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Speaker 1: Uh, working out at the gym the Equinox of the mall,

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Speaker 1: because I'm training for the Tough Mutter, you know, the

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Speaker 1: the race with the electric with the electric zappers and so,

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Speaker 1: oh my and so hook up a car battery to

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Speaker 1: the treadmill. Kind of army, army, crawling on the treadmill,

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Speaker 1: kind of flat on my stomach, electrically zapped, getting zapped

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Speaker 1: on my tummy at the same time. Oh my, for

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Speaker 1: the climbing wall, I climb up the treadmill for the

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Speaker 1: it's electric or no, it's for that part. You cannot

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Speaker 1: de electrify it. Once it's electric. It is electric.

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Speaker 2: For me.

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Speaker 1: Doing the swimming through the pool, I pour some water

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Speaker 1: on the treadmill and I sort of run through.

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Speaker 2: That, run through the and the treadmill run through the water. Rufi.

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Speaker 2: At the mall, Ruthie comes over. Oh from real Hawaii.

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Speaker 1: She I guess doesn't work there, but has a lot

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Speaker 1: of friends who work there, So she hangs out there

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Speaker 1: a lot and sort of considers herself like she like

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Speaker 1: she does work there, something, likes to act like she does.

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Speaker 2: Does she wear an Equinox shirt?

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Speaker 3: Does it?

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Speaker 2: Because if she's wearing like like one of her friend's

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Speaker 2: Equinox shirt that is like too big, right, But so

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Speaker 2: does the shirt say great coach or clean?

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Speaker 1: Does Ruthie? They gave her her own job just to

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Speaker 1: be Ruthie?

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Speaker 3: Wow?

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Speaker 2: And is she dating the fellow who was a DJ

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Speaker 2: that season?

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Speaker 1: It did not we didn't talk about this. Oh, we

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Speaker 1: just didn't. It didn't get into personal stuff because she

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Speaker 1: comes over just saying stop, stop, stop it, stop it no. Yes,

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Speaker 1: And so we get into the back and forth for

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Speaker 1: a little while, and it ended up that I, because

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Speaker 1: I was in sort of a climbing mode, that I

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Speaker 1: climbed her, and then I was like helping other people up,

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Speaker 1: you know, because that is actually part of the race,

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Speaker 1: is that you don't leave anyone behind. And so the

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Speaker 1: next people are are coming up, and I'm like sort

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Speaker 1: of lifting them up, like the girls, especially the like

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Speaker 1: you know, the girls are smaller and they're not as strong,

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Speaker 1: and you.

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Speaker 2: Like, we don't say that on this show. I'm sorry,

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Speaker 2: what did I tell you? I'm sorry, I didn't know

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Speaker 2: we had We don't say that on this show. The

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Speaker 2: girls are smaller and they're not as strong. That's not

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Speaker 2: even proven. The world's passing you by now, finish the story.

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Speaker 2: You climbed them up on top of Ruthie. You pulled

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Speaker 2: up the girls only because yeah, everyone needs a pull

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Speaker 2: up every now and then. Man, woman, black or other stuff.

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Speaker 2: And I got I got the shirt, Indians and stuff.

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Speaker 2: I became. I got to be Ruthie at the gym.

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Speaker 1: Yes, hey, welcome to Hollywood Handbook and Insider's Guide to

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Speaker 1: kicking by and dropping a team right carpet lineback hallways

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Speaker 1: of this industry we call showbiz.

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Speaker 2: Yes, Hollywood Handbook.

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Speaker 3: What up? What up?

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Speaker 1: We have fun today? We've never done such an exciting

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Speaker 1: thing like this.

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Speaker 2: No, we haven't. This is the best episode. I like

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Speaker 2: to announce at the beginning that we're having our best episode.

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Speaker 2: If you've listened to other ones, I feel bad for you.

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Speaker 2: You're pathetic.

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Speaker 1: It's two guys who've been on episode before, not flagship

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Speaker 1: episodes necessarily.

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Speaker 2: That necessarily lists make good solid epps. But are they there?

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Speaker 2: You know what was missing from each of their episodes

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Speaker 2: each other? Yes?

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Speaker 1: And so sometimes we bring people in and we say, like,

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Speaker 1: maybe this wasn't the perfect combination, but maybe if we've

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Speaker 1: rearranged these pieces a little bit, this puzzle will start

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Speaker 1: to come into focus.

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Speaker 2: Well, and I'm getting into it a little bit early,

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Speaker 2: but when you're assembling people for a project like this,

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Speaker 2: you're something of a chemist or a chef m hmm.

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Speaker 1: Maybe a pinch of Kevinetts or a scientific chef, a

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Speaker 1: dash of Pat free molecular gastronomicy Yes, and it's Kevin

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Speaker 1: Attan and Pat Walsher here. And what we want to

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Speaker 1: do is have them introduce themselves, but not just in

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Speaker 1: their context as individuals, as men, but also as showrunners.

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Speaker 2: As individuals, as white men. We do have six white

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Speaker 2: men in the room today, and that's not because women

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Speaker 2: are smaller and weaker, like Hayes said, is because we

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Speaker 2: don't really know any that want to hang out with

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Speaker 2: us except for my wife.

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Speaker 1: And the biograph and uh, Kevin the production coordinator isn't

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Speaker 1: even here you taking the pictures.

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Speaker 2: Oh, that's right. There will ultimately be seven white men,

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Speaker 2: sis sis men. H.

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Speaker 1: We want our guests to talk about themselves, uh, but

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Speaker 1: also the shows they've run in the past, because what

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Speaker 1: we're trying to put together here is a showrunners panel

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Speaker 1: to teach people about the craft of building a show

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Speaker 1: from the writer's room to the Like every other room

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Speaker 1: to the bathroom, managing every facet of the of all

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Speaker 1: the different rooms involved in the show, the little kitchen part.

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Speaker 2: There's a kitchen at Yeah, what up?

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Speaker 3: What up?

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Speaker 2: Thank you? Kevin? Fan?

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Speaker 3: What up? What up?

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Speaker 2: And oh fan? As I found out.

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Speaker 1: Yes, I just silence from engineer Brett. I just want

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Speaker 1: to point out, as people are sort of announcing the

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Speaker 1: fandom of the show, uh what it says, I'm gonna

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Speaker 1: and it's not his place off the show to be

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Speaker 1: saying that. He would be punished if he did say it.

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Speaker 4: But I thought the silence was like my flagship thing.

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Speaker 2: Okay, Brett, you interrupted Kevin.

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Speaker 1: He was going to are you just remembering a word

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Speaker 1: I used like three minutes ago out black terrible use.

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Speaker 2: Okay, Brett, you're interrupting Kevin and he was trying to

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Speaker 2: say something. No.

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Speaker 5: I just wanted to say before we start that just

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Speaker 5: that term writer's room that gets thrown around, it.

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Speaker 2: Does, doesn't it. I don't love it, oh, because.

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Speaker 5: To me, I would call it like we call it

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Speaker 5: like a confessional.

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Speaker 3: It's the therapist couch.

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Speaker 5: Yeah that you know, it's a place where we go

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Speaker 5: in and it's it's such a you know, private kind

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Speaker 5: of beautiful space.

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Speaker 2: Yes, stories don't come from writing stories. Stories come from Kevin.

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Speaker 2: I don't want to interrupt you. But I also see

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Speaker 2: it as a playground, have a therapist playground. Yeah, my turn.

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Speaker 2: It could be a water slide. That's true too. Well,

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Speaker 2: just you know, we're talking about how serious it is.

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Speaker 2: You're opening up your chest, you're showing people your heart

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Speaker 2: stories and the feelings of them. But also some of

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Speaker 2: those feelings.

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Speaker 1: Is fun like a waterslide, and sometimes it can be

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Speaker 1: like a trash can.

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Speaker 2: Sure, I dare you to disagree with that, Brett.

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Speaker 3: You want to interrupt that, Brett.

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Speaker 2: Sure, some days the writer's room can be a trash can.

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Speaker 2: Some days I feel like water slide into a trash can. Yeah,

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Speaker 2: having fun all the way down, But then when you

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Speaker 2: land in the trash, stand up, banana peel draped off.

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Speaker 6: Your head, Yeah, fish skeleton in your hair, m M Heathcliff.

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Speaker 1: You would think the water would clean off the trash,

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Speaker 1: but well no, because it's at the bottom of it

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Speaker 1: just suck you out of the trash and up.

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Speaker 2: The slide, which is not Yeah, but the water not

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Speaker 2: nice slide. I've ever seen some star trek. I love

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Speaker 2: that kind of stuff. Ooh, space such a rich area

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Speaker 2: for a story.

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Speaker 1: So you guys, wait what I want to know what show?

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Speaker 1: I want a description of this space that you've created, Kevin,

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Speaker 1: that's so ripe for sharing, and also the show that

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Speaker 1: you've created it.

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Speaker 5: Right, So I work I helped to run Workaholics right now,

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Speaker 5: and I also did a pilot, very successful one canned

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Speaker 5: for ABC.

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Speaker 3: I'm sure you guys at this point it's kind of

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Speaker 3: one of those.

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Speaker 2: Brilliant but cancel brilliant freaks and geeks kind of like

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Speaker 2: gets passed around. That was That was Binds.

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Speaker 5: That was the last thing Manda Binds ever did pretty

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Speaker 5: in her life.

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Speaker 3: In her life.

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Speaker 2: It was that and she like threw a bong out

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Speaker 2: a window or something. Uh, well, that's huge.

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Speaker 5: Man, Yeah, I know that is kind of what I've

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Speaker 5: been coasting off of. But you know, Workaholics in terms

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Speaker 5: of creating a safe space, it is a place where

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Speaker 5: we can come in and we just tell each other

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Speaker 5: story about our lives and anything goes.

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Speaker 2: You're not trying to make each other cry in that room,

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Speaker 2: but if it happens, it's welcome. The only thing really

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Speaker 2: unwelcome is judgment. That's right, pat what shows did you

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Speaker 2: run and how are you doing? I'm doing great. Thanks.

