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Speaker 1: Transiting Alaska. What's happening everybody? Welcome to Thursday's show. Good

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Speaker 1: Morning Studio Morning. Hope everybody's having a good morning. If

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Speaker 1: if you don't mind indulging me for a second, I

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Speaker 1: will share an uncomfortable story from last night. So I'm

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Speaker 1: still away. I'm still in another country right now. I

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Speaker 1: am doing the radio show from a hotel and working

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Speaker 1: on something while I'm away, And so most nights I'm

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Speaker 1: able to go to dinner with my wife because she

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Speaker 1: is here with me. We went to dinner last night

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Speaker 1: and we're sitting there. I get we're in another country,

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Speaker 1: but we're sitting there in the table that's kind of

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Speaker 1: next to us, but kind of off to the corner

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Speaker 1: from our table. I can hear them talking about me

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Speaker 1: at dinner, which I'm surprised by because we're in another country.

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Speaker 1: And so I hear them go, Daddy, Bobby bones about

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Speaker 1: you know, talking and so I'm like, I said, Kell,

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Speaker 1: did you hear them say my name? It shows yeah,

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Speaker 1: And so then I'm I'm dialed in. I'm trying to

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Speaker 1: hear exactly what they're saying. Because they're not just randomly

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Speaker 1: talking about me. Someone had to recognize me sitting at

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Speaker 1: the table, and so the woman goes, yeah, it actually

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Speaker 1: does a really good radio show, and so the men

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Speaker 1: at the table felt the need to overly share with

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Speaker 1: her that they did not know who I was and

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Speaker 1: it's not something they would like and loudly so I

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Speaker 1: would hear it. It was the most uncomfortable situation because

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Speaker 1: she was there was like, yeah, he's got a good show,

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Speaker 1: and the guy was like, oh, never listen to a

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Speaker 1: show like that. That is not my cup of tea.

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Speaker 1: Sounds like a real douche, like that kind of thing,

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Speaker 1: and it's it was so uncomfortable as we're as we're

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Speaker 1: sitting here, like why why did these men fill the

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Speaker 1: need to express they had no interest in me that

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Speaker 1: loudly so I would hear it. Amy, I didn't know why. Well,

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Speaker 1: I am no idea why I would never do that.

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Speaker 1: But the first thing that comes to my mind is

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Speaker 1: that they were jealous that their wives were complimenting you,

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Speaker 1: and they're like, who's this guy. I'm not going to

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Speaker 1: listen to him, so they spoke loudly. I did not

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Speaker 1: think of that because that would be complimentary to me,

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Speaker 1: and I don't think of it in ways like that lunchbox.

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Speaker 1: What do you What do you think was their motivation

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Speaker 1: for loudly talking about how much they didn't like the

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Speaker 1: idea of me? Ah, they could they notice you were eavesdropping,

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Speaker 1: and they were like, Hey, if this guy wants to

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Speaker 1: eavesdrop on our conversation, I'm gonna ahead and gim a

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Speaker 1: little bit to put his ego down a little bit

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Speaker 1: to let him know that he's not as good as

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Speaker 1: he thinks he is. It wasn't noticeable eavesdropping, and they

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Speaker 1: were talking about me, And then they pulled up my

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Speaker 1: Instagram and were like scrolling through it and like looking

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Speaker 1: at pictures that they were like, she was like showing

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Speaker 1: her and they were like, that's not a kind of

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Speaker 1: guy to hang out with. Oh. It was so weird

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Speaker 1: out that far, and I felt so uncomfortable, and then

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Speaker 1: I started to get mad. It was like just be like, nah,

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Speaker 1: I've never heard of him and move on. There's don't

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Speaker 1: need to let me know. It's like when people will

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Speaker 1: say bad things about me on Twitter but they tag me,

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Speaker 1: It's like, just talk bad about me. If you're not

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Speaker 1: sending me a message and you just want to talk

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Speaker 1: bad about me, just write it there's no need. You

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Speaker 1: don't have to tag me, but of course you wanted

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Speaker 1: me to see that message your theory, Eddie. I mean,

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Speaker 1: I'm kind of with Amy, like it doesn't matter when

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Speaker 1: my wife says something about like Harry Styles. She likes

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Speaker 1: Harry Styles, right, all of a sudden, I'm just like,

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Speaker 1: what does he have that I don't have? Like, I

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Speaker 1: don't like whatever, dude, Harry Styles things all cool, he

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Speaker 1: does that little dancing on stage whatever, And deep inside,

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Speaker 1: I'm like, I kind of like Harry Styles, but now

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Speaker 1: that my wife likes cinema, I can't agree with that. Okay, okay.

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Speaker 1: I did not take it as a compliment, even a

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Speaker 1: backhand at compliment, but maybe I should accept that that

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Speaker 1: they were threatened by my sheer masculinity. Yeah, that's it.

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Speaker 1: I think that's yes, Amy, we did Caitlyn, like I

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Speaker 1: would think as your wife, it's probably frustrating for her

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Speaker 1: to hear that, Like, is there any part of her

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Speaker 1: that wants to go up to them and say something. No, No,

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Speaker 1: she doesn't care at all. She would rather people just

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Speaker 1: not talk about us. She doesn't like being recognized. She

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Speaker 1: has no interest in any of and sometimes it's a

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Speaker 1: perk and sometimes it's not, but any of the spoils

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Speaker 1: even of this job, of being successful at this, you know.

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Speaker 1: So she's just like, ah, man, it's weird when people

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Speaker 1: recognize this. So but no, no, not really. She doesn't

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Speaker 1: get upset. She's like, I agree with the guys. Let's

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Speaker 1: open up the mail bag. Get something. We call hello

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Speaker 1: Bobby Bones. Me and my girlfriend have been dating for

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Speaker 1: a little over a year, and I feel like she's

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Speaker 1: the one I want to spend the rest of my

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Speaker 1: life with. The problem is, it's always been my dream

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Speaker 1: to live in Montana. She has no interest in ever

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Speaker 1: moving there herself. I've already been there recently. I gotta

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Speaker 1: job lined up. I am ready to move in the spring.

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Speaker 1: I personally don't know that I will ever want to

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Speaker 1: move back. We're gonna try a long distance, but I'm

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Speaker 1: not sure how long I can do that, considering there's

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Speaker 1: no talk of either of us moving to each other.

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Speaker 1: I love her, I want to marry her, but I

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Speaker 1: also want to live my dream and live my life

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Speaker 1: in Montana. Any advice would be appreciated. Also, I currently

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Speaker 1: live in Indiana, so I understand it's a far move

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Speaker 1: and that she wants to be close to her family.

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Speaker 1: Signed logan, it's interesting. It ain't gonna work. I'm just

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Speaker 1: gonna say that before he goes. It's not gonna work.

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Speaker 1: It's not gonna work. And we can talk about why

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Speaker 1: it's not gonna work, but it's not gonna work. You

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Speaker 1: kind of have to come to And I was lucky

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Speaker 1: that my wife now said, hey, I'll make the move.

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Speaker 1: I don't think it was the most comfortable thing for her.

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Speaker 1: I still think it's not the most comfortable thing for

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Speaker 1: her because she doesn't have like a friendship group here. Yes,

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Speaker 1: she lived in California. Now, yeah, she went Oklahoma, Houston, California,

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Speaker 1: and she had gone to California to go back to

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Speaker 1: school her master she got if she had her new

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Speaker 1: career ready to go. And then she met me and

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Speaker 1: I was like, well, I can't move. And had she

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Speaker 1: said why can't either, I would have respected that and

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Speaker 1: I would have been heartbroken, but I would have understood,

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Speaker 1: and I wouldn't have forced her. I wouldn't right, and

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Speaker 1: you just wouldn't be together. As hard as that is, right,

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Speaker 1: I don't know. Maybe i'd given it all up. I

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Speaker 1: don't know. Maybe I would have we all would have

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Speaker 1: moved to California. I'm just saying, if she is dead

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Speaker 1: set against it, I just can't see it working. Because

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Speaker 1: even if she does go, I do believe she will

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Speaker 1: resent you for going if it doesn't turn out to

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Speaker 1: be awesome. The resentment parts huge, Like because yes, unless

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Speaker 1: someone is fully all in and they know they're clear

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Speaker 1: of the resentment, then you're good to go. But until that,

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Speaker 1: that's hard. If she does not want to go and

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Speaker 1: she says I am not going, it is not going

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Speaker 1: to work. Could it be a ultimatum where you say,

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Speaker 1: like I really want to marry you, I will ask

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Speaker 1: to marry you, but I do want to move to Montana, like,

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Speaker 1: and then put it put the ball in her court. Yeah. Yeah,

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Speaker 1: but if you know she this is what I would say.

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Speaker 1: And even if she said yes, but you know she

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Speaker 1: doesn't want to move to Montana and she's just going

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Speaker 1: to do it for you, but she really hates it.

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Speaker 1: That is going to bubble up so many ways. I

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Speaker 1: mean seven way still Sunday. A matter of fact, it's

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Speaker 1: gonna it's gonna constantly be a source of resentment and

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Speaker 1: a problem in that relationship. Or she might like Montana yeah.

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Speaker 1: I mean, unless it's presented in that way and then

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Speaker 1: she sits with it and realizes, wow, I cannot live

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Speaker 1: without him, then maybe she can move there and there's

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Speaker 1: not the resentment. But it doesn't sound like that's what

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Speaker 1: she wants to do. Based on this email. I'm gonna

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Speaker 1: say it's a no go for now, but that doesn't

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Speaker 1: mean it's a no go. I would. I would punt

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Speaker 1: on proposing right now, and I would go move to

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Speaker 1: Montana and I would have her come up a few

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Speaker 1: times and stay if possible. I mean, because if I

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Speaker 1: visited Montana, I'd be like, well, this is amazing. And

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Speaker 1: then when she visits lineup horses and yeous trips, she

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Speaker 1: probably doesn't understand what she would love or not love

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Speaker 1: about it yet if she hasn't been up and stayed

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Speaker 1: there for more than a day or two. But leaving

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Speaker 1: where your family is, that's hard. She wants that, but

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Speaker 1: also it's a new family. Like, yeah, when you get married,

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Speaker 1: it depends on how much she loves you leaving cleve.

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Speaker 1: But two, what does that mean? When you get married

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Speaker 1: you leave your family and cleave to your new I've

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Speaker 1: actually even said that to Caitlin before when she was struggling.

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Speaker 1: So I told her straight up, it's like, I don't

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Speaker 1: know where it to. I think it's somewhere in the Bible,

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Speaker 1: but just talking about how you leave your family and

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Speaker 1: cleave to your new family. And I told Caitlin as

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Speaker 1: a leaving cleve, I would try to make this as

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Speaker 1: attractive to her outside of a proposal, move on up there,

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Speaker 1: have her come visit, do the long distance thing, and

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Speaker 1: maybe she actually falls in love with it and it

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Speaker 1: works that way. Well. Otherwise, Bro, maybe you don't need

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Speaker 1: to move to Montana, and maybe you can just have

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Speaker 1: a friend that has a place up there, or go

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Speaker 1: stay up there on some weekends. But as if as is,

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Speaker 1: it's not gonna work. Sorry buddy, Sorry Logans, that's a

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Speaker 1: tough one. Anything else you'd like to say? Ammy? Yes,

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Speaker 1: what does the Bible mean when it says leaving cleave?

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Speaker 1: Here you go leaving and cleaving refers to leaving your

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Speaker 1: old family unit, your mother and your father, and to

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Speaker 1: form an attach to cleave to your new partner, to

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Speaker 1: form a new family. Call me cleave boys, and what verses.

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Speaker 1: I'm gonna write that down. She left to my parents

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Speaker 1: cleave one? Why this is like, all right, Dad, I

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Speaker 1: left you. If you want to hit us up, we

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Speaker 1: have a mailbag. We read them, we answer them. Morgan,

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Speaker 1: what do they do? Mailbag at Bobby Bones dot com.

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Speaker 1: We've got your game now, clothe the latest from Nashville

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Speaker 1: and Tullywood Morgan number two, thirty second Skinny Keith Urban

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Speaker 1: announced his return to touring with his Speed of Now tour.

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Speaker 1: It kicks off after his weekend in Las Vegas in

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Speaker 1: May with special guest Ingrid Andrews. Tickets go on sale

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Speaker 1: December tenth. Cleaywalker and Tracy Lawrence announced a mini towards

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Speaker 1: together for March twenty twenty two. Tickets go on sale

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Speaker 1: December third. Dolly Parton was named one of People Magazine's

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Speaker 1: People of the Year. She was recognized for the work

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Speaker 1: with her Imagination Library and her efforts to slow the

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Speaker 1: pandemic with a donation that funded research for a vaccine.

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Speaker 1: I'm Morgan number two. That's your skinny. It's time for

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Speaker 1: the good news. Amy, this is so cool. A nurse

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Speaker 1: that has been working the front lines of COVID for

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Speaker 1: the past two years, decided to retire after thirty six

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Speaker 1: years on the job and to celebrate her retirement. The

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Speaker 1: very first day, she went to get a scratch off

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Speaker 1: lottery ticket and hit big with two hundred thousand dollars.

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Speaker 1: I know, when I think of people that deserve to

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Speaker 1: win the lottery, it's a healthcare hero like that. Like, hey, yes,

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Speaker 1: you have been serving people for thirty six years. Two

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Speaker 1: of those years were like probably the craziest years of

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Speaker 1: your entire career, and boom, two hundred thousand dollars. You

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Speaker 1: don't think about privileged radio people. That's sitting over by you,

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Speaker 1: who's constantly crying about no one in the lottery. Oh yeah, no,

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Speaker 1: like that's who That's not at the top of my

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Speaker 1: list of deserving people for the lottery. All right, that's

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Speaker 1: a good story. That is what it's all about. That

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Speaker 1: was tell me something good. All right. Talk about what

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Speaker 1: you're doing with your kids, Amy, Well, I'm currently negotiating

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Speaker 1: with them on a technology contract. You're negotiating with them, Yeah,

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Speaker 1: we're working on a contract. My friend, she's a lawyer,

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Speaker 1: and she did this with her son and she said

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Speaker 1: it was amazing. And then her son is friends with

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Speaker 1: my kids, and he was over the other day and

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Speaker 1: he was talking about how he thinks it's great too

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Speaker 1: because it keeps everything clear between him and his mom.

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Speaker 1: And yeah, that's the whole point of the contract is

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Speaker 1: the boundaries are there in writing, you know the rules,

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Speaker 1: and there's no back and forth on it, just is

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Speaker 1: what it is, and they sign it and you're good

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Speaker 1: to go. What kind of clauses are you putting inside

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Speaker 1: of this contract? Like, what are the rules? Well, that's

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Speaker 1: what I mean. She gave me. She sent the actual

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Speaker 1: copy of the contract that she drew up for her son,

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Speaker 1: and she said, I could alter it to fit my

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Speaker 1: family's needs because you know, we're a little bit different,

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Speaker 1: different ages, different games, different things. So I'm just trying

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Speaker 1: to figure out what our rules are going to be.

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Speaker 1: But I think it's great that they're going to have

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Speaker 1: it in writing and they're going to sign it, and

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Speaker 1: if they break one of the rules, then whatever piece

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Speaker 1: of technology it is they it then belongs to me

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Speaker 1: for a little bit. So you're talking screen time, video games,

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Speaker 1: screen time games. Yeah, my daughter, if she gets like

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Speaker 1: a real phone, we had a gab phone is a

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Speaker 1: real phone. But she's fourteen now, it's gonna be fifteen soon,

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Speaker 1: so we might graduate to an iPhone type situation and so, oh,

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Speaker 1: you can bet that will be a legit contract. My daughter,

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Speaker 1: she's a little bit frustrated with it. She's like, why

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Speaker 1: can't we just do our you know, our own family rules.

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Speaker 1: Why are we doing what they did? And I said, well,

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Speaker 1: we're adopting what they did, but we're adapting it to

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Speaker 1: our family. So welcome to the negotiation table. Kid. I

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Speaker 1: think that you should do If you do this, we

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Speaker 1: should post your version of what you feel comfortable with

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Speaker 1: on our website so the listeners of our show can

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Speaker 1: take it and do it with their kids, because I

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Speaker 1: would think this would be something that a lot of

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Speaker 1: families don't agree and even fight a lot about. Yes,

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Speaker 1: And I could see where this actually holds the parents

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Speaker 1: and the kids accountable, because oftentimes his parents like, we

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Speaker 1: set things out on the table, but then we even

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Speaker 1: get loose with it, just because depending on the type

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Speaker 1: of day we're having. But if it's there and it's

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Speaker 1: a contract and sign and it also teaches kids about

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Speaker 1: you know, responsibility and what you've signed up for and

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Speaker 1: that you need to do this, I mean, this is

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Speaker 1: the kind of thing that might come later in life

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Speaker 1: for them. And I don't know, I love giving my

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Speaker 1: son his first contract at eleven. Yeah, but what's good

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Speaker 1: about this for your kids? Otherwise they just get a

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Speaker 1: bunch of rules to tell them what they can't do. Well,

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Speaker 1: first of all, no, it's not just a bunch of

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Speaker 1: rules about what they can't do. They're a part of

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Speaker 1: this conversation. I'm including them. They actually get to bring

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Speaker 1: their ideas and thoughts to the table, and so I

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Speaker 1: think that that's important. It's it's an activity. I'd like

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Speaker 1: to represent them in this contract to oh man, that's

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Speaker 1: what we need. They need, they need representation. I've never

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Speaker 1: done a contract without someone, you know, helping me out.

