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Speaker 1: The Volume.

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Speaker 2: Welcome to Jenkins and Jones on the Volume podcast Network.

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Speaker 2: It is Friday, November, the eighth Silly Billy episode. We're

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Speaker 2: gonna try.

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Speaker 3: We're gonna try.

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Speaker 2: We'll see. We got a Silly Billy topic list. I'll

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Speaker 2: say that as always James william Episode hosted by that

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Speaker 2: was Dragonfly Jones A K. Tyler.

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Speaker 3: Hey, everybody on the gun.

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Speaker 2: Jethrow Jenkins aka John, I'm Glarady b a k A

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Speaker 2: Mike and we're produce as always by the lovely and

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Speaker 2: talented Jackson Cephale. Why why before we get sillying with

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Speaker 2: the Billy and John, John had a word that he

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Speaker 2: wanted to say up top.

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Speaker 4: Yeah, I just want to thank everybody to hit me

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Speaker 4: up to listen to the podcast and was like, you know,

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Speaker 4: sin ay information on Mitchel aid organizations and all types

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Speaker 4: of ways I can get involved, to get outside, you

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Speaker 4: know what I mean, Like that is the one thing

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Speaker 4: that has given me solid is I can get out

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Speaker 4: and help.

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Speaker 3: You know, people can lean on me, I can lean

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Speaker 3: on community.

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Speaker 4: Things like that gives me a sense of purpose during

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Speaker 4: this time, you know, and like this is way we

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Speaker 4: can actually fight back, you know what I'm saying to

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Speaker 4: what's going on. So you know, it gives me it's

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Speaker 4: since an agency and like you know, being able to

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Speaker 4: help baby girl and you know, do great create a future,

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Speaker 4: you know, not just you know, let the future being

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Speaker 4: created by.

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Speaker 3: Other people, you know what I mean. So I really

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Speaker 3: appreciate the fun out of y'all.

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Speaker 4: I mean, I hit up in my DMS and IG texts,

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Speaker 4: you know what I'm saying, Twitter, Twitter, dms and stuff,

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Speaker 4: people that you know, like Miney that really you know,

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Speaker 4: care about the things that I care about too, that

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Speaker 4: we spoke about, you know, on the pod last episode.

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Speaker 3: So I truly appreciate that.

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Speaker 4: Appreciate the fuck out of y'all, man, you know what

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Speaker 4: I'm saying. And I feel like, you know, we always

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Speaker 4: talked about data homies, but like this, this does for

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Speaker 4: like a particular community, you know what I mean where

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Speaker 4: you know, we was down and you know what I'm saying,

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Speaker 4: and I was looking for, you know, a way to

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Speaker 4: you know, kind of do you know, make some change

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Speaker 4: and shit like that, and people were more than willing

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Speaker 4: to hit me up and help me out.

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Speaker 3: And I really appreciate that.

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Speaker 2: I appreciate them hitting you up as well. And I

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Speaker 2: know we talked a little bit offline, but we're gonna

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Speaker 2: see going forward if there's ways that we can do

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Speaker 2: small spotlights on stuff like that, because I think we

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Speaker 2: saw a lot of people without diving all the way

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Speaker 2: back into it, Like a lot of people felt the

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Speaker 2: same way that you did, right, Like a lot of

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Speaker 2: our listeners felt the same way. You're like, I feel

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Speaker 2: out of control. I feel hopeless, Like what can I

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Speaker 2: do to make a tangible difference? You know, Like I've

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Speaker 2: told you a lot of this stuff I do in

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Speaker 2: my city. I don't do it altruistically. I do it

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Speaker 2: because I have a lot of anxiety about the world

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Speaker 2: or the country. And when you do something, even for

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Speaker 2: ten minutes, fifteen minutes, whatever, it helps you feel like

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Speaker 2: you're in control, even though we're not in control, you know.

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Speaker 3: Yeah.

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Speaker 4: And also we saw, you know, where the country is

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Speaker 4: leading at the moment, you know what I mean. And

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Speaker 4: what were people doing during that time period in order

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Speaker 4: to create change, you know what I mean? They were

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Speaker 4: leaning on community creating organizations order to make that change.

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Speaker 4: So we really leaned to lock in with that shit.

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Speaker 4: I feel like, you know, we lost the recipe. You

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Speaker 4: know what I'm saying at least it's not as you know,

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Speaker 4: popular as it once was. But let's lock back into that,

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Speaker 4: you know what I mean. So they can be doing

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Speaker 4: that over there. Fuck y'all. You know what I'm saying.

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Speaker 4: I can be doing over there there to protect my

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Speaker 4: people in my community as well. I can be this

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Speaker 4: over here, so yeah, around like minded people. So that

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Speaker 4: really that really that I really appreciate that. Y'all have

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Speaker 4: no idea. I couldn't sleep the night before we did

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Speaker 4: the podcast, and after getting him so much as made

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Speaker 4: me feel so much more comfortable. So I know y'all

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Speaker 4: talk about how y'all we help y'all out and shit

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Speaker 4: like that, y'all truly truly truly helped me out. And

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Speaker 4: I really really really appreciate that.

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Speaker 3: Man.

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Speaker 4: I'm I'm I don't feel the same when I'm looking

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Speaker 4: at my baby girl, and that means so much.

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Speaker 3: You'll never understand how what that means to me.

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Speaker 5: And like Mike said, we're gonna be trying to highlight

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Speaker 5: some of these groups going forward. But just one sure,

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Speaker 5: because it's timely is today at four pm Pacific times,

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Speaker 5: especially if you live in California, but anyone can joined

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Speaker 5: Gavin Newsome whatever yourn thought turn Gavin new something.

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Speaker 3: I don't care, but.

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Speaker 5: He's he's hosting a zoom at four pm Pacific today

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Speaker 5: if you just look up conversation with Gaven news and

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Speaker 5: where he's going to try to talk about everything that

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Speaker 5: California is doing and everything that he's going to try

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Speaker 5: to do to to in terms.

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Speaker 3: Of action going forward.

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Speaker 2: Hey, big gap.

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Speaker 4: Soldiers in civilian uniform, as they say, you know what

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Speaker 4: I'm saying it.

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Speaker 2: And I'll say this, Gavin Newsom is a psychopath, you know,

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Speaker 2: and like I mean, he's a crazy motherfucker. But like

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Speaker 2: you know, when he was in San Francisco, he was

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Speaker 2: he was performing gay marriages as a city official when

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Speaker 2: the ship was illegal like that. So yeah, that's gonna

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Speaker 2: be some interesting ship for sure. All Right. I here's

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Speaker 2: what here was my thought, fellas. I want to elect

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Speaker 2: some presidents of some hater clubs, and we've got Jackson

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Speaker 2: as the number one hater for we're starting We're starting

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Speaker 2: with this, but I have a bunch of other stuff,

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Speaker 2: but this is the one I wanted to start with. Jackson,

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Speaker 2: could you explain to Tyler and John why you are

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Speaker 2: the president of the hater club for lethal shooters.

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Speaker 5: I am I'm not ashamed of.

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Speaker 6: I'm you're not impressed with the most recent video though,

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Speaker 6: me too, Bro, I was a skeptic of I was like, Bro,

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Speaker 6: you don't need to do so of the shit you're

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Speaker 6: doing with that gummy bear ship.

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Speaker 2: So can someone explain for our listeners who le is

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Speaker 2: and what this conflict is? I guess jactually, you have

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Speaker 2: nominated yourself to explain.

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Speaker 5: A shooter is an Instagram shooter, slash shooting coach. I

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Speaker 5: think he does actually train some NBA players, players including

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Speaker 5: Jalen Brown. He but he like got famous because he

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Speaker 5: does like trick shots and not just like regular like

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Speaker 5: dude perfect trick shots. Like he'll shoot like into a

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Speaker 5: rim that has like spikes on it, or he'll shoot

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Speaker 5: into like a little milk crate that's tiny, and like

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Speaker 5: he'll still make it.

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Speaker 3: He's a very talented shooter. I'm not saying he's not

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Speaker 3: good at shooting.

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Speaker 5: The basketball, but it a while back, I thought it

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Speaker 5: really jumped the shark and moved into a place that

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Speaker 5: is just so stupid. He's shooting basketballs underwater, under water,

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Speaker 5: you know, underwater, He's shooting basketballs and is acting like

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Speaker 5: he has invented the light bulb. And then most recently

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Speaker 5: and so, I've had long standing text conversations with some

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Speaker 5: of my friends about every.

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Speaker 2: Time out your friends out your friends ill out them.

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Speaker 3: One of them is Sean you a friend.

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Speaker 5: One of them is my best friend Cameron Koyama, and

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Speaker 5: we have long running text threads where I send we

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Speaker 5: send each other the latest lethal shooter drop with some

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Speaker 5: version of are you kidding me? I feel like my

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Speaker 5: life consuming lethal shooter content is the which I is

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Speaker 5: just my favorite meme ever probably is from Breaking Bad

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Speaker 5: when Jesse's like.

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Speaker 2: He can't keep getting away with this.

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Speaker 3: That's how I feel about lethless shooter.

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Speaker 5: But his most recent one was he is trying to

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Speaker 5: shoot a gummy bear in a water bottle.

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Speaker 2: Well, someone someone did thing making fun of him, like

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Speaker 2: lethal shooter videos, be like yes, like throwing the gummy bear,

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Speaker 2: and then the camera cut like they always say in

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Speaker 2: like sports movies, if the camera cuts, if you don't

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Speaker 2: see someone make the half court shot where you can

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Speaker 2: see the ball the whole time, right, then they faked it, right,

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Speaker 2: So now.

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Speaker 3: The camera cut. Now there's no camera.

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Speaker 2: So his response to that video was he actually shot

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Speaker 2: a gummy bear into the water?

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Speaker 3: And so this is my question. This is what Letho

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Speaker 3: shooter is doing.

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Speaker 5: Also is his new bit is he'll he misses the

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Speaker 5: one and he goes I understand it now, as if

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Speaker 5: he's like calibrating for the shot, right, And so my

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Speaker 5: question to you, I'm not saying it's not impressive to

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Speaker 5: shoot a gummy bear in a water bottle.

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Speaker 3: My question is how many tries do you think it

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Speaker 3: took him?

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Speaker 5: And therefore, how many hours do you think he was

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Speaker 5: standing after every shot repeating I understand it now.

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Speaker 1: I mean I honestly, I honestly do not care because

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Speaker 1: he shot a gummy bear into a water. But I

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Speaker 1: feel like if you gave me a million tries, I

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Speaker 1: might do that three times maybe, And for him to

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Speaker 1: do it multiple times.

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Speaker 4: I think I could do it for a year and

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Speaker 4: never make one. Like do you understand how this.

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Speaker 5: Is the listed John's personal physical confidence that's like athletic.

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Speaker 3: Hard. I'm just surprised that this.

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Speaker 4: Is what spends so much time in the gym shooting basketballs,

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Speaker 4: you know what I mean? So much time working on

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Speaker 4: my motherfucking jump or growing up that right there seems

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Speaker 4: damn near impossible, you feel me, Like, like Thomas said,

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Speaker 4: regardless of how long it took, he did it, you know,

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Speaker 4: and if it was once, it's worth I mean, worthy

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Speaker 4: of celebrating.

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Speaker 3: That is insane, insane, This is yeah.

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Speaker 2: This is the same guy who shot at the mechanized

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Speaker 2: razorblaze on the rim and his shooting at three rims

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Speaker 2: rotating around in a circle led Tyler to tweet good

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Speaker 2: to see trainers are preparing players for if they ever

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Speaker 2: get kidnapped by the Joker and taken to an abandoned

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Speaker 2: amusement park and have to hit these shots to prevent

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Speaker 2: the bomb that strapped the Commissioner Gordon's chest from dead.

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Speaker 3: Tyler was on my side for so long I would

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Speaker 3: the Gummy band video converted me I really want, you

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Speaker 3: really want. I think the shooter has gone on.

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Speaker 5: I think it was this past off season, or maybe

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Speaker 5: I forget what Maybe it's two off seasons ago. Might

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Speaker 5: have been two off seasons ago where the report came

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Speaker 5: out that he was training Jalen Brown, and I got

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Speaker 5: a wold notification, rapid fire texts from Cameron and Sean

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Speaker 5: like look at.

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Speaker 3: Your boy, Look your boy is with the ops and

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Speaker 3: I was like, and then he won finals MVP.

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Speaker 4: So I think the thing is bro like, how you

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Speaker 4: could let's figure this out, man, Like, put you a

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Speaker 4: little water bottle up on your desk, you know, when

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Speaker 4: you're chilling watching TV and ship, just shoot a couple

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Speaker 4: of gummy Let's see how many years it takes for

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Speaker 4: that ship.