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Speaker 6: I got my start on just Elden, Ah Murphy Brown

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Speaker 6: spin off with Robert Pasturelli. I said, who can we

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Speaker 6: get for a spinoff? They said, just Elden. I said,

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Speaker 6: there's the show. Nobody had bothered to check pastor Elli's

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Speaker 6: a veil. We did not have him to play the

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Speaker 6: role of Elden, but we shot it, and you know,

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Speaker 6: it lasted about four epps.

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Speaker 2: And who ultimately was your Elden?

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Speaker 6: Our Elden was a third Belushie named Alex Belushi, who

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Speaker 6: was adequate at best. He was he certainly the lesser

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Speaker 6: of the Belushies.

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Speaker 2: Yeah.

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Speaker 6: After that, you know, there's all these minority shows on TV.

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Speaker 6: Oh yeah, Minority Report, Blackish has the Blacks, Christella has

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Speaker 6: the latinas, Muppets has Puppets, And I go into Johnny Davis.

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Speaker 2: I go Johnny.

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Speaker 6: I got a pitch. Indigenous people of Papa, New Guinea.

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Speaker 6: Where's their show? We call it Big Papa Parentheses New Guinea.

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Speaker 6: If people don't get it, but they should.

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Speaker 2: Yeah, hopefully the parentheses you can lose them somewhere around

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Speaker 2: season four, I think so. I think people are on

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Speaker 2: board and now you know.

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Speaker 6: I created the lucrative CBS franchise Aberca Dabros, which is

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Speaker 6: about a team of magicians, which aired two full months

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Speaker 6: before the premiere of Now You See Me, and years

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Speaker 6: before Now You See Me too. I did Abrica Dabros.

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Speaker 6: I did Abrica Babies, which was like the junior edition.

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Speaker 6: I did Flabrica Dabra, which was fat.

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Speaker 2: Magicians, don't leave anyone out, you know.

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Speaker 6: I did Flabrick Cabarbar, which was a Flaberca Dabra spinoff

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Speaker 6: starring Rebel Wilson. And I did Behind the Candelabracadabra, which

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Speaker 6: was about game magicians.

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Speaker 2: That is such a thorough list. Thank you, Pat. I

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Speaker 2: like hearing this. So when you're doing all this magic stuff.

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Speaker 6: Yeah, is that your review of it?

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Speaker 2: Or no? When you're doing all this magic stuff, all

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Speaker 2: these aber kadab shows in the entire Abercadabra verse, sure,

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Speaker 2: what do you say to people who think, like, well,

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Speaker 2: isn't the whole point of magic that it's actually happening

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Speaker 2: And if you have cuts and camera tricks and special effects,

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Speaker 2: then it's really just like not even it's taking away

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Speaker 2: the only element that makes magic interesting or impressive.

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Speaker 6: Well, in its purest form, which was Abercadabros, each hour

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Speaker 6: long episode was done without cuts. Oh wow, sort of

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Speaker 6: bird Man or Nick of Time with Johnny.

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Speaker 2: Birdman has six cuts? Doesn't You can find them? It's

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Speaker 2: not easy, Yeah, go frame by frame. You do have

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Speaker 2: to go frame by frame, which I'm happy to do

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Speaker 2: because I have a lot to learn from that movie.

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Speaker 1: Can I say that you did mention a couple of

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Speaker 1: the magic shows that are personally my favorites, and it's

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Speaker 1: great for you to be so humble, But the the

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Speaker 1: hummus based magic show that you did, Cadet, That's right, Yeah,

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Speaker 1: and the one that was the crossover between the Games

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Speaker 1: Show hosted by Ben Bailey and and the magic.

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Speaker 2: Show cash Cari.

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Speaker 6: Now I'm only talking about the ones that are still

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Speaker 6: on the air, but those certainly hold a special place

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Speaker 6: in my heart.

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Speaker 2: Well, we've all run shows, haven't we? Would you?

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Speaker 3: Yeah?

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Speaker 2: Have you talked about yours? The show that you've run,

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Speaker 2: well talked about on the show before. Yeah, I've run two.

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Speaker 2: I mean I try to keep my hands in drama

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Speaker 2: and comedy. So I'm still doing Outlander. We're very excited

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Speaker 2: about the next season. I think it's about space or

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Speaker 2: something like that, and I love that stuff as part

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Speaker 2: of the very very small sliver of the population that

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Speaker 2: enjoyed comic books and Star Wars growing up, being able

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Speaker 2: to get in that sandbot talk.

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Speaker 1: To me about, oh yeah, about all the space.

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Speaker 2: It's authentically romantic and it is empowering. I think for everyone,

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Speaker 2: what what do you guys have? What's in the hopper? Yeah? Oh, brother,

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Speaker 2: I'm glad you asked. I'm not liberty to say, of course,

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Speaker 2: just one, just a little bit. Yes, the man will

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Speaker 2: have sort of a pirate shirt. We've talked a lot

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Speaker 2: about flagships. Well that's and two bones flag is uh

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Speaker 2: you know that's that's a flagship too. And the man

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Speaker 2: will have a pirate shirt and he will be standing

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Speaker 2: like looking so that show, but obviously I also want

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Speaker 2: to laugh. So we're into pre pro. Everyone knows that

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Speaker 2: nightmare on pasta mon Hello Italian Jamaican family, spaghetti colnder

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Speaker 2: on our Head, spaghetti dreads, uh, fettuccini dreads. The list

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Speaker 2: goes on tagli itally all handmade spinish pasta, whole wheat,

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Speaker 2: sundried tomato, pesto as shampoo, and what's it about.

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Speaker 6: The pasta mot is sheriff? Okay, A mean sheriff. I

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Speaker 6: mean I saw it on Deadline. I want to hear

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Speaker 6: it horse's mouth.

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Speaker 2: What's it about? Yeah, I guess it's about we all

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Speaker 2: wear masks, don't we? Yeah? Well, what if the mask was,

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Speaker 2: instead of being over your face, on the top of

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Speaker 2: your head, and it was a spaghetti calendar and it

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Speaker 2: had sort of dreads coming out of it. So that's you.

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Speaker 4: Know the Eldente.

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Speaker 2: Brett You interrupted me, Hayes, did you run a show?

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Speaker 6: I thought, By the way, the most fascinating aspect of

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Speaker 6: Outlander to me is that they shoot it in Detroit.

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Speaker 2: Oh really yeah, yeah, I remember that when I was

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Speaker 2: doing that.

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Speaker 3: Yeah.

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Speaker 6: Oh, those lush countrysides and moors and landscapes.

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Speaker 2: I don't know how they do it that you would say,

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Speaker 2: oh really.

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Speaker 6: Yeah, well it's been pretty checked out.

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Speaker 2: I had gotten so in this, you know, pre pro

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Speaker 2: can be a nightmare. Sure, I had gotten so into

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Speaker 2: the Postamon world that I was in some ways divorcing

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Speaker 2: myself from that Outlander thing where we're doing in Detroit.

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Speaker 2: I guess I.

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Speaker 6: Will say, you seem to have a very hazy understanding

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Speaker 6: of postumon as well.

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Speaker 3: Though.

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Speaker 2: Well, what I like to say is every time you

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Speaker 2: define what the show is, who the characters are, where

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Speaker 2: it's set, what's happening in the show, you are closing

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Speaker 2: off so many avenues that I like to stay open.

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Speaker 2: I don't like to say the show is this.

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Speaker 7: I like to say the show could be something like

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Speaker 7: this if you like that, or we'll change it. Yeah,

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Speaker 7: And it's that kind of malleability, yeah, because they have

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Speaker 7: so much freedom to pitch just literally anything, and they

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Speaker 7: know ultimately I'm going to go down the hall, you know,

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Speaker 7: put my buds in and just click clack it away

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Speaker 7: and some.

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Speaker 2: Gold's gonna come out. But it's all gonna be inspired

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Speaker 2: by what they have said. Has you ever run a

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Speaker 2: show or TV show?

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Speaker 1: I did a show called Sugarman's Halloween. It was an

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Speaker 1: anthology show hosted by the Sugarman.

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Speaker 2: Searching for Sugar Rodriguez.

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Speaker 1: Yeah, about the different things that he thinks are scary,

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Speaker 1: and the scariest thing to him is fame is like

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Speaker 1: being recognized for his fame.

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Speaker 2: Amen.

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Speaker 1: So it's a lot of him playing a song and

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Speaker 1: then getting scared.

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Speaker 2: Of the good song that he's playing.

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Speaker 1: So he's like looking at his guitar and he's like

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Speaker 1: getting kind of freaked out by the song Big So Good,

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Speaker 1: and then he starts to like try to run away

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Speaker 1: from his guitar while he's playing it, so like he

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Speaker 1: can't really stop playing the guitar, and he seems kind

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Speaker 1: of like amazed that it's going with him while he's

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Speaker 1: playing the song.

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Speaker 2: What's the name of the Corkscrew? Pastas the Okay, well

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Speaker 2: that's season two, by the way, go ahead, what were you?

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Speaker 2: What else did you do? No? What what is season two?

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Speaker 2: Pastam on?

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Speaker 3: Yeah?

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Speaker 2: I was just I had said handmade tag Telly Dreadlocks

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Speaker 2: season two, Season two, maybe we go into Fassili. I

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Speaker 2: just had that idea. I wanted to record it. This

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Speaker 2: is where I get a lot of the ideas for

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Speaker 2: my shows as I go back and listen to what

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Speaker 2: I said on the podcast.

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Speaker 5: The other thing, I you know, and I didn't know

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Speaker 5: if I should bring this up where we're at.

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Speaker 6: You're just as safe here as you are on your writers.

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Speaker 5: Thank you, but the kind of I think it was

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Speaker 5: three weeks of helping to run this show my stint here.

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Speaker 5: Oh yeah, yeah, and you know you didn't even talk

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Speaker 5: about it beforehand, and I.

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Speaker 1: Know you showed up at a pivotal turning point for

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Speaker 1: the show.

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Speaker 2: You helped to define a lot of the culture here. Yeah,

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Speaker 2: it remains. And you, if I remember correctly, you pitched

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Speaker 2: Engineer Brett.

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Speaker 5: Yeah, that was the one thing I can take credit for.

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Speaker 5: And you know, I wouldn't say I ran the show.