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Speaker 1: I would like to be the representation. I'd like to

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Speaker 1: start with one hundred hours a week of video games

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Speaker 1: for your son. That's what we're bringing to begin with.

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Speaker 1: What Okay, now, you're just being ridiculous. That's impossible. No,

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Speaker 1: that's a starting poem. Okay, well yeah, well we're not okay,

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Speaker 1: five hours okay, good, ninety interesting, okay, five and a

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Speaker 1: half and for your daughter ten hours of screen time

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Speaker 1: a day on our phone. And you know what, we'll

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Speaker 1: take nothing less. Okay, all right, dude, they have you

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Speaker 1: on retainer or what how are they paying you no

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Speaker 1: pro bono? I'm just doing it because I love the idea. Um,

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Speaker 1: I think this is a good I think though, if

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Speaker 1: they can abide by the rules, they should be rewarded.

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Speaker 1: Though what for doing with they're supposed to be doing

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Speaker 1: with the phone? Amy, We have contracts with our company,

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Speaker 1: and if we do what we're supposed to do but

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Speaker 1: at a high level, and we meet the criteria, then

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Speaker 1: we make extra money. I'm saying they should be able

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Speaker 1: to earn extra time by living to the rules that

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Speaker 1: you guys create in the contract. If they if they're

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Speaker 1: like on for five days in a row. Okay, I

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Speaker 1: mean we can discuss this if we want to work in, Yes,

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Speaker 1: the incentive and the bonuses into the Yeah, I can.

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Speaker 1: But like I'm not, they shouldn't be rewarded for doing

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Speaker 1: what they're supposed to be doing. That we do, we

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Speaker 1: get that we do we're supposed to do, we get rewarded. Okay,

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Speaker 1: that's worked into the contract. Though. Hey, hey, Johnny cochrane,

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Speaker 1: if we're talking contracts, let's talk contracts. So I feel

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Speaker 1: like that part of my contract went away, but I

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Speaker 1: don't know he's still there for you. Well, here's the deal.

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Speaker 1: Here's why I hate this idea. Can I just be

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Speaker 1: honest with you for a second. Yeah, I hate the idea.

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Speaker 1: But why why? Yeah I thought you're just telling me.

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Speaker 1: Why Well, because I think my wife would love to

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Speaker 1: do this with me. Oh good idea. I'll send Caitlin

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Speaker 1: a copy of the contract so you can adapt it

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Speaker 1: to me. Leave me, do not, do not. Okay, let

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Speaker 1: us know how it goes and the terms and the conditions.

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Speaker 1: And I feel like I need to be their voice

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Speaker 1: because they're kids. You're taking advantage of kids in a

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Speaker 1: contract situation. And we saw what happened McCaulay culkin. We

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Speaker 1: saw what happen. They got the money taken from them,

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Speaker 1: and I want to make sure that doesn't happen. Okay, well,

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Speaker 1: whatever you need to do. But also you're coming from

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Speaker 1: perspective like where you're not thinking about homework, sleep, different

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Speaker 1: things that I had. Now I'm going to take ten

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Speaker 1: percent of their time that they agree to, like a

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Speaker 1: like an attorney, and then I'm going to use it

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Speaker 1: in my life. Oh wow, Yeah, yeah, I got a

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Speaker 1: whole plan. We have a new affiliate in Santa Rosa, California,

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Speaker 1: just north of San Francisco, by the way, home of

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Speaker 1: Guy Fieri. That's right, and so here is an email

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Speaker 1: that the station got via their complaint form. This is

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Speaker 1: my third email regarding your new morning show with Bobby Bones.

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Speaker 1: I absolutely cannot stand this morning show. I switched to

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Speaker 1: another radio station because this is so bad. I would

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Speaker 1: tend to think others know my county residents must feel

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Speaker 1: the same. I hope you consider and then reconsider. Thank you,

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Speaker 1: Kathy W. First, let me say thank you for actually

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Speaker 1: sending a message into the radio station that's human to human.

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Speaker 1: See we see them. Kathy W. You're probably listening right now.

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Speaker 1: I know you say you changed it, but you're probably

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Speaker 1: listening right now. If you just listen to us for

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Speaker 1: two weeks, and this is my offer to you, and

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Speaker 1: I don't know how to get a hold of you,

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Speaker 1: if you listen to us for two weeks and you

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Speaker 1: still don't like the show, and if you're honest with me,

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Speaker 1: I'll give you a one hundred bucks on my own money. Yeah,

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Speaker 1: I said it, Amy, I said it right there, one

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Speaker 1: hundred bucks on my own money. You could like Kathy,

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Speaker 1: you could go okay, deal and you could listen to

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Speaker 1: the show or you could not listen and be like, yep,

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Speaker 1: I heard it all, hate it and take my money.

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Speaker 1: But I would bet that if you want, you get

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Speaker 1: to know us. The reason I think you don't like

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Speaker 1: us is because we don't sound like other radio shows.

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Speaker 1: I do not have a good voice. I'll admit it.

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Speaker 1: We got a pretty crapper radio voice. I don't speak well.

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Speaker 1: I talk too fast. Right now, I got a big

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Speaker 1: blister on my lip. You know, a professional broadcaster wouldn't

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Speaker 1: have that. He take care of it. Not me. I'm

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Speaker 1: out in the sun under like lips out because we're

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Speaker 1: just normal people. Amy doesn't belong on the radio. I

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Speaker 1: can't keep it with one thought, right Amy, Nope, I'm

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Speaker 1: making fun of everybody hurt. I'm like, oh, I don't know, so, Kathy.

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Speaker 1: If you're listening, which you probably are, reached back to us.

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Speaker 1: We'd like to put you on the show and talk

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Speaker 1: to you, and then I would give you money because

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Speaker 1: we do segments that are beneficial to all communities, like

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Speaker 1: this next one we're gonna get into right here, lunchbox.

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Speaker 1: Talk about this segment we're gonna do now that that's

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Speaker 1: very I would say beneficial to society. Go ahead. So

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Speaker 1: there was a guy that got banned from an all

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Speaker 1: you can eat barbecue place because he ate too much food.

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Speaker 1: So I called an all you can eat place and

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Speaker 1: actel like I was the head coach of a competitive

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Speaker 1: eating team, and said, we are on the way to

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Speaker 1: their restaurant, and I want to know will they let

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Speaker 1: us come eat or will they say whoa, whoa, you're

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Speaker 1: not welcome here. See this isn't trivial at all. Right, team,

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Speaker 1: that's good. Yeah, so here we go. He calls, as

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Speaker 1: the head coach of a competitive eating team to go.

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Speaker 1: I'll bringing all my big eaters and action. All right,

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Speaker 1: we appreciate you holding. Oh. Yes, this is Jason Gibble,

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Speaker 1: and I'm the head coach of the Cooking Killers competitive

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Speaker 1: eating team, best team in the Western District, and we're

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Speaker 1: coming to your restaurant because we have a competition coming

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Speaker 1: up in about a week and we want to get

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Speaker 1: some practice in. Yeah. I just want to give you

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Speaker 1: a heads up because I'm bringing some of the all stars.

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Speaker 1: I mean, there's about seventy of us on the team,

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Speaker 1: so I just want to make sure you guys were

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Speaker 1: ready and you're gonna have enough food for us. The

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Speaker 1: number one all star Bobby though he eats bakefish, fried fish.

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Speaker 1: He'll eat them all. Bobby can the barrack Bukuda can

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Speaker 1: destroy a school of fish and one sitting. He can

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Speaker 1: eat a full fish every fourteen seconds. So I need

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Speaker 1: to make sure that you have enough food for Bobby, though,

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Speaker 1: I would net you check with my kitchen and see

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Speaker 1: what kind of preparation we would need. Oh yeah, that's

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Speaker 1: not it. Don't do you think Bobby the barracouta is it? No?

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Speaker 1: No, no no, no, don't forget about Amy the ant eater.

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Speaker 1: She eats little itty bitty tiny things like bacon bits

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Speaker 1: and crewtons, and don't let her size fool you though.

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Speaker 1: She can eat a full bucket of bacon bits and

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Speaker 1: thirty six seconds, and she eats about six pounds per sitting.

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Speaker 1: I think you may have heard in the news it's

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Speaker 1: about supply Chaine shortages. We're not sure about our supply

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Speaker 1: right now, so that's definitely yeah, yeah, that's why I'm

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Speaker 1: giving you a heads up. Whenny guys going to be

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Speaker 1: coming here. Well, we're gonna we're looking at the mile.

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Speaker 1: We're about an hour away according to the GPS. Oh boy, okay,

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Speaker 1: I can tell you right now. We just we are

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Speaker 1: not ready at this moment. I know we don't have

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Speaker 1: everything that's that you need for a successful meal for you,

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Speaker 1: So maybe we can plan on something later. Okay, then

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Speaker 1: I'll give you a call back on Friday. Get with

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Speaker 1: that kitchen. We're ready to eat. Yes, okay, all right now,

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Speaker 1: bye bye, bye bye, she said. Let's see, Kathy, w

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Speaker 1: see what you miss out on when you don't listen

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Speaker 1: to the show. Thank you, all right, good nice shot Luxbox.

423
00:21:16,640 --> 00:21:21,880
Speaker 1: Here's a voicemail from Melissa. Good morning, studio friends. I'm

424
00:21:21,920 --> 00:21:25,080
Speaker 1: the wardrobe supervisor on a production of Beauty and the

425
00:21:25,080 --> 00:21:29,199
Speaker 1: Beast at Alney Theater Center, and we've been asking, like

426
00:21:29,320 --> 00:21:33,080
Speaker 1: the cast and the crew, what type of enchanted object

427
00:21:33,200 --> 00:21:35,680
Speaker 1: would you be? And so I would love to know

428
00:21:36,320 --> 00:21:40,080
Speaker 1: what type of enchanted studio optic would you all be

429
00:21:40,760 --> 00:21:44,720
Speaker 1: if an enchantress cast a spell on you. I think

430
00:21:44,720 --> 00:21:47,119
Speaker 1: I need some context of Beauty and the Beast because

431
00:21:48,080 --> 00:21:50,919
Speaker 1: I know the general theme, but I never watched Disney

432
00:21:50,920 --> 00:21:55,000
Speaker 1: movies and I don't know what she's talking about. So Mike,

433
00:21:55,320 --> 00:21:58,640
Speaker 1: you're a movie Mike, Yeah, can you explain this to me? Yeah,

434
00:21:58,760 --> 00:22:00,639
Speaker 1: Like all the characters in need to be stick, come

435
00:22:00,680 --> 00:22:05,679
Speaker 1: alive like the candlestick, the teapot. Okay, Amy, what do

436
00:22:05,680 --> 00:22:09,560
Speaker 1: you think here? I guess I'm a teapot in the studio.

437
00:22:09,680 --> 00:22:13,280
Speaker 1: She asked, what type of enchanted studio? Oh, I see

438
00:22:13,359 --> 00:22:16,480
Speaker 1: I didn't understand her question at all. But I guess fine,

439
00:22:16,600 --> 00:22:19,720
Speaker 1: I'm a microphone. Oh great, that's gonna be all. That's

440
00:22:19,720 --> 00:22:23,080
Speaker 1: what everybody's gonna pay. I would say, Amy, is is

441
00:22:23,320 --> 00:22:26,200
Speaker 1: her a pen? Because as I'm talking to her, pens

442
00:22:26,200 --> 00:22:29,320
Speaker 1: always working, She's doodling constantly, Like Amy's her little pen

443
00:22:29,760 --> 00:22:32,200
Speaker 1: that comes to live. Well, it stays alive even while

444
00:22:32,200 --> 00:22:35,320
Speaker 1: we're doing the show. Okay, so Amy, you're the pink edy.

445
00:22:35,400 --> 00:22:37,919
Speaker 1: You're gonna be a coffee cup. Oh nice, because I'm

446
00:22:37,920 --> 00:22:40,120
Speaker 1: always drinking coffee. Yeah, You're gonna be a You're gonna

447
00:22:40,119 --> 00:22:42,840
Speaker 1: be a coffee cup. Lunchbox is gonna be a hoodie

448
00:22:42,840 --> 00:22:44,359
Speaker 1: that's been more in seven days in a row that

449
00:22:44,359 --> 00:22:48,680
Speaker 1: sits in the studio. That's right? Yeah? Mmmm? And then

450
00:22:48,800 --> 00:22:50,520
Speaker 1: well I was gonna be the microphone, but Amy took

451
00:22:50,560 --> 00:22:52,080
Speaker 1: that from Sorry, I take it back, I take it

452
00:22:52,119 --> 00:22:55,080
Speaker 1: back now. I now I you have explained the game better.

453
00:22:55,119 --> 00:22:58,280
Speaker 1: No Bobby can be the beanie baby, and I'll be

454
00:22:58,400 --> 00:23:01,600
Speaker 1: my cell phone because if there's ever a split, i mean,

455
00:23:01,760 --> 00:23:04,560
Speaker 1: one second break from this show, I'm on that phone.

456
00:23:04,880 --> 00:23:06,679
Speaker 1: So I'll be my cell phone that sits in the studio.

457
00:23:06,840 --> 00:23:08,439
Speaker 1: But thank you, Melissa, and that sounds like a really

458
00:23:08,480 --> 00:23:11,200
Speaker 1: cool job. We appreciate the voicemail. Here's one more voicemail.

459
00:23:11,640 --> 00:23:14,119
Speaker 1: Good morning, studio. I have a morning corny for you.

460
00:23:14,400 --> 00:23:17,760
Speaker 1: Why was the cow tired after giving birth because she

461
00:23:17,920 --> 00:23:20,880
Speaker 1: was be caffeinated? Have a great day? Pretty good? Yeah,

462
00:23:20,880 --> 00:23:24,280
Speaker 1: it's good. Yeah, pretty good. It is. Listen, those jokes

463
00:23:24,280 --> 00:23:26,639
Speaker 1: are tough because they're meant to be corny, you know,

464
00:23:26,680 --> 00:23:29,359
Speaker 1: And then we're like ooh, and sometimes I hate myself

465
00:23:29,400 --> 00:23:30,920
Speaker 1: after a show because I've been a little too hard

466
00:23:30,920 --> 00:23:32,719
Speaker 1: on Namy's joke. I'll be honest with you, like, what

467
00:23:32,760 --> 00:23:35,480
Speaker 1: did I expect? Yeah, I don't know. I don't know

468
00:23:35,520 --> 00:23:39,159
Speaker 1: what you expected. I'm not Chris Rock. It's the morning Corny.

469
00:23:39,560 --> 00:23:45,040
Speaker 1: That's true. You're Samy's pile of stories. So apparently we

470
00:23:45,160 --> 00:23:48,680
Speaker 1: need to ditch the popcorn when we're watching movies because

471
00:23:48,720 --> 00:23:51,640
Speaker 1: it takes away from the movie experience. Like pretty much,

472
00:23:51,640 --> 00:23:55,320
Speaker 1: if you're eating anything good, it distracts your brain, making

473
00:23:55,320 --> 00:23:57,919
Speaker 1: it focus on the food instead of the movie. Well,

474
00:23:57,960 --> 00:23:59,680
Speaker 1: here's why I wish you dicks the popcorn, especially in

475
00:23:59,720 --> 00:24:01,919
Speaker 1: the theater, because other people don't eat like I do.

476
00:24:01,960 --> 00:24:05,960
Speaker 1: They eat like monsters, like animals. To me, I'd like

477
00:24:06,000 --> 00:24:08,320
Speaker 1: to give you an impression of me eating popcorn. Ready, ready,

478
00:24:08,680 --> 00:24:10,399
Speaker 1: Oh there's a nice piece of popcorn. I shall put

479
00:24:10,440 --> 00:24:13,520
Speaker 1: it in my mouth. Okay, I'm very quiet. Okay, let's

480
00:24:13,520 --> 00:24:15,640
Speaker 1: go to the next piece. Here's my impression of everybody's

481
00:24:15,640 --> 00:24:21,000
Speaker 1: sitting next to me eating popcorn. But yeah, I mean

482
00:24:21,160 --> 00:24:24,040
Speaker 1: I can agree food can be a little distracting. So wait,

483
00:24:24,400 --> 00:24:26,760
Speaker 1: they're onto something. But yeah, a study was done. I

484
00:24:26,800 --> 00:24:29,440
Speaker 1: wonder how did everybody's mom raise them, or their dad

485
00:24:29,520 --> 00:24:31,720
Speaker 1: or the grandma whomever, because anyhow I was raised, I

486
00:24:31,800 --> 00:24:33,440
Speaker 1: was raised. When you're eating food and everybody's trying to

487
00:24:33,480 --> 00:24:37,600
Speaker 1: watch your focus on something, eat quietly, yeah, especially if

488
00:24:37,640 --> 00:24:41,119
Speaker 1: it's like a depressing turn your freaking phones off in

489
00:24:41,160 --> 00:24:44,679
Speaker 1: the theater. What's happening. I'm on it. Now, let's go

490
00:24:44,760 --> 00:24:46,159
Speaker 1: and we get me off the movie. You know I

491
00:24:46,200 --> 00:24:47,720
Speaker 1: hate a theater. Well I didn't know. This isn't going

492
00:24:47,800 --> 00:24:51,400
Speaker 1: to ignite so much passionate, So I'll move on to Adele.

