WEBVTT - How Complex Became a $100 Million Media Empire

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<v Speaker 1>Turners.

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<v Speaker 2>What's going on?

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<v Speaker 5>The biggest just got viger.

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<v Speaker 6>Head over to eyl university dot com. That's EYL. You

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<v Speaker 6>n I V E R s I t y dot com.

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<v Speaker 2>See it there.

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<v Speaker 7>An illegal alien from Guatemala charged with raping a child

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<v Speaker 7>in Massachusetts and MS thir two gang member from Al

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<v Speaker 7>Salvador accused of murdering a Texas man of Venezuelan charged

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<v Speaker 7>with filming and selling child pornography in Michigan. These are

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<v Speaker 7>just some of the heinous migrant criminals caught because of

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<v Speaker 7>President Donald J. Trump's leadership. I'm Christy Noman, the United

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<v Speaker 7>States Secretary of Homeland Security. Under President Trump, attempted illegal

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<v Speaker 7>border crossings are at the lowest levels ever recorded, and

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<v Speaker 7>over one hundred thousand illegal aliens have been arrested. If

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<v Speaker 7>you are here illegally, your next you will be fine

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<v Speaker 7>nearly one thousand dollars a day, imprisoned and deported, you

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<v Speaker 7>will never return. But if you register using our CBP

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<v Speaker 7>home app and leave now, you could be allowed to

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<v Speaker 7>return legally. Do what's right. Leave now. Under President Trump,

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<v Speaker 7>America's laws, border and families will be protected.

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<v Speaker 8>Sponsored by the United States Department of Homeland Security.

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<v Speaker 1>All right, guys, welcome back, Eyl. We have special guest.

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<v Speaker 1>This is always good comm stations when we get to

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<v Speaker 1>talk to people in the media space and cultural space

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<v Speaker 1>in the business world, because that's kind of our niche

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<v Speaker 1>as far as you know, looking at the business behind

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<v Speaker 1>what people actually see. So everybody's familiar with Complex. You've

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<v Speaker 1>built a tremendous brand in the world of culture, sports, entertainment,

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<v Speaker 1>anything that really does with media, New age media. They

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<v Speaker 1>definitely have led the charge for a long time. So

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<v Speaker 1>Marksha Fitzgibbons.

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<v Speaker 2>That's me, Yes, for like you build it a you know,

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<v Speaker 2>Indian name, and I learned maybe a year ago that

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<v Speaker 2>in India it's a woman's name. So like I've been

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<v Speaker 2>running around, you know, my whole life. You know, at

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<v Speaker 2>least I'm the only one, right, I've never met in

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<v Speaker 2>business another Marsha. So this is the first, the thankful

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<v Speaker 2>part of it.

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<v Speaker 1>But I always think, what does it mean?

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<v Speaker 2>It would be smilar to like Elijah, like you know,

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<v Speaker 2>sort of.

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<v Speaker 1>A freedom the woman version of Elijah.

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<v Speaker 2>Yeah, or Emmanuel or something like that.

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<v Speaker 1>Yeah, very none of these people that your name are women.

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<v Speaker 1>Emanuel Elijah.

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<v Speaker 5>Correct.

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<v Speaker 2>Yeah, I wouldn't say. I'm you know, huge on Indian culture,

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<v Speaker 2>no expert, but uh, you know that that's what I've

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<v Speaker 2>been told that it's you know, not traditionally used as

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<v Speaker 2>a man's name. So anyway, what kind of makes it interesting?

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<v Speaker 5>Yeah, the first Mosca we've had on the show.

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<v Speaker 2>Probably the last, depending on how this goes. No press

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<v Speaker 2>me too incendiary.

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<v Speaker 1>So President of Complex, Yeah, so you're I'm sure you

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<v Speaker 1>have a lot on your plate now you guys are

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<v Speaker 1>gearing up for a Complex car. Yeah that that's always

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<v Speaker 1>a good time. I think we've been to at least

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<v Speaker 1>one we've been.

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<v Speaker 5>Yeah, we went to Long Each Long Beast two years ago.

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<v Speaker 1>Yeah, Yeah, that was cool. Who was there at that time?

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<v Speaker 3>I feel like Asap might have been there. He's always there,

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<v Speaker 3>He's always no you know what it was kit Cutty.

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<v Speaker 2>Kit Cutty, He's also done in a couple of Yeah.

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<v Speaker 3>Kit Cutty was was one a headliners, the headliner. Yeah, yeah,

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<v Speaker 3>I just remember the sneaker of the year because that's

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<v Speaker 3>important to me.

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<v Speaker 5>I was actually I actually had it on as they announced.

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<v Speaker 3>It and Gary Vee was Yeah, but I think I

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<v Speaker 3>should came through to it was big.

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<v Speaker 5>It was big.

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<v Speaker 2>I mean every time, it's going to be a lot,

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<v Speaker 2>a lot bigger this year. We As you guys know,

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<v Speaker 2>Complex was sold to BuzzFeed a few years ago. I

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<v Speaker 2>think it didn't sort of fit within their ecosystem and

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<v Speaker 2>as a result, you know, I would say the business

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<v Speaker 2>side of Complex eroded a bit or wasn't nurtured to

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<v Speaker 2>its best degree. Fortunately, they they did a good job

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<v Speaker 2>keeping up the audience and growing that side of things.

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<v Speaker 2>But one thing that I think like kind of suffered

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<v Speaker 2>was Complex con They just didn't put the investment into it,

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<v Speaker 2>and we are putting a huge investment into it this

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<v Speaker 2>year really with sort of the thought that like we

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<v Speaker 2>need to really like kind of establish to the community,

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<v Speaker 2>to the fans, to the creators, to the brands that

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<v Speaker 2>like Complex is back, It's back to its core. And

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<v Speaker 2>you know that's where you see like this investment, Like

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<v Speaker 2>Travis is creative directing it. He and playwhere doing sort

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<v Speaker 2>of headlining nights. He's doing this whole sort of like

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<v Speaker 2>micro con within it called Cactus Con, and you know

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<v Speaker 2>it's just like you know, obviously a lot of complications

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<v Speaker 2>and sort of pulling that all together, but we really

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<v Speaker 2>think it's like the biggest marketing moment for the brand

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<v Speaker 2>and sort of sets the halo effect for the brand overall.

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<v Speaker 2>It's pretty unique when a media company can get sixty

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<v Speaker 2>sixty five thousand young people to buy tickets, fly out,

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<v Speaker 2>commute to this physical destination. You know, there's there's really

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<v Speaker 2>very in my mind, very few media brands that can

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<v Speaker 2>do it. So it's a it's a special relationship we

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<v Speaker 2>have with the audience. And you know, just based on

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<v Speaker 2>the sort of the historicals with BuzzFeed, it's you guys

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<v Speaker 2>should come out it's going to be much more impactful

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<v Speaker 2>and meaningful than years before.

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<v Speaker 3>And the yeah we went it was in a long beach,

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<v Speaker 3>but this year it's actually moving to Vegas.

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<v Speaker 5>Yeah, what was the idea thought process behind all?

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<v Speaker 1>Right?

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<v Speaker 3>We one of the things we see in events is

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<v Speaker 3>you have something that's established in one place and it's

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<v Speaker 3>working there, keep it there, but you're moving it.

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<v Speaker 1>Yeah.

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<v Speaker 2>So it was, you know, it was based on the

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<v Speaker 2>investment the BuzzFeed was making in it. It was you know,

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<v Speaker 2>it was shrinking, right, it was it needed an invigoration,

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<v Speaker 2>and Vegas being like the entertainment capital of America, we

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<v Speaker 2>felt like, you know, all the clubs, Live, Zook, et cetera.

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<v Speaker 2>Everyone the city will program around it as well, like

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<v Speaker 2>they'll really embrace it. I think there's like eighty or

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<v Speaker 2>ninety thousand young people that travel to Vegas every day.

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<v Speaker 2>You know, it's very close proximity to southern California, and

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<v Speaker 2>we just felt like we needed to make a big,

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<v Speaker 2>bold statement. It's in the new Convention Center, which is

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<v Speaker 2>attached to the Fountain Blue. You know, you've got Live

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<v Speaker 2>in there and whatever, Poppy Steak and all these things

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<v Speaker 2>that are creating energy, and we felt like, you know,

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<v Speaker 2>just we could also excite the artist community, and I

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<v Speaker 2>think that was like part of like, you know, sort

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<v Speaker 2>of getting Travis involved. Was like, hey, it's new, it's fresh,

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<v Speaker 2>it's never been done before. That generally excites people, but

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<v Speaker 2>it's definitely a risk. I was, you know, I won't lie.

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<v Speaker 2>I was concerned about it. I was like like our

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<v Speaker 2>you know, brands don't usually say that Vegas is a

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<v Speaker 2>priority market, but like to you know, my sort of

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<v Speaker 2>I guess delight. Everyone's been really supportive of it, embracing it,

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<v Speaker 2>and if you look at you know, we put the

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<v Speaker 2>flyer out the other day. It's a mix of amazing

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<v Speaker 2>artists and great brands, and we're we're super excited about it.

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<v Speaker 2>I think it's going to be very impactful.

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<v Speaker 1>So okay, so let's talk about complex What you did

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<v Speaker 1>at the beginning.

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<v Speaker 2>Yeah, I was there from my first job out of college.

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<v Speaker 2>I worked at this magazine called The Source, which you

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<v Speaker 2>guys obviously now of course, So you know, I started out, like,

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<v Speaker 2>you know, getting coffee and all like the administrative stuff

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<v Speaker 2>that you would do back then. And you know, I like,

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<v Speaker 2>you know, I grew up like single mom. She never

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<v Speaker 2>made very much money. So, like, I was very hungry

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<v Speaker 2>to like make money. And I would see all like

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<v Speaker 2>the sales guys, the ad sales guys, like you know,

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<v Speaker 2>they all had like benzes and roll exes, and you know,

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<v Speaker 2>Dave gave them like source chains that Jacob the jeweler

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<v Speaker 2>made if they hit their number. And I was like, man,

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<v Speaker 2>you know, like twenty three, twenty two years old, I'm like,

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<v Speaker 2>you know, I want that. So I begged them every day,

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<v Speaker 2>give me accounts, give me accounts, give me accounts. So

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<v Speaker 2>like maybe a year after working there, they started giving

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<v Speaker 2>me like streetwear accounts. And that's how I met Mark

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<v Speaker 2>and Seth who owned Echo and Limited. Yeah, and you know,

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<v Speaker 2>selling them ads essentially, and they're like, hey, we're going

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<v Speaker 2>to like create this magazine, you know, but it's gonna

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<v Speaker 2>be a digital magazine and we're going to distribute it

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<v Speaker 2>on Sony mini discs if you remember those on the

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<v Speaker 2>hangtags of the apparel, like super bad idea in hindsight.

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<v Speaker 2>That failed quickly and then it pivoted to physical magazine,

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<v Speaker 2>which you know published for quite a long time. So

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<v Speaker 2>I was, yeah, I was one of the very first employees.

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<v Speaker 2>I was the first salesperson, and I was there from

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<v Speaker 2>two thousand and two through twenty seventeen. We sold it

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<v Speaker 2>in twenty sixteen and then I stayed through a sort

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<v Speaker 2>of a transition period. But yeah, it was a great

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<v Speaker 2>ride and a lot of you know, sort of like

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<v Speaker 2>figuring out print magazine businesses and making that work. And

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<v Speaker 2>then we had was two thousand and eight, two thousand

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<v Speaker 2>and nine, you had the recession which literally like killed

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<v Speaker 2>our print business, like went from twenty something million in

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<v Speaker 2>revenue down to like six in like eighteen months. But

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<v Speaker 2>fortunately we had really started to work on digital, and

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<v Speaker 2>digital went from like six one hundred thousand to twelve million,

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<v Speaker 2>and we were like, oh, we need to you know.

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<v Speaker 2>And also the friction with the audience, which we didn't

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<v Speaker 2>really because we have been sort of like print magazine people.

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<v Speaker 2>We didn't really realize that we're like, make a beautiful thing,

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<v Speaker 2>put it out every month, put it on newsstands, send

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<v Speaker 2>it to subscribers. Like that was like the model where

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<v Speaker 2>digital the internet is so much more democratic. There's no friction.

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<v Speaker 2>You can reach consumers like almost instantly. Maybe more challenging

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<v Speaker 2>to make that sort of like physical like long term

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<v Speaker 2>impact with them, but there's so much more of an

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<v Speaker 2>ease to scale audience. So that was super exciting for us.

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<v Speaker 2>We were like, oh wait a minute, Like there's such

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<v Speaker 2>a bigger audience on the Internet versus a print magazine

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<v Speaker 2>which has all these distribution limitations. And so that was

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<v Speaker 2>a super trying time. Like, you know, Echo's core business

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<v Speaker 2>also had a lot of financial issues at that time,

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<v Speaker 2>so we had to go independent and raise some capital

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<v Speaker 2>and then you know, sort of the blog era happened

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<v Speaker 2>and we were monetizing that way, and then sort of

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<v Speaker 2>that is a consumer behavior changed and we pivoted into

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<v Speaker 2>digital video and social and now the pivot into e

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<v Speaker 2>comm experiences and you know, sort of premium content, having

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<v Speaker 2>them all come together to make a more durable, long

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<v Speaker 2>term business because being solely ad dependent, if there's a

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<v Speaker 2>big recession moment, you know, it's so.

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<v Speaker 1>Those talking about that thing. So Okay, you guys have

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<v Speaker 1>a media company, right, You produce content, You have shows.

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<v Speaker 1>You had Joe Biden was every day struggle, every day

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<v Speaker 1>struggle and academics, right, and.

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<v Speaker 2>Yeah, she's amazing.

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<v Speaker 1>So you guys produced content, you do shows, you have

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<v Speaker 1>the Instagram thing. You got a sneaker situation but all right,

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<v Speaker 1>so the business, how does the business make money? You

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<v Speaker 1>make money through advertisers. Yeah, what you're saying that you

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<v Speaker 1>don't want to be solely with depending on it. So

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<v Speaker 1>you're talking about the verticals.

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<v Speaker 2>Yeah, so there's how that actually makes money. So there's

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<v Speaker 2>three verticals currently that we're focused on. So you think

0:11:59.720 --> 0:12:03.920
<v Speaker 2>about premium content, and largely there the monetization is ads

0:12:04.040 --> 0:12:05.640
<v Speaker 2>or sponsorship or integration.

0:12:05.760 --> 0:12:07.920
<v Speaker 1>What's there? What is the premium content with you guys?

0:12:08.280 --> 0:12:13.760
<v Speaker 2>It shows like three sixty with Speedy, Mormon idea Generation

0:12:14.000 --> 0:12:16.679
<v Speaker 2>sneaker shopping, and a whole host of other shows. Like

0:12:16.679 --> 0:12:20.600
<v Speaker 2>I would say we probably launch pilot somewhere around twenty

0:12:20.720 --> 0:12:24.200
<v Speaker 2>shows a year with the hopes that you know, ten

0:12:24.280 --> 0:12:27.240
<v Speaker 2>to twenty percent will become successful and become like another

0:12:27.600 --> 0:12:29.360
<v Speaker 2>three sixty with Speedy, Like I don't know if you

0:12:29.360 --> 0:12:32.320
<v Speaker 2>saw the episode last week he had Go Go you know,

0:12:32.360 --> 0:12:34.840
<v Speaker 2>two days did fifty million views, crazy.

0:12:34.520 --> 0:12:37.880
<v Speaker 5>Fifty million two days wow, across.

0:12:38.280 --> 0:12:43.440
<v Speaker 2>TikTok reels and YouTube, you know, mainly in the shorter firm.

