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Speaker 1: So at this point it's me, it's Macchio, it's gaelo'grady

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Speaker 1: who played Donna Diapendondo on NP Blue. Yes, yes, sale

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Speaker 1: beef o Brady. So we're all in the hot tub

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Speaker 1: seeing who can queap the loudest, and finally Macchio is

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Speaker 1: like shhh and he makes everybody be quiet, and he

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Speaker 1: closes his eyes and he and he grits.

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Speaker 2: His teeth.

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Speaker 1: And the next thing I know, all of the water

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Speaker 1: gets sucked out of the tub into Machio and then

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Speaker 1: just explodes throughout the ski lodge. Wow. And was it loud?

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Speaker 3: Because I mean, well that's where that's where I had

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Speaker 3: to throw to the judges, the contest was for volume.

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Speaker 1: Sound is that the sound of the expulsion was not

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Speaker 1: that loud.

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Speaker 2: It sounds like it might actually be very quiet.

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Speaker 1: The reaction of some of the guests was very loud.

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Speaker 1: Oh that's an interesting mm hmm. And so where was no?

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Speaker 1: Where was this? It was at the lodge? Yes, it

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Speaker 1: was at the ski Was there an avalanche?

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Speaker 3: Mm?

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Speaker 1: Let's see, I was inside. We did have to dig

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Speaker 1: our way out. Yes, yes, it was of snow. So

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Speaker 1: we did wind up having to do that from from

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Speaker 1: the avalanche, but the sound of the queaf itself to me,

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Speaker 1: it was pretty minimal. Although I don't you know it?

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Speaker 1: Who was judging that day? Uh well, I mean the

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Speaker 1: usual suspects too. Lets Stephen Baldwin, Kevin Pollock, Gabriel Byrne

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Speaker 1: and Kevin Spacey.

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Speaker 2: Hey, welcome to all.

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Speaker 3: I would have like an insider's guide to kicking about

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Speaker 3: and dropping names on the red carpet line back hallways

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Speaker 3: of this industry. We call showbiz showbiz. What does that mean? Well,

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Speaker 3: it's short for show like a movie show or TV show.

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Speaker 3: And biz is is a kind of business which is

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Speaker 3: money doing money.

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Speaker 1: Yes, money them to do money, and so money from

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Speaker 1: the movies. And but what's all this money for? Well,

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Speaker 1: good question.

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Speaker 3: The money comes in and we yes, and you do it,

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Speaker 3: and you start to wonder, well, what does it go

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Speaker 3: back out to get? Uh huh? And we talk about toys, yes,

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Speaker 3: and and the toys are the toys are nice and

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Speaker 3: one of the nicest toys that Sean and I have

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Speaker 3: a special passion for special relationship to. And a lot

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Speaker 3: of people in the city do as well. And you

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Speaker 3: can see it right when you go outside. And I'll

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Speaker 3: give you a clue. It's it has metal and not

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Speaker 3: an also glass and glass in the square almost and

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Speaker 3: doing rubber on the bottom.

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Speaker 1: Yes, and I think you can maybe guess what it

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Speaker 1: is now and it's a car. And this segment that

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Speaker 1: we didn't do is something that we call four.

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Speaker 3: Rooms, Four Rooms, and that's based on one of the

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Speaker 3: funniest movies.

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Speaker 1: Oh funny, yes, but it really wisted.

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Speaker 2: It really goes there, It really really goes there.

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Speaker 1: Many moments in that movie I'm saying, oh, no, they're

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Speaker 1: not going to and then I'm going, oh, my goodness,

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Speaker 1: they did, yes, and they did they go there.

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Speaker 3: Of course, in terms of playgaryisa a roll doll short

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Speaker 3: story that was pretty famous even at the time, and

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Speaker 3: not crediting him, Well, that's one of the things.

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Speaker 1: And also he's chopping a finger and so and there's

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Speaker 1: witches and four of rooms and so we love that

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Speaker 1: movie and we love to speed, and so that's why

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Speaker 1: we have a need for that kind of fastness.

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Speaker 3: So you say, as in the question cars are expensive,

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Speaker 3: you and Sean Hayes don't care about status money. We

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Speaker 3: hate status, and so how do you reconcile loving speed,

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Speaker 3: loving power and not giving a shit about what people think,

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Speaker 3: and not even caring if they don't like you because

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Speaker 3: they think you're poor, and almost hoping they do think

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Speaker 3: you're poor.

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Speaker 1: Yes, And instead of a watch, A lot of you

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Speaker 1: know that I wear a piece of trash around my

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Speaker 1: wrist and it's a fruit by the foot wrapper and

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Speaker 1: then a piece of a tin can that kind of

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Speaker 1: cuts into my arm, and that's what I wear to

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Speaker 1: tell time with. So how am I going to get

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Speaker 1: an expensive car to go fast? And that is a

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Speaker 1: challenge for a true adrenaline junkie like myself that I

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Speaker 1: need that little adrenaline shot when I step down on

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Speaker 1: the pedal, but I don't want to be seen having money.

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Speaker 3: One way you can accomplish this as car wraps. This

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Speaker 3: is something that I'm very interested in. I think about

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Speaker 3: the science of car wrapping is something I think about

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Speaker 3: a lot. You can buy an expensive car from Sweden

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Speaker 3: or Italy and then put a rap on it, which

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Speaker 3: is like a car disguise. Essentially, you can disguise a

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Speaker 3: car as any other car. And so what I'll do

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Speaker 3: is I have a Lamborghino G two, oh so fascinating,

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Speaker 3: which is four on the floor with backseat trunk pop undercarriage. Yeah,

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Speaker 3: I wrap it up so it looks like a dirty wheelbarrow,

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Speaker 3: and there's a guy on the on the front of

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Speaker 3: the is an old man like he's dragging it very fast.

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Speaker 3: But that's the illusion. And I'm dressed like a pile

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Speaker 3: of cans.

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Speaker 1: Aha, So that allows you to drive it as much

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Speaker 1: as you want and burn up the row.

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Speaker 3: And people think it's just an old can gatherer and

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Speaker 3: these raps float egg down the autobu.

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Speaker 1: And if you yes, and if you think about the

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Speaker 1: this wrap technology and the Tupac hologram and how we're

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Speaker 1: able to create illusions, you would understand why. You know,

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Speaker 1: what car do I want to drive? Well, of course

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Speaker 1: I need to have a Porsche and memory of nine

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Speaker 1: to eleven and I and so I want I need

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Speaker 1: that car to celebrate when the twin Towers were here

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Speaker 1: and to speed. But I can't have it looking like

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Speaker 1: one of those. And so what I do is I

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Speaker 1: get it wrapped to look like a little wet wagon

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Speaker 1: with bunnies and kiddies inside and little ducklings, baby duckies

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Speaker 1: hatching out of their eggs. And I, of course am

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Speaker 1: makeup to look like a three year old girl with

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Speaker 1: an easter bonnet on.

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Speaker 2: What do you do about people trying to kiss your car?

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Speaker 1: Oh, okay, well there's electric force field and it will

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Speaker 1: blast you into space. So that's one of the ways

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Speaker 1: that I will stop people from kissing my car. Also,

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Speaker 1: got to catch me first, and I'm going fast, and

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Speaker 1: that's why you'll see me zooming over a cliff and

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Speaker 1: then landing safely on the other side.

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Speaker 3: And what you drive is important in the city, and

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Speaker 3: the way you choose that car is important because in

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Speaker 3: the city there are lots of traffic lights, and so

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Speaker 3: it has to be able to stop whenever you want

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Speaker 3: and then start up again on command. All these other factors.

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Speaker 3: You want to test drive it also to make sure

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Speaker 3: that it doesn't transform.

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Speaker 1: Yes, well, one of the big dangers transform Yeah, go ahead, No,

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Speaker 1: go ahead, I'll go ahead. One of the big dangers

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Speaker 1: of doing a car, and with modern times is, of course,

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Speaker 1: you could accidentally end up with a Deceptatron. And if

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Speaker 1: you do get a Deceptatron like Megazored and you are

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Speaker 1: doing driving in that you could end up part of

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Speaker 1: a crime or even part of killing the ladybug guy.

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Speaker 1: So it is a real danger and I always try

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Speaker 1: to trick the car by pretending to be asleep and

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Speaker 1: being nearby. And I have these fake eyelids that I

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Speaker 1: can see through that I lower down over my eyeball

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Speaker 1: area and that have moisture on them, and that lets

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Speaker 1: me watch it all night. And if it doesn't sneeze

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Speaker 1: or it doesn't rustle, then I know that it's not

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Speaker 1: going to transform later.

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Speaker 3: But you it's tough because all you're really looking for

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Speaker 3: when you buy a car is something that will transform

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Speaker 3: into a faithful monster, like like Bumblebee, the most faithful,

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Speaker 3: loyal transformer of them all. And so that sneeze could

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Speaker 3: get you very excited. Oh maybe it's a it's a

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Speaker 3: nice transformer like iron Hide or yeah, but just as

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Speaker 3: off it, it could turn out to be Starscream m hm.

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Speaker 1: Starscream or Carmichael or janetor and so all of these

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Speaker 1: guys can be mean guys. And I don't want to

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Speaker 1: have to fight my car. That's something that has just

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Speaker 1: the way I was raised and Midwest values m M.

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Speaker 1: And it could always end.

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Speaker 3: I worry about, honestly, my loved ones, because for myself

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Speaker 3: it's okay, but because they know that I would give

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Speaker 3: up my life in a second for the autobots, but

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Speaker 3: I worry that they would capture.

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Speaker 1: Someone that I love, my girlfriend, and she would be scared,

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Speaker 1: and she's getting held in some kind of some select prison, yes,

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Speaker 1: And at that point I go, well, this isn't nice.

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Speaker 1: And I do have to say I'm a true grease monkey,

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Speaker 1: and so that is putting me at risk. I love

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Speaker 1: rolling on wheels underneath the engine. Oh yeah, that's the

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Speaker 1: best feeling of being a man.

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Speaker 2: I like, or a lady.

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Speaker 3: Well, that's my favorite experience is when you go into

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Speaker 3: the garage and you say, hey, buddy, one's the thing

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Speaker 3: gonna be. My engine is complete, and the guy rolls

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Speaker 3: out because all you see is the big overalls, but

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Speaker 3: then up top it's a big pair of breasts, yes,

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Speaker 3: and long beautiful hair draped over the breasts, and grease

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Speaker 3: stands on her face because she's been I guess kind

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Speaker 3: of rubbing her face the.

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Speaker 1: Oils on her face. Yeah, And so then you go like, okay,

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Speaker 1: thank you, And then you know like, oh, this is

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Speaker 1: a girl who I really can talk gears with.

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Speaker 2: And like when you go to the doctor, same kind

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Speaker 2: of thing, and the doctor walks in.

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Speaker 1: And say, okay, sir, when's my engine going to be ready,

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Speaker 1: I mean, and that's your body.

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Speaker 3: Yeah, And then it's she takes off her surgical mask

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Speaker 3: and it's big red lips.

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Speaker 1: Yes, big wide red lips and a pouty mouth.

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Speaker 2: And you say, okay, that's what you say when you

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Speaker 2: see a lady at work. Okay.