493
00:24:51,640 --> 00:24:54,239
Speaker 1: She was talking about how her son is not a

494
00:24:54,240 --> 00:24:57,399
Speaker 1: fan of her music, but she doesn't really mind that

495
00:24:57,520 --> 00:24:59,600
Speaker 1: at all because he's a kid and her record is

496
00:24:59,600 --> 00:25:01,639
Speaker 1: a little too deep for him. Anyway. She wrote it

497
00:25:01,680 --> 00:25:04,480
Speaker 1: for people more her age that have experienced life. But

498
00:25:04,520 --> 00:25:07,440
Speaker 1: it made me wonder any parents on the show if like,

499
00:25:07,920 --> 00:25:11,120
Speaker 1: you know, how do your kids feel about your job

500
00:25:11,240 --> 00:25:14,280
Speaker 1: or you being in the spotlight Somehow? I would think

501
00:25:14,359 --> 00:25:17,239
Speaker 1: that if you grow up with it, regardless of what

502
00:25:17,280 --> 00:25:19,440
Speaker 1: it is, and you are small and it becomes normal,

503
00:25:19,520 --> 00:25:21,800
Speaker 1: you don't care. I mean I would say that it

504
00:25:21,840 --> 00:25:24,240
Speaker 1: was the same thing a probably guards kids. You know,

505
00:25:24,320 --> 00:25:26,320
Speaker 1: it almost doesn't matter what you do. If a kid

506
00:25:26,440 --> 00:25:32,560
Speaker 1: is exposed early, it's just normal. So they're like, this

507
00:25:32,720 --> 00:25:34,960
Speaker 1: is just every day, you know what I mean? Yeah, regardless.

508
00:25:35,080 --> 00:25:38,320
Speaker 1: I mean that's why it's like add kids don't care. Well, no,

509
00:25:38,400 --> 00:25:41,919
Speaker 1: it's it's all they've ever known, you know. I do

510
00:25:42,000 --> 00:25:44,119
Speaker 1: think there's an age where it does get cool. I think, Eddie,

511
00:25:44,160 --> 00:25:46,280
Speaker 1: did your kids go through that phase of thinking it

512
00:25:46,320 --> 00:25:48,280
Speaker 1: was cool? I mean, let me tell you about the

513
00:25:48,359 --> 00:25:50,800
Speaker 1: raging idiots and my kids. What's cool is our our

514
00:25:50,840 --> 00:25:53,040
Speaker 1: songs are so dumb that our kids. My kids love

515
00:25:53,080 --> 00:25:55,040
Speaker 1: all the songs like Fannie Pack. They're like, this is

516
00:25:55,040 --> 00:25:57,720
Speaker 1: so stupid. We love it, Dad. But I'm more talking

517
00:25:57,720 --> 00:26:00,919
Speaker 1: about the radio show. You're actual job. They don't give

518
00:26:00,960 --> 00:26:04,440
Speaker 1: a crap about my job. Yeah, that's the thing that's

519
00:26:04,480 --> 00:26:07,880
Speaker 1: actually big and makes us a living, you know. Yeah,

520
00:26:07,920 --> 00:26:12,240
Speaker 1: I mean same with my kids. They could care less. Yeah, Khalia,

521
00:26:12,600 --> 00:26:15,600
Speaker 1: you know Carrie Underwood's brand, she's no longer going to

522
00:26:15,680 --> 00:26:17,920
Speaker 1: be a part of it. She did her final design

523
00:26:18,160 --> 00:26:21,080
Speaker 1: the fall launch. She said, she's got a few products

524
00:26:21,080 --> 00:26:24,040
Speaker 1: that will see you know, from the fall into the winter.

525
00:26:24,160 --> 00:26:26,119
Speaker 1: But that's it. She's no longer going to be a

526
00:26:26,200 --> 00:26:28,640
Speaker 1: part of the company. But the company will still exist.

527
00:26:29,359 --> 00:26:33,399
Speaker 1: Oh thank god. Yeah, I know, Bobby, that's one of

528
00:26:33,400 --> 00:26:36,399
Speaker 1: your favorite brands to shop. I thought when you said Khalia,

529
00:26:36,440 --> 00:26:39,000
Speaker 1: you were talking about like Whiz Khalifa, you know, black

530
00:26:39,040 --> 00:26:41,239
Speaker 1: and Yellow. I mean, I don't know what I mean.

531
00:26:41,280 --> 00:26:44,199
Speaker 1: Kalia is her workoutline. Yeah, it's like the it's at

532
00:26:44,280 --> 00:26:46,520
Speaker 1: Dick's Sporting Goods. It's like which I did read in

533
00:26:46,560 --> 00:26:48,440
Speaker 1: the article and I was reading it. It's the second

534
00:26:48,840 --> 00:26:53,400
Speaker 1: highest selling women's line at Dick's overall, is this a commercial? No,

535
00:26:54,200 --> 00:26:56,919
Speaker 1: here we go again. I think everything's a commercial. Now.

536
00:26:56,920 --> 00:26:59,160
Speaker 1: Amy has now after yesterday started to put in things

537
00:26:59,160 --> 00:27:02,040
Speaker 1: and as commerce. Okay, thank you for that. I guess

538
00:27:02,040 --> 00:27:04,840
Speaker 1: I'm a dude, so obviously I don't know much about Khalia.

539
00:27:05,440 --> 00:27:09,600
Speaker 1: I maybe that's my bile. That was Amy's Kyle of stories.

540
00:27:11,600 --> 00:27:18,919
Speaker 1: It's time for the good news lunchbox. Good Savannah and

541
00:27:19,000 --> 00:27:21,679
Speaker 1: Texas is on the phone with a personal tell me

542
00:27:21,720 --> 00:27:24,160
Speaker 1: something good, Savannah. What's going on? Thank you for calling

543
00:27:24,200 --> 00:27:29,320
Speaker 1: the show. Oh my gosh, Hi, hi excited? Well, tell

544
00:27:29,400 --> 00:27:33,480
Speaker 1: us what's up? What's happening? Um? So, I had just

545
00:27:33,600 --> 00:27:38,440
Speaker 1: shared that on the B team page, someone had posted

546
00:27:38,800 --> 00:27:43,840
Speaker 1: um like a post for teachers to share their Amazon

547
00:27:44,200 --> 00:27:47,600
Speaker 1: teacher wish list m for B teamers if they wanted

548
00:27:47,600 --> 00:27:50,600
Speaker 1: to purchase things off of their Amazon teacher wish lists,

549
00:27:50,840 --> 00:27:54,359
Speaker 1: and four to five people, some didn't even like put

550
00:27:54,440 --> 00:27:57,720
Speaker 1: their name to tell me who it came from or anything,

551
00:27:58,359 --> 00:28:02,040
Speaker 1: just purchase things for my classroom that I didn't even know,

552
00:28:02,520 --> 00:28:06,800
Speaker 1: didn't know me. And it was just truly amazing that

553
00:28:07,080 --> 00:28:09,880
Speaker 1: people who don't even know me, people who I don't

554
00:28:09,880 --> 00:28:13,160
Speaker 1: teach their kids, they don't even know where I live.

555
00:28:13,200 --> 00:28:16,120
Speaker 1: They don't know what's good. Teach Up helped me set

556
00:28:16,160 --> 00:28:18,040
Speaker 1: up my classroom at the beginning of the year and

557
00:28:18,200 --> 00:28:21,800
Speaker 1: purchasings that I needed to help my studio. That's really cool.

558
00:28:21,840 --> 00:28:24,000
Speaker 1: And also a big shout out to the B Team.

559
00:28:24,040 --> 00:28:26,000
Speaker 1: And if you listen to the show, you want to

560
00:28:26,000 --> 00:28:28,640
Speaker 1: help it anyway, you are part of the B Team. Yes, yes,

561
00:28:28,680 --> 00:28:32,240
Speaker 1: go ahead, Savannah, you're passionate about that, Go ahead, I am.

562
00:28:32,320 --> 00:28:35,600
Speaker 1: I just it's so amazing to have like a group

563
00:28:35,680 --> 00:28:39,760
Speaker 1: of people who's positive and always there and tries to

564
00:28:39,880 --> 00:28:43,000
Speaker 1: like lift everyone up. Well, thank you, and thank you

565
00:28:43,040 --> 00:28:45,800
Speaker 1: to the B Team always coming through. Savannah. You have

566
00:28:45,800 --> 00:28:47,880
Speaker 1: a kid right now that's in the middle of a meltdown.

567
00:28:47,960 --> 00:28:49,400
Speaker 1: I think, so I'm gonna let you get back to

568
00:28:49,400 --> 00:28:52,880
Speaker 1: your kid. But we appreciate you calling us. We're excited.

569
00:28:53,040 --> 00:28:55,840
Speaker 1: Oh well cool, that's even better. We've been trying to

570
00:28:56,000 --> 00:28:58,640
Speaker 1: call you forever. Well, thank you very much. Hope you

571
00:28:58,640 --> 00:29:01,600
Speaker 1: have an awesome day. And hope Bobby it is uncle

572
00:29:01,600 --> 00:29:09,600
Speaker 1: Bobby can tell you hire yea, let's go. Hello. What's

573
00:29:09,600 --> 00:29:15,080
Speaker 1: your name? What's your name on? How old are you?

574
00:29:16,360 --> 00:29:20,440
Speaker 1: Are you? Married? No? Okay? Good? Just making sure well

575
00:29:20,480 --> 00:29:23,880
Speaker 1: I hope you're being a good kid today, are you? Yeah? Okay,

576
00:29:23,920 --> 00:29:26,760
Speaker 1: you keep being a good kid. Yeah. I do want

577
00:29:26,760 --> 00:29:31,480
Speaker 1: to hear your brother. Let's go, Hi Bobby. Hello, what

578
00:29:31,600 --> 00:29:39,040
Speaker 1: is your name? Samuel? Hi Samuel? How old are you five? Well?

579
00:29:39,040 --> 00:29:41,320
Speaker 1: Thank you for talking to us, and thanks for listening

580
00:29:41,360 --> 00:29:42,680
Speaker 1: to the show. Kind of talk to your mom again

581
00:29:42,720 --> 00:29:54,040
Speaker 1: real quick, okay, bye bye? Hello. All right, so I

582
00:29:54,080 --> 00:29:56,239
Speaker 1: hope you have an awesome day. Thank you, and and

583
00:29:56,440 --> 00:30:00,000
Speaker 1: thanks for listening to the show. Yes, thank you, all right,

584
00:30:00,000 --> 00:30:05,320
Speaker 1: bye bye. That was tell me something good. It is

585
00:30:05,360 --> 00:30:08,880
Speaker 1: now time for the Morning Corny. Once a week we

586
00:30:08,960 --> 00:30:12,800
Speaker 1: try to figure out Amy's corny joke. Ninety seconds will

587
00:30:12,840 --> 00:30:19,520
Speaker 1: be on the clock, Amy, are you ready ready, let's go,

588
00:30:20,080 --> 00:30:24,200
Speaker 1: Morning Corny. What do you get if you cross Santa

589
00:30:24,480 --> 00:30:27,720
Speaker 1: with a detective? What do you get when you cross

590
00:30:27,760 --> 00:30:34,720
Speaker 1: Santa with a detective? Santa? Cop? Ho ho ho? Well

591
00:30:34,800 --> 00:30:40,040
Speaker 1: they call a detective a dick? So what's what's the joke?

592
00:30:40,240 --> 00:30:43,160
Speaker 1: Not my morning Corny? Okay, this isn't after dark? Well

593
00:30:43,200 --> 00:30:45,880
Speaker 1: they do say that's what a detective is called. Okay,

594
00:30:46,560 --> 00:30:52,080
Speaker 1: under cover, San say it again. What do you get

595
00:30:52,080 --> 00:31:00,360
Speaker 1: when you cross Santa with a detective? Chris cringbool Anta

596
00:31:00,480 --> 00:31:05,840
Speaker 1: with a detective stick him up the nightmare, No Santa,

597
00:31:06,000 --> 00:31:10,200
Speaker 1: Sli Santam and stuff him. Oh, go to cop terms. Yeah,

598
00:31:10,200 --> 00:31:12,840
Speaker 1: I'm trying to think of Chanty wagon getting the back.

599
00:31:14,520 --> 00:31:21,560
Speaker 1: You're under arrest, you're under the rest. I don't understand, Reindeer.

600
00:31:21,640 --> 00:31:26,520
Speaker 1: What does the detective do? Crime Santa? Crime solved? Santa?

601
00:31:27,000 --> 00:31:31,520
Speaker 1: Santa investigator man investor, Corny, what's the joke again? What

602
00:31:31,600 --> 00:31:33,760
Speaker 1: do you get when you crossed Santa with a detective

603
00:31:35,040 --> 00:31:40,400
Speaker 1: who's a famous detective? Shaft? I'm giving Sana shaft cheft

604
00:31:40,480 --> 00:31:47,680
Speaker 1: Santa inspector gadget, Oh, inspector? What a detectives us? I'm

605
00:31:47,960 --> 00:31:51,720
Speaker 1: sangnifying glass. You shouldn't be Okay, I'll shut up. Sherlock

606
00:31:51,800 --> 00:31:58,920
Speaker 1: Holmes a detective su Santa Lock. We're struggling, all right,

607
00:31:58,960 --> 00:32:04,920
Speaker 1: What is it morning, Corny? What do you get when

608
00:32:04,920 --> 00:32:12,320
Speaker 1: you crossed Santa with the detective? What Santa clues? That's

609
00:32:12,360 --> 00:32:15,920
Speaker 1: pretty but we were nowhere. We were never going to

610
00:32:16,000 --> 00:32:17,120
Speaker 1: get that. We could have been here to the end

611
00:32:17,120 --> 00:32:18,320
Speaker 1: of the show. We were not going to get that.

612
00:32:18,720 --> 00:32:21,600
Speaker 1: I'm sorry for everybody had to hear that. Okay, thank you,

613
00:32:21,640 --> 00:32:25,120
Speaker 1: Hammie on the phone right now. It's Tiffany who lives

614
00:32:25,120 --> 00:32:28,400
Speaker 1: in Tampa. Tiffany, good morning to you. How are you? Hi?

615
00:32:28,520 --> 00:32:31,280
Speaker 1: Am good? How are you? I'm doing pretty good. How

616
00:32:31,320 --> 00:32:33,160
Speaker 1: long have you been listening to the Bobby Bones Show?

617
00:32:34,280 --> 00:32:37,160
Speaker 1: Oh my gosh. Years. You know. We had someone who

618
00:32:37,240 --> 00:32:39,360
Speaker 1: emailed in and she just hated the show. She was

619
00:32:39,400 --> 00:32:41,520
Speaker 1: a brand new listener. She hated us. She goes, this

620
00:32:41,600 --> 00:32:43,800
Speaker 1: does not sound like a good show. What would you

621
00:32:43,880 --> 00:32:46,960
Speaker 1: tell her that needs to happen before she starts to

622
00:32:47,000 --> 00:32:49,800
Speaker 1: like the show. Yeah, I would tell her that it

623
00:32:50,000 --> 00:32:53,800
Speaker 1: was probably a maybe a bad day for you guys.

624
00:32:53,880 --> 00:32:57,080
Speaker 1: I don't know, because it's the only show I listened

625
00:32:57,120 --> 00:32:59,800
Speaker 1: in the morning, and my kids are so excited every

626
00:32:59,840 --> 00:33:03,080
Speaker 1: morning to listen to tell me somebody good. That's our

627
00:33:03,080 --> 00:33:06,120
Speaker 1: favorite segment. So you're saying it's probably our fault. I

628
00:33:06,560 --> 00:33:09,360
Speaker 1: would have thought, you know, she hasn't spent enough time

629
00:33:09,360 --> 00:33:11,239
Speaker 1: where we were a different kind of show. But you

630
00:33:11,280 --> 00:33:12,920
Speaker 1: think we just had a bad day. I'm okay with that.

631
00:33:13,000 --> 00:33:14,920
Speaker 1: You think we had a bad show, and I will

632
00:33:14,960 --> 00:33:18,239
Speaker 1: co sign that occasionally that happens, maybe even just a

633
00:33:18,280 --> 00:33:22,400
Speaker 1: bad minute, a bad moment. Maybe not all that sure

634
00:33:22,440 --> 00:33:27,440
Speaker 1: happens happens every day. Yeah, okay, well, we're very happy

635
00:33:27,480 --> 00:33:29,240
Speaker 1: that you are on and we're gonna play a little

636
00:33:29,280 --> 00:33:32,680
Speaker 1: game here. Name that Christmas sound, and if you win this,

637
00:33:33,360 --> 00:33:36,280
Speaker 1: you get a one hundred dollars gift card, just straight

638
00:33:36,360 --> 00:33:39,360
Speaker 1: up one hundred bucks that you could probably use in

639
00:33:39,440 --> 00:33:44,320
Speaker 1: time for Christmas. Am I right, absolutely, Now, this gift

640
00:33:44,320 --> 00:33:47,280
Speaker 1: card is courtesy of our friends at op Games. Okay,

641
00:33:47,320 --> 00:33:52,400
Speaker 1: here we go. You can pick your player Amy, Lunchbox,

642
00:33:53,600 --> 00:33:56,320
Speaker 1: Eddie or Morget number two. And I'm gonna give you

643
00:33:56,320 --> 00:33:58,880
Speaker 1: an example here because she can hear the clip through

644
00:33:58,880 --> 00:34:00,880
Speaker 1: the phone. Guys, right, okay, I'm going to give you

645
00:34:00,920 --> 00:34:03,680
Speaker 1: an example here. This is your first Christmas sound. Play

646
00:34:03,680 --> 00:34:11,480
Speaker 1: it for me please? M hm. Can you name that sound?

