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Speaker 1: My favorite too, is like if I see a woman

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Speaker 1: like jogging, you know, but they're like sweating, you could

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Speaker 1: tell they've been like in it for a while.

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Speaker 2: Like I will roll down my window and be like, you.

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Speaker 3: Go, bitch, you look like get it girl? Yes, Like

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Speaker 3: that's so hard. I hate running. You go hard? More

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Speaker 3: and more better, more, a little more better more. Welcome

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Speaker 3: to More Better, a podcast where we stop trending, precending,

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Speaker 3: stop presending. Yeah, stop stop pretending to have it all together,

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Speaker 3: and embrace the journey of becoming a little more better

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Speaker 3: every day, or at least trying to. That's right, that's

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Speaker 3: mosta Pamaro and that's Stephanie Beatrice.

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Speaker 4: And here we are.

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Speaker 3: We're off to a great start. Welcome, Hi. What have

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Speaker 3: you done lately? That's bed I'm doing. Write into it, girl,

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Speaker 3: what do you What did you get? Yeah? Girl, get

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Speaker 3: into it? What you've been doing? Have I done? It's

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Speaker 3: more than what have I been doing? That's more better?

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Speaker 3: What have I been doing? What have I been doing?

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Speaker 3: That's more better?

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Speaker 2: Uh?

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Speaker 1: You know, Realizing that our industry sort of slows down

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Speaker 1: at this point has helped me be more better at

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Speaker 1: just like enjoying being home and not like too stressed

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Speaker 1: about work and future stuff, like I know it's all

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Speaker 1: going to be fine, but you know, we have our moments.

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Speaker 3: I do, and.

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Speaker 1: Yeah, but I feel like I've gotten into a new

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Speaker 1: mind frame, just like, well, yeah, I don't want to

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Speaker 1: go away and work right now. Anyway, it's the holidays.

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Speaker 1: I want to be home with my family and like

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Speaker 1: making food. So yeah, so I feel I've been more

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Speaker 1: better at that.

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Speaker 3: How about you?

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Speaker 2: What's your more better?

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Speaker 3: Lately? I have been more better about drinking my water

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Speaker 3: and taking my pills, my vitamin. Yeah, my iron pills,

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Speaker 3: particularly ones. When I forget to take those iron pills,

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Speaker 3: ooh baby, I feel it. Ooh yeah, that energy. I

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Speaker 3: need to schedule a colonoscopy. Also, I'm not looking forward

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Speaker 3: to it. Guys. It's someday you two will have to

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Speaker 3: schedule a colonoscopy and I I. But I also I

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Speaker 3: heard this story about this girl that was like, oh yeah,

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Speaker 3: my neighbor was like, I don't want to schedule it.

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Speaker 3: She was like an older lady. She's like, I don't

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Speaker 3: want to schedule it's so invasive, blah blah blah. Anyway,

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Speaker 3: a year later, she was like dead from colon cancer,

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Speaker 3: So I'm gonna I gotta know, you gotta do it,

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Speaker 3: you gotta do it. Yeah, it's really it's really important.

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Speaker 3: More better Today's episode, Hard Turn, Hard Turn. Today's episode,

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Speaker 3: we're talking about Colon's compliments. Sometimes you can feel like

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Speaker 3: Colon or a jackass or a butt heead if you're

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Speaker 3: uh giving a compliment? What am I trying to say?

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Speaker 3: I'm not doing a great job. It's fine, We're talking

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Speaker 3: about compliments.

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Speaker 2: How are you with compliments?

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Speaker 3: How do you feel when someone compliments you? I fucking

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Speaker 3: love them? Are you kidding me? My family did never

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Speaker 3: ever give a compliments, So anytime anyone's like I feel

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Speaker 3: like I know that about you, I feel I feel

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Speaker 3: I love you.

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Speaker 1: Were one of the first people to like receive a

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Speaker 1: compliment in front of me, like so graciously and like excited,

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Speaker 1: and I was like, oh.

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Speaker 3: Wow, what is that to be like to me? Yeah,

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Speaker 3: I like I love them. I'm like a little dog

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Speaker 3: like hold up that true, and I will do a

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Speaker 3: little dance. I love them, I love giving them, I

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Speaker 3: love getting them. I struggle with some things about them,

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Speaker 3: but we'll get into that. What about you, what's your

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Speaker 3: experience with compliments?

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Speaker 1: I it's been a journey.

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Speaker 3: Most of my life.

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Speaker 1: I have hated compliments, gotten physically uncomfortable when someone is

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Speaker 1: complimenting me. I have I know, I know, I can

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Speaker 1: remember certain instances where that didn't happen. Usually they pertained

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Speaker 1: to like performance, and the compliment was like really specific,

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Speaker 1: which I think is interesting. And then I felt very

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Speaker 1: like moved and emotional, but like never like a chill

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Speaker 1: reaction to a compliment, either like dying of embarrassment or

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Speaker 1: like I want to go somewhere and cry about the

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Speaker 1: beautiful compliment, like just like so extra I feel. I

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Speaker 1: think I've I think I've gotten better at them as

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Speaker 1: I've gotten older. I think there is something about getting

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Speaker 1: older that makes it easier. Also maybe, like I don't know,

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Speaker 1: I've had the dark thought too of like maybe I'm

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Speaker 1: not getting compliments as much as when I was younger,

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Speaker 1: and so I'm like more grateful for them now I'm

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Speaker 1: to get used.

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Speaker 3: To them, that's all. Yeah.

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Speaker 1: And I think I went through a phase like probably

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Speaker 1: on Brooklyn, because like I said, You're one of the

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Speaker 1: first people I noticed that handled a compliment like so enthusiastically,

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Speaker 1: And I was like, you can what what is that, like,

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Speaker 1: I think I started observing how people received compliments around me.

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Speaker 1: Do you know, Like I feel like I have a

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Speaker 1: memory of going through a phase of just like really

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Speaker 1: watching people.

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Speaker 2: It's being a journey.

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Speaker 1: And I don't know why I like I I I

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Speaker 1: don't know why I'm like that.

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Speaker 3: Well, I mean, we don't have time to get all

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Speaker 3: the way into it, but I off the coat. I

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Speaker 3: don't know. I mean, I tell you, here's the thing,

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Speaker 3: here's the thing. Uh, this is my experience with you.

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Speaker 3: I think you're very hard on yourself, and the heart

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Speaker 3: the heart on yourself thing actually gets you somewhere, Like

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Speaker 3: your hard on yourself and it makes you better, and

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Speaker 3: you know what I mean. And and so like, yeah,

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Speaker 3: how dare someone say that you're actually doing good? Because

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Speaker 3: like if they say that you're doing good, then that

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Speaker 3: means the work just like or whatever it is, Like, Oh,

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Speaker 3: that means there's nothing left to achieve. No, there's definitely

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Speaker 3: more to achieve. I have. I'm not as good at

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Speaker 3: it as this person or I'm not as X y Z,

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Speaker 3: And so that means like I can't I can't take

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Speaker 3: that compliment. I'm not really that good at what I'm doing.