0:12:43.480 --> 0:12:44.880
<v Speaker 2>That's why I was asking you, guys, abook sort of

0:12:44.920 --> 0:12:47.839
<v Speaker 2>your strategy there before. But you know, there's a couple

0:12:47.880 --> 0:12:50.839
<v Speaker 2>of days there you went on reels or TikTok and

0:12:50.920 --> 0:12:55.240
<v Speaker 2>like fan pages are picking it up, commentary pages. I

0:12:55.280 --> 0:12:59.520
<v Speaker 2>just saw her on I think Angel Reese's podcast or

0:12:59.520 --> 0:13:02.280
<v Speaker 2>somebody else podcast. She asked her about that, like, Oh,

0:13:02.320 --> 0:13:04.199
<v Speaker 2>what's your type of guy? Like, Oh, it's not speedy,

0:13:04.240 --> 0:13:06.120
<v Speaker 2>and like it's like it was like a whole thing,

0:13:06.240 --> 0:13:10.400
<v Speaker 2>you know, So that kind of content that you know,

0:13:10.400 --> 0:13:15.520
<v Speaker 2>it's high production value. It's episodic, like it's programmed like

0:13:15.559 --> 0:13:20.040
<v Speaker 2>Sneapker Shopping comes out every Monday at noon, so fans

0:13:20.160 --> 0:13:22.680
<v Speaker 2>can expect it. It's also good for the advertising community

0:13:22.679 --> 0:13:25.080
<v Speaker 2>because they can like sort of similar to like linear

0:13:25.200 --> 0:13:28.200
<v Speaker 2>cable TV, they know it's coming. That's one part of

0:13:28.240 --> 0:13:31.320
<v Speaker 2>the business. The other part of the business is e commerce,

0:13:31.640 --> 0:13:35.360
<v Speaker 2>so Complex through all of its channels, has just over

0:13:35.400 --> 0:13:37.079
<v Speaker 2>one hundred million followers.

0:13:37.080 --> 0:13:39.040
<v Speaker 1>And just get back to the first part of the business.

0:13:39.280 --> 0:13:41.000
<v Speaker 1>That's part of the business. How do you monetize that.

0:13:41.040 --> 0:13:43.080
<v Speaker 1>You monetize that through ads.

0:13:43.440 --> 0:13:47.920
<v Speaker 2>Yeah, there's traditional ads and then the probably forty percent

0:13:47.960 --> 0:13:50.400
<v Speaker 2>of traditional ads, and then sixty percent is what I

0:13:50.440 --> 0:13:54.760
<v Speaker 2>would call bespoke advertising. So integrations like you have this

0:13:55.040 --> 0:13:57.440
<v Speaker 2>you know, water bottle on the table now it could

0:13:57.440 --> 0:14:00.240
<v Speaker 2>be Sprite, and then Sprite would present this episode and

0:14:00.280 --> 0:14:02.800
<v Speaker 2>there might be a Sprite I don't know, hot take

0:14:02.880 --> 0:14:05.000
<v Speaker 2>moment or whatever that kind of moment is. It's like

0:14:05.040 --> 0:14:09.000
<v Speaker 2>an integration yep. And then a smaller subset of that

0:14:09.360 --> 0:14:18.880
<v Speaker 2>is more in depth creative development, where let's just say

0:14:18.960 --> 0:14:22.200
<v Speaker 2>another Coke brands, say just Coke zero. We might work

0:14:22.240 --> 0:14:25.240
<v Speaker 2>with them on creating content that's totally new to the

0:14:25.280 --> 0:14:28.200
<v Speaker 2>world that has our hosts in it, but like they

0:14:28.560 --> 0:14:32.960
<v Speaker 2>sort of like co create the IP with us.

0:14:33.040 --> 0:14:35.840
<v Speaker 1>So you're getting the sponsors before you greenlight the show,

0:14:36.000 --> 0:14:38.760
<v Speaker 1>as opposed to green lighting the show and trying to

0:14:38.800 --> 0:14:40.200
<v Speaker 1>pitch the show to sponsors.

0:14:40.280 --> 0:14:45.800
<v Speaker 2>We go both routes. So we are constantly launching shows

0:14:46.320 --> 0:14:49.600
<v Speaker 2>with the intention of getting another you know, sneaker shopping

0:14:49.640 --> 0:14:52.280
<v Speaker 2>and other speedy and other hot ones, like shows that

0:14:52.360 --> 0:14:56.320
<v Speaker 2>do tens of millions of views with every episode. But

0:14:56.440 --> 0:15:00.280
<v Speaker 2>sometimes we're getting you know, requests or briefs from you

0:15:00.280 --> 0:15:03.240
<v Speaker 2>know whatever, Apple, Samsung, et cetera. They're like, Hey, we

0:15:03.320 --> 0:15:06.120
<v Speaker 2>have something so specific we want to achieve that it

0:15:06.200 --> 0:15:09.040
<v Speaker 2>can't fit creatively within one of our shows, So we

0:15:09.080 --> 0:15:12.000
<v Speaker 2>will work with our development team to build something totally

0:15:12.080 --> 0:15:15.080
<v Speaker 2>new to world that fits their business goals. Those shows

0:15:15.080 --> 0:15:18.920
<v Speaker 2>are obviously much harder to go viral and be organic,

0:15:19.080 --> 0:15:23.320
<v Speaker 2>but they satiate, you know, the brand's needs to be

0:15:23.400 --> 0:15:25.720
<v Speaker 2>like you know, uber specific around I don't know what

0:15:25.920 --> 0:15:28.520
<v Speaker 2>financial literacy or whatever they would want to be talking about.

0:15:28.800 --> 0:15:31.400
<v Speaker 3>So when you're creating a strategy to approach to brands,

0:15:31.520 --> 0:15:34.120
<v Speaker 3>obviously you have mega brands now, but go back to

0:15:34.160 --> 0:15:36.520
<v Speaker 3>the beginning stages, even from the source up until this point,

0:15:36.800 --> 0:15:39.760
<v Speaker 3>what was your strategy when approaching a brand from a

0:15:40.440 --> 0:15:44.440
<v Speaker 3>I guess from an ad standpoint, from I guess, integration

0:15:44.640 --> 0:15:46.359
<v Speaker 3>and until you just spoke about.

0:15:46.400 --> 0:15:49.160
<v Speaker 2>So like the first part, I think what we were

0:15:49.440 --> 0:15:54.040
<v Speaker 2>trying to communicate to advertisers around Complex and still do

0:15:54.360 --> 0:16:00.280
<v Speaker 2>is this notion of convergence consumers. You know, youngish people

0:16:00.440 --> 0:16:03.640
<v Speaker 2>that are just as interested in sort of traditional sports

0:16:03.640 --> 0:16:06.280
<v Speaker 2>as they are action sports. You know, they're just as

0:16:06.320 --> 0:16:09.040
<v Speaker 2>interested as in hip hop as they are reggaetone. They

0:16:09.120 --> 0:16:12.920
<v Speaker 2>like streetwear as much as they admire coutore, where most

0:16:12.960 --> 0:16:16.080
<v Speaker 2>of the media before Complex was like you like hip hop,

0:16:17.080 --> 0:16:20.840
<v Speaker 2>it's the source. You like men's wear, it's GQ, You

0:16:20.920 --> 0:16:23.560
<v Speaker 2>like action sports, it's thrasher and skateboarder. There wasn't like

0:16:23.640 --> 0:16:28.000
<v Speaker 2>a cross pollination. And you know, obviously Mark, you know,

0:16:28.160 --> 0:16:30.280
<v Speaker 2>sort of growing up the way he was like, you know,

0:16:30.360 --> 0:16:32.600
<v Speaker 2>he loved everything. You know, he's making shirts for a

0:16:32.640 --> 0:16:35.440
<v Speaker 2>tribe called Quest, and he was skateboarding, he was you know,

0:16:35.760 --> 0:16:37.920
<v Speaker 2>doing graffiti, and he was into gaming all these things.

0:16:38.080 --> 0:16:41.640
<v Speaker 2>So it's like, let's pull all these things together. And really,

0:16:42.000 --> 0:16:45.239
<v Speaker 2>you know what now is sort of very typical millennial

0:16:45.320 --> 0:16:48.120
<v Speaker 2>cultural and culture and gen Z culture, Like they're consuming

0:16:48.120 --> 0:16:51.200
<v Speaker 2>things from all different passion points. That wasn't so much

0:16:51.240 --> 0:16:53.200
<v Speaker 2>the case then, So we're really educating, Hey, there's this

0:16:53.240 --> 0:16:56.760
<v Speaker 2>new consumer who's interested in all of these things. And

0:16:56.800 --> 0:16:59.920
<v Speaker 2>then we also had you know, complex was always about

0:17:00.080 --> 0:17:02.920
<v Speaker 2>you remember the magazines was like half entertainment and then

0:17:02.960 --> 0:17:06.480
<v Speaker 2>half purchasing as a buyer's guide. So our argument was like, hey,

0:17:06.520 --> 0:17:09.240
<v Speaker 2>we are reaching a consumer who is literally wallet in

0:17:09.240 --> 0:17:11.439
<v Speaker 2>hand or credit card in hand, like there's a direct

0:17:11.440 --> 0:17:15.040
<v Speaker 2>connection to the lifestyle and to the products they purchased,

0:17:15.119 --> 0:17:19.399
<v Speaker 2>thus making the roi on marketing to them stronger. For

0:17:19.480 --> 0:17:20.040
<v Speaker 2>the brands.

0:17:20.240 --> 0:17:22.240
<v Speaker 3>Well, I mean the advantage point you speak of is

0:17:22.280 --> 0:17:24.879
<v Speaker 3>it's pretty interesting, right you start out the source you

0:17:24.920 --> 0:17:28.160
<v Speaker 3>watch double XL even vibe, those aren't here anymore.

0:17:28.240 --> 0:17:31.400
<v Speaker 5>Yeah, complex is still here. How does that?

0:17:31.560 --> 0:17:33.800
<v Speaker 3>I mean looking at back now, how did you learn

0:17:33.800 --> 0:17:36.440
<v Speaker 3>from the lessons from I guess not the failures of them,

0:17:36.480 --> 0:17:39.440
<v Speaker 3>But everything has its time span. How do you guys

0:17:39.600 --> 0:17:42.119
<v Speaker 3>create the longevity after watching what happened to done?

0:17:42.680 --> 0:17:46.240
<v Speaker 2>Yeah, I think the one thing we're pretty obsessed about

0:17:46.480 --> 0:17:50.399
<v Speaker 2>is winning the youth. Like we're constantly challenging ourselves to

0:17:50.520 --> 0:17:53.440
<v Speaker 2>like not rest on the fact that, like we've won

0:17:53.880 --> 0:17:56.639
<v Speaker 2>the twenty five to thirty five year year old audience,

0:17:56.640 --> 0:17:58.879
<v Speaker 2>because pretty quick they're going to be forty five. So

0:17:58.920 --> 0:18:01.920
<v Speaker 2>if you're not winning fourteen to sixteen right now, who

0:18:01.960 --> 0:18:05.080
<v Speaker 2>admire the twenty one and twenty two year old, You're

0:18:05.119 --> 0:18:07.160
<v Speaker 2>going to have a really hard time as a media brand.

0:18:07.200 --> 0:18:08.760
<v Speaker 2>And I think you see that in other sectors too,

0:18:08.760 --> 0:18:12.080
<v Speaker 2>Like I think you have to be obsessed with youth

0:18:12.119 --> 0:18:16.040
<v Speaker 2>culture and what's next in reaching younger folks, otherwise you're

0:18:16.040 --> 0:18:19.040
<v Speaker 2>going to age out. And I think that perhaps is

0:18:19.040 --> 0:18:21.000
<v Speaker 2>what happened to those or maybe they're you know, like

0:18:21.080 --> 0:18:23.760
<v Speaker 2>also the print work, you know, they didn't adapt from

0:18:23.800 --> 0:18:27.879
<v Speaker 2>print where we pretty you know, not perfectly but we

0:18:28.000 --> 0:18:34.040
<v Speaker 2>pretty aggressively adopted digital than video, than social, you know,

0:18:34.160 --> 0:18:36.479
<v Speaker 2>now AI trying to figure out formats that we can

0:18:36.520 --> 0:18:39.159
<v Speaker 2>deliver you know in an AI universe. What does that

0:18:39.200 --> 0:18:42.920
<v Speaker 2>look like in the future. And if you're not aggressive

0:18:42.920 --> 0:18:44.800
<v Speaker 2>about that stuff, it's you're gonna get left behind.

0:18:44.960 --> 0:18:46.840
<v Speaker 1>So you didn't get a chance to finish what was

0:18:46.840 --> 0:18:50.240
<v Speaker 1>the second and third leg of monetization for you guys.

0:18:50.720 --> 0:18:54.879
<v Speaker 2>So the second leg is e commerce. So we are like,

0:18:54.880 --> 0:18:56.399
<v Speaker 2>if you go to Complex right now, there is a

0:18:56.440 --> 0:19:01.240
<v Speaker 2>shop Complex tab right now, it's a drop specific. So

0:19:01.320 --> 0:19:06.880
<v Speaker 2>we'll launch like a you know, a New Balance collaboration

0:19:07.440 --> 0:19:11.480
<v Speaker 2>or you know, Takashi Marakami artwork, whatever those kinds of

0:19:11.480 --> 0:19:14.359
<v Speaker 2>things are. It's all like a limited time only launch.

0:19:15.320 --> 0:19:18.480
<v Speaker 2>But next month it will become more of an omnipresent

0:19:18.680 --> 0:19:22.760
<v Speaker 2>e commerce marketplace where they will be not just these

0:19:22.760 --> 0:19:25.439
<v Speaker 2>limited time only drops, So that the ideas that we

0:19:25.800 --> 0:19:29.760
<v Speaker 2>basically leverage the scale those one hundred million plus consumers

0:19:29.760 --> 0:19:33.199
<v Speaker 2>we're reaching every month to not only super serve them

0:19:33.240 --> 0:19:35.840
<v Speaker 2>on the content side, but serve them up the products

0:19:36.280 --> 0:19:38.560
<v Speaker 2>and leverage our channels to serve up the products that

0:19:38.560 --> 0:19:42.440
<v Speaker 2>they want to buy, so that you know, adds is

0:19:42.480 --> 0:19:44.840
<v Speaker 2>one piece. E Commerce is the other piece, and then

0:19:44.840 --> 0:19:49.160
<v Speaker 2>the third piece is experiences. Complex Cone is now twice

0:19:49.200 --> 0:19:52.879
<v Speaker 2>a year Vegas and Hong Kong. We're doing other experiences,

0:19:52.920 --> 0:19:58.120
<v Speaker 2>so that within that becomes ticketing revenue and other merch revenue,

0:19:58.280 --> 0:20:00.560
<v Speaker 2>Like you know, the merch store around comp con is

0:20:00.560 --> 0:20:04.200
<v Speaker 2>A is a standalone pretty successful business. And then we've

0:20:04.200 --> 0:20:07.679
<v Speaker 2>got the store in La where you know, every weekend

0:20:07.680 --> 0:20:10.760
<v Speaker 2>we're doing pop up shops with different musicians and different athletes.

0:20:11.080 --> 0:20:14.800
<v Speaker 2>It's not a huge business, but it's successful and it's

0:20:14.800 --> 0:20:17.400
<v Speaker 2>something that we can roll out to other markets as

0:20:17.400 --> 0:20:17.760
<v Speaker 2>we grow.

0:20:19.359 --> 0:20:30.399
<v Speaker 1>Okay, so how vitally important is sponsorships to Complex car.