647
00:34:12,760 --> 00:34:17,520
Speaker 1: I would say jingle bells. Yeah, we'll take that. It's

648
00:34:17,520 --> 00:34:20,680
Speaker 1: sleigh bells or bells. And you got that right? Very good. Yeah,

649
00:34:21,200 --> 00:34:24,960
Speaker 1: So you're gonna need to get three out of five okay,

650
00:34:25,120 --> 00:34:27,200
Speaker 1: and you can work with a team here. Who would

651
00:34:27,200 --> 00:34:33,560
Speaker 1: you like to be your partner? I would love Amy? Okay,

652
00:34:32,480 --> 00:34:37,319
Speaker 1: dumb no, Amy, introduce you. You guys introduce yourselves to

653
00:34:37,320 --> 00:34:40,040
Speaker 1: each other. Amy go first. Oh hey, nice to meet you.

654
00:34:40,320 --> 00:34:43,680
Speaker 1: I'm Amy. How many kids do you have? Hi? Amy,

655
00:34:43,840 --> 00:34:45,920
Speaker 1: is very nice to meet you. I'm Tiffany and I

656
00:34:46,000 --> 00:34:49,319
Speaker 1: have four kids. Four Wow. Okay, all right, wow. Well

657
00:34:49,360 --> 00:34:52,840
Speaker 1: I'm gonna go ahead and dedicate this win to them.

658
00:34:52,880 --> 00:34:56,200
Speaker 1: Oh you're already You're going to die when I play

659
00:34:56,239 --> 00:34:58,880
Speaker 1: this back for them. My kids love to do this. Okay,

660
00:34:59,280 --> 00:35:01,759
Speaker 1: here we go, guys. This is is sound number one. You

661
00:35:01,800 --> 00:35:13,120
Speaker 1: have to get three or five. Go ahead, all right,

662
00:35:13,160 --> 00:35:16,960
Speaker 1: talk it over. You have twenty seconds. Amy, snow, Yes,

663
00:35:17,080 --> 00:35:19,080
Speaker 1: I would think, yeah, it's definitely so. I think I

664
00:35:19,200 --> 00:35:22,040
Speaker 1: hear like shoveling snow. I hear a snow footsteps in

665
00:35:22,080 --> 00:35:23,840
Speaker 1: the snow. You need to know what it is that.

666
00:35:23,880 --> 00:35:25,799
Speaker 1: You can't just say snow because snow doesn't really make

667
00:35:25,800 --> 00:35:28,000
Speaker 1: a noise by itself. Okay, do you think it's shoveling

668
00:35:28,120 --> 00:35:32,520
Speaker 1: snow or walking in snow? Oh? God? Do you want

669
00:35:32,520 --> 00:35:39,360
Speaker 1: to hear all more time? Yeah? Yeah, I think walking.

670
00:35:41,719 --> 00:35:45,680
Speaker 1: But then do you hear like the big it's shoveling.

671
00:35:45,719 --> 00:35:49,319
Speaker 1: I'm gonna go with you, Yeah, shoveling. Am I locking

672
00:35:49,360 --> 00:35:53,600
Speaker 1: it in that it's shoveling snow? Yes? Locking it in? Yeah? Okay, Amy,

673
00:35:53,719 --> 00:35:55,560
Speaker 1: she has to say lock it in. I love your

674
00:35:55,640 --> 00:35:58,879
Speaker 1: energy this morning. You know you're bringing a real fire

675
00:35:59,160 --> 00:36:01,640
Speaker 1: and a real spirit of the game. But Tiffany's got

676
00:36:01,640 --> 00:36:04,280
Speaker 1: to lock it in. She locks it in shoveling snow.

677
00:36:04,440 --> 00:36:11,280
Speaker 1: Is it shoveling snow? Yes? Yes, yes, nice job. One down. Okay,

678
00:36:11,320 --> 00:36:24,080
Speaker 1: here is your second Christmas sound? Okay? That is um well, Tiffany,

679
00:36:24,120 --> 00:36:29,080
Speaker 1: what do you think wrapping presents? Wrapping presents? Tiffany? No, no, no,

680
00:36:29,160 --> 00:36:33,160
Speaker 1: that's fire crackling. Oh, fire crackling. We'll go with it.

681
00:36:33,239 --> 00:36:36,600
Speaker 1: Let's lock it in. I thought like a kid was

682
00:36:36,719 --> 00:36:38,879
Speaker 1: inside the fire until it rolls up the kid coming over.

683
00:36:38,920 --> 00:36:46,719
Speaker 1: Tippany's line sounds like are they burning a kid? Is that?

684
00:36:49,120 --> 00:36:53,280
Speaker 1: Is that a fire? That's correct? Good, good job guys.

685
00:36:53,480 --> 00:36:56,160
Speaker 1: Do you guys are killing this game? Okay, number three?

686
00:36:56,200 --> 00:37:07,359
Speaker 1: Here you go. Okay, you got it. Okay. I would

687
00:37:07,400 --> 00:37:11,839
Speaker 1: say like pouring something, pouring egg nog or pouring hot cocoa. Okay,

688
00:37:11,920 --> 00:37:14,759
Speaker 1: but I heard it pop. So it's popping bottles like

689
00:37:14,880 --> 00:37:24,600
Speaker 1: champagne sampagne again, let's hear it again. Some might call

690
00:37:24,680 --> 00:37:30,560
Speaker 1: that celebration. Yes, I would play. So, so we're locking

691
00:37:30,600 --> 00:37:34,239
Speaker 1: that in. What are you locking in? Yeah, popping champagne.

692
00:37:34,920 --> 00:37:36,720
Speaker 1: I need to hear it from Tiffany. Tiffany, your answer

693
00:37:36,800 --> 00:37:40,839
Speaker 1: is popping champagne. Okay, that's locked in. If you get

694
00:37:40,840 --> 00:37:42,439
Speaker 1: this right, you win, and you swept the whole game,

695
00:37:42,480 --> 00:37:44,960
Speaker 1: and we didn't do your job making it hard. But

696
00:37:45,440 --> 00:37:47,000
Speaker 1: it's Christmas. I want I want everybody to win. What

697
00:37:47,080 --> 00:37:51,520
Speaker 1: I mean, Tiffany, Tiffany needed me. Yeah, yeah, Oh my god,

698
00:37:54,320 --> 00:37:58,360
Speaker 1: I don't know that she can hear the phone. Very no,

699
00:37:59,560 --> 00:38:02,120
Speaker 1: I can't. And she has kids. She has like ninety

700
00:38:02,120 --> 00:38:08,319
Speaker 1: four kids. Yeah, I know. Okay, is it pouring champagne? There?

701
00:38:08,360 --> 00:38:14,000
Speaker 1: It is, Tiffany. You one hundred bucks courtesy of our

702
00:38:14,000 --> 00:38:16,800
Speaker 1: friends at the games. They have games like blank slate.

703
00:38:16,960 --> 00:38:19,320
Speaker 1: They have games like oh what's the color one? That

704
00:38:19,360 --> 00:38:25,239
Speaker 1: I like to play US hues using cues and you

705
00:38:25,239 --> 00:38:27,360
Speaker 1: got bit by that dyslexia bug this morning. I do

706
00:38:27,440 --> 00:38:31,399
Speaker 1: struggle at a bit. Okay, okay, okay, Tiffany, congratulations, stay

707
00:38:31,440 --> 00:38:34,000
Speaker 1: on the line. But first let me ask you the question.

708
00:38:34,120 --> 00:38:38,040
Speaker 1: How do you feel? I feel wonderful. I'm so glad

709
00:38:38,080 --> 00:38:44,520
Speaker 1: that I picked Okay, stop the team going, yeah, no,

710
00:38:44,600 --> 00:38:46,719
Speaker 1: exactly what we're looking for, Eddie. How do you feel

711
00:38:46,760 --> 00:38:52,640
Speaker 1: for her? I feel good. Oh, I feel so good. Okay, Tiffany. Yeah.

712
00:38:55,960 --> 00:38:58,759
Speaker 1: Lunch Box was upset during a post show that we

713
00:38:58,760 --> 00:39:01,759
Speaker 1: were doing because Morgan talked about being an actor in

714
00:39:01,800 --> 00:39:08,080
Speaker 1: her college days and having actual stage experience. He also said,

715
00:39:08,080 --> 00:39:10,800
Speaker 1: how come she didn't talk about this until I started

716
00:39:10,800 --> 00:39:14,200
Speaker 1: being in acting classes, Like you felt that she's only

717
00:39:14,200 --> 00:39:17,040
Speaker 1: bringing it up because she's jealous of you, now, Lunchbox, Yeah,

718
00:39:17,080 --> 00:39:20,400
Speaker 1: she's jealous of the success I've had in my acting classes,

719
00:39:20,400 --> 00:39:23,239
Speaker 1: being nominated for tele Emmy's And she's like, well, I

720
00:39:23,280 --> 00:39:25,480
Speaker 1: hate to tell you I was an actress in college,

721
00:39:25,520 --> 00:39:27,360
Speaker 1: and I mean I could have gone places if I

722
00:39:27,360 --> 00:39:29,440
Speaker 1: would have really pursued it. And I'm oh, here we go.

723
00:39:29,560 --> 00:39:31,840
Speaker 1: Now everybody's good at acting. She was like, no, I

724
00:39:31,960 --> 00:39:34,839
Speaker 1: was really good. Morgan. Did you tell Lunchbox you could

725
00:39:34,840 --> 00:39:37,279
Speaker 1: have gone places? No? I didn't. I just said that

726
00:39:37,360 --> 00:39:41,640
Speaker 1: I was decent. I mean I almost if I stayed

727
00:39:41,680 --> 00:39:43,600
Speaker 1: at college another year, I would have had a minor

728
00:39:43,840 --> 00:39:47,279
Speaker 1: in acting. Wow. Oh, look at you. Quite the bit

729
00:39:47,280 --> 00:39:49,960
Speaker 1: of acting experience, Hey, Lunchbox. To our new listeners, would

730
00:39:50,000 --> 00:39:52,680
Speaker 1: you explain what a telet emmy is. Yeah, I've been

731
00:39:52,719 --> 00:39:55,480
Speaker 1: taking these acting classes, but due to COVID. They've all

732
00:39:55,520 --> 00:39:59,279
Speaker 1: been virtual, so they do a virtual tell. So it's

733
00:39:59,280 --> 00:40:01,640
Speaker 1: like a telecom. It's in and it's an Emmy. You

734
00:40:01,680 --> 00:40:05,040
Speaker 1: get awards for acting, and I'm up for Best Duo

735
00:40:05,520 --> 00:40:10,799
Speaker 1: and also for best accent. So they can't just throw

736
00:40:10,800 --> 00:40:14,600
Speaker 1: the word emmy around, right, I mean, someone owns emmy.

737
00:40:15,320 --> 00:40:18,840
Speaker 1: They'll throw it around, Bobby. They don't assume that anybody

738
00:40:18,880 --> 00:40:21,840
Speaker 1: outside of this video conference is going to ever be

739
00:40:21,920 --> 00:40:26,960
Speaker 1: talking about it except for Lunchbox. Pick a number. But

740
00:40:27,000 --> 00:40:31,400
Speaker 1: I wanted ten, Lunchbox five, Morgan, pick number seven. The

741
00:40:31,480 --> 00:40:33,480
Speaker 1: number was four Lunchbox. Would you like to go first

742
00:40:33,520 --> 00:40:36,560
Speaker 1: or second? I'll go second. All right, Morgan, what scene

743
00:40:36,560 --> 00:40:39,520
Speaker 1: have you chosen? I have chosen a scene from Ten

744
00:40:39,560 --> 00:40:43,280
Speaker 1: Things I Hate About You. It's Julius Stiles as Cat. Okay,

745
00:40:43,320 --> 00:40:46,239
Speaker 1: here is Morgan's performance. It's about thirty to forty five

746
00:40:46,280 --> 00:40:49,520
Speaker 1: seconds of her doing Julius Stiles Cat and Ten Things

747
00:40:49,560 --> 00:40:51,160
Speaker 1: I Hate about You, and go ahead. I hate the

748
00:40:51,160 --> 00:40:53,359
Speaker 1: way you talk to me and the way you cut

749
00:40:53,400 --> 00:40:56,960
Speaker 1: your hair. I hate the way you drive my car,

750
00:40:57,680 --> 00:41:00,799
Speaker 1: and I hate it when you stare. I hate your

751
00:41:00,840 --> 00:41:03,920
Speaker 1: big dumb combat boots and the way you read my mind.

752
00:41:04,800 --> 00:41:08,359
Speaker 1: I hate you so much it makes me sick, It

753
00:41:08,480 --> 00:41:12,319
Speaker 1: even makes me rhyme. I hate the way you're always right,

754
00:41:13,400 --> 00:41:17,640
Speaker 1: and I hate it when you lie. I hate it

755
00:41:17,680 --> 00:41:20,120
Speaker 1: when you make me laugh, even worse when you make

756
00:41:20,160 --> 00:41:25,880
Speaker 1: me cry. I hate it that you're not around, and

757
00:41:26,000 --> 00:41:31,840
Speaker 1: the fact that you didn't call. But mostly I hate

758
00:41:31,840 --> 00:41:35,360
Speaker 1: the way that I don't hate you, not even clothes,

759
00:41:36,360 --> 00:41:45,160
Speaker 1: not even a little bit, not even at allowing the

760
00:41:45,280 --> 00:41:47,640
Speaker 1: hair on the back of my next to it. That

761
00:41:48,320 --> 00:41:53,160
Speaker 1: vable what unbelievable. There was no emotion that was so

762
00:41:53,520 --> 00:41:58,400
Speaker 1: that was so good, so good, that's so good? Wow, Wow, Morgan.

763
00:41:58,440 --> 00:42:00,160
Speaker 1: I'll let you speak on your performance first. How did

764
00:42:00,160 --> 00:42:02,040
Speaker 1: you feel about how that came off? I feel pretty good.

765
00:42:02,080 --> 00:42:04,200
Speaker 1: I mean, I would critique myself that I could have

766
00:42:04,239 --> 00:42:06,759
Speaker 1: added a few more inflection in my voice there, but

767
00:42:07,120 --> 00:42:09,239
Speaker 1: I feel pretty good about just sitting here in cold

768
00:42:09,280 --> 00:42:12,320
Speaker 1: read lunch box. Hawd you feel about Morgan's performance. I

769
00:42:12,360 --> 00:42:13,920
Speaker 1: didn't feel like there was a lot of emotion. I

770
00:42:13,920 --> 00:42:15,879
Speaker 1: felt like it was very monotone. There wasn't a lot

771
00:42:15,880 --> 00:42:17,800
Speaker 1: of up and down. There wasn't like it didn't feel

772
00:42:17,840 --> 00:42:20,040
Speaker 1: heartfelt like she didn't seem like she was pouring her

773
00:42:20,040 --> 00:42:22,400
Speaker 1: emotions into it. It was an emotional scene. Did you

774
00:42:22,440 --> 00:42:26,640
Speaker 1: not hear the Her voice was cracking. I don't even

775
00:42:26,719 --> 00:42:29,640
Speaker 1: hate you, Lunchbox. When you do big guys that listeners

776
00:42:29,640 --> 00:42:33,480
Speaker 1: can't hear it, like when you make facial expressions to

777
00:42:33,480 --> 00:42:35,640
Speaker 1: show that you like, no one listening knows what you

778
00:42:35,640 --> 00:42:38,560
Speaker 1: just did. Okay, I'm trying to be nice, but it

779
00:42:38,600 --> 00:42:40,560
Speaker 1: wasn't that good. I don't want to influence the judges.

780
00:42:40,640 --> 00:42:42,640
Speaker 1: But you know you guys. If you guys, if that

781
00:42:42,719 --> 00:42:44,480
Speaker 1: made your hair on your next stand up, then you

782
00:42:44,480 --> 00:42:47,960
Speaker 1: haven't been listening to my acting clips. Okay, up next,

783
00:42:48,480 --> 00:42:54,000
Speaker 1: Telly Emmy nominated, yep, Lunchbox. Now what scene will we

784
00:42:54,040 --> 00:42:56,600
Speaker 1: be doing? Lunchbox? Well, so she did a love scene.

785
00:42:56,640 --> 00:42:58,839
Speaker 1: You know, I gotta get romantic too, and I did

786
00:42:58,880 --> 00:43:03,320
Speaker 1: when Harry met Sally Billy Crystal as Harry. Okay, because

787
00:43:03,719 --> 00:43:06,439
Speaker 1: I thought about doing Shaw sh ain't Gredemption, But let's

788
00:43:06,440 --> 00:43:08,160
Speaker 1: be honest, I've only seen it one time, so I

789
00:43:08,200 --> 00:43:10,040
Speaker 1: don't really know the movie very well, so it was

790
00:43:10,120 --> 00:43:11,759
Speaker 1: kind of hard to kind of get into character and

791
00:43:11,840 --> 00:43:16,160
Speaker 1: know what was going on. All right, performing second Lunchbox

792
00:43:16,520 --> 00:43:22,879
Speaker 1: doing a scene from when Harry met Sally are you ready. Yes, Oh,

793
00:43:22,880 --> 00:43:24,680
Speaker 1: you didn't say action. Usually when I'm on set, they

794
00:43:24,719 --> 00:43:29,759
Speaker 1: say action. When have you ever been on a set? Like? Really? No,

795
00:43:29,840 --> 00:43:34,160
Speaker 1: I really never have. I'm just trying all right. Here

796
00:43:34,200 --> 00:43:37,239
Speaker 1: we go as three two one action. I love that

797
00:43:37,280 --> 00:43:40,400
Speaker 1: you get cold when it's seventy one degrees out. I

798
00:43:40,600 --> 00:43:42,680
Speaker 1: love that it takes you an hour and a half

799
00:43:42,840 --> 00:43:47,120
Speaker 1: to order a sandwich. I love you get a little

800
00:43:47,160 --> 00:43:49,759
Speaker 1: crinkle above your nose when you're looking at me like

801
00:43:49,840 --> 00:43:53,160
Speaker 1: I'm nuts. I love that after I spend the day

802
00:43:53,200 --> 00:43:57,280
Speaker 1: with you, I can still smell your perfume on my clothes.

