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Speaker 1: So we were at where at Owen's Castle with the

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Speaker 1: it's Max, Uh, Miguela and Scooter broun Uh. We're playing

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Speaker 1: House of That two. We're uh the part like where

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Speaker 1: g is like injured and he gives us the file

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Speaker 1: where we can see all the weak points and stuff.

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Speaker 1: We're like just started and we're playing you know three

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Speaker 1: way where I take a shot, toss the gun. We're

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Speaker 1: doing like a round robin thing where we like psychle

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Speaker 1: each other in after every shot. And Scooter and it's

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Speaker 1: like my dream, you know, I do the headshot and

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Speaker 1: they tossed to Max. Max fires and misses and then says, well,

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Speaker 1: it's been fun see you guys, puts the gun in

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Speaker 1: his mouth and starts firing fires probably twenty times. WHOA

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Speaker 1: had he ever done that before?

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Speaker 2: He never missed before?

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Speaker 1: Oh so im. But he looks kind of like embarrassed

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Speaker 1: a little bit and like kind of surprised. Was he

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Speaker 1: chewing on the gun while it was in his mouth

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Speaker 1: like he thought it as it wasn't working, he was

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Speaker 1: starting to like chew harder and harder that like.

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Speaker 2: Maybe I'm not gonna like makee good sandwich or something.

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Speaker 1: Yeah, yeah, exactly so he like, I think then it

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Speaker 1: became like, oh, I'm just eating this, It's okay. Yeah uh,

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Speaker 1: But then he was like kind of embarrassed. He just

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Speaker 1: went to like sit down for what he said that like, oh,

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Speaker 1: I'm like I'm kind of tired, and so like he

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Speaker 1: went to go sit down. Bro, I don't know.

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Speaker 3: Now, speaking of him never missing this leads me to

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Speaker 3: a good question about Maximin Gallop.

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Speaker 1: Is he hot or is he a stud? Yeah?

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Speaker 2: You know what I mean?

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Speaker 1: Like, is he so fucking hot or is he just

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Speaker 1: like a huge stud.

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Speaker 2: I think he is definitely hot.

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Speaker 1: Uh huh.

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Speaker 2: But sometimes when I look at.

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Speaker 1: Him, if you as you catch him from the side,

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Speaker 1: am I am? I saying what you were going to say?

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Speaker 1: Thank you sort of go like is this that really

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Speaker 1: a good? Yeah? And so then I go like, okay,

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Speaker 1: I'm you know, not that, not that he can't be both,

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Speaker 1: but which one is he?

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Speaker 2: He is hot?

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Speaker 1: I like, I like that he looks rich.

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Speaker 2: Hey, welcome to Hollywood.

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Speaker 1: But get it'sited guy to kicking button dropping names in

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Speaker 1: the red carpet linebacks.

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Speaker 2: I want people shows podcasts we're doing.

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Speaker 1: People listen to the show.

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Speaker 3: They have their earbuds in they're driving.

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Speaker 2: What else do they like?

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Speaker 1: What else are the people who listen to the show, like,

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Speaker 1: how can we make them like this show? Do the

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Speaker 1: stuff that they want? People like dough Boys?

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Speaker 3: They right, yeah, so they are listening to that. They're

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Speaker 3: not listening to this.

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Speaker 2: What do we do?

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Speaker 1: People are freaking out about dough Boys. We have done

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Speaker 1: and come back here and this show is still the same.

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Speaker 1: Like I always think like, oh, we'll do dough Boys

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Speaker 1: and come back and now will be them basically, But

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Speaker 1: that is what I thought was gonna We are still us.

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Speaker 1: And the second time I thought, Okay, it didn't work

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Speaker 1: the first time, but this time I'll really do it right.

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Speaker 1: And then I came back. We kept staying us, and

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Speaker 1: we didn't have any funny, good segments that anyone liked,

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Speaker 1: and no one wanted to listen again, and no one

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Speaker 1: was a fan, and they all wanted dough Boys. And

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Speaker 1: can I say, you know, first of all, spoiler alert,

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Speaker 1: we're on neck wager, Hi.

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Speaker 2: Guys, I Nick?

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Speaker 1: Can I say, Nick, you know, I am just such

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Speaker 1: a big uh Burger brigade spoon boy fan man and

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Speaker 1: I and I mean it, and we tease each other

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Speaker 1: and we take these shots, and we're cynical and we

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Speaker 1: and we're jealous and we think that all your money

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Speaker 1: should be in our pocket and we're and you're stole

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Speaker 1: our fans and we hate each other. Can you guys

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Speaker 1: do a Patreon? Makes it more difficult for us to

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Speaker 1: do a Patreon because there is a limited amount of

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Speaker 1: podcast money to go around.

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Speaker 4: How much are you gonna spend on podcast subscription exactly?

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Speaker 4: And you guys are saying, we get this.

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Speaker 1: This that's you.

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Speaker 2: That's you saying you cannot have this, but we are.

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Speaker 1: We do.

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Speaker 2: We love that. We're so supportive of that. So fun.

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Speaker 1: I think that you get started later but started doing

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Speaker 1: the Patreon earlier. And I'm a spoon burger man and

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Speaker 1: I love all of it. It's so fun for me.

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Speaker 4: It's it's what I feel like of the A V

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Speaker 4: Club were to write up this ongoing dynamic between our

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Speaker 4: two podcasts, what they would say is playfully antagonistic.

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Speaker 2: Yeah that was Yeah, that sounds like one of those

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Speaker 2: guys to me, do you want?

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Speaker 4: Yeah, would say AV Club would say, would say, I'm

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Speaker 4: deliciously naughty.

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Speaker 2: Okay, don't do me no please? Are you sure?

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Speaker 1: Yeah? I really don't really know, I really know, I

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Speaker 1: really do not do it. Thank you, I won't do it.

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Speaker 2: Uh, you do these segments.

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Speaker 1: That's something of a vicious brilliance.

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Speaker 2: I know that wasn't I know.

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Speaker 1: I'm really sorry. I know that wasn't you doing it

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Speaker 1: because I said not to, so I know that wasn't

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Speaker 1: you doing it, but I.

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Speaker 2: Was asking Nick.

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Speaker 4: Yeah, well, I I'm you know, I'm not gonna say,

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Speaker 4: but we're not doing we're not doing Hayes as request.

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Speaker 1: Yeah. Well, when you first did the show, you were

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Speaker 1: barely dough boys, and now you really are so dough

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Speaker 1: boys so much. You remember when you first did it.

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Speaker 1: Oh yeah, no, he was he had not been mixed

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Speaker 1: in the bowl and uh put in the oven.

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Speaker 2: Right, yeah, no, yeast had been added.

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Speaker 1: Okay, and that's better. And I've seen people yes, and

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Speaker 1: now he's got a veritable yeast infection.

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Speaker 3: So so let's get down some of these segments.

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Speaker 1: Because we do him for a little while, sometimes we

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Speaker 1: forget to do them again. We aren't really sure if

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Speaker 1: people like them, We.

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Speaker 3: Don't know what they all, We don't really know when

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Speaker 3: we're doing them, and then afterwards we're like, if we

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Speaker 3: had to do it again, what would it be.

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Speaker 1: Yeah, we would have to listen to our old episodes

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Speaker 1: of our show, which are behind a paywall that we

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Speaker 1: don't have access to. Yes, So that means we would

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Speaker 1: have to ask people who listen to be like, go

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Speaker 1: back and tell us what our old segments are. Now

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Speaker 1: there's a line of communication open that we trust that

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Speaker 1: we can't close as easily as it was to open.

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Speaker 3: Yes, So the kind of person who paid for a subscription,

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Speaker 3: they'll here our old episodes. So then we're going, like,

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Speaker 3: what else do they want to talk about?

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Speaker 1: You know? Right, So that's a problem for us. So

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Speaker 1: we've paid all our money to you to come be

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Speaker 1: a big segment consultant and kind of help us come

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Speaker 1: up with some new segments. Try to remember some old

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Speaker 1: segments that we've done, and uh, we're talking about some

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Speaker 1: of yours. That's what I would really love to talk

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Speaker 1: about some of your Where did they come from? Where?

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Speaker 4: Like, where did they come from? What was the origin

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Speaker 4: of some of our signature segments?

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Speaker 2: Some of your stuff.

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Speaker 4: I'm gonna gesture to you guys, and then I'll describe

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Speaker 4: to your listeners where they came from. Right here, as

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Speaker 4: I tap on my skull and he is going to

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Speaker 4: be able to describe what he's doing.

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Speaker 1: He was tapping on his skull, so I guess it's from.

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Speaker 2: In there, Yeah, from in my in my like my brain.

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Speaker 1: So it's not Mitch doing that. So to me, I

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Speaker 1: always thought that Mitch was kind of the person who

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Speaker 1: comes up with the game. Oh right, and then it's like, hey, Nick,

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Speaker 1: like you know, you're kind of the host. I designed

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Speaker 1: this kind of intricate I like.

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Speaker 3: To think Mitch is like a sort of a playground

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Speaker 3: architect and you're like a little kid.

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Speaker 1: But and he sort of sets up the slide and

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Speaker 1: then you we right, you go down and then jump

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Speaker 1: on the swings.

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Speaker 4: You go, Mitch, push me, push me. That's funny that.

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Speaker 4: I feel like that's kind of the opposite of how

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Speaker 4: it works in practice.

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Speaker 2: That's funny that, you guys, that's not how it comes out.

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Speaker 1: So he's designing us games and like sort of math

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Speaker 1: problems just for his own purposes. He does not like

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Speaker 1: those aren't used in the show.

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Speaker 4: I mean, yeah, if he's doing any of that, that's

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Speaker 4: that's his own that's how he spends his free you know.

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Speaker 2: But no for the show itself.

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Speaker 1: I just know he just has that kind of mind

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Speaker 1: just like, yeah, he had, you know, challenges for himself.

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Speaker 4: A beautiful mind if you will. Yeah, yeah, when the

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Speaker 4: the A V. Club may describe as intricately twisted.

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Speaker 1: So that's good. Yeah, so that's so, even though it

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Speaker 1: could apply to Hayes.

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Speaker 2: We're not doing. We're not doing.

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Speaker 1: So talk about some of the segments, well, like go in,

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Speaker 1: what's like the worst one.

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Speaker 4: The worst one we've done. Let's see we we did

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Speaker 4: an episode, we did an episode very early on where

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Speaker 4: we tried a segment called sight of Guys and the

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Speaker 4: only reason.

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Speaker 2: Side of Guys.

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Speaker 1: Now, let me try to figure out what that is

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Speaker 1: a play on I think it. I have an idea. Okay,

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Speaker 1: do you want to hear it? Is it like side

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Speaker 1: of Fries? I don't think so, Okay, go ahead.

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Speaker 2: I think it's Wait what did you say, side of Fries?

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Speaker 2: Oh that's better than mine?

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Speaker 1: What was it?

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Speaker 2: What was yours?

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Speaker 1: You were so excited to go?

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Speaker 2: First?

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Speaker 1: Flight of flies?

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Speaker 2: Flight of flies?

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Speaker 1: Well, I saw a fly earlier today. That is a reference.

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Speaker 1: That is all that is a callback to the fly

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Speaker 1: you saw right well, and you won't believe what he

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Speaker 1: was doing?

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Speaker 2: Was he flying around? Well?

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Speaker 1: I mean, I guess, I you know, I guess that's

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Speaker 1: why we hire you, right, is because you got all

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Speaker 1: the answers already.

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Speaker 3: But yeah, flight of Flies, that sort of was in

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Speaker 3: my head as a thing.

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Speaker 4: Okay, but it was is he right with Side of Fry? Yeah,

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Speaker 4: So here's the thing. Hayes is right, because Flight of

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Speaker 4: Flies is not like a thing that people say, so like,

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Speaker 4: that's just a thing you just said just now, and

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Speaker 4: so I got the note. So I'm just I'm just

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Speaker 4: saying Sight of it's a food podcast. Yeah, yeah, no,

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Speaker 4: you turned it out.

