaker 1>bleakly sad that somehow like a woman being aggressive while

0:54:39.320 --> 0:54:42.960
<v Speaker 1>trying to fulfill his mom's dying wish and going crazy

0:54:43.160 --> 0:54:45.880
<v Speaker 1>and losing the one thing that was gifted to him

0:54:46.000 --> 0:54:52.000
<v Speaker 1>is like what a farce? Yeah, no, it is really firsical,

0:54:52.080 --> 0:54:54.400
<v Speaker 1>but it also made me really sad a very at

0:54:54.440 --> 0:54:59.000
<v Speaker 1>some point hess his grandfather's grave and honest, grandfather's grave

0:54:59.160 --> 0:55:02.040
<v Speaker 1>is written the great His griefs are silent, and clearly

0:55:02.160 --> 0:55:04.359
<v Speaker 1>this was a man who like tried to air those

0:55:04.400 --> 0:55:06.640
<v Speaker 1>griefs and he tried to put them someplace, and he

0:55:06.719 --> 0:55:09.440
<v Speaker 1>tried to write about them, and now they're just gone

0:55:09.760 --> 0:55:13.680
<v Speaker 1>and nobody will ever know about She's got to come back. Yeah,

0:55:14.200 --> 0:55:16.800
<v Speaker 1>come back for sure. I feel like there will be

0:55:16.840 --> 0:55:21.160
<v Speaker 1>a return because it feel like and this may seem obvious,

0:55:21.280 --> 0:55:24.320
<v Speaker 1>but that it's it is such a mirror of like

0:55:24.480 --> 0:55:26.759
<v Speaker 1>he is writing this memoir even though it's fiction, like

0:55:27.200 --> 0:55:31.120
<v Speaker 1>it is this memoir of his life, and it does

0:55:31.239 --> 0:55:34.120
<v Speaker 1>go keep going back to his childhood and teenage years

0:55:34.160 --> 0:55:36.360
<v Speaker 1>and building out the story of him and his brother

0:55:37.280 --> 0:55:41.000
<v Speaker 1>and then he is like trying to craft this, like

0:55:41.560 --> 0:55:45.520
<v Speaker 1>bring back this memoir of his grandfather. And it does

0:55:45.680 --> 0:55:49.080
<v Speaker 1>feel like obvious parallels between the two of like this man,

0:55:49.239 --> 0:55:51.640
<v Speaker 1>it's all from his own it's all from his perspective,

0:55:51.840 --> 0:55:54.719
<v Speaker 1>you know, and it does feel and it kind of

0:55:54.760 --> 0:55:59.560
<v Speaker 1>bounces around, and so it feels like it's paralleling to build.

0:55:59.760 --> 0:56:02.879
<v Speaker 1>I just have a quick question, what because I don't

0:56:02.920 --> 0:56:04.560
<v Speaker 1>know if it's just my I got an old copy,

0:56:04.680 --> 0:56:10.719
<v Speaker 1>but my pages are like purposefully and like the like

0:56:10.920 --> 0:56:14.640
<v Speaker 1>the book the Grandfather is like manuscript is described. When

0:56:14.719 --> 0:56:17.040
<v Speaker 1>I first got it, my girlfriend was like, Okay, that

0:56:17.160 --> 0:56:19.560
<v Speaker 1>book is fucked up. Don't bring it into the bedroom,

0:56:20.239 --> 0:56:23.840
<v Speaker 1>like thinking like it's cursed, like it's like it's like

0:56:24.320 --> 0:56:27.040
<v Speaker 1>I had like damaged or like filthy, like we didn't know.

0:56:27.120 --> 0:56:28.279
<v Speaker 1>But then I looked at it, I was like, wait

0:56:28.280 --> 0:56:33.560
<v Speaker 1>a minute, no, this is intentional. Yeah, that's so good.

0:56:33.719 --> 0:56:36.320
<v Speaker 1>I think the idea that the best Greeks are silent

0:56:36.400 --> 0:56:38.600
<v Speaker 1>like that is I feel like the struggle to be

0:56:38.719 --> 0:56:43.480
<v Speaker 1>able to own your story is like this is toxic masculinity.

0:56:43.600 --> 0:56:47.320
<v Speaker 1>The musical oh yeah, yeah no, And it's just clearly

0:56:47.360 --> 0:56:50.800
<v Speaker 1>continuing the cycle with another Italian American man named Dominic

0:56:51.200 --> 0:56:54.959
<v Speaker 1>who is trying to share his grief in some way

0:56:55.480 --> 0:56:58.680
<v Speaker 1>that that he can at least put it in someplace.

0:56:59.560 --> 0:57:04.319
<v Speaker 1>I hope get to read some of um. Yeah, yeah,

0:57:04.480 --> 0:57:06.480
<v Speaker 1>I really want to know what He and Grandma aren't

0:57:06.480 --> 0:57:12.840
<v Speaker 1>buried together, like something something bad happened. More about Mars past.

0:57:12.920 --> 0:57:14.399
<v Speaker 1>I want to know who their father is. I wonder

0:57:14.400 --> 0:57:17.240
<v Speaker 1>if it's their father is. And you know what, in

0:57:17.400 --> 0:57:20.680
<v Speaker 1>normal people, we never found out who Connell's father was,

0:57:21.200 --> 0:57:24.280
<v Speaker 1>and I want to know who Dominic and Thomas's father is.