0:20:29.200 --> 0:20:31.320
<v Speaker 2>In terms of like the profitability or.

0:20:31.200 --> 0:20:35.119
<v Speaker 1>How profitability ability to actually throw the event? Yeah, because

0:20:35.119 --> 0:20:37.160
<v Speaker 1>you said, like you know, you didn't want to rely

0:20:37.359 --> 0:20:41.520
<v Speaker 1>too too much on that from the content perspective, because

0:20:41.600 --> 0:20:42.800
<v Speaker 1>you know you're thinking of yeah.

0:20:42.720 --> 0:20:45.840
<v Speaker 2>If yeah, it's super important. So if you didn't have

0:20:45.920 --> 0:20:51.320
<v Speaker 2>the mix of sponsorship revenues, merch like commerce revenues on

0:20:51.400 --> 0:20:55.719
<v Speaker 2>site and ticketing, it would be impossible to make it profitable,

0:20:55.760 --> 0:20:59.720
<v Speaker 2>like doing it on ticketing alone or merch. You know,

0:20:59.840 --> 0:21:02.399
<v Speaker 2>just the cost of production on this thing is in

0:21:02.440 --> 0:21:05.520
<v Speaker 2>the tens of millions. You couldn't. It's not like you know,

0:21:06.080 --> 0:21:08.760
<v Speaker 2>rolling out great business. But it's like a couple of stages.

0:21:08.840 --> 0:21:10.440
<v Speaker 2>They're not you know, it's not all these like super

0:21:10.520 --> 0:21:13.479
<v Speaker 2>hyper developed experiences that cost you know, millions of dollars

0:21:13.520 --> 0:21:18.159
<v Speaker 2>to build. And you know, without without the sponsors, it

0:21:18.160 --> 0:21:21.080
<v Speaker 2>would be you know, impossible to make it a profitable business.

0:21:21.080 --> 0:21:23.119
<v Speaker 2>And the same without the ticketing revenue or without the

0:21:23.160 --> 0:21:25.159
<v Speaker 2>merch revenue. So it has to all come together. And

0:21:25.160 --> 0:21:27.879
<v Speaker 2>that's sort of my point is like before Complex was

0:21:27.920 --> 0:21:30.640
<v Speaker 2>on one legged stool, just like ad revenue, and that's

0:21:30.680 --> 0:21:33.359
<v Speaker 2>why it you know, sold a couple of times, right,

0:21:33.760 --> 0:21:35.520
<v Speaker 2>And we really have a vision to making a three

0:21:35.560 --> 0:21:39.040
<v Speaker 2>legged stool with content, commerce and experiences feeding into that

0:21:39.080 --> 0:21:42.000
<v Speaker 2>three legged stool, thus making it more stable. And you know,

0:21:42.080 --> 0:21:45.040
<v Speaker 2>Complex I think twenty two ish or twenty one years

0:21:45.040 --> 0:21:47.199
<v Speaker 2>old now, but we want a future proof it for

0:21:47.200 --> 0:21:51.960
<v Speaker 2>the next fifty years. So it's a strong, vibrant, thriving brand.

0:21:52.040 --> 0:21:53.600
<v Speaker 1>Any subscription model in there.

0:21:54.400 --> 0:21:56.280
<v Speaker 2>Not currently, but down the road we want to do

0:21:57.200 --> 0:21:59.359
<v Speaker 2>we want to do. We want to build a business

0:21:59.400 --> 0:22:04.240
<v Speaker 2>for like the super fans of Complex around access, like

0:22:04.320 --> 0:22:10.120
<v Speaker 2>early access to e commerce drops special access to things

0:22:10.160 --> 0:22:12.680
<v Speaker 2>like complex con or activations we might do at art

0:22:12.720 --> 0:22:16.520
<v Speaker 2>Basel or f One. Also, you know, it could even

0:22:16.520 --> 0:22:19.920
<v Speaker 2>be things like, hey, if you're part of this membership cohort,

0:22:20.480 --> 0:22:24.160
<v Speaker 2>there's a special track of programming and special ticketing price

0:22:24.200 --> 0:22:26.080
<v Speaker 2>for invest Fest or things like that that we could

0:22:26.080 --> 0:22:28.199
<v Speaker 2>do with partners. But it'll all be about like we

0:22:28.200 --> 0:22:32.520
<v Speaker 2>were talking about before, access, Like this consumer thrives for

0:22:32.680 --> 0:22:36.560
<v Speaker 2>access either like they want to experience the content to

0:22:36.600 --> 0:22:41.560
<v Speaker 2>sort of get that like intellectual like ammunition, so they like, okay, yeah,

0:22:41.600 --> 0:22:43.320
<v Speaker 2>I know what's up with that? Or they want to

0:22:43.320 --> 0:22:46.080
<v Speaker 2>buy something, so it's like badging and it's like proof

0:22:46.119 --> 0:22:49.320
<v Speaker 2>that you experience something. And then in the in the

0:22:49.640 --> 0:22:51.840
<v Speaker 2>you know, in sort of the physical space, like they

0:22:51.840 --> 0:22:53.760
<v Speaker 2>don't want to wait online. As we were talking about before,

0:22:53.760 --> 0:22:56.400
<v Speaker 2>it like you want, you want to get you want

0:22:56.640 --> 0:22:58.240
<v Speaker 2>you know, you want the guy at Disney that's walking

0:22:58.280 --> 0:23:00.480
<v Speaker 2>you in front of the whole lines, right and you know,

0:23:00.720 --> 0:23:03.760
<v Speaker 2>and that also creates social ammunition for you. I feel like, oh,

0:23:03.840 --> 0:23:05.959
<v Speaker 2>like I got in right away, I had this amazing

0:23:06.000 --> 0:23:08.359
<v Speaker 2>thing and I got the merge. Like then you return

0:23:08.440 --> 0:23:10.920
<v Speaker 2>to the you know, working around the water cool or

0:23:10.920 --> 0:23:13.040
<v Speaker 2>at school or whatever you're doing, and you have like

0:23:13.560 --> 0:23:15.200
<v Speaker 2>the story that you can tell about it. You've got

0:23:15.200 --> 0:23:18.280
<v Speaker 2>the physical badging, and you had a great experience. That's

0:23:19.840 --> 0:23:20.840
<v Speaker 2>the wind for consobers.

0:23:20.880 --> 0:23:24.000
<v Speaker 3>You brought up two great words, sponsors and partners. And

0:23:24.040 --> 0:23:26.120
<v Speaker 3>to me, when I think sponsors, I think short term

0:23:26.160 --> 0:23:29.159
<v Speaker 3>relationship partners. I feel like this longevity whether you're going

0:23:29.200 --> 0:23:32.359
<v Speaker 3>to be at complex con or wherever event it is, three, five,

0:23:32.480 --> 0:23:34.760
<v Speaker 3>ten years. How do you guys approach brands when you're

0:23:34.760 --> 0:23:37.000
<v Speaker 3>thinking about that, Like, this company is up and coming,

0:23:37.080 --> 0:23:39.959
<v Speaker 3>this might be a good sponsor as opposed to that

0:23:40.040 --> 0:23:42.840
<v Speaker 3>brand has been here, We need to partner with them

0:23:42.880 --> 0:23:44.159
<v Speaker 3>to figure out how to build this.

0:23:46.000 --> 0:23:49.240
<v Speaker 2>I would say that we I think we look at

0:23:49.240 --> 0:23:52.960
<v Speaker 2>it along those lines. Right there there, there's a group

0:23:53.160 --> 0:23:57.760
<v Speaker 2>of brands and people that buy advertising that what they're

0:23:57.800 --> 0:24:02.320
<v Speaker 2>doing is very tactical. You know, they're trying to promote

0:24:02.359 --> 0:24:05.440
<v Speaker 2>tune in for their TV show or their streaming show

0:24:05.480 --> 0:24:06.040
<v Speaker 2>this Friday.

0:24:06.119 --> 0:24:06.320
<v Speaker 1>Right.

0:24:06.320 --> 0:24:07.960
<v Speaker 2>Like those people, I would say, are like more in

0:24:08.000 --> 0:24:09.120
<v Speaker 2>the sponsor arena.

0:24:09.240 --> 0:24:09.400
<v Speaker 8>Right.

0:24:10.560 --> 0:24:14.960
<v Speaker 2>And then there's brands that you know have you know,

0:24:15.040 --> 0:24:18.280
<v Speaker 2>they share a similar consumer they're trying to target. They're

0:24:18.320 --> 0:24:20.800
<v Speaker 2>trying to do interesting things in the space, something like

0:24:20.840 --> 0:24:24.800
<v Speaker 2>a Nike or Adidas, where you know, you can take

0:24:24.840 --> 0:24:27.480
<v Speaker 2>it a bit deeper and you can become real partners,

0:24:27.480 --> 0:24:31.000
<v Speaker 2>and you know they're not They're not coming and saying, hey, guys,

0:24:31.280 --> 0:24:33.240
<v Speaker 2>we need to do this thing in the next ninety days.

0:24:33.359 --> 0:24:36.120
<v Speaker 2>Here it is go execute for us. They're actually bringing

0:24:36.160 --> 0:24:39.320
<v Speaker 2>us and say like, hey, this is our product roadmap

0:24:39.359 --> 0:24:42.720
<v Speaker 2>for the next three years. What do you think can

0:24:42.760 --> 0:24:44.919
<v Speaker 2>you help us with consumer insights? Can you help us

0:24:44.920 --> 0:24:48.520
<v Speaker 2>build out a plan to make you know, air Force

0:24:48.560 --> 0:24:52.879
<v Speaker 2>one vibrant again, or whatever that case might be. So

0:24:53.000 --> 0:24:57.679
<v Speaker 2>I think it's you know, some brands will never be

0:24:57.720 --> 0:25:00.200
<v Speaker 2>in the space that they share like a com and

0:25:00.680 --> 0:25:03.080
<v Speaker 2>kind of DNA as you and I mean, obviously they're

0:25:03.200 --> 0:25:06.479
<v Speaker 2>very different. But like brands that want, like I would say,

0:25:06.560 --> 0:25:08.520
<v Speaker 2>like Sprite back in the day was a brand that

0:25:08.640 --> 0:25:11.520
<v Speaker 2>really wanted to participate in our space. So like that

0:25:11.680 --> 0:25:13.800
<v Speaker 2>was a brand that made a lot of sense to

0:25:13.840 --> 0:25:16.359
<v Speaker 2>be a partner with and be long term with. Where

0:25:17.840 --> 0:25:19.639
<v Speaker 2>you know, maybe like some of the water brands are

0:25:19.680 --> 0:25:21.400
<v Speaker 2>just coming in and out of the market. It's that's

0:25:21.480 --> 0:25:23.680
<v Speaker 2>that's not going to be a long term partnership.

0:25:23.720 --> 0:25:28.639
<v Speaker 1>So okay, so complex. It's an interesting timeline here. It

0:25:28.800 --> 0:25:33.439
<v Speaker 1>starts in two thousand and two too, and then it

0:25:33.600 --> 0:25:37.520
<v Speaker 1>sells in twenty sixteen with three hundred and.

0:25:37.600 --> 0:25:41.080
<v Speaker 2>Four million twenty eight three.

0:25:40.520 --> 0:25:45.600
<v Speaker 1>Hundred and twenty eight million in twenty sixteen. Then in

0:25:45.600 --> 0:25:48.359
<v Speaker 1>twenty twenty one it sells for two hundred and ninety

0:25:48.400 --> 0:25:54.440
<v Speaker 1>four million, BuzzFeed buys it, then it sells for one

0:25:54.520 --> 0:26:01.040
<v Speaker 1>hundred and nine million, and twenty twenty four intw network,

0:26:01.480 --> 0:26:07.840
<v Speaker 1>you network. Okay, so from three hundred from twenty to

0:26:08.240 --> 0:26:11.400
<v Speaker 1>two hundred and ninety four to one hundred, and what's

0:26:11.480 --> 0:26:16.520
<v Speaker 1>happening here? It's selling from drastically lower every couple of years.

0:26:16.880 --> 0:26:17.120
<v Speaker 8>Yeah.

0:26:17.160 --> 0:26:20.919
<v Speaker 2>So when the first exit in twenty sixteen was definitely

0:26:22.000 --> 0:26:25.440
<v Speaker 2>top of the market in terms of media company valuations.

0:26:25.480 --> 0:26:28.600
<v Speaker 2>You know, there was a ton of hype around like

0:26:28.640 --> 0:26:32.720
<v Speaker 2>brands like Vice raising crazy amounts of money. And you know,

0:26:32.960 --> 0:26:36.359
<v Speaker 2>fortunately for us, as you know shareholders in the business

0:26:36.359 --> 0:26:38.119
<v Speaker 2>were you're able to exit because I think if your

0:26:38.119 --> 0:26:41.280
<v Speaker 2>exit later it would have been really challenging. We're kind

0:26:41.280 --> 0:26:44.160
<v Speaker 2>of the last media brand to exit. In that era,

0:26:46.119 --> 0:26:49.880
<v Speaker 2>the business was pretty strong and stable, but you could

0:26:49.920 --> 0:26:52.159
<v Speaker 2>see when BuzzFeed bought it. It did buy it, you know,

0:26:52.400 --> 0:26:57.879
<v Speaker 2>relatively similar revenues, but the multiples had compressed because the

0:26:57.920 --> 0:27:04.119
<v Speaker 2>marketplace changed. And then when BuzzFeed owned it, I don't believe.

0:27:04.840 --> 0:27:09.960
<v Speaker 2>I think their model of approaching audiences and approaching advertisers

0:27:09.960 --> 0:27:16.639
<v Speaker 2>and monetization is just so dynamically different than complexes approach,

0:27:16.880 --> 0:27:21.960
<v Speaker 2>like they are super mass, super transactional, where complex is

0:27:21.960 --> 0:27:26.080
<v Speaker 2>about like depth of connection, depth of conversation, creating real

0:27:26.119 --> 0:27:28.399
<v Speaker 2>partnerships with brands. And it just didn't fit. So they

0:27:28.400 --> 0:27:34.520
<v Speaker 2>didn't nurture it super well. They then spacked. They got

0:27:34.560 --> 0:27:37.520
<v Speaker 2>caught up in all that that didn't go well and

0:27:37.560 --> 0:27:41.960
<v Speaker 2>widely reported. You know, there was I think they're on

0:27:41.960 --> 0:27:44.840
<v Speaker 2>the NASDAC. I'm not totally sure on that, but whatever

0:27:45.680 --> 0:27:47.520
<v Speaker 2>exchange they're on that they were. There was like the

0:27:47.560 --> 0:27:50.320
<v Speaker 2>issues around potentially getting delisted and all of this stuff.

0:27:51.080 --> 0:27:54.440
<v Speaker 2>And you know, we were just super persistent about like, hey,

0:27:54.440 --> 0:27:58.280
<v Speaker 2>if there's an opportunity and you're in a cash need environment,

0:27:58.520 --> 0:28:01.119
<v Speaker 2>you know, we are interested in and e merging it

0:28:01.200 --> 0:28:04.040
<v Speaker 2>with network. And at first they weren't interested, and I

0:28:04.080 --> 0:28:08.600
<v Speaker 2>think as their conditions didn't improve, that presented an opportunity

0:28:08.600 --> 0:28:12.920
<v Speaker 2>and we bought the brand back in February. And Who's

0:28:13.000 --> 0:28:19.000
<v Speaker 2>Network Network or what is it? Or who Both Network

0:28:19.240 --> 0:28:23.360
<v Speaker 2>is a live streaming e commerce platform where the world's

0:28:24.200 --> 0:28:27.920
<v Speaker 2>best creators and brands come to sell their most highly

0:28:27.960 --> 0:28:33.159
<v Speaker 2>coveted products in a livestream e commerce environment. It was

0:28:33.160 --> 0:28:35.840
<v Speaker 2>started by Jimmy I Bean and a couple other folks

0:28:35.960 --> 0:28:40.280
<v Speaker 2>that were sort of associated with Complex. I joined there,

0:28:40.400 --> 0:28:44.160
<v Speaker 2>I think late twenty eighteen, early twenty nineteen something like that.

