1 00:00:07,760 --> 00:00:11,000 Speaker 1: Hey, welcome to episode four of the Official Yellowstone Podcast. 2 00:00:11,480 --> 00:00:14,200 Speaker 1: This means it's the halfway point of the podcast. It's crazy. 3 00:00:14,200 --> 00:00:16,000 Speaker 1: I'm having so much fun talking to like the people 4 00:00:16,040 --> 00:00:19,360 Speaker 1: that make the show happen. I love Yellowstone so much. 5 00:00:20,000 --> 00:00:23,120 Speaker 1: We've had amazing actors that have told us not only 6 00:00:23,200 --> 00:00:26,640 Speaker 1: behind the scenes stories from Yellowstone, but also their careers. 7 00:00:26,960 --> 00:00:29,600 Speaker 1: So go check it out the last three episodes. If 8 00:00:29,640 --> 00:00:32,120 Speaker 1: you're a massive fan, I think you'll love And if 9 00:00:32,120 --> 00:00:33,880 Speaker 1: you're a fan of the show, you probably also love 10 00:00:33,920 --> 00:00:36,839 Speaker 1: the music of the show. I do, and we're going 11 00:00:36,920 --> 00:00:41,000 Speaker 1: to do that. First, we talk with music supervisor Andrea Forster. 12 00:00:41,440 --> 00:00:43,440 Speaker 1: She's the one who calls the shots when it comes 13 00:00:43,479 --> 00:00:47,479 Speaker 1: to which artists and songs are featured on Yellowstone. So 14 00:00:47,640 --> 00:00:51,320 Speaker 1: obviously Yellowstone is so music intensive it helps set the 15 00:00:51,360 --> 00:00:53,800 Speaker 1: scene for so many things. But she's also been the 16 00:00:53,880 --> 00:00:56,960 Speaker 1: music supervisor for the movie Five Hundred Days of Summer, 17 00:00:57,040 --> 00:00:59,720 Speaker 1: which I love, Liones, which I love love that show 18 00:00:59,800 --> 00:01:03,520 Speaker 1: is awesome, land Man, and a bunch of other awesome shows. 19 00:01:03,920 --> 00:01:07,399 Speaker 1: And then after Andrea, we get an artist who Andrea 20 00:01:07,680 --> 00:01:10,199 Speaker 1: kind of featured and discovered for the show. So first, 21 00:01:10,280 --> 00:01:12,760 Speaker 1: here she is when it comes to picking music for 22 00:01:12,800 --> 00:01:16,520 Speaker 1: shows and setting the scene. She is a plus Andrea Forster. 23 00:01:25,680 --> 00:01:28,440 Speaker 1: So many artists that I know, even friends of mine, 24 00:01:28,440 --> 00:01:32,520 Speaker 1: they got their first look from you whenever you were 25 00:01:32,560 --> 00:01:37,800 Speaker 1: looking for music for Yellowstone. So how long ahead of 26 00:01:37,800 --> 00:01:40,560 Speaker 1: the series launching did they bring you in and what 27 00:01:40,600 --> 00:01:42,399 Speaker 1: did they tell you to look for musically? 28 00:01:42,920 --> 00:01:45,840 Speaker 2: I met with Taylor over the phone once I had 29 00:01:45,840 --> 00:01:47,400 Speaker 2: already sort of met with a couple other people who 30 00:01:47,440 --> 00:01:50,240 Speaker 2: had recommended me, and so Richard Glasser, who was the 31 00:01:50,280 --> 00:01:51,960 Speaker 2: head of music at the time of the company, had 32 00:01:51,960 --> 00:01:54,480 Speaker 2: referred me to the head of posts, who then referred 33 00:01:54,480 --> 00:01:57,320 Speaker 2: me to Taylor, and we talked and we kind of 34 00:01:57,360 --> 00:02:00,240 Speaker 2: got along right away. I mean, we both started talking 35 00:02:00,240 --> 00:02:02,560 Speaker 2: about how Unforgiven is one of our favorite movies immediately, 36 00:02:03,120 --> 00:02:03,960 Speaker 2: and we. 37 00:02:04,040 --> 00:02:04,760 Speaker 3: Just kind of clicked. 38 00:02:04,800 --> 00:02:07,320 Speaker 2: And I don't know that we ever said the music 39 00:02:07,360 --> 00:02:09,040 Speaker 2: needs to be this, this and this. I think there 40 00:02:09,080 --> 00:02:11,760 Speaker 2: was just an understanding because his writing is so clear, 41 00:02:12,240 --> 00:02:16,600 Speaker 2: and he wrote such amazing strong characters that the project 42 00:02:16,600 --> 00:02:18,960 Speaker 2: and the characters always tell you what they want, and 43 00:02:19,000 --> 00:02:21,760 Speaker 2: so you're not inventing it, you're just listening. And so 44 00:02:21,880 --> 00:02:24,840 Speaker 2: when we discussed kind of the songs that we like, 45 00:02:25,560 --> 00:02:27,640 Speaker 2: it just did have made sense, and I was brought 46 00:02:27,720 --> 00:02:31,720 Speaker 2: on Gosh, I don't know at what point it was. 47 00:02:31,800 --> 00:02:34,880 Speaker 2: It was definitely I think we might have been shooting, 48 00:02:34,919 --> 00:02:36,959 Speaker 2: but I'm not entirely sure anymore six years ago. 49 00:02:37,880 --> 00:02:40,720 Speaker 1: And do you watch scenes or do you read parts 50 00:02:40,720 --> 00:02:43,040 Speaker 1: of script and then start in your head of signing 51 00:02:43,120 --> 00:02:45,480 Speaker 1: sonically what it would feel like. How does that process work? 52 00:02:45,960 --> 00:02:47,880 Speaker 2: So I'll get the scripts and I'll read all of them, 53 00:02:47,960 --> 00:02:50,840 Speaker 2: and then before we shoot and then sort of flag 54 00:02:50,880 --> 00:02:53,440 Speaker 2: anything if there's an on camera, so if we have 55 00:02:53,520 --> 00:02:56,400 Speaker 2: any bands that might need to perform, or if there 56 00:02:56,639 --> 00:02:59,880 Speaker 2: is someone singing aligned for some reason, or if there's 57 00:02:59,880 --> 00:03:03,200 Speaker 2: also like Lady May when they're ripping Beth, they're dancing 58 00:03:03,360 --> 00:03:05,840 Speaker 2: in the arena. You know, you want to know all 59 00:03:05,840 --> 00:03:07,360 Speaker 2: those things ahead of time so you can clear the 60 00:03:07,400 --> 00:03:10,960 Speaker 2: songs and then you know, we start shooting. And the 61 00:03:11,040 --> 00:03:13,680 Speaker 2: amazing thing about Taylor's voice and I is just that 62 00:03:13,760 --> 00:03:16,440 Speaker 2: everything he writes it's exactly how you see it on screen. 63 00:03:16,680 --> 00:03:18,880 Speaker 2: So by the time I happen to see a scene, 64 00:03:18,960 --> 00:03:20,679 Speaker 2: it's exactly what I saw on my head from reading 65 00:03:20,720 --> 00:03:23,120 Speaker 2: the script, so there's no change. So it's very easy 66 00:03:23,160 --> 00:03:25,040 Speaker 2: for me to stay consistent in that way and know 67 00:03:25,080 --> 00:03:27,720 Speaker 2: what I'm looking for music for, and then we just 68 00:03:27,760 --> 00:03:29,800 Speaker 2: had We have a very narrow lane of music that 69 00:03:29,840 --> 00:03:32,600 Speaker 2: we use on Yellowstone because it's red dirt country. It's 70 00:03:33,080 --> 00:03:38,200 Speaker 2: it tends to be more reserved or quiet, I always say, 71 00:03:38,280 --> 00:03:40,840 Speaker 2: quietly epic kind of music where it's almost like a 72 00:03:40,920 --> 00:03:43,200 Speaker 2: journal entry, right, you know, like being set to music, 73 00:03:43,520 --> 00:03:48,040 Speaker 2: because everything is very introspective and no one's ever well, 74 00:03:48,080 --> 00:03:51,040 Speaker 2: most people aren't normally joyous on the outside, except for 75 00:03:51,080 --> 00:03:53,360 Speaker 2: the bunk house boys, so that's usually where we would 76 00:03:53,400 --> 00:03:55,680 Speaker 2: have more fun or a rodeo, But other than that, 77 00:03:56,240 --> 00:03:58,720 Speaker 2: usually it's it's sort of more from the perspective of 78 00:03:58,760 --> 00:04:00,800 Speaker 2: the person's mind that you're watching on screen. 79 00:04:01,480 --> 00:04:03,600 Speaker 1: I've been friends with Lanie Wilson for a long time, 80 00:04:03,640 --> 00:04:05,800 Speaker 1: even before she had her first song that was a success, 81 00:04:05,800 --> 00:04:09,280 Speaker 1: and even talking to her on microphone before she had 82 00:04:09,280 --> 00:04:11,440 Speaker 1: any success or single This is out. She was like, man, 83 00:04:11,560 --> 00:04:14,640 Speaker 1: my music's been on Yellowstone and this is like baby Laney, 84 00:04:14,720 --> 00:04:17,680 Speaker 1: not in an actual infant, but baby So what about Laney 85 00:04:18,040 --> 00:04:21,240 Speaker 1: was it that drew you to going, man, this unknown artist, 86 00:04:21,360 --> 00:04:22,520 Speaker 1: like I love what she's doing. 