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Speaker 1: No, Hayes is right. That's fine, Okay, we don't need

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Speaker 1: anything else, all right, great, Yeah, I got it.

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Speaker 4: But anyway, we did that. We did that very early

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Speaker 4: on the podcast. And part of the reason we did

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Speaker 4: that was because Doe Boys, one of the original names

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Speaker 4: we were considering was Sight of Guys.

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Speaker 1: Wow. Yeah, I imagine how huge the show could have been.

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Speaker 1: It's so big that, right if you would call it

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Speaker 1: Side of Guys instead of dough Boys, because there's a

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Speaker 1: doe is rarely a factor in any of the stuff

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Speaker 1: that you're eating on the show.

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Speaker 4: Well, yeah, I mean, I guess if you include like

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Speaker 4: bread and tortillas, you know, and and pizza dough and

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Speaker 4: the like.

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Speaker 1: Can I just say, can I just say please? I

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Speaker 1: said flight of flies, So for you to say it's

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Speaker 1: not a thing that people say like by definition, just

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Speaker 1: you're saying it even to tell me that, so like

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Speaker 1: that's not right the way in which it's fine that

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Speaker 1: Hayes is right. I'm happy for Hayes. And it makes

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Speaker 1: seem like you're accusing him of lying of yes, yes,

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Speaker 1: of seeing the flyer yes, right, and which I really

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Speaker 1: did see and he really was pretty huge. M you know,

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Speaker 1: when they be clubbing, I think he actually might be

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Speaker 1: like yeah.

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Speaker 4: I mean, I just I just think when they v

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Speaker 4: club writes up the recap of this episode, they might

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Speaker 4: they might be asking when Sean was riled up, was

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Speaker 4: that a shoot or was that a work?

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Speaker 1: Now, see, this would be huge because I don't know

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Speaker 1: what that means. But what would be really big for

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Speaker 1: us is if we did get written up in that

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Speaker 1: and we can just basically do it for them, not

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Speaker 1: about me, h. But like you know, it's something during

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Speaker 1: this like say, like this is what you can say

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Speaker 1: about that part of the show because there is some

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Speaker 1: some reason that they're not doing it, And I wonder

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Speaker 1: if it's because we aren't writing it for them as we.

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Speaker 2: Right, we're making them come up with everything.

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Speaker 1: Yeah, but I think he really was laying with it

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Speaker 1: because we came in here today, Like he wasn't mentioning

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Speaker 1: it at like he didn't say anything about it. It's

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Speaker 1: only now that he's that he's come up with that.

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Speaker 4: Well, maybe it was buzzing around in his subconscious to

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Speaker 4: give him the benefit of the doubt. Maybe it was

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Speaker 4: just he was sort of just thinking about it, and

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Speaker 4: then it came out of his mouth. When you put

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Speaker 4: a microphone, you know, you put a microphone in front

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Speaker 4: of somebody, you know, what comes out the truth.

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Speaker 1: Saying that there's a flying his brain and he open

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Speaker 1: his mouth.

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Speaker 4: No, I mean, I don't mean like a literally like

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Speaker 4: a fly flew into his ear and worked its way

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Speaker 4: into his.

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Speaker 1: What happens inside of guys? Okay?

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Speaker 4: So here was the thing of side of Guys. It

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Speaker 4: was just we had we got a bunch of fast

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Speaker 4: food sides from the same restaurant and then decided to

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Speaker 4: rank them. And the thing was, it was just like

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Speaker 4: that sounds fine, that sounds lateral with all our other

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Speaker 4: segments sounds incredible.

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Speaker 2: Well, okay, well here's the thing. It was just kind

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Speaker 2: of it.

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Speaker 4: It actually becomes a little abstract when you're weighing like

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Speaker 4: onion rings versus I think we did taco bell and

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Speaker 4: we did like a site of beans versus like a

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Speaker 4: side of there.

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Speaker 1: And some might say that that is what the rest

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Speaker 1: of the show is. Yes, as well, So you're basically saying,

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Speaker 1: here's the show where we take a little break from

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Speaker 1: the whereat and we talked about whether it's good. Now

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Speaker 1: it is a little bonus segment. We'll eat the food for.

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Speaker 4: The restaurant at talk about whether it's good. That might

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Speaker 4: actually be the correct diagnosis for it. And also the

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Speaker 4: issue of if you get fast food from a restaurant

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Speaker 4: and then we eat it on the podcast. As you

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Speaker 4: guys know from two times veterans of the of the pod,

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Speaker 4: we try to go in advance because then we can

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Speaker 4: digest the deal and discuss it. And then if you

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Speaker 4: try to eat in the studio all in the air,

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Speaker 4: you got them chomping sounds yeah, and then you've also

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Speaker 4: got this is incredible.

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Speaker 1: But weirdly I have having eaten with men, it's it's

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Speaker 1: as disturbing in the other direction from how silent did this?

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Speaker 2: Right, It's like it's falling down his throat.

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Speaker 4: He's internalizing it. I mean, that's the thing. It's like,

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Speaker 4: you know, it's a beautiful mind of his right. Yeah,

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Speaker 4: he's just always thinking. But his eating is so quiet. Yeah,

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Speaker 4: his eating is very is stealthy.

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Speaker 2: Oh, I think I found a picture of the fly. Here,

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Speaker 2: show it to you. Look, I deleted.

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Speaker 1: It's my damn my slippery thumb. Well it was.

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Speaker 2: You didn't even make an effort to turn your phone around.

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Speaker 1: Well because I yes, because I yeah, as I was

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Speaker 1: turning it it deleted.

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Speaker 2: You didn't know it.

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Speaker 4: You wrist didn't turn, You were just holding it there.

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Speaker 4: Your thumb went deliberately.

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Speaker 2: Oh, he didn't pick up his phone.

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Speaker 1: Yes, I was holding it up and I had found

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Speaker 1: it and had I think like twelve wings or something.

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Speaker 3: It was really unique. Uh uh, but anyway.

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Speaker 1: That was real. Now we get to the really good.

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Speaker 1: Right now, let's say one that's so good. What's the

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Speaker 1: best one you've ever.

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Speaker 4: I would say the one that we get this gets

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Speaker 4: discussed the most is our when we debuted in our

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Speaker 4: first episode a snack or whack and you guys, yeah,

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Speaker 4: and it's very sounds incredible. Yeah, it's very very simple

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Speaker 4: and very straightforward. I think this is part of the

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Speaker 4: reason why this segment works. We just get a snack,

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Speaker 4: for instance, spicy cheese it. We're just going to say

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Speaker 4: spicy cheese it. We're gonna going to open this up

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Speaker 4: and we're all going to taste it, and we're going

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Speaker 4: to decide whether it's a snack, whether it's something that's good,

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Speaker 4: or whether it's a whack, whether it's something that's that's bad.

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Speaker 4: Binary is very easy for people to process.

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Speaker 2: Yeah, we can do something with this.

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Speaker 1: Yeah, absolutely, for our commercial for his show on our show.

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Speaker 1: The idea of realizing this is it's like, is that

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Speaker 1: going to help us? Maybe this should have been a

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Speaker 1: private and we're paying and we're paying him. I guess

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Speaker 1: to do.

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Speaker 3: Well we could have done is have this conversation, then

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Speaker 3: we do this show. Use the knowledge from this conversation. Right, No,

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Speaker 3: we only started that next time. Well, okay, we're starting

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Speaker 3: coming right, Yes, and.

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Speaker 2: Just hey, I'm the handbook and here we go.

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Speaker 4: Uh.

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Speaker 2: So I saw a big fly. It was real.

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Speaker 3: Uh And I just have to tell you that that's

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Speaker 3: the truth. And we are going to talk about our

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Speaker 3: new segment that Hayes just came up with himself and

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Speaker 3: Nick has to play and it's on our show.

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Speaker 1: It's called Snack or Whack. Yes, good, Wait a minute,

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Speaker 1: and we bring in people from the off like Earwolf people,

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Speaker 1: and we sit him down and we say, all right,

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Speaker 1: is this dude looking like a snack.

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Speaker 2: Or is this dude looking like a wat?

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Speaker 1: Yes? So wait, so you're judging their personal appearance their

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Speaker 1: personal appearance, I guess yeah, And we, you know, feel

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Speaker 1: a little parts and we say, like, is this so

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Speaker 1: ugly a person or is he looking like a snack?

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Speaker 2: Yeah? And we wheeze them and we'll.

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Speaker 1: Get a big fistful of different sections of them.

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Speaker 4: Do you mean physically manipulate them like with calipers, like

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Speaker 4: you're really measuring them out?

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Speaker 1: Yes? Yeah, God, where are my calipers?

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Speaker 3: Oh?

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Speaker 1: Yes, yes, yes, yes, yes.

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Speaker 4: Let me just say this and I'm not you know,

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Speaker 4: I know you guys are maybe being antagonist character, just

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Speaker 4: appropriating the name of one of our existing segments.

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Speaker 2: But I would just say on dough boys. But here's

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Speaker 2: what I would say.

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Speaker 1: The same thing.

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Speaker 4: Okay, here's what I would say if you even if

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Speaker 4: I'm going to give you the benefit of doubt and

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Speaker 4: say you didn't just.

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Speaker 2: Why would you say the same food was ugly? Well,

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Speaker 2: where again.

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Speaker 3: We're I mean A V club would be describing you

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Speaker 3: right now as defensively being like.

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Speaker 1: A total wienie.

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Speaker 4: You think they'd use that verbiage. Yeah, it doesn't quite

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Speaker 4: silent like BAVY club's voice.

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Speaker 1: Yeah, they call you like a freaking little wienie bitch

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Speaker 1: for freaking not even realizing that it's not the same segment,

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Speaker 1: it's a different segment. So Sam, if I can interrupt you,

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Speaker 1: looking at what bands are performing on the Warped tour,

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Speaker 1: it's tomorrow. Did you know hate Breaths playing and strung out?

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Speaker 1: And yes, I knew that. Where we are going to

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Speaker 1: do assignment called snack or whack.

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Speaker 3: You're not getting on the prize Hayes with any of

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Speaker 3: the Warped to our headliners.

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Speaker 1: Suicide Machines are playing. Sam, Yes, what you do? Just

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Speaker 1: sit and look here, just look straight ahead the warped

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Speaker 1: to her so old that holds still.

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Speaker 2: And that's what the A V Club might say.

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Speaker 1: Yes, and okay, careful the do like push your like

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Speaker 1: your chest, like hold your chest and like kind of push.

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Speaker 2: It up squish, squish it yeah, like a cleavage.

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Speaker 1: Yeah, just say it like that. Yeah, yeah, basically, but

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Speaker 1: like muscle cleavage. Yeah, put it with your hands, I

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Speaker 1: push it together. Yes, yes, And to me, that's looking

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Speaker 1: like a snack. Yeah when he does that Sam's but

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Speaker 1: he's usually not doing that.

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Speaker 2: So then does that make him a whack?

402
00:18:05,040 --> 00:18:09,000
Speaker 1: I think Sam, I would say, is normally a whack.

403
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Speaker 1: But when we help him, he can be looking like

404
00:18:12,040 --> 00:18:13,680
Speaker 1: a said, when we sort of fix his posture a

405
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Speaker 1: little bit and have him, you know, kind of squeeze

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Speaker 1: his frontal torpedoes together. Do you guys remember Saving the Yeah?

407
00:18:20,680 --> 00:18:22,000
Speaker 2: I remember Save Feris playing?

408
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Speaker 1: How about that the dude destroyed his voice, he fucked

409
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Speaker 1: up his throat or whatever. Who the girl from?

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Speaker 2: They had a lady singer?

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Speaker 1: Oh wait, okay, what's the band? I'm thinking of?

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Speaker 2: Rug A Sault Saves a Day or something. So that

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Speaker 2: was snack or whack?

414
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Speaker 1: Right? Are we doing another?

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Speaker 4: Do you guys want I mean, do you like that?

