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Speaker 1: Your shows more important than any other mainstream media outlet.

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Speaker 1: Breakfast Club, you then will come here when it DJ

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Speaker 1: NFY and Charlamagne the guy being.

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Speaker 2: Here next to all of you guys, it's really this.

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Speaker 3: It's one of my favorite shows to do, just because

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Speaker 3: you'll always keeping one.

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Speaker 4: Honey, y'all, keep you real. But what better place than

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Speaker 4: than here.

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Speaker 5: I think everybody should go on the Breakfast Club and

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Speaker 5: start out and you'll want to.

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Speaker 2: Shake it up right right, ray yo, Charlomagne, Jamsey, what

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Speaker 2: up are we live? This is your time to get

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Speaker 2: it off your chest. I got an indoor pool, door pool.

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Speaker 2: We want to hear from you on the Breakfast Club.

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Speaker 6: Get on the phone right now.

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Speaker 4: He'll tell you what it is we live?

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Speaker 2: Hello, who is this?

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Speaker 7: I'm just sad at the older generation expecting that the

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Speaker 7: younger generation should retire the thing made because I'm at

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Speaker 7: work and I see these guys, you know, working man.

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Speaker 7: I'm just like, man, I can't be that old when

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Speaker 7: I retire.

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Speaker 3: Well you know what they say, Well, somebody told me

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Speaker 3: back in the day, retirement is not an age, it's

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Speaker 3: an income. I don't even know if I believe that anymore,

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Speaker 3: because there's people I know that make mad money, but

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Speaker 3: they just love what they do.

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Speaker 2: Yeah, a lot of people love to work.

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Speaker 8: And then a lot of people, you know, honestly don't

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Speaker 8: know how to prepare for the future. You also got

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Speaker 8: to think, you know, this is the generation where we're

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Speaker 8: starting to learn more about financial freedom. So a lot

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Speaker 8: of times, you know that the generation before us didn't

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Speaker 8: actually know how to retire, didn't know how to save

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Speaker 8: so they can retire.

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Speaker 2: So some people still have to work.

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Speaker 8: That's why when you see sometimes when you when you

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Speaker 8: go into those supermarkets and you go those places and

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Speaker 8: you see an older person working, you got to give

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Speaker 8: them patience and and help them out because sometimes they're

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Speaker 8: there because they have to and they're just trying to,

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Speaker 8: you know, get by like everybody else.

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Speaker 3: Yeah, and you know what they say when when you

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Speaker 3: stop moving, you know, you start to die.

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Speaker 2: Yeah, some people don't keep some people want to keep moving.

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Speaker 7: I guess that's maybe the profession I'm in, right, I'm

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Speaker 7: an electrician. I'm in a trade out of Vegas right now.

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Speaker 7: And I mean, these guys just don't want to retire.

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Speaker 7: They feel like they if they retire, they're gonna die.

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Speaker 9: Yeah, I mean that.

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Speaker 8: Could be a chance man, And I'll be honest, I'd

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Speaker 8: rather mess with an older electrician or older mechanic or

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Speaker 8: older doctor, because a lot of times.

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Speaker 2: They didn't see everything, they didn't been through it. You

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Speaker 2: know like that about your president? Well you don't feel like.

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Speaker 7: I feel like it should be an age captain president,

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Speaker 7: just like they got time you asked me.

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Speaker 3: Y'all want to y'all want everything else age, You want

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Speaker 3: your contact age, your electrician age.

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Speaker 2: But when it comes to your president, you don't want

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Speaker 2: know your own president.

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Speaker 8: You using a mechanic or electrician like they've been through

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Speaker 8: everything to see what works and what doesn't work. And

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Speaker 8: a lot of this new generation they rely on AI

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Speaker 8: or computers to see what's wrong rather than telling me.

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Speaker 3: But my president he keeps falling. Your president definitely keeps falling.

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Speaker 3: Tell you the president need a care give it?

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Speaker 2: Hello? Who says?

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Speaker 10: What's happy?

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Speaker 11: Hey?

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Speaker 2: What's up?

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Speaker 12: Bro?

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Speaker 2: Get off your chest?

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Speaker 10: Yeah, I'm just gonna you want to find out about

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Speaker 10: and put your son right?

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Speaker 2: Uh huh?

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Speaker 10: Why don't you when you watch Ted Lasso.

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Speaker 2: Ted Last hilarious, My wife loves Last.

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Speaker 10: You are not a whole edification on it. Man, You

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Speaker 10: be good. I just happened to stumble across it, and

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Speaker 10: it gave me a new love for football, for the

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Speaker 10: real football.

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Speaker 2: Are they serious? My wife watches that show. I don't

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Speaker 2: mean that show.

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Speaker 4: What's it about.

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Speaker 10: It's a comedy and it's a comedy, but at the

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Speaker 10: same time, it gives you. It tells you more like

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Speaker 10: when you have you're like a novice about soccer. It

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Speaker 10: gives you more than with the pitches. How they have training,

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Speaker 10: how we call it practice. They call it training. How

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Speaker 10: they we called it, they call it Bruce. It's just

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Speaker 10: little nuanced things that you pick up on just watching

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Speaker 10: the show. I just happened to stumble across it one

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Speaker 10: night because I was born, you know, I got hooked.

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Speaker 8: It's funny you said that because I'm watching my son.

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Speaker 8: He comes back to the call. He was like yeah,

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Speaker 8: he was like, yead, training was good today, And I'm

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Speaker 8: like training, you have practice.

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Speaker 2: He's like, no, that we trained you.

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Speaker 10: You know what I'm saying, because my son, My son

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Speaker 10: went to college on the football scholarship, so I'm used

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Speaker 10: to be you know, football is just a different dynamic.

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Speaker 10: But that amlicip football rather well, we would you get

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Speaker 10: more empaved and more invested in them. And like Charlom said, Yo,

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Speaker 10: they get.

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Speaker 8: Bread, bro paid, they get bread, They get bread. They

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Speaker 8: get injured a lot too. They say they have a

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Speaker 8: lot of CT problems with them. Head button, the ball

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Speaker 8: and all that.

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Speaker 2: Hello, who's this morning? I can hear you now, Good morning, mamma.

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Speaker 2: Get it off your chest?

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Speaker 8: Good morning, bus driver, he's bus drives envy.

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Speaker 13: I want my job.

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Speaker 2: I'm a post the picture. That's right. Yeah. I ran

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Speaker 2: into you at the airport we were heading to Aruba.

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Speaker 13: Right.

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Speaker 2: How you doing man? You're being safe out there. This

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Speaker 2: is our bus driver from the Bronx.

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Speaker 7: School to make good morning that you just called.

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Speaker 2: The sagod morning.

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Speaker 8: Right you be saying, I see a bus driver got

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Speaker 8: into an incident with somebody yesterday, so be safe out there.

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Speaker 13: Every day is something different in the Bronx.

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Speaker 2: Especially in the Bronx. The Brooks will be safe out Yeah.

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Speaker 2: But did you be the same person screaming BX at

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Speaker 2: the show.

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Speaker 8: No, I don't.

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Speaker 14: I'm trying to duck when I took duck and they say, I'm.

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Speaker 8: Like yes, yes, but get it off your chest. Eight

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Speaker 8: hundred and five eight five one oh five one. If

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Speaker 8: you need to vent hit us up. Now it's the

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Speaker 8: Breakfast Club.

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Speaker 15: Good morning, the Breakfast Club. Wait, this is your time

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Speaker 15: to get it off your chest. Eight hundred and five

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Speaker 15: eight five one o five one. We want to hear

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Speaker 15: from you on the Breakfast Club.

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Speaker 8: Hello, this this is actually hey Ashley, good morning.

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Speaker 10: Where you calling from Columbus?

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Speaker 2: Columbus? Okay, oh hi, get it off your chest mama.

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Speaker 16: Okay.

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Speaker 13: So I'm a stand her mom, but I also have

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Speaker 13: my business on the site, and I just feel like

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Speaker 13: my husband is just so it's considered half the time,

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Speaker 13: like he doesn't understand.

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Speaker 10: What I really do.

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Speaker 13: You know you like and a lot of us that

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Speaker 13: actually did.

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Speaker 8: You know how you can fix that, Ashley, go away

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Speaker 8: for a day and let him watch them six kids.

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Speaker 13: When I go away for a day, my kids they

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Speaker 13: called me. I told your dad. They'll be like, oh,

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Speaker 13: he's in the road.

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Speaker 2: Now.

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Speaker 8: You turn off your phone for one day that and

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Speaker 8: let him have to deal with feeding them kids, washing

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Speaker 8: those kids, taking the kids out.

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Speaker 2: Why are you giving this bad? But that's down because

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Speaker 2: you turned off her phone for one day, you'd have

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Speaker 2: a fit. But don't turn off your phone.

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Speaker 8: Actually, he doesn't appreciate her, so she's saying that she's

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Speaker 8: a stay at home mom and.

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Speaker 13: We've been together since high school, like he's the only

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Speaker 13: man I've ever been with, Like I really give everything,

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Speaker 13: that all my time to everybody.

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Speaker 16: Turn my kids.

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Speaker 2: Off for your and let him have to take care

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Speaker 2: of the kids.

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Speaker 8: And I bet you when you come back, he'd be like, baby,

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Speaker 8: please don't leave, baby, baby bait.

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Speaker 3: Don't turn your phone off for your husband. Man, because

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Speaker 3: envy would have a fit if he had turned off

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Speaker 3: the phone.

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Speaker 2: For him out. But I was training my wife.

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Speaker 3: I know how hard it is if six kids, you

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Speaker 3: still would have a fit if she turned her phone

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Speaker 3: off for day.

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Speaker 2: Imagine calling your wife. Imagine how many times we call

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Speaker 2: our wife a day and we can't get in touch

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Speaker 2: with every twenty five. He don't respect his wife, so

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Speaker 2: he cut it out of respect. I agree he did that.

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Speaker 17: But she's speaking for her and you're speaking for you,

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Speaker 17: So you respect your wife, But that doesn't speak to

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Speaker 17: how she feel about what you're present them. So he

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Speaker 17: could think he's respecting her and she may not feel it.

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Speaker 13: That's really but I voiced that too, because I do

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Speaker 13: understand that communication. It's Keith, and I voiced that and

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Speaker 13: I'll be like, well, I just want this, so I

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Speaker 13: just want that, and I'll be like okay, like in

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Speaker 13: the morning, don't wake me up and be like, well

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Speaker 13: I want And I.

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Speaker 7: Was like, well, I was up with about six months old.

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Speaker 13: I will lie somebody like me.

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Speaker 3: Respect is subjectives though, I was gonna say that to

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Speaker 3: respect and subjective. So I got to know what her

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Speaker 3: definition of feeling disrespected.

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Speaker 2: She just told me, you know what I'm saying, that's.

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Speaker 13: What I'm subject like. Especially I cared the wedding. I

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Speaker 13: had five other orders besides the wedding this weekend, and

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Speaker 13: I was just talk to every hour with the baby,

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Speaker 13: you know.

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Speaker 10: And he's also in the weekends, but he didn't.

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Speaker 13: Get up and help me. But they didn't want to

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Speaker 13: try to wake me up and then get attitude when

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Speaker 13: I'm like, no, get out my face.

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Speaker 8: You might just have to wake them up at three

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Speaker 8: o'clock in the morning, sit on his face and be like,

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Speaker 8: how does it feel now, that's you might have to

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Speaker 8: do that.

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Speaker 7: Good luck, thank you.

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Speaker 2: That's not disrespectful to men. You know what I'm saying.

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Speaker 2: In the morning, poor man, poor woman up with the

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Speaker 2: baby all night.

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Speaker 4: I get it.

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Speaker 2: That's not it might be inconsiderate, but disrespect that we

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Speaker 2: go and considerate because you love disrespectful to go the

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Speaker 2: other way. Right, chance something right? So it's like I'm

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Speaker 2: bringing it to your it's real talking. Hello, who's this

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Speaker 2: You good? Good?

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Speaker 18: Good?

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Speaker 2: Give it off your chest, Mama.

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Speaker 14: I am really upset my my husband this morning because

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Speaker 14: I had an accidentable Friday and when he changed up

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Speaker 14: a car he never carried over rental. So now I'm

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Speaker 14: having to freaking like get up brother in the morning.

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Speaker 14: He dropped my kids early, and we're going to have

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Speaker 14: to trouble all week because.

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Speaker 13: Of his idiots.

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Speaker 2: Like he's just like, damn, I feels like everybody husband

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Speaker 2: this morning.

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Speaker 14: How do you like that?

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Speaker 2: We we can't hear you because you're so upset that

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Speaker 2: you're yelling.

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Speaker 8: But all like we can hear is that you're mad

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Speaker 8: at your husband something about a rental car.

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Speaker 2: He didn't give it back and now you have to

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Speaker 2: do it and you want to wilight on his ass.

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Speaker 2: I thought he said you got.

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Speaker 14: Well, yeah, no, I got into a car accident on Friday.

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Speaker 14: It was my fault because I was rushing. But like

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Speaker 14: when he turns over, like when we changed cards. He

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Speaker 14: never put friends, like, how do you.

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Speaker 13: Sts on the insurance with I don't know, no one

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Speaker 13: figure out how to get to work back and forth

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Speaker 13: and we weren't opposite ways and opposite schedule.

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Speaker 2: Also he got he got the rental and you don't

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Speaker 2: have one.

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Speaker 14: You got No, he never put rental on when he changed.

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Speaker 2: Over cars, never put rent on it. I don't know

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Speaker 2: what they.

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Speaker 18: Do.

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Speaker 16: You know, when you get into an accident and you

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Speaker 16: have rental insurance.

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Speaker 2: Oh got you on the car, so you gotta pay

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Speaker 2: for the car that you.

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Speaker 14: Yeah, and it's like me and it's like we got

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Speaker 14: to pay for summer like cheap.

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Speaker 2: Well, you should have gotten your accident.

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Speaker 10: We both figured out.

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Speaker 2: I know, you shouldn't have got into an accident. Man,

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Speaker 2: it was your fault. You said that, but you know what, Okay, yeah,

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Speaker 2: it was my fault.

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Speaker 14: But however, this is why we have insurance, This is

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Speaker 14: why we the options on there.

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Speaker 17: What if somebody would have hit me?

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Speaker 2: It's not like all. It sound like both of y'all

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Speaker 2: blaming each other for things that out of y'all control.

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Speaker 8: And that's why I mean they should have put you

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Speaker 8: should have put insurance on your car. When people do

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Speaker 8: that because they'd be like, I'm never gonna get accent

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Speaker 8: why I got paid this extra?

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Speaker 2: That's what insurance.

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Speaker 3: And the same way you shouldn't have got into an accident.

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Speaker 3: He probably should have had insurance. But it's no need

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Speaker 3: for y'all to be pointing the finger at each other.

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Speaker 14: I understand that. But like now, our kids have to know.

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Speaker 14: Our kids have to be a yes to go drop

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Speaker 14: me if at work.

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Speaker 2: That's not You got to figure it out.

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Speaker 3: So that's life, you know what I'm saying. You got

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Speaker 3: to figure out how to pivot in sometimes in life.

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Speaker 3: So arguing now, yeah, you should go in the bedroom

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Speaker 3: right now, give him something. Lay show just make us.

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Speaker 10: Crazy, but it's been no'll be good, all right, I

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Speaker 10: have a go with mama.

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Speaker 2: Lay show.

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Speaker 5: Don't fix everything, guys, this most of the things. Yeah,

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Speaker 5: fix a lot, fix a lot.

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Speaker 2: Help us to sleep right, get it off your chest.

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Speaker 8: Eight hundred and five eighty five, one oh five one.

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Speaker 8: If you need to vent, hit us up now. It's

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Speaker 8: the Breakfast Club.

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Speaker 2: Good morning, the Breakfast Club.

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Speaker 19: Morning.

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Speaker 2: Everybody's Steve J. M. V.

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Speaker 8: Charlamagne the guy. We are the Breakfast Club. We got

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Speaker 8: a special guests in.

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Speaker 20: The building totally New York just right, tony ya, Yo,

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Speaker 20: you not has to bring it back right, whatever has

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Speaker 20: to bring Are you feeling brother, feeling good man running

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Speaker 20: around on y'all show.

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Speaker 2: I feel like you got a second win, yo, Like

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Speaker 2: it's been a second win, third win. Yeah.

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Speaker 18: I mean, you know, I'll see the way fifty work

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Speaker 18: and I'm like, yo, when he always be like, yo,

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Speaker 18: y'all lazy, y'all lazy. And I'm just realizing I thought

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Speaker 18: I was working when I wasn't. So during the COVID

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Speaker 18: it was just like a tough time, Like I'm sitting back,

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Speaker 18: wasn't no tours. I'm like, y' I gotta figure out

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Speaker 18: other things to do. So I started doing the music

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Speaker 18: and then I started, you know, messing with Flag lat TV,

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Speaker 18: and I just started realizing when you put your presence

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Speaker 18: out there to all these younger generations, the new kids

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Speaker 18: that really don't know us, they know g Unit or

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Speaker 18: some people do remember, like when I go on tour,

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Speaker 18: it'd be like, yeah, my father used to play or

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Speaker 18: my moms used to play Gen Unit, so it passed

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Speaker 18: down to that generation. So I'm going on my own

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Speaker 18: tours and you know, I'm just making myself valuable man,

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Speaker 18: putting that work in.

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Speaker 2: That upset you when you heard fifty day always lazy.

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Speaker 18: Nah, Not even that motivates because at a point sometimes

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Speaker 18: you do get lazy. Our careers. We was kind of spoiled.

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Speaker 18: Think about it. We had fifty where he was doing

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Speaker 18: everything for us. So as for like when we was

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Speaker 18: coming out, you had the young guns, for instance, I

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Speaker 18: remember Harvan saying, Jay is not gonna do what fifty

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Speaker 18: does for young guns. He was saying it in front

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Speaker 18: of their face. Y'all got fifty like fifty was, you know,

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Speaker 18: help us be in the videos. I can beg for that.

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Speaker 18: When he dropped, he when he shold eleven million records,

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Speaker 18: he drove, begged for mercy. You know what I'm saying.

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Speaker 18: I was in jail, you know, him and Eminem was

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Speaker 18: shotting me out. So I always showed my love to him.

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Speaker 18: I know how fifty is he you know, y'all the

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Speaker 18: same sign y'all crazy.

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Speaker 20: You know.

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Speaker 2: So it's a all good, you know.

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Speaker 18: But it just motivated me to work because I see

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Speaker 18: how he worked.

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Speaker 2: We'll be on tour.

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Speaker 18: We'll leave tour to go on movie set, go back,

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Speaker 18: go to the gym, twice a day.

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Speaker 2: I'm tired, you know.

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Speaker 3: I mean the Free Aale movement was a movement within itself,

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Speaker 3: Like I don't think we talk about about that, and

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Speaker 3: I don't know why. Randomly, I was thinking the other

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Speaker 3: day about when they shouted you out of there. I

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Speaker 3: think it was the Grand It was Eminem And that's

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Speaker 3: why I always shout out Eminem. You know what I'm saying,

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Speaker 3: Because he didn't have to do that. I was on

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Speaker 3: right because allen Ce seventy three too low.

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Speaker 8: Now this move right here, this hand in front of

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Speaker 8: the face. Where did that move come from? Because you know,

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Speaker 8: of course we've known you doing that for years. Where

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Speaker 8: did that come to?

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Speaker 18: That really came because I was on the run, like

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Speaker 18: I was at that point when we was in the club,

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Speaker 18: I was running like fifty was like yo. He said

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Speaker 18: to me, you know we had this judge, Judge Wong

360
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Speaker 18: and Queen's everybody knowing no joke, and he was like, Yo,

361
00:14:00,440 --> 00:14:02,120
Speaker 18: what are you gonna do? You're gonna go to court

362
00:14:02,679 --> 00:14:05,440
Speaker 18: or go on tour and we're blowing up now mixtapes

363
00:14:05,440 --> 00:14:09,560
Speaker 18: are crazy, but playing us everywhere, I'm like, yo, I'm running.

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Speaker 2: So when you're John Cena, just I guess jacket.

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Speaker 18: John Cena, he gives you credit, right, John Cena said,

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Speaker 18: his little brother, I believe did it, and his little

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Speaker 18: brother did him to do it, and I guess he

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Speaker 18: did it in the match. And it just got crazy

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Speaker 18: when you see the Reese doing what did you doate?

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Speaker 18: She made it, She took it to a whole other level.

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Speaker 18: She brought it back, had me trending for shelter, She

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Speaker 18: had me trending for you know, the whole week, and

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Speaker 18: then did it before her, right, Yeah. So it was

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Speaker 18: just like I mean, with that situation was crazy because

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Speaker 18: like you said, the black girl did it and it

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Speaker 18: was a problem then when before, Yeah, it was a problem.

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Speaker 18: So I addressed that, you know what I mean. I

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Speaker 18: talked about that too. That's crazy because when we playing

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Speaker 18: ball in the hood, you know, it's competitive.

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Speaker 2: Whatever you do, when you do your call shows, you

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Speaker 2: in competition.

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Speaker 9: That's right.

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Speaker 18: I see you go at people here. Y'all got the

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Speaker 18: best call shows in the world. None of y'all can

385
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Speaker 18: mess with me. I don't know how you get all

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Speaker 18: these cars.

387
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Speaker 2: You said it, not me, but that.

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Speaker 18: I told fifty he might as well just leave all

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Speaker 18: his cars with you brother.

390
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Speaker 2: You know, Fifth calls me and he'd be like, let

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Speaker 2: me get the call and I'll give him back his call.

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Speaker 8: You know, I usually have his Lambo or his Rolls

393
00:15:13,400 --> 00:15:15,520
Speaker 8: Royce and he driving for one day and then it sits,

394
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Speaker 8: and then he loses the key, and then I gotta

395
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Speaker 8: go get it again.

396
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Speaker 4: Playing around.

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Speaker 8: I want to go back, right, I know, yeah, you

398
00:15:23,000 --> 00:15:25,960
Speaker 8: a long time. Where do you think in your career

399
00:15:26,160 --> 00:15:28,400
Speaker 8: happened where you didn't go to that next level?

400
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Speaker 18: Right?

401
00:15:29,120 --> 00:15:30,840
Speaker 2: And I asked Fifty that and he said he thinks

402
00:15:31,040 --> 00:15:33,720
Speaker 2: it was the picking of the wrong single. What do

403
00:15:33,800 --> 00:15:35,120
Speaker 2: you what do you think it was interesting?

404
00:15:35,440 --> 00:15:37,040
Speaker 18: I think it was just a lot of drama within

405
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Speaker 18: the scope. When I came home, you know what I mean.

406
00:15:39,040 --> 00:15:41,840
Speaker 18: You had Fifty, he was Curtis, I'm Curtis Inerscope Jackson,

407
00:15:42,480 --> 00:15:45,440
Speaker 18: you know, and Jimmy ivin. You know, you had Game flipping,

408
00:15:45,600 --> 00:15:47,960
Speaker 18: and like it was just confusing to me because I

409
00:15:48,080 --> 00:15:51,160
Speaker 18: was on Game album and then you know, the game

410
00:15:51,240 --> 00:15:53,880
Speaker 18: thing happened and it was like, Yo, he's on the

411
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Speaker 18: same label as us, so why did he not just

412
00:15:56,120 --> 00:15:58,200
Speaker 18: get rid of him? You know, Fifty so more reckless

413
00:15:58,200 --> 00:15:59,960
Speaker 18: than the moment whatever it was like it was like

414
00:16:00,400 --> 00:16:02,160
Speaker 18: it was like a war in our own house because

415
00:16:02,160 --> 00:16:05,640
Speaker 18: you had record, you had the thing, Yes, I.

416
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Speaker 2: Had social doctor you don't love me?

