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Speaker 1: This sack shop city stop.

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Speaker 2: Shop, city of.

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Speaker 1: Stop stop stop.

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Speaker 2: Stop, city stop.

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Speaker 1: And we are back live from Chicago.

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Speaker 2: Are we live, Well, we're here, we're recording. We are recording,

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Speaker 2: live at the moment, live in the moment. Uh in Chicago. Uh,

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Speaker 2: we're on the road. We had a show in Detroit

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Speaker 2: a Thursday. Shout out to the beautiful people in Detroit. Yes,

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Speaker 2: the whole Michigan area that had a great Now I'm

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Speaker 2: had a great time in Detroit. And now we are

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Speaker 2: in Chicago. We had a show last night at the

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Speaker 2: City Winery. Shout out. Told the people that came out

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Speaker 2: had a great time.

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Speaker 1: One of my favorite crowds. But we can, uh, we

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Speaker 1: can start.

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Speaker 2: Recording after shows like this because it's like to see

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Speaker 2: you after the show. So it's kind of like, I

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Speaker 2: get this is like.

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Speaker 1: A it's it's in me.

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Speaker 2: Have you been so well?

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Speaker 1: You were outside?

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Speaker 2: Yo?

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Speaker 1: Listen, man, we have a lot of catching up to

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Speaker 1: do because usually on the road, you stay in your

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Speaker 1: hotel room and we never see you.

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Speaker 2: I made it a point this time, based off of

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Speaker 2: conversations that we've had when we've been on the road,

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Speaker 2: and I was like, you know what, this time around

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Speaker 2: I'm gonna try to get outside a little more. We

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Speaker 2: went outside together a little bit in Detroit. Yeah, shout

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Speaker 2: out to Dell. When went by the stock X office,

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Speaker 2: seeing that whole operation. They're basically just moving dope pretty much.

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Speaker 2: That's the whole setup. Is the car to New Jack City.

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Speaker 1: We weren't We weren't allowed to film.

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Speaker 2: Yeah, we weren't allowed to film. Everybody was butt asked,

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Speaker 2: everybody was button naked, making sure the easies weren't fake,

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Speaker 2: making sure the product glasses were real.

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Speaker 1: That was interesting. I wish we could have filmed, But

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Speaker 1: I mean, I understand why because that is kind of

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Speaker 1: secretive in their process with authenticity. But it's a legitimate

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Speaker 1: factory line and people are standing there going through. They

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Speaker 1: gave us like a little test run, taught us what

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Speaker 1: was real and fake about Yeasis. Then we had to guess.

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Speaker 2: Yeah, I got everything wrong. They would have bought a

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Speaker 2: bunch of fake, fake stuff. I would have They would

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Speaker 2: have got me.

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Speaker 1: They said, if it has a fishy smell, it's fake.

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Speaker 1: So just bad pussy is what they're selling. Easy right now,

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Speaker 1: like it. But that was fun, Proud. I got completely wrong.

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Speaker 1: I just assume the heavier glasses with the ones. Definitely

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Speaker 1: not the case. But it was a cool experience. I

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Speaker 1: really appreciate experience.

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Speaker 2: Shout out to God Dell. Then we went by, first

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Speaker 2: of all, shout out to Dan Gilbert. Dan Gilbert owns

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Speaker 2: half of half well all of Detroit.

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Speaker 1: He owns Detroit.

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Speaker 2: Yeah, it's not even Detroit, it's Dan. Now, that's what

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Speaker 2: Dan Michigan is what it is.

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Speaker 1: He had like a I guess, like, what would you

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Speaker 1: call it him? A model of.

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Speaker 2: Detroit, a model of downtown Detroit. Yeah, And Dell was like, yeah,

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Speaker 2: so all the pink roofs, Yeah, that's Dan owns all

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Speaker 2: of that.

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Speaker 1: So he could have just kept it as no pink

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Speaker 1: all of Detroit and painted pink on everything Rosmo rooftop.

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Speaker 2: I'm like, okay, Dan, I get it. But the beautiful

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Speaker 2: office at stock X, thanks for having us deal. We

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Speaker 2: appreciate it.

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Speaker 1: Uh.

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Speaker 2: And then we had a great show in Detroit. People

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Speaker 2: came out, well.

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Speaker 1: You're leaving out our second stop that day we went.

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Speaker 1: We went to the house that you built.

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Speaker 2: Oh, we went by the Pistons. Yeah, shout out to

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Speaker 2: everybody at the Detroit Pistons. We went by the practice facility.

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Speaker 1: They welcomed you back with open.

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Speaker 2: Arms, welcomed me back. They played my theme music when

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Speaker 2: I walked in. They got my jersey. My jersey wasn't there.

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Speaker 2: They sent it out for dry cleaning. Yeah, but when

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Speaker 2: it gets back, they'll put it back in the rafters.

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Speaker 2: We had a good time at the practice facility. Detroit

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Speaker 2: was dope, man, I had a good time. Yeah, it

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Speaker 2: was a time in Detroit, cool to move around.

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Speaker 1: I didn't spend any money at the casino, Like I'm

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Speaker 1: becoming like a really responsible human being, good man. I

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Speaker 1: mean we still got like blackout drunk at the casino.

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Speaker 2: I mean, listen, either you're going to gamble or you're

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Speaker 2: gonna get black out drunk, or you're going to get

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Speaker 2: black out drunk because you gambled and lost everything.

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Speaker 1: So when we're walking back in from the Detroit show,

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Speaker 1: there was a car of three women m hm walking

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Speaker 1: in at the same time. And you know, I've been

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Speaker 1: around for a little while. I knew what they were doing.

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Speaker 2: They were working work at the casino.

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Speaker 1: They work at the casino. I could tell by the

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Speaker 1: way they were dressed. No cards though, no cards. The

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Speaker 1: card me Peege and Benner go to like the bar

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Speaker 1: area and we're just chilling him having a drink and

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Speaker 1: one of them sits down and it's like, hey, we

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Speaker 1: can have some fun tonight. I'm like, no thanks. And

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Speaker 1: she was a little persistent, and I was like, I

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Speaker 1: know what you're doing to let you know, like I

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Speaker 1: don't want you to waste your time, hard work, you know,

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Speaker 1: find someone else. She left one of her friends. He's

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Speaker 1: a fucking asshole. I'm like, you were trying to sell

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Speaker 1: me pussy and I didn't want it. Yeah, that makes

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Speaker 1: me an asshole.

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Speaker 2: Absolutely.

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Speaker 1: I didn't know you had to be polite.

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Speaker 2: I just not.

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Speaker 1: I don't. I don't want to pay for sex.

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Speaker 2: Sorry. You pull up to the exit and the and

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Speaker 2: the homeless guy wants to wash it windshielding, like, no thanks,

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Speaker 2: neget attitude? Ye, same thing. So I'm just supposed to

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Speaker 2: because she's looking at like who doesn't want to blow job?

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Speaker 1: She had braces?

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Speaker 2: Okay, yeah I did. I don't want to go.

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Speaker 1: I mean I wouldn't have anyways. But that was like

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Speaker 1: a big tell in the beginning, like I don't think

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Speaker 1: I'm gonna pay for this.

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Speaker 2: But that's the casino culture, you know, it's gonna be working, working,

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Speaker 2: women there. You know, they figured guys are stressed out

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Speaker 2: and lost some money. Yeah, mon give me some Give

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Speaker 2: me some of that money. If're gonna give the house

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Speaker 2: all of that money, let me get some of that.

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Speaker 2: So you gotta respect the culture. Yeah, but I mean

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Speaker 2: I get at the hotels right there, you go, right

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Speaker 2: of the room. Detroit was fun in that regard. We

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Speaker 2: came to Chicago, what three days early, two days early

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Speaker 2: in Chicago, so we were in Detroit. We had to

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Speaker 2: show Thursday. Then Friday afternoon we flew here into Chicago.

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Speaker 2: When we got here, I took a shower, changed and

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Speaker 2: immediately left the hotel to go to the Missy Elliot

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Speaker 2: Missy ll shout out to Missie Ali. She had a

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Speaker 2: final stop on her tour was here in Chicago at

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Speaker 2: the All State Arena. So a friend of mine had

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Speaker 2: told me two days before, and I've never seen Missy,

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Speaker 2: So I was just like, you know, usually I don't

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Speaker 2: go to shows, get in the city. I'd rather just

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Speaker 2: get something to eat, chill in the hotel, go to sleep.

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Speaker 2: But I said, you know what, let me get out

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Speaker 2: in Chicago a little bit. So that was the perfect

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Speaker 2: start to our weekend here in Chicago went to the

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Speaker 2: Missy Elliott Show. And I'm telling you right now, Rory,

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Speaker 2: I'm stamping at Missy Elliott is easily the greatest entertainer

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Speaker 2: that we probably have in our culture.

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Speaker 1: Well, she created our first accounting issue that you and

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Speaker 1: I have ever had. And it wasn't because of money.

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Speaker 1: I just got a notification that Missy Elliott tickets were bought.

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Speaker 1: I was like, I like, Missy Elliott.

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Speaker 2: Yeah. He was like, should I reply? Yes? I was

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Speaker 2: like yes, I'm sitting.

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Speaker 1: There like no, it's it's cool. Howthing's fine here, But

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Speaker 1: like you.

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Speaker 2: Know, I miss, but your happy birthday to mom?

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Speaker 1: It was my mother's mom.

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Speaker 2: Your family flew in. Mom's birthday was Friday, I believe right.

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Speaker 1: Yeah, it was a daily landed and I was thinking, like.

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Speaker 2: So I knew you had family time. It was fam

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Speaker 2: you were on family time.

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Speaker 1: But I fucked a buyim. I started thinking like, I

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Speaker 1: mean my mom has had other birthdays.

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Speaker 2: Yeah, like yeah, she'll be all right, and I can

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Speaker 2: she's here all weekend with me.

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Speaker 1: Miss, But no, we did. We did the dinner thing

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Speaker 1: and I have family out here, so it's cool. But

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Speaker 1: how was the show? Bro?

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Speaker 2: I'm telling you right now, man, I cannot We obviously

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Speaker 2: are familiar with Missy's game. We know what she's capable of.

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Speaker 2: One of the greatest artists, producers, creatives, visionaries, whatever. I mean,

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Speaker 2: She's set the bar for what music videos in the

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Speaker 2: early two thousands would look like. She's just a complete,

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Speaker 2: complete artist in every sense of the word. I've never

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Speaker 2: seen her live, So this is why I wanted to

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Speaker 2: make it a point to go to the show, because

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Speaker 2: I'm like, I've never seen Missy live.

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Speaker 1: He tore off to either.

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Speaker 2: So this was her first tour in twenty one years.

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Speaker 1: Yeah, it's crazy.

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Speaker 2: So I was like, you know what, let me catch

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Speaker 2: this show. Buster Rahms was on the bill, Sierra was

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Speaker 2: on the bill, Timberland was on the bill. OK, So

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Speaker 2: I said, oh no, I got to see this show.

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Speaker 2: They all have real great hits together. Yeah, they've all

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Speaker 2: worked together. Get to the show. We got there. Sierra

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Speaker 2: was just wrapping up. Look, great Buster comes on. We

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Speaker 2: don't even have to talk about what Buster does.

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Speaker 1: Was Russell on the crowd.

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Speaker 2: He probably was so into Vicinity. I mean, I wouldn't know.

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Speaker 2: Maybe backstage, I don't know.

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Speaker 1: Did the house music did they play any future like

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Speaker 1: in between sets.

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Speaker 2: They didn't really play no music between sets, and if

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Speaker 2: they did, it was real low. It wasn't like a

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Speaker 2: DJ was on stage. It wasn't that type of they

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Speaker 2: had because they had to. They were moving around production

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Speaker 2: so much like people on stage. And so when Buster

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Speaker 2: came out, you know, Buster's doing his real hip hop

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Speaker 2: him and Split and Scratch It tour doing what they do.

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Speaker 2: And Buster, before he finished his set, he was like,

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Speaker 2: I want you to understand what y'all are about to

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Speaker 2: see when Missy hits the stage, Like her production, you

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Speaker 2: haven't seen anything like this, Like just wait until and

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Speaker 2: this is Bust. The Buster puts on one of the

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Speaker 2: greatest shows in hip hop. So I'm like, okay, but

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Speaker 2: we all know that because we know Missy is a visionary,

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Speaker 2: she's an artist, we know to expect something grand. And

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Speaker 2: when she came out, bro, I'm telling you, from the

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Speaker 2: time she hit the stage to the time she was done,

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Speaker 2: it was like she created this world and we were

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Speaker 2: just all privileged to get a peek into it. From

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Speaker 2: the costumes, the coreok, all of her dances are here

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Speaker 2: from Chicago. She incorporated a lot of the Chicago house

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Speaker 2: Yeah music samples into some of her her hits. So

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Speaker 2: it was like just that vibe and the set, the colors,

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Speaker 2: the pyro, I mean, Missy looked great. Just everything, the

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Speaker 2: attention to detail. Everybody was in the right spots, hitting

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Speaker 2: their marks. It just felt like a well oiled machine.

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Speaker 2: And sitting there, I'm thinking, if Missy is able to

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Speaker 2: do this in the All State Arena, imagine what she

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Speaker 2: can do on the Super Bowl halftime stage.

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Speaker 1: And we were talking about this in the green room,

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Speaker 1: and maybe I said a blasphemous question, but do you

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Speaker 1: think she's big enough? I know she's doing arena tours

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Speaker 1: right now and she's Missy Elliott, don't get me wrong. Yeah,

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Speaker 1: but in the Super Bowl debate that we typically have

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Speaker 1: with halftime, is she big enough? Is she a household

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Speaker 1: name enough from Middle America?

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Speaker 2: I believe. So she's in the rock and roll Hall

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Speaker 2: of Fame. Okay, you gotta be huged to be in

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Speaker 2: a rock and roll Hall of Fame. That's nobody. You

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Speaker 2: don't just get into.

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Speaker 1: That even I feel like, so it's like Matchbox twenty.

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Speaker 2: Yeah, but it's different. It's different because of her music.

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Speaker 2: It hits like Missy has had I believe she's had

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Speaker 2: pepsi commercials.

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Speaker 1: Yeah, I think so.

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Speaker 2: I just think when you're on that level and then again,

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Speaker 2: it's taking a nostalgic trip down. Oh shit, I remember

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Speaker 2: this record? Remember that record? Like God, I forgot she

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Speaker 2: did this record. She was performing songs that I forgot

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Speaker 2: she had. Yeah, and I'm just sitting there like she

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Speaker 2: literally just took us through seventeen eighteen years of hit records.

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Speaker 1: I think she. I feel like she'd have to be

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Speaker 1: paired with somebody. Not that Bruno Mars Beyonce needed to

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Speaker 1: be paired together, but.

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Speaker 2: She can be paid with everybody she was just on

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Speaker 2: the stage with. Because when they ended the show, Buster

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Speaker 2: came out. Did the record he has with Missy came off?

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Speaker 1: At the super Bowl? Would be hilarious?

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Speaker 2: Why not?

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Speaker 1: No, I'm with it. I think it'd be great. I

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Speaker 1: just don't know if it checks out with the NFL,

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Speaker 1: if they're allowing that.

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Speaker 2: But why wouldn't it though I don't know. Fifty cent

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Speaker 2: was at the super Bowl halftime.

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Speaker 1: Show upside down? Yeah, I guess that's true.

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Speaker 2: What do we once fifty hit the super Bowl halftime show?

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Speaker 2: What are we talking about here?

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Speaker 1: But look what it took with Dre. Dre had to

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Speaker 1: bring out Snoop, Mary Kendrick, Eminem and fifty okay insane.

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Speaker 1: I feel like all five of them could maybe just

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Speaker 1: do the Super Bowl halftime by themselves let alone.

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Speaker 2: And I believe Missy Elliott is one of those because,

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Speaker 2: like you said, I'd like to say, you can get

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Speaker 2: in the medley of the songs that he's produced and

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Speaker 2: written for other artists and have them like if she

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Speaker 2: had Sierra come out, Yeah, great, she's in the NFL.

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Speaker 1: Right, did they come back out to do the records

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Speaker 1: that they all have together.

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Speaker 2: That's how they ended the show, gotcha, but it came out,

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Speaker 2: Sierra came out, of course, Timberland came out. They gave

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Speaker 2: a tribute to Magool and I'm missing his name to

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Speaker 2: produce static Okay. So it was just it was just

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Speaker 2: a beautiful I got a bunch of footage I could

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Speaker 2: send Peach. It was just a beautiful show. Missy looked great,

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Speaker 2: she sounded great. I mean, it was definitely one of

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Speaker 2: the only person I haven't seen live that I think

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Speaker 2: may have an equally or a better show than Missy

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Speaker 2: that I've seen is probably uh shit, Okay, as great

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Speaker 2: as Chris Brown is I don't. I don't even think

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Speaker 2: Chris's show is as good.

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Speaker 1: As I mean. Missy and Buster too would probably be

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Speaker 1: like one A, one B as far as music videos

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Speaker 1: in my childhood. Yeah, so the visuals they would do together,

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Speaker 1: and that's what and that's why I'm thinking. Sierra has

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Speaker 1: a whole visual look too, So they're all visual artists.

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Speaker 2: This is why I'm thinking about, because you know, for

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Speaker 2: the halftime show is no you can get whatever you

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Speaker 2: want as far as production set, They'll try anything for sure.

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Speaker 2: So I'm just looking at that and looking at her

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Speaker 2: show Friday night, I'm thinking about if she had that

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Speaker 2: stage and that level of production available, like the halftime show,

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Speaker 2: it's the bigges show. The things that Missy would do

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Speaker 2: with that, we just have to see it. I think

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Speaker 2: that we absolutely needed. We don't talk about Missy enough

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Speaker 2: when we start talking about the legends. Obviously we know

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Speaker 2: what she's done, but we don't talk about Missy enough.

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Speaker 2: And I saw Friday night. Did we should not be

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Speaker 2: talking about some of these other people as much as

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Speaker 2: we do. If we don't talk about me, I.

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Speaker 1: Feel like you made some noise when she said make

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Speaker 1: some noise.

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Speaker 2: No, I was recording. I had my phone in my hand,

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Speaker 2: like we hear your background yelling. But I was definitely

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Speaker 2: look like if you would have saw me, you would

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Speaker 2: have been like, what are you doing? Put your phone down?

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Speaker 2: Like I literally because it was something that I knew

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Speaker 2: that one. I haven't seen anything like this. I've been

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Speaker 2: to The Glowing the Dark Show. Great show. Yeah, I

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Speaker 2: don't think it was as good as MISSI Show. I've

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Speaker 2: been to countless other shows that would Bad Bunny Show,

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Speaker 2: which was great, great, kind of the same thing, creates

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Speaker 2: his own world, invite you into it. Yeah, I still

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Speaker 2: don't think Bad Bunny Show was as great as MISSI Show.

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Speaker 1: Did you go to Easis?

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Speaker 3: Uh?

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Speaker 1: No, that was the greatest show I've ever seen. But

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Speaker 1: I could imagine Missy wud top that.

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Speaker 2: I said, it's Jesus the one when he had to

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Speaker 2: floating stage. No, that was the Pabloto or was it

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Speaker 2: the woman who's like he was on a cliff. He

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Speaker 2: had like a pyramid in the middle of the shit.

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Speaker 1: Yeah, and trip called Quest before five Died opened, Okay

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Speaker 1: it was Yeah, it was the real hip hop. I

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Speaker 1: went to the Garden and in Nowyork. That's how good.

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Speaker 2: That shit was. Yeah, no, Missy, if you caught the show,

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Speaker 2: you know what I'm talking about. If you didn't, you

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Speaker 2: know it's I don't know if or when Missy will

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Speaker 2: ever go out. She hasn't been on the road in

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Speaker 2: over twenty years. And that was something that Buster spoke

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Speaker 2: to because Buster had a show scheduled this year as well.

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Speaker 2: But he said, once he heard that Missy was going out,

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Speaker 2: he said, y'all waited twenty years to go on the

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Speaker 2: road with her, and I wasn't going to miss the opportunity.

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Speaker 1: I mean, Buster Rmes does it. If there's a stage,

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Speaker 1: availables will be there.

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Speaker 2: He's performing, He's definitely performing. But Buster, I mean just

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Speaker 2: his It's crazy to see how consistently great of a

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Speaker 2: performer Buster has been throughout the years. Like Buster has

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Speaker 2: not tape it off at all. And Buster is probably

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Speaker 2: he's probably fifty years old. Now. Yeah, looks great, sounds great.

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Speaker 1: Well, he went from stair Royd bus to Ozmpic bus.

345
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Speaker 1: Did he add some more weight on her?

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Speaker 2: No, he looks good still, he still looks good. He

347
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Speaker 2: lost me with that video and he posted when he

348
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Speaker 2: was just standing on the beach fully dressed. I didn't

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Speaker 2: know what Buster was trying to take us with that

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Speaker 2: with that video from Joesy shit. Yeah, but I just

351
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Speaker 2: don't know what Buster was doing that day. But you know, still,

352
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Speaker 2: as far as just an artist and a performer, Buster

353
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Speaker 2: and Split and Scratch a tour what they're able to do. Still,

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Speaker 2: you know Buster has been in the game over thirty years. Still,

355
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Speaker 2: you know they can outperform plenty of these hip hop

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Speaker 2: artists today.

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Speaker 1: Well, don't sound so innocent, because I mean everyone understands

358
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Speaker 1: you going to a Missy Elliott show. Yeah, but you

359
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Speaker 1: also were like rooftop Poppy. You was like and I

360
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Speaker 1: was outside. He was like me when I was twenty five.

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Speaker 2: That was just Friday. Let me tell you about my Saturday.

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Speaker 2: I'm just giving you Friday. Let me let me get

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Speaker 2: into what I did Saturday.

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Speaker 1: I am at a family barbecue, extremely.

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Speaker 2: Possibly outside for me, and you built planting house, planting house,

366
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Speaker 2: planting out flag.

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Speaker 1: He was keeping my name alive out.

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Speaker 2: There, planting out flag industry, running around Chicago, letting them

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Speaker 2: know who was in the city. Bag some numbers just

370
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Speaker 2: for me though, just for you, just in case you

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Speaker 2: want to have some conversation. So Saturday, friend, of mine

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Speaker 2: lives out here. She's like, Yo, I'm taking you to

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Speaker 2: do tourist stuff. We're gonna do all the talk. Because

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Speaker 2: I was like, I've never been outside in Chicago. Anytime

375
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Speaker 2: I'm here, it's hotel, venue, restaurant. It's never like a

376
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Speaker 2: day moving around the city. Bet, I'm gonna take you

377
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Speaker 2: different restaurants. I wanted to do the Architecture boat ride,

378
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Speaker 2: but that was like a two hour ride. I wasn't

379
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Speaker 2: gonna be on a boat for two hours in Chicago.

380
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Speaker 2: Wasn't doing that. But went by the river, walked around.

381
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Speaker 2: I went to about five six different rooftops just to

382
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Speaker 2: get the vibe, just to see what people were doing.

383
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Speaker 2: I haven't heard you was drinking, had some old fashions.

384
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Speaker 1: Jacko mall is crazy.

385
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Speaker 2: Listen, this is what you wanted me to do. Or

386
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Speaker 2: you wanted me to go outside. You wanted me to

387
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Speaker 2: plant my flag and like, yo, mom, get outside.

388
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Speaker 1: Had I known you were going to the Missy Elliott show,

389
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Speaker 1: you were going to be drinking old fashions on a rooftop,

390
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Speaker 1: you was gonna be at soul House, I would have

391
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Speaker 1: abandoned my family.

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Speaker 2: Damn. I ain't think about it like that.

393
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Speaker 1: Like, yeah, would have just I wouldn't.

394
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Speaker 2: I would have just disappeared like alcohol and roots, like

395
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Speaker 2: they'll be fine, they'll be fine. I'll be leave.

396
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Speaker 1: I leave money for pizza.

397
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Speaker 2: That's how's money on the table, order some pizza.