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Speaker 3: Or what I'm who whatever X y Z, Like I said, like,

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Speaker 3: fill in the blank of the thing that ouhead me, sorry,

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Speaker 3: fill in the blank of whatever it is they complimented

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Speaker 3: you about, and like in your mind you could have

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Speaker 3: done even better, like it would have been better if

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Speaker 3: you had whatever, and so like you can't take it

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Speaker 3: because you can't accept that whatever that thing was was

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Speaker 3: like the pinnacle of and it's and that's the thing

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Speaker 3: that's hard. It's like we're I remember being younger and

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Speaker 3: I was in this play with this guy and like

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Speaker 3: he wasn't there good? And every night I would come

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Speaker 3: off stage being so hard on myself about why is

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Speaker 3: why isn't the thing that I'm doing helping him be better?

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Speaker 3: Like why is why aren't we better? In the scene,

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Speaker 3: like I'm giving him everything. I'm trying to like get

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Speaker 3: him there, get him there, get him there. And I

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Speaker 3: remember another actress being like you know sometimes like it's

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Speaker 3: just like that and there's nothing you can do. And

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Speaker 3: I was like, oh, I'm beating myself up every night

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Speaker 3: about how I can't make this person better and it's

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Speaker 3: like why what am I doing? What am I doing?

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Speaker 3: Like why am I doing that to myself. Yeah yeah,

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Speaker 3: And you know the problem with being hard on yourself

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Speaker 3: as an artist is that it does work. It does

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Speaker 3: make you better sometimes, like and that's tough, Like I

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Speaker 3: don't think tough. It is tough. It's tough.

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Speaker 1: I think I don't think I'm as harsh on myself

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Speaker 1: as I used to be when I was younger. I

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Speaker 1: think I've gotten better, but I do still maintain the

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Speaker 1: it's it's never uh, there's always something else to find.

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Speaker 1: There's always something else to improve or explore or get

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Speaker 1: better at or you know that this is.

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Speaker 3: This craft as they said, yeah, yeah.

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Speaker 1: Is a practice that I don't personally believe is ever truly,

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Speaker 1: Like I think there's very few masters, like there are

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Speaker 1: very few masters of other practices of meditation or of whatever,

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Speaker 1: you know, like yeah, but that.

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Speaker 3: Doesn't mean we are masters. Don't deserve compliments, aren't.

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Speaker 2: Really fucking great?

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Speaker 1: Yeah yeah yeah, yeah, absolutely right, But I think that

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Speaker 1: they'res And I yes, totally. And I think that you're

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Speaker 1: also like always growing and changing as a person and

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Speaker 1: like that has to and then that filters into your work,

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Speaker 1: you know, like yes to just yeah, Like I don't

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Speaker 1: know anybody that's like I know I got it all

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Speaker 1: figured out, but oh my god.

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Speaker 3: Say oh thank you about like some like a compliment

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Speaker 3: that you were to get, like just because you say,

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Speaker 3: Like if I were like, oh my god, you're so jacked,

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Speaker 3: like your our muscles are so jacked, I can already

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Speaker 3: hear you in my head being like, oh, I mean

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Speaker 3: like they're all right, Like I could do better, Like

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Speaker 3: I'm only working out like this many days yea, as

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Speaker 3: opposed to just being like, yeah, they are looking really

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Speaker 3: good and stopping there. You know, yeah, you're already going

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Speaker 3: to like how you can improve and like that's okay,

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Speaker 3: but also you have to take the moment for yourself

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Speaker 3: to be like they do look really good, you know. Yeah.

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Speaker 4: Yeah.

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Speaker 3: I here's what I struggle with. I really struggle with,

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Speaker 3: Like when I give a compliment to someone and they

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Speaker 3: like brush it off, I always feel like personally attacked.

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Speaker 3: And so that's something I'm like trying to m I'm like, oh,

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Speaker 3: that's not about me, that's about them, Like that's really.

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Speaker 1: A hundred percent one hundred percent. Yeah you can't take yeah,

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Speaker 1: you can't take that in is anything to do with you.

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Speaker 1: Compliments are complicated, and I think that as we just

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Speaker 1: uncovered now in the moment. It's like very layered and

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Speaker 1: has to do with, yeah, your childhood, how much you

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Speaker 1: were complimented as a kid, in the way in which

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Speaker 1: you were complimented as a child, you definitely hit something

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Speaker 1: there with me, Like I remember the first time that

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Speaker 1: I was complimented for being smart and I was like

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Speaker 1: a full fucking adult, and I like almost made me cry.

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Speaker 1: And so it's all has to do with a whole

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Speaker 1: person's history and experience in how they receive a compliment,

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Speaker 1: you know, And I think I've learned that when there's

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Speaker 1: almost like an added piece of I don't if I

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Speaker 1: guess empathy, or when I do compliment someone and the

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Speaker 1: response is really enthusiastic or like you can tell it's

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Speaker 1: meaningful to them, Yeah, I'll get touched because I'm like, oh,

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Speaker 1: they they didn't maybe get that compliment much of that,

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Speaker 1: Like I just struck a nerve, right, Like I think

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Speaker 1: the way people receive compliments can be so telling about

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Speaker 1: them as a person, and it's like a little glimpse

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Speaker 1: into their history unless they're really good at covering. But

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Speaker 1: it's a really interesting it's so vulnerable, Like I think

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Speaker 1: because you feel really seen while the compliment's being given,

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Speaker 1: and that can be good or bad.

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Speaker 3: Yeah, if it's a really honest and real.

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Speaker 1: Yeah, but yeah, it's I think if I give a

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Speaker 1: compliment and the person's like uncomfortable, I do feel bad

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Speaker 1: because I'm like, oh, I didn't want them to feel

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Speaker 1: I don't want to like put them on the spot,

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Speaker 1: but I yeah, I think there has to be some

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Speaker 1: intrinsic understanding that it's like it has nothing to do

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Speaker 1: with you. It's like yeah, yeah, really their own stuff.

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Speaker 1: And I find that sadly, I think that keeps me

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Speaker 1: from giving compliments sometimes because I don't want to make

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Speaker 1: people uncomfortable or like I'm not sure what the reaction

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Speaker 1: is going to be. I think I find that I

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Speaker 1: compliment people that I feel close, it's too much more

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Speaker 1: than people I don't. Yeah, I guess hard to compliment

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Speaker 1: a stranger, you know.

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Speaker 3: I would argue it's sometimes easier, like because because I

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Speaker 3: woul care, like, yeah, like that they're less.

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Speaker 4: Yeah.

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Speaker 3: You know, if I'm passing somebody on the street or like,

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Speaker 3: and I like their outfit, I'll say, you know, like

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Speaker 3: you look so cool, I'll yeah say it because like, yeah,

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Speaker 3: most of the time. It's so fast that all they

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Speaker 3: have time to do is like, oh, thanks, you know,

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Speaker 3: and that's a nice one, right, Or like sometimes in

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Speaker 3: pilates classes. Sometimes in pilate's like if someone next to

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Speaker 3: me is like really good, I'm like kicking, I'm kicking

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Speaker 3: my own ass because I'm like trying to keep up.

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Speaker 3: After class, I'll be like, bitch, you're so fucking strong. Like,

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Speaker 3: and most of the time that gets like a good

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Speaker 3: laugh out of somebody doing that because they're like, oh

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Speaker 3: my god, thank you. You know.

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Speaker 1: My favorite, too, is like if I see a girl

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Speaker 1: or a woman like jogging, you know, but they're like sweating,

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Speaker 1: you could tell they've been like in it for a while.

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Speaker 2: Like I will roll down my window and be like.