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Speaker 1: And I love when I go to the fast food

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Speaker 1: factory and I want and I ordered the hamburger sandwich

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Speaker 1: and I and I go to grab it out of

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Speaker 1: the hand of the person. I go to snatch it

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Speaker 1: and shove it in my mouth, and then when I

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Speaker 1: touch the hand, there's an electric spark. And I see

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Speaker 1: that the nails are painted with little unicorns on them

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Speaker 1: and have meat things, and I go, who is this

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Speaker 1: a goth gentleman? And then I look and I see

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Speaker 1: the prey of the hips the gentlemen, Thank God, and

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Speaker 1: I and I and I search in the you know,

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Speaker 1: tight black jeans for the trademark bulge, and there's none there,

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Speaker 1: and I say, well, then I know what this is.

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Speaker 1: It's a female woman and in a traditionally male role

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Speaker 1: of handing me hamburger sandwich. And that's how I get off.

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Speaker 1: That's four room, four rooms. We want to.

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Speaker 3: We want to congratulate Pete Holmes on getting that big

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Speaker 3: interview with Vladimir Putin this week.

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Speaker 1: That's very exciting for him.

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Speaker 3: I'm sure he asked all the good questions and I'm

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Speaker 3: sure he'll really get glad.

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Speaker 1: To truly make it weird. Well, I've heard of show

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Speaker 1: an advance edition of it, and what you'd be surprised

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Speaker 1: to know is that a lot of Vladimir Putin's stories,

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Speaker 1: maybe only midway through them, what you find out is

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Speaker 1: that the same thing happened to Pete mm hmm, and

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Speaker 1: he even has a better, longer version of it.

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Speaker 3: Coming up today is our guest Aaron Whitehead from Wild Horses,

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Speaker 3: and you know her friends and you know her as well,

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Speaker 3: and she is friends with us, and she's gonna be

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Speaker 3: coming in to speak with her friends the guys on

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Speaker 3: Hollywood Handbook, Hollywood Hamdbook.

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Speaker 1: So you know, of course, now all eyes are on

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Speaker 1: Kit Errington, like, is he gonna be able to catch

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Speaker 1: this dog? Yeah, you know, and we're chasing and and

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Speaker 1: I'm trying to sort of corral it toward him and

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Speaker 1: he dives to do a big tackle and it slips

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Speaker 1: right through his arms and he goes, Okay, who greased

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Speaker 1: the dog?

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Speaker 3: So you said all eyes were on a lot of

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Speaker 3: people are just watching the whole stadium, the whole stadium. Yeah,

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Speaker 3: and who did it? Who greased it?

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Speaker 1: Yeah? Was it one of the other Okay, yeah, yeah,

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Speaker 1: I thought it was another, like one of the bad guys.

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Speaker 1: There's mean guys, but also there's other ones that are

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Speaker 1: in between. Yeah, because I'm caught up. But some of

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Speaker 1: that stuff is hard to well. And it changes because

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Speaker 1: you might go like, hmm, this dragons mean, but and

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Speaker 1: then later you go like, but he's doing something nice.

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Speaker 1: He's nuzzling. Sometimes they will nuzzle in humans sweet. So

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Speaker 1: it is hard to follow. But I can't wait for

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Speaker 1: the next Are you guys gonna be doing another show? Yes,

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Speaker 1: like the sort of live event where we catch dogs.

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Speaker 1: It went well financially, but there were a lot of

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Speaker 1: complaints afterwards, and I don't think that was exactly my fault.

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Speaker 1: But yeah, I'm going to do another one. I just

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Speaker 1: have to do it in a different country because it

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Speaker 1: was illegal what we did. Hey, welcome to drop names

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Speaker 1: in the red carpet. Linebacker always have this industry we

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Speaker 1: call showbiz industry. We call showbiz what up? What up?

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Speaker 1: We have a guest. Aaron Whitehead is here. Bambo I'm

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Speaker 1: here and we're excited too.

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Speaker 4: Not as excited as I am. Not even possible.

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Speaker 3: Oh and your friends from Wild Horses with Lauren Lapkis

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Speaker 3: and Mary Holland.

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Speaker 1: And there are friends who've been on the show.

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Speaker 3: They know you.

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Speaker 1: I don't know you guys, And well, yes you do,

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Speaker 1: we're friends, right, No, but I get what you mean.

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Speaker 1: One of them told you beforehand that this show was

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Speaker 1: going to be a weird experience for you.

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Speaker 4: Wasn't one of the horses.

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Speaker 1: Okay, so well we will get to the bottom of

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Speaker 1: who said it would be weird. It wasn't one of

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Speaker 1: the horses. Someone who did this.

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Speaker 3: But it is a friend, and you're at the show female,

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Speaker 3: so it was must have been another female.

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Speaker 5: Yes, I can give you a fun fact about the

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Speaker 5: last time I was on your show accidentally.

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Speaker 1: Okay, I don't know if you want.

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Speaker 4: I mean, maybe we're not there yet.

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Speaker 1: Should we save it the fun fact?

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Speaker 4: Yeah, I don't know.

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Speaker 3: Maybe that can right, I'll forget to end. Maybe that

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Speaker 3: can be the bonus for the proverbs. Okay, well you

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Speaker 3: always nice to have that ahead of time. Good great,

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Speaker 3: Aaron Sean, you know that we love We all love

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Speaker 3: movies and that's why we do what we do.

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Speaker 1: And what movie made you fall in love with movies?

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Speaker 5: The first movie that made me fall in love with

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Speaker 5: movies was The Never Ending Story.

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Speaker 1: Oh wow, Yeah, and you thought maybe it could be

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Speaker 1: me riding that thing around?

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Speaker 3: Yeah.

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Speaker 1: How many impressions do you do from that movie?

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Speaker 5: I don't have to because I used to get stopped

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Speaker 5: in the street because people thought I was a tray

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Speaker 5: You the warrior boy, Ah, I didn't have to do anything.

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Speaker 5: I truly had kids ask for my autograph when I

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Speaker 5: was about.

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Speaker 1: Ten and then do a quick impression of atray you.

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Speaker 4: What does he even say? He's always just crying. Oh yeah, that's.

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Speaker 3: Yeah, Yeah, yeah, that's good. Yeah, but you seen you

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Speaker 3: were smiling when the horse was dying.

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Speaker 4: I hate horses. Don't tell the other wild horses that

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Speaker 4: I hate them.

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Speaker 1: Yes, that's a long come.

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Speaker 4: I buy a lot of glue those guys.

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Speaker 1: What do you do with it?

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Speaker 4: I just save it. I put it in drawers that

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Speaker 4: it can open up and be like used to run

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Speaker 4: the planes. Now I own you.

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Speaker 1: Yeah, smart, we're at peak oil. Good to save anything

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Speaker 1: you can hoard and save. Is it gonna be a

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Speaker 1: smart move in this economy because we were, because it

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Speaker 1: could be the new money.

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Speaker 4: Yeah, and you don't know what it's gonna be.

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Speaker 1: Anything could be anything, and you know there's no way

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Speaker 1: to account for.

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Speaker 3: It except pease, Brett. Your peas are never gonna be money. Yes, Brett,

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Speaker 3: it will enough.

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Speaker 6: The seeds for the peas will be Brett, No way.

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Speaker 1: We told you this. It's not gonna happen.

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Speaker 4: In a zombie apocalypse. People are gonna have pea gardens.

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Speaker 1: Yes, the soil is gonna be no good. Peas are

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Speaker 1: already the soil was burned.

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Speaker 6: You bought twenty bucks of peas the other day for me, Sean.

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Speaker 1: No, that's not what happened. I went to the bathroom,

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Speaker 1: you took twenty bucks out of my wallet, and then

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Speaker 1: when I got to my car, you'd smash my back

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Speaker 1: windshield and dropped a sack of pie seeds in there.

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Speaker 6: They're after my peas. Got a strong somewhere.

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Speaker 2: So, speaking of peas, this is actually a great segue.

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Speaker 1: It is a good way in. And that's the only

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Speaker 1: good thing about your peace, Brett, is that it is

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Speaker 1: a nice intro and what we wanted to talk about

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Speaker 1: today now, Wolf Cool. It's a great shingle, it's a

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Speaker 1: great industry, and we are doing it. Hey is go ahead.

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Speaker 3: We've made a lot of podcasts with our shingle in

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Speaker 3: the past, but we are gradually coming to realize that

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Speaker 3: podcasts are for free and dead.

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Speaker 1: And so we have been wanting to expand for a

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Speaker 1: while into doing our own movies.

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Speaker 3: With people that we know, you know, friends that we

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Speaker 3: have connections to and things like that, because that's like

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Speaker 3: what we really bring as a production company, Like we

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Speaker 3: know all these people, you know, we have all these friends.

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Speaker 1: Yeah, we invest in people, you know, and that's always

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Speaker 1: been the way we approach business. Yes, so we obviously

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Speaker 1: knew Aaron Whitehead, Okay, and so we think about some

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Speaker 1: of our friends.

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Speaker 3: Yes, and so we think about Aaron and really she

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Speaker 3: does improv and she is acting, and so what a lot.

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Speaker 4: Of email courting that happened?

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Speaker 1: Email email, and so what is like, what what is

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Speaker 1: the thing for her to do with us?

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Speaker 3: And then it just sort of came to us all

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Speaker 3: of a sudden when food documentary.

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Speaker 1: Yes, and that's what's hot. So talk about food documentary?

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Speaker 1: What it mean?

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Speaker 5: What it means m h food document documentary mean to me?

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Speaker 5: You know, I'll be honest and I want to I

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Speaker 5: just want to break this you guys right now. I

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Speaker 5: don't want to say an email because I really wanted

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Speaker 5: the job, because you guys know, like you know the

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Speaker 5: people I'm on a team with, they're busy people.

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Speaker 4: Yes, I have a lot of offers coming in.

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Speaker 1: Yeah, that's your thing. You're the unbusy one.

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Speaker 4: I'm unbusy people know. You know that's going to change.

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Speaker 3: Uh.

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Speaker 5: I haven't actually ever produced a food documentary, so this

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Speaker 5: was my first one.

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Speaker 1: First one, Yes, and a lot of times that's the

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Speaker 1: freshman effort. Is what's really great from people.

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Speaker 4: Yeah, I think you're gonna like it. There's a little different.

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Speaker 1: They talk about bands and how the first album, you know,

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Speaker 1: they've been writing that album their whole lives and then

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Speaker 1: they only have one year to write another album. Mm

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Speaker 1: hmm huh. You know, of course the first one's better.

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Speaker 1: So your first food documentary, I always feel like it's

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Speaker 1: usually the best one. Yes, you've been touring, playing these

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Speaker 1: songs out of your life, and there's so much about

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Speaker 1: food that's a secret food. Sometimes they put a chemical

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Speaker 1: in it.

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Speaker 5: I looked into that, okay, and that'll be so interesting

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Speaker 5: to hear about it, so wow.

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Speaker 3: Yeah. Yeah. And sometimes you go to the grocery store

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Speaker 3: and you look at the back of the bottle and

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Speaker 3: it's like a secret code m m yeah, numbers and everything, yeah,

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Speaker 3: calories and what yeah, and barcodes yes saying yes, and

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Speaker 3: a story about the company.

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Speaker 1: Yeah.

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Speaker 4: I mean that was definitely my aim when I started.

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Speaker 5: Yes, And like you know, with the documentary, you have

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Speaker 5: to follow what happens, like it's about the people.