803
00:43:58,040 --> 00:44:00,719
Speaker 1: And I love that you are the last person I

804
00:44:00,760 --> 00:44:02,680
Speaker 1: want to talk to before I go to sleep at night.

805
00:44:03,680 --> 00:44:06,560
Speaker 1: And it's not because I'm lonely, and it's not because

806
00:44:06,560 --> 00:44:10,600
Speaker 1: it's New Year's Eve. I came here tonight because when

807
00:44:10,600 --> 00:44:12,359
Speaker 1: you realize you want to spend the rest of your

808
00:44:12,360 --> 00:44:15,319
Speaker 1: life with somebody, you want the rest of your life

809
00:44:15,360 --> 00:44:23,240
Speaker 1: to start as soon as possible. That was good. Where's

810
00:44:23,239 --> 00:44:26,080
Speaker 1: your hair on your neck on that one? Sir? Sir?

811
00:44:27,120 --> 00:44:30,160
Speaker 1: I mean, don't even act like that one good? That

812
00:44:30,280 --> 00:44:32,799
Speaker 1: was a home run. That was a home run. I

813
00:44:32,840 --> 00:44:35,719
Speaker 1: won't say for you. Oh, here we go can you

814
00:44:35,920 --> 00:44:38,200
Speaker 1: I have a question about if we missed a word.

815
00:44:38,680 --> 00:44:40,920
Speaker 1: He did miss words, yet the crinkle of the nose,

816
00:44:41,120 --> 00:44:43,319
Speaker 1: that part it seemed like, you went, I love when

817
00:44:43,800 --> 00:44:48,160
Speaker 1: I love when you have sat didn't miss He did

818
00:44:48,280 --> 00:44:50,400
Speaker 1: miss some words, but it's okay, that's okay, Okay, we

819
00:44:50,440 --> 00:44:52,200
Speaker 1: won't we won't panalize him from that because they just

820
00:44:52,239 --> 00:44:54,160
Speaker 1: got these scenes a few minutes. Okay, okay, okay. I

821
00:44:54,200 --> 00:44:56,759
Speaker 1: thought it was great. He did say. My favorite thing

822
00:44:56,840 --> 00:44:59,680
Speaker 1: was when he really highlighted the word nuts. He went,

823
00:45:01,400 --> 00:45:03,480
Speaker 1: he said, I love that you get a little crinkle

824
00:45:03,520 --> 00:45:05,560
Speaker 1: above your nose and when you're looking at me like

825
00:45:05,600 --> 00:45:11,440
Speaker 1: I'm nuts. Dramatic effect. Yeah, yeah, I really like the

826
00:45:11,800 --> 00:45:13,560
Speaker 1: you know, the act on nuts. I get why he

827
00:45:13,600 --> 00:45:18,879
Speaker 1: gets acted into the year. I get it. Um okay,

828
00:45:18,560 --> 00:45:21,480
Speaker 1: I can't. I mean, I mean it's easy vote me.

829
00:45:24,120 --> 00:45:27,880
Speaker 1: Everybody gets a vote. Okay, Raymundo, we'll start with you.

830
00:45:28,840 --> 00:45:31,120
Speaker 1: M two love the crud in your throat. That really

831
00:45:31,120 --> 00:45:33,319
Speaker 1: made it believable. Don't know if that was planned. It's

832
00:45:33,320 --> 00:45:36,920
Speaker 1: just she has a speech thing where she gets yeah, okay, yes,

833
00:45:37,000 --> 00:45:39,280
Speaker 1: but that did not happen. That was a real lunch

834
00:45:39,320 --> 00:45:42,640
Speaker 1: box with the sniffling I mean, some of this stuff

835
00:45:42,680 --> 00:45:44,680
Speaker 1: you did didn't really fit. It just kind of drew

836
00:45:44,719 --> 00:45:46,960
Speaker 1: me away from your acting, and it made me me

837
00:45:47,080 --> 00:45:49,880
Speaker 1: you were acting like I forgot that M two was

838
00:45:49,920 --> 00:45:51,879
Speaker 1: acting you. I was like, okay, he's acting the whole time.

839
00:45:52,080 --> 00:45:54,759
Speaker 1: So because of that, M two gets my vote. Who Yeah,

840
00:45:55,239 --> 00:45:57,680
Speaker 1: when he was sniffling, he was acting with covid, I thought,

841
00:45:57,719 --> 00:46:01,680
Speaker 1: he's like, the sniffling is your emotion, you're I thought

842
00:46:01,719 --> 00:46:04,400
Speaker 1: you were trying to indicate because you know, you smell

843
00:46:04,480 --> 00:46:07,560
Speaker 1: her when she's not around, So you go, y, you

844
00:46:07,600 --> 00:46:10,120
Speaker 1: smell your clothes. That's what it says. You smell your clothes. Look,

845
00:46:10,400 --> 00:46:12,640
Speaker 1: I can smell you on my clothes. That's what it's

846
00:46:12,640 --> 00:46:15,040
Speaker 1: all about. Okay, I mean okay, I don't know how

847
00:46:15,080 --> 00:46:18,680
Speaker 1: you go. If you guys know what acting is, Hey, lunchbox,

848
00:46:18,719 --> 00:46:20,880
Speaker 1: I've acted on like a few shows in a movie. Okay,

849
00:46:21,440 --> 00:46:23,319
Speaker 1: all right, no, no, not okay, like I've been up.

850
00:46:25,440 --> 00:46:30,239
Speaker 1: I haven't you got scooba, Steve, you can yell your

851
00:46:30,280 --> 00:46:32,479
Speaker 1: boat go ahead, I mean, real quicking easy. It's definitely

852
00:46:32,520 --> 00:46:34,600
Speaker 1: gonna be Morgan. I hate to say about it's almost

853
00:46:34,600 --> 00:46:36,640
Speaker 1: like lunchboxes type cast in his comedy. So when he's

854
00:46:36,640 --> 00:46:39,640
Speaker 1: doing something that has emotion. I don't believe it. He's

855
00:46:39,640 --> 00:46:43,280
Speaker 1: like Aricle doing sad, sad stuff. Yeah, that's your fault

856
00:46:43,280 --> 00:46:46,960
Speaker 1: for not being able to envision Eddie. Well, here's the thing.

857
00:46:47,000 --> 00:46:49,440
Speaker 1: I mean when Lunchbox read his eye laughed and I

858
00:46:49,520 --> 00:46:51,360
Speaker 1: wasn't supposed to be laughing because I know it was

859
00:46:51,400 --> 00:46:54,120
Speaker 1: a serious part of a movie. I don't think he's

860
00:46:54,120 --> 00:46:56,120
Speaker 1: supposed to be crying in that part really, so I

861
00:46:56,160 --> 00:46:58,799
Speaker 1: think it was over dramatic. What do you mean? Wait? Wait,

862
00:46:58,800 --> 00:47:01,760
Speaker 1: hold on Morgan number too. I mean she was great.

863
00:47:02,040 --> 00:47:03,799
Speaker 1: I thought I was watching the movie Bones and she

864
00:47:03,840 --> 00:47:05,600
Speaker 1: was sitting right next to me. I wasn't even looking

865
00:47:05,600 --> 00:47:07,520
Speaker 1: at her. I was like trying to visual visualize what's

866
00:47:07,520 --> 00:47:11,080
Speaker 1: happening Fantastic eight plus. Wait, wait, why is she supposed

867
00:47:11,120 --> 00:47:12,640
Speaker 1: to cry during that scene? But I'm not supposed to

868
00:47:12,640 --> 00:47:15,480
Speaker 1: cry during my scene? They're the exact same thing. Love

869
00:47:15,560 --> 00:47:18,400
Speaker 1: scenes where you're confessing that you really love somebody and

870
00:47:18,400 --> 00:47:19,960
Speaker 1: I want to spend the rest of my life. When

871
00:47:19,960 --> 00:47:22,319
Speaker 1: you proposed your wife A, did you cry? I don't

872
00:47:22,320 --> 00:47:27,080
Speaker 1: think so. No. I think he's just confused because it

873
00:47:27,120 --> 00:47:32,759
Speaker 1: was on the phone. Oh, Amy, you're winner. I don't

874
00:47:32,760 --> 00:47:36,399
Speaker 1: have a long explanation for this. It's just Morgan. Yeah,

875
00:47:37,239 --> 00:47:40,200
Speaker 1: and I'll go to I thought Lunchbox is actually for him.

876
00:47:40,280 --> 00:47:42,200
Speaker 1: I thought it was really good. Yeah, I agree, What

877
00:47:42,239 --> 00:47:44,920
Speaker 1: does that mean for him? Whatever he doesn't have, he

878
00:47:44,960 --> 00:47:47,560
Speaker 1: has a small space where he's able to be good

879
00:47:47,880 --> 00:47:50,400
Speaker 1: and when he tries to be serious, to let him go,

880
00:47:50,480 --> 00:47:54,600
Speaker 1: this is good. Like he has like a really like

881
00:47:54,640 --> 00:47:56,799
Speaker 1: if you look at a pizza pie and there's a really,

882
00:47:57,160 --> 00:47:59,279
Speaker 1: there's a sliver there. He needs to be in that

883
00:47:59,400 --> 00:48:03,960
Speaker 1: sliver that he has perfected, which is like dope country,

884
00:48:04,200 --> 00:48:08,280
Speaker 1: like he could he could be that character as an actor. Okay,

885
00:48:08,280 --> 00:48:11,960
Speaker 1: well don't. But when he tries to be that character,

886
00:48:12,080 --> 00:48:14,319
Speaker 1: it comes off as weird and he's like coughing up

887
00:48:14,320 --> 00:48:15,640
Speaker 1: Bluegie's in the middle of it, and now he's the

888
00:48:15,640 --> 00:48:19,480
Speaker 1: whole thing. But I did think he was good. I

889
00:48:19,480 --> 00:48:21,200
Speaker 1: didn't think he was good for what we've heard from him.

890
00:48:21,239 --> 00:48:24,480
Speaker 1: Sooted me. I think your classes are paying off. So

891
00:48:24,520 --> 00:48:27,239
Speaker 1: you voted for me, So great job. That being said,

892
00:48:27,239 --> 00:48:29,960
Speaker 1: when Morgan number two, it was just really good regardless

893
00:48:30,000 --> 00:48:31,520
Speaker 1: of who she was, Like, I get the hair on

894
00:48:31,560 --> 00:48:34,239
Speaker 1: the back of my next stood up. Yeah, So I

895
00:48:34,239 --> 00:48:37,000
Speaker 1: think we go five votes, Morgan number two no votes,

896
00:48:37,080 --> 00:48:43,680
Speaker 1: lunchbox and let's give it whoa. It's time for the

897
00:48:43,760 --> 00:48:50,319
Speaker 1: good news, all right, let's do a personal tell me

898
00:48:50,360 --> 00:48:54,120
Speaker 1: something good. Becky in California is on Becky, Good morning,

899
00:48:54,200 --> 00:48:58,840
Speaker 1: tell us your story. Good morning. Um. I have a

900
00:48:59,080 --> 00:49:04,480
Speaker 1: third grade son, Jonathan, and the Friday before Halloween, they

901
00:49:04,520 --> 00:49:07,759
Speaker 1: all got to dress up for school and one of

902
00:49:07,760 --> 00:49:10,719
Speaker 1: the little boys didn't wear a costume. He didn't have

903
00:49:10,760 --> 00:49:13,640
Speaker 1: one available, and so the teacher came into the class

904
00:49:13,719 --> 00:49:16,719
Speaker 1: and told the class, this little boy is really sad

905
00:49:16,760 --> 00:49:20,160
Speaker 1: because he doesn't have a costume. And so my son,

906
00:49:20,280 --> 00:49:23,879
Speaker 1: Jonathan and his friend took their recesses to help make

907
00:49:23,880 --> 00:49:27,000
Speaker 1: this little boy a costume. Out of the craft supplies

908
00:49:27,040 --> 00:49:29,719
Speaker 1: that they had, they helped make him a robot. So

909
00:49:29,760 --> 00:49:32,880
Speaker 1: they used paper and Jonathan used his last little bit

910
00:49:32,880 --> 00:49:36,040
Speaker 1: of string and they colored him together a robot costume

911
00:49:36,120 --> 00:49:40,080
Speaker 1: so that he wouldn't be sad anymore. That's an awesome story.

912
00:49:40,360 --> 00:49:42,040
Speaker 1: How is this such? How is he such a good kid?

913
00:49:42,040 --> 00:49:48,040
Speaker 1: Does he have the best parents ever? I pray a lot, well,

914
00:49:48,040 --> 00:49:51,239
Speaker 1: just we pray so much for our kids every day.

915
00:49:52,800 --> 00:49:55,920
Speaker 1: I like to think that we're good parents, But We're

916
00:49:55,960 --> 00:49:58,359
Speaker 1: blessed with really good kids, and we've got a great

917
00:49:58,360 --> 00:50:03,960
Speaker 1: community surrounding us. I come from an amazing family myself,

918
00:50:04,040 --> 00:50:07,920
Speaker 1: so I like to think that we're just passing it

919
00:50:07,960 --> 00:50:11,960
Speaker 1: down from person to person. Do you see that character

920
00:50:12,040 --> 00:50:14,600
Speaker 1: trait and Jonathan often where he's always looking to give

921
00:50:14,640 --> 00:50:19,279
Speaker 1: back or help. Actually, we've been able to see it

922
00:50:19,280 --> 00:50:23,200
Speaker 1: with all three of our kids. Jonathan is such a

923
00:50:23,280 --> 00:50:27,279
Speaker 1: carrying kid. But we also saw his big sister last

924
00:50:27,360 --> 00:50:32,120
Speaker 1: January collect forty blankets for homeless, so that was her

925
00:50:32,120 --> 00:50:36,839
Speaker 1: bucket list item for the year. So, I mean, all

926
00:50:36,880 --> 00:50:40,200
Speaker 1: three of my kids. Christopher loves to help others and

927
00:50:40,239 --> 00:50:43,680
Speaker 1: make others feel good by giving them compliments. I mean,

928
00:50:44,560 --> 00:50:48,360
Speaker 1: I can't tell you how lucky I feel to have

929
00:50:48,480 --> 00:50:51,040
Speaker 1: them as my kids. Well, you must be a very

930
00:50:51,040 --> 00:50:53,760
Speaker 1: proud mom, and it seems like you guys are great parents.

931
00:50:53,760 --> 00:50:55,440
Speaker 1: So thank you for sharing that story with us and

932
00:50:55,480 --> 00:50:58,160
Speaker 1: tell Jonathan we said hello, Okay, I will definitely have

933
00:50:58,200 --> 00:51:02,160
Speaker 1: a great day. Guys. Yeah you too, Bo, that was

934
00:51:02,200 --> 00:51:05,399
Speaker 1: tell me something good. Thank you guys for hanging out

935
00:51:05,400 --> 00:51:07,320
Speaker 1: with us. Always appreciate it. You can be listening to

936
00:51:07,360 --> 00:51:09,680
Speaker 1: anybody in the whole world and you're with us, and

937
00:51:09,760 --> 00:51:12,560
Speaker 1: we are very grateful for that, so thank you. Here's

938
00:51:12,560 --> 00:51:15,440
Speaker 1: a voicemail we got the last night. Amy was given

939
00:51:16,080 --> 00:51:19,520
Speaker 1: an incident about what happened at Starbucks with the quote

940
00:51:19,600 --> 00:51:23,400
Speaker 1: old lady, and then she falls up about sixty or

941
00:51:23,440 --> 00:51:26,960
Speaker 1: some sixty is not considered old. I mean usually Amy's

942
00:51:27,000 --> 00:51:29,919
Speaker 1: pretty much on the money intelligence sounds like she knows

943
00:51:29,920 --> 00:51:31,680
Speaker 1: she should talk about But to me, that was just

944
00:51:31,760 --> 00:51:35,000
Speaker 1: sort of a stupid statement, so I thought that maybe

945
00:51:35,040 --> 00:51:38,759
Speaker 1: she would want to be aware of that. Thanks so much,

946
00:51:38,840 --> 00:51:41,040
Speaker 1: take care of bye bye. You know I actually got

947
00:51:41,040 --> 00:51:42,279
Speaker 1: this a few times. Amy, What do you want to

948
00:51:42,280 --> 00:51:46,200
Speaker 1: say for yourself? Okay, in my defense, I don't think

949
00:51:46,239 --> 00:51:49,440
Speaker 1: sixty is old, but the barista that was working was

950
00:51:49,560 --> 00:51:54,080
Speaker 1: maybe nineteen, So I feel like for that nineteen year old,

951
00:51:54,239 --> 00:51:56,640
Speaker 1: the woman talking to her, she would label her as

952
00:51:56,920 --> 00:52:00,840
Speaker 1: older old. I guess I shouldn't have set even commented

953
00:52:01,080 --> 00:52:04,160
Speaker 1: young old. I should have just said maybe around sixty,

954
00:52:06,480 --> 00:52:11,840
Speaker 1: like a ripe six year like she didn't seem super old.