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Speaker 5: I think I could do it in like a couple hours.

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Speaker 3: Let's try it. I'm interested.

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Speaker 2: I got nothing else.

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Speaker 3: I got nothing Friday, we can we can find out

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Speaker 3: by Sunday. How long. You know what I'm saying. If

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Speaker 3: you know, yeah, we got nothing off.

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Speaker 2: The topic list for some question?

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Speaker 3: Is the guy?

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Speaker 5: Do you guys remember I'm gonna look it up. If not,

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Speaker 5: If how full the water bottle was?

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Speaker 4: Well so so I mean I don't yeah, yeah, it

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Speaker 4: has to be. You have to have enough water in

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Speaker 4: the base for it to not yeah, so it doesn't

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Speaker 4: move yeah yeah, But I just I mean I'm interested.

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Speaker 4: You can put that motherfucker up to the top. I

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Speaker 4: mean just I don't need it to be. I mean

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Speaker 4: enough space for you make it obviously, but like I don't,

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Speaker 4: I don't if you make it at all, being how

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Speaker 4: small that is I'd be extremely shocked whether it's half

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Speaker 4: fool or eighty, it's crazy.

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Speaker 2: I'm I'm I'm Tyler exactly described where I've been with this,

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Speaker 2: Like I enjoy people making fun of the like crazy

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Speaker 2: ig basketball trainer content, and he obviously is sort of

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Speaker 2: the inventor of the genre in some ways, or at

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Speaker 2: least the who perfected it. But when you do the

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Speaker 2: magic chick bro, like I'm gonna go ooh and ah,

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Speaker 2: like you know, like he did the shit, He did

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Speaker 2: it on camera and he specifically responded to something people

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Speaker 2: were making fun of.

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Speaker 7: That.

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Speaker 1: Yeah, the fact that that a hater said that he

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Speaker 1: replied to the hater and beat the hater at his

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Speaker 1: own game, like dog, That's impressive, man.

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Speaker 3: Yeah, man, the emorrhage NBA Cup is here.

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Speaker 3: We all know the Lakers won it last year.

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Speaker 2: All right, we also have elected the president of the

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Speaker 2: dl Hater Club, which is his head coach, JJ Reddick

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Speaker 2: President of the Delo Hater Club. Did y'all see the

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Speaker 2: clips after they get it? Was the game against the Grizzlies,

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Speaker 2: I believe correct. So DLA started. He ended up only

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Speaker 2: playing twenty two minutes, like ten twelve minutes less than

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Speaker 2: all the other starters.

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Speaker 7: Uh.

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Speaker 2: And they asked JJ Redick about it, and JJ Redick

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Speaker 2: basically just put his head in his hands and is like,

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Speaker 2: there's an attention to detail and playing the right way

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Speaker 2: and a lot of things we've been working on. And

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Speaker 2: sometimes he reversed other habits. But then people started putting

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Speaker 2: up the clips of Iso Dilo doing something stupid and

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Speaker 2: JJ Redick having like a fit of Batchelism, like a

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Speaker 2: physical reaction to what what Delo is doing. How entertaining.

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Speaker 2: I mean, first of all, you just don't expect Dilo

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Speaker 2: to be on that team. Passed the deadline obviously at

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Speaker 2: this point. But what was your guys reaction to those

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Speaker 2: clips and uh? And to JJ Redick's antics on the

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Speaker 2: sideline as Delo was messing up.

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Speaker 1: Yeah, the sequence that frustrated JJ. It was a very

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Speaker 1: understandably frustrating sequence, Like he didn't close out on on

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Speaker 1: I forget who, but someone hitted three that was his man.

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Speaker 3: He didn't close out on.

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Speaker 1: He got back on the other end and took a

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Speaker 1: wild contested fade away three point and then didn't get

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Speaker 1: back on defense again and gave up another bucket Like

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Speaker 1: it was a terrible fucking sequence. But but you know,

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Speaker 1: I'm just interested in in how JJ is handling this. Yeah,

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Speaker 1: you know, from from a coaching perspective, right, because you know,

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Speaker 1: they asked him of a reporter asked him, you know,

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Speaker 1: Dela only played twenty two minutes this game, and you

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Speaker 1: know there's and and you know you said him like

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Speaker 1: midway through the thirty he didn't play anymore, and JJ said, well, yeah,

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Speaker 1: he's he's not paying attention to detail.

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Speaker 3: He's reverting back to old habits.

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Speaker 1: That's that's throwing deal onto the bus a bit, you

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Speaker 1: know what I mean, Like like yeah, yeah, yeah, I

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Speaker 1: mean for you, for sure, you can say that in

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Speaker 1: the locker room, in the film session or whatever, but

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Speaker 1: to say that to a.

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Speaker 3: Reporter and and and and.

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Speaker 1: A postgame presser, like yeah, yeah, that's that's especially for

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Speaker 1: our dude who's only you know, fucking ten and eleven

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Speaker 1: games deep into his coaching career. And then you know

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Speaker 1: he had that moment where where you know, he talked

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Speaker 1: about how bron was forty years old and was playing

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Speaker 1: the hardest out there. And then someone asked him, you know, well, well,

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Speaker 1: well how do you kind of you know, pinpoint that

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Speaker 1: to your players, you know, to to give the same effort.

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Speaker 3: That Lebron as He's like, are you just already told you?

349
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Speaker 3: And he walked off.

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Speaker 1: I'm like, dog, you can't take the angle of I'm

351
00:16:04,800 --> 00:16:06,720
Speaker 1: not falling for your trap of you try to get

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Speaker 1: me to lift up Bron and throw my players under

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Speaker 1: the bus.

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Speaker 3: You just threw under the bus. You you can't do that, dog,

355
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Speaker 3: Like you.

356
00:16:12,720 --> 00:16:15,120
Speaker 1: Just threw del On under the bus forty seconds ago.

357
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Speaker 3: Dog.

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Speaker 1: And now you're and now you're taking a stand for

359
00:16:18,240 --> 00:16:20,040
Speaker 1: your players because you're not gonna be You're not gonna

360
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Speaker 1: let any outside forces, you know, divide your locker room

361
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Speaker 1: or whatever, you know, whatever the stands. Yeah, you are

362
00:16:25,520 --> 00:16:30,360
Speaker 1: the division, right but dog, Yeah, it's just it's it's

363
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Speaker 1: it's it's interesting to see, man, it's interesting to see

364
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Speaker 1: how how JJ is gonna handle these moments where he

365
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Speaker 1: has to take these questions. Bro being a Lakers coach,

366
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Speaker 1: that is the most scrutinized position in all of basketball, right,

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00:16:40,800 --> 00:16:42,600
Speaker 1: like it's in all of it's like top three and

368
00:16:42,600 --> 00:16:45,520
Speaker 1: olar sports. Right, it's like Lakers coach, Cowboys coach, like

369
00:16:45,600 --> 00:16:47,240
Speaker 1: you know, the fucking best player on the Yankees. Those

370
00:16:47,240 --> 00:16:49,080
Speaker 1: are like the three most stress of positions in American

371
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Speaker 1: fucking sports, right, and dog and and and I don't know,

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Speaker 1: I'm I'm I'm not necessarily impressed with the way he's

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Speaker 1: been handling things and and in regards to kind of

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Speaker 1: player relations and knowing the tight rope of when to

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00:17:01,360 --> 00:17:03,080
Speaker 1: call guys out, when not to call guys out and

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Speaker 1: all that. I don't think he's doing a good job

377
00:17:04,320 --> 00:17:05,680
Speaker 1: at that. But it's, like I said, he's only ten

378
00:17:05,720 --> 00:17:07,199
Speaker 1: games deep so far, so we'll see.

379
00:17:07,760 --> 00:17:09,840
Speaker 4: We spoke directly to what was going to be going

380
00:17:09,880 --> 00:17:12,080
Speaker 4: on with d Lo and how you know he would

381
00:17:12,080 --> 00:17:15,400
Speaker 4: hold de Lo accountable in a particular way. I figured

382
00:17:15,440 --> 00:17:17,920
Speaker 4: he wouldn't be out there playing when he was fucking up.

383
00:17:17,960 --> 00:17:18,520
Speaker 3: You know what I'm saying.

384
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Speaker 4: I feel like sometimes Delo's intrusive thoughts be beating his ass, nigga,

385
00:17:23,000 --> 00:17:25,280
Speaker 4: and when they beating his ass, shit your goofy ass

386
00:17:25,359 --> 00:17:27,679
Speaker 4: down until you can get your mind right, nigga.

387
00:17:27,920 --> 00:17:29,720
Speaker 3: You know what I'm saying, How to play basketball again?

388
00:17:29,960 --> 00:17:32,360
Speaker 4: I understand that thrown on the bus, Like Tyler said,

389
00:17:32,359 --> 00:17:34,399
Speaker 4: I just don't agree with I don't know how that

390
00:17:34,440 --> 00:17:36,440
Speaker 4: benefits Dela. I know how to benef It's a team,

391
00:17:36,800 --> 00:17:38,040
Speaker 4: you know what I'm saying. It's just not the way

392
00:17:38,080 --> 00:17:39,800
Speaker 4: to move in that situation, you know what I mean.

393
00:17:39,840 --> 00:17:41,560
Speaker 4: And at the end, you know, dropping the mic like

394
00:17:41,560 --> 00:17:44,080
Speaker 4: Tyler said, the group said, you haven't earned that yet.

395
00:17:44,480 --> 00:17:47,359
Speaker 4: You are ten games into being a head coach. You're

396
00:17:47,400 --> 00:17:50,120
Speaker 4: not that guy yet, my gud, you feel me, Chill out,

397
00:17:50,440 --> 00:17:52,680
Speaker 4: deal with the fucking questions. You know what I'm saying.

398
00:17:52,880 --> 00:17:55,040
Speaker 4: Move in a particular way, go in there and talk

399
00:17:55,080 --> 00:17:55,680
Speaker 4: to your players.

400
00:17:55,680 --> 00:17:58,040
Speaker 3: Gee. But yeah, like to be I mean what we thought,

401
00:17:58,080 --> 00:17:59,360
Speaker 3: we thought the players were fucking with him.

402
00:17:59,480 --> 00:18:03,320
Speaker 4: They they you know, they're playing more responsibly, smarter basketball,

403
00:18:03,400 --> 00:18:03,840
Speaker 4: you feel me.

404
00:18:04,160 --> 00:18:06,200
Speaker 3: But the way he's moving, throwing a player under the bus,

405
00:18:06,200 --> 00:18:06,920
Speaker 3: I don't know if that.

406
00:18:06,920 --> 00:18:10,320
Speaker 4: Benefits that player and what he's that benefits him, and

407
00:18:10,520 --> 00:18:12,399
Speaker 4: what he's been doing, you know, as a coach.

408
00:18:12,440 --> 00:18:13,840
Speaker 3: So yeah, doesn't make sense to me.

409
00:18:14,320 --> 00:18:18,479
Speaker 2: I'll give you the the the Devil's Advocate take, which is,

410
00:18:18,680 --> 00:18:21,119
Speaker 2: I think everyone already knows at this point that Delo

411
00:18:21,280 --> 00:18:23,160
Speaker 2: is not going to be on the team as they're

412
00:18:23,200 --> 00:18:26,720
Speaker 2: trying to make the push towards the playoffs. So given

413
00:18:26,760 --> 00:18:29,520
Speaker 2: that he comes in with the players coach, reputation of

414
00:18:29,560 --> 00:18:33,399
Speaker 2: being bronze guy, you know all this other stuff, I

415
00:18:33,440 --> 00:18:37,960
Speaker 2: wonder if he's using Delo as almost like I'm gonna

416
00:18:37,960 --> 00:18:40,119
Speaker 2: make an example out of him with the rest of

417
00:18:40,160 --> 00:18:43,600
Speaker 2: the team. That's like, Hey, every time this guy fucks up,

418
00:18:43,680 --> 00:18:45,760
Speaker 2: I'm gonna be I'm gonna be on him and I'm

419
00:18:45,760 --> 00:18:47,760
Speaker 2: gonna sit him and you're gonna see that. That's how

420
00:18:47,800 --> 00:18:51,120
Speaker 2: I coach, even if I'm not necessarily to do with you,

421
00:18:51,320 --> 00:18:55,000
Speaker 2: because we've seen lapses defensively with Braun, right, Like, we

422
00:18:55,080 --> 00:18:57,879
Speaker 2: have seen moments when Braun has has not played to

423
00:18:58,040 --> 00:19:00,920
Speaker 2: his own standard and you're not gonna jj Reddick pull

424
00:19:01,000 --> 00:19:03,560
Speaker 2: brought out in the middle of the third quarter for

425
00:19:03,600 --> 00:19:04,280
Speaker 2: the game.