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Speaker 5: I ran it with the two of you, but I

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Speaker 5: knew there was something missing.

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Speaker 2: Do you remember what the what the pitch was.

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Speaker 5: You can tell the story. This is not my story

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Speaker 5: to tell if you want, if you want to put

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Speaker 5: that out there.

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Speaker 2: Yeah, he's so humble about it. I don't you know.

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Speaker 3: Again, I go back to I go back to it.

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Speaker 5: Being a confessional booth, a church, a Buddhist monastery. But

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Speaker 5: this is again, this is your show, fly little birdie fly.

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Speaker 2: Mm hmm.

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Speaker 1: My recollection of it is that you were late that day, okay,

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Speaker 1: and you know we were all sort of like should

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Speaker 1: we get started, like do we just do we just

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Speaker 1: go home.

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Speaker 2: So quick that you get used to that guiding hand?

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Speaker 1: Yes, yes, And then Kevin comes in soaking wet.

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Speaker 2: Not with water or we should say no with I

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Speaker 2: guess juice. Yeah, some kind of juice. I think you

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Speaker 2: said it was tangilo or a guava, right, it's like

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Speaker 2: a green five. But oh okay, And he said, I'm

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Speaker 2: conflating two stories. You are, he said, guys, I'm so sorry.

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Speaker 2: I'm lee. I was just at Gelsids.

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Speaker 1: I was doing my shopping and this this guy, uh

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Speaker 1: just suddenly flew into the store on a sled. The

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Speaker 1: automatic door is opened for him, and he smashed into

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Speaker 1: all the juice and he spilled juice everywhere on like

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Speaker 1: sort of a roller sled that it looked like was

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Speaker 1: something that he invented. And he had a beard, and

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Speaker 1: he was wearing a little newsboys cap, and he seemed

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Speaker 1: like he liked to pretend that he loved music. And

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Speaker 1: I think this is a guy that you should that

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Speaker 1: you should have on your show.

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Speaker 3: I said, do that again what you just did? Can

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Speaker 3: you do that again?

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Speaker 5: He did it four more times, and we were both

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Speaker 5: arrested and we came straight here. So sorry if I

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Speaker 5: was an hour and a half late.

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Speaker 2: No, no one was mad about any of that. And

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Speaker 2: you had the juice on you, and he did it

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Speaker 2: four more times, and he's done it one hundred times

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Speaker 2: since then. And it's the only thing he does, and

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Speaker 2: it's the only thing he needs to do. Pretending he

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Speaker 2: likes music is such a huge part of Engineer Bread.

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Speaker 2: Today is the first day I've seen him not in

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Speaker 2: a Beatles T shirt. And the Beatles, as we all know,

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Speaker 2: are this little the group. And he's decided to go

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Speaker 2: into sort of the counterculture film world today by wearing

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Speaker 2: a Star Wars T shirt. But he somehow finds these

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Speaker 2: little niche you know, artists and these weird.

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Speaker 1: Characters, even from Star Wars that are like the deep

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Speaker 1: cuts that people.

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Speaker 2: Don't know about. I've never seen some of these guys. Yeah,

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Speaker 2: like Darth Vader. I'm a huge fan of the movie.

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Speaker 2: I've never seen some of these guys.

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Speaker 6: Well, you put a shirt like that on, and then

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Speaker 6: you go out you meet a young lady in a

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Speaker 6: Darth Vader shirt as well, and you're like, well, now.

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Speaker 2: I know this is my soulmate. Yeah exactly, which is exciting.

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Speaker 2: So if they know.

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Speaker 4: This Stormtrooper that's on it, yeah, I mean that's just

401
00:22:38,560 --> 00:22:39,440
Speaker 4: instant connection.

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Speaker 2: Yeah, Bruce, I just want to say.

403
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Speaker 6: Kevin, I had to pass on running this show, and

404
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Speaker 6: I'm so glad that you got that job and not

405
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Speaker 6: somebody I didn't like and respect. Maybe it's tacky to

406
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Speaker 6: bring it up, but you know, I think you knew

407
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Speaker 6: I was I was going to be the first choice.

408
00:22:57,080 --> 00:22:57,679
Speaker 3: Absolutely.

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Speaker 6: I hope you nailed it a second and it sounds

410
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Speaker 6: like you did. I think so second or we the

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Speaker 6: people between.

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Speaker 2: There were Yeah, I mean I don't you know, numbers

413
00:23:07,000 --> 00:23:10,239
Speaker 2: are not my strong suit. I'm a guy. Yeah, so

414
00:23:10,280 --> 00:23:12,879
Speaker 2: we don't necessarily to get into like who was in

415
00:23:12,920 --> 00:23:16,760
Speaker 2: between Pat or whether Pat was even first, but what

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00:23:16,800 --> 00:23:19,760
Speaker 2: we really think, you know, yeah, we and you may

417
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Speaker 2: have been my.

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Speaker 6: Agent told me, and agents are notoriously very honestly.

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Speaker 1: Should we build a room? I mean, is this is

420
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Speaker 1: it time? Would be so fun for us to just

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00:23:28,800 --> 00:23:29,600
Speaker 1: jump into Is it.

422
00:23:29,560 --> 00:23:32,159
Speaker 2: Time to get our hammer and saw out of the

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Speaker 2: toolbox and build the perfect room. We've all worked in

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00:23:37,640 --> 00:23:46,399
Speaker 2: many confessionals. Uh, Buddhist monasteries, no mistake, Uh, water water parks,

425
00:23:46,760 --> 00:23:51,840
Speaker 2: trash cans, trash cans as well. And oh and also

426
00:23:51,840 --> 00:23:55,720
Speaker 2: I ran the show The Grinder, and we have all

427
00:23:55,760 --> 00:23:59,080
Speaker 2: worked in those environments. And uh, and I ran community

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00:23:59,080 --> 00:24:07,600
Speaker 2: and arrest development genius, so we know, yes, so we

429
00:24:07,680 --> 00:24:11,159
Speaker 2: know what it takes to create a great room. So

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Speaker 2: let's do sort of a fantasy.

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Speaker 1: This is the part of this is sort of the

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Speaker 1: first responsibility of any showrunner. You say, Okay, it's time

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Speaker 1: for me to assemble my team, and so you draw

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Speaker 1: from a pool of all the available writers. But what

435
00:24:24,280 --> 00:24:27,440
Speaker 1: a pleasure this will be for us where everybody's on

436
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Speaker 1: the table.

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00:24:28,080 --> 00:24:32,400
Speaker 6: Ideally you get an Avengers, an Ocean's eleven, not Abrika Dabros.

438
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Speaker 6: And you don't wind up with some like the benchwarmers,

439
00:24:35,880 --> 00:24:40,040
Speaker 6: you know, Peter Schneider, the other guy, Swarzton.

440
00:24:40,880 --> 00:24:45,639
Speaker 2: Yeah, a bunch of great, great tastes that tastes great together. Me.

441
00:24:46,200 --> 00:24:48,760
Speaker 2: You know, I'm I love that you got to sports

442
00:24:48,760 --> 00:24:50,400
Speaker 2: because I do think of it like a sports team,

443
00:24:50,440 --> 00:24:56,000
Speaker 2: and I'm so into soccer. I'm yes, you need the kicker,

444
00:24:56,280 --> 00:25:00,680
Speaker 2: the kicking guy. You got to have the strong guy. Yeah,

445
00:25:00,720 --> 00:25:05,040
Speaker 2: you're going to need a runner or some kind of yeah,

446
00:25:05,240 --> 00:25:08,960
Speaker 2: some kind of Uh did I say strong man? I

447
00:25:08,960 --> 00:25:10,840
Speaker 2: think you did, And a referee.

448
00:25:11,600 --> 00:25:14,679
Speaker 6: So we're supposed to pick the best writer in our minds.

449
00:25:15,600 --> 00:25:17,000
Speaker 6: Can you go TV and film?

450
00:25:17,960 --> 00:25:21,439
Speaker 1: Yeah, And we're drafting based on need. So once we

451
00:25:21,520 --> 00:25:24,119
Speaker 1: have somebody on the team, then we don't need someone

452
00:25:24,160 --> 00:25:27,600
Speaker 1: with a similar you don't need to kick. Yes, can

453
00:25:28,480 --> 00:25:31,639
Speaker 1: you can go TV or film? You can what you

454
00:25:31,640 --> 00:25:33,800
Speaker 1: can go TV or film and living or TV or

455
00:25:33,800 --> 00:25:38,240
Speaker 1: film living you're dead? Okay, So let's not forget Kevin Smith,

456
00:25:38,320 --> 00:25:43,000
Speaker 1: Kevin Simmons Smith. Okay, So what is that Kevin Smith?

457
00:25:43,119 --> 00:25:45,879
Speaker 1: What is that fulfilling for us?

458
00:25:46,280 --> 00:25:46,399
Speaker 3: So?

459
00:25:46,480 --> 00:25:46,920
Speaker 2: What's off?

460
00:25:47,119 --> 00:25:47,320
Speaker 3: Well?

461
00:25:47,359 --> 00:25:49,160
Speaker 2: You know, well, I mean what do we have?

462
00:25:49,400 --> 00:25:51,679
Speaker 6: You know, you know him best from his his fell

463
00:25:51,840 --> 00:25:55,080
Speaker 6: mouthed indie comedies in a shoe string budget. I take

464
00:25:55,119 --> 00:25:57,520
Speaker 6: them all the way down to his new forays into

465
00:25:57,560 --> 00:26:02,960
Speaker 6: horror and suspense with Tusk, about a man who was

466
00:26:03,080 --> 00:26:04,440
Speaker 6: fused with a walrus.

467
00:26:04,720 --> 00:26:08,520
Speaker 1: Yeah, and discovering marijuana at age forty three.

468
00:26:08,800 --> 00:26:12,720
Speaker 6: I think that helped him immensely, helped him focus, helped

469
00:26:12,760 --> 00:26:14,120
Speaker 6: him really get in the pub, not.

470
00:26:14,160 --> 00:26:18,640
Speaker 2: Just discovering but making it his primary personality.

