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Speaker 1: The volume.

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Speaker 2: Uh well, I saw on Friday that the Grammys were

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Speaker 2: going to announce all the categories Grammy Shmammys, and then

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Speaker 2: there was one specific, uh category that was being split.

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Speaker 2: Grammys will announce nominations next week. Following Beyonce's historic win

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Speaker 2: as the first black woman to win Best Country Album,

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Speaker 2: the category has been retired and split into two Best

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Speaker 2: Contemporary Country Album in parentheses Black Dominated and Best Traditional

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Speaker 2: Country Album in parentheses. Whem, more segregation. I'm sure the

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Speaker 2: Grammys didn't put black dominated and white dominated more segregation.

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Speaker 2: This is from pop fusion.

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Speaker 3: H Keep that contemporary country shit over there, y'ah. I

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Speaker 3: don't even wear wranglers. I don't know nothing about wranglers

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Speaker 3: in a Ford Bronco. You don't know Brett Favre's volleyball, Yeah,

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Speaker 3: you don't know.

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Speaker 2: I don't know been to a game.

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Speaker 3: Keep that contemporary country shit over there. Don't come over

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Speaker 3: here with Johnny Cash and them. Your niggas ain't Johnny Cash?

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Speaker 2: All right? Do we think that Cowboy Carter would have

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Speaker 2: been in Contemporary Country Album this year if the years

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Speaker 2: were switched? Of course? What about that is a contemporary I.

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Speaker 3: Don't even know that's not country album.

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Speaker 2: It's that traditional country traditional. She went out of her

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Speaker 2: way to make a traditional.

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Speaker 3: This is just more like just bullshit with the music industry.

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Speaker 2: And yeah, I get like Shaboozi has experimented and I

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Speaker 2: could see that type of stuff. But I mean, we

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Speaker 2: know what this is. Of course we do. Black country

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Speaker 2: artists are smoking, y'all, So we gotta split it up.

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Speaker 3: We gotta split it up. It's not gonna be fair here.

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Speaker 3: We come taking back our sound first of all.

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Speaker 2: We gotta get into that. We got it. It's our music.

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Speaker 2: So you don't find it funny when Maga says we

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Speaker 2: need to take back our country.

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Speaker 3: Yeah, I do find that funny to begin with, very funny. Yeah,

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Speaker 3: but this is that's that's what this is. It's like,

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Speaker 3: come on, man, cut the ship bro, like it's t

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Speaker 3: twenty five. Let's just all be honest, like it's okay,

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Speaker 3: Like I just think that everybody kind of like it's,

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Speaker 3: you know, trying to walk on eggshells.

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Speaker 2: Just have the conversation.

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Speaker 3: Contemporary country album.

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Speaker 2: Okay, I do. I know why they did this, and

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Speaker 2: it's a direct response to what happened with Beyonce. Absolutely

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Speaker 2: with that set, I do like that they have split

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Speaker 2: up categories within R and B and other genres, Like

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Speaker 2: I like that there's a traditional R and B category.

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Speaker 2: I like that there's a contemporary R and B alternative

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Speaker 2: art Like I like that they're doing subgenres because it

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Speaker 2: does give artists that don't make, you know, the highest

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Speaker 2: form of R and B right now, gives them a

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Speaker 2: chance to be recognized. Now, I know that's not what

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Speaker 2: they're doing here, no, but I do like the contemporary

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Speaker 2: categories in a lot of other genres. Matter of fact,

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Speaker 2: I think raps should be split up in subgenres. For Grammy,

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Speaker 2: so I don't think it should have to be Rap

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Speaker 2: Album of the Year.

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Speaker 3: It definitely needs to be.

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Speaker 2: Like, I think it's great that, like you know, Gibbs

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Speaker 2: and Alchemists are nominated Roy Skitz, Like, I think all

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Speaker 2: that shit is great, But some years it's like the

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Speaker 2: real what should be a rap album isn't even nominated.

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Speaker 2: So I do think these subcategories are cool. Like I'm

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Speaker 2: not mad at I just know what this one is.