398
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Speaker 1: They'll be fine. Yeah, damn, I would have did that.

399
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Speaker 2: Beautiful. The weather was perfect. It was just a great

400
00:17:19,359 --> 00:17:23,200
Speaker 2: day walking around, and I learned that Chicago is very

401
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Speaker 2: very much like New York City, but just a lot cleaner.

402
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Speaker 1: Yeah, wasn't it. Twin city, Second city, Second city? Yeah,

403
00:17:30,160 --> 00:17:32,399
Speaker 1: I think that's in This could be like a New

404
00:17:32,480 --> 00:17:34,400
Speaker 1: York arrogance thing. But I think it's called second city

405
00:17:34,440 --> 00:17:36,080
Speaker 1: because it's fully like New York.

406
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Speaker 2: It's said summer time, shy, I get it.

407
00:17:39,200 --> 00:17:41,960
Speaker 1: Yeah, but I feel like that's a lot of cities,

408
00:17:42,040 --> 00:17:44,400
Speaker 1: especially in the Midwest, like get cold as fuck. They

409
00:17:44,440 --> 00:17:47,080
Speaker 1: really appreciate their their summer time. Yeah, because there's only

410
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Speaker 1: a few months that you could really be outside.

411
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Speaker 2: I just appreciated it because again, you know the architecture,

412
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Speaker 2: you know the river being in the middle of the city,

413
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Speaker 2: all of that is just the energy is dope clean.

414
00:17:57,600 --> 00:18:02,439
Speaker 2: You can walk and then again jumping around a different restaurants, rooftops.

415
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Speaker 2: I went to a really nice restaurant on the river

416
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Speaker 2: RPM or seafood Okay, beautiful view, great food. I had

417
00:18:10,400 --> 00:18:14,879
Speaker 2: some save Blong for you save on Poppy. Yeah, it

418
00:18:14,920 --> 00:18:16,320
Speaker 2: was just a great time, had a great time, and

419
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Speaker 2: I was outside from two pm to about almost two am.

420
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Speaker 2: I did a twelve hour shift running around Chicago.

421
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Speaker 1: How'd you end the evening?

422
00:18:25,720 --> 00:18:27,720
Speaker 2: Took a hot shower, had.

423
00:18:27,600 --> 00:18:29,399
Speaker 1: A lot of catching up to do with you, your

424
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Speaker 1: friend from Chicago.

425
00:18:30,680 --> 00:18:34,080
Speaker 2: Oh no, no, no, strictly platonic, right, Simply she was

426
00:18:34,119 --> 00:18:36,520
Speaker 2: bagging for you. No, no, no, it was literally just

427
00:18:36,520 --> 00:18:38,560
Speaker 2: showing me around, showing me the different spots. I don't

428
00:18:38,600 --> 00:18:42,080
Speaker 2: know much about Chicago. But end of the night in

429
00:18:42,359 --> 00:18:45,400
Speaker 2: s ol house for a few went back to the room,

430
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Speaker 2: showered and passed out because I knew we had to

431
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Speaker 2: get up and do the show the next day.

432
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Speaker 1: I'm still corny. That used to be my line all

433
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Speaker 1: the time. Well, when we were on the road, show

434
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Speaker 1: me around your city.

435
00:18:55,600 --> 00:18:57,800
Speaker 2: But did you actually mean show me around the city,

436
00:18:57,800 --> 00:18:59,760
Speaker 2: Because I actually went to see and I did see

437
00:18:59,800 --> 00:19:00,640
Speaker 2: a lot out of Chicago.

438
00:19:00,760 --> 00:19:03,880
Speaker 1: But I could like go see the city by myself. Yeah,

439
00:19:04,160 --> 00:19:06,399
Speaker 1: I didn't really need local knowledge to go see the

440
00:19:07,240 --> 00:19:10,600
Speaker 1: every they see the bean Like I know, I could

441
00:19:10,600 --> 00:19:13,040
Speaker 1: google where that's it's cool. I could see the serious

442
00:19:13,040 --> 00:19:14,919
Speaker 1: style everywhere in Chicago. You can see it.

443
00:19:15,040 --> 00:19:16,960
Speaker 2: I do want to come back, though, because I want

444
00:19:17,000 --> 00:19:19,160
Speaker 2: to see, you know, the other side of Chicago.

445
00:19:19,240 --> 00:19:21,520
Speaker 1: Now, good luck with you ain't your own?

446
00:19:21,560 --> 00:19:23,080
Speaker 2: Why not? I just want to see it. Oh, I

447
00:19:23,119 --> 00:19:25,359
Speaker 2: went to the beach. Okay, I went to the Short Club.

448
00:19:26,080 --> 00:19:28,800
Speaker 2: You should stay in like that area of Chicago, man,

449
00:19:28,840 --> 00:19:30,919
Speaker 2: but you gotta with the amount of gang members that

450
00:19:30,960 --> 00:19:33,600
Speaker 2: were scaring me at our live show, I feel like.

451
00:19:33,600 --> 00:19:34,439
Speaker 1: I don't want to go see that.

452
00:19:34,680 --> 00:19:37,480
Speaker 2: You know what I noticed? Man? Like it's it's hoods everywhere,

453
00:19:37,680 --> 00:19:41,200
Speaker 2: It's gangs everywhere. I just feel like us being from

454
00:19:41,200 --> 00:19:43,199
Speaker 2: New York City, growing up in a certain culture, in

455
00:19:43,240 --> 00:19:47,520
Speaker 2: a certain environment, we can we can maneuver in different

456
00:19:47,520 --> 00:19:50,399
Speaker 2: cities in those areas. Because my thing is if you

457
00:19:50,480 --> 00:19:53,000
Speaker 2: always go and they just know that, what type of

458
00:19:53,080 --> 00:19:56,520
Speaker 2: energy on? Just like yo, love respect, Just trying to

459
00:19:56,520 --> 00:19:58,680
Speaker 2: see how y'all live out here. Heard it's a dope

460
00:19:58,720 --> 00:20:03,200
Speaker 2: soul fuod spot over here. Trying people not fucking with you, agreed,

461
00:20:03,800 --> 00:20:06,800
Speaker 2: but still I'd have to move around with somebody that, Oh, no,

462
00:20:06,800 --> 00:20:08,320
Speaker 2: you got to be with somebody that you don't know.

463
00:20:08,359 --> 00:20:10,720
Speaker 1: I don't know what shirt. You can't google.

464
00:20:10,840 --> 00:20:14,320
Speaker 2: You can't google image this like you can't google image

465
00:20:14,440 --> 00:20:16,440
Speaker 2: where Sharks is at and where Club Oo is at.

466
00:20:16,480 --> 00:20:17,240
Speaker 2: You can't go I.

467
00:20:17,280 --> 00:20:21,719
Speaker 1: Feel like the amount of YouTube comments about Chicago gang culture,

468
00:20:21,760 --> 00:20:23,880
Speaker 1: I probably could just google what's wearing whatnots were.

469
00:20:23,960 --> 00:20:26,639
Speaker 2: Yeah, no, you can google that, but still have somebody

470
00:20:26,680 --> 00:20:28,200
Speaker 2: with you that can kind of tell you, like, all right,

471
00:20:28,400 --> 00:20:30,520
Speaker 2: we got over here, let's go over here, let's do this.

472
00:20:30,720 --> 00:20:32,920
Speaker 1: And I've been to the South side of Chicago. There's

473
00:20:32,920 --> 00:20:35,600
Speaker 1: great areas in south Side. Yeah, it's just you know,

474
00:20:36,080 --> 00:20:37,639
Speaker 1: at this point in my life, I'm a little too

475
00:20:37,680 --> 00:20:38,000
Speaker 1: old too.

476
00:20:38,119 --> 00:20:39,239
Speaker 2: I listened. I totally get it.

477
00:20:39,280 --> 00:20:42,080
Speaker 1: But last time we were in Chicago, actually thought I

478
00:20:42,119 --> 00:20:43,840
Speaker 1: went down to the South Side because I think Division

479
00:20:43,880 --> 00:20:46,880
Speaker 1: Show was over there. And then we had somebody from

480
00:20:46,960 --> 00:20:49,680
Speaker 1: Chicago with us. It took us around like on a

481
00:20:49,720 --> 00:20:52,879
Speaker 1: quick tour. Even took us to the McDonald's that R.

482
00:20:53,000 --> 00:20:55,560
Speaker 1: Kelly was fucking kids at.

483
00:20:55,720 --> 00:20:57,080
Speaker 2: I don't know why YA would want to see that.

484
00:20:58,000 --> 00:20:59,320
Speaker 1: I think it was just on the way and he

485
00:20:59,400 --> 00:21:03,000
Speaker 1: just pointed that out out like like yes, like y'all

486
00:21:03,000 --> 00:21:05,719
Speaker 1: saw the series, right, Yeah, that's the McDonald's they were

487
00:21:05,720 --> 00:21:07,480
Speaker 1: talking about, like worrying.

488
00:21:07,160 --> 00:21:09,640
Speaker 2: A lamb walk down is crazy, Like somebody tell you, yeah,

489
00:21:09,840 --> 00:21:11,919
Speaker 2: you have seen the documentary right, well, Kelly after school

490
00:21:11,920 --> 00:21:13,880
Speaker 2: was waiting for year. This is why would you point

491
00:21:13,880 --> 00:21:15,960
Speaker 2: that out? Like that's just weird, that's some wild shit.

492
00:21:16,280 --> 00:21:20,239
Speaker 1: But the show itself. Chicago one of my favorite crowds.

493
00:21:19,920 --> 00:21:22,200
Speaker 2: Oh my god, by far, one of my favorite crowds

494
00:21:22,240 --> 00:21:26,720
Speaker 2: that we've had. We did our couple segment amazing. The

495
00:21:26,760 --> 00:21:29,640
Speaker 2: second one was a little interesting. Yeah, a couple came up,

496
00:21:29,760 --> 00:21:31,439
Speaker 2: well not a couple. We didn't even know if they

497
00:21:31,480 --> 00:21:33,479
Speaker 2: knew each other before we get into that because we

498
00:21:33,480 --> 00:21:36,439
Speaker 2: were we saw somebody to meet and greet and he

499
00:21:36,440 --> 00:21:38,920
Speaker 2: said he was in the city his girlfriend that played

500
00:21:38,920 --> 00:21:41,360
Speaker 2: a weekend for them, and you know it was kind

501
00:21:41,359 --> 00:21:43,359
Speaker 2: of you know, things plans kind of fell through, didn't

502
00:21:43,359 --> 00:21:46,560
Speaker 2: go as they expected, and he said his girl felt

503
00:21:46,560 --> 00:21:48,240
Speaker 2: like she didn't do a good job or you know,

504
00:21:48,320 --> 00:21:50,520
Speaker 2: he wasn't enjoying the sof So I believe his name

505
00:21:50,600 --> 00:21:54,200
Speaker 2: is Nick in Sierra. Yeah that's this girl's name is Sierra, Sierra.

506
00:21:54,280 --> 00:21:56,119
Speaker 2: We want you to know that Nick enjoyed itself. He

507
00:21:56,200 --> 00:21:58,880
Speaker 2: had a great time. We were supposed to bring y'all

508
00:21:58,920 --> 00:22:01,360
Speaker 2: on stage last night, but you know when we up there,

509
00:22:01,480 --> 00:22:03,640
Speaker 2: just in the moment, we kind of things slipped our mind.

510
00:22:03,680 --> 00:22:07,200
Speaker 2: But we wanted to make sure that Sierra understood that

511
00:22:07,280 --> 00:22:09,760
Speaker 2: Nick had a great time. He loves you, he appreciate

512
00:22:09,800 --> 00:22:11,720
Speaker 2: everything you did from this weekend, and he just wanted

513
00:22:11,720 --> 00:22:13,080
Speaker 2: you to know that, you know, he had a great

514
00:22:13,080 --> 00:22:14,119
Speaker 2: time and he enjoyed itself.

515
00:22:14,480 --> 00:22:16,359
Speaker 1: That sounded like when you called into the radio station,

516
00:22:17,080 --> 00:22:19,880
Speaker 1: yeah and talked about your girl. That was the podcast

517
00:22:19,920 --> 00:22:21,240
Speaker 1: moment of that cute.

518
00:22:21,280 --> 00:22:23,680
Speaker 2: I wanted to, you know, but because I felt bad

519
00:22:23,680 --> 00:22:25,920
Speaker 2: after the show because we gave it like he did

520
00:22:26,400 --> 00:22:27,879
Speaker 2: want his girl to know that he was having a

521
00:22:27,920 --> 00:22:30,520
Speaker 2: great time and he appreciated and we totally forgot so.

522
00:22:30,640 --> 00:22:33,680
Speaker 1: But instead we had two people up there that worked

523
00:22:33,680 --> 00:22:36,840
Speaker 1: together and had been dating for a month. What were

524
00:22:36,840 --> 00:22:37,480
Speaker 1: both their names?

525
00:22:37,520 --> 00:22:39,240
Speaker 2: I can't remember, Wayne and Amaya.

526
00:22:39,400 --> 00:22:41,919
Speaker 1: Yes, when Wayne got up there, do you think he

527
00:22:42,080 --> 00:22:43,880
Speaker 1: was like all there?

528
00:22:43,920 --> 00:22:44,199
Speaker 3: Do you know?

529
00:22:44,280 --> 00:22:45,720
Speaker 1: Do you think he knew where he was at?

530
00:22:46,520 --> 00:22:46,840
Speaker 2: Well?

531
00:22:46,960 --> 00:22:49,600
Speaker 1: Yeah, because I got a little scared when he came up.

532
00:22:49,640 --> 00:22:52,639
Speaker 1: I was like, how far should we take this, and

533
00:22:52,720 --> 00:22:54,840
Speaker 1: you know, I don't. I don't like to diagnose people.

534
00:22:54,840 --> 00:22:55,440
Speaker 1: That's not my thing.

535
00:22:55,480 --> 00:22:56,960
Speaker 2: But that's what you love to do. You have you

536
00:22:57,000 --> 00:22:58,600
Speaker 2: have prescriptions in your pocket.

537
00:22:59,080 --> 00:23:03,600
Speaker 1: But imagine just handing somebody some pills, like I know

538
00:23:03,600 --> 00:23:04,840
Speaker 1: what should think they on the spectrum?

539
00:23:04,920 --> 00:23:06,159
Speaker 2: Yeah, and you don't have it in a bottle, you

540
00:23:06,240 --> 00:23:09,200
Speaker 2: just have it in your palm. Yeah.

541
00:23:09,240 --> 00:23:11,520
Speaker 1: Maybe he was just nervous, but he didn't. I could

542
00:23:11,560 --> 00:23:13,760
Speaker 1: tell by his eyes he didn't really know where.

543
00:23:13,560 --> 00:23:16,040
Speaker 2: He was at. He's he's actually a lot similar to you,

544
00:23:16,480 --> 00:23:17,159
Speaker 2: but he's just not.

545
00:23:17,359 --> 00:23:20,320
Speaker 1: But I was on the bill. No, that's I knew

546
00:23:20,320 --> 00:23:20,600
Speaker 1: where I was.

547
00:23:20,920 --> 00:23:24,440
Speaker 2: The only difference. That's the difference, y'all both the only child.

548
00:23:24,800 --> 00:23:25,479
Speaker 1: Oh yeah, that's right.

549
00:23:25,520 --> 00:23:27,560
Speaker 2: He's the only child. And once he said that made

550
00:23:27,600 --> 00:23:28,960
Speaker 2: all the sense in the world. And I'm like, okay,

551
00:23:29,000 --> 00:23:29,440
Speaker 2: I get it.

552
00:23:29,720 --> 00:23:30,920
Speaker 1: You know what's fucked up. When he said he was

553
00:23:30,920 --> 00:23:33,399
Speaker 1: the only child, somebody in the crowd went, oh, like

554
00:23:33,440 --> 00:23:39,080
Speaker 1: we were victims, like your parents should have more. I

555
00:23:39,200 --> 00:23:42,240
Speaker 1: just don't feel like that's a sympathy. I'm like, are

556
00:23:42,240 --> 00:23:42,679
Speaker 1: you okay?

557
00:23:42,800 --> 00:23:46,399
Speaker 2: He was cool though, like very he was cool. A

558
00:23:46,480 --> 00:23:48,040
Speaker 2: mild on the other hand, was a little interesting. You

559
00:23:48,040 --> 00:23:50,240
Speaker 2: could tell she has she's lived some lives.

560
00:23:50,240 --> 00:23:54,640
Speaker 1: And she definitely never listened to the podcast. Was dragged there. Yeah,

561
00:23:55,760 --> 00:23:57,600
Speaker 1: did not even agree to come on that stage. I

562
00:23:57,640 --> 00:23:58,760
Speaker 1: could see it in her fucking eyes.

563
00:23:58,800 --> 00:23:59,000
Speaker 2: Still.

564
00:23:59,560 --> 00:24:02,200
Speaker 1: So we asked questions. We couldn't get straight answers at all.

565
00:24:02,600 --> 00:24:05,360
Speaker 1: One of them said that they were sweating the other

566
00:24:05,400 --> 00:24:07,919
Speaker 1: one and they said, no, it's reversed. We couldn't get

567
00:24:08,080 --> 00:24:10,080
Speaker 1: a real answer either. Up at the end of the

568
00:24:10,160 --> 00:24:11,800
Speaker 1: night when we did the Q and A.

569
00:24:11,800 --> 00:24:13,440
Speaker 2: At the end, he made sure Ben had found him,

570
00:24:13,440 --> 00:24:15,320
Speaker 2: be handed him to mic and he said, listen, I

571
00:24:15,320 --> 00:24:17,560
Speaker 2: just want to let everybody know she's the one that's

572
00:24:17,600 --> 00:24:19,840
Speaker 2: been on my line trying to hang out like so,

573
00:24:19,880 --> 00:24:22,400
Speaker 2: Wayne stood on business. At the end, he sat down

574
00:24:23,400 --> 00:24:25,960
Speaker 2: and another thing. Let me let y'all know something before

575
00:24:26,000 --> 00:24:28,720
Speaker 2: y'all leave the City Winery tonight. She's been on my line.

576
00:24:29,119 --> 00:24:31,760
Speaker 2: I'm not sweating her. She's been on my line wanting

577
00:24:31,800 --> 00:24:33,400
Speaker 2: to hang out with me, and tonight is a night

578
00:24:33,400 --> 00:24:35,159
Speaker 2: out with having a date. So I just want to.

579
00:24:35,119 --> 00:24:38,119
Speaker 1: Clear that up for the people, which I think she

580
00:24:38,160 --> 00:24:39,960
Speaker 1: had left. At that point. He was by himself, so

581
00:24:39,960 --> 00:24:41,439
Speaker 1: that's why he could get a shit off. She's been

582
00:24:41,440 --> 00:24:44,000
Speaker 1: clocked out. She'd been checked out of that relationship. So

583
00:24:44,040 --> 00:24:47,280
Speaker 1: because we couldn't get a real answer, Maul took her

584
00:24:47,280 --> 00:24:48,720
Speaker 1: phone and went.

585
00:24:48,560 --> 00:24:51,680
Speaker 2: Through it with her permission. Of course, she unlocked it.

586
00:24:52,440 --> 00:24:55,160
Speaker 1: I mean with a with a bit of It took

587
00:24:55,200 --> 00:24:58,440
Speaker 1: some talking to It took you putting her phone in

588
00:24:58,480 --> 00:24:59,680
Speaker 1: front of her face to try to get the.

589
00:24:59,600 --> 00:25:01,800
Speaker 2: Face, because it's that face. I did not mind her,

590
00:25:01,880 --> 00:25:03,200
Speaker 2: so I put the phone in front of her face.

591
00:25:03,800 --> 00:25:07,000
Speaker 1: She claims she didn't have Instagram.

592
00:25:06,040 --> 00:25:08,040
Speaker 2: So that that Instagram, but she doesn't really use it.

593
00:25:08,960 --> 00:25:10,440
Speaker 2: But then when I opened it, you know where you

594
00:25:10,560 --> 00:25:12,600
Speaker 2: open the phone, you can see the apps that's open. Yeah,

595
00:25:12,720 --> 00:25:14,399
Speaker 2: Snapchat was right there. I'm like, oh, so this is

596
00:25:14,400 --> 00:25:17,280
Speaker 2: what you use. Okay, I'll go to Snapchat.

597
00:25:16,800 --> 00:25:19,280
Speaker 1: And for backstory, these two work together.

598
00:25:19,760 --> 00:25:23,360
Speaker 2: They work together, they've been according to Wayne and Wayne's mind,

599
00:25:23,359 --> 00:25:26,359
Speaker 2: they've been married for thirty years, but according to Maya,

600
00:25:26,400 --> 00:25:27,680
Speaker 2: they've been talking for like a month.

601
00:25:27,840 --> 00:25:29,760
Speaker 1: Kind of Yeah, they've happened to just be in the

602
00:25:29,760 --> 00:25:30,400
Speaker 1: same place firm.

603
00:25:30,440 --> 00:25:32,200
Speaker 2: They work together. They had the same shift a week

604
00:25:32,200 --> 00:25:32,680
Speaker 2: in a row.

605
00:25:32,760 --> 00:25:35,399
Speaker 1: So you go through the Snapchat and at first I

606
00:25:35,440 --> 00:25:38,160
Speaker 1: thought you were just gassing it like for entertainment purposes.

607
00:25:38,840 --> 00:25:39,760
Speaker 1: What was on that phone?

608
00:25:40,840 --> 00:25:44,320
Speaker 2: So it turns out that the guy in that chat

609
00:25:44,359 --> 00:25:46,840
Speaker 2: on her snapchat is one of their coworkers. They all

610
00:25:46,840 --> 00:25:50,160
Speaker 2: work together. And so I'm like, oh, okay, once you said,

611
00:25:50,160 --> 00:25:53,320
Speaker 2: because before I opened it, you see, I had some

612
00:25:53,359 --> 00:25:55,120
Speaker 2: message waiting, and so I said, who is this because

613
00:25:55,119 --> 00:25:58,119
Speaker 2: it's the first message and Wayne said, oh, like that's

614
00:25:58,760 --> 00:26:02,160
Speaker 2: that's that's the homie, that's the co Yeah, okay, so

615
00:26:02,359 --> 00:26:05,080
Speaker 2: this is innocent. Just see what the coworker talking about.

616
00:26:05,440 --> 00:26:09,200
Speaker 2: So I opened a snap coworker standing on a big

617
00:26:09,200 --> 00:26:13,520
Speaker 2: box of business. First line, I can't wait to eat

618
00:26:13,560 --> 00:26:17,480
Speaker 2: your five pussy from the back, whoa, sir, Hello.

619
00:26:17,359 --> 00:26:18,560
Speaker 1: It's a freaky ass company.

620
00:26:18,840 --> 00:26:22,600
Speaker 2: Who are you? I said, what?

621
00:26:22,920 --> 00:26:23,720
Speaker 1: And you know what's funny?

622
00:26:23,720 --> 00:26:24,040
Speaker 2: I asked.

623
00:26:24,080 --> 00:26:26,880
Speaker 1: The first question I asked her was have you talked

624
00:26:26,880 --> 00:26:28,840
Speaker 1: to anyone else at work? And she was like, god,

625
00:26:29,000 --> 00:26:31,679
Speaker 1: I would never do that. And I believed her. She

626
00:26:31,760 --> 00:26:33,800
Speaker 1: said that would convince like that was the only answer she.

627
00:26:33,760 --> 00:26:37,040
Speaker 2: Gave, like, would never do that, not in that snapchat.

628
00:26:37,200 --> 00:26:39,440
Speaker 1: But meanwhile from the back.

629
00:26:39,320 --> 00:26:42,600
Speaker 2: And he spelled five f ye. That's when you know

630
00:26:42,680 --> 00:26:43,280
Speaker 2: he can't wait.

631
00:26:43,440 --> 00:26:44,240
Speaker 1: I hope they're hiring.

632
00:26:45,600 --> 00:26:45,919
Speaker 2: That's it.