426
00:19:04,920 --> 00:19:07,439
Speaker 4: Yeah, yeah, I think there's a balance though, you know

427
00:19:07,440 --> 00:19:09,760
Speaker 4: what I'm saying, You know, like where bron will have

428
00:19:09,800 --> 00:19:13,560
Speaker 4: his lapses and moments, but you know trust will correct it.

429
00:19:13,760 --> 00:19:15,920
Speaker 3: You feel you trust him it was a lapse, you

430
00:19:16,000 --> 00:19:16,600
Speaker 3: know what I'm saying.

431
00:19:16,920 --> 00:19:19,760
Speaker 4: D Loo, He's the type of dude where if he

432
00:19:19,880 --> 00:19:21,720
Speaker 4: hits a couple of shots at the beginning of the game.

433
00:19:22,080 --> 00:19:23,440
Speaker 2: The worst thing that could happen.

434
00:19:25,240 --> 00:19:28,280
Speaker 4: If he if he goes like you know, one for three, Okay,

435
00:19:28,280 --> 00:19:31,560
Speaker 4: he's gonna approach the game in an intelligent way, questioning

436
00:19:31,680 --> 00:19:33,399
Speaker 4: decisions before you know what I mean, it'll be a

437
00:19:33,440 --> 00:19:36,080
Speaker 4: filter there. DLO with no filter is scary, you know

438
00:19:36,119 --> 00:19:37,239
Speaker 4: what I'm saying. So you got a kind of real

439
00:19:37,320 --> 00:19:39,280
Speaker 4: him in so I think it'll be it's a little different.

440
00:19:39,280 --> 00:19:42,160
Speaker 4: But yes, you know, I could make that could be true.

441
00:19:42,240 --> 00:19:43,480
Speaker 4: I think that's a bad way.

442
00:19:43,320 --> 00:19:47,560
Speaker 7: To help with you know, yeah, I know, you know,

443
00:19:47,600 --> 00:19:48,760
Speaker 7: you agree, Yeah, I agree.

444
00:19:49,200 --> 00:19:49,720
Speaker 2: Okay.

445
00:19:51,160 --> 00:19:53,080
Speaker 1: I think there's a couple, just a couple more interesting

446
00:19:53,119 --> 00:19:54,760
Speaker 1: things about this DLO jj kin.

447
00:19:55,040 --> 00:19:55,240
Speaker 2: Yeah.

448
00:19:55,359 --> 00:19:55,960
Speaker 3: Similar though.

449
00:19:56,600 --> 00:19:58,919
Speaker 1: I think we've all been in situations where we've had

450
00:19:58,920 --> 00:20:01,199
Speaker 1: a new manager come in and it feels and it

451
00:20:01,200 --> 00:20:03,400
Speaker 1: seems like so many new managers feel like the way

452
00:20:03,400 --> 00:20:05,560
Speaker 1: that they show that they're about business is they get

453
00:20:05,600 --> 00:20:08,800
Speaker 1: some people fired right right. They come in and they

454
00:20:08,840 --> 00:20:10,640
Speaker 1: give the boot to some people, and you're like bro

455
00:20:11,160 --> 00:20:13,800
Speaker 1: like and like that's like the worst thing you can

456
00:20:13,840 --> 00:20:18,040
Speaker 1: do as a new manager to put to to to

457
00:20:18,200 --> 00:20:20,720
Speaker 1: kind of show that that you know, I'm here to

458
00:20:20,720 --> 00:20:22,760
Speaker 1: shake things up, and if you're not buying into into

459
00:20:22,880 --> 00:20:24,600
Speaker 1: the way I want to do things here, you're out

460
00:20:24,600 --> 00:20:26,639
Speaker 1: of here. And Delos is like the perfect foil for

461
00:20:26,640 --> 00:20:28,679
Speaker 1: that with JJ, right because JJ is there to help

462
00:20:28,720 --> 00:20:32,040
Speaker 1: the Lakers play smart basketball, right, and Delo doesn't play

463
00:20:32,080 --> 00:20:34,560
Speaker 1: smart basketball a lot of those times. And I also

464
00:20:34,600 --> 00:20:37,400
Speaker 1: wonder how Delo feels from a personal perspective when you've

465
00:20:37,400 --> 00:20:39,000
Speaker 1: got this coach coming down on you who you know

466
00:20:39,080 --> 00:20:41,120
Speaker 1: you are better than, you know you were a better

467
00:20:41,320 --> 00:20:43,919
Speaker 1: basketball player than this dude, and he's coming down on you.

468
00:20:43,960 --> 00:20:45,119
Speaker 3: I wonder how Delo feels.

469
00:20:45,200 --> 00:20:48,040
Speaker 1: And because Delo is and I know Delo thinks that

470
00:20:48,119 --> 00:20:49,920
Speaker 1: all the fucking time, because he's a dude who thinks

471
00:20:49,960 --> 00:20:51,600
Speaker 1: way too highly of him, stuff like that's his bigges

472
00:20:51,600 --> 00:20:53,199
Speaker 1: swall as a player, right, And I know he for

473
00:20:53,280 --> 00:20:55,080
Speaker 1: sures like this motherfucker is nowhere near as good as

474
00:20:55,160 --> 00:20:57,080
Speaker 1: me talking shit to me like this. So I wonder,

475
00:20:57,080 --> 00:20:58,720
Speaker 1: I wonder how that's going to play out, because I

476
00:20:58,720 --> 00:21:00,960
Speaker 1: feel like I feel like the little skizzing that's between

477
00:21:01,000 --> 00:21:03,240
Speaker 1: them that's going to be like a pretty good kind

478
00:21:03,280 --> 00:21:06,680
Speaker 1: of like microcosm of how JJ's coaching career is going

479
00:21:06,720 --> 00:21:06,960
Speaker 1: to go.

480
00:21:07,359 --> 00:21:10,359
Speaker 2: I also think will hear from d like we will

481
00:21:10,400 --> 00:21:12,960
Speaker 2: hear from DLO about it at some point, whether it's

482
00:21:13,040 --> 00:21:15,200
Speaker 2: this year or looking back in the future. But he's

483
00:21:15,200 --> 00:21:16,639
Speaker 2: not going to bite his tongue on that shit for

484
00:21:16,640 --> 00:21:17,400
Speaker 2: the rest of his life.

485
00:21:17,440 --> 00:21:19,440
Speaker 4: So and he's a content guy too, you know what

486
00:21:19,480 --> 00:21:21,560
Speaker 4: I'm saying. He's out here on YouTube, nigga. That's good

487
00:21:21,600 --> 00:21:23,679
Speaker 4: for content, you know what I mean. You feel me

488
00:21:24,000 --> 00:21:25,800
Speaker 4: talking this shit, But I think that's good. I mean,

489
00:21:25,880 --> 00:21:28,720
Speaker 4: Delo's a good Delo is a good basketball player. And

490
00:21:29,320 --> 00:21:32,720
Speaker 4: when he's you know, when he's like playing good, when

491
00:21:32,760 --> 00:21:36,080
Speaker 4: he's playing his best basketball, he's a great basketball player, you.

492
00:21:36,080 --> 00:21:36,639
Speaker 3: Know what I'm saying.

493
00:21:36,880 --> 00:21:38,399
Speaker 4: So, I mean that's going to be his issue mostly

494
00:21:38,440 --> 00:21:40,640
Speaker 4: it's like I mean, he's always going to be better

495
00:21:40,640 --> 00:21:42,880
Speaker 4: than most anybody that's going to and that's probably most

496
00:21:43,000 --> 00:21:44,800
Speaker 4: NBA players that are good at basketball, mean better than

497
00:21:44,800 --> 00:21:46,600
Speaker 4: most people are telling them this. But like ud like,

498
00:21:46,720 --> 00:21:49,480
Speaker 4: what he's trying to get you to do is important.

499
00:21:49,960 --> 00:21:51,520
Speaker 4: You have to learn how you can't just be out

500
00:21:51,520 --> 00:21:53,159
Speaker 4: there hooping, you know what I'm saying. This is a

501
00:21:53,200 --> 00:21:55,719
Speaker 4: guy that understands the game in the way that DLO doesn't,

502
00:21:56,200 --> 00:21:56,800
Speaker 4: you know what I mean.

503
00:21:56,920 --> 00:21:57,720
Speaker 3: And he can gain from that.

504
00:21:57,800 --> 00:22:00,000
Speaker 4: So I hope Delo understands that, you know what I mean,

505
00:22:00,160 --> 00:22:02,240
Speaker 4: But he hasn't had to and we'll see if it happens,

506
00:22:02,280 --> 00:22:03,400
Speaker 4: but it probably won't happ with the Lakers.

507
00:22:03,480 --> 00:22:05,560
Speaker 5: You know, this is too harsh of a comparison, but

508
00:22:05,600 --> 00:22:06,880
Speaker 5: it just made me think of it. I don't think

509
00:22:06,920 --> 00:22:09,320
Speaker 5: this is like actually fair because Delo is a better

510
00:22:09,359 --> 00:22:11,560
Speaker 5: basketball player, but the way you just said that made

511
00:22:11,600 --> 00:22:13,800
Speaker 5: me think of Jameis Winston, the quote that I sent

512
00:22:13,840 --> 00:22:15,359
Speaker 5: in the group chat like two weeks ago, when he

513
00:22:15,440 --> 00:22:18,560
Speaker 5: was like, I'm making one decision after the other.

514
00:22:18,720 --> 00:22:19,920
Speaker 3: I am a great quarterback.

515
00:22:20,080 --> 00:22:22,960
Speaker 5: It's like that's the problem, ain't it like that? And

516
00:22:23,000 --> 00:22:24,000
Speaker 5: that's kind of how I feel about it.

517
00:22:24,200 --> 00:22:29,520
Speaker 2: Part of what's hard about it at those positions right right.

518
00:22:29,440 --> 00:22:32,639
Speaker 5: Especially James Winston, But like it feels sort of similar,

519
00:22:32,680 --> 00:22:36,120
Speaker 5: like if you could just focus on the thing, then

520
00:22:36,160 --> 00:22:36,560
Speaker 5: I feel like.

521
00:22:37,240 --> 00:22:40,359
Speaker 4: Play doing the making the right decision in this moment,

522
00:22:40,600 --> 00:22:42,360
Speaker 4: you know what I mean, each moment focused on making

523
00:22:42,359 --> 00:22:46,240
Speaker 4: the right decision. And I think that's easier in basketball

524
00:22:46,560 --> 00:22:48,119
Speaker 4: then it would be to be a quarterback.

525
00:22:48,400 --> 00:22:49,920
Speaker 3: When you know, what do you?

526
00:22:50,080 --> 00:22:51,600
Speaker 2: I don't know because the only thing I say about

527
00:22:51,680 --> 00:22:55,359
Speaker 2: quarterback is that there are plays they start and stop

528
00:22:55,400 --> 00:22:58,040
Speaker 2: every time, and you do also get ten minutes to

529
00:22:58,080 --> 00:23:00,320
Speaker 2: go stand on the sideline and think and look at

530
00:23:00,359 --> 00:23:01,800
Speaker 2: film while the defense is playing.

531
00:23:01,920 --> 00:23:05,200
Speaker 4: Point guard is only more intense, though the moments seemed

532
00:23:05,240 --> 00:23:07,800
Speaker 4: way more intense for a quarterback, even with the preparation.

533
00:23:07,880 --> 00:23:09,080
Speaker 3: That's why it's so difficult.

534
00:23:09,119 --> 00:23:11,240
Speaker 2: You know, No, that's that's true, and I would agree

535
00:23:11,240 --> 00:23:13,239
Speaker 2: with you just because I think that's how football is.

536
00:23:13,280 --> 00:23:15,679
Speaker 2: But I do think what you described with Deler like

537
00:23:15,720 --> 00:23:18,199
Speaker 2: Tyler's blow, like glow by blow. That doesn't surprise me,

538
00:23:18,240 --> 00:23:19,840
Speaker 2: and I do think that's unique to point guard. You

539
00:23:19,840 --> 00:23:22,479
Speaker 2: fail to close out, you know, you fucked up. You

540
00:23:22,520 --> 00:23:24,560
Speaker 2: get the rock back in your hand. You gotta get

541
00:23:24,560 --> 00:23:27,000
Speaker 2: this up, you know what I mean. And that's a

542
00:23:27,040 --> 00:23:28,520
Speaker 2: basketball thing, you know what I mean.

543
00:23:28,800 --> 00:23:30,760
Speaker 4: And then you fuck up and then you found you

544
00:23:30,800 --> 00:23:34,199
Speaker 4: know what I'm saying, Like, there's that those sequences on

545
00:23:34,359 --> 00:23:35,880
Speaker 4: every level of basketball.