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Speaker 4: You can't have a narrative going in. You can have

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Speaker 4: a premise an idea, but then the people and what

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Speaker 4: they give to you.

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Speaker 1: That's what it about people, and that is what I found.

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Speaker 1: Let the documentary come to you.

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Speaker 4: Yeah.

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Speaker 2: Yeah.

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Speaker 3: And do you just want to talk about the main

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Speaker 3: idea of the of your food documentary or the characters?

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Speaker 4: Yeah, I mean these people are close to me.

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Speaker 5: Now I'll talk Like, let me let me start with

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Speaker 5: what I went in with, because it did change, okay,

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Speaker 5: I mean I didn't know.

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Speaker 3: I didn't know.

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Speaker 4: I just kind of follow my instinct and like you said,

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Speaker 4: you know, I want to want to make God laugh.

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Speaker 1: Come up with an idea for your documentary, you know,

401
00:22:54,240 --> 00:22:56,720
Speaker 1: because he's going to make it. He's going to change it.

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Speaker 4: Oh, that's not how that phrase.

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00:23:00,080 --> 00:23:02,480
Speaker 1: You're and what what? What how do you mean?

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Speaker 5: It's it's it's if you want to make God laugh,

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Speaker 5: bring him into a room, picnic oh okay, tick a

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Speaker 5: little bit, okay, and let them then let them leave

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Speaker 5: and have them tell other people, and he won't he

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Speaker 5: won't be able to tell the story without laughing.

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Speaker 1: That's right, okay? Yes, what am I thinking of with

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Speaker 1: the documentary?

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Speaker 4: That's my next documentary is that?

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Speaker 1: Oh it's about tickling the face.

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00:23:29,080 --> 00:23:30,640
Speaker 4: Yeah, it's a humor in faith.

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Speaker 3: I love it.

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Speaker 1: It's a great sort of Bill Maher thing. But what

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Speaker 1: did you go in?

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Speaker 3: Right?

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Speaker 5: Right?

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Speaker 1: Right?

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Speaker 5: So, uh, you know, I sort of jumped off your

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Speaker 5: original email, which was like, you know, there's so many

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Speaker 5: things being put in food these days, and do we

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Speaker 5: even know what they are?

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Speaker 4: Chemicals? And what was the company that you mentioned?

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Speaker 5: Oh?

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Speaker 1: Monsanto, right, that's what I talked to them.

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Speaker 4: I can't always forget the name of it.

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Speaker 5: Forgot Yeah, I knew it was an M word, M Monsanto,

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Speaker 5: but it was a troll or something.

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Speaker 1: It was definitely that that you spoke to I mean,

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Speaker 1: let me check my notes.

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Speaker 4: Yeah I did.

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Speaker 5: I talked to them. I talked to them, and I

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Speaker 5: talked to a couple of other M companies and then

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Speaker 5: they didn't have anything to do with food, so I

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Speaker 5: didn't include it.

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Speaker 4: In the document.

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Speaker 1: What were some of those companies?

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00:24:24,760 --> 00:24:27,159
Speaker 5: I called the people of murder, she wrote, and they

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Speaker 5: didn't know anything about aman.

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Speaker 1: Yes, but there is an M at the beginning, but no,

442
00:24:35,359 --> 00:24:36,080
Speaker 1: not a company.

443
00:24:39,680 --> 00:24:41,280
Speaker 4: So and I called meals on wheels and they do

444
00:24:41,400 --> 00:24:42,240
Speaker 4: have a lot to do with food.

445
00:24:42,240 --> 00:24:44,200
Speaker 1: But yeah, you said they did nothing.

446
00:24:44,520 --> 00:24:47,080
Speaker 4: They know nothing. I mean, they're like, oh my god,

447
00:24:47,119 --> 00:24:48,720
Speaker 4: there are charity was It was a nightmare.

448
00:24:48,760 --> 00:24:50,520
Speaker 5: Nobody. Nobody wanted to talk about anything fun. It was

449
00:24:50,760 --> 00:24:53,600
Speaker 5: very sad conversation. I found myself crying by the end,

450
00:24:53,600 --> 00:24:54,960
Speaker 5: and I was like, this isn't about me.

451
00:24:55,359 --> 00:24:58,040
Speaker 1: You know. Yeah, that's good foot though, if you got

452
00:24:58,080 --> 00:25:00,320
Speaker 1: that on camera, you could get I mean, and they're

453
00:25:00,400 --> 00:25:03,720
Speaker 1: giving these people food. That seems like a nice thing.

454
00:25:03,840 --> 00:25:05,320
Speaker 4: Yeah, but then where do you go with that?

455
00:25:06,040 --> 00:25:07,960
Speaker 1: It made you cry that it was just so boring

456
00:25:08,080 --> 00:25:08,840
Speaker 1: to you, Well, it.

457
00:25:08,880 --> 00:25:10,200
Speaker 4: Made me cry that, like I have to leave my

458
00:25:10,280 --> 00:25:11,280
Speaker 4: house to get my meals.

459
00:25:11,400 --> 00:25:13,840
Speaker 1: They're not on wheels, you know, right, you wish, yeah,

460
00:25:13,880 --> 00:25:14,679
Speaker 1: you wish that would It.

461
00:25:14,720 --> 00:25:15,320
Speaker 4: Makes me sad.

462
00:25:15,960 --> 00:25:18,760
Speaker 5: Yeah, like putting on makeup just to go to Whole Foods.

463
00:25:18,760 --> 00:25:21,920
Speaker 5: But you have to because you're I'm a woman. You

464
00:25:21,960 --> 00:25:23,680
Speaker 5: guys don't have to deal with that, but I do.

465
00:25:24,760 --> 00:25:26,520
Speaker 5: I put on makeup even just come here.

466
00:25:27,320 --> 00:25:30,200
Speaker 1: Oh yeah, I have no idea what that's like. I'm

467
00:25:30,280 --> 00:25:31,119
Speaker 1: suing Whole Foods.

468
00:25:34,520 --> 00:25:38,080
Speaker 3: The salad You go through the salad bar and there's

469
00:25:38,200 --> 00:25:42,440
Speaker 3: that clear glass that you can't see because it's clear,

470
00:25:43,200 --> 00:25:45,159
Speaker 3: and you go in to sniff. You're going to sniff

471
00:25:45,240 --> 00:25:48,840
Speaker 3: the food to make sure it's good, and you really

472
00:25:48,960 --> 00:25:50,200
Speaker 3: want to go in there fast.

473
00:25:51,000 --> 00:25:53,320
Speaker 1: Well, yes, because what I find is there's so many

474
00:25:53,320 --> 00:25:56,120
Speaker 1: people around the salad bar. It's like if you don't

475
00:25:56,200 --> 00:25:59,639
Speaker 1: get in when you can, you're afraid that somebody else

476
00:25:59,720 --> 00:26:02,119
Speaker 1: is going to scoop. Yeah right, So if you want

477
00:26:02,160 --> 00:26:05,480
Speaker 1: a big sniff of garbonzo, you gotta put your had

478
00:26:05,520 --> 00:26:06,960
Speaker 1: on there very fast.

479
00:26:07,080 --> 00:26:09,320
Speaker 5: The number of spots on that glass too, that are

480
00:26:09,520 --> 00:26:11,600
Speaker 5: you know, there's a little shatter marks and then you

481
00:26:11,680 --> 00:26:12,520
Speaker 5: know like nostril.

482
00:26:12,840 --> 00:26:15,960
Speaker 1: Yes, yes, if only.

483
00:26:16,000 --> 00:26:19,800
Speaker 2: If only it were just a spider crack that you

484
00:26:19,880 --> 00:26:20,160
Speaker 2: go through.

485
00:26:20,400 --> 00:26:23,960
Speaker 1: Oh yeah, oh my god, all the way through.

486
00:26:25,520 --> 00:26:29,320
Speaker 3: And then and then you know, you understand, now you're

487
00:26:29,359 --> 00:26:31,440
Speaker 3: going through whole Foods with glass in your face.

488
00:26:32,080 --> 00:26:33,440
Speaker 4: Yeah, what did you land?

489
00:26:33,680 --> 00:26:36,879
Speaker 3: You made yourself up so to look so nice. It

490
00:26:37,119 --> 00:26:41,720
Speaker 3: was not even what I thought it was. I thought

491
00:26:41,760 --> 00:26:44,960
Speaker 3: it was sweet potato fries. But it was like some

492
00:26:45,160 --> 00:26:48,560
Speaker 3: fucking squash, so weird. It's something that I would did

493
00:26:48,640 --> 00:26:52,959
Speaker 3: not even want to sniff, and so well that's why

494
00:26:53,040 --> 00:26:55,280
Speaker 3: you sniff. And that's what I'm really suing them for

495
00:26:55,600 --> 00:26:58,240
Speaker 3: is for the labeling. Big so st up, because it's like,

496
00:26:58,320 --> 00:27:00,240
Speaker 3: now I have glass in my face and I'm a thing,

497
00:27:00,320 --> 00:27:01,880
Speaker 3: this disgusting squash.

498
00:27:02,240 --> 00:27:05,480
Speaker 1: M I imagine it's bloody too. Now the squash?

499
00:27:05,600 --> 00:27:06,960
Speaker 4: Which hoolfoods? Which hold foods?

500
00:27:06,960 --> 00:27:07,320
Speaker 3: Do you go to?

501
00:27:07,440 --> 00:27:10,160
Speaker 1: Which was this? This was the one.

502
00:27:10,920 --> 00:27:12,480
Speaker 3: I'm trying to go to them all so I can

503
00:27:12,520 --> 00:27:15,359
Speaker 3: get all the bags. You know how they have like

504
00:27:15,440 --> 00:27:17,480
Speaker 3: a bag for every whole food Oh yeah.

505
00:27:17,359 --> 00:27:19,119
Speaker 4: You have a Studio City bag, even though it's not

506
00:27:19,200 --> 00:27:20,200
Speaker 4: really my whole foods.

507
00:27:20,320 --> 00:27:23,680
Speaker 1: Yeah, a little weird. I have that one too. And

508
00:27:23,840 --> 00:27:25,240
Speaker 1: so this was Escondido.

509
00:27:26,200 --> 00:27:27,520
Speaker 4: I don't even know where that is.

510
00:27:27,760 --> 00:27:32,440
Speaker 1: Oh Aaron, you have to go to the Escondido Whole Food.

511
00:27:32,560 --> 00:27:33,119
Speaker 1: You gotta go.

512
00:27:34,000 --> 00:27:35,359
Speaker 4: Is it better than the Glendell one?

513
00:27:35,560 --> 00:27:40,320
Speaker 1: No? No, no, but but you have to go? Oh,

514
00:27:40,359 --> 00:27:42,359
Speaker 1: I do, I know? I just want different.

515
00:27:42,720 --> 00:27:43,640
Speaker 4: What color is the bag?

516
00:27:44,000 --> 00:27:44,879
Speaker 1: It's got blood on it?

517
00:27:46,000 --> 00:27:47,199
Speaker 4: Oh, after you did?

518
00:27:47,240 --> 00:27:48,639
Speaker 1: They did it after you bloody?

519
00:27:49,560 --> 00:27:55,240
Speaker 2: That's great anyway, food EJACU want sidetrack?

520
00:27:55,400 --> 00:27:57,440
Speaker 3: You said you talked. You said you talked to Montanto.

521
00:27:57,520 --> 00:27:59,240
Speaker 3: I assume that is in the movie.

