1 00:00:00,560 --> 00:00:04,280 Speaker 1: This is the Fred Show. Each time. Celebrate the holiday 2 00:00:04,360 --> 00:00:07,480 Speaker 1: season with Mariah Carey's Christmas Time in Las Vegas this 3 00:00:07,640 --> 00:00:12,120 Speaker 1: November twenty eight through December thirteenth, Adobe Live at Park MGM, 4 00:00:12,440 --> 00:00:14,600 Speaker 1: and you could be going a trip for two to 5 00:00:14,640 --> 00:00:17,480 Speaker 1: the December twelfth show at two Night's Day at Park 6 00:00:17,600 --> 00:00:21,400 Speaker 1: MGM December twelfth through to fourteenth and round trip airfare. 7 00:00:21,600 --> 00:00:25,480 Speaker 1: Text Baby to five seven, seven three nine right now 8 00:00:25,520 --> 00:00:27,639 Speaker 1: for a chance to win. A confirmation text will be 9 00:00:27,680 --> 00:00:30,960 Speaker 1: sent standard message and data rates may apply. It's all 10 00:00:30,960 --> 00:00:34,120 Speaker 1: thanks to Live Nation. It's a friend show. Good morning 11 00:00:34,120 --> 00:00:36,640 Speaker 1: one on three five Kiss FM, Chicago's number one hit 12 00:00:36,720 --> 00:00:39,320 Speaker 1: music station. We Got jingle Ball. Tickets are one of 13 00:00:39,360 --> 00:00:42,239 Speaker 1: three five Kiss FM jingle Ball presented by Capital One 14 00:00:42,479 --> 00:00:46,000 Speaker 1: when Teddy Swims, Nelly Jesse, Murph Ravenlyne, Shine Doown, Zar 15 00:00:46,200 --> 00:00:49,199 Speaker 1: Larsen and so many more artists. And if you have 16 00:00:49,240 --> 00:00:52,000 Speaker 1: a Capital one card, you can buy your tickets before 17 00:00:52,040 --> 00:00:55,120 Speaker 1: anybody else at one O three five kissfm dot com 18 00:00:55,160 --> 00:00:58,560 Speaker 1: slash Shingle Ball and then tomorrow at noon the tickets 19 00:00:58,600 --> 00:01:01,280 Speaker 1: go on sale for everybody else. They always sell out 20 00:01:01,320 --> 00:01:04,120 Speaker 1: every year. This thing sells out for December eighth at 21 00:01:04,160 --> 00:01:07,400 Speaker 1: all State and so get your tickets tomorrow at you 22 00:01:07,560 --> 00:01:09,160 Speaker 1: if you have a Capital one card, you get your 23 00:01:09,200 --> 00:01:12,839 Speaker 1: pick though before that, I don't want to hear it. Guys, 24 00:01:12,880 --> 00:01:14,520 Speaker 1: I love you. I don't want to hear it when 25 00:01:14,560 --> 00:01:16,920 Speaker 1: these tickets are gone. And then, Sid, I didn't know 26 00:01:17,000 --> 00:01:20,119 Speaker 1: you did know? You did know? We told you Edge 27 00:01:20,160 --> 00:01:22,720 Speaker 1: Shearing tickets this morning? Got CARDI B we'll hook up 28 00:01:22,760 --> 00:01:26,040 Speaker 1: with of course the jingle Ball tickets, ice Cube and 29 00:01:26,319 --> 00:01:28,000 Speaker 1: Jack's Pumpkin Pop. But what have I missed? 30 00:01:29,560 --> 00:01:29,720 Speaker 2: Oh? 31 00:01:29,760 --> 00:01:31,640 Speaker 1: And no, don't we have Thursday ticket take over today? 32 00:01:31,680 --> 00:01:32,000 Speaker 2: Bill? Oh? 33 00:01:32,040 --> 00:01:32,480 Speaker 3: Yeah we do. 34 00:01:32,560 --> 00:01:35,920 Speaker 1: I forgot. I didn't. What's wrong with you? I remember 35 00:01:36,040 --> 00:01:39,800 Speaker 1: something that you didn't. The AMC Theaters Taylor Swift Life 36 00:01:39,800 --> 00:01:42,280 Speaker 1: of a Showgirl will get you into that all day, 37 00:01:42,400 --> 00:01:45,440 Speaker 1: every hour today on one O, three five and tomorrow morning, 38 00:01:46,200 --> 00:01:50,080 Speaker 1: I'm talking to you Crete, Illinois and surrounding. Yes, gonna 39 00:01:50,080 --> 00:01:52,320 Speaker 1: be at Smokey Joe's for the Thank You thirteen tour 40 00:01:52,360 --> 00:01:54,800 Speaker 1: stop Numero Uno. We'd like to see everyone there. We 41 00:01:54,800 --> 00:01:58,120 Speaker 1: were told no one was going to come. That's possible, 42 00:01:58,160 --> 00:02:01,640 Speaker 1: I suppose, but I I'm feeling good about it and 43 00:02:01,680 --> 00:02:03,400 Speaker 1: we want to see you there. Sold out tape mccreay 44 00:02:03,480 --> 00:02:06,560 Speaker 1: tickets and everyone gets free breakfast pizza. Yes, yes, what 45 00:02:06,640 --> 00:02:08,120 Speaker 1: is a breakfast pizza entail? 46 00:02:08,280 --> 00:02:10,880 Speaker 3: I think it's like a pizza with like pizza cross 47 00:02:10,880 --> 00:02:13,160 Speaker 3: with cheese, and then there's like scrambled eggs maybe like 48 00:02:13,200 --> 00:02:15,440 Speaker 3: different meat, kind of like an omelet on a pizza. 49 00:02:15,600 --> 00:02:18,359 Speaker 1: Okay, well, I'll have to try that gravy. That might 50 00:02:18,400 --> 00:02:20,440 Speaker 1: be a hole Oh yeah, gravy instead of like tomato. 51 00:02:20,440 --> 00:02:22,760 Speaker 1: So that might have to be a segment tomorrow where 52 00:02:22,800 --> 00:02:25,120 Speaker 1: we just eat it and then you can listen to 53 00:02:25,200 --> 00:02:28,160 Speaker 1: us eat it and them right, and then we'll describe 54 00:02:28,200 --> 00:02:29,480 Speaker 1: it to you and then you can drive all the 55 00:02:29,520 --> 00:02:31,840 Speaker 1: way to Crete and and come check us out. But 56 00:02:31,840 --> 00:02:33,799 Speaker 1: if you live anywhere near there, we'd love to see 57 00:02:33,800 --> 00:02:36,320 Speaker 1: you tomorrow morning. And then we're moving on next week 58 00:02:36,320 --> 00:02:40,320 Speaker 1: to Riverwoods Brunch Factory and then Naperville after that avocado theory, 59 00:02:40,720 --> 00:02:43,040 Speaker 1: and we take a week off and then we're gonna 60 00:02:43,040 --> 00:02:47,240 Speaker 1: be on Halloween morning at Dell Rooster in Westown, closer 61 00:02:47,280 --> 00:02:49,720 Speaker 1: to the city for those who live around there. So 62 00:02:49,919 --> 00:02:53,079 Speaker 1: we will see you tomorrow morning. Crete And don't tell 63 00:02:53,080 --> 00:02:57,000 Speaker 1: me you didn't know about it, because don't don't DM 64 00:02:57,040 --> 00:02:59,040 Speaker 1: me on Saturday and go oh, I live down the street. 65 00:02:59,080 --> 00:03:02,800 Speaker 1: I could. I didn't know. You didn't know. I'm telling you. 66 00:03:03,000 --> 00:03:06,320 Speaker 1: I'm telling you right now. Stand up Crete, Yes, stand up, 67 00:03:06,400 --> 00:03:10,520 Speaker 1: represent that. I will say the Village of you know, 68 00:03:10,560 --> 00:03:13,400 Speaker 1: I demanded a key to the city and the chief 69 00:03:13,400 --> 00:03:17,560 Speaker 1: of police and the mayor, and I demanded a full 70 00:03:17,720 --> 00:03:20,120 Speaker 1: like band, a band. I wanted a high school band. 71 00:03:20,360 --> 00:03:22,800 Speaker 1: I wanted everything, and we did have. There was some 72 00:03:22,840 --> 00:03:28,000 Speaker 1: correspondence from the Village of Crete. They're marketing people, they're 73 00:03:28,040 --> 00:03:30,840 Speaker 1: they're media relations people. They are aware of our presence. 74 00:03:30,840 --> 00:03:32,919 Speaker 1: So iikiki, I don't know. We may get what we're 75 00:03:32,960 --> 00:03:36,040 Speaker 1: asking for. I think we should in all the surrounding towns. 76 00:03:36,120 --> 00:03:39,120 Speaker 4: University Park Park for Chicago Heights. 77 00:03:39,320 --> 00:03:41,240 Speaker 1: Yeah, that's right. We've been out of eight cities, this 78 00:03:41,320 --> 00:03:44,240 Speaker 1: is number nine and I've yet to receive, on behalf 79 00:03:44,240 --> 00:03:46,920 Speaker 1: of the show a key to any city. I'm not 80 00:03:46,960 --> 00:03:47,560 Speaker 1: going to brag. 81 00:03:47,760 --> 00:03:51,480 Speaker 3: I may or may not have talked to the village president. 82 00:03:51,640 --> 00:03:54,640 Speaker 1: Stop it right now? What stop it right now? 83 00:03:54,720 --> 00:03:57,400 Speaker 3: I have some things working. Are we getting a key? 84 00:03:57,880 --> 00:03:58,960 Speaker 3: I have some things working. 85 00:03:59,320 --> 00:04:01,600 Speaker 1: What I don't know if I want to keep Are 86 00:04:01,600 --> 00:04:03,440 Speaker 1: we getting a key? In a day? Are we getting 87 00:04:06,240 --> 00:04:11,120 Speaker 1: I'll take a day, We'll go in the city. Like 88 00:04:11,160 --> 00:04:12,840 Speaker 1: I'm at a point in my life where I don't 89 00:04:13,280 --> 00:04:16,040 Speaker 1: if there's any chance that leaving the house is a 90 00:04:16,120 --> 00:04:19,480 Speaker 1: dangerous activity, if there's any chance that we might find 91 00:04:19,480 --> 00:04:21,679 Speaker 1: ourselves banging on the door of a twenty four hour duncan, 92 00:04:21,720 --> 00:04:24,960 Speaker 1: that's not open. If we're if we're finding ourselves in 93 00:04:24,960 --> 00:04:27,080 Speaker 1: a position where the public bathroom is going to be 94 00:04:27,160 --> 00:04:31,400 Speaker 1: a mandatory experience, then I probably am not leaving the house. 