955
00:52:11,920 --> 00:52:14,959
Speaker 1: And I am sorry, and I am I will take

956
00:52:15,000 --> 00:52:19,439
Speaker 1: that into consideration. You're right, I will. I'm gonna think

957
00:52:19,480 --> 00:52:24,360
Speaker 1: before I speak next time. I'm ashamed me too. I'm ashamed.

958
00:52:24,800 --> 00:52:26,640
Speaker 1: I don't even know how you work with me. I

959
00:52:26,680 --> 00:52:30,360
Speaker 1: don't either, all right. And by the way, old is

960
00:52:30,400 --> 00:52:34,040
Speaker 1: relative to anybody exactly, because when I was eighteen, I

961
00:52:34,080 --> 00:52:36,879
Speaker 1: thought somebody thirty five was old as dirt, that's right.

962
00:52:36,920 --> 00:52:40,359
Speaker 1: And now that I'm forty one myself, I'm like fifty eight.

963
00:52:40,920 --> 00:52:43,920
Speaker 1: But chill, you know, it's all it's all different. So

964
00:52:44,320 --> 00:52:47,040
Speaker 1: but yes, Amy, you've been a bad girl, thinking Okay,

965
00:52:47,360 --> 00:52:52,400
Speaker 1: let's go over and do the news Bobby's story. A

966
00:52:52,480 --> 00:52:56,320
Speaker 1: woman who ran onto the tarmac at Los Angeles International

967
00:52:56,320 --> 00:53:01,239
Speaker 1: Airport was detained by police. Airport police said the woman,

968
00:53:01,280 --> 00:53:03,799
Speaker 1: who had a ticket, was in the airport's terminal when

969
00:53:03,840 --> 00:53:06,759
Speaker 1: she opened a door, triggered an alarm, and walked onto

970
00:53:06,800 --> 00:53:09,920
Speaker 1: a ramp to the tarmac. The woman said quote she

971
00:53:09,960 --> 00:53:12,520
Speaker 1: was trying to flag down the aircraft the plan was

972
00:53:12,560 --> 00:53:15,360
Speaker 1: parked at the gate. The videos taken by a bystander,

973
00:53:15,400 --> 00:53:17,360
Speaker 1: appear to show the woman, who was carrying a black

974
00:53:17,360 --> 00:53:19,880
Speaker 1: backpack and other items in her arm, apparently struggle with

975
00:53:19,880 --> 00:53:22,400
Speaker 1: a guy who was trying to direct her off the tarmac.

976
00:53:22,760 --> 00:53:24,480
Speaker 1: She could be seen trying to get away from him

977
00:53:24,880 --> 00:53:29,160
Speaker 1: while waving enthusiastically to several airline employees and another video

978
00:53:29,239 --> 00:53:31,400
Speaker 1: the woman has seen. It's seen standing by an officer

979
00:53:31,400 --> 00:53:34,000
Speaker 1: while her bag and belongings are searched. The woman was

980
00:53:34,040 --> 00:53:36,040
Speaker 1: taken to a hospital for treatment of minor injuries and

981
00:53:36,120 --> 00:53:39,080
Speaker 1: a mental health evaluation. Police say the incident did not

982
00:53:39,160 --> 00:53:42,920
Speaker 1: lead to any delays. That's NBC news. It sounds like

983
00:53:42,920 --> 00:53:45,960
Speaker 1: she had a This is just me guessing, speculating. It

984
00:53:46,040 --> 00:53:48,640
Speaker 1: sounds like she just had an unhealthy breakdown. Like, I

985
00:53:48,680 --> 00:53:49,920
Speaker 1: don't feel like she had a bomb in her bag.

986
00:53:49,960 --> 00:53:52,560
Speaker 1: Does anybody else think to a bomb in her bag? Yeah?

987
00:53:52,600 --> 00:53:54,879
Speaker 1: I feel like she probably just wasn't having a good

988
00:53:54,960 --> 00:53:58,240
Speaker 1: day or something happened where she wasn't thinking straight. And also,

989
00:53:58,239 --> 00:54:00,360
Speaker 1: it's that easy to get on the tarmac. Yeah, you

990
00:54:00,400 --> 00:54:03,520
Speaker 1: just push a door open. That's the headline to me

991
00:54:03,719 --> 00:54:05,279
Speaker 1: is how in the world did she make it onto

992
00:54:05,320 --> 00:54:09,120
Speaker 1: the tarmac? That I guess it happens the FedEx debacle

993
00:54:09,120 --> 00:54:11,040
Speaker 1: we talked about where the driver dumped the packages into

994
00:54:11,040 --> 00:54:13,760
Speaker 1: the ravine. Everybody still caught up on that story. Yeah,

995
00:54:14,440 --> 00:54:17,920
Speaker 1: he's done that at least six other times. A FedEx

996
00:54:18,000 --> 00:54:20,520
Speaker 1: driver dumped parcels into an Alabama ravine at least six

997
00:54:20,520 --> 00:54:22,440
Speaker 1: times now it just sounds like you wanted to get

998
00:54:22,480 --> 00:54:25,239
Speaker 1: off work early all these years, right, Okay, So I

999
00:54:25,320 --> 00:54:27,640
Speaker 1: was wondering motive, and that was my theory, that he's

1000
00:54:27,719 --> 00:54:29,879
Speaker 1: lazy and just gets rid of it and takes off.

1001
00:54:30,120 --> 00:54:33,640
Speaker 1: It's crazy. It's yes, it's crazy that you could do

1002
00:54:33,680 --> 00:54:37,520
Speaker 1: it twice and they not find out once. Maybe I

1003
00:54:37,640 --> 00:54:40,720
Speaker 1: understand you get lucky, but twice and all those packages

1004
00:54:40,760 --> 00:54:42,879
Speaker 1: are missing and people were complaining. All of a sudden

1005
00:54:42,880 --> 00:54:45,560
Speaker 1: they're putting looking at the data on whose packages are missing.

1006
00:54:46,120 --> 00:54:48,200
Speaker 1: I'm surprised. But after the package we're found in the

1007
00:54:48,239 --> 00:54:52,160
Speaker 1: ravine about thirty miles north of Birmingham. The Sheriff's office

1008
00:54:52,239 --> 00:54:55,799
Speaker 1: guarded them until FedEx could send trucks to collect them.

1009
00:54:55,960 --> 00:54:58,240
Speaker 1: Photos on the office facebook page showed workers on Thanksgiving

1010
00:54:58,320 --> 00:55:00,600
Speaker 1: Day retrieving the packages. But this and has done that

1011
00:55:00,680 --> 00:55:02,960
Speaker 1: six other times. So what that being said? Don't we

1012
00:55:03,000 --> 00:55:04,359
Speaker 1: all just think you wanted to get off work early

1013
00:55:04,360 --> 00:55:06,319
Speaker 1: and go hang out or go to the bar or something. Yeah,

1014
00:55:06,360 --> 00:55:09,560
Speaker 1: that's probably wrong. Yeah yeah. Squid Game has been knocked

1015
00:55:09,600 --> 00:55:13,239
Speaker 1: off as Netflix's most watched show, at least the number

1016
00:55:13,280 --> 00:55:15,879
Speaker 1: one spot, but then one day of its premiere, hell

1017
00:55:15,960 --> 00:55:18,279
Speaker 1: Bound took the top spot. It has been seen by

1018
00:55:18,320 --> 00:55:21,320
Speaker 1: viewers in eighty four countries. Hell Bound is another drama

1019
00:55:21,360 --> 00:55:25,240
Speaker 1: from South Korea that centers it's story around violent demons

1020
00:55:25,280 --> 00:55:27,879
Speaker 1: that seek out centers who already know when they're going

1021
00:55:27,920 --> 00:55:31,320
Speaker 1: to die. That it's from the New York Post. Has anyone,

1022
00:55:31,360 --> 00:55:32,799
Speaker 1: I guess I should only go to Mike d con

1023
00:55:32,880 --> 00:55:34,080
Speaker 1: you to be the only guy to really watched this.

1024
00:55:34,480 --> 00:55:37,279
Speaker 1: Have you seen Hellbound? I haven't seen it yet. It

1025
00:55:37,320 --> 00:55:40,120
Speaker 1: doesn't mean it's been watched more overall, it just means

1026
00:55:40,120 --> 00:55:44,319
Speaker 1: it's the new number one show. But man, South South Korea,

1027
00:55:44,440 --> 00:55:48,560
Speaker 1: South Carolina also cool. South Korea has been killing in

1028
00:55:48,680 --> 00:55:52,359
Speaker 1: the content department, shows, movies, etc. Because Mike, you watched

1029
00:55:52,360 --> 00:55:54,439
Speaker 1: the Taxi Driver? Yeah? Really good, one of the best

1030
00:55:54,440 --> 00:55:58,400
Speaker 1: movies I've seen ever ever in Korean? Yeah, Eddie, did

1031
00:55:58,400 --> 00:56:00,320
Speaker 1: you watch any of these? I started to watch Taxi

1032
00:56:00,400 --> 00:56:02,719
Speaker 1: Driver and I'm probably about thirty minutes in, and then

1033
00:56:02,719 --> 00:56:06,720
Speaker 1: I got busy with kids. But it's so far, so good. Okay. Finally,

1034
00:56:06,760 --> 00:56:09,560
Speaker 1: a new study ties career success with students who proved

1035
00:56:09,560 --> 00:56:12,280
Speaker 1: to be the most responsible in high school. The headline

1036
00:56:12,320 --> 00:56:15,920
Speaker 1: is responsible high school students typically make something of themselves

1037
00:56:15,960 --> 00:56:18,160
Speaker 1: down the road. Students in the study who had high

1038
00:56:18,200 --> 00:56:21,799
Speaker 1: grades and or perfect attendance tended to have the best

1039
00:56:21,880 --> 00:56:24,040
Speaker 1: jobs of all their peers ten years down the road.

1040
00:56:24,560 --> 00:56:28,520
Speaker 1: That's from an article from study finds Listen, I was

1041
00:56:28,560 --> 00:56:33,880
Speaker 1: perfect attendance for maybe years at one point after I

1042
00:56:33,880 --> 00:56:35,960
Speaker 1: think my senior year. I wasn't, but I was perfecttendants

1043
00:56:35,960 --> 00:56:37,719
Speaker 1: because I was like, I gotta be there in order

1044
00:56:37,760 --> 00:56:41,240
Speaker 1: to get crap done. Also had good grades, but perfect

1045
00:56:41,239 --> 00:56:43,400
Speaker 1: tends when I was most proud of amy, you know,

1046
00:56:44,200 --> 00:56:49,640
Speaker 1: not perfect attendance. Okay, grades, but here I am. I

1047
00:56:52,480 --> 00:56:57,200
Speaker 1: wasn't valedictorian. Oh but I but I had like a

1048
00:56:57,360 --> 00:57:02,680
Speaker 1: three eight or three nine to be in computer keyboard

1049
00:57:03,760 --> 00:57:05,600
Speaker 1: like that. That was a bee for me and my

1050
00:57:05,719 --> 00:57:08,799
Speaker 1: only bee. And I was very upset about that. I

1051
00:57:08,840 --> 00:57:11,520
Speaker 1: didn't have my first seat ever until college, and I

1052
00:57:11,560 --> 00:57:14,799
Speaker 1: had one sea which I got in French. But I

1053
00:57:14,800 --> 00:57:17,080
Speaker 1: showed up every day, I did the work. I tried

1054
00:57:17,120 --> 00:57:18,800
Speaker 1: as hard as I could. And now look it and

1055
00:57:18,840 --> 00:57:20,960
Speaker 1: here here I am making something myself. But you're fluid

1056
00:57:21,000 --> 00:57:25,960
Speaker 1: in French? Now though right we nailed it, we we

1057
00:57:27,320 --> 00:57:30,640
Speaker 1: What kind of student are you? Eddie? Terrible bad grade,

1058
00:57:30,960 --> 00:57:34,520
Speaker 1: definitely not perfect attendance, a lot of detention slips. But

1059
00:57:34,600 --> 00:57:37,439
Speaker 1: look at me, man, I mean honestly, I had good

1060
00:57:37,440 --> 00:57:40,160
Speaker 1: people skills, and I think that's what got me where

1061
00:57:40,200 --> 00:57:42,920
Speaker 1: I am today. I'm just good with people, and I

1062
00:57:42,920 --> 00:57:45,840
Speaker 1: think that's what got you here if I'm being honest.

1063
00:57:45,920 --> 00:57:51,000
Speaker 1: I mean, let's be real, Lunchbox, I was prom king,

1064
00:57:51,040 --> 00:57:52,880
Speaker 1: but that doesn't mean I was in class very often.

1065
00:57:52,920 --> 00:57:55,120
Speaker 1: Because I was not there. I planned out the night

1066
00:57:55,120 --> 00:57:56,960
Speaker 1: before what class I was going to skip the next day,

1067
00:57:57,000 --> 00:57:59,160
Speaker 1: so skipped at least one a day. Grades. I was

1068
00:57:59,200 --> 00:58:02,480
Speaker 1: top fifty percent my high school class. So see average,

1069
00:58:03,040 --> 00:58:05,439
Speaker 1: Why are you cracking your knuckles because I mean, look

1070
00:58:05,440 --> 00:58:09,400
Speaker 1: at me now, though nobody said anything about prom king,

1071
00:58:09,400 --> 00:58:11,040
Speaker 1: but you have to throw that in there. Well, that's

1072
00:58:11,040 --> 00:58:12,760
Speaker 1: what kind of student I was. I was popular. I was.

1073
00:58:12,800 --> 00:58:15,520
Speaker 1: I was hanging with the chicks. We've had a lot

1074
00:58:15,560 --> 00:58:17,400
Speaker 1: of people right into the show that listened that went

1075
00:58:17,440 --> 00:58:18,960
Speaker 1: to high school in luchbox and they said he got

1076
00:58:18,960 --> 00:58:21,720
Speaker 1: prom king as a joe. Yeah, because they didn't get it.

1077
00:58:21,720 --> 00:58:24,840
Speaker 1: They're just jealous. I mean jealous Avie, then Jealousvie. Now

1078
00:58:24,920 --> 00:58:28,320
Speaker 1: that's how life goes. I agree with that, all right,

1079
00:58:28,480 --> 00:58:35,680
Speaker 1: that's the news Bobby's story. On the phone right now

1080
00:58:35,840 --> 00:58:39,840
Speaker 1: is Stephen Santana, who writes for my Essay dot com.

1081
00:58:39,880 --> 00:58:47,000
Speaker 1: It is a San Antonio website. It's he's a digital reporter.

1082
00:58:47,640 --> 00:58:50,919
Speaker 1: He covers all things san Antonio. He has a lot

1083
00:58:50,920 --> 00:58:54,080
Speaker 1: of accolades. Have you heard us talking about you and

1084
00:58:54,440 --> 00:58:57,360
Speaker 1: what's happened here on the show. I'm gonna be quite honest,

1085
00:58:57,360 --> 00:59:01,040
Speaker 1: to be full transparency. It had I had just heard

1086
00:59:01,040 --> 00:59:06,320
Speaker 1: about everything today when someone added me on Twitter. Okay,

1087
00:59:06,640 --> 00:59:09,400
Speaker 1: well this is what happened. You wrote an article called

1088
00:59:09,480 --> 00:59:14,520
Speaker 1: churning out Winners, famous and notable people who attended UTSA,

1089
00:59:14,800 --> 00:59:17,520
Speaker 1: and you listed people like Kim Spradlin, who won one

1090
00:59:17,560 --> 00:59:20,320
Speaker 1: hundred thousand dollars on Survivor. She didn't win, she was

1091
00:59:20,320 --> 00:59:23,160
Speaker 1: just a fan favorite, so you listed her. You listed

1092
00:59:23,720 --> 00:59:29,000
Speaker 1: j C. Kalin, who is a YouTube personality. You know,

1093
00:59:29,080 --> 00:59:31,040
Speaker 1: some of other people I hadn't heard of. But our

1094
00:59:31,080 --> 00:59:36,560
Speaker 1: guy Lunchbox went to UTSA and he was upset, distraught, angry,

1095
00:59:36,640 --> 00:59:39,080
Speaker 1: confused as to why he wasn't on this list. And

1096
00:59:39,120 --> 00:59:41,680
Speaker 1: so before I let him come on, I want to

1097
00:59:41,680 --> 00:59:44,480
Speaker 1: have a talk with you, just you know, guy to

1098
00:59:44,520 --> 00:59:47,920
Speaker 1: guy friendly, asking how did you forget about our guy

1099
00:59:48,040 --> 00:59:55,280
Speaker 1: Lunchbox again, full transparency. I have not heard of lunchbox

1100
00:59:55,320 --> 01:00:01,120
Speaker 1: until today. How did you live under a rar? Okay,

1101
01:00:01,160 --> 01:00:06,320
Speaker 1: hold on, Lunchbox, hold on, So please be transparent, because

1102
01:00:06,320 --> 01:00:08,320
Speaker 1: we think it's hilarious. Stephen. By the way, my feelings

1103
01:00:08,320 --> 01:00:12,680
Speaker 1: were not hurt at all. So just so I can

1104
01:00:12,720 --> 01:00:15,000
Speaker 1: describe a couple of our accolades here on the show.