522
00:27:59,320 --> 00:27:59,920
Speaker 4: It's in the movie.

523
00:28:00,119 --> 00:28:01,800
Speaker 3: Okay, do you do we want to play that clip

524
00:28:02,359 --> 00:28:05,159
Speaker 3: to Okay, some sort of beep sound, Brett, do you

525
00:28:05,240 --> 00:28:06,439
Speaker 3: have a beep handy?

526
00:28:08,480 --> 00:28:10,080
Speaker 1: Okay? And so here's our new corn.

527
00:28:11,440 --> 00:28:14,760
Speaker 3: It's got green on the outside, yellow on the inside,

528
00:28:15,000 --> 00:28:17,640
Speaker 3: and we made it so the kernels they come off

529
00:28:17,680 --> 00:28:20,439
Speaker 3: easier in your teeth and they don't get stuck between them.

530
00:28:20,640 --> 00:28:21,240
Speaker 4: Are you married?

531
00:28:22,800 --> 00:28:23,639
Speaker 2: That's a great question.

532
00:28:24,720 --> 00:28:25,959
Speaker 1: I am married.

533
00:28:26,119 --> 00:28:27,320
Speaker 4: I've not married.

534
00:28:29,080 --> 00:28:31,520
Speaker 7: We got to get all these chemicals into the food

535
00:28:33,400 --> 00:28:38,440
Speaker 7: if we could, Sorry, Jimmy, you got somebody in here. Yes, Stevie,

536
00:28:38,520 --> 00:28:40,600
Speaker 7: if you could take the chemical barrel just.

537
00:28:43,000 --> 00:28:43,800
Speaker 3: To me, off is.

538
00:28:43,800 --> 00:28:46,280
Speaker 1: Putting the chemicals into food. Just picture and he suckers

539
00:28:46,320 --> 00:28:52,120
Speaker 1: eating it. Yep, this is my son. This is he

540
00:28:52,280 --> 00:28:53,000
Speaker 1: doesn't work here.

541
00:28:53,280 --> 00:28:58,680
Speaker 3: He needs to go back to school, right Stevie, Oh yeah, sure,

542
00:28:58,720 --> 00:28:59,760
Speaker 3: I'll go back to school.

543
00:29:00,080 --> 00:29:02,280
Speaker 1: You a Newsy. We put these chemicals into food.

544
00:29:02,520 --> 00:29:02,640
Speaker 3: Is he?

545
00:29:02,880 --> 00:29:04,480
Speaker 5: Is he a Newsy on the side he looks, he

546
00:29:04,600 --> 00:29:07,520
Speaker 5: sounds and looks a lot like a like Christian Bale

547
00:29:07,520 --> 00:29:07,880
Speaker 5: and Newsy.

548
00:29:08,080 --> 00:29:08,720
Speaker 1: He's a Newsy.

549
00:29:09,080 --> 00:29:12,480
Speaker 3: We did a sort of Newsy adoption thing because you

550
00:29:12,560 --> 00:29:14,480
Speaker 3: know a lot of them don't have moms and dads,

551
00:29:14,600 --> 00:29:16,200
Speaker 3: and do you want.

552
00:29:16,280 --> 00:29:17,680
Speaker 4: A mom more a girlfriend?

553
00:29:18,440 --> 00:29:20,720
Speaker 1: Huh? I guess I never thought about it.

554
00:29:21,400 --> 00:29:23,680
Speaker 5: I mean I'm not offering or anything, and just was

555
00:29:23,720 --> 00:29:26,120
Speaker 5: like putting my own story out there, and like, I

556
00:29:26,160 --> 00:29:28,840
Speaker 5: don't know, sometimes stories have like their two circles and

557
00:29:28,960 --> 00:29:31,000
Speaker 5: they go over each other and then there's an overlap,

558
00:29:31,080 --> 00:29:33,440
Speaker 5: and like if the overlap works, then like people are friends.

559
00:29:34,320 --> 00:29:36,360
Speaker 1: So you would like to be my son's new mom

560
00:29:36,760 --> 00:29:37,320
Speaker 1: or girlfriend?

561
00:29:37,720 --> 00:29:38,320
Speaker 4: How old is he?

562
00:29:39,600 --> 00:29:39,760
Speaker 7: Uh?

563
00:29:41,520 --> 00:29:41,960
Speaker 1: Fifteen?

564
00:29:42,120 --> 00:29:42,320
Speaker 3: Yeah?

565
00:29:42,480 --> 00:29:43,000
Speaker 4: Or girlfriend?

566
00:29:45,520 --> 00:29:48,040
Speaker 3: Okay, I think we could work that in mixtrate for

567
00:29:48,160 --> 00:29:49,960
Speaker 3: you not putting this scene in the movie.

568
00:29:50,480 --> 00:29:54,040
Speaker 2: I think you can have him for whatever you want.

569
00:29:54,120 --> 00:29:55,440
Speaker 2: Does that's up fair to use TV?

570
00:29:56,000 --> 00:29:56,280
Speaker 4: Okay?

571
00:29:57,360 --> 00:29:58,720
Speaker 5: This is this is the best day of my life,

572
00:29:58,760 --> 00:30:00,000
Speaker 5: you guys, And I'm so happy with what you guys

573
00:30:00,040 --> 00:30:02,360
Speaker 5: are doing here. I just want to say, totally support

574
00:30:02,720 --> 00:30:03,480
Speaker 5: Monsanto and.

575
00:30:03,680 --> 00:30:05,720
Speaker 1: Ah puilt the chemicals out my head.

576
00:30:05,960 --> 00:30:09,800
Speaker 3: Oh oh my god, God, I can't believe in making

577
00:30:09,800 --> 00:30:10,440
Speaker 3: people eat this.

578
00:30:11,240 --> 00:30:18,520
Speaker 1: No, whoa wow. I got out of this at exactly

579
00:30:18,600 --> 00:30:19,280
Speaker 1: the right time.

580
00:30:20,880 --> 00:30:23,720
Speaker 4: So anyway, that was That was some of the earliest footage.

581
00:30:24,440 --> 00:30:27,320
Speaker 1: Sorry, we forgot. We forgot the beef out. The beep

582
00:30:28,080 --> 00:30:31,520
Speaker 1: the beep to get out. What is it with you guys?

583
00:30:32,160 --> 00:30:33,719
Speaker 1: One of the other ones did that too.

584
00:30:33,800 --> 00:30:39,520
Speaker 3: You think jing jingling keys for every sound effect you

585
00:30:39,640 --> 00:30:42,920
Speaker 3: have this whole station over there for to make any

586
00:30:43,000 --> 00:30:46,000
Speaker 3: kind of sound magic at all you could think to.

587
00:30:46,040 --> 00:30:48,400
Speaker 1: Do is hold your keys to the microprope and jingle

588
00:30:48,440 --> 00:30:49,440
Speaker 1: them everything.

589
00:30:49,520 --> 00:30:51,160
Speaker 5: I feel you, though, because I did a bit once

590
00:30:51,160 --> 00:30:52,560
Speaker 5: where I was jumping into a pool and I had

591
00:30:52,600 --> 00:30:53,160
Speaker 5: classed the water.

592
00:30:53,240 --> 00:30:54,640
Speaker 4: So I did this, and I was like, if I

593
00:30:54,760 --> 00:30:57,080
Speaker 4: put that out over my head, no one will hear it.

594
00:30:57,800 --> 00:30:58,920
Speaker 1: I'll just be soaking.

595
00:31:00,280 --> 00:31:02,120
Speaker 4: So I'm glad to catch myself.

596
00:31:04,000 --> 00:31:06,040
Speaker 2: So yeah, talk about that scene.

597
00:31:06,120 --> 00:31:07,480
Speaker 1: Yeah, so you did.

598
00:31:07,720 --> 00:31:09,760
Speaker 3: You did end up including the scene in the movie,

599
00:31:09,800 --> 00:31:12,000
Speaker 3: even though you promise I promise not.

600
00:31:12,040 --> 00:31:14,880
Speaker 5: To also, I endorsed monsanto, which you're not supposed to

601
00:31:14,920 --> 00:31:17,120
Speaker 5: do when you're a documentary. I mean, you're not supposed

602
00:31:17,160 --> 00:31:19,240
Speaker 5: to have a side when it comes to your subject.

603
00:31:19,320 --> 00:31:21,400
Speaker 1: Oh so you know that you've never really been about

604
00:31:21,440 --> 00:31:23,000
Speaker 1: playing by the rules, have you? Aaron?

605
00:31:23,120 --> 00:31:24,560
Speaker 4: I fucking hate rules, man?

606
00:31:24,800 --> 00:31:27,120
Speaker 1: I hate What are they made to be done with?

607
00:31:27,760 --> 00:31:29,720
Speaker 4: May be taken down to the basement and whipped a

608
00:31:29,760 --> 00:31:30,400
Speaker 4: bit tickled.

609
00:31:30,480 --> 00:31:32,480
Speaker 1: Oh okay, yes, no, that's.

610
00:31:32,360 --> 00:31:35,280
Speaker 4: My next I can't tickle rule, next one.

611
00:31:35,680 --> 00:31:37,560
Speaker 1: Sorry, We've got a lot of projects.

612
00:31:38,040 --> 00:31:39,600
Speaker 4: Yeah, fuck rules.

613
00:31:39,720 --> 00:31:42,200
Speaker 5: Like if I could like take if I could adopt

614
00:31:42,240 --> 00:31:44,480
Speaker 5: a rule, I'd be like, I'm not your real mom

615
00:31:44,520 --> 00:31:46,440
Speaker 5: and nobody loves you, and then I'd like fuck the

616
00:31:46,480 --> 00:31:48,080
Speaker 5: ship out of it, like Woody Allen did to his

617
00:31:48,160 --> 00:31:48,800
Speaker 5: adopted kids.

618
00:31:48,960 --> 00:31:53,960
Speaker 1: His kid Yeah, yes, yes he's two, he's old. That

619
00:31:54,160 --> 00:31:57,840
Speaker 1: was another bad rule that he exposed. Mmmm, as like,

620
00:31:57,960 --> 00:32:01,280
Speaker 1: why is a rule that was such a it's arbitrary rules.

621
00:32:01,360 --> 00:32:03,520
Speaker 1: It was a huge rule and we needed a brave

622
00:32:03,720 --> 00:32:07,320
Speaker 1: artist to actually just put it under the microscope and

623
00:32:07,960 --> 00:32:10,000
Speaker 1: what is going on in this rule?

624
00:32:10,120 --> 00:32:12,520
Speaker 3: It's like those blue laws and you know where it's

625
00:32:12,600 --> 00:32:14,680
Speaker 3: like in like New Jersey, you're not allowed to wear

626
00:32:14,720 --> 00:32:16,320
Speaker 3: a hat on the Tuesday.

627
00:32:17,040 --> 00:32:19,560
Speaker 1: No one can own a camel in Minnesota.

628
00:32:19,800 --> 00:32:22,880
Speaker 2: Yes, And it's like, if you adopt a child, you

629
00:32:23,400 --> 00:32:25,880
Speaker 2: can have it near a train.

630
00:32:26,800 --> 00:32:35,200
Speaker 1: And it's so that obviously your train mirror his, mixing

631
00:32:35,240 --> 00:32:35,560
Speaker 1: them up.