633
00:26:46,440 --> 00:26:50,520
Speaker 1: That company is crazy. How much do they pay their

634
00:26:50,680 --> 00:26:52,840
Speaker 1: HR person? You gotta deal with that.

635
00:26:53,119 --> 00:26:55,840
Speaker 2: But then Wayne's face after I read it, he was

636
00:26:55,920 --> 00:26:58,240
Speaker 2: kind of looking at her like, oh, so this would

637
00:26:58,280 --> 00:27:01,080
Speaker 2: y'all be yeah talking about So that's why when Wayne

638
00:27:01,080 --> 00:27:02,880
Speaker 2: said down, he made sure have been understood. You bring

639
00:27:02,880 --> 00:27:05,560
Speaker 2: that mic over here, just to let y'all know she's

640
00:27:05,560 --> 00:27:06,320
Speaker 2: been hitting me up.

641
00:27:06,800 --> 00:27:10,560
Speaker 1: Yeah, no judgments, but fucking that many co workers is

642
00:27:10,600 --> 00:27:14,680
Speaker 1: crazy to me. I don't know, Well, getting like one

643
00:27:14,720 --> 00:27:16,600
Speaker 1: off secretly, I think everyone's kind of been in that

644
00:27:16,640 --> 00:27:20,160
Speaker 1: situation before. But you going like on dates with one

645
00:27:20,840 --> 00:27:22,640
Speaker 1: and snapchat dming at the same time.

646
00:27:22,640 --> 00:27:25,840
Speaker 2: I don't know if they had sexual relationshet though. I

647
00:27:25,880 --> 00:27:27,400
Speaker 2: don't know if I got that energy from them.

648
00:27:27,440 --> 00:27:28,080
Speaker 1: Really, I don't.

649
00:27:28,119 --> 00:27:30,200
Speaker 2: I don't think. I don't think they had sex. No,

650
00:27:30,640 --> 00:27:31,600
Speaker 2: I don't think they hooked up.

651
00:27:31,920 --> 00:27:32,000
Speaker 3: No.

652
00:27:32,080 --> 00:27:34,840
Speaker 2: I think I think they you know, talk, they flirred,

653
00:27:34,880 --> 00:27:36,919
Speaker 2: they you know, you probably like, yo, let's go there,

654
00:27:37,040 --> 00:27:38,639
Speaker 2: let's do this, and she's like all right, cool. But

655
00:27:39,119 --> 00:27:41,760
Speaker 2: I didn't get sexual energy from them. I didn't get that.

656
00:27:41,920 --> 00:27:44,680
Speaker 1: Yeah, they were interesting, but the other couples were great.

657
00:27:44,920 --> 00:27:47,680
Speaker 2: I got out to Lamont and I believe Tasia. I'm

658
00:27:47,680 --> 00:27:50,320
Speaker 2: just putting couples with each other's I don't even know.

659
00:27:50,359 --> 00:27:51,840
Speaker 2: I think I think it's Lamont and Taja, though.

660
00:27:52,160 --> 00:27:54,720
Speaker 1: I love when the couples get nervous and kind of

661
00:27:54,760 --> 00:27:58,800
Speaker 1: tell on themselves. We didn't even ask this question. And

662
00:27:59,000 --> 00:28:00,520
Speaker 1: one of the guys in the couples again, I never

663
00:28:00,560 --> 00:28:04,200
Speaker 1: fucked my my ex in three years.

664
00:28:04,960 --> 00:28:05,359
Speaker 2: We didn't know.

665
00:28:05,760 --> 00:28:07,040
Speaker 1: We asked your name and where you're from.

666
00:28:07,840 --> 00:28:09,240
Speaker 2: Now, I'm just gonna get right to it now. I

667
00:28:09,240 --> 00:28:11,520
Speaker 2: don't know my ex. I haven't seen it three years.

668
00:28:11,720 --> 00:28:13,840
Speaker 1: Cool. But outside of that, it was. It was a

669
00:28:13,880 --> 00:28:14,520
Speaker 1: really good show.

670
00:28:14,720 --> 00:28:19,000
Speaker 2: Great show. Shout out to the Corner Conversation podcast. Yeah,

671
00:28:19,200 --> 00:28:21,040
Speaker 2: shout out the boot from Boong Gotti. He came to

672
00:28:21,080 --> 00:28:24,520
Speaker 2: the show. Yeah, man, Chicago was great, man. We had

673
00:28:24,560 --> 00:28:26,639
Speaker 2: a great, great time in the city. When I was

674
00:28:26,680 --> 00:28:28,399
Speaker 2: on my way to the to the show, actually the

675
00:28:28,440 --> 00:28:30,560
Speaker 2: elevated door open and your mom was standing right there.

676
00:28:30,760 --> 00:28:33,000
Speaker 1: Yeah, she was just chilling on the third floor for

677
00:28:33,040 --> 00:28:33,520
Speaker 1: the whole trip.

678
00:28:33,600 --> 00:28:35,399
Speaker 2: I said, listen, Mom, come on, bring it in, hug

679
00:28:35,760 --> 00:28:38,040
Speaker 2: happy birthday. That was the last person I was expecting

680
00:28:38,040 --> 00:28:39,200
Speaker 2: to see when elevated doors open.

681
00:28:39,520 --> 00:28:41,640
Speaker 1: Yeah, and she uh, I mean she came to the

682
00:28:41,680 --> 00:28:43,840
Speaker 1: show for the beginning. Yeah, and then when it was

683
00:28:43,880 --> 00:28:45,120
Speaker 1: time got out, time to pod.

684
00:28:45,480 --> 00:28:48,520
Speaker 2: Like, I don't I don't want to hear what y'all

685
00:28:48,560 --> 00:28:49,440
Speaker 2: about to talk about now.

686
00:28:49,480 --> 00:28:51,440
Speaker 1: But I don't blame well, I blame it all on you.

687
00:28:51,480 --> 00:28:52,160
Speaker 1: It's your influence.

688
00:28:52,160 --> 00:28:53,520
Speaker 2: Well, yeah, I mean I would never say any of

689
00:28:53,600 --> 00:28:56,320
Speaker 2: they say, yeah, member, wanting you to say these things.

690
00:28:56,520 --> 00:28:59,280
Speaker 1: I'm peer pressured every single time. Did you guys do

691
00:28:59,360 --> 00:29:01,800
Speaker 1: anything after this show? Well?

692
00:29:01,840 --> 00:29:04,280
Speaker 2: I called Soho House because that's one of the few

693
00:29:04,360 --> 00:29:07,280
Speaker 2: spots that's opened at that time that has that's not

694
00:29:07,400 --> 00:29:08,400
Speaker 2: considered fast food.

695
00:29:08,480 --> 00:29:09,880
Speaker 1: Yeah, one of my favorite sele houses too.

696
00:29:09,960 --> 00:29:13,360
Speaker 2: Yeah, So I went there and as I get there,

697
00:29:13,880 --> 00:29:16,080
Speaker 2: so I'm leaving the venue, I called it like the

698
00:29:16,160 --> 00:29:18,000
Speaker 2: kitchen closes at ten thirty. At this time, it's probably

699
00:29:18,080 --> 00:29:21,120
Speaker 2: nine to fifty cool, not too far ten minutes away.

700
00:29:21,640 --> 00:29:24,120
Speaker 2: Run back to the hotel, drop my bag off, go

701
00:29:24,200 --> 00:29:26,320
Speaker 2: to Soilo House. When I get to sol House, I

702
00:29:26,400 --> 00:29:28,640
Speaker 2: go to open the door, the door's locked. So I'm like,

703
00:29:28,960 --> 00:29:30,920
Speaker 2: what's going on? So that the valet booth is right

704
00:29:30,960 --> 00:29:33,320
Speaker 2: there to God says yo, give it like five minutes.

705
00:29:33,400 --> 00:29:35,920
Speaker 2: They just close the doors. But I'm on a clock.

706
00:29:36,080 --> 00:29:37,800
Speaker 2: The kitchen closed at ten thirty, so I'm like, okay,

707
00:29:37,880 --> 00:29:41,400
Speaker 2: it's ten oh five. I'm good. As I'm standing there,

708
00:29:41,400 --> 00:29:44,680
Speaker 2: it's a pretty a pretty young lady standing outside, but

709
00:29:44,800 --> 00:29:47,040
Speaker 2: you know, she can tell like she's upset, she's yelling,

710
00:29:47,080 --> 00:29:49,320
Speaker 2: she's cursed. She doesn't have any shoes on. So I'm

711
00:29:49,320 --> 00:29:51,360
Speaker 2: looking around and you can tell everybody that's standing out

712
00:29:51,360 --> 00:29:54,040
Speaker 2: there is kind of like they already know what's going on.

713
00:29:54,080 --> 00:29:56,000
Speaker 2: I'm late to the party. I don't have any idea.

714
00:29:56,000 --> 00:29:58,920
Speaker 2: So I'm liking around a Sunday night though it's Sunday,

715
00:29:59,160 --> 00:30:01,120
Speaker 2: no shoes on, no shoes on. So I talked to

716
00:30:01,120 --> 00:30:03,160
Speaker 2: the valet guy. I'm like, yo, what's going on? So

717
00:30:03,200 --> 00:30:04,800
Speaker 2: he don't want to talk too loud because the girl

718
00:30:04,880 --> 00:30:07,400
Speaker 2: is literally right behind him, so he's looking at me.

719
00:30:07,480 --> 00:30:09,520
Speaker 2: He was like, yoh, Like you know, it's a little situation.

720
00:30:09,720 --> 00:30:11,840
Speaker 2: She got into a fight upstairs. They kicked out, and

721
00:30:11,880 --> 00:30:13,640
Speaker 2: that's why they locked the doors. I left the shoes

722
00:30:13,680 --> 00:30:15,840
Speaker 2: up there in the fight. They just kicked out, So

723
00:30:15,920 --> 00:30:20,080
Speaker 2: I said what. So as I'm talking to him, I hear, mam,

724
00:30:20,120 --> 00:30:23,240
Speaker 2: what the fuck you doing in Chicago? So now I'm scared.

725
00:30:23,280 --> 00:30:25,360
Speaker 1: So are you part of the problem? Yes, you man.

726
00:30:25,560 --> 00:30:27,920
Speaker 2: So now look at her, I'm like, oh, like okay,

727
00:30:27,960 --> 00:30:30,400
Speaker 2: I'm like, what's going I'm like, yo, what's up with you? You?

728
00:30:30,400 --> 00:30:30,720
Speaker 1: Okay?

729
00:30:30,800 --> 00:30:35,800
Speaker 2: Like, nah, everybody gonna die. I'm like me too, I

730
00:30:35,960 --> 00:30:37,880
Speaker 2: just got here and I'm gonna did. She was like, Yo,

731
00:30:37,920 --> 00:30:40,320
Speaker 2: everybody's gonna die tonight. So I'm like, wait, but hold on.

732
00:30:40,400 --> 00:30:42,280
Speaker 2: First of all, let's relax. You don't want to talk

733
00:30:42,320 --> 00:30:45,600
Speaker 2: like that. I said, what happened? They got me fucked up?

734
00:30:46,200 --> 00:30:48,360
Speaker 2: You know, when ever somebody's drunk, everybody got you sucked up.

735
00:30:48,360 --> 00:30:51,520
Speaker 2: So I said, okay, but what happened? So she's talking,

736
00:30:51,720 --> 00:30:54,560
Speaker 2: I could start to smell alcohol. I'm like, okay, drunk,

737
00:30:55,040 --> 00:30:57,840
Speaker 2: get it. You know me, I'm thinking pretty girl, And

738
00:30:57,920 --> 00:31:00,360
Speaker 2: so she probably caught her dude to here, you know,

739
00:31:00,600 --> 00:31:04,239
Speaker 2: trying to be low. I'm thinking that she went through

740
00:31:04,240 --> 00:31:05,720
Speaker 2: a whole thing, and you know, they kicked her out.

741
00:31:05,760 --> 00:31:08,720
Speaker 2: So I'm like, but wear are your shoes? They're upstairs.

742
00:31:08,920 --> 00:31:11,000
Speaker 2: They got my phone and my shoes. I was like,

743
00:31:11,600 --> 00:31:13,440
Speaker 2: but they're bringing it to you, right, And now I'm concerned.

744
00:31:13,480 --> 00:31:15,680
Speaker 2: I'm like, they're bringing it to you right? She was like, yeah,

745
00:31:15,720 --> 00:31:19,240
Speaker 2: but everybody's still gonna die. I'm like, okay, cool.

746
00:31:19,320 --> 00:31:21,440
Speaker 1: Well, the guy at our show did say every woman

747
00:31:21,520 --> 00:31:23,760
Speaker 1: in Chicago is bd ORGD and.

748
00:31:23,720 --> 00:31:26,680
Speaker 2: I remember that. So remember once she said that, I

749
00:31:26,720 --> 00:31:29,320
Speaker 2: gave her hug. I said, piece and blessings. You know,

750
00:31:29,800 --> 00:31:31,840
Speaker 2: they're going to bring your stuff to you, just you know,

751
00:31:32,000 --> 00:31:34,760
Speaker 2: non affiliated civilian, try to enjoy your night. Then I

752
00:31:34,880 --> 00:31:37,760
Speaker 2: lean over to look in the window of the lobby

753
00:31:38,320 --> 00:31:40,160
Speaker 2: and my God is at the front desk. He sees me.

754
00:31:40,200 --> 00:31:42,600
Speaker 2: He was like, go around to the side.

755
00:31:42,600 --> 00:31:43,920
Speaker 1: So I was like, oh, you got the good fellaw's

756
00:31:43,960 --> 00:31:45,760
Speaker 1: treatment and so through the kitchen.

757
00:31:45,640 --> 00:31:47,080
Speaker 2: Through the kitchen, so I was like, okay, cool, I

758
00:31:47,160 --> 00:31:48,920
Speaker 2: go around the side. Coming. As I get to the

759
00:31:48,960 --> 00:31:50,600
Speaker 2: front desk, he starts telling me what happened, like, Yo,

760
00:31:50,760 --> 00:31:53,520
Speaker 2: she was sleep you know, and then she woke up

761
00:31:53,680 --> 00:31:55,720
Speaker 2: and then she started just fighting the people next to her,

762
00:31:56,160 --> 00:31:59,560
Speaker 2: and then she slapped the chef. I said, oh, so

763
00:31:59,600 --> 00:32:01,680
Speaker 2: she was really on demon time. He was like yeah,

764
00:32:01,720 --> 00:32:04,840
Speaker 2: like they kicked out. Go upstairs. I'm still thinking about

765
00:32:04,880 --> 00:32:07,480
Speaker 2: food on the clock. Now it's ten ten, ten to fifteen.

766
00:32:07,520 --> 00:32:10,680
Speaker 2: I'm like, I gotta get this order. Get upstairs, run

767
00:32:10,760 --> 00:32:12,880
Speaker 2: right to the bar. I'm like, hey, man, can I

768
00:32:12,920 --> 00:32:15,640
Speaker 2: order some food real quick? Sure. As soon as I'm

769
00:32:15,640 --> 00:32:17,280
Speaker 2: about to say what I want, he was like, oh, actually,

770
00:32:17,320 --> 00:32:21,400
Speaker 2: the kitchen's closed. Y'all told me ten thirty. It's ten

771
00:32:21,400 --> 00:32:25,120
Speaker 2: to fifteen. He's like, yeah, somebody, the chef got slapped.

772
00:32:26,040 --> 00:32:29,880
Speaker 2: He shut everything down. I said, wait, all right, I

773
00:32:29,960 --> 00:32:32,960
Speaker 2: kind of understand. If I'm the chef and somebody slaps

774
00:32:33,000 --> 00:32:35,080
Speaker 2: me in the face, I'm shutting the kitchen down as well,

775
00:32:35,080 --> 00:32:35,680
Speaker 2: so there will.

776
00:32:35,560 --> 00:32:38,320
Speaker 1: Be no late night orders. I don't know how did

777
00:32:38,480 --> 00:32:40,640
Speaker 1: this young woman get into the kitchen to even smack

778
00:32:40,680 --> 00:32:41,080
Speaker 1: the chef.

779
00:32:41,200 --> 00:32:44,760
Speaker 2: So, from what the bartender was explaining, when she woke

780
00:32:44,840 --> 00:32:47,240
Speaker 2: up and she started fighting people next to her, she

781
00:32:47,320 --> 00:32:49,440
Speaker 2: just woke up swinging, woke up and just you know,

782
00:32:49,480 --> 00:32:52,120
Speaker 2: started maybe just couraging people out and got into it.

783
00:32:52,440 --> 00:32:55,800
Speaker 2: So then the staff they start to separate people because

784
00:32:55,800 --> 00:32:57,280
Speaker 2: I don't even know is this security at Sauce. I

785
00:32:57,280 --> 00:32:59,240
Speaker 2: don't even think it's security at so Hard. Yeah, this

786
00:33:00,280 --> 00:33:02,920
Speaker 2: might have been short staffed this night. Whatever they said,

787
00:33:02,920 --> 00:33:04,920
Speaker 2: they started to separate them. So the chef was one

788
00:33:04,960 --> 00:33:07,880
Speaker 2: of the people that came out and started separating them. Yeah,

789
00:33:08,040 --> 00:33:10,960
Speaker 2: she started as they're like escorting out. She's grabbing plates

790
00:33:10,960 --> 00:33:14,080
Speaker 2: that are on tables, tossing them. And then when they

791
00:33:14,200 --> 00:33:15,960
Speaker 2: kind of let her go while she was about the elevator,

792
00:33:16,160 --> 00:33:19,160
Speaker 2: that's when she turned around and slapped the chef, so

793
00:33:19,240 --> 00:33:22,680
Speaker 2: he shut it down. Couldn't get my vegan burger. But

794
00:33:22,720 --> 00:33:25,080
Speaker 2: then a gentleman that works there, he's a waiter. I

795
00:33:25,160 --> 00:33:27,600
Speaker 2: just said, bro, listen, man, I just rushed here from

796
00:33:27,640 --> 00:33:30,680
Speaker 2: the venue. I was downstairs outside for like ten minutes.

797
00:33:30,920 --> 00:33:32,720
Speaker 2: They told me they locked the doors. I'm just trying

798
00:33:32,720 --> 00:33:35,480
Speaker 2: to get something to eat real quick. He was nice enough.

799
00:33:35,520 --> 00:33:37,880
Speaker 2: He went in the kitchen. He made it happen, got

800
00:33:37,920 --> 00:33:40,320
Speaker 2: my burger. The bartender gave me a drink, gave me

801
00:33:40,320 --> 00:33:42,800
Speaker 2: some pineapple juice, bottle of water, took care of me,

802
00:33:43,160 --> 00:33:44,560
Speaker 2: had a great time, and.

803
00:33:44,520 --> 00:33:46,680
Speaker 1: Then the chef appeared to have any marks on his face.

804
00:33:46,680 --> 00:33:48,560
Speaker 2: I didn't see the chef. I never saw him. He

805
00:33:48,600 --> 00:33:50,080
Speaker 2: probably was in the back pissed off.

806
00:33:50,240 --> 00:33:52,440
Speaker 1: I feel a little a little weird about that. If

807
00:33:52,480 --> 00:33:57,040
Speaker 1: I'm a chef and all the knives and sharp objects

808
00:33:57,080 --> 00:33:58,920
Speaker 1: I have to defend myself and I get smacked by

809
00:33:58,960 --> 00:34:01,200
Speaker 1: a chick with no shoes on, yeah, I might I'm

810
00:34:01,240 --> 00:34:02,360
Speaker 1: probably never coming back to work.

811
00:34:02,960 --> 00:34:04,600
Speaker 2: I mean, because you know, everyone in the kitchen was

812
00:34:04,600 --> 00:34:07,640
Speaker 2: calling pussy or I don't know if the chef should

813
00:34:07,680 --> 00:34:11,600
Speaker 2: be breaking up a fight. Yeah, it's a weird bro

814
00:34:11,680 --> 00:34:12,960
Speaker 2: like you can stay in the kitchen like you don't

815
00:34:12,960 --> 00:34:15,719
Speaker 2: even it's focused on the It's other staff here that

816
00:34:15,760 --> 00:34:18,120
Speaker 2: could take care of this. But overall, it was cool that,

817
00:34:18,280 --> 00:34:19,640
Speaker 2: you know, the Sol House one of just one of

818
00:34:19,680 --> 00:34:22,440
Speaker 2: my favorite solo houses in Chicago, so the vibe was

819
00:34:22,480 --> 00:34:25,440
Speaker 2: cool other than that, but that was that almost destroyed

820
00:34:25,440 --> 00:34:26,880
Speaker 2: my night because if I couldn't get a burger, I

821
00:34:26,880 --> 00:34:28,279
Speaker 2: would have fucking I would have been outside, would have

822
00:34:28,320 --> 00:34:29,480
Speaker 2: like everybody's gonna die to night.

823
00:34:29,719 --> 00:34:32,040
Speaker 1: So well, you know, something similar happened to me at

824
00:34:32,120 --> 00:34:35,279
Speaker 1: Dumbo House where I got my Soul House membership like

825
00:34:35,600 --> 00:34:39,640
Speaker 1: taken away what It ended up getting suspended because it

826
00:34:39,640 --> 00:34:42,600
Speaker 1: was sort of a misunderstanding. But I get an email

827
00:34:43,480 --> 00:34:47,360
Speaker 1: one random Wednesday like Rory based off everything that happened

828
00:34:47,360 --> 00:34:50,680
Speaker 1: on said date and because of this person, we no

829
00:34:50,760 --> 00:34:52,839
Speaker 1: longer want you ad Sol House. So I was like,

830
00:34:52,880 --> 00:34:53,480
Speaker 1: what the fuck?

831
00:34:53,880 --> 00:34:54,120
Speaker 2: Right?

832
00:34:54,360 --> 00:34:55,960
Speaker 1: So I went to Dumbo House with a few of

833
00:34:55,960 --> 00:34:58,440
Speaker 1: my friends and then they met with other friends, one

834
00:34:58,480 --> 00:35:01,279
Speaker 1: of them being I want say the model's name, very

835
00:35:01,320 --> 00:35:04,120
Speaker 1: very famous model. She was definitely going through her drug

836
00:35:04,160 --> 00:35:07,719
Speaker 1: phase at that time, mixed that with alcohol and was

837
00:35:08,200 --> 00:35:11,120
Speaker 1: losing her mind in dumble house. So they grab her,

838
00:35:11,160 --> 00:35:14,560
Speaker 1: kick her out. I don't think anything of it. Downstairs,

839
00:35:15,080 --> 00:35:18,200
Speaker 1: she assaults a security guard, throws up in the lobby,

840
00:35:18,600 --> 00:35:20,800
Speaker 1: and then breaks a window of a car that was

841
00:35:20,840 --> 00:35:24,680
Speaker 1: parked outside. So I'm like, what what that got to

842
00:35:24,680 --> 00:35:27,799
Speaker 1: do with me? What was under your membership? She was

843
00:35:27,800 --> 00:35:29,960
Speaker 1: your guest. I was like, I knew that.

844
00:35:29,880 --> 00:35:32,719
Speaker 2: Bitch for one minute. Well why did they assume she

845
00:35:32,800 --> 00:35:33,279
Speaker 2: was your guest?

846
00:35:33,719 --> 00:35:35,880
Speaker 1: No, her name was undermine because like a group of

847
00:35:35,920 --> 00:35:37,239
Speaker 1: us went to the so house, some people that don't

848
00:35:37,239 --> 00:35:40,000
Speaker 1: have memberships, you put their name under and she was

849
00:35:40,080 --> 00:35:42,960
Speaker 1: very famous, Like people knew exactly They said her full

850
00:35:43,040 --> 00:35:47,000
Speaker 1: name in the email, so people knew what time it was,

851
00:35:47,360 --> 00:35:48,280
Speaker 1: but it was undermine.

852
00:35:48,480 --> 00:35:48,680
Speaker 2: Yeah.

853
00:35:49,560 --> 00:35:51,120
Speaker 1: I had to go to like a soul house hearing.