1105
01:00:15,040 --> 01:00:17,960
Speaker 1: We are on in like one hundred and seventy cities,

1106
01:00:18,160 --> 01:00:21,240
Speaker 1: like we're hurt in three countries. We you know, depending

1107
01:00:21,280 --> 01:00:24,080
Speaker 1: on who you trust, we have it between like five

1108
01:00:24,160 --> 01:00:26,000
Speaker 1: and a half to eight million people that listen to

1109
01:00:26,120 --> 01:00:29,800
Speaker 1: day and so this is a significant show. I'm not

1110
01:00:29,840 --> 01:00:32,120
Speaker 1: gonna lie or play, you know, extremely humble and say

1111
01:00:32,160 --> 01:00:36,520
Speaker 1: it's not including san Antonio. We're on in san Antonio, true, true, true, true,

1112
01:00:36,520 --> 01:00:39,479
Speaker 1: And san Antonio. So the fact that he was left

1113
01:00:39,520 --> 01:00:42,640
Speaker 1: off the list, whenever there were people that I looked

1114
01:00:42,680 --> 01:00:44,440
Speaker 1: at him was like, I don't I don't even know

1115
01:00:44,480 --> 01:00:48,200
Speaker 1: who that is. His feelings were hurt. So did anyone

1116
01:00:48,240 --> 01:00:50,280
Speaker 1: else reach out to you and go you didn't include

1117
01:00:50,320 --> 01:00:54,520
Speaker 1: me from this article? H No, I haven't had any

1118
01:00:54,560 --> 01:00:56,360
Speaker 1: of the other hundreds of people who were on the

1119
01:00:56,600 --> 01:00:58,560
Speaker 1: list that I were looking at reach out to me.

1120
01:00:58,640 --> 01:01:03,040
Speaker 1: Yet I would be quite honest, it would probably take

1121
01:01:03,640 --> 01:01:06,200
Speaker 1: more than one post to fit all the grads are

1122
01:01:06,240 --> 01:01:13,320
Speaker 1: just people who attended. You say, but you know the

1123
01:01:13,400 --> 01:01:16,560
Speaker 1: list even that was on our website, that wasn't written

1124
01:01:16,560 --> 01:01:20,120
Speaker 1: by me previously, I do not I did not see

1125
01:01:20,120 --> 01:01:24,360
Speaker 1: you on their lunch box, Dan, and I cannot speak

1126
01:01:24,480 --> 01:01:26,560
Speaker 1: who wrote that article. But I can only say that

1127
01:01:26,840 --> 01:01:29,840
Speaker 1: this articles just did an oversight on my part. And

1128
01:01:30,160 --> 01:01:32,400
Speaker 1: you know, maybe I know, I don't think so, Stephen.

1129
01:01:32,400 --> 01:01:35,080
Speaker 1: I think you have some of us confused. We think

1130
01:01:35,120 --> 01:01:38,720
Speaker 1: it's awesome and hilarious. I mean, we're not angry lunch boxes.

1131
01:01:38,760 --> 01:01:40,920
Speaker 1: And I'm gonna I'm gonna let him come on now.

1132
01:01:40,960 --> 01:01:44,360
Speaker 1: I just wanted to have a civil conversation before he

1133
01:01:44,400 --> 01:01:47,360
Speaker 1: comes on, like the Tasmanian devil lunchbox. What would you

1134
01:01:47,360 --> 01:01:49,280
Speaker 1: like to say to Stephen? Well, Stephen, how are you

1135
01:01:49,280 --> 01:01:57,160
Speaker 1: doing today? My man? I'm good, I'm good today. I mean, Stephen, look,

1136
01:01:57,200 --> 01:01:59,160
Speaker 1: I mean, just just think about this. I mean, I

1137
01:01:59,240 --> 01:02:02,200
Speaker 1: went to Ugually. I was the face of Utsa. They

1138
01:02:02,240 --> 01:02:04,800
Speaker 1: have me on one of the buildings, and at Utsa

1139
01:02:04,920 --> 01:02:08,000
Speaker 1: they did mosaic tiles of students. They took my picture

1140
01:02:08,040 --> 01:02:09,960
Speaker 1: and said, you know what, you are so important to

1141
01:02:10,000 --> 01:02:12,040
Speaker 1: our university and they put me on the wall. And

1142
01:02:12,080 --> 01:02:13,960
Speaker 1: then I come on this radio show. I've been doing

1143
01:02:14,000 --> 01:02:17,400
Speaker 1: it for eighteen years and it's heart nationally now all

1144
01:02:17,440 --> 01:02:20,560
Speaker 1: over the world. Man, we get millions of people listening,

1145
01:02:20,920 --> 01:02:24,120
Speaker 1: and I can't believe not one person you haven't heard

1146
01:02:24,120 --> 01:02:26,000
Speaker 1: of me? How I haven't? Like, are you just saying

1147
01:02:26,040 --> 01:02:28,160
Speaker 1: that to cover your tracks? So your boss didn't hear this?

1148
01:02:28,200 --> 01:02:30,760
Speaker 1: And like you left the most important personal I mean,

1149
01:02:30,880 --> 01:02:34,200
Speaker 1: Kim Sproutland was a contestant on Survivor. Your boy here

1150
01:02:34,320 --> 01:02:39,240
Speaker 1: was on Jerry Springer, What's Bigger? I wish I could

1151
01:02:39,280 --> 01:02:43,280
Speaker 1: say that it wasn't just an oversight, um, but it

1152
01:02:43,320 --> 01:02:49,760
Speaker 1: honestly was that. And no, no, no, and you I

1153
01:02:49,800 --> 01:02:51,680
Speaker 1: just want to hear you say it again. So before

1154
01:02:51,760 --> 01:02:53,360
Speaker 1: we reached out to you, how many times in your

1155
01:02:53,360 --> 01:02:57,920
Speaker 1: life had you heard of Lunchbox? This is gonna make

1156
01:02:57,960 --> 01:03:05,120
Speaker 1: me sound really horrible, but zero until now. Let me

1157
01:03:05,160 --> 01:03:07,080
Speaker 1: ask you a question and I'll put myself. I'll make

1158
01:03:07,160 --> 01:03:09,640
Speaker 1: myself vonerable here to it to you know, get in

1159
01:03:09,680 --> 01:03:12,439
Speaker 1: the same kind of treatment. Um. Had you ever heard

1160
01:03:12,480 --> 01:03:19,480
Speaker 1: the name Bobby Bones before? Stephen. Oh, man, I don't

1161
01:03:19,600 --> 01:03:22,480
Speaker 1: care if you say no. I that to me, that's

1162
01:03:22,520 --> 01:03:24,320
Speaker 1: not an ego thing. Had you ever heard the name

1163
01:03:24,320 --> 01:03:28,560
Speaker 1: Bobby Bones doctor before? No? No, But let me let

1164
01:03:28,600 --> 01:03:31,240
Speaker 1: me say that. I don't listen to a lot of radio.

1165
01:03:31,400 --> 01:03:34,560
Speaker 1: If I'm ever looking to radio, it's it's mprcause I'm

1166
01:03:34,560 --> 01:03:37,280
Speaker 1: just a huge nerd. I mean that. Well, that's what

1167
01:03:37,360 --> 01:03:39,360
Speaker 1: Bobby is. He's a nerd. I mean, but you heard

1168
01:03:39,360 --> 01:03:42,800
Speaker 1: of JC Collen on YouTube and you, I mean, how

1169
01:03:42,840 --> 01:03:45,080
Speaker 1: did you know of Kim Spradland. Do you watch Survivor

1170
01:03:45,160 --> 01:03:49,360
Speaker 1: or did you just happen to again? It was it

1171
01:03:49,400 --> 01:03:51,520
Speaker 1: was on list that I have seen that when I

1172
01:03:51,520 --> 01:03:53,520
Speaker 1: was doing my research in the time that I had

1173
01:03:54,240 --> 01:03:58,480
Speaker 1: to build this article, and she popped up. Okay, so

1174
01:04:01,000 --> 01:04:03,080
Speaker 1: let me just in with this because I like Stephen

1175
01:04:03,360 --> 01:04:05,000
Speaker 1: and I think he did a great job in this article.

1176
01:04:05,040 --> 01:04:07,080
Speaker 1: And he also was brave to come on this show.

1177
01:04:07,120 --> 01:04:08,680
Speaker 1: I show he's never heard of. We may name be

1178
01:04:08,720 --> 01:04:11,800
Speaker 1: a real show. We can just messing with him. So

1179
01:04:11,960 --> 01:04:14,280
Speaker 1: is there any way Stephen you can add lunchbox to

1180
01:04:14,440 --> 01:04:17,840
Speaker 1: this list? Well? Can I ask him some questions? Oh? Absolutely,

1181
01:04:17,840 --> 01:04:19,400
Speaker 1: go ahead. What do you want to hear? I got

1182
01:04:19,440 --> 01:04:23,120
Speaker 1: a log all day. Isn't you that you were? You

1183
01:04:23,120 --> 01:04:26,840
Speaker 1: were a runner up for mister Yes, I was back

1184
01:04:26,880 --> 01:04:28,960
Speaker 1: in two thousand and three. You know, my, my. The

1185
01:04:29,000 --> 01:04:31,680
Speaker 1: student population loved me so much they nominated me for

1186
01:04:31,720 --> 01:04:35,560
Speaker 1: mister UTSA. I didn't win, but hey, second place not bad. Huh?

1187
01:04:35,720 --> 01:04:40,040
Speaker 1: Who won? His name was Andrew Gutierrez. Uh. Yeah, he

1188
01:04:40,120 --> 01:04:43,400
Speaker 1: was in Kappa six. No, he was in Lambda Kai

1189
01:04:43,840 --> 01:04:47,080
Speaker 1: and he's living out in Arizona now. Just got married. Okay,

1190
01:04:47,080 --> 01:04:49,200
Speaker 1: So how long did you go to ut I went

1191
01:04:49,240 --> 01:04:51,640
Speaker 1: to UTSA for four years. I was an orientation leader

1192
01:04:51,680 --> 01:04:54,360
Speaker 1: for three h Yeah. I lived over at Chisholm Hall,

1193
01:04:54,480 --> 01:04:58,160
Speaker 1: first floor. Me and uh David Diaz were roommates. I

1194
01:04:58,280 --> 01:05:01,000
Speaker 1: kicked him out and then I got Jesus sent Yeah,

1195
01:05:02,520 --> 01:05:04,680
Speaker 1: why are you talking that way? I'm just giving them

1196
01:05:04,720 --> 01:05:07,440
Speaker 1: my background. Yeah, and now lived at the University Oaks

1197
01:05:07,480 --> 01:05:13,160
Speaker 1: one summer. Yeah huh, and I want Orientation Leader of

1198
01:05:13,200 --> 01:05:15,720
Speaker 1: the year. You're not. But you're not doing any more

1199
01:05:15,720 --> 01:05:18,600
Speaker 1: famous things here, lunch box. You're just talking about Sorry,

1200
01:05:18,680 --> 01:05:20,440
Speaker 1: he was asking me how long I went to UTSA?

1201
01:05:21,040 --> 01:05:22,680
Speaker 1: And you told him what you ate for breakfast on

1202
01:05:22,720 --> 01:05:26,760
Speaker 1: your third day of school? That'd be a pop Tarsan milk. Yeah, yeah,

1203
01:05:27,000 --> 01:05:29,520
Speaker 1: Are you going to the championship game? No, I can't

1204
01:05:29,520 --> 01:05:31,640
Speaker 1: get to town for that because I live in a

1205
01:05:31,640 --> 01:05:34,320
Speaker 1: different city now, and so just airfare, I mean, I

1206
01:05:34,400 --> 01:05:36,800
Speaker 1: thought about getting the private jet, but just having a newborn,

1207
01:05:36,840 --> 01:05:40,160
Speaker 1: didn't think I was gonna be feasible. And were you

1208
01:05:40,160 --> 01:05:43,000
Speaker 1: on the top twenty five list of notable people in

1209
01:05:43,560 --> 01:05:47,600
Speaker 1: Nashville that YouTube videoy saw. Yes, I was one of

1210
01:05:47,600 --> 01:05:49,840
Speaker 1: the most twenty the top twenty five most famous people

1211
01:05:49,840 --> 01:05:51,480
Speaker 1: in Nashville. Yes, that's I am one of the time.

1212
01:05:51,720 --> 01:05:56,120
Speaker 1: You weren't. Don't lie a reporter. I made the list,

1213
01:05:56,160 --> 01:05:58,640
Speaker 1: So yes, I was the top twenty five. You made

1214
01:05:58,640 --> 01:06:01,280
Speaker 1: what list of who? The top twenty five most famous

1215
01:06:01,280 --> 01:06:03,680
Speaker 1: people in Nashville? Art? That's what he was asking. That's

1216
01:06:03,680 --> 01:06:06,160
Speaker 1: not true, isn't it? Okay, that's a lot. You can't lie,

1217
01:06:06,760 --> 01:06:09,640
Speaker 1: you do it? Okay, Hey, Stephen, But Stephen, here's the thing.

1218
01:06:09,800 --> 01:06:13,520
Speaker 1: I mean. Do you know what the ACMs are? Uh no,

1219
01:06:13,640 --> 01:06:15,360
Speaker 1: tell me, Oh my gosh. Do you know what the

1220
01:06:15,360 --> 01:06:18,800
Speaker 1: CMA CMA Awards are? I know what the CMA. Okay,

1221
01:06:18,800 --> 01:06:20,240
Speaker 1: you know how many times I've won the CMA, like

1222
01:06:20,280 --> 01:06:22,840
Speaker 1: four times? But you know that's not true. And you

1223
01:06:22,840 --> 01:06:26,280
Speaker 1: yourself haven't won it? Have we not won it four times? No,

1224
01:06:26,400 --> 01:06:28,880
Speaker 1: we haven't won it four times. We won four a cms,

1225
01:06:28,880 --> 01:06:30,520
Speaker 1: oh okay, and then how many times we won the

1226
01:06:30,560 --> 01:06:33,680
Speaker 1: CMA Twice? Now I got at least three up on

1227
01:06:33,720 --> 01:06:38,000
Speaker 1: my wall. You stole somebody else's it's got my name

1228
01:06:38,040 --> 01:06:40,200
Speaker 1: on it. I'm just saying. I mean, Kim Spradling went

1229
01:06:40,200 --> 01:06:43,080
Speaker 1: on a TV show, was voted the I just feel

1230
01:06:43,080 --> 01:06:45,240
Speaker 1: like you could have done some more digging. When you

1231
01:06:45,240 --> 01:06:46,960
Speaker 1: look at the list, you're like, I mean, it's really

1232
01:06:47,000 --> 01:06:49,200
Speaker 1: just appearing on a reality show. Does that make them

1233
01:06:49,200 --> 01:06:51,439
Speaker 1: the most famous to ever go to UTSA? I don't

1234
01:06:51,440 --> 01:06:54,160
Speaker 1: think so. I don't won a large chunk of money.

1235
01:06:56,200 --> 01:06:57,680
Speaker 1: You've made a bunch of money though here lunch But

1236
01:06:57,880 --> 01:06:59,240
Speaker 1: I have made a bunch of money, dude. I mean,

1237
01:06:59,280 --> 01:07:01,240
Speaker 1: and I spent a hundred and fifty dollars every two

1238
01:07:01,280 --> 01:07:04,240
Speaker 1: weeks on lottery tickets because I'm making it more money. Yeah,

1239
01:07:04,280 --> 01:07:08,240
Speaker 1: stick that in your python soget. Okay, Hey, listen, Steven,

1240
01:07:08,280 --> 01:07:09,880
Speaker 1: we appreciate you coming on. Is there any chance you

1241
01:07:09,880 --> 01:07:13,440
Speaker 1: can add lunchbox to this list? You know, I think so,

1242
01:07:13,600 --> 01:07:15,480
Speaker 1: and I'll talk to my editor and you know, we

1243
01:07:15,560 --> 01:07:18,240
Speaker 1: may even do a separate story about Oh yeah, I

1244
01:07:18,240 --> 01:07:20,840
Speaker 1: think we should do a cover piece. Yeah, I would

1245
01:07:20,880 --> 01:07:22,960
Speaker 1: love love that, Stephen. I mean, you guys fo me

1246
01:07:22,960 --> 01:07:24,840
Speaker 1: down to Santonio and I can walk. I can walk

1247
01:07:24,880 --> 01:07:27,120
Speaker 1: you around the entire campus backwards, because that's what I

1248
01:07:27,160 --> 01:07:29,720
Speaker 1: did as an orientation leader. I don't think they want

1249
01:07:29,720 --> 01:07:32,880
Speaker 1: a tour. I mean I can show them everything about UTSA.