546
00:23:36,359 --> 00:23:37,200
Speaker 3: That's how it's works.

547
00:23:37,280 --> 00:23:39,080
Speaker 2: I never turned the ball over once in my life

548
00:23:39,080 --> 00:23:42,040
Speaker 2: without fouling the next play bro like.

549
00:23:44,920 --> 00:23:48,720
Speaker 3: Football player, you know what I'm saying. I don't get

550
00:23:48,720 --> 00:23:51,320
Speaker 3: a call out that I thought I needed. Niggas right, I'm.

551
00:23:51,640 --> 00:23:54,639
Speaker 2: Back the more you understand that. You know, the less

552
00:23:54,680 --> 00:23:58,119
Speaker 2: testosterone is running through your testicles, the clearer your brain is,

553
00:23:58,160 --> 00:23:59,800
Speaker 2: and the more you're like, oh, I should have just

554
00:24:00,119 --> 00:24:05,439
Speaker 2: good defense right right right slapped the floor, locking nigga.

555
00:24:05,480 --> 00:24:07,960
Speaker 4: You know what I'm saying, ain't no getting back. Let

556
00:24:07,960 --> 00:24:09,600
Speaker 4: the game come to you type ship. But you know,

557
00:24:09,680 --> 00:24:11,359
Speaker 4: sometimes you try to grab the reins.

558
00:24:12,080 --> 00:24:12,399
Speaker 1: Uh.

559
00:24:12,440 --> 00:24:16,679
Speaker 2: We've got the new president of the DeMar DeRozan Hater Club.

560
00:24:17,280 --> 00:24:21,480
Speaker 2: It's Drake. What did you guys think of DeMar Derozen

561
00:24:21,560 --> 00:24:28,440
Speaker 2: playing in Toronto? And Drake, you pussy? You fuck out

562
00:24:28,440 --> 00:24:28,639
Speaker 2: of here.

563
00:24:28,680 --> 00:24:32,520
Speaker 3: Pussy he breathed the word. He can't even call it

564
00:24:32,520 --> 00:24:35,280
Speaker 3: a whisper. You know what I'm saying, get the fuck

565
00:24:35,359 --> 00:24:41,439
Speaker 3: out of here, guy, I would say this. I completely

566
00:24:41,480 --> 00:24:43,639
Speaker 3: understand Drake not fucking with them. I get it. I

567
00:24:43,720 --> 00:24:44,040
Speaker 3: get it.

568
00:24:44,119 --> 00:24:45,879
Speaker 1: Right Like you thought he was the homie and then

569
00:24:45,920 --> 00:24:49,560
Speaker 1: he's he's he's popping up it in the worldwide smash

570
00:24:49,720 --> 00:24:52,280
Speaker 1: video of of Kendrick calling you a pedophile and you

571
00:24:52,480 --> 00:24:53,520
Speaker 1: you kicking it on the stage.

572
00:24:53,880 --> 00:24:54,280
Speaker 3: I get it.

573
00:24:54,320 --> 00:24:56,600
Speaker 1: But you gotta charge that ship to the game. This

574
00:24:56,640 --> 00:24:59,560
Speaker 1: is the thing about Drake. I think he I think

575
00:24:59,600 --> 00:25:02,240
Speaker 1: this is a a dude who doesn't have any day ones,

576
00:25:02,280 --> 00:25:04,720
Speaker 1: any legit day ones before he was famous, and he

577
00:25:04,760 --> 00:25:07,040
Speaker 1: doesn't understand how shit works. Like, how can you be

578
00:25:07,119 --> 00:25:09,919
Speaker 1: mad that a Compton kid like Damar's siding with a

579
00:25:09,920 --> 00:25:12,359
Speaker 1: Compton kid like Kendrick when they grew up together, that

580
00:25:12,440 --> 00:25:14,000
Speaker 1: they were in high school at the same time, they've

581
00:25:14,000 --> 00:25:15,320
Speaker 1: been home since they were teenagers.

582
00:25:15,359 --> 00:25:16,880
Speaker 3: How can you not understand because he.

583
00:25:16,800 --> 00:25:20,760
Speaker 2: Doesn't understand it. You said it exactly though, Like he

584
00:25:20,760 --> 00:25:22,399
Speaker 2: he doesn't understand it.

585
00:25:22,640 --> 00:25:25,560
Speaker 4: And in a way that he's not like moving in

586
00:25:25,600 --> 00:25:27,720
Speaker 4: a way that people move from a space he's.

587
00:25:27,600 --> 00:25:29,959
Speaker 3: Not from, you know what I mean. He's in a

588
00:25:30,040 --> 00:25:31,760
Speaker 3: totally different world than where he grew up in. You

589
00:25:31,800 --> 00:25:34,399
Speaker 3: know how he's acting g so he don't understand those rules.

590
00:25:34,520 --> 00:25:37,360
Speaker 1: Yeah, Like, Bro, you're you're there at the Raptors game.

591
00:25:37,440 --> 00:25:39,440
Speaker 1: The Raptors would not fuck with you if you weren't Drake.

592
00:25:40,000 --> 00:25:42,240
Speaker 1: You're there with with with with your dude Chubbs, the

593
00:25:42,320 --> 00:25:44,760
Speaker 1: dude who became who's your bodyguard after you got robbed

594
00:25:44,800 --> 00:25:45,520
Speaker 1: because you were famous.

595
00:25:45,560 --> 00:25:47,280
Speaker 3: He's not a day one, you know what I mean?

596
00:25:47,320 --> 00:25:50,359
Speaker 1: Like, this dude just doesn't understand the thing about Kendrick

597
00:25:50,480 --> 00:25:54,280
Speaker 1: is and and during the PopOut, we saw we saw.

598
00:25:54,119 --> 00:25:56,200
Speaker 3: Community in that moment, his community, right.

599
00:25:56,359 --> 00:25:58,240
Speaker 1: We saw people who would have loved Kendrick if he

600
00:25:58,320 --> 00:25:59,960
Speaker 1: was famous, if he was if he wasn't famous, if

601
00:26:00,000 --> 00:26:02,119
Speaker 1: he wasn't those were his day once wh knew him

602
00:26:02,119 --> 00:26:05,200
Speaker 1: since he was kids, right, that was what we saw there,

603
00:26:05,280 --> 00:26:07,520
Speaker 1: and that's why like Drake could never duplicate that because

604
00:26:07,760 --> 00:26:09,359
Speaker 1: only people fuck with Drake, and people fuck with.

605
00:26:09,400 --> 00:26:13,160
Speaker 3: Drake because he's Drake, because he's a world famous brand

606
00:26:13,600 --> 00:26:15,400
Speaker 3: the person that Drake is, and he's.

607
00:26:15,280 --> 00:26:18,840
Speaker 2: Great at inhabiting that role, which is why so many

608
00:26:18,920 --> 00:26:22,040
Speaker 2: people fuck with him. And that's great. You accomplish that.

609
00:26:22,720 --> 00:26:26,119
Speaker 2: Kendrick is authenticity. That is what he accomplished. If his

610
00:26:26,200 --> 00:26:30,000
Speaker 2: ship sells, if it doesn't sell, he is himself and

611
00:26:30,040 --> 00:26:32,400
Speaker 2: the people who fuck with him fuck with him. But

612
00:26:32,400 --> 00:26:36,520
Speaker 2: but the if they if they ever hang your jersey

613
00:26:36,520 --> 00:26:39,120
Speaker 2: in that rafters, I'm gonna climb up there and take

614
00:26:39,160 --> 00:26:40,120
Speaker 2: it down your side.

615
00:26:40,400 --> 00:26:41,200
Speaker 3: Well, no you're not.

616
00:26:41,320 --> 00:26:43,280
Speaker 4: You a bitch, you know it ain't gonna do it.

617
00:26:43,400 --> 00:26:45,000
Speaker 4: I'm a bitch. When it comes to high school, I

618
00:26:45,000 --> 00:26:47,200
Speaker 4: ain't doing that either. You know what I'm saying.

619
00:26:47,240 --> 00:26:50,919
Speaker 9: That's crazy, nigga you just waking brother, just looking up

620
00:26:50,920 --> 00:26:54,160
Speaker 9: at the round Nigga. I can't look up at palm trees.

621
00:26:54,200 --> 00:26:58,280
Speaker 9: I get dizzy, Nigga, Like how can they deal.

622
00:26:58,040 --> 00:26:59,920
Speaker 3: With being up there like that? You know what I'm saying.

623
00:27:00,080 --> 00:27:02,560
Speaker 2: If you ever go to Hawaii, you gotta go to

624
00:27:02,600 --> 00:27:07,360
Speaker 2: the Polynesian Cultural Center and watch the Tongans climb up

625
00:27:07,520 --> 00:27:10,760
Speaker 2: the palm trees with it, like just going up the ship,

626
00:27:10,960 --> 00:27:13,960
Speaker 2: just going up the shame waves because I have the

627
00:27:14,000 --> 00:27:16,720
Speaker 2: same thing, my stomach flip upside down. I've never been

628
00:27:16,760 --> 00:27:20,840
Speaker 2: on a roller coaster that like watching that, bro, Okay, just.

629
00:27:20,840 --> 00:27:24,760
Speaker 4: Dropping off, dropping them off when I see shit like that, Bro,

630
00:27:24,840 --> 00:27:26,080
Speaker 4: you butt naked up there?

631
00:27:26,160 --> 00:27:29,120
Speaker 3: Dog, you just butt naked in the in the wind,

632
00:27:29,359 --> 00:27:30,400
Speaker 3: like don't give a fuck.

633
00:27:30,320 --> 00:27:32,400
Speaker 2: Like thirty ft in the air, bro.

634
00:27:32,680 --> 00:27:33,200
Speaker 3: You know what I'm saying.

635
00:27:33,240 --> 00:27:35,679
Speaker 4: I don't even I was on a I'm like on

636
00:27:35,720 --> 00:27:38,159
Speaker 4: the roof of buildings and ship, like we were shooting

637
00:27:38,160 --> 00:27:40,120
Speaker 4: something up there, and I was like, I can't even

638
00:27:40,119 --> 00:27:42,919
Speaker 4: look over the edge because like I just can't imagine

639
00:27:42,960 --> 00:27:44,480
Speaker 4: being out there, you know what I mean. Just fucks

640
00:27:44,560 --> 00:27:47,160
Speaker 4: me up anyway, Regardless, I think he's crazy for that ship.

641
00:27:47,160 --> 00:27:49,240
Speaker 3: But like, dog, it was wild to me.

642
00:27:50,040 --> 00:27:54,560
Speaker 4: This nigga is named Debo because it's sixth grade. He

643
00:27:54,720 --> 00:27:58,120
Speaker 4: beat an eighth graders ass for following them hard.

644
00:27:57,920 --> 00:28:03,360
Speaker 3: And talking ships. Right there, Bro, Niggas eighth nigga sixth

645
00:28:03,400 --> 00:28:06,119
Speaker 3: to eighth grade is a different nigga. Bro, that's a

646
00:28:06,160 --> 00:28:07,160
Speaker 3: totally different human being.

647
00:28:07,320 --> 00:28:11,360
Speaker 2: Hey, hey, hey, Vinny just made the middle school basketball team.

648
00:28:11,440 --> 00:28:15,560
Speaker 2: Is the only sixth grader, but but it's not one,

649
00:28:15,800 --> 00:28:18,000
Speaker 2: not the smallest eighth grader on that team. If he

650
00:28:18,160 --> 00:28:20,800
Speaker 2: came home and told me, this kid said he's gonna

651
00:28:20,800 --> 00:28:24,960
Speaker 2: what my ass tomorrow, Hey, bro, you're gonna have to

652
00:28:24,960 --> 00:28:28,360
Speaker 2: make some decisions about how you handle getting your ass what, Bro,

653
00:28:28,840 --> 00:28:30,960
Speaker 2: And isn't a sprint and elbow? I could teach you

654
00:28:31,000 --> 00:28:32,000
Speaker 2: to beat up an eighth grader.

655
00:28:32,040 --> 00:28:36,919
Speaker 3: Bro. As a sixth grader, niggas, what a four was

656
00:28:36,960 --> 00:28:41,320
Speaker 3: like a four or five? Was? What? Probably like five?

657
00:28:41,640 --> 00:28:41,920
Speaker 6: Four?

658
00:28:42,440 --> 00:28:43,040
Speaker 3: You know what I mean?

659
00:28:43,160 --> 00:28:46,280
Speaker 2: It's it's six in eighth grade.