854
00:35:51,719 --> 00:35:53,759
Speaker 1: I was like, Yo, I'm trying. I'm trying to tell y'all,

855
00:35:53,760 --> 00:35:54,800
Speaker 1: like I apologize.

856
00:35:54,880 --> 00:35:57,799
Speaker 2: Oh you was writing, you was on the stay right, Yeah, yo,

857
00:35:57,840 --> 00:35:58,200
Speaker 2: you was.

858
00:36:00,640 --> 00:36:01,320
Speaker 1: The fuck out it.

859
00:36:03,120 --> 00:36:05,560
Speaker 2: Yeah, you was stitching for your membership back. Yeah, Okay,

860
00:36:05,680 --> 00:36:06,359
Speaker 2: I respect it.

861
00:36:06,560 --> 00:36:07,759
Speaker 1: I wasn't even there.

862
00:36:07,960 --> 00:36:10,080
Speaker 2: Yeah. And if you don't know her like that, it's

863
00:36:10,360 --> 00:36:11,279
Speaker 2: even more of like a.

864
00:36:12,239 --> 00:36:15,520
Speaker 1: And you know dumblehouse is like there's a there's that downstairs.

865
00:36:15,520 --> 00:36:17,000
Speaker 1: That's like a bunch of other stories too.

866
00:36:17,160 --> 00:36:17,359
Speaker 2: Yeah.

867
00:36:17,440 --> 00:36:19,279
Speaker 1: I was like, man, what the fuck I gotta do this. Yeah,

868
00:36:19,719 --> 00:36:21,640
Speaker 1: the assault happened over there, Like, I get it. She's

869
00:36:21,640 --> 00:36:24,000
Speaker 1: on my name, So I see why you guys are

870
00:36:24,040 --> 00:36:24,880
Speaker 1: reacting this way.

871
00:36:25,239 --> 00:36:27,120
Speaker 2: Well, that's why they do that. Sure, they can attach

872
00:36:27,480 --> 00:36:29,400
Speaker 2: to the issue is the problem. They can attach it

873
00:36:29,440 --> 00:36:31,520
Speaker 2: to the person that they know or I remember.

874
00:36:31,880 --> 00:36:36,920
Speaker 1: And so this was like twenty eighteen maybe so in

875
00:36:37,000 --> 00:36:42,840
Speaker 1: twenty nineteen, no, twenty twenty, right before COVID happened. I

876
00:36:42,960 --> 00:36:45,640
Speaker 1: was at I was in LA for the Grammys, and

877
00:36:45,680 --> 00:36:48,239
Speaker 1: I went to Sons of Essex or whatever the fuck

878
00:36:48,280 --> 00:36:50,759
Speaker 1: it was okay, and I ran into her. She was

879
00:36:50,760 --> 00:36:51,560
Speaker 1: sober at this point.

880
00:36:51,600 --> 00:36:52,960
Speaker 2: Now does she remember you?

881
00:36:53,160 --> 00:36:55,200
Speaker 1: Of course no, brand right off and was like, Yo,

882
00:36:55,400 --> 00:36:58,320
Speaker 1: I'm so sorry for everything I did that day.

883
00:36:58,520 --> 00:37:00,840
Speaker 2: She's like, how long ago was this? Like in between

884
00:37:00,840 --> 00:37:01,360
Speaker 2: the time.

885
00:37:01,360 --> 00:37:04,600
Speaker 1: Twenty eighteen to probably twenty twenty. Yeah, January twenty twenty,

886
00:37:04,719 --> 00:37:06,840
Speaker 1: she held that apology for two years, I mean, we

887
00:37:06,880 --> 00:37:08,240
Speaker 1: never saw each other and we weren't.

888
00:37:08,000 --> 00:37:10,400
Speaker 2: Cool like that, but I respect that though, like saw you.

889
00:37:10,440 --> 00:37:12,680
Speaker 2: The next time she did that didn't slip her mind

890
00:37:12,680 --> 00:37:13,520
Speaker 2: and she apologized.

891
00:37:13,840 --> 00:37:16,320
Speaker 1: But that shit, Now, I'm not losing my soul membership

892
00:37:16,320 --> 00:37:18,920
Speaker 1: because just not just some person that happened to be there.

893
00:37:19,200 --> 00:37:21,840
Speaker 1: Never we never losing that membership. She was going nuts.

894
00:37:22,200 --> 00:37:25,160
Speaker 1: She was just like screaming at strangers enjoying their food.

895
00:37:25,520 --> 00:37:27,400
Speaker 2: But that's the that's the drunk thing. And even the

896
00:37:27,480 --> 00:37:29,879
Speaker 2: young lady last night, she was a really pretty girl.

897
00:37:29,880 --> 00:37:32,719
Speaker 2: And I was just like, to be get to the

898
00:37:32,760 --> 00:37:34,399
Speaker 2: point when you had this drunk and got kicked out

899
00:37:34,400 --> 00:37:36,600
Speaker 2: of an establishment like the Soho house On a second,

900
00:37:36,800 --> 00:37:39,719
Speaker 2: and now you're standing outside with no shoes on and

901
00:37:39,760 --> 00:37:42,600
Speaker 2: no phone. You too pretty for this, Like you you

902
00:37:42,640 --> 00:37:44,399
Speaker 2: didn't have to do whatever you was drinking. You didn't

903
00:37:44,440 --> 00:37:46,200
Speaker 2: have to go that hard. You might be dealing with something,

904
00:37:46,200 --> 00:37:48,880
Speaker 2: we understand, We give grace there, but you shouldn't be

905
00:37:48,880 --> 00:37:49,680
Speaker 2: standing outside with.

906
00:37:49,680 --> 00:37:53,240
Speaker 1: No shoes on and dolo like you smacking chefs by yourself.

907
00:37:53,320 --> 00:37:54,879
Speaker 2: Yeah, like it just it was just a bad look.

908
00:37:54,960 --> 00:37:59,040
Speaker 2: But overall, my time here in Chicago was wonderful, was great.

909
00:37:59,360 --> 00:38:02,280
Speaker 2: Shout out to every body just in me moving around Chicago,

910
00:38:02,360 --> 00:38:05,640
Speaker 2: showing love, showing support for us. A lot of people

911
00:38:05,640 --> 00:38:07,239
Speaker 2: ask for you. We like Method Man and Red Man.

912
00:38:07,239 --> 00:38:10,320
Speaker 2: Now people see me, yo, where's Rory with his family?

913
00:38:10,360 --> 00:38:10,960
Speaker 2: Like you know what I'm saying?

914
00:38:11,200 --> 00:38:13,040
Speaker 1: Well, they usually say, yo, Mall, what's up to me?

915
00:38:13,840 --> 00:38:15,319
Speaker 2: Yeah? They do. I don't. I still don't know how

916
00:38:15,360 --> 00:38:17,799
Speaker 2: people get us. Nothing about your says mall.

917
00:38:17,880 --> 00:38:20,359
Speaker 1: But and it's not like one person that happens all

918
00:38:20,400 --> 00:38:23,920
Speaker 1: the time. But I mean I've heard Sife say that,

919
00:38:23,960 --> 00:38:25,880
Speaker 1: Like people will run up to him calling Rosenberg and

920
00:38:25,920 --> 00:38:27,800
Speaker 1: he's like, do I look like I'd be a Rosenberg?

921
00:38:29,360 --> 00:38:32,279
Speaker 1: Closer than you and I would be? I still think

922
00:38:32,320 --> 00:38:34,040
Speaker 1: that's insane. Do I look like Rosenberg?

923
00:38:34,239 --> 00:38:35,920
Speaker 2: No, I get it, but definitely closer than you and

924
00:38:35,960 --> 00:38:36,439
Speaker 2: I for sure.

925
00:38:37,800 --> 00:38:40,239
Speaker 1: But other than that, I think we didn't miss too

926
00:38:40,239 --> 00:38:42,080
Speaker 1: too much when we're on the road. Sometimes I feel

927
00:38:42,120 --> 00:38:45,880
Speaker 1: like when we go out so much shit happens. It

928
00:38:46,000 --> 00:38:48,200
Speaker 1: was kind of a quiet week. Your man was kind

929
00:38:48,200 --> 00:38:48,719
Speaker 1: of wild.

930
00:38:48,600 --> 00:38:50,040
Speaker 2: Though, who's my man?

931
00:38:50,800 --> 00:38:52,440
Speaker 1: Yady? I feel like has been bugging a bit.

932
00:38:53,640 --> 00:38:55,640
Speaker 2: I think I did see him something he was on

933
00:38:55,719 --> 00:38:58,960
Speaker 2: a g Live addressing the caribou situation.

934
00:38:59,040 --> 00:39:02,759
Speaker 1: Not just that, a couple situations. I think YACHTI for

935
00:39:02,800 --> 00:39:06,040
Speaker 1: the past few weeks keeps saying I'm never going back

936
00:39:06,040 --> 00:39:07,759
Speaker 1: to social media. I'm done with this. I feel like

937
00:39:07,760 --> 00:39:10,560
Speaker 1: he's been reading so many comments lately and just had

938
00:39:10,560 --> 00:39:13,080
Speaker 1: his crash out moment, like fun, all funk all that,

939
00:39:13,160 --> 00:39:15,319
Speaker 1: I'm crashing out. I don't care what I say. I

940
00:39:15,360 --> 00:39:17,960
Speaker 1: started with this. I'm gonna address everybody at this point.

941
00:39:18,040 --> 00:39:20,879
Speaker 2: And that's the dangerous thing about when you jump into that,

942
00:39:21,400 --> 00:39:25,120
Speaker 2: because you'll start reading comments and you'll start seeing what

943
00:39:25,200 --> 00:39:27,400
Speaker 2: people are saying about you, and then you feel like

944
00:39:27,440 --> 00:39:29,839
Speaker 2: you have to address certain things. But in addressing those

945
00:39:29,880 --> 00:39:32,680
Speaker 2: certain things, like going on IG live or something like that,

946
00:39:32,840 --> 00:39:36,000
Speaker 2: it's going to create more comments and more yeah, back

947
00:39:36,040 --> 00:39:38,040
Speaker 2: and forth from the people that are viewing it. And

948
00:39:38,080 --> 00:39:40,839
Speaker 2: now you're caught up in a whole crash out session.

949
00:39:40,520 --> 00:39:42,000
Speaker 1: Because all right, we'll get to the carib with them.

950
00:39:42,040 --> 00:39:44,160
Speaker 1: But what started it was, you know, his co host

951
00:39:44,200 --> 00:39:46,600
Speaker 1: Mitch on that podcast, which is one of his best friends.

952
00:39:46,640 --> 00:39:49,120
Speaker 1: They've been friends before he was famous, Like that's his

953
00:39:49,239 --> 00:39:51,400
Speaker 1: man's I think Mitch was the one that wanted to

954
00:39:51,400 --> 00:39:53,399
Speaker 1: start a podcast, and YACHTI was like, all right, I'll

955
00:39:53,400 --> 00:39:53,880
Speaker 1: do it with you.

956
00:39:54,520 --> 00:39:57,160
Speaker 2: That clip of Yachty saying I'm a rapper, I don't

957
00:39:57,160 --> 00:39:59,560
Speaker 2: need to start no fucking podcast, and I don't need to.

958
00:39:59,600 --> 00:40:01,080
Speaker 2: I did that for you, to know, help build a

959
00:40:01,120 --> 00:40:03,360
Speaker 2: platform for you and put some money in your pocket,

960
00:40:03,360 --> 00:40:05,080
Speaker 2: which I can respect. You know, you got a friend

961
00:40:05,120 --> 00:40:07,120
Speaker 2: and you're like, okay, let me try to call relane

962
00:40:07,320 --> 00:40:09,480
Speaker 2: for my boy. At the same time, use my influence

963
00:40:09,480 --> 00:40:12,440
Speaker 2: on my platform to help build his. So I respect that.

964
00:40:12,719 --> 00:40:14,480
Speaker 2: But I did see a clip of the episode they

965
00:40:14,520 --> 00:40:16,200
Speaker 2: had with key Clock.

966
00:40:16,320 --> 00:40:18,839
Speaker 1: And this is what started the crash out based off

967
00:40:18,840 --> 00:40:19,760
Speaker 1: the comments because.

968
00:40:19,520 --> 00:40:23,280
Speaker 2: And I'll be honest, I didn't like what Yachty said,

969
00:40:23,600 --> 00:40:26,399
Speaker 2: like I just don't. I just don't. I don't think

970
00:40:26,440 --> 00:40:31,320
Speaker 2: that friends should speak to each other in that type

971
00:40:31,360 --> 00:40:33,959
Speaker 2: of uh, in that type of way when you're talking

972
00:40:34,000 --> 00:40:37,239
Speaker 2: about making money and this that, or you wouldn't be

973
00:40:37,600 --> 00:40:40,040
Speaker 2: you wouldn't have this without me, like when your friends,

974
00:40:40,040 --> 00:40:42,040
Speaker 2: you don't even need to say that or throw that

975
00:40:42,120 --> 00:40:42,919
Speaker 2: in the in the mix.

976
00:40:43,000 --> 00:40:45,080
Speaker 1: Yeah, because key Block was sitting there like his parents

977
00:40:45,120 --> 00:40:48,000
Speaker 1: were arguing. Yeah, he just sat that quietly like all right, Yeah.

978
00:40:48,040 --> 00:40:51,000
Speaker 1: So I got music out right. I know they were

979
00:40:51,000 --> 00:40:53,759
Speaker 1: having a bigger conversation and it got clipped down. But

980
00:40:53,880 --> 00:40:57,520
Speaker 1: what what Yachty was saying was, Hey, Mitch, you don't

981
00:40:57,560 --> 00:41:00,520
Speaker 1: know what it's like to just start something completely scratch.

982
00:41:01,160 --> 00:41:03,520
Speaker 1: You had me, so don't just go tell someone to

983
00:41:03,520 --> 00:41:05,000
Speaker 1: go get a job because you never had a job.

984
00:41:05,040 --> 00:41:08,239
Speaker 1: He went on that ramp, and Mitch was cool, he

985
00:41:08,280 --> 00:41:11,000
Speaker 1: didn't say nothing. Then all of Twitter started killing Yachti

986
00:41:11,400 --> 00:41:13,360
Speaker 1: for the same reason you're saying, like, it's kind of

987
00:41:13,360 --> 00:41:14,839
Speaker 1: fucked up to do that in public with your man.

988
00:41:15,200 --> 00:41:17,279
Speaker 1: If you're gonna have that combo, do it privately mm

989
00:41:17,320 --> 00:41:20,000
Speaker 1: hm definitely not in front of keylock. Well it's being recorded,

990
00:41:20,680 --> 00:41:24,160
Speaker 1: so Yachty then it's really mad at the comments. But

991
00:41:24,200 --> 00:41:26,480
Speaker 1: then gets on live and it's like, well, Mitch never

992
00:41:26,520 --> 00:41:28,560
Speaker 1: went to Twitter to say yo, that's how we speak

993
00:41:28,600 --> 00:41:30,759
Speaker 1: to each other, and then just went on a fuck

994
00:41:30,840 --> 00:41:34,040
Speaker 1: Mitch ramp like he was supposed to do. So they

995
00:41:34,080 --> 00:41:36,879
Speaker 1: went from being cool to Mitch Spribace sitting at home

996
00:41:37,000 --> 00:41:39,600
Speaker 1: like are we still on this side? It was my

997
00:41:39,680 --> 00:41:42,080
Speaker 1: job to go to Twitter to say, Yadi, it's okay

998
00:41:42,120 --> 00:41:43,359
Speaker 1: to talk to talk to me that way.

999
00:41:43,320 --> 00:41:45,040
Speaker 2: Right, Yeah, I didn't. I didn't understand that. And then

1000
00:41:45,200 --> 00:41:47,759
Speaker 2: I seen Yati saying that he was going to end

1001
00:41:47,760 --> 00:41:51,799
Speaker 2: the podcast, that he's not doing it no more, and

1002
00:41:51,840 --> 00:41:55,080
Speaker 2: I just was like, I don't. It's okay to have

1003
00:41:55,239 --> 00:41:59,480
Speaker 2: moments where you fuck up and say things to friends

1004
00:41:59,480 --> 00:42:02,200
Speaker 2: and do shit it and then have that moment of

1005
00:42:02,400 --> 00:42:05,520
Speaker 2: accountability and apologize, like, yo, listen, man, I said some

1006
00:42:05,560 --> 00:42:08,000
Speaker 2: things I shouldn't said, because I remember watching the Kevin

1007
00:42:08,040 --> 00:42:11,680
Speaker 2: Hart documentary. He had a situation like that on the

1008
00:42:11,760 --> 00:42:15,279
Speaker 2: on the plane with his trainer. Yeah, and he says

1009
00:42:15,320 --> 00:42:17,240
Speaker 2: some things to his trainer, which is one of his beastiness,

1010
00:42:17,360 --> 00:42:19,560
Speaker 2: which is one of him that's crazy, one of his

1011
00:42:19,600 --> 00:42:23,600
Speaker 2: best friends, and things that he said just as men

1012
00:42:23,640 --> 00:42:25,960
Speaker 2: you don't say to each other, but as friends, Yea,

1013
00:42:27,200 --> 00:42:28,880
Speaker 2: it was just nasty because it's like, Kevin, you you

1014
00:42:28,880 --> 00:42:30,480
Speaker 2: don't have to say you're the guy here. You don't

1015
00:42:30,480 --> 00:42:31,800
Speaker 2: have to see you're the superstar. You don't have to

1016
00:42:31,840 --> 00:42:34,480
Speaker 2: say you're the bread winner. Yes you, we all know

1017
00:42:34,560 --> 00:42:37,239
Speaker 2: that we're blessed and fortunate enough to have you as

1018
00:42:37,239 --> 00:42:39,799
Speaker 2: a friend in our life to put out ourselves in

1019
00:42:39,880 --> 00:42:44,120
Speaker 2: better situations. But at the same time, you know, I'm

1020
00:42:44,200 --> 00:42:46,960
Speaker 2: your friend number one. But I'm also the guy that's

1021
00:42:47,040 --> 00:42:50,000
Speaker 2: keeping you physically in shape to beat this comedic rock

1022
00:42:50,040 --> 00:42:53,520
Speaker 2: star that you are. I'm training you. I'm helping you,

1023
00:42:53,520 --> 00:42:56,480
Speaker 2: you know, you know, stay in shape and feel better

1024
00:42:56,520 --> 00:42:59,480
Speaker 2: about yourself, perform better. So I have a purpose here too.

1025
00:42:59,480 --> 00:43:02,680
Speaker 2: It's not like you're just the rich comedic superstar you

1026
00:43:02,760 --> 00:43:03,120
Speaker 2: hired me.

1027
00:43:03,680 --> 00:43:05,760
Speaker 1: I have a craft. I'm a professional anody.

1028
00:43:05,960 --> 00:43:09,000
Speaker 2: I mean, but that in that in our work relationship,

1029
00:43:09,840 --> 00:43:12,480
Speaker 2: we've also developed a chemistry and a brotherhood and a

1030
00:43:12,520 --> 00:43:16,319
Speaker 2: friendship that certain things you just don't need to ever say.

1031
00:43:16,400 --> 00:43:19,440
Speaker 2: And and I will give Kevin Hart, you know, props

1032
00:43:19,440 --> 00:43:23,320
Speaker 2: because he recognized YO was drinking, was drunk, said some

1033
00:43:23,360 --> 00:43:24,879
Speaker 2: things I shouldn't say. He apologized.

1034
00:43:24,960 --> 00:43:27,719
Speaker 1: I mean the fact he didn't even bury that footage.

1035
00:43:27,800 --> 00:43:30,800
Speaker 1: It's kind of crazy, but he looks he looked nuts.

1036
00:43:30,840 --> 00:43:32,200
Speaker 2: But I like that because it's like, I'm going to

1037
00:43:32,239 --> 00:43:34,319
Speaker 2: show y'all my fucked up moments, but I'm also going

1038
00:43:34,400 --> 00:43:36,600
Speaker 2: to show y'all how as brothers that we also are

1039
00:43:36,640 --> 00:43:38,759
Speaker 2: able to mend that ship and move through it. So

1040
00:43:38,800 --> 00:43:42,120
Speaker 2: this this yachty situation, I think is his moment to uh,

1041
00:43:42,280 --> 00:43:44,279
Speaker 2: you know, he said some things he shouldn't have said,

1042
00:43:44,440 --> 00:43:47,520
Speaker 2: but now show us the the mending and the accountability moment.

1043
00:43:47,560 --> 00:43:49,719
Speaker 1: And also, and maybe I missed it, but I don't

1044
00:43:49,719 --> 00:43:53,400
Speaker 1: think I did. Mitch wasn't saying nothing for Yachty to

1045
00:43:53,440 --> 00:43:54,040
Speaker 1: crash out.

1046
00:43:54,719 --> 00:43:56,920
Speaker 2: It probably was some ship behind the scenes that spilled

1047
00:43:56,920 --> 00:43:58,360
Speaker 2: over into the in front of the camera.

1048
00:43:58,400 --> 00:43:59,560
Speaker 1: Then do that ship behind the scenes.

1049
00:44:00,120 --> 00:44:03,160
Speaker 2: I agree, But it's a tricky thing when you know

1050
00:44:03,360 --> 00:44:05,960
Speaker 2: we work together, and you know, if anybody knows about

1051
00:44:06,000 --> 00:44:08,000
Speaker 2: this type of shit we do. When you work together

1052
00:44:08,760 --> 00:44:12,280
Speaker 2: and it's things going on behind the scenes, it's hard

1053
00:44:12,680 --> 00:44:14,319
Speaker 2: for that shit not to spill over in front of

1054
00:44:14,320 --> 00:44:16,840
Speaker 2: the camera because it's real emotions, just like how I

1055
00:44:16,920 --> 00:44:18,680
Speaker 2: really feel. I'm not gonna sit here and act like

1056
00:44:19,239 --> 00:44:21,719
Speaker 2: we don't have this situation going on. I'm not going

1057
00:44:21,800 --> 00:44:24,160
Speaker 2: to just bury that. My energy is different, obviously, and

1058
00:44:24,200 --> 00:44:25,560
Speaker 2: this is why my energy is different.

1059
00:44:25,719 --> 00:44:27,640
Speaker 1: And then it got paired in with the Caribou thing,

1060
00:44:27,640 --> 00:44:30,279
Speaker 1: which was already weird because we were at Brocoli City

1061
00:44:30,800 --> 00:44:33,160
Speaker 1: and it was Yachty in a concrete family and like

1062
00:44:33,960 --> 00:44:36,759
Speaker 1: the talk of the entire festival was Caribou wasn't on

1063
00:44:36,840 --> 00:44:39,359
Speaker 1: stage with him, even on the timeline, as well, so

1064
00:44:39,360 --> 00:44:43,160
Speaker 1: there was clearly something going on, but the crash out

1065
00:44:43,400 --> 00:44:45,760
Speaker 1: had to be involved with that as well. He started

1066
00:44:45,800 --> 00:44:49,160
Speaker 1: leaking references of freestyles. He says, she don't write shit,

1067
00:44:49,480 --> 00:44:52,719
Speaker 1: He created her, dressed her. You'd never be shit, bitch,

1068
00:44:52,920 --> 00:44:54,200
Speaker 1: he went nuts.

1069
00:44:54,760 --> 00:44:59,400
Speaker 2: Do we think that Yachty is this something? Is he

1070
00:44:59,520 --> 00:45:01,279
Speaker 2: going through something on a personal level?

1071
00:45:02,200 --> 00:45:04,840
Speaker 1: Yeah, I will, of course. I don't know, But judging

1072
00:45:04,880 --> 00:45:08,600
Speaker 1: by his actions publicly seen, YACHTI like this, No, not

1073
00:45:08,680 --> 00:45:12,240
Speaker 1: at all. But he has been kind of like internet

1074
00:45:12,280 --> 00:45:14,160
Speaker 1: mode for the past few weeks, to the point that

1075
00:45:14,160 --> 00:45:16,000
Speaker 1: he keeps saying I'm not going back on social media,

1076
00:45:16,040 --> 00:45:18,520
Speaker 1: and I think he's just finally cracked and had to

1077
00:45:18,520 --> 00:45:20,440
Speaker 1: get a bunch of shit off his chest. Yeah, he's

1078
00:45:20,480 --> 00:45:22,880
Speaker 1: been wanting to say for quite some time, because.