87 00:04:23,760 --> 00:04:25,760 Speaker 3: It's hard to explain, you know. 88 00:04:25,839 --> 00:04:28,520 Speaker 2: The X factor that I think everybody feels or hears 89 00:04:28,560 --> 00:04:31,599 Speaker 2: when you hear something new. I had gone between season 90 00:04:31,600 --> 00:04:34,080 Speaker 2: one and season two of Yellowstone to Nashville and met 91 00:04:34,120 --> 00:04:37,360 Speaker 2: with a ton of people. Totally forgot to schedule lunches 92 00:04:37,360 --> 00:04:39,160 Speaker 2: in there, so I just had meetings from like eight 93 00:04:39,200 --> 00:04:41,240 Speaker 2: in the morning till night at night for five days 94 00:04:41,600 --> 00:04:44,520 Speaker 2: and met with labels and publishers and managers and agencies. 95 00:04:44,560 --> 00:04:49,159 Speaker 2: And I had gone to William Morris and Brandy Brammer 96 00:04:49,160 --> 00:04:51,320 Speaker 2: had set up a bunch of meetings for me to 97 00:04:51,400 --> 00:04:53,760 Speaker 2: meet with each agent, and they brought in, you know, 98 00:04:53,800 --> 00:04:56,520 Speaker 2: the music that they thought fit, and I heard Laney 99 00:04:56,800 --> 00:04:59,120 Speaker 2: and it was the song we ended up using in 100 00:04:59,120 --> 00:05:00,000 Speaker 2: the bowl in the bar scene. 101 00:05:00,200 --> 00:05:02,800 Speaker 3: But I said, she's it, She's she's the tailor verse. 102 00:05:03,000 --> 00:05:04,560 Speaker 2: You know, this is this is good for us, And 103 00:05:04,600 --> 00:05:06,440 Speaker 2: sure enough we did use it in the scene, and 104 00:05:06,480 --> 00:05:08,160 Speaker 2: then we kept coming back to the will because she's 105 00:05:08,200 --> 00:05:12,000 Speaker 2: so talented, and she has that perfect blend of kind 106 00:05:12,000 --> 00:05:17,760 Speaker 2: of it's it's somehow along the lines of traditional country 107 00:05:17,800 --> 00:05:19,880 Speaker 2: music but still super contemporary, and. 108 00:05:19,800 --> 00:05:23,120 Speaker 3: So she has just a really wide appeal, like she's sort. 109 00:05:23,000 --> 00:05:25,080 Speaker 2: Of like a I said, she was sort of the 110 00:05:25,360 --> 00:05:27,920 Speaker 2: next Miranda Lambert, but I can also see her a 111 00:05:27,960 --> 00:05:29,960 Speaker 2: little bit in the Dolly parton kind of Universe as well. 112 00:05:31,200 --> 00:05:33,240 Speaker 1: What is your background in music and how did you 113 00:05:33,360 --> 00:05:35,280 Speaker 1: end up doing a job like not only this, I've 114 00:05:35,279 --> 00:05:36,640 Speaker 1: looked at your resume. I'll get through a lot of 115 00:05:36,640 --> 00:05:38,000 Speaker 1: that later, but how did this all happen? 116 00:05:38,279 --> 00:05:40,600 Speaker 2: I always knew I wanted to be in entertainment since 117 00:05:40,680 --> 00:05:42,920 Speaker 2: I was very young, and then I went to USC 118 00:05:42,960 --> 00:05:45,799 Speaker 2: Film School, and then for production and then double minded 119 00:05:45,800 --> 00:05:48,360 Speaker 2: of music business and music recording and all of that 120 00:05:48,440 --> 00:05:51,839 Speaker 2: needs nothing to what I'm doing now, but I you know, 121 00:05:51,839 --> 00:05:53,440 Speaker 2: I knew I wanted to be in Los Angeles, and 122 00:05:53,520 --> 00:05:55,919 Speaker 2: I knew I wanted to be where entertainment was, and 123 00:05:56,040 --> 00:05:58,360 Speaker 2: so I just kept getting entertainment jobs. I worked as 124 00:05:58,360 --> 00:06:01,680 Speaker 2: a PA in commercials and music video. I did event 125 00:06:01,720 --> 00:06:06,040 Speaker 2: production for trade shows for film gear and music videos, 126 00:06:06,200 --> 00:06:07,120 Speaker 2: and then. 127 00:06:06,960 --> 00:06:09,000 Speaker 3: I got a job with a supervisor. 128 00:06:09,120 --> 00:06:09,520 Speaker 1: Not well. 129 00:06:09,560 --> 00:06:12,760 Speaker 2: Actually, my first entertainment job was at Disney in the 130 00:06:13,520 --> 00:06:16,240 Speaker 2: live action feature feature soundtrack department for Bue of his 131 00:06:16,360 --> 00:06:19,840 Speaker 2: demotion pictures groups. So I worked on as an assistant 132 00:06:19,920 --> 00:06:24,440 Speaker 2: to another person. I worked on soundtracks for Gone in 133 00:06:24,520 --> 00:06:28,960 Speaker 2: sixty Seconds high fidelity Coyote, Ugly Armageddon. I can't even 134 00:06:28,960 --> 00:06:30,760 Speaker 2: remember the other ones, but I was just a temp 135 00:06:30,880 --> 00:06:32,760 Speaker 2: there and then I went back to school for one 136 00:06:32,839 --> 00:06:34,560 Speaker 2: year and then they said they'd hired me out of school, 137 00:06:34,600 --> 00:06:36,160 Speaker 2: and they did, so then I worked there for a 138 00:06:36,160 --> 00:06:38,560 Speaker 2: little longer, and then I ended up working for a supervisor. 139 00:06:38,600 --> 00:06:40,839 Speaker 2: And I didn't know what a music supervisor was, but 140 00:06:41,000 --> 00:06:43,000 Speaker 2: my dad, you like, take the meeting. 141 00:06:42,880 --> 00:06:43,760 Speaker 3: So you take the meeting. 142 00:06:43,880 --> 00:06:46,960 Speaker 2: And so I met with a gentleman named Kevin Edelman 143 00:06:47,720 --> 00:06:50,120 Speaker 2: in his garage as he was moving, and then it 144 00:06:50,160 --> 00:06:51,920 Speaker 2: turned out he was moving to a mile away from 145 00:06:51,920 --> 00:06:54,760 Speaker 2: my house. So then I worked for him and worked 146 00:06:54,800 --> 00:06:59,279 Speaker 2: on Roswell VIP Providence Popular Ryan Murphy's first show. And 147 00:06:59,320 --> 00:07:02,000 Speaker 2: then I worked for another supervisor, Alex Pettsavas, and did 148 00:07:02,000 --> 00:07:05,279 Speaker 2: like you know, as a coordinator and ended THEOC and 149 00:07:05,279 --> 00:07:06,680 Speaker 2: Gray's Anatomy and things like that. 150 00:07:06,960 --> 00:07:08,719 Speaker 3: I finally was like, you know what, I think I 151 00:07:08,720 --> 00:07:09,960 Speaker 3: can do this on my own. 152 00:07:10,120 --> 00:07:11,880 Speaker 2: So in two thousand and six, I started my own 153 00:07:11,920 --> 00:07:16,000 Speaker 2: company with absolutely nothing and just kind of started over. 154 00:07:16,360 --> 00:07:19,280 Speaker 3: And luckily, you know, I got work. 155 00:07:19,080 --> 00:07:21,360 Speaker 2: And then you get what you're supposed to get, you know, 156 00:07:21,440 --> 00:07:23,600 Speaker 2: so it's like you can't force anything. It's got to 157 00:07:23,880 --> 00:07:25,440 Speaker 2: be the right fit. So I feel the same way 158 00:07:25,440 --> 00:07:27,880 Speaker 2: about music as I feel about me getting jobs. 159 00:07:28,440 --> 00:07:32,120 Speaker 1: What was the first job that was yours, meaning you're 160 00:07:32,160 --> 00:07:32,520 Speaker 1: the head? 161 00:07:33,320 --> 00:07:33,560 Speaker 3: I know. 162 00:07:33,640 --> 00:07:36,720 Speaker 2: I was on Modern Family, but they didn't need me consistently, 163 00:07:36,760 --> 00:07:38,560 Speaker 2: so I was on sort of episodes, I think, and 164 00:07:38,600 --> 00:07:42,600 Speaker 2: then I was also on Jake in Progress and Kitchen Confidential. 165 00:07:42,640 --> 00:07:44,200 Speaker 3: It's mainly like half hour comedies. 166 00:07:44,800 --> 00:07:48,120 Speaker 2: And then I started, you know, finally getting like the 167 00:07:48,120 --> 00:07:50,760 Speaker 2: Holy Grail is an hour long show for any music supervisor, 168 00:07:50,800 --> 00:07:52,680 Speaker 2: you know, and especially if it's a drama and you 169 00:07:52,720 --> 00:07:55,240 Speaker 2: get montages, you're like, oh, you know, you get to 170 00:07:55,480 --> 00:07:59,400 Speaker 2: like have a song really showcased, and that's you know, 171 00:07:59,400 --> 00:08:03,320 Speaker 2: what I was always hoping for. And then I got Dollhouse, 172 00:08:04,120 --> 00:08:07,520 Speaker 2: which was really fun, and then I got a bunch 173 00:08:07,560 --> 00:08:12,240 Speaker 2: of other sort of hour longs. But Scream was one 174 00:08:12,240 --> 00:08:14,679 Speaker 2: of my favorite ones that I did for MTV because 175 00:08:14,760 --> 00:08:17,360 Speaker 2: I got to use, you know, really like new artists 176 00:08:17,400 --> 00:08:19,520 Speaker 2: because we didn't have a budget, so I used Billie 177 00:08:19,560 --> 00:08:24,480 Speaker 2: Eilish before she was signed and published, and then then 178 00:08:24,520 --> 00:08:28,480 Speaker 2: she had Ocean Eyes out at the time, and then yeah, 179 00:08:28,240 --> 00:08:31,000 Speaker 2: the same person that sir Richard Glasser was ahead of 180 00:08:31,040 --> 00:08:34,839 Speaker 2: music or on Scream, and then he knew that I liked, 181 00:08:35,640 --> 00:08:37,800 Speaker 2: you know, like he just knew my personality because we've 182 00:08:37,800 --> 00:08:41,000 Speaker 2: been on panels together around the country in North America, 183 00:08:41,080 --> 00:08:42,760 Speaker 2: and so then he said, I got someone free to meet, 184 00:08:42,880 --> 00:08:44,000 Speaker 2: and that's how I ended up. 185 00:08:43,920 --> 00:08:44,880 Speaker 3: Getting onto Yellowism. 