417
00:16:07,360 --> 00:16:09,160
Speaker 18: Had I know you don't love me and pimping right,

418
00:16:09,760 --> 00:16:11,800
Speaker 18: But you gotta remember I came in the midst of

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00:16:12,000 --> 00:16:16,080
Speaker 18: the fifty in the Scope drama con he was I'm

420
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Speaker 18: my own boss, you know how to you know how?

421
00:16:19,040 --> 00:16:21,480
Speaker 18: So I think sometimes and at that point we had

422
00:16:21,520 --> 00:16:23,440
Speaker 18: so many enemies. It was like we wasn't getting a

423
00:16:23,480 --> 00:16:25,720
Speaker 18: feature or nothing like you wasn't like we came to

424
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Speaker 18: a point where we never used anybody, like it was

425
00:16:28,360 --> 00:16:31,880
Speaker 18: just me Banks in fifty. You know, fifty never looked

426
00:16:31,920 --> 00:16:34,280
Speaker 18: to do features with nobody, so you know how it is.

427
00:16:34,400 --> 00:16:36,760
Speaker 18: It felt like everybody was against stuffs at that point

428
00:16:36,760 --> 00:16:38,680
Speaker 18: because nobody really messed with fifty in the industry, like

429
00:16:38,720 --> 00:16:39,480
Speaker 18: that'll mess with us.

430
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Speaker 2: That's what it was. The crazy story that you was like,

431
00:16:42,080 --> 00:16:43,240
Speaker 2: we might not make it out of here.

432
00:16:44,360 --> 00:16:46,560
Speaker 18: I wouldn't say we we were scared, but I could

433
00:16:46,600 --> 00:16:49,440
Speaker 18: say it was the Vibe Awards when we seen Shooe

434
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Speaker 18: Knight and earth Gotti and they walked past the trailer.

435
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Speaker 4: It is what it is.

436
00:16:53,800 --> 00:16:55,520
Speaker 18: We in New York but we in LA. You know

437
00:16:55,560 --> 00:16:57,320
Speaker 18: what I'm saying. We New York dudes, We in La.

438
00:16:57,640 --> 00:16:59,080
Speaker 18: You know what I'm saying. So you see Shook Knight.

439
00:16:59,080 --> 00:17:02,160
Speaker 18: You always heard about this guy, you know TV magazines,

440
00:17:02,200 --> 00:17:04,159
Speaker 18: but you know I never had in the club was

441
00:17:04,160 --> 00:17:06,480
Speaker 18: the first running, but this was the second. So he

442
00:17:06,560 --> 00:17:09,960
Speaker 18: walks past the trailer with EARV and fifty. Just look

443
00:17:10,000 --> 00:17:12,600
Speaker 18: at James Cruise. James Cruse, you know, shout to him.

444
00:17:12,600 --> 00:17:14,720
Speaker 18: He was a little Shames Scrus is always in a situation.

445
00:17:15,240 --> 00:17:17,879
Speaker 18: Industry guy. He got to run around with fifty bulletpoof vests.

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Speaker 18: You know, Chris Lidy was in the trenches.

447
00:17:19,880 --> 00:17:20,320
Speaker 2: It's crazy.

448
00:17:20,600 --> 00:17:22,800
Speaker 18: So he just tapped James CRUs and say, yo, go

449
00:17:22,960 --> 00:17:24,199
Speaker 18: buy twenty knoives, go.

450
00:17:24,240 --> 00:17:25,080
Speaker 2: By twenty knobs.

451
00:17:25,200 --> 00:17:27,720
Speaker 18: Yeah, just go to the Hallway store. I'm like, that's

452
00:17:27,760 --> 00:17:30,479
Speaker 18: what we're gonna do. Just seem you know, they might

453
00:17:30,560 --> 00:17:33,840
Speaker 18: get crazy. It was about twenty to fifteen or or

454
00:17:33,920 --> 00:17:35,840
Speaker 18: something like that. So James Cruse goes to the Hallway

455
00:17:35,920 --> 00:17:38,960
Speaker 18: store by twenty knives. He gives the bags fifty, handing

456
00:17:39,000 --> 00:17:40,720
Speaker 18: them out and then you know when we got there,

457
00:17:40,760 --> 00:17:42,040
Speaker 18: we had beef with Fat Joe.

458
00:17:42,160 --> 00:17:42,680
Speaker 2: At that point.

459
00:17:43,400 --> 00:17:45,480
Speaker 18: We doctor Dre's there, so you know that's obviously a

460
00:17:45,520 --> 00:17:46,280
Speaker 18: beef for shig Knight.

461
00:17:46,359 --> 00:17:47,600
Speaker 4: Shi Night got like some.

462
00:17:47,680 --> 00:17:50,280
Speaker 18: Crazy looking Compton looking dudes with him, you know what

463
00:17:50,320 --> 00:17:52,359
Speaker 18: I'm saying. So it just you felt the energy to

464
00:17:52,400 --> 00:17:54,720
Speaker 18: where we had our chairs like this. You're watching the show,

465
00:17:54,960 --> 00:17:56,879
Speaker 18: watch watching the show. We had this like yo, you

466
00:17:57,000 --> 00:17:59,560
Speaker 18: felt the energy like you felt something was gonna go down.

467
00:18:00,080 --> 00:18:02,639
Speaker 18: And that's when you know we wasn't taking pictures back then.

468
00:18:02,680 --> 00:18:05,240
Speaker 18: So I guess he has Dre for the autograph pops

469
00:18:05,280 --> 00:18:07,679
Speaker 18: on Dre Dra falls, but he alady might get up

470
00:18:08,160 --> 00:18:10,399
Speaker 18: start popping on him, and it just got crazy. Na

471
00:18:10,440 --> 00:18:12,320
Speaker 18: I started coming from everywhere, and that's when you know

472
00:18:12,440 --> 00:18:13,600
Speaker 18: one of the dudes got stabbed.

473
00:18:13,800 --> 00:18:15,560
Speaker 2: So my question is if there was twenty knins, how

474
00:18:15,640 --> 00:18:17,040
Speaker 2: come only young Buck didn't stab him?

475
00:18:17,280 --> 00:18:19,400
Speaker 18: No, that dude got stabbed in the chest. Young Buck

476
00:18:19,440 --> 00:18:21,320
Speaker 18: stabbed him with a fuck. I don't know where that got.

477
00:18:23,400 --> 00:18:24,080
Speaker 18: I don't know where you.

478
00:18:25,600 --> 00:18:27,960
Speaker 2: Just came with the fault. Nobody gave bucket knife. Nah,

479
00:18:28,000 --> 00:18:31,359
Speaker 2: but no, I don't know what. That's why I was tripping.

480
00:18:31,400 --> 00:18:32,159
Speaker 2: I know I had one.

481
00:18:32,240 --> 00:18:34,760
Speaker 18: Anybody else did you know what I'm saying? But Buck,

482
00:18:34,880 --> 00:18:36,800
Speaker 18: matter of fact him and Banks was backstage.

483
00:18:37,240 --> 00:18:37,840
Speaker 2: They was about to.

484
00:18:37,840 --> 00:18:41,199
Speaker 18: Perform, and he just came with the fuck as soon

485
00:18:41,240 --> 00:18:43,800
Speaker 18: as they started talking that time, when they started, we

486
00:18:43,880 --> 00:18:46,359
Speaker 18: went back to the mansion after that happened because the

487
00:18:46,440 --> 00:18:48,600
Speaker 18: kid got stabbed in the chests. He collapsed everything. The

488
00:18:48,680 --> 00:18:51,600
Speaker 18: fork wasn't nothing, And we got back to the mansion

489
00:18:51,680 --> 00:18:53,920
Speaker 18: and it was on the news. It was like attempted murder,

490
00:18:54,040 --> 00:18:56,000
Speaker 18: young Buck. Young Buck was like, I ain't do that, mate,

491
00:18:59,600 --> 00:19:02,800
Speaker 18: switch up with that time. That's why be standing out

492
00:19:04,760 --> 00:19:07,080
Speaker 18: was like, I ain't do that, man, because your buck

493
00:19:07,119 --> 00:19:08,760
Speaker 18: hit him with the funck. He ain't stabbing him in

494
00:19:08,800 --> 00:19:09,120
Speaker 18: the chest.

495
00:19:11,040 --> 00:19:13,600
Speaker 2: He kind of ran with the story though, didn't. I mean,

496
00:19:13,640 --> 00:19:17,480
Speaker 2: you know, come on, man, Rappers man, we got more

497
00:19:17,520 --> 00:19:20,160
Speaker 2: with Tony Yao. When we come back to Breakfast Club.

498
00:19:20,240 --> 00:19:25,480
Speaker 2: Good morning, the Breakfast Club Morning.

499
00:19:25,520 --> 00:19:28,800
Speaker 8: Everybody's d j Envy Charlamagne the guy. We are the

500
00:19:28,840 --> 00:19:31,480
Speaker 8: Breakfast Club. Our co host B Scott is here and

501
00:19:31,520 --> 00:19:32,920
Speaker 8: we're still kicking it with Tony Yao.

502
00:19:33,040 --> 00:19:33,520
Speaker 2: Charlamagne.

503
00:19:33,680 --> 00:19:35,600
Speaker 3: What about that stabbing when you talk you mentioned it

504
00:19:35,680 --> 00:19:39,240
Speaker 3: briefly though, Oh and Sony, yeah, was it a real stabbing.

505
00:19:39,480 --> 00:19:42,760
Speaker 18: It was a real stabbing. I'm gonna tell you what happened.

506
00:19:42,800 --> 00:19:42,960
Speaker 2: Man.

507
00:19:43,200 --> 00:19:46,879
Speaker 18: We was in the studio and that was that's Sony, right, Sony.

508
00:19:46,880 --> 00:19:48,800
Speaker 18: Remember they had the one across the street and they

509
00:19:48,880 --> 00:19:49,760
Speaker 18: had the big building, the.

510
00:19:49,760 --> 00:19:52,000
Speaker 8: Big buildings where everybody would say Michael Jackson would take

511
00:19:52,000 --> 00:19:53,000
Speaker 8: on the rooms, right right.

512
00:19:53,400 --> 00:19:57,440
Speaker 18: So we walking in and at that time, I think

513
00:19:57,480 --> 00:19:59,520
Speaker 18: we've seen Wyd Cleft and you know, I think I

514
00:19:59,560 --> 00:20:03,159
Speaker 18: think was there was Haitian Jack, then Haitian Jack. We

515
00:20:03,200 --> 00:20:07,040
Speaker 18: see them in the lobby. It's just me and fifty. Yeah,

516
00:20:07,080 --> 00:20:09,480
Speaker 18: you know back, Yeah, they was all in the lobby

517
00:20:09,560 --> 00:20:13,399
Speaker 18: with Cleft. We've seen Clef and I think Prizewell was

518
00:20:13,440 --> 00:20:16,719
Speaker 18: there too or whatever. So you know, we go upstairs,

519
00:20:16,800 --> 00:20:18,399
Speaker 18: but we're not worried about Fifth. I swear have got

520
00:20:18,480 --> 00:20:20,040
Speaker 18: fifth got I don't got nothing on me. Fifth got

521
00:20:20,080 --> 00:20:23,320
Speaker 18: a fourth to fifth, No safety on them. We go upstairs.

522
00:20:23,520 --> 00:20:26,680
Speaker 18: We got a session. So Clark Kent, his nephew, ended

523
00:20:26,720 --> 00:20:29,280
Speaker 18: up being a DJ Giz. But Giz was not really

524
00:20:29,320 --> 00:20:32,119
Speaker 18: a street dude. He was just a cool dude, you know,

525
00:20:32,200 --> 00:20:34,120
Speaker 18: shout to Clark Kent. He was just like, yo, here, fifty,

526
00:20:34,480 --> 00:20:35,359
Speaker 18: I got a DJ for you.

527
00:20:35,560 --> 00:20:39,440
Speaker 2: Right. So we go in the studio we're supposed to record. Now.

528
00:20:39,520 --> 00:20:42,320
Speaker 18: The studio is small. It's a small room and it's

529
00:20:42,359 --> 00:20:47,000
Speaker 18: a small hallway. So in the next room is Tony Poke.

530
00:20:47,040 --> 00:20:49,960
Speaker 18: They working on beats, and me, fifty and Gears is

531
00:20:50,000 --> 00:20:52,240
Speaker 18: in the room with the enginet. Forgot what fifty was

532
00:20:52,280 --> 00:20:54,399
Speaker 18: working on. I guess I'm gonna keep it real. I

533
00:20:54,400 --> 00:20:58,120
Speaker 18: don't know was sin of Sony. I think in my mind,

534
00:20:58,160 --> 00:21:01,359
Speaker 18: I think Prizewell said something. I don't know why, like

535
00:21:01,480 --> 00:21:05,080
Speaker 18: he must, you know we he I think he said something,

536
00:21:05,280 --> 00:21:09,280
Speaker 18: keep it really. I don't think this true, trust me.

537
00:21:09,400 --> 00:21:11,159
Speaker 18: That was the information that was you know what I

538
00:21:11,240 --> 00:21:14,160
Speaker 18: mean that prize Well said something to Jah ruined him.

539
00:21:14,720 --> 00:21:17,360
Speaker 2: So we in the room. You just hear boo boo

540
00:21:17,359 --> 00:21:20,159
Speaker 2: boo commotion. These dudes come in like it's.

541
00:21:20,040 --> 00:21:21,320
Speaker 18: A movie, like, yo, what's up now?

542
00:21:21,560 --> 00:21:22,040
Speaker 2: But they ain't.

543
00:21:22,520 --> 00:21:25,000
Speaker 18: It's no guns, nothing, it's nothing really. All you see

544
00:21:25,040 --> 00:21:28,320
Speaker 18: his crutches and like like stuff picked up from the studio.

545
00:21:28,960 --> 00:21:30,760
Speaker 18: And I guess one of them had like a kitchen knight.

546
00:21:31,119 --> 00:21:33,840
Speaker 18: So it was was Earth the No, it was Earth Brother.

547
00:21:34,280 --> 00:21:37,000
Speaker 18: I think it was Black Child at that point, Joe,

548
00:21:37,520 --> 00:21:39,959
Speaker 18: I think somebody else. But so we started to get

549
00:21:40,000 --> 00:21:42,120
Speaker 18: it on. Nobody turned off the light while we're getting

550
00:21:42,119 --> 00:21:44,399
Speaker 18: it on. The light like turned off because you know how,

551
00:21:45,359 --> 00:21:46,399
Speaker 18: somebody bump into the switch.

552
00:21:47,000 --> 00:21:47,600
Speaker 2: So we fighting.

553
00:21:47,680 --> 00:21:49,480
Speaker 18: Everything is dark. You don't know what's going on. You

554
00:21:49,600 --> 00:21:52,200
Speaker 18: just hit melee so or you heard get the gun.

555
00:21:52,760 --> 00:21:54,560
Speaker 18: You know, Fish bluffed them because the gun was in

556
00:21:54,600 --> 00:21:56,320
Speaker 18: the other room. That's why I said, Jo ruin. He

557
00:21:56,320 --> 00:21:58,760
Speaker 18: wouldn't even be it. He would have been gone. Like

558
00:21:59,480 --> 00:22:01,520
Speaker 18: our career, this would have been totally different if that

559
00:22:01,680 --> 00:22:03,760
Speaker 18: gun was in that room. And I swear on my

560
00:22:03,840 --> 00:22:06,200
Speaker 18: dead father, like I'm telling you the truth. The gun

561
00:22:06,320 --> 00:22:08,640
Speaker 18: was in the other room. I've seen it. I'm saying

562
00:22:08,680 --> 00:22:10,800
Speaker 18: with my own two hours they come in, we get

563
00:22:10,840 --> 00:22:12,200
Speaker 18: it on, Boom boo boom, get the gun.

564
00:22:12,320 --> 00:22:12,920
Speaker 2: They run out.

565
00:22:12,960 --> 00:22:14,680
Speaker 18: Fifty or speak at one of them. I don't know

566
00:22:14,720 --> 00:22:17,320
Speaker 18: if it was earth brother whoever. I seen him through

567
00:22:17,359 --> 00:22:19,680
Speaker 18: speaking said get the gun. Once they hurt, get the gun.

568
00:22:19,880 --> 00:22:22,359
Speaker 18: Everybody started running out. But the gun was in the

569
00:22:22,440 --> 00:22:24,479
Speaker 18: other room, and that was it. Fifty had a scratch

570
00:22:24,520 --> 00:22:27,000
Speaker 18: on his back right and I got stabbed in my

571
00:22:27,119 --> 00:22:29,720
Speaker 18: hands and my finger was like cut right here. So

572
00:22:29,840 --> 00:22:32,320
Speaker 18: look it looked crazy because it was hanging a little bit.

573
00:22:32,680 --> 00:22:35,080
Speaker 18: But look, this is all I got that and that

574
00:22:35,400 --> 00:22:35,680
Speaker 18: that was it.

575
00:22:35,800 --> 00:22:37,560
Speaker 3: You got to think about how blessed y'all are, because

576
00:22:37,640 --> 00:22:40,000
Speaker 3: think about all the violence y'all escape, because I ain't

577
00:22:40,040 --> 00:22:42,240
Speaker 3: never even heard about the shooting that happened before the

578
00:22:42,280 --> 00:22:44,120
Speaker 3: young man got slapped, right.

579
00:22:44,240 --> 00:22:47,040
Speaker 18: Nah, but it's after that house get yeah, yeah, it's cool.

580
00:22:47,080 --> 00:22:48,760
Speaker 18: But I always looked at it like this, bro, if

581
00:22:48,800 --> 00:22:50,639
Speaker 18: I slapped your kid or your kid, what are you

582
00:22:50,720 --> 00:22:54,040
Speaker 18: gonna You're gonna you got the right, it's all gloves

583
00:22:54,119 --> 00:22:55,080
Speaker 18: off and it's all good.

584
00:22:55,280 --> 00:22:57,240
Speaker 3: But then y'all g unit officers got shot up before

585
00:22:57,600 --> 00:22:59,280
Speaker 3: y'all missed. A lot of bullets, is what I'm saying.

586
00:23:00,720 --> 00:23:01,560
Speaker 4: I'm a crib like.

587
00:23:01,720 --> 00:23:03,320
Speaker 2: It was a lot of bullet you know. It's crazy.

588
00:23:03,359 --> 00:23:05,119
Speaker 18: And I always think God, like I always seen my

589
00:23:05,200 --> 00:23:06,959
Speaker 18: prayers before I left the house, because I remember one

590
00:23:07,040 --> 00:23:09,320
Speaker 18: day I had a plaque and people won't even believe

591
00:23:09,320 --> 00:23:11,680
Speaker 18: his story, and a bullet fell out of it and

592
00:23:11,760 --> 00:23:12,639
Speaker 18: my father found it.

593
00:23:12,720 --> 00:23:13,399
Speaker 2: He was staying with me.

594
00:23:13,440 --> 00:23:13,880
Speaker 4: At the time.

595
00:23:14,200 --> 00:23:16,159
Speaker 18: The next day, my mom's crib got shot up, or

596
00:23:16,200 --> 00:23:18,400
Speaker 18: could have been the same day, like when my mom's

597
00:23:18,440 --> 00:23:20,040
Speaker 18: crib got shot up. So I mean, you know, God

598
00:23:20,200 --> 00:23:22,480
Speaker 18: is good, bro, A bullet your plaque a bullet Like

599
00:23:22,520 --> 00:23:24,960
Speaker 18: I had a fifty cent plaque and it got bullets

600
00:23:25,000 --> 00:23:27,560
Speaker 18: in it and it's above my door, and my father

601
00:23:27,640 --> 00:23:29,359
Speaker 18: found it. He's like if somebody shot the house up,

602
00:23:29,400 --> 00:23:30,359
Speaker 18: And I'm like, nah, that fell.

603
00:23:30,240 --> 00:23:30,800
Speaker 4: Off the plaque.

604
00:23:31,200 --> 00:23:34,159
Speaker 18: And the next day, like my mom's crib got shot up.

605
00:23:34,160 --> 00:23:36,200
Speaker 18: So you get signs, you know, to be low and

606
00:23:36,240 --> 00:23:38,520
Speaker 18: you gotta move right because one thing about us is

607
00:23:38,600 --> 00:23:40,800
Speaker 18: we knew how to move like, all right, cool, if

608
00:23:40,840 --> 00:23:41,880
Speaker 18: it's hot, cool.

609
00:23:41,720 --> 00:23:42,120
Speaker 2: I'm good.

610
00:23:42,200 --> 00:23:43,879
Speaker 18: Like when my mom's crib got shot up. I went

611
00:23:43,920 --> 00:23:46,240
Speaker 18: out there and was looking to do stuff and fifty

612
00:23:46,320 --> 00:23:49,320
Speaker 18: called me like, yo, bro, you're outside. You got something

613
00:23:49,400 --> 00:23:51,720
Speaker 18: on you. You're bugging out. Bro use your brain. Bro,

614
00:23:52,200 --> 00:23:53,280
Speaker 18: it's checks not checkers.

615
00:23:53,440 --> 00:23:55,399
Speaker 8: That's why I say, you know, it must have been

616
00:23:55,440 --> 00:23:58,320
Speaker 8: like seven eight years ago to see you in fifty

617
00:23:59,280 --> 00:24:02,560
Speaker 8: enjoying which'all didn't have before. But I mean because they

618
00:24:02,600 --> 00:24:04,960
Speaker 8: couldn't go to the clubs and experience the records like

619
00:24:05,080 --> 00:24:05,639
Speaker 8: y'all should have.

620
00:24:05,960 --> 00:24:08,160
Speaker 2: Y'all couldn't go to these events and go to these things.

621
00:24:08,200 --> 00:24:09,359
Speaker 2: And it wasn't because of the rappers.

622
00:24:09,400 --> 00:24:11,040
Speaker 18: It was mainly because of the hip Hop Police, because

623
00:24:11,080 --> 00:24:13,320
Speaker 18: there was times where they'd be like, no genune and

624
00:24:13,400 --> 00:24:16,080
Speaker 18: no dipset in the clubs all the clubs in Manhattan.

625
00:24:16,200 --> 00:24:18,879
Speaker 18: So hip hop police. You remember Curly Top, He's retired

626
00:24:18,920 --> 00:24:21,359
Speaker 18: now hip Hop police, they all retired. There's all new

627
00:24:21,400 --> 00:24:24,440
Speaker 18: ones now for the dudes that will follow TJ and

628
00:24:24,520 --> 00:24:26,600
Speaker 18: all these dudes in the city and all the young

629
00:24:26,680 --> 00:24:29,879
Speaker 18: dudes now. But all them dudes are retired. But them

630
00:24:29,960 --> 00:24:31,359
Speaker 18: dudes used to tell us, yo, you can't come to

631
00:24:31,400 --> 00:24:33,399
Speaker 18: this club. You know much money we missed out though.

632
00:24:34,040 --> 00:24:36,520
Speaker 2: Definitely good to see that, man. Yeah, they could grab

633
00:24:36,600 --> 00:24:40,000
Speaker 2: it on the Welcome to the culture. Thank you what

634
00:24:40,359 --> 00:24:42,440
Speaker 2: I've seen you in? You screaming on math? How for

635
00:24:42,520 --> 00:24:43,359
Speaker 2: what happened with with that?

636
00:24:43,680 --> 00:24:43,720
Speaker 21: No?

637
00:24:43,920 --> 00:24:44,800
Speaker 2: How feem is good.

638
00:24:44,840 --> 00:24:47,040
Speaker 18: I just feel like sometimes like when you go online

639
00:24:47,080 --> 00:24:49,680
Speaker 18: and just be like it just felt like clickbait, like

640
00:24:49,800 --> 00:24:52,240
Speaker 18: you asking me can I pick up the phone for

641
00:24:52,359 --> 00:24:54,320
Speaker 18: banks and fifties around They both my friends. I'm a

642
00:24:54,359 --> 00:24:56,800
Speaker 18: grown ass, you know, man, what are you talking about?