471
00:26:18,920 --> 00:26:24,280
Speaker 6: Yes, all that in the long shorts in the Hockey Jersey. Yes, Tusk,

472
00:26:24,760 --> 00:26:27,520
Speaker 6: for my money, was the best man Walrus movie of

473
00:26:27,520 --> 00:26:32,360
Speaker 6: that year, second best one, top two. Wow, I hate

474
00:26:32,400 --> 00:26:35,960
Speaker 6: to take everybody's number one. Well, yeah, well it's hockey.

475
00:26:37,960 --> 00:26:40,560
Speaker 2: We wouldn't be in this, you know, we wouldn't be

476
00:26:40,640 --> 00:26:42,719
Speaker 2: where we are in this business if we weren't competitive

477
00:26:42,920 --> 00:26:46,440
Speaker 2: and so getting socked in the jaw where you come

478
00:26:46,480 --> 00:26:50,160
Speaker 2: out with maybe the best writer on the table, and

479
00:26:50,200 --> 00:26:52,320
Speaker 2: I go like, well, now I'm scrambling because that was

480
00:26:52,359 --> 00:26:54,600
Speaker 2: my pick. Yeah, yeah, Shakespeare and Jean Shorts.

481
00:26:56,119 --> 00:26:59,479
Speaker 5: I mean, now that he's gone, now that Kevin Smith's

482
00:26:59,480 --> 00:27:04,320
Speaker 5: off the table. I wasn't going to do this this early,

483
00:27:04,600 --> 00:27:10,800
Speaker 5: but Hayes' story about Ruthie brought me back to someone

484
00:27:10,840 --> 00:27:14,280
Speaker 5: who I'm I'm going to bump up, let's say, but

485
00:27:14,720 --> 00:27:21,040
Speaker 5: I think for my money tech money, Okay, is the

486
00:27:21,119 --> 00:27:25,680
Speaker 5: guy who I want in their spinning stories?

487
00:27:26,359 --> 00:27:28,440
Speaker 2: Yeah? And what does he bring to the table specifically

488
00:27:28,480 --> 00:27:31,200
Speaker 2: for you? Obviously he's a storyteller, but is there something

489
00:27:31,240 --> 00:27:32,600
Speaker 2: about his energy.

490
00:27:32,880 --> 00:27:36,800
Speaker 5: Or No, it's it's just the storytelling he did I

491
00:27:36,800 --> 00:27:40,040
Speaker 5: think three or four years of Pixar just cranking with

492
00:27:40,080 --> 00:27:43,119
Speaker 5: those guys. He's a guy that is just going to

493
00:27:43,200 --> 00:27:47,840
Speaker 5: be relentless about what does this act break?

494
00:27:47,960 --> 00:27:50,000
Speaker 3: Does this make sense?

495
00:27:53,040 --> 00:27:56,480
Speaker 5: You've seen the twenty two Rules of Storytelling by Pixar?

496
00:27:57,240 --> 00:28:01,000
Speaker 2: Well have I seen it? You read it, I've memorized it.

497
00:28:01,600 --> 00:28:06,880
Speaker 2: Coincidences that got your character into trouble are fine? Coincidence

498
00:28:06,920 --> 00:28:10,280
Speaker 2: that get your character out of trouble. Tech's going to

499
00:28:10,320 --> 00:28:13,080
Speaker 2: beat that ass, you know what I mean? And he

500
00:28:13,119 --> 00:28:13,879
Speaker 2: did beat me up.

501
00:28:14,080 --> 00:28:15,719
Speaker 6: Yeah, I hate to be a babe in the woods here.

502
00:28:15,760 --> 00:28:18,159
Speaker 6: I don't know who this man is talking about it.

503
00:28:19,200 --> 00:28:20,880
Speaker 1: That's the thing about a lot of these picks, our guys,

504
00:28:20,920 --> 00:28:24,200
Speaker 1: they don't like get so much credit because they're part

505
00:28:24,240 --> 00:28:28,159
Speaker 1: of like a larger machine. The gentleman's name is Tech Money,

506
00:28:28,480 --> 00:28:31,160
Speaker 1: and he's a that's a sort of extended name. Yeah,

507
00:28:31,240 --> 00:28:33,960
Speaker 1: his his original name was Tech. He was he was

508
00:28:33,960 --> 00:28:34,480
Speaker 1: a cast.

509
00:28:34,280 --> 00:28:40,040
Speaker 2: Member on Real World Turned and they gradually no no

510
00:28:40,040 --> 00:28:43,840
Speaker 2: no Irene had lined. Then I don't know Steve Ruthie

511
00:28:43,880 --> 00:28:47,360
Speaker 2: jumped in the pool naked. She has an okay, yeah,

512
00:28:47,440 --> 00:28:49,160
Speaker 2: then I do know who he is. I must have

513
00:28:49,200 --> 00:28:53,800
Speaker 2: forgotten and Amaya and Tech and Collin. He was the

514
00:28:53,840 --> 00:28:59,000
Speaker 2: breakout kind of storyteller character. Sure, that's a good pick,

515
00:29:00,240 --> 00:29:00,920
Speaker 2: what I was thinking.

516
00:29:00,920 --> 00:29:04,360
Speaker 1: Sometimes you draft people who that have been involved with

517
00:29:04,680 --> 00:29:07,600
Speaker 1: shows that like, maybe you take some of that magic

518
00:29:07,920 --> 00:29:11,800
Speaker 1: for your own show. If we could get any of

519
00:29:11,800 --> 00:29:14,600
Speaker 1: what the Simpsons has had going for for so long

520
00:29:14,720 --> 00:29:19,120
Speaker 1: for this room, So we take somebody that's been involved there,

521
00:29:20,160 --> 00:29:24,320
Speaker 1: I wonder if we could get Wade Boggs, who was

522
00:29:24,360 --> 00:29:26,240
Speaker 1: at that episode of First Word going in front of

523
00:29:26,240 --> 00:29:30,600
Speaker 1: Home or as friends with all the baseball guys, if

524
00:29:31,280 --> 00:29:33,880
Speaker 1: if he would be a good presence in the show.

525
00:29:33,880 --> 00:29:39,440
Speaker 1: He also famously would drink seventy beers on every cross

526
00:29:39,480 --> 00:29:40,800
Speaker 1: country flight.

527
00:29:41,520 --> 00:29:43,320
Speaker 2: I mean that a little bit steps on mine. I

528
00:29:43,360 --> 00:29:47,080
Speaker 2: was going to take drag and bender. Oh okay, the

529
00:29:47,640 --> 00:29:50,560
Speaker 2: I agree, Yeah, new power forward for the Phoenix ung. Yeah,

530
00:29:50,640 --> 00:29:54,720
Speaker 2: I think maybe that is that space is filled. Yeah,

531
00:29:54,760 --> 00:29:58,320
Speaker 2: so I guess what I have to do now is

532
00:29:58,400 --> 00:30:02,040
Speaker 2: pivot and that's always know welcome. And I think who

533
00:30:02,040 --> 00:30:05,400
Speaker 2: I would probably take is Pizzazz, who I think was

534
00:30:05,440 --> 00:30:10,560
Speaker 2: the rival of Jem on Jem and the Holograms. Her

535
00:30:10,600 --> 00:30:17,000
Speaker 2: band was in many ways more popular, Yeah, but also

536
00:30:17,840 --> 00:30:22,400
Speaker 2: didn't have the same trick with the earrings with synergy guys.

537
00:30:22,480 --> 00:30:24,600
Speaker 2: Elephant in the room here. Can she write?

538
00:30:25,160 --> 00:30:25,360
Speaker 3: You know?

539
00:30:25,440 --> 00:30:27,760
Speaker 6: Do we know if she can write? Because we're assembling

540
00:30:27,840 --> 00:30:30,200
Speaker 6: a lot a pretty heavy non rider.

541
00:30:30,360 --> 00:30:33,400
Speaker 2: Somebody is going to be in charge of music. I mean,

542
00:30:33,840 --> 00:30:34,360
Speaker 2: but the you.

543
00:30:34,280 --> 00:30:36,400
Speaker 6: Know, the original goal was writers. I went with a

544
00:30:36,440 --> 00:30:40,720
Speaker 6: writer and then we had three people with no ties

545
00:30:40,760 --> 00:30:41,520
Speaker 6: to writing at all.

546
00:30:41,560 --> 00:30:44,200
Speaker 2: That's concern. Have you ever been assembling the scene? And

547
00:30:44,240 --> 00:30:46,560
Speaker 2: I'm asking this question even though I hope I know

548
00:30:46,640 --> 00:30:48,280
Speaker 2: the answer. Have you ever been assembling the scene and

549
00:30:48,320 --> 00:30:51,120
Speaker 2: go this doesn't work and you put the right song

550
00:30:51,200 --> 00:30:55,560
Speaker 2: underneath it, and all of a sudden it's funny and cool. Sure,

551
00:30:56,280 --> 00:30:59,440
Speaker 2: all right, good point. Well that's what Pizzazz is bringing

552
00:30:59,480 --> 00:31:00,800
Speaker 2: to the table. Welcome a board post.

553
00:31:00,840 --> 00:31:03,080
Speaker 1: And I also want people that have lived their lives.

554
00:31:03,240 --> 00:31:05,320
Speaker 1: I don't want people that only know.

555
00:31:06,040 --> 00:31:08,080
Speaker 6: I gotta say dream team though, even never getting a

556
00:31:08,160 --> 00:31:12,040
Speaker 6: musician living or dead, I don't know that that I

557
00:31:12,200 --> 00:31:16,240
Speaker 6: leaned towards Pizzazz for that, for that music supervisor role.

558
00:31:16,520 --> 00:31:22,320
Speaker 2: Well, what we know Pizzazz has his experience. I don't

559
00:31:22,360 --> 00:31:25,920
Speaker 2: know that. We do know that. We're pretty sure we

560
00:31:26,000 --> 00:31:28,960
Speaker 2: think she was probably Jim's rival maybe on that show.

561
00:31:29,280 --> 00:31:34,840
Speaker 2: And what we what we really know about her is

562
00:31:34,880 --> 00:31:38,280
Speaker 2: that she had some frustrations in the business, that she

563
00:31:38,320 --> 00:31:41,800
Speaker 2: maybe wasn't the biggest star in the world. That she

564
00:31:41,880 --> 00:31:44,080
Speaker 2: knows how it feels to get burned, to get upstaged

565
00:31:44,120 --> 00:31:46,560
Speaker 2: by Jim whose original name was Jered.