95 00:04:31,400 --> 00:04:33,400 Speaker 1: That's where I'm at in my life. I found that role. 96 00:04:33,400 --> 00:04:34,120 Speaker 2: I'd never be here. 97 00:04:34,440 --> 00:04:38,039 Speaker 1: Fred's Show is odd, I say, October second morning, every 98 00:04:38,120 --> 00:04:41,520 Speaker 1: one Fred Show is here. Hi Kalin Hijson Brown, Hi 99 00:04:41,600 --> 00:04:45,159 Speaker 1: Paul Hey, Hi Kiki Shelby Shelley five point fifty in 100 00:04:45,200 --> 00:04:47,520 Speaker 1: the showdown about twenty minutes away from that money. If 101 00:04:47,560 --> 00:04:49,160 Speaker 1: you can snap her nine game win streak, beat her 102 00:04:49,200 --> 00:04:51,760 Speaker 1: in five questions waiting by the phone, Why does somebody 103 00:04:51,800 --> 00:04:54,640 Speaker 1: get ghosted? Blogs, Kiki's got one and just a second? 104 00:04:54,640 --> 00:04:57,280 Speaker 1: Our audio journals and uh the Entertainer Report this hour? 105 00:04:57,279 --> 00:04:58,040 Speaker 1: What are you working on? Jay? 106 00:04:58,360 --> 00:05:02,560 Speaker 5: She's juicy something for one direction Fans Morgan Wall and 107 00:05:02,720 --> 00:05:07,240 Speaker 5: body Cam newly released arrest footage and then Keiki trigger warning. 108 00:05:07,920 --> 00:05:12,320 Speaker 5: We may know who Keith Urban is leaving Nicole for, 109 00:05:12,640 --> 00:05:14,880 Speaker 5: and he has already changed the lyrics of one of 110 00:05:14,880 --> 00:05:16,440 Speaker 5: his songs while performing for her. 111 00:05:16,600 --> 00:05:17,000 Speaker 1: Are you. 112 00:05:19,200 --> 00:05:21,520 Speaker 6: I am not all right? Collect yourself? 113 00:05:22,600 --> 00:05:25,040 Speaker 1: Be okay, you got a few minutes to prepare. 114 00:05:24,800 --> 00:05:27,640 Speaker 6: All run side Keith, and we're commercial for. 115 00:05:27,680 --> 00:05:29,680 Speaker 1: You the next forty minutes on the Fred Show. No 116 00:05:29,800 --> 00:05:32,560 Speaker 1: commercials on the radio, on the iHeart app. On YouTube, 117 00:05:32,600 --> 00:05:35,640 Speaker 1: search for the fredg shield. Tell yeah, they talk better 118 00:05:35,680 --> 00:05:40,320 Speaker 1: than they These are the radio blogs on the Fred Show. 119 00:05:40,360 --> 00:05:42,120 Speaker 1: It's like we're running in our diaries, except we stayed 120 00:05:42,160 --> 00:05:44,800 Speaker 1: them aloud. We call the blogs Kiki's got one go yo, 121 00:05:45,040 --> 00:05:45,680 Speaker 1: dear blog. 122 00:05:45,839 --> 00:05:50,600 Speaker 4: Okay, have you guys ever experienced this in a relationship 123 00:05:51,160 --> 00:05:56,960 Speaker 4: where your partner is doing something with great intentions, but 124 00:05:57,080 --> 00:05:58,400 Speaker 4: you really wish they would stop. 125 00:05:58,560 --> 00:06:00,839 Speaker 6: Yes, okay, Okay, I'm not alone. 126 00:06:00,920 --> 00:06:04,640 Speaker 4: Okay, because this latest issue we're having is at my house. 127 00:06:05,480 --> 00:06:09,039 Speaker 4: My lawn care company who has been amazing, We have 128 00:06:09,320 --> 00:06:12,640 Speaker 4: a great relationship until last week when I asked them 129 00:06:12,640 --> 00:06:14,479 Speaker 4: to do a little extra clean up in the yard. 130 00:06:14,600 --> 00:06:17,599 Speaker 4: I pay them and I get a call and on 131 00:06:17,640 --> 00:06:19,800 Speaker 4: my way to the wedding that I went to, and 132 00:06:19,839 --> 00:06:22,600 Speaker 4: it's the line care company saying we can't service your 133 00:06:22,680 --> 00:06:25,680 Speaker 4: lawn because we got stung by a bee and we 134 00:06:25,720 --> 00:06:28,800 Speaker 4: can't come back into you ensure that there are no 135 00:06:28,839 --> 00:06:30,320 Speaker 4: more bees in your yard. 136 00:06:31,200 --> 00:06:33,359 Speaker 6: I'm like, you're the lawn care company. 137 00:06:33,680 --> 00:06:37,200 Speaker 1: I don't knowest people. 138 00:06:37,600 --> 00:06:38,480 Speaker 6: I just feel like, if. 139 00:06:38,400 --> 00:06:40,159 Speaker 4: You cut grass for a living, you should have a 140 00:06:40,200 --> 00:06:42,360 Speaker 4: procedure in place for a book. 141 00:06:42,240 --> 00:06:44,440 Speaker 1: You know, like I do. I don't think they got 142 00:06:44,480 --> 00:06:46,599 Speaker 1: to get rid of hives a hive? 143 00:06:46,720 --> 00:06:51,279 Speaker 4: Guy, I said, is there a high did you going? 144 00:06:51,360 --> 00:06:52,760 Speaker 1: Like? Did you bump into a hive? He's like, I 145 00:06:52,800 --> 00:06:53,040 Speaker 1: don't know. 146 00:06:53,080 --> 00:06:54,400 Speaker 4: It just was a lot of bees. I'm like, so 147 00:06:55,000 --> 00:06:57,560 Speaker 4: where are they located, sir, I don't know. I got 148 00:06:57,560 --> 00:06:58,440 Speaker 4: stung by a bee. 149 00:06:58,640 --> 00:07:01,560 Speaker 1: Okay, you know a little more information will be helpful, 150 00:07:01,560 --> 00:07:04,039 Speaker 1: Like where they're living, you know where they're sitting up shop? Yes, 151 00:07:04,320 --> 00:07:06,920 Speaker 1: you know where their new little apartment complex is will 152 00:07:06,960 --> 00:07:07,440 Speaker 1: be helpful. 153 00:07:07,720 --> 00:07:10,400 Speaker 4: Right. So I got home and we checked for the bees, 154 00:07:10,560 --> 00:07:12,800 Speaker 4: and nobody we didn't see one bee in sight, you know, 155 00:07:12,840 --> 00:07:16,240 Speaker 4: and I understand some people are terrified of bees, and 156 00:07:16,360 --> 00:07:18,200 Speaker 4: you get stung, you freak out, and what. 157 00:07:18,280 --> 00:07:20,040 Speaker 6: Lawng care is not for you if that's the case. 158 00:07:20,200 --> 00:07:23,400 Speaker 6: But I thought maybe I was being unreasonable, but clearly not. 159 00:07:23,560 --> 00:07:24,240 Speaker 1: Thank you, Caleb. 160 00:07:24,560 --> 00:07:28,200 Speaker 4: So I got your biggest fear, and I feel seen 161 00:07:28,240 --> 00:07:30,960 Speaker 4: and heard because I couldn't wrap my mind around you're 162 00:07:31,120 --> 00:07:33,480 Speaker 4: you work in lawn care and you're running from a 163 00:07:33,480 --> 00:07:39,440 Speaker 4: bug like that I don't understand. But anyway, but like 164 00:07:39,480 --> 00:07:40,560 Speaker 4: what you want me to do? 165 00:07:42,240 --> 00:07:42,680 Speaker 1: Anyway. 166 00:07:43,000 --> 00:07:46,200 Speaker 4: So once he decided he was no longer cutting my yard, 167 00:07:46,240 --> 00:07:49,680 Speaker 4: I said, okay, whatever, I'll find a new company. In 168 00:07:49,720 --> 00:07:52,360 Speaker 4: the midst of the conversation of finding a new company, 169 00:07:52,400 --> 00:07:55,200 Speaker 4: Big Tim decides it is his time to shine and 170 00:07:55,280 --> 00:07:57,520 Speaker 4: he wants to go purchase a brand new lawn more 171 00:07:58,000 --> 00:08:00,000 Speaker 4: and he is just gonna take care of our y'all. 172 00:08:00,960 --> 00:08:03,000 Speaker 6: And I love that man with all my heart and. 173 00:08:02,960 --> 00:08:06,600 Speaker 4: Soul, but line cares not his thing, and I don't 174 00:08:06,600 --> 00:08:07,480 Speaker 4: want him to do this. 175 00:08:07,640 --> 00:08:09,360 Speaker 1: I don't want to leave this in his hands. 