186 00:09:04,679 --> 00:09:08,880 Speaker 1: I feel like Yellowstone for country music now is what 187 00:09:08,960 --> 00:09:14,400 Speaker 1: Grey's Anatomy kind of did for that soft rock singer songwriter. 188 00:09:14,559 --> 00:09:16,520 Speaker 1: There are a lot of parallels between the two because 189 00:09:16,920 --> 00:09:19,760 Speaker 1: Gray's Anatomy set a lot of music culture in that 190 00:09:19,880 --> 00:09:22,560 Speaker 1: area and that's very much what I listened to then, 191 00:09:22,760 --> 00:09:25,079 Speaker 1: and it's funny to see Yellowstone do it now and 192 00:09:25,800 --> 00:09:27,880 Speaker 1: the ability that you have to showcase your taste with 193 00:09:27,960 --> 00:09:31,760 Speaker 1: these artists, when did that culture become Instead of you 194 00:09:31,840 --> 00:09:34,520 Speaker 1: searching people were then just throwing stuff at you. 195 00:09:35,320 --> 00:09:37,880 Speaker 3: Well, fun question. 196 00:09:38,480 --> 00:09:42,000 Speaker 2: So the thing is, like I'll say, the number one 197 00:09:42,040 --> 00:09:43,839 Speaker 2: thing that makes a difference for music working in a 198 00:09:43,880 --> 00:09:46,680 Speaker 2: show is the writing. If you don't have it in 199 00:09:46,720 --> 00:09:48,920 Speaker 2: the script to have space for music and you're not 200 00:09:48,960 --> 00:09:50,920 Speaker 2: just fixing it a post and throwing a song on it, 201 00:09:50,920 --> 00:09:53,440 Speaker 2: it will never work the same way that it does 202 00:09:53,520 --> 00:09:56,080 Speaker 2: in the OC and Gray's Antemy and Yellowstone and a 203 00:09:56,080 --> 00:09:58,400 Speaker 2: bunch of other shows. So it's got to be in 204 00:09:58,400 --> 00:10:00,559 Speaker 2: the writing first, and so it's great eight When writers 205 00:10:00,559 --> 00:10:01,880 Speaker 2: have music in mind, it doesn't have to be the 206 00:10:01,880 --> 00:10:02,400 Speaker 2: actual song. 207 00:10:02,440 --> 00:10:04,000 Speaker 3: They don't have to write something in but just keep 208 00:10:04,000 --> 00:10:04,440 Speaker 3: it in mind. 209 00:10:04,760 --> 00:10:08,080 Speaker 2: For Yellowstone, season one, kind of people didn't know who 210 00:10:08,120 --> 00:10:11,120 Speaker 2: we were, and our network was new and all the 211 00:10:11,120 --> 00:10:12,880 Speaker 2: rest of it. So by season when I went to 212 00:10:12,960 --> 00:10:16,880 Speaker 2: Nashville in between season one and season two, almost no 213 00:10:16,920 --> 00:10:19,560 Speaker 2: one had seen the show. So I had to explain 214 00:10:19,600 --> 00:10:21,959 Speaker 2: it over and over over again what we wanted. And 215 00:10:22,120 --> 00:10:24,320 Speaker 2: you know, we didn't want the Nashville sound. We didn't 216 00:10:24,360 --> 00:10:27,000 Speaker 2: want superget produced, we didn't want a ton of reverb, 217 00:10:27,360 --> 00:10:28,360 Speaker 2: you know, we didn't want what. 218 00:10:28,640 --> 00:10:30,120 Speaker 3: Was on country radio at the time. 219 00:10:30,520 --> 00:10:32,640 Speaker 2: And so we wanted it to be you know, kind 220 00:10:32,640 --> 00:10:35,760 Speaker 2: of more raw, more you know, words and guitar. 221 00:10:35,920 --> 00:10:37,040 Speaker 3: You know, that was the focus. 222 00:10:37,120 --> 00:10:41,079 Speaker 2: And because you can't have big, you know, production songs 223 00:10:41,200 --> 00:10:44,560 Speaker 2: against these sort of quiet, reflective moments or you know, 224 00:10:44,600 --> 00:10:46,280 Speaker 2: it just it would it would turn into a music 225 00:10:46,320 --> 00:10:48,320 Speaker 2: video instead of you being able to live in the 226 00:10:48,320 --> 00:10:52,800 Speaker 2: moment of the scene. By I'd say probably season three 227 00:10:53,760 --> 00:10:57,439 Speaker 2: is when people started finding me, and nine times out 228 00:10:57,440 --> 00:10:59,360 Speaker 2: of ten it's not something that we would use on 229 00:10:59,400 --> 00:11:03,480 Speaker 2: the show. So but you know, with like trusted sources 230 00:11:03,520 --> 00:11:06,800 Speaker 2: as far as managers and agents and publishers and labels, 231 00:11:06,880 --> 00:11:09,680 Speaker 2: or even just some independent people finding us or Taylor 232 00:11:09,720 --> 00:11:12,160 Speaker 2: recommending something he heard on the radio or you know whatever, 233 00:11:12,320 --> 00:11:15,199 Speaker 2: then you know things worked out or people kind of 234 00:11:15,280 --> 00:11:19,120 Speaker 2: learned our sound. But it's and it's evolve since season one, 235 00:11:19,160 --> 00:11:21,840 Speaker 2: for sure, and I'm very sad that it's come to 236 00:11:21,880 --> 00:11:22,360 Speaker 2: a close. 237 00:11:23,440 --> 00:11:26,240 Speaker 1: Whiskey Myers playing on stage. To be able to actually 238 00:11:26,240 --> 00:11:29,360 Speaker 1: go and do this show feels like the greatest compliment 239 00:11:29,360 --> 00:11:32,319 Speaker 1: because not only is your music being played, but also 240 00:11:32,480 --> 00:11:35,640 Speaker 1: you're being seen, and I feel like that's gigantic for 241 00:11:35,760 --> 00:11:37,400 Speaker 1: being and those guys have been around, and I've known 242 00:11:37,480 --> 00:11:39,400 Speaker 1: of those guys forever, especially living in Texas. Was in 243 00:11:39,440 --> 00:11:42,760 Speaker 1: Texas for ten twelve years, and so I've known of 244 00:11:42,800 --> 00:11:45,960 Speaker 1: Whiskey Myers. But it's got to be pretty cool to 245 00:11:46,040 --> 00:11:49,560 Speaker 1: be able to find guys like that that are wildly talented, 246 00:11:49,559 --> 00:11:52,160 Speaker 1: but then open the door to a brand new audience 247 00:11:52,600 --> 00:11:53,920 Speaker 1: like that's got to be one of the best parts of. 248 00:11:53,880 --> 00:11:56,839 Speaker 2: The job, right absolutely, I mean, Whiskey Myers was a 249 00:11:56,880 --> 00:11:59,480 Speaker 2: tailor a special. You know, he requested them and we 250 00:11:59,520 --> 00:12:02,600 Speaker 2: had him on camera, and that entire explosion is because 251 00:12:02,640 --> 00:12:05,240 Speaker 2: of him writing it in and knowing that he wanted them. 252 00:12:05,320 --> 00:12:06,920 Speaker 2: I had never heard of them before at that point, 253 00:12:07,559 --> 00:12:10,960 Speaker 2: and you know, it just took off. And it's really 254 00:12:11,000 --> 00:12:13,360 Speaker 2: fun to be a part of someone's story and to 255 00:12:13,440 --> 00:12:15,920 Speaker 2: give them a platform. And obviously it's not even my platform, 256 00:12:15,920 --> 00:12:18,120 Speaker 2: it's Taylor's platform, and I'm honored to be able to 257 00:12:18,520 --> 00:12:22,119 Speaker 2: help put things, you know, into that universe. And it's 258 00:12:22,800 --> 00:12:25,440 Speaker 2: it's really fun to be able to watch people grow 259 00:12:25,520 --> 00:12:27,960 Speaker 2: because a lot of the people that we use in 260 00:12:28,040 --> 00:12:30,760 Speaker 2: Yellowstone in general, even up to season five, they sort 261 00:12:30,760 --> 00:12:33,600 Speaker 2: of went from you know, one level of their career 262 00:12:33,760 --> 00:12:36,800 Speaker 2: to sort of to the stratosphere very quickly. 