643
00:24:57,200 --> 00:24:59,200
Speaker 2: You want to do music? Yeah? I just dropped the

644
00:24:59,240 --> 00:25:01,919
Speaker 2: mixtape loyal Oh right, well, we appreciate you for joining us.

645
00:25:02,000 --> 00:25:04,639
Speaker 8: Check out the podcast The Coach to the Coaching podcast

646
00:25:05,119 --> 00:25:05,879
Speaker 8: is Tony Yao.

647
00:25:06,119 --> 00:25:07,960
Speaker 2: You have made it, Mama to Breakfast Club.

648
00:25:08,480 --> 00:25:10,679
Speaker 18: You've been up here before, Yeah, but I'm by myself now.

649
00:25:11,320 --> 00:25:14,400
Speaker 2: It's the Breakfast Club. Good morning, the Breakfast Club. Your

650
00:25:14,440 --> 00:25:16,400
Speaker 2: morning's will never be the same.

651
00:25:17,280 --> 00:25:19,200
Speaker 3: When you're a business on him and you're juggling a

652
00:25:19,240 --> 00:25:20,760
Speaker 3: lot of things, you need a team of people to

653
00:25:20,840 --> 00:25:23,280
Speaker 3: keep your business running successfully? How do you find and

654
00:25:23,359 --> 00:25:26,000
Speaker 3: hire the right people? Zip recruited. Try it for free

655
00:25:26,000 --> 00:25:28,399
Speaker 3: at ziprecruited dot com. Slash Breakfast.

656
00:25:32,640 --> 00:25:36,600
Speaker 1: It's topic time called eight hundred five five one five

657
00:25:36,680 --> 00:25:38,840
Speaker 1: one to join in to the discussion with the Breakfast Club.

658
00:25:40,600 --> 00:25:44,119
Speaker 8: Warning everybody, it's DJ Envy Charlamagne the gud we are

659
00:25:44,200 --> 00:25:45,040
Speaker 8: the Breakfast Club.

660
00:25:45,119 --> 00:25:47,280
Speaker 2: Now if he just joined us. A young lady named

661
00:25:47,320 --> 00:25:49,920
Speaker 2: Lima called this morning. She wanted to know.

662
00:25:51,000 --> 00:25:52,480
Speaker 8: I don't know if she who she's dealing with, but

663
00:25:52,560 --> 00:25:54,399
Speaker 8: she wanted to know if you are a liar or Cheatah,

664
00:25:54,440 --> 00:25:57,520
Speaker 8: Are you born like that or is it learned behavior?

665
00:25:57,960 --> 00:26:01,720
Speaker 2: To Charlamagne, I don't think you're born a liar. I

666
00:26:01,840 --> 00:26:03,720
Speaker 2: think that you know. Kids lie, and you see that

667
00:26:03,840 --> 00:26:05,400
Speaker 2: we all got young kids. You know what I'm saying.

668
00:26:05,480 --> 00:26:08,440
Speaker 3: Kids lie simply because they don't want to get in trouble.

669
00:26:08,480 --> 00:26:10,280
Speaker 3: So I think that's a form of self preservation. I

670
00:26:10,359 --> 00:26:13,080
Speaker 3: think when it comes to infidelity and cheating, that is

671
00:26:13,160 --> 00:26:16,399
Speaker 3: absolutely positively uh learned behavior one.

672
00:26:17,320 --> 00:26:19,280
Speaker 10: Hello, who is Vanessa?

673
00:26:19,600 --> 00:26:21,040
Speaker 2: Hey, Vanessa, talk to us. Vanessa.

674
00:26:21,520 --> 00:26:23,480
Speaker 16: Well, I want to say good morning and thank you.

675
00:26:23,640 --> 00:26:26,920
Speaker 19: That's so much for having inert in the morning and

676
00:26:27,160 --> 00:26:29,840
Speaker 19: we all listen to you appreciate it.

677
00:26:29,960 --> 00:26:32,560
Speaker 2: That that's Vanessa. Your phone is crazy. You got us

678
00:26:32,600 --> 00:26:33,679
Speaker 2: on bluetooth for speaker.

679
00:26:34,280 --> 00:26:34,960
Speaker 16: No, I do not.

680
00:26:35,080 --> 00:26:35,920
Speaker 13: I have had that.

681
00:26:38,000 --> 00:26:39,480
Speaker 2: Yeah, we could barely hear you. Can you take us

682
00:26:39,480 --> 00:26:40,400
Speaker 2: off that headset right fast?

683
00:26:40,440 --> 00:26:43,000
Speaker 3: I'm sorry and thank you Vanessa too. We appreciate you

684
00:26:43,400 --> 00:26:44,679
Speaker 3: listening and appreciating us.

685
00:26:45,000 --> 00:26:45,960
Speaker 16: Ah, good morning.

686
00:26:46,240 --> 00:26:46,840
Speaker 19: Can y'all hear me?

687
00:26:47,359 --> 00:26:47,879
Speaker 2: Bet ye?

688
00:26:48,280 --> 00:26:48,600
Speaker 13: Okay.

689
00:26:49,240 --> 00:26:52,680
Speaker 16: So my thoughts, I think it's a genetic behavioral trade.

690
00:26:53,280 --> 00:26:56,119
Speaker 16: I think that when you grow up in a household

691
00:26:56,320 --> 00:26:59,880
Speaker 16: and somebody in that family goes along with that behavior

692
00:27:00,160 --> 00:27:03,720
Speaker 16: of cheating and lying, I think it passes down to

693
00:27:03,840 --> 00:27:07,199
Speaker 16: their kids. With that being said, I could grow up

694
00:27:07,240 --> 00:27:08,720
Speaker 16: in the house old with my father.

695
00:27:08,840 --> 00:27:11,800
Speaker 19: She's not my mother, and he brought me along to

696
00:27:12,000 --> 00:27:13,800
Speaker 19: every female day that he had.

697
00:27:13,680 --> 00:27:16,720
Speaker 16: Because they had children. And then we somehow said that

698
00:27:16,760 --> 00:27:17,160
Speaker 16: a night.

699
00:27:17,720 --> 00:27:18,840
Speaker 4: Damn no.

700
00:27:19,200 --> 00:27:20,800
Speaker 2: So so how you grew up? You got a bunch

701
00:27:20,800 --> 00:27:21,480
Speaker 2: of step mommies.

702
00:27:21,960 --> 00:27:27,080
Speaker 16: Yes, I have an oldest sister that nothing about. She's

703
00:27:27,119 --> 00:27:28,280
Speaker 16: an another country.

704
00:27:28,800 --> 00:27:31,040
Speaker 19: And keep in Mama, that is Hispanic. That's why I

705
00:27:31,080 --> 00:27:33,760
Speaker 19: don't saw all his fancy and he just all cheat around.

706
00:27:34,640 --> 00:27:36,439
Speaker 2: Damn it. Man, So you don't date his fanic men.

707
00:27:37,520 --> 00:27:37,960
Speaker 22: I do not.

708
00:27:38,520 --> 00:27:40,480
Speaker 2: That's right, you date black men because black men don't

709
00:27:40,520 --> 00:27:42,320
Speaker 2: cheat exactly.

710
00:27:42,640 --> 00:27:47,600
Speaker 16: That's right that Caucasians, but they're most honest, honestly, Jesus.

711
00:27:48,680 --> 00:27:52,120
Speaker 19: I just think that said with saying that my father,

712
00:27:52,920 --> 00:27:55,720
Speaker 19: he taught my brother that that's the game of life.

713
00:27:56,720 --> 00:27:58,520
Speaker 19: You cannot just have one so that you need have

714
00:27:58,640 --> 00:27:58,960
Speaker 19: the mob.

715
00:27:59,160 --> 00:28:00,200
Speaker 10: Do not be sending.

716
00:28:02,280 --> 00:28:03,800
Speaker 3: My daddy told me that when I was young, though,

717
00:28:03,840 --> 00:28:05,520
Speaker 3: my daddy literally looked me, looked at me and said, oh,

718
00:28:05,560 --> 00:28:07,919
Speaker 3: you only got one girlfriend. No, as I got older

719
00:28:08,000 --> 00:28:10,239
Speaker 3: and we got older, he said I was absolutely right

720
00:28:10,600 --> 00:28:13,040
Speaker 3: to have one woman. But you know, when I was young,

721
00:28:13,080 --> 00:28:14,159
Speaker 3: he definitely messed me up.

722
00:28:14,640 --> 00:28:15,280
Speaker 2: Hello, who's this?

723
00:28:15,880 --> 00:28:17,000
Speaker 9: This is Brian? How you doing?

724
00:28:17,200 --> 00:28:18,000
Speaker 2: Brian? What's going on?

725
00:28:18,600 --> 00:28:22,399
Speaker 9: So I think that it's the parent's fault and here's why. Okay,

726
00:28:23,040 --> 00:28:27,000
Speaker 9: we inadvertently teach our kids to lie when they're young

727
00:28:27,359 --> 00:28:30,600
Speaker 9: and they hear us talking to our significant other.

728
00:28:31,600 --> 00:28:32,280
Speaker 23: And let's just.

729
00:28:32,359 --> 00:28:36,200
Speaker 9: Hypothetically, say someone knocks at the door and you see

730
00:28:36,240 --> 00:28:36,600
Speaker 9: who it is.

731
00:28:36,640 --> 00:28:37,600
Speaker 2: You tell him I'm not here.

732
00:28:42,880 --> 00:28:45,880
Speaker 8: You're right, you're right, because I remember Jehovah Whitneys used

733
00:28:45,880 --> 00:28:48,120
Speaker 8: to come knocking on the doors and my parents would

734
00:28:48,120 --> 00:28:49,080
Speaker 8: be like, tell me that home.

735
00:28:49,360 --> 00:28:52,240
Speaker 2: You right. Well, guess what I was a Jehovah witness.

736
00:28:52,880 --> 00:28:53,200
Speaker 12: I was.

737
00:28:53,560 --> 00:28:55,520
Speaker 3: I was the person going out on field to the

738
00:28:55,600 --> 00:28:58,600
Speaker 3: field service every Saturday with my mom and my sister

739
00:28:58,960 --> 00:29:00,000
Speaker 3: and knocking on those doors.

740
00:29:00,080 --> 00:29:02,760
Speaker 2: U's okay, So all y'all dishonest people.

741
00:29:02,960 --> 00:29:05,280
Speaker 3: Okay, I hope y'all don't make it into heaven because

742
00:29:05,320 --> 00:29:06,480
Speaker 3: y'all don't be come one in one hundred and.

743
00:29:08,920 --> 00:29:11,520
Speaker 8: Because even because even when people call, like your mom

744
00:29:11,560 --> 00:29:13,480
Speaker 8: and daddy be like, tell them I'm sleeping.

745
00:29:13,960 --> 00:29:17,480
Speaker 2: So you're right, exactly exactly. Damn.

746
00:29:18,000 --> 00:29:21,080
Speaker 3: That's a good point, brother, That is a fantastic Now,

747
00:29:21,120 --> 00:29:22,880
Speaker 3: that's the perfect point because we all do that.

748
00:29:23,040 --> 00:29:24,720
Speaker 8: We all do that to our kids or our kids

749
00:29:24,800 --> 00:29:26,760
Speaker 8: to hear us, but who call it or don't answer

750
00:29:26,760 --> 00:29:27,120
Speaker 8: the phone.

751
00:29:27,440 --> 00:29:28,840
Speaker 4: I'm for it all the time.

752
00:29:28,880 --> 00:29:30,320
Speaker 3: That's why I tell my kids. When you do in

753
00:29:30,400 --> 00:29:32,920
Speaker 3: the doorbell ring or somebody knots, don't go to it.

754
00:29:33,280 --> 00:29:35,880
Speaker 3: You go get an adult, all right. So when you

755
00:29:35,960 --> 00:29:38,760
Speaker 3: go get that adult, that adult can make the executive decision.

756
00:29:38,760 --> 00:29:40,400
Speaker 3: That's when you tell the adult. Hey telling people I

757
00:29:40,400 --> 00:29:43,600
Speaker 3: ain't here, right, that's a lie. But but I'm telling

758
00:29:43,640 --> 00:29:45,640
Speaker 3: that to the adult, not the kids. But they can't

759
00:29:45,720 --> 00:29:47,320
Speaker 3: hear it, No they don't. That's what you gotta whisper you.

760
00:29:47,800 --> 00:29:48,840
Speaker 3: You don't got to you know how to use the

761
00:29:48,880 --> 00:29:50,800
Speaker 3: inside voice, use your inside voice.

762
00:29:51,080 --> 00:29:52,560
Speaker 8: Or somebody come ask you for money and you say

763
00:29:52,600 --> 00:29:54,160
Speaker 8: I ain't got it, your kids know you got that's

764
00:29:54,160 --> 00:29:54,400
Speaker 8: a lot.

765
00:29:54,480 --> 00:29:55,200
Speaker 11: No, no, no, no, no, no no.

766
00:29:55,440 --> 00:29:58,240
Speaker 3: I tell my kids that. No, it's perfectly okay to say.

767
00:29:58,560 --> 00:30:01,520
Speaker 3: All right, trust me. My oldest daughter hears those conversations

768
00:30:01,960 --> 00:30:02,720
Speaker 3: when people calling me.

769
00:30:03,120 --> 00:30:03,840
Speaker 2: She hears though that.

770
00:30:03,960 --> 00:30:06,120
Speaker 3: I tell her straight up, like you can't. You can't

771
00:30:06,240 --> 00:30:09,280
Speaker 3: just do for everybody, you know, But what's the more

772
00:30:09,320 --> 00:30:13,480
Speaker 3: other story? I don't know, we heard a bunch of

773
00:30:13,520 --> 00:30:15,760
Speaker 3: them just now. I didn't lie just now. I don't

774
00:30:15,800 --> 00:30:18,560
Speaker 3: know I heard a bunch of them, did I personally

775
00:30:18,640 --> 00:30:21,560
Speaker 3: think that all of this stuff is a learned behavior,

776
00:30:21,640 --> 00:30:23,960
Speaker 3: you know, because when you're young and you lie as

777
00:30:24,000 --> 00:30:26,160
Speaker 3: a child, is just self preservation. I don't think you're

778
00:30:26,200 --> 00:30:28,320
Speaker 3: necessarily you have I don't think you have the attention

779
00:30:28,400 --> 00:30:30,160
Speaker 3: of I'm lying. You're just trying to save yourself and

780
00:30:30,200 --> 00:30:30,840
Speaker 3: protect yourself.

781
00:30:31,160 --> 00:30:39,880
Speaker 2: Okay, I guess the breakfast slug of morning the Breakfast Club.

782
00:30:42,440 --> 00:30:45,800
Speaker 8: Everybody is DJ n V Charlamagne the God. We are

783
00:30:45,880 --> 00:30:48,760
Speaker 8: the Breakfast Club. We got our guest host with us, Yes, indeed,

784
00:30:48,920 --> 00:30:51,200
Speaker 8: Erica Dutchess, she's here, she's joining us. And we got

785
00:30:51,280 --> 00:30:52,440
Speaker 8: some special guests in the building.

786
00:30:57,960 --> 00:30:58,680
Speaker 2: How you pronounced it?

787
00:30:59,360 --> 00:30:59,600
Speaker 10: Is it it?

788
00:31:01,360 --> 00:31:02,479
Speaker 4: I used to struggle with it too.

789
00:31:02,840 --> 00:31:05,240
Speaker 8: Yeah, but we got the homie Withdy mclady he's been

790
00:31:05,280 --> 00:31:07,400
Speaker 8: here before and Lavell Adams great welcome.

791
00:31:07,480 --> 00:31:11,560
Speaker 2: Yes, indeed, that's right. Absolutely, Caden drew from power Book

792
00:31:11,640 --> 00:31:12,680
Speaker 2: to man y'all.

793
00:31:13,320 --> 00:31:14,840
Speaker 3: It's funny, right because y'all got to be some of

794
00:31:14,880 --> 00:31:17,840
Speaker 3: the most famous people in black coaches at the moment,

795
00:31:17,920 --> 00:31:18,280
Speaker 3: you know, think.

796
00:31:18,400 --> 00:31:20,880
Speaker 5: So it's been love, man, Yeah, it's been loved. People

797
00:31:20,920 --> 00:31:23,000
Speaker 5: come up to you, smack you in the airport like

798
00:31:23,040 --> 00:31:23,600
Speaker 5: it's crazy.

799
00:31:23,720 --> 00:31:26,200
Speaker 2: It's cracky, I know anywhere.

800
00:31:26,400 --> 00:31:28,800
Speaker 4: It was in the airport. Lady had a baby, white lady.

801
00:31:28,880 --> 00:31:32,760
Speaker 4: She was like, I love what you're doing. Appreciate it.

802
00:31:32,840 --> 00:31:34,000
Speaker 4: But it just caught me, you know what I mean,

803
00:31:34,080 --> 00:31:36,160
Speaker 4: caught me off guard. But yeah, it's been love. That's

804
00:31:36,280 --> 00:31:37,760
Speaker 4: a lot of love. Yeah, I got that in.

805
00:31:38,320 --> 00:31:40,560
Speaker 21: I think it's smacked. But the dude stopped me. It

806
00:31:40,640 --> 00:31:42,640
Speaker 21: was like, bro, I know you right, like you've you've

807
00:31:42,640 --> 00:31:44,680
Speaker 21: been in Houston. I'm like, listen, I've never been using

808
00:31:44,760 --> 00:31:47,600
Speaker 21: my life, so I know I've never met before, you know,

809
00:31:47,800 --> 00:31:50,080
Speaker 21: and like it was it was definitely from the show,

810
00:31:50,200 --> 00:31:52,000
Speaker 21: but you know it was it was funny, like.

811
00:31:52,000 --> 00:31:53,800
Speaker 2: He started the character you played. Way did he smack?

812
00:31:53,840 --> 00:31:54,920
Speaker 2: You just tell us it was?

813
00:31:55,040 --> 00:31:55,640
Speaker 4: It was on my arm?

814
00:31:55,720 --> 00:32:02,680
Speaker 3: Okay, just making sure the book season three? Actually yeah, yes, yeah, yeah, yes,

815
00:32:03,040 --> 00:32:05,160
Speaker 3: it's been a next season. So the last two episodes

816
00:32:05,160 --> 00:32:06,520
Speaker 3: are gonna be crazy and I have not watched them

817
00:32:06,520 --> 00:32:07,160
Speaker 3: even though they leaked.

818
00:32:07,160 --> 00:32:07,680
Speaker 4: Appreciate that.

819
00:32:07,760 --> 00:32:09,600
Speaker 2: Okay, how can y'all top with y'all done?

820
00:32:10,120 --> 00:32:12,640
Speaker 4: I think you know the writers have you know, only

821
00:32:12,680 --> 00:32:13,200
Speaker 4: gotten better.

822
00:32:14,120 --> 00:32:17,280
Speaker 21: Brad really cares about the show, the showrunner and really

823
00:32:17,320 --> 00:32:19,360
Speaker 21: takes care of us and it's invested on making it

824
00:32:19,560 --> 00:32:21,320
Speaker 21: new and exciting and truthful.

825
00:32:21,440 --> 00:32:23,520
Speaker 4: I think that you know, you keep it truthful and

826
00:32:24,360 --> 00:32:26,080
Speaker 4: you know it tops itself, I think.

827
00:32:26,520 --> 00:32:29,640
Speaker 5: And a whole lot of drama. You know, Twitter loves drama,

828
00:32:29,760 --> 00:32:31,760
Speaker 5: so I think they've been doing a great job with it.

829
00:32:32,320 --> 00:32:34,680
Speaker 3: And you've been in love the whole damn season. I know, Man,

830
00:32:35,160 --> 00:32:36,840
Speaker 3: how that go from being a gangster. You're still a gangster,

831
00:32:36,920 --> 00:32:37,840
Speaker 3: but you're in love now.

832
00:32:38,080 --> 00:32:39,840
Speaker 5: On the show, being in love is kind of boring

833
00:32:39,920 --> 00:32:42,760
Speaker 5: to me, is boring. I'm like, man, I'm ready to

834
00:32:42,800 --> 00:32:46,400
Speaker 5: catch your body. It's crazy, horrible, right, It's a horrible

835
00:32:46,440 --> 00:32:49,040
Speaker 5: way to think. But that show has definitely altered my

836
00:32:49,160 --> 00:32:50,040
Speaker 5: mind to think like that.

837
00:32:50,160 --> 00:32:50,600
Speaker 2: It's weird.

838
00:32:50,680 --> 00:32:53,440
Speaker 4: It's like, man, I love a scene like, man, when

839
00:32:53,480 --> 00:32:54,320
Speaker 4: do I pop somebody?

840
00:32:54,440 --> 00:32:55,880
Speaker 8: But I was going to ask, how does that change

841
00:32:55,920 --> 00:32:58,560
Speaker 8: your character? Because now you're into this, right, you want

842
00:32:58,600 --> 00:33:01,480
Speaker 8: to pop somebody? So now if somebody says something you

843
00:33:01,560 --> 00:33:01,920
Speaker 8: think like.

844
00:33:02,080 --> 00:33:04,040
Speaker 2: Are you still in character? Like what you say? Are

845
00:33:04,080 --> 00:33:05,960
Speaker 2: you still like that? Or do you get out of character?

846
00:33:06,200 --> 00:33:06,360
Speaker 22: Nah?

847
00:33:06,360 --> 00:33:09,600
Speaker 4: I get out of character. I get out of character.

848
00:33:09,680 --> 00:33:12,120
Speaker 4: But it depends if I'm with my family, I'm still

849
00:33:12,200 --> 00:33:13,360
Speaker 4: in it. A little bit because you know.

850
00:33:13,360 --> 00:33:16,640
Speaker 5: People don't really respect boundaries. Nah, they and because we're

851
00:33:16,680 --> 00:33:18,719
Speaker 5: on TV, we're no longer human, you know what I mean.

852
00:33:18,760 --> 00:33:20,400
Speaker 5: I just feel like everybody treat just like an item.

853
00:33:20,480 --> 00:33:23,240
Speaker 5: So it's like I'm always like just thinking about those

854
00:33:23,320 --> 00:33:25,680
Speaker 5: things and making sure my family is straight while I'm outside.

855
00:33:25,720 --> 00:33:26,920
Speaker 4: But it's always been loved though, and.

856
00:33:26,960 --> 00:33:28,960
Speaker 8: It has to be different, right because because of the

857
00:33:29,040 --> 00:33:32,240
Speaker 8: characters that you play, you have like very different demographics.

858
00:33:32,320 --> 00:33:34,320
Speaker 8: Like you have the young people that might follow this,

859
00:33:34,560 --> 00:33:36,480
Speaker 8: but then you have the older people that love you

860
00:33:36,600 --> 00:33:38,080
Speaker 8: and this, So how does that work?

861
00:33:38,320 --> 00:33:39,520
Speaker 4: No, it's for me.

862
00:33:39,800 --> 00:33:42,440
Speaker 5: I know, like I've been to like the hoodies of

863
00:33:42,480 --> 00:33:44,680
Speaker 5: the hoods and people like, yo, that's you me up there,

864
00:33:45,000 --> 00:33:46,760
Speaker 5: Like I appreciate that, and I'm like, oh, thank you.

865
00:33:47,120 --> 00:33:52,000
Speaker 2: So I always say police tell you that he I

866
00:33:52,280 --> 00:33:53,360
Speaker 2: relate the character King, that's me.