0:57:24.400 --> 0:57:27.280
<v Speaker 1>I want to know who people's fathers are. Now maybe

0:57:27.320 --> 0:57:30.040
<v Speaker 1>that's my require. We should just have to know. We

0:57:30.080 --> 0:57:33.760
<v Speaker 1>should be fathering every book we read. We never know

0:57:33.880 --> 0:57:41.200
<v Speaker 1>who the father is. That's the theme of this podcast

0:57:41.360 --> 0:57:47.040
<v Speaker 1>now no longer about things getting turned into TV. It's

0:57:47.440 --> 0:57:49.520
<v Speaker 1>the father thing. One thing that stood out to me

0:57:49.680 --> 0:57:51.600
<v Speaker 1>when he was talking about Ray there was the end

0:57:51.640 --> 0:57:54.600
<v Speaker 1>of one chapter was like, our father could be anyone.

0:57:54.720 --> 0:57:57.120
<v Speaker 1>It could be Alessandro, could be this person, it could

0:57:57.120 --> 0:57:58.560
<v Speaker 1>be that person, could be anyone in the world, but

0:57:58.640 --> 0:58:02.960
<v Speaker 1>it's definitely not Ray. And it's just so interesting, like

0:58:03.640 --> 0:58:06.160
<v Speaker 1>how I mean, Ray is a terrible man, but just

0:58:06.400 --> 0:58:09.720
<v Speaker 1>how he like we will never accept that Ray is

0:58:09.880 --> 0:58:13.880
<v Speaker 1>his father, you know. Yeah. He constantly is reminding people

0:58:14.000 --> 0:58:19.000
<v Speaker 1>that Ray stepfather, although although they have raised last name,

0:58:19.080 --> 0:58:22.000
<v Speaker 1>which I think is notable and sort of an interesting

0:58:22.120 --> 0:58:26.200
<v Speaker 1>thing that Thomas never or Dominic rather, never rebelled against,

0:58:26.240 --> 0:58:31.120
<v Speaker 1>never changed. He sort of tacitly accepts that Ray is

0:58:31.200 --> 0:58:35.560
<v Speaker 1>the father figure in his life while still vehemently believed,

0:58:35.640 --> 0:58:40.919
<v Speaker 1>knowing in his heart that he is just his stepfather. Yeah. Yeah,

0:58:41.080 --> 0:58:45.600
<v Speaker 1>Ray loves in his childhood his grandfather built and they

0:58:45.760 --> 0:58:48.480
<v Speaker 1>they once had their mom's last name, because early on

0:58:48.640 --> 0:58:50.680
<v Speaker 1>they mentioned that when they were born, and it was

0:58:50.720 --> 0:58:54.040
<v Speaker 1>like a news story because they were born on the

0:58:54.640 --> 0:58:57.240
<v Speaker 1>New Year's that they had their mom's last name. But

0:58:57.280 --> 0:59:00.240
<v Speaker 1>then when she married Ray, they all sort of took

0:59:00.320 --> 0:59:05.480
<v Speaker 1>that heteronormative nineteen fifties little family ideal, which is such

0:59:05.480 --> 0:59:10.440
<v Speaker 1>an interesting detail. Good job, Wally. The twins, the twins

0:59:11.040 --> 0:59:14.600
<v Speaker 1>being on either side of the year, I was like, okay,

0:59:19.760 --> 0:59:22.080
<v Speaker 1>and like the first half and second half of the

0:59:22.240 --> 0:59:26.160
<v Speaker 1>century to he's going to say. I think it's also

0:59:26.600 --> 0:59:29.840
<v Speaker 1>an indication of how separate they are as twins, even

0:59:29.880 --> 0:59:33.320
<v Speaker 1>though they came from the same egg and everything. They're

0:59:33.360 --> 0:59:35.480
<v Speaker 1>not even born the same day or the same year.

0:59:35.760 --> 0:59:38.920
<v Speaker 1>That's how wildly different they even though they look the same.

0:59:39.000 --> 0:59:41.920
<v Speaker 1>Half of the century. Wally really he's he's going in,

0:59:43.800 --> 0:59:46.240
<v Speaker 1>can we take can we take bets on if we

0:59:46.360 --> 0:59:48.400
<v Speaker 1>find out? Or not? Who thinks we will find out?

0:59:49.000 --> 0:59:52.800
<v Speaker 1>Who we're gonna I think we're gonna find think. I

0:59:52.840 --> 0:59:54.880
<v Speaker 1>don't think we're gonna I don't think we're gonna find out.

0:59:56.080 --> 0:59:59.280
<v Speaker 1>All right, Well, so me, Tne and Jennifer find out

0:59:59.480 --> 1:00:02.120
<v Speaker 1>and that and Melissa or I'll never find out. No

1:00:02.480 --> 1:00:04.480
<v Speaker 1>Ma gets a love story. I want mom to have

1:00:04.560 --> 1:00:11.320
<v Speaker 1>a lost love. But I'm going to it's going to

1:00:11.400 --> 1:00:13.240
<v Speaker 1>be a bad It's going to be a charge today,

1:00:13.280 --> 1:00:16.840
<v Speaker 1>and I think it's gonna be bad. Yeah, either way.

1:00:17.200 --> 1:00:21.760
<v Speaker 1>It's going to be deeply religious and has these babies

1:00:21.880 --> 1:00:25.200
<v Speaker 1>out of wedlock, and then also never tells anyone, and

1:00:25.280 --> 1:00:27.600
<v Speaker 1>they say there are two things they never talked about,

1:00:27.840 --> 1:00:31.120
<v Speaker 1>who their father is and their most left lip. And

1:00:31.360 --> 1:00:34.640
<v Speaker 1>she brings up the lip once, but then never bring

1:00:34.800 --> 1:00:38.439
<v Speaker 1>up the father. So I feel like there's something bad

1:00:38.560 --> 1:00:41.360
<v Speaker 1>there or something sad there that I don't want to

1:00:41.480 --> 1:00:45.000
<v Speaker 1>get into. Although the religious element is interesting that it

1:00:45.080 --> 1:00:49.320
<v Speaker 1>could sort of be an immaculate conception reference m hmm.