566
00:31:46,600 --> 00:31:51,880
Speaker 6: Why don't we get Jim because Jim Jim's let me Shaw,

567
00:31:51,960 --> 00:31:56,400
Speaker 6: Who's a better coach, you know, Michael Jordan or Steve Kerr.

568
00:31:56,800 --> 00:32:01,440
Speaker 2: Steve Kerr probably I haven't seen Jordan coach. But the

569
00:32:01,520 --> 00:32:05,280
Speaker 2: point is, when someone achieves the heights that Jim achieved,

570
00:32:05,560 --> 00:32:07,640
Speaker 2: they don't need to know how to teach it. They

571
00:32:07,640 --> 00:32:09,640
Speaker 2: don't need to know how to instruct. They don't know

572
00:32:09,680 --> 00:32:11,520
Speaker 2: what goes and put together because it just comes to

573
00:32:11,600 --> 00:32:15,040
Speaker 2: natural to them. They can just do it. Take me

574
00:32:15,080 --> 00:32:19,720
Speaker 2: as a writer, I'm so funny. Naturally, it's hard for

575
00:32:19,760 --> 00:32:22,560
Speaker 2: me to tell someone how to do it. But you

576
00:32:22,680 --> 00:32:27,480
Speaker 2: get like an engineer, Brett, he probably could give some

577
00:32:27,480 --> 00:32:31,240
Speaker 2: pretty good instructions because he's been trying for so long

578
00:32:31,480 --> 00:32:35,800
Speaker 2: to get anything going. He's possessed.

579
00:32:36,680 --> 00:32:39,200
Speaker 1: I hope he's had to study the rules so closely

580
00:32:39,320 --> 00:32:42,240
Speaker 1: and hoping that eventually he's looking for a loophole.

581
00:32:42,360 --> 00:32:42,560
Speaker 3: Yeah.

582
00:32:42,640 --> 00:32:45,760
Speaker 2: Yeah, look round two. I'm going to try to go

583
00:32:45,760 --> 00:32:48,240
Speaker 2: ahead and steer it to at least a second rider.

584
00:32:48,280 --> 00:32:50,240
Speaker 2: Oh wait, I want to, I just want to. Is

585
00:32:50,280 --> 00:32:52,080
Speaker 2: this a snake draft? I think it might be a

586
00:32:52,120 --> 00:32:54,080
Speaker 2: snake draft. It's a snake draft, So I gotta go

587
00:32:54,160 --> 00:32:55,719
Speaker 2: twice and then we come back around.

588
00:32:55,840 --> 00:32:59,720
Speaker 5: Oh okay, Also, Pat, just FYI tech money did right, Wally,

589
00:33:00,440 --> 00:33:01,840
Speaker 5: So we're not dealing with it.

590
00:33:02,040 --> 00:33:04,440
Speaker 2: Well, then say that I said he worked at Pixar

591
00:33:04,520 --> 00:33:07,800
Speaker 2: for three years. He didn't. Sorry, he wrote, Wally, he

592
00:33:07,800 --> 00:33:11,920
Speaker 2: didn't get credited for it. Okay, I don't know. We

593
00:33:12,000 --> 00:33:14,320
Speaker 2: know that works. I ran rest of development and freaking

594
00:33:14,360 --> 00:33:20,200
Speaker 2: geeks just again. Now we have Tech nine pizzazz an anime.

595
00:33:20,360 --> 00:33:25,920
Speaker 2: You're a little bit of deuce. All right, let's take

596
00:33:25,920 --> 00:33:29,000
Speaker 2: it back around. He's wilful. Let's take it back around

597
00:33:29,080 --> 00:33:34,360
Speaker 2: willfully up tous. Okay, he wants someone who has written.

598
00:33:35,560 --> 00:33:37,520
Speaker 2: Pat wants a writer so bad. I don't want to

599
00:33:37,520 --> 00:33:40,960
Speaker 2: see his head pop off. So let me just think

600
00:33:41,040 --> 00:33:44,040
Speaker 2: for one second. I have to ignore what my original

601
00:33:44,080 --> 00:33:50,520
Speaker 2: pick was, and I have to get a writers is closer.

602
00:33:50,600 --> 00:33:54,200
Speaker 2: She's in the entertainment. No, no, no, we'll do it

603
00:33:54,280 --> 00:33:58,440
Speaker 2: your way. I'll probably take Kelly Oxford.

604
00:34:00,800 --> 00:34:01,400
Speaker 3: You know what I mean.

605
00:34:02,520 --> 00:34:05,360
Speaker 2: Freaking everything's perfect when you're a liar is a book.

606
00:34:06,440 --> 00:34:09,000
Speaker 1: And well, honestly, if you have Kelly Oxford, you have

607
00:34:09,080 --> 00:34:13,920
Speaker 1: her kids, Okay, and her kids are constantly saying these

608
00:34:14,200 --> 00:34:17,920
Speaker 1: like unbelievable.

609
00:34:17,080 --> 00:34:20,120
Speaker 2: Phone mo, and that's bringing in what are we talking?

610
00:34:20,160 --> 00:34:21,200
Speaker 3: One hundred and twenty k?

611
00:34:21,960 --> 00:34:26,919
Speaker 2: Yeah, eyeballs, yes, immediately, and so socials instant are off

612
00:34:26,960 --> 00:34:31,800
Speaker 2: the instant, No, you're tracking off the charts.

613
00:34:31,840 --> 00:34:34,200
Speaker 1: And so I would love Kelly Oxford if only for

614
00:34:34,480 --> 00:34:37,360
Speaker 1: she can show up in the room every day and see, say, like, guys,

615
00:34:37,480 --> 00:34:41,040
Speaker 1: this morning, my kid was like, Hey, this waffle looks

616
00:34:41,040 --> 00:34:44,080
Speaker 1: like Donald Trump's hair. Yeah, and so then and then

617
00:34:44,200 --> 00:34:47,040
Speaker 1: we can if we're allowed to use the stuff that

618
00:34:47,080 --> 00:34:47,520
Speaker 1: her kids.

619
00:34:47,680 --> 00:34:50,080
Speaker 2: That's just saying nothing from you know, stories from the

620
00:34:50,080 --> 00:34:53,760
Speaker 2: set of Aloha. So it's like we're getting so many

621
00:34:53,800 --> 00:34:58,799
Speaker 2: different elements with just one pick. She's a writer, yes,

622
00:34:58,840 --> 00:35:03,000
Speaker 2: she's not just a writer. Oh, she's in it. I

623
00:35:03,040 --> 00:35:10,560
Speaker 2: saw Loha. Yeah, well and you've seen my girl watching

624
00:35:10,600 --> 00:35:12,879
Speaker 2: it again, So I guess I'll look for her next time.

625
00:35:13,520 --> 00:35:17,000
Speaker 1: Can I just say I love what a diverse room

626
00:35:17,040 --> 00:35:21,560
Speaker 1: we're putting together. We have two ladies in the room.

627
00:35:21,560 --> 00:35:25,200
Speaker 1: I think that's probably good. We have we have tech

628
00:35:25,280 --> 00:35:28,800
Speaker 1: of course, who's uh, there's a minority.

629
00:35:28,360 --> 00:35:29,840
Speaker 2: Presence who knows what he is.

630
00:35:29,920 --> 00:35:32,400
Speaker 1: Yeah, I think to round it out, it would be

631
00:35:32,440 --> 00:35:38,839
Speaker 1: great to have a strong Italian character, something like, uh,

632
00:35:39,560 --> 00:35:40,240
Speaker 1: cousin Vinnie.

633
00:35:40,280 --> 00:35:43,359
Speaker 2: I think Cousin Vinnie would be that could really help us.

634
00:35:43,480 --> 00:35:45,680
Speaker 2: Would be great for this room. What I love about

635
00:35:45,719 --> 00:35:48,920
Speaker 2: Cousin Vinnie is he calls you on your bullshit. Yes,

636
00:35:49,719 --> 00:35:55,200
Speaker 2: he's not somebody who is going to see a magic show,

637
00:35:55,760 --> 00:36:00,720
Speaker 2: no offense to Abercadabros and not say how the trick worked.

638
00:36:00,920 --> 00:36:03,120
Speaker 2: I remember this from a speech in the movie.

639
00:36:04,040 --> 00:36:06,719
Speaker 6: But you now you know that Cousin Vinnie is a

640
00:36:06,760 --> 00:36:07,760
Speaker 6: fictitious character.

641
00:36:07,840 --> 00:36:10,560
Speaker 1: You must know that, yes, but that's what makes him

642
00:36:10,560 --> 00:36:14,400
Speaker 1: so good at right because he knows what to do.

643
00:36:14,600 --> 00:36:16,760
Speaker 2: We're gonna call an agency and say, hey, get us

644
00:36:17,080 --> 00:36:20,440
Speaker 2: Cousin Vinnie. I never thought Brett's side. I don't spoil

645
00:36:20,520 --> 00:36:22,080
Speaker 2: the movie, Please don't spoil.

646
00:36:21,800 --> 00:36:25,239
Speaker 6: It came about twenty four years ago.

647
00:36:26,640 --> 00:36:28,600
Speaker 2: We think to the death some of us are catching up.

648
00:36:29,640 --> 00:36:32,640
Speaker 2: But you know Shawn's claim that that Cousin Vinnie's binging

649
00:36:32,680 --> 00:36:37,520
Speaker 2: it with binging bidging the movies very bad. Shaun's cousin

650
00:36:37,600 --> 00:36:39,919
Speaker 2: Vinnie would be a great hire because he calls people

651
00:36:39,920 --> 00:36:43,480
Speaker 2: in their bullshit. Go with the Marissa Tomay character. She

652
00:36:43,600 --> 00:36:44,279
Speaker 2: calls people on.

653
00:36:44,640 --> 00:36:46,919
Speaker 1: Like it's not a car show and we're a little

654
00:36:46,960 --> 00:36:51,000
Speaker 1: saturated with She's also a woman, that's what cars.