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Speaker 4: Because this is the thing you kind of brought me

417
00:18:44,160 --> 00:18:46,600
Speaker 4: in to help you out with segments? Yeah, you're paying

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Speaker 4: me an exorbitant fee. He didn't, and so I just

419
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Speaker 4: want to say, do you want any notes on what

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Speaker 4: we just did or do you just do you feel

421
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Speaker 4: comfortable with how that went about?

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Speaker 2: You want to tell us why it was good? Well, okay,

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00:18:59,320 --> 00:19:00,399
Speaker 2: here's what was good about it?

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Speaker 1: Yeah?

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00:19:01,280 --> 00:19:02,160
Speaker 2: Is that the name?

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Speaker 4: It felt the Okay, the name is good. It's the

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00:19:04,440 --> 00:19:06,720
Speaker 4: name of one of our segments. I would say it's

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Speaker 4: maybe a little bit confusing because it's such a long

429
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Speaker 4: road from snack or whack in terms of a snack

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Speaker 4: that we review on Dope Boys, as like, oh this

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00:19:15,200 --> 00:19:18,280
Speaker 4: is this is a food stuff, so we you can

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Speaker 4: very easily see the connection, whereas snack calling a person

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Speaker 4: a snack if they're attractive, or calling them whack if

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Speaker 4: they're unattractive.

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00:19:24,760 --> 00:19:27,680
Speaker 2: It seems you think it only works with chicks. Well, well,

436
00:19:27,680 --> 00:19:29,440
Speaker 2: here's here's the here's where I was going to get.

437
00:19:29,680 --> 00:19:32,480
Speaker 1: So here's what I'm getting. I'm hearing something on two fronts.

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Speaker 1: I'm hearing that when we use a sort of urban

439
00:19:34,520 --> 00:19:36,800
Speaker 1: patois and refer to someone as looking like a snack,

440
00:19:37,200 --> 00:19:39,159
Speaker 1: nick is saying that's not English. If you are going

441
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Speaker 1: to live in this country, you have to speak the

442
00:19:41,800 --> 00:19:46,399
Speaker 1: kings from the dictionary took away and if you're going

443
00:19:46,480 --> 00:19:49,480
Speaker 1: to describe someone is looking like that, it has to be.

444
00:19:49,600 --> 00:19:52,400
Speaker 2: Got to be a chick. I think I just want

445
00:19:52,400 --> 00:19:54,639
Speaker 2: it's interesting. I just want to clarify.

446
00:19:54,800 --> 00:19:57,320
Speaker 4: I think I think it's going to My bigger issue

447
00:19:57,359 --> 00:19:59,600
Speaker 4: is that it seems mean spirited to judge someone on

448
00:19:59,640 --> 00:20:01,520
Speaker 4: their peer it's alone, and then to make them, like

449
00:20:01,600 --> 00:20:04,400
Speaker 4: to order them to contort their body in a specific way,

450
00:20:04,400 --> 00:20:05,639
Speaker 4: Like I feel like what you did to Sam was

451
00:20:05,680 --> 00:20:06,360
Speaker 4: a little demeaning.

452
00:20:06,480 --> 00:20:08,679
Speaker 1: He's a good you think looking like a chick, like

453
00:20:08,960 --> 00:20:11,880
Speaker 1: having him look a little more like a like a

454
00:20:11,960 --> 00:20:15,879
Speaker 1: sexy snack is demeaning because it makes him look more femina.

455
00:20:15,920 --> 00:20:18,400
Speaker 1: And I think men only have to conform to traditional

456
00:20:18,440 --> 00:20:20,920
Speaker 1: gender roles and just have there and have a chest

457
00:20:21,000 --> 00:20:23,679
Speaker 1: look a certain way all the time, like how a

458
00:20:23,720 --> 00:20:29,280
Speaker 1: man should look. That that's starting to seem bad to me, Nick,

459
00:20:29,359 --> 00:20:30,720
Speaker 1: I don't think you want to be out in front

460
00:20:30,720 --> 00:20:31,440
Speaker 1: of this opinion.

461
00:20:31,840 --> 00:20:33,240
Speaker 2: So to summarize what Nick.

462
00:20:33,200 --> 00:20:36,439
Speaker 4: Saying, I just feel like, because Sam real men in

463
00:20:36,480 --> 00:20:37,919
Speaker 4: a position where you guys are going to have a

464
00:20:37,960 --> 00:20:39,800
Speaker 4: higher status than him, he might feel compelled to do

465
00:20:39,880 --> 00:20:40,440
Speaker 4: oh my got it?

466
00:20:40,440 --> 00:20:42,160
Speaker 2: Because I don't even see all that way.

467
00:20:42,240 --> 00:20:46,680
Speaker 1: I don't think about that way. Oh my god, a

468
00:20:46,840 --> 00:20:50,199
Speaker 1: person in a workplace where equals who both you know,

469
00:20:50,880 --> 00:20:53,439
Speaker 1: have a role to play in the podcast. I do

470
00:20:53,480 --> 00:20:55,959
Speaker 1: everything that's funny and cool and he pushes the knobs

471
00:20:56,000 --> 00:21:00,560
Speaker 1: around gold Fingers. I'm there too. Yeah.

472
00:21:00,600 --> 00:21:03,639
Speaker 4: So I heard a rumor the Goldfinger was assembled by

473
00:21:03,640 --> 00:21:05,840
Speaker 4: the label like that wasn't a real band that they

474
00:21:05,840 --> 00:21:07,080
Speaker 4: were just like, oh we got to get on the

475
00:21:07,080 --> 00:21:07,640
Speaker 4: sca thing.

476
00:21:07,720 --> 00:21:09,399
Speaker 2: And you know that three guys from the movie.

477
00:21:09,440 --> 00:21:12,119
Speaker 1: That dude who sings in there broke his fucking head.

478
00:21:13,680 --> 00:21:15,440
Speaker 1: Did he really the Goldfinger?

479
00:21:15,520 --> 00:21:17,600
Speaker 2: Oh, he like injured his noggin skateboarding.

480
00:21:17,800 --> 00:21:20,160
Speaker 1: Yeah, he's doing the game trying to do yeah.

481
00:21:20,200 --> 00:21:22,160
Speaker 2: Wow, Yeah, he was trying.

482
00:21:21,960 --> 00:21:23,760
Speaker 1: To do the Superman.

483
00:21:23,960 --> 00:21:27,240
Speaker 2: He was doing the game guar seems out of place here.

484
00:21:29,040 --> 00:21:34,480
Speaker 3: Okay, So so we've had we have some other segment

485
00:21:34,720 --> 00:21:36,119
Speaker 3: okays that we brought in.

486
00:21:36,160 --> 00:21:37,200
Speaker 2: Do you want to move on to those?

487
00:21:37,200 --> 00:21:39,399
Speaker 1: Do you want to keep talking about his show? Uh?

488
00:21:39,680 --> 00:21:41,560
Speaker 2: No, I think we should talk about our show more.

489
00:21:41,840 --> 00:21:44,400
Speaker 3: Well, So, one thing we were thinking could be cool

490
00:21:44,480 --> 00:21:47,919
Speaker 3: is if we sing Hamilton, just.

491
00:21:47,520 --> 00:21:49,960
Speaker 4: Just singing and we love it too, just sing it

492
00:21:50,160 --> 00:21:51,359
Speaker 4: and we just think it's so good.

493
00:21:51,440 --> 00:21:52,919
Speaker 2: Is there a take on it? Is there. Are you

494
00:21:53,119 --> 00:21:54,879
Speaker 2: going to do parody lyrics or something. There is a

495
00:21:54,920 --> 00:21:56,960
Speaker 2: take on it looks like, did you see this show?

496
00:21:57,040 --> 00:21:57,800
Speaker 2: It's so good?

497
00:21:57,840 --> 00:22:00,320
Speaker 1: Yeah. Our take on it is like it really is

498
00:22:00,359 --> 00:22:03,800
Speaker 1: like awesome, like you're learning in its rape.

499
00:22:04,040 --> 00:22:06,920
Speaker 4: So you're just going to go like just basically verbatim

500
00:22:07,280 --> 00:22:09,919
Speaker 4: say lin Manuel Miranda's lyrics, and we talk.

501
00:22:09,800 --> 00:22:12,160
Speaker 1: About the different parts that, okay, of the show.

502
00:22:12,200 --> 00:22:14,120
Speaker 2: He's the he's the guy. No, it's Hamilton. We want

503
00:22:14,119 --> 00:22:15,320
Speaker 2: to do ham We're doing Hamilton.

504
00:22:15,359 --> 00:22:17,119
Speaker 4: Yeah, but that's I'm just saying that that's the artist

505
00:22:17,160 --> 00:22:20,720
Speaker 4: behind Hamilton, the original lead and the man who wrote

506
00:22:20,760 --> 00:22:21,760
Speaker 4: the music and the lyrics.

507
00:22:23,680 --> 00:22:26,800
Speaker 3: Well, it's so we're okay, it seems like we're talking

508
00:22:26,840 --> 00:22:28,840
Speaker 3: past each other a little bit, but we want to

509
00:22:29,119 --> 00:22:31,320
Speaker 3: just like so we'll come in, we'll be like, welcome

510
00:22:31,320 --> 00:22:33,679
Speaker 3: to hack all the bullshit that. But then we do

511
00:22:34,040 --> 00:22:38,840
Speaker 3: fucking Hamilton and we're singing it yeah, and it's obviously.

512
00:22:38,400 --> 00:22:39,800
Speaker 2: Not as good as when they do it.

513
00:22:39,960 --> 00:22:43,000
Speaker 1: Yeah, but we are so enthusiastic about it, and the

514
00:22:43,040 --> 00:22:46,600
Speaker 1: guys like yes, yes, yes, yes, yes, yes, I mean

515
00:22:46,640 --> 00:22:48,200
Speaker 1: and he likes when we do it, right.

516
00:22:48,200 --> 00:22:50,879
Speaker 4: I mean, I guess it seems like what you're discussing

517
00:22:51,000 --> 00:22:54,800
Speaker 4: is maybe a niche Hamilton focused podcast, which is fine.

518
00:22:54,880 --> 00:22:56,560
Speaker 2: That's a fine thing to do. It's a segment.

519
00:22:56,800 --> 00:22:57,720
Speaker 1: It's just a segment, Okay.

520
00:22:57,760 --> 00:22:59,240
Speaker 4: But to me, that doesn't sound like a segment, like

521
00:22:59,240 --> 00:23:01,280
Speaker 4: we're just gonna sing a Halton and then talk about

522
00:23:01,320 --> 00:23:03,280
Speaker 4: how good it is. To me, that seems like you're

523
00:23:03,880 --> 00:23:05,600
Speaker 4: That doesn't seem like a thing you can Can we try?

524
00:23:05,720 --> 00:23:08,800
Speaker 1: Could we maybe just try? Yeah, before we're saying what's

525
00:23:09,359 --> 00:23:11,639
Speaker 1: that it's good or bad? Could we maybe actually just

526
00:23:11,760 --> 00:23:13,359
Speaker 1: try it and see if it works?

527
00:23:13,800 --> 00:23:14,720
Speaker 2: Guys house, Yes, you.

528
00:23:14,720 --> 00:23:17,919
Speaker 1: Guys, then maybe you want to see it before you decide.

529
00:23:18,000 --> 00:23:20,719
Speaker 1: So maybe you can start, since you are the expert

530
00:23:20,760 --> 00:23:24,200
Speaker 1: on this and say what's your favorite Hamilton? You love it? Yeah?

531
00:23:24,240 --> 00:23:25,920
Speaker 2: Okay, well I haven't seen Hamilton.

532
00:23:25,920 --> 00:23:28,840
Speaker 4: I'm just full disclosure, being honest, and again maybe just

533
00:23:28,880 --> 00:23:32,320
Speaker 4: another general note just so poor. Well look, just I

534
00:23:32,320 --> 00:23:34,359
Speaker 4: feel like some honesty people respond to that. So if

535
00:23:34,359 --> 00:23:36,119
Speaker 4: you're just forthrighting and say what you're.

536
00:23:36,000 --> 00:23:36,920
Speaker 2: And how did that happen?

537
00:23:37,119 --> 00:23:41,399
Speaker 1: I tell you what people respond to Hamilton. Okay, A scene.