867
00:33:56,880 --> 00:34:00,240
Speaker 8: Demographics love you and the younger demographics love you. Revel

868
00:34:00,480 --> 00:34:04,360
Speaker 8: because the new edition you got your aunties and grandma's

869
00:34:04,360 --> 00:34:06,560
Speaker 8: that know them for new addition that show a different

870
00:34:06,560 --> 00:34:07,000
Speaker 8: type of love.

871
00:34:07,040 --> 00:34:09,040
Speaker 2: But then you got homies from the corner that look

872
00:34:09,040 --> 00:34:09,680
Speaker 2: at him differently.

873
00:34:09,760 --> 00:34:12,040
Speaker 3: So that's interesting, I thought, I thought, because I thought

874
00:34:12,080 --> 00:34:14,360
Speaker 3: that there was a young demo that watched The Bobby

875
00:34:14,400 --> 00:34:15,640
Speaker 3: Brown Story New Edition too.

876
00:34:15,640 --> 00:34:17,600
Speaker 2: I feel like that introduced them to a new audience.

877
00:34:17,600 --> 00:34:18,919
Speaker 4: No, absolutely, for sure. I agree.

878
00:34:19,280 --> 00:34:22,279
Speaker 5: I agree, yeah, because my kids love it. The kids

879
00:34:22,320 --> 00:34:25,560
Speaker 5: call me Bobby Brown, you Bobby Bro, and you get

880
00:34:25,600 --> 00:34:25,960
Speaker 5: tired of that.

881
00:34:27,960 --> 00:34:28,880
Speaker 4: Yeah, a little bit.

882
00:34:29,080 --> 00:34:32,399
Speaker 2: I feel like I can't trump Bobby though. No, yes, man,

883
00:34:33,360 --> 00:34:35,880
Speaker 2: right now, and the culture. I don't know, Bro, but

884
00:34:35,920 --> 00:34:37,120
Speaker 2: I've seen him in the hall. The first thing I

885
00:34:37,160 --> 00:34:37,680
Speaker 2: thought it was Bobby.

886
00:34:37,719 --> 00:34:41,520
Speaker 5: I was like, that's what I thought, man, But I

887
00:34:41,600 --> 00:34:43,919
Speaker 5: mean no, I mean I was just watching the fight

888
00:34:44,280 --> 00:34:45,560
Speaker 5: and it was just white guy.

889
00:34:45,880 --> 00:34:47,560
Speaker 4: He was like, Yo, Caine and the OI.

890
00:34:47,880 --> 00:34:51,959
Speaker 2: But he was like, but I'm like, that's crazy, son,

891
00:34:52,080 --> 00:34:53,640
Speaker 2: Like a little flirt right there, I was. I don't

892
00:34:53,640 --> 00:34:55,239
Speaker 2: know New York.

893
00:34:55,320 --> 00:34:56,520
Speaker 4: So nobody really tripped on it.

894
00:34:56,680 --> 00:35:00,560
Speaker 2: It was crazy. Would have.

895
00:35:03,040 --> 00:35:03,279
Speaker 7: Power.

896
00:35:03,440 --> 00:35:06,680
Speaker 3: One of them shows that the culture really gets involved

897
00:35:06,719 --> 00:35:09,840
Speaker 3: in meeting that absolute When it's on, everybody tweeting about it,

898
00:35:09,960 --> 00:35:12,479
Speaker 3: it's like it's like a family gathering and then people

899
00:35:12,520 --> 00:35:15,000
Speaker 3: talking about what happened, you know, that night on social

900
00:35:15,040 --> 00:35:18,719
Speaker 3: media afterwards. People care about y'all personal lives, like that's rare.

901
00:35:19,320 --> 00:35:21,880
Speaker 3: Everybody don't get that, you know, I think.

902
00:35:21,760 --> 00:35:24,200
Speaker 21: It's it's an important thing, you know, to separate the

903
00:35:24,280 --> 00:35:26,440
Speaker 21: character from the from the from the actor. You know,

904
00:35:26,680 --> 00:35:29,359
Speaker 21: like we watched like Daniel d Lewis. We don't think

905
00:35:29,440 --> 00:35:32,239
Speaker 21: like he's you know, built a butcher and you know,

906
00:35:33,400 --> 00:35:36,800
Speaker 21: what's his name, Daniel Daniel playing View. You know, we

907
00:35:36,960 --> 00:35:38,440
Speaker 21: just look at him like that's a that's a really

908
00:35:38,520 --> 00:35:41,600
Speaker 21: dope artist, right. I think, like you playing Bobby Brown,

909
00:35:41,640 --> 00:35:44,400
Speaker 21: you're playing Kane, like that's a testament to your artistry.

910
00:35:44,600 --> 00:35:45,480
Speaker 4: I appreciate that, bro.

911
00:35:46,680 --> 00:35:51,000
Speaker 3: But you know, you do a fantastic plan. You do

912
00:35:51,080 --> 00:35:53,640
Speaker 3: a fantastic job playing Drew. And the crazy part is

913
00:35:53,680 --> 00:35:56,239
Speaker 3: everybody's like, oh, is he really you know, really gay?

914
00:35:56,280 --> 00:35:58,759
Speaker 3: And I'm like does it matter? You know what I'm saying, like,

915
00:35:58,800 --> 00:36:00,960
Speaker 3: what do it matter? If Lavelle was like, what does

916
00:36:01,000 --> 00:36:01,279
Speaker 3: it matter?

917
00:36:01,440 --> 00:36:02,800
Speaker 4: I don't think it does matter, you know.

918
00:36:02,840 --> 00:36:05,040
Speaker 21: I think that, you know, like it's important to separate

919
00:36:05,080 --> 00:36:08,040
Speaker 21: those things, you know, important to separate the personal from

920
00:36:08,640 --> 00:36:11,120
Speaker 21: from the work, because I have to be able to

921
00:36:11,200 --> 00:36:13,560
Speaker 21: play everything as an artist, you know, that's that's our

922
00:36:14,160 --> 00:36:16,320
Speaker 21: our job is to tell the story and tell it

923
00:36:16,360 --> 00:36:19,040
Speaker 21: as truthfully as possible, you know, like if I was

924
00:36:19,160 --> 00:36:22,719
Speaker 21: playing you know your life story right, and you watch

925
00:36:22,760 --> 00:36:24,719
Speaker 21: it and go like, you're not you're not telling the truth.

926
00:36:25,080 --> 00:36:28,120
Speaker 4: I'm doing you a disservice paying.

927
00:36:32,160 --> 00:36:38,920
Speaker 2: Some people saying when you see the.

928
00:36:38,920 --> 00:36:40,919
Speaker 8: Script, was there any doubts like wow, maybe I don't

929
00:36:40,920 --> 00:36:42,319
Speaker 8: want to play that, or it was like, no, I'm

930
00:36:42,320 --> 00:36:44,080
Speaker 8: an act and this is what I'm gonna do, regardless.

931
00:36:43,840 --> 00:36:44,719
Speaker 2: Of what people. That's what it was.

932
00:36:44,800 --> 00:36:44,880
Speaker 9: Man.

933
00:36:44,920 --> 00:36:47,080
Speaker 21: I'm an actor, you know, and I have to tell

934
00:36:47,120 --> 00:36:48,759
Speaker 21: the truth. And if I'm not telling the truth as

935
00:36:48,760 --> 00:36:50,120
Speaker 21: an artist, then get me out and show.

936
00:36:50,120 --> 00:36:50,600
Speaker 4: You know what I mean.

937
00:36:50,960 --> 00:36:53,640
Speaker 21: Like if I'm not going, if I'm not committing one

938
00:36:53,680 --> 00:36:55,560
Speaker 21: hundred percent, then I don't deserve the part.

939
00:36:56,360 --> 00:36:57,560
Speaker 4: And that's just how I see it.

940
00:36:57,719 --> 00:37:00,680
Speaker 21: Like, you know what, regardless of whatever it is, whatever

941
00:37:00,760 --> 00:37:02,879
Speaker 21: role it is, it's like if you're putting in the work,

942
00:37:03,360 --> 00:37:05,320
Speaker 21: investigating in yourself and trying to tell the truth, and

943
00:37:05,719 --> 00:37:07,520
Speaker 21: you know you deserve to be on that platform and

944
00:37:07,560 --> 00:37:08,120
Speaker 21: tell that story.

945
00:37:08,520 --> 00:37:12,080
Speaker 3: It's an interesting social experiment though whenever there's a love

946
00:37:12,160 --> 00:37:15,080
Speaker 3: making scene between a man and a woman, nobody cares,

947
00:37:15,120 --> 00:37:17,480
Speaker 3: but we see it pop up on Power or one

948
00:37:17,520 --> 00:37:18,200
Speaker 3: of those other shows.

949
00:37:18,239 --> 00:37:20,879
Speaker 2: Everybody's up in arms. Ah, man, I can't watch this. Man.

950
00:37:20,920 --> 00:37:23,040
Speaker 3: I'm like, I'm gonna tell starts. If they don't stop

951
00:37:23,120 --> 00:37:24,960
Speaker 3: doing this, I'm not gonna watch. But I'm like our

952
00:37:24,960 --> 00:37:27,160
Speaker 3: people will be like, why why do nobody ever asked that?

953
00:37:27,239 --> 00:37:28,359
Speaker 2: What is men and women?

954
00:37:28,640 --> 00:37:28,800
Speaker 18: You know?

955
00:37:29,480 --> 00:37:31,959
Speaker 21: You know, I think you know if you're talking about

956
00:37:32,000 --> 00:37:38,400
Speaker 21: the first first uh power power Amari Hardwick and Laila

957
00:37:38,960 --> 00:37:42,120
Speaker 21: Leela look really good together though, you know, like like

958
00:37:42,360 --> 00:37:44,880
Speaker 21: there's back muscles and everything like that, so I understand, like,

959
00:37:45,400 --> 00:37:47,320
Speaker 21: you know, the the aesthetic is what we're used to,

960
00:37:48,239 --> 00:37:50,239
Speaker 21: and we're not used to seeing queer love making on,

961
00:37:50,520 --> 00:37:51,960
Speaker 21: especially on a mainstream.

962
00:37:51,560 --> 00:37:54,240
Speaker 2: Show like this, and but it's real life and it happens.

963
00:37:54,280 --> 00:37:56,320
Speaker 4: It's real life and it happens. And I think my

964
00:37:56,440 --> 00:37:59,600
Speaker 4: biggest thing was like I haven't gotten the back yet,

965
00:37:59,680 --> 00:38:01,440
Speaker 4: like my heart was back. I haven't gotten that.

966
00:38:01,600 --> 00:38:04,480
Speaker 21: Like physical physical like strength because you know what I mean,

967
00:38:04,600 --> 00:38:06,360
Speaker 21: Like I just turned thirty one, so I'm like I

968
00:38:06,440 --> 00:38:07,840
Speaker 21: still got to like get my man meat on.

969
00:38:08,360 --> 00:38:09,719
Speaker 20: But I'm.

970
00:38:11,840 --> 00:38:13,400
Speaker 2: Not like that like that you practice.

971
00:38:15,680 --> 00:38:21,640
Speaker 4: I'm talking about you.

972
00:38:24,040 --> 00:38:27,200
Speaker 2: Need your man your man body, you know, and like

973
00:38:27,680 --> 00:38:28,279
Speaker 2: and so like.

974
00:38:28,400 --> 00:38:30,680
Speaker 21: That's that's whenever I have those scenes, I'm like, I

975
00:38:30,760 --> 00:38:32,320
Speaker 21: want to make sure I look as good as possible.

976
00:38:32,320 --> 00:38:33,279
Speaker 21: I want to make you know what I mean, I

977
00:38:33,400 --> 00:38:35,200
Speaker 21: want to look good. And that's you know the same

978
00:38:35,239 --> 00:38:37,320
Speaker 21: thing with Caine, Like you want to make sure he looks.

979
00:38:37,160 --> 00:38:41,800
Speaker 5: Good, said the bar So. I remember reading the tweets.

980
00:38:41,800 --> 00:38:44,440
Speaker 5: Somebody was like, Kane looks like a college dropout kid

981
00:38:44,520 --> 00:38:45,640
Speaker 5: that just play Call of Duty.

982
00:38:46,040 --> 00:38:47,160
Speaker 4: And I was like, damn, I need to get in

983
00:38:47,239 --> 00:38:50,600
Speaker 4: the gym. Oh for sure, that's all I think.

984
00:38:50,640 --> 00:38:52,279
Speaker 5: I hear that in my ears while I'm like, you

985
00:38:52,320 --> 00:38:54,080
Speaker 5: know what I mean when I'm like running out of energy,

986
00:38:54,120 --> 00:38:56,319
Speaker 5: I just hear him saying, like college drop out body,

987
00:38:57,280 --> 00:38:57,960
Speaker 5: I'm going crazy.

988
00:38:58,239 --> 00:39:00,160
Speaker 8: When we come back, we got more with the how

989
00:39:00,239 --> 00:39:03,200
Speaker 8: the Brothers from Power. You know Whatdy McClain and level

990
00:39:03,280 --> 00:39:06,640
Speaker 8: so moves the record club Morning everybody is DJ Envy

991
00:39:06,840 --> 00:39:09,359
Speaker 8: Charlamagne the God. We are the Breakfast Club. We're still

992
00:39:09,400 --> 00:39:11,680
Speaker 8: kicking it with the how to Brothers from Power. You

993
00:39:11,760 --> 00:39:15,240
Speaker 8: know Whatdy McLain and Lavell Adam's Gray Charlamagne does.

994
00:39:15,160 --> 00:39:17,880
Speaker 3: Social media bother y'all Like when y'all read comments, does

995
00:39:17,960 --> 00:39:21,080
Speaker 3: the impact? How y'all approach the roles and everything for.

996
00:39:21,200 --> 00:39:23,560
Speaker 5: Me personally, not because I come I come from social media,

997
00:39:23,560 --> 00:39:25,919
Speaker 5: and I just used to say that didn't even really matter.

998
00:39:25,920 --> 00:39:27,839
Speaker 4: I just said it to get like a reaction.

999
00:39:27,680 --> 00:39:29,799
Speaker 2: Or some shit. You have people look for your damn

1000
00:39:29,840 --> 00:39:30,280
Speaker 2: old tweets.

1001
00:39:30,320 --> 00:39:32,120
Speaker 5: You're right, But that's where I was at though, Like

1002
00:39:32,200 --> 00:39:34,080
Speaker 5: that's the space I was in. I just wanted to

1003
00:39:34,120 --> 00:39:36,080
Speaker 5: get a reaction. That's what Twitter was for, is like

1004
00:39:36,120 --> 00:39:38,000
Speaker 5: to see how many retweets and how many like you get,

1005
00:39:38,080 --> 00:39:39,560
Speaker 5: you know what I mean. So now I look at it,

1006
00:39:39,640 --> 00:39:41,880
Speaker 5: it's like that's just somebody just trying to get attention.

1007
00:39:42,719 --> 00:39:43,800
Speaker 5: But it don't bother me, thought know.

1008
00:39:43,880 --> 00:39:49,200
Speaker 8: And you gotta be careful, Uh come from the I

1009
00:39:49,280 --> 00:39:52,640
Speaker 8: come from theater a little bit, and and we learned

1010
00:39:52,920 --> 00:39:56,200
Speaker 8: really quickly not to like you can't read everything every night,

1011
00:39:56,560 --> 00:39:58,440
Speaker 8: you know, because it affects your work.

1012
00:39:58,520 --> 00:39:59,960
Speaker 4: So I come from that like where it came.

1013
00:40:00,000 --> 00:40:02,960
Speaker 21: I was like, you know, I'm not reading everything all

1014
00:40:03,000 --> 00:40:05,000
Speaker 21: the time, Like I kind of just post or whatever,

1015
00:40:05,080 --> 00:40:07,160
Speaker 21: and it's go by my business.

1016
00:40:06,880 --> 00:40:07,120
Speaker 12: All right.

1017
00:40:07,880 --> 00:40:10,000
Speaker 8: And we had a Mario up here last year, maybe

1018
00:40:10,160 --> 00:40:12,480
Speaker 8: two years ago, and I asked him with Charlamagne, and

1019
00:40:12,520 --> 00:40:14,880
Speaker 8: I asked him about the character. Was he ever fearful

1020
00:40:14,960 --> 00:40:17,000
Speaker 8: that he was gonna be stuck in that character, right,

1021
00:40:17,600 --> 00:40:19,759
Speaker 8: And you know he was a little upset about it

1022
00:40:19,760 --> 00:40:21,759
Speaker 8: because he said he's an actor. But sometimes people see

1023
00:40:21,760 --> 00:40:25,160
Speaker 8: Omar as ghosts, you know, sometimes they see you as Bobby.

1024
00:40:25,200 --> 00:40:27,040
Speaker 2: Do you ever feel full of roles you take to

1025
00:40:27,120 --> 00:40:28,240
Speaker 2: be stuck in that character?

1026
00:40:29,040 --> 00:40:32,120
Speaker 21: No God will provide there it is, I agree, you

1027
00:40:32,160 --> 00:40:34,440
Speaker 21: know what I mean, you know, like it's it's it's

1028
00:40:34,480 --> 00:40:37,239
Speaker 21: a scarcity mindset to think that way, I think, But.

1029
00:40:37,320 --> 00:40:39,080
Speaker 8: It happens to people like you. Look at Steve Le,

1030
00:40:39,120 --> 00:40:40,880
Speaker 8: He's always Steve Verkle. You look at the guy that

1031
00:40:40,920 --> 00:40:43,319
Speaker 8: plays I can't remember the brother's name. He played Chris

1032
00:40:43,480 --> 00:40:46,040
Speaker 8: Rock and everybody hears Chris. He's always looked at that.

1033
00:40:46,320 --> 00:40:47,319
Speaker 2: You know, I don't know, you just.

1034
00:40:47,400 --> 00:40:48,319
Speaker 10: Want to go.

1035
00:40:53,440 --> 00:40:55,680
Speaker 2: See him as dead little boy. If it's not a

1036
00:40:55,719 --> 00:40:59,880
Speaker 2: blessing that I think it is.

1037
00:41:00,360 --> 00:41:01,840
Speaker 4: You know, it stands the tests of time, and you

1038
00:41:01,880 --> 00:41:03,839
Speaker 4: know we leave that legacy for sure. I think it does,

1039
00:41:04,320 --> 00:41:07,239
Speaker 4: you know, But actors want to.

1040
00:41:07,239 --> 00:41:09,480
Speaker 21: Be transcendent, right and be able to disappear in the roles.

1041
00:41:09,520 --> 00:41:11,320
Speaker 21: And I think a part of that is the onus

1042
00:41:11,400 --> 00:41:13,319
Speaker 21: on the actor to like switch it up a little

1043
00:41:13,320 --> 00:41:16,799
Speaker 21: bit and try something different and never let themselves get

1044
00:41:17,239 --> 00:41:18,080
Speaker 21: hold in one thing.

1045
00:41:18,200 --> 00:41:20,440
Speaker 4: But I think being scared of that brings it on too,

1046
00:41:20,920 --> 00:41:21,399
Speaker 4: you know what I mean.

1047
00:41:21,600 --> 00:41:23,080
Speaker 8: Do you ever feel a way, you know, because you

1048
00:41:23,160 --> 00:41:25,960
Speaker 8: are a theater actor actor, so you've been through the course,

1049
00:41:26,000 --> 00:41:28,120
Speaker 8: you've been through the classes, and then you see somebody

1050
00:41:28,160 --> 00:41:30,759
Speaker 8: that might be, you know, a social media person that

1051
00:41:30,840 --> 00:41:32,840
Speaker 8: gets a roll because they are social media. Does that

1052
00:41:32,880 --> 00:41:34,920
Speaker 8: ever make you feel a way like they didn't get

1053
00:41:34,960 --> 00:41:37,520
Speaker 8: their chops wet, they didn't do the proper training that

1054
00:41:37,600 --> 00:41:38,120
Speaker 8: you've been through.

1055
00:41:38,200 --> 00:41:40,400
Speaker 2: Does that ever make you feel away?

1056
00:41:41,160 --> 00:41:44,160
Speaker 21: If I'm be honest, absolutely, Whenever I get whenever that

1057
00:41:44,320 --> 00:41:45,759
Speaker 21: comes up for me and I get tight like that,

1058
00:41:45,960 --> 00:41:48,200
Speaker 21: I'm like, well, that's just my ego, Like that's me,

1059
00:41:48,560 --> 00:41:50,560
Speaker 21: you know, that's me because I didn't get that part

1060
00:41:50,640 --> 00:41:51,719
Speaker 21: or I didn't do it, you know what I mean.

1061
00:41:51,960 --> 00:41:54,160
Speaker 21: But like what's for you is meant to be for you, right,

1062
00:41:54,400 --> 00:41:57,160
Speaker 21: you know, So I remind myself of that, and and

1063
00:41:58,280 --> 00:42:00,680
Speaker 21: then you know, goes away. But like and it's it's

1064
00:42:00,760 --> 00:42:03,040
Speaker 21: like acting is always going to change mediums and always

1065
00:42:03,080 --> 00:42:04,799
Speaker 21: going to evolve, And that's the point. If you don't

1066
00:42:04,840 --> 00:42:06,640
Speaker 21: evolve with it, then you're gonna get left behind.

1067
00:42:06,840 --> 00:42:10,640
Speaker 5: About I come from social media, so I slew anybody

1068
00:42:10,680 --> 00:42:13,239
Speaker 5: that comes from social media, you know, I like it.

1069
00:42:13,440 --> 00:42:15,640
Speaker 2: Just taking down the question was that the question I

1070
00:42:15,760 --> 00:42:23,960
Speaker 2: was saying social media.

1071
00:42:25,360 --> 00:42:26,600
Speaker 8: Does it ever make you feel the way where it

1072
00:42:26,640 --> 00:42:28,839
Speaker 8: feels like people you know, they always say people skip

1073
00:42:28,960 --> 00:42:31,399
Speaker 8: the line right so that they didn't, you know, take

1074
00:42:31,440 --> 00:42:33,080
Speaker 8: the acting classes and the acting lessons.

1075
00:42:33,120 --> 00:42:33,719
Speaker 4: That's what I'm saying.

1076
00:42:33,719 --> 00:42:36,280
Speaker 5: I come from the people that didn't take acting classes

1077
00:42:36,320 --> 00:42:37,960
Speaker 5: that you know, straight from social media.

1078
00:42:38,040 --> 00:42:38,480
Speaker 2: Like, so I don't.

1079
00:42:38,480 --> 00:42:40,160
Speaker 4: I don't take it no way. Now, I just took it.

1080
00:42:40,880 --> 00:42:42,000
Speaker 2: You got to skip the line.

1081
00:42:42,000 --> 00:42:43,560
Speaker 4: I did skip the line, but then I took it

1082
00:42:43,880 --> 00:42:44,880
Speaker 4: very very seriously.

1083
00:42:45,200 --> 00:42:49,160
Speaker 24: That's what I have because a lot of people, yeah,

1084
00:42:49,160 --> 00:42:52,800
Speaker 24: they're just right, like the comedians, like they can't do

1085
00:42:52,920 --> 00:42:55,600
Speaker 24: the stage. They can do the the social media stuff

1086
00:42:55,600 --> 00:42:58,400
Speaker 24: all day post, but when it comes to that stage,

1087
00:42:58,960 --> 00:43:02,080
Speaker 24: it's totally different. They don't want to get in their room,

1088
00:43:02,640 --> 00:43:04,759
Speaker 24: you know, go to the open mics and stuff that.

1089
00:43:04,760 --> 00:43:06,160
Speaker 2: They don't want to do that. They're too good for that,

1090
00:43:06,640 --> 00:43:10,760
Speaker 2: but you horrible when to come to the stage.

1091
00:43:11,880 --> 00:43:13,279
Speaker 4: He's got somebody personally in there.