1:00:50.920 --> 1:00:54.040
<v Speaker 1>Or she could have had sex with a priest. That's where.

1:00:55.480 --> 1:00:57.800
<v Speaker 1>Oh that story where she brought up the cleft lip

1:00:57.920 --> 1:01:03.080
<v Speaker 1>to the so sad, so sad with the glasses and

1:01:03.200 --> 1:01:06.040
<v Speaker 1>he really shut the hell up after that. And then

1:01:06.840 --> 1:01:08.840
<v Speaker 1>and it was still an asshole about it. He was

1:01:08.840 --> 1:01:11.080
<v Speaker 1>still an asshole. And then he puts on the glasses

1:01:11.160 --> 1:01:13.800
<v Speaker 1>and see and it's amazed by however, which I remember

1:01:13.880 --> 1:01:16.840
<v Speaker 1>that because I, you know, wear glasses or in contacts.

1:01:16.840 --> 1:01:19.680
<v Speaker 1>And I remember in high school, I kept on asking

1:01:19.800 --> 1:01:21.000
<v Speaker 1>this girl in front of me. I was in the

1:01:21.040 --> 1:01:22.560
<v Speaker 1>back of my math class, and I was like, what

1:01:22.640 --> 1:01:24.680
<v Speaker 1>does that say? And I was like this math teacher

1:01:24.840 --> 1:01:29.680
<v Speaker 1>is like just not uh like focusing the projector it's

1:01:29.720 --> 1:01:32.080
<v Speaker 1>so annoying. And then she's like, Melissa, do you want

1:01:32.080 --> 1:01:34.680
<v Speaker 1>to try on my glasses? And I was like okay.

1:01:34.800 --> 1:01:38.640
<v Speaker 1>And I was like, that's how the world looks to people,

1:01:38.880 --> 1:01:43.040
<v Speaker 1>like you can see leaves on trees all the time. Um.

1:01:43.320 --> 1:01:48.800
<v Speaker 1>So I feel like that moment amazing. But then he

1:01:48.880 --> 1:01:50.880
<v Speaker 1>doesn't tell his mom, you know, he doesn't tell his

1:01:51.000 --> 1:01:54.840
<v Speaker 1>mom that actually this is wonderful. You know, poor mom,

1:01:55.000 --> 1:01:59.520
<v Speaker 1>long suffering, she's the real martyr. Yeah, she doesn't even

1:01:59.560 --> 1:02:07.000
<v Speaker 1>get the luck that for clock, for the for the typewriter. Yeah.

1:02:07.920 --> 1:02:09.600
<v Speaker 1>So what else do people want to see in the

1:02:09.800 --> 1:02:13.840
<v Speaker 1>in the next chapters of the book. I want to

1:02:13.920 --> 1:02:17.760
<v Speaker 1>see uh. I want to see Grandfather Dominico's memoir. I'm

1:02:17.920 --> 1:02:20.680
<v Speaker 1>really curious about what she was up there writing all

1:02:20.760 --> 1:02:23.320
<v Speaker 1>that time I loved and I hope that means the

1:02:23.360 --> 1:02:26.760
<v Speaker 1>return of Nedre. I just want to see a little

1:02:26.800 --> 1:02:32.320
<v Speaker 1>bit more of Mesthyndra doing something crazy. Um, being a

1:02:32.440 --> 1:02:38.040
<v Speaker 1>real weird, real weird fun girl. Truly a messy legend.

1:02:41.200 --> 1:02:48.480
<v Speaker 1>We stand a messy legend. Karama, what about you? Did

1:02:48.560 --> 1:02:52.960
<v Speaker 1>you get a did you get a request for for where? Obviously? Well?

1:02:53.160 --> 1:02:55.600
<v Speaker 1>I want to see the paternity obviously, but also I

1:02:55.680 --> 1:02:58.919
<v Speaker 1>want to see Thomas. Okay, Like I want to see

1:02:59.360 --> 1:03:05.280
<v Speaker 1>a positive, sustainable future for Thomas, because I, like, I

1:03:05.360 --> 1:03:06.920
<v Speaker 1>don't think I've talked about this, but one of my

1:03:07.000 --> 1:03:11.120
<v Speaker 1>worst fears is being institutionalized. Like um, all of my

1:03:11.200 --> 1:03:14.080
<v Speaker 1>worst fears were actually realized in season two of American

1:03:14.160 --> 1:03:17.120
<v Speaker 1>Horror Story. It was like it was handcrafted to torture

1:03:17.200 --> 1:03:19.880
<v Speaker 1>me because I'm afraid of being murdered for my skin

1:03:20.480 --> 1:03:24.840
<v Speaker 1>and I'm afraid of Nazis and I'm afraid of being institutionalized,

1:03:25.040 --> 1:03:31.080
<v Speaker 1>and all of that's in there also, so yeah, so um.

1:03:31.960 --> 1:03:34.720
<v Speaker 1>But I feel like he's in this position where he

1:03:35.120 --> 1:03:39.160
<v Speaker 1>was in a pretty good spot and now he's obviously

1:03:39.600 --> 1:03:42.280
<v Speaker 1>gotten into a worst spot. And I really don't want

1:03:42.400 --> 1:03:45.880
<v Speaker 1>him to be in Hatch for like years and years

1:03:45.920 --> 1:03:49.840
<v Speaker 1>and years. And I think that there's nobody at this

1:03:50.000 --> 1:03:54.040
<v Speaker 1>point in the book that can take on the responsibility

1:03:54.240 --> 1:03:57.480
<v Speaker 1>of being his full time caregiver outside of a facility.