660
00:28:46,920 --> 00:28:49,720
Speaker 4: In eighth grade, niggas was six two playing the four,

661
00:28:49,840 --> 00:28:50,560
Speaker 4: not even the five.

662
00:28:50,600 --> 00:28:50,920
Speaker 3: Nigga.

663
00:28:51,800 --> 00:28:53,959
Speaker 4: I'm like, God, damn, that's a and he's beating up

664
00:28:54,000 --> 00:28:55,200
Speaker 4: He beating up eighth graders.

665
00:28:55,720 --> 00:28:58,440
Speaker 3: Nigga in content nigga knocking that where you.

666
00:28:58,480 --> 00:29:01,680
Speaker 2: Was at and was competent to Copton.

667
00:29:01,400 --> 00:29:03,360
Speaker 4: Was couting when we was watching Copton on TV, Like,

668
00:29:03,440 --> 00:29:05,160
Speaker 4: Nigga that you know what I'm saying, You feel me

669
00:29:05,600 --> 00:29:09,160
Speaker 4: and you call it and you calling him busy when

670
00:29:09,240 --> 00:29:11,040
Speaker 4: niggas on you, when niggas.

671
00:29:10,640 --> 00:29:13,600
Speaker 3: Like what's Vince State Will said Yo de bo?

672
00:29:14,160 --> 00:29:17,760
Speaker 4: Nigga, Hey, if it went left that he you wouldn't

673
00:29:17,760 --> 00:29:19,240
Speaker 4: want to be on the other side of that, my nigga.

674
00:29:19,400 --> 00:29:21,080
Speaker 3: You know what I'm saying, niggas that you feel me.

675
00:29:21,160 --> 00:29:25,959
Speaker 2: And Martin Ross legitimate threat to people is telling them

676
00:29:26,000 --> 00:29:26,600
Speaker 2: to be safe.

677
00:29:28,120 --> 00:29:31,400
Speaker 4: They be safe, yeah, not stay dangerous because Nigga, it

678
00:29:31,400 --> 00:29:32,160
Speaker 4: ain't gonna happen.

679
00:29:32,320 --> 00:29:35,200
Speaker 2: That's nig person you know tells you to be safe

680
00:29:35,200 --> 00:29:36,680
Speaker 2: if you say some ship to him, Bro.

681
00:29:36,800 --> 00:29:40,480
Speaker 4: Moves Nigga, I don't want to beat your ass, but

682
00:29:40,560 --> 00:29:41,200
Speaker 4: it could happen.

683
00:29:42,360 --> 00:29:44,280
Speaker 2: He came back to comp to High school and they

684
00:29:44,320 --> 00:29:47,160
Speaker 2: rededicated the floor for him. He came back to comp

685
00:29:47,160 --> 00:29:49,200
Speaker 2: to High school with no security dog and no one's

686
00:29:49,200 --> 00:29:49,680
Speaker 2: fucking with.

687
00:29:52,560 --> 00:29:54,440
Speaker 3: To the drew. To the drew. You know what I'm

688
00:29:54,440 --> 00:29:57,200
Speaker 3: saying by him, motherfucker's chilling. No security none of that ship.

689
00:29:57,440 --> 00:30:00,240
Speaker 4: When when when when other NBA players come, they be

690
00:30:00,680 --> 00:30:01,920
Speaker 4: having a motherfucker.

691
00:30:02,000 --> 00:30:05,200
Speaker 3: You know what I'm saying. The bulletproof sh it's this.

692
00:30:05,240 --> 00:30:07,640
Speaker 2: It's the CSA convention. Bro. It's a lot of those

693
00:30:07,760 --> 00:30:10,440
Speaker 2: yellow shirts and blue This nigga.

694
00:30:10,200 --> 00:30:15,240
Speaker 4: Walking in with flocks sweats tucked into it into what sucks? Nigga,

695
00:30:15,720 --> 00:30:18,120
Speaker 4: white white white man called you know, Booger's out his

696
00:30:18,160 --> 00:30:21,240
Speaker 4: eyes nigga, Like, you know what I'm saying, He at home, nigga.

697
00:30:21,280 --> 00:30:23,600
Speaker 3: The fuck you mean? I'm telling you that ain't the

698
00:30:23,640 --> 00:30:26,880
Speaker 3: one you want to call him pussy dog? He is

699
00:30:26,960 --> 00:30:29,600
Speaker 3: his security. That's crazy.

700
00:30:29,640 --> 00:30:32,400
Speaker 1: It's it's it's while that Drake of all people, called

701
00:30:32,440 --> 00:30:34,400
Speaker 1: Tomorrow pussy because you know the whole subtext of when

702
00:30:34,400 --> 00:30:36,000
Speaker 1: you call someone a pussy. Yes, I'm tougher than you.

703
00:30:36,040 --> 00:30:38,200
Speaker 1: I would beat your ass. No, you want to listen

704
00:30:38,320 --> 00:30:41,600
Speaker 1: this motherfucker. Drake tried to make getting Robs sound cool. Yeah,

705
00:30:41,680 --> 00:30:45,920
Speaker 1: nigga slimy for my AP, Nigga. That ship is not cool, dog,

706
00:30:46,760 --> 00:30:51,040
Speaker 1: That is not cool. Yeah, nigga slimy form my AP.

707
00:30:52,280 --> 00:30:52,640
Speaker 3: Nigga.

708
00:30:53,800 --> 00:30:55,880
Speaker 1: Get the fuck out here. You need to worry about

709
00:30:55,880 --> 00:30:57,680
Speaker 1: that Assholehen Kendrick put on you. That's what you need

710
00:30:57,720 --> 00:30:58,280
Speaker 1: to address.

711
00:30:58,400 --> 00:31:00,760
Speaker 3: Facts. Facts, Hill up, nigga. You know what I'm saying.

712
00:31:01,040 --> 00:31:03,480
Speaker 4: But like, I feel like you could call him a

713
00:31:03,520 --> 00:31:05,840
Speaker 4: pussy if you're gonna fight at least nigga.

714
00:31:05,920 --> 00:31:09,880
Speaker 3: Yeah, you wouldn't even fight that, nigga. If the ship.

715
00:31:09,800 --> 00:31:13,880
Speaker 2: Crack, he'd have turned around. If the bar had turned around, that.

716
00:31:13,840 --> 00:31:18,000
Speaker 4: Nigga would have went into the motherfucking stop dropping roll, Nigga.

717
00:31:18,000 --> 00:31:19,760
Speaker 3: It would have been a It would have been chaos,

718
00:31:20,000 --> 00:31:21,920
Speaker 3: you know what I mean. Nigga would have hit up

719
00:31:21,960 --> 00:31:22,800
Speaker 3: under the chair. Nigga.

720
00:31:22,960 --> 00:31:24,680
Speaker 2: You wouldn't have been holding on to the furniture.

721
00:31:25,920 --> 00:31:27,840
Speaker 3: If you're at least willing to take an ass whooping,

722
00:31:27,920 --> 00:31:29,440
Speaker 3: you ain't got the whip. You ain't even willing to

723
00:31:29,480 --> 00:31:31,160
Speaker 3: do that, you know what I'm saying. So let's stop it.

724
00:31:31,200 --> 00:31:34,720
Speaker 4: Bro. It's just it's just so weird that you you

725
00:31:34,720 --> 00:31:36,800
Speaker 4: know what I'm saying, How comfortable he feels moving.

726
00:31:37,000 --> 00:31:39,360
Speaker 3: It's such a drake way of of existing, you know

727
00:31:39,360 --> 00:31:39,720
Speaker 3: what I'm saying.

728
00:31:39,720 --> 00:31:42,760
Speaker 2: And he's gotta be careful because you know, if he

729
00:31:42,800 --> 00:31:45,280
Speaker 2: gets if Damar punches him in the stomach, bro, Like,

730
00:31:45,320 --> 00:31:47,120
Speaker 2: I don't know what all that silicone and ship in

731
00:31:47,160 --> 00:31:50,600
Speaker 2: there is the bloodstream, bro, Like.

732
00:31:59,840 --> 00:32:07,600
Speaker 6: Put just as gonna spread out, You're gonna turn that

733
00:32:07,680 --> 00:32:08,320
Speaker 6: nigga around.

734
00:32:09,920 --> 00:32:11,840
Speaker 2: Hey, he can give you one gun punch and turn

735
00:32:11,880 --> 00:32:13,520
Speaker 2: you into a fucking lava lamp, bro.

736
00:32:13,840 --> 00:32:25,560
Speaker 7: Like the man just flown to his body blowing and

737
00:32:25,600 --> 00:32:28,640
Speaker 7: ship ain't no way love lesson was crazy too, man,

738
00:32:28,720 --> 00:32:30,480
Speaker 7: I used to I know they were fire hatsard, but

739
00:32:31,920 --> 00:32:33,800
Speaker 7: the fire hasard they were.

740
00:32:34,160 --> 00:32:36,320
Speaker 4: I had one in college to fire hasd. Motherfucker's got

741
00:32:36,360 --> 00:32:37,280
Speaker 4: hot as ship.

742
00:32:37,880 --> 00:32:40,080
Speaker 2: I had all this ship in middle school a high school.

743
00:32:40,080 --> 00:32:42,320
Speaker 2: That would have suggested to you that I smoked a

744
00:32:42,320 --> 00:32:44,520
Speaker 2: lot of weed, and I just didn't smoke weed. But

745
00:32:44,560 --> 00:32:46,640
Speaker 2: I would put on like Jimmy Hendricks and just watch

746
00:32:46,680 --> 00:32:49,640
Speaker 2: the visualizer on the like on the iTunes music. I

747
00:32:49,680 --> 00:32:51,800
Speaker 2: would just sit there for like an hour, just like

748
00:32:51,920 --> 00:32:54,400
Speaker 2: listening to the guitar and like lava lamp too. I

749
00:32:54,400 --> 00:32:57,120
Speaker 2: would just like I would, let's just get hypnotized by

750
00:32:57,120 --> 00:33:02,320
Speaker 2: that ship. It's just like just spaced out, stone cold

751
00:33:02,400 --> 00:33:05,040
Speaker 2: sob like nothing but skittles in my fucking stuff.

752
00:33:07,200 --> 00:33:08,760
Speaker 3: I'm a, i'm a I'm gonna get it. Go to

753
00:33:08,800 --> 00:33:09,240
Speaker 3: the crib.

754
00:33:09,520 --> 00:33:11,240
Speaker 4: My favorite thing to do for you know, I told

755
00:33:11,320 --> 00:33:14,040
Speaker 4: y'all middle school is go home after school, stay at

756
00:33:14,040 --> 00:33:16,480
Speaker 4: the ceiling for an hour, process what the fuck happened?

757
00:33:16,640 --> 00:33:18,080
Speaker 4: You know what I'm saying middle school and then go

758
00:33:18,120 --> 00:33:20,440
Speaker 4: out so that lava lamp nigga when I'm you know,

759
00:33:20,520 --> 00:33:22,480
Speaker 4: staying at the motherfucking ceiling and that ship.

760
00:33:22,360 --> 00:33:24,480
Speaker 3: Going, you know, it's set the tone, you know.

761
00:33:25,880 --> 00:33:29,040
Speaker 4: All right, you except the vibe for really exploring a

762
00:33:29,080 --> 00:33:31,040
Speaker 4: middle schooler's mind, nigga, because that it.

763
00:33:31,000 --> 00:33:40,480
Speaker 2: Looks bash alge right right, Mesopotamia like you're just.

764
00:33:40,480 --> 00:33:43,560
Speaker 3: Like right, thought a Mesopotamo. Aw some brick, nigga.

765
00:33:43,600 --> 00:33:44,400
Speaker 4: What the fuck.

766
00:33:46,000 --> 00:33:53,440
Speaker 3: That's sexy? Mesopotamia. It's a wild place.

767
00:33:54,040 --> 00:33:59,240
Speaker 2: Jackson alluded to it. But uh, king Zoner vivek Ronadive

768
00:33:59,520 --> 00:34:03,320
Speaker 2: has at himself president of the Drake Hater Club. And

769
00:34:03,400 --> 00:34:05,320
Speaker 2: my question to y'all, he came out in a game

770
00:34:05,720 --> 00:34:08,560
Speaker 2: wearing a day not like a shirt. Is this the

771
00:34:08,719 --> 00:34:13,359
Speaker 2: end of Drake hating? Is this the all right, that's

772
00:34:13,400 --> 00:34:18,160
Speaker 2: one too far? You're a you're a billionaire man named

773
00:34:18,239 --> 00:34:21,640
Speaker 2: vivek Ronadive. A you're maga fun of Drake? Have we

774
00:34:21,719 --> 00:34:24,320
Speaker 2: crossed the line? Is this the beginning of the snap

775
00:34:24,400 --> 00:34:25,320
Speaker 2: back for Drake.