632
00:32:37,440 --> 00:32:42,440
Speaker 3: Yes, okay, well all the very because you don't want

633
00:32:42,440 --> 00:32:43,120
Speaker 3: to waste the train.

634
00:32:44,200 --> 00:32:44,720
Speaker 1: An adopted.

635
00:32:44,880 --> 00:32:46,800
Speaker 5: Adopted are happy with anything. You don't have to give

636
00:32:46,840 --> 00:32:48,680
Speaker 5: them a real toy. Give him a box, give them

637
00:32:48,680 --> 00:32:49,600
Speaker 5: the box a train came in.

638
00:32:49,680 --> 00:32:51,000
Speaker 4: Let him play with it. It's like a cat.

639
00:32:52,400 --> 00:32:54,120
Speaker 1: Yes, that is what's nice about them.

640
00:32:55,480 --> 00:32:55,920
Speaker 2: I can't wait.

641
00:32:55,960 --> 00:32:57,120
Speaker 4: I can't wait to adopt anyway.

642
00:32:58,480 --> 00:33:02,200
Speaker 1: So what happened with the child that you adopted in

643
00:33:02,320 --> 00:33:02,720
Speaker 1: the clip?

644
00:33:02,840 --> 00:33:04,520
Speaker 4: Well, this is off the record, right, Like this won't

645
00:33:04,560 --> 00:33:06,360
Speaker 4: end up on the podcast? Is that that's true? I

646
00:33:06,400 --> 00:33:07,720
Speaker 4: can tell you guys, and it's not safe.

647
00:33:07,920 --> 00:33:09,680
Speaker 2: No, it will end up by the podcast, but it

648
00:33:09,720 --> 00:33:10,360
Speaker 2: won't really right.

649
00:33:11,400 --> 00:33:15,680
Speaker 1: Oh you know what, Brett mark this part right, so

650
00:33:15,800 --> 00:33:17,800
Speaker 1: we'll like cut this for sure, right.

651
00:33:19,200 --> 00:33:20,440
Speaker 4: Because I had sex with that guy?

652
00:33:20,560 --> 00:33:24,360
Speaker 1: Okay, well yeah, unless it's great content with.

653
00:33:24,840 --> 00:33:26,200
Speaker 2: Which one the son?

654
00:33:26,520 --> 00:33:26,880
Speaker 1: The son?

655
00:33:26,960 --> 00:33:30,120
Speaker 2: Okay, you said you wanted to be his girlfriend? Yeah,

656
00:33:30,440 --> 00:33:31,920
Speaker 2: and his mom and his bod.

657
00:33:32,080 --> 00:33:34,720
Speaker 5: We kind of did both like I have breast but

658
00:33:34,880 --> 00:33:36,960
Speaker 5: him a little bit, and I didn't actually think it

659
00:33:37,000 --> 00:33:39,040
Speaker 5: would work, but like I was able to bring a

660
00:33:39,080 --> 00:33:40,000
Speaker 5: little bit of lactation.

661
00:33:40,320 --> 00:33:41,880
Speaker 4: I think that's what it was anyway.

662
00:33:43,080 --> 00:33:47,600
Speaker 1: Oh congratulations. Yeah, and that really speaks to what a sympathetic,

663
00:33:47,760 --> 00:33:49,280
Speaker 1: passionate filmmaker you are.

664
00:33:49,400 --> 00:33:51,120
Speaker 4: Yeah, that's how I felt.

665
00:33:51,400 --> 00:33:52,960
Speaker 2: You know, that's natural food.

666
00:33:53,600 --> 00:33:56,320
Speaker 5: Yeah, totally, And he'd never had that. He got this

667
00:33:56,440 --> 00:33:59,120
Speaker 5: like healthy glow the way like a rosy baby does,

668
00:33:59,520 --> 00:34:00,720
Speaker 5: or like the way a man does when he's in

669
00:34:00,760 --> 00:34:01,080
Speaker 5: love with you.

670
00:34:01,160 --> 00:34:02,080
Speaker 4: I wasn't sure which it was.

671
00:34:02,440 --> 00:34:07,400
Speaker 3: Despite head, it might have been what the healthy glow was. Yeah,

672
00:34:07,440 --> 00:34:09,760
Speaker 3: because he's starting to have a big glow in that clip.

673
00:34:10,120 --> 00:34:11,040
Speaker 2: Yeah sure.

674
00:34:11,120 --> 00:34:13,520
Speaker 5: And for I was like a little worried because immediately

675
00:34:13,600 --> 00:34:15,680
Speaker 5: you saw how the chemicals melted half his face off,

676
00:34:16,120 --> 00:34:17,560
Speaker 5: and I thought I was going to be grossed out

677
00:34:17,560 --> 00:34:19,640
Speaker 5: because he did kind of look like Christian Bale before that.

678
00:34:20,360 --> 00:34:22,080
Speaker 5: But I was like more turned on because he kind

679
00:34:22,080 --> 00:34:24,440
Speaker 5: of looked like the villain from Batman who loses half

680
00:34:24,480 --> 00:34:25,920
Speaker 5: his face because he betrays him.

681
00:34:26,040 --> 00:34:29,399
Speaker 4: Yeah, what what is that, guysh one half man two

682
00:34:29,440 --> 00:34:29,959
Speaker 4: face one.

683
00:34:29,880 --> 00:34:34,680
Speaker 1: Face, half half double man, which which guy the one was?

684
00:34:34,800 --> 00:34:36,320
Speaker 4: You know his eyeball comes out of his skull?

685
00:34:36,719 --> 00:34:42,240
Speaker 1: M no, the red skull. Yeah, okay, so that's interesting.

686
00:34:42,360 --> 00:34:45,759
Speaker 3: So you were you were in a Batman zone with

687
00:34:45,880 --> 00:34:48,200
Speaker 3: him to begin with, and he managed to stay in there.

688
00:34:48,560 --> 00:34:48,799
Speaker 1: Yeah.

689
00:34:49,000 --> 00:34:50,799
Speaker 4: I was like, I was like, you need you need

690
00:34:50,880 --> 00:34:53,040
Speaker 4: to be mothered, Like you're also too ugly to be fucked?

691
00:34:53,080 --> 00:34:53,719
Speaker 4: Do you need that too?

692
00:34:53,800 --> 00:34:55,560
Speaker 5: Like I felt like I really gave him everything he

693
00:34:55,680 --> 00:34:58,520
Speaker 5: needed and then I also got some great footage, but also.

694
00:34:58,560 --> 00:34:59,120
Speaker 4: Cut this part.

695
00:34:59,800 --> 00:35:02,960
Speaker 1: Oh oh yeah, we will cut this part. You mentioned

696
00:35:03,000 --> 00:35:05,359
Speaker 1: talking to some other m companies, Did any of those

697
00:35:05,440 --> 00:35:08,839
Speaker 1: make the film? Are there any clips from maybe the murder?

698
00:35:08,880 --> 00:35:11,120
Speaker 1: She wrote conversation that we should listen to.

699
00:35:11,520 --> 00:35:14,239
Speaker 5: Yeah, I mean I have the footage, and I mean again,

700
00:35:14,360 --> 00:35:16,319
Speaker 5: like you guys have seen the roughcot it's not in there.

701
00:35:16,360 --> 00:35:17,439
Speaker 5: But do you want to see the murder? She wrote,

702
00:35:17,440 --> 00:35:18,920
Speaker 5: footage and see if it should be included.

703
00:35:19,680 --> 00:35:21,600
Speaker 1: Yeah. Well, I'm just so curious about what it is

704
00:35:21,719 --> 00:35:23,160
Speaker 1: because you did call it a company.

705
00:35:23,840 --> 00:35:25,560
Speaker 4: Yeah, oh, it's definitely a company. I went to their

706
00:35:25,560 --> 00:35:27,120
Speaker 4: building and it has a sign.

707
00:35:27,719 --> 00:35:30,040
Speaker 2: Oh great, let's hear about that. Let's see it.

708
00:35:32,960 --> 00:35:33,319
Speaker 1: Too long.

709
00:35:36,560 --> 00:35:37,239
Speaker 4: It took me a while.

710
00:35:37,360 --> 00:35:38,640
Speaker 5: It took me a while to get into your building.

711
00:35:38,640 --> 00:35:40,920
Speaker 5: You guys have so many gates and locked doors.

712
00:35:42,000 --> 00:35:45,319
Speaker 3: Well, this is not a building, you know. You call

713
00:35:45,400 --> 00:35:48,960
Speaker 3: it a building, but it's a home. It's a it's

714
00:35:49,000 --> 00:35:50,239
Speaker 3: a it's a residence.

715
00:35:50,440 --> 00:35:53,520
Speaker 5: Oh I wondered why it looked so so so cozy. Yeah,

716
00:35:53,680 --> 00:35:54,920
Speaker 5: so many expensive rugs.

717
00:35:54,960 --> 00:35:58,240
Speaker 1: And we were just watching TV. Here, what are you watching?

718
00:35:58,440 --> 00:35:59,120
Speaker 1: We're watching Murder?

719
00:35:59,200 --> 00:36:02,120
Speaker 4: She wrote, You guys watch that even though you made it.

720
00:36:03,760 --> 00:36:09,440
Speaker 1: Oh, we didn't make it. It's just a show we like.

721
00:36:09,760 --> 00:36:12,200
Speaker 4: Yeah, you thought you guys were the murder she wrote.

722
00:36:12,840 --> 00:36:14,719
Speaker 2: Company, No, what made you think that?

723
00:36:15,160 --> 00:36:16,480
Speaker 4: The sign on your front.

724
00:36:16,320 --> 00:36:19,600
Speaker 1: Gate, No, that just shows what TV show we're watching.

725
00:36:20,160 --> 00:36:21,360
Speaker 4: Also changes daily.

726
00:36:21,680 --> 00:36:24,360
Speaker 1: Yeah, well we watch a lot of murder, she wrote,

727
00:36:24,760 --> 00:36:25,920
Speaker 1: we like the one show.

728
00:36:26,960 --> 00:36:30,279
Speaker 5: Oh well, I'm doing a documentary and i'd love to

729
00:36:30,400 --> 00:36:31,400
Speaker 5: like interview you guys.

730
00:36:31,640 --> 00:36:33,640
Speaker 1: Okay, so what you watery?

731
00:36:35,000 --> 00:36:38,640
Speaker 4: It's called a documentary. It's like a movie, but it's true.

732
00:36:39,320 --> 00:36:42,560
Speaker 5: What Yeah, even though all movies are true, because really

733
00:36:42,640 --> 00:36:44,960
Speaker 5: the difference between fiction and truth is like nothing. But

734
00:36:45,080 --> 00:36:49,600
Speaker 5: people don't get that anyway. So on Murder, she wrote,

735
00:36:49,840 --> 00:36:52,640
Speaker 5: what did Angela Lansbury like to eat the most in

736
00:36:52,800 --> 00:36:54,360
Speaker 5: character and as herself.

737
00:36:54,640 --> 00:36:57,120
Speaker 1: We got the numbers in from the latest shipment. Who No,

738
00:36:59,200 --> 00:37:02,600
Speaker 1: not a good time, Madula. We've been exposed as the

739
00:37:02,640 --> 00:37:05,480
Speaker 1: murder she routed company. Everyone thought who was just a

740
00:37:05,560 --> 00:37:07,840
Speaker 1: TV shell off the end, they're gonna know. We got

741
00:37:07,880 --> 00:37:11,080
Speaker 1: the numbers in from the latestship of murdership.