176 00:08:09,440 --> 00:08:10,840 Speaker 4: I don't want to I feel like this is bad 177 00:08:10,880 --> 00:08:13,520 Speaker 4: for our future marriage, Like I don't want you in 178 00:08:13,640 --> 00:08:15,240 Speaker 4: charge of this, him to. 179 00:08:15,280 --> 00:08:17,720 Speaker 1: Do a bad job, or he won't be consistent or 180 00:08:18,840 --> 00:08:20,840 Speaker 1: all the things. Okay, So should you think that it's 181 00:08:20,840 --> 00:08:22,920 Speaker 1: just easier for you won't have to nag him. It'll 182 00:08:22,920 --> 00:08:25,120 Speaker 1: look it'll look better. You just think that this is 183 00:08:25,160 --> 00:08:28,840 Speaker 1: something better left for the professionals. Yes, And I don't 184 00:08:28,840 --> 00:08:30,520 Speaker 1: disagree with that, Like I don't know that I need 185 00:08:30,600 --> 00:08:32,319 Speaker 1: to be out there doing that stuff either. Like I think, 186 00:08:32,360 --> 00:08:33,920 Speaker 1: I think by the time we bought that, I've said 187 00:08:33,920 --> 00:08:35,920 Speaker 1: this a million times in my case, by the time 188 00:08:35,920 --> 00:08:38,400 Speaker 1: I buy the lawnmower and the edger and and all 189 00:08:38,440 --> 00:08:40,719 Speaker 1: this stuff, and then and then I got, you know, 190 00:08:41,520 --> 00:08:45,080 Speaker 1: the blower, and then I gotta you know, I don't 191 00:08:45,120 --> 00:08:48,000 Speaker 1: know plant stuff and seed stuff and whatever I should. 192 00:08:48,080 --> 00:08:50,960 Speaker 1: I just just sounds sexual. But it's not the lower 193 00:08:50,960 --> 00:08:53,199 Speaker 1: on the edge or and seeing things. But I'm just saying, 194 00:08:54,160 --> 00:08:57,000 Speaker 1: I hire somebody, and it's just I'm better off. Everyone wins. 195 00:08:57,200 --> 00:08:58,760 Speaker 1: And that's how you feel. 196 00:08:59,280 --> 00:09:01,360 Speaker 7: Do you feel too, like this is like a marriage 197 00:09:01,400 --> 00:09:02,800 Speaker 7: thing because Hobby did the same thing. 198 00:09:02,840 --> 00:09:04,200 Speaker 6: He bought the lawnmower, and like. 199 00:09:04,200 --> 00:09:06,600 Speaker 7: You said, Fred, all the gadgets and successories that came 200 00:09:06,600 --> 00:09:09,120 Speaker 7: with it, and I still got, you know, senor Tino 201 00:09:09,200 --> 00:09:11,000 Speaker 7: coming over to to cut by grass. And I love 202 00:09:11,040 --> 00:09:13,120 Speaker 7: him because I'm like, listen, your family, Like I let 203 00:09:13,200 --> 00:09:14,920 Speaker 7: him in out the house, whatever he wants I'm like 204 00:09:14,960 --> 00:09:15,959 Speaker 7: water because I. 205 00:09:16,000 --> 00:09:18,000 Speaker 6: To me, it's just a headache that I don't want 206 00:09:18,000 --> 00:09:18,720 Speaker 6: to if you. 207 00:09:18,720 --> 00:09:21,240 Speaker 1: Got Seniortino, then why did you buy all the stuff? 208 00:09:21,280 --> 00:09:22,360 Speaker 6: Because he bought a house. 209 00:09:22,360 --> 00:09:23,960 Speaker 7: So Hobby was like, well, I'm the man of the 210 00:09:23,960 --> 00:09:25,880 Speaker 7: house and I want a lawnmower. And I love that 211 00:09:25,960 --> 00:09:28,600 Speaker 7: for him, like we all like projects, right, he uses 212 00:09:28,640 --> 00:09:30,280 Speaker 7: it once in a while, but then I don't know, 213 00:09:30,280 --> 00:09:31,640 Speaker 7: I just feel like it's just so much easier to 214 00:09:31,640 --> 00:09:33,520 Speaker 7: call somebody to come do it, and they do a 215 00:09:33,520 --> 00:09:34,360 Speaker 7: way better job. 216 00:09:34,559 --> 00:09:37,160 Speaker 1: Thank you, way better. Okay, so you neither one of 217 00:09:37,200 --> 00:09:40,760 Speaker 1: you want your men no rolling the lawn. I know 218 00:09:40,800 --> 00:09:43,040 Speaker 1: you don't want Shane washing your underwear. 219 00:09:43,200 --> 00:09:44,080 Speaker 6: There's so many things. 220 00:09:44,800 --> 00:09:46,320 Speaker 1: He's so obsessed with watching your underwear. 221 00:09:46,360 --> 00:09:48,360 Speaker 5: But okay, the phrase in our house is sometimes we're 222 00:09:48,360 --> 00:09:51,200 Speaker 5: a little too helpful because like I'll have like a 223 00:09:51,240 --> 00:09:53,560 Speaker 5: return sitting out, you know, and but I won't put 224 00:09:53,559 --> 00:09:55,480 Speaker 5: like the final thing in the bag, and he'll already 225 00:09:55,480 --> 00:09:57,480 Speaker 5: have taken it to FedEx, you know, like he tries 226 00:09:57,559 --> 00:09:59,679 Speaker 5: to be one step ahead of me, or like the 227 00:09:59,720 --> 00:10:01,880 Speaker 5: white we'll be in a pile to do the laundry 228 00:10:02,000 --> 00:10:03,400 Speaker 5: and he'll put him in but like they needed to 229 00:10:03,440 --> 00:10:05,640 Speaker 5: be spot cleaned. I'm like, let's just stick to our 230 00:10:05,760 --> 00:10:07,520 Speaker 5: areas and we'll. 231 00:10:07,320 --> 00:10:08,160 Speaker 6: Be good, you know. 232 00:10:08,240 --> 00:10:10,080 Speaker 1: Okay, all right, don't try to get. 233 00:10:09,960 --> 00:10:11,320 Speaker 6: Ahead of this crazy brain. 234 00:10:11,400 --> 00:10:14,800 Speaker 1: You can't do it, understood, Jason. I feel like you're 235 00:10:14,800 --> 00:10:16,120 Speaker 1: the guy who has to do the thing. 236 00:10:16,400 --> 00:10:20,320 Speaker 3: I love cutting the grass, and if I can do it, 237 00:10:20,679 --> 00:10:21,560 Speaker 3: Tim can do it. 238 00:10:21,600 --> 00:10:24,720 Speaker 4: Bro. You're consistent about everything in your life. You are 239 00:10:24,760 --> 00:10:28,199 Speaker 4: not going to miss anything. You if you said a 240 00:10:28,280 --> 00:10:31,360 Speaker 4: day to cut grass every Wednesday Saturday. 241 00:10:31,840 --> 00:10:34,199 Speaker 1: Something about Jason when I describe him to people, he's 242 00:10:34,200 --> 00:10:36,920 Speaker 1: a guy who doesn't miss anything. No. So yeah, no, 243 00:10:37,040 --> 00:10:38,800 Speaker 1: I would trust you to do it and do it well. 244 00:10:39,320 --> 00:10:41,880 Speaker 1: But I enjoy it. You also have to do it 245 00:10:41,920 --> 00:10:46,200 Speaker 1: in order to keep a roof over your professional in 246 00:10:46,240 --> 00:10:46,720 Speaker 1: that house, so. 247 00:10:46,880 --> 00:10:49,240 Speaker 3: It's fulfilling when it's done to be like, wow, I 248 00:10:49,280 --> 00:10:52,080 Speaker 3: did that, So I can see, like not why he 249 00:10:52,080 --> 00:10:52,640 Speaker 3: would want to. 250 00:10:53,200 --> 00:10:54,720 Speaker 6: He does so many great things. 251 00:10:54,920 --> 00:10:56,320 Speaker 1: I just I don't want you to do it. 252 00:10:56,360 --> 00:10:56,520 Speaker 2: I know. 253 00:10:56,640 --> 00:10:57,640 Speaker 1: I hate when he cleans. 254 00:10:57,720 --> 00:10:59,640 Speaker 4: I don't like when he cleans, you know, and he's 255 00:10:59,720 --> 00:11:01,439 Speaker 4: doing it with the best intentions. 256 00:11:01,760 --> 00:11:03,760 Speaker 1: So it's like, how do you tell them? No, Like, 257 00:11:03,880 --> 00:11:06,040 Speaker 1: don't do that. Yeah, I guess that's hard because you 258 00:11:06,040 --> 00:11:08,360 Speaker 1: know they're trying to help, yes, and they want and 259 00:11:08,760 --> 00:11:11,800 Speaker 1: I'm sure subliminally they want, you know, sort of the 260 00:11:11,840 --> 00:11:15,360 Speaker 1: help credit, right, Like, look, I'm contributing, see, but they're 261 00:11:15,400 --> 00:11:16,720 Speaker 1: not doing it the way you want them to do it, 262 00:11:16,760 --> 00:11:18,280 Speaker 1: so they're not really getting the credit. So you may 263 00:11:18,320 --> 00:11:19,720 Speaker 1: as well just have somebody else do it if you 264 00:11:19,760 --> 00:11:21,720 Speaker 1: have the means. Exactly, Kiki. 265 00:11:21,840 --> 00:11:24,679 Speaker 5: I go through after and refold the hand towels, I 266 00:11:24,760 --> 00:11:26,960 Speaker 5: remake the bed after every time. 267 00:11:27,080 --> 00:11:29,440 Speaker 6: I'm like, I'm just following you around, you doing everything. 268 00:11:29,520 --> 00:11:32,280 Speaker 6: If he's so proud of himself, I wait for him 269 00:11:32,320 --> 00:11:33,240 Speaker 6: to leave and I redo it all. 270 00:11:33,360 --> 00:11:33,600 Speaker 4: Yeah. 271 00:11:33,800 --> 00:11:35,679 Speaker 1: I feel like if I, if I ever, you know, 272 00:11:35,880 --> 00:11:38,480 Speaker 1: live with somebody that and I had the means, I 273 00:11:38,480 --> 00:11:40,520 Speaker 1: would hire people to do these things so that there's 274 00:11:40,520 --> 00:11:42,719 Speaker 1: just no argument between us about who's doing more or 275 00:11:42,760 --> 00:11:44,720 Speaker 1: the other of it. It's like, guess what, neither one 276 00:11:44,760 --> 00:11:46,480 Speaker 1: of us are doing it because we got someone to 277 00:11:46,520 --> 00:11:48,080 Speaker 1: do it. So I don't want to hear that you 278 00:11:48,120 --> 00:11:50,040 Speaker 1: think you're doing more of it than I am, because 279 00:11:50,040 --> 00:11:52,400 Speaker 1: you're not doing anything because we got a guy and 280 00:11:52,440 --> 00:11:55,040 Speaker 1: a girl, you know what I mean. So like, there's no, 281 00:11:55,200 --> 00:11:56,800 Speaker 1: we're not going to compete it. Oh well I do 282 00:11:56,880 --> 00:12:01,160 Speaker 1: more cleaning. No, you don't the cleaning person for that. 283 00:12:01,400 --> 00:12:03,439 Speaker 1: So that is one last thing that we're going to 284 00:12:03,520 --> 00:12:04,040 Speaker 1: argue about. 