0:28:45.800 --> 0:28:52.080
<v Speaker 2>We built it up pretty successful business. Livestream shopping didn't

0:28:52.160 --> 0:28:54.200
<v Speaker 2>scale quite as quickly as we thought it would. We

0:28:54.200 --> 0:28:57.560
<v Speaker 2>were looking to how amazing it's doing in China and Brazil,

0:28:57.600 --> 0:28:59.240
<v Speaker 2>and we thought like, hey, like this is going to

0:28:59.640 --> 0:29:03.800
<v Speaker 2>be like you know, the Echo boom in North America,

0:29:04.560 --> 0:29:07.040
<v Speaker 2>and you know, so as we were looking to like, okay,

0:29:07.080 --> 0:29:09.960
<v Speaker 2>how do we make this business stronger? You know, we're

0:29:10.000 --> 0:29:12.479
<v Speaker 2>looking at things like our CAC and we're spending you know,

0:29:13.200 --> 0:29:16.200
<v Speaker 2>multimillion dollars a year on meta to drive downloads and

0:29:16.280 --> 0:29:19.959
<v Speaker 2>drive engagement. And you know, we all of us were

0:29:20.040 --> 0:29:21.800
<v Speaker 2>kind of like ex Complex people, So we're trying to

0:29:21.840 --> 0:29:25.600
<v Speaker 2>super serve that same audience, but just through a commerce perspective.

0:29:26.640 --> 0:29:29.840
<v Speaker 2>And when this opportunity, it just totally made sense. It's like, hey,

0:29:29.880 --> 0:29:32.960
<v Speaker 2>we the audience is there, the brand strength is there.

0:29:34.400 --> 0:29:38.400
<v Speaker 2>We can transition from network to shop complex. It's a

0:29:38.480 --> 0:29:41.719
<v Speaker 2>much stronger name, it's a it's a bigger name, more reputable.

0:29:42.720 --> 0:29:44.640
<v Speaker 2>The audience is there, so we don't have to invest

0:29:44.680 --> 0:29:47.640
<v Speaker 2>as much into like all the digital ads on Meta

0:29:48.280 --> 0:29:50.680
<v Speaker 2>and you know, we thought we could make a much

0:29:50.680 --> 0:29:53.240
<v Speaker 2>stronger business solve for the issues on the complex side

0:29:53.240 --> 0:29:55.280
<v Speaker 2>and then solve for the issues on the network side.

0:29:55.400 --> 0:29:57.040
<v Speaker 1>And Mark Ecko was a part of the network.

0:29:58.560 --> 0:30:01.720
<v Speaker 2>He was not originally known, but Mark is on the

0:30:01.720 --> 0:30:02.680
<v Speaker 2>board of the new company.

0:30:02.760 --> 0:30:06.800
<v Speaker 3>Yeah, so you guys, you guys, you exited in sixteen, Yeah,

0:30:06.880 --> 0:30:10.400
<v Speaker 3>stayed on eighteen. You joined there when you guys, when

0:30:10.440 --> 0:30:12.560
<v Speaker 3>the team is trying to team building and maybe we'll

0:30:12.560 --> 0:30:14.880
<v Speaker 3>get into that a little bit, but it's vitally important

0:30:15.240 --> 0:30:18.080
<v Speaker 3>to this. But as you're watching it, it's almost something

0:30:18.120 --> 0:30:20.160
<v Speaker 3>that you helped create and you're starting to watch your.

0:30:20.040 --> 0:30:21.360
<v Speaker 5>Devalue devalued value.

0:30:21.480 --> 0:30:24.479
<v Speaker 3>How long or how long would the discussions to say

0:30:24.640 --> 0:30:26.480
<v Speaker 3>we need to go back and try to acquire this thing.

0:30:26.600 --> 0:30:28.120
<v Speaker 1>Well, you left, you left for a point in.

0:30:28.080 --> 0:30:29.520
<v Speaker 3>Time, right, from Complex.

0:30:29.600 --> 0:30:30.720
<v Speaker 5>Yeah, yeah, eighteen.

0:30:30.920 --> 0:30:34.240
<v Speaker 2>Yeah, so yeah, I left in eighteen. Yeah, I left

0:30:34.240 --> 0:30:37.040
<v Speaker 2>at the top of eighteen. I think I joined Network

0:30:37.080 --> 0:30:38.880
<v Speaker 2>and the top of nineteen. I might have the dates

0:30:38.880 --> 0:30:41.800
<v Speaker 2>off a little bit there, but it was definitely early

0:30:41.920 --> 0:30:46.840
<v Speaker 2>days for Network. But you know, like we were on fire,

0:30:46.920 --> 0:30:51.040
<v Speaker 2>especially during COVID e commerce, Like we were like we

0:30:51.120 --> 0:30:52.800
<v Speaker 2>thought we could do no wrong. We were, you know,

0:30:52.880 --> 0:30:56.640
<v Speaker 2>raising money like it was you know, things were good.

0:30:58.600 --> 0:31:01.320
<v Speaker 2>And then you know, as everyone sort of got out

0:31:01.320 --> 0:31:04.360
<v Speaker 2>of COVID, things started to turn back to normal from

0:31:04.360 --> 0:31:07.640
<v Speaker 2>an e commerce perspective, from an experienced perspective, so you know,

0:31:07.680 --> 0:31:09.760
<v Speaker 2>we faced some of those headwinds and we were navigating

0:31:09.800 --> 0:31:13.320
<v Speaker 2>them and you know we I mean just quite frankly,

0:31:13.320 --> 0:31:15.800
<v Speaker 2>we always had an admiration for Complex, Like, you know,

0:31:16.120 --> 0:31:18.920
<v Speaker 2>we built the brand, we loved the brand, we admire it,

0:31:19.000 --> 0:31:23.000
<v Speaker 2>you know, we we love the audience, and we felt like,

0:31:23.520 --> 0:31:27.520
<v Speaker 2>you know, it's so hard building a new consumer brand.

0:31:28.120 --> 0:31:32.160
<v Speaker 2>If we could just merge the sort of innovation, the technology,

0:31:32.200 --> 0:31:36.280
<v Speaker 2>the e commerce, the spirit of entrepreneurialism with Complex that

0:31:36.360 --> 0:31:39.600
<v Speaker 2>had the audience and the cachet and the credibility, we

0:31:39.680 --> 0:31:43.760
<v Speaker 2>could make, you know, a media company of the future,

0:31:43.920 --> 0:31:46.560
<v Speaker 2>a marketplace and e commerce business of the future that

0:31:46.600 --> 0:31:49.120
<v Speaker 2>looked like no other. So that was really the aspiration.

0:31:49.240 --> 0:31:51.200
<v Speaker 2>And to answer your other question, I think it took

0:31:51.280 --> 0:31:54.400
<v Speaker 2>about a yearish to convince them to do it, uh

0:31:54.840 --> 0:31:56.040
<v Speaker 2>meaning BuzzFeed to sell it.

0:31:56.480 --> 0:31:58.400
<v Speaker 3>Yeah, I mean it's very rare that you do exit

0:31:58.400 --> 0:32:01.280
<v Speaker 3>a business and get the bus back and at.

0:32:01.120 --> 0:32:02.040
<v Speaker 5>A lower evaluation.

0:32:02.600 --> 0:32:05.440
<v Speaker 2>So well, there's a lot of examples of that. Like

0:32:06.040 --> 0:32:10.959
<v Speaker 2>Dan Gilbert sold Quicken Loans, he bought it back, you know,

0:32:11.120 --> 0:32:15.440
<v Speaker 2>made it multi billion dollar business. Alan Shapiro I think

0:32:15.520 --> 0:32:18.280
<v Speaker 2>bought and sold Dick Clark Productions like three times, and

0:32:18.280 --> 0:32:19.680
<v Speaker 2>each time he sold it for a billion dollars and

0:32:19.720 --> 0:32:21.320
<v Speaker 2>then bought it back for like one hundred million or something.

0:32:21.320 --> 0:32:23.400
<v Speaker 2>I mean, those numbers might not be exactly right, but like,

0:32:24.120 --> 0:32:25.960
<v Speaker 2>you know, his thing was like I know how to

0:32:26.040 --> 0:32:27.800
<v Speaker 2>run that business. I'm gonna sell it to these guys

0:32:27.840 --> 0:32:29.480
<v Speaker 2>that they don't know how to run it. They're gonna

0:32:29.480 --> 0:32:30.680
<v Speaker 2>mess it up. I'm gonna come back and.

0:32:30.800 --> 0:32:35.640
<v Speaker 1>So buy so sell high by law, you.

0:32:37.680 --> 0:32:38.400
<v Speaker 5>Earners, what's up?

0:32:38.520 --> 0:32:40.640
<v Speaker 3>You have a walk into a small business and everything

0:32:40.840 --> 0:32:43.840
<v Speaker 3>just works, like the checkout is fast, the receipts are

0:32:43.880 --> 0:32:47.520
<v Speaker 3>digital tipping is a breeze and you're out the door

0:32:47.520 --> 0:32:51.400
<v Speaker 3>before the line even builds odds are they're using Square.

0:32:51.920 --> 0:32:54.480
<v Speaker 3>We love supporting businesses that run on Square because it

0:32:54.600 --> 0:32:57.560
<v Speaker 3>just feels seamless. Whether it's a local coffee shop, a

0:32:57.640 --> 0:32:59.920
<v Speaker 3>vendor at a pop up market, or even one of

0:33:00.160 --> 0:33:03.200
<v Speaker 3>our merch partners, Square makes it easy for them to

0:33:03.240 --> 0:33:07.080
<v Speaker 3>take payments, manage inventory, and run their business with confidence,

0:33:07.440 --> 0:33:10.760
<v Speaker 3>all from one simple system. If you're a business owner

0:33:10.960 --> 0:33:14.360
<v Speaker 3>or even just thinking about launching something soon, Square is

0:33:14.440 --> 0:33:16.480
<v Speaker 3>hands down one of the best tools out there to

0:33:16.560 --> 0:33:20.480
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0:33:20.880 --> 0:33:23.720
<v Speaker 3>it's about giving you time back so you can focus on.

0:33:23.720 --> 0:33:25.160
<v Speaker 5>What matters most ready.

0:33:25.200 --> 0:33:28.560
<v Speaker 3>To see how Square can transform your business, visit Square

0:33:28.640 --> 0:33:33.160
<v Speaker 3>dot com backslash, go backslash eyl to learn more that

0:33:33.360 --> 0:33:38.800
<v Speaker 3>Square dot com backslash, go backslash eyl. Don't wait, don't hesitate.

0:33:38.920 --> 0:33:41.320
<v Speaker 3>Let's Square handle the back end so you can keep

0:33:41.320 --> 0:33:47.440
<v Speaker 3>pushing your vision forward. This episode is brought to you

0:33:47.440 --> 0:33:49.720
<v Speaker 3>by P and C Bank. A lot of people think

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<v Speaker 3>podcasts about work are boring, and sure they definitely can be,

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<v Speaker 3>Member FDIC.

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<v Speaker 7>An illegal alien from Guatemala charged with raping a child

0:34:31.760 --> 0:34:35.560
<v Speaker 7>in Massachusetts. An MS thirteen gang member from Al Salvador

0:34:35.800 --> 0:34:39.920
<v Speaker 7>accused of murdering a Texas. Man of Venezuelan charged with

0:34:40.000 --> 0:34:43.880
<v Speaker 7>filming and selling child pornography in Michigan. These are just

0:34:44.000 --> 0:34:47.760
<v Speaker 7>some of the heinous migrant criminals caught because of President

0:34:47.800 --> 0:34:51.319
<v Speaker 7>Donald J. Trump's leadership. I'm Christy nom the United States

0:34:51.400 --> 0:34:56.160
<v Speaker 7>Secretary of Homeland Security. Under President Trump, attempted illegal border

0:34:56.200 --> 0:34:59.920
<v Speaker 7>crossings are at the lowest levels ever recorded. In one

0:35:00.000 --> 0:35:03.040
<v Speaker 7>one hundred thousand illegal aliens have been arrested. If you

0:35:03.120 --> 0:35:06.960
<v Speaker 7>were here illegally, your next you will be fine. Nearly

0:35:07.040 --> 0:35:11.080
<v Speaker 7>one thousand dollars a day. Imprisoned and deported, you will

0:35:11.120 --> 0:35:14.759
<v Speaker 7>never return. But if you register using our CBP home

0:35:14.800 --> 0:35:18.160
<v Speaker 7>app and leave now, you could be allowed to return legally.

0:35:18.560 --> 0:35:19.279
<v Speaker 7>Do what's right.

0:35:19.920 --> 0:35:20.720
<v Speaker 6>Leave now.

0:35:21.080 --> 0:35:25.880
<v Speaker 7>Under President Trump America's laws, border and families will be protected.

0:35:26.000 --> 0:35:28.160
<v Speaker 8>Sponsored by the United States Department of Homeland Security.

0:35:28.360 --> 0:35:31.200
<v Speaker 1>Was that, Yeah, you guys sold it for three hundred

0:35:31.320 --> 0:35:33.360
<v Speaker 1>and twenty four million and then brought it back for

0:35:33.360 --> 0:35:34.200
<v Speaker 1>one hundred million.

0:35:34.760 --> 0:35:34.960
<v Speaker 8>Yeah.

0:35:34.960 --> 0:35:36.960
<v Speaker 2>I wouldn't say it was intentional, but it worked out

0:35:37.040 --> 0:35:38.200
<v Speaker 2>that way. Yeah.

0:35:38.920 --> 0:35:43.040
<v Speaker 1>Right, So but that's some level of foresight, right, Like,

0:35:43.880 --> 0:35:45.840
<v Speaker 1>was there any foresight or that was just that was

0:35:45.880 --> 0:35:48.880
<v Speaker 1>just a coincidence. You kind of knew that they was

0:35:48.920 --> 0:35:49.480
<v Speaker 1>going to ruin it.

0:35:50.680 --> 0:35:54.880
<v Speaker 2>I would say that, you know, you all wouldn't know

0:35:54.920 --> 0:35:56.680
<v Speaker 2>this better than me. But there's a there's always a

0:35:56.680 --> 0:36:00.600
<v Speaker 2>stat out there about like murders and acquisitions failed majority

0:36:00.600 --> 0:36:05.520
<v Speaker 2>of time, right, So, you know, selling Complex to the

0:36:05.520 --> 0:36:07.480
<v Speaker 2>first to like a Verizon and Aharst. I mean, we

0:36:07.480 --> 0:36:10.240
<v Speaker 2>were independent, so it's like okay, like we're operating separately,

0:36:10.320 --> 0:36:15.000
<v Speaker 2>but still things got a little weirdish. And then you

0:36:15.040 --> 0:36:17.000
<v Speaker 2>know BuzzFeed just I mean, like just think about it

0:36:17.040 --> 0:36:20.759
<v Speaker 2>on paper, does that make any sense. There's no intersectionality

0:36:20.800 --> 0:36:22.719
<v Speaker 2>of those audiences, Like they're not even interested in the

0:36:22.719 --> 0:36:26.400
<v Speaker 2>same thing. Like BuzzFeed's making videos about like exploding water

0:36:26.600 --> 0:36:29.279
<v Speaker 2>melons by putting rubber bands around them, and cats on

0:36:29.360 --> 0:36:33.000
<v Speaker 2>roller skates, and like Complex is talking about like nuances

0:36:33.040 --> 0:36:36.960
<v Speaker 2>within streetwear and hip hop and art culture. It's just like,

0:36:37.280 --> 0:36:38.800
<v Speaker 2>I don't know, it just didn't make a lot of sense.