742
00:37:12,880 --> 00:37:14,800
Speaker 4: What numbers are you guys talking about?

743
00:37:15,719 --> 00:37:21,719
Speaker 8: Oh, never mind, it's just the uh do we kill it?

744
00:37:21,960 --> 00:37:23,480
Speaker 8: I know we know how to get away with it?

745
00:37:24,200 --> 00:37:26,279
Speaker 8: Who I wouldn't I would be able to catch us

746
00:37:26,600 --> 00:37:27,120
Speaker 8: quick question.

747
00:37:27,600 --> 00:37:28,640
Speaker 4: Are either of you guys married?

748
00:37:31,040 --> 00:37:36,200
Speaker 1: We're both married to one another, to one another the

749
00:37:36,280 --> 00:37:40,640
Speaker 1: wrong two trees and you know also to our moham

750
00:37:42,320 --> 00:37:42,960
Speaker 1: who you met?

751
00:37:44,360 --> 00:37:45,920
Speaker 4: Your mom is Angela Lansbury.

752
00:37:46,120 --> 00:37:49,000
Speaker 3: Yeah, and we're married to her as well. Is that

753
00:37:49,120 --> 00:37:51,279
Speaker 3: the kind of arrangement you would be interested in?

754
00:37:51,480 --> 00:37:54,040
Speaker 4: I mean yes, I mean, oh my god.

755
00:37:54,040 --> 00:37:56,160
Speaker 3: Because it's a two see Okay, I'm so glad to

756
00:37:56,200 --> 00:37:58,880
Speaker 3: find someone who agrees with this, because it's like a

757
00:37:59,280 --> 00:38:01,319
Speaker 3: like a two for one thing.

758
00:38:01,640 --> 00:38:04,960
Speaker 1: You know. Why? Oh yeah, have all these people you're

759
00:38:05,040 --> 00:38:07,680
Speaker 1: dealing with such a convenience, that's all head up to

760
00:38:07,800 --> 00:38:09,360
Speaker 1: the train station upstairs.

761
00:38:11,440 --> 00:38:13,359
Speaker 4: You have a train station upstairs.

762
00:38:14,040 --> 00:38:17,200
Speaker 1: Yeah, oh my god, well they're my real boys.

763
00:38:17,239 --> 00:38:19,280
Speaker 4: I've never done sex stuff near a train before.

764
00:38:21,160 --> 00:38:21,880
Speaker 1: You could love it.

765
00:38:22,040 --> 00:38:25,240
Speaker 4: Baby, You're so much.

766
00:38:25,200 --> 00:38:27,560
Speaker 5: More loosey goosey than I would have imagined in life.

767
00:38:29,760 --> 00:38:35,520
Speaker 5: It does sound like Missus Doubtfire. Oh yeah, have you

768
00:38:35,560 --> 00:38:36,640
Speaker 5: guys met Missus Doutfire?

769
00:38:37,800 --> 00:38:38,040
Speaker 3: Yeah?

770
00:38:38,440 --> 00:38:39,359
Speaker 1: Yeah, yeah.

771
00:38:39,920 --> 00:38:41,840
Speaker 5: Uh do you know what I found out recently? What

772
00:38:42,360 --> 00:38:44,120
Speaker 5: she's actually Robin Williams.

773
00:38:45,239 --> 00:38:50,560
Speaker 3: Yeah, well, now how he is Missus Doubtfire permanently, because like,

774
00:38:51,320 --> 00:38:52,120
Speaker 3: is that what he became?

775
00:38:52,440 --> 00:38:52,680
Speaker 1: Yeah?

776
00:38:52,880 --> 00:38:55,120
Speaker 3: He love. The whole thing is like he was sick

777
00:38:55,200 --> 00:38:58,200
Speaker 3: of being famous, and so now everyone thinks that like

778
00:38:58,320 --> 00:38:59,240
Speaker 3: this thing happened.

779
00:38:59,360 --> 00:39:01,719
Speaker 1: But now he's just going around as Missus pH.

780
00:39:01,920 --> 00:39:05,920
Speaker 4: My god, I wish that is that running Missus company.

781
00:39:07,880 --> 00:39:10,880
Speaker 1: No, you can't expose that the company for that movie.

782
00:39:13,920 --> 00:39:18,560
Speaker 4: She just get tired. He made this real sad face

783
00:39:18,640 --> 00:39:20,759
Speaker 4: after you finished that thing.

784
00:39:20,880 --> 00:39:28,239
Speaker 2: He said, yeah, everyone's pretty tired. That's very late at night.

785
00:39:28,800 --> 00:39:30,960
Speaker 4: Well we can all go take a nap. You want

786
00:39:30,960 --> 00:39:31,600
Speaker 4: to go take a nap?

787
00:39:32,360 --> 00:39:36,000
Speaker 1: Sure? Yeah. And if something happens, you know, and something

788
00:39:36,120 --> 00:39:44,080
Speaker 1: something happened, it happens. That's naps, Baby Jesus Christ.

789
00:39:44,640 --> 00:39:45,520
Speaker 4: So you could see how.

790
00:39:45,480 --> 00:39:47,279
Speaker 5: Like we didn't really get into food, Like they didn't

791
00:39:47,280 --> 00:39:50,279
Speaker 5: know anything about in terms of what she might eat.

792
00:39:50,360 --> 00:39:52,359
Speaker 5: They didn't even offer me any food, which I thought

793
00:39:52,440 --> 00:39:53,040
Speaker 5: was strange.

794
00:39:53,400 --> 00:39:55,160
Speaker 1: Yeah, when she came in with the numbers from the

795
00:39:55,280 --> 00:39:57,600
Speaker 1: latest shipment, I almost thought maybe she should be walking

796
00:39:57,640 --> 00:39:59,000
Speaker 1: in with some brownies or something.

797
00:39:59,120 --> 00:40:00,239
Speaker 4: Yeah, that's kind of what I was hoping.

798
00:40:00,320 --> 00:40:03,560
Speaker 5: I love brownies. Yeah, do you guys have any brownies?

799
00:40:04,719 --> 00:40:09,320
Speaker 1: No, we should have brought some food for you to

800
00:40:09,440 --> 00:40:11,160
Speaker 1: talk about what's really in it?

801
00:40:11,360 --> 00:40:12,279
Speaker 4: Because I can tell now.

802
00:40:12,600 --> 00:40:18,120
Speaker 1: Okay, well what about just like a watch a McCall

803
00:40:18,200 --> 00:40:18,480
Speaker 1: it bar?

804
00:40:18,800 --> 00:40:25,799
Speaker 4: Yeah, that's my favorite song. Okay, I can remember all

805
00:40:25,800 --> 00:40:26,160
Speaker 4: the words.

806
00:40:26,960 --> 00:40:32,800
Speaker 1: Okay, it's kind of non starter. Uh I will what

807
00:40:32,920 --> 00:40:36,879
Speaker 1: about you meet me down at low F at low

808
00:40:37,040 --> 00:40:38,520
Speaker 1: F you meet me down at low F for this

809
00:40:38,600 --> 00:40:39,480
Speaker 1: watching mc call it song.

810
00:40:39,560 --> 00:40:41,120
Speaker 4: It's at the lowest level of the parking lot?

811
00:40:41,160 --> 00:40:46,200
Speaker 3: What is that? In a manner of speaking, it's you know,

812
00:40:46,400 --> 00:40:48,840
Speaker 3: like the sonic parking lot. What can you take the

813
00:40:48,920 --> 00:40:50,320
Speaker 3: elevator all the way down to the bottom?

814
00:40:50,960 --> 00:41:02,279
Speaker 1: What you might call it? Yet? What McCall it? What

815
00:41:02,560 --> 00:41:04,880
Speaker 1: you McCall it? What about a caromelo bar?

816
00:41:05,000 --> 00:41:10,600
Speaker 4: What's in those caramel and chocolate? That's did that make

817
00:41:10,680 --> 00:41:12,160
Speaker 4: the doc that's in there?

818
00:41:12,360 --> 00:41:12,560
Speaker 3: Yeah?

819
00:41:13,200 --> 00:41:13,399
Speaker 1: Yeah?

820
00:41:13,440 --> 00:41:14,719
Speaker 4: Do you wanna do you wanna see that?

821
00:41:15,000 --> 00:41:17,080
Speaker 1: You want to? Sure?

822
00:41:20,040 --> 00:41:22,680
Speaker 5: I'm here at caramelo is very hard to get inside.

823
00:41:23,080 --> 00:41:24,879
Speaker 5: I'm I'm I'm told I'm going to speak with somebody

824
00:41:25,000 --> 00:41:25,640
Speaker 5: named Todd.

825
00:41:26,560 --> 00:41:31,319
Speaker 1: Hi, I'm Todd. Uh so we got your email? So yeah,

826
00:41:31,760 --> 00:41:34,560
Speaker 1: I feel like we answered the question in the email,

827
00:41:34,680 --> 00:41:37,920
Speaker 1: but we'll say it again. The caramels on the inside

828
00:41:37,960 --> 00:41:39,520
Speaker 1: and then the chocolate goes around it.

829
00:41:40,160 --> 00:41:43,279
Speaker 5: What about scary chemicals that could melt somebody's face off?

830
00:41:43,360 --> 00:41:43,640
Speaker 3: Todd?

831
00:41:44,440 --> 00:41:47,759
Speaker 1: Mmm? You mean like the Batman villain?

832
00:41:48,040 --> 00:41:49,759
Speaker 4: Yeah, just like that? Are those in there?

833
00:41:50,280 --> 00:41:50,560
Speaker 3: Mmm?

834
00:41:51,800 --> 00:41:54,880
Speaker 1: Hey, I'm here with the caramel and chocolate. Where do

835
00:41:54,920 --> 00:41:55,640
Speaker 1: you want me to put this?

836
00:41:55,880 --> 00:41:56,040
Speaker 3: Though?

837
00:41:56,440 --> 00:41:57,719
Speaker 1: Not a good time, Rick?

838
00:41:58,520 --> 00:42:02,160
Speaker 9: Oh wow, it's just caramela, juggler. You don't want people

839
00:42:02,200 --> 00:42:06,839
Speaker 9: to know about this. Please, it's made with It's made

840
00:42:06,880 --> 00:42:09,080
Speaker 9: with real milk and the cane sugar.

841
00:42:09,560 --> 00:42:11,400
Speaker 4: My gosh, I love the way he says the words.

842
00:42:11,760 --> 00:42:13,080
Speaker 1: Do you want to be his mom?

843
00:42:14,040 --> 00:42:14,760
Speaker 4: Are you married?

844
00:42:15,920 --> 00:42:16,040
Speaker 7: Uh?

845
00:42:16,239 --> 00:42:18,600
Speaker 1: Yeah, I'm married, but uh, I ain't got no mom.

846
00:42:19,080 --> 00:42:20,680
Speaker 4: I could be your mom.

847
00:42:21,000 --> 00:42:23,360
Speaker 3: Okay, yeah, you don't want nothing to do with my

848
00:42:23,520 --> 00:42:28,719
Speaker 3: dad though, Oh he's part of the deal. Yeah, I said,

849
00:42:28,760 --> 00:42:30,120
Speaker 3: I ain't got no mom. What is he?

850
00:42:31,000 --> 00:42:32,440
Speaker 4: Why don't I want anything to do with your dad?