285 00:12:04,200 --> 00:12:04,600 Speaker 6: Love that. 286 00:12:04,880 --> 00:12:06,760 Speaker 1: I think it's an I think it's an investment in 287 00:12:06,800 --> 00:12:09,559 Speaker 1: our future. I feel like the long guy might be 288 00:12:09,600 --> 00:12:15,559 Speaker 1: an investment in his lifelong sustainability and happiness. You're exactly 289 00:12:16,160 --> 00:12:21,480 Speaker 1: never been left waiting by the phone. It's the Fred Show. Hey, Nick, 290 00:12:21,520 --> 00:12:25,040 Speaker 1: good morning, Welcome to the program. Hey, good morning, Wow, Nick, 291 00:12:25,080 --> 00:12:27,959 Speaker 1: you already sound just trust it's We've said this before, 292 00:12:27,960 --> 00:12:30,520 Speaker 1: but it's always wild to me that we we check 293 00:12:30,559 --> 00:12:32,839 Speaker 1: in with people and they I'm like, you know, you 294 00:12:32,880 --> 00:12:34,480 Speaker 1: think you're being ghosted. So you call the show and 295 00:12:34,520 --> 00:12:37,040 Speaker 1: I'm like, hey, how you doing, And they're like, I'm great, 296 00:12:37,760 --> 00:12:41,959 Speaker 1: but Nick doesn't sound great. What's going on? No, Yeah, 297 00:12:41,960 --> 00:12:45,920 Speaker 1: I appreciate having me on. It's Uh. So I went 298 00:12:45,960 --> 00:12:49,320 Speaker 1: on a date with this girl that I. 299 00:12:49,600 --> 00:12:51,880 Speaker 8: Had been on hinge and I invited out to dinner 300 00:12:51,920 --> 00:12:55,719 Speaker 8: and she, I mean, she was like perfect and when 301 00:12:55,720 --> 00:12:59,240 Speaker 8: I met her in person, she was even like way 302 00:12:59,240 --> 00:13:02,800 Speaker 8: hotter than I have seen online, which was you know, 303 00:13:02,840 --> 00:13:05,640 Speaker 8: which is she's great, but it made me really nervous 304 00:13:06,800 --> 00:13:08,440 Speaker 8: and I really want to see here again. I thought 305 00:13:08,440 --> 00:13:11,840 Speaker 8: I thought the dinner went great, but uh, she's she's never. 306 00:13:11,800 --> 00:13:13,840 Speaker 1: Called me back, okay, and she want to respond to 307 00:13:13,880 --> 00:13:14,400 Speaker 1: I tax. 308 00:13:14,240 --> 00:13:14,920 Speaker 9: Either or anything. 309 00:13:15,480 --> 00:13:18,640 Speaker 1: Yeah, I mean that's exciting when when you're looking forward 310 00:13:18,640 --> 00:13:20,480 Speaker 1: to meeting someone because you' attracted to them on the app. 311 00:13:20,480 --> 00:13:22,160 Speaker 1: And let's face it, I said, the apps are all 312 00:13:22,200 --> 00:13:25,000 Speaker 1: about it's all about hot or not until you meet 313 00:13:25,040 --> 00:13:26,760 Speaker 1: in person and then you get to engage the chemistry. 314 00:13:26,800 --> 00:13:28,679 Speaker 1: But then you show up to this date and she's 315 00:13:28,800 --> 00:13:32,360 Speaker 1: hotter than you already thought she was. Yeah, Like, how 316 00:13:32,360 --> 00:13:34,160 Speaker 1: do't me to make this worse? I don't mean to 317 00:13:34,160 --> 00:13:36,000 Speaker 1: reb this. I really you're being ghosted, as I've said, 318 00:13:36,000 --> 00:13:37,720 Speaker 1: but I don't. I don't mean to, you know, but 319 00:13:37,720 --> 00:13:40,640 Speaker 1: but I mean, you know, sometimes it goes the other way. 320 00:13:40,920 --> 00:13:43,200 Speaker 1: We've heard that before too, where like the pictures are 321 00:13:43,200 --> 00:13:46,160 Speaker 1: old or you know they've been additate or whatever. So 322 00:13:46,240 --> 00:13:48,200 Speaker 1: you show up and she's everything you want her to 323 00:13:48,200 --> 00:13:50,240 Speaker 1: be and more and you were excited about where this 324 00:13:50,360 --> 00:13:53,959 Speaker 1: was going, except you haven't heard from her, and you 325 00:13:53,960 --> 00:13:56,000 Speaker 1: I assume you've reached out since the day tried to 326 00:13:56,000 --> 00:13:59,000 Speaker 1: plan another one. She's not responding. Oh yeah, yeah, oh yeah, 327 00:13:59,040 --> 00:14:01,280 Speaker 1: it's okay. Yeah. Well look, let's see if we can 328 00:14:01,320 --> 00:14:04,320 Speaker 1: figure this out. We're gonna call Marina, the woman that 329 00:14:04,360 --> 00:14:06,440 Speaker 1: you met on Hinge, in just a second. We're gonna 330 00:14:06,440 --> 00:14:08,600 Speaker 1: ask these questions on your behalf, and the hope is 331 00:14:08,600 --> 00:14:10,679 Speaker 1: always is that we can straighten this out, set you 332 00:14:10,720 --> 00:14:13,600 Speaker 1: guys up on a second date, and pay for it. Okay, cool, 333 00:14:13,640 --> 00:14:16,520 Speaker 1: Thank you, I really appreciate it. Hey, Nick, Yes, okay, 334 00:14:16,559 --> 00:14:18,920 Speaker 1: welcome back. Let's call Marina. You met on Hinge. You 335 00:14:19,400 --> 00:14:21,960 Speaker 1: were really attracted to her. She was better looking in 336 00:14:22,000 --> 00:14:25,000 Speaker 1: person than you expected her to be, and you already 337 00:14:25,040 --> 00:14:26,480 Speaker 1: thought she was gonna be hot based on the picture. 338 00:14:26,560 --> 00:14:28,880 Speaker 1: She was hotter in person. You had a great night 339 00:14:29,360 --> 00:14:32,240 Speaker 1: with her, except you haven't heard from her since to date. 340 00:14:32,280 --> 00:14:34,480 Speaker 1: You've reached out, you tried to plan something. She's not responding. 341 00:14:34,520 --> 00:14:37,440 Speaker 1: You want to know why. Yeah, yeah, no, you sound 342 00:14:37,520 --> 00:14:39,240 Speaker 1: very sad about this. Let's get to the bottom of 343 00:14:39,280 --> 00:14:48,120 Speaker 1: this and hope for the best. Good luck, Nick. Hello, 344 00:14:48,720 --> 00:14:52,000 Speaker 1: Hi is this Marina? Yeah, hey Marina, good morning. My 345 00:14:52,080 --> 00:14:53,640 Speaker 1: name is Fred. I'm calling from the Fred's Show, the 346 00:14:53,640 --> 00:14:55,440 Speaker 1: morning radio show, and I do have to tell you 347 00:14:55,440 --> 00:14:57,200 Speaker 1: that we are on the radio right now and I 348 00:14:57,240 --> 00:14:59,240 Speaker 1: would need your permission to continue with the call. Can 349 00:14:59,240 --> 00:15:00,760 Speaker 1: we chat for just this? Would you mind? 350 00:15:01,800 --> 00:15:03,200 Speaker 2: I guess fine. 351 00:15:03,320 --> 00:15:04,800 Speaker 1: Well, I know it's kind of strange, but thank you 352 00:15:04,840 --> 00:15:06,760 Speaker 1: for taking a call. We're calling out. We have a 353 00:15:06,800 --> 00:15:09,080 Speaker 1: dude named Nick. He says that he met you on 354 00:15:09,320 --> 00:15:11,960 Speaker 1: Hinge and you guys recently went out to dinner. I 355 00:15:12,000 --> 00:15:16,280 Speaker 1: hope you remember this guy. Yeah, I remember him. Okay, Well, 356 00:15:16,720 --> 00:15:18,200 Speaker 1: he had nice things to say about you. We just 357 00:15:18,240 --> 00:15:20,880 Speaker 1: talked to him, except he's kind of sad because he 358 00:15:20,880 --> 00:15:22,560 Speaker 1: says he's reached out to you since the day, tried 359 00:15:22,560 --> 00:15:24,200 Speaker 1: to plan another one and he can't get a hold 360 00:15:24,200 --> 00:15:25,120 Speaker 1: of you. So what's going on. 361 00:15:26,360 --> 00:15:29,920 Speaker 2: Well, yeah, we went out to dinner and he uh 362 00:15:30,360 --> 00:15:34,040 Speaker 2: said some really bizarre things like okay, so when we 363 00:15:34,080 --> 00:15:39,040 Speaker 2: first sat down, like, uh, like I talked about like 364 00:15:39,120 --> 00:15:41,080 Speaker 2: I was like, whoa, that breadstick is huge, like we 365 00:15:41,480 --> 00:15:44,000 Speaker 2: have like huge breadsticks or whatever they served up, and 366 00:15:44,400 --> 00:15:48,880 Speaker 2: he said something like there's such thing as too big though, right, 367 00:15:50,000 --> 00:15:51,760 Speaker 2: And I like thought he was joking, but like. 368 00:15:51,800 --> 00:15:54,240 Speaker 1: Hey, we sound for a second, we have stuff because 369 00:15:54,240 --> 00:15:56,960 Speaker 1: I want to know where they served the frank and breadsticks. 