1092
00:43:14,640 --> 00:43:15,200
Speaker 2: A couple of people.

1093
00:43:16,840 --> 00:43:19,759
Speaker 24: Now, I'm a stand up comedian, so I just see

1094
00:43:19,800 --> 00:43:23,120
Speaker 24: the new wave and it is the new wave.

1095
00:43:23,440 --> 00:43:24,960
Speaker 2: But well, somebody like me.

1096
00:43:24,960 --> 00:43:27,080
Speaker 24: And who've been doing it for so long, you start

1097
00:43:27,120 --> 00:43:29,480
Speaker 24: seeing stuff. At first, I was acting like Semi H.

1098
00:43:29,600 --> 00:43:31,360
Speaker 24: Jackson at first, you know what I'm saying, how he

1099
00:43:31,600 --> 00:43:33,680
Speaker 24: was with the people taking the acting gigs. I was like,

1100
00:43:33,760 --> 00:43:35,840
Speaker 24: hold on, now, they ain't even But I had to

1101
00:43:35,920 --> 00:43:38,000
Speaker 24: sit back and get in yo mo and be like, holdo,

1102
00:43:38,080 --> 00:43:40,320
Speaker 24: what God God for me is for me? They passed

1103
00:43:40,400 --> 00:43:42,520
Speaker 24: in my path, you know what I'm saying, So this

1104
00:43:42,600 --> 00:43:44,880
Speaker 24: is my journey. So I got to stay on my

1105
00:43:45,040 --> 00:43:48,520
Speaker 24: own germs blessed and and understand why I'm in my

1106
00:43:48,719 --> 00:43:51,680
Speaker 24: position and be patient, see me, and that's why I'm

1107
00:43:51,719 --> 00:43:52,920
Speaker 24: here today exactly.

1108
00:43:54,120 --> 00:43:57,120
Speaker 3: Ken killing each other over f you man, that's gonna

1109
00:43:57,120 --> 00:43:58,680
Speaker 3: have to be. That's gonna mess up the business in

1110
00:43:58,800 --> 00:43:59,680
Speaker 3: some way shape or from.

1111
00:44:00,120 --> 00:44:00,279
Speaker 10: Damn.

1112
00:44:00,280 --> 00:44:01,719
Speaker 5: I don't even know if I can talk about that.

1113
00:44:02,520 --> 00:44:04,920
Speaker 5: I don't know, though I can see it happening, Okay,

1114
00:44:05,000 --> 00:44:07,839
Speaker 5: I can see it happening. Okay, Okay, yeah yeah, yeah, yeah,

1115
00:44:07,920 --> 00:44:12,600
Speaker 5: good suggestion. Yeah yeah. I can't talk with I can't.

1116
00:44:13,320 --> 00:44:16,000
Speaker 3: I won't get in trouble right well, I mean, as

1117
00:44:16,080 --> 00:44:18,840
Speaker 3: you why is Drew not allowed to have love? Seems

1118
00:44:18,840 --> 00:44:20,600
Speaker 3: like you lose every guy that you started off healing.

1119
00:44:21,400 --> 00:44:24,279
Speaker 21: I think it's because it's the reality of the you know,

1120
00:44:24,480 --> 00:44:27,400
Speaker 21: the game where right, And I feel like, you know,

1121
00:44:27,520 --> 00:44:29,480
Speaker 21: with Gordo, you found somebody that you felt like you

1122
00:44:29,560 --> 00:44:32,440
Speaker 21: could you know who could he could see all of

1123
00:44:32,560 --> 00:44:34,799
Speaker 21: him and recognize all of him. But at the same time,

1124
00:44:34,840 --> 00:44:37,400
Speaker 21: it's like it started off with lies, right, like I

1125
00:44:37,480 --> 00:44:39,359
Speaker 21: killed his pops or we killed his pops. So it's

1126
00:44:39,400 --> 00:44:42,680
Speaker 21: like if I can't tell you that truth, then we're

1127
00:44:42,719 --> 00:44:45,600
Speaker 21: already our foundation is shaky anyway, you know. So I think,

1128
00:44:46,000 --> 00:44:50,399
Speaker 21: you know, God willing going forward, Drew will find some love,

1129
00:44:50,480 --> 00:44:52,360
Speaker 21: somebody that you know can resonate with him in that

1130
00:44:52,440 --> 00:44:53,920
Speaker 21: way they justn't have to hide himself from.

1131
00:44:54,320 --> 00:44:56,920
Speaker 4: But until then, to be about your bread man, it.

1132
00:44:57,080 --> 00:44:59,160
Speaker 2: Is how's working with Mary?

1133
00:44:59,360 --> 00:45:04,000
Speaker 21: Beautiful man? And Mary's so cool, She's so chill. We

1134
00:45:04,120 --> 00:45:08,279
Speaker 21: have so many moments and memories with Mary, and I

1135
00:45:08,320 --> 00:45:11,759
Speaker 21: think my favorite one is, you know, first day table reading.

1136
00:45:11,840 --> 00:45:13,320
Speaker 21: You know what, It's funny they don't tell actors of

1137
00:45:13,360 --> 00:45:14,920
Speaker 21: this lot. It's always like, you know, like, well, you

1138
00:45:15,040 --> 00:45:16,440
Speaker 21: just get in the space and like, yeah, you know

1139
00:45:16,760 --> 00:45:19,360
Speaker 21: I belong there and I already already been there, so

1140
00:45:19,480 --> 00:45:21,280
Speaker 21: you know I gotta act like and whatever whatever.

1141
00:45:21,880 --> 00:45:24,719
Speaker 4: You know, that tension, shoulder tension comes up, you know

1142
00:45:24,760 --> 00:45:25,080
Speaker 4: what I mean?

1143
00:45:25,200 --> 00:45:27,919
Speaker 21: Like no, Like when I got to the table read,

1144
00:45:28,040 --> 00:45:29,799
Speaker 21: I was like, I've never been here before, and I've

1145
00:45:29,840 --> 00:45:31,600
Speaker 21: never been face to face with Mary J.

1146
00:45:31,760 --> 00:45:32,359
Speaker 2: Blige before.

1147
00:45:32,880 --> 00:45:34,800
Speaker 4: You know what she did, She broke the ice with

1148
00:45:34,880 --> 00:45:35,840
Speaker 4: a funny ass story.

1149
00:45:36,239 --> 00:45:36,440
Speaker 9: You know.

1150
00:45:36,640 --> 00:45:39,040
Speaker 21: She she she brought us in as her kids off

1151
00:45:39,200 --> 00:45:41,640
Speaker 21: rip and that to me like taught me, like God

1152
00:45:41,680 --> 00:45:43,160
Speaker 21: will and I get to that place where I can

1153
00:45:43,800 --> 00:45:45,520
Speaker 21: people look at me in that way that I can

1154
00:45:45,600 --> 00:45:47,040
Speaker 21: be like, oh no, I'm chill, like you.

1155
00:45:47,040 --> 00:45:48,640
Speaker 3: Know what I mean, because that really helped me out.

1156
00:45:48,760 --> 00:45:50,040
Speaker 3: How did she bring your other What was the joke

1157
00:45:50,080 --> 00:45:51,600
Speaker 3: that brought y'all in? He said, Because she said she

1158
00:45:51,680 --> 00:45:52,879
Speaker 3: brought you in her kids.

1159
00:45:53,160 --> 00:45:54,719
Speaker 4: Well, she told us like it was a story.

1160
00:45:54,800 --> 00:45:56,880
Speaker 21: I told her that, like my dad's from Jamaica, right,

1161
00:45:56,880 --> 00:45:58,439
Speaker 21: And she was like, oh, I'm never going to dakea again,

1162
00:45:58,600 --> 00:45:59,919
Speaker 21: Like I'm never bring nobody's Jaica.

1163
00:46:00,040 --> 00:46:02,160
Speaker 4: It's like it's drama and it's just the way that

1164
00:46:02,320 --> 00:46:03,600
Speaker 4: she just related to us.

1165
00:46:04,360 --> 00:46:06,920
Speaker 21: You would think that, like I guess the perspective of

1166
00:46:07,000 --> 00:46:09,600
Speaker 21: someone of that high stature is that like.

1167
00:46:09,680 --> 00:46:10,560
Speaker 4: You have to go to them.

1168
00:46:11,120 --> 00:46:13,640
Speaker 2: But I felt like she came down and came and

1169
00:46:13,760 --> 00:46:14,200
Speaker 2: gave It's a.

1170
00:46:14,239 --> 00:46:16,640
Speaker 21: Story that was like we all had us laughing, and

1171
00:46:16,760 --> 00:46:18,400
Speaker 21: it was like, well, thanks for sharing that, you know

1172
00:46:18,480 --> 00:46:21,320
Speaker 21: with us, and and really brought us in and so

1173
00:46:21,520 --> 00:46:23,560
Speaker 21: it just just made it so easy, you know, you know,

1174
00:46:23,640 --> 00:46:25,560
Speaker 21: we get to do these scenes and she's so generous

1175
00:46:25,600 --> 00:46:27,960
Speaker 21: as a as a scene partner, and we get to

1176
00:46:28,080 --> 00:46:29,960
Speaker 21: like really go and play with it. Just so many

1177
00:46:30,000 --> 00:46:33,560
Speaker 21: fun ideas and just really cares about Monette and says

1178
00:46:33,600 --> 00:46:35,920
Speaker 21: like listen, man, they is from here.

1179
00:46:36,040 --> 00:46:37,359
Speaker 4: So she's not going to do it like that. She's

1180
00:46:37,360 --> 00:46:39,600
Speaker 4: gonna do it like this, and like being her producer,

1181
00:46:40,360 --> 00:46:40,600
Speaker 4: you know what.

1182
00:46:41,000 --> 00:46:41,160
Speaker 12: Yeah.

1183
00:46:41,239 --> 00:46:41,439
Speaker 4: Yeah.

1184
00:46:42,800 --> 00:46:46,120
Speaker 21: When we did the dinner table not super iconic dinner

1185
00:46:46,160 --> 00:46:48,120
Speaker 21: table scene, you know, it was her idea to be

1186
00:46:48,200 --> 00:46:51,640
Speaker 21: like listen, like we gotta get it elevated, right, She said,

1187
00:46:51,680 --> 00:46:53,600
Speaker 21: we have to elevate this thing because she's not going

1188
00:46:53,680 --> 00:46:55,920
Speaker 21: to have her daughter talk to her no type of

1189
00:46:55,960 --> 00:46:58,200
Speaker 21: way and not snatch her across the table and have

1190
00:46:58,360 --> 00:47:01,000
Speaker 21: it beat this big moment, you know, and it came

1191
00:47:01,080 --> 00:47:01,800
Speaker 21: alive because of that.

1192
00:47:02,320 --> 00:47:03,880
Speaker 4: I learned so much as an actor because of that.

1193
00:47:03,960 --> 00:47:05,960
Speaker 3: So what's gonnappen when y'all gotta hate her because eventually

1194
00:47:06,000 --> 00:47:07,560
Speaker 3: y'all gonna find out that she's the one who said

1195
00:47:07,600 --> 00:47:08,200
Speaker 3: Lorenzo up.

1196
00:47:08,680 --> 00:47:10,800
Speaker 2: I mean, you know what I mean, you know, like

1197
00:47:10,880 --> 00:47:12,040
Speaker 2: you're gonna have to You're gonna hate it.

1198
00:47:12,080 --> 00:47:15,879
Speaker 5: Then it comes out this weekend we're gonna see, right, Yeah, yeah, yeah,

1199
00:47:15,920 --> 00:47:16,880
Speaker 5: that's this week Friday.

1200
00:47:17,000 --> 00:47:18,560
Speaker 4: Yeah, gonna find out all that stuff.

1201
00:47:18,600 --> 00:47:21,120
Speaker 2: But yeah, are you happy Lorenzo days? You know, let's

1202
00:47:21,120 --> 00:47:21,799
Speaker 2: say Poppy no more?

1203
00:47:22,600 --> 00:47:25,319
Speaker 5: I always think I said Poppy like that. I never

1204
00:47:25,400 --> 00:47:26,920
Speaker 5: I never knew how to say it for real, Like

1205
00:47:27,280 --> 00:47:28,960
Speaker 5: I didn't. It didn't roll off my tongue like that,

1206
00:47:29,040 --> 00:47:31,839
Speaker 5: So I kind of eliminated the Poppies out of my vocabulary.

1207
00:47:33,120 --> 00:47:34,239
Speaker 4: Yeah, did it roll off?

1208
00:47:34,320 --> 00:47:34,400
Speaker 22: Right?

1209
00:47:34,480 --> 00:47:35,759
Speaker 2: Yes? You said Poppy said it?

1210
00:47:35,840 --> 00:47:36,080
Speaker 22: Really?

1211
00:47:36,800 --> 00:47:37,160
Speaker 2: I think?

1212
00:47:37,360 --> 00:47:37,680
Speaker 4: I think?

1213
00:47:37,840 --> 00:47:38,040
Speaker 2: You know.

1214
00:47:39,719 --> 00:47:41,640
Speaker 4: Bertil Coloone who plays Lorenzo amazing.

1215
00:47:42,280 --> 00:47:45,239
Speaker 21: I miss him man, sometimes, you know, he's he's a

1216
00:47:45,320 --> 00:47:49,400
Speaker 21: master class too, you know, and I love him being there.

1217
00:47:49,440 --> 00:47:51,239
Speaker 21: He just holds it down in such a grounding energy.

1218
00:47:51,440 --> 00:47:54,640
Speaker 21: So as level I'm like, damn, you know he's gone.

1219
00:47:54,760 --> 00:47:58,160
Speaker 21: But as Drew, I think Drews also like damn he's gone.

1220
00:47:58,200 --> 00:47:59,240
Speaker 4: Yeah, yeah, I agree.

1221
00:47:59,600 --> 00:48:01,640
Speaker 8: When we come back, we got more with the Tahia

1222
00:48:01,680 --> 00:48:04,680
Speaker 8: Brothers from Power, you know, Woody McLain and Lavel So

1223
00:48:04,760 --> 00:48:05,080
Speaker 8: don't move.

1224
00:48:05,120 --> 00:48:05,879
Speaker 2: It's the Breakfast Club.

1225
00:48:05,920 --> 00:48:08,920
Speaker 8: Good morning, m Jean Charlamage the guy we are the

1226
00:48:09,000 --> 00:48:11,360
Speaker 8: Breakfast Club is still kicking it with the Tahia Brothers

1227
00:48:11,400 --> 00:48:13,759
Speaker 8: from Power, Willie McClain and level Adams Gray.

1228
00:48:14,360 --> 00:48:17,040
Speaker 2: Now we take this. Yesterday, Erica Dutchess, our co host,

1229
00:48:17,200 --> 00:48:17,440
Speaker 2: was here.

1230
00:48:17,800 --> 00:48:20,080
Speaker 4: Erica, you're married, I'm engaged.

1231
00:48:20,239 --> 00:48:23,320
Speaker 24: You engaged, okay, So how do your fiance feel about

1232
00:48:23,320 --> 00:48:25,480
Speaker 24: your your love scenes and stuff like that.

1233
00:48:25,840 --> 00:48:27,960
Speaker 21: You know, she's she's the same way she comes from,

1234
00:48:28,280 --> 00:48:30,520
Speaker 21: uh you know that that place of like, if you're

1235
00:48:30,520 --> 00:48:32,160
Speaker 21: gonna do it, do it right kind of thing. So

1236
00:48:32,719 --> 00:48:34,200
Speaker 21: she she's a big fan of the show, and she

1237
00:48:34,320 --> 00:48:36,680
Speaker 21: loves watching the show. She has a great heart and

1238
00:48:36,760 --> 00:48:39,840
Speaker 21: a great empathetic capacity. So she watched watches Drew or

1239
00:48:39,880 --> 00:48:42,520
Speaker 21: anybody going through it. She's just like, wow, like this

1240
00:48:42,800 --> 00:48:44,799
Speaker 21: is a every time I watched the show, I'm watching

1241
00:48:44,840 --> 00:48:46,520
Speaker 21: it being like, I know what we did I know

1242
00:48:46,600 --> 00:48:49,520
Speaker 21: what's happening. And she's like, Wow, this show like surprises

1243
00:48:49,560 --> 00:48:51,600
Speaker 21: me every time. It's phenomenal, this is this, and this is.

1244
00:48:51,600 --> 00:48:53,799
Speaker 2: It hard to watch it with her, it's any love

1245
00:48:53,880 --> 00:48:54,880
Speaker 2: scene because it's hard to.

1246
00:48:54,920 --> 00:48:57,600
Speaker 21: Watch with it because she's sometimes around her in the

1247
00:48:57,680 --> 00:48:59,920
Speaker 21: table reads and so she's like privy and.

1248
00:49:00,000 --> 00:49:02,439
Speaker 4: Aformation and she's like, oh, so that's what you guys

1249
00:49:02,480 --> 00:49:03,240
Speaker 4: were talking about.

1250
00:49:03,840 --> 00:49:04,920
Speaker 2: Oh did you know?

1251
00:49:05,440 --> 00:49:08,680
Speaker 21: And but in terms of like content stuff, and you know,

1252
00:49:08,719 --> 00:49:10,799
Speaker 21: it's not it's not hard watching, you know, because she's

1253
00:49:10,840 --> 00:49:12,560
Speaker 21: also done love scenes.

1254
00:49:12,600 --> 00:49:14,840
Speaker 2: And how do you feel you see her doing love season,

1255
00:49:15,040 --> 00:49:22,759
Speaker 2: it's it's take some getting uscles. You got that man

1256
00:49:22,880 --> 00:49:24,839
Speaker 2: meat on his back? She ye.

1257
00:49:30,760 --> 00:49:30,920
Speaker 9: Like that.

1258
00:49:32,920 --> 00:49:34,879
Speaker 2: Jesus. But yeah, but how did that make you feel?

1259
00:49:35,160 --> 00:49:35,320
Speaker 5: You know?

1260
00:49:35,480 --> 00:49:37,920
Speaker 21: She just did this film called Perfect Didiction. It just

1261
00:49:37,960 --> 00:49:40,279
Speaker 21: came out and in it she plays an MM a

1262
00:49:40,360 --> 00:49:43,200
Speaker 21: fighter and trainer and she had to be with these

1263
00:49:43,280 --> 00:49:46,840
Speaker 21: six two six three, you know, getting swollen bees for

1264
00:49:46,920 --> 00:49:49,640
Speaker 21: the role and coming in and you know, she was

1265
00:49:49,680 --> 00:49:52,000
Speaker 21: love interest to both of them. And I'm having to

1266
00:49:52,040 --> 00:49:54,439
Speaker 21: sit there being like it's just fine, It's just fine,

1267
00:49:56,440 --> 00:49:59,719
Speaker 21: you know, you know, but you go back with your chest.

1268
00:49:59,840 --> 00:50:00,600
Speaker 2: Yeah, I'm real.

1269
00:50:00,760 --> 00:50:03,399
Speaker 21: Listen, every time she goes somewhere to work on the job,

1270
00:50:03,480 --> 00:50:05,360
Speaker 21: but she's like, there's a time apart.

1271
00:50:05,800 --> 00:50:06,480
Speaker 4: I'm in the gym.

1272
00:50:06,719 --> 00:50:08,560
Speaker 21: I go crazy in the gym because when you come back,

1273
00:50:08,760 --> 00:50:10,600
Speaker 21: you don't see me looking different than when you left.

1274
00:50:10,640 --> 00:50:12,800
Speaker 3: That's right, you know, ask you do you get flacked

1275
00:50:12,840 --> 00:50:17,359
Speaker 3: from like actual gay actors who feel like that role

1276
00:50:17,480 --> 00:50:19,680
Speaker 3: should go to game actual gay.

1277
00:50:19,680 --> 00:50:20,560
Speaker 2: Like you took my role.

1278
00:50:21,000 --> 00:50:21,640
Speaker 4: That's a good question.

1279
00:50:21,760 --> 00:50:24,160
Speaker 21: No, Yeah, I get a lot of love, a lot

1280
00:50:24,239 --> 00:50:28,920
Speaker 21: of like a lot of support comes from other queer actors,

1281
00:50:29,320 --> 00:50:31,080
Speaker 21: you know, And I get a lot of love because.

1282
00:50:30,840 --> 00:50:33,319
Speaker 3: I would think that's a ridiculous conversation to have, because

1283
00:50:33,320 --> 00:50:35,160
Speaker 3: if a gay person plays the great persons because they

1284
00:50:35,200 --> 00:50:36,239
Speaker 3: got the ROC, they're a good actor.

1285
00:50:36,360 --> 00:50:38,040
Speaker 2: Right, if you get at what you do, you get

1286
00:50:38,080 --> 00:50:38,360
Speaker 2: what you do?

1287
00:50:38,800 --> 00:50:40,480
Speaker 4: Yea, what do you got?

1288
00:50:40,560 --> 00:50:43,239
Speaker 2: Everybody hitting my damn phone? Was kind of excited. I

1289
00:50:43,400 --> 00:50:47,279
Speaker 2: got lie, no what he tagged me on something? People

1290
00:50:47,360 --> 00:50:47,640
Speaker 2: hit me.

1291
00:50:49,160 --> 00:50:50,960
Speaker 3: The reason I got excited because I was like, oh

1292
00:50:51,239 --> 00:50:52,600
Speaker 3: it might you know, it might be some brand and

1293
00:50:52,960 --> 00:50:54,719
Speaker 3: what he was like fighting the post what he said

1294
00:50:54,719 --> 00:50:56,400
Speaker 3: he posted I want to do a season for now.

1295
00:50:56,560 --> 00:50:58,160
Speaker 2: Watch party in South Carolina.

1296
00:50:58,239 --> 00:50:59,520
Speaker 3: But I need to see the god to host it

1297
00:50:59,600 --> 00:51:01,560
Speaker 3: with me, he said, who in South Carolina would pull

1298
00:51:01,640 --> 00:51:03,759
Speaker 3: up and got like twenty six hundred comments, and then

1299
00:51:03,800 --> 00:51:06,680
Speaker 3: people started making actual post about it.

1300
00:51:06,800 --> 00:51:10,120
Speaker 2: Like this needs to happen, and I'm like, what we're doing,

1301
00:51:10,719 --> 00:51:11,160
Speaker 2: I'm with it.

1302
00:51:11,400 --> 00:51:13,120
Speaker 3: You got to find a place to do it, because

1303
00:51:13,120 --> 00:51:15,000
Speaker 3: you know we used to the house party vie. I mean,

1304
00:51:15,000 --> 00:51:15,680
Speaker 3: what do you party together?

1305
00:51:15,680 --> 00:51:19,480
Speaker 2: He was in the house. Yeah, you can't do it

1306
00:51:19,520 --> 00:51:21,160
Speaker 2: in the house. You can't can't bring all those people

1307
00:51:21,160 --> 00:51:21,520
Speaker 2: to your house.

1308
00:51:21,760 --> 00:51:22,239
Speaker 4: I can't do that.

1309
00:51:22,320 --> 00:51:23,480
Speaker 2: You got to figure out where to do it. I

1310
00:51:23,520 --> 00:51:23,800
Speaker 2: don't know.

1311
00:51:24,400 --> 00:51:27,560
Speaker 8: And do we charge people, Yes, that's the hard part

1312
00:51:28,080 --> 00:51:29,680
Speaker 8: to charge people because if not, it's got to be

1313
00:51:29,719 --> 00:51:31,520
Speaker 8: limited space. If not, everybody's gonna be there, gonna be

1314
00:51:31,520 --> 00:51:32,840
Speaker 8: too packed. You want limited space. You want people to

1315
00:51:32,880 --> 00:51:33,399
Speaker 8: be able to see.