0:36:39.440 --> 0:36:44.000
<v Speaker 3>How about retention of talent twenty sixteen, you have every

0:36:44.040 --> 0:36:47.239
<v Speaker 3>day struggle. Yeah, Joe Budden obviously now one of the

0:36:47.320 --> 0:36:49.959
<v Speaker 3>leaders in media. You have academics and another guy who's

0:36:50.000 --> 0:36:52.719
<v Speaker 3>leading in the media. The lessons that's learned from them

0:36:52.800 --> 0:36:55.640
<v Speaker 3>not being part of Complex anymore, but having a guy

0:36:55.719 --> 0:36:58.800
<v Speaker 3>like Speeding who has been super creative and great for

0:36:58.880 --> 0:37:02.760
<v Speaker 3>the brand, Joe with with with Stekers shopping obviously hot Ones.

0:37:03.080 --> 0:37:07.000
<v Speaker 3>The lessons that's learned from losing talent but retaining in

0:37:07.000 --> 0:37:08.759
<v Speaker 3>the future, retaining talent that it's going to be able

0:37:08.800 --> 0:37:09.200
<v Speaker 3>for to bring.

0:37:09.960 --> 0:37:13.640
<v Speaker 2>Yeah, it's uh, it's a that is uh, you know,

0:37:13.719 --> 0:37:18.160
<v Speaker 2>an everyday focus. You know, it's it. I wish I

0:37:18.160 --> 0:37:22.640
<v Speaker 2>could say it's super easy. You know, Complex is I

0:37:22.640 --> 0:37:26.240
<v Speaker 2>think super I would say we are. We're really happy

0:37:26.280 --> 0:37:28.400
<v Speaker 2>that we've been able to like incubate a lot of

0:37:28.440 --> 0:37:31.600
<v Speaker 2>talent and give people, you know, a lot of younger people,

0:37:31.719 --> 0:37:34.759
<v Speaker 2>like a Speedy coming up like their initial platform, or

0:37:35.200 --> 0:37:38.720
<v Speaker 2>Emily Oberg who now has like a super successful fashion brand.

0:37:38.719 --> 0:37:40.400
<v Speaker 2>She was like one of the first you know, anchors

0:37:40.440 --> 0:37:44.759
<v Speaker 2>on Complex News. And sometimes those people are so entrepreneurial,

0:37:45.960 --> 0:37:48.160
<v Speaker 2>you know, they're so motivated, you're you're never going to

0:37:48.280 --> 0:37:51.520
<v Speaker 2>keep them. And then some people are like Complex Family,

0:37:51.600 --> 0:37:54.960
<v Speaker 2>like Joe and Speedy, who like they really value being

0:37:55.000 --> 0:37:57.200
<v Speaker 2>associated with Complex. They want to be in the mix.

0:37:57.239 --> 0:37:59.000
<v Speaker 2>They want to build new shows, Like we just built

0:37:59.040 --> 0:38:02.960
<v Speaker 2>a new show with Joe called On Display where he

0:38:03.080 --> 0:38:07.920
<v Speaker 2>goes into celebrities homes and then he basically interviews them

0:38:07.960 --> 0:38:11.840
<v Speaker 2>about like their collections and a sort of like their obsession.

0:38:11.960 --> 0:38:15.040
<v Speaker 2>So like you went to Dapatista's house and he collects

0:38:15.120 --> 0:38:17.640
<v Speaker 2>lunch boxes and bicycles, and like the big insight was

0:38:17.680 --> 0:38:19.960
<v Speaker 2>like theves like I couldn't afford any of this, can

0:38:20.040 --> 0:38:22.000
<v Speaker 2>I swear or no? Of course He's like, I can't

0:38:22.000 --> 0:38:23.399
<v Speaker 2>afford any of this shit when I was a kid,

0:38:23.480 --> 0:38:25.319
<v Speaker 2>So now I'm buying it now. And he's like you know,

0:38:25.400 --> 0:38:27.279
<v Speaker 2>it's like and it kind of dawned HI me. He

0:38:27.320 --> 0:38:29.799
<v Speaker 2>was like, Wow, it's like, you know, sort of all

0:38:29.800 --> 0:38:31.680
<v Speaker 2>about this fandom culture. But I was like, what, like

0:38:31.800 --> 0:38:35.759
<v Speaker 2>kind of a powerful message, right, like that like once

0:38:35.800 --> 0:38:39.040
<v Speaker 2>he obtained prosperity, he could unlock all these things that

0:38:39.120 --> 0:38:40.719
<v Speaker 2>he couldn't get as a kid. And I thought, like,

0:38:41.000 --> 0:38:44.200
<v Speaker 2>you know, I was kind of uplifting sort of subtexts there,

0:38:45.200 --> 0:38:47.439
<v Speaker 2>But you got to give my little bit of a

0:38:47.680 --> 0:38:51.960
<v Speaker 2>pivot here. But you have to give the talent new opportunities, right,

0:38:52.000 --> 0:38:55.200
<v Speaker 2>You have to invest into them. You have to say, like,

0:38:55.320 --> 0:38:59.600
<v Speaker 2>you know, hey, Joe, like you've got sneaker shopping bona

0:38:59.600 --> 0:39:01.799
<v Speaker 2>fide it, you've got the sneaker podcast.

0:39:01.920 --> 0:39:02.120
<v Speaker 5>Hit.

0:39:02.440 --> 0:39:04.440
<v Speaker 2>What else are you interested in? Oh, I'm interested in

0:39:04.440 --> 0:39:09.439
<v Speaker 2>collectibles and uh sort of like architectural digest type content. Okay,

0:39:09.480 --> 0:39:11.359
<v Speaker 2>let's build something around that. You have to give them

0:39:11.400 --> 0:39:16.560
<v Speaker 2>the opportunity to be creative and flourish, you know, otherwise

0:39:16.680 --> 0:39:18.759
<v Speaker 2>they're gonna go do their own things. And sometimes they're

0:39:18.840 --> 0:39:21.439
<v Speaker 2>you know with like you know, you know other people

0:39:21.560 --> 0:39:25.440
<v Speaker 2>you mentioned before, they're so entrepreneurial that like that's just

0:39:25.480 --> 0:39:27.400
<v Speaker 2>a force. You're never going to be able to like,

0:39:28.680 --> 0:39:31.200
<v Speaker 2>you know, keep it, keep it inside the building, and

0:39:31.560 --> 0:39:34.440
<v Speaker 2>I think that's great, Like, you know, arguably they have

0:39:34.440 --> 0:39:36.920
<v Speaker 2>the number one podcast in the world amazing or you know,

0:39:36.960 --> 0:39:40.920
<v Speaker 2>in the space and that that's that's great. So I

0:39:40.920 --> 0:39:42.319
<v Speaker 2>think and then you know, the other part is like

0:39:42.760 --> 0:39:45.920
<v Speaker 2>we always should be an incubation engine for new talent.

0:39:46.200 --> 0:39:48.239
<v Speaker 2>And that gets back to my point about like really

0:39:48.280 --> 0:39:54.200
<v Speaker 2>being obsessed with winning the younger audience, because oftentimes these creators,

0:39:54.480 --> 0:39:57.879
<v Speaker 2>they find their audience and then they super serve them.

0:39:58.120 --> 0:40:02.120
<v Speaker 2>Like the sneaker shopping audience is a very specific male

0:40:02.200 --> 0:40:04.880
<v Speaker 2>consumer and they're super serving them. But you need to

0:40:04.880 --> 0:40:07.960
<v Speaker 2>bring in other talent to super serve other parts of

0:40:07.960 --> 0:40:08.919
<v Speaker 2>the audience as well.

0:40:09.600 --> 0:40:15.080
<v Speaker 1>So, okay, how important is the content creation side of

0:40:15.200 --> 0:40:19.279
<v Speaker 1>what you guys do as far as Instagram TikTok. It's

0:40:19.320 --> 0:40:24.600
<v Speaker 1>a very nuanced skill set and it changes a lot.

0:40:24.840 --> 0:40:26.800
<v Speaker 1>Like so at one point in time, you know, rails

0:40:26.920 --> 0:40:30.440
<v Speaker 1>was everything and then Instagram changed it to car ourselves

0:40:31.320 --> 0:40:33.080
<v Speaker 1>and you need to have to stay up to date

0:40:33.120 --> 0:40:35.279
<v Speaker 1>with this with these things, and you guys do a

0:40:35.360 --> 0:40:37.960
<v Speaker 1>good job as far as staying in the algorithm. So

0:40:39.320 --> 0:40:42.160
<v Speaker 1>how important is that to make sure that your content

0:40:42.239 --> 0:40:48.200
<v Speaker 1>team is up to date and uh well prepared to

0:40:48.239 --> 0:40:50.439
<v Speaker 1>tackle the new challenges on social media every day.

0:40:50.800 --> 0:40:55.640
<v Speaker 2>It's it's everything. If we're not engaging and growing audiences,

0:40:56.640 --> 0:40:58.000
<v Speaker 2>the rest of the business will suffer.

0:40:58.120 --> 0:40:58.279
<v Speaker 1>Right.

0:40:58.400 --> 0:41:02.000
<v Speaker 2>If we're not growing and engaging audiences, we can't put

0:41:02.320 --> 0:41:04.440
<v Speaker 2>things on the e commerce side in front of that audience.

0:41:04.960 --> 0:41:08.960
<v Speaker 2>If we're not engaging audiences, the advertising business will suffer.

0:41:09.280 --> 0:41:11.920
<v Speaker 2>For not engaging audiences, ticket sales will be soft to

0:41:12.000 --> 0:41:15.080
<v Speaker 2>complex cons So the most important thing we do and

0:41:15.160 --> 0:41:18.840
<v Speaker 2>you know, led by Aria and Noah, like they just

0:41:18.960 --> 0:41:25.800
<v Speaker 2>do a super good focused job. I'm continually to press

0:41:25.960 --> 0:41:29.480
<v Speaker 2>to grow the socials and having dedicated talent because you

0:41:29.480 --> 0:41:31.279
<v Speaker 2>know a lot of people think like, Okay, I'll just

0:41:31.320 --> 0:41:35.719
<v Speaker 2>have my YouTube shorts person do tiktoks and they'll do reels. Well,

0:41:35.760 --> 0:41:42.160
<v Speaker 2>they're completely different approaches, right, Like reels is feed based

0:41:42.560 --> 0:41:46.640
<v Speaker 2>still algorithmic as well, TikTok is one hundred percent algorithmic.

0:41:46.920 --> 0:41:49.360
<v Speaker 2>I can't really figure out shorts yet, but like someone

0:41:49.400 --> 0:41:51.800
<v Speaker 2>will figure that out. But like you need dedicated people

0:41:51.840 --> 0:41:53.719
<v Speaker 2>that are experts on that, and they just tend to

0:41:53.719 --> 0:41:56.200
<v Speaker 2>be like younger folks, right, Like you have to invest

0:41:56.239 --> 0:42:00.000
<v Speaker 2>in younger people who really understand those platforms, who understand

0:42:00.120 --> 0:42:03.880
<v Speaker 2>and snap or whatever it is, and then tailor the

0:42:03.960 --> 0:42:06.800
<v Speaker 2>content in appropriate way to reach those audiences.

0:42:07.000 --> 0:42:10.480
<v Speaker 1>People. Do you have on your content team.

0:42:10.600 --> 0:42:15.960
<v Speaker 2>I don't know exactly, but over one hundred with freelancers.

0:42:16.040 --> 0:42:19.480
<v Speaker 5>Yeah. When Staying Fresh and Staying Youthful.

0:42:19.760 --> 0:42:23.440
<v Speaker 3>You spoke about AI earlier, talk about how the ideas

0:42:23.480 --> 0:42:25.279
<v Speaker 3>and the team around that. I know you had the

0:42:25.280 --> 0:42:28.799
<v Speaker 3>Slim Shady eminem cover incorporating that, So how you guys

0:42:28.920 --> 0:42:30.000
<v Speaker 3>looking to implement that.

0:42:30.920 --> 0:42:32.319
<v Speaker 5>I would say, it's the way of the future, but

0:42:32.320 --> 0:42:33.120
<v Speaker 5>it's of the now.

0:42:33.400 --> 0:42:36.279
<v Speaker 2>Yeah, So that was a good example. That was our

0:42:36.360 --> 0:42:39.520
<v Speaker 2>first piece of it. And for the listeners that don't know,

0:42:40.640 --> 0:42:46.120
<v Speaker 2>pretty smart idea by Noah and team. They programmed or

0:42:46.360 --> 0:42:50.400
<v Speaker 2>fed a large language model all of like the Slim

0:42:50.400 --> 0:42:54.319
<v Speaker 2>Shady lyrics and references over time to train it up

0:42:54.360 --> 0:42:58.520
<v Speaker 2>on what that personality would look or act like. And

0:42:58.560 --> 0:43:03.640
<v Speaker 2>then they had Slim Shady interview Marshall Mathers and obviously

0:43:03.719 --> 0:43:06.600
<v Speaker 2>it played into the whole theme of the album. And

0:43:06.640 --> 0:43:09.160
<v Speaker 2>then visually we brought that to life in them in

0:43:09.200 --> 0:43:11.840
<v Speaker 2>like a Thelma and Louise moment on the cover. You know,

0:43:11.880 --> 0:43:13.799
<v Speaker 2>sort of like driving off a cliff kind of thing.

0:43:15.120 --> 0:43:17.120
<v Speaker 2>But like, you know, at least as far as I know,

0:43:17.200 --> 0:43:20.640
<v Speaker 2>that was the first time ever sort of the antry

0:43:20.760 --> 0:43:25.320
<v Speaker 2>personality of an artist interviewed them in an AI format.

0:43:25.600 --> 0:43:28.600
<v Speaker 2>So like, you know, pretty pretty I think, you know,

0:43:28.760 --> 0:43:32.760
<v Speaker 2>pretty good use of the technology, pretty innovative, definitely not cheap.

0:43:33.760 --> 0:43:36.480
<v Speaker 2>But you know, other things we're looking at is like, okay,

0:43:36.560 --> 0:43:42.600
<v Speaker 2>so as perplexity starts to disrupt Google, right and it's

0:43:42.640 --> 0:43:46.080
<v Speaker 2>sort of AI search, how do we create formats that

0:43:46.160 --> 0:43:49.160
<v Speaker 2>show up in that area. We're looking at a lot

0:43:49.160 --> 0:43:51.520
<v Speaker 2>of things like how do we take things that are

0:43:52.360 --> 0:43:56.960
<v Speaker 2>super successful in the text format, like oftentimes like our

0:43:57.040 --> 0:43:59.960
<v Speaker 2>rankings and lists of you know whatever, top fifty sneaker

0:44:00.160 --> 0:44:02.560
<v Speaker 2>or hip hop albums. They create a tremendous amount of

0:44:02.640 --> 0:44:06.320
<v Speaker 2>virality and debate. It's very easy for AI to just

0:44:06.360 --> 0:44:09.480
<v Speaker 2>steal that content and not give us any attribution. So

0:44:09.520 --> 0:44:11.120
<v Speaker 2>we're thinking about, like, okay, how do we turn that

0:44:11.160 --> 0:44:13.680
<v Speaker 2>into vertical video? How do we turn that into long

0:44:14.080 --> 0:44:16.400
<v Speaker 2>form video? Because we think there's more of a mote

0:44:16.560 --> 0:44:18.880
<v Speaker 2>with video than there you know, than there is with

0:44:19.040 --> 0:44:22.560
<v Speaker 2>tech certainly, So it's I wouldn't say we have it solved.