370 00:15:57,120 --> 00:15:58,840 Speaker 1: I mean, did you go to Olive Garden? I mean, 371 00:15:58,840 --> 00:16:02,000 Speaker 1: where could I get me? As I was going to say, 372 00:16:02,040 --> 00:16:04,000 Speaker 1: there is no such thing as a breadstick that's too 373 00:16:04,000 --> 00:16:07,120 Speaker 1: big in my opinion, I'll just have you know. If 374 00:16:07,120 --> 00:16:09,240 Speaker 1: that if that's the size of the breadstick, if it 375 00:16:09,240 --> 00:16:11,720 Speaker 1: comes it looks like one of those magyettes from you know, France, 376 00:16:13,280 --> 00:16:15,280 Speaker 1: then that's a single serving and I'm eating it. Yeah, 377 00:16:15,320 --> 00:16:17,680 Speaker 1: give me some butter. Not the point though, so he 378 00:16:17,800 --> 00:16:20,480 Speaker 1: said to you, He said to you, there's such a thing. 379 00:16:20,520 --> 00:16:22,560 Speaker 1: It's too big of a bread stick. 380 00:16:22,640 --> 00:16:27,360 Speaker 2: Yeah, okay, a breadstick, so like and fine, like he 381 00:16:27,360 --> 00:16:29,520 Speaker 2: he wasn't laughing, which is really weird. But then later 382 00:16:29,800 --> 00:16:33,200 Speaker 2: on in the date he like made some sort of 383 00:16:33,240 --> 00:16:37,360 Speaker 2: other like comment about how he's pretty average sized and 384 00:16:37,440 --> 00:16:45,240 Speaker 2: like nothing special, which what which I thought, like, first 385 00:16:45,240 --> 00:16:46,960 Speaker 2: of all, like that's a lot for a date for 386 00:16:47,000 --> 00:16:49,680 Speaker 2: a date, but like I assumed he was just doing 387 00:16:49,720 --> 00:16:53,640 Speaker 2: the like under promised over deliver thing. I don't know, 388 00:16:53,680 --> 00:16:54,120 Speaker 2: it's weird. 389 00:16:54,320 --> 00:16:55,720 Speaker 1: But then like. 390 00:16:57,480 --> 00:16:59,440 Speaker 2: But then he said later like I can't believe I 391 00:16:59,560 --> 00:17:01,520 Speaker 2: have to say this on the radio. But after he 392 00:17:01,600 --> 00:17:05,639 Speaker 2: had some strings, he like confided in me how he 393 00:17:05,800 --> 00:17:09,119 Speaker 2: was like self conscious about the size of and like 394 00:17:09,200 --> 00:17:12,520 Speaker 2: he was upset, like he had tears in his eyes. Like, 395 00:17:13,040 --> 00:17:14,720 Speaker 2: I don't know what was weird. I don't know what. 396 00:17:14,840 --> 00:17:17,600 Speaker 2: I didn't know what to do. It was like it 397 00:17:17,760 --> 00:17:20,320 Speaker 2: was like a beam on the state and a. 398 00:17:20,240 --> 00:17:23,439 Speaker 1: Bread stick makes himself gone. I mean, then again, a 399 00:17:23,480 --> 00:17:27,120 Speaker 1: breadstick oftentimes would make most people self conscious. But then again, 400 00:17:27,160 --> 00:17:29,840 Speaker 1: I'm really not thinking about that when the breadsticks come 401 00:17:29,840 --> 00:17:31,320 Speaker 1: to the table, Like that's not the first thing I 402 00:17:31,320 --> 00:17:32,879 Speaker 1: think of is how would I compare? 403 00:17:33,440 --> 00:17:33,560 Speaker 4: Right? 404 00:17:33,760 --> 00:17:36,879 Speaker 1: No, no, So this is obviously something that weighs on 405 00:17:36,960 --> 00:17:40,000 Speaker 1: him because apparently nothing, nothing fallic, can come to the 406 00:17:40,040 --> 00:17:44,880 Speaker 1: table without some sort of did you order a canoli? 407 00:17:44,960 --> 00:17:50,000 Speaker 1: Got forbid? Don't you dare? So? Wow? So you struck 408 00:17:50,000 --> 00:17:53,520 Speaker 1: a chord with this guy, like he he feels self 409 00:17:53,560 --> 00:17:58,960 Speaker 1: conscious about his you know, himself. I guess I don't know. 410 00:17:58,920 --> 00:18:02,680 Speaker 2: What I did making feel subconscious about himself because we 411 00:18:02,680 --> 00:18:06,440 Speaker 2: were at a restaurant and nothing was happening other than 412 00:18:06,840 --> 00:18:09,840 Speaker 2: dinner eating, So I don't know. 413 00:18:09,840 --> 00:18:12,560 Speaker 1: It was so strange for me. It was a strange Yeah, 414 00:18:12,600 --> 00:18:14,840 Speaker 1: that is that is a very strange thing. And not 415 00:18:14,960 --> 00:18:17,480 Speaker 1: you know, not putting your best foot forward. No, no 416 00:18:17,520 --> 00:18:22,000 Speaker 1: pun intended. It is not a foot, but I forgot 417 00:18:22,040 --> 00:18:23,760 Speaker 1: to mention that Nick is here. Marina, I'm sorry, I'm 418 00:18:23,840 --> 00:18:25,440 Speaker 1: very forgetful. I get caught up in the story and 419 00:18:25,600 --> 00:18:28,840 Speaker 1: oh Nick, why why would we go there? Right? Like, 420 00:18:28,920 --> 00:18:31,119 Speaker 1: it didn't take but a few minutes. The bread comes, 421 00:18:31,160 --> 00:18:34,080 Speaker 1: like within five minutes, Like why are we already reflecting 422 00:18:34,119 --> 00:18:39,040 Speaker 1: on our you know, perceived inadequacies, Like oh, like come on, 423 00:18:39,280 --> 00:18:41,560 Speaker 1: you know, I'm sorry you feel this way, but like 424 00:18:41,600 --> 00:18:44,440 Speaker 1: if you know, that's not really selling ourselves, is. 425 00:18:44,400 --> 00:18:51,480 Speaker 9: It, uh in Marina A, yeah, I'm just yeah, I guess, 426 00:18:51,520 --> 00:18:53,879 Speaker 9: but I kind of feel like, isn't it normal, Like 427 00:18:54,560 --> 00:18:56,800 Speaker 9: you know, like kind of everyone's so conscious about that 428 00:18:57,040 --> 00:18:58,159 Speaker 9: is normal? 429 00:18:58,560 --> 00:19:01,600 Speaker 1: Within five minutes first date, to let your date know 430 00:19:01,720 --> 00:19:08,040 Speaker 1: that you may be not pack right right right? No? No, 431 00:19:08,040 --> 00:19:10,520 Speaker 1: no no, And I think there are other ways that 432 00:19:10,560 --> 00:19:12,040 Speaker 1: I think you could have made up for it, like 433 00:19:12,080 --> 00:19:14,560 Speaker 1: if she liked you. I think there are ways you 434 00:19:14,560 --> 00:19:17,119 Speaker 1: can make up for these kind of things. So maybe 435 00:19:17,760 --> 00:19:19,200 Speaker 1: or you know, if it. 436 00:19:19,240 --> 00:19:21,639 Speaker 4: What, I'm just the way to know you to tell 437 00:19:21,720 --> 00:19:25,800 Speaker 4: us the ways. 438 00:19:24,400 --> 00:19:28,639 Speaker 1: I don't know. I mean, I feel like I don't know. 439 00:19:29,000 --> 00:19:31,880 Speaker 1: There's nothing good that's going to come from you immediately 440 00:19:31,960 --> 00:19:34,600 Speaker 1: telling someone that you feel inadequate about a part of 441 00:19:34,600 --> 00:19:38,160 Speaker 1: your body, because then it automatically is going to lead 442 00:19:38,160 --> 00:19:41,560 Speaker 1: to more attention to that thing. Right, So if you 443 00:19:41,640 --> 00:19:46,000 Speaker 1: are a little bit less than others, then there's you 444 00:19:46,080 --> 00:19:49,399 Speaker 1: called attention to it yourself, Like why would you do that? 445 00:19:49,440 --> 00:19:51,400 Speaker 1: Why would you shoot yourself in the foot in that way? 446 00:19:51,680 --> 00:19:55,359 Speaker 9: Oh no, I figure I address it and not, you know, 447 00:19:55,600 --> 00:19:58,040 Speaker 9: just like I don't know. 448 00:19:58,280 --> 00:19:58,800 Speaker 1: No, that's no. 449 00:19:58,920 --> 00:20:03,639 Speaker 10: Let her be surprised, you know, I appreciate the openness, 450 00:20:03,840 --> 00:20:08,199 Speaker 10: what but not right away because if that's something that 451 00:20:08,280 --> 00:20:11,600 Speaker 10: I really care about, not me personally, But if I did, 452 00:20:12,200 --> 00:20:13,000 Speaker 10: why am I going to go? 453 00:20:13,119 --> 00:20:15,600 Speaker 3: Like, however many dates until I find out? 454 00:20:15,680 --> 00:20:17,720 Speaker 1: Okay, but let me see, Mareena, let me ask you this. 455 00:20:17,760 --> 00:20:20,520 Speaker 1: So let's say you really liked Nick and it did 456 00:20:20,560 --> 00:20:24,439 Speaker 1: get to the phase where you know that is exposed, 457 00:20:26,080 --> 00:20:28,720 Speaker 1: you know, consensually, and that's what you wanted. I mean, 458 00:20:32,160 --> 00:20:36,280 Speaker 1: I mean, I would imagine that there's a range that's acceptable, right, 459 00:20:36,320 --> 00:20:38,560 Speaker 1: And it would probably depend we're being honest, it would 460 00:20:38,560 --> 00:20:41,639 Speaker 1: depend on how much we like the person. And maybe 461 00:20:41,640 --> 00:20:43,439 Speaker 1: it's like more of a big picture thing where like, 462 00:20:43,520 --> 00:20:45,400 Speaker 1: let's see what you can do with it kind of thing, 463 00:20:45,440 --> 00:20:46,800 Speaker 1: you know what I mean, Like, am I right? 