776
00:34:25,800 --> 00:34:28,480
Speaker 3: No, I think that was him more siding with DeMar

777
00:34:28,600 --> 00:34:30,160
Speaker 3: than like shooting at Drake. You know what I'm saying.

778
00:34:30,280 --> 00:34:32,640
Speaker 1: I think that was a cool move for an owner

779
00:34:32,680 --> 00:34:35,920
Speaker 1: to do for his you know, for one of his players.

780
00:34:35,960 --> 00:34:38,279
Speaker 1: I also think it's hilarious when dorks tell Drake that,

781
00:34:38,360 --> 00:34:40,680
Speaker 1: you know, you're not I'm not like you, I'm cooler

782
00:34:40,719 --> 00:34:43,200
Speaker 1: than you. And I think I think that's fucking hilarious too.

783
00:34:43,320 --> 00:34:44,960
Speaker 1: And Bro, the Drake hate is not ended. Did you

784
00:34:45,000 --> 00:34:46,960
Speaker 1: just see all the motherfucking Grammy nominations that came out.

785
00:34:46,960 --> 00:34:48,560
Speaker 1: Did dak Kendrick suf for Record of the Year, Song

786
00:34:48,560 --> 00:34:50,319
Speaker 1: of the Year? Rap Performance of the Year, like not

787
00:34:50,440 --> 00:34:52,400
Speaker 1: what not? Like us Dog in the Super Bowl? No,

788
00:34:52,680 --> 00:34:55,000
Speaker 1: We're gonna get a whole fucking second win in February

789
00:34:55,080 --> 00:34:57,759
Speaker 1: of this shit dog Drake will begin his ass beat

790
00:34:57,800 --> 00:35:00,759
Speaker 1: by that song for fucking ten fucking month, man.

791
00:35:00,960 --> 00:35:05,960
Speaker 4: That was an award winning ass whopping. This nigga just

792
00:35:06,000 --> 00:35:07,480
Speaker 4: got Fighter of the Year basically.

793
00:35:07,600 --> 00:35:15,879
Speaker 7: Nigga Ring Magazine has put him on the cover.

794
00:35:16,000 --> 00:35:20,000
Speaker 3: Nigga, you feel me? That ship is crazy, you know

795
00:35:20,000 --> 00:35:20,439
Speaker 3: what I mean.

796
00:35:20,719 --> 00:35:24,680
Speaker 4: He's collecting hardware from a snatching your career from up

797
00:35:24,719 --> 00:35:25,920
Speaker 4: on you and we'll see what happens.

798
00:35:25,920 --> 00:35:26,439
Speaker 3: You know what I'm saying.

799
00:35:26,440 --> 00:35:28,399
Speaker 4: But like it looked, it looked wild. Gee, it looked

800
00:35:28,440 --> 00:35:29,479
Speaker 4: wild for him out here.

801
00:35:30,080 --> 00:35:32,560
Speaker 2: I gotta I want to share to you guys a

802
00:35:32,640 --> 00:35:37,680
Speaker 2: parenting milestone. I got Vinnie's first music hot take. First. Well,

803
00:35:37,760 --> 00:35:40,520
Speaker 2: I've been really thinking about this ship, which is and

804
00:35:40,640 --> 00:35:42,360
Speaker 2: first of all, we talked about how They Not Like

805
00:35:42,440 --> 00:35:44,680
Speaker 2: Us was going to be this generation's effort. That ship is.

806
00:35:45,360 --> 00:35:47,640
Speaker 2: I have not yet covered a sporting event, and I'm

807
00:35:47,680 --> 00:35:52,040
Speaker 2: talking football, volleyball, water polo. I have not yet covered

808
00:35:52,120 --> 00:35:54,160
Speaker 2: any sporting event where they did not.

809
00:35:54,080 --> 00:35:58,440
Speaker 4: Play They not like Us at the water polo shit.

810
00:35:58,560 --> 00:36:02,600
Speaker 3: Now, basically that's uh.

811
00:36:03,000 --> 00:36:06,880
Speaker 2: Vinny told me yesterday he thinks you four and listen.

812
00:36:07,000 --> 00:36:09,720
Speaker 2: He's listened to They Not Like Us ten million times.

813
00:36:09,719 --> 00:36:12,200
Speaker 2: He told me he thinks Euphoria is a better dis

814
00:36:12,320 --> 00:36:12,960
Speaker 2: track that.

815
00:36:13,040 --> 00:36:15,800
Speaker 3: They Not Like Us. He must be on YouTube, the

816
00:36:15,840 --> 00:36:16,840
Speaker 3: wrong side of YouTube.

817
00:36:17,520 --> 00:36:19,800
Speaker 2: He's not. He's just It's just he has a playlist

818
00:36:19,800 --> 00:36:21,840
Speaker 2: with like ten songs and those are two of the songs.

819
00:36:21,840 --> 00:36:23,759
Speaker 2: And I think I think I told him myself, you

820
00:36:23,800 --> 00:36:25,600
Speaker 2: just listened to they Not Like Us too? Much as well,

821
00:36:26,440 --> 00:36:28,160
Speaker 2: you took some of the potency out of the out

822
00:36:28,200 --> 00:36:28,680
Speaker 2: of the venom.

823
00:36:30,880 --> 00:36:33,160
Speaker 1: You know what, I think I can I can side

824
00:36:33,160 --> 00:36:35,080
Speaker 1: with Vinny on that. I would probably be on the

825
00:36:35,120 --> 00:36:38,040
Speaker 1: side that Euphoria is a better distrack if we're talking

826
00:36:38,080 --> 00:36:38,919
Speaker 1: about straight up.

827
00:36:39,120 --> 00:36:39,719
Speaker 3: That's what he said.

828
00:36:39,719 --> 00:36:40,960
Speaker 2: He I'm gonna talking about songs.

829
00:36:41,000 --> 00:36:44,000
Speaker 3: I'm talking about at culture. You know what I'm saying.

830
00:36:44,560 --> 00:36:48,200
Speaker 1: If you just straight up like Kendrick bodied that man

831
00:36:48,239 --> 00:36:50,560
Speaker 1: for like six fucking minutes on that ship, right the

832
00:36:51,000 --> 00:36:53,120
Speaker 1: Sexy Red Bar is like the funniest ship of the

833
00:36:53,120 --> 00:36:56,560
Speaker 1: whole fucking battle, you know, and he Kendrick was just

834
00:36:56,600 --> 00:36:59,279
Speaker 1: flat out rapping, rapping, rapping on that ship. But yeah,

835
00:36:59,400 --> 00:37:01,080
Speaker 1: I mean not like you can say it's the most

836
00:37:01,239 --> 00:37:03,520
Speaker 1: iconic distrack ever, the biggest dish track ever. But I'll

837
00:37:03,560 --> 00:37:05,080
Speaker 1: hear you out if you say Euphouria is a just

838
00:37:05,239 --> 00:37:06,000
Speaker 1: better distract.

839
00:37:06,040 --> 00:37:09,120
Speaker 4: But sure you mean like song wise or like I mean,

840
00:37:09,200 --> 00:37:12,320
Speaker 4: just just in the parameters of a distract of really

841
00:37:12,360 --> 00:37:15,600
Speaker 4: going at a motherfucker, really rapping and really just you know,

842
00:37:16,080 --> 00:37:18,320
Speaker 4: honing in on this dude and trying to pick him apart.

843
00:37:18,680 --> 00:37:20,600
Speaker 3: You know what I mean. I think that you can

844
00:37:20,600 --> 00:37:23,040
Speaker 3: say Euphouria probably just not like us, and that.

845
00:37:23,040 --> 00:37:25,480
Speaker 4: I don't I don't think you can go wrong with

846
00:37:26,280 --> 00:37:28,120
Speaker 4: any of the things he dropped to be honest, you

847
00:37:28,120 --> 00:37:29,640
Speaker 4: know what, I'm so so Vinnie's right, you know what

848
00:37:29,719 --> 00:37:31,960
Speaker 4: I mean, Like if that's how he feels us, he's right.

849
00:37:32,000 --> 00:37:35,359
Speaker 4: But at the same time, like DoD, I've just never

850
00:37:35,440 --> 00:37:40,040
Speaker 4: seen anything like I've seen a euphoria. We've seen what happens,

851
00:37:40,120 --> 00:37:42,120
Speaker 4: you know, We've seen people do that. I've never seen

852
00:37:42,120 --> 00:37:46,440
Speaker 4: a d I've never seen. I guess ether became big,

853
00:37:46,440 --> 00:37:48,200
Speaker 4: but it didn't become big like this, so we never

854
00:37:48,440 --> 00:37:49,239
Speaker 4: not even it's one of.

855
00:37:49,200 --> 00:37:52,600
Speaker 2: The biggest culture.

856
00:37:52,239 --> 00:37:55,840
Speaker 4: Breaking records, you know what I'm saying, Like a distrack

857
00:37:55,960 --> 00:37:58,239
Speaker 4: is crazy, right, Like like when you mentioned that like us,

858
00:37:58,320 --> 00:38:00,919
Speaker 4: you don't, I mean you you you can of course

859
00:38:00,920 --> 00:38:02,560
Speaker 4: put it with the with the you know, hit Him

860
00:38:02,640 --> 00:38:03,960
Speaker 4: Ups or the.

861
00:38:03,760 --> 00:38:06,080
Speaker 1: Ethers or whatever, but you're talking about how big the

862
00:38:06,120 --> 00:38:07,520
Speaker 1: song is you gotta put up there with like in

863
00:38:07,600 --> 00:38:10,600
Speaker 1: the Club by fifty or Usher. Yeah, Like it's a

864
00:38:10,600 --> 00:38:12,120
Speaker 1: good monster single like.

865
00:38:12,080 --> 00:38:14,759
Speaker 4: That, but it was a monster single that got him

866
00:38:14,800 --> 00:38:16,279
Speaker 4: at the super Bowl. Like without they not like us

867
00:38:16,280 --> 00:38:17,839
Speaker 4: to see playing the super Bowl, but.

868
00:38:17,840 --> 00:38:19,800
Speaker 5: That's what I was gonna add people debating us on

869
00:38:19,840 --> 00:38:22,319
Speaker 5: a different podcast. I forget which one. Is he gonna

870
00:38:22,320 --> 00:38:26,120
Speaker 5: play it at the super Oh? Absolutely yes, Pedophile and

871
00:38:26,120 --> 00:38:27,440
Speaker 5: Super Bowl National Television?

872
00:38:27,520 --> 00:38:30,040
Speaker 1: Yes, And I'm sure he's probably gonna bring out Rambling.

873
00:38:30,160 --> 00:38:32,320
Speaker 1: I'm probably sure he's gonna bring out Grambling or Southern's

874
00:38:32,360 --> 00:38:33,799
Speaker 1: Band or both of them for that ship too.

875
00:38:34,200 --> 00:38:34,920
Speaker 3: I guarantee you.

876
00:38:34,960 --> 00:38:37,719
Speaker 2: What if he if he does an HBCU All Star band, bro,

877
00:38:38,719 --> 00:38:40,520
Speaker 2: he like unites the Infinity Stones.

878
00:38:41,200 --> 00:38:43,120
Speaker 3: Hey, nigga, I might record that motherfucker.

879
00:38:43,160 --> 00:38:44,520
Speaker 4: I know we can watch it on YouTube, but I

880
00:38:44,600 --> 00:38:46,360
Speaker 4: might need to have that for my personal stash. You

881
00:38:46,360 --> 00:38:48,000
Speaker 4: know what I'm saying, Like, I need to just in

882
00:38:48,040 --> 00:38:49,799
Speaker 4: case the world in I still want to be able

883
00:38:49,800 --> 00:38:50,319
Speaker 4: to see that ship.

884
00:38:50,719 --> 00:38:52,160
Speaker 3: You mean that's crazy?

885
00:39:00,280 --> 00:39:04,120
Speaker 2: All right? We got the president of the Hater Club

886
00:39:04,200 --> 00:39:09,200
Speaker 2: for doing regular interviews rest his soul, Quincy Jones. I

887
00:39:09,280 --> 00:39:14,040
Speaker 2: was unaware. I was aware of Quincy Jones's how incredible

888
00:39:14,080 --> 00:39:17,080
Speaker 2: he was as an arranger and a composer and a musician.