1079
00:45:22,719 --> 00:45:27,480
Speaker 2: Yadi has always been great at only being seen when

1080
00:45:27,480 --> 00:45:29,640
Speaker 2: he wants to be seen, only being heard when he

1081
00:45:29,680 --> 00:45:33,319
Speaker 2: wants to be heard him even doing a podcast was

1082
00:45:33,320 --> 00:45:36,680
Speaker 2: interesting because it gave us a more of a glimpse

1083
00:45:36,680 --> 00:45:40,800
Speaker 2: into Yachti's personality. Yeah, which is great. I've seen a

1084
00:45:40,840 --> 00:45:43,680
Speaker 2: few episodes and a bunch of clips, so it was

1085
00:45:43,680 --> 00:45:46,560
Speaker 2: good to see YACHTI in that space. But this YACHTI though,

1086
00:45:46,760 --> 00:45:48,960
Speaker 2: as far as you know the things he's saying and

1087
00:45:49,000 --> 00:45:51,799
Speaker 2: doing and going on Instagram live and things like that,

1088
00:45:53,320 --> 00:45:56,920
Speaker 2: because I've seen a little more summers than some people,

1089
00:45:56,960 --> 00:45:59,600
Speaker 2: I've got a little more experience in just watching people.

1090
00:46:00,960 --> 00:46:04,880
Speaker 2: I wouldn't be surprised if there is something that comes

1091
00:46:04,880 --> 00:46:09,839
Speaker 2: out to where, you know, Yachty talks about maybe going

1092
00:46:09,840 --> 00:46:12,000
Speaker 2: through some things and he's dealing with some things emotionally

1093
00:46:12,040 --> 00:46:15,800
Speaker 2: and physically, and probably under the influence of something. I

1094
00:46:15,800 --> 00:46:20,040
Speaker 2: wouldn't because this type of energy you can and again

1095
00:46:20,120 --> 00:46:24,560
Speaker 2: Yachty is he's been great at just maintaining this really fun,

1096
00:46:24,640 --> 00:46:25,480
Speaker 2: clean image.

1097
00:46:25,960 --> 00:46:29,239
Speaker 1: I guess I'm with you on a possible substance thing.

1098
00:46:29,239 --> 00:46:31,000
Speaker 1: I hope that's not the case whatsoever. I hope not

1099
00:46:31,040 --> 00:46:34,439
Speaker 1: either or to even put that on someone. But it's

1100
00:46:34,480 --> 00:46:37,720
Speaker 1: not like anything's been super crazy like this Mitch moment

1101
00:46:38,360 --> 00:46:42,280
Speaker 1: wasn't that nuts. Yati has went through way crazier Internet

1102
00:46:42,560 --> 00:46:47,279
Speaker 1: issues and slander than this entire thing, and then the

1103
00:46:47,320 --> 00:46:50,560
Speaker 1: camera thing. I mean, it's not really a shock that

1104
00:46:50,640 --> 00:46:54,319
Speaker 1: you put together your crew of friends like this. Wasn't

1105
00:46:54,320 --> 00:46:57,239
Speaker 1: some big shocking surprise that the world was like, Oh,

1106
00:46:57,280 --> 00:47:01,920
Speaker 1: the guy that's behind this group helped them, right, wrote

1107
00:47:01,960 --> 00:47:03,600
Speaker 1: some bars for them. Yeah, I think that pretty much

1108
00:47:03,680 --> 00:47:08,280
Speaker 1: checks out. So going on these insane rants to expose

1109
00:47:08,320 --> 00:47:13,960
Speaker 1: everyone doesn't seem like a Yady type of thing. I'm

1110
00:47:14,040 --> 00:47:14,480
Speaker 1: with you, a.

1111
00:47:14,480 --> 00:47:16,799
Speaker 2: Yadi that I'm used to. It's Yadi again. He's been

1112
00:47:16,840 --> 00:47:20,319
Speaker 2: so fun and you know, his image has been very

1113
00:47:20,520 --> 00:47:23,480
Speaker 2: laid back and cool for so many years. See him

1114
00:47:23,480 --> 00:47:25,239
Speaker 2: having his moment, I just you know, I hope not,

1115
00:47:25,320 --> 00:47:27,280
Speaker 2: but it has to be attached to something.

1116
00:47:27,080 --> 00:47:32,040
Speaker 1: Else, Yeah, or something behind the scenes that Mitch did

1117
00:47:32,040 --> 00:47:34,200
Speaker 1: that we don't know about, or that Caribou did because

1118
00:47:34,239 --> 00:47:37,160
Speaker 1: she really hasn't said anything publicly and we still don't

1119
00:47:37,160 --> 00:47:39,560
Speaker 1: really know why she completely left. But yeah, maybe there

1120
00:47:39,560 --> 00:47:42,160
Speaker 1: could have been something behind the scenes. But even she's

1121
00:47:42,200 --> 00:47:44,680
Speaker 1: been posting on her ig like you need to move

1122
00:47:44,719 --> 00:47:46,319
Speaker 1: past this. I have not said a word about you.

1123
00:47:46,640 --> 00:47:49,440
Speaker 1: I don't care. Move the fuck on. And also.

1124
00:47:51,360 --> 00:47:54,200
Speaker 2: Versus trash the on the radar verse.

1125
00:47:55,000 --> 00:47:57,480
Speaker 1: I know, that's like a huge Internet moment, and I

1126
00:47:57,520 --> 00:48:00,879
Speaker 1: appreciated what Yadi was saying, like on the doucer side, like, yeah,

1127
00:48:00,880 --> 00:48:02,640
Speaker 1: I put the eight aways there so everyone's ears would

1128
00:48:02,640 --> 00:48:05,000
Speaker 1: perk up and you would be like the final star

1129
00:48:05,520 --> 00:48:09,520
Speaker 1: of this entire thing. But I try not to sound

1130
00:48:09,560 --> 00:48:14,799
Speaker 1: like the old hater. Yeah, wasn't that crazy to me

1131
00:48:14,960 --> 00:48:20,720
Speaker 1: that someone reveals that goes right road trash like actually

1132
00:48:21,080 --> 00:48:27,200
Speaker 1: should have kept that too. It wasn't a symbol freestyle like, yeah,

1133
00:48:27,520 --> 00:48:27,879
Speaker 1: I get.

1134
00:48:27,800 --> 00:48:28,840
Speaker 2: It, I understand what you said.

1135
00:48:29,280 --> 00:48:33,799
Speaker 1: Like, we know he's written for city girls. Yep, some

1136
00:48:33,880 --> 00:48:36,120
Speaker 1: of that stuff like that takes and we know y'ady

1137
00:48:36,200 --> 00:48:37,480
Speaker 1: is a good writer, which.

1138
00:48:37,280 --> 00:48:40,239
Speaker 2: Ball he wrote for them. Don't do that, man, because

1139
00:48:40,280 --> 00:48:42,120
Speaker 2: I'm gonna be disappointed if he wrote some of those

1140
00:48:42,200 --> 00:48:45,160
Speaker 2: like overly sexual. Probably didn't like why how your brain

1141
00:48:45,200 --> 00:48:45,440
Speaker 2: went that?

1142
00:48:45,680 --> 00:48:48,719
Speaker 1: Okay? But see, we can't do that because there's references.

1143
00:48:48,760 --> 00:48:52,520
Speaker 1: You could YouTube now a big rapping Kims versus saying

1144
00:48:52,560 --> 00:48:53,319
Speaker 1: some nasty shit.

1145
00:48:53,520 --> 00:48:55,239
Speaker 2: No, Big gout one of the craziest balls ever in

1146
00:48:55,239 --> 00:48:57,439
Speaker 2: his own shit. It's again Richard Pride shit.

1147
00:48:57,520 --> 00:48:59,960
Speaker 1: But go go to some of those little Kim Reph

1148
00:49:00,000 --> 00:49:03,879
Speaker 1: for instance, that Big is rapping them. Yeah, like he's rapping,

1149
00:49:03,960 --> 00:49:08,759
Speaker 1: rapping on them ships and saying some some foul It's

1150
00:49:08,760 --> 00:49:11,560
Speaker 1: not not only did he write it, he showed Kim

1151
00:49:11,600 --> 00:49:12,680
Speaker 1: how to deliver that ship.

1152
00:49:12,840 --> 00:49:14,280
Speaker 2: This is how you got to say it because.

1153
00:49:14,040 --> 00:49:17,720
Speaker 1: We all believe Kim when she because her delivery is amazing.

1154
00:49:17,800 --> 00:49:19,440
Speaker 2: And then when we got the hardcore poster, it was like,

1155
00:49:19,520 --> 00:49:22,440
Speaker 2: I believe she said Big Big was talking about Sucker

1156
00:49:22,480 --> 00:49:27,160
Speaker 2: Dick with conviction, like conviction, So how could I hate

1157
00:49:27,160 --> 00:49:30,040
Speaker 2: on YACHTI for doing some City Guard records got a

1158
00:49:30,040 --> 00:49:32,040
Speaker 2: good Definitely not hating all it. But it's just interesting

1159
00:49:32,120 --> 00:49:35,120
Speaker 2: when you know, you hear some of these female artists,

1160
00:49:35,160 --> 00:49:36,920
Speaker 2: you know, and it's like, no, but he wrote this,

1161
00:49:37,000 --> 00:49:40,640
Speaker 2: he wrote this, and I'm like okay, and he wrote that,

1162
00:49:40,719 --> 00:49:43,799
Speaker 2: like down. It's like when you sent me the verse

1163
00:49:44,040 --> 00:49:45,760
Speaker 2: the last night you wanted me to stay on stage,

1164
00:49:45,760 --> 00:49:51,120
Speaker 2: and he was like a YO, just reading aos. I'm like, bro,

1165
00:49:51,200 --> 00:49:52,120
Speaker 2: you didn't have to put ao.

1166
00:49:52,280 --> 00:49:54,839
Speaker 1: That's how the verse started, but was not like part

1167
00:49:54,840 --> 00:49:55,200
Speaker 1: of the birth.

1168
00:49:55,280 --> 00:49:56,960
Speaker 2: It's just kind of like a you know, just to

1169
00:49:57,040 --> 00:49:59,840
Speaker 2: catch the beat, catch the pocket. You don't write a yo.

1170
00:50:00,880 --> 00:50:06,440
Speaker 1: In the two words flow. That's part of it if

1171
00:50:06,480 --> 00:50:09,440
Speaker 1: you count the syllables and the reaction.

1172
00:50:09,200 --> 00:50:11,080
Speaker 2: Because I read the verse where you said you texted

1173
00:50:11,160 --> 00:50:13,439
Speaker 2: to me. But when I got back to the room

1174
00:50:13,440 --> 00:50:15,600
Speaker 2: and I read it, and I saw a yo just

1175
00:50:15,719 --> 00:50:18,839
Speaker 2: like you texted me. I shouldn't read.

1176
00:50:18,920 --> 00:50:22,239
Speaker 1: Ay, I apologize for exposing that I ghost right from

1177
00:50:22,239 --> 00:50:27,080
Speaker 1: all it's been it's been conferred. But back to the

1178
00:50:27,120 --> 00:50:30,080
Speaker 1: Cariboud like Seey girls doesn't really like my cup of tea,

1179
00:50:30,360 --> 00:50:33,800
Speaker 1: but I can appreciate they could like sort of wrap.

1180
00:50:34,440 --> 00:50:38,560
Speaker 1: They're not bad rappers, so that yachty stuff. I think

1181
00:50:38,600 --> 00:50:41,120
Speaker 1: that's like a cool stat to say that he was

1182
00:50:41,120 --> 00:50:42,919
Speaker 1: the writer on that stuff. That takes a lot of talent.

1183
00:50:45,080 --> 00:50:48,640
Speaker 1: This new generation, I just I don't get it.

1184
00:50:49,239 --> 00:50:54,640
Speaker 2: Yeah, man, what what what do they hear? I think?

1185
00:50:54,719 --> 00:50:57,480
Speaker 1: Because I understand what with the generation right below me

1186
00:50:57,520 --> 00:51:01,160
Speaker 1: and some some of their music I don't like, but

1187
00:51:01,280 --> 00:51:03,399
Speaker 1: I get it. I get why it works. I see

1188
00:51:03,440 --> 00:51:06,960
Speaker 1: the talent in it. But that on the radars, I

1189
00:51:07,040 --> 00:51:09,279
Speaker 1: just don't get it whatsoever. And maybe I'm just a

1190
00:51:09,320 --> 00:51:10,800
Speaker 1: fucking old nerd.

1191
00:51:10,719 --> 00:51:13,840
Speaker 2: But no, it's not that because I always try to

1192
00:51:13,880 --> 00:51:16,720
Speaker 2: compare it to when I was, you know, that age

1193
00:51:16,800 --> 00:51:23,759
Speaker 2: eighteen nineteen and what I was listening to. And I

1194
00:51:23,800 --> 00:51:25,680
Speaker 2: always talk about how I to sneak to watch to

1195
00:51:25,760 --> 00:51:30,200
Speaker 2: listen to a Snoop Doggie style because that's when gangster rap,

1196
00:51:30,239 --> 00:51:33,359
Speaker 2: you know, people were frowning upon that they were trying

1197
00:51:33,360 --> 00:51:38,160
Speaker 2: to like ban it from stores things like that. But

1198
00:51:38,200 --> 00:51:40,680
Speaker 2: we're talking about guys that were really rapping. We're talking

1199
00:51:40,680 --> 00:51:46,400
Speaker 2: about Snoop warrang you know, flows and metaphors, and you

1200
00:51:46,440 --> 00:51:51,320
Speaker 2: know that was still rap. So this era, now, this generation,

1201
00:51:51,440 --> 00:51:54,840
Speaker 2: now what they're doing, you know, And I never like

1202
00:51:54,880 --> 00:51:56,759
Speaker 2: to hate on it because again, it was a moment

1203
00:51:56,800 --> 00:52:00,960
Speaker 2: where you know, I me listening to quote unquote gangster

1204
00:52:01,080 --> 00:52:04,040
Speaker 2: rap was was frowned upon. And now you look at

1205
00:52:04,160 --> 00:52:07,240
Speaker 2: the figures that we've gotten from that, I guess genre

1206
00:52:08,120 --> 00:52:10,120
Speaker 2: like a Snoop and a Doctor Dream what they are now,

1207
00:52:10,160 --> 00:52:12,000
Speaker 2: Like my mom knows more about what Snoop got going

1208
00:52:12,040 --> 00:52:13,840
Speaker 2: on now than I do. And I'm just like, I

1209
00:52:13,880 --> 00:52:16,080
Speaker 2: couldn't listen to this when I was younger, But now

1210
00:52:16,120 --> 00:52:17,839
Speaker 2: you know more about Snoop than not doing where he's

1211
00:52:17,840 --> 00:52:21,520
Speaker 2: at and what he's doing. So this this generation, the

1212
00:52:21,520 --> 00:52:24,000
Speaker 2: way they're making their music expressing it, it's a little

1213
00:52:24,040 --> 00:52:26,360
Speaker 2: awkward for my ear, for your ear. From the generation

1214
00:52:26,440 --> 00:52:28,600
Speaker 2: we come from, it's a lot of out of pocket flows.

1215
00:52:30,239 --> 00:52:34,400
Speaker 2: You know, the melodies are creative sometimes, but in other

1216
00:52:34,440 --> 00:52:37,040
Speaker 2: ways it's like I couldn't catch that melody in what

1217
00:52:37,040 --> 00:52:39,520
Speaker 2: they were trying to do so I'm not. I just

1218
00:52:39,560 --> 00:52:45,080
Speaker 2: think there's a certain lack of real rap. It's more emotion,

1219
00:52:45,280 --> 00:52:48,680
Speaker 2: It's more a vibe if you want to say.

1220
00:52:49,160 --> 00:52:50,560
Speaker 1: Hey, I don't know if it's emotional. I think it

1221
00:52:50,640 --> 00:52:52,839
Speaker 1: is just only vibe.

1222
00:52:53,080 --> 00:52:55,360
Speaker 2: Some of some of these newer rappers have emotion in

1223
00:52:55,640 --> 00:52:56,400
Speaker 2: their boferer, but.

1224
00:52:56,400 --> 00:53:00,840
Speaker 1: I'm talking more about like this newer generation of similar

1225
00:53:00,920 --> 00:53:04,680
Speaker 1: to the on the radar Concrete family that and some

1226
00:53:04,719 --> 00:53:05,640
Speaker 1: of them I think are okay.

1227
00:53:05,680 --> 00:53:07,279
Speaker 2: But while we always talk about it, why I do

1228
00:53:07,400 --> 00:53:11,279
Speaker 2: understand how why Playboy Cardi is as successful and as

1229
00:53:11,360 --> 00:53:13,920
Speaker 2: a bigger name as he is. Whenever I listen to

1230
00:53:14,000 --> 00:53:16,040
Speaker 2: his music, I find myself trying to have to jump

1231
00:53:16,080 --> 00:53:18,680
Speaker 2: into that world and I'm just like, I still don't.

1232
00:53:19,200 --> 00:53:21,480
Speaker 2: It's not connected now, and maybe it's not supposed to

1233
00:53:21,480 --> 00:53:23,120
Speaker 2: connect him. That's always another.

1234
00:53:22,880 --> 00:53:24,640
Speaker 1: Oh no, they're not making it for us. That's why.

1235
00:53:24,719 --> 00:53:27,239
Speaker 2: That's why I can't be a hater and this guy,

1236
00:53:27,320 --> 00:53:29,600
Speaker 2: because you're somebody that loves music. I just want to

1237
00:53:29,680 --> 00:53:32,080
Speaker 2: hear what they're listening to out there now, what they're

1238
00:53:32,120 --> 00:53:35,600
Speaker 2: you know, creating, And it's like I can't really connect

1239
00:53:35,640 --> 00:53:36,200
Speaker 2: to that though.

1240
00:53:36,760 --> 00:53:38,880
Speaker 1: And I mean I used to understand when I was

1241
00:53:38,880 --> 00:53:41,959
Speaker 1: in high school listening to like Gucci and people older

1242
00:53:41,960 --> 00:53:43,879
Speaker 1: than me were like, Yeah, what the fuck are y'all

1243
00:53:43,920 --> 00:53:44,319
Speaker 1: listening to?

1244
00:53:44,440 --> 00:53:44,640
Speaker 2: This?

1245
00:53:44,680 --> 00:53:49,680
Speaker 1: Is crazy? I can still find the genius in Gucci,

1246
00:53:49,840 --> 00:53:52,000
Speaker 1: even if you are more of a traditional hip hop

1247
00:53:52,120 --> 00:53:55,279
Speaker 1: type of guy. This stuff now it sounds like just

1248
00:53:55,320 --> 00:53:58,040
Speaker 1: like reference versus of like just trying to find a

1249
00:53:58,080 --> 00:54:01,120
Speaker 1: pocket and they just never filled the word. That's what

1250
00:54:01,160 --> 00:54:03,600
Speaker 1: most of the shit feels like. Or it's completely offbeat

1251
00:54:03,640 --> 00:54:05,959
Speaker 1: and not the way like low Be the bass guy

1252
00:54:06,280 --> 00:54:08,680
Speaker 1: was off beat, but I felt like there was an

1253
00:54:08,800 --> 00:54:11,880
Speaker 1: art to that. You're just talking, Yeah, you're just saying

1254
00:54:11,880 --> 00:54:14,800
Speaker 1: shit that doesn't even rhyme at this point.

1255
00:54:15,200 --> 00:54:17,439
Speaker 2: But it's again, it's a lot of it is more.

1256
00:54:18,000 --> 00:54:20,200
Speaker 2: There is a lot of good music though, oh for sure,

1257
00:54:20,320 --> 00:54:21,840
Speaker 2: a lot of good music. I just can't when you

1258
00:54:21,880 --> 00:54:24,080
Speaker 2: start talking about year he's rapping or she's rapping, I'm like,

1259
00:54:24,239 --> 00:54:28,240
Speaker 2: is are they because that's not to me? It's not rap. Yeah,

1260
00:54:28,239 --> 00:54:29,880
Speaker 2: but it's music. It's you know, I get it. I

1261
00:54:29,920 --> 00:54:32,640
Speaker 2: understand the energy and the vibe out there, but a

1262
00:54:32,640 --> 00:54:34,040
Speaker 2: lot of this newest stuff is just not for me.

1263
00:54:34,080 --> 00:54:35,680
Speaker 2: I can't really connect to it. But I do support

1264
00:54:35,760 --> 00:54:38,799
Speaker 2: it because at one point in time, you know, we

1265
00:54:38,800 --> 00:54:40,160
Speaker 2: were out there and we were the things we were

1266
00:54:40,160 --> 00:54:42,520
Speaker 2: listening to. The generation before is they didn't understand it

1267
00:54:42,520 --> 00:54:44,879
Speaker 2: and they couldn't fuck with it either. So never want

1268
00:54:44,880 --> 00:54:46,840
Speaker 2: to shit on it. But I just can't really connect

1269
00:54:46,840 --> 00:54:47,359
Speaker 2: a lot of this shit.

1270
00:54:47,440 --> 00:54:49,720
Speaker 1: Yeah, I don't know, but I mean, more power to everyone.

1271
00:54:49,760 --> 00:54:49,960
Speaker 1: I know.

1272
00:54:50,440 --> 00:54:52,560
Speaker 2: It's not for me, yeah, and that's fine.

1273
00:54:52,600 --> 00:55:01,400
Speaker 1: Other people seem to like it. Also, while we were

1274
00:55:01,440 --> 00:55:03,879
Speaker 1: on the road, Drake updated one hundred gigs dot Org

1275
00:55:03,960 --> 00:55:06,840
Speaker 1: added three new records that he leaked the day prior

1276
00:55:06,880 --> 00:55:10,960
Speaker 1: on his Instagram Sood which we had heard a version

1277
00:55:11,000 --> 00:55:14,400
Speaker 1: of already No Face, which I actually really liked that record,

1278
00:55:14,680 --> 00:55:17,640
Speaker 1: and then Circadium Rhythm Yeah, which I have cool production.

1279
00:55:18,760 --> 00:55:20,719
Speaker 1: I'm not mad at these little three packs. I think

1280
00:55:20,760 --> 00:55:21,160
Speaker 1: it's cool.

1281
00:55:21,640 --> 00:55:23,719
Speaker 2: I like it. I think it's you know, it's a

1282
00:55:23,760 --> 00:55:28,399
Speaker 2: way of us still getting some new music from one

1283
00:55:28,400 --> 00:55:31,200
Speaker 2: of the biggest artists, a very unique way of him,

1284
00:55:31,560 --> 00:55:33,960
Speaker 2: very different way for him to release music. But I

1285
00:55:34,000 --> 00:55:35,600
Speaker 2: like it. I like everything that's tatted to, the visuals,

1286
00:55:35,600 --> 00:55:38,239
Speaker 2: giving us behind the scenes in the studios, listening to

1287
00:55:38,360 --> 00:55:40,920
Speaker 2: you know, some of our favorite songs throughout the years

1288
00:55:40,920 --> 00:55:44,080
Speaker 2: and seeing the process of you know, tweaking versus tweaking

1289
00:55:44,120 --> 00:55:48,400
Speaker 2: lines things like that. Then No Face one and listening

1290
00:55:48,440 --> 00:55:51,400
Speaker 2: to that, I was I was surprised because, you know,

1291
00:55:51,440 --> 00:55:53,640
Speaker 2: for Drake to be in the game as long as

1292
00:55:53,640 --> 00:55:57,520
Speaker 2: he has been over probably fifteen years now, for him

1293
00:55:57,520 --> 00:56:02,040
Speaker 2: to still be finding new flows, yeah, is interesting to

1294
00:56:02,080 --> 00:56:04,720
Speaker 2: me because he's been putting out so much music throughout

1295
00:56:04,719 --> 00:56:07,880
Speaker 2: the years, and you know, whenever you see rappers like

1296
00:56:07,920 --> 00:56:11,680
Speaker 2: that still be able to unlock different flows, it's always dope,

1297
00:56:12,040 --> 00:56:13,480
Speaker 2: you know, to kind of hear that, like that's an

1298
00:56:13,480 --> 00:56:16,560
Speaker 2: interesting thing like and that to me, the opening bars

1299
00:56:16,600 --> 00:56:19,120
Speaker 2: and No Face I was like, okay, like he's he's

1300
00:56:19,160 --> 00:56:20,880
Speaker 2: he's he's found, he's unlocked a new level.