1316
00:51:33,560 --> 00:51:35,440
Speaker 4: Yeah, so you charge people, but then have like an

1317
00:51:35,480 --> 00:51:35,920
Speaker 4: open bar.

1318
00:51:36,680 --> 00:51:40,400
Speaker 8: I don't have an open bar so they can have

1319
00:51:40,440 --> 00:51:41,880
Speaker 8: a good time and some food. But that way you

1320
00:51:41,960 --> 00:51:43,880
Speaker 8: have sections so people can actually watch. You don't want

1321
00:51:43,880 --> 00:51:45,640
Speaker 8: a two pack where you can't enjoy and scream and

1322
00:51:45,719 --> 00:51:46,120
Speaker 8: yell and all that.

1323
00:51:46,440 --> 00:51:49,160
Speaker 2: We can do it at the Museum American museum. You

1324
00:51:49,280 --> 00:51:51,040
Speaker 2: have to bring some TVs in and can if they

1325
00:51:51,080 --> 00:51:54,520
Speaker 2: got it twenty six right, we got a couple of

1326
00:51:54,520 --> 00:51:55,520
Speaker 2: more day we can.

1327
00:51:55,640 --> 00:51:57,960
Speaker 4: We got time though we might you figure it out.

1328
00:51:58,320 --> 00:52:00,880
Speaker 4: I have fun there, museum.

1329
00:52:02,640 --> 00:52:04,360
Speaker 2: The pay is not really for you.

1330
00:52:04,520 --> 00:52:06,160
Speaker 8: It's more to make sure people are gonna come, because

1331
00:52:06,200 --> 00:52:08,040
Speaker 8: everybody on r ZP I'm coming, and then to be

1332
00:52:08,120 --> 00:52:09,319
Speaker 8: rained like I ain't coming to the ring.

1333
00:52:09,560 --> 00:52:11,120
Speaker 3: I mean, but you want people that it's gonna come,

1334
00:52:11,239 --> 00:52:13,200
Speaker 3: enjoy and have a great time. But then once again,

1335
00:52:13,239 --> 00:52:16,399
Speaker 3: that's the testament to how big power is in the coach.

1336
00:52:16,480 --> 00:52:20,560
Speaker 3: I'm telling you show all shows don't get that cultural reverence.

1337
00:52:20,239 --> 00:52:20,640
Speaker 2: The way.

1338
00:52:22,000 --> 00:52:24,719
Speaker 5: They let us host post stuff like rappers. I'm like

1339
00:52:24,800 --> 00:52:26,920
Speaker 5: at a host and I'm like, I ain't got no songs.

1340
00:52:26,920 --> 00:52:28,000
Speaker 5: I don't know what you'all want to do, so.

1341
00:52:28,000 --> 00:52:32,319
Speaker 4: I just take pictures. They would give me the mic.

1342
00:52:32,400 --> 00:52:33,879
Speaker 4: I'm like, I don't know what y'all want me to say,

1343
00:52:33,960 --> 00:52:36,320
Speaker 4: like I ain't got no no bars or nothing for nobody.

1344
00:52:36,440 --> 00:52:39,920
Speaker 2: Does it shows lead? Yes? Okay, I was tight. Is

1345
00:52:39,960 --> 00:52:40,520
Speaker 2: that the true lead?

1346
00:52:40,560 --> 00:52:43,320
Speaker 5: Because they say that it might not be the true shows? Well, no,

1347
00:52:43,480 --> 00:52:45,439
Speaker 5: I think I think it was like some like fake

1348
00:52:45,520 --> 00:52:46,319
Speaker 5: poor quality stuff.

1349
00:52:46,320 --> 00:52:49,600
Speaker 21: I didn't see it, but man, like it's like like

1350
00:52:49,640 --> 00:52:52,600
Speaker 21: a rapper, like you always tight when your and then

1351
00:52:52,680 --> 00:52:53,200
Speaker 21: like who did it?

1352
00:52:53,320 --> 00:52:55,400
Speaker 4: Like it has to be somebody in your camp? Right,

1353
00:52:55,640 --> 00:52:57,480
Speaker 4: And why is it only power shows and.

1354
00:52:57,600 --> 00:52:59,280
Speaker 2: Starts with nobody?

1355
00:52:59,560 --> 00:53:01,560
Speaker 5: People just kid that much like other things that we

1356
00:53:01,640 --> 00:53:03,640
Speaker 5: just don't think about, But people care about this.

1357
00:53:04,000 --> 00:53:05,880
Speaker 4: That's I don't know. I don't know.

1358
00:53:06,040 --> 00:53:08,239
Speaker 21: I don't know about it, but like I appreciate the

1359
00:53:08,320 --> 00:53:09,680
Speaker 21: fans who were like stuck it out and like are

1360
00:53:09,719 --> 00:53:12,440
Speaker 21: gonna watch it again, you know and see it because

1361
00:53:12,920 --> 00:53:15,239
Speaker 21: they deserve to be seen in the right way.

1362
00:53:16,120 --> 00:53:18,719
Speaker 3: With this love triangle, Tyreek got going on, right, Who

1363
00:53:18,760 --> 00:53:21,680
Speaker 3: would y'all rather see him end up with Fie, Lauren

1364
00:53:21,880 --> 00:53:22,360
Speaker 3: or Diane?

1365
00:53:22,760 --> 00:53:26,320
Speaker 4: Speaking as Abelle, I'd rather see him with Diana really yeah.

1366
00:53:26,320 --> 00:53:30,720
Speaker 5: Speaking yeah, speaking speaking as woody, as woody, as woody

1367
00:53:30,760 --> 00:53:33,759
Speaker 5: Diana as well as really yeah, Drew don't want to

1368
00:53:33,800 --> 00:53:36,840
Speaker 5: treak nowhere around absolutely, you know.

1369
00:53:37,200 --> 00:53:39,839
Speaker 21: But as well like this, they make a good pair.

1370
00:53:40,280 --> 00:53:43,120
Speaker 21: You know, they're both very intelligent, and they both move

1371
00:53:43,120 --> 00:53:45,120
Speaker 21: around the business really well, and they could actually like

1372
00:53:45,719 --> 00:53:47,960
Speaker 21: make a great like if they came together like that,

1373
00:53:48,040 --> 00:53:49,319
Speaker 21: they can make a good, good team, but.

1374
00:53:49,320 --> 00:53:50,520
Speaker 2: Then the brothers might have to kill him.

1375
00:53:50,560 --> 00:53:55,160
Speaker 4: Yeah, yeah, I agree.

1376
00:53:55,400 --> 00:53:57,680
Speaker 2: Did you feel bad for Saxop when he got killed?

1377
00:53:57,920 --> 00:54:00,400
Speaker 4: Hell yeah. Shane is so dope man, so in credible.

1378
00:54:00,440 --> 00:54:02,400
Speaker 4: He's the OG. Well, I think he's been there for

1379
00:54:02,520 --> 00:54:03,320
Speaker 4: like nine years.

1380
00:54:03,840 --> 00:54:06,320
Speaker 5: And I think it caught everybody by surprise because I

1381
00:54:06,360 --> 00:54:08,239
Speaker 5: don't read the whole script until we get to the

1382
00:54:08,280 --> 00:54:10,160
Speaker 5: table that's just read kind of my section. So when

1383
00:54:10,200 --> 00:54:12,759
Speaker 5: I heard it for the first time, it definitely was

1384
00:54:12,920 --> 00:54:15,319
Speaker 5: like one of those emotional emotional things.

1385
00:54:15,560 --> 00:54:17,040
Speaker 3: Damn, I don't even think about it. I'm sitting it

1386
00:54:17,080 --> 00:54:18,960
Speaker 3: thinking about it from the character of perspective. The people

1387
00:54:19,000 --> 00:54:20,120
Speaker 3: that's not going to have no work no more.

1388
00:54:20,280 --> 00:54:22,359
Speaker 21: Well no, see, that's the thing, Like Shane is such

1389
00:54:22,360 --> 00:54:25,520
Speaker 21: an amazing actor that he's working, he's working, he's an artist,

1390
00:54:25,600 --> 00:54:28,000
Speaker 21: like he's an artist with him with ambition and with

1391
00:54:28,440 --> 00:54:30,759
Speaker 21: with drive, you know. And that's the one thing like

1392
00:54:30,760 --> 00:54:33,800
Speaker 21: I always say about about actors, about artists specifically, like

1393
00:54:34,239 --> 00:54:36,640
Speaker 21: you don't we can make whatever we want to make

1394
00:54:36,680 --> 00:54:38,520
Speaker 21: whenever we want to make it, like now, depending on

1395
00:54:38,600 --> 00:54:40,600
Speaker 21: how much money you have, and like if you want

1396
00:54:40,800 --> 00:54:43,600
Speaker 21: to get butts and seasests, another thing, but like art

1397
00:54:43,719 --> 00:54:46,120
Speaker 21: is there, you can just make it, you know. And

1398
00:54:46,280 --> 00:54:47,959
Speaker 21: for Shaye, he doesn't have to worry about like lack

1399
00:54:48,120 --> 00:54:50,600
Speaker 21: and you know, but you know he'll always be a

1400
00:54:50,640 --> 00:54:52,520
Speaker 21: thriving artist because he's a beautiful actor.

1401
00:54:52,800 --> 00:54:54,359
Speaker 8: Y'all have a nervous that that you're going to read

1402
00:54:54,360 --> 00:54:55,839
Speaker 8: a script and it's like what else, things like please

1403
00:54:55,840 --> 00:54:57,480
Speaker 8: don't give me on, please don't give don't give me on.

1404
00:54:57,800 --> 00:54:59,520
Speaker 2: Y'all ever feel that way when when y'all pick up

1405
00:54:59,520 --> 00:55:00,279
Speaker 2: a script that was.

1406
00:55:00,320 --> 00:55:05,520
Speaker 4: Me season one, two three, his house right now you're

1407
00:55:05,520 --> 00:55:06,360
Speaker 4: buying like.

1408
00:55:08,280 --> 00:55:11,920
Speaker 5: Yeah, yeah, yeah, I think for the same like the

1409
00:55:12,000 --> 00:55:14,360
Speaker 5: first season it was like that, but after the first season,

1410
00:55:14,840 --> 00:55:17,160
Speaker 5: whatever makes sense for the character, the character.

1411
00:55:16,920 --> 00:55:19,080
Speaker 4: Gotta go, he gotta go. That's how I felt.

1412
00:55:19,520 --> 00:55:22,320
Speaker 21: Yeah, yeah, I just when they when they you know,

1413
00:55:22,360 --> 00:55:24,120
Speaker 21: when they do decide to if they do decide to

1414
00:55:24,200 --> 00:55:27,000
Speaker 21: do that with Drew, that like it's a it's like iconic,

1415
00:55:27,120 --> 00:55:27,319
Speaker 21: like I.

1416
00:55:27,400 --> 00:55:30,480
Speaker 4: Want to cat to kill you or I don't know

1417
00:55:30,640 --> 00:55:33,400
Speaker 4: about that. That's heartbreaking, but I got you.

1418
00:55:33,880 --> 00:55:35,560
Speaker 21: I always want to be like I said, I don't

1419
00:55:35,560 --> 00:55:37,600
Speaker 21: want to be the black Shawn Bean and like dying

1420
00:55:37,640 --> 00:55:40,840
Speaker 21: on it. So if it's going to happen like it

1421
00:55:40,920 --> 00:55:42,520
Speaker 21: needs to be happening, like you know some like dope

1422
00:55:42,560 --> 00:55:45,000
Speaker 21: slow motion kind of like you know, something dope, something dope.

1423
00:55:45,080 --> 00:55:46,920
Speaker 21: But I won't speak that out, you know, season six

1424
00:55:47,000 --> 00:55:48,440
Speaker 21: seven eight, And is that a real.

1425
00:55:48,320 --> 00:55:51,360
Speaker 3: Beef between the Power Team and the b MF actors?

1426
00:55:51,480 --> 00:55:54,680
Speaker 3: Like is that real that some social media is between Uh?

1427
00:55:55,880 --> 00:55:58,000
Speaker 4: I don't think so. I might be that might be

1428
00:55:58,080 --> 00:56:00,960
Speaker 4: Twitter fingers. Yeah, I hope so, because like we you know,

1429
00:56:01,040 --> 00:56:02,239
Speaker 4: we're all black and we're all getting it.

1430
00:56:02,320 --> 00:56:02,719
Speaker 2: I love that.

1431
00:56:02,840 --> 00:56:03,520
Speaker 4: I'd love to see that.

1432
00:56:03,680 --> 00:56:06,040
Speaker 3: So I think that's what it is, y'all participating that

1433
00:56:06,120 --> 00:56:09,279
Speaker 3: though you usually do that play too Rikan meet.

1434
00:56:09,800 --> 00:56:10,520
Speaker 10: What am I do?

1435
00:56:11,880 --> 00:56:13,160
Speaker 4: I don't participate.

1436
00:56:14,760 --> 00:56:15,120
Speaker 2: Be doing it.

1437
00:56:15,160 --> 00:56:17,520
Speaker 4: I'll be in the gym. I got time for that.

1438
00:56:18,320 --> 00:56:20,120
Speaker 2: My business, he said back to this party is playing

1439
00:56:20,400 --> 00:56:24,279
Speaker 2: in South Carolina. See him? You know what you will be?

1440
00:56:24,640 --> 00:56:26,879
Speaker 2: You want to do it from? Yeah, just don't say

1441
00:56:26,920 --> 00:56:28,279
Speaker 2: that because now we got to plan it. I don't

1442
00:56:28,280 --> 00:56:29,040
Speaker 2: want to let people down.

1443
00:56:29,280 --> 00:56:30,880
Speaker 4: No, I'm serious, I'm serious.

1444
00:56:30,880 --> 00:56:33,439
Speaker 5: I know this is Hollywood. Yeah, hit me up, let's

1445
00:56:33,480 --> 00:56:35,279
Speaker 5: do this. But I'm like serious, I'm looking at you

1446
00:56:35,360 --> 00:56:35,880
Speaker 5: in the eyes.

1447
00:56:36,120 --> 00:56:36,719
Speaker 4: We're gonna do this.

1448
00:56:37,000 --> 00:56:39,240
Speaker 2: O lord, Now I got to commit to Yeah.

1449
00:56:39,160 --> 00:56:40,799
Speaker 4: Yeah, exactly, so we're taking it there.

1450
00:56:41,239 --> 00:56:43,080
Speaker 2: We appreciate you brothers for joining us.

1451
00:56:43,760 --> 00:56:46,799
Speaker 8: May twenty six is the day, and thank you guys

1452
00:56:46,840 --> 00:56:47,600
Speaker 8: for stopping through.

1453
00:56:47,600 --> 00:56:48,680
Speaker 2: You know, you guys are always invited.

1454
00:56:48,800 --> 00:56:50,520
Speaker 3: Both episodes coming out the were going to make twenty six.

1455
00:56:50,560 --> 00:56:52,319
Speaker 3: I was one and then the next this week one,

1456
00:56:52,360 --> 00:56:55,680
Speaker 3: this weekend, one this weekend in the finalite nex. Yeah right,

1457
00:56:55,760 --> 00:56:56,160
Speaker 3: so that's.

1458
00:56:56,000 --> 00:56:59,160
Speaker 2: Willy McCain, Lavell Adams. Great. Appreciate you brothers. It's the

1459
00:56:59,160 --> 00:57:08,120
Speaker 2: breakfast well, good morning. Damn that he hogged. It's time

1460
00:57:08,239 --> 00:57:11,120
Speaker 2: the donkey to day. I ain't trying to be donky

1461
00:57:11,239 --> 00:57:11,839
Speaker 2: today no more.

1462
00:57:11,960 --> 00:57:14,120
Speaker 3: They should be embarrassed by what they already did. I'm

1463
00:57:14,120 --> 00:57:15,160
Speaker 3: not making these people do these.

1464
00:57:15,160 --> 00:57:18,120
Speaker 2: Things called Donkey of the day. And it really caught

1465
00:57:18,160 --> 00:57:18,800
Speaker 2: me off guard.

1466
00:57:18,960 --> 00:57:21,680
Speaker 24: Damn solam Man, who got the donkey out of the

1467
00:57:21,760 --> 00:57:22,400
Speaker 24: day today?

1468
00:57:24,520 --> 00:57:25,720
Speaker 2: Wow, that's hilarious.

1469
00:57:25,840 --> 00:57:28,760
Speaker 3: Donkey today goes to a man with seven kids and

1470
00:57:28,880 --> 00:57:29,840
Speaker 3: seven baby mamas.

1471
00:57:29,880 --> 00:57:31,880
Speaker 2: Now I try not to pay attention to these people.

1472
00:57:32,200 --> 00:57:32,800
Speaker 2: You know what I'm saying.

1473
00:57:33,160 --> 00:57:36,120
Speaker 3: I see these people telling these outlander stories on YouTube

1474
00:57:36,160 --> 00:57:39,560
Speaker 3: and TikTok because nowadays folks is saying and doing anything

1475
00:57:39,600 --> 00:57:41,280
Speaker 3: to get some attention and being that we live in

1476
00:57:41,360 --> 00:57:43,640
Speaker 3: a world where nobody cares about the truth. If the

1477
00:57:43,760 --> 00:57:46,439
Speaker 3: lie is more entertaining, folks just be getting online telling

1478
00:57:46,520 --> 00:57:50,120
Speaker 3: these Ourlandis stories just to get some clicks and subscribers. No,

1479
00:57:50,160 --> 00:57:52,080
Speaker 3: I don't know if this story is real, but the

1480
00:57:52,280 --> 00:57:54,800
Speaker 3: idea is. And that's what I like to discuss and

1481
00:57:54,920 --> 00:57:58,600
Speaker 3: critique the idea, Okay, the idea that digital d heads

1482
00:57:58,640 --> 00:58:01,200
Speaker 3: like this young man put on the FBI's internet. Now,

1483
00:58:01,320 --> 00:58:03,160
Speaker 3: as I told you, this man got seven kids and

1484
00:58:03,200 --> 00:58:05,880
Speaker 3: seven baby mamas, but he don't take care none of them.

1485
00:58:06,120 --> 00:58:07,240
Speaker 4: Okay, not a one.

1486
00:58:07,640 --> 00:58:10,440
Speaker 3: Why because he said he told those young ladies from

1487
00:58:10,480 --> 00:58:12,560
Speaker 3: the beginning that he don't want them. Now, let's go

1488
00:58:12,640 --> 00:58:16,160
Speaker 3: to the FBI's main source for exhibit a's YouTube to

1489
00:58:16,240 --> 00:58:17,360
Speaker 3: hear this young man speaker.

1490
00:58:18,040 --> 00:58:20,080
Speaker 6: Now, for the past few days, I've been going live,

1491
00:58:20,200 --> 00:58:22,520
Speaker 6: telling my stories, speaking my truth, and a lot of

1492
00:58:22,560 --> 00:58:25,440
Speaker 6: women having an issue calling me a dead beat because

1493
00:58:25,560 --> 00:58:28,960
Speaker 6: I tell them I was being irresponsible yet not wearing protection.

1494
00:58:29,160 --> 00:58:33,040
Speaker 6: But I always tell these women that I got pregnant,

1495
00:58:33,160 --> 00:58:35,520
Speaker 6: that I do not want to be a father to

1496
00:58:35,680 --> 00:58:38,680
Speaker 6: these children, and I offer to pay for the abortion.

1497
00:58:39,400 --> 00:58:42,919
Speaker 6: Majority of times they'll either take the abortion or they'll

1498
00:58:42,960 --> 00:58:46,360
Speaker 6: take a plan beat. But only these seven have kept

1499
00:58:46,440 --> 00:58:49,080
Speaker 6: these children. But the crazy thing about it is they

1500
00:58:49,200 --> 00:58:52,520
Speaker 6: want me to be responsible for some children. I told

1501
00:58:52,600 --> 00:58:55,680
Speaker 6: them I did not want so for some years now,

1502
00:58:56,440 --> 00:58:58,240
Speaker 6: some of them been trying to get in contact with me.

1503
00:58:58,720 --> 00:59:01,560
Speaker 6: ACCESS denied, I don't really know why you're trying to

1504
00:59:01,560 --> 00:59:03,600
Speaker 6: get in contact with me. I then told you I

1505
00:59:03,680 --> 00:59:07,200
Speaker 6: did not want them kids. We both was irresponsible about

1506
00:59:07,200 --> 00:59:10,000
Speaker 6: the decisions we made that night. Yeah, I could have

1507
00:59:10,040 --> 00:59:12,400
Speaker 6: pulled out, but I didn't, and I ain't care.

1508
00:59:12,360 --> 00:59:14,680
Speaker 2: To pull out because I'm not the one.

1509
00:59:14,680 --> 00:59:17,160
Speaker 6: They're gonna have to carry a baby for nine months Jesus,

1510
00:59:17,240 --> 00:59:20,280
Speaker 6: just the woman. In my opinion, women should be more

1511
00:59:20,400 --> 00:59:22,040
Speaker 6: careful on who they sleep with.

1512
00:59:22,440 --> 00:59:25,360
Speaker 2: True, Portia, you just said earlier that women need to

1513
00:59:25,400 --> 00:59:32,800
Speaker 2: watch you they sleep with. I mean, damn, how savage

1514
00:59:32,840 --> 00:59:39,000
Speaker 2: this man is. I mean, okay, let's just let's be real.

1515
00:59:39,400 --> 00:59:41,240
Speaker 22: He's not the first man to tell somebody to take

1516
00:59:41,280 --> 00:59:43,200
Speaker 22: a plan B. He not the first man to say

1517
00:59:43,240 --> 00:59:45,640
Speaker 22: he don't want a child. So at the end of

1518
00:59:45,720 --> 00:59:47,760
Speaker 22: the day, that's why we got child support. You still

1519
00:59:47,800 --> 00:59:49,640
Speaker 22: got to pay for this child. He need to be

1520
00:59:49,720 --> 00:59:52,720
Speaker 22: telling this story in jail, right around the lunch table. Jesus,

1521
00:59:53,040 --> 00:59:55,680
Speaker 22: yes he does, because just because you decided to say

1522
00:59:55,720 --> 00:59:57,000
Speaker 22: you don't want to pay for the child on mean

1523
00:59:57,040 --> 00:59:57,880
Speaker 22: that you shouldn't have to.

1524
00:59:58,760 --> 01:00:01,480
Speaker 3: I feel that proper puem who management is essential for

1525
01:00:01,560 --> 01:00:04,120
Speaker 3: a healthier life. I feel this man is out here

1526
01:00:04,200 --> 01:00:08,560
Speaker 3: passing along sexually transmitted demons, okay, to whoever wants them.

1527
01:00:08,880 --> 01:00:10,720
Speaker 3: And yes, this man is a demon, and they should

1528
01:00:10,760 --> 01:00:12,880
Speaker 3: change that purple smiling face of Moji with horns to

1529
01:00:12,920 --> 01:00:14,960
Speaker 3: his face because this is true demon time. And I

1530
01:00:15,040 --> 01:00:17,720
Speaker 3: really wish this young man would have made this video

1531
01:00:17,960 --> 01:00:20,960
Speaker 3: after baby Mama number one, because if he would have

1532
01:00:21,000 --> 01:00:23,000
Speaker 3: made this video after baby Mama number one, then he

1533
01:00:23,040 --> 01:00:25,000
Speaker 3: would have never gotten the seven baby mamas. And if

1534
01:00:25,040 --> 01:00:27,680
Speaker 3: he did, then every single one of them deserved the

1535
01:00:27,760 --> 01:00:30,160
Speaker 3: baby father they got because when the dad tells.

1536
01:00:29,920 --> 01:00:32,680
Speaker 2: You who they are, believe them. And it does amaze

1537
01:00:32,760 --> 01:00:33,080
Speaker 2: me that this.