1:03:57.520 --> 1:03:59.720
<v Speaker 1>And I think that he does benefit from being in

1:03:59.800 --> 1:04:02.480
<v Speaker 1>a facility where he can get round the round the

1:04:02.520 --> 1:04:06.800
<v Speaker 1>clock care people who are trained in how to properly

1:04:07.200 --> 1:04:12.280
<v Speaker 1>handle his his schizophrenic delusions and everything. But I would

1:04:12.320 --> 1:04:14.120
<v Speaker 1>like to see him back at Settle, and I would

1:04:14.160 --> 1:04:16.240
<v Speaker 1>like to see some of the stuff that Dr Patel

1:04:16.320 --> 1:04:19.160
<v Speaker 1>talks about in the last chapter, where it's about like

1:04:19.520 --> 1:04:22.720
<v Speaker 1>getting him into a group home or something where he

1:04:22.920 --> 1:04:26.160
<v Speaker 1>is able to be his own advocate and do adult

1:04:26.320 --> 1:04:28.640
<v Speaker 1>things that some of us sort of take for granted,

1:04:28.720 --> 1:04:32.720
<v Speaker 1>like paying bills and stuff like that. So that's that's

1:04:32.720 --> 1:04:34.120
<v Speaker 1>something that I'd like to see. We still have a

1:04:34.200 --> 1:04:36.840
<v Speaker 1>lot of book to go. I have no idea what's

1:04:36.840 --> 1:04:40.720
<v Speaker 1>going to happen, but I hope something good happens for Thomas.

1:04:41.480 --> 1:04:45.040
<v Speaker 1>Dr Potel gives me hope, Like that chapter really gave

1:04:45.080 --> 1:04:47.560
<v Speaker 1>me a lot of hope for him and for Dominic,

1:04:47.680 --> 1:04:51.560
<v Speaker 1>Like it felt like she was really breaking through Dominic,

1:04:51.800 --> 1:04:54.200
<v Speaker 1>getting through his rage issues and all of that, and

1:04:54.320 --> 1:04:57.480
<v Speaker 1>it seems hopeful, like it's the sort of co therapy

1:04:57.640 --> 1:05:00.960
<v Speaker 1>thing that she's doing by like the setup of that

1:05:01.080 --> 1:05:05.480
<v Speaker 1>seems interesting. Can I say something very silly? Um? I

1:05:05.680 --> 1:05:10.520
<v Speaker 1>love like genre, like genre, mystery, sci fi, like all

1:05:10.560 --> 1:05:12.960
<v Speaker 1>of that sort of stuff, And that's a lot of

1:05:13.040 --> 1:05:16.120
<v Speaker 1>what I read, and I like, at some point my brain,

1:05:16.280 --> 1:05:20.160
<v Speaker 1>especially the Dr Bretel chapter one, to like what if

1:05:20.200 --> 1:05:23.680
<v Speaker 1>they're the same person and if this is just all delusions?

1:05:23.840 --> 1:05:26.720
<v Speaker 1>But it's like he'th on the outside and Dr Bartell

1:05:26.800 --> 1:05:30.760
<v Speaker 1>is like, yeah, let's talk about your twin, and I'm like, oh, okay, yeah,

1:05:30.800 --> 1:05:32.680
<v Speaker 1>I don't. Like, No, that's not what this book is.

1:05:32.840 --> 1:05:40.320
<v Speaker 1>It's not what this book is. It's not it it's

1:05:40.400 --> 1:05:43.000
<v Speaker 1>it's just a sad story. I just wanted it to

1:05:43.120 --> 1:05:46.440
<v Speaker 1>be more like a like a fight club story that's

1:05:46.440 --> 1:05:50.840
<v Speaker 1>supposed to just like obliquely sad story. I know when

1:05:50.840 --> 1:05:52.720
<v Speaker 1>I was first reading it, my brain was like, Okay,

1:05:52.760 --> 1:05:55.440
<v Speaker 1>can this get better if they accidentally take Dominic instead

1:05:55.480 --> 1:05:58.880
<v Speaker 1>of Thomas and Dominic is in hatching and I was like, well,

1:05:58.960 --> 1:06:01.520
<v Speaker 1>he cut his hand off, so there's no I'm gonna say,

1:06:01.640 --> 1:06:05.320
<v Speaker 1>there's no, He's not mistaken them anyway, there's no mistaken them.

1:06:05.960 --> 1:06:07.680
<v Speaker 1>I did want to just say a quick thing about

1:06:07.760 --> 1:06:10.440
<v Speaker 1>Dr Ptell is she was so smart and so slick,

1:06:10.680 --> 1:06:13.120
<v Speaker 1>and that she knows that Dominic is such a martyr

1:06:13.400 --> 1:06:16.160
<v Speaker 1>that he will do things to help Thomas, that the

1:06:16.320 --> 1:06:19.360
<v Speaker 1>only way that he would agree to like this therapy

1:06:19.520 --> 1:06:23.040
<v Speaker 1>that he so desperately needs, is that Dr ptel frames

1:06:23.080 --> 1:06:27.080
<v Speaker 1>its like, will you do this for me to help Tom? Ye?