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Speaker 3: You go, bitch, you get it girl, yes, Or like

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Speaker 3: if I see two women girls usually like that's so hard.

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Speaker 3: I hate hard. If I see two girls doing like

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Speaker 3: a photo shoot outside of somewhere, I'll be like, yes, honey, yes, work, work,

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Speaker 3: you know, like I will be encouraging because I know

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Speaker 3: it's very hard to like take pictures in public and

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Speaker 3: feel oh my god it you know, everyone makes you

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Speaker 3: feel weird about it. So I get it.

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Speaker 1: Do you think women have always done that for each other.

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Speaker 1: Do you feel like that's more of a recent trend.

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Speaker 3: I don't know. I mean.

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Speaker 2: I feel like it's more of a.

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Speaker 1: Recent trend because I feel like when I was, when

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Speaker 1: we were teenagers, it was like that, like late nineties,

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Speaker 1: early two thousands, Like, I don't know, I feel like

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Speaker 1: the culture was more like women like pitted against each other.

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Speaker 1: I feel like we've come out of that a bit,

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Speaker 1: like a lot. I mean, if you were to talk

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Speaker 1: like a lot more, I don't know, fifteen year olds,

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Speaker 1: I think they would, but you're fucking crazy. Like I

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Speaker 1: think it's on the era that you're in, like the

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Speaker 1: age range.

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Speaker 2: I would maybe it's more of a just getting older thing.

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Speaker 3: Yeah, I think so, because like you know, for me,

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Speaker 3: I think it really started in like bar culture of

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Speaker 3: your twenties when everybody would be like a little tipsy

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Speaker 3: in the bathroom and be like, you know, you look great, girl,

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Speaker 3: Like I love that girl, I got that color is

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Speaker 3: so good on you. Yeah, that kind of thing, like, yeah,

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Speaker 3: we're so abusive in the bathroom to each other, depending

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Speaker 3: on the situation, like culturally, like I went to the

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Speaker 3: US Open and I gave somebody a compliment. She was like, oh,

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Speaker 3: I was like, we're the bathroom. I'm like, babe, like

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Speaker 3: like you don't have a code? Does the girls compliment

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Speaker 3: each other in the bathroom moment? But she was not

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Speaker 3: having it, so like, you know whatever, but it's fine.

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Speaker 3: How oh, how uh do you feel?

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Speaker 1: How do you feel when you compliment someone and like

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Speaker 1: they immediately return a compliment.

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Speaker 3: Do you feel like that's just like the lentis?

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Speaker 1: Does it make you get a little bit like all right,

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Speaker 1: I'm just trying to compliment you.

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Speaker 3: Like you know what I think. And I might be

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Speaker 3: wrong about this, but I think I have a pretty

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Speaker 3: good meter of like genuineeness, Like I can feel you

287
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Speaker 3: are a very good people reader. You're a good people

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Speaker 3: reader to my detriment. Sometimes Melissa I met.

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Speaker 1: I mean, we ready lit of filth at the beginning

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Speaker 1: of this episode.

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Speaker 3: I've known you for over ten years. So uh. I

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Speaker 3: went to and event the other day and it was

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Speaker 3: one of my favorite directors they will Remain Nameless, And

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Speaker 3: I was so, you know what, it's fine. It was

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Speaker 3: and I was like waiting to tell him how much

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Speaker 3: I love the movie, and I'm just like standing there

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Speaker 3: like an idiot, like telling him how much I loved it,

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Speaker 3: and like, you know, just I couldn't. I could barely

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Speaker 3: talk because it was And I was like, yeah, then

300
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Speaker 3: he knows who you are because he watched you know

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Speaker 3: how that I didn't mention that. I didn't even I

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Speaker 3: should have led with it. I should have led with it,

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Speaker 3: but like an idiot, I didn't. And of course I

304
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Speaker 3: don't look anything like that character in real life, right,

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Speaker 3: I don't sound like like her, So my dumb ass

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Speaker 3: is just like effusive, effusive, effusive. And at one point

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Speaker 3: he was like, well, thank you so much, and I

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00:17:36,200 --> 00:17:38,600
Speaker 3: was like, oh, no, oh he wants us to leave,

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Speaker 3: like I missed the eight you must have given me. Oh,

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Speaker 3: And I walked away from that just being so who

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Speaker 3: mortified Melissa more to oh mortified. I wasn't like I

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Speaker 3: want to work with you, but nothing. I was just

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Speaker 3: like about the about the movie because it was so

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Speaker 3: beautiful and good.

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Speaker 2: It's hard to it's hard to meet your heroes.

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Speaker 3: It's so embarrassing.

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Speaker 1: No, no, but I bet it wasn't. I bet it

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Speaker 1: wasn't that you missed signs. I bet it was just

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Speaker 1: like I mean, people do the like providal events to

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Speaker 1: you like they move it along, you know, oh.

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Speaker 3: Like you went back and you were like, oh, okay,

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Speaker 3: here's I know, because at one point he stood up.

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Speaker 3: He was sitting and he stood up, and he was

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Speaker 3: like he said something to us. He was standing up,

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Speaker 3: and I just kept talking and he sat back down

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Speaker 3: and I was like, oh, that's interesting. And then he

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Speaker 3: stood up again, and that's when I was like, uh oh,

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Speaker 3: and he was like, well, it was so nights talking

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Speaker 3: to you. I was like, oh no, oh no, it

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Speaker 3: was the first stand up was the sign and I

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Speaker 3: missed it.

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Speaker 1: A little horrifying, horrifying, But you know what, that probably

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00:18:54,320 --> 00:18:56,480
Speaker 1: happened to him like a bunch of times that night.

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Speaker 3: And hopefully we'll just latch at it on set someday

335
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Speaker 3: exactly exactly.

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00:19:04,000 --> 00:19:07,760
Speaker 2: You'd be like, oh, so now you may not remember, but.

337
00:19:08,200 --> 00:19:11,400
Speaker 3: I mean you don't remember actually, and he'll be like, oh, yes,

338
00:19:11,440 --> 00:19:19,119
Speaker 3: that was so awkward, and then you have a great

339
00:19:19,200 --> 00:19:29,440
Speaker 3: laugh about it, and a beautiful working collaboration will grow amazing. Yeah,

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Speaker 3: I will. I One of the things I find so

341
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Speaker 3: tricky about our industry in particular, but maybe it's everybody's industry,

342
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Speaker 3: is like I, okay, so I used to do theater,

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Speaker 3: and when you would go see a play, people are

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Speaker 3: so crazy in theater people theater people are crazy. Y'all

345
00:19:53,080 --> 00:19:58,720
Speaker 3: know you're crazy, yes, yes, But when you see a

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Speaker 3: play that you don't like, people will straight up go like,

347
00:20:01,720 --> 00:20:05,359
Speaker 3: oh my god, you worked so hard instead of being like, congratulations,

348
00:20:05,359 --> 00:20:10,679
Speaker 3: the play was so good, right, you worked so hard.

349
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Speaker 3: Oh you were up there. Wow, that was really something.

350
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Speaker 3: You were up there.

351
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Speaker 2: You were up there, the lighting was incredible.

352
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Speaker 3: You look and you you you dot dot dot you

353
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Speaker 3: you you did work on you did date work on

354
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Speaker 3: that stage. You were working hard. I could tell She's

355
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Speaker 3: like hard.