1538
01:00:33,120 --> 01:00:35,720
Speaker 3: Young man is putting the responsibility not to get pregnant

1539
01:00:36,280 --> 01:00:37,320
Speaker 3: solely on the woman.

1540
01:00:38,000 --> 01:00:40,280
Speaker 2: Yeah, can I hear more of this guy? Another thing

1541
01:00:40,560 --> 01:00:42,320
Speaker 2: is these just jump offs.

1542
01:00:42,600 --> 01:00:44,360
Speaker 6: He's a type of woman that I ain't even had

1543
01:00:44,400 --> 01:00:47,320
Speaker 6: to do nothing for the bad minimum, but they gave

1544
01:00:47,400 --> 01:00:48,560
Speaker 6: me access to their body.

1545
01:00:48,760 --> 01:00:49,440
Speaker 4: I ain't think I.

1546
01:00:49,560 --> 01:00:52,800
Speaker 6: Want to be a father to a child for one

1547
01:00:52,840 --> 01:00:56,240
Speaker 6: of them. I don't even have no type of love

1548
01:00:56,320 --> 01:00:59,080
Speaker 6: for these women. How do they expect me to love

1549
01:00:59,160 --> 01:01:01,880
Speaker 6: these children? I can offer to a pay for abortion,

1550
01:01:02,040 --> 01:01:05,320
Speaker 6: but at what point can I force a woman to

1551
01:01:05,480 --> 01:01:09,600
Speaker 6: go get an abortion? I cannot a woman say my body,

1552
01:01:09,920 --> 01:01:13,440
Speaker 6: my choice, but I say it's my life, my choice.

1553
01:01:13,960 --> 01:01:17,040
Speaker 2: Before this black man that.

1554
01:01:19,360 --> 01:01:22,680
Speaker 22: He was gonna say, she say her body, her baby,

1555
01:01:23,080 --> 01:01:23,840
Speaker 22: because that's how he.

1556
01:01:23,920 --> 01:01:25,200
Speaker 2: Feels he's done.

1557
01:01:25,720 --> 01:01:27,880
Speaker 3: I wish you could have saw your face when he said,

1558
01:01:27,920 --> 01:01:30,360
Speaker 3: these girls give me their body for the bad minimum?

1559
01:01:31,560 --> 01:01:31,600
Speaker 20: Like?

1560
01:01:31,800 --> 01:01:31,840
Speaker 12: What?

1561
01:01:33,880 --> 01:01:33,920
Speaker 21: What?

1562
01:01:35,760 --> 01:01:37,040
Speaker 22: This guy's disgusting?

1563
01:01:37,200 --> 01:01:37,240
Speaker 12: Like?

1564
01:01:37,360 --> 01:01:39,320
Speaker 2: One thing I can say about Nick Cannon. This man

1565
01:01:39,440 --> 01:01:43,040
Speaker 2: happens we are the subject of multiple babies, and.

1566
01:01:44,920 --> 01:01:46,919
Speaker 22: We got to bring him up diag like y'all didn't

1567
01:01:46,920 --> 01:01:50,680
Speaker 22: think the story was his name at first. Anyway, at

1568
01:01:50,800 --> 01:01:53,880
Speaker 22: least he take care of his kids. He actually wants

1569
01:01:53,960 --> 01:01:56,440
Speaker 22: to populate. I don't know if this man went to school.

1570
01:01:56,480 --> 01:01:58,480
Speaker 22: Does he know what biology is? When you put the

1571
01:01:58,560 --> 01:02:01,200
Speaker 22: vagina and the penis together, they could make a baby.

1572
01:02:01,920 --> 01:02:02,760
Speaker 22: That's how it works.

1573
01:02:03,000 --> 01:02:03,720
Speaker 2: You know what I wish.

1574
01:02:04,360 --> 01:02:07,320
Speaker 3: I wish that along with these babies that he didn't want,

1575
01:02:07,720 --> 01:02:09,680
Speaker 3: he would have got an STD he didn't want. You know,

1576
01:02:10,720 --> 01:02:12,840
Speaker 3: that is very true. But I feel like if he

1577
01:02:13,040 --> 01:02:15,760
Speaker 3: was getting multiple le SDDS, he wouldn't be moving like this.

1578
01:02:15,920 --> 01:02:17,880
Speaker 3: And if the things brothers and sisters don't understand. When

1579
01:02:17,920 --> 01:02:20,360
Speaker 3: y'all out here, you know, raw dog and randoms, okay,

1580
01:02:20,440 --> 01:02:23,240
Speaker 3: doing the DNA dance with any and everybody, you're absolutely

1581
01:02:23,320 --> 01:02:27,280
Speaker 3: increasing your chances of catching GHANISIP for her pages, okay,

1582
01:02:27,360 --> 01:02:30,200
Speaker 3: ganiscept for her page is what irresponsible brothers should get.

1583
01:02:30,360 --> 01:02:33,640
Speaker 3: And I wish it was one way. Ghana her p age, okay,

1584
01:02:34,000 --> 01:02:35,800
Speaker 3: because you know, I don't want I don't want the

1585
01:02:35,840 --> 01:02:36,360
Speaker 3: woman to get it.

1586
01:02:36,400 --> 01:02:37,000
Speaker 2: Because there's one thing.

1587
01:02:37,040 --> 01:02:39,000
Speaker 3: If he was telling these women his intentions before he

1588
01:02:39,080 --> 01:02:41,240
Speaker 3: slept with them, but he's not. He's telling them after

1589
01:02:41,280 --> 01:02:44,120
Speaker 3: the fact, after they have been manipulated to sleep with him,

1590
01:02:44,400 --> 01:02:46,479
Speaker 3: I don't respect it because you're not giving these women

1591
01:02:47,760 --> 01:02:49,160
Speaker 3: that's what the fact though.

1592
01:02:49,240 --> 01:02:49,880
Speaker 4: Oh he didn't know.

1593
01:02:50,000 --> 01:02:50,800
Speaker 2: I thought he said.

1594
01:02:52,280 --> 01:02:52,320
Speaker 9: No.

1595
01:02:52,480 --> 01:02:54,680
Speaker 22: He said, listen, I'm gonna have sex with you, and

1596
01:02:54,800 --> 01:02:55,920
Speaker 22: if you get pregnant, I.

1597
01:02:55,960 --> 01:03:00,840
Speaker 2: Don't want it. I thought he said I would respect

1598
01:03:00,840 --> 01:03:01,600
Speaker 2: it if he did it before.

1599
01:03:01,840 --> 01:03:05,280
Speaker 22: Okay, I'm just saying, man, No, he actually said he'd

1600
01:03:05,320 --> 01:03:06,840
Speaker 22: tell you after you need to take a plan B

1601
01:03:08,080 --> 01:03:08,800
Speaker 22: oh after he done.

1602
01:03:08,960 --> 01:03:11,760
Speaker 2: But either way, he doesn't manipulate. When you feel that drip.

1603
01:03:12,520 --> 01:03:15,480
Speaker 2: When you feel that drip, you know what's gonna go down.

1604
01:03:16,120 --> 01:03:17,080
Speaker 4: Me to go take a plan B.

1605
01:03:17,840 --> 01:03:18,600
Speaker 2: Biggest man with.

1606
01:03:18,640 --> 01:03:21,320
Speaker 3: Seven baby seven baby mamas and seven kids as the

1607
01:03:21,360 --> 01:03:21,800
Speaker 3: big as he.

1608
01:03:21,840 --> 01:03:30,160
Speaker 2: Are the Breakfast Club Morning.

1609
01:03:30,200 --> 01:03:34,320
Speaker 8: Everybody's dj n V charlamagea God. We are the Breakfast Club.

1610
01:03:34,360 --> 01:03:36,520
Speaker 8: We got our co hosts with us, Jason Leaps right

1611
01:03:36,560 --> 01:03:38,080
Speaker 8: of course from Hollywood and Locked and a host of

1612
01:03:38,120 --> 01:03:40,560
Speaker 8: other things. And we got a special guest joining us

1613
01:03:40,600 --> 01:03:43,920
Speaker 8: this morning. He has a new book, The Solution Focused Diamond.

1614
01:03:44,040 --> 01:03:45,440
Speaker 8: Elliott Khannie, what's up?

1615
01:03:45,640 --> 01:03:46,040
Speaker 2: Welcome?

1616
01:03:47,440 --> 01:03:48,160
Speaker 7: Tells who you are?

1617
01:03:48,280 --> 01:03:49,600
Speaker 2: Man, tell me who you are.

1618
01:03:49,560 --> 01:03:49,880
Speaker 12: What you do.

1619
01:03:50,720 --> 01:03:54,000
Speaker 11: My name is Elliot Connie. I am a psychotherapist. I

1620
01:03:54,160 --> 01:03:57,320
Speaker 11: host a podcast. I do lots of things hoping to

1621
01:03:57,400 --> 01:03:59,200
Speaker 11: inspire people to be better versions of themselves.

1622
01:03:59,400 --> 01:04:01,040
Speaker 2: I just got a cup questions, So where did you

1623
01:04:01,160 --> 01:04:03,560
Speaker 2: start and why did you want to be a therapist.

1624
01:04:03,880 --> 01:04:06,920
Speaker 11: I had a real, real tough childhood man, and I

1625
01:04:07,000 --> 01:04:10,960
Speaker 11: grew up anxious and depressed and suicidal and struggling. I

1626
01:04:11,040 --> 01:04:12,640
Speaker 11: didn't know how I was going to pull myself out

1627
01:04:12,680 --> 01:04:14,320
Speaker 11: of it. And I realized that hope is this like

1628
01:04:14,480 --> 01:04:18,080
Speaker 11: really powerful thing. And I felt like if I could

1629
01:04:18,080 --> 01:04:19,760
Speaker 11: figure out how to get myself out of that situation,

1630
01:04:20,160 --> 01:04:22,440
Speaker 11: I wanted to help other people get out of that situation.

1631
01:04:22,560 --> 01:04:24,760
Speaker 11: And I learned very quickly that when your pain has

1632
01:04:24,800 --> 01:04:25,920
Speaker 11: a purpose, it doesn't hurt.

1633
01:04:26,080 --> 01:04:28,080
Speaker 2: We'll playing it. That seed in your head at such

1634
01:04:28,080 --> 01:04:29,640
Speaker 2: a young age to know that that that's what you

1635
01:04:29,680 --> 01:04:30,040
Speaker 2: wanted to.

1636
01:04:30,080 --> 01:04:32,200
Speaker 11: Do God, Man, I don't know.

1637
01:04:32,400 --> 01:04:32,720
Speaker 4: I can't.

1638
01:04:32,760 --> 01:04:35,000
Speaker 2: I can't tell you. I really think God touched my life,

1639
01:04:35,040 --> 01:04:37,200
Speaker 2: to be honest with you, So so when you decided

1640
01:04:37,240 --> 01:04:39,000
Speaker 2: to go for school, you said, a tough childhood.

1641
01:04:39,040 --> 01:04:40,440
Speaker 4: What was tough about your child?

1642
01:04:40,520 --> 01:04:43,240
Speaker 11: And man, my dad, my father was a very very

1643
01:04:43,320 --> 01:04:46,360
Speaker 11: aggressive man and took out his aggression on his kids

1644
01:04:46,480 --> 01:04:47,000
Speaker 11: too often.

1645
01:04:47,600 --> 01:04:48,040
Speaker 4: Military.

1646
01:04:48,480 --> 01:04:50,240
Speaker 2: No, he's just aggressive, you know what.

1647
01:04:50,600 --> 01:04:52,439
Speaker 11: And to be kind to him, it means a black

1648
01:04:52,520 --> 01:04:55,000
Speaker 11: man from a difficult place grew up in Chicago, and

1649
01:04:55,040 --> 01:04:56,880
Speaker 11: I don't think he had the skills to raise a

1650
01:04:57,000 --> 01:04:58,400
Speaker 11: family in a loving, caring way.

1651
01:04:58,880 --> 01:05:00,560
Speaker 3: Do you think that's what made you move they're wanting

1652
01:05:00,600 --> 01:05:02,400
Speaker 3: to be in the mental health feel because you like,

1653
01:05:02,440 --> 01:05:04,440
Speaker 3: there's something wrong here and I want to figure it out.

1654
01:05:04,560 --> 01:05:06,280
Speaker 11: No, you know what, I think it was the opposite.

1655
01:05:06,320 --> 01:05:08,160
Speaker 11: I think it was there's something right here. I want

1656
01:05:08,200 --> 01:05:10,240
Speaker 11: to figure it out because after going through all of that,

1657
01:05:10,560 --> 01:05:12,640
Speaker 11: I found myself in college and I'm like, how come

1658
01:05:12,720 --> 01:05:14,320
Speaker 11: some people go through this stuff and ended up on

1659
01:05:14,520 --> 01:05:17,080
Speaker 11: drugs and doing crazy things? And how did I land

1660
01:05:17,160 --> 01:05:19,320
Speaker 11: in college? And I wanted to share that. I wanted

1661
01:05:19,360 --> 01:05:21,760
Speaker 11: to like, you can do things with your life. And

1662
01:05:21,840 --> 01:05:23,640
Speaker 11: because it wasn't what was wrong, it was what was right.

1663
01:05:23,920 --> 01:05:25,720
Speaker 11: I just figured how did I end up here? And

1664
01:05:25,760 --> 01:05:27,720
Speaker 11: I don't think I'm special, And if I'm not special,

1665
01:05:27,800 --> 01:05:29,280
Speaker 11: I just need to tell people the secret. I just

1666
01:05:29,320 --> 01:05:30,640
Speaker 11: need to let people know what the secret is.

1667
01:05:30,840 --> 01:05:33,280
Speaker 2: When did you start having those conversations? If you even

1668
01:05:33,320 --> 01:05:34,040
Speaker 2: did with your dad?

1669
01:05:34,280 --> 01:05:37,760
Speaker 11: No, man, So my dad we had a violent interact,

1670
01:05:37,800 --> 01:05:40,120
Speaker 11: and we had violent actions throughout my life. When I

1671
01:05:40,200 --> 01:05:43,120
Speaker 11: was nineteen was the last one and I called them

1672
01:05:43,160 --> 01:05:45,120
Speaker 11: and I said, man, like, I can't have this anymore.

1673
01:05:45,680 --> 01:05:47,520
Speaker 11: I need you to follow three rules. If you can

1674
01:05:47,560 --> 01:05:50,240
Speaker 11: follow these three rules, I can get past everything else.

1675
01:05:50,320 --> 01:05:51,240
Speaker 2: So you called your dad.

1676
01:05:51,800 --> 01:05:53,280
Speaker 8: Same when it raised your dad, you just said was

1677
01:05:53,320 --> 01:05:55,960
Speaker 8: aggressive and said, Dad, you need to follow these three rules.

1678
01:05:56,000 --> 01:05:56,520
Speaker 4: Three rules.

1679
01:05:56,640 --> 01:05:59,040
Speaker 11: You can't yell at me, you can't hit me, and

1680
01:05:59,120 --> 01:06:01,439
Speaker 11: you can't curse me. If you can do those three things,

1681
01:06:01,480 --> 01:06:03,560
Speaker 11: I'll figure out the rest. And he said f you,

1682
01:06:03,680 --> 01:06:04,960
Speaker 11: and he hung up the phone. I was like, I

1683
01:06:05,200 --> 01:06:08,400
Speaker 11: bet now, well, we've spoken a couple of times, like

1684
01:06:08,560 --> 01:06:10,800
Speaker 11: he was at my younger brother's graduation. I interacted with him,

1685
01:06:10,840 --> 01:06:12,840
Speaker 11: and he's tried to call me here or there, but no,

1686
01:06:13,000 --> 01:06:13,920
Speaker 11: no meaningful conversation.

1687
01:06:13,960 --> 01:06:15,720
Speaker 23: I feel like in the black community, a lot of

1688
01:06:15,840 --> 01:06:17,959
Speaker 23: us are taught you never speak back to your parents

1689
01:06:18,080 --> 01:06:20,040
Speaker 23: or never you set boundaries with him.

1690
01:06:20,280 --> 01:06:21,760
Speaker 4: Do you think that's appropriate for people to do?

1691
01:06:21,880 --> 01:06:23,800
Speaker 23: First of all, because I think we're told you respect

1692
01:06:23,840 --> 01:06:25,440
Speaker 23: your parents no matter what they say, whatever they want,

1693
01:06:25,440 --> 01:06:26,240
Speaker 23: they could do whatever they want.

1694
01:06:26,280 --> 01:06:27,840
Speaker 4: But yeah, I think that I don't agree with that.

1695
01:06:28,160 --> 01:06:30,120
Speaker 11: Yeah, well, I one hundred percent was raised that way,

1696
01:06:30,200 --> 01:06:31,920
Speaker 11: like you respect your parents, doesn't matter what you do.

1697
01:06:32,160 --> 01:06:34,320
Speaker 11: But I was in such a bad place. I was like,

1698
01:06:34,360 --> 01:06:37,280
Speaker 11: I'm pretty sure that I'm not supposed to die behind

1699
01:06:37,320 --> 01:06:39,080
Speaker 11: that rule. Like I'm pretty sure I'm not supposed to

1700
01:06:39,120 --> 01:06:41,960
Speaker 11: suicide out of here just because I'm not supposed to

1701
01:06:42,000 --> 01:06:42,800
Speaker 11: talk back to my father.

1702
01:06:42,920 --> 01:06:43,480
Speaker 4: So I got back.

1703
01:06:43,560 --> 01:06:44,640
Speaker 8: I got to a place where it was like, I

1704
01:06:44,680 --> 01:06:47,560
Speaker 8: gotta set this boundary or else. I wonder if it's

1705
01:06:47,680 --> 01:06:50,680
Speaker 8: it's the term rules for an adult, you know what

1706
01:06:50,680 --> 01:06:52,840
Speaker 8: I mean, because as an adult, as in a you know,

1707
01:06:53,000 --> 01:06:55,560
Speaker 8: you set the rules now when you're child, because no

1708
01:06:55,640 --> 01:06:57,240
Speaker 8: matter how old you are, you still he still looks

1709
01:06:57,240 --> 01:06:59,280
Speaker 8: at you. I'm sure if as his child growing sure

1710
01:06:59,320 --> 01:07:02,280
Speaker 8: not is the setting of rules. I think that's an

1711
01:07:02,280 --> 01:07:04,440
Speaker 8: interesting point, Like if I said something other than rules.

1712
01:07:04,600 --> 01:07:06,640
Speaker 8: But I think to your point, but if you if

1713
01:07:06,680 --> 01:07:09,280
Speaker 8: you look at your child, you wouldn't take anywhere boundary

1714
01:07:09,560 --> 01:07:11,160
Speaker 8: rule requests. It wouldn't really matter.

1715
01:07:11,240 --> 01:07:13,480
Speaker 11: Like I was raised in that you know, nineteen eighties,

1716
01:07:13,560 --> 01:07:15,960
Speaker 11: nineteen nineties, where black child is to be seen and

1717
01:07:16,080 --> 01:07:17,600
Speaker 11: not heard and all that stuff.

1718
01:07:17,600 --> 01:07:17,800
Speaker 4: I don't.

1719
01:07:17,800 --> 01:07:19,479
Speaker 2: I don't think it would have mattered. But I also

1720
01:07:19,480 --> 01:07:19,880
Speaker 2: agree with you.

1721
01:07:19,960 --> 01:07:22,040
Speaker 11: I think part of the issue in today's world is

1722
01:07:22,240 --> 01:07:26,240
Speaker 11: not respecting authority. I'm talking about not respecting abusers. I'm

1723
01:07:26,280 --> 01:07:28,600
Speaker 11: talking about not allowing abusers to have free rein to

1724
01:07:28,720 --> 01:07:30,560
Speaker 11: your life. I do think we have to learn to

1725
01:07:30,600 --> 01:07:32,680
Speaker 11: respect authority. I think there's a lot of reasons contributing

1726
01:07:32,720 --> 01:07:33,600
Speaker 11: to why kids don't do that.

1727
01:07:33,960 --> 01:07:35,600
Speaker 2: You you you told me the other day that you

1728
01:07:35,760 --> 01:07:37,840
Speaker 2: feel like kids should disrespect their parents.

1729
01:07:37,960 --> 01:07:39,440
Speaker 4: I think parents should expect.

1730
01:07:43,440 --> 01:07:47,800
Speaker 11: In the context of our conversation, you mean, go ahead, Jason,

1731
01:07:47,880 --> 01:07:49,640
Speaker 11: let me let me put that in context. My mother

1732
01:07:49,680 --> 01:07:51,439
Speaker 11: would say, Elle, go do the dishes, and I would

1733
01:07:51,480 --> 01:07:52,840
Speaker 11: be like, why didn't you ask one of them? And

1734
01:07:52,880 --> 01:07:54,880
Speaker 11: that would get me popped. You know, that would get you.

1735
01:07:56,560 --> 01:07:56,800
Speaker 2: Yeah.

1736
01:07:57,000 --> 01:07:59,440
Speaker 11: Yeah, But if you're teaching your child to be confident,

1737
01:07:59,640 --> 01:08:02,840
Speaker 11: to be strong, to value their voice, they should ask

1738
01:08:02,960 --> 01:08:05,360
Speaker 11: those kinds of questions and it allows you to parent them.

1739
01:08:05,480 --> 01:08:08,480
Speaker 11: But we shouldn't translate that as disrespect. They're just practicing.

1740
01:08:08,560 --> 01:08:09,280
Speaker 11: That's not disrespect.

1741
01:08:09,320 --> 01:08:13,600
Speaker 2: They're practicing. But that was in our era d disrespect.

1742
01:08:13,760 --> 01:08:15,240
Speaker 2: I would never think to talk back.

1743
01:08:15,640 --> 01:08:17,639
Speaker 3: I would never even think to talk to my parents

1744
01:08:17,680 --> 01:08:19,840
Speaker 3: the way my kids talk to me, as at least said,

1745
01:08:19,840 --> 01:08:23,519
Speaker 3: it's not disrespect, it's just them being like asking valid questions.

1746
01:08:23,640 --> 01:08:25,720
Speaker 8: I don't agree with you with that, La, because, and

1747
01:08:25,800 --> 01:08:27,479
Speaker 8: this is going to sound crazy, here we go. I

1748
01:08:27,520 --> 01:08:29,280
Speaker 8: got six kids, So if I tell one of my

1749
01:08:29,400 --> 01:08:31,320
Speaker 8: kids to do something, I expect it to be done.

1750
01:08:31,439 --> 01:08:32,960
Speaker 8: I'm not going to do it with something that's going

1751
01:08:33,040 --> 01:08:34,840
Speaker 8: to be detrimental to their health, something that's going to

1752
01:08:34,960 --> 01:08:37,920
Speaker 8: hurt them. It's part of what everybody needs to do

1753
01:08:38,160 --> 01:08:39,160
Speaker 8: to be in this household.

1754
01:08:39,320 --> 01:08:40,080
Speaker 2: I agree with the meaning.

1755
01:08:40,200 --> 01:08:42,840
Speaker 8: If if dad's shures or dad's way is to make

1756
01:08:42,880 --> 01:08:44,519
Speaker 8: the money, pay the bills, do this, that and the other,

1757
01:08:44,560 --> 01:08:47,280
Speaker 8: and I ask you to shovel the snow, don't ask

1758
01:08:47,360 --> 01:08:49,240
Speaker 8: me why, don't say, well, why didn't you ask this?

1759
01:08:49,640 --> 01:08:49,680
Speaker 22: This?

1760
01:08:49,840 --> 01:08:52,479
Speaker 2: This? You know, sibling, why did you ask this one? No,

1761
01:08:52,560 --> 01:08:54,000
Speaker 2: because I asked you to do it, but you could

1762
01:08:54,000 --> 01:08:55,360
Speaker 2: explain it to them just the way you explained it.