1250
01:07:32,920 --> 01:07:34,000
Speaker 1: I can tell them all this is where I made

1251
01:07:34,040 --> 01:07:35,480
Speaker 1: out with this chick. This is where I'm you know

1252
01:07:36,520 --> 01:07:40,400
Speaker 1: whatever people. Steven, thank you for your time. We would

1253
01:07:40,480 --> 01:07:42,240
Speaker 1: if you could add lunch bokes to this list. It

1254
01:07:42,280 --> 01:07:44,320
Speaker 1: would make our life a lot easier. And um oh,

1255
01:07:44,440 --> 01:07:45,880
Speaker 1: we have an awesome rest of the day and I'll

1256
01:07:45,880 --> 01:07:47,280
Speaker 1: have my people get in touch with your people. But

1257
01:07:47,400 --> 01:07:49,760
Speaker 1: that cover story, yeah, let me let me let me

1258
01:07:49,760 --> 01:07:52,720
Speaker 1: plug a few things before I go. Um, if you

1259
01:07:52,760 --> 01:07:56,520
Speaker 1: don't mind, go ahead, so you can follow me on

1260
01:07:56,560 --> 01:08:03,560
Speaker 1: Twitter at Steven Santana altogether with a V and then

1261
01:08:03,600 --> 01:08:05,760
Speaker 1: you can check out, you know, my news articles at

1262
01:08:05,760 --> 01:08:10,760
Speaker 1: mysa dot com. Pretty simply love it. Stephen. Thank you

1263
01:08:11,200 --> 01:08:12,920
Speaker 1: let us know when it's up. Who knows we may

1264
01:08:12,960 --> 01:08:16,360
Speaker 1: follow up with this. Um, it'd make his day. It's

1265
01:08:16,400 --> 01:08:18,240
Speaker 1: almost like a make a wish. It's almost like a

1266
01:08:18,280 --> 01:08:20,360
Speaker 1: make a wish, Stephen. Let's be honest. Not quite but

1267
01:08:20,439 --> 01:08:25,799
Speaker 1: all all right, Stephen, A great day you too. By way, Lunchbos,

1268
01:08:25,800 --> 01:08:27,040
Speaker 1: you have to stop telling people that you were gonna

1269
01:08:27,040 --> 01:08:28,720
Speaker 1: get a private jet because you weren't in never having

1270
01:08:28,720 --> 01:08:30,720
Speaker 1: your whole life. I know, but it sound amazing. It

1271
01:08:30,760 --> 01:08:34,280
Speaker 1: sound like a big deal, didn't it. I don't, I guess.

1272
01:08:34,320 --> 01:08:36,840
Speaker 1: And if I'm being honest, until this article had come out,

1273
01:08:36,840 --> 01:08:40,760
Speaker 1: I've never heard of Stephen either. Okay, well, thank you

1274
01:08:40,800 --> 01:08:42,639
Speaker 1: for that honesty. Yeah, if he wants to be rude

1275
01:08:42,640 --> 01:08:44,720
Speaker 1: to me, I'll be rude back. I don't think he

1276
01:08:44,720 --> 01:08:48,280
Speaker 1: was rude. I think he was honest. Sixty eight year

1277
01:08:48,320 --> 01:08:50,560
Speaker 1: old man in the Philippines was seriously hurt when he

1278
01:08:50,600 --> 01:08:54,120
Speaker 1: went to take a selfie with the fake crocodile because

1279
01:08:54,120 --> 01:08:56,439
Speaker 1: he thought I'd be a cool picture. It turns out

1280
01:08:56,439 --> 01:08:59,000
Speaker 1: that fake crocodile was a real crocodile. It attacked him.

1281
01:09:00,080 --> 01:09:02,559
Speaker 1: He was hospitalized with wounds and fractures to his arm

1282
01:09:02,600 --> 01:09:05,280
Speaker 1: and thigh. How about this though, the fact he didn't

1283
01:09:05,320 --> 01:09:08,639
Speaker 1: die as a miracle, like he wrapped up on that

1284
01:09:08,960 --> 01:09:11,719
Speaker 1: crocodile to be like check this out, and it came alive.

1285
01:09:12,880 --> 01:09:19,080
Speaker 1: He crazy that he didn't die. You shouldn't be able

1286
01:09:19,080 --> 01:09:22,519
Speaker 1: to take selfies with animals that aren't domesticated. That's that.

1287
01:09:22,600 --> 01:09:24,880
Speaker 1: I think that will be a good law right if

1288
01:09:24,880 --> 01:09:27,439
Speaker 1: it's not a domesticated animal, you don't take a selfie

1289
01:09:27,479 --> 01:09:29,960
Speaker 1: with it. You take a picture of it, but don't

1290
01:09:29,960 --> 01:09:33,040
Speaker 1: take a picture with it, because take a rip off

1291
01:09:33,080 --> 01:09:35,439
Speaker 1: your ear, take a bite you like this. Where I

1292
01:09:35,520 --> 01:09:37,479
Speaker 1: am now, there are crocodiles. We saw one the other day.

1293
01:09:37,800 --> 01:09:42,280
Speaker 1: You know. I am in Central America right now doing

1294
01:09:42,280 --> 01:09:45,439
Speaker 1: a project and where I was maybe not yesterday the

1295
01:09:45,479 --> 01:09:47,960
Speaker 1: day before there was a nine foot crocodile and I

1296
01:09:48,040 --> 01:09:51,720
Speaker 1: was like, holy crap, it was just floating. So they

1297
01:09:51,800 --> 01:09:55,439
Speaker 1: were not We weren't told to do this, but we

1298
01:09:55,479 --> 01:09:56,720
Speaker 1: had some chicken. We were throwing it in the water,

1299
01:09:56,720 --> 01:09:59,840
Speaker 1: turning to get the crocodile. You didn't, I, Bobby, Yeah,

1300
01:10:00,400 --> 01:10:03,160
Speaker 1: I think a selfie with it. I'm trying to feed it. Okay. Well,

1301
01:10:03,200 --> 01:10:06,760
Speaker 1: I'm just saying, you're that's dangerous because I think it

1302
01:10:06,840 --> 01:10:11,120
Speaker 1: was crocodiles. I saw something on Animal Planet about how

1303
01:10:11,240 --> 01:10:15,200
Speaker 1: if a crocodile attacks. Most people don't survive that. Oh.

1304
01:10:15,240 --> 01:10:16,920
Speaker 1: I was like ten feet above it on a rock.

1305
01:10:17,400 --> 01:10:19,400
Speaker 1: Chicken down to it. My kind of lemur come up

1306
01:10:19,439 --> 01:10:22,519
Speaker 1: to his door, didn't you. Yeah, the white nose cody

1307
01:10:23,040 --> 01:10:25,120
Speaker 1: a kind of like a raccoon. Sounds like an old intern.

1308
01:10:26,920 --> 01:10:28,760
Speaker 1: So there are animals all over the place here, so

1309
01:10:28,920 --> 01:10:30,120
Speaker 1: that's what we do. There was a monkey in a

1310
01:10:30,120 --> 01:10:32,240
Speaker 1: tree which I posted on Instagram where we are, but

1311
01:10:32,439 --> 01:10:35,479
Speaker 1: mostly I drive in the car and I learned Spanish

1312
01:10:35,560 --> 01:10:38,840
Speaker 1: from my driver who his name andres which, by the way,

1313
01:10:38,840 --> 01:10:41,639
Speaker 1: I teach him English things back. He's like my Rosetta stone.

1314
01:10:41,800 --> 01:10:44,200
Speaker 1: But I was trying to explain to him what jack

1315
01:10:44,240 --> 01:10:47,519
Speaker 1: krab means because I said I worked all day and

1316
01:10:47,520 --> 01:10:50,400
Speaker 1: didn't have Jack crab And he's like, what is jack krab? Nothing?

1317
01:10:50,479 --> 01:10:53,679
Speaker 1: He goes, well, has jack crab nothing? I said, jack

1318
01:10:53,760 --> 01:10:57,080
Speaker 1: krab equals nothing at all, and he's like, who's Jack?

1319
01:10:57,880 --> 01:10:59,720
Speaker 1: And I was like, well, I'm not sure the root

1320
01:10:59,760 --> 01:11:01,840
Speaker 1: of this term, and it is quite dumb. He said,

1321
01:11:01,880 --> 01:11:04,400
Speaker 1: So jack krap, when you have jack crap, it means

1322
01:11:04,400 --> 01:11:06,720
Speaker 1: you actually have nothing. I said, that is correct. He goes,

1323
01:11:06,760 --> 01:11:08,800
Speaker 1: English is dumb. I said, that's right, it sure is.

1324
01:11:09,040 --> 01:11:11,120
Speaker 1: We have no idea what we're talking about. Do you

1325
01:11:11,160 --> 01:11:16,000
Speaker 1: guys use jack crab? No? Just you man? Really, if

1326
01:11:16,040 --> 01:11:19,679
Speaker 1: I say I worked all day and I had jack crab,

1327
01:11:19,800 --> 01:11:21,760
Speaker 1: what would you think I meant you had nothing to eat? Oh?

1328
01:11:22,000 --> 01:11:24,439
Speaker 1: I know what you mean. I just don't use it. Yeah,

1329
01:11:25,400 --> 01:11:27,559
Speaker 1: where did jack crab come from? Mike? Well, I think

1330
01:11:27,560 --> 01:11:30,640
Speaker 1: it's jack s a is the actual term people use.

1331
01:11:30,720 --> 01:11:33,360
Speaker 1: Oh is that right? Say jack crab? Oh, I've heard

1332
01:11:33,439 --> 01:11:45,040
Speaker 1: jack to day. This story comes up from the United Kingdom.

1333
01:11:45,400 --> 01:11:49,200
Speaker 1: A man found his long lost brother after twenty four

1334
01:11:49,280 --> 01:11:52,600
Speaker 1: years they got separated back in nineteen ninety seven. He

1335
01:11:52,680 --> 01:11:55,040
Speaker 1: found him shut up at his door and stabbed him

1336
01:11:55,040 --> 01:11:58,400
Speaker 1: with a knife. Oh oh, he was mad that. It

1337
01:11:58,400 --> 01:12:00,559
Speaker 1: turns out the brother got all the inheritance. Swait, So,

1338
01:12:00,640 --> 01:12:03,320
Speaker 1: I mean he was gone for twenty four years. But

1339
01:12:03,960 --> 01:12:05,800
Speaker 1: why did the brother get the inheritance? As I say,

1340
01:12:05,920 --> 01:12:07,519
Speaker 1: is it because he was around? I think he was around?

1341
01:12:07,600 --> 01:12:09,400
Speaker 1: It just says he was. It turns out he was

1342
01:12:09,439 --> 01:12:12,519
Speaker 1: mad about the inheritance. He was stalking his house and

1343
01:12:12,600 --> 01:12:15,160
Speaker 1: he was living in a tent. Well why did he leave?

1344
01:12:15,160 --> 01:12:18,599
Speaker 1: You begin with? It? Just says he laughed after and

1345
01:12:18,720 --> 01:12:21,160
Speaker 1: was gone for twenty four years. Well that's what you get, buddy, right,

1346
01:12:21,200 --> 01:12:22,599
Speaker 1: If you don't show up to work, you don't get

1347
01:12:22,640 --> 01:12:24,920
Speaker 1: paid the same thing in life. And couldn't you like

1348
01:12:25,000 --> 01:12:26,880
Speaker 1: knock on the door and be like, brother, what up?

1349
01:12:26,960 --> 01:12:29,240
Speaker 1: I'm back? Like how about some of that in here? Well,

1350
01:12:29,280 --> 01:12:31,920
Speaker 1: that ain't gonna happen. I don't think that happened. Also,

1351
01:12:31,960 --> 01:12:33,840
Speaker 1: how about the brother that sees his brother at the

1352
01:12:33,840 --> 01:12:36,920
Speaker 1: door and it's like, Wow, look, who's I haven't seen

1353
01:12:36,920 --> 01:12:41,519
Speaker 1: you in twenty four I'm munch boxed at your bone head.

1354
01:12:41,560 --> 01:12:44,280
Speaker 1: Story of the day. We got a lot of messages

1355
01:12:44,320 --> 01:12:47,240
Speaker 1: about Amy licking her cat because she said she wanted

1356
01:12:47,280 --> 01:12:49,720
Speaker 1: to make the cat feel like it had a mom,

1357
01:12:49,840 --> 01:12:55,280
Speaker 1: so she licked her cat, which was bizarre. I would

1358
01:12:55,280 --> 01:12:59,200
Speaker 1: like to clarify I licked my cat once, and yes

1359
01:12:59,240 --> 01:13:02,720
Speaker 1: it was a bond being experience, but it's not like

1360
01:13:02,760 --> 01:13:05,720
Speaker 1: I licked her multiple times. That kind had to be

1361
01:13:05,760 --> 01:13:13,679
Speaker 1: like this giant tan creature just stuck its tongue on me. Yeah, yeah,

1362
01:13:13,720 --> 01:13:16,240
Speaker 1: that's all you know. I mean, I think it worked.

1363
01:13:16,280 --> 01:13:21,800
Speaker 1: Like she's bonded to me. She sleeps right next to me. Yeah,

1364
01:13:22,600 --> 01:13:25,840
Speaker 1: she'll lick my hand she cuddles up like it. We

1365
01:13:25,920 --> 01:13:29,960
Speaker 1: have a different relationship post lick. Did you hear any

1366
01:13:30,040 --> 01:13:33,599
Speaker 1: feedback from listeners about this? Yes, I heard from at

1367
01:13:33,680 --> 01:13:37,519
Speaker 1: least one for sure that they I mean. I also

1368
01:13:37,560 --> 01:13:40,000
Speaker 1: heard I'm a weirdo and gross. But from one listener

1369
01:13:40,000 --> 01:13:42,679
Speaker 1: in particular, she said that she too has licked her cat,

1370
01:13:43,080 --> 01:13:45,360
Speaker 1: So I could assume there's probably more messages out there.

1371
01:13:45,360 --> 01:13:48,240
Speaker 1: I just haven't seen yet. I don't see them all.

1372
01:13:48,600 --> 01:13:52,080
Speaker 1: But she said totally normal. She did it too, She

1373
01:13:52,200 --> 01:13:56,240
Speaker 1: was curious, she wanted to bond. It was fine. Raimundo

1374
01:13:56,320 --> 01:14:00,040
Speaker 1: said he let his cat bite his nipple, which I

1375
01:14:00,080 --> 01:14:03,880
Speaker 1: thought was weird. It just got bizarre that day. Can

1376
01:14:03,920 --> 01:14:07,080
Speaker 1: we all agree? Yes? Yeah, Ramodo, you want to say

1377
01:14:07,080 --> 01:14:10,160
Speaker 1: anything before I play this voicemail? God, nothing worried about it.

1378
01:14:10,240 --> 01:14:14,639
Speaker 1: Cat's mouths and untouched my nipples. Sorry, here's a voicemail

1379
01:14:14,680 --> 01:14:16,960
Speaker 1: we got about this last night. Hi, I have some

1380
01:14:17,280 --> 01:14:22,240
Speaker 1: advice for Amy and Ramungo. I would not liquor cat

1381
01:14:22,479 --> 01:14:26,120
Speaker 1: because there is a thing called texo plasmosis. You only

1382
01:14:26,120 --> 01:14:29,679
Speaker 1: get it by being in contact with cat feces, which

1383
01:14:29,800 --> 01:14:32,240
Speaker 1: all in sight cats are because they're in litter boxes,

1384
01:14:32,280 --> 01:14:33,960
Speaker 1: and it can make you really sick, and you can

1385
01:14:33,960 --> 01:14:36,519
Speaker 1: also get a parasite from it. So I would maybe

1386
01:14:36,520 --> 01:14:39,599
Speaker 1: look that up and tell me what you think, Amy,

1387
01:14:39,640 --> 01:14:42,400
Speaker 1: you weren't feeling good today. Okay, that's my throat. My

1388
01:14:42,479 --> 01:14:44,720
Speaker 1: throat is closing up. I connected to your tongue. I

1389
01:14:44,760 --> 01:14:48,880
Speaker 1: don't know. I feel like sounds like taxo plaquemosis to me. No,

1390
01:14:49,560 --> 01:14:52,479
Speaker 1: But in my defense, I licked the top of my

1391
01:14:52,560 --> 01:14:55,960
Speaker 1: cat's head and there's no way anything ever touches that part.

1392
01:14:56,520 --> 01:15:01,400
Speaker 1: And plus I wipe her pause with with wipes. What's

1393
01:15:01,400 --> 01:15:03,120
Speaker 1: the okay? But she still goes back on the floor

1394
01:15:03,120 --> 01:15:05,599
Speaker 1: of the dirt right after that. If she gets out

1395
01:15:05,600 --> 01:15:09,040
Speaker 1: of the litter box, whipe her pauls and then her.

1396
01:15:09,200 --> 01:15:11,679
Speaker 1: She has a little robot so it cleans itself after

1397
01:15:11,760 --> 01:15:14,880
Speaker 1: every time she used the bathroom. So she does, Hey,

1398
01:15:15,120 --> 01:15:17,120
Speaker 1: I just are you the jetson's here? Does this? Say?

1399
01:15:17,160 --> 01:15:21,479
Speaker 1: What's what's happening? Kind of Okay, look, it's gross. We

1400
01:15:21,560 --> 01:15:24,479
Speaker 1: just want to acknowledge that we're not a show that

1401
01:15:24,680 --> 01:15:28,320
Speaker 1: advocates licking your animals, even though two of our cast

1402
01:15:28,360 --> 01:15:32,120
Speaker 1: members do. Okay, okay, well, one advocates licking in the

1403
01:15:32,160 --> 01:15:35,920
Speaker 1: other advocates letting a breastfeed from have a great day.

1404
01:15:35,960 --> 01:15:39,679
Speaker 1: We will see you tomorrow. By everybody, The Bobby Bones Show,

1405
01:15:39,800 --> 01:15:40,679
Speaker 1: Bobby Bones