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Speaker 1: Oh.

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Speaker 3: But like the opposite is true in LA, which is

358
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Speaker 3: like people will be so fucking effusive, and you were

359
00:20:44,280 --> 00:20:46,760
Speaker 3: just sitting with them in the audience, listening to them

360
00:20:46,760 --> 00:20:49,720
Speaker 3: talk shit about something, and you're sitting there going like, yeah,

361
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Speaker 3: how are you being so affuse? You're like crying right

362
00:20:53,600 --> 00:20:57,280
Speaker 3: now at the compliments you're giving. You're like in tears. Meanwhile,

363
00:20:57,320 --> 00:20:59,399
Speaker 3: like cut to forty five minutes ago and you were like,

364
00:20:59,440 --> 00:21:02,600
Speaker 3: this is kind of shitty. What so, like, that's a

365
00:21:02,640 --> 00:21:06,680
Speaker 3: hard thing. I don't believe compliments about my work unless

366
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Speaker 3: they come from either a complete, total stranger that is

367
00:21:10,320 --> 00:21:17,320
Speaker 3: not in the industry whatsoever, or a very good friend. Yeah. Same,

368
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Speaker 3: which sucks because I watch people's work and like, I'm

369
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Speaker 3: not that good of friends with them, and I'm like,

370
00:21:23,880 --> 00:21:26,960
Speaker 3: that was fucking incredible, and I'm like being effusive in

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Speaker 3: the way that I'm like, would I believe this? I'm

372
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Speaker 3: not sure I would believe this if someone came to

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Speaker 3: my opening and said all these things.

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Speaker 1: Right, But it's hard, what do you I mean, it's

375
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Speaker 1: so vulnerable what we do. It's hard to be like, hey,

376
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Speaker 1: the thing you were in was not great. I think

377
00:21:43,040 --> 00:21:47,919
Speaker 1: you're great, but the thing you were in was not great.

378
00:21:48,960 --> 00:21:50,080
Speaker 1: That's hard to say.

379
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Speaker 3: Joe was like, I I don't know if I like

380
00:21:53,680 --> 00:21:56,480
Speaker 3: to show. I like you in it about Twisted Metal.

381
00:21:56,520 --> 00:21:58,679
Speaker 3: He was straight up. He was like, I don't think

382
00:21:58,720 --> 00:22:00,639
Speaker 3: i'll watch any more of it. I liked you, I

383
00:22:00,720 --> 00:22:03,080
Speaker 3: like what you're doing, but I don't like the show.

384
00:22:03,200 --> 00:22:07,560
Speaker 3: And I was like, I appreciate that, though, because that

385
00:22:07,640 --> 00:22:12,000
Speaker 3: feels like real friendship to me. You did not. I

386
00:22:12,040 --> 00:22:14,400
Speaker 3: was like, bitch, I need you want to I want

387
00:22:14,400 --> 00:22:18,560
Speaker 3: a season two. At the time, I was like, I mean,

388
00:22:18,560 --> 00:22:21,240
Speaker 3: I appreciate the honesty, but like, ultimately, I don't want

389
00:22:21,280 --> 00:22:23,119
Speaker 3: to hear that, Like, you don't like the show that

390
00:22:23,160 --> 00:22:25,120
Speaker 3: I'm on, like boo.

391
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Speaker 1: So you'd rather not hear it at all, you'd rather, Yeah,

392
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Speaker 1: you'd rather.

393
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Speaker 3: I'd rather just letter a soft I'd rather just hear it.

394
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Speaker 3: You're really good in it. You are really good in it.

395
00:22:34,880 --> 00:22:36,960
Speaker 3: That's what I want to hear, you know. Yeah, and

396
00:22:37,040 --> 00:22:38,639
Speaker 3: don't tell me you don't like the show, because like,

397
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Speaker 3: I can't do shit about that. I can't do shit

398
00:22:41,920 --> 00:22:44,719
Speaker 3: about that. Yeah, I appreciate that. I get that, So

399
00:22:44,760 --> 00:22:47,440
Speaker 3: make a note for yourself in your mind. But yeah,

400
00:22:47,480 --> 00:22:52,480
Speaker 3: the theater thing is hard. I used to I remember

401
00:22:52,480 --> 00:22:55,320
Speaker 3: in college there was a girl in my class. I

402
00:22:55,359 --> 00:22:59,600
Speaker 3: was in a show with her, and she would ghost

403
00:23:00,080 --> 00:23:00,880
Speaker 3: right after curtain call.

404
00:23:01,240 --> 00:23:04,680
Speaker 1: She would like to work out, you know, because no

405
00:23:05,000 --> 00:23:07,840
Speaker 1: I was like, oh my god, can you do that?

406
00:23:07,840 --> 00:23:08,800
Speaker 2: That's amazing?

407
00:23:08,960 --> 00:23:13,240
Speaker 1: Because the part I hated the most was seeing everyone

408
00:23:13,280 --> 00:23:16,480
Speaker 1: after the show and everyone be like, oh my god,

409
00:23:16,520 --> 00:23:18,840
Speaker 1: it was so great, it was so good, and I

410
00:23:18,840 --> 00:23:21,040
Speaker 1: didn't believe anybody. I'd be like, you're all so full

411
00:23:21,040 --> 00:23:24,320
Speaker 1: of shit. That's what you're supposed to say after a show,

412
00:23:24,440 --> 00:23:28,760
Speaker 1: And I hate this. This is so uncomfortable, and then

413
00:23:28,800 --> 00:23:31,240
Speaker 1: I started doing that too, and that was like amazing.

414
00:23:31,280 --> 00:23:35,000
Speaker 3: It was so freeing. I just bounce. Yeah.

415
00:23:35,040 --> 00:23:37,119
Speaker 1: And if I had like close friends that came, I

416
00:23:37,119 --> 00:23:39,480
Speaker 1: would just text them, you know or something and be like, hey,

417
00:23:39,560 --> 00:23:40,280
Speaker 1: just meet me outside.

418
00:23:40,359 --> 00:23:43,800
Speaker 3: Yeah yeah, so okay. I did a couple of seasons

419
00:23:43,800 --> 00:23:46,359
Speaker 3: at the Organ Shakespeare Festival, which is in Ashland, Oregon.

420
00:23:46,440 --> 00:23:49,679
Speaker 3: It's just like really old famous theater festival. I think

421
00:23:49,680 --> 00:23:52,280
Speaker 3: I've told you the story. My ex was working with

422
00:23:52,320 --> 00:23:54,760
Speaker 3: this director. They were going to do like another play together,

423
00:23:54,920 --> 00:23:57,439
Speaker 3: and they had done multiple plays together. Whatever. He like

424
00:23:57,560 --> 00:23:59,800
Speaker 3: talked this director up like he was a god among men.

425
00:24:00,560 --> 00:24:04,159
Speaker 3: The director comes to the theater festival and he had

426
00:24:04,200 --> 00:24:10,520
Speaker 3: tickets to see, uh, my ex in Hamlet. And then

427
00:24:10,680 --> 00:24:13,920
Speaker 3: I was that the director wasn't gonna see my play.

428
00:24:13,960 --> 00:24:16,199
Speaker 3: But like I came to the bar after their production

429
00:24:16,240 --> 00:24:18,960
Speaker 3: of Hamlet and just to meet him. Right, like everybody's

430
00:24:18,960 --> 00:24:21,359
Speaker 3: hanging out at the bar. The director's like holding court.