851
00:42:32,440 --> 00:42:32,920
Speaker 4: What's he like?

852
00:42:33,560 --> 00:42:35,920
Speaker 1: He? Uh, he's injured.

853
00:42:37,040 --> 00:42:37,680
Speaker 4: He's injured.

854
00:42:37,880 --> 00:42:38,560
Speaker 1: Yeah, I'm not like.

855
00:42:38,680 --> 00:42:40,720
Speaker 5: I'm not like against handicap people or anything.

856
00:42:41,000 --> 00:42:44,279
Speaker 3: He used to work at the factory here, That's how

857
00:42:44,320 --> 00:42:48,080
Speaker 3: I got this job. Yeah, and now he fell into

858
00:42:48,160 --> 00:42:51,520
Speaker 3: the the machine and now he's like a caramel guy.

859
00:42:53,200 --> 00:42:57,560
Speaker 4: He's a caramelo many Yeah. Yeah, my god, that's amazing.

860
00:42:57,920 --> 00:43:01,960
Speaker 1: He's like a human are I would eat that up.

861
00:43:03,440 --> 00:43:07,840
Speaker 3: He'll love hearing that other women are in His problem

862
00:43:08,000 --> 00:43:12,359
Speaker 3: is not people not wanting to eat him. In fact,

863
00:43:12,400 --> 00:43:14,840
Speaker 3: the opposite is what he mostly deals with.

864
00:43:15,000 --> 00:43:17,600
Speaker 1: He'd like to have a nice conversation where someone didn't

865
00:43:17,640 --> 00:43:18,400
Speaker 1: try to eat him.

866
00:43:19,239 --> 00:43:21,160
Speaker 4: Oh I could see how that would be really hard.

867
00:43:21,960 --> 00:43:25,640
Speaker 5: Yeah. Yeah, I have like the opposite where I would

868
00:43:25,760 --> 00:43:28,120
Speaker 5: just love somebody to want to do anything other than

869
00:43:28,360 --> 00:43:32,000
Speaker 5: just talk to me. But I've never experienced that, you know.

870
00:43:32,360 --> 00:43:35,120
Speaker 5: So it's like we're the same, but we're different. And

871
00:43:35,200 --> 00:43:36,760
Speaker 5: I bet he and I would be like two circles

872
00:43:36,800 --> 00:43:40,920
Speaker 5: that would overlap, Yes, like two squares of chocolate, and

873
00:43:40,960 --> 00:43:42,840
Speaker 5: like the camel, like that part where you break my

874
00:43:42,920 --> 00:43:45,160
Speaker 5: part and there's like a little hole and the camel's

875
00:43:45,200 --> 00:43:46,359
Speaker 5: like bleeding in from one of the other.

876
00:43:46,520 --> 00:43:47,799
Speaker 4: Like that's like how we are.

877
00:43:48,080 --> 00:43:52,239
Speaker 1: Oh God, I spilled the camel up my it's so hot.

878
00:43:55,920 --> 00:44:01,799
Speaker 3: Well, hey, Brett, if you listen to this, maybe hit

879
00:44:01,880 --> 00:44:07,279
Speaker 3: him with the beep. So the guy spoke to Brett.

880
00:44:09,400 --> 00:44:11,879
Speaker 5: In the clips, I should mention I brought Brett along

881
00:44:11,960 --> 00:44:13,839
Speaker 5: to most of these, to most of them.

882
00:44:14,040 --> 00:44:17,719
Speaker 2: Wow, yeah, that's so interesting in what capacity?

883
00:44:18,640 --> 00:44:22,160
Speaker 5: I just wanted company, and sometimes I get nervous around strangers,

884
00:44:22,200 --> 00:44:24,279
Speaker 5: and so I wanted someone to hold my hand. He

885
00:44:24,480 --> 00:44:26,719
Speaker 5: refused each time, but I kept trying.

886
00:44:27,280 --> 00:44:29,800
Speaker 1: He wouldn't hold your hand. He said it was clammy

887
00:44:30,800 --> 00:44:33,480
Speaker 1: Brett speak on that I was looking for peas.

888
00:44:36,719 --> 00:44:36,919
Speaker 5: Yeah.

889
00:44:36,920 --> 00:44:37,839
Speaker 4: I kept saying that too.

890
00:44:38,360 --> 00:44:43,239
Speaker 1: Your metal detector does not pick up peace. That's for

891
00:44:43,440 --> 00:44:47,000
Speaker 1: real money. What do you mean? Have you ever? Have

892
00:44:47,120 --> 00:44:47,480
Speaker 1: you ever?

893
00:44:47,920 --> 00:44:52,279
Speaker 3: Have you ever once once when you're using your metal

894
00:44:52,360 --> 00:44:56,319
Speaker 3: detector and it beeps, Has it even one time?

895
00:44:57,000 --> 00:44:57,640
Speaker 1: Been peas?

896
00:44:59,160 --> 00:45:02,560
Speaker 6: I found something It looked like an old possibly an

897
00:45:02,680 --> 00:45:05,359
Speaker 6: old pe but it was like a ball.

898
00:45:06,200 --> 00:45:09,160
Speaker 1: It was it was metal, right, it was metal? Yeah,

899
00:45:09,280 --> 00:45:09,920
Speaker 1: it was metal.

900
00:45:11,280 --> 00:45:13,239
Speaker 6: Told, I'm told. It's worth a lot though, So I

901
00:45:13,280 --> 00:45:16,200
Speaker 6: think it's a pee, a metal ball.

902
00:45:16,280 --> 00:45:18,960
Speaker 1: A metal ball, and was it inside of a BB gun?

903
00:45:19,960 --> 00:45:20,200
Speaker 5: Yeah?

904
00:45:20,760 --> 00:45:23,480
Speaker 1: Oh okay, that doesn't sound like a p to me.

905
00:45:24,560 --> 00:45:27,839
Speaker 5: It's interesting that your metal detector this story, you talk

906
00:45:27,880 --> 00:45:29,480
Speaker 5: about how you found a metal ball and not the

907
00:45:29,520 --> 00:45:31,000
Speaker 5: fact that there's a metal gun around it.

908
00:45:31,719 --> 00:45:33,320
Speaker 4: But I guess everybody sees life differently.

909
00:45:34,080 --> 00:45:36,640
Speaker 1: Plenty of guns. It's the peak thing, I think.

910
00:45:36,840 --> 00:45:41,640
Speaker 4: Yeah, yeah, right, the princess and the Yeah, yeah.

911
00:45:41,719 --> 00:45:44,279
Speaker 2: What's that story doing for you? The princess and the pea?

912
00:45:45,000 --> 00:45:49,560
Speaker 6: Is there like some kind Well, I think it's ahead

913
00:45:49,600 --> 00:45:51,360
Speaker 6: of its time telling us something.

914
00:45:51,640 --> 00:45:53,680
Speaker 5: Would that be your ideal woman would be a woman

915
00:45:53,680 --> 00:45:55,960
Speaker 5: who could feel pee through like forty mattresses?

916
00:45:56,400 --> 00:45:56,600
Speaker 3: Yeah?

917
00:45:56,640 --> 00:45:58,440
Speaker 6: And how do you think she felt that pee?

918
00:45:58,840 --> 00:46:02,840
Speaker 1: Yeah, she's like a human detective. Right, yeah, exactly.

919
00:46:03,000 --> 00:46:05,319
Speaker 5: That's an amazing woman. I feel like back in back

920
00:46:05,360 --> 00:46:07,680
Speaker 5: in olden times, that was a dream girl. It was

921
00:46:07,800 --> 00:46:10,239
Speaker 5: like a human metal detector. Now you have to just

922
00:46:10,320 --> 00:46:12,560
Speaker 5: wear makeup everywhere, whole.

923
00:46:12,440 --> 00:46:17,000
Speaker 1: Foods or whatever. Should we get into the popcorn gallery. Yeah, boy,

924
00:46:17,160 --> 00:46:20,680
Speaker 1: we really should time wise, just shouldn't we be in popcorn?

925
00:46:20,800 --> 00:46:23,320
Speaker 1: And do you have the song Brett please?

926
00:46:25,680 --> 00:46:25,879
Speaker 5: Yeah?

927
00:46:26,520 --> 00:46:30,800
Speaker 1: Here it is Jingle the Keys Great.

928
00:46:32,640 --> 00:46:35,000
Speaker 3: So the popcorn gallery is where we talk to you

929
00:46:35,120 --> 00:46:39,600
Speaker 3: about our questions from our guys.

930
00:46:41,080 --> 00:46:43,440
Speaker 1: A lot of questions about white.

931
00:46:43,200 --> 00:46:47,719
Speaker 5: Heads, like is it are there really amazing? My dad

932
00:46:47,920 --> 00:46:49,880
Speaker 5: used to get those when he was in elementary school.

933
00:46:49,920 --> 00:46:52,440
Speaker 5: So that's how old God chokes.

934
00:46:53,960 --> 00:46:56,080
Speaker 1: The name based questions on these forums.

935
00:46:56,160 --> 00:46:59,560
Speaker 3: It's just a lot of questions. I asked a Jurassic World.

936
00:46:59,600 --> 00:47:01,839
Speaker 3: I'm sure that's exactly what you want to hear right now.

937
00:47:03,000 --> 00:47:05,360
Speaker 4: I mean, I'm excited, I'll talk about it.

938
00:47:05,600 --> 00:47:10,640
Speaker 3: Yeah, I'm sure you love being reminded of Lauren's success.

939
00:47:10,840 --> 00:47:13,040
Speaker 4: I mean, I really do. This is not a bit.

940
00:47:14,440 --> 00:47:18,080
Speaker 1: Very happy for I'm sure you do. You're alone on them.

941
00:47:20,400 --> 00:47:24,600
Speaker 3: Here's a question from Colt Barton, Aaron, you played the

942
00:47:24,800 --> 00:47:27,640
Speaker 3: nurse on episode of Scrubs.

943
00:47:28,160 --> 00:47:29,680
Speaker 4: Wow, these people know their stuff.

944
00:47:29,800 --> 00:47:32,720
Speaker 2: Any opinions on the recent VA hospital scandal.

945
00:47:34,880 --> 00:47:37,200
Speaker 5: Sounds with the word scandal, I'm tipping me off. I'm

946
00:47:37,200 --> 00:47:38,160
Speaker 5: gonna say it was bad.

947
00:47:38,840 --> 00:47:39,960
Speaker 1: I don't know what the story is.

948
00:47:40,840 --> 00:47:43,520
Speaker 2: I have a different question. Those guys friends in real.

949
00:47:43,440 --> 00:47:47,000
Speaker 4: Life un scrubs.

950
00:47:47,160 --> 00:47:47,359
Speaker 1: Yeah.

951
00:47:47,920 --> 00:47:50,239
Speaker 4: My understanding was was that they were this is a

952
00:47:50,320 --> 00:47:51,479
Speaker 4: question about a show that they are.

953
00:47:55,680 --> 00:47:56,160
Speaker 1: In real life.

954
00:47:56,800 --> 00:47:59,200
Speaker 5: They were good friends, was my It seemed it seemed

955
00:47:59,200 --> 00:48:04,400
Speaker 5: to be the case pranks sometimes, Yeah, because I had

956
00:48:04,440 --> 00:48:06,120
Speaker 5: a line on the show, but I was mainly a

957
00:48:06,200 --> 00:48:08,839
Speaker 5: background artist on that show for a long long time,

958
00:48:09,280 --> 00:48:11,480
Speaker 5: and sometimes Zach Braff would walk by me and slam

959
00:48:11,600 --> 00:48:13,280
Speaker 5: the papers out of my hands that I was holding.