655
00:36:51,200 --> 00:36:53,640
Speaker 2: That's what I'm saying we're kind of full of beautiful

656
00:36:53,719 --> 00:36:57,839
Speaker 2: easy on the eyes. Or go with a h an

657
00:36:57,880 --> 00:37:04,800
Speaker 2: actual person or a egg Jesus beautiful We've got. That's

658
00:37:04,840 --> 00:37:08,080
Speaker 2: how we're hiring easy on the eyes. You didn't like

659
00:37:08,160 --> 00:37:11,440
Speaker 2: you because I did like Pizzazz. You know, you think

660
00:37:12,320 --> 00:37:15,440
Speaker 2: picture because she had a book New York Times bestseller,

661
00:37:15,520 --> 00:37:22,920
Speaker 2: international best seller Canada counts. You fuck her? Sorry, I

662
00:37:22,960 --> 00:37:24,960
Speaker 2: got mad. That's why I liked her as a pick.

663
00:37:25,080 --> 00:37:27,440
Speaker 2: She's written, Yeah, well that's why I picked her too,

664
00:37:27,480 --> 00:37:28,680
Speaker 2: And I said that at the time.

665
00:37:28,840 --> 00:37:32,000
Speaker 1: So we've got Kevin Smith, Tech Money, Wade Boggs, Pizzazz,

666
00:37:33,200 --> 00:37:35,400
Speaker 1: Kelly Oxford, cousin Vinnie.

667
00:37:35,760 --> 00:37:37,960
Speaker 2: I mean, this isn't a good group for going to dinner,

668
00:37:38,040 --> 00:37:39,440
Speaker 2: let alone running at television.

669
00:37:39,440 --> 00:37:41,359
Speaker 1: You don't want to go to dinner with cousin Vinnie

670
00:37:41,360 --> 00:37:41,960
Speaker 1: and Pizzazz.

671
00:37:42,800 --> 00:37:45,440
Speaker 2: I'm sorry, Pat, but that.

672
00:37:47,880 --> 00:37:50,000
Speaker 1: You don't want to see cousin Vinny talk about the grits.

673
00:37:50,120 --> 00:37:53,720
Speaker 2: Yeah, he doesn't eat in syncrets. No self respecting Southerner would, Kevin.

674
00:37:53,719 --> 00:37:55,480
Speaker 6: Can I ask you to just think through your pick

675
00:37:55,560 --> 00:38:00,720
Speaker 6: for ten seconds before get me something. Okay, just think it,

676
00:38:00,520 --> 00:38:04,000
Speaker 6: think about the day to day in the room with

677
00:38:04,160 --> 00:38:10,440
Speaker 6: an alcoholics, baseball player and an animated.

678
00:38:08,400 --> 00:38:10,400
Speaker 2: Care and this monstress.

679
00:38:10,920 --> 00:38:13,920
Speaker 5: This may step on some toes, but speaking to what

680
00:38:14,000 --> 00:38:16,600
Speaker 5: you have just brought up, Pat, I gotta go with

681
00:38:16,640 --> 00:38:17,800
Speaker 5: the best writer.

682
00:38:17,920 --> 00:38:18,200
Speaker 3: I know.

683
00:38:18,960 --> 00:38:22,640
Speaker 2: It's a guy by the name of Dominic teer Keys. Okay,

684
00:38:23,120 --> 00:38:23,680
Speaker 2: there we go.

685
00:38:24,800 --> 00:38:29,040
Speaker 3: And he had a writing partner for a long time, carried.

686
00:38:28,760 --> 00:38:30,800
Speaker 2: Him, carried him.

687
00:38:31,120 --> 00:38:34,120
Speaker 5: But the guy's got it all. Yeah, he's a writer

688
00:38:35,160 --> 00:38:38,359
Speaker 5: and a performer and a human being who you'd want

689
00:38:38,360 --> 00:38:39,080
Speaker 5: to have dinner with.

690
00:38:39,120 --> 00:38:41,000
Speaker 2: Now, when you say carried him, do you mean set

691
00:38:41,040 --> 00:38:46,200
Speaker 2: him on fire through telekinesis? I think you mean traumatically?

692
00:38:46,239 --> 00:38:48,480
Speaker 2: He got this period in the opening scene. I think

693
00:38:48,520 --> 00:38:51,799
Speaker 2: you know, I don't mean that. Okay, it's just it's

694
00:38:51,800 --> 00:38:55,239
Speaker 2: for the audience. What's he doing? Is he available? What's

695
00:38:55,280 --> 00:39:02,200
Speaker 2: he doing now? Dom Yeah, he's probably busy. I just

696
00:39:02,719 --> 00:39:06,480
Speaker 2: you know, don't you have him doing? I got him

697
00:39:06,520 --> 00:39:07,480
Speaker 2: working on some stuff?

698
00:39:07,640 --> 00:39:08,000
Speaker 3: Yeah?

699
00:39:08,040 --> 00:39:10,600
Speaker 2: Like what what's like? What's going on with him? Carrying

700
00:39:10,640 --> 00:39:15,480
Speaker 2: my jockstrap? Finally earned the right? Do you mean bidding

701
00:39:15,520 --> 00:39:19,120
Speaker 2: your period in the shower carrying my jock strap? No,

702
00:39:19,239 --> 00:39:20,359
Speaker 2: that's a ridiculous question.

703
00:39:20,440 --> 00:39:25,160
Speaker 6: Yeah, I thought so as well. Well, Pat, you get

704
00:39:25,160 --> 00:39:29,000
Speaker 6: to pick now, So well, I'm going to take America's sweetheart.

705
00:39:29,040 --> 00:39:29,600
Speaker 3: What are you? Allen?

706
00:39:31,320 --> 00:39:32,439
Speaker 2: He's a he's a writer.

707
00:39:33,080 --> 00:39:37,720
Speaker 6: Yeah, you know, he's one of those guys who looks

708
00:39:38,600 --> 00:39:42,920
Speaker 6: just as natural with uh, you know, a Dame Judy

709
00:39:43,000 --> 00:39:46,359
Speaker 6: Dench or a Dakota Fanning on his arm.

710
00:39:46,840 --> 00:39:49,320
Speaker 2: We've gotten in trouble on this show before for touching

711
00:39:49,360 --> 00:39:53,400
Speaker 2: on Woody Allen. Obviously there's some people very upset about

712
00:39:53,440 --> 00:39:59,759
Speaker 2: some controversy around him having to do with touching on. Yes, yes,

713
00:40:00,480 --> 00:40:04,360
Speaker 2: touching on and people think he's too old to write.

714
00:40:05,840 --> 00:40:08,360
Speaker 2: You know, I see a lot of articles about his age,

715
00:40:08,560 --> 00:40:10,680
Speaker 2: and in the headline there will often be a much

716
00:40:10,680 --> 00:40:14,120
Speaker 2: younger age mentioned, and I assume the article is saying that, like,

717
00:40:14,239 --> 00:40:15,840
Speaker 2: the younger age is the one you should be if

718
00:40:15,880 --> 00:40:16,880
Speaker 2: you're going to write direct.

719
00:40:16,920 --> 00:40:17,279
Speaker 3: I don't know.

720
00:40:17,360 --> 00:40:22,520
Speaker 2: I haven't read the articles just because my phone's really buggy,

721
00:40:23,280 --> 00:40:26,600
Speaker 2: but you know, I don't think that's fair. I think

722
00:40:26,680 --> 00:40:28,959
Speaker 2: at any age, if you've got the chops, then chop

723
00:40:29,000 --> 00:40:36,319
Speaker 2: it on up. Hashtag karate. Uh, Okay, he's in. You

724
00:40:36,400 --> 00:40:38,680
Speaker 2: get to pick twice now because the Snake draft, So

725
00:40:38,800 --> 00:40:41,279
Speaker 2: everything you complain about before now has come back to

726
00:40:41,320 --> 00:40:41,920
Speaker 2: benefit you.

727
00:40:42,920 --> 00:40:48,640
Speaker 6: Okay, thanks, Why don't we go twenty Tarantines?

728
00:40:49,480 --> 00:40:50,960
Speaker 2: Okayo?

729
00:40:51,239 --> 00:40:54,640
Speaker 6: Who else has changed the game of writing more than

730
00:40:54,680 --> 00:40:55,080
Speaker 6: Q two?

731
00:40:55,400 --> 00:40:58,000
Speaker 1: And so now I'm sort of starting to get a

732
00:40:58,040 --> 00:41:01,000
Speaker 1: picture of what you are acted.

733
00:41:00,400 --> 00:41:03,000
Speaker 2: To as well to people who've written stuff. Yeah, I

734
00:41:03,040 --> 00:41:05,120
Speaker 2: mean like physically since with a voice.

735
00:41:05,200 --> 00:41:07,680
Speaker 1: I know that you care about your writers being like hot,

736
00:41:07,800 --> 00:41:08,479
Speaker 1: people that you.

737
00:41:08,400 --> 00:41:11,960
Speaker 2: Think are your main thing, and that so far you

738
00:41:12,040 --> 00:41:12,879
Speaker 2: picked Kevin Smith.

739
00:41:12,920 --> 00:41:15,400
Speaker 1: What on Quentin Tarantino, it's just starting to kind of

740
00:41:15,480 --> 00:41:16,120
Speaker 1: come into.

741
00:41:16,000 --> 00:41:20,319
Speaker 2: View a murderer's row. Yes, yeah, what you're like, what

742
00:41:20,360 --> 00:41:23,000
Speaker 2: you're attractive. I did want someone who was going to

743
00:41:23,040 --> 00:41:25,560
Speaker 2: put the N word in the scripts. I think we

744
00:41:25,600 --> 00:41:28,200
Speaker 2: all wanted them, Yeah, and that he would fight to

745
00:41:28,200 --> 00:41:33,239
Speaker 2: say it. Yeah, talking about writers hotness, Kevin's always had

746
00:41:33,280 --> 00:41:38,160
Speaker 2: a great philosophy on writers being hot. Uh, you'll only

747
00:41:38,280 --> 00:41:40,839
Speaker 2: hire sevens or above? Is that right? Right?

748
00:41:41,200 --> 00:41:41,879
Speaker 3: Absolutely?