464 00:20:47,640 --> 00:20:53,400 Speaker 2: Yeah, yes, I just like I don't know, I think 465 00:20:53,440 --> 00:20:55,960 Speaker 2: part of it. And also like I don't think it's 466 00:20:56,080 --> 00:20:59,720 Speaker 2: like normal, but I don't think a lot of people 467 00:20:59,760 --> 00:21:00,840 Speaker 2: are that self conscious. 468 00:21:00,880 --> 00:21:03,640 Speaker 1: And I just don't know not to compare ourselves to 469 00:21:03,119 --> 00:21:06,280 Speaker 1: bring it up immediately, you know, within five minutes. 470 00:21:06,520 --> 00:21:09,399 Speaker 2: A first date. But yes, like if once you like 471 00:21:09,480 --> 00:21:13,280 Speaker 2: get into that stage, like no, you see where you go. 472 00:21:13,520 --> 00:21:16,840 Speaker 2: But like I don't know, I just feel like weird about. 473 00:21:16,640 --> 00:21:18,639 Speaker 1: I feel bad for him, like I actually do, but 474 00:21:18,720 --> 00:21:21,320 Speaker 1: I mean, we can't be crying about our inadequacies within 475 00:21:21,359 --> 00:21:23,200 Speaker 1: five minutes of a date, like we just can't. 476 00:21:23,080 --> 00:21:25,280 Speaker 6: Like that hurt before you could tell like keep. 477 00:21:25,160 --> 00:21:27,320 Speaker 1: Okay, but we gotta hold it together. We got, we got. 478 00:21:30,720 --> 00:21:33,640 Speaker 1: I don't care if it's your ex or you're whatever 479 00:21:34,000 --> 00:21:36,160 Speaker 1: your faga lang or whatever it is, like you can't 480 00:21:36,359 --> 00:21:38,280 Speaker 1: you cannot start, you know, or you feel like you 481 00:21:38,320 --> 00:21:40,800 Speaker 1: have small hands or I don't know, you can't just 482 00:21:40,880 --> 00:21:43,800 Speaker 1: like start crying on a date. And I'm sorry for you, 483 00:21:43,880 --> 00:21:46,440 Speaker 1: Nick that you feel this way, and I'm hoping maybe 484 00:21:46,480 --> 00:21:49,480 Speaker 1: you're just being ultra self critical. But like I think 485 00:21:49,520 --> 00:21:51,720 Speaker 1: that just shows weakness off the off the top, and 486 00:21:52,000 --> 00:21:54,600 Speaker 1: I don't think that's always of It's not going to 487 00:21:54,640 --> 00:22:02,480 Speaker 1: be attractive very often. Every Oh god, he's about to 488 00:22:02,520 --> 00:22:05,359 Speaker 1: cry right now. Okaynick, don't cry, don't cry. Everything's fine, 489 00:22:05,480 --> 00:22:08,920 Speaker 1: it's good. No breadsticks are present, everything's good. No one's 490 00:22:08,920 --> 00:22:09,960 Speaker 1: comparing anything right now. 491 00:22:10,080 --> 00:22:11,000 Speaker 4: It's all about the motion. 492 00:22:11,800 --> 00:22:13,440 Speaker 1: Well, see, that is kind of what I was saying. 493 00:22:13,520 --> 00:22:15,639 Speaker 1: You were trying to disagree with me, was that I 494 00:22:15,640 --> 00:22:19,639 Speaker 1: think I think I know what I said that earlier, 495 00:22:19,720 --> 00:22:21,920 Speaker 1: you know, and you said to me, you were like, oh, 496 00:22:21,960 --> 00:22:23,800 Speaker 1: I want to I want to hear the ways. And 497 00:22:23,920 --> 00:22:26,040 Speaker 1: what I'm saying is I feel like there are people 498 00:22:26,080 --> 00:22:30,880 Speaker 1: out there that can make up for stuff with other things. 499 00:22:30,880 --> 00:22:32,960 Speaker 1: And I think there are people that have the tools 500 00:22:33,160 --> 00:22:35,200 Speaker 1: that don't know how to use the tools. So I 501 00:22:35,440 --> 00:22:37,360 Speaker 1: feel like, you know, you could have been Okay, Nick, 502 00:22:37,400 --> 00:22:39,240 Speaker 1: you just we just don't need to be calling attention 503 00:22:39,320 --> 00:22:40,240 Speaker 1: to it, is all I'm saying. 504 00:22:40,240 --> 00:22:41,080 Speaker 6: I can lead with that. 505 00:22:41,680 --> 00:22:42,080 Speaker 1: He says. 506 00:22:42,119 --> 00:22:44,480 Speaker 6: I might not look like the breadstick, but I can 507 00:22:44,600 --> 00:22:45,560 Speaker 6: do this and this. 508 00:22:45,480 --> 00:22:55,600 Speaker 1: Who is the breadsticks alone? They were waiting at the dinner. 509 00:22:55,880 --> 00:22:59,320 Speaker 1: Let me get on stuff, mushrooms, Let me get through 510 00:22:59,359 --> 00:23:06,280 Speaker 1: the salads. I transparency, No, it's sometimes there is such 511 00:23:06,320 --> 00:23:10,840 Speaker 1: a thing as too transparent. This man was see through. Okay, 512 00:23:11,200 --> 00:23:13,600 Speaker 1: all right, look I'm Marina. I'm gonna ask the question. 513 00:23:14,200 --> 00:23:16,800 Speaker 1: He sounds like a nice guy. He's sad, he's really 514 00:23:16,840 --> 00:23:19,320 Speaker 1: broken up about it. He liked you. Would you consider 515 00:23:19,359 --> 00:23:22,520 Speaker 1: giving him another chance, maybe seeing what he has to offer. 516 00:23:22,720 --> 00:23:24,920 Speaker 1: I mean, he's called so much attention to it now 517 00:23:25,160 --> 00:23:28,080 Speaker 1: that it's going to be all the focus. But maybe 518 00:23:28,080 --> 00:23:29,000 Speaker 1: we give another shot. 519 00:23:29,400 --> 00:23:29,919 Speaker 11: I don't know. 520 00:23:30,080 --> 00:23:30,959 Speaker 1: I'm so sorry. 521 00:23:31,119 --> 00:23:32,240 Speaker 2: I know he's a nice guy. 522 00:23:32,359 --> 00:23:33,040 Speaker 4: I just like. 523 00:23:34,480 --> 00:23:35,720 Speaker 6: It was just too much. 524 00:23:35,560 --> 00:23:36,640 Speaker 2: For me on that first date. 525 00:23:37,359 --> 00:23:39,639 Speaker 1: Not enough. But I don't know. 526 00:23:39,760 --> 00:23:41,040 Speaker 11: I'm sorry it. 527 00:23:40,960 --> 00:23:44,840 Speaker 1: Was too much. That's a weird way to end it. Nick. Look, 528 00:23:45,119 --> 00:23:47,560 Speaker 1: you seem like a nice guy. My advice to you, 529 00:23:47,640 --> 00:23:50,399 Speaker 1: not that you asked for it, but maybe maybe we 530 00:23:50,640 --> 00:23:53,679 Speaker 1: within Maybe never do we bring that up. We just 531 00:23:53,720 --> 00:23:56,280 Speaker 1: sort of let things happen and see what happens from there, 532 00:23:56,480 --> 00:23:59,560 Speaker 1: because maybe you're a very talented guy, Nick, and this 533 00:23:59,720 --> 00:24:03,639 Speaker 1: never would have been an issue. Yeah. Yeah, okay, I 534 00:24:03,640 --> 00:24:05,919 Speaker 1: mean i'd like to believe. There you go, There you go, 535 00:24:06,320 --> 00:24:09,879 Speaker 1: that's so simple. There perfect, Marina, Thanks for taking to 536 00:24:09,920 --> 00:24:11,960 Speaker 1: call good luck to you, Nick good luck as well. 537 00:24:13,359 --> 00:24:15,560 Speaker 1: Entertainer report he's on the pread Show. 538 00:24:16,240 --> 00:24:20,000 Speaker 5: Looks like Zane Malick and Louis Tomlinson are reuniting for 539 00:24:20,160 --> 00:24:23,440 Speaker 5: a Netflix documentary series after the death of their One 540 00:24:23,480 --> 00:24:26,800 Speaker 5: Direction bandmate Liam Payne. The project will feature the pair 541 00:24:26,880 --> 00:24:29,840 Speaker 5: traveling across the US reflecting on their time and the 542 00:24:29,880 --> 00:24:32,040 Speaker 5: band and Liam's passing, which is a really cool way 543 00:24:32,080 --> 00:24:33,840 Speaker 5: to do it. Where it is that they signed a 544 00:24:33,960 --> 00:24:37,919 Speaker 5: multi million dollar deal to do this documentary expected to 545 00:24:37,960 --> 00:24:41,000 Speaker 5: be released next year, and this would explain why fans 546 00:24:41,040 --> 00:24:44,240 Speaker 5: have seen them hanging out in random bars across the country. 547 00:24:44,280 --> 00:24:46,040 Speaker 5: And I think they used to have like a long 548 00:24:46,080 --> 00:24:48,720 Speaker 5: standing beef for years. So it's really nice to see 549 00:24:48,720 --> 00:24:50,560 Speaker 5: them together and it will be nice to watch this 550 00:24:51,280 --> 00:24:54,680 Speaker 5: docuseries when it comes out. As you already know, Morgan 551 00:24:54,760 --> 00:24:57,600 Speaker 5: Wallin was arrested in April of last year for throwing 552 00:24:57,640 --> 00:25:01,400 Speaker 5: that chair off the roof of the bar in Nashville, 553 00:25:01,520 --> 00:25:07,040 Speaker 5: but newly released bodycam footage shows Morgan initially denying any involvement, telling. 