538
00:23:41,359 --> 00:23:46,080
Speaker 4: Flies real, I haven't I haven't seen I haven't seen Hamilton.

539
00:23:46,160 --> 00:23:48,080
Speaker 2: How did that happen flies.

540
00:23:48,040 --> 00:23:51,159
Speaker 3: Just remembering which band the guy ruined his voice and

541
00:23:52,320 --> 00:23:54,040
Speaker 3: this is the kind of content.

542
00:23:56,760 --> 00:23:58,960
Speaker 2: All right, well look in any of it. Are you

543
00:23:59,000 --> 00:23:59,840
Speaker 2: doing next Sunday?

544
00:24:00,280 --> 00:24:02,199
Speaker 1: I mean, what is the what am I thinking of?

545
00:24:02,760 --> 00:24:04,640
Speaker 4: I don't know, you know, I worked on the Fantastic

546
00:24:04,680 --> 00:24:07,680
Speaker 4: four video game, and Taking Back Sunday had an original

547
00:24:07,720 --> 00:24:08,680
Speaker 4: song on the soundtrack.

548
00:24:09,080 --> 00:24:13,080
Speaker 1: Okay, so this is what we should be tired, not Hamilton, Like,

549
00:24:13,640 --> 00:24:15,879
Speaker 1: let's talk about the Fantastic four video game. That's what

550
00:24:15,880 --> 00:24:18,320
Speaker 1: people want to hear. Oh yeah, no, that'll be great.

551
00:24:18,440 --> 00:24:19,960
Speaker 1: Let's be honest about that.

552
00:24:20,080 --> 00:24:21,920
Speaker 4: I scripted it for it to come in in the

553
00:24:22,240 --> 00:24:24,440
Speaker 4: hospital level when you play, is Ben Grimm the thing?

554
00:24:24,960 --> 00:24:26,760
Speaker 4: There's a moment where you like, wake up in the

555
00:24:26,800 --> 00:24:29,680
Speaker 4: hospital bed and you're the thing. And then as that happens,

556
00:24:29,840 --> 00:24:32,720
Speaker 4: Taking Back Sunday kicks in and you start fucking up Robot.

557
00:24:32,800 --> 00:24:34,880
Speaker 1: I found you have that Ben Grimm becomes a thing

558
00:24:35,000 --> 00:24:36,720
Speaker 1: through elective surgery.

559
00:24:37,200 --> 00:24:39,200
Speaker 4: Well, no, it wasn't exactly that. It was that he

560
00:24:39,280 --> 00:24:41,720
Speaker 4: was in. It was in space. It was it was

561
00:24:41,720 --> 00:24:45,040
Speaker 4: derived from the first Fox movie. So oh sure, not

562
00:24:45,119 --> 00:24:47,520
Speaker 4: the one with that going canon. Yeah, the one with

563
00:24:47,600 --> 00:24:50,640
Speaker 4: Chris Evans is the Human Torch way back in the Yeah,

564
00:24:50,960 --> 00:24:53,800
Speaker 4: and so the way and Michael Chickliss played the thing,

565
00:24:54,200 --> 00:24:55,600
Speaker 4: and the way that it worked is that they were

566
00:24:55,600 --> 00:24:56,880
Speaker 4: all up on a space station.

567
00:24:58,280 --> 00:25:03,000
Speaker 1: Chickless at all. He's pulling them down. Oh you get

568
00:25:03,359 --> 00:25:06,240
Speaker 1: he's not chickless. Yeah he's Yeah, he's chick full. Yeah.

569
00:25:06,280 --> 00:25:09,560
Speaker 1: They don't let the last name fool. Yeah, no, he

570
00:25:09,640 --> 00:25:12,920
Speaker 1: got plenty of right anyway, that was a tangent good

571
00:25:12,960 --> 00:25:15,239
Speaker 1: he wear. He got sort of the Ricky Gervais thing

572
00:25:15,240 --> 00:25:18,320
Speaker 1: where we wear type black team looking like a snack.

573
00:25:19,600 --> 00:25:22,720
Speaker 1: He's sort of like barrel chested, you know, and you go,

574
00:25:22,800 --> 00:25:24,720
Speaker 1: like that guy fast, he's got it when he's pushing

575
00:25:24,760 --> 00:25:25,120
Speaker 1: them together.

576
00:25:25,200 --> 00:25:27,000
Speaker 2: Yeah, he's got a lot to work with. He's just

577
00:25:27,040 --> 00:25:29,000
Speaker 2: a man. He just looks like a man. He's a

578
00:25:29,119 --> 00:25:31,879
Speaker 2: fucking bowling. Just projects masculinity.

579
00:25:31,840 --> 00:25:34,920
Speaker 4: Yeah right, I mean that's what we that's part of

580
00:25:34,960 --> 00:25:37,400
Speaker 4: what we love about Gervais too, is that he's funny,

581
00:25:37,480 --> 00:25:39,680
Speaker 4: but he's also like he's just so mask.

582
00:25:39,600 --> 00:25:44,520
Speaker 2: He's order in good shape. Yeah yeah, no, seriously, and

583
00:25:44,560 --> 00:25:47,520
Speaker 2: the ways is really like he has fat in the

584
00:25:47,560 --> 00:25:48,520
Speaker 2: shape of muscles.

585
00:25:49,040 --> 00:25:49,480
Speaker 1: Oh he's not.

586
00:25:49,840 --> 00:25:51,720
Speaker 4: He's he's taking his shirt off to. You can find

587
00:25:51,760 --> 00:25:54,080
Speaker 4: the photo shoots with him without a shirt. You can

588
00:25:54,080 --> 00:25:56,240
Speaker 4: see his full Torso I've seen one of he's got himself.

589
00:25:56,240 --> 00:25:59,400
Speaker 4: He's got a microphone stand he's holding like a crucifix.

590
00:25:59,560 --> 00:26:02,959
Speaker 4: Think about that for a second. But meanwhile on his

591
00:26:03,200 --> 00:26:05,400
Speaker 4: so he's in a Christ pose, his legs cross, he's

592
00:26:05,400 --> 00:26:08,320
Speaker 4: holding a microphone stand, but strawled on his chest in

593
00:26:08,440 --> 00:26:10,200
Speaker 4: red kind of like a blood like color.

594
00:26:10,320 --> 00:26:11,879
Speaker 1: Is the word atheist?

595
00:26:12,240 --> 00:26:12,879
Speaker 2: Oh wow?

596
00:26:12,960 --> 00:26:16,479
Speaker 1: Because people are trying to kill him for telling the truth, right, uh,

597
00:26:17,359 --> 00:26:18,959
Speaker 1: just like they did with Jesus.

598
00:26:19,040 --> 00:26:23,679
Speaker 2: He's applying but that didn't happen. No, he says, yeah, yeah,

599
00:26:23,800 --> 00:26:25,400
Speaker 2: that's actually got a.

600
00:26:25,359 --> 00:26:27,920
Speaker 3: Lot of layers to it, and the AV club might

601
00:26:27,960 --> 00:26:31,200
Speaker 3: describe it as really freaking smart.

602
00:26:31,520 --> 00:26:33,040
Speaker 2: So sh we do one, Hamilton.

603
00:26:33,400 --> 00:26:36,480
Speaker 3: Let's do one quick, Hamilton. Just get it out of

604
00:26:36,480 --> 00:26:38,480
Speaker 3: the way, even though you Nick kind of ruined it.

605
00:26:38,720 --> 00:26:40,399
Speaker 2: I'm sorry, I'm sorry for taking us on that tension here.

606
00:26:40,600 --> 00:26:43,480
Speaker 3: And I found a website actually with this type of

607
00:26:43,560 --> 00:26:46,240
Speaker 3: fly that I've seen, so you guys can even see it. Okay,

608
00:26:47,640 --> 00:26:49,960
Speaker 3: it's like a subscription site, though you gotta pay.

609
00:26:50,080 --> 00:26:51,800
Speaker 4: Oh wait then, how do you know it's that type

610
00:26:51,800 --> 00:26:54,080
Speaker 4: of fly on it. Huh is it like a preview

611
00:26:54,080 --> 00:26:54,680
Speaker 4: image or something?

612
00:26:56,000 --> 00:26:58,119
Speaker 2: I think they probably should have really short preview.

613
00:26:58,240 --> 00:27:00,720
Speaker 1: Yeah, and then that's how they get and then the

614
00:27:00,800 --> 00:27:03,919
Speaker 1: subscribe window opens it over it. They just hook you

615
00:27:04,000 --> 00:27:06,320
Speaker 1: in and then they say, oh, not anymore, like yeah,

616
00:27:06,359 --> 00:27:08,720
Speaker 1: I guess I'm done with my like free articles for

617
00:27:08,760 --> 00:27:11,480
Speaker 1: this month. Well can you browse it on like incognito mode?

618
00:27:11,520 --> 00:27:11,800
Speaker 1: Do you have?

619
00:27:11,880 --> 00:27:13,359
Speaker 2: Do you want to want one of us to look

620
00:27:13,520 --> 00:27:14,879
Speaker 2: at it up on our phones? I don't have.

621
00:27:15,000 --> 00:27:20,640
Speaker 3: Anything to hide, so so, uh so that is all settled.

622
00:27:20,680 --> 00:27:23,760
Speaker 3: So let's do a quick Hamilton and then heys, what

623
00:27:23,840 --> 00:27:24,640
Speaker 3: are you gonna do?

624
00:27:25,240 --> 00:27:28,679
Speaker 1: I'm gonna do one Hamilton and you can do one? Okay,

625
00:27:28,760 --> 00:27:31,360
Speaker 1: you do one Hamilton? Or we can split one? Can you?

626
00:27:31,400 --> 00:27:33,000
Speaker 2: Can you you at least start one?

627
00:27:33,520 --> 00:27:33,720
Speaker 1: Yes?

628
00:27:33,800 --> 00:27:37,600
Speaker 2: Sure, because I'm not sure about much of it.

629
00:27:37,720 --> 00:27:42,159
Speaker 1: Okay, is there like a sound component to doing it?

630
00:27:42,240 --> 00:27:43,440
Speaker 1: I remember hearing.

631
00:27:43,200 --> 00:27:46,080
Speaker 2: About this, Yeah you get Wait, so you you have

632
00:27:46,359 --> 00:27:48,200
Speaker 2: you seen Hamilton? Yeah?

633
00:27:48,400 --> 00:27:51,159
Speaker 1: Okay, but as I said, I remember that there is

634
00:27:51,200 --> 00:27:54,840
Speaker 1: a sound part. Okay, so I am talking. Yes, I

635
00:27:54,840 --> 00:27:56,960
Speaker 1: have seen it. Obviously I do know something about it.

636
00:27:57,240 --> 00:28:01,919
Speaker 1: So maybe we play like a sound for me to

637
00:28:02,000 --> 00:28:05,840
Speaker 1: do a Hamilton on. Yeah, that's good, right, Yeah, let's

638
00:28:05,880 --> 00:28:08,080
Speaker 1: have Hayes do a Hamilton on a sound and then

639
00:28:08,240 --> 00:28:11,359
Speaker 1: we just closed the window with the warped tour bands. Okay,

640
00:28:11,480 --> 00:28:12,000
Speaker 1: let's do this.

641
00:28:12,160 --> 00:28:13,200
Speaker 2: Okay, Hayes, I've decided.

642
00:28:14,160 --> 00:28:17,080
Speaker 1: I've decided that I want to cut the moment where

643
00:28:17,119 --> 00:28:20,400
Speaker 1: I make a mistake about the singer because that would

644
00:28:20,440 --> 00:28:23,600
Speaker 1: affect how people think about you. I was actually thinking

645
00:28:23,600 --> 00:28:25,919
Speaker 1: that as it was happening, and then I am, and

646
00:28:25,960 --> 00:28:28,400
Speaker 1: then I sort of have referenced it again a couple

647
00:28:28,480 --> 00:28:30,680
Speaker 1: of times, and I wonder if we could get rid

648
00:28:30,720 --> 00:28:33,399
Speaker 1: of all of that. Yeah, because you're worried that you

649
00:28:33,440 --> 00:28:36,000
Speaker 1: have sort of established yourself as someone who would know

650
00:28:36,640 --> 00:28:39,360
Speaker 1: who messed up their voice, like which the leadsinger? Which

651
00:28:39,440 --> 00:28:43,760
Speaker 1: remember hearing that the lead singer of a band, a

652
00:28:43,920 --> 00:28:46,760
Speaker 1: band heard their voice in the same band that would

653
00:28:46,760 --> 00:28:49,000
Speaker 1: be on the warp tour with Save Faris.