1301
00:56:21,200 --> 00:56:23,279
Speaker 1: Yeah. I mean, I'm always just here for rapping Drake,

1302
00:56:23,520 --> 00:56:24,560
Speaker 1: That's why I like it, but.

1303
00:56:24,600 --> 00:56:25,640
Speaker 2: Never complaining about that.

1304
00:56:25,680 --> 00:56:28,360
Speaker 1: I saw some people upset because he doesn't really address

1305
00:56:28,560 --> 00:56:31,879
Speaker 1: he took Yachdy off s OD, which again I don't

1306
00:56:31,880 --> 00:56:36,440
Speaker 1: want to make this like the Yachty hating episode. I

1307
00:56:36,480 --> 00:56:38,680
Speaker 1: hate his verse on that. So now I like the

1308
00:56:38,680 --> 00:56:41,719
Speaker 1: record because I like Drake's verse, But people were mad

1309
00:56:41,760 --> 00:56:45,000
Speaker 1: that on the No Face shit, he was halfway addressing

1310
00:56:45,239 --> 00:56:47,400
Speaker 1: what's been going on instead of a direct this. But

1311
00:56:48,560 --> 00:56:50,880
Speaker 1: I don't know, I just don't care anymore, really just

1312
00:56:50,880 --> 00:56:51,239
Speaker 1: don't care.

1313
00:56:51,280 --> 00:56:53,160
Speaker 2: I think that's how I think. I think that's just

1314
00:56:53,400 --> 00:56:56,600
Speaker 2: probably what it is from here on out. Like you know,

1315
00:56:56,719 --> 00:57:00,759
Speaker 2: certain songs, certain bars I think will be dedicated to

1316
00:57:00,880 --> 00:57:04,200
Speaker 2: just addressing and kind of like you know, just just reminding,

1317
00:57:04,320 --> 00:57:06,279
Speaker 2: like yeah, I didn't forget, you know, I know it's

1318
00:57:06,320 --> 00:57:07,920
Speaker 2: you know, we went through that whole thing, and it's

1319
00:57:07,920 --> 00:57:10,680
Speaker 2: still like on my mind, it's like, okay, I'm glad

1320
00:57:10,680 --> 00:57:13,080
Speaker 2: they I'm glad they showed their face, they showed their hand,

1321
00:57:13,160 --> 00:57:15,399
Speaker 2: like now I know who's who and what's what?

1322
00:57:16,280 --> 00:57:19,920
Speaker 1: Is it a bit hypocritical though, to also put on

1323
00:57:19,960 --> 00:57:22,200
Speaker 1: your fence stuff we're gonna win round two and then

1324
00:57:22,520 --> 00:57:25,720
Speaker 1: you just halfway address shit on certain records instead of

1325
00:57:25,880 --> 00:57:29,760
Speaker 1: a direct again, because that doesn't win rounds. I don't

1326
00:57:29,760 --> 00:57:31,240
Speaker 1: know if this is considered round two.

1327
00:57:32,240 --> 00:57:33,960
Speaker 2: I'm to say that, but what is win is round

1328
00:57:34,000 --> 00:57:36,600
Speaker 2: two when I have this again, So we don't know,

1329
00:57:36,600 --> 00:57:38,960
Speaker 2: we just getting music, but I don't again, I'm not

1330
00:57:39,040 --> 00:57:43,480
Speaker 2: attaching everything to a battle and a fight and this that,

1331
00:57:43,480 --> 00:57:46,000
Speaker 2: and it's just like you know, I know we're gonna

1332
00:57:46,040 --> 00:57:49,240
Speaker 2: get bars and directed to certain people forever. And I

1333
00:57:49,280 --> 00:57:51,440
Speaker 2: think Drake that's just in the the zone he's in

1334
00:57:51,480 --> 00:57:53,480
Speaker 2: from here on out. He's not gonna forget certain things

1335
00:57:53,480 --> 00:57:55,720
Speaker 2: that you know was said and who said it. But

1336
00:57:56,760 --> 00:57:58,840
Speaker 2: I don't know if we ever get the battle like

1337
00:57:58,840 --> 00:58:01,440
Speaker 2: we got in April May June. I don't know if

1338
00:58:01,480 --> 00:58:03,240
Speaker 2: it looks like that. I think it's going to be

1339
00:58:03,560 --> 00:58:07,880
Speaker 2: dedicated to albums, dedicated to you know, songs, and that's

1340
00:58:07,920 --> 00:58:10,480
Speaker 2: just not going to be a whole you drop, I drop,

1341
00:58:10,560 --> 00:58:12,439
Speaker 2: you drop. I don't think we'll get it like that.

1342
00:58:12,680 --> 00:58:13,480
Speaker 1: I don't think so either.

1343
00:58:13,520 --> 00:58:15,600
Speaker 2: I think anything will really just be addressed on an

1344
00:58:15,600 --> 00:58:19,120
Speaker 2: album and if anything, Yeah, but I did see a

1345
00:58:19,120 --> 00:58:23,840
Speaker 2: lot of rumors that Kendrick is on the way, which

1346
00:58:23,880 --> 00:58:26,280
Speaker 2: I think is like Head has been dropping blue caps,

1347
00:58:26,640 --> 00:58:28,680
Speaker 2: but like five days behind everybody told me.

1348
00:58:29,120 --> 00:58:32,880
Speaker 1: But also what would be cap? I also think the

1349
00:58:33,000 --> 00:58:36,440
Speaker 1: Kendrick is coming prediction is also a weird one, like

1350
00:58:37,240 --> 00:58:40,080
Speaker 1: an A list artist isn't about to put out more music,

1351
00:58:40,520 --> 00:58:42,360
Speaker 1: like we know Kendrick is going to critiny to put

1352
00:58:42,360 --> 00:58:45,920
Speaker 1: out music, So either say a date or don't say anything.

1353
00:58:46,520 --> 00:58:49,560
Speaker 1: And also how could it be cap is DJ Head

1354
00:58:49,600 --> 00:58:51,240
Speaker 1: saying Kendrick's not putting music out.

1355
00:58:51,960 --> 00:58:55,080
Speaker 2: Ever, also to people that are saying things and saying

1356
00:58:55,080 --> 00:58:58,880
Speaker 2: that they spoke to Kendrick and you know something is

1357
00:58:58,920 --> 00:59:01,800
Speaker 2: on the way like immediately, like in the next couple

1358
00:59:01,840 --> 00:59:03,480
Speaker 2: of days. I think that's what DJ had is more

1359
00:59:03,480 --> 00:59:06,960
Speaker 2: so speaking to, like cut it out, because I'm obviously

1360
00:59:07,480 --> 00:59:09,720
Speaker 2: have a close d to the camp. I'm in communication

1361
00:59:09,880 --> 00:59:13,080
Speaker 2: and he probably knows that Kendrick is not even done

1362
00:59:13,080 --> 00:59:14,840
Speaker 2: with the project yet. Yeah.

1363
00:59:15,120 --> 00:59:17,240
Speaker 1: I also just feel like Kendrick doesn't speak to people

1364
00:59:17,720 --> 00:59:18,320
Speaker 1: like that at all.

1365
00:59:18,880 --> 00:59:21,760
Speaker 2: It speaks to not many, but he has his select

1366
00:59:21,800 --> 00:59:24,480
Speaker 2: few in his circle that he speaks to. And you know,

1367
00:59:24,600 --> 00:59:26,760
Speaker 2: I think Head has a has a has a has

1368
00:59:26,760 --> 00:59:28,720
Speaker 2: a finger on the post of that. I think he

1369
00:59:28,720 --> 00:59:31,720
Speaker 2: he knows directly when Kendrick is dropped.

1370
00:59:31,960 --> 00:59:36,520
Speaker 1: Yeah. I did want to see the Kanye concert stream

1371
00:59:37,000 --> 00:59:39,479
Speaker 1: in South Korea, but we just didn't have time because

1372
00:59:39,480 --> 00:59:45,840
Speaker 1: the set list looked fucking crazy. He started out mainly

1373
00:59:45,880 --> 00:59:51,000
Speaker 1: with new shit, but he went through a whole run

1374
00:59:51,080 --> 00:59:55,000
Speaker 1: from All Falls Down for the next two hours of

1375
00:59:55,080 --> 00:59:56,080
Speaker 1: just all classics.

1376
00:59:56,080 --> 00:59:58,600
Speaker 2: This was just he just wanted to do a random concert.

1377
00:59:58,920 --> 01:00:01,920
Speaker 1: Yeah, forty one thousand people in South Korea for the

1378
01:00:01,960 --> 01:00:02,520
Speaker 1: fuck of it.

1379
01:00:02,640 --> 01:00:03,080
Speaker 2: Insane.

1380
01:00:03,160 --> 01:00:05,600
Speaker 1: He even did four or five seconds, And I'm the

1381
01:00:05,600 --> 01:00:07,720
Speaker 1: only one that would would have sung along.

1382
01:00:11,000 --> 01:00:12,400
Speaker 2: That shit jam.

1383
01:00:12,240 --> 01:00:15,520
Speaker 1: Listen, mate, when you go start with all falls down.

1384
01:00:15,600 --> 01:00:17,840
Speaker 1: Jesus walks through the wire. Heard him say touch the Sky,

1385
01:00:17,880 --> 01:00:20,720
Speaker 1: gold Digger, Diamond's late, good morning, Stronger, I wonder good

1386
01:00:20,760 --> 01:00:24,640
Speaker 1: life can't tell me nothing, Flashing Lights, Homecoming, heartless Brown,

1387
01:00:25,160 --> 01:00:28,520
Speaker 1: all the Lights, Devil in a new dress, Runaway, hell

1388
01:00:28,560 --> 01:00:30,800
Speaker 1: of a Life, Mercy click on site, black skin had

1389
01:00:30,800 --> 01:00:33,720
Speaker 1: new slaves, blood on the leaves, bound to otis all

1390
01:00:33,840 --> 01:00:36,920
Speaker 1: day only one ultra light beams. Father stretched my arm.

1391
01:00:36,960 --> 01:00:39,760
Speaker 1: It just continues. This is like an this is insane.

1392
01:00:39,400 --> 01:00:43,240
Speaker 2: Sae catalog to run off like that, That's that's absolutely

1393
01:00:43,360 --> 01:00:46,200
Speaker 2: crazy that that artist. Those are his records.

1394
01:00:47,280 --> 01:00:52,400
Speaker 1: I don't know. Can anyone really see Kanye universes? Looking

1395
01:00:52,440 --> 01:00:55,520
Speaker 1: at this makes me think it he would be number one.

1396
01:00:57,120 --> 01:00:59,320
Speaker 2: I mean the only artist would be Drake.

1397
01:01:00,600 --> 01:01:02,480
Speaker 1: Yeah, but I mean we saw he already took that up.

1398
01:01:03,600 --> 01:01:05,320
Speaker 1: He just played over.

1399
01:01:06,160 --> 01:01:09,680
Speaker 2: So he said, South Korea forty what was this for?

1400
01:01:09,880 --> 01:01:12,240
Speaker 2: Because we know Kanye is very intentional, He's very everything

1401
01:01:12,320 --> 01:01:12,480
Speaker 2: is a.

1402
01:01:12,640 --> 01:01:15,640
Speaker 1: Well he started the show with fuck Adidas. So I

1403
01:01:15,680 --> 01:01:18,120
Speaker 1: think he just had some things on his mind. That's

1404
01:01:18,120 --> 01:01:20,840
Speaker 1: all that this was a fuck Adidas concert in South Korea. Yeah,

1405
01:01:20,840 --> 01:01:22,440
Speaker 1: he could have did that at like the Metal Lands.

1406
01:01:22,720 --> 01:01:24,000
Speaker 1: They probably got factories over there.

1407
01:01:24,320 --> 01:01:25,960
Speaker 2: I think that's more so what it is. I think

1408
01:01:26,000 --> 01:01:27,880
Speaker 2: I think he was definitely doing some close shit over

1409
01:01:27,960 --> 01:01:30,920
Speaker 2: It's a business move for sure for Kanye. He's definitely

1410
01:01:30,920 --> 01:01:33,240
Speaker 2: probably be in business with a manufacturer over there. Yo.

1411
01:01:33,400 --> 01:01:37,560
Speaker 1: And they they were making like fake leaked text message

1412
01:01:37,600 --> 01:01:40,200
Speaker 1: conversations that we're catching a lot of steam from like

1413
01:01:41,120 --> 01:01:45,760
Speaker 1: Twitter pages that post real facts between him and Playboy CARDI, like, Yo,

1414
01:01:45,880 --> 01:01:48,040
Speaker 1: I just got the pass for North Korea. You need

1415
01:01:48,040 --> 01:01:51,120
Speaker 1: to meet me now bring the laughing gas. Like people

1416
01:01:51,160 --> 01:01:56,480
Speaker 1: were really concerned, like, wait, Kanye got a North Korea pass?

1417
01:01:56,760 --> 01:01:57,640
Speaker 1: Hit Playboy CARDI.

1418
01:02:00,040 --> 01:02:01,840
Speaker 2: Certain shit is just like how do y'all come up

1419
01:02:01,880 --> 01:02:02,560
Speaker 2: with this? Ship man?

1420
01:02:03,080 --> 01:02:06,360
Speaker 1: Speaking of laughing gas? Did you see uh Danny Danny

1421
01:02:06,400 --> 01:02:09,320
Speaker 1: Lee Danny Lays Let Danny Lay get a duy that

1422
01:02:09,400 --> 01:02:10,080
Speaker 1: video footage?

1423
01:02:10,280 --> 01:02:10,440
Speaker 2: No?

1424
01:02:11,000 --> 01:02:14,000
Speaker 1: She uh, well, unfortunately hit somebody that was on a

1425
01:02:14,040 --> 01:02:16,840
Speaker 1: scooter in Miami with her range drover and they just

1426
01:02:16,920 --> 01:02:20,160
Speaker 1: kept driving gets pulled over, cops had the body came on.

1427
01:02:20,360 --> 01:02:22,760
Speaker 1: She said, I'm an artist, I'm a singer. You can't

1428
01:02:22,800 --> 01:02:27,480
Speaker 1: arrest me. She said that it's on camera.

1429
01:02:27,840 --> 01:02:30,160
Speaker 2: I'm an artist, I'm a singer. You can't arrest it.

1430
01:02:30,960 --> 01:02:33,640
Speaker 1: And the cops said, man, you hit somebody with a scooter.

1431
01:02:34,160 --> 01:02:34,920
Speaker 1: We can arrest you.

1432
01:02:36,040 --> 01:02:40,320
Speaker 2: She knows. You know, Michael Jackson got arrested before. This

1433
01:02:40,440 --> 01:02:43,040
Speaker 2: is the greatest artist ever. He got arrested. Danny Lay,

1434
01:02:43,040 --> 01:02:45,440
Speaker 2: you're coming with us. You're definitely getting arrested.

1435
01:02:45,760 --> 01:02:52,240
Speaker 1: A former president arrested. You think you're above You can't.

1436
01:02:52,880 --> 01:02:56,520
Speaker 2: They arrested doctor Martin Luther, the King. You're getting arrested. Man,

1437
01:02:56,640 --> 01:02:59,480
Speaker 2: are you crazy? And you hit somebody. It's not like

1438
01:02:59,480 --> 01:03:00,479
Speaker 2: they just pull you over.

1439
01:03:00,840 --> 01:03:03,040
Speaker 1: You hit somebody and they suffered from like a ruptured

1440
01:03:03,120 --> 01:03:06,040
Speaker 1: kidney and like a bolt. It was fucked up.

1441
01:03:06,440 --> 01:03:08,080
Speaker 2: Oh no, that's well, why didn't she stop?

1442
01:03:08,880 --> 01:03:10,600
Speaker 1: She was probably so drunk she didn't even realize she

1443
01:03:10,640 --> 01:03:10,880
Speaker 1: did it.

1444
01:03:11,400 --> 01:03:12,120
Speaker 2: That's what I'm guess.

1445
01:03:12,840 --> 01:03:14,880
Speaker 1: Because there was no footage of the actual hit and run,

1446
01:03:15,200 --> 01:03:15,960
Speaker 1: just the body.

1447
01:03:15,960 --> 01:03:17,640
Speaker 2: Can footage of the cops pulling over.

1448
01:03:17,760 --> 01:03:20,160
Speaker 1: Yeah, but like a mile down the road from where

1449
01:03:20,160 --> 01:03:22,920
Speaker 1: the scooter shit was Yeah, that was that was funny.

1450
01:03:23,160 --> 01:03:26,000
Speaker 2: I still don't understand how people get DUIs now. I mean,

1451
01:03:27,480 --> 01:03:30,080
Speaker 2: if you know your if you know you're got.

1452
01:03:30,120 --> 01:03:32,800
Speaker 1: When I got a duy, well it got thrown out,

1453
01:03:32,840 --> 01:03:35,520
Speaker 1: but there was no ubers exactly.

1454
01:03:35,760 --> 01:03:38,000
Speaker 2: Now it's like, bro, you can leave the car here,

1455
01:03:38,080 --> 01:03:39,680
Speaker 2: like you can come back and get the car tomorrow.

1456
01:03:39,720 --> 01:03:43,880
Speaker 2: Like getting the dui now is just such an irresponsible thing.

1457
01:03:44,240 --> 01:03:46,080
Speaker 2: Like what the and literally call a car that can

1458
01:03:46,120 --> 01:03:47,560
Speaker 2: pick you up from anywhere, and.

1459
01:03:47,480 --> 01:03:50,720
Speaker 1: You're also in Miami. You can't even walk out a

1460
01:03:50,720 --> 01:03:53,640
Speaker 1: restaurant without a car. You need to ride.

1461
01:03:54,040 --> 01:03:56,440
Speaker 2: It's just crazy, man. But hopefully whoever was hit by

1462
01:03:56,560 --> 01:03:59,000
Speaker 2: you know, the vehicle is okay, a ruptured you said, Kidney.

1463
01:03:59,160 --> 01:04:00,000
Speaker 1: I believe that's what it was.

1464
01:04:00,400 --> 01:04:03,320
Speaker 2: Man. Yeah, that's that's crazy. Is she so she's facing

1465
01:04:03,360 --> 01:04:04,080
Speaker 2: dui charges?

1466
01:04:04,600 --> 01:04:06,960
Speaker 1: Yeah, I'm not sure. If I'm sure there's gonna be.

1467
01:04:07,000 --> 01:04:09,640
Speaker 2: More reckless hit and run.

1468
01:04:09,640 --> 01:04:12,360
Speaker 1: Do you are endangerment? I'm sure all that ship is

1469
01:04:12,360 --> 01:04:15,520
Speaker 1: is there. But all right, let's get to voicemails.

1470
01:04:15,600 --> 01:04:16,400
Speaker 2: You've got mail.

1471
01:04:17,240 --> 01:04:19,160
Speaker 1: We have to go back to the old pod in

1472
01:04:19,240 --> 01:04:21,520
Speaker 1: days with headphones on here. I haven't it's been a while.

1473
01:04:21,560 --> 01:04:23,640
Speaker 1: Since I put these put the cans on.

1474
01:04:24,920 --> 01:04:25,720
Speaker 2: Put the cans.

1475
01:04:27,280 --> 01:04:30,480
Speaker 1: So we have our first voicemail. Does not want to

1476
01:04:30,520 --> 01:04:32,160
Speaker 1: be anonymous, So this is Seth.

1477
01:04:32,480 --> 01:04:35,560
Speaker 3: What's a big fan of pot? Always have been. My

1478
01:04:35,640 --> 01:04:38,960
Speaker 3: name is Satham from Raleigh, North Carolina. Yeah, let's get

1479
01:04:38,960 --> 01:04:42,200
Speaker 3: into it. So bow, I'm a single dad, Me and

1480
01:04:42,200 --> 01:04:45,760
Speaker 3: my BM separated or whatever. She you know, went one way,

1481
01:04:45,800 --> 01:04:48,360
Speaker 3: I went a different way. I found out she was

1482
01:04:48,360 --> 01:04:50,960
Speaker 3: on drugs. She odd it from my son and her mom.

1483
01:04:51,000 --> 01:04:53,640
Speaker 3: Thank god her mom was there. Blah blah blah. Put

1484
01:04:53,680 --> 01:04:56,840
Speaker 3: restraints on her as far as far as my son,

1485
01:04:57,000 --> 01:05:02,080
Speaker 3: and then she got better for the court blah blah blah. Yeah, later, boom,

1486
01:05:02,160 --> 01:05:05,480
Speaker 3: she fucking runs into a tree. Apparently she's on drugs

1487
01:05:05,840 --> 01:05:09,640
Speaker 3: in the car with my son. So then, yeah, of

1488
01:05:09,680 --> 01:05:12,200
Speaker 3: course I did not let her see her like that.

1489
01:05:12,360 --> 01:05:14,880
Speaker 3: You know, she had superprise visits a few hours with

1490
01:05:14,960 --> 01:05:17,959
Speaker 3: her mom on the weekend. Boom, her mom. She started

1491
01:05:17,960 --> 01:05:20,800
Speaker 3: willowing her mom and got no restraints on her. She

1492
01:05:20,960 --> 01:05:22,440
Speaker 3: trying to get a nigga to threaten me.

1493
01:05:22,600 --> 01:05:23,160
Speaker 2: Da da dah.

1494
01:05:23,760 --> 01:05:25,720
Speaker 3: I'm not playing like that because I'll have to kill

1495
01:05:25,720 --> 01:05:27,640
Speaker 3: a nigga for my son. So no, you can't see

1496
01:05:27,680 --> 01:05:30,440
Speaker 3: your child, Boom. She hadn't seen him in like six months.

1497
01:05:30,480 --> 01:05:32,080
Speaker 3: She don't even call this nigga for too muchs. She

1498
01:05:32,080 --> 01:05:34,480
Speaker 3: don't call him her son. So anyways, Boom, I'm trying

1499
01:05:34,480 --> 01:05:35,760
Speaker 3: to get her to be able to see him. I

1500
01:05:35,840 --> 01:05:37,320
Speaker 3: just don't want my son to have to go to

1501
01:05:37,360 --> 01:05:40,440
Speaker 3: a facility being watched. And you know what I'm saying,

1502
01:05:40,480 --> 01:05:43,160
Speaker 3: it's weird. But also I don't want my son to

1503
01:05:43,760 --> 01:05:46,440
Speaker 3: be in public with a stranger, you know what I'm saying.

1504
01:05:46,680 --> 01:05:48,240
Speaker 3: And it's just like because I told her, I just

1505
01:05:48,280 --> 01:05:50,040
Speaker 3: don't want to facilitate this shit because you had me

1506
01:05:50,120 --> 01:05:51,720
Speaker 3: ended up killing a nigga. You know what I'm saying.

1507
01:05:51,720 --> 01:05:54,320
Speaker 3: This is not so I'm in a rock and hard place.

1508
01:05:54,360 --> 01:05:56,520
Speaker 3: I'm just an entrepreneur trying to do right, take care

1509
01:05:56,520 --> 01:05:59,200
Speaker 3: his son every day. You know what I'm saying. It's

1510
01:05:59,280 --> 01:06:01,480
Speaker 3: I'm different. She went one way out what a different way?