554 00:25:06,760 --> 00:25:09,040 Speaker 6: Cops I don't know when they asked him about the incident. 555 00:25:09,119 --> 00:25:12,040 Speaker 5: He even tried to contact fellow Country singer Eric Church, 556 00:25:12,040 --> 00:25:14,919 Speaker 5: who owns that bar, to intervene, but Eric never interfered 557 00:25:15,119 --> 00:25:19,280 Speaker 5: with the investigation. Later he said, though, that Morgan apologized. 558 00:25:18,800 --> 00:25:19,280 Speaker 6: And they're cool. 559 00:25:19,320 --> 00:25:23,120 Speaker 5: But the footage also shows a drunk Morgan's reaction upon 560 00:25:23,160 --> 00:25:26,000 Speaker 5: hearing his song Ma Ma's House playing on the radio 561 00:25:26,080 --> 00:25:28,680 Speaker 5: during his arrest, going that's me, turn it up. 562 00:25:28,960 --> 00:25:31,680 Speaker 6: Oh so, I'm sure the sober up the hangover was. 563 00:25:31,640 --> 00:25:33,960 Speaker 5: Real when he finally realized that none of this was 564 00:25:34,000 --> 00:25:36,760 Speaker 5: funny and he was being arrested for doing something very dangerous. 565 00:25:36,960 --> 00:25:39,879 Speaker 5: Of course, he later pled guilty to two misdemeanor counts 566 00:25:39,880 --> 00:25:42,720 Speaker 5: of reckless endangerment and the case was settled in December. 567 00:25:42,760 --> 00:25:44,640 Speaker 5: And if I'm honest and I did that, which I wouldn't, 568 00:25:44,880 --> 00:25:47,040 Speaker 5: I probably would tell the cops. I don't know either, 569 00:25:47,119 --> 00:25:49,720 Speaker 5: because you're in deep spit if you throw it and 570 00:25:49,720 --> 00:25:52,800 Speaker 5: it almost hits cops on the ground. And lastly, people 571 00:25:52,880 --> 00:25:56,520 Speaker 5: are flooding the comments of Keith Urban's twenty five year 572 00:25:56,520 --> 00:26:00,520 Speaker 5: old guitarist calling her the other woman after he changed 573 00:26:00,560 --> 00:26:02,920 Speaker 5: the lyrics to one of his songs called the Fighter 574 00:26:03,480 --> 00:26:05,520 Speaker 5: for her during a recent performance. 575 00:26:05,680 --> 00:26:08,120 Speaker 1: Yeah, the video of that too too soon? Bro? 576 00:26:08,480 --> 00:26:09,280 Speaker 6: Did you okay? 577 00:26:09,400 --> 00:26:13,480 Speaker 5: So this video of the change, posted by Maggie herself 578 00:26:13,680 --> 00:26:16,479 Speaker 5: on September twenty six, is, of course now going viral, 579 00:26:17,040 --> 00:26:20,840 Speaker 5: days before Keith and wife Nicole Kidman's split was announced. 580 00:26:20,840 --> 00:26:23,720 Speaker 5: Now Keith's songs The Fighter is a song that he 581 00:26:23,800 --> 00:26:27,040 Speaker 5: previously would dedicate to Nicole, his wife, with the original 582 00:26:27,119 --> 00:26:29,360 Speaker 5: lyrics being when they're trying to get you baby, I'll 583 00:26:29,400 --> 00:26:32,280 Speaker 5: be the fighter, but during that specific performance, he changed 584 00:26:32,280 --> 00:26:34,600 Speaker 5: it to when they're trying to get you Maggie, I'll 585 00:26:34,600 --> 00:26:35,760 Speaker 5: be your guitar player. 586 00:26:35,960 --> 00:26:37,600 Speaker 6: Oh, she captained the clip? 587 00:26:37,720 --> 00:26:39,880 Speaker 5: Did Keith urban just say that along with the mind 588 00:26:39,880 --> 00:26:43,680 Speaker 5: blown emoji and the eyes emoji? So doesn't look great 589 00:26:43,760 --> 00:26:46,440 Speaker 5: right now? Also, okay, Kei Keith? 590 00:26:46,720 --> 00:26:46,800 Speaker 1: No? 591 00:26:47,119 --> 00:26:49,720 Speaker 4: And I'm more concerned on why she thinks it's a 592 00:26:49,800 --> 00:26:53,160 Speaker 4: prize to be the second girl in the song that 593 00:26:53,359 --> 00:26:55,879 Speaker 4: you know, like he dedicated that to his wife, and 594 00:26:55,920 --> 00:26:57,840 Speaker 4: now you think it's a prize because he changed the 595 00:26:57,920 --> 00:27:00,840 Speaker 4: lyric to your name, Like, no, that's surprize. 596 00:27:00,840 --> 00:27:02,920 Speaker 1: Make him write a new song if you really that girl? Yeah, 597 00:27:02,960 --> 00:27:05,919 Speaker 1: that's right, you trick, aren't you crazy? 598 00:27:06,000 --> 00:27:06,119 Speaker 4: Right? 599 00:27:07,600 --> 00:27:09,159 Speaker 1: That saw what written for you? 600 00:27:09,200 --> 00:27:13,840 Speaker 4: And I guess that wasn't written for her exactly how 601 00:27:14,040 --> 00:27:14,600 Speaker 4: dares she. 602 00:27:14,760 --> 00:27:18,400 Speaker 1: Brag about it, trying to get her fired. Utter, that's crazy. 603 00:27:18,560 --> 00:27:21,120 Speaker 4: Yeah, I'm the in the call Call me Girl, Call 604 00:27:21,240 --> 00:27:23,680 Speaker 4: me We ride at down behind you, Okay. 605 00:27:23,800 --> 00:27:25,720 Speaker 1: A lot of a lot of emotions for Kikie. First, 606 00:27:25,760 --> 00:27:28,040 Speaker 1: she cried when she heard it. Now it's anger, we're 607 00:27:28,040 --> 00:27:30,080 Speaker 1: going right now, yeah. 608 00:27:30,240 --> 00:27:32,399 Speaker 5: And like, I guess it could be benign, you know whatever, 609 00:27:32,440 --> 00:27:34,120 Speaker 5: And she's just like thinks it's really cool. 610 00:27:33,920 --> 00:27:35,280 Speaker 6: That this star shout it out. 611 00:27:35,440 --> 00:27:37,879 Speaker 5: However, it's very odd that it was a song you 612 00:27:37,960 --> 00:27:39,200 Speaker 5: used to say was for your wife and then you 613 00:27:39,320 --> 00:27:41,000 Speaker 5: change the lyrics like you didn't need to do all that. 614 00:27:41,160 --> 00:27:43,400 Speaker 5: An interview with an Australian morning show, by the way, 615 00:27:43,480 --> 00:27:44,439 Speaker 5: is also going viral. 616 00:27:45,040 --> 00:27:45,840 Speaker 6: Did you hear this too? 617 00:27:46,040 --> 00:27:49,040 Speaker 5: Where they ask him about what it's like to watch 618 00:27:49,040 --> 00:27:51,800 Speaker 5: all of his what his wife's love scenes in her 619 00:27:51,840 --> 00:27:53,840 Speaker 5: shows and movies. And she certainly has a lot, and 620 00:27:54,119 --> 00:27:55,840 Speaker 5: I know she directs some of it. So I would 621 00:27:55,880 --> 00:27:59,120 Speaker 5: do that to your sister. But he hangs up on them, 622 00:27:59,160 --> 00:28:01,440 Speaker 5: and so the rumors are floating around that that contributed 623 00:28:01,440 --> 00:28:01,720 Speaker 5: to their. 624 00:28:01,880 --> 00:28:03,560 Speaker 1: Well, I saw he was in the room, so he 625 00:28:03,600 --> 00:28:05,320 Speaker 1: didn't hang up on him. He was just he was 626 00:28:05,320 --> 00:28:08,160 Speaker 1: like and next, Yeah, literally he goes and next yeah. 627 00:28:08,200 --> 00:28:09,600 Speaker 6: Oh, there's one I heard where he was like, oh, 628 00:28:09,640 --> 00:28:10,840 Speaker 6: we lost him, you know. 629 00:28:10,880 --> 00:28:12,280 Speaker 1: And oh no, the one I heard it was him. 630 00:28:12,320 --> 00:28:14,560 Speaker 1: He was in there with him and he was squirming 631 00:28:14,560 --> 00:28:16,440 Speaker 1: and he was very uncomfortable, and at one point takes 632 00:28:16,440 --> 00:28:19,840 Speaker 1: a jacket off and then he's like and next, next question. 633 00:28:20,000 --> 00:28:22,840 Speaker 5: So there's multiple where he's had a visible reaction to that. 634 00:28:23,000 --> 00:28:26,600 Speaker 5: So I don't know, very interesting stuff. If you want 635 00:28:26,680 --> 00:28:28,760 Speaker 5: to catch up on anything you missed from our show, 636 00:28:28,800 --> 00:28:30,359 Speaker 5: by the way, it's all up there from today and 637 00:28:30,440 --> 00:28:32,760 Speaker 5: any day to type the Fred Show on demand and 638 00:28:32,800 --> 00:28:35,200 Speaker 5: set us as a preset on the free iHeartRadio app. 639 00:28:35,480 --> 00:28:38,000 Speaker 1: Do you have what it takes to battle show biz? 640 00:28:38,040 --> 00:28:44,960 Speaker 1: Shelley in the show Biz Showdown, Be my Showbiz? Hey, 641 00:28:45,960 --> 00:28:50,240 Speaker 1: you're doing great. Nine straight wins, five hundred and fifty bucks, 642 00:28:50,280 --> 00:28:53,000 Speaker 1: one thousand and sixty four times you won this game 643 00:28:53,280 --> 00:28:55,760 Speaker 1: and only seventy three lawses. I mean you ever sit 644 00:28:55,800 --> 00:28:57,280 Speaker 1: back and just appreciate yourself? 