431
00:24:21,920 --> 00:24:23,480
Speaker 3: I come up to the table because I see my

432
00:24:23,480 --> 00:24:29,160
Speaker 3: ex there with him. And finally, after Lung's story being

433
00:24:29,200 --> 00:24:32,480
Speaker 3: told by the director, my ex introduces me and he

434
00:24:32,560 --> 00:24:36,879
Speaker 3: says she's playing Maggie and she's Maggie the Cat and

435
00:24:36,960 --> 00:24:39,199
Speaker 3: cat on a hot tin roof. And I'm standing there

436
00:24:39,240 --> 00:24:41,359
Speaker 3: at the edge of the table and the director looks

437
00:24:41,400 --> 00:24:43,920
Speaker 3: me up and down and goes, oh, I can't really

438
00:24:43,920 --> 00:24:51,959
Speaker 3: see it. Oh what That was my reaction reaction. I

439
00:24:52,000 --> 00:24:58,800
Speaker 3: was like, what what and like, I don't know, but

440
00:24:58,880 --> 00:25:03,680
Speaker 3: it wasn't is it. I think it was based on

441
00:25:04,480 --> 00:25:07,160
Speaker 3: I had my hair like back in a pony tail,

442
00:25:07,160 --> 00:25:09,119
Speaker 3: I had no makeup on, I had a flannel shirt on.

443
00:25:09,320 --> 00:25:13,359
Speaker 3: I think he was like, I don't see that as

444
00:25:13,960 --> 00:25:19,120
Speaker 3: a beautiful field. See the sex appeal the oh anything?

445
00:25:19,200 --> 00:25:23,600
Speaker 3: I can't. I can't. But one of the reason that

446
00:25:23,640 --> 00:25:26,040
Speaker 3: I'm telling the story is because the opposite of that

447
00:25:26,080 --> 00:25:29,199
Speaker 3: story happened to me the next day. There was a

448
00:25:29,240 --> 00:25:32,880
Speaker 3: Starbucks right on the theater campus, so that the Organ

449
00:25:32,880 --> 00:25:36,320
Speaker 3: Shakespeare Veussal has three theaters. It has the Elizabethan outdoor Theater,

450
00:25:36,400 --> 00:25:40,960
Speaker 3: which holds like twelve hundred people, It has the indoor theater,

451
00:25:41,000 --> 00:25:42,919
Speaker 3: which is like a seven hundred, and then it has

452
00:25:42,960 --> 00:25:44,960
Speaker 3: a black box theater which is really really beautiful. I

453
00:25:45,000 --> 00:25:47,919
Speaker 3: think it's called the Peter J. Sharp Theater or something.

454
00:25:47,960 --> 00:25:51,800
Speaker 3: I can't remember the name of it. I'm sure that

455
00:25:51,880 --> 00:25:55,360
Speaker 3: was the wrong name anyway. Uh, and then right beside

456
00:25:55,400 --> 00:25:58,000
Speaker 3: it is a Starbucks because Starbucks are geniuses and they

457
00:25:58,760 --> 00:26:01,040
Speaker 3: put their little Starbucks right where all the foot traffic is.

458
00:26:01,640 --> 00:26:04,720
Speaker 3: So I'm in the Starbucks and I'm chatting with the

459
00:26:04,800 --> 00:26:07,399
Speaker 3: lady in front of me in line, and we're just chatting,

460
00:26:07,400 --> 00:26:08,800
Speaker 3: and I was like, Oh, where are you visiting from?

461
00:26:08,800 --> 00:26:11,040
Speaker 3: Because everyone is visiting from somewhere, and she's like, Oh,

462
00:26:11,040 --> 00:26:14,000
Speaker 3: we're visiting from you know, blah blah blah. And in

463
00:26:15,080 --> 00:26:17,000
Speaker 3: I think she was like Trump Georgia or something, or

464
00:26:17,720 --> 00:26:20,439
Speaker 3: a southern state. She's like, we drove, we come up

465
00:26:20,480 --> 00:26:23,239
Speaker 3: here every year. We love our vacation here. Last night

466
00:26:23,280 --> 00:26:25,240
Speaker 3: we saw kat on a hot tin roof and honey,

467
00:26:25,240 --> 00:26:27,399
Speaker 3: it was so good. I mean that girl had her

468
00:26:27,440 --> 00:26:29,719
Speaker 3: Southern accent down pat and I was like, did you

469
00:26:29,840 --> 00:26:32,399
Speaker 3: like it? I'm standing there thinking like when is she

470
00:26:32,440 --> 00:26:34,880
Speaker 3: going to realize it was me? She was like, oh, honey,

471
00:26:35,080 --> 00:26:36,960
Speaker 3: And I just love her. Think she did. And I

472
00:26:37,000 --> 00:26:39,399
Speaker 3: mean you could tell she's a Southerner. You could just tell.

473
00:26:39,720 --> 00:26:42,320
Speaker 3: And I'm like, you know, trying to like keep it

474
00:26:42,359 --> 00:26:45,160
Speaker 3: inside my body and I never told her, Oh my god,

475
00:26:45,200 --> 00:26:48,119
Speaker 3: that's so good. I never told her because I was like,

476
00:26:48,400 --> 00:26:51,040
Speaker 3: if I tell her now, she won't be as honest

477
00:26:51,480 --> 00:26:53,880
Speaker 3: with the rest of what she's talking about. She loved

478
00:26:53,920 --> 00:26:56,280
Speaker 3: everything about the production. Yeah, I'm talking about and talking

479
00:26:56,280 --> 00:26:58,199
Speaker 3: about it, and she was like all right bye, you

480
00:26:58,240 --> 00:27:01,280
Speaker 3: know like leaves And I was standing there like, wow,

481
00:27:01,320 --> 00:27:05,200
Speaker 3: that was crazy, Like I did. I did a job

482
00:27:05,280 --> 00:27:08,960
Speaker 3: that was like I like disappeared. You know, yes, I

483
00:27:09,040 --> 00:27:11,960
Speaker 3: disappeared so much that he watched me for two hours

484
00:27:12,000 --> 00:27:15,720
Speaker 3: last night and she doesn't know who I am the

485
00:27:15,760 --> 00:27:17,400
Speaker 3: next day. Yeah.

486
00:27:17,800 --> 00:27:20,080
Speaker 1: I think those I mean, you have that ability like

487
00:27:20,119 --> 00:27:24,000
Speaker 1: across the board, like how you just wandered the earth

488
00:27:24,040 --> 00:27:30,200
Speaker 1: in complete and anonymity in Brooklin I started because we'd

489
00:27:30,200 --> 00:27:32,880
Speaker 1: be like, oh, we're all starting to get recognized, and

490
00:27:32,960 --> 00:27:37,320
Speaker 1: you were like, I'm never getting recognized. I remember when

491
00:27:37,320 --> 00:27:39,159
Speaker 1: it bothered you too, and we were all starting to

492
00:27:39,160 --> 00:27:40,000
Speaker 1: get recognized.

493
00:27:40,119 --> 00:27:42,679
Speaker 3: Oh my god, it really bummed me out. I was like,

494
00:27:43,359 --> 00:27:45,520
Speaker 3: I'm right here as well. I was like, and I

495
00:27:45,640 --> 00:27:47,040
Speaker 3: was like, but it's such a compliment.