960
00:48:14,080 --> 00:48:15,640
Speaker 1: How much of that is improvised?

961
00:48:17,239 --> 00:48:17,879
Speaker 4: What I just said?

962
00:48:18,440 --> 00:48:18,480
Speaker 1: No?

963
00:48:19,120 --> 00:48:22,000
Speaker 5: On the show, Oh oh, they would do a lot

964
00:48:22,040 --> 00:48:24,320
Speaker 5: of improv, But then I noticed that when I'd watch it,

965
00:48:24,440 --> 00:48:25,040
Speaker 5: they didn't.

966
00:48:24,800 --> 00:48:27,360
Speaker 4: Really use a lot of a lot of improv. Okay,

967
00:48:27,800 --> 00:48:28,840
Speaker 4: writers like their words.

968
00:48:30,080 --> 00:48:30,600
Speaker 2: I have no idea.

969
00:48:30,640 --> 00:48:31,000
Speaker 4: What's real?

970
00:48:31,080 --> 00:48:31,279
Speaker 1: Right now?

971
00:48:31,320 --> 00:48:37,719
Speaker 3: Guilty, here's the question, and let's get it out of

972
00:48:37,760 --> 00:48:39,279
Speaker 3: the bag. Let's get the last one out.

973
00:48:39,719 --> 00:48:40,600
Speaker 1: Oh right? Okay?

974
00:48:40,680 --> 00:48:42,320
Speaker 4: Oh god, what are the guys are scaring me?

975
00:48:42,400 --> 00:48:44,880
Speaker 2: What it's pop bunch?

976
00:48:47,680 --> 00:48:49,760
Speaker 4: Don't eat it because there's a lot of bad.

977
00:48:49,600 --> 00:48:54,520
Speaker 1: Stuff in the series of numbers. Some sort of code. Okay,

978
00:48:54,600 --> 00:48:56,680
Speaker 1: so the first question was some sort of code. Maybe

979
00:48:56,719 --> 00:48:58,840
Speaker 1: that story will continue and when we reach into the

980
00:48:58,880 --> 00:49:03,120
Speaker 1: bag again for the next question. Okay, well this is

981
00:49:03,200 --> 00:49:13,440
Speaker 1: the second question is yeah, just combination. It's a combination

982
00:49:13,560 --> 00:49:19,040
Speaker 1: of a lock, and it's a lock. I better open

983
00:49:19,120 --> 00:49:22,160
Speaker 1: it now. Is there gonna be another question? I hope

984
00:49:22,239 --> 00:49:25,319
Speaker 1: so maybe not. We were really short a time.

985
00:49:25,400 --> 00:49:30,560
Speaker 3: Okay, this question is from Jay monster face Dear Aaron

986
00:49:30,800 --> 00:49:34,680
Speaker 3: spelled like a boy version. What's the meanest thing you

987
00:49:34,760 --> 00:49:35,920
Speaker 3: ever did to a parent?

988
00:49:37,040 --> 00:49:41,640
Speaker 5: The meanest thing I ever did to a parent? I

989
00:49:41,760 --> 00:49:44,920
Speaker 5: might think of a lot of them. Uh my, does

990
00:49:44,920 --> 00:49:45,759
Speaker 5: it have to be my parent?

991
00:49:46,640 --> 00:49:46,680
Speaker 3: No?

992
00:49:46,920 --> 00:49:50,360
Speaker 4: No, no, it doesn't specify my best friend.

993
00:49:50,520 --> 00:49:52,160
Speaker 5: And this is like, it's one of these things that

994
00:49:52,160 --> 00:49:53,640
Speaker 5: I feel guilty for and when you hear it, it's

995
00:49:53,680 --> 00:49:56,160
Speaker 5: not it's not that terrible. But my best my best

996
00:49:56,200 --> 00:49:59,600
Speaker 5: friend's mom was the sweetest, sweetest woman and we.

997
00:49:59,640 --> 00:50:00,600
Speaker 4: Were watching a parade.

998
00:50:00,600 --> 00:50:04,239
Speaker 3: We'd been possible is the sweetest Yeah, alright, this is

999
00:50:04,320 --> 00:50:05,399
Speaker 3: the story has become a lie.

1000
00:50:06,080 --> 00:50:08,120
Speaker 5: No, I spoke to your mom, and I know this

1001
00:50:08,239 --> 00:50:12,320
Speaker 5: woman is definitely sweeter. We were watching a parade and

1002
00:50:12,640 --> 00:50:13,719
Speaker 5: you know, we've been out in the sun for a

1003
00:50:13,800 --> 00:50:15,719
Speaker 5: long time. I was getting kind of hungry. I was like,

1004
00:50:15,880 --> 00:50:17,840
Speaker 5: not in a good mood, and she reached over in

1005
00:50:17,880 --> 00:50:19,800
Speaker 5: the sweetest way and was like, let's put some sunscreen

1006
00:50:19,840 --> 00:50:21,960
Speaker 5: on your shoulders. And I was like, oh my god,

1007
00:50:22,120 --> 00:50:24,080
Speaker 5: I know I'd put sunscreen on like stop and like

1008
00:50:24,239 --> 00:50:26,960
Speaker 5: shrugged her like shrugged her off, and she looked so hot,

1009
00:50:27,680 --> 00:50:29,040
Speaker 5: and I was like, oh my god, I forgot. I

1010
00:50:29,080 --> 00:50:31,399
Speaker 5: can only treat my mom like that. I can't treat

1011
00:50:31,960 --> 00:50:32,920
Speaker 5: other moms like that.

1012
00:50:33,040 --> 00:50:35,000
Speaker 4: I felt terrible, and I thought.

1013
00:50:34,840 --> 00:50:37,320
Speaker 1: It was gonna be you're so hungry that you the

1014
00:50:37,400 --> 00:50:37,919
Speaker 1: sun's great.

1015
00:50:38,000 --> 00:50:39,200
Speaker 4: Oh other sounds great?

1016
00:50:39,640 --> 00:50:40,400
Speaker 1: Which is food?

1017
00:50:41,520 --> 00:50:41,759
Speaker 5: It is?

1018
00:50:41,840 --> 00:50:43,600
Speaker 4: And then that's and that's another scene in the documentary.

1019
00:50:43,760 --> 00:50:47,440
Speaker 1: It's also legal tender. Mm hmm. You go to pay

1020
00:50:47,680 --> 00:50:49,759
Speaker 1: they have on the screen somewhere. They have to have

1021
00:50:49,920 --> 00:50:53,640
Speaker 1: to accept it. They have to on any island nation. Now,

1022
00:50:54,360 --> 00:50:57,239
Speaker 1: is that the last question? Hayes Uh, yeah, I think

1023
00:50:57,360 --> 00:50:59,880
Speaker 1: that's it. Okay, great, Well, we're never gonna know what

1024
00:51:00,160 --> 00:51:03,040
Speaker 1: We don't know what that Locke was doing, and maybe

1025
00:51:03,080 --> 00:51:05,960
Speaker 1: it's for the best. Aaron, thank you so much for

1026
00:51:06,080 --> 00:51:08,880
Speaker 1: coming to all of our listeners. Please like us on Facebook,

1027
00:51:09,080 --> 00:51:11,400
Speaker 1: talk to us on the forums, rate us on iTunes,

1028
00:51:11,520 --> 00:51:13,440
Speaker 1: and the pro version. This week is going to be

1029
00:51:13,840 --> 00:51:17,600
Speaker 1: just sad Pepper, just ad Pepper and his prize. Is

1030
00:51:17,719 --> 00:51:20,480
Speaker 1: you telling us who said that you were going to

1031
00:51:20,520 --> 00:51:22,080
Speaker 1: have a bad time on our show?

1032
00:51:22,200 --> 00:51:23,719
Speaker 5: You guys keep changing, and one tod I'd have a

1033
00:51:23,760 --> 00:51:26,160
Speaker 5: bad time. They said it might be weird, okay, and

1034
00:51:26,280 --> 00:51:26,880
Speaker 5: who said that?

1035
00:51:27,040 --> 00:51:28,040
Speaker 4: Can't tell I can never tell it.

1036
00:51:28,480 --> 00:51:31,320
Speaker 1: It's just for this this person only.

1037
00:51:31,560 --> 00:51:31,880
Speaker 3: To hear it.

1038
00:51:32,040 --> 00:51:34,160
Speaker 1: It's just as bad Pepper. But you say you have

1039
00:51:34,280 --> 00:51:35,600
Speaker 1: to say their name, and you have to do it

1040
00:51:35,719 --> 00:51:38,040
Speaker 1: the very least, tell say the fun fact about your

1041
00:51:38,080 --> 00:51:40,160
Speaker 1: last appearance. I can tell you the fun fact, yes,

1042
00:51:41,000 --> 00:51:41,959
Speaker 1: and it better be fun.

1043
00:51:42,440 --> 00:51:44,200
Speaker 4: It might not be fun. And now now it might

1044
00:51:44,239 --> 00:51:45,439
Speaker 4: be kind of dark for the end of the show,

1045
00:51:45,560 --> 00:51:46,200
Speaker 4: but let's try it.

1046
00:51:46,440 --> 00:51:49,600
Speaker 5: Go ahead, So when you guys are doing your podcast,

1047
00:51:49,640 --> 00:51:54,200
Speaker 5: and we'll remind the listeners you heard loud voices outby.

1048
00:51:53,840 --> 00:51:54,480
Speaker 4: And I don't know.

1049
00:51:54,800 --> 00:51:56,640
Speaker 5: I don't know Sean well, so I don't I'm going

1050
00:51:56,719 --> 00:51:58,960
Speaker 5: to read on when something's a bit and when it's not.

1051
00:52:00,200 --> 00:52:02,440
Speaker 5: So when he walked out and asked us to come

1052
00:52:02,480 --> 00:52:06,920
Speaker 5: and apologize, I started to cry because I truly.

1053
00:52:06,560 --> 00:52:07,840
Speaker 1: Thought I was in trouble.

1054
00:52:09,239 --> 00:52:12,080
Speaker 5: So when I walked in here looking like like my

1055
00:52:12,200 --> 00:52:15,040
Speaker 5: eyes were full, I was also then then my defenses

1056
00:52:15,040 --> 00:52:19,080
Speaker 5: went up and I was a limped. So someone goes, Aaron,

1057
00:52:19,080 --> 00:52:20,440
Speaker 5: you want to say something about this, and I was like.

1058
00:52:20,600 --> 00:52:23,840
Speaker 1: No, no, I don't.

1059
00:52:24,440 --> 00:52:25,920
Speaker 4: I don't know what the fuck is happening.

1060
00:52:30,480 --> 00:52:34,440
Speaker 1: That's a good illustration. Maybe the least popular guy in comedy.

1061
00:52:36,200 --> 00:52:41,040
Speaker 4: By Hollywood Handbook.

1062
00:52:46,040 --> 00:52:50,120
Speaker 3: Hollywood Handbook is brought to you by Wolf Cool Productions

1063
00:52:50,120 --> 00:52:55,360
Speaker 3: of subsidiary of Calvin undobs Ow Baby