1511
01:06:01,480 --> 01:06:02,120
Speaker 3: And please help me?

1512
01:06:03,280 --> 01:06:06,400
Speaker 1: Well, I mean I'll start with that's a very unfortunate situation.

1513
01:06:06,480 --> 01:06:10,440
Speaker 1: That's that's very fucked up. Yeah, but this is where

1514
01:06:10,720 --> 01:06:13,840
Speaker 1: the court system I think would they have be in

1515
01:06:13,880 --> 01:06:15,760
Speaker 1: his a man's favor for once?

1516
01:06:15,880 --> 01:06:16,920
Speaker 2: Yeah, And if it.

1517
01:06:17,000 --> 01:06:20,400
Speaker 1: Does take those supervised visits. But in the beginning, I

1518
01:06:20,400 --> 01:06:23,240
Speaker 1: think it's super necessary. Even when she's getting clean, she's

1519
01:06:23,280 --> 01:06:25,640
Speaker 1: still running into trees on drugs.

1520
01:06:25,920 --> 01:06:29,160
Speaker 2: It's so, you know, when you start talking about parents

1521
01:06:29,200 --> 01:06:32,400
Speaker 2: having an addiction problem, and you know, this is a

1522
01:06:32,480 --> 01:06:34,600
Speaker 2: unique situation because the father, you know, a lot of

1523
01:06:34,680 --> 01:06:37,320
Speaker 2: times we see it it's the dad that has issue.

1524
01:06:37,800 --> 01:06:40,400
Speaker 2: But growing up in my own family, I know that

1525
01:06:40,560 --> 01:06:43,640
Speaker 2: a lot of the times the moms have fictions as well.

1526
01:06:44,360 --> 01:06:46,160
Speaker 2: It's just like you said, it's probably gonna have to

1527
01:06:46,200 --> 01:06:47,920
Speaker 2: go through the courts to let the courts handle that.

1528
01:06:47,960 --> 01:06:50,360
Speaker 2: It's tough because he does sound like the type of

1529
01:06:50,440 --> 01:06:52,280
Speaker 2: dad that I don't want to keep my child from

1530
01:06:52,320 --> 01:06:54,520
Speaker 2: his mom. I want him to have a relationship with

1531
01:06:54,560 --> 01:06:57,920
Speaker 2: his mother, but it's I don't think it's safe. I

1532
01:06:57,960 --> 01:07:01,280
Speaker 2: definitely don't want him around any of the guys, yeah,

1533
01:07:01,400 --> 01:07:05,280
Speaker 2: that she's dealing with. So yeah, man, it sounds like

1534
01:07:05,320 --> 01:07:08,240
Speaker 2: you're gonna literally have to take this, take this to

1535
01:07:08,280 --> 01:07:10,560
Speaker 2: the courts, and and and and play this thing a

1536
01:07:10,560 --> 01:07:15,480
Speaker 2: by the books because it's a very unfortunate situation. But

1537
01:07:15,520 --> 01:07:17,800
Speaker 2: at the same time, the kid is the priority. The

1538
01:07:17,880 --> 01:07:21,240
Speaker 2: safety of the child, no matter what you feel towards

1539
01:07:21,240 --> 01:07:22,880
Speaker 2: your baby mother and things like that. That's to the

1540
01:07:22,920 --> 01:07:25,920
Speaker 2: back burner. The child has to be safe, and you

1541
01:07:25,960 --> 01:07:27,640
Speaker 2: want it to be a type of environment where it's

1542
01:07:27,720 --> 01:07:30,960
Speaker 2: you know, it's healthy, Uh, it's loving. The kid doesn't

1543
01:07:30,960 --> 01:07:34,200
Speaker 2: feel any remnants of any drug addictions and any problems

1544
01:07:34,280 --> 01:07:36,720
Speaker 2: or issues that you and your your child's mother may have.

1545
01:07:36,800 --> 01:07:38,800
Speaker 2: So yeah, you gotta play this one by the book.

1546
01:07:38,880 --> 01:07:40,640
Speaker 2: Don't don't. You can't fucking around with this one.

1547
01:07:40,520 --> 01:07:43,280
Speaker 1: And the court system will force her to choose her

1548
01:07:43,360 --> 01:07:45,960
Speaker 1: kid or drugs because they're gonna so you're gonna have

1549
01:07:45,960 --> 01:07:47,440
Speaker 1: to pass a drug test to even get out of

1550
01:07:47,480 --> 01:07:51,680
Speaker 1: supervisor visits or anything like that. So yeah, it's I know,

1551
01:07:51,720 --> 01:07:53,880
Speaker 1: it's fucked up because now you gotta think your son

1552
01:07:54,000 --> 01:07:55,640
Speaker 1: is gonna have to go to the court and sit

1553
01:07:55,720 --> 01:07:59,520
Speaker 1: with somebody there. Like it's a really weird experience to

1554
01:07:59,520 --> 01:08:01,840
Speaker 1: put a kid through, But I can't think of another

1555
01:08:01,880 --> 01:08:02,840
Speaker 1: option outside of that.

1556
01:08:02,840 --> 01:08:04,480
Speaker 2: You keep the kids safe. Whatever you gotta do to

1557
01:08:04,520 --> 01:08:07,000
Speaker 2: keep that child safe. You know, play about the book,

1558
01:08:07,480 --> 01:08:08,400
Speaker 2: do things the right way.

1559
01:08:09,880 --> 01:08:10,960
Speaker 1: Let's get to the next one.

1560
01:08:11,360 --> 01:08:14,920
Speaker 2: Get the cans back on, cans loaded, turn me up

1561
01:08:14,920 --> 01:08:18,240
Speaker 2: in my headphones, y'all.

1562
01:08:18,280 --> 01:08:21,680
Speaker 4: It was good, Josh Boy Young and Miyagi. One of

1563
01:08:21,720 --> 01:08:24,760
Speaker 4: the apps that a roar More group page on Facebook

1564
01:08:25,080 --> 01:08:27,960
Speaker 4: shot a baby d already know. We was having a

1565
01:08:28,080 --> 01:08:31,639
Speaker 4: discussion about jay Z and the button up jeans era

1566
01:08:32,320 --> 01:08:36,040
Speaker 4: and somebody said that he stole that swag from Tim Duncan.

1567
01:08:38,200 --> 01:08:41,240
Speaker 4: Tim Duncan's the pioneer and jay Z saw it and

1568
01:08:41,360 --> 01:08:44,679
Speaker 4: then the rest is history. Maul, I know you from

1569
01:08:44,760 --> 01:08:47,800
Speaker 4: that era and you was actually vast, So we want

1570
01:08:47,840 --> 01:08:50,200
Speaker 4: to know is that true? Did jay Z really get

1571
01:08:50,280 --> 01:08:51,599
Speaker 4: the swag from Tim Duncan?

1572
01:08:52,880 --> 01:08:53,000
Speaker 3: Uh?

1573
01:08:53,439 --> 01:08:56,120
Speaker 4: You ready know shouts everybody loves love.

1574
01:08:57,720 --> 01:08:59,840
Speaker 2: Saying that Jay stole Tim duncan swag.

1575
01:09:00,600 --> 01:09:03,839
Speaker 1: D Tim Duncan being one of the worst dress basketball

1576
01:09:03,840 --> 01:09:07,360
Speaker 1: players of all time ever is insane, But he kind

1577
01:09:07,400 --> 01:09:07,960
Speaker 1: of has a point.

1578
01:09:08,040 --> 01:09:11,920
Speaker 2: No, I would have to because for a while Tim

1579
01:09:12,000 --> 01:09:14,479
Speaker 2: Duncan was giving us T shirt, sandals and Jeanie shorts.

1580
01:09:15,120 --> 01:09:16,040
Speaker 2: Jay never gave us that.

1581
01:09:16,760 --> 01:09:18,840
Speaker 1: Yay he did when when Cam called him out he

1582
01:09:18,840 --> 01:09:21,200
Speaker 1: didn't have gene shorts in New York franchise.

1583
01:09:21,800 --> 01:09:23,479
Speaker 2: Yeah, but he was on the beach, so that's that's

1584
01:09:23,560 --> 01:09:26,519
Speaker 2: that's fair. But I think I think I think Tim

1585
01:09:26,800 --> 01:09:30,200
Speaker 2: might have got that from j or I think that

1586
01:09:30,320 --> 01:09:33,639
Speaker 2: was around the time where the NBA stressed that dress

1587
01:09:33,680 --> 01:09:35,439
Speaker 2: code and you had to wear a college shirt, because

1588
01:09:35,439 --> 01:09:36,600
Speaker 2: I remember that they they did that.

1589
01:09:36,640 --> 01:09:38,640
Speaker 1: After a while it was like because of Iverson.

1590
01:09:38,760 --> 01:09:41,400
Speaker 2: Well because of Iverson for sure, but they had got

1591
01:09:41,439 --> 01:09:43,200
Speaker 2: a little lax at the point. But then it was like,

1592
01:09:43,240 --> 01:09:46,880
Speaker 2: all right, college shirt, whether it's a polo, it doesn't

1593
01:09:46,880 --> 01:09:48,600
Speaker 2: have to be the full button up, long sleeve. It

1594
01:09:48,600 --> 01:09:51,040
Speaker 2: could be a nice polo shirt with some jeans. So

1595
01:09:51,120 --> 01:09:52,559
Speaker 2: I think that was around the time. That was around

1596
01:09:52,600 --> 01:09:54,639
Speaker 2: two thousand and five, two thousand and six.

1597
01:09:56,040 --> 01:09:57,400
Speaker 1: Did they all get it from Jordan?

1598
01:09:57,479 --> 01:10:01,519
Speaker 2: Though Jordan will full suits. You never seen Michael Jordan

1599
01:10:01,560 --> 01:10:02,839
Speaker 2: show up to the game with jeans.

1600
01:10:02,680 --> 01:10:05,719
Speaker 1: Onna, but we saw photos of him with the worst

1601
01:10:05,800 --> 01:10:09,599
Speaker 1: oversized button up shirts and the back of Mike that's

1602
01:10:09,600 --> 01:10:11,120
Speaker 1: what he's wearing current four.

1603
01:10:11,200 --> 01:10:11,360
Speaker 3: Yeah.

1604
01:10:11,400 --> 01:10:12,720
Speaker 2: Yeah, he's still baggy.

1605
01:10:12,720 --> 01:10:14,559
Speaker 1: But he I feel like he was wearing that ship

1606
01:10:14,600 --> 01:10:17,960
Speaker 1: before Tim and j Yeah, but we never looked even crazier.

1607
01:10:18,320 --> 01:10:20,840
Speaker 2: Yeah, but I never I can't remember seeing Mike in

1608
01:10:20,960 --> 01:10:23,400
Speaker 2: the nineties with jeans and a button up I can't

1609
01:10:23,439 --> 01:10:26,200
Speaker 2: remember that. But I do think that the dress code

1610
01:10:26,600 --> 01:10:30,000
Speaker 2: and Tim Duncan wearing a button up shirt. I think

1611
01:10:30,840 --> 01:10:32,720
Speaker 2: I think I think Jay might have been doing it

1612
01:10:33,400 --> 01:10:37,200
Speaker 2: before the NBA made it a thing. I think so

1613
01:10:38,479 --> 01:10:40,439
Speaker 2: was that when when did the S dot Carters come out?

1614
01:10:41,640 --> 01:10:45,760
Speaker 2: Oh three, Yeah, it might have been right around something

1615
01:10:45,840 --> 01:10:48,760
Speaker 2: like that might have been right around that time. He

1616
01:10:48,840 --> 01:10:51,000
Speaker 2: thought he thought that would lay better with the S Carters.

1617
01:10:53,040 --> 01:10:55,439
Speaker 2: I mean, I don't know, man, back then, it was

1618
01:10:55,520 --> 01:10:58,200
Speaker 2: just nasty decisions was being made. When you look at

1619
01:10:58,200 --> 01:10:59,679
Speaker 2: the fashion back in early two thousands.

1620
01:10:59,720 --> 01:11:03,639
Speaker 1: Was that like an announcement amongst the crew, like we're

1621
01:11:03,720 --> 01:11:05,479
Speaker 1: not wearing throws anymore?

1622
01:11:05,960 --> 01:11:08,720
Speaker 2: That was just Jay said it one day and it

1623
01:11:08,880 --> 01:11:10,120
Speaker 2: was like, Okay, that's what you're on.

1624
01:11:10,320 --> 01:11:10,559
Speaker 3: Cool.

1625
01:11:10,640 --> 01:11:14,240
Speaker 2: But I think I may have done that maybe once

1626
01:11:14,600 --> 01:11:16,120
Speaker 2: at a party, Like it was like a girl was

1627
01:11:16,160 --> 01:11:18,920
Speaker 2: having like a sweet sixteen or something, and I think

1628
01:11:18,920 --> 01:11:21,160
Speaker 2: I threw on a button it with some jeans and

1629
01:11:21,280 --> 01:11:22,680
Speaker 2: I was just like, looking back, I was like, this

1630
01:11:22,840 --> 01:11:25,720
Speaker 2: is the nastiest outfit choice probably ever.

1631
01:11:26,080 --> 01:11:26,880
Speaker 1: Oh, I mean we were.

1632
01:11:27,560 --> 01:11:30,160
Speaker 2: We took it to another level. We had the blazer, Yeah,

1633
01:11:30,320 --> 01:11:32,400
Speaker 2: that was crazy with the jeans and the button up.

1634
01:11:32,479 --> 01:11:34,439
Speaker 1: Yeah. He tried to take like the neo soul look

1635
01:11:34,880 --> 01:11:40,080
Speaker 1: and make it pop. Yeah, he was definitely like we

1636
01:11:40,160 --> 01:11:42,840
Speaker 1: were talking about the Eric Robinson special, like Usher tried

1637
01:11:42,880 --> 01:11:45,080
Speaker 1: to make that cool for pop stars. Yeah, and then

1638
01:11:45,160 --> 01:11:46,680
Speaker 1: Ryan Leslie took it and I think it was over

1639
01:11:46,760 --> 01:11:47,040
Speaker 1: after that.

1640
01:11:47,280 --> 01:11:51,240
Speaker 2: Yeah, But saying that Tim Duncan despite Jay's like fashion

1641
01:11:51,400 --> 01:11:52,519
Speaker 2: is fucking hilarious.

1642
01:11:52,800 --> 01:11:55,640
Speaker 1: We were heavy on the button up shit, like we

1643
01:11:55,760 --> 01:11:57,720
Speaker 1: really just listened to whatever Jay was said.

1644
01:11:58,200 --> 01:11:59,840
Speaker 2: It was a time where that he was probably the

1645
01:12:00,080 --> 01:12:03,200
Speaker 2: most influential when it came to fashion as far as

1646
01:12:03,280 --> 01:12:03,920
Speaker 2: hip hop. For sure.

1647
01:12:04,200 --> 01:12:05,679
Speaker 1: It was just fucked up to do to the kids,

1648
01:12:05,800 --> 01:12:08,120
Speaker 1: like how expensive throwbacks were, and it was like, we're

1649
01:12:08,160 --> 01:12:08,880
Speaker 1: not doing that no more.

1650
01:12:09,560 --> 01:12:11,599
Speaker 2: I got a whole closet for I got tags still

1651
01:12:11,640 --> 01:12:14,240
Speaker 2: on them, like you're not doing these no moreties out players.

1652
01:12:14,240 --> 01:12:16,360
Speaker 1: I don't even know. It was just it was just

1653
01:12:16,439 --> 01:12:18,320
Speaker 1: a throwback Nuggets Jersey, I don't know who the fuck

1654
01:12:18,360 --> 01:12:18,600
Speaker 1: this is.

1655
01:12:18,880 --> 01:12:22,479
Speaker 2: The early two thousands fashion was like looking it was nasty,

1656
01:12:22,640 --> 01:12:23,960
Speaker 2: man nasty.

1657
01:12:24,040 --> 01:12:27,519
Speaker 1: Probably the worst outside of like that O nine rock

1658
01:12:27,600 --> 01:12:31,519
Speaker 1: star era that was by far the worst. That was

1659
01:12:31,600 --> 01:12:34,840
Speaker 1: the Ed Hardy Yeah, that to be Dutch, probably the

1660
01:12:34,880 --> 01:12:38,479
Speaker 1: worst era ever. Once we tried to like tighten up everything,

1661
01:12:38,840 --> 01:12:40,640
Speaker 1: it was bad, a lot of bright colors, a lot

1662
01:12:40,680 --> 01:12:42,760
Speaker 1: of nasty, nasty times, a lot.

1663
01:12:42,680 --> 01:12:45,400
Speaker 2: Of shot Christian what is it Christian order? J Yes,

1664
01:12:46,520 --> 01:12:47,880
Speaker 2: that was you look like you look like you had

1665
01:12:47,880 --> 01:12:50,920
Speaker 2: a bunch of Christians for that ship. Oh okay, Yeah,

1666
01:12:50,960 --> 01:12:52,120
Speaker 2: he was a little too young back then.

1667
01:12:52,640 --> 01:12:54,479
Speaker 1: Also, I never wore at Hardy. I would have, I

1668
01:12:54,600 --> 01:12:54,920
Speaker 1: just didn't.

1669
01:12:55,640 --> 01:12:57,320
Speaker 2: Davon Dutch has is trying to make a comeback.

1670
01:12:57,439 --> 01:12:58,200
Speaker 1: I think they did.

1671
01:12:58,360 --> 01:13:00,320
Speaker 2: I see some girls online winning like they they look

1672
01:13:00,360 --> 01:13:01,760
Speaker 2: good with the Von Dutch trucker.

1673
01:13:02,080 --> 01:13:04,040
Speaker 1: Yeah, trucker hats in general. I feel like ConA made

1674
01:13:04,040 --> 01:13:04,360
Speaker 1: a comeback.

1675
01:13:04,600 --> 01:13:05,040
Speaker 2: No, for sure.

1676
01:13:05,920 --> 01:13:08,439
Speaker 1: It's crazy that all right, So it's Tim Duncan for that.

1677
01:13:08,960 --> 01:13:10,960
Speaker 1: Do we give Ashton Kutcher all the credit for the

1678
01:13:11,080 --> 01:13:12,000
Speaker 1: Von Dutch era.

1679
01:13:13,200 --> 01:13:14,800
Speaker 2: I like to go to my guys that you know,

1680
01:13:15,000 --> 01:13:17,360
Speaker 2: I'm a Duck Dynasty watcher man. They had trucker hats,

1681
01:13:18,920 --> 01:13:20,880
Speaker 2: you know, I'll be on my Duck Dynasty binge mode

1682
01:13:20,920 --> 01:13:23,840
Speaker 2: sometimes and they got a plethora of truck it hats

1683
01:13:23,880 --> 01:13:25,280
Speaker 2: that they wear down there in the Deep South.

1684
01:13:25,520 --> 01:13:28,160
Speaker 1: Yeah, because I feel like punks really put those hats

1685
01:13:28,160 --> 01:13:32,400
Speaker 1: on the on the mat. It was. It was one

1686
01:13:32,479 --> 01:13:34,479
Speaker 1: season of punk and then in the summer I went

1687
01:13:34,479 --> 01:13:37,920
Speaker 1: to the Jersey Shore and they were every shelf. That

1688
01:13:38,000 --> 01:13:39,920
Speaker 1: ship was every one like you could you know, the

1689
01:13:40,000 --> 01:13:42,280
Speaker 1: games at the Jersey Shore, Yeah, you could like win

1690
01:13:42,680 --> 01:13:45,759
Speaker 1: a bond Dutch like it used to be, like scooters

1691
01:13:45,800 --> 01:13:47,520
Speaker 1: and bikes and paintball.

1692
01:13:47,120 --> 01:13:49,519
Speaker 2: Guns the way Von Dutch Trucker had hit tonight.

1693
01:13:49,760 --> 01:13:51,320
Speaker 1: That would have been fun to talk to Vinnie about

1694
01:13:51,960 --> 01:13:55,559
Speaker 1: just that fashion era, because that was again like oh nine,

1695
01:13:56,600 --> 01:14:01,320
Speaker 1: it didn't matter the Italian whites, regular white black people all.

1696
01:14:01,240 --> 01:14:03,280
Speaker 2: Dressed you ever went outside like on a regular day

1697
01:14:03,280 --> 01:14:05,960
Speaker 2: and just had like a wrist band on your own up.

1698
01:14:06,080 --> 01:14:10,680
Speaker 1: For a couple of years, I used to wear headbands

1699
01:14:10,800 --> 01:14:14,879
Speaker 1: and I wasn't sweating for no for no athletic reason whatsoever.

1700
01:14:16,560 --> 01:14:18,120
Speaker 2: It was some nasty times, man.

1701
01:14:18,320 --> 01:14:21,599
Speaker 1: I hated going to church. But when I was siding

1702
01:14:21,600 --> 01:14:24,760
Speaker 1: one of those what would Jesus do things, I was

1703
01:14:24,840 --> 01:14:27,080
Speaker 1: asking my mom and she was like, why do you

1704
01:14:27,160 --> 01:14:27,400
Speaker 1: want that?

1705
01:14:27,600 --> 01:14:27,800
Speaker 2: Yeah?

1706
01:14:27,840 --> 01:14:29,040
Speaker 1: I was like, oh no, because you know, I think

1707
01:14:29,080 --> 01:14:30,680
Speaker 1: it'd be good at church to wear that lion like

1708
01:14:32,600 --> 01:14:34,080
Speaker 1: and then you know, I matched it with a rubber band.

1709
01:14:34,160 --> 01:14:37,439
Speaker 2: You have to naturally they rubber bands on your wrist

1710
01:14:37,479 --> 01:14:39,640
Speaker 2: at church. Where are you going? Yo?

1711
01:14:39,760 --> 01:14:42,760
Speaker 1: I had a leg sleeve at one point, like just

1712
01:14:42,840 --> 01:14:46,200
Speaker 1: walking around. Yeah, like if I were if I was

1713
01:14:46,240 --> 01:14:49,400
Speaker 1: pairing it with like basketball shorts. Yeah, that was that

1714
01:14:49,520 --> 01:14:49,920
Speaker 1: was a time.

1715
01:14:50,560 --> 01:14:51,800
Speaker 2: I know what legs.

1716
01:14:53,960 --> 01:14:57,680
Speaker 1: Like Angel reaes, I'm the Tim Duncan of angels.

1717
01:14:59,160 --> 01:15:02,760
Speaker 2: You fi, that's your walking around with a legs lead.

1718
01:15:02,880 --> 01:15:05,120
Speaker 1: You know. It was the sickest thing. And I did

1719
01:15:05,200 --> 01:15:07,479
Speaker 1: it for a little bit, but I could not play

1720
01:15:07,520 --> 01:15:10,920
Speaker 1: basketball when they had the sweat finger things. That was

1721
01:15:11,000 --> 01:15:14,640
Speaker 1: the sickest trend ever, like cool risk whatever? Why were they?

1722
01:15:14,960 --> 01:15:19,880
Speaker 2: Why were people putting wristbands on their fingers? Ivercent had

1723
01:15:20,400 --> 01:15:23,720
Speaker 2: was famous for that, but that was a regiment tape

1724
01:15:23,760 --> 01:15:25,120
Speaker 2: his fingers. He used to tape his fingers.

1725
01:15:25,160 --> 01:15:27,280
Speaker 1: Tape is one thing, but the actual like headband and

1726
01:15:27,360 --> 01:15:29,760
Speaker 1: wristband cloth. How do you shoot with that on?

1727
01:15:30,040 --> 01:15:31,920
Speaker 2: Yeah? I didn't. I didn't understand how you dribble with

1728
01:15:32,479 --> 01:15:35,360
Speaker 2: that like wrisk band on your fingers. But Regimller did

1729
01:15:35,400 --> 01:15:38,000
Speaker 2: it to tape his his fingers so that his file

1730
01:15:38,080 --> 01:15:40,200
Speaker 2: doing his form on his shot was like consistent all

1731
01:15:40,240 --> 01:15:40,519
Speaker 2: the time.