496
00:27:47,119 --> 00:27:50,680
Speaker 1: You're so like, you know, you're so Rosa on the show,

497
00:27:50,800 --> 00:27:53,359
Speaker 1: and like people are going to recognize you in real this.

498
00:27:53,280 --> 00:27:59,480
Speaker 3: Is Here's the thing. It's like compliments are there's two sides, right,

499
00:27:59,560 --> 00:28:02,040
Speaker 3: Like they're edged sword because like, on one hand, it's

500
00:28:02,640 --> 00:28:05,720
Speaker 3: it's so nice for your ego to feel like, oof,

501
00:28:05,760 --> 00:28:08,560
Speaker 3: I did something, and then when you don't get them yet,

502
00:28:08,640 --> 00:28:11,280
Speaker 3: or when you get the opposite like an insult, it's

503
00:28:11,320 --> 00:28:13,560
Speaker 3: like how much do you believe the compliments? Because if

504
00:28:13,560 --> 00:28:15,920
Speaker 3: you believe the good, you also have to believe the bad, right,

505
00:28:16,520 --> 00:28:18,640
Speaker 3: So like you have to kind of create a balance

506
00:28:18,640 --> 00:28:21,960
Speaker 3: for yourself a little bit, because like if you believe

507
00:28:22,000 --> 00:28:24,800
Speaker 3: everything good about yourself and I just believe your hype people,

508
00:28:25,040 --> 00:28:29,480
Speaker 3: then you're like, you know, we've all been witnessed to

509
00:28:29,520 --> 00:28:33,080
Speaker 3: that's war Like, oh, did you did you need to

510
00:28:33,119 --> 00:28:35,159
Speaker 3: make that movie? Like I'm not sure you needed to

511
00:28:36,000 --> 00:28:39,000
Speaker 3: try to be that person in that movie in that biopic.

512
00:28:39,120 --> 00:28:44,200
Speaker 3: That's a wildly inappropriate choice. But okay, names will not

513
00:28:44,240 --> 00:28:54,440
Speaker 3: be named more better, more better. Do you ever feel

514
00:28:54,480 --> 00:29:00,920
Speaker 3: like you compliment your kids too much or not enough? Oh?

515
00:29:01,080 --> 00:29:09,080
Speaker 1: And actually recently we've been trying to compliment them more because.

516
00:29:08,800 --> 00:29:12,840
Speaker 3: We realized, Yeah, we realize that.

517
00:29:13,680 --> 00:29:17,520
Speaker 1: We're in two different phases for two different reasons with

518
00:29:17,680 --> 00:29:22,800
Speaker 1: our kids, where a lot of corrections are being made

519
00:29:23,200 --> 00:29:27,320
Speaker 1: or redirections, and then it was brought to our attention

520
00:29:27,560 --> 00:29:31,400
Speaker 1: how important it is to balance that with also praise

521
00:29:31,880 --> 00:29:38,240
Speaker 1: to compliments, and it's actually really powerful, Like I didn't

522
00:29:38,280 --> 00:29:41,960
Speaker 1: even realize that I because you know, it's just like

523
00:29:42,120 --> 00:29:44,560
Speaker 1: I let me get Yeah, I give them compliments all

524
00:29:44,560 --> 00:29:47,160
Speaker 1: the time. But then when you really start thinking about, like,

525
00:29:47,240 --> 00:29:51,160
Speaker 1: well how many corrections or redirections did I give my

526
00:29:51,280 --> 00:29:54,120
Speaker 1: kid today and did I give just as many compliments,

527
00:29:55,000 --> 00:29:59,640
Speaker 1: it's usually writing a bounds. And then when I we

528
00:29:59,680 --> 00:30:08,760
Speaker 1: start did to even the balance the response from our kids,

529
00:30:09,080 --> 00:30:11,600
Speaker 1: it's actually like I would encourage every parent to do

530
00:30:11,640 --> 00:30:12,960
Speaker 1: it because it's actually amazing.

531
00:30:13,120 --> 00:30:15,720
Speaker 3: It's like really the like.

532
00:30:15,720 --> 00:30:19,280
Speaker 1: Connection gets stronger and like and then they start like

533
00:30:19,760 --> 00:30:22,200
Speaker 1: trying to seek the because our kids are always trying

534
00:30:22,240 --> 00:30:24,600
Speaker 1: to seek attention, right, and sometimes it's like in negative

535
00:30:24,640 --> 00:30:27,480
Speaker 1: ways or you get stuck in these ruts where it's

536
00:30:27,560 --> 00:30:28,680
Speaker 1: like in negative ways.

537
00:30:29,040 --> 00:30:29,840
Speaker 3: Yeah.

538
00:30:30,200 --> 00:30:35,160
Speaker 1: Yeah, So I would encourage any parent to try this

539
00:30:35,360 --> 00:30:35,880
Speaker 1: with their.

540
00:30:35,840 --> 00:30:37,480
Speaker 3: Kids, because.

541
00:30:38,920 --> 00:30:41,720
Speaker 1: What we found was, you know, our kids are always

542
00:30:41,720 --> 00:30:44,800
Speaker 1: seeking connection, and sometimes you get in these ruts where

543
00:30:44,840 --> 00:30:48,920
Speaker 1: they're like seeking connection in maybe more negative ways. And

544
00:30:49,000 --> 00:30:52,320
Speaker 1: what we found was when we started complimenting and praising

545
00:30:52,320 --> 00:30:53,760
Speaker 1: them a lot, and a lot of it was just

546
00:30:53,800 --> 00:30:55,640
Speaker 1: like for simple things. A lot of times it was

547
00:30:55,640 --> 00:31:01,400
Speaker 1: like for things that we kind of expect them to do, like, hey,

548
00:31:01,480 --> 00:31:03,840
Speaker 1: thanks for getting in the car when I asked you to, Hey,

549
00:31:03,840 --> 00:31:07,000
Speaker 1: thanks for buckling your seatbelt. I didn't even have to

550
00:31:07,040 --> 00:31:08,880
Speaker 1: tell you to do that. That was really cool, you know,

551
00:31:10,600 --> 00:31:12,920
Speaker 1: thanks for getting your shoes on without me asking you to.

552
00:31:13,160 --> 00:31:18,080
Speaker 1: Like little things like that. We found that they start

553
00:31:18,480 --> 00:31:22,360
Speaker 1: seeking a little bit more of that, and then the

554
00:31:22,960 --> 00:31:25,640
Speaker 1: you start just having like more positive but it just like,

555
00:31:26,120 --> 00:31:29,080
Speaker 1: you know, I just kind of saw them like feeling

556
00:31:29,120 --> 00:31:31,200
Speaker 1: good about themselves, like you know, it was like little

557
00:31:31,200 --> 00:31:34,880
Speaker 1: confidence boosters, little like standing up a little straighter, like

558
00:31:34,920 --> 00:31:37,960
Speaker 1: a little you know, the little smile on their face.

559
00:31:38,200 --> 00:31:40,160
Speaker 2: And I was just like, oh man, And I.