654
00:28:49,040 --> 00:28:51,600
Speaker 2: Okay, can I can I just can I pipe in here?

655
00:28:51,760 --> 00:28:52,400
Speaker 1: Yeah?

656
00:28:52,880 --> 00:28:57,760
Speaker 2: My suggestion is that view that mistake as a gift. Yeah,

657
00:28:57,920 --> 00:28:58,840
Speaker 2: newfound glory.

658
00:28:59,240 --> 00:29:01,239
Speaker 1: This is what these guys would do is be like,

659
00:29:01,280 --> 00:29:03,560
Speaker 1: if you know what bandon is, do a fucking hashtag

660
00:29:03,640 --> 00:29:06,240
Speaker 1: or whatever. And we make like two bucks every time

661
00:29:06,320 --> 00:29:09,440
Speaker 1: you do it, Like we don't monetize it that directly.

662
00:29:09,520 --> 00:29:13,040
Speaker 1: But and there's an ad in the hashtag somehow that like, yeah,

663
00:29:13,360 --> 00:29:15,920
Speaker 1: you owe them money for having the hashtag. Yeah, well

664
00:29:15,920 --> 00:29:17,240
Speaker 1: I would say that's smart.

665
00:29:17,640 --> 00:29:20,080
Speaker 4: Beyond that, it just I feel like you there's some

666
00:29:20,480 --> 00:29:22,720
Speaker 4: You've had some discussion about it throughout the podcast, and

667
00:29:22,720 --> 00:29:23,400
Speaker 4: that's been something.

668
00:29:23,440 --> 00:29:26,400
Speaker 1: So so if you know who to is joined the

669
00:29:26,440 --> 00:29:30,040
Speaker 1: heart the hashtag, Hardy's hurt your voice, challenger, fucking whatever,

670
00:29:30,400 --> 00:29:33,200
Speaker 1: and we're all rich now, to protect my ego a

671
00:29:33,280 --> 00:29:35,680
Speaker 1: little bit, can we say that I do know the

672
00:29:35,800 --> 00:29:38,280
Speaker 1: answer though, and that I've gotten it wrong, just to

673
00:29:38,360 --> 00:29:41,000
Speaker 1: sort of that audience, send the audience on a fun,

674
00:29:41,960 --> 00:29:45,880
Speaker 1: uh sort of adventure down one of these Wikipedia rabbit holes.

675
00:29:46,360 --> 00:29:49,520
Speaker 1: You ever just start clicking random on Wikipedia?

676
00:29:49,760 --> 00:29:51,520
Speaker 2: I mean, is that a segment? Right?

677
00:29:52,040 --> 00:29:55,280
Speaker 4: And you wake up and it's like three minutes later,

678
00:29:55,360 --> 00:29:58,800
Speaker 4: and it's just like like that invented shoelace. Yes, you know,

679
00:29:59,200 --> 00:30:00,800
Speaker 4: it's just like but I I was really trying to

680
00:30:00,800 --> 00:30:05,080
Speaker 4: look up like who made velcro? Right, You're you're you're like, like, oh,

681
00:30:05,080 --> 00:30:08,240
Speaker 4: what year did count Chocula come out? And then sooner

682
00:30:08,320 --> 00:30:10,960
Speaker 4: or later you're reading about the Punic Wars.

683
00:30:11,160 --> 00:30:14,080
Speaker 2: What year I think it was the I think it

684
00:30:14,160 --> 00:30:15,320
Speaker 2: was probably the sixties.

685
00:30:15,360 --> 00:30:16,640
Speaker 1: I don't want to see. And this is how he

686
00:30:16,680 --> 00:30:19,520
Speaker 1: does it. He's like, now to count chocula. Yeah, the

687
00:30:19,600 --> 00:30:21,480
Speaker 1: checks already spent.

688
00:30:21,880 --> 00:30:25,640
Speaker 3: I assume hash talk lets let's let's talk chalk or whatever.

689
00:30:26,080 --> 00:30:27,200
Speaker 2: Let's talk shock jocks.

690
00:30:27,880 --> 00:30:30,080
Speaker 1: Yeah, can we just play the Hamilton place?

691
00:30:31,840 --> 00:30:35,160
Speaker 2: Count down to count? And then it's like big years, this.

692
00:30:35,280 --> 00:30:38,720
Speaker 1: Is havolted, this is havolted.

693
00:30:38,880 --> 00:30:40,400
Speaker 2: A Bulton Alton, this.

694
00:30:42,200 --> 00:30:50,920
Speaker 1: Bubbolton put down that gun, don't shoot me? And then yeah, stunning,

695
00:30:50,960 --> 00:30:55,240
Speaker 1: who's that? I don't like the annoying. That was annoying.

696
00:30:56,240 --> 00:30:59,000
Speaker 2: I mean, you know, look, I I don't this this.

697
00:30:59,080 --> 00:31:00,680
Speaker 4: So this is a segment. Hey, this is called this

698
00:31:00,720 --> 00:31:03,920
Speaker 4: Hamilton segment. Just call it Hamilton or just.

699
00:31:03,840 --> 00:31:04,840
Speaker 2: Hamilton out of me?

700
00:31:06,080 --> 00:31:08,880
Speaker 1: Is it too late to make our brand that we

701
00:31:09,000 --> 00:31:09,560
Speaker 1: like Hamilton?

702
00:31:09,600 --> 00:31:11,120
Speaker 2: Has anyone else tried to do that?

703
00:31:11,240 --> 00:31:11,520
Speaker 1: I think?

704
00:31:11,520 --> 00:31:13,800
Speaker 4: I mean, I think people I've seen that attempted. I've

705
00:31:13,800 --> 00:31:16,600
Speaker 4: seen people what happens first? Do you know the guy first?

706
00:31:17,080 --> 00:31:20,120
Speaker 4: Do you know Hamilton first? Or do you like it first?

707
00:31:20,160 --> 00:31:22,360
Speaker 4: And then he knows you, does.

708
00:31:22,200 --> 00:31:24,320
Speaker 2: The guy find out you like it somehow?

709
00:31:24,640 --> 00:31:26,480
Speaker 4: I think that's I think that's probably what it is,

710
00:31:26,520 --> 00:31:28,760
Speaker 4: like he sees his fans and engages with them. Okay,

711
00:31:28,760 --> 00:31:33,160
Speaker 4: it's one if you're talking about Menuel Miranda, not ham Again,

712
00:31:33,200 --> 00:31:36,560
Speaker 4: Hamilton references Alexander Hamilton, the historical figure.

713
00:31:36,720 --> 00:31:38,880
Speaker 1: Okay, it's not like there.

714
00:31:38,800 --> 00:31:41,840
Speaker 4: Isn't like a modern guy handen, But I just I

715
00:31:41,920 --> 00:31:43,480
Speaker 4: just want to say, do you guys again, are you

716
00:31:43,480 --> 00:31:44,920
Speaker 4: guys looking for notes on the segments or do you

717
00:31:44,960 --> 00:31:45,680
Speaker 4: just want to like do that?

718
00:31:45,760 --> 00:31:48,080
Speaker 1: Do you like that one? What do you think about

719
00:31:48,080 --> 00:31:51,400
Speaker 1: my voice? I mean, look, I like you. I liked

720
00:31:51,400 --> 00:31:55,520
Speaker 1: it because I'm thinking it's, as you say, shorter olden times.

721
00:31:56,040 --> 00:31:59,520
Speaker 1: So I kind of did like a cool old guy

722
00:32:00,240 --> 00:32:01,560
Speaker 1: I did where it kind of dragged.

723
00:32:02,160 --> 00:32:04,880
Speaker 2: Yeah, that's true. Do you want to tighten it up?

724
00:32:04,880 --> 00:32:07,440
Speaker 2: I think it should be like a third as long.

725
00:32:07,240 --> 00:32:07,720
Speaker 1: As it were.

726
00:32:08,160 --> 00:32:10,640
Speaker 4: I think, yeah, maybe it could be shorter or maybe

727
00:32:10,680 --> 00:32:13,040
Speaker 4: just rethink whether or not you want to do a

728
00:32:13,080 --> 00:32:16,800
Speaker 4: segment specific to Hamilton, which is I get And again

729
00:32:16,840 --> 00:32:19,160
Speaker 4: I'm not gonna and I'm not trying to accuse me.

730
00:32:19,280 --> 00:32:21,480
Speaker 1: Not Sam's that maybe say he could cut out some

731
00:32:21,520 --> 00:32:23,600
Speaker 1: of that annoying sound he was playing earlier.

732
00:32:23,720 --> 00:32:26,160
Speaker 4: Yeah, again, I think and I haven't seen it, but

733
00:32:26,200 --> 00:32:29,800
Speaker 4: I believe Sam was actually playing some of the musical Hamilton.

734
00:32:29,840 --> 00:32:32,040
Speaker 4: You're playing some of the original cast recording. Okay, so

735
00:32:32,080 --> 00:32:34,320
Speaker 4: that was Hamilton. And meanwhile, what you guys were doing,

736
00:32:34,320 --> 00:32:37,920
Speaker 4: It sounded like Hayes was singing from the soundtrack to

737
00:32:38,000 --> 00:32:41,600
Speaker 4: Nightmare before Christmas, this is Halloween, may by replacing Halloween

738
00:32:41,640 --> 00:32:45,080
Speaker 4: with this is Hamilton. That was what I Yeah, that's

739
00:32:45,120 --> 00:32:47,239
Speaker 4: what that is. So if you don't like that, you

740
00:32:47,280 --> 00:32:48,360
Speaker 4: probably don't like Hamilton.

741
00:32:48,440 --> 00:32:48,959
Speaker 1: Do we know?

742
00:32:49,440 --> 00:32:50,240
Speaker 2: Do we know him?

743
00:32:50,280 --> 00:32:50,600
Speaker 1: Now?

744
00:32:50,760 --> 00:32:52,680
Speaker 2: Is it possible that now we are friends with that?

745
00:32:52,800 --> 00:32:55,280
Speaker 1: That's what I'm about. I'm gonna hear me wondering, because

746
00:32:55,360 --> 00:32:57,640
Speaker 1: usually when I come into this stuff on social media,

747
00:32:57,880 --> 00:33:00,240
Speaker 1: all the people who like it are already for ends

748
00:33:00,280 --> 00:33:00,600
Speaker 1: with him.

749
00:33:00,760 --> 00:33:02,520
Speaker 2: Yes, that is what's confusing.

750
00:33:02,640 --> 00:33:06,160
Speaker 1: He's being like then, so now I wonder if we

751
00:33:06,200 --> 00:33:08,360
Speaker 1: have crossed that bridge and now we are friends with him.

752
00:33:08,480 --> 00:33:11,240
Speaker 2: Yeah, they're going like, hey, I'm here to see it.

753
00:33:11,320 --> 00:33:14,160
Speaker 1: Can I get in or something? But like he's and

754
00:33:14,200 --> 00:33:16,800
Speaker 1: here's me and him afterwards? Yeah, is there a picture

755
00:33:16,880 --> 00:33:20,680
Speaker 1: to me with him at the show. That's interesting does

756
00:33:20,680 --> 00:33:23,200
Speaker 1: that exist now? I mean if you haven't taken it.

757
00:33:23,240 --> 00:33:25,920
Speaker 1: I don't remember taking it. But how is it possible

758
00:33:25,960 --> 00:33:30,280
Speaker 1: that all these other people did yeah and not me?