1732
01:15:40,960 --> 01:15:43,160
Speaker 1: It is interesting that he brought up Tim Duncan, even

1733
01:15:43,160 --> 01:15:45,639
Speaker 1: though that was funny. He does raise a point though,

1734
01:15:46,080 --> 01:15:49,599
Speaker 1: with basketball used to like really set trends with fashion,

1735
01:15:50,160 --> 01:15:52,240
Speaker 1: I don't think that happens anymore. Like when was the

1736
01:15:52,320 --> 01:15:55,320
Speaker 1: last time a basketball player really set a fashion trend?

1737
01:15:57,520 --> 01:16:00,320
Speaker 2: The last time a basketball players set a fact? That's

1738
01:16:00,360 --> 01:16:04,320
Speaker 2: a great question. It's different now, man, because we don't

1739
01:16:04,439 --> 01:16:06,240
Speaker 2: we get so many We get to look at so

1740
01:16:06,320 --> 01:16:09,080
Speaker 2: many different people in so many different spaces with with

1741
01:16:09,240 --> 01:16:12,479
Speaker 2: social media and things like that, so the inspiration comes

1742
01:16:12,520 --> 01:16:14,479
Speaker 2: from so many different places. Before, you know, you looked

1743
01:16:14,520 --> 01:16:18,599
Speaker 2: at the athletes for inspiration, but now you can look

1744
01:16:18,600 --> 01:16:22,559
Speaker 2: at just a local guy in California that's just fashion

1745
01:16:22,560 --> 01:16:24,439
Speaker 2: and will be like, I like the way he put

1746
01:16:24,520 --> 01:16:26,240
Speaker 2: that together, or somebody from New York. Like, you don't

1747
01:16:26,240 --> 01:16:28,160
Speaker 2: have to look at just the public figures anymore. You

1748
01:16:28,200 --> 01:16:30,760
Speaker 2: can look at random people in different cities that just

1749
01:16:30,840 --> 01:16:32,120
Speaker 2: know how to put outfits together.

1750
01:16:32,280 --> 01:16:36,040
Speaker 1: And I mean even you know, Iverson was obviously getting

1751
01:16:36,080 --> 01:16:38,479
Speaker 1: his fashion from the culture, like it wasn't he wasn't

1752
01:16:38,479 --> 01:16:40,280
Speaker 1: just coming up with all of that. But I think

1753
01:16:40,360 --> 01:16:43,040
Speaker 1: even on the court he was setting fashion trends. Like

1754
01:16:43,120 --> 01:16:47,400
Speaker 1: my dumb ass wearing what would Jesus get shit? Stupid headbands?

1755
01:16:47,800 --> 01:16:49,960
Speaker 1: I have not seen a basketball player do that, and

1756
01:16:50,680 --> 01:16:54,120
Speaker 1: maybe Bron is going to sound like a weird take

1757
01:16:54,240 --> 01:16:56,680
Speaker 1: Bron with doing the shorter shorts.

1758
01:16:57,240 --> 01:16:59,519
Speaker 2: And that wasn't even a Bron thing. I don't think

1759
01:16:59,560 --> 01:17:02,200
Speaker 2: Bron was the first person to do the shorter show.

1760
01:17:02,280 --> 01:17:04,000
Speaker 1: He was definitely the first because if you.

1761
01:17:04,000 --> 01:17:05,400
Speaker 2: Look at Broun when he came in the league, he

1762
01:17:05,439 --> 01:17:06,919
Speaker 2: had very both short because.

1763
01:17:06,680 --> 01:17:07,960
Speaker 1: He came in in three one.

1764
01:17:08,240 --> 01:17:08,760
Speaker 2: That was the thing.

1765
01:17:09,560 --> 01:17:10,880
Speaker 1: But he was the first one to get like a

1766
01:17:10,920 --> 01:17:14,160
Speaker 1: tailored uniform. And then I saw a lot of even

1767
01:17:14,240 --> 01:17:17,400
Speaker 1: like college teams starting to like get shorts that like

1768
01:17:17,520 --> 01:17:18,320
Speaker 1: really really fit.

1769
01:17:18,880 --> 01:17:21,320
Speaker 2: I don't know if it was Braun though, I think

1770
01:17:24,800 --> 01:17:31,519
Speaker 2: I'm gonna be honest, I might give that the tailoring form.

1771
01:17:31,560 --> 01:17:34,120
Speaker 2: I might go to the Warriors. I think Stephan Clay

1772
01:17:34,160 --> 01:17:37,439
Speaker 2: were because it was one time they wore the NBA

1773
01:17:37,600 --> 01:17:40,680
Speaker 2: was like flirting with the shirt tops. It kind of

1774
01:17:41,200 --> 01:17:43,160
Speaker 2: like the shirt like the top and the shorts. It

1775
01:17:43,200 --> 01:17:45,080
Speaker 2: looked like it was connected. Yeah, I was like these

1776
01:17:45,160 --> 01:17:48,439
Speaker 2: niggas win Leo Tahs. Now, Yeah, that was weird. But

1777
01:17:48,520 --> 01:17:50,760
Speaker 2: I think that players just adopted went back to the

1778
01:17:50,840 --> 01:17:56,200
Speaker 2: shorter shorts. Uh after that. I think after the uniform started,

1779
01:17:56,439 --> 01:17:58,960
Speaker 2: they started tweaking the uniforms in the NBA, I think

1780
01:17:59,000 --> 01:18:02,320
Speaker 2: players started going back to the shorter shorts. It's funny

1781
01:18:02,360 --> 01:18:04,920
Speaker 2: how things is. Everything is on a cycle because you

1782
01:18:05,000 --> 01:18:07,600
Speaker 2: look at footage from guys in the sixties and the

1783
01:18:07,680 --> 01:18:11,760
Speaker 2: seventies and the eighties and how short their uniforms were,

1784
01:18:12,240 --> 01:18:15,479
Speaker 2: and then you go to the you know, Mike Michael

1785
01:18:15,520 --> 01:18:18,200
Speaker 2: Jordan was actually one of the first to bring in

1786
01:18:18,320 --> 01:18:21,200
Speaker 2: the baggy shorts into the NBA because he wore his

1787
01:18:21,280 --> 01:18:25,120
Speaker 2: North Carolina shorts underneath his bull shorts. And then Chigan,

1788
01:18:25,479 --> 01:18:28,320
Speaker 2: Michigan obviously Chris Webber, Jalen Rose and on what they

1789
01:18:28,400 --> 01:18:31,240
Speaker 2: did for the coach as far as just a style

1790
01:18:31,360 --> 01:18:35,040
Speaker 2: on the court that translated into the NBA as well.

1791
01:18:36,360 --> 01:18:39,439
Speaker 1: I can't see it going back to baggy with sports,

1792
01:18:39,520 --> 01:18:43,679
Speaker 1: just because that's stupid to me. I see baggy clothes

1793
01:18:43,680 --> 01:18:46,960
Speaker 1: obviously coming back in fashion, like when the players even

1794
01:18:47,000 --> 01:18:49,800
Speaker 1: walk into the arena, most of the young younger players

1795
01:18:49,840 --> 01:18:51,720
Speaker 1: are back on the baggy shit. But to play in

1796
01:18:52,200 --> 01:18:55,559
Speaker 1: baggy shorts to me, it never iverson looked super cool.

1797
01:18:56,080 --> 01:18:58,320
Speaker 1: But his crossover could have been even crazy. Yeah yeah,

1798
01:18:58,400 --> 01:19:01,200
Speaker 1: Like it's just too much of fabric, Like like when

1799
01:19:01,200 --> 01:19:03,920
Speaker 1: he stepped over Tyrone Lou. What was so funny about

1800
01:19:03,960 --> 01:19:10,240
Speaker 1: that was like his shorts graced his face? How did

1801
01:19:10,280 --> 01:19:10,840
Speaker 1: you play this?

1802
01:19:11,080 --> 01:19:12,760
Speaker 2: Yeah, we wiped the sweat off your face while I

1803
01:19:12,800 --> 01:19:13,240
Speaker 2: step over.

1804
01:19:14,760 --> 01:19:18,439
Speaker 1: I just don't know how people like I played pick

1805
01:19:18,520 --> 01:19:21,320
Speaker 1: up in baggie shit. But yeah, it was awful pickups

1806
01:19:22,040 --> 01:19:24,120
Speaker 1: at that level. How the fuck were you shorts on?

1807
01:19:24,160 --> 01:19:26,000
Speaker 2: Playing back? It's just not a good A good idea

1808
01:19:26,160 --> 01:19:28,280
Speaker 2: like that was. That was always stupid, But I understand

1809
01:19:28,520 --> 01:19:31,960
Speaker 2: where the influence came from. But yeah, I don't think

1810
01:19:32,000 --> 01:19:34,080
Speaker 2: that the NBA. I can't see players going back to

1811
01:19:34,120 --> 01:19:37,760
Speaker 2: baggy shorts. I think that it's just more comfortable to

1812
01:19:37,920 --> 01:19:40,280
Speaker 2: have shorter shorts on. Yeah, when you're talking about just

1813
01:19:40,320 --> 01:19:45,120
Speaker 2: the mobility of running around, obviously, you know players no

1814
01:19:45,240 --> 01:19:47,080
Speaker 2: matter what, if they had bag shorts, they were still great.

1815
01:19:47,160 --> 01:19:51,280
Speaker 2: But I just think aesthetically, I think athletes would rather

1816
01:19:51,439 --> 01:19:55,960
Speaker 2: have more leg exposed than to have shorts down to

1817
01:19:56,040 --> 01:19:57,400
Speaker 2: the underneath the knee.

1818
01:19:57,640 --> 01:19:59,759
Speaker 1: Do we think maybe Cam Newton was the last athlete

1819
01:19:59,800 --> 01:20:02,519
Speaker 1: to start a fashion trun I.

1820
01:20:02,560 --> 01:20:05,679
Speaker 2: Haven't seen that take off. I haven't seen anybody dressed

1821
01:20:05,720 --> 01:20:09,320
Speaker 2: like Cam Newton. Uh, I didn't see anybody kind of

1822
01:20:09,360 --> 01:20:13,639
Speaker 2: pick up on his his his fashion, uh, his fashion tips.

1823
01:20:13,760 --> 01:20:17,479
Speaker 2: But uh, you know I respect him because it's like, listen, man,

1824
01:20:17,520 --> 01:20:19,760
Speaker 2: he wants to be a self. He's obviously in that

1825
01:20:19,920 --> 01:20:23,160
Speaker 2: space now where you know him for his style and

1826
01:20:23,240 --> 01:20:26,519
Speaker 2: what he's wearing. But I think that no matter what,

1827
01:20:27,000 --> 01:20:29,559
Speaker 2: if you're you have to be great at whatever you're

1828
01:20:29,640 --> 01:20:33,920
Speaker 2: doing to have that influence transfer over from what you're wearing. Yeah,

1829
01:20:33,960 --> 01:20:36,639
Speaker 2: because if you're just an okay, subpar player, nobody ain't

1830
01:20:36,720 --> 01:20:37,240
Speaker 2: dressing like you.

1831
01:20:37,920 --> 01:20:40,720
Speaker 1: Yeah. That was even when when I was younger, Like,

1832
01:20:40,840 --> 01:20:42,800
Speaker 1: you never wore twenty three unless you were like the

1833
01:20:42,880 --> 01:20:45,439
Speaker 1: best player on your team. That was set aside for that.

1834
01:20:45,760 --> 01:20:47,559
Speaker 2: Yeah, it's reserved for a select few.

1835
01:20:47,720 --> 01:20:50,080
Speaker 1: I had a few coaches when I was like in

1836
01:20:50,160 --> 01:20:54,200
Speaker 1: middle school that did not let anyone wear headbands because

1837
01:20:54,200 --> 01:20:57,000
Speaker 1: they just weren't. You're not good enough like to wear

1838
01:20:57,040 --> 01:20:58,880
Speaker 1: that ris shit. I know it's fast, You're not that good.

1839
01:20:59,000 --> 01:21:00,720
Speaker 1: You can't be trash and sit on the bench and

1840
01:21:00,800 --> 01:21:01,400
Speaker 1: wear that stuff.

1841
01:21:01,520 --> 01:21:03,280
Speaker 2: Yeah. I remember one time was playing in the league

1842
01:21:03,320 --> 01:21:04,960
Speaker 2: and I went, you know, they bring the uniforms out.

1843
01:21:04,960 --> 01:21:07,840
Speaker 2: I'm looking for twenty three Dune twenty three coaches like,

1844
01:21:07,880 --> 01:21:13,160
Speaker 2: here's your number fourteen. Fuck it, I'm taking I give

1845
01:21:13,200 --> 01:21:14,439
Speaker 2: me the fourteen. It is what it is.

1846
01:21:14,640 --> 01:21:15,400
Speaker 3: Like my.

1847
01:21:17,680 --> 01:21:22,479
Speaker 1: Freshman year freshman football, one kid had had the visor

1848
01:21:22,560 --> 01:21:26,000
Speaker 1: joint and my coach made him take it off and said,

1849
01:21:26,120 --> 01:21:28,479
Speaker 1: you only play special teams. What you need a tent

1850
01:21:28,640 --> 01:21:35,519
Speaker 1: for because that is crazy to put at like.

1851
01:21:36,160 --> 01:21:38,760
Speaker 2: Over the helmet. Are you either get Ricky Williams or

1852
01:21:38,800 --> 01:21:41,920
Speaker 2: something like the sun will not be you want to

1853
01:21:42,120 --> 01:21:46,120
Speaker 2: be out there that long? I promise you're in for

1854
01:21:46,280 --> 01:21:47,280
Speaker 2: one down and get out.

1855
01:21:47,439 --> 01:21:47,639
Speaker 3: Yeah.

1856
01:21:47,880 --> 01:21:50,439
Speaker 1: Yeah, I always always wanted to do the visor. I

1857
01:21:50,479 --> 01:21:51,439
Speaker 1: just think I was cool enough.

1858
01:21:52,000 --> 01:21:54,600
Speaker 2: It was a funny story. My boy, they uh they

1859
01:21:54,680 --> 01:21:57,880
Speaker 2: was playing au out in uh in Vegas, uh like

1860
01:21:58,000 --> 01:22:00,720
Speaker 2: back in late late nineties, early in two thousands, and

1861
01:22:01,360 --> 01:22:03,240
Speaker 2: my homeboy at the time out in LA he was

1862
01:22:03,240 --> 01:22:05,519
Speaker 2: one of the best players in the city. His name

1863
01:22:05,560 --> 01:22:07,120
Speaker 2: was Tony Bland. Shout out to my man T Bland.

1864
01:22:07,160 --> 01:22:10,040
Speaker 2: He used to wear he was the first one to

1865
01:22:10,160 --> 01:22:14,160
Speaker 2: wear the soccer socks on basketball. But he was the

1866
01:22:14,200 --> 01:22:16,439
Speaker 2: best player in the state of California at the time,

1867
01:22:16,560 --> 01:22:17,640
Speaker 2: you know what I'm saying. So it was like he

1868
01:22:17,680 --> 01:22:20,160
Speaker 2: could wear what he want. So my boys, that was

1869
01:22:20,200 --> 01:22:22,439
Speaker 2: from out here in New York. You know, they went

1870
01:22:22,439 --> 01:22:25,960
Speaker 2: to Vegas for AU and you know, they all see

1871
01:22:26,360 --> 01:22:29,560
Speaker 2: Tony Bland in the gym with the high socks. So

1872
01:22:29,800 --> 01:22:32,840
Speaker 2: shout out to my boy Andre Barrett. He said, yo, man,

1873
01:22:32,840 --> 01:22:35,120
Speaker 2: we all went to the store. He was like, we

1874
01:22:35,200 --> 01:22:36,840
Speaker 2: all bought the high socks, like yo. We wanted to

1875
01:22:36,880 --> 01:22:39,120
Speaker 2: wear the high socks, like yo. He that shit looked cool.

1876
01:22:40,640 --> 01:22:43,960
Speaker 2: So mind you they have they have the warm ups on,

1877
01:22:44,080 --> 01:22:46,200
Speaker 2: the pants on on the layup line before the game.

1878
01:22:46,600 --> 01:22:48,439
Speaker 2: So the coach don't know that they all got on

1879
01:22:48,960 --> 01:22:52,519
Speaker 2: high socks. He said, yo. They took the warm ups

1880
01:22:52,560 --> 01:22:54,000
Speaker 2: off and they ready to go on the court, and

1881
01:22:54,040 --> 01:23:00,679
Speaker 2: the coach seen the socks, subbed everybody out, take them, shit, majie,

1882
01:23:00,720 --> 01:23:02,760
Speaker 2: these are some of the best high school players in

1883
01:23:02,840 --> 01:23:05,080
Speaker 2: the city. Coach didn't give it. She's like, yo, we

1884
01:23:05,200 --> 01:23:07,839
Speaker 2: not what are you doing. But it's just the influence

1885
01:23:07,920 --> 01:23:12,200
Speaker 2: that Tony had with the high socks to make cats

1886
01:23:12,200 --> 01:23:13,640
Speaker 2: from New York because they always to see him. They

1887
01:23:13,640 --> 01:23:15,240
Speaker 2: heard about him. Yo, he's the kid from LA to

1888
01:23:15,320 --> 01:23:18,559
Speaker 2: kid California's win the high socks. So Dre said, they

1889
01:23:18,560 --> 01:23:22,120
Speaker 2: all went and both the high socks. Coach was like, yo, about.

1890
01:23:22,560 --> 01:23:24,920
Speaker 1: Yeah, when I was in high school was when Reggie

1891
01:23:24,920 --> 01:23:28,800
Speaker 1: Bush was the biggest thing ever man and he used

1892
01:23:28,800 --> 01:23:31,360
Speaker 1: to do the double sock like up to the pad,

1893
01:23:31,479 --> 01:23:33,320
Speaker 1: but then also had another pair of socks that was

1894
01:23:33,320 --> 01:23:36,839
Speaker 1: a different color. We all did that shit, not realizing

1895
01:23:36,920 --> 01:23:39,439
Speaker 1: that we didn't have the type of cleats that he had. Well,

1896
01:23:39,520 --> 01:23:40,120
Speaker 1: now you got.

1897
01:23:42,560 --> 01:23:44,439
Speaker 2: We forget that part, like, not only did you not

1898
01:23:44,560 --> 01:23:46,519
Speaker 2: have the cleats, you didn't have the game that Reggie

1899
01:23:46,520 --> 01:23:46,880
Speaker 2: Bush had.

1900
01:23:46,960 --> 01:23:48,880
Speaker 1: So now we got to because you know, football socks

1901
01:23:48,880 --> 01:23:51,000
Speaker 1: are thick. Yeah, we got two pairs of socks on

1902
01:23:51,640 --> 01:23:54,160
Speaker 1: and go out and try to play with some cheap

1903
01:23:54,200 --> 01:23:57,040
Speaker 1: ass fucking cleats. My feet never hurt so much. After that,

1904
01:23:57,120 --> 01:23:59,040
Speaker 1: we're like, yo, we can't just do of Reggie Bush

1905
01:23:59,080 --> 01:23:59,800
Speaker 1: no more just doing.

1906
01:23:59,760 --> 01:24:05,840
Speaker 2: Dumb sit Well, thank you to Detroit, Yes for showing love.

1907
01:24:06,000 --> 01:24:10,080
Speaker 2: Had a great time in Michigan. Shouts every righty came out, Chicago,

1908
01:24:10,240 --> 01:24:13,720
Speaker 2: thank you for the love again, amazing show. Salute to

1909
01:24:13,760 --> 01:24:16,240
Speaker 2: everybody came out. We had people driving from Saint Louis,

1910
01:24:17,960 --> 01:24:20,800
Speaker 2: different parts of Ohio. It was just a lot of

1911
01:24:20,880 --> 01:24:23,320
Speaker 2: love in the room. People from Jersey, people from Jersey

1912
01:24:23,479 --> 01:24:27,040
Speaker 2: that came out somebody flewing from Long Beach, California. Shout

1913
01:24:27,040 --> 01:24:31,519
Speaker 2: out to him. But yeah, man, London is up next. Yeah,

1914
01:24:31,680 --> 01:24:34,920
Speaker 2: we will be in London in September September eighteenth, I

1915
01:24:34,960 --> 01:24:38,320
Speaker 2: believe Benner. September eighteenth, we are in London. October seventeenth,

1916
01:24:38,400 --> 01:24:41,639
Speaker 2: we are in Toronto. November twenty second, we are in Atlanta.

1917
01:24:42,000 --> 01:24:44,479
Speaker 2: December thirteenth and fourteenth, we will be back home in

1918
01:24:44,560 --> 01:24:47,880
Speaker 2: New York City Gramsey Theater. Tickets available now Newrorymaal dot com.

1919
01:24:49,080 --> 01:24:52,240
Speaker 1: I will also be in Vegas this coming weekend, no,

1920
01:24:52,920 --> 01:24:54,440
Speaker 1: next weekend, September.

1921
01:24:54,520 --> 01:24:56,639
Speaker 2: That's why you saved your energy on the Chicago trip,

1922
01:24:57,120 --> 01:24:59,880
Speaker 2: so you got rollover energy. You had to paul a

1923
01:25:00,200 --> 01:25:00,960
Speaker 2: energy for Vegas.

1924
01:25:01,120 --> 01:25:03,120
Speaker 1: First of all, I'm going to Vegas, and I know

1925
01:25:03,160 --> 01:25:05,200
Speaker 1: why You're going to Vegas to talk about my album

1926
01:25:05,240 --> 01:25:05,799
Speaker 1: with Soulhouse.

1927
01:25:05,920 --> 01:25:09,439
Speaker 2: There you go, and you know, I might extend my trip.

1928
01:25:09,520 --> 01:25:13,679
Speaker 2: You never know who's counting its week. It's week one football.

1929
01:25:14,360 --> 01:25:16,960
Speaker 2: You know, Vegas can be buzzing the raiders. Yeah, maybe

1930
01:25:17,000 --> 01:25:20,040
Speaker 2: I'll go by the stadium. Yeah, you know, some family

1931
01:25:20,080 --> 01:25:24,240
Speaker 2: fun five hundred on black, I get it. I don't

1932
01:25:24,240 --> 01:25:27,200
Speaker 2: think there's hookers with braces in Vegas. They might be

1933
01:25:27,280 --> 01:25:29,720
Speaker 2: hookers with something else in Vegas, not bracest.

1934
01:25:29,360 --> 01:25:30,639
Speaker 1: Though it's probably carible.

1935
01:25:30,720 --> 01:25:30,840
Speaker 3: Right.

1936
01:25:32,040 --> 01:25:34,840
Speaker 2: They do need their medical card though I think work. Yeah,

1937
01:25:34,920 --> 01:25:37,639
Speaker 2: they do. They have to. It's legal in Vegas. It's

1938
01:25:37,720 --> 01:25:39,640
Speaker 2: not technically legal, but.

1939
01:25:40,720 --> 01:25:41,439
Speaker 1: It's just frowning up.

1940
01:25:41,840 --> 01:25:44,519
Speaker 2: Yeah, like just certain, I know what you're doing. Go

1941
01:25:44,520 --> 01:25:47,400
Speaker 2: over there with that ship. Tickets available in that new

1942
01:25:47,479 --> 01:25:50,640
Speaker 2: roymul dot com. All right, bro on our way back

1943
01:25:50,640 --> 01:25:51,040
Speaker 2: to New York.

1944
01:25:51,240 --> 01:25:52,320
Speaker 1: Yes, I have to make this flight.

1945
01:25:52,439 --> 01:25:53,960
Speaker 2: All right, Well, let's get the fuck out of here.

1946
01:25:54,040 --> 01:25:56,920
Speaker 2: We appreciate y'all. We love y'all. Until next time we

1947
01:25:56,960 --> 01:25:59,280
Speaker 2: say be blessed. I'm that nigga. He's just ginger peace.

1948
01:26:00,280 --> 01:26:01,720
Speaker 3: No Willan now