0:44:22.840 --> 0:44:26.479
<v Speaker 2>I think it's super complicated. Uh, you know, the AI

0:44:26.600 --> 0:44:29.680
<v Speaker 2>tools are going to continue to progress and make probably

0:44:29.800 --> 0:44:33.360
<v Speaker 2>business more challenging for content publishers and definitely not less.

0:44:34.760 --> 0:44:37.520
<v Speaker 2>So you know, it's like, you know, you can't bet

0:44:37.560 --> 0:44:39.840
<v Speaker 2>against youth culture and you can't bet against technology, right,

0:44:39.920 --> 0:44:42.000
<v Speaker 2>those things will always win, so you better lean into

0:44:42.040 --> 0:44:43.840
<v Speaker 2>them where you're fucked.

0:44:44.719 --> 0:44:47.120
<v Speaker 1>How important is data collection to you guys?

0:44:47.160 --> 0:44:53.160
<v Speaker 2>Business on the e commerce side, super important, you know,

0:44:53.239 --> 0:44:56.840
<v Speaker 2>because that you know, you're you're doing the drip campaigns

0:44:57.000 --> 0:45:00.520
<v Speaker 2>and you know, recidivism campaigns and you know, all kinds

0:45:00.520 --> 0:45:04.040
<v Speaker 2>of things to get consumers back into the store. It'll

0:45:04.080 --> 0:45:08.560
<v Speaker 2>be super important when we launch membership. Obviously on the

0:45:08.600 --> 0:45:12.000
<v Speaker 2>advertising side, it depends on the brand. Like some people

0:45:12.000 --> 0:45:15.040
<v Speaker 2>are super interested in that, like who they're reaching, how

0:45:15.040 --> 0:45:18.839
<v Speaker 2>they're reaching them, and then others are like, like they're

0:45:18.840 --> 0:45:21.680
<v Speaker 2>pretty familiar with complex and they're like, okay, yeah, got it,

0:45:22.239 --> 0:45:25.839
<v Speaker 2>eighteen to thirty four multicultural, you know that's what you're

0:45:25.840 --> 0:45:26.440
<v Speaker 2>super serving.

0:45:27.080 --> 0:45:28.799
<v Speaker 3>Well, one of the things that you're passionate about. We

0:45:28.840 --> 0:45:31.640
<v Speaker 3>talked about culture. We talked about music is art and

0:45:31.719 --> 0:45:34.360
<v Speaker 3>I know everything complex and comiss all of it.

0:45:34.440 --> 0:45:36.880
<v Speaker 5>But on a personal side. They're an art collector.

0:45:37.760 --> 0:45:40.879
<v Speaker 3>Ish, I mean, did the passion come from the work

0:45:41.000 --> 0:45:43.880
<v Speaker 3>or was that something that you already had passion for?

0:45:45.040 --> 0:45:47.319
<v Speaker 2>Yeah, I think, like, you know, I was thinking about

0:45:47.360 --> 0:45:49.040
<v Speaker 2>on the right up here. Like when I was a

0:45:49.120 --> 0:45:53.160
<v Speaker 2>kid in Tennessee, we lived on like a commune. So

0:45:53.200 --> 0:45:56.160
<v Speaker 2>I like had like very like hippie parents that commune,

0:45:56.400 --> 0:45:59.560
<v Speaker 2>like you know, communists in a true form, right, So

0:46:00.239 --> 0:46:04.520
<v Speaker 2>it made me really like appreciate art and individuality. And

0:46:04.520 --> 0:46:06.799
<v Speaker 2>there's a lot of musicians in that space, and it

0:46:06.920 --> 0:46:08.719
<v Speaker 2>just gave me an appreciation of that. But it also gave

0:46:08.760 --> 0:46:12.400
<v Speaker 2>me like a staunch appreciation for capitalism, right, So I

0:46:12.480 --> 0:46:15.239
<v Speaker 2>like ran away from it, but still kept those things.

0:46:15.320 --> 0:46:17.840
<v Speaker 2>I think part of that, like you know, we'd like

0:46:17.920 --> 0:46:20.680
<v Speaker 2>share houses with musicians and all these things and artists,

0:46:20.880 --> 0:46:24.480
<v Speaker 2>Like my home space always reflects that. And I like

0:46:24.560 --> 0:46:28.520
<v Speaker 2>to support the art community, you know. I'm I'm you know,

0:46:28.560 --> 0:46:30.800
<v Speaker 2>I'm part of a group at the pres Art Museum

0:46:31.040 --> 0:46:34.399
<v Speaker 2>that that helps you know, sort of new artists get

0:46:34.400 --> 0:46:37.600
<v Speaker 2>exposure in the museum and we fund that and it's

0:46:37.680 --> 0:46:42.520
<v Speaker 2>more of you know, kind of I don't know, it's

0:46:42.560 --> 0:46:45.320
<v Speaker 2>it's an interesting space for me. It's it's a space

0:46:45.360 --> 0:46:48.719
<v Speaker 2>I you know, I admire artists because I'm not one,

0:46:49.680 --> 0:46:52.160
<v Speaker 2>so it kind of gives me like an entryway into

0:46:52.200 --> 0:46:57.920
<v Speaker 2>like their thinking and their creativity. And I think that

0:46:57.920 --> 0:47:01.680
<v Speaker 2>that kind of like different friends almost like healthy tension,

0:47:01.840 --> 0:47:04.960
<v Speaker 2>makes me better in business because I'm able to like

0:47:05.000 --> 0:47:07.240
<v Speaker 2>sort of see things from their perspective and then apply

0:47:07.360 --> 0:47:10.200
<v Speaker 2>it if I'm working with a brand or working internally.

0:47:11.840 --> 0:47:14.600
<v Speaker 2>And you know, to your point, complex has always been

0:47:16.239 --> 0:47:18.680
<v Speaker 2>you know, had an admiration for our you know, whether

0:47:18.719 --> 0:47:21.520
<v Speaker 2>it's like Cause doing covers or us doing you know,

0:47:21.600 --> 0:47:25.640
<v Speaker 2>work with Marakami. You know, there are a number of

0:47:25.760 --> 0:47:32.319
<v Speaker 2>artists that really break through from a consumer perspective, both

0:47:32.360 --> 0:47:34.480
<v Speaker 2>on the music side and the traditional you know, sort

0:47:34.520 --> 0:47:38.600
<v Speaker 2>of fine art side, and working with those folks makes

0:47:38.640 --> 0:47:44.440
<v Speaker 2>for a much more interesting media product consumer product. And

0:47:44.480 --> 0:47:46.160
<v Speaker 2>then you know, if there's like a physical product that

0:47:46.200 --> 0:47:46.719
<v Speaker 2>comes out of.

0:47:46.640 --> 0:47:49.120
<v Speaker 3>It, is that how some of the verticals a building,

0:47:49.239 --> 0:47:51.600
<v Speaker 3>especially from the digital side, it was just complex and

0:47:51.640 --> 0:47:54.160
<v Speaker 3>we had complex sneakers, then we have complex sports. Yeah,

0:47:54.680 --> 0:47:56.960
<v Speaker 3>is there like all right, we have a group there's

0:47:57.000 --> 0:47:59.200
<v Speaker 3>a huge interest here. Maybe we need complex tech or

0:47:59.239 --> 0:48:00.200
<v Speaker 3>we need complex.

0:48:00.239 --> 0:48:04.279
<v Speaker 2>Yeah, so they probably were a little scattered under the

0:48:04.400 --> 0:48:08.400
<v Speaker 2>BuzzFeed regime, so we have retrenched it. So the categories

0:48:08.440 --> 0:48:14.880
<v Speaker 2>are music, style, sport, pop culture which kind of catch movie, gaming,

0:48:16.920 --> 0:48:19.960
<v Speaker 2>and food. So those are kind of the main verticals

0:48:19.960 --> 0:48:24.960
<v Speaker 2>that we're focused on and really leaning deep into those.

0:48:25.840 --> 0:48:30.000
<v Speaker 2>And to your point, there's very specific, dedicated teams that

0:48:30.080 --> 0:48:32.319
<v Speaker 2>work on each one of those verticals. So there's like

0:48:32.760 --> 0:48:35.520
<v Speaker 2>ahead of sneakers, ahead of style, ahead of music, and

0:48:35.560 --> 0:48:39.160
<v Speaker 2>they have teams under them that are both producing content

0:48:39.239 --> 0:48:42.680
<v Speaker 2>and working the socials to engage the audience.

0:48:44.160 --> 0:48:48.560
<v Speaker 1>So what's the future for Complex, Like what do you

0:48:48.560 --> 0:48:51.320
<v Speaker 1>guys have envision for their ten year model?

0:48:53.920 --> 0:48:56.840
<v Speaker 2>Ten year model in terms of so, I would say,

0:48:57.400 --> 0:49:00.840
<v Speaker 2>we really want to continue to invige rate the brand

0:49:01.000 --> 0:49:04.680
<v Speaker 2>with you know, super interesting content like the Eminem piece

0:49:04.719 --> 0:49:05.000
<v Speaker 2>that we.

0:49:05.040 --> 0:49:05.800
<v Speaker 5>Just talked through.

0:49:06.440 --> 0:49:10.160
<v Speaker 2>We want to over the next few months, as you're

0:49:10.680 --> 0:49:14.040
<v Speaker 2>watching or reading, you know, pieces of content like the Eminem,

0:49:14.120 --> 0:49:16.799
<v Speaker 2>you're also able to shop it. You're also able to

0:49:16.880 --> 0:49:18.799
<v Speaker 2>go to an experience tied to it. So we want

0:49:18.800 --> 0:49:21.840
<v Speaker 2>to have that sort of like trifectave content, commerce and

0:49:21.880 --> 0:49:25.800
<v Speaker 2>experience come to life around everything we want to build,

0:49:25.920 --> 0:49:28.759
<v Speaker 2>or we believe we can build a really big e

0:49:28.800 --> 0:49:32.680
<v Speaker 2>commerce marketplace business. You know, this is the first year

0:49:32.719 --> 0:49:35.520
<v Speaker 2>we took Complex to eight or complex goneto Asia in

0:49:35.640 --> 0:49:37.840
<v Speaker 2>Hong Kong. That was super successful. So we want to

0:49:37.840 --> 0:49:42.080
<v Speaker 2>continue to bring complex gon too other markets. You know,

0:49:42.280 --> 0:49:47.400
<v Speaker 2>we really just want to build a super strong, dynamic

0:49:47.480 --> 0:49:50.960
<v Speaker 2>business that is not sort of dependent on one source

0:49:51.000 --> 0:49:54.239
<v Speaker 2>of revenue, that can flourish for the next you know,

0:49:54.360 --> 0:49:56.759
<v Speaker 2>fifty or seventy five years. You know, I don't want

0:49:56.760 --> 0:49:59.520
<v Speaker 2>it to sort of have the bumps and stumbles that

0:49:59.560 --> 0:50:01.560
<v Speaker 2>it's had over the last five years. I think it's

0:50:01.800 --> 0:50:06.080
<v Speaker 2>it's all about making you know, a super healthy, profitable,

0:50:08.239 --> 0:50:11.520
<v Speaker 2>current and sort of future looking business.

0:50:11.680 --> 0:50:14.920
<v Speaker 3>Yeah, I'm glad you brought up the expansion of complex

0:50:14.960 --> 0:50:17.120
<v Speaker 3>con and especially going to Asia. What was experienced like

0:50:17.160 --> 0:50:21.120
<v Speaker 3>because well you hear about obviously culture being exported, and

0:50:21.320 --> 0:50:23.600
<v Speaker 3>sometimes it feels like, you know, they appreciate it more

0:50:23.600 --> 0:50:26.920
<v Speaker 3>because it's not specifically there with the expectations the same

0:50:27.560 --> 0:50:29.799
<v Speaker 3>in terms of successful the event when when you took

0:50:29.800 --> 0:50:30.960
<v Speaker 3>it international.

0:50:31.760 --> 0:50:35.680
<v Speaker 2>You know, consumer, we didn't expect the same from like

0:50:35.680 --> 0:50:38.600
<v Speaker 2>our consumer turnout perspective, but it was pretty good. I

0:50:38.600 --> 0:50:40.919
<v Speaker 2>think it was thirty or thirty five thousand people bought

0:50:40.920 --> 0:50:43.120
<v Speaker 2>tickets and intended over the two days, which which is

0:50:43.120 --> 0:50:47.840
<v Speaker 2>pretty good. It was a bit of a lower investment

0:50:47.880 --> 0:50:49.560
<v Speaker 2>than we would make in the US. It was our

0:50:49.680 --> 0:50:53.160
<v Speaker 2>It was kind of very much a pilot, but we

0:50:53.760 --> 0:50:56.440
<v Speaker 2>beat our expectations both in terms of attendance and the

0:50:56.520 --> 0:51:01.600
<v Speaker 2>revenues it produced. So we're steam ahead on doing it again.

0:51:01.640 --> 0:51:05.239
<v Speaker 2>We've got a great partner in China and she wants

0:51:05.280 --> 0:51:11.320
<v Speaker 2>to bring it to other markets like Singapore. It's pretty interesting.

0:51:11.360 --> 0:51:13.319
<v Speaker 2>It's like she did it in Hong Kong, but like

0:51:13.360 --> 0:51:16.200
<v Speaker 2>the majority of the people came from mainland China because

0:51:16.280 --> 0:51:19.120
<v Speaker 2>of the access right, like Complex Com was giving them

0:51:19.160 --> 0:51:22.040
<v Speaker 2>access sort of like in real life with the artists

0:51:22.080 --> 0:51:24.480
<v Speaker 2>and the creators, like sort of that community. But then

0:51:24.520 --> 0:51:29.880
<v Speaker 2>to the products where you know, people in Japan have

0:51:29.960 --> 0:51:32.160
<v Speaker 2>access to that stuff so easily, right, So it's kind

0:51:32.160 --> 0:51:35.200
<v Speaker 2>of so it's it's kind of you're you're you're finding

0:51:35.200 --> 0:51:37.359
<v Speaker 2>this need case for it, whether it be in Hong

0:51:37.440 --> 0:51:40.680
<v Speaker 2>Kong or Singapore and popping up in those places, and

0:51:40.800 --> 0:51:43.040
<v Speaker 2>you know, we're I would say similar, like we're looking

0:51:43.040 --> 0:51:45.720
<v Speaker 2>to do one in Dubai. We want to do Paris

0:51:45.840 --> 0:51:48.400
<v Speaker 2>or maybe London. So I think it you know, there

0:51:48.440 --> 0:51:50.680
<v Speaker 2>will be a time where there will be you know,

0:51:50.840 --> 0:51:53.840
<v Speaker 2>complex con is almost this like traveling circus model, and

0:51:53.880 --> 0:51:56.879
<v Speaker 2>it's popping up in these different places and doing really

0:51:57.000 --> 0:52:00.759
<v Speaker 2>unique experiences and merch drops and live content and all

0:52:00.760 --> 0:52:01.520
<v Speaker 2>of that coming together.