759
00:33:30,520 --> 00:33:32,440
Speaker 1: There's like like some of these people like look at

760
00:33:32,440 --> 00:33:34,840
Speaker 1: it like this guy what like and not me? That

761
00:33:34,920 --> 00:33:35,880
Speaker 1: seems impossible.

762
00:33:36,600 --> 00:33:40,040
Speaker 3: So I have another segment idea okay, that we might

763
00:33:40,080 --> 00:33:43,520
Speaker 3: want to sort of sort through. And this is it's

764
00:33:43,560 --> 00:33:45,760
Speaker 3: basically and I don't know exactly, but you know how

765
00:33:45,800 --> 00:33:49,080
Speaker 3: I talked about going down these Wikipedia rabbit holes before?

766
00:33:49,480 --> 00:33:51,600
Speaker 1: Do you remember if you remember?

767
00:33:51,600 --> 00:33:53,720
Speaker 3: What if you what if you go down and you

768
00:33:53,760 --> 00:33:56,600
Speaker 3: read the Wikipedia of like some of the most twisted,

769
00:33:56,720 --> 00:34:01,160
Speaker 3: like fucked up shit that's ever happened, like freaking Marilyn

770
00:34:01,320 --> 00:34:06,840
Speaker 3: Manson or freaking what are the freaking bad guys? And

771
00:34:06,880 --> 00:34:09,160
Speaker 3: then you sort of half remember what you read in

772
00:34:09,160 --> 00:34:11,320
Speaker 3: Wikipedia and you talk about it with your friend.

773
00:34:12,080 --> 00:34:16,160
Speaker 1: You're talking about we don't read it during we have

774
00:34:16,239 --> 00:34:17,680
Speaker 1: read the article a long time.

775
00:34:17,480 --> 00:34:18,600
Speaker 2: Ago, we read it the day before.

776
00:34:19,239 --> 00:34:21,960
Speaker 1: There's some freaky stuff like like cousin it.

777
00:34:21,960 --> 00:34:23,600
Speaker 4: It sounds like you're talking about some sort of true

778
00:34:23,640 --> 00:34:26,399
Speaker 4: crime thing. You're you're akin to a true crime thing.

779
00:34:26,400 --> 00:34:29,480
Speaker 4: But what you've referenced Marilyn Manson and cousin It. Marilyn

780
00:34:29,480 --> 00:34:32,520
Speaker 4: Manson is a musician. Cousin It is a member of

781
00:34:32,520 --> 00:34:35,520
Speaker 4: the Adams family. So I mean, I mean, I guess,

782
00:34:35,600 --> 00:34:37,080
Speaker 4: I guess you could talk about just things that are

783
00:34:37,120 --> 00:34:39,080
Speaker 4: like horror and pop culture, and maybe that's the thing.

784
00:34:39,080 --> 00:34:39,400
Speaker 2: You can just.

785
00:34:39,920 --> 00:34:42,960
Speaker 4: Beast, the Beast from Beauty and the Beast. Huh do

786
00:34:43,000 --> 00:34:44,360
Speaker 4: you mean the Beast from Beauty and the Beast? Is

787
00:34:44,360 --> 00:34:49,640
Speaker 4: that what you're referencing. Kelsey Grammar is rolling X Men three,

788
00:34:50,239 --> 00:34:52,320
Speaker 4: where he played the Beast, I mean Beast.

789
00:34:52,800 --> 00:34:55,160
Speaker 1: I mean, I'm reading that, and then I'm going like, hey,

790
00:34:55,360 --> 00:34:59,160
Speaker 1: do you even remember like that he had to spend

791
00:34:59,160 --> 00:35:01,759
Speaker 1: two and a half hour in makeup every morning, and

792
00:35:01,760 --> 00:35:04,759
Speaker 1: that was before they applied the fur. And he's going like,

793
00:35:04,920 --> 00:35:08,920
Speaker 1: oh shit, imagine that happening. That's so sick, and like

794
00:35:09,000 --> 00:35:11,359
Speaker 1: saying what he would do if that was happening. And

795
00:35:11,400 --> 00:35:14,239
Speaker 1: we're kind of going like holy shit, and like talking

796
00:35:14,239 --> 00:35:16,560
Speaker 1: about like some of the darkest, most fucked up stuff,

797
00:35:16,560 --> 00:35:19,239
Speaker 1: but we're having fun, uh huh. But some of it's

798
00:35:19,280 --> 00:35:22,839
Speaker 1: like kind of fucking twisted, man, and these guys all

799
00:35:22,880 --> 00:35:26,839
Speaker 1: did very horrible, like gruesome things. I mean, so this

800
00:35:26,880 --> 00:35:28,480
Speaker 1: is where we could actually help because you seem to

801
00:35:28,480 --> 00:35:31,800
Speaker 1: think that these are all like normal, non scary people,

802
00:35:31,920 --> 00:35:36,520
Speaker 1: when really they have done some like ghastly stuff.

803
00:35:36,640 --> 00:35:39,880
Speaker 4: I mean, what comes to mind is something that Kelsey

804
00:35:39,920 --> 00:35:41,040
Speaker 4: Grammar's beasted.

805
00:35:41,040 --> 00:35:45,840
Speaker 1: It that that is ghastly, don't I mean, that's probably

806
00:35:46,360 --> 00:35:50,000
Speaker 1: That's not even the best example, though, so let's skip.

807
00:35:50,120 --> 00:35:52,160
Speaker 4: You'd have to do some Wikipedia research with I mean,

808
00:35:52,200 --> 00:35:55,120
Speaker 4: he's slashing guards.

809
00:35:55,480 --> 00:36:00,239
Speaker 1: Okay, dude, freaking think about if we're talking it's me

810
00:36:00,280 --> 00:36:02,880
Speaker 1: and Hays, we're talking about like Grandpa Monster.

811
00:36:05,280 --> 00:36:08,080
Speaker 4: And again, I feel like what you're referencing are characters

812
00:36:08,080 --> 00:36:12,000
Speaker 4: from pop culture and also from things that aren't necessarily

813
00:36:12,080 --> 00:36:15,279
Speaker 4: even horror, like the The Munsters.

814
00:36:15,280 --> 00:36:21,200
Speaker 1: Okay, okay, okay, So you're walking down the street, minding

815
00:36:21,280 --> 00:36:25,600
Speaker 1: your own business. Yeah, Grandpa Monster rolls up on you,

816
00:36:25,800 --> 00:36:27,920
Speaker 1: right and here and here's Nick Wiger. Here's Nick Wiger.

817
00:36:28,000 --> 00:36:29,879
Speaker 1: Oh hey, this is all like totally I'm totally cool

818
00:36:29,920 --> 00:36:32,560
Speaker 1: with this. I'm not scared. This is just like a

819
00:36:32,640 --> 00:36:35,279
Speaker 1: normal night for me, and I'm having fun. Yeah, and

820
00:36:35,320 --> 00:36:37,880
Speaker 1: I'm happy about it, and I'm glad I saw him.

821
00:36:38,400 --> 00:36:43,880
Speaker 2: Well, Pupe Pants and Merril Manson wants to suck his own.

822
00:36:43,840 --> 00:36:46,879
Speaker 1: Dick right behind you, right behind me, and he got

823
00:36:47,000 --> 00:36:48,960
Speaker 1: ribs removed for it, and he's Paul fight for from

824
00:36:49,080 --> 00:36:50,240
Speaker 1: fucking wonder years.

825
00:36:50,840 --> 00:36:52,319
Speaker 2: Think about that, Nick, right?

826
00:36:53,360 --> 00:36:56,680
Speaker 4: I mean again, I'm just I if what you're talking

827
00:36:56,680 --> 00:36:58,839
Speaker 4: about is talking about things that are real, you're your

828
00:36:58,880 --> 00:37:01,440
Speaker 4: idea for a segment is we're gonna discussings that are twisted.

829
00:37:01,840 --> 00:37:04,239
Speaker 1: I hope that's remember I said, it's because you don't know,

830
00:37:04,320 --> 00:37:06,240
Speaker 1: and maybe this could be the value of the podcast

831
00:37:06,239 --> 00:37:08,680
Speaker 1: that people are actually learning about this Gary well, And

832
00:37:08,680 --> 00:37:10,000
Speaker 1: that's part of what I think would make it so

833
00:37:10,120 --> 00:37:12,319
Speaker 1: popular is a lot of people don't even remember not

834
00:37:12,400 --> 00:37:15,319
Speaker 1: only with Grandpa Monster not only wanted to kill, but

835
00:37:15,480 --> 00:37:18,040
Speaker 1: he was horny about it as well. Mm hmm.

836
00:37:18,360 --> 00:37:20,520
Speaker 4: Okay, can I just pitch something like, maybe a topic

837
00:37:20,760 --> 00:37:24,160
Speaker 4: you guys could discuss it, just if you're going to

838
00:37:24,280 --> 00:37:27,680
Speaker 4: go in this direction, how about someone.

839
00:37:27,320 --> 00:37:28,520
Speaker 2: Like the Zodiac Killer.

840
00:37:30,840 --> 00:37:36,359
Speaker 4: Yeah, I mean he he gets punched by beast or something. No, no,

841
00:37:36,400 --> 00:37:39,080
Speaker 4: the Zodiac I mean that's an interesting thought experiment.

842
00:37:39,200 --> 00:37:42,280
Speaker 2: You wouldn't be still defeat beast.

843
00:37:42,880 --> 00:37:45,600
Speaker 4: No, I'm suggesting that because the Zodiac Killer was an

844
00:37:45,600 --> 00:37:46,480
Speaker 4: actually one.

845
00:37:46,360 --> 00:37:47,759
Speaker 1: Of them is like a snack. How is this?

846
00:37:48,120 --> 00:37:51,640
Speaker 4: How is the like, how's the dough Boys? Well, again,

847
00:37:51,680 --> 00:37:53,720
Speaker 4: we're talking about your guys podcast. We're not talking about

848
00:37:53,719 --> 00:37:56,480
Speaker 4: dough boys. So I feel like we're pretty far afield

849
00:37:56,520 --> 00:37:58,560
Speaker 4: from what the original mission statement was.

850
00:38:00,520 --> 00:38:02,600
Speaker 1: Okay, now he's like, okay, let's bring it. Can we

851
00:38:02,680 --> 00:38:04,320
Speaker 1: bring it back to my show? Please do boys?

852
00:38:04,320 --> 00:38:07,640
Speaker 2: But like we're you're not, We're not here to do that.

853
00:38:08,280 --> 00:38:08,840
Speaker 1: Yeah.

854
00:38:09,640 --> 00:38:11,239
Speaker 4: Well, and anyway, I feel like if you guys are

855
00:38:11,239 --> 00:38:14,560
Speaker 4: going it's a different thing, Patreo, though, it's a different thing.

856
00:38:15,640 --> 00:38:17,600
Speaker 4: As far as the segment pitch, we can try it,

857
00:38:17,920 --> 00:38:20,160
Speaker 4: but as far as this pitch is concerned, I just

858
00:38:20,200 --> 00:38:23,160
Speaker 4: feel like you need to either this is going to

859
00:38:23,200 --> 00:38:26,040
Speaker 4: be about like maybe campy horror stuff and pop culture.

860
00:38:26,280 --> 00:38:28,719
Speaker 4: We're going to talk about like movie monsters, or we're

861
00:38:28,760 --> 00:38:30,680
Speaker 4: going to talk about true crime, because they're kind of

862
00:38:30,680 --> 00:38:34,680
Speaker 4: different umbrellas, and I feel like the appeal of what

863
00:38:34,719 --> 00:38:36,400
Speaker 4: you were originally pitching it sounds like some of the

864
00:38:36,400 --> 00:38:38,799
Speaker 4: true crime podcasts that are very successful that I have

865
00:38:38,840 --> 00:38:42,920
Speaker 4: a very like strong and loyal following. So I would

866
00:38:42,960 --> 00:38:46,799
Speaker 4: just you know, crying, No, I'm not well, I'm not crying.

867
00:38:47,040 --> 00:38:48,720
Speaker 1: Oh my god, I'm not crying.