263 00:12:37,640 --> 00:12:38,880 Speaker 3: And it's really cool to watch that. 264 00:12:38,960 --> 00:12:40,800 Speaker 2: But the only bad thing is that I can't afford 265 00:12:40,800 --> 00:12:42,839 Speaker 2: them for the horse shows that I booked for they 266 00:12:42,840 --> 00:12:43,480 Speaker 2: got too big. 267 00:12:44,520 --> 00:12:46,080 Speaker 1: Another one that I remember, and again I'm not going 268 00:12:46,160 --> 00:12:49,040 Speaker 1: to know the exact scene or song, but I'm going, Okay, 269 00:12:49,040 --> 00:12:51,520 Speaker 1: what can I think of that moved me? Musically? A 270 00:12:51,559 --> 00:12:53,680 Speaker 1: lot of music I've seen every episode, but what moved 271 00:12:53,720 --> 00:12:56,080 Speaker 1: me there was a like a wide open field scene 272 00:12:56,080 --> 00:12:58,880 Speaker 1: where you're playing a Zach Bryan's slow song and maybe 273 00:12:58,880 --> 00:13:00,920 Speaker 1: you can help me. But there was so much of 274 00:13:00,960 --> 00:13:02,839 Speaker 1: the song. It was one of those rare times where 275 00:13:02,880 --> 00:13:06,040 Speaker 1: I go gotta go and just save that to my playlist. 276 00:13:06,280 --> 00:13:08,120 Speaker 1: Can you remember what I'm talking about? Even? 277 00:13:08,520 --> 00:13:11,760 Speaker 2: Was it tiit shamngo. It might have been used that 278 00:13:11,840 --> 00:13:13,240 Speaker 2: song for a very long time. 279 00:13:13,720 --> 00:13:15,480 Speaker 1: Whatever it was, it was, Yeah, it was a lot. 280 00:13:15,600 --> 00:13:17,960 Speaker 1: And I remember going, Oh, my wife from Oklahoma, so 281 00:13:17,960 --> 00:13:19,839 Speaker 1: she was already a big Zac Briant fan, but because 282 00:13:19,880 --> 00:13:22,920 Speaker 1: she was such a fan, I was like, nah, but 283 00:13:23,000 --> 00:13:26,280 Speaker 1: that was kind of what convinced me. Was like hearing 284 00:13:26,320 --> 00:13:28,240 Speaker 1: it in the show and going like, oh, I'm kind 285 00:13:28,240 --> 00:13:31,960 Speaker 1: of moved by this. Yeah, so that the show to 286 00:13:32,080 --> 00:13:34,000 Speaker 1: even on this show that you know, we've been able 287 00:13:34,000 --> 00:13:35,880 Speaker 1: to feature a lot of people that got their breaks 288 00:13:35,880 --> 00:13:38,360 Speaker 1: there who for you has been super exciting that you 289 00:13:38,440 --> 00:13:40,680 Speaker 1: featured before they were even known and now it's like 290 00:13:40,720 --> 00:13:43,080 Speaker 1: you're watching them blow up and there is some credit 291 00:13:43,120 --> 00:13:43,960 Speaker 1: to you and the show. 292 00:13:44,760 --> 00:13:45,040 Speaker 3: Yeah. 293 00:13:45,160 --> 00:13:46,880 Speaker 2: I mean, I always want to be careful, like I 294 00:13:46,880 --> 00:13:49,440 Speaker 2: think people take too much ownership for things that you know, 295 00:13:49,520 --> 00:13:51,319 Speaker 2: if you give it a platform that's amazing, but you're 296 00:13:51,320 --> 00:13:53,040 Speaker 2: not the talent. Like if you're their parents, you can 297 00:13:53,080 --> 00:13:56,160 Speaker 2: take credit. But so that's why I like to say 298 00:13:56,160 --> 00:13:57,520 Speaker 2: that we're a piece of the puzzle, you know, and 299 00:13:58,400 --> 00:14:01,680 Speaker 2: you need people to be prepared to kind of have 300 00:14:01,800 --> 00:14:03,680 Speaker 2: any success as well, because a lot of people, if 301 00:14:03,720 --> 00:14:05,640 Speaker 2: you use their music and they're not online anywhere, they 302 00:14:05,679 --> 00:14:08,839 Speaker 2: don't have it on you know, digital service providers like Spotify, 303 00:14:08,960 --> 00:14:10,840 Speaker 2: then it's a wasted opportunity. 304 00:14:11,280 --> 00:14:13,360 Speaker 3: So you do need that kind of team in place. 305 00:14:13,600 --> 00:14:16,040 Speaker 2: I will say Zach Bryan was really fun for me because, 306 00:14:16,600 --> 00:14:18,160 Speaker 2: like all of this fans, I found him on Twitter 307 00:14:18,200 --> 00:14:22,160 Speaker 2: and YouTube and when Twitter was still Twitter, and so 308 00:14:22,440 --> 00:14:24,360 Speaker 2: you know, I just watched his videos and I reached 309 00:14:24,400 --> 00:14:27,240 Speaker 2: out and you know, I DMed all of two people 310 00:14:27,240 --> 00:14:30,200 Speaker 2: in my entire life and that I didn't know, and 311 00:14:30,280 --> 00:14:31,800 Speaker 2: he got back to me, and so he was still 312 00:14:31,800 --> 00:14:34,200 Speaker 2: in the Navy when I contacted him. I just said, listen, 313 00:14:34,360 --> 00:14:36,280 Speaker 2: if you can get yourself to Nashville, I'd love to, 314 00:14:36,360 --> 00:14:39,400 Speaker 2: you know, introduce you to Dave Cobb and then you know, 315 00:14:39,760 --> 00:14:42,680 Speaker 2: get these two songs recorded because the production was you know, 316 00:14:42,680 --> 00:14:44,640 Speaker 2: I think it was an Airbnb that he recorded the 317 00:14:44,720 --> 00:14:46,480 Speaker 2: songs in so, you know, we needed something a little 318 00:14:46,520 --> 00:14:49,240 Speaker 2: better for TV. And so then Dave Cobb produced two 319 00:14:49,520 --> 00:14:51,120 Speaker 2: tracks and we use one of them at the end 320 00:14:51,120 --> 00:14:53,840 Speaker 2: of the show, and that was Condemned. And just watching 321 00:14:53,920 --> 00:14:56,000 Speaker 2: him rise and rise has been so awesome. 322 00:14:56,320 --> 00:14:57,320 Speaker 3: Anybody that I've. 323 00:14:57,120 --> 00:14:59,120 Speaker 2: Known for a while, you know, we've all seen him 324 00:14:58,960 --> 00:15:01,720 Speaker 2: in various club hubs and whatnot, but they just haven't 325 00:15:01,800 --> 00:15:03,760 Speaker 2: kind of had a platform yet. And then watching their 326 00:15:03,800 --> 00:15:06,200 Speaker 2: sales go up like four hundred percent or you know, 327 00:15:06,280 --> 00:15:08,880 Speaker 2: suddenly they're charting on charts they'd never been on before. 328 00:15:09,160 --> 00:15:11,760 Speaker 2: It's really fun to be able to see that for people, 329 00:15:11,960 --> 00:15:14,080 Speaker 2: you know who just they they're working their asses off 330 00:15:14,080 --> 00:15:16,080 Speaker 2: and they're making great music and they deserve to be 331 00:15:16,160 --> 00:15:16,760 Speaker 2: seen and heard. 332 00:15:16,960 --> 00:15:18,520 Speaker 1: I have like three more questions for you. I was 333 00:15:18,560 --> 00:15:21,680 Speaker 1: looking through your resume and one of my favorite movies 334 00:15:21,680 --> 00:15:24,240 Speaker 1: ever is Five Hundred Days of Summer. It's just it's 335 00:15:24,280 --> 00:15:27,280 Speaker 1: the best, and one of my favorite musical scenes in 336 00:15:27,320 --> 00:15:31,120 Speaker 1: any movie is when they're playing Hall and Oats making 337 00:15:31,160 --> 00:15:33,960 Speaker 1: my dreams come. Were you involved in that? 338 00:15:34,880 --> 00:15:39,800 Speaker 2: Yeah, So the writers of that movie were fantastic, and 339 00:15:39,880 --> 00:15:42,600 Speaker 2: Scott Newstter and I, you know, like had very similar 340 00:15:42,640 --> 00:15:44,440 Speaker 2: music taste. So I was thrilled that, you know, the 341 00:15:44,480 --> 00:15:46,840 Speaker 2: Smiths were in there, and you know, it was fantastic, 342 00:15:46,880 --> 00:15:49,240 Speaker 2: and you Make My Dreams was written in and so 343 00:15:49,520 --> 00:15:52,560 Speaker 2: we had tried to, you know, get the Hallooats on camera. 344 00:15:52,840 --> 00:15:54,160 Speaker 2: We just wanted them to kind of sit on a 345 00:15:54,160 --> 00:15:56,800 Speaker 2: stoop and you know, kind of get a little shooter fingers, like, hey, 346 00:15:56,840 --> 00:16:00,560 Speaker 2: you know when when jose Gordon Levit's walking by in 347 00:16:00,600 --> 00:16:03,800 Speaker 2: a postcoital, you know, a happy dream sort of phase. 348 00:16:03,880 --> 00:16:04,440 Speaker 1: And then. 349 00:16:06,120 --> 00:16:08,160 Speaker 2: They didn't want to be on camera for whatever reason 350 00:16:08,160 --> 00:16:10,600 Speaker 2: I don't remember, and then we were like, well, we 351 00:16:10,640 --> 00:16:12,720 Speaker 2: really want someone on camera, so you know, maybe we 352 00:16:12,720 --> 00:16:15,080 Speaker 2: can find something else. I mean, I think we reached 353 00:16:15,080 --> 00:16:17,760 Speaker 2: out to just about every eighties act. We also, like 354 00:16:18,040 --> 00:16:20,440 Speaker 2: we were like, how can we change you know, everybody 355 00:16:20,440 --> 00:16:22,400 Speaker 2: have fun Tonight by Wang Chung? How can we change 356 00:16:22,440 --> 00:16:25,560 Speaker 2: Duran Duran's rio to summer? Would they do that for us? 357 00:16:25,600 --> 00:16:28,000 Speaker 2: You know, like we just we went wide and it 358 00:16:28,080 --> 00:16:29,480 Speaker 2: never really worked better. 