1:06:27.680 --> 1:06:30.080
<v Speaker 1>And You're like, well, she I think, I mean, of

1:06:30.200 --> 1:06:33.120
<v Speaker 1>course she knows that. It's also definitely helped her Dominic,

1:06:33.600 --> 1:06:36.720
<v Speaker 1>And I'm like, ah, you're so good at this. Oh

1:06:36.960 --> 1:06:41.400
<v Speaker 1>there's something that we have not talked about. What we

1:06:41.520 --> 1:06:44.080
<v Speaker 1>didn't talk about the fact that they asked Dominic if

1:06:44.120 --> 1:06:50.400
<v Speaker 1>he wanted to Reattach Thomas's hand. Oh. Yes, but he

1:06:50.520 --> 1:06:53.120
<v Speaker 1>had to make that choice. He had to say no,

1:06:53.760 --> 1:06:57.600
<v Speaker 1>don't Reattach his hand. And I think part of it.

1:06:57.760 --> 1:06:59.760
<v Speaker 1>He said it was because he's just going to cut

1:06:59.840 --> 1:07:02.600
<v Speaker 1>it off again, because that's what Thomas said. He was like,

1:07:02.640 --> 1:07:05.360
<v Speaker 1>I'm just gonna cut it off again, dude. But I

1:07:05.480 --> 1:07:09.600
<v Speaker 1>think also it's a way to distinguish himself finally, visually,

1:07:11.800 --> 1:07:18.240
<v Speaker 1>I hadn't even thought about that. Yeah, a real tangible difference.

1:07:18.240 --> 1:07:21.320
<v Speaker 1>So it's like he can't take You're right, like obviously,

1:07:21.520 --> 1:07:23.720
<v Speaker 1>I mean hopefully in a world they wouldn't like put

1:07:24.320 --> 1:07:26.840
<v Speaker 1>Dominic in the hatch by accident, but you're right now

1:07:26.960 --> 1:07:29.920
<v Speaker 1>they know they definitely can't. I mean, he could just

1:07:30.120 --> 1:07:34.600
<v Speaker 1>grow a beard, Dominic, you know, like I feel a

1:07:34.720 --> 1:07:38.800
<v Speaker 1>little easier, or start wearing his glasses again because Thomas

1:07:38.840 --> 1:07:44.160
<v Speaker 1>doesn't wear glasses. Yeah, Thomas Thomas is Superman and Dominicus

1:07:44.200 --> 1:07:48.840
<v Speaker 1>Clark Kent. He seemed to really resent that comparison. He

1:07:49.000 --> 1:07:56.920
<v Speaker 1>was like, man, I'm superman. Um, Yeah, that's so it's

1:07:56.960 --> 1:08:00.240
<v Speaker 1>interesting he he ascribes that decision also to this link

1:08:00.280 --> 1:08:03.320
<v Speaker 1>of like Thomas all the agency has been taken out

1:08:03.360 --> 1:08:06.720
<v Speaker 1>of his life, where it's like he's making this decision,

1:08:06.840 --> 1:08:09.440
<v Speaker 1>and so he's gonna let Thomas have that decision, which

1:08:09.480 --> 1:08:13.480
<v Speaker 1>I sort of I get. That's like such amazing, although

1:08:14.120 --> 1:08:18.760
<v Speaker 1>with someone who would unilaterally the sectimize yourself in a marriage. Uh,

1:08:18.960 --> 1:08:21.280
<v Speaker 1>he attends to seems to be someone who is good

1:08:21.320 --> 1:08:25.919
<v Speaker 1>at making unilateral decisions. Yeah, And you know it is interesting,

1:08:26.240 --> 1:08:29.840
<v Speaker 1>it wasse ectomy is not mutilation, but it is a

1:08:30.000 --> 1:08:34.120
<v Speaker 1>form of like cutting something off, so they in order

1:08:34.200 --> 1:08:36.400
<v Speaker 1>to in a martyr sort of way. So it does

1:08:36.479 --> 1:08:40.200
<v Speaker 1>feel like they both have voluntarily done this thing that

1:08:40.800 --> 1:08:44.240
<v Speaker 1>is very detrimental to their lives, like to their body.

1:08:44.360 --> 1:08:48.360
<v Speaker 1>Do you think do you think the dominant thinks it's

1:08:48.520 --> 1:08:51.960
<v Speaker 1>his fault that Angela died, like that there's something wrong

1:08:52.040 --> 1:08:55.360
<v Speaker 1>with his ability to create a healthy baby, And like

1:08:55.600 --> 1:08:57.400
<v Speaker 1>for me, I feel like he's scared that he's going

1:08:57.479 --> 1:09:00.960
<v Speaker 1>to have a kid that has paranoid schizophrenia. Yeah, I

1:09:01.040 --> 1:09:04.120
<v Speaker 1>think absolutely. I think he thinks his genes are are

1:09:05.320 --> 1:09:07.960
<v Speaker 1>messed up because of because of Thomas. I mean, that's

1:09:08.040 --> 1:09:12.000
<v Speaker 1>the scary thing about having an identical twin is knowing

1:09:12.080 --> 1:09:13.880
<v Speaker 1>that your genetics are the same, that you have the

1:09:13.920 --> 1:09:18.800
<v Speaker 1>same like predispositions. Yeah, it's a it's a scary scary thing.

1:09:20.720 --> 1:09:23.360
<v Speaker 1>And maybe he just thinks that like if another baby

1:09:23.920 --> 1:09:27.720
<v Speaker 1>were to die, he just physically couldn't be stoic through that,

1:09:27.880 --> 1:09:31.320
<v Speaker 1>Like he would just explode. The tupperware would burst, they

1:09:31.320 --> 1:09:34.360
<v Speaker 1>would because he has His only coping mechanism is to

1:09:34.439 --> 1:09:36.639
<v Speaker 1>tamp it down, and he has no more tamp space.