889
00:39:17,440 --> 00:39:20,000
Speaker 2: I was unaware that he was, for the second half

890
00:39:20,040 --> 00:39:23,920
Speaker 2: of his life, the greatest interview in America. But some

891
00:39:24,000 --> 00:39:28,920
Speaker 2: of the quotes that came out from Quincy Jones of

892
00:39:29,800 --> 00:39:33,600
Speaker 2: just you know, discussing some random thing and then oh,

893
00:39:33,640 --> 00:39:39,920
Speaker 2: by the way, you know Marlon Brando, Marlon Brando fucked

894
00:39:40,560 --> 00:39:44,480
Speaker 2: these three famous men. You know, hey, have you heard

895
00:39:44,520 --> 00:39:45,480
Speaker 2: the drum sample on.

896
00:39:45,480 --> 00:39:49,279
Speaker 3: This Brazilian music? He was a lot of shit.

897
00:39:49,400 --> 00:39:51,400
Speaker 1: Then just pivot like like he didn't just drop a

898
00:39:51,440 --> 00:39:55,240
Speaker 1: fucking bombshell. Quincy Jones, man, that dude lived a life

899
00:39:55,360 --> 00:39:58,040
Speaker 1: like I mean, I think that you know, when people

900
00:39:58,040 --> 00:40:00,359
Speaker 1: think Quincy like the first place there their mind, those suits,

901
00:40:00,400 --> 00:40:02,480
Speaker 1: the work he did with Michael which is understandable, biggest

902
00:40:02,480 --> 00:40:04,440
Speaker 1: fucking artist ever. Thrill is the biggest album ever in

903
00:40:04,520 --> 00:40:07,320
Speaker 1: Quincy executive produced that, which is fucking incredible.

904
00:40:07,560 --> 00:40:08,920
Speaker 3: But the life that he lived.

905
00:40:08,680 --> 00:40:12,640
Speaker 1: From starting out at fourteen years old being in a

906
00:40:12,760 --> 00:40:16,560
Speaker 1: group with Ray Charles, crazy right, like, like that's where

907
00:40:16,560 --> 00:40:18,200
Speaker 1: your story in the music industry, right, So you're a

908
00:40:18,200 --> 00:40:20,480
Speaker 1: fourteen year old in a jazz group with Ray Charles.

909
00:40:20,760 --> 00:40:23,279
Speaker 1: You talk about how you know you would tour the

910
00:40:23,320 --> 00:40:26,560
Speaker 1: country with that group, and you would and y'all will

911
00:40:26,600 --> 00:40:29,759
Speaker 1: go to Detroit and buy fucking drugs from Malcolm X

912
00:40:29,840 --> 00:40:31,160
Speaker 1: when he was Detroit.

913
00:40:30,800 --> 00:40:35,080
Speaker 3: Red right right, right right.

914
00:40:35,400 --> 00:40:37,880
Speaker 1: And and bro like like just so many He's just

915
00:40:38,160 --> 00:40:41,280
Speaker 1: so connected to so many legends in the music industry.

916
00:40:41,280 --> 00:40:44,040
Speaker 1: It's just just a really incredible fucking life that he's lived. Man,

917
00:40:44,360 --> 00:40:45,600
Speaker 1: I mean, I mean, this is a dude. This is

918
00:40:45,600 --> 00:40:48,480
Speaker 1: a dude who gave us Thriller, who gave us the

919
00:40:48,520 --> 00:40:51,400
Speaker 1: Fresh Prince of bel Air, who gave us Vibe magazine.

920
00:40:51,880 --> 00:40:54,080
Speaker 3: Like, bro, like one person did all of this shit.

921
00:40:54,280 --> 00:40:57,319
Speaker 3: It's insane. And the spaces he moved in and just

922
00:40:57,480 --> 00:40:58,279
Speaker 3: was himself.

923
00:40:58,480 --> 00:41:01,759
Speaker 4: I'm always so impressed by that, especially black people, you

924
00:41:01,800 --> 00:41:04,280
Speaker 4: know what I mean, Like moving around in these spaces

925
00:41:04,280 --> 00:41:07,600
Speaker 4: and remaining you all the time. Like watching his documentary,

926
00:41:07,640 --> 00:41:09,959
Speaker 4: I didn't know like this. I watched it like a while,

927
00:41:09,960 --> 00:41:12,560
Speaker 4: go in and dropped. I knew he was like hold

928
00:41:12,560 --> 00:41:14,359
Speaker 4: on the music side. I knew about the Fresh Pnchi.

929
00:41:14,400 --> 00:41:17,960
Speaker 4: I didn't know he was doing everything everywhere and good

930
00:41:18,120 --> 00:41:19,000
Speaker 4: at all of it.

931
00:41:19,080 --> 00:41:21,439
Speaker 3: Not just good but great. You know what I'm saying,

932
00:41:21,520 --> 00:41:23,399
Speaker 3: Like true one of one.

933
00:41:23,480 --> 00:41:27,160
Speaker 4: There's never been a Quincy ever in this world, and

934
00:41:27,160 --> 00:41:28,839
Speaker 4: he's you know, there won't there won't ever be one.

935
00:41:28,880 --> 00:41:31,520
Speaker 4: Like he's just another one. He's just man, He's just

936
00:41:31,520 --> 00:41:32,280
Speaker 4: just so special.

937
00:41:32,280 --> 00:41:36,280
Speaker 3: But yeah, gee, like maybe he would drop those stories.

938
00:41:36,280 --> 00:41:37,560
Speaker 4: And I was thinking about this, Maybe he dropped those

939
00:41:37,560 --> 00:41:41,759
Speaker 4: stories because he doesn't understand how abnormal his life truly is,

940
00:41:42,239 --> 00:41:44,240
Speaker 4: you know what I mean. So he's dropping his emacs

941
00:41:44,280 --> 00:41:47,280
Speaker 4: because it's this is this is about there's other stories

942
00:41:47,320 --> 00:41:49,560
Speaker 4: that he didn't say that he kept the filter on it.

943
00:41:49,680 --> 00:41:50,239
Speaker 3: You know what I'm saying.

944
00:41:50,239 --> 00:41:53,000
Speaker 4: It didn't say because you know, to him, what's wild

945
00:41:53,000 --> 00:41:54,239
Speaker 4: to us, it's and wild to him, you know what

946
00:41:54,280 --> 00:41:57,080
Speaker 4: I mean. So because his life was so abnormal, you

947
00:41:57,080 --> 00:41:57,560
Speaker 4: know what I mean?

948
00:41:57,640 --> 00:42:00,800
Speaker 2: But man, well, I think, like to are you younger listeners,

949
00:42:00,840 --> 00:42:02,799
Speaker 2: you're talking about Thriller, which is, you know, at this

950
00:42:02,880 --> 00:42:08,480
Speaker 2: point was forty forty years ago, I mean, the greatest

951
00:42:08,480 --> 00:42:13,719
Speaker 2: selling an album of all something. I think it's never

952
00:42:13,760 --> 00:42:15,839
Speaker 2: been out of the top one hundred selling albums for

953
00:42:15,840 --> 00:42:21,920
Speaker 2: forty years or something. But Quincy Jones, like you talk

954
00:42:21,960 --> 00:42:25,040
Speaker 2: about how singular a guy he was. He also arranged

955
00:42:25,120 --> 00:42:28,719
Speaker 2: the version of fly Me to the Moon that Frank

956
00:42:28,760 --> 00:42:33,360
Speaker 2: Sinatra that Frank Sinatra made famous. Like Frank said, like

957
00:42:33,440 --> 00:42:36,760
Speaker 2: you are the guy for Frank Sinatra and Michael Jackson.

958
00:42:38,400 --> 00:42:41,200
Speaker 2: You can't really you can't really put into words how

959
00:42:41,440 --> 00:42:45,520
Speaker 2: long that legacy reaches and then I appreciate it. So,

960
00:42:46,040 --> 00:42:47,799
Speaker 2: you know a couple of the other quotes where he

961
00:42:47,920 --> 00:42:51,040
Speaker 2: was talking about when he goes to Ireland, he's like,

962
00:42:51,120 --> 00:42:53,279
Speaker 2: you know, the racism in Ireland and Scotland is too much,

963
00:42:53,280 --> 00:42:55,040
Speaker 2: but he likes being there. But so he always stays

964
00:42:55,080 --> 00:42:57,360
Speaker 2: at Bono's castle. He's you know, Bono is like a

965
00:42:57,360 --> 00:42:59,279
Speaker 2: brother to me. Said, do you think you two is

966
00:42:59,280 --> 00:43:01,240
Speaker 2: still making good? Was good music?

967
00:43:02,360 --> 00:43:04,800
Speaker 3: No, he was.

968
00:43:07,040 --> 00:43:08,920
Speaker 4: He would say he would tell Bano that ship you

969
00:43:08,920 --> 00:43:10,200
Speaker 4: know what I'm saying, Like he would tell it to

970
00:43:10,280 --> 00:43:10,600
Speaker 4: his face.

971
00:43:10,640 --> 00:43:11,040
Speaker 3: You feel me?

972
00:43:11,480 --> 00:43:12,040
Speaker 7: What was it?

973
00:43:12,160 --> 00:43:14,160
Speaker 3: We said something about the Beatles to Chelsea that that ship.

974
00:43:14,400 --> 00:43:18,160
Speaker 1: Yeah, so ring drums and it was non playing motherfuckers,

975
00:43:19,000 --> 00:43:19,439
Speaker 1: he said.

976
00:43:19,719 --> 00:43:22,080
Speaker 4: He said, Ringochiga break came back and they had somebody

977
00:43:22,160 --> 00:43:24,320
Speaker 4: play the drums form and she was like, that doesn't

978
00:43:24,320 --> 00:43:29,880
Speaker 4: sound too bad, Yeah, because it's not you, motherfucker.

979
00:43:30,239 --> 00:43:30,399
Speaker 1: Bro.

980
00:43:30,600 --> 00:43:32,480
Speaker 3: That's so funny. Bro.

981
00:43:33,040 --> 00:43:35,439
Speaker 2: I think that was also the only thing he ever

982
00:43:35,600 --> 00:43:38,480
Speaker 2: walked back was saying that Ringo did not play drums

983
00:43:38,480 --> 00:43:40,720
Speaker 2: on the White album, because I mean that would really

984
00:43:40,760 --> 00:43:42,759
Speaker 2: be That's like he didn't walk back the crazy the

985
00:43:42,760 --> 00:43:45,160
Speaker 2: ship He said about the Kennedy assassination, but he walked

986
00:43:45,200 --> 00:43:46,400
Speaker 2: that one back, was like, all right.

987
00:43:49,560 --> 00:43:53,200
Speaker 5: The stats on Thriller are that it became thirty three

988
00:43:53,840 --> 00:43:58,120
Speaker 5: thirty four times platinum, oh, thirty four record, thirty seven

989
00:43:58,160 --> 00:44:00,880
Speaker 5: non consecutive weeks at number one, and it is the

990
00:44:00,880 --> 00:44:04,200
Speaker 5: best selling like single album of all time. It's technically

991
00:44:04,200 --> 00:44:06,880
Speaker 5: the second best American album selling of all time or

992
00:44:07,160 --> 00:44:09,440
Speaker 5: second the Bible album of all time behind an Eagle's

993
00:44:09,480 --> 00:44:13,719
Speaker 5: greatest hits. Oh, it's like yeah. As an individual album,

994
00:44:13,760 --> 00:44:15,360
Speaker 5: it's there's.

995
00:44:14,680 --> 00:44:16,600
Speaker 2: The United States of America for you right there.

996
00:44:18,800 --> 00:44:20,960
Speaker 4: It says Thriller is still the only album ever to

997
00:44:20,960 --> 00:44:24,200
Speaker 4: have surpassed the r i aas thirty million mark in USLS.

998
00:44:24,360 --> 00:44:24,960
Speaker 3: That's what I mean?

999
00:44:25,080 --> 00:44:27,120
Speaker 5: Is is the Eagles one is is A It's a

1000
00:44:27,160 --> 00:44:32,000
Speaker 5: compilation like it's probably under some like like sub sub

1001
00:44:32,040 --> 00:44:35,560
Speaker 5: sections like qualified and some A doesn't do y'all know.

1002
00:44:36,680 --> 00:44:40,000
Speaker 4: I toss over one hundred and five million copies thirty

1003
00:44:40,000 --> 00:44:44,799
Speaker 4: three times diamond thirty three m's just in USLS.

1004
00:44:45,360 --> 00:44:48,400
Speaker 3: Do y'all know what ten million diamond diamonds? Ten million,

1005
00:44:48,440 --> 00:44:53,320
Speaker 3: isn't it? Yeah? Ten millions? So thirty three times diamond.

1006
00:44:53,920 --> 00:44:57,080
Speaker 1: Anyway, do you know what Quincy Jones first hit as

1007
00:44:57,080 --> 00:45:01,440
Speaker 1: a producer was, No, that motherfucking.

1008
00:45:01,040 --> 00:45:04,080
Speaker 3: It's my party and I'm crying if I want to.