560
00:31:40,120 --> 00:31:42,840
Speaker 1: Think it's just really easy to realize, Like I think

561
00:31:42,880 --> 00:31:47,400
Speaker 1: everyone compliments their kids, but when you start, I think

562
00:31:47,400 --> 00:31:49,200
Speaker 1: it's like the difference of when you kind of just

563
00:31:49,240 --> 00:31:52,200
Speaker 1: start comparing, like, well, but how many times did I

564
00:31:52,240 --> 00:31:55,800
Speaker 1: have to like correct them today? And did I compliment

565
00:31:55,880 --> 00:31:57,440
Speaker 1: them just as many times?

566
00:31:57,840 --> 00:31:58,120
Speaker 3: You know?

567
00:31:58,840 --> 00:32:02,040
Speaker 1: Or are they just hearing directions more? It was very

568
00:32:02,040 --> 00:32:03,800
Speaker 1: eye eye opening for us.

569
00:32:04,120 --> 00:32:07,240
Speaker 3: Okay, before we wrap up. I want us to give

570
00:32:07,280 --> 00:32:08,240
Speaker 3: each other a compliment.

571
00:32:09,840 --> 00:32:12,560
Speaker 2: Oh my gosh, but I have so many for you.

572
00:32:13,040 --> 00:32:19,840
Speaker 3: How to choose? We don't have time. We don't have time. Listen,

573
00:32:19,840 --> 00:32:22,360
Speaker 3: I think you're one of the smartest people I've probably

574
00:32:22,360 --> 00:32:26,080
Speaker 3: ever met. And you're not smart in a like a

575
00:32:26,120 --> 00:32:30,360
Speaker 3: off putting, cerebral kind of way. You're like just smart.

576
00:32:30,560 --> 00:32:40,080
Speaker 3: You're smart about so many things, but particularly I think acting, directing,

577
00:32:42,160 --> 00:32:53,240
Speaker 3: functioning on a set, and uh yeah, and not uh

578
00:32:53,480 --> 00:32:57,280
Speaker 3: like you never what's a good way to put this, Like,

579
00:32:58,400 --> 00:33:01,480
Speaker 3: you never make anybody feel aated with how smart you are,

580
00:33:01,680 --> 00:33:04,680
Speaker 3: Like you're always trying to because I think some people

581
00:33:04,840 --> 00:33:09,080
Speaker 3: do that. Uh they make you feel like, well I

582
00:33:09,160 --> 00:33:11,440
Speaker 3: went to n Yu and I did this and whatever.

583
00:33:11,520 --> 00:33:14,640
Speaker 3: Oh no, she went away. She probably like had to

584
00:33:14,720 --> 00:33:22,560
Speaker 3: log off because she started crying. More better guys. Just

585
00:33:22,600 --> 00:33:25,520
Speaker 3: so you know, in the middle of complimenting Melissa her

586
00:33:26,680 --> 00:33:29,520
Speaker 3: her video image and sound image just like went out

587
00:33:29,520 --> 00:33:32,640
Speaker 3: and went away. And I know she's going to come

588
00:33:32,680 --> 00:33:34,440
Speaker 3: back on here and say it was her laptop, but

589
00:33:34,560 --> 00:33:38,400
Speaker 3: I suspect as she could not handle the compliment, So

590
00:33:39,560 --> 00:33:40,520
Speaker 3: you know, you tell me.

591
00:33:41,400 --> 00:33:43,920
Speaker 2: Okay, So I'm on my phone.

592
00:33:44,080 --> 00:33:46,000
Speaker 3: The end of my compliment was, you're not a snob

593
00:33:46,000 --> 00:33:47,640
Speaker 3: about being smart, you know how, like a lot of

594
00:33:47,640 --> 00:33:50,440
Speaker 3: people are, Like I went to fucking Yale and Harvard

595
00:33:50,520 --> 00:33:53,320
Speaker 3: and I'm I was in this bob bebop boop boop,

596
00:33:53,520 --> 00:33:56,360
Speaker 3: and you're never You're never like I went to n

597
00:33:56,480 --> 00:33:59,240
Speaker 3: YU and like, you're not like that. You don't. You're

598
00:33:59,280 --> 00:34:03,200
Speaker 3: not like bringing out your little diploma and shaking it

599
00:34:03,200 --> 00:34:06,040
Speaker 3: in people's faces. You make everybody else around you also

600
00:34:06,080 --> 00:34:10,000
Speaker 3: feel smart unless they're a total fucking idiot, And by

601
00:34:10,080 --> 00:34:11,640
Speaker 3: idiot I mean racist.

602
00:34:11,520 --> 00:34:13,600
Speaker 1: And then I can't help myself, and then I just

603
00:34:13,600 --> 00:34:16,680
Speaker 1: can't help myself. That was really nice. I'm sorry, my

604
00:34:16,760 --> 00:34:18,719
Speaker 1: technical difficulty is broken up so much.

605
00:34:19,239 --> 00:34:20,880
Speaker 3: Did you hate that so much that you had to

606
00:34:20,920 --> 00:34:21,319
Speaker 3: hang up?

607
00:34:26,040 --> 00:34:30,520
Speaker 1: My energy made me made all of my electronics completely

608
00:34:30,560 --> 00:34:35,240
Speaker 1: shut down. I just like reached over.

609
00:34:35,200 --> 00:34:36,680
Speaker 2: Was like click disconnect.

610
00:34:38,280 --> 00:34:40,239
Speaker 1: You know what, ten years ago I might have I

611
00:34:40,320 --> 00:34:40,880
Speaker 1: might have done that.

612
00:34:43,719 --> 00:34:44,440
Speaker 3: But thank you.

613
00:34:45,400 --> 00:34:51,000
Speaker 1: My compliment for you, Jeffanie. I love so many things

614
00:34:51,080 --> 00:34:54,520
Speaker 1: about you. You're wildly talented, You're beautiful, you're so gracious,

615
00:34:54,520 --> 00:34:59,280
Speaker 1: you're so empathetic, you're so you're sensitive in this really

616
00:34:59,360 --> 00:35:02,920
Speaker 1: like beautiful empathetic way where you like can really feel

617
00:35:02,920 --> 00:35:08,320
Speaker 1: other people's feelings. But my favorite thing about you is that,

618
00:35:08,840 --> 00:35:12,600
Speaker 1: ever since I met you, I felt like you really

619
00:35:13,400 --> 00:35:16,880
Speaker 1: kind of knew who you were, but at the same

620
00:35:17,040 --> 00:35:22,800
Speaker 1: time were allowing yourself to like evolve and discover yourself

621
00:35:22,880 --> 00:35:26,800
Speaker 1: even more. I referred to you as like a phoenix

622
00:35:26,960 --> 00:35:29,680
Speaker 1: in my life. Like, so when I met you, I

623
00:35:29,760 --> 00:35:31,640
Speaker 1: was just like, oh my god, that woman is like

624
00:35:31,920 --> 00:35:34,399
Speaker 1: so confident and like knows who she is, and it's

625
00:35:34,480 --> 00:35:38,759
Speaker 1: like confident in her like talent and her her smarts

626
00:35:38,840 --> 00:35:42,880
Speaker 1: and you know. But then also you were like searching

627
00:35:42,920 --> 00:35:46,319
Speaker 1: for yourself and like growing and evolving in this really

628
00:35:46,400 --> 00:35:51,120
Speaker 1: amazing way during the course of the show. And your

629
00:35:51,239 --> 00:35:55,279
Speaker 1: core self never really changed, but like parts of you

630
00:35:55,680 --> 00:35:59,719
Speaker 1: I think were like discovered or you grew into or

631
00:36:00,200 --> 00:36:03,160
Speaker 1: more confident into. And it's and it was like a phoenix.