1:09:39.400 --> 1:09:42.800
<v Speaker 1>It's a it's a tragedy. It's interesting how we can

1:09:42.840 --> 1:09:45.040
<v Speaker 1>all feel so sad for this man. And I don't

1:09:45.120 --> 1:09:47.240
<v Speaker 1>think any of us would like him if we met

1:09:47.760 --> 1:09:50.720
<v Speaker 1>on his side for a maximum of three pages. That's

1:09:50.760 --> 1:09:54.360
<v Speaker 1>what I've realized. I'm like, oh yeah, and then he

1:09:54.560 --> 1:09:57.479
<v Speaker 1>like says a slur and I'm like, no, I just

1:09:57.560 --> 1:10:02.000
<v Speaker 1>remember who you are. I remembered at your core who

1:10:02.120 --> 1:10:07.000
<v Speaker 1>you are. And also all of them, all of the

1:10:07.080 --> 1:10:11.920
<v Speaker 1>scenes where he like loses his temper, especially in the institution.

1:10:12.640 --> 1:10:14.640
<v Speaker 1>It's like or with with the cop and with it,

1:10:14.720 --> 1:10:18.280
<v Speaker 1>with all of like he almost has it, and then

1:10:18.360 --> 1:10:21.920
<v Speaker 1>he just goes too far and you're reminded of who

1:10:22.040 --> 1:10:24.760
<v Speaker 1>he really is and you're just so mad. It's like, no,

1:10:24.920 --> 1:10:28.680
<v Speaker 1>you could have convinced him if you just kept your

1:10:28.760 --> 1:10:33.000
<v Speaker 1>cool and weren't so hateful, but you are, so it's

1:10:33.040 --> 1:10:35.519
<v Speaker 1>a problem. He's someone who thinks that the world is

1:10:35.560 --> 1:10:38.000
<v Speaker 1>against him. Some of the tenderest moments in the book

1:10:38.080 --> 1:10:40.120
<v Speaker 1>or when people are able to break people though. That's

1:10:40.120 --> 1:10:42.880
<v Speaker 1>why I loved the scenes with Dr Ptel so much. Yeah,

1:10:43.280 --> 1:10:46.000
<v Speaker 1>that she's she's She's able to get him to talk

1:10:46.000 --> 1:10:50.120
<v Speaker 1>about his childhood, and it feels like, um, there's almost

1:10:50.200 --> 1:10:53.840
<v Speaker 1>superhuman power coming from her with a man who is

1:10:55.360 --> 1:10:59.400
<v Speaker 1>with people who are very often trying what was her name?

1:10:59.479 --> 1:11:06.800
<v Speaker 1>She Dr Sheffers a great scene too, and I love them. Yeah,

1:11:06.880 --> 1:11:09.479
<v Speaker 1>she's like, I'm not I'm not a gal, I am

1:11:09.560 --> 1:11:13.840
<v Speaker 1>a woman woman. I didn't like how she kept calling

1:11:13.920 --> 1:11:16.599
<v Speaker 1>him paisano, which I had to look up because I'm

1:11:16.680 --> 1:11:21.439
<v Speaker 1>not Italian. And apparently it literally translates to peasant but is,

1:11:22.160 --> 1:11:25.080
<v Speaker 1>which is interesting because of the peasant Sicilian. But it

1:11:25.680 --> 1:11:28.840
<v Speaker 1>literally translates to peasant but the like the slang is

1:11:28.920 --> 1:11:33.800
<v Speaker 1>like a friend pal homie. I thought. She's also kind

1:11:33.880 --> 1:11:38.000
<v Speaker 1>of a weirdo. Yeah, super weird. There are a lot

1:11:38.080 --> 1:11:41.200
<v Speaker 1>of interesting women in this, Like I feel like he's

1:11:41.280 --> 1:11:44.200
<v Speaker 1>surrounded by all of these women who he clearly hates

1:11:44.240 --> 1:11:51.080
<v Speaker 1>on a visceral level. Um, and what he really does

1:11:51.960 --> 1:11:54.720
<v Speaker 1>I want to see joy leave? I know. Oh that's

1:11:54.760 --> 1:11:58.839
<v Speaker 1>one thing. Yeah, it is interesting because he is surrounded

1:11:58.840 --> 1:12:01.840
<v Speaker 1>by all these women in Wall Wally, you describe their

1:12:01.880 --> 1:12:05.080
<v Speaker 1>boobs way too much. But um, but outside of that,

1:12:05.360 --> 1:12:09.040
<v Speaker 1>I feel like they are so well formed and unique

1:12:10.080 --> 1:12:12.760
<v Speaker 1>perspectives and the way they interact with him are so

1:12:12.960 --> 1:12:16.840
<v Speaker 1>different and memorable. And I feel like we're a man

1:12:17.040 --> 1:12:20.320
<v Speaker 1>that kind of hates women. Like the central character. It

1:12:20.439 --> 1:12:24.160
<v Speaker 1>is so interesting to be in these scenes with all

1:12:24.280 --> 1:12:29.000
<v Speaker 1>these very strong personalities that challenge him in different ways.