868
00:38:49,239 --> 00:38:52,680
Speaker 2: He's like crying about it. Guys, I'm not crying.

869
00:38:53,760 --> 00:38:57,359
Speaker 1: He's like started crying about it. Sam. Did you see Sam?

870
00:38:57,400 --> 00:38:59,319
Speaker 1: Do you agree that he was crying? Did you guys

871
00:38:59,320 --> 00:39:05,680
Speaker 1: see him crying? Yes? He was, Oh my god, yes, trying.

872
00:39:06,200 --> 00:39:06,640
Speaker 2: Shut up?

873
00:39:06,640 --> 00:39:11,840
Speaker 1: Shut up? Why is he crying? That's like so crazy,

874
00:39:12,880 --> 00:39:16,040
Speaker 1: just talking about how like another show is successful. Yeah,

875
00:39:16,040 --> 00:39:19,120
Speaker 1: he's like they're really successfully, really loyal follows, and he

876
00:39:19,200 --> 00:39:23,080
Speaker 1: started fucking crying. Oh my god, shut the fuck up.

877
00:39:25,200 --> 00:39:30,600
Speaker 4: Hey, Hi, Chef Kevin. It's Chef Kevin, Jeff Kevin. Did

878
00:39:30,600 --> 00:39:32,640
Speaker 4: you hear could you hear out tiwhend Nick was crying?

879
00:39:32,760 --> 00:39:35,799
Speaker 4: Did you hear him start crying about like other podcasts?

880
00:39:37,880 --> 00:39:41,399
Speaker 2: Sit down, Chef Kevin, Yeah, Kevin, Chef Kevin where him?

881
00:39:41,920 --> 00:39:42,120
Speaker 4: Yeah?

882
00:39:42,239 --> 00:39:44,280
Speaker 1: Should we use him? I just want I wasn't crying

883
00:39:44,280 --> 00:39:48,080
Speaker 1: there he's coming in. You're making it worse. He's still crying.

884
00:39:48,080 --> 00:39:49,960
Speaker 2: I want to say it wasn't crying. Yeah, And he's

885
00:39:50,000 --> 00:39:50,960
Speaker 2: trying to like clean it.

886
00:39:50,920 --> 00:39:53,480
Speaker 1: Up saying he wasn't crying, but he is now. I

887
00:39:53,520 --> 00:39:58,480
Speaker 1: guess yeah, like he started because I don't know, so

888
00:39:58,840 --> 00:40:01,800
Speaker 1: Chef Kevin, h we wanted to do like a little

889
00:40:01,800 --> 00:40:09,719
Speaker 1: segment where we talk about who at earwolf uh has

890
00:40:09,800 --> 00:40:12,879
Speaker 1: had plastic surgery, and then we do before and after

891
00:40:13,000 --> 00:40:15,719
Speaker 1: picks up on the website. And this segment was kind

892
00:40:15,760 --> 00:40:18,840
Speaker 1: of inspired by Nick a little bit that he was

893
00:40:18,880 --> 00:40:23,200
Speaker 1: just talking about how you seem like really fake. Got

894
00:40:23,239 --> 00:40:23,719
Speaker 1: it all right?

895
00:40:23,719 --> 00:40:25,239
Speaker 4: I think you're putting words in my mouth. I didn't

896
00:40:25,239 --> 00:40:31,200
Speaker 4: say anything. He said that you've seen again faker. Yeah again? Yeah,

897
00:40:31,400 --> 00:40:32,920
Speaker 4: I didn't. I feel like, if you listen to the episode,

898
00:40:32,960 --> 00:40:36,000
Speaker 4: it's not at no point did I say that about sure.

899
00:40:36,200 --> 00:40:38,120
Speaker 4: I mean, honestly, firstly, this is the first time you've

900
00:40:38,120 --> 00:40:38,839
Speaker 4: come up since you.

901
00:40:39,200 --> 00:40:39,719
Speaker 1: Entered the room.

902
00:40:39,800 --> 00:40:41,080
Speaker 2: Are we doing the segment?

903
00:40:41,120 --> 00:40:43,640
Speaker 1: And when you listen to the episode, Kevin Ress assured

904
00:40:43,680 --> 00:40:47,479
Speaker 1: we will not include that part when he said that okay, okay, okay,

905
00:40:48,040 --> 00:40:51,319
Speaker 1: are you ready for okay? And so I guess this

906
00:40:51,440 --> 00:40:53,920
Speaker 1: is part of this is this is like scary.

907
00:40:54,040 --> 00:40:56,560
Speaker 2: We could do this like our murder. We could talk

908
00:40:56,600 --> 00:40:56,920
Speaker 2: about this.

909
00:40:57,239 --> 00:40:58,360
Speaker 1: It's not Neith Hamilton.

910
00:40:58,520 --> 00:41:01,680
Speaker 3: Huh oh is that no? Take that out? Oh you're

911
00:41:01,719 --> 00:41:02,959
Speaker 3: going to get in trouble.

912
00:41:02,800 --> 00:41:03,400
Speaker 2: Or maybe not.

913
00:41:03,480 --> 00:41:04,520
Speaker 1: I guess we're friends with them.

914
00:41:05,000 --> 00:41:07,840
Speaker 2: But so you guys found that scary. You were scared

915
00:41:07,880 --> 00:41:10,600
Speaker 2: by that. So it's the way he was saying it

916
00:41:10,680 --> 00:41:12,759
Speaker 2: was so like like he was.

917
00:41:12,840 --> 00:41:15,120
Speaker 1: Trying to hurt me. I honestly was looking over my

918
00:41:15,160 --> 00:41:17,719
Speaker 1: shoulder like Grandpa Monster gonna jump out here.

919
00:41:18,080 --> 00:41:20,359
Speaker 4: I would say, if you guys are legitimately spooked by

920
00:41:20,480 --> 00:41:23,040
Speaker 4: the Hamilton soundtrack and the thought of cousin it from

921
00:41:23,040 --> 00:41:26,440
Speaker 4: the Adams family, I would avoid true crime as a

922
00:41:26,480 --> 00:41:29,439
Speaker 4: topic because if you actually look into this, it's very

923
00:41:29,440 --> 00:41:31,920
Speaker 4: disturbing the things that actual people have done to other

924
00:41:32,000 --> 00:41:34,400
Speaker 4: human beings. I would just maybe steer clear of that

925
00:41:34,400 --> 00:41:35,320
Speaker 4: sort of themselves.

926
00:41:35,400 --> 00:41:37,120
Speaker 2: In the case of Marilyn Manson.

927
00:41:36,840 --> 00:41:39,279
Speaker 1: Right, or Kevin as far as your gets an, yeah

928
00:41:39,560 --> 00:41:41,600
Speaker 1: like that, what he's done to himself is he made

929
00:41:41,680 --> 00:41:45,080
Speaker 1: himself fake. That he sort of looks to you like

930
00:41:45,160 --> 00:41:47,319
Speaker 1: some kind of creature now and not even like a

931
00:41:47,360 --> 00:41:51,319
Speaker 1: man boo, and he's leaning into it.

932
00:41:51,880 --> 00:41:54,480
Speaker 2: That's good, Chef Kevin. Have a sense of humor about.

933
00:41:56,239 --> 00:42:00,960
Speaker 1: How just disfigured you've become through your addiction plastic surgery.

934
00:42:01,760 --> 00:42:04,439
Speaker 1: We we have to learn to laugh. So what else

935
00:42:04,480 --> 00:42:06,920
Speaker 1: have some other people done? What are some other procedures

936
00:42:06,920 --> 00:42:10,480
Speaker 1: that people that earwolf have done.

937
00:42:10,320 --> 00:42:14,239
Speaker 3: And we're obviously thinking about Josh here about some of

938
00:42:14,239 --> 00:42:15,280
Speaker 3: the hosts as well.

939
00:42:16,320 --> 00:42:20,640
Speaker 5: Yes, I would say Colin definitely got plastic surgery, but

940
00:42:20,680 --> 00:42:22,960
Speaker 5: it went he wasn't originally British.

941
00:42:22,719 --> 00:42:24,520
Speaker 2: But yeah, he got that put on.

942
00:42:24,680 --> 00:42:31,040
Speaker 5: Yeah, just you know stand out. Josh got the why

943
00:42:31,160 --> 00:42:35,160
Speaker 5: so serious uh smile seem a little more friendly, but

944
00:42:35,200 --> 00:42:35,960
Speaker 5: it backfired.

945
00:42:38,800 --> 00:42:42,560
Speaker 2: And then Mike still got his lower back enhanced.

946
00:42:42,640 --> 00:42:45,239
Speaker 1: Is that right? It's definitely stronger m m.

947
00:42:45,600 --> 00:42:46,000
Speaker 2: Yeah.

948
00:42:46,280 --> 00:42:48,200
Speaker 4: Is that he's got a lot of first wait, so

949
00:42:48,280 --> 00:42:49,759
Speaker 4: is that like a cosmetic thing or is that more

950
00:42:49,840 --> 00:42:53,359
Speaker 4: just for I think he put like hydraulics in and.

951
00:42:53,320 --> 00:42:55,400
Speaker 1: I think one of those guys that like got in

952
00:42:55,480 --> 00:42:58,279
Speaker 1: an accident on purpose to be like, oh now I

953
00:42:58,360 --> 00:43:00,480
Speaker 1: need like a new love. We're back.

954
00:43:00,800 --> 00:43:02,879
Speaker 2: Oh, I guess I'll get like a really good one

955
00:43:02,880 --> 00:43:04,120
Speaker 2: that's like that's.

956
00:43:03,920 --> 00:43:06,480
Speaker 1: Hot now Yeah, and then it's like that is that

957
00:43:06,560 --> 00:43:09,360
Speaker 1: really turning me on when I'm trying to do the show.

958
00:43:09,960 --> 00:43:13,160
Speaker 1: So that's yeah, that's some of the ones. But we

959
00:43:13,200 --> 00:43:15,399
Speaker 1: want to sort of raise and lowering him.

960
00:43:15,600 --> 00:43:18,440
Speaker 3: And then what we could do, I think, inspired by

961
00:43:18,440 --> 00:43:20,279
Speaker 3: you a little bit, Nick, is find some kind of

962
00:43:20,280 --> 00:43:22,960
Speaker 3: hashtag and then we tweet before and after pictures of

963
00:43:23,000 --> 00:43:26,319
Speaker 3: like Mike Still's lower back, you know, call Hard or

964
00:43:26,360 --> 00:43:27,200
Speaker 3: whatever his name is.

965
00:43:27,440 --> 00:43:28,800
Speaker 4: I just want to take a step back for a second.

966
00:43:29,520 --> 00:43:31,440
Speaker 4: What is this? So what is the segment?

967
00:43:33,360 --> 00:43:37,920
Speaker 1: The segment is called snacker Whack. Yes, snacker wack bitch.

968
00:43:38,000 --> 00:43:40,400
Speaker 2: So this is also called snacker wack. I just really

969
00:43:40,400 --> 00:43:40,799
Speaker 2: do that.

970
00:43:41,520 --> 00:43:45,360
Speaker 1: After they got the most popular segment, classic surgery Proceders.

971
00:43:45,440 --> 00:43:47,120
Speaker 1: It is a bit like, you know, this is your thing,

972
00:43:47,239 --> 00:43:49,360
Speaker 1: it's inspired by you, and like how what you do

973
00:43:49,400 --> 00:43:50,160
Speaker 1: with chips or whatever.

974
00:43:50,280 --> 00:43:52,640
Speaker 4: I just feel like when when you've got a like

975
00:43:52,680 --> 00:43:55,279
Speaker 4: a segment like snacker Whack, the value of having it

976
00:43:55,320 --> 00:43:57,799
Speaker 4: be specific to one thing, and for your guy's case,

977
00:43:57,960 --> 00:44:00,239
Speaker 4: it feels like you land it on you know. Again,

978
00:44:00,280 --> 00:44:02,520
Speaker 4: this is something where we're going to be very personal

979
00:44:02,560 --> 00:44:04,480
Speaker 4: about someone's physical appearance, which a lot of people are

980
00:44:04,520 --> 00:44:06,560
Speaker 4: sensitive about. I feel like your audience could see his

981
00:44:06,640 --> 00:44:07,120
Speaker 4: mean spirit.