359 00:16:29,280 --> 00:16:30,160 Speaker 3: Than You Make My Dreams. 360 00:16:30,160 --> 00:16:31,240 Speaker 2: So we're like, all right, we just want to have 361 00:16:31,240 --> 00:16:33,280 Speaker 2: them on camera and we'll have the song. And that 362 00:16:33,400 --> 00:16:37,120 Speaker 2: was the best day of shooting ever because we were 363 00:16:37,120 --> 00:16:40,320 Speaker 2: in downtown LA right outside of a courthouse. There was 364 00:16:40,320 --> 00:16:42,920 Speaker 2: a fountain that we got to control, and you know, 365 00:16:43,040 --> 00:16:45,240 Speaker 2: people are just like, what is happening. There's a whole 366 00:16:45,320 --> 00:16:48,640 Speaker 2: you know, like everybody dancing, and then there's a marching 367 00:16:48,720 --> 00:16:51,560 Speaker 2: band and it was It was really fun and you 368 00:16:51,560 --> 00:16:53,520 Speaker 2: make my dreams. It's kind of like the song that 369 00:16:53,560 --> 00:16:55,720 Speaker 2: never ends. You could just it can start and stop 370 00:16:55,760 --> 00:16:57,160 Speaker 2: anywhere and everyone's still happy. 371 00:16:57,240 --> 00:16:58,200 Speaker 3: It never got boring. 372 00:16:58,480 --> 00:17:01,240 Speaker 2: But that was my first studio film and it was 373 00:17:01,360 --> 00:17:02,760 Speaker 2: an absolute joy to. 374 00:17:02,720 --> 00:17:03,880 Speaker 3: Be a part of that film. 375 00:17:04,600 --> 00:17:07,720 Speaker 1: Two questions left. I love Lions. I didn't know I 376 00:17:07,720 --> 00:17:09,080 Speaker 1: would love it as much as I did. And we 377 00:17:09,320 --> 00:17:12,480 Speaker 1: just started it ate up season one. It was right 378 00:17:12,480 --> 00:17:14,960 Speaker 1: as season two was in the middle of it, which 379 00:17:14,960 --> 00:17:16,960 Speaker 1: is also how we found Yellowstone, because I don't think 380 00:17:17,280 --> 00:17:20,919 Speaker 1: we saw season one while it was happening. We're not 381 00:17:21,000 --> 00:17:22,800 Speaker 1: that cool, but all our friends were like, you got 382 00:17:22,800 --> 00:17:25,080 Speaker 1: to watch it, so maybe like through like halfway through 383 00:17:25,119 --> 00:17:27,960 Speaker 1: season two we got in the Lions is so good 384 00:17:28,240 --> 00:17:32,120 Speaker 1: one and then two is even better. What's the difference 385 00:17:32,200 --> 00:17:33,960 Speaker 1: in like a lion S type show where it's a 386 00:17:34,000 --> 00:17:39,080 Speaker 1: very military it's not on you know in Montana likes 387 00:17:39,080 --> 00:17:40,480 Speaker 1: So what kind of music do you look for when 388 00:17:40,480 --> 00:17:41,080 Speaker 1: you do that show. 389 00:17:42,440 --> 00:17:44,520 Speaker 2: With every show, you always want to have, you know, 390 00:17:44,640 --> 00:17:48,960 Speaker 2: sort of the conversation of breaking down characters, of the 391 00:17:49,040 --> 00:17:52,080 Speaker 2: overall sort of sound and whatnot. But Taylor and I 392 00:17:52,160 --> 00:17:54,080 Speaker 2: kind of just have the music mind meld at this point, 393 00:17:54,160 --> 00:17:56,800 Speaker 2: So would you know, sometimes they'll say, Okay, I want 394 00:17:56,800 --> 00:17:58,960 Speaker 2: something that's still like Whiskey Myers, you know, that would 395 00:17:58,960 --> 00:18:01,840 Speaker 2: still fit some of the the soldiers in it, and 396 00:18:02,920 --> 00:18:04,760 Speaker 2: so then we'll stick with that. But then you know, 397 00:18:04,920 --> 00:18:07,720 Speaker 2: you have z always Soldania and her character and she's 398 00:18:07,760 --> 00:18:10,399 Speaker 2: not you know, like the sort of rock music so 399 00:18:10,960 --> 00:18:14,080 Speaker 2: or southern rock, So we do something that fits her 400 00:18:14,560 --> 00:18:16,600 Speaker 2: and her husband better, and then we have music that 401 00:18:16,640 --> 00:18:18,920 Speaker 2: fits the daughter better. Or then there's just source music 402 00:18:18,960 --> 00:18:22,600 Speaker 2: for a club, so it's more situational and more sourcy. 403 00:18:22,680 --> 00:18:25,720 Speaker 3: We don't have montage songs in that so much. 404 00:18:26,520 --> 00:18:29,359 Speaker 1: My final question, there are things that I'm involved in 405 00:18:29,359 --> 00:18:32,720 Speaker 1: that I can't really consume just as pure consumer because 406 00:18:32,720 --> 00:18:36,240 Speaker 1: I'm involved. If it's you know, audio stand up comedy, 407 00:18:36,240 --> 00:18:38,879 Speaker 1: it's like, I'm so invested in my life it's hard 408 00:18:38,880 --> 00:18:42,159 Speaker 1: for me to watch it just as a fan. Is 409 00:18:42,160 --> 00:18:43,480 Speaker 1: that hard for you to watch like a movie or 410 00:18:43,480 --> 00:18:45,280 Speaker 1: a show and not pay attention to every musical element 411 00:18:45,520 --> 00:18:47,680 Speaker 1: without going oh that's great or oh that's tough. 412 00:18:48,400 --> 00:18:51,320 Speaker 2: I never turn off the work ears ever, but I've 413 00:18:51,359 --> 00:18:53,120 Speaker 2: I've been. I mean that's why I was a film 414 00:18:53,160 --> 00:18:55,560 Speaker 2: school kid too, Like I've always sort of broken down 415 00:18:55,600 --> 00:18:58,080 Speaker 2: things and analyzed them and loved them for that. So 416 00:18:58,119 --> 00:19:01,159 Speaker 2: there's no joy taken away from being analytical with the 417 00:19:01,160 --> 00:19:04,000 Speaker 2: work brain happening. But sometimes I'll watch something and if 418 00:19:04,000 --> 00:19:06,119 Speaker 2: it's not good, all I do is figure out the 419 00:19:06,119 --> 00:19:07,440 Speaker 2: budget of the songs. 420 00:19:09,320 --> 00:19:12,520 Speaker 1: I really appreciate the time. Again, I mean it, it's 421 00:19:12,560 --> 00:19:15,040 Speaker 1: been musically a culture changer what you guys did on 422 00:19:15,119 --> 00:19:17,640 Speaker 1: Yellowstone the same way that Gray's anatom. You was then 423 00:19:17,680 --> 00:19:20,120 Speaker 1: that this to me and us is what you guys 424 00:19:20,200 --> 00:19:24,320 Speaker 1: did now and loved all of my friends that you helped. 425 00:19:24,359 --> 00:19:26,080 Speaker 1: And I guess even though you didn't even don't care 426 00:19:26,119 --> 00:19:27,480 Speaker 1: about them, they don't known that well. But I think 427 00:19:27,480 --> 00:19:29,119 Speaker 1: you did an awesome job, and so thank you so 428 00:19:29,240 --> 00:19:31,040 Speaker 1: much for being with us and talking about it means 429 00:19:31,080 --> 00:19:32,040 Speaker 1: a lot to me, and I hope you have a 430 00:19:32,040 --> 00:19:32,919 Speaker 1: great rest of the day. 431 00:19:33,560 --> 00:19:36,320 Speaker 2: You too, And thank you for just elevating even more 432 00:19:37,160 --> 00:19:42,240 Speaker 2: information about Yellowstone because it's it's certainly been a ride, 433 00:19:42,320 --> 00:19:45,200 Speaker 2: and it's been really fun and luckily we are sort 434 00:19:45,240 --> 00:19:47,800 Speaker 2: of continuing our music style in the tailor verse on 435 00:19:47,880 --> 00:19:51,119 Speaker 2: land Man. So I recommend anyone who loved Yellowstone to 436 00:19:51,160 --> 00:19:52,160 Speaker 2: check out then. 437 00:20:13,720 --> 00:20:15,560 Speaker 1: Andrey is a big deal in so many people's lives, 438 00:20:15,720 --> 00:20:19,040 Speaker 1: including this artist. This is country music artist Danny Rose. 439 00:20:19,440 --> 00:20:22,760 Speaker 1: Danny's had a total of five songs featured on Yellowstone. 440 00:20:23,119 --> 00:20:25,800 Speaker 1: Danny has a new song being released February twenty eighth 441 00:20:25,920 --> 00:20:28,480 Speaker 1: called I Ain't Levin that was featured in season five, 442 00:20:28,720 --> 00:20:29,840 Speaker 1: so you may have heard it on the show and 443 00:20:29,840 --> 00:20:32,200 Speaker 1: search for and couldn't find it, but it's about to 444 00:20:32,240 --> 00:20:35,400 Speaker 1: be out now, so make sure stream it. Support her, 445 00:20:35,560 --> 00:20:37,760 Speaker 1: and you can follow Danny on Instagram and check out 446 00:20:37,800 --> 00:20:42,800 Speaker 1: our music. DA N I R O sc at Danny Rose. Okay, 447 00:20:42,920 --> 00:20:55,119 Speaker 1: Danny Rose. Here she is all with us? Now? Is 448 00:20:55,200 --> 00:20:57,000 Speaker 1: Danny Rose? Hey? Danny? How are you? Hey? 449 00:20:57,080 --> 00:20:57,720 Speaker 4: I'm doing well? 450 00:20:57,760 --> 00:21:00,320 Speaker 1: Are you doing pretty good? I was looking at your 451 00:21:00,359 --> 00:21:03,520 Speaker 1: music and obviously this is a Yellowstone podcast. I didn't 452 00:21:03,560 --> 00:21:05,920 Speaker 1: realize that basically you've been on every season musically except 453 00:21:05,960 --> 00:21:07,800 Speaker 1: for season one, but you've pretty much been there through 454 00:21:07,800 --> 00:21:09,560 Speaker 1: the whole thing. How in the world did you get 455 00:21:09,560 --> 00:21:12,359 Speaker 1: hooked up with the people that cast music from Yellowstone? 