1:12:30.439 --> 1:12:33.760
<v Speaker 1>I love what Dr Brotel like. There's that one moment

1:12:33.800 --> 1:12:35.920
<v Speaker 1>in the beginning where she's like, he's like, what kind

1:12:35.920 --> 1:12:37.640
<v Speaker 1>of tea do you want? And he's like whatever, and

1:12:37.680 --> 1:12:41.120
<v Speaker 1>he's like whatever. That's the male way of just you know,

1:12:41.320 --> 1:12:46.360
<v Speaker 1>throwing things away, and it's very decide and it's like

1:12:46.560 --> 1:12:49.839
<v Speaker 1>and he and he acquiesces. It's like, oh wow, Dr Brotell,

1:12:49.920 --> 1:12:53.320
<v Speaker 1>you are good at this. Yeah, He's like, I'll take

1:12:53.360 --> 1:12:57.120
<v Speaker 1>the spiced one. I think we're all writers, you know,

1:12:57.240 --> 1:12:59.320
<v Speaker 1>to some degree, and so I wonder to how to

1:12:59.439 --> 1:13:03.040
<v Speaker 1>what level? I think very often when when I'm reading

1:13:03.040 --> 1:13:04.880
<v Speaker 1>a good book, I don't see the strings. But then

1:13:04.920 --> 1:13:06.840
<v Speaker 1>sometimes when I, like I was writing notes for this,

1:13:07.000 --> 1:13:09.400
<v Speaker 1>you sort of see the strings a little bit or

1:13:09.479 --> 1:13:14.040
<v Speaker 1>what's effective, and like he says he's surprised dominic Is

1:13:14.080 --> 1:13:16.760
<v Speaker 1>when he agrees to accept the tea, and I was like,

1:13:16.880 --> 1:13:19.160
<v Speaker 1>that's a very poignant detail that he's willing to sit

1:13:19.240 --> 1:13:22.760
<v Speaker 1>down and like literally drink tea with someone, because the

1:13:22.840 --> 1:13:25.880
<v Speaker 1>act of like drinking or consuming food with someone is

1:13:25.960 --> 1:13:29.920
<v Speaker 1>like a very intimate, vulnerable thing. And I was like, oh, really,

1:13:30.360 --> 1:13:35.720
<v Speaker 1>look at this guy. When I was when I was

1:13:35.800 --> 1:13:38.760
<v Speaker 1>in college, there was a guy who told me. He

1:13:38.840 --> 1:13:41.040
<v Speaker 1>said that he thought that sex was the most intimate

1:13:41.080 --> 1:13:43.080
<v Speaker 1>thing you could do for someone, and the second most

1:13:43.080 --> 1:13:45.040
<v Speaker 1>intimate thing you could do for someone was make them

1:13:45.160 --> 1:13:48.240
<v Speaker 1>a meal, which I thought was really interesting because he

1:13:48.400 --> 1:13:50.800
<v Speaker 1>was like, was that was that the first thing he

1:13:50.920 --> 1:13:54.720
<v Speaker 1>said to you? No, no, no no. And this was

1:13:54.760 --> 1:13:56.320
<v Speaker 1>not a guy that was like trying to hit on

1:13:56.400 --> 1:13:59.720
<v Speaker 1>me or anything. But he went to he went to

1:13:59.840 --> 1:14:04.120
<v Speaker 1>an other college nearby that focused on culinary school, and

1:14:04.640 --> 1:14:07.640
<v Speaker 1>so he worked in one of our eateries as in

1:14:07.720 --> 1:14:09.160
<v Speaker 1>the kitchen, and I was like friends with the people

1:14:09.200 --> 1:14:12.920
<v Speaker 1>in the kitchen because I love food. So I was like, Yeah,

1:14:13.000 --> 1:14:14.840
<v Speaker 1>I'm gonna make real good friends with all the people

1:14:14.840 --> 1:14:16.840
<v Speaker 1>who are responsible for the food so then I can

1:14:16.880 --> 1:14:21.720
<v Speaker 1>get more food, which works. And but so he we

1:14:21.760 --> 1:14:23.680
<v Speaker 1>would hang out when he was on his brakes and

1:14:23.880 --> 1:14:27.280
<v Speaker 1>on shifts and stuff, and it wasn't like a sexy thing,

1:14:27.400 --> 1:14:30.840
<v Speaker 1>but it was just an interesting perspective. And just in

1:14:31.040 --> 1:14:33.560
<v Speaker 1>terms of having this tea, I do think it is

1:14:33.680 --> 1:14:37.599
<v Speaker 1>a very intimate thing that she's doing, making him this tea,

1:14:37.720 --> 1:14:40.719
<v Speaker 1>and the ritual of it all and how she gets

1:14:40.800 --> 1:14:43.920
<v Speaker 1>into her own history with tea, and it leads into

1:14:44.280 --> 1:14:46.400
<v Speaker 1>us learning a lot about her because she's Indians, so

1:14:46.439 --> 1:14:48.960
<v Speaker 1>I think we all kind of had that assumption. It's like, oh, yeah, no,

1:14:49.160 --> 1:14:52.320
<v Speaker 1>she's been drinking tea and she's like, no, I never

1:14:52.439 --> 1:14:54.559
<v Speaker 1>drank tea in India. I didn't get into tea until

1:14:54.600 --> 1:14:58.760
<v Speaker 1>I was in you know, school in London. Yeah. It's

1:14:58.760 --> 1:15:01.400
<v Speaker 1>also the one time that we to see maybe the

1:15:01.520 --> 1:15:05.320
<v Speaker 1>only moment of like pure joy from Dominic where he's

1:15:05.360 --> 1:15:08.160
<v Speaker 1>like it warmed me up and it smelled very good,

1:15:08.240 --> 1:15:11.880
<v Speaker 1>and I was like, uh, what an uncomplicated emotion of

1:15:12.040 --> 1:15:15.439
<v Speaker 1>joy that you just had the first one in two

1:15:15.520 --> 1:15:20.040
<v Speaker 1>hundred and fifty pages. Well, and along with that, Dan,

1:15:20.160 --> 1:15:22.600
<v Speaker 1>it's like that's the first time when he starts like

1:15:22.760 --> 1:15:26.920
<v Speaker 1>asking questions about her, like he starts star starts relaxing

1:15:27.160 --> 1:15:30.120
<v Speaker 1>about his brother for the first time, and just like

1:15:30.560 --> 1:15:34.320
<v Speaker 1>enjoys a conversation with somebody and engages with her, and

1:15:34.400 --> 1:15:36.120
<v Speaker 1>he's like, I don't know why, but I liked her.