632
00:36:03,160 --> 00:36:06,640
Speaker 1: It was like watching a phoenix rise. And that's a

633
00:36:06,719 --> 00:36:09,120
Speaker 1: like hard and scary thing for people to do. And

634
00:36:09,200 --> 00:36:11,480
Speaker 1: I thought that you did it, so I'm sure it

635
00:36:11,560 --> 00:36:17,040
Speaker 1: wasn't effortless, but it felt it just felt like you

636
00:36:17,040 --> 00:36:20,080
Speaker 1: weren't going to give up. And I admire that so

637
00:36:20,239 --> 00:36:23,719
Speaker 1: much and I find that really inspiring, and I, yeah,

638
00:36:23,880 --> 00:36:26,640
Speaker 1: I love that, and I never was very impressed by it.

639
00:36:26,719 --> 00:36:31,000
Speaker 3: I'll never never, I'll have to pry me off the

640
00:36:31,040 --> 00:36:35,160
Speaker 3: fucking stage or offset. I'll probably die in the middle

641
00:36:35,719 --> 00:36:38,400
Speaker 3: monologue or some shit. I'll be like trying to Oh

642
00:36:38,480 --> 00:36:44,160
Speaker 3: my god, a dream scenario for you. They'll pry the voice.

643
00:36:44,520 --> 00:36:48,840
Speaker 3: Like the climax of the monologue. Yeah, the audience is clapping.

644
00:36:49,120 --> 00:36:53,320
Speaker 3: I take a bow and then like fall dead. It's perfect.

645
00:36:53,600 --> 00:36:56,520
Speaker 3: It's the perfect way to go. It's a beautiful ending,

646
00:36:56,760 --> 00:37:05,320
Speaker 3: beautiful more better. You feel a little more better about compliments, Yes.

647
00:37:05,239 --> 00:37:08,120
Speaker 1: I feel more better about how I have gotten more

648
00:37:08,200 --> 00:37:11,560
Speaker 1: better at compliments over time. I'm glad I'm not like

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00:37:11,920 --> 00:37:13,560
Speaker 1: as tortured as I used to be.

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00:37:14,080 --> 00:37:14,279
Speaker 3: Yeah.

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00:37:14,760 --> 00:37:18,400
Speaker 1: Yeah, do you feel more better about compliments?

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00:37:19,080 --> 00:37:21,080
Speaker 3: You know, I don't think I ever felt bad about them.

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00:37:21,160 --> 00:37:24,000
Speaker 3: I feel I feel a little like better kind of

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00:37:24,040 --> 00:37:30,359
Speaker 3: hearing your perspective of like, oh, like why someone might

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00:37:30,520 --> 00:37:34,560
Speaker 3: oh yes, be able to give or receive them? Yeah, like,

656
00:37:34,760 --> 00:37:37,319
Speaker 3: and I just talking it out a little bit more

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00:37:37,360 --> 00:37:39,080
Speaker 3: with you is like, oh, yeah, that's not It has

658
00:37:39,160 --> 00:37:43,280
Speaker 3: nothing to do with me giving them. I don't feel

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00:37:43,280 --> 00:37:46,719
Speaker 3: more better about my interaction with Gil but that will

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00:37:46,719 --> 00:37:49,120
Speaker 3: take time, and.

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00:37:49,719 --> 00:37:51,600
Speaker 1: Okay, you're gonna fix that when you're on side with him.

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00:37:51,680 --> 00:37:53,439
Speaker 3: Yeah, yeah, yeah, yeah yeah yeah. And if you haven't

663
00:37:53,440 --> 00:37:55,560
Speaker 3: seen Frankenstein, it's really good. It's gonna be like your

664
00:37:55,600 --> 00:37:58,919
Speaker 3: inside joke. And then it's gonna be like your inside joke. Yeah.

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00:37:59,400 --> 00:38:06,880
Speaker 3: I I can only hope and prayer. He guy, I guy.

666
00:38:07,160 --> 00:38:09,879
Speaker 3: Go out there and compliment someone. Yeah, give us somebody

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00:38:09,920 --> 00:38:13,160
Speaker 3: a compliment today or take one. Definitely, if you have

668
00:38:13,200 --> 00:38:15,759
Speaker 3: a kick, add a little compliment to their day. That's such.

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00:38:16,000 --> 00:38:19,160
Speaker 3: So that was another thing that I really, I really,

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00:38:19,280 --> 00:38:21,520
Speaker 3: I'm going to take that to heart. Complimenting ras a

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00:38:21,520 --> 00:38:24,920
Speaker 3: little bit more. Okay, I'll see you next time, see

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00:38:24,960 --> 00:38:29,360
Speaker 3: you next time. Bye bye, More and More Better. Do

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00:38:29,560 --> 00:38:31,399
Speaker 3: you have something you'd like to be more better at

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00:38:31,400 --> 00:38:33,320
Speaker 3: that you want us to talk about in a future episode.

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00:38:33,400 --> 00:38:35,800
Speaker 1: Can you relate to our struggles or have you tried

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00:38:35,800 --> 00:38:36,920
Speaker 1: one of our tips and tricks?

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00:38:37,160 --> 00:38:40,080
Speaker 3: Shoot us your thoughts and ideas at Morebetter pod at

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00:38:40,120 --> 00:38:43,000
Speaker 3: gmail dot com and include a voice note if you

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00:38:43,040 --> 00:38:45,719
Speaker 3: want to be featured on the pod. Ooh More Better

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00:38:45,760 --> 00:38:48,759
Speaker 3: with Stephanie Melissa is a production from WV Sound and

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00:38:48,800 --> 00:38:53,279
Speaker 3: iHeartMedia's Mikudura podcast network, hosted by Me, Stephanie Beatriz, and

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00:38:53,440 --> 00:38:56,600
Speaker 3: Melissa FUMERA More Better is produced by ISIS Madrid and

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00:38:56,680 --> 00:38:58,080
Speaker 3: Sophie spencer'sz Abos.

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00:38:58,400 --> 00:39:02,160
Speaker 1: Our executive producers are steph Me, Beatrice, myself, Melissa Kumero,

685
00:39:02,320 --> 00:39:05,239
Speaker 1: along with Wilmar Valderrama and Leo Clem at w V

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00:39:05,400 --> 00:39:06,920
Speaker 1: Sound and ISIS Madrid.

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00:39:07,120 --> 00:39:10,239
Speaker 3: This episode was edited by ISIS Madrid and engineered by

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00:39:10,239 --> 00:39:13,680
Speaker 3: Sean Tracy and features original music by Madison Davenport and

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00:39:13,719 --> 00:39:14,279
Speaker 3: Hello Boy.

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00:39:14,360 --> 00:39:17,080
Speaker 1: Our cover art is by vincent Remy's and photography by

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00:39:17,160 --> 00:39:21,319
Speaker 1: David Avolos. For more podcasts from iHeart, visit the iHeartRadio app,

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00:39:21,360 --> 00:39:23,040
Speaker 1: Apple Podcasts, or wherever.

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00:39:22,760 --> 00:39:25,120
Speaker 3: You listen to your favorite shows. See you next week,

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00:39:25,239 --> 00:39:26,800
Speaker 3: suck us Bye,