456 00:21:12,520 --> 00:21:14,320 Speaker 4: Oh my gosh, Well, it's a great story. 457 00:21:14,359 --> 00:21:17,160 Speaker 5: I was at a birthday party in LA and I 458 00:21:17,200 --> 00:21:20,320 Speaker 5: was just hanging out, meeting friends, and I happened to 459 00:21:20,320 --> 00:21:23,200 Speaker 5: meet the music supervisor Andrew von Forrester for the show. 460 00:21:23,600 --> 00:21:26,080 Speaker 1: How does the conversation come up that you do music 461 00:21:26,119 --> 00:21:27,560 Speaker 1: that fits perfectly in Yellowstone? 462 00:21:27,720 --> 00:21:29,800 Speaker 5: We were just all hanging out. I mean, I'm a 463 00:21:30,119 --> 00:21:34,119 Speaker 5: very I'm very much energy oriented. If I gravitate towards 464 00:21:34,119 --> 00:21:36,119 Speaker 5: the person and I'm chatting with them and we like 465 00:21:36,160 --> 00:21:39,320 Speaker 5: each other, you just assume everybody does music or everyone's 466 00:21:39,320 --> 00:21:41,840 Speaker 5: in entertainment. So it was just a normal party and 467 00:21:41,880 --> 00:21:43,920 Speaker 5: we were hanging and she told me that she was 468 00:21:43,960 --> 00:21:45,960 Speaker 5: a music supervisor and I said, oh great, I do 469 00:21:46,000 --> 00:21:48,600 Speaker 5: country music and she said awesome, I'd love to hear it. 470 00:21:48,760 --> 00:21:51,160 Speaker 5: And I sent it to her, and then I didn't 471 00:21:51,200 --> 00:21:54,879 Speaker 5: hear anything from her for a couple of years, and 472 00:21:54,920 --> 00:21:57,919 Speaker 5: then randomly, out of the blues, she just messaged me 473 00:21:57,960 --> 00:22:00,480 Speaker 5: and said, hey, I love your music. I'd love to 474 00:22:00,480 --> 00:22:03,800 Speaker 5: put it on Yellowstone. It's this brand new show. You 475 00:22:03,880 --> 00:22:05,960 Speaker 5: might hear something about it. And at the time, we 476 00:22:06,000 --> 00:22:09,480 Speaker 5: had no idea what it was, so I was just like, yeah, 477 00:22:09,680 --> 00:22:10,240 Speaker 5: I'd love to. 478 00:22:10,160 --> 00:22:12,760 Speaker 4: Have music on a TV show, and that's how it happened. 479 00:22:12,800 --> 00:22:16,040 Speaker 1: So when you met her, she wasn't overseeing a show 480 00:22:16,080 --> 00:22:18,840 Speaker 1: that you knew of as Yellowstone. She literally was just 481 00:22:18,880 --> 00:22:21,879 Speaker 1: someone who specialized in finding music like sync music for 482 00:22:21,960 --> 00:22:24,080 Speaker 1: TV shows or commercials or whatever. Yeah. 483 00:22:24,119 --> 00:22:26,200 Speaker 5: Like I had known her name because she had done 484 00:22:26,240 --> 00:22:28,680 Speaker 5: stuff for Grey's Anatomy, which was a huge show. 485 00:22:28,800 --> 00:22:30,359 Speaker 4: So anybody that does. 486 00:22:30,280 --> 00:22:32,840 Speaker 5: Music on these kinds of TV shows, you're always like, wow, 487 00:22:32,880 --> 00:22:34,840 Speaker 5: I would love to show you my music, but I 488 00:22:34,920 --> 00:22:37,360 Speaker 5: also I want it to be right, and I never 489 00:22:37,480 --> 00:22:39,520 Speaker 5: want to be pushy with any of my stuff. So 490 00:22:39,840 --> 00:22:42,000 Speaker 5: I literally just sent her the music and she liked 491 00:22:42,040 --> 00:22:44,320 Speaker 5: it and then kept asking for more, and I was 492 00:22:44,400 --> 00:22:44,919 Speaker 5: very grateful. 493 00:22:44,960 --> 00:22:47,320 Speaker 4: And at the time we didn't know how huge Yellowstone 494 00:22:47,359 --> 00:22:48,800 Speaker 4: was going to be. I didn't know. 495 00:22:48,880 --> 00:22:51,240 Speaker 5: I just thought, oh, you know, it's a paycheck. It's 496 00:22:51,640 --> 00:22:54,439 Speaker 5: money that I can use to put towards all of 497 00:22:54,440 --> 00:22:57,040 Speaker 5: my other music. Bobby, you know all about this, because 498 00:22:57,119 --> 00:23:00,760 Speaker 5: every dollar that you make goes back into or whatever 499 00:23:00,840 --> 00:23:01,240 Speaker 5: you're doing. 500 00:23:01,320 --> 00:23:03,359 Speaker 4: This is more money I can invest in my music. 501 00:23:03,560 --> 00:23:07,120 Speaker 1: Whenever it is on the show. Did you feel an 502 00:23:07,119 --> 00:23:10,560 Speaker 1: interest that you hadn't felt before, or like people looking 503 00:23:10,600 --> 00:23:12,560 Speaker 1: to find who you are following you on social media? 504 00:23:12,600 --> 00:23:13,280 Speaker 4: Absolutely? 505 00:23:13,359 --> 00:23:15,800 Speaker 5: I mean at first, because when season two came out, 506 00:23:15,840 --> 00:23:19,320 Speaker 5: it was just kind of starting to bubble and everyone 507 00:23:19,440 --> 00:23:22,000 Speaker 5: kind of knew who Taylor Sheridan was and again so 508 00:23:22,480 --> 00:23:25,000 Speaker 5: grateful to him for all of these opportunities. 509 00:23:25,240 --> 00:23:26,800 Speaker 4: Without him, it wouldn't happen. 510 00:23:27,200 --> 00:23:29,040 Speaker 5: And it was just like, Okay, this is a new 511 00:23:29,080 --> 00:23:31,720 Speaker 5: Tailor Shardan show. You know what is the response and 512 00:23:31,720 --> 00:23:34,000 Speaker 5: people were just kind of starting to get excited about it. 513 00:23:34,000 --> 00:23:37,800 Speaker 5: It wasn't until season three, I think that people really 514 00:23:38,280 --> 00:23:41,399 Speaker 5: started to have the subsession with the show, and it 515 00:23:41,600 --> 00:23:46,159 Speaker 5: just blew up almost overnight, and then people started to 516 00:23:46,160 --> 00:23:48,880 Speaker 5: find my music, People started to book me for shows, 517 00:23:48,960 --> 00:23:51,959 Speaker 5: people started to ask me about music for other TV shows, 518 00:23:52,000 --> 00:23:55,240 Speaker 5: and it just kind of was this tumbleweed of energy 519 00:23:55,280 --> 00:23:56,240 Speaker 5: and momentum from there. 520 00:23:56,440 --> 00:23:58,679 Speaker 1: You bring up a good point is that I wasn't 521 00:23:59,119 --> 00:24:01,480 Speaker 1: on the forefront of watching Yellowstone. I had friends that 522 00:24:01,520 --> 00:24:04,040 Speaker 1: were like, hey, you should watch Yellowstone because we just 523 00:24:04,119 --> 00:24:06,240 Speaker 1: got into it and season one's over now, but you 524 00:24:06,240 --> 00:24:08,919 Speaker 1: should start it. And then when season two started I 525 00:24:08,960 --> 00:24:11,160 Speaker 1: was kind of just now caught up with season one. 526 00:24:11,480 --> 00:24:13,680 Speaker 1: It was one of those word of mouth shows that, Yeah, 527 00:24:13,680 --> 00:24:15,520 Speaker 1: season three was when it really exploded. It was a 528 00:24:15,520 --> 00:24:17,800 Speaker 1: bit of Breaking Bad ish, which I wasn't on the 529 00:24:17,880 --> 00:24:20,080 Speaker 1: early seasons of Breaking Bad when they came out, But 530 00:24:20,119 --> 00:24:22,120 Speaker 1: the show got so big and it was so popular 531 00:24:22,119 --> 00:24:24,920 Speaker 1: word of mouth that then I got in and you're right, 532 00:24:25,000 --> 00:24:28,240 Speaker 1: like season two, season three was when I was really 533 00:24:28,960 --> 00:24:31,840 Speaker 1: fully immersed into Yellowstone. That's cool that people would like 534 00:24:31,840 --> 00:24:33,320 Speaker 1: find you and book you for shows because they heard 535 00:24:33,359 --> 00:24:35,200 Speaker 1: your music on Yellowstone. That's pretty cool, right. 536 00:24:35,359 --> 00:24:36,160 Speaker 4: It was amazing. 