1:15:37.280 --> 1:15:39.880
<v Speaker 1>Maybe it's just because she's a nice person. I don't know. Well,

1:15:39.920 --> 1:15:43.759
<v Speaker 1>there's also something very much about making food for people

1:15:43.920 --> 1:15:45.960
<v Speaker 1>or making tea for someone. It's something that you can

1:15:46.120 --> 1:15:50.439
<v Speaker 1>very easily imagine his mother doing and something that maybe

1:15:51.320 --> 1:15:54.840
<v Speaker 1>is certainly his mother if she was. I'm pretty sure

1:15:55.040 --> 1:15:57.679
<v Speaker 1>Ray made sure that his mother had all the meals

1:15:57.760 --> 1:16:02.800
<v Speaker 1>from the time, like yeah, I'm yeah, um, I'm sure

1:16:02.800 --> 1:16:04.600
<v Speaker 1>if all the meals might have been horrifying at his

1:16:04.680 --> 1:16:07.000
<v Speaker 1>house because his brother was being made to eat like

1:16:07.080 --> 1:16:09.960
<v Speaker 1>a dog, it was something that his mother consistently prepared.

1:16:10.240 --> 1:16:12.640
<v Speaker 1>Maybe that was a memory he could go back to.

1:16:12.760 --> 1:16:15.960
<v Speaker 1>When dominic is describing Dessa some a woman that he

1:16:16.080 --> 1:16:18.600
<v Speaker 1>really loved, it's obvious that he really put her on

1:16:18.640 --> 1:16:21.280
<v Speaker 1>a pedestal in a way that doesn't really signify the

1:16:21.360 --> 1:16:24.200
<v Speaker 1>type of love that I think makes a sustainable relationship,

1:16:24.560 --> 1:16:28.800
<v Speaker 1>because thinking someone's like a perfect angel isn't seeing them,

1:16:28.880 --> 1:16:31.760
<v Speaker 1>and I think everyone wants to be fundamentally seen, and

1:16:32.120 --> 1:16:34.840
<v Speaker 1>that you know, he really idolizes Dessa in a way

1:16:34.920 --> 1:16:37.880
<v Speaker 1>that makes especially when he tells the story of their

1:16:37.920 --> 1:16:41.160
<v Speaker 1>marriage dissolving. I think even though he's the one telling

1:16:41.400 --> 1:16:44.200
<v Speaker 1>it from his side, it's incredibly It was obvious to

1:16:44.280 --> 1:16:47.960
<v Speaker 1>me Whydessa had to leave and should have left. So

1:16:48.040 --> 1:16:50.280
<v Speaker 1>it was, like you said, really gratifying to see him

1:16:50.360 --> 1:16:52.920
<v Speaker 1>like open up a little to Dr Patel and asked

1:16:52.920 --> 1:16:55.920
<v Speaker 1>her about her life and this, you know, doctor with

1:16:56.240 --> 1:17:00.720
<v Speaker 1>grandchildren seems to be a really interesting, wonderful person. M

1:17:00.920 --> 1:17:04.240
<v Speaker 1>h um. That seems like a hopeful place to end,

1:17:04.479 --> 1:17:07.800
<v Speaker 1>you know, with with Domin maybe trying to open up.

1:17:07.840 --> 1:17:13.920
<v Speaker 1>This was lovely. I think next time the next fifteen chapters. Yeah, yeah,

1:17:13.960 --> 1:17:20.880
<v Speaker 1>that sounds great. That's our show for the week. Thank

1:17:20.960 --> 1:17:23.439
<v Speaker 1>you so much for listening. I'm Danish Schwartz and you

1:17:23.479 --> 1:17:26.280
<v Speaker 1>can find me on Twitter at Danish Schwartz with three z's.

1:17:26.640 --> 1:17:30.680
<v Speaker 1>You can follow Jennifer Wright at jen Ashley Right. Garamadanqua

1:17:30.880 --> 1:17:34.840
<v Speaker 1>is at Karama Drama, Melissa Hunter is at Melissa ft

1:17:35.120 --> 1:17:37.759
<v Speaker 1>W and Tian Tran is smart enough to have gotten

1:17:37.800 --> 1:17:40.519
<v Speaker 1>off Twitter, but she is on Insta at Hank Tina.

1:17:40.800 --> 1:17:43.920
<v Speaker 1>Our executive producer is Christopher Hessiotes. At We're produced and

1:17:44.120 --> 1:17:47.200
<v Speaker 1>edited by Mike John's. Next week we'll go further into

1:17:47.280 --> 1:17:49.679
<v Speaker 1>the heart of darkness of I know this much is true.

1:17:50.000 --> 1:17:53.360
<v Speaker 1>It does feel like human atrocity bingo. It felt like

1:17:53.439 --> 1:17:55.880
<v Speaker 1>Wally was like, how do we make this even more

1:17:56.080 --> 1:17:58.000
<v Speaker 1>fucked up? Oh, what do we think the prize is

1:17:58.040 --> 1:18:03.040
<v Speaker 1>for human atrocity bingo? I think a nap. I think

1:18:03.120 --> 1:18:07.439
<v Speaker 1>a long daytime nap. Popcorn book Club is a production

1:18:07.520 --> 1:18:08.439
<v Speaker 1>of I Heart Radio