645 00:28:58,680 --> 00:29:01,840 Speaker 6: I probably should, but I think you should. 646 00:29:01,600 --> 00:29:03,880 Speaker 1: Just sit back and just just just savor the greatness 647 00:29:04,360 --> 00:29:10,040 Speaker 1: and time. Hey Aubrey, Yeah, how you doing, Aubrey? Good morning? 648 00:29:10,080 --> 00:29:11,560 Speaker 1: Fun fact about you would be what. 649 00:29:14,640 --> 00:29:18,560 Speaker 11: I am a graduate student for speech mythology that graduate 650 00:29:18,640 --> 00:29:19,560 Speaker 11: in two months. 651 00:29:19,720 --> 00:29:23,320 Speaker 1: Good for you, Good for you. Congratulations. That's a big accomplishment. 652 00:29:24,440 --> 00:29:27,760 Speaker 1: And so would so would be this? So would this be? So? 653 00:29:27,840 --> 00:29:30,640 Speaker 1: Shall this be winning the show Biz Shelley Showdown? I 654 00:29:30,680 --> 00:29:35,280 Speaker 1: mean similar accomplishments? Okay, yeah, very very similar, right Aubrey, 655 00:29:36,560 --> 00:29:39,040 Speaker 1: Yes exactly, it's right up there. Yeah exactly. I can 656 00:29:39,040 --> 00:29:42,040 Speaker 1: tell that. Yeah, she doesn't think that at all, nor 657 00:29:42,080 --> 00:29:44,920 Speaker 1: should she. Here we go, five point fifty is the prize. 658 00:29:45,000 --> 00:29:47,160 Speaker 1: Nine street wins. Good luck guyes, Okay, good luck, all 659 00:29:47,240 --> 00:29:50,320 Speaker 1: right off. Shelley goes to the sound of Aubrey. Question 660 00:29:50,400 --> 00:29:53,280 Speaker 1: number one, which Messy singer announced she's going away for 661 00:29:53,280 --> 00:29:55,920 Speaker 1: a while after collapsing on stage during a performance in 662 00:29:55,960 --> 00:30:01,840 Speaker 1: New York. Hello Young, which Watermelon Moonshine singer known for 663 00:30:01,880 --> 00:30:05,160 Speaker 1: her bell bottoms, is returning to host the CMAS this year. 664 00:30:07,400 --> 00:30:10,960 Speaker 11: Three Oh, Pliny Wilson. 665 00:30:10,800 --> 00:30:13,720 Speaker 1: Tate McCray fans, Tatema you get to write the first time. 666 00:30:13,880 --> 00:30:16,320 Speaker 1: Tate McCray fans think her song tip for tat is 667 00:30:16,360 --> 00:30:24,240 Speaker 1: a response to her breakup with this singer name him. 668 00:30:21,760 --> 00:30:29,200 Speaker 11: Oh to Chad or something that I feel like, Oh, Chad, 669 00:30:29,400 --> 00:30:33,360 Speaker 11: poor poor guy, Chad Chase, this actress, talk show and 670 00:30:33,440 --> 00:30:36,360 Speaker 11: wife to Mark Nzuelos, who's fifty five today, Name her. 671 00:30:38,800 --> 00:30:39,200 Speaker 6: Three? 672 00:30:39,400 --> 00:30:40,280 Speaker 11: Oh, I don't know that one? 673 00:30:40,520 --> 00:30:43,680 Speaker 1: And which late singer has songwriting credits. I'm very excited 674 00:30:43,680 --> 00:30:45,880 Speaker 1: about this, by the way, on Taylor Swift's new album, 675 00:30:46,360 --> 00:30:48,880 Speaker 1: with one of her songs paying homage to his song 676 00:30:49,040 --> 00:31:02,120 Speaker 1: father figure George Michael. Yeah, Michael, I might. I'm sad. 677 00:31:02,640 --> 00:31:04,040 Speaker 1: I'm gonna be honest with you. I'm gonna give it 678 00:31:04,120 --> 00:31:06,000 Speaker 1: to you because I think she'll get a five. I'm 679 00:31:06,040 --> 00:31:07,959 Speaker 1: just gonna give it to you because you're because you're 680 00:31:07,960 --> 00:31:11,160 Speaker 1: doing God's work out there. Shi'll be back. 681 00:31:11,680 --> 00:31:12,240 Speaker 6: How did it go? 682 00:31:12,560 --> 00:31:15,600 Speaker 1: She got a two point seventy five? Oh, and I'm 683 00:31:15,600 --> 00:31:17,800 Speaker 1: feeling generous, tod I'm feeling extremely generous, but I think 684 00:31:17,800 --> 00:31:20,640 Speaker 1: you have a five in the bag, honestly so Which 685 00:31:20,720 --> 00:31:22,640 Speaker 1: Messi singer announced that she's going away for a while 686 00:31:22,640 --> 00:31:25,080 Speaker 1: after collapsing on stage during her performance in New York. 687 00:31:25,720 --> 00:31:28,800 Speaker 1: Lowly Young Yeah? Which Watermelon Moonshine, singer known for her 688 00:31:28,800 --> 00:31:31,320 Speaker 1: bell bottoms, is returning to host the CMAS this year. 689 00:31:33,160 --> 00:31:44,680 Speaker 1: Oh three, Lady Wilson, Nobody wears the bell bottoms and 690 00:31:45,000 --> 00:31:47,320 Speaker 1: nobody has a booty like Landy Wilson. The booty is 691 00:31:47,320 --> 00:31:49,600 Speaker 1: is unparallel. I've seen it in person. It's incredible. 692 00:31:49,840 --> 00:31:51,920 Speaker 6: She downplays it like, don't do that, girl, No, don't. 693 00:31:51,760 --> 00:31:54,080 Speaker 1: Be doing that. Absolutely not. I will not. I will 694 00:31:54,080 --> 00:31:57,040 Speaker 1: not downplay it. Don't. I will speak my truth. Okay, 695 00:31:57,080 --> 00:31:59,520 Speaker 1: No one can censor me, all right. Tay McCray. Fans 696 00:31:59,560 --> 00:32:01,480 Speaker 1: think that her song Tip for Tat is a response 697 00:32:01,520 --> 00:32:03,040 Speaker 1: to her breakup with this singer. 698 00:32:03,160 --> 00:32:04,640 Speaker 6: Name him kid Larroy. 699 00:32:04,880 --> 00:32:07,600 Speaker 1: Yeah. This actress, talk show host and wife to Mark 700 00:32:07,640 --> 00:32:11,880 Speaker 1: Consuelos is fifty five today. Name her Kelly Rip Yeah. 701 00:32:11,920 --> 00:32:14,680 Speaker 1: And which late singer has songwriting credits on Taylor Swift's 702 00:32:14,680 --> 00:32:17,719 Speaker 1: new album, with one of her songs playing homage to 703 00:32:18,040 --> 00:32:19,920 Speaker 1: his song father figure. 704 00:32:22,320 --> 00:32:24,000 Speaker 6: Three. Oh no, the name is escaping. 705 00:32:24,240 --> 00:32:24,960 Speaker 1: Oh you know? 706 00:32:26,280 --> 00:32:29,160 Speaker 6: Well no, no, I know, And you guys talked about 707 00:32:29,160 --> 00:32:33,360 Speaker 6: it for forever. You do. 708 00:32:33,440 --> 00:32:39,160 Speaker 1: I have to that's one. That's a three. Yeah, it's 709 00:32:39,200 --> 00:32:42,440 Speaker 1: George Michael, she said, George Michael. She said, George Michael's son. 710 00:32:43,440 --> 00:32:45,640 Speaker 6: I was like having prints in the ham like it's not. 711 00:32:47,360 --> 00:32:50,240 Speaker 1: Talk about. This was a walking apart. 712 00:32:50,520 --> 00:32:54,440 Speaker 6: Well, then don't do that. See, should we. 713 00:32:54,800 --> 00:32:59,280 Speaker 1: Just we're bringing you back, Aubrey, You're coming back for 714 00:32:59,320 --> 00:33:02,840 Speaker 1: another one. Okay. I was very very generous, and I 715 00:33:03,160 --> 00:33:05,840 Speaker 1: so the next time. You don't think I'm being generous, 716 00:33:05,880 --> 00:33:08,360 Speaker 1: remember this time. Okay, I don't want to hear it 717 00:33:08,400 --> 00:33:12,239 Speaker 1: from the from the peanut calibery. No, Aubrey, hang out 718 00:33:12,240 --> 00:33:13,280 Speaker 1: one second, okay, stay. 719 00:33:13,120 --> 00:33:14,560 Speaker 6: Right there, like don't have that much. 720 00:33:17,080 --> 00:33:17,400 Speaker 4: For sure. 721 00:33:17,440 --> 00:33:21,400 Speaker 1: She was just gonna let it rise, all right, Aubrey, 722 00:33:21,480 --> 00:33:23,720 Speaker 1: hang on, You're coming back tomorrow. Six hundred bucks is 723 00:33:23,760 --> 00:33:26,280 Speaker 1: at price tomorrow, and and we're all stilled out here. Shelley, 724 00:33:26,320 --> 00:33:28,520 Speaker 1: I'm sorry. I built it up too much. 725 00:33:29,600 --> 00:33:31,960 Speaker 6: Yes, I knew that would happened. I knew it. 726 00:33:32,360 --> 00:33:35,240 Speaker 1: I stand by my show with Shelley Passion, and I 727 00:33:35,280 --> 00:33:35,880 Speaker 1: stand by you. 728 00:33:36,000 --> 00:33:37,920 Speaker 6: I appreciate that. I do, thank you very much. 729 00:33:37,920 --> 00:33:41,400 Speaker 1: I do stand by it. However, that was a real disappointment. 730 00:33:43,320 --> 00:33:44,920 Speaker 1: We'll talk to you tomorrow. I have a good day, 731 00:33:45,000 --> 00:33:47,800 Speaker 1: you too, good The throwback throw Down name that tune 732 00:33:47,800 --> 00:33:51,280 Speaker 1: battle we're playing next day? Right more fread show next