0:52:02.200 --> 0:52:06.839
<v Speaker 1>What's what's your thoughts on the creator economy. A lot

0:52:06.880 --> 0:52:08.799
<v Speaker 1>of people are saying that it's like a recession for

0:52:08.960 --> 0:52:13.239
<v Speaker 1>creators and a lot you have a few people at

0:52:13.239 --> 0:52:15.360
<v Speaker 1>the top that's doing well and the vast majority of

0:52:15.400 --> 0:52:19.439
<v Speaker 1>people that's making viral content never making any money. Yeah,

0:52:19.480 --> 0:52:23.160
<v Speaker 1>so is it sustainable? Like where do we go from

0:52:23.200 --> 0:52:26.719
<v Speaker 1>here as far as what has been coined as the

0:52:26.840 --> 0:52:28.200
<v Speaker 1>creator economy?

0:52:28.680 --> 0:52:28.919
<v Speaker 8>Yeah?

0:52:30.200 --> 0:52:34.920
<v Speaker 2>Uh. I think you know, a lot of people flooded

0:52:34.960 --> 0:52:38.560
<v Speaker 2>the zone, right, so there's a there's a dearth of

0:52:38.880 --> 0:52:44.279
<v Speaker 2>creators out there. I think, you know, the people that

0:52:44.320 --> 0:52:47.440
<v Speaker 2>are doing super well there they are they've found a

0:52:47.560 --> 0:52:49.920
<v Speaker 2>niche in a positive way, and they're super serving that

0:52:50.000 --> 0:52:53.759
<v Speaker 2>consumer and they're adding value. I think those people, you know,

0:52:54.120 --> 0:52:56.839
<v Speaker 2>long term, will will flourish. They just have to figure

0:52:56.880 --> 0:52:59.520
<v Speaker 2>out how to monetize. I don't think the platforms, at

0:52:59.600 --> 0:53:01.120
<v Speaker 2>least in the current state, are going to be that

0:53:01.239 --> 0:53:03.960
<v Speaker 2>path like that's just to get you the exposure so

0:53:04.000 --> 0:53:07.440
<v Speaker 2>that brands like you know, Samsung or whoever want to

0:53:07.480 --> 0:53:10.279
<v Speaker 2>work with you. And then I think, you know, they

0:53:10.320 --> 0:53:13.080
<v Speaker 2>just need people that can help them get brand deals

0:53:13.120 --> 0:53:17.799
<v Speaker 2>and like explain to Samsung or you know, Meta or

0:53:17.880 --> 0:53:20.120
<v Speaker 2>ray Band whoever, it is, like, Hey, this is why

0:53:20.280 --> 0:53:22.600
<v Speaker 2>she or he is super important. This is their audience,

0:53:22.640 --> 0:53:26.160
<v Speaker 2>and this is how you can activate them clearly at

0:53:26.160 --> 0:53:29.400
<v Speaker 2>the top to your point, you know, like the mister

0:53:29.440 --> 0:53:33.200
<v Speaker 2>beasts of the world Logan and Jake Paul, like, you know,

0:53:33.280 --> 0:53:37.080
<v Speaker 2>they're you know, even Shannon Sharp. I think he's you know,

0:53:37.200 --> 0:53:39.600
<v Speaker 2>on you know, on well on his way to really

0:53:39.840 --> 0:53:44.440
<v Speaker 2>dominate in this new sort of like content paradigm. Those

0:53:44.480 --> 0:53:46.640
<v Speaker 2>people can branch out and do all other things, you know,

0:53:47.080 --> 0:53:51.800
<v Speaker 2>launch CpG brands, launch candy bar brands, become professional fighters,

0:53:51.840 --> 0:53:56.279
<v Speaker 2>like they really figured it out. The middle, I think

0:53:56.360 --> 0:53:58.359
<v Speaker 2>is the hardest part, right, Like it's like you're not

0:53:58.480 --> 0:54:00.880
<v Speaker 2>niche enough and specific enough to be seen as like

0:54:01.280 --> 0:54:04.360
<v Speaker 2>really corer an expert to whatever that community is. And

0:54:04.400 --> 0:54:06.400
<v Speaker 2>I think there's a lot of people in that segment

0:54:06.440 --> 0:54:11.120
<v Speaker 2>of like you know, the boyfriend girlfriend videos. It's like

0:54:11.120 --> 0:54:13.200
<v Speaker 2>like I don't know who wants to sponsor that I

0:54:13.840 --> 0:54:15.880
<v Speaker 2>don't can't figure out, like what's the value proposition?

0:54:16.080 --> 0:54:18.640
<v Speaker 1>Like how do you monetize that? Do you feel like

0:54:18.640 --> 0:54:20.959
<v Speaker 1>it's too much content? Because I was just thinking about

0:54:21.000 --> 0:54:24.719
<v Speaker 1>like even you know, previously you had sports and you

0:54:24.800 --> 0:54:27.520
<v Speaker 1>had news, and then you had like movies and stuff.

0:54:27.600 --> 0:54:30.400
<v Speaker 1>Right now now you have sports, you have news, you

0:54:30.440 --> 0:54:34.160
<v Speaker 1>have movies, but you have twenty four hour content that's

0:54:34.200 --> 0:54:39.680
<v Speaker 1>being produced on Instagram, TikTok and YouTube. It's it's an

0:54:39.760 --> 0:54:41.839
<v Speaker 1>unprecedented time in human history if you think.

0:54:41.760 --> 0:54:43.160
<v Speaker 2>About it, right, very democratic.

0:54:43.360 --> 0:54:49.120
<v Speaker 1>It's like a hurricane of content daily. Right, is this

0:54:50.640 --> 0:54:57.680
<v Speaker 1>oversaturating the media market to where it's devaluing real, actual

0:54:57.840 --> 0:55:00.680
<v Speaker 1>valuable content doesn't even mean thing anymore?

0:55:03.800 --> 0:55:06.040
<v Speaker 2>You could make that argument. I wouldn't make that argument

0:55:06.160 --> 0:55:09.280
<v Speaker 2>because I think when you make really high quality content,

0:55:11.000 --> 0:55:13.680
<v Speaker 2>it breaks through. Like we were talking about Speedy interviewing

0:55:13.719 --> 0:55:16.920
<v Speaker 2>Gorilla last week. It broke through right like he designed

0:55:17.080 --> 0:55:23.000
<v Speaker 2>that episode brilliantly creatively to have those moments where people

0:55:23.000 --> 0:55:26.839
<v Speaker 2>that know were like they flirting? Was he like embarrassed?

0:55:26.960 --> 0:55:28.879
<v Speaker 2>Was he cracking up? Could he not understand her?

0:55:28.920 --> 0:55:29.000
<v Speaker 8>Like?

0:55:29.040 --> 0:55:31.480
<v Speaker 2>He designed that whole thing to be a thing, right,

0:55:31.520 --> 0:55:34.359
<v Speaker 2>And it broke through, and like people that do that

0:55:35.360 --> 0:55:38.480
<v Speaker 2>I think will be successful. Is there a barrage of

0:55:38.560 --> 0:55:43.000
<v Speaker 2>like just nonsense and your friends posting eighteen hundred stories

0:55:43.000 --> 0:55:45.239
<v Speaker 2>that you don't need to look at? Sure, but the

0:55:45.320 --> 0:55:48.600
<v Speaker 2>high quality content I think will break through. I really

0:55:48.640 --> 0:55:51.359
<v Speaker 2>like all these platforms I think are for the betterment, right,

0:55:51.360 --> 0:55:55.799
<v Speaker 2>and it's giving more people at all more I think.

0:55:55.800 --> 0:55:59.719
<v Speaker 2>So it's giving people more access. I mean, like, I mean,

0:55:59.760 --> 0:56:03.040
<v Speaker 2>there's obviously there's obviously not nice people outs there.

0:56:03.120 --> 0:56:05.200
<v Speaker 1>Let's just be honest, right, the vast majority of content,

0:56:05.239 --> 0:56:07.680
<v Speaker 1>it's like the vast majority of music, the vast majority

0:56:07.680 --> 0:56:12.439
<v Speaker 1>of music is bad and it's it's detrimental. And that's

0:56:12.480 --> 0:56:17.560
<v Speaker 1>why specifically hip hop music is going down, right because previously,

0:56:18.280 --> 0:56:22.000
<v Speaker 1>like the Golden era, you had to really be talented

0:56:22.080 --> 0:56:24.479
<v Speaker 1>in order to be heard. Now anybody can be heard.

0:56:24.760 --> 0:56:30.719
<v Speaker 1>Now with that breaking up the barrier, you lose any

0:56:30.960 --> 0:56:35.120
<v Speaker 1>level of nostalgic moments. Quality of music is going down,

0:56:35.719 --> 0:56:38.160
<v Speaker 1>and it's hurt the entire genre.

0:56:39.760 --> 0:56:41.480
<v Speaker 2>Yeah, I can see the point you're making. I think

0:56:41.520 --> 0:56:45.920
<v Speaker 2>the point I'm making is, like you have in content,

0:56:46.200 --> 0:56:51.560
<v Speaker 2>you have these seismic consumer changes happening where like you know,

0:56:51.680 --> 0:56:56.080
<v Speaker 2>the average age of like news programming on linear television

0:56:56.120 --> 0:56:57.040
<v Speaker 2>is in its seventies.

0:56:57.120 --> 0:56:57.239
<v Speaker 8>Right.

0:56:57.280 --> 0:56:59.480
<v Speaker 2>That means there's someone like one hundred and four watching

0:56:59.520 --> 0:57:00.400
<v Speaker 2>it if the average is.

0:57:00.400 --> 0:57:03.080
<v Speaker 1>Seventy, right, so I watch it to average seventy.

0:57:02.880 --> 0:57:06.040
<v Speaker 2>Average is seventy MSNBC is seventy years old, right, That

0:57:06.120 --> 0:57:08.680
<v Speaker 2>means there's no one eighteen watching it? Literally no when

0:57:08.680 --> 0:57:13.760
<v Speaker 2>not one person? Right, and all of these social tools,

0:57:13.840 --> 0:57:15.399
<v Speaker 2>And I would agree some of it is not nice,

0:57:15.440 --> 0:57:16.520
<v Speaker 2>and some of it is not good, and some of

0:57:16.520 --> 0:57:19.720
<v Speaker 2>its low quality. But there are a lot of people

0:57:19.760 --> 0:57:24.560
<v Speaker 2>that wouldn't get the opportunity to create content and break through.

0:57:25.120 --> 0:57:28.960
<v Speaker 2>With there's such a reduction in friction that they can

0:57:29.040 --> 0:57:32.000
<v Speaker 2>have the opportunity to break through. And I do concur

0:57:32.080 --> 0:57:35.840
<v Speaker 2>with your point that it is important that it is

0:57:36.040 --> 0:57:40.160
<v Speaker 2>high quality, it's premium, it's scheduled, that it's done in

0:57:40.200 --> 0:57:42.560
<v Speaker 2>a methodical way. I do think that's more valuable, it's

0:57:42.560 --> 0:57:45.960
<v Speaker 2>more trustworthy. I think brands matter. Like you know, I

0:57:46.080 --> 0:57:50.280
<v Speaker 2>don't agree in this, Like you know, Jason Calacanis and

0:57:50.520 --> 0:57:54.800
<v Speaker 2>Chamoth Polyopatia that like Cinnisen, journalism is like gonna be

0:57:54.880 --> 0:57:57.000
<v Speaker 2>the thing, Like No, you guys are just all riding

0:57:57.040 --> 0:58:00.520
<v Speaker 2>Elon's you know, like wave right like this not true,

0:58:00.560 --> 0:58:03.040
<v Speaker 2>like citizen journalism. Yeah, maybe it's part of it. But

0:58:03.120 --> 0:58:05.680
<v Speaker 2>like I want journalists I can trust, right, I want

0:58:05.800 --> 0:58:07.240
<v Speaker 2>people with ethics.

0:58:07.120 --> 0:58:08.680
<v Speaker 1>Trust any journalists?

0:58:10.360 --> 0:58:15.360
<v Speaker 2>Can you trust anyone? But yeah, like I think nobody.

0:58:15.320 --> 0:58:18.640
<v Speaker 2>I think honestly, there are journalists and the journalists I've

0:58:18.640 --> 0:58:24.840
<v Speaker 2>worked with that they have boundaries, like you know, they

0:58:24.880 --> 0:58:27.160
<v Speaker 2>they will quit at a principle, they will not do

0:58:27.240 --> 0:58:29.520
<v Speaker 2>things out of principle. I think there are people that, like,

0:58:30.160 --> 0:58:33.320
<v Speaker 2>there's certainly people that the other way, right, that they

0:58:33.360 --> 0:58:38.800
<v Speaker 2>will trade you access to a famous musician to give

0:58:38.840 --> 0:58:41.480
<v Speaker 2>them a favorable whatever, right, because they want that access.

0:58:41.720 --> 0:58:44.840
<v Speaker 2>But then there's journalists that are hyper critical, right, and

0:58:44.840 --> 0:58:48.360
<v Speaker 2>and you know they won't bend those things. So I think,

0:58:48.440 --> 0:58:51.920
<v Speaker 2>you know, I do think the critical journalists are super important.

0:58:52.160 --> 0:58:57.200
<v Speaker 2>You know. I don't want to just see like you know, uh,

0:58:58.160 --> 0:59:00.480
<v Speaker 2>flattery of people, like you know, the podcas has to

0:59:00.680 --> 0:59:03.400
<v Speaker 2>I think it's called like founders or acquired one of them,

0:59:03.520 --> 0:59:06.560
<v Speaker 2>and they bring business people on, but there's no critique.

0:59:06.640 --> 0:59:10.120
<v Speaker 2>It's just like they're just lathering them with how great

0:59:10.160 --> 0:59:13.000
<v Speaker 2>they are. It's like, well, it's not journalism. That's just

0:59:13.760 --> 0:59:16.240
<v Speaker 2>you know, just a hype piece. It's just a biopic

0:59:16.360 --> 0:59:17.400
<v Speaker 2>in an audio format.

0:59:17.760 --> 0:59:21.120
<v Speaker 3>So and that theme, how do you stay youthful when

0:59:21.120 --> 0:59:22.440
<v Speaker 3>it comes to content creation?

0:59:22.520 --> 0:59:22.720
<v Speaker 1>Right?

0:59:22.760 --> 0:59:25.120
<v Speaker 3>You have Speedy be at a certain point and Speedy's great,

0:59:25.440 --> 0:59:26.040
<v Speaker 3>it's going to be a.

0:59:25.960 --> 0:59:28.480
<v Speaker 2>Demographic younger one. Yeah, right, So like that, even Speedy

0:59:28.520 --> 0:59:29.560
<v Speaker 2>pushes us, he does.

0:59:29.880 --> 0:59:30.800
<v Speaker 5>I think he's amazing.

0:59:30.840 --> 0:59:35.280
<v Speaker 2>But Speedy is critical of us around like who's the next? Yeah,

0:59:35.400 --> 0:59:38.440
<v Speaker 2>or hey, guys, how come you're crushing it on reels

0:59:38.480 --> 0:59:40.880
<v Speaker 2>but TikTok's not doing as well. You got to you

0:59:40.880 --> 0:59:42.280
<v Speaker 2>gotta go to get in there tinker with it. And

0:59:42.320 --> 0:59:45.080
<v Speaker 2>then they'll be like, hey, you're killing in TikTok, but

0:59:45.120 --> 0:59:47.720
<v Speaker 2>why are you killing in shorts? Like he's honest about that.