749
00:41:42,040 --> 00:41:43,280
Speaker 2: M h.

750
00:41:43,640 --> 00:41:45,840
Speaker 5: And it's a it's a physical thing. And it's also

751
00:41:47,160 --> 00:41:49,880
Speaker 5: uh what they're wearing. I mean, you're coming to a

752
00:41:49,920 --> 00:41:54,680
Speaker 5: meeting and you're a dude and you don't have super colorful,

753
00:41:54,800 --> 00:41:56,040
Speaker 5: colorful sneakers on.

754
00:41:56,280 --> 00:42:00,080
Speaker 2: H, what what are you doing? Why are you in

755
00:42:00,080 --> 00:42:03,879
Speaker 2: this game. How much skin is enough skin to show

756
00:42:03,880 --> 00:42:05,760
Speaker 2: in an initial interview.

757
00:42:05,920 --> 00:42:11,640
Speaker 5: Sure, I mean for guys, I just want to see

758
00:42:12,160 --> 00:42:13,040
Speaker 5: what they're working with.

759
00:42:13,120 --> 00:42:16,600
Speaker 2: Bicep wise, I want to be generous with the biceps.

760
00:42:16,640 --> 00:42:17,800
Speaker 3: Be generous. Yeah.

761
00:42:17,840 --> 00:42:20,560
Speaker 5: I want a tight fitting shirt to give me a

762
00:42:20,600 --> 00:42:22,760
Speaker 5: real sense of tight shirt.

763
00:42:23,040 --> 00:42:26,400
Speaker 2: No sleeves, we can go v sure, leave the sleeves

764
00:42:26,400 --> 00:42:26,759
Speaker 2: at home.

765
00:42:26,920 --> 00:42:29,080
Speaker 5: Leave the sleeves at home, go deep as you want

766
00:42:29,120 --> 00:42:30,239
Speaker 5: on the v mm hmm.

767
00:42:30,400 --> 00:42:32,920
Speaker 6: I was told by my agent, you like a blousey short.

768
00:42:33,960 --> 00:42:36,040
Speaker 6: That's absolutely okay.

769
00:42:36,600 --> 00:42:38,480
Speaker 1: Yeah, because you have a fan in the room, that's

770
00:42:38,560 --> 00:42:41,440
Speaker 1: kind of like ruffling the shorts a little bit.

771
00:42:41,520 --> 00:42:44,120
Speaker 6: I wore Umbros from my meeting. I dusted off the

772
00:42:44,120 --> 00:42:45,440
Speaker 6: old bros Umbros.

773
00:42:45,480 --> 00:42:49,000
Speaker 2: I almost didn't get my job because I wore Michael

774
00:42:49,000 --> 00:42:51,239
Speaker 2: Sarah's running shorts from Juno, which I did by on

775
00:42:51,400 --> 00:42:55,400
Speaker 2: eBay sure and there, and they were very short and

776
00:42:55,520 --> 00:42:59,480
Speaker 2: very high, but they didn't really blow open. They were

777
00:42:59,480 --> 00:43:04,040
Speaker 2: so tight to my skin. And I think what Kevin

778
00:43:04,200 --> 00:43:07,239
Speaker 2: enjoys is the sort of peekaboo aspect of seeing the

779
00:43:07,280 --> 00:43:11,279
Speaker 2: fabric wave up in the air rather than just the

780
00:43:11,320 --> 00:43:15,160
Speaker 2: at sprote Yeah, it's so much of it. Is a vibe.

781
00:43:15,280 --> 00:43:19,280
Speaker 5: You know, a writer's room is built on people vibe

782
00:43:19,320 --> 00:43:22,879
Speaker 5: being each other. I don't care about ideas as much

783
00:43:22,920 --> 00:43:25,600
Speaker 5: as I care about a presence.

784
00:43:25,680 --> 00:43:27,400
Speaker 2: Well, and you're building an audience, and if you have

785
00:43:27,400 --> 00:43:29,640
Speaker 2: an ugly writer's room, then uggos will watch your show,

786
00:43:29,719 --> 00:43:31,120
Speaker 2: and that's who will come up to you and say,

787
00:43:31,120 --> 00:43:33,120
Speaker 2: this is that we like it, we think this is funny.

788
00:43:33,120 --> 00:43:35,719
Speaker 2: And then that's who's talking you on the street. Enough

789
00:43:35,719 --> 00:43:38,320
Speaker 2: people see uggos talking to you, all of a sudden

790
00:43:38,960 --> 00:43:43,480
Speaker 2: you're a You're an honorary uggo yourself. You know.

791
00:43:43,560 --> 00:43:47,799
Speaker 6: Guys again Devil's advocate here. They're not going to see

792
00:43:47,840 --> 00:43:49,839
Speaker 6: the writers, They're going to see the performers on the show.

793
00:43:49,880 --> 00:43:52,680
Speaker 2: But that's the voice, the experience of the uggo will

794
00:43:52,719 --> 00:43:55,759
Speaker 2: bleed through into the script. And this is coming from you.

795
00:43:55,880 --> 00:43:58,439
Speaker 1: I mean, you like your number one thing is hot

796
00:43:58,440 --> 00:44:01,520
Speaker 1: in this when you're choosing graters as well. I mean,

797
00:44:01,520 --> 00:44:03,640
Speaker 1: that's why we're talking about this with Kevin, because he

798
00:44:03,719 --> 00:44:05,160
Speaker 1: shares his philosophy with you.

799
00:44:06,480 --> 00:44:08,399
Speaker 2: Fair enough. I guess we hate most what we are.

800
00:44:09,080 --> 00:44:09,279
Speaker 3: You know.

801
00:44:10,440 --> 00:44:16,080
Speaker 6: SUREM Tarantino's got that hot Frankenstein thing going that I like, hmm,

802
00:44:16,160 --> 00:44:18,959
Speaker 6: what he Allen is in his late one tens, which

803
00:44:18,960 --> 00:44:24,279
Speaker 6: I respond to, and then I, oh, Kevin Smith, you

804
00:44:24,320 --> 00:44:27,839
Speaker 6: know recently lost four hundred and seventy pounds, so.

805
00:44:27,760 --> 00:44:30,399
Speaker 2: He's looking better too. Yeah, what are you? Allen only

806
00:44:30,400 --> 00:44:34,200
Speaker 2: put back to twenty five looks at If you think

807
00:44:34,239 --> 00:44:37,839
Speaker 2: of him as a man, he looks old. But if

808
00:44:37,840 --> 00:44:40,520
Speaker 2: you think of him as a praying mantis, he almost

809
00:44:40,560 --> 00:44:41,480
Speaker 2: looked like a baby.

810
00:44:43,520 --> 00:44:45,280
Speaker 6: That's probably why they thought of him for ants.

811
00:44:45,600 --> 00:44:47,560
Speaker 2: Mm hmm, that's right.

812
00:44:47,800 --> 00:44:50,880
Speaker 6: Which pick did not follow any of Pixar's rules and said,

813
00:44:51,239 --> 00:44:56,600
Speaker 6: who do the kids like Woody Allen? When really I've

814
00:44:56,640 --> 00:44:58,040
Speaker 6: heard it the other way around, Kevin.

815
00:44:59,280 --> 00:45:01,719
Speaker 3: I agree. So my pick is I'm Bill maher move.

816
00:45:03,040 --> 00:45:04,920
Speaker 2: Slide it over real quick, so you don't even give

817
00:45:05,080 --> 00:45:05,799
Speaker 2: a chance to argue.

818
00:45:05,960 --> 00:45:08,040
Speaker 6: Just slide it over and then light a joint and

819
00:45:08,080 --> 00:45:10,800
Speaker 6: have sex with an African American prostuct too.

820
00:45:13,000 --> 00:45:15,000
Speaker 2: I'm going I'm moving on to my next pick.

821
00:45:16,800 --> 00:45:19,959
Speaker 5: I'm gonna go don't take Mar because it's in the air.

822
00:45:20,160 --> 00:45:23,040
Speaker 5: I'm not taking Mar because he's so funny. Absolutely, I'm

823
00:45:23,040 --> 00:45:28,879
Speaker 5: gonna go Laura c K And that's Louie's mom. Oh boy,

824
00:45:29,320 --> 00:45:31,799
Speaker 5: And I don't know if you got. I mean I

825
00:45:31,840 --> 00:45:38,040
Speaker 5: think in general, having a celebrities relative on your staff

826
00:45:38,680 --> 00:45:42,840
Speaker 5: is just you can pick Louie. I could, but I

827
00:45:42,880 --> 00:45:45,640
Speaker 5: want the person who writes what Louie.

828
00:45:45,400 --> 00:45:49,160
Speaker 2: Says, who inspired him, yes, and created Louis. How do

829
00:45:49,160 --> 00:45:50,840
Speaker 2: you know she's the funny one and not the dad?

830
00:45:51,680 --> 00:45:51,879
Speaker 3: Pat?

831
00:45:51,920 --> 00:45:54,759
Speaker 5: How long have you been in this business? I mean,

832
00:45:54,800 --> 00:45:56,479
Speaker 5: this is an open secret at this point.

833
00:45:56,719 --> 00:45:58,080
Speaker 2: She's supposed to be the funny one.

834
00:45:59,600 --> 00:46:05,760
Speaker 5: Yes, I've had her in for punch Shop and the mind.

835
00:46:06,040 --> 00:46:08,480
Speaker 5: The way the mind works watching.

836
00:46:08,160 --> 00:46:12,680
Speaker 2: Her it pissing me off. It pisses me off because.

837
00:46:12,400 --> 00:46:14,279
Speaker 5: It's not too hard on the eyes either.

838
00:46:14,400 --> 00:46:17,160
Speaker 6: We have no restrictions on who we can put on

839
00:46:17,200 --> 00:46:20,919
Speaker 6: this staff. If if Sean were to have said, let's

840
00:46:20,920 --> 00:46:23,560
Speaker 6: pick a staff of comedians moms, I don't know that

841
00:46:23,640 --> 00:46:25,279
Speaker 6: Laura c k would have been on my list.

842
00:46:25,560 --> 00:46:27,759
Speaker 1: Now, that whole thing about can pick anyone, That whole

843
00:46:27,760 --> 00:46:30,800
Speaker 1: thing of Louis about planes being nice?