982
00:44:07,200 --> 00:44:10,080
Speaker 3: It feels like you don't think anyone at Earwolf is

983
00:44:10,239 --> 00:44:12,560
Speaker 3: looking like a snack, and you think they're all whack

984
00:44:12,800 --> 00:44:14,880
Speaker 3: because you just keep saying that it's mean, when like

985
00:44:14,920 --> 00:44:16,440
Speaker 3: it might actually be really nice.

986
00:44:16,800 --> 00:44:19,720
Speaker 1: I guess if you're always saying people are snacks.

987
00:44:20,000 --> 00:44:23,000
Speaker 2: There's segment when they hold the segment is snack or whack.

988
00:44:23,040 --> 00:44:24,640
Speaker 1: You decide are they looking like a snack or do

989
00:44:24,719 --> 00:44:26,520
Speaker 1: they make me want to go ohy whack off?

990
00:44:26,520 --> 00:44:27,560
Speaker 2: So yeah, that's right.

991
00:44:27,960 --> 00:44:31,480
Speaker 4: Wait wait so if there so, it's always regardless of

992
00:44:31,520 --> 00:44:34,439
Speaker 4: what it is, it's something that you find them turned on.

993
00:44:34,520 --> 00:44:36,640
Speaker 4: It's just a matter of like, am I so turned

994
00:44:36,640 --> 00:44:38,960
Speaker 4: on that I gotta go and freaking gobble them up right?

995
00:44:40,000 --> 00:44:42,000
Speaker 3: Or am I turned on that I have to leave

996
00:44:42,200 --> 00:44:44,279
Speaker 3: and whack off by myself. It's just a question of

997
00:44:44,280 --> 00:44:47,520
Speaker 3: am I engaging with them or is it something private

998
00:44:47,600 --> 00:44:47,840
Speaker 3: for me?

999
00:44:49,000 --> 00:44:51,000
Speaker 1: So it seems like I could whack off in front

1000
00:44:51,040 --> 00:44:53,279
Speaker 1: of them too, And can I say, you're you have

1001
00:44:53,360 --> 00:44:56,439
Speaker 1: that relationship with food at this point that you look

1002
00:44:56,480 --> 00:45:00,640
Speaker 1: at like like a like a bag of hostitos or

1003
00:45:00,680 --> 00:45:04,040
Speaker 1: something and you're like, Okay, now I have to whack off. Yeah,

1004
00:45:04,040 --> 00:45:07,040
Speaker 1: come on, man, that's sick man. Speaking of which, we

1005
00:45:07,040 --> 00:45:09,080
Speaker 1: were going to do a segment where we just graphically

1006
00:45:09,120 --> 00:45:12,800
Speaker 1: describe sexual encounters like.

1007
00:45:12,360 --> 00:45:15,120
Speaker 2: Like real ones. Yeah, maybe not that we're.

1008
00:45:14,960 --> 00:45:17,880
Speaker 3: Involved in, but just like like you, we've either taped

1009
00:45:17,960 --> 00:45:21,080
Speaker 3: or looked at about and it's called snack or whack.

1010
00:45:22,360 --> 00:45:24,520
Speaker 4: I mean again, I think I feel like the one

1011
00:45:24,520 --> 00:45:26,520
Speaker 4: issue is that you're just going to confuse the audience

1012
00:45:26,560 --> 00:45:29,319
Speaker 4: by having a bunch of segments named the same thing,

1013
00:45:29,400 --> 00:45:31,640
Speaker 4: which is also the same as the segment name on

1014
00:45:31,680 --> 00:45:35,480
Speaker 4: a different podcast. Anymore, Well, I'm well, like okay, Aside

1015
00:45:35,480 --> 00:45:39,520
Speaker 4: from that, I feel like just graphically describing sexual acts,

1016
00:45:39,560 --> 00:45:40,759
Speaker 4: I mean there's an audience for that.

1017
00:45:40,840 --> 00:45:42,960
Speaker 2: I'm not sure if it's the same as your audience.

1018
00:45:43,239 --> 00:45:45,080
Speaker 4: You know, for instance, like on our podcast, we're talking

1019
00:45:45,120 --> 00:45:46,759
Speaker 4: about fast foods, so we know if we're also going

1020
00:45:46,800 --> 00:45:48,920
Speaker 4: to talk about like say, chips or cookies, we use

1021
00:45:48,960 --> 00:45:49,440
Speaker 4: the same.

1022
00:45:49,360 --> 00:45:52,839
Speaker 1: Do the main podcast right where you're ad supported, and

1023
00:45:52,880 --> 00:45:56,040
Speaker 1: then you have people doing a Patreon right? What is that?

1024
00:45:56,160 --> 00:45:58,000
Speaker 2: I feel to you? What is enough?

1025
00:45:59,719 --> 00:46:02,520
Speaker 3: Like the people are paying money for this, Like think

1026
00:46:02,560 --> 00:46:05,440
Speaker 3: about your show and like they're paying for it, and

1027
00:46:05,480 --> 00:46:08,120
Speaker 3: what that means like that they're like willing to pay

1028
00:46:08,160 --> 00:46:09,759
Speaker 3: for it, You're like making them do.

1029
00:46:09,800 --> 00:46:12,440
Speaker 1: It, Like what's their life if they're paying for it?

1030
00:46:12,480 --> 00:46:14,400
Speaker 2: And then you're asking them to actually do it and

1031
00:46:14,440 --> 00:46:18,400
Speaker 2: they're doing it like Jesus christ Man, And when do

1032
00:46:18,440 --> 00:46:19,280
Speaker 2: we like stop?

1033
00:46:19,400 --> 00:46:23,440
Speaker 1: When do we decide? Okay, Now, I'm fine, I have enough.

1034
00:46:23,680 --> 00:46:24,680
Speaker 1: You know, snack.

1035
00:46:25,440 --> 00:46:26,840
Speaker 5: This is a snack, right.

1036
00:46:28,640 --> 00:46:35,000
Speaker 4: This is the same you're saying, hold a toothbrush.

1037
00:46:35,000 --> 00:46:37,120
Speaker 2: Sorry, I'm disoriented. Where So we're talking.

1038
00:46:37,320 --> 00:46:39,719
Speaker 4: You guys were talking about the economic model of our podcast,

1039
00:46:39,920 --> 00:46:41,080
Speaker 4: which is, yes, that's that's fair.

1040
00:46:41,120 --> 00:46:43,520
Speaker 2: That's a fair point. Fair, it's fair to bring that up.

1041
00:46:43,560 --> 00:46:46,040
Speaker 4: That say that there are small segment of our a

1042
00:46:46,040 --> 00:46:49,360
Speaker 4: small percentage of our dedicated fans, who are spending money

1043
00:46:49,400 --> 00:46:51,719
Speaker 4: out of pocket to subscribe. The thing is they are

1044
00:46:51,719 --> 00:46:54,720
Speaker 4: getting a bonus episode every week, so you can you can.

1045
00:46:54,600 --> 00:46:55,759
Speaker 2: Discuss, you can talk about that.

1046
00:46:56,080 --> 00:46:59,279
Speaker 4: And then also the overwhelming majority of our audience over

1047
00:46:59,440 --> 00:47:02,239
Speaker 4: I'm not crying, he's crying. The overwhelming majority of our

1048
00:47:02,280 --> 00:47:07,080
Speaker 4: audience is unpaid, so for them, that helps pay for

1049
00:47:07,080 --> 00:47:10,120
Speaker 4: the bandwidth, the fact that we're running ads on our

1050
00:47:10,200 --> 00:47:16,360
Speaker 4: much larger listener account. So that's the economic model of

1051
00:47:16,360 --> 00:47:18,640
Speaker 4: of Doboy. And that's probably very different than what Earwolf does.

1052
00:47:18,680 --> 00:47:21,560
Speaker 4: But we know that even Earwolf has their stitch your premium,

1053
00:47:21,840 --> 00:47:23,560
Speaker 4: which is its own thing, which is its own you know,

1054
00:47:23,680 --> 00:47:25,720
Speaker 4: paid paid model for your background.

1055
00:47:25,760 --> 00:47:30,200
Speaker 2: Right, I'm not I'm not crying. I'm not crying. Again,

1056
00:47:30,239 --> 00:47:30,880
Speaker 2: I'm not crying.

1057
00:47:31,880 --> 00:47:35,680
Speaker 1: You're making Kevin cry it's a pretty story.

1058
00:47:35,880 --> 00:47:36,560
Speaker 2: Thank you, Kevin.

1059
00:47:38,280 --> 00:47:40,560
Speaker 4: So what so we're talking about so here, here's what Okay,

1060
00:47:40,600 --> 00:47:41,640
Speaker 4: let's go back to your segment.

1061
00:47:42,160 --> 00:47:45,239
Speaker 2: If we're talking about who got plastic surgery at Earwolf?

1062
00:47:45,360 --> 00:47:48,880
Speaker 1: Yes, I feel like maybe you know, a small whether

1063
00:47:48,960 --> 00:47:49,840
Speaker 1: we want to whack.

1064
00:47:49,680 --> 00:47:53,040
Speaker 4: Up right, there might be a small segment of your

1065
00:47:53,400 --> 00:47:56,919
Speaker 4: dedicated fan base that is aware of the personnel who

1066
00:47:56,960 --> 00:48:00,279
Speaker 4: work at Earwolf. But I would say there's probably maybe

1067
00:48:00,320 --> 00:48:02,600
Speaker 4: a larger segment who doesn't necessarily.

1068
00:48:02,520 --> 00:48:04,560
Speaker 1: Why do you want to silence the people at Faroll

1069
00:48:04,600 --> 00:48:06,960
Speaker 1: Audio because you never talk about those guys.

1070
00:48:07,040 --> 00:48:08,719
Speaker 4: I feel like we do. I feel like we talk

1071
00:48:08,760 --> 00:48:10,440
Speaker 4: about some of our staff at Farah Audio.

1072
00:48:10,440 --> 00:48:12,120
Speaker 2: For there's Dustin, there's.

1073
00:48:11,960 --> 00:48:15,399
Speaker 4: Dustin Yeatton, there's our there's the uh, there's you song

1074
00:48:15,480 --> 00:48:18,080
Speaker 4: Lou who works for Farrell now used to.

1075
00:48:18,080 --> 00:48:20,239
Speaker 1: Be Does he ever get to go in studio on Mike?

1076
00:48:20,480 --> 00:48:22,560
Speaker 4: Yeah, we've had him on the podcast twice, We've had

1077
00:48:22,600 --> 00:48:24,560
Speaker 4: We've heard from you song a little bit, You songs

1078
00:48:24,600 --> 00:48:25,040
Speaker 4: good dude.

1079
00:48:25,120 --> 00:48:26,640
Speaker 3: You know it could be cool to make him kind

1080
00:48:26,680 --> 00:48:29,239
Speaker 3: of seem like a snack as you put Dustin in

1081
00:48:29,360 --> 00:48:32,440
Speaker 3: like a French made uniform and he's dust in the studio,

1082
00:48:33,280 --> 00:48:33,759
Speaker 3: and then all of.

1083
00:48:33,760 --> 00:48:36,080
Speaker 1: A sudden, I'm like, Okay, that's such a snack.

1084
00:48:36,120 --> 00:48:36,480
Speaker 2: I got to.

1085
00:48:40,480 --> 00:48:48,560
Speaker 1: Bye.

1086
00:48:50,680 --> 00:48:52,160
Speaker 2: I'm a horny girl wolf.

1087
00:48:52,520 --> 00:48:56,240
Speaker 4: This has been an Airwoll production, executive produced by Scott Ackerman,

1088
00:48:56,400 --> 00:48:58,240
Speaker 4: Colin Anderson, and Chris Bannon.

1089
00:48:58,360 --> 00:49:01,440
Speaker 2: For more information and content at earwold dot com.

1090
00:49:02,000 --> 00:49:05,000
Speaker 1: Oh m hm