0:59:47.760 --> 0:59:51.560
<v Speaker 2>And I would say all the people that are, you know,

0:59:51.760 --> 0:59:54.320
<v Speaker 2>sort of on the content side, they tend to be

0:59:54.440 --> 0:59:58.920
<v Speaker 2>of that you know, you know, mid to late twenties

0:59:59.000 --> 1:00:01.560
<v Speaker 2>cohort the are you aware of that? And they are

1:00:01.600 --> 1:00:05.800
<v Speaker 2>pushing that agenda like they're you know, you know, sometimes

1:00:05.800 --> 1:00:08.360
<v Speaker 2>it's you know, makes this maybe be a little squirmish,

1:00:08.520 --> 1:00:10.560
<v Speaker 2>you know, but like they are pushing that, and I

1:00:10.600 --> 1:00:13.320
<v Speaker 2>think it's right you have to be obsessed with the

1:00:13.360 --> 1:00:14.400
<v Speaker 2>youth or you're gonna lose it.

1:00:14.520 --> 1:00:16.680
<v Speaker 3>Do they ever does it get to a point where

1:00:16.680 --> 1:00:19.439
<v Speaker 3>it's you seeing telling it and they're like, wait, that's

1:00:19.480 --> 1:00:20.560
<v Speaker 3>the person, that's the person.

1:00:21.400 --> 1:00:22.800
<v Speaker 5>Can we build around that person?

1:00:23.400 --> 1:00:28.280
<v Speaker 2>Sure? Like, are you guys familiar with them? She's new Gillian.

1:00:28.360 --> 1:00:31.200
<v Speaker 2>She's a new on air anchor for us on Complex New.

1:00:31.280 --> 1:00:33.120
<v Speaker 2>She's pretty new, like in the last couple of months,

1:00:34.000 --> 1:00:37.480
<v Speaker 2>but you know, discovered her totally organically. She was a

1:00:37.480 --> 1:00:42.080
<v Speaker 2>producer behind the camera. Cornell who used to be our

1:00:42.120 --> 1:00:45.960
<v Speaker 2>head of video. He now works with Kendrick at a

1:00:46.200 --> 1:00:48.760
<v Speaker 2>pg lang. He's like the president of pg lang and

1:00:48.800 --> 1:00:50.520
<v Speaker 2>he hit us up, Hey, we're doing the pop out.

1:00:50.520 --> 1:00:53.400
<v Speaker 2>We're doing this music video. And Compton. She happened to

1:00:53.440 --> 1:00:56.680
<v Speaker 2>be home in Compton, got her friend to hold the

1:00:56.760 --> 1:01:01.080
<v Speaker 2>camera right then, never been on camera before? Does this content?

1:01:01.120 --> 1:01:03.840
<v Speaker 2>It does like first day ten million views, second day

1:01:03.840 --> 1:01:05.640
<v Speaker 2>twenty million views, whatever? Right, she did like a ton

1:01:05.680 --> 1:01:10.400
<v Speaker 2>of content and we're like, oh, wow, you're a star,

1:01:10.600 --> 1:01:13.400
<v Speaker 2>Like we need to we need to get you in

1:01:13.440 --> 1:01:15.640
<v Speaker 2>front of the camera instead of back of the camera,

1:01:16.760 --> 1:01:19.240
<v Speaker 2>and we need to, you know, help you. Hone and

1:01:19.280 --> 1:01:24.760
<v Speaker 2>sharpen your skills. But we're constantly you know, Aria and

1:01:24.840 --> 1:01:31.560
<v Speaker 2>Know are constantly looking to find and develop new creators

1:01:31.600 --> 1:01:34.480
<v Speaker 2>and on you know, on screen and talent and like

1:01:34.800 --> 1:01:37.120
<v Speaker 2>you know, like you tell who's another one of our

1:01:37.640 --> 1:01:40.720
<v Speaker 2>on screen talent? Like Cornell got him out of like

1:01:40.760 --> 1:01:43.120
<v Speaker 2>flight club. He went into flight Club and the kid

1:01:43.200 --> 1:01:45.160
<v Speaker 2>was like just pitching him hard on like whatever the

1:01:45.200 --> 1:01:47.440
<v Speaker 2>shoes were, and he's like, huh do you want to

1:01:47.440 --> 1:01:50.360
<v Speaker 2>do like a screen test? And then like you know,

1:01:50.400 --> 1:01:51.800
<v Speaker 2>he's been with us for the last you know, three

1:01:51.880 --> 1:01:52.320
<v Speaker 2>four years.

1:01:52.360 --> 1:01:57.640
<v Speaker 1>Now, Well, there you have it. Appreciate the conversation.

1:01:57.720 --> 1:01:59.440
<v Speaker 2>Yeah, nice meeting you guys. Thanks for having me.

1:01:59.520 --> 1:01:59.920
<v Speaker 1>There's a plan.

1:02:00.200 --> 1:02:00.760
<v Speaker 5>It's a pleasure.

1:02:01.640 --> 1:02:04.960
<v Speaker 3>Can we end with some list? You love albums? You

1:02:05.000 --> 1:02:08.400
<v Speaker 3>love sneakers? Well, Illmatic was your favorite album?

1:02:08.480 --> 1:02:10.720
<v Speaker 2>Yeah, that's my favorite album? Well yeah that in't like

1:02:11.200 --> 1:02:15.240
<v Speaker 2>uh component Noriega's first album was probably Yeah, that's probably

1:02:15.320 --> 1:02:16.479
<v Speaker 2>my favorite of all time.

1:02:16.480 --> 1:02:18.000
<v Speaker 5>I haven't got my hands on the back.

1:02:18.560 --> 1:02:22.800
<v Speaker 2>Back in college, I had like a you know, like

1:02:22.360 --> 1:02:25.920
<v Speaker 2>a tape deck, you know, in the car and it

1:02:26.000 --> 1:02:28.320
<v Speaker 2>got stuck and you know how like it plays so

1:02:28.360 --> 1:02:30.040
<v Speaker 2>many times that water is down.

1:02:30.160 --> 1:02:32.040
<v Speaker 1>What's your favorite song on the album.

1:02:32.400 --> 1:02:33.800
<v Speaker 2>I don't know. There's so many, but I always I

1:02:33.800 --> 1:02:36.200
<v Speaker 2>always remember, you know, left rack is Iraq. That's like

1:02:36.280 --> 1:02:39.000
<v Speaker 2>my favorite piece of it. I don't know that that

1:02:39.160 --> 1:02:40.280
<v Speaker 2>album was like, so.

1:02:41.120 --> 1:02:41.640
<v Speaker 5>What's your favorite?

1:02:42.040 --> 1:02:43.600
<v Speaker 2>I think I got five mics and the source.

1:02:43.720 --> 1:02:45.920
<v Speaker 3>They revised it and went back and get it.

1:02:47.080 --> 1:02:48.360
<v Speaker 2>That was very that's a big debate.

1:02:49.520 --> 1:02:52.480
<v Speaker 1>My favorite song is Closer, but with which version? The

1:02:52.520 --> 1:02:57.200
<v Speaker 1>original version? Serious? For sure, I don't care for the

1:02:57.240 --> 1:02:57.840
<v Speaker 1>second version.

1:02:57.880 --> 1:02:58.800
<v Speaker 5>That's the best one.

1:02:59.120 --> 1:03:01.520
<v Speaker 1>No, it wasn't stick is my favorite one post and

1:03:01.560 --> 1:03:03.080
<v Speaker 1>then l A l A Is a good one too,

1:03:04.560 --> 1:03:06.200
<v Speaker 1>that's a really good one. Extended version.

1:03:07.360 --> 1:03:11.640
<v Speaker 3>Yeah, that's I think people will say the remix of

1:03:11.840 --> 1:03:14.680
<v Speaker 3>the L A l A is one album. Yeah, but

1:03:14.720 --> 1:03:17.160
<v Speaker 3>they switched to beat on some of the albums.

1:03:17.840 --> 1:03:19.440
<v Speaker 1>Well, only one album.

1:03:19.720 --> 1:03:23.080
<v Speaker 5>No, I'll play it, I'll play I'll play it for you.

1:03:23.120 --> 1:03:23.400
<v Speaker 5>I'll play.

1:03:23.680 --> 1:03:25.800
<v Speaker 2>Yeah, they did it. A second version of.

1:03:26.360 --> 1:03:30.280
<v Speaker 1>Yah blood money t O n y I was a

1:03:30.320 --> 1:03:32.520
<v Speaker 1>commercial song. I'm saying blood money for that was.

1:03:32.480 --> 1:03:32.919
<v Speaker 2>A good song.

1:03:33.840 --> 1:03:34.480
<v Speaker 1>The whole album.

1:03:36.680 --> 1:03:41.040
<v Speaker 2>It was a rare album that every song was like listenable,

1:03:41.200 --> 1:03:42.120
<v Speaker 2>A good song.

1:03:42.640 --> 1:03:46.080
<v Speaker 1>Like when I work out, it has good replay value.

1:03:46.240 --> 1:03:48.520
<v Speaker 2>It's interesting though it does sound like at this point

1:03:48.520 --> 1:03:54.959
<v Speaker 2>it doesn't sound modern, like yeah, but like I feel,

1:03:55.000 --> 1:03:56.520
<v Speaker 2>for like a long time I listened to and I

1:03:56.560 --> 1:03:58.360
<v Speaker 2>would never think like, oh that sounds like it's from

1:03:58.360 --> 1:03:59.880
<v Speaker 2>a different era. But now I listen to him, like,

1:04:00.000 --> 1:04:03.960
<v Speaker 2>oh wow, that that's I mean, what is that five

1:04:04.080 --> 1:04:04.560
<v Speaker 2>years ago?

1:04:06.720 --> 1:04:08.400
<v Speaker 3>And I told him I was the Molly ma remix.

1:04:08.640 --> 1:04:11.080
<v Speaker 3>The original has the West Coast beat, and then Molly

1:04:11.080 --> 1:04:12.200
<v Speaker 3>mal did a remix.

1:04:12.920 --> 1:04:15.560
<v Speaker 1>On the album. Yeah, there's only there's only one.

1:04:15.440 --> 1:04:19.000
<v Speaker 3>The Molly remix, but there was originally just the L

1:04:19.000 --> 1:04:23.720
<v Speaker 3>A L A just and debate, no debate that there's

1:04:23.720 --> 1:04:28.400
<v Speaker 3>two versions. I don't remember, but i'll play I'll play it, okay.

1:04:28.480 --> 1:04:30.720
<v Speaker 2>I just remember the cassette getting down to like that

1:04:30.920 --> 1:04:32.560
<v Speaker 2>sounded like it was underwater.

1:04:32.160 --> 1:04:34.640
<v Speaker 5>You know, like I let my take route to my

1:04:34.720 --> 1:04:35.360
<v Speaker 5>tip pop.

1:04:36.080 --> 1:04:38.600
<v Speaker 2>You know, or just you know, my little Honda c

1:04:38.800 --> 1:04:41.400
<v Speaker 2>r V. I couldn't, you know, afford to get a

1:04:41.480 --> 1:04:42.680
<v Speaker 2>new whatever it was.

1:04:42.720 --> 1:04:48.120
<v Speaker 1>Pioneer, yeah, and then Prodigy. Little known fact about that album.

1:04:48.640 --> 1:04:50.680
<v Speaker 1>He was supposed to he was supposed to be on

1:04:50.920 --> 1:04:53.000
<v Speaker 1>L A l A as a verse he's on as

1:04:53.000 --> 1:04:56.440
<v Speaker 1>a hook. But he gave his verse to nas for

1:04:57.600 --> 1:04:59.400
<v Speaker 1>the it was written album.

1:05:00.640 --> 1:05:02.640
<v Speaker 5>Uh, I'm taking the song.

1:05:04.360 --> 1:05:07.120
<v Speaker 2>I feel like you guys could do another podcast.

1:05:09.040 --> 1:05:13.440
<v Speaker 3>It I feel like that the expectation is like, of

1:05:13.480 --> 1:05:15.400
<v Speaker 3>course they can do that. Like it's like we could

1:05:15.400 --> 1:05:17.360
<v Speaker 3>do one on sports. Of course they can do that.

1:05:17.680 --> 1:05:19.120
<v Speaker 3>What we do nobody can do.

1:05:19.480 --> 1:05:24.160
<v Speaker 2>Yeah, but look, you've built the brand, why not create

1:05:24.800 --> 1:05:27.560
<v Speaker 2>sort of you know, you have fans on the left

1:05:27.600 --> 1:05:30.320
<v Speaker 2>and the right of the brand, create products for them.

1:05:30.360 --> 1:05:33.440
<v Speaker 2>It's you know, like I would imagine there's a very

1:05:33.480 --> 1:05:38.960
<v Speaker 2>specific brand and advertising group that wants to work with

1:05:39.000 --> 1:05:44.520
<v Speaker 2>you guys, right, like around financial literacy, et cetera. Sports

1:05:44.600 --> 1:05:47.680
<v Speaker 2>is everybody else, mus music is everybody else. I mean

1:05:47.680 --> 1:05:49.480
<v Speaker 2>the two bigges passion points in the world are music

1:05:49.520 --> 1:05:53.200
<v Speaker 2>and sports. Right, So like, just you know, if you

1:05:53.200 --> 1:06:01.800
<v Speaker 2>guys love money.

1:05:58.240 --> 1:05:59.280
<v Speaker 5>My friends over accomplix.

1:06:01.000 --> 1:06:03.960
<v Speaker 8>That's an idea, you know for sure.

1:06:04.880 --> 1:06:06.840
<v Speaker 2>But yeah, thanks for having me guys, just fun. We

1:06:06.880 --> 1:06:08.520
<v Speaker 2>appreciate you rating on all your success.

1:06:08.680 --> 1:06:10.120
<v Speaker 1>Appreciateank you appreciate it.

1:06:10.160 --> 1:06:13.840
<v Speaker 7>An illegal alien from Guatemala charged with raping a child

1:06:13.840 --> 1:06:17.640
<v Speaker 7>in Massachusetts. An MS thirteen gang member from Al Salvador

1:06:17.880 --> 1:06:22.040
<v Speaker 7>accused of murdering a Texas man of Venezuelan charged with

1:06:22.120 --> 1:06:26.000
<v Speaker 7>filming and selling child pornography in Michigan. These are just

1:06:26.080 --> 1:06:29.840
<v Speaker 7>some of the heinous migrant criminals caught because of President

1:06:29.880 --> 1:06:33.480
<v Speaker 7>Donald J. Trump's leadership. I'm Christy nom the United States

1:06:33.480 --> 1:06:38.280
<v Speaker 7>Secretary of Homeland Security. Under President Trump, attempted illegal border

1:06:38.320 --> 1:06:41.880
<v Speaker 7>crossings are at the lowest levels ever recorded, and over

1:06:41.920 --> 1:06:44.160
<v Speaker 7>one hundred thousand illegal aliens.

1:06:43.760 --> 1:06:44.560
<v Speaker 2>Have been arrested.

1:06:44.840 --> 1:06:48.400
<v Speaker 7>If you are here illegally, your next you will be

1:06:48.440 --> 1:06:52.320
<v Speaker 7>fine nearly one thousand dollars a day, imprisoned and deported,

1:06:52.800 --> 1:06:56.040
<v Speaker 7>you will never return. But if you register using our

1:06:56.040 --> 1:06:59.240
<v Speaker 7>CBP home app and leave now, you could be allowed

1:06:59.280 --> 1:07:04.240
<v Speaker 7>to return. Lee do what's right. Leave now. Under President Trump,

1:07:04.400 --> 1:07:08.000
<v Speaker 7>America's laws, border and families will be protected.

1:07:08.080 --> 1:07:10.240
<v Speaker 8>Sponsored by the United States Department of Homeland Security.