1009
00:45:04,200 --> 00:45:06,759
Speaker 1: That motherfucker produced a smash hit for a white woman

1010
00:45:06,800 --> 00:45:08,640
Speaker 1: in like nineteen fifty eight to like get in the Door.

1011
00:45:08,640 --> 00:45:08,759
Speaker 3: Bro.

1012
00:45:08,880 --> 00:45:11,640
Speaker 2: That's like my mom's first favorite song, you know what

1013
00:45:11,680 --> 00:45:14,520
Speaker 2: I mean? Like sixty that's crazy.

1014
00:45:14,160 --> 00:45:14,680
Speaker 3: And was crazy.

1015
00:45:14,760 --> 00:45:16,279
Speaker 4: I was thinking that for Sony when she was crying

1016
00:45:16,280 --> 00:45:19,680
Speaker 4: at her birthday party in twenty twenty four.

1017
00:45:20,040 --> 00:45:20,719
Speaker 3: Timeless.

1018
00:45:21,160 --> 00:45:24,600
Speaker 5: I didn't know he was Rashida Jones until very very recent.

1019
00:45:24,440 --> 00:45:26,800
Speaker 2: What that's like? The only thing I knew about Rasheida

1020
00:45:26,880 --> 00:45:31,719
Speaker 2: Jones was Escy Jones's daughter. Rashida Jones wrote today and

1021
00:45:31,760 --> 00:45:33,120
Speaker 2: this is the I guess this is the end of

1022
00:45:33,160 --> 00:45:34,800
Speaker 2: the hater portion of the podcast because I didn't have

1023
00:45:34,800 --> 00:45:37,719
Speaker 2: any other ones. But Rashida Jones wrote today, I thought,

1024
00:45:37,719 --> 00:45:41,799
Speaker 2: like the most beautiful tribute that you read that as

1025
00:45:41,840 --> 00:45:43,719
Speaker 2: a father, You're like, if my kids feel this way

1026
00:45:43,719 --> 00:45:46,280
Speaker 2: about me? When I passed like cool, but she wrote

1027
00:45:46,320 --> 00:45:50,440
Speaker 2: that he she said he kept quote jazz hours when

1028
00:45:50,440 --> 00:45:52,040
Speaker 2: he was in high school. He was just up all night,

1029
00:45:52,080 --> 00:45:55,080
Speaker 2: all the time. And she says she remembered that whenever

1030
00:45:55,120 --> 00:45:57,800
Speaker 2: she would wake up as a kid, he was always

1031
00:45:57,800 --> 00:46:00,200
Speaker 2: awake if she woke up at three o'clock in the morning,

1032
00:46:00,520 --> 00:46:02,600
Speaker 2: and she said that he never once sent her back

1033
00:46:02,640 --> 00:46:06,680
Speaker 2: to bed. It would just be like, come, say, I'm

1034
00:46:06,719 --> 00:46:09,680
Speaker 2: working on some ship, you know, come come come sit

1035
00:46:09,760 --> 00:46:11,880
Speaker 2: with me. You know. It was it was a It

1036
00:46:11,960 --> 00:46:14,759
Speaker 2: was a beautiful I was. I was soggy as hell

1037
00:46:14,880 --> 00:46:18,319
Speaker 2: reading her. I g post, but uh yeah, yeah, just

1038
00:46:18,400 --> 00:46:21,440
Speaker 2: and I'll tell you what. For those of you who

1039
00:46:21,480 --> 00:46:24,680
Speaker 2: a arrested development fans and remember the shades of Quincy Jokes.

1040
00:46:25,600 --> 00:46:28,480
Speaker 2: I knew an assistant of Quincy Joneses was a soccer

1041
00:46:28,560 --> 00:46:31,239
Speaker 2: mom at Long Beach Polly High School. She's a very

1042
00:46:31,239 --> 00:46:35,160
Speaker 2: interesting character, and I would say that he surrounded himself

1043
00:46:35,200 --> 00:46:40,440
Speaker 2: with interesting people in Quincy Jones. I cannot imagine how

1044
00:46:40,440 --> 00:46:42,360
Speaker 2: interesting you would have to be to be interesting to

1045
00:46:42,440 --> 00:46:47,760
Speaker 2: Quincy Jones. But true, a true one on one for sure.

1046
00:46:48,760 --> 00:46:52,200
Speaker 2: All Right, y'all have anything that y'all wanna any haters

1047
00:46:52,200 --> 00:46:53,680
Speaker 2: clubs y'all want to get off or I think that's

1048
00:46:53,680 --> 00:46:58,480
Speaker 2: a good spot to end it. I think that's good spot,

1049
00:46:58,480 --> 00:47:00,440
Speaker 2: all right, fellas well? We will be back on Uh.

1050
00:47:00,560 --> 00:47:02,440
Speaker 2: I assume we'll be back on Sunday night. Thank you

1051
00:47:02,480 --> 00:47:04,919
Speaker 2: so much if you're listening or anything in the chat, Jackson.

1052
00:47:06,320 --> 00:47:08,160
Speaker 5: The chat is just clowning me for not knowing that

1053
00:47:08,600 --> 00:47:09,640
Speaker 5: Jones isn't baby.

1054
00:47:11,320 --> 00:47:13,880
Speaker 2: It's hard to say she's a nepo baby saying that

1055
00:47:13,920 --> 00:47:17,200
Speaker 2: about her. Yeah, I mean, I just she's very attractive

1056
00:47:17,239 --> 00:47:22,040
Speaker 2: and talented, which she's usually a recipe for success.

1057
00:47:24,200 --> 00:47:29,040
Speaker 3: Jones, But I don't know that baby has that, you know, baby.

1058
00:47:29,080 --> 00:47:31,520
Speaker 2: To me, I would only put on someone like who

1059
00:47:31,600 --> 00:47:34,759
Speaker 2: is the chick who is in Madam Webb? Who's the

1060
00:47:34,840 --> 00:47:40,960
Speaker 2: chicken Jackson? Yeah, and she's and she's she's Don Johnson's baby.

1061
00:47:41,080 --> 00:47:44,160
Speaker 2: I didn't know this. I do not follow this Hollywood stuff.

1062
00:47:44,160 --> 00:47:46,839
Speaker 2: But so Don Johnson who is in Miami Vice and

1063
00:47:46,840 --> 00:47:48,600
Speaker 2: and uh and all that type of ship.

1064
00:47:49,040 --> 00:47:49,560
Speaker 3: Uh.

1065
00:47:49,640 --> 00:47:52,960
Speaker 2: She is a nepo baby because she's not talented. So

1066
00:47:53,000 --> 00:47:55,680
Speaker 2: to me, you're only a nepo baby. If I can't

1067
00:47:55,680 --> 00:47:59,400
Speaker 2: believe that you would have been successful without nepotism, you

1068
00:47:59,400 --> 00:48:01,480
Speaker 2: know what I mean, if it opened the door for you,

1069
00:48:01,520 --> 00:48:04,440
Speaker 2: what's the difference between you know, it's one of the

1070
00:48:04,440 --> 00:48:08,680
Speaker 2: best sports writers obvious history. He was the carpet guy.

1071
00:48:08,719 --> 00:48:11,239
Speaker 2: He was the carpet guy for a sports writer, so

1072
00:48:11,280 --> 00:48:13,920
Speaker 2: like that was a connection that got him in like that,

1073
00:48:14,120 --> 00:48:17,440
Speaker 2: But that's how literally all success in the field of

1074
00:48:17,560 --> 00:48:20,480
Speaker 2: entertainment or media or anywhere else happens. It's some connection.

1075
00:48:20,760 --> 00:48:24,200
Speaker 2: But if you if you're there solely, like you know,

1076
00:48:24,239 --> 00:48:26,320
Speaker 2: we can I don't know, I won't bring that analogy,

1077
00:48:26,480 --> 00:48:29,000
Speaker 2: but like, if you're there solely, like there's a one

1078
00:48:29,000 --> 00:48:31,359
Speaker 2: in basketball right now that you can make an argument about, right,

1079
00:48:31,400 --> 00:48:34,080
Speaker 2: But if you're there solely because of the connection, if

1080
00:48:34,080 --> 00:48:37,240
Speaker 2: you're there solely because of the connection, like Dakota Dakota Johnson.

1081
00:48:37,480 --> 00:48:40,040
Speaker 2: I went and saw Madam Webb bro She wasn't even

1082
00:48:40,120 --> 00:48:42,160
Speaker 2: like funny bad actress. She just was like I was like,

1083
00:48:42,200 --> 00:48:45,000
Speaker 2: is she knows she's at work right now? It's a

1084
00:48:45,040 --> 00:48:45,800
Speaker 2: sliding scale.

1085
00:48:45,880 --> 00:48:48,239
Speaker 3: It's a sliding scale. Yeah, I mean yeah, I mean yeah.

1086
00:48:48,320 --> 00:48:50,799
Speaker 4: I mean, like you can't ignore the fact that it

1087
00:48:50,840 --> 00:48:53,920
Speaker 4: was much easier being Quincy Jones daughter to you know,

1088
00:48:54,000 --> 00:48:56,439
Speaker 4: to get into spaces you need to. But she did

1089
00:48:56,520 --> 00:48:59,759
Speaker 4: have the foundational needs in order to be successful in that.

1090
00:49:00,280 --> 00:49:03,120
Speaker 4: So yeah, so she's a baby, but she's not there

1091
00:49:03,200 --> 00:49:05,360
Speaker 4: purely dude neotism, Like you said, so yeah.

1092
00:49:05,480 --> 00:49:07,440
Speaker 2: I think the other thing with nepo babies to me

1093
00:49:07,640 --> 00:49:12,480
Speaker 2: is like, especially in entertainment, it's like you're the cinematographer's daughter.

1094
00:49:13,360 --> 00:49:16,879
Speaker 2: You grew up with a cinematographer. Most even people who

1095
00:49:16,920 --> 00:49:19,560
Speaker 2: love movies growing up, don't know that a cinematographer is

1096
00:49:19,560 --> 00:49:20,200
Speaker 2: a job.

1097
00:49:20,000 --> 00:49:22,799
Speaker 3: You could have till the twenty two right, right.

1098
00:49:22,520 --> 00:49:25,360
Speaker 2: So that's always been It's like, if you like what

1099
00:49:25,480 --> 00:49:28,120
Speaker 2: we talk about is nepo babies, that's what all employment

1100
00:49:28,320 --> 00:49:31,719
Speaker 2: was for. That's what guilds and family, that's what That's

1101
00:49:31,760 --> 00:49:35,000
Speaker 2: how people got jobs for like thousands of years was

1102
00:49:35,040 --> 00:49:37,480
Speaker 2: well what does your dad do you?

1103
00:49:38,760 --> 00:49:41,719
Speaker 5: Is that it's specifically impactful for jobs that are very

1104
00:49:41,840 --> 00:49:45,040
Speaker 5: very hard to get, Like, yeah, if you own a

1105
00:49:45,120 --> 00:49:47,280
Speaker 5: dry cleaning business and then you pass down the dry clean.

1106
00:49:47,239 --> 00:49:49,120
Speaker 2: But if you suck at dry cleaning, I will call

1107
00:49:49,160 --> 00:49:50,960
Speaker 2: you a nepo baby for that more than I would

1108
00:49:50,960 --> 00:49:52,920
Speaker 2: call Rashida Jones a neo baby.

1109
00:49:53,040 --> 00:49:55,239
Speaker 4: But the point is, so you're going to dry clean

1110
00:49:55,239 --> 00:49:59,919
Speaker 4: to talk like your parents run your eleven first?

1111
00:50:00,440 --> 00:50:01,759
Speaker 2: Yeah, I can tell because you don't know how to

1112
00:50:01,840 --> 00:50:09,080
Speaker 2: scan ship. That would be funny as hell to be

1113
00:50:09,080 --> 00:50:11,840
Speaker 2: clouded people from being nepo babies and regular offs.

1114
00:50:12,239 --> 00:50:14,920
Speaker 3: That's a bro. There's something there, bro.

1115
00:50:16,000 --> 00:50:22,120
Speaker 2: You inherited your dad's insurance business. Motherfucking the phone, Let

1116
00:50:22,120 --> 00:50:25,239
Speaker 2: me see your actuary table, bitch? Did you do this

1117
00:50:25,280 --> 00:50:32,200
Speaker 2: ship yourself? All right, that's all the time we got.

1118
00:50:32,200 --> 00:50:34,440
Speaker 2: I assume we'll be back on Sunday night, but we'll

1119
00:50:34,440 --> 00:50:35,160
Speaker 2: talk to y'll soon.

1120
00:50:35,239 --> 00:50:41,720
Speaker 3: Bye bye, the volume