537 00:24:36,200 --> 00:24:39,160 Speaker 5: I mean, people put me on playlists and people were 538 00:24:39,240 --> 00:24:41,800 Speaker 5: very excited to hear what I was up to and 539 00:24:41,840 --> 00:24:44,200 Speaker 5: what kind of music I was making, and they wanted 540 00:24:44,240 --> 00:24:47,359 Speaker 5: to know me. Rolling Stone reached out, Billboard reached out. 541 00:24:47,400 --> 00:24:50,399 Speaker 5: I've done so many shows, and then I was able 542 00:24:50,440 --> 00:24:53,000 Speaker 5: to meet some of the Yellowstone cast from it. It's 543 00:24:53,040 --> 00:24:55,879 Speaker 5: such a community there. It's so family oriented. Everybody at 544 00:24:55,880 --> 00:24:59,480 Speaker 5: Paramount Sabrita del Piure, they really put together such a 545 00:24:59,520 --> 00:25:00,439 Speaker 5: wonderful family. 546 00:25:00,840 --> 00:25:02,600 Speaker 4: And then from that last. 547 00:25:02,440 --> 00:25:04,840 Speaker 5: Year I was at Stagecoach or this past year I 548 00:25:04,880 --> 00:25:07,520 Speaker 5: was at Stagecoach and Yellowstone asked me to come over 549 00:25:07,560 --> 00:25:09,120 Speaker 5: and do some social media posts with them. 550 00:25:09,160 --> 00:25:11,800 Speaker 4: So I was in the tent and then I got. 551 00:25:11,600 --> 00:25:13,880 Speaker 5: A chance to meet like I mean, we had kind 552 00:25:13,920 --> 00:25:17,800 Speaker 5: of met just brown social circles, Ian Bowen and Jen 553 00:25:17,960 --> 00:25:20,880 Speaker 5: Landon and Luke Grimes and just kind of like all 554 00:25:20,880 --> 00:25:22,960 Speaker 5: hanging out and so it's just it's one big family. 555 00:25:23,000 --> 00:25:25,960 Speaker 5: And it's kind of crazy to think that I'm included 556 00:25:25,960 --> 00:25:28,840 Speaker 5: in that because I think of myself as like literally 557 00:25:28,920 --> 00:25:32,000 Speaker 5: just no one, but I get to do this awesome stuff, 558 00:25:32,040 --> 00:25:34,159 Speaker 5: and I'm just so grateful to be able to have 559 00:25:34,280 --> 00:25:36,640 Speaker 5: music in the show and have that kind of as 560 00:25:36,680 --> 00:25:39,359 Speaker 5: a propelling factor in what I'm doing next. 561 00:25:39,600 --> 00:25:41,800 Speaker 1: There was a song of yours that was in a 562 00:25:41,880 --> 00:25:43,879 Speaker 1: recent episode and we're recording this. Did they take an 563 00:25:43,960 --> 00:25:45,320 Speaker 1: unreleased song of yours and play it? 564 00:25:45,400 --> 00:25:46,600 Speaker 4: They actually did so. 565 00:25:46,840 --> 00:25:49,399 Speaker 5: I wrote a song with Brent Cobb and Jesse Alexander 566 00:25:49,560 --> 00:25:52,160 Speaker 5: and that hasn't been released yet, but they did play 567 00:25:52,200 --> 00:25:52,760 Speaker 5: it on the show. 568 00:25:52,920 --> 00:25:54,400 Speaker 4: This was this past Sunday. 569 00:25:54,920 --> 00:25:56,080 Speaker 1: Do you feel like you have to keep up with 570 00:25:56,080 --> 00:25:56,320 Speaker 1: it though? 571 00:25:56,359 --> 00:25:56,479 Speaker 2: Too? 572 00:25:56,520 --> 00:25:58,600 Speaker 1: Now that since they've been so invested in you, like, 573 00:25:58,600 --> 00:26:00,119 Speaker 1: are you watching every episode? 574 00:26:00,520 --> 00:26:02,400 Speaker 5: I Mean, I was such a fan to begin with, 575 00:26:02,480 --> 00:26:05,000 Speaker 5: so it didn't matter. It's really exciting to be able 576 00:26:05,040 --> 00:26:07,640 Speaker 5: to watch a TV show that you're into and then 577 00:26:08,240 --> 00:26:10,800 Speaker 5: want to actually watch it and then also see your 578 00:26:10,880 --> 00:26:11,520 Speaker 5: music in it. 579 00:26:11,760 --> 00:26:13,120 Speaker 4: So it's like a two part thing. 580 00:26:13,200 --> 00:26:15,520 Speaker 5: I'm watching because I want to hear my music, but 581 00:26:15,520 --> 00:26:18,040 Speaker 5: then I'm also watching because I want to know what's happening. 582 00:26:18,600 --> 00:26:20,880 Speaker 1: You've had a song in season two, thirty four and five. 583 00:26:20,920 --> 00:26:22,639 Speaker 1: At this point, are they like, Okay, which song do 584 00:26:22,640 --> 00:26:24,480 Speaker 1: you want us to use of yours for this season? 585 00:26:24,840 --> 00:26:27,600 Speaker 1: It feels like listen. It's a very relationship based industry anyway, 586 00:26:27,640 --> 00:26:29,800 Speaker 1: and you're also really good. So do they come to 587 00:26:29,800 --> 00:26:32,400 Speaker 1: you and go, hey, we need a song that feels 588 00:26:32,520 --> 00:26:34,760 Speaker 1: like this, or do they just go through your entire library? 589 00:26:34,880 --> 00:26:36,400 Speaker 4: They go through my entire library. 590 00:26:36,480 --> 00:26:38,840 Speaker 5: Anytime that I've been in a room where somebody says 591 00:26:38,880 --> 00:26:40,840 Speaker 5: I need a song for this movie and here's what 592 00:26:40,880 --> 00:26:43,280 Speaker 5: it needs to be like, that song never goes anywhere. 593 00:26:43,359 --> 00:26:46,760 Speaker 5: It's always the songs that are about truth and are 594 00:26:46,800 --> 00:26:50,040 Speaker 5: about meaning to me, that are real songs that get 595 00:26:50,040 --> 00:26:53,119 Speaker 5: the placements. So I will have songs. I won't push 596 00:26:53,200 --> 00:26:55,880 Speaker 5: any music, but I'll wait for one of the supervisors 597 00:26:55,880 --> 00:26:56,440 Speaker 5: to ask. 598 00:26:56,240 --> 00:26:57,800 Speaker 4: Me, Hey, what have you been listening to you? And 599 00:26:57,800 --> 00:27:00,359 Speaker 4: what are your new favorite songs that you've written? And 600 00:27:00,400 --> 00:27:02,760 Speaker 4: I'll just send him on where'd you grow up? 601 00:27:02,960 --> 00:27:03,080 Speaker 1: So? 602 00:27:03,160 --> 00:27:07,120 Speaker 5: I grew up in Virginia, but then in fifth grade 603 00:27:07,160 --> 00:27:08,000 Speaker 5: we moved to Tokyo. 604 00:27:09,440 --> 00:27:12,360 Speaker 1: The juxtaposition at Virginia and Tokyo that is yeah, that's 605 00:27:12,400 --> 00:27:16,600 Speaker 1: that's that's a wild So Tokyo. Why Tokyo was your job? 606 00:27:16,920 --> 00:27:18,000 Speaker 1: One of your parents have a job over here. 607 00:27:19,000 --> 00:27:21,760 Speaker 5: My dad's a chemical patent attorney. So he moved us 608 00:27:21,760 --> 00:27:23,359 Speaker 5: to Southeast Asia to Japan. 609 00:27:23,520 --> 00:27:24,080 Speaker 1: That's awesome. 610 00:27:24,160 --> 00:27:26,600 Speaker 5: And from fifth grade until ninth grade, we just traveled 611 00:27:26,640 --> 00:27:29,080 Speaker 5: Southeast Asia. So I became like a very I went 612 00:27:29,119 --> 00:27:32,439 Speaker 5: from like Chantilly, Virginia, where like you do nothing, and 613 00:27:32,480 --> 00:27:35,520 Speaker 5: then we moved to Japan and my entire world kind 614 00:27:35,520 --> 00:27:38,000 Speaker 5: of opened up. I met so many different kids from 615 00:27:38,160 --> 00:27:42,280 Speaker 5: all over the world, and that network really broadened my head. 616 00:27:42,520 --> 00:27:45,320 Speaker 5: And then when we moved back in high school, because 617 00:27:45,359 --> 00:27:46,719 Speaker 5: we went back to the same house and I went 618 00:27:46,720 --> 00:27:49,880 Speaker 5: to Chantilly, it was so depressing because I went from 619 00:27:49,880 --> 00:27:52,520 Speaker 5: going on trips with my friends in seventh grade. I 620 00:27:52,560 --> 00:27:54,400 Speaker 5: mean I was taking the subway by myself in fifth 621 00:27:54,400 --> 00:27:57,080 Speaker 5: grade and because my dad was like, you will do this, 622 00:27:57,240 --> 00:27:57,920 Speaker 5: I am sick. 623 00:27:57,760 --> 00:27:58,240 Speaker 4: Of tak sure. 624 00:27:59,520 --> 00:28:01,880 Speaker 5: So literally we would just tour all over the place. 625 00:28:01,960 --> 00:28:03,439 Speaker 5: We would go to the Great Wall of China with 626 00:28:03,480 --> 00:28:05,560 Speaker 5: my parents like three or four times, the stuff that 627 00:28:05,600 --> 00:28:08,520 Speaker 5: you see in school books. I was actually like living 628 00:28:08,600 --> 00:28:11,800 Speaker 5: out in real life. And then we moved back to 629 00:28:12,040 --> 00:28:13,920 Speaker 5: Virginia and it was just like, oh, okay, well you 630 00:28:13,960 --> 00:28:17,720 Speaker 5: can go to the mall and your home. And I 631 00:28:17,800 --> 00:28:20,199 Speaker 5: was like, wait, i can't take the subway myself, like 632 00:28:20,520 --> 00:28:23,080 Speaker 5: I'm used to going to Tokyo Disneyland like every weekend. 