844
00:46:31,600 --> 00:46:32,560
Speaker 2: Yes, that was her.

845
00:46:33,320 --> 00:46:38,759
Speaker 1: You know the thing about politics, uh being do it right?

846
00:46:38,800 --> 00:46:50,320
Speaker 2: For once? It's fun to divorce? Yeah, okay, jacket off right.

847
00:46:51,160 --> 00:46:56,360
Speaker 2: It feels awesome. Brett, we've been forgetting that. Brett was

848
00:46:56,400 --> 00:47:00,719
Speaker 2: ah Jesus Brett was a showrunner too. Now, Brett, why

849
00:47:00,719 --> 00:47:02,799
Speaker 2: don't we why don't we find out a little bit

850
00:47:02,840 --> 00:47:04,520
Speaker 2: about your shows, and why don't we give you the

851
00:47:04,600 --> 00:47:09,960
Speaker 2: last pick? Okay, and then make two or three.

852
00:47:12,160 --> 00:47:17,759
Speaker 4: There was one that was, uh like rock and roll Assassins,

853
00:47:19,360 --> 00:47:24,800
Speaker 4: and then what the Boy and his Gorilla what?

854
00:47:26,000 --> 00:47:26,439
Speaker 3: Oh yeah?

855
00:47:27,280 --> 00:47:32,920
Speaker 2: Pitched Harambei Chow. But it's like way before that was

856
00:47:33,120 --> 00:47:35,400
Speaker 2: originally weekend at harambe I.

857
00:47:35,440 --> 00:47:39,200
Speaker 1: Guess we could talk about this. The way he pitched

858
00:47:39,239 --> 00:47:44,720
Speaker 1: the show was to like put these two characters together

859
00:47:44,800 --> 00:47:47,399
Speaker 1: in real life and be like this, see this will work,

860
00:47:47,480 --> 00:47:50,000
Speaker 1: Like this is like a viral stunt. This is a show.

861
00:47:50,560 --> 00:47:53,880
Speaker 1: He tosses a kid, We're going to form.

862
00:47:53,719 --> 00:47:56,080
Speaker 4: A band and and like try to make it in.

863
00:47:56,160 --> 00:47:59,520
Speaker 2: La until the rock and roll assassins come to town. Right.

864
00:48:00,320 --> 00:48:05,080
Speaker 4: That was gonna be the like the crossover question.

865
00:48:05,520 --> 00:48:06,759
Speaker 2: I never heard of one of them.

866
00:48:06,800 --> 00:48:09,240
Speaker 4: Go ahead, Yeah, how long did they last?

867
00:48:09,320 --> 00:48:09,800
Speaker 2: Yeah?

868
00:48:10,440 --> 00:48:13,560
Speaker 4: Oh like a solid while?

869
00:48:13,880 --> 00:48:19,360
Speaker 2: Yeah, quick question on rock and roll assassins. Yeah, guitar

870
00:48:19,360 --> 00:48:20,080
Speaker 2: shoots bullets.

871
00:48:20,920 --> 00:48:27,600
Speaker 1: No, oh okay, attention, No, they're they're shooting instruments. Yeah,

872
00:48:27,920 --> 00:48:32,719
Speaker 1: other men there, they're assassinating rock and roll as represented

873
00:48:32,719 --> 00:48:36,840
Speaker 1: by instruments. It's so Brett can have the only guitars.

874
00:48:36,880 --> 00:48:39,640
Speaker 1: It's kind of the kind of the idea fantasy.

875
00:48:39,880 --> 00:48:40,839
Speaker 2: Brett's part of the show.

876
00:48:40,880 --> 00:48:44,239
Speaker 1: He hires a rock and roll assassins to destroy all

877
00:48:44,280 --> 00:48:45,799
Speaker 1: the other guitars.

878
00:48:45,840 --> 00:48:49,120
Speaker 4: Not exactly, but it's way more complicated than that.

879
00:48:50,040 --> 00:48:50,719
Speaker 3: What is it?

880
00:48:51,400 --> 00:48:52,000
Speaker 4: What is it?

881
00:48:52,239 --> 00:48:53,600
Speaker 2: Yeah?

882
00:48:54,080 --> 00:48:56,920
Speaker 3: It's about what's it about?

883
00:48:57,200 --> 00:48:57,520
Speaker 1: Oh?

884
00:48:57,560 --> 00:48:58,160
Speaker 2: Thank you, Kevin.

885
00:48:58,280 --> 00:49:05,720
Speaker 4: Absolutely, it's more about rock and roll as an abstract idea,

886
00:49:07,200 --> 00:49:13,840
Speaker 4: and the assassins are are called upon by rock and roll.

887
00:49:14,200 --> 00:49:17,439
Speaker 4: Take your time, yeah, I mean, and then they want

888
00:49:17,440 --> 00:49:19,160
Speaker 4: to because they want to rule the world.

889
00:49:19,520 --> 00:49:22,799
Speaker 2: Take your time. I would actually say speed it up.

890
00:49:23,120 --> 00:49:26,400
Speaker 6: Yeah, yeah, okay, so I would say get through it

891
00:49:26,400 --> 00:49:27,439
Speaker 6: a little quicker.

892
00:49:27,600 --> 00:49:30,120
Speaker 4: Yeah, So so I get all the guitars in the world.

893
00:49:30,920 --> 00:49:31,839
Speaker 4: That is how it ends.

894
00:49:32,280 --> 00:49:34,839
Speaker 2: That sounds very similar to what I rock and roll

895
00:49:34,880 --> 00:49:37,279
Speaker 2: is irrelevant art farm. That's still music that gets made.

896
00:49:38,239 --> 00:49:39,640
Speaker 4: And I think it's an attitude.

897
00:49:39,840 --> 00:49:43,400
Speaker 2: Yeah, it's just an attitude. Yeah, and see it is music.

898
00:49:43,480 --> 00:49:45,680
Speaker 2: This is how like he's just pretending to know about

899
00:49:45,680 --> 00:49:51,960
Speaker 2: this stuff. He doesn't know that rock and roll is music. Man.

900
00:49:52,600 --> 00:49:56,240
Speaker 4: I think you should get an animal on the writing team. Okay,

901
00:49:56,280 --> 00:49:59,440
Speaker 4: who just like a bonobo.

902
00:50:01,800 --> 00:50:06,120
Speaker 2: A monkey because they've sunk each other's dicks?

903
00:50:05,880 --> 00:50:11,000
Speaker 4: Is that why you rub genitalia to resolve conflicts?

904
00:50:11,480 --> 00:50:14,799
Speaker 1: That's why you're very much pervert. And then now it

905
00:50:14,840 --> 00:50:18,040
Speaker 1: makes me that's even weirder that you would throw a kid.

906
00:50:19,520 --> 00:50:21,600
Speaker 1: Are you hoping that that's what would happen to the

907
00:50:21,680 --> 00:50:23,160
Speaker 1: kid with the monkey?

908
00:50:24,960 --> 00:50:27,440
Speaker 2: Now, you guys feel that we submit this list to

909
00:50:27,920 --> 00:50:31,719
Speaker 2: the studio and they're cool with every name on it. Well,

910
00:50:31,800 --> 00:50:34,000
Speaker 2: budget wise, it's going to be, you know, a little

911
00:50:34,000 --> 00:50:35,279
Speaker 2: bit of a tough squeeze.

912
00:50:35,440 --> 00:50:38,120
Speaker 6: Well, you don't don't pay a monkey, so that's thank you.

913
00:50:38,160 --> 00:50:40,160
Speaker 6: Brett saves us low cash right there.

914
00:50:40,640 --> 00:50:42,279
Speaker 2: You gotta pay for its food. You don't pay a

915
00:50:42,320 --> 00:50:45,040
Speaker 2: fictional character or an animated character, so that saves us

916
00:50:45,040 --> 00:50:45,440
Speaker 2: some money.

917
00:50:45,480 --> 00:50:48,160
Speaker 6: Gotta pay for their food, though I don't know that

918
00:50:48,200 --> 00:50:52,359
Speaker 6: you do. Frankly, I'll draw a casse role and give

919
00:50:52,360 --> 00:50:53,759
Speaker 6: it to Grits.

920
00:50:55,200 --> 00:51:02,359
Speaker 2: Yeah, what is Pizzazzi? Pizzas? Oh god? I mean, one

921
00:51:02,360 --> 00:51:04,239
Speaker 2: way I think we could save money is if we

922
00:51:04,360 --> 00:51:08,400
Speaker 2: feed pizzazz some of the dreadlocks from pasta Mons. Now

923
00:51:08,440 --> 00:51:08,920
Speaker 2: we're talking.

924
00:51:08,960 --> 00:51:14,120
Speaker 6: I mean, I wouldn't mind bowl that crossover.

925
00:51:14,520 --> 00:51:16,440
Speaker 2: Are we doing a TV show or a movie? By

926
00:51:16,440 --> 00:51:19,040
Speaker 2: the way, we haven't even so I'm gonna go.

927
00:51:20,040 --> 00:51:20,520
Speaker 3: I'm going to go.

928
00:51:20,960 --> 00:51:25,680
Speaker 2: Yeah, I have somewhere to be. And uh, I love

929
00:51:25,680 --> 00:51:28,319
Speaker 2: you guys, and thank you for doing the show. And

930
00:51:28,400 --> 00:51:32,520
Speaker 2: I love you listeners. Please rate and subscribe. Don't forget

931
00:51:32,560 --> 00:51:34,880
Speaker 2: to take advantage of all the deals that we've offered

932
00:51:34,920 --> 00:51:39,520
Speaker 2: you and all our ads like us on Facebook and

933
00:51:40,640 --> 00:51:44,080
Speaker 2: you know where are your friends? Never forget that, that's

934
00:51:44,080 --> 00:51:49,560
Speaker 2: why you listened. So everybody, just to your family and everything.

935
00:51:49,920 --> 00:51:53,080
Speaker 2: Just be safe. Bye.

936
00:51:56,440 --> 00:52:00,560
Speaker 1: Hollywood Handbook is brought to you that Wolf Coop reductions

937
00:52:00,520 --> 00:52:10,400
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