1763
01:08:55,479 --> 01:08:57,479
Speaker 2: Just listen. You shouldn't have to.

1764
01:08:57,920 --> 01:08:59,720
Speaker 23: This is a rule that applies to everything, because it's

1765
01:08:59,720 --> 01:09:01,360
Speaker 23: one thing. If a kid says, hey, you know, I

1766
01:09:01,439 --> 01:09:04,000
Speaker 23: want to try some finnol, well no, don't do fenn on.

1767
01:09:04,120 --> 01:09:05,680
Speaker 23: Let me explain you why so you invite them to

1768
01:09:05,720 --> 01:09:08,240
Speaker 23: a conversation about it, versus I expect these things to

1769
01:09:08,320 --> 01:09:10,920
Speaker 23: be done as your parents, So go do them. Yes,

1770
01:09:10,960 --> 01:09:12,880
Speaker 23: I mean because when you start inviting the kid into

1771
01:09:12,960 --> 01:09:14,760
Speaker 23: I mean I don't have kids clearly yet, but when

1772
01:09:14,760 --> 01:09:18,040
Speaker 23: you have this perceived negotiation of what you expect as

1773
01:09:18,080 --> 01:09:20,400
Speaker 23: a parent. Then you invite them into a different type

1774
01:09:20,439 --> 01:09:21,760
Speaker 23: of relationship.

1775
01:09:21,320 --> 01:09:24,240
Speaker 11: For sure, and not all things and negotiations. I just

1776
01:09:24,320 --> 01:09:26,519
Speaker 11: think we need to have more conversations. If my child said,

1777
01:09:26,520 --> 01:09:28,640
Speaker 11: don't want to try fentanyl, it is perfectly okay to

1778
01:09:28,720 --> 01:09:30,439
Speaker 11: say no, and let me sit you down and we're

1779
01:09:30,439 --> 01:09:33,400
Speaker 11: going to converse as to why. Like, conversation is powerful.

1780
01:09:33,680 --> 01:09:35,520
Speaker 11: Look at what you guys have done with conversation.

1781
01:09:35,640 --> 01:09:37,519
Speaker 8: All right, we got more with Elliott Connie. When we

1782
01:09:37,680 --> 01:09:40,160
Speaker 8: come back, don't move. It's to Breakfast Club, Good Morning Wanting.

1783
01:09:40,160 --> 01:09:43,360
Speaker 8: Everybody is dj NV, Charlomagne the guy. We are the

1784
01:09:43,439 --> 01:09:45,720
Speaker 8: breakfast Club. We have Jason Lee our co hosts here.

1785
01:09:46,040 --> 01:09:48,280
Speaker 8: We're still kicking it with Elliott Khannie. He has a

1786
01:09:48,360 --> 01:09:50,759
Speaker 8: new book out, and of course he's a therapist.

1787
01:09:50,960 --> 01:09:51,480
Speaker 2: Charlomagne.

1788
01:09:51,560 --> 01:09:54,840
Speaker 3: We always have these conversations about culturally competent therapist. And

1789
01:09:54,920 --> 01:09:56,680
Speaker 3: one of the reasons I like talking to you is

1790
01:09:56,720 --> 01:09:59,800
Speaker 3: because I don't have to explain a Twitter beef.

1791
01:10:00,200 --> 01:10:01,000
Speaker 2: You know what I'm saying.

1792
01:10:01,360 --> 01:10:05,080
Speaker 3: I don't have to explain what somebody said about me

1793
01:10:05,240 --> 01:10:08,719
Speaker 3: on a blog. You see it, you know it already,

1794
01:10:08,840 --> 01:10:10,560
Speaker 3: like you know other therapists I've had, You've had to

1795
01:10:10,720 --> 01:10:13,320
Speaker 3: explain that to them. That takes a lot of time

1796
01:10:13,360 --> 01:10:17,400
Speaker 3: out of a session. Yeah, but that goes back to representation.

1797
01:10:17,520 --> 01:10:19,040
Speaker 3: I hope all of you guys take that very very

1798
01:10:19,200 --> 01:10:21,840
Speaker 3: especially you, Like there are people watching you that you're

1799
01:10:21,920 --> 01:10:24,680
Speaker 3: never gonna meet, never gonna see in twenty years from now.

1800
01:10:24,880 --> 01:10:28,800
Speaker 3: They're still alive, Like forget. They may be walking in

1801
01:10:28,880 --> 01:10:31,599
Speaker 3: your footsteps and have their own media company, but they're

1802
01:10:31,640 --> 01:10:35,519
Speaker 3: still alive because representation matters. And there's a frustration. I

1803
01:10:35,560 --> 01:10:37,080
Speaker 3: was talking to somebody about this this weekend. There's a

1804
01:10:37,120 --> 01:10:40,759
Speaker 3: frustration associated with being black because we have to explain

1805
01:10:40,920 --> 01:10:42,560
Speaker 3: things to people. And I was telling on somebody the

1806
01:10:42,600 --> 01:10:45,400
Speaker 3: other day this and I was furious, I'm tired of

1807
01:10:45,479 --> 01:10:47,920
Speaker 3: explaining this. But I was talking to this person about

1808
01:10:48,000 --> 01:10:51,000
Speaker 3: racial trauma. And this is a this is a clinician.

1809
01:10:51,120 --> 01:10:55,080
Speaker 11: This is a professional clinician at a professional clinician event,

1810
01:10:55,600 --> 01:10:58,000
Speaker 11: and somebody gave a lecture about racial trauma. And this

1811
01:10:58,080 --> 01:10:59,439
Speaker 11: person came up to me and said, what do you

1812
01:10:59,479 --> 01:11:01,160
Speaker 11: think of the election? I said, I I thought it

1813
01:11:01,240 --> 01:11:03,920
Speaker 11: was good. That person explained a lot of things that

1814
01:11:04,040 --> 01:11:05,960
Speaker 11: y'all need to hear. And she said, well, i'd liked

1815
01:11:05,960 --> 01:11:09,000
Speaker 11: it too, but I was really frustrated because he said

1816
01:11:09,040 --> 01:11:12,599
Speaker 11: that black people and particularly men, experienced trauma every day.

1817
01:11:12,840 --> 01:11:13,639
Speaker 4: That can't be true.

1818
01:11:13,880 --> 01:11:15,040
Speaker 2: He said, it's absolutely true.

1819
01:11:15,160 --> 01:11:18,439
Speaker 11: Eh, I don't know a black person, particularly black men,

1820
01:11:18,720 --> 01:11:20,439
Speaker 11: that don't experience trauma every day.

1821
01:11:20,960 --> 01:11:22,800
Speaker 2: And she said, how could that be? I said, let

1822
01:11:22,800 --> 01:11:23,479
Speaker 2: me explain it to you.

1823
01:11:23,760 --> 01:11:26,200
Speaker 11: If I locked you in your bedroom and I took

1824
01:11:26,240 --> 01:11:28,840
Speaker 11: the most venomous snake and I threw it in the

1825
01:11:28,880 --> 01:11:30,680
Speaker 11: bedroom with you, and I locked that door and I

1826
01:11:30,760 --> 01:11:32,519
Speaker 11: close it, I don't let you out for a week.

1827
01:11:32,800 --> 01:11:35,680
Speaker 11: You didn't just experience trauma on the days you got bit.

1828
01:11:36,360 --> 01:11:39,960
Speaker 11: You experienced trauma every second of every day because you

1829
01:11:40,080 --> 01:11:41,639
Speaker 11: knew there was a venomous snake around.

1830
01:11:41,960 --> 01:11:43,280
Speaker 4: And she was like, oh, I get it now.

1831
01:11:43,640 --> 01:11:46,200
Speaker 11: I'm tired of explaining that to y'all. I don't want

1832
01:11:46,240 --> 01:11:49,600
Speaker 11: to explain blackness twenty four hours of my day, and

1833
01:11:49,600 --> 01:11:52,120
Speaker 11: I want to explain to everybody what we mean. There's

1834
01:11:52,160 --> 01:11:54,800
Speaker 11: a context for living this life that you and I

1835
01:11:55,000 --> 01:11:57,639
Speaker 11: just get. And I think we need more black therapists.

1836
01:11:58,000 --> 01:12:00,479
Speaker 11: A lot of people go to therapists and first time

1837
01:12:00,520 --> 01:12:03,760
Speaker 11: they go, they don't have a favorable time and they

1838
01:12:03,800 --> 01:12:06,760
Speaker 11: feel like that, yeah, and they feel like because of that,

1839
01:12:07,040 --> 01:12:08,880
Speaker 11: they don't want to go back. I just want to

1840
01:12:08,880 --> 01:12:11,840
Speaker 11: talk about that people are looking for therapists because sometimes

1841
01:12:12,000 --> 01:12:14,160
Speaker 11: you find the wrong person, it's not the right fit,

1842
01:12:14,240 --> 01:12:16,400
Speaker 11: and people are scared to, you know, to go back.

1843
01:12:16,680 --> 01:12:16,840
Speaker 2: Right.

1844
01:12:16,960 --> 01:12:18,720
Speaker 11: I tell people all the time, like, you don't go

1845
01:12:18,920 --> 01:12:22,240
Speaker 11: to you know, a restaurant and have a bad experience

1846
01:12:22,360 --> 01:12:25,160
Speaker 11: and then just boycott food, right, You don't do that,

1847
01:12:26,479 --> 01:12:29,559
Speaker 11: You find another restaurant, right. And I think I think

1848
01:12:29,600 --> 01:12:31,320
Speaker 11: we need to recognize therapy is the same. If I

1849
01:12:31,360 --> 01:12:33,360
Speaker 11: go to see a therapist and it doesn't work, doesn't

1850
01:12:33,360 --> 01:12:37,000
Speaker 11: mean therapy didn't work, just mean that's particular therapists didn't work.

1851
01:12:37,040 --> 01:12:39,559
Speaker 11: And we need to be just as variant in our

1852
01:12:39,560 --> 01:12:41,240
Speaker 11: attempts to find a good therapist as we are in

1853
01:12:41,280 --> 01:12:42,400
Speaker 11: our attempts to find good food.

1854
01:12:42,800 --> 01:12:44,720
Speaker 3: I want to ask too, like, you know, we've seen

1855
01:12:44,800 --> 01:12:48,080
Speaker 3: so many people discussing mental health nowadays. Number one, do

1856
01:12:48,120 --> 01:12:50,920
Speaker 3: you think it has been a rise of black people

1857
01:12:51,040 --> 01:12:53,760
Speaker 3: going to therapy? And what do you think folks still

1858
01:12:53,800 --> 01:12:55,439
Speaker 3: get wrong about mental health?

1859
01:12:56,040 --> 01:12:57,680
Speaker 11: So to answer the first question, yeah, I think we

1860
01:12:57,760 --> 01:12:59,680
Speaker 11: do have more black people going to therapy, it's it's

1861
01:12:59,680 --> 01:13:02,080
Speaker 11: the time Woods effect, right, Like we're all old enough

1862
01:13:02,120 --> 01:13:04,719
Speaker 11: to remember when Tiger Woods took over golf, Black people

1863
01:13:04,840 --> 01:13:07,000
Speaker 11: started going to play golf and they weren't playing golf

1864
01:13:07,080 --> 01:13:10,560
Speaker 11: before that. Serena Williams and Venus Williams similar thing, like

1865
01:13:10,640 --> 01:13:13,439
Speaker 11: young black girls go to tennis courts to play tennis

1866
01:13:13,600 --> 01:13:16,880
Speaker 11: because representation matters. So the fact that you guys, probably

1867
01:13:16,920 --> 01:13:20,840
Speaker 11: more than any other platform in the world, platforms talk

1868
01:13:20,880 --> 01:13:24,000
Speaker 11: about black mental health. More Black people are going to

1869
01:13:24,080 --> 01:13:28,200
Speaker 11: therapy because they heard Charlemagne suggested someone. They heard it,

1870
01:13:28,640 --> 01:13:30,360
Speaker 11: so now they're like, man, maybe I can go do this.

1871
01:13:30,479 --> 01:13:32,240
Speaker 11: And it's the exact same thing that happened in tennis.

1872
01:13:32,400 --> 01:13:34,400
Speaker 11: It's the exact same thing that happens in golf. And

1873
01:13:34,479 --> 01:13:36,639
Speaker 11: what I think we get wrong more than anything else,

1874
01:13:36,880 --> 01:13:39,719
Speaker 11: is we think the therapist is supposed to solve our problems,

1875
01:13:40,080 --> 01:13:44,160
Speaker 11: and that's actually not true. Like life is a turbulent flight.

1876
01:13:44,439 --> 01:13:46,559
Speaker 11: The therapist is supposed to make you a better pilot.

1877
01:13:46,840 --> 01:13:48,280
Speaker 11: I just got one last question. I know, I know,

1878
01:13:48,640 --> 01:13:49,320
Speaker 11: we're wrapping up.

1879
01:13:49,479 --> 01:13:52,559
Speaker 8: Charlemagne always talks about being anxious, and people always talk

1880
01:13:52,560 --> 01:13:55,600
Speaker 8: about anxiety, But I don't look at anxiety as a

1881
01:13:55,680 --> 01:13:57,960
Speaker 8: bad thing, it's how you control it, right. I have

1882
01:13:58,120 --> 01:14:01,400
Speaker 8: six kids, Charlamagne has four. When they go out until

1883
01:14:01,840 --> 01:14:03,680
Speaker 8: even to this day, when I go out as a

1884
01:14:03,720 --> 01:14:07,120
Speaker 8: grown ass man, my mom and dad still have anxiety

1885
01:14:07,120 --> 01:14:09,360
Speaker 8: about me going out because they're scared, right, But they're

1886
01:14:09,400 --> 01:14:12,559
Speaker 8: not scared to a point where they're you know, listening right, right,

1887
01:14:12,640 --> 01:14:13,759
Speaker 8: But it's not to the point where they're.

1888
01:14:13,600 --> 01:14:15,200
Speaker 2: Calling me at six in the morning, yeah are you doing?

1889
01:14:15,640 --> 01:14:17,920
Speaker 2: But they're ani same thing with my kids. That's never

1890
01:14:17,960 --> 01:14:18,479
Speaker 2: gonna change.

1891
01:14:18,560 --> 01:14:21,760
Speaker 11: No, that's healthy anxious, Like anxiety is like everything else,

1892
01:14:21,920 --> 01:14:23,400
Speaker 11: is a degree of healthiness to it. And then some

1893
01:14:23,520 --> 01:14:26,559
Speaker 11: people go way beyond the spectrum to where and think

1894
01:14:26,600 --> 01:14:29,040
Speaker 11: about it in this term, when something is interrupting your

1895
01:14:29,080 --> 01:14:31,080
Speaker 11: ability to live a normal daily life, that's when it

1896
01:14:31,160 --> 01:14:35,200
Speaker 11: becomes a problem. So that anxiety like my daughter's at NYU.

1897
01:14:35,640 --> 01:14:37,040
Speaker 11: She just called me and told me she's going to

1898
01:14:37,120 --> 01:14:39,519
Speaker 11: a party. I'm gonna have a hard time relaxing tonight

1899
01:14:39,520 --> 01:14:42,800
Speaker 11: because I'm something could happen, Like that's that's normal. But

1900
01:14:42,920 --> 01:14:45,680
Speaker 11: if you have anxiety where like my daughter's at n

1901
01:14:45,800 --> 01:14:48,719
Speaker 11: YU and I can't eat, I can't sleep, like that's

1902
01:14:49,080 --> 01:14:51,719
Speaker 11: that's the problem. And I think we have to learn

1903
01:14:51,800 --> 01:14:53,360
Speaker 11: how to manage that and learn how to manage.

1904
01:14:53,240 --> 01:14:56,160
Speaker 5: People hear anxiety. They're automatically thing negative, right, they always

1905
01:14:56,160 --> 01:14:58,760
Speaker 5: think bad. There is healthy anxiety, like you love that

1906
01:14:58,960 --> 01:15:01,599
Speaker 5: daughter or all your children that not in phecifically because

1907
01:15:01,600 --> 01:15:04,559
Speaker 5: we're talking about you don't want anything bad to happen

1908
01:15:04,560 --> 01:15:05,840
Speaker 5: to her. So when she tells you, I've done this

1909
01:15:06,000 --> 01:15:09,439
Speaker 5: thing that puts me at risk, even mild risk, I'm

1910
01:15:09,479 --> 01:15:11,599
Speaker 5: gonna be worried about that. The only things that will

1911
01:15:11,680 --> 01:15:14,640
Speaker 5: happen are things that God intended for you to experience.

1912
01:15:14,840 --> 01:15:19,120
Speaker 5: And so you can't have faith and anxiety because anxiety

1913
01:15:19,200 --> 01:15:21,720
Speaker 5: is fear based. So if I believe very strongly like

1914
01:15:22,200 --> 01:15:24,680
Speaker 5: God's got me, that means if I'm going through something hard,

1915
01:15:24,720 --> 01:15:26,680
Speaker 5: I'm going through that hard thing for a reason. So

1916
01:15:26,760 --> 01:15:30,160
Speaker 5: there's no reason to I just have to trust everything.

1917
01:15:31,040 --> 01:15:32,559
Speaker 5: And that's what I would say with the end by

1918
01:15:32,600 --> 01:15:34,360
Speaker 5: saying like, if you can figure out a way to

1919
01:15:34,439 --> 01:15:37,400
Speaker 5: trust every experience, you're going through all of these things

1920
01:15:37,439 --> 01:15:42,280
Speaker 5: for a reason, and be grateful for everything, like everything

1921
01:15:42,439 --> 01:15:47,479
Speaker 5: you are untouchable emotionally, like you are just an indestructible force.

1922
01:15:47,560 --> 01:15:49,439
Speaker 5: When you're just grateful for everything.

1923
01:15:49,560 --> 01:15:51,599
Speaker 11: Not just grateful for the good things, not just grateful

1924
01:15:51,600 --> 01:15:53,439
Speaker 11: for the profound thing, but I mean like grateful for

1925
01:15:53,840 --> 01:15:54,320
Speaker 11: all of it.

1926
01:15:55,280 --> 01:15:58,360
Speaker 8: Life is different, all right, Well, Elliot Connie, ladies and gentlemen,

1927
01:15:58,360 --> 01:15:59,640
Speaker 8: we appreciate what you're doing with man.

1928
01:15:59,760 --> 01:16:00,560
Speaker 2: Yeah, can they find you?

1929
01:16:01,000 --> 01:16:04,639
Speaker 11: You can find me on social media at Elliott Speaks

1930
01:16:04,920 --> 01:16:09,000
Speaker 11: on Instagram, Twitter, Facebook, Elliot spelled two l's, two t's,

1931
01:16:09,479 --> 01:16:12,080
Speaker 11: and you can go to my website Elliott Coonnie dot

1932
01:16:12,160 --> 01:16:14,120
Speaker 11: com and that's where you can find all my stuff.

1933
01:16:14,240 --> 01:16:16,360
Speaker 2: All right, Well, it's the Breakfast Club, Elliott Connie, Ladies

1934
01:16:16,400 --> 01:16:23,639
Speaker 2: and gentlemen. The Breakfast Club is the breakfast Club. Good

1935
01:16:23,680 --> 01:16:26,280
Speaker 2: morning that we are out for the next seven days.

1936
01:16:26,439 --> 01:16:28,360
Speaker 3: Yes, we're out, but you know, I want to salute

1937
01:16:28,400 --> 01:16:30,599
Speaker 3: somebody who will be holding us down in this building.

1938
01:16:30,680 --> 01:16:32,160
Speaker 2: My man, Chris, if you ever come to the front

1939
01:16:32,240 --> 01:16:35,040
Speaker 2: desk man, the pleasant brother you know with the nice beard,

1940
01:16:35,479 --> 01:16:39,240
Speaker 2: you know, Chris b X. Why are you looking at

1941
01:16:39,280 --> 01:16:39,600
Speaker 2: me like that?

1942
01:16:40,040 --> 01:16:40,559
Speaker 9: What Chris?

1943
01:16:42,360 --> 01:16:44,000
Speaker 12: I was just gonna get shout out to my boss daughter.

1944
01:16:44,320 --> 01:16:47,280
Speaker 12: Can't do yes, what else you would say? It's just

1945
01:16:47,320 --> 01:16:52,880
Speaker 12: your boss daughter, you say, boss name. Got me a

1946
01:16:53,000 --> 01:16:55,000
Speaker 12: nice bottle of Moet for my birthday. It was from

1947
01:16:55,040 --> 01:16:57,600
Speaker 12: the whole building. But uh, saluthor, saluthor her for that.

1948
01:16:57,840 --> 01:17:01,320
Speaker 2: That was nice. Definitely. And to my baby, I love

1949
01:17:01,400 --> 01:17:05,760
Speaker 2: you know who you are. I can't tell her who

1950
01:17:05,800 --> 01:17:17,080
Speaker 2: she is. You can't say a little jealous? Are I know?

1951
01:17:17,160 --> 01:17:17,799
Speaker 4: I'm so nervous.

1952
01:17:17,840 --> 01:17:19,840
Speaker 2: Y'all's been the fourth together, Chris, you and your baby, Yeah,

1953
01:17:19,880 --> 01:17:22,160
Speaker 2: for sure, sure, definitely that's what say. You gonna marry him?

1954
01:17:22,360 --> 01:17:28,360
Speaker 2: Jesus Christ, Jesus.

1955
01:17:29,960 --> 01:17:30,080
Speaker 5: Chris.

1956
01:17:33,240 --> 01:17:35,720
Speaker 2: Thank you, Chris Man, but thank you for holding us down.

1957
01:17:35,800 --> 01:17:36,720
Speaker 2: We appreciate you, probably do.

1958
01:17:36,800 --> 01:17:38,439
Speaker 3: We appreciate you, and the whole team at the front

1959
01:17:38,479 --> 01:17:40,320
Speaker 3: desk absolutely appreciate that's right.

1960
01:17:40,520 --> 01:17:42,640
Speaker 2: Thank you so much, Chris. All right now, Charlamagne, what's

1961
01:17:42,640 --> 01:17:43,200
Speaker 2: your positive note?

1962
01:17:43,439 --> 01:17:45,559
Speaker 3: I had a great therapy session yesterday and I told

1963
01:17:45,600 --> 01:17:48,080
Speaker 3: you all some things that we talked about in therapy earlier,

1964
01:17:48,240 --> 01:17:51,160
Speaker 3: just about operating from a position of joy, right people.

1965
01:17:51,560 --> 01:17:54,360
Speaker 3: You know, nothing makes people more jealous and envious to

1966
01:17:54,439 --> 01:17:56,360
Speaker 3: you than seeing you happy. But there's another thing I

1967
01:17:56,479 --> 01:17:59,280
Speaker 3: learned in therapy, and that's it's actually a quote from

1968
01:17:59,360 --> 01:18:03,320
Speaker 3: Wayne and I love this quote because too many people

1969
01:18:04,000 --> 01:18:07,439
Speaker 3: don't know where to go because they're too focusing on what.

1970
01:18:07,760 --> 01:18:10,880
Speaker 3: They're too busy focusing on what was so. Wayne Gretsky

1971
01:18:10,920 --> 01:18:13,840
Speaker 3: once had a quote where he said, I skate to

1972
01:18:13,960 --> 01:18:17,400
Speaker 3: where the puck is going to be, not where it

1973
01:18:17,600 --> 01:18:18,160
Speaker 3: has been.

1974
01:18:19,479 --> 01:18:21,519
Speaker 2: I skate to where the puck is going to be,

1975
01:18:22,560 --> 01:18:26,040
Speaker 2: not where it has been. Y'all have a great day.

1976
01:18:26,320 --> 01:18:28,960
Speaker 2: Breakfast club. Is y'alla finish or y'all done.