633 00:28:23,480 --> 00:28:25,879 Speaker 5: So it was quite a culture shock just to be 634 00:28:26,040 --> 00:28:30,520 Speaker 5: dropped back to here we are like essentially middle of 635 00:28:30,560 --> 00:28:33,320 Speaker 5: nowhere at Virginia and this is what it is. 636 00:28:33,400 --> 00:28:35,359 Speaker 1: When did you start to feel like music was something 637 00:28:35,359 --> 00:28:36,960 Speaker 1: you wanted to do for your life. 638 00:28:37,800 --> 00:28:44,160 Speaker 5: When I was in second grade, I loved to sing 639 00:28:44,200 --> 00:28:46,040 Speaker 5: like you know, you get out and do like this 640 00:28:46,200 --> 00:28:49,200 Speaker 5: land is my land. I would sing it at the 641 00:28:49,200 --> 00:28:51,520 Speaker 5: top of my lungs and yell it it's so loud, 642 00:28:51,520 --> 00:28:53,320 Speaker 5: because I was like, I have a powerful voice, but 643 00:28:53,360 --> 00:28:54,920 Speaker 5: I don't think I had a great voice at the time. 644 00:28:54,920 --> 00:28:57,160 Speaker 5: I think it was terrible. And the teacher would always 645 00:28:57,160 --> 00:28:59,760 Speaker 5: come over and say, you know, Danielle. They would call 646 00:28:59,800 --> 00:29:02,320 Speaker 5: me to Danielle. I think that what you should do 647 00:29:02,520 --> 00:29:04,720 Speaker 5: is just be a bit quieter, because we know that 648 00:29:04,800 --> 00:29:08,760 Speaker 5: you love your country's we need you to calm it down. 649 00:29:09,120 --> 00:29:11,200 Speaker 5: From that age, I was always wanting to be in 650 00:29:11,200 --> 00:29:15,920 Speaker 5: front of the camera doing music, being on stage, performing, singing, 651 00:29:16,240 --> 00:29:18,360 Speaker 5: entertainment was always something that I wanted to do ever 652 00:29:18,360 --> 00:29:18,760 Speaker 5: since I. 653 00:29:18,720 --> 00:29:19,160 Speaker 3: Was a kid. 654 00:29:19,440 --> 00:29:20,800 Speaker 1: And how long have you been in Nashville? 655 00:29:21,160 --> 00:29:24,520 Speaker 5: Just recently moved there full time the beginning of the summer. 656 00:29:24,600 --> 00:29:26,400 Speaker 1: Your bouncing back and forth, you were doing the go 657 00:29:26,400 --> 00:29:27,560 Speaker 1: to town for a few days and write and then 658 00:29:27,600 --> 00:29:28,480 Speaker 1: go back home type thing. 659 00:29:28,680 --> 00:29:29,400 Speaker 4: Yeah, that's what I did. 660 00:29:29,480 --> 00:29:31,840 Speaker 5: I was I was living between LA and Nashville, and 661 00:29:31,920 --> 00:29:34,560 Speaker 5: then bought a house in Hermitage and just decided I'm 662 00:29:34,600 --> 00:29:36,400 Speaker 5: going to live here full time. I had so much 663 00:29:36,440 --> 00:29:38,360 Speaker 5: going on, and there's just as you know, there's so 664 00:29:38,440 --> 00:29:40,000 Speaker 5: much work in the city and you just have to 665 00:29:40,000 --> 00:29:42,440 Speaker 5: be there. I hate to say that because that's such 666 00:29:42,480 --> 00:29:44,520 Speaker 5: a thing that people say all the time, Well you 667 00:29:44,600 --> 00:29:46,680 Speaker 5: have to be here, you want to you know, you 668 00:29:46,680 --> 00:29:47,719 Speaker 5: want to do it, you got to be here. 669 00:29:47,760 --> 00:29:48,880 Speaker 4: But I think it's true. 670 00:29:49,120 --> 00:29:52,000 Speaker 1: Yeah, It's one of those cliches that I've had to 671 00:29:52,000 --> 00:29:53,240 Speaker 1: say it to a couple of people, and I'm like, 672 00:29:53,280 --> 00:29:54,800 Speaker 1: I know, this sounds like the most cliche thing I 673 00:29:54,840 --> 00:29:58,160 Speaker 1: could possibly say. You'd have to be here, and you're right, 674 00:29:58,240 --> 00:30:01,320 Speaker 1: and I mean, because there just so many things that happen, 675 00:30:02,000 --> 00:30:05,360 Speaker 1: or so many things that are possible because of proximity 676 00:30:05,600 --> 00:30:08,720 Speaker 1: that may not be possible otherwise. Well, congratulations on all that. 677 00:30:08,760 --> 00:30:10,280 Speaker 1: And by the time this comes out, your record will 678 00:30:10,480 --> 00:30:12,800 Speaker 1: have been out Outsiders, So we'll give me some stuff 679 00:30:12,800 --> 00:30:14,400 Speaker 1: about the record here. What's happening with you. 680 00:30:14,320 --> 00:30:17,400 Speaker 5: Outsiders is really exciting. It's all about a collection of 681 00:30:17,920 --> 00:30:20,200 Speaker 5: saying goodbye the old me and saying hello to the 682 00:30:20,240 --> 00:30:23,160 Speaker 5: new me. The title track is good Morning, which is 683 00:30:23,240 --> 00:30:26,400 Speaker 5: all about having a funeral for the old me and 684 00:30:26,520 --> 00:30:28,680 Speaker 5: laying herd arrest. It's really fun. I did a music 685 00:30:28,760 --> 00:30:32,400 Speaker 5: video for it in Nashville. It's hilarious. There's a dance 686 00:30:32,440 --> 00:30:35,320 Speaker 5: at the end. As someone who has mastered the Foxtrot, 687 00:30:35,400 --> 00:30:38,160 Speaker 5: I think you would really appreciate the dancing at the end, 688 00:30:38,360 --> 00:30:39,040 Speaker 5: because I'm. 689 00:30:38,880 --> 00:30:40,200 Speaker 4: Not as good of a dancer as you. 690 00:30:40,400 --> 00:30:44,000 Speaker 5: But there's another really special song on there called Whiskey 691 00:30:44,080 --> 00:30:47,400 Speaker 5: or Cold that is out right now, and that song 692 00:30:47,560 --> 00:30:51,040 Speaker 5: is all about the other side of addiction. It's different 693 00:30:51,280 --> 00:30:55,000 Speaker 5: in the fact that it goes after blaming the alcohol 694 00:30:55,160 --> 00:30:59,000 Speaker 5: instead of the person for all of the terrible things 695 00:30:59,000 --> 00:31:00,680 Speaker 5: that you have to go through and a loved one 696 00:31:00,800 --> 00:31:03,240 Speaker 5: is going through being addicted to something and you have 697 00:31:03,320 --> 00:31:05,880 Speaker 5: no control over it. So that's one of my favorite 698 00:31:05,920 --> 00:31:08,360 Speaker 5: songs on the record, Whiskey or Colton. I wrote it 699 00:31:08,400 --> 00:31:09,400 Speaker 5: with Liz Rose. 700 00:31:09,680 --> 00:31:11,960 Speaker 1: Oh, one of my favorite people and writers, who's awesome. 701 00:31:12,000 --> 00:31:14,520 Speaker 1: Lizon's awesome anyways, So you guys can follow Danny on 702 00:31:14,600 --> 00:31:17,640 Speaker 1: Instagram DA and I Rose. Danny Rose, we really appreciate 703 00:31:17,680 --> 00:31:19,840 Speaker 1: you coming on talking about Yellowstone. Good luck with the record, 704 00:31:19,880 --> 00:31:22,360 Speaker 1: I hope at strange tend gabillion streams. Thanks for the 705 00:31:22,360 --> 00:31:24,440 Speaker 1: time today and good luck and I'm sure I'll see 706 00:31:24,440 --> 00:31:26,440 Speaker 1: you up here in the studio at some point soon. 707 00:31:33,360 --> 00:31:37,040 Speaker 1: The Yellowstone Official Podcast hosted by Me Bobby Bones and 708 00:31:37,120 --> 00:31:40,840 Speaker 1: brought to you by iHeartMedia Podcasts and MTV Entertainment Studios. 709 00:31:41,160 --> 00:31:45,040 Speaker 1: Big shout out to executive producers Jason Red, Lindsey Hoffman, 710 00:31:45,360 --> 00:31:48,480 Speaker 1: Karl Catele, and Kevin O'Connell. Also our senior manager of 711 00:31:48,520 --> 00:31:51,720 Speaker 1: podcast marketing Ali Canner Grab for keeping the word out, 712 00:31:52,000 --> 00:31:54,360 Speaker 1: and of course a big thanks to Will Pearson, president 713 00:31:54,360 --> 00:31:57,400 Speaker 1: of iHeartMedia Podcast for him supporting this show. We've also 714 00:31:57,440 --> 00:32:00,280 Speaker 1: got special thanks going out to Whitney Baxter, Xavier off Free, 715 00:32:00,840 --> 00:32:04,440 Speaker 1: Barbara Parida, Emily Curry, and Joe Flattery. You guys make 716 00:32:04,480 --> 00:32:07,680 Speaker 1: this happen. This podcast is produced in association with One 717 00:32:07,680 --> 00:32:10,880 Speaker 1: on one Studios over there executive producer Scott Stone and 718 00:32:10,920 --> 00:32:14,200 Speaker 1: Director of podcast Development and Production Danielle Waxman. We also 719 00:32:14,240 --> 00:32:16,400 Speaker 1: got to give a big nod to Michelle Newman, David 720 00:32:16,400 --> 00:32:19,080 Speaker 1: Glasser and David Hudkin for their support. Thank you guys 721 00:32:19,080 --> 00:32:20,680 Speaker 1: for tuning in. See you next week.