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Speaker 2: This is this is the Lights being upset. Yeah, that's

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Speaker 2: what that is. If this was if this, if this

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Speaker 2: happened before Beyonce's album, I'd be I'd be like all right, cool,

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Speaker 2: like okay, cool.

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Speaker 3: They trying to, you know, make sure everybody kind of

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Speaker 3: gets recognition. They understand that, you know, the sound the

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Speaker 3: music changes. Artists come in and you know, create a

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Speaker 3: different type of sound, like okay, we understand it. But

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Speaker 3: this coming off of the win, Yeah, it's just blatant

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Speaker 3: in your face, like all right, man, like we get it.

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Speaker 3: Like in case Beyonce decides to make another country album,

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Speaker 3: she's gonna dominate again, and then you know, like yeah,

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Speaker 3: I mean, just to have the conversation, man, like I

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Speaker 3: don't know how much longer we gotta, you know, try

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Speaker 3: to sit and act like we don't know what this is,

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Speaker 3: and it's just like, you know, it's first of what's

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Speaker 3: unfortunate that we even still have to do or feel

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Speaker 3: like we have to do shit like this.

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Speaker 2: But like I do, they added progressive R and B album,

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Speaker 2: which I think is cool. Like to me, those categories work,

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Speaker 2: but you might as well just say urban urban country and.

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Speaker 4: Urban country and real country urban country, like just just

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Speaker 4: say what it is at this point, or add more

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Speaker 4: subcategories than just two, because country has a bunch of

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Speaker 4: different like the Ship that wins is usually pop country.

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Speaker 2: It's not like country country. Like just because someone talks

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Speaker 2: about a fucking golden retriever a pickup truck and radio,

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Speaker 2: that's a pop record.

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Speaker 3: Urban country in this country country.

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Speaker 2: Country with a K country definitely with a K. Absolutely,

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Speaker 2: But I'm curious to see what would nomination are looking

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Speaker 2: like this year for sure. I mean, we'll cover it

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Speaker 2: next week once they actually come out. But rap should

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Speaker 2: be really interesting this year. R and B should be

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Speaker 2: really interesting this year.

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Speaker 3: Should it be interesting?

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Speaker 2: I think Leon Thomas is going to clean up everything,

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Speaker 2: but that's just my opinion. Hopefully you had a great album. Yeah,

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Speaker 2: and I think Mutt will clear up singles as well.

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Speaker 5: No man might have to compete, will fold it? Folded

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Speaker 5: might come through a crush.

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Speaker 2: Folded is one of those, and Folding made it in

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Speaker 2: time right It's ship Yeah, August, I believe the deadline

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Speaker 2: was August beginning of September. Folded I think made it

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Speaker 2: right there. Yeah, No, Folded is crazy, Yeah, but the

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Speaker 2: Folding ain't Mutt though much. Just it came out like

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Speaker 2: everything came out right after the last Grammy deadline. June

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Speaker 2: eleven saw a dominance of a full Year of Mutt.

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Speaker 2: That's why I feel like it's a cleanup.

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Speaker 6: June eleventh is one Folded came out?

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Speaker 2: Okay, oh yeah, all right? Cool? Well you like that record?

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Speaker 5: Folded got so crazy that everybody, you know, how many

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Speaker 5: people went and just made a remix.

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Speaker 6: She didn't ask these.

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Speaker 5: Brandy fucking Brandy, Tony Braxton, Tank, Mario, Plies have all

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Speaker 5: made folded folded remixes. Neo just volunteer was like, I

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Speaker 5: want to fold a remix. That's how like big that song?

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Speaker 1: Who wrote the Dixon roll Folded Fire? I don't quote

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Speaker 1: really he did? Yeah, I'm Klinie Dixon.

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Speaker 5: There's a couple other people, Donovan Knight, Andre Harris, DeWitt Wilson,

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Speaker 5: Christopher Riddick, Times, Milosh.

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Speaker 2: Yeah that record is incredible.

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Speaker 6: Milos.

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Speaker 2: The guy that did my massage, it's the same guy.

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Speaker 2: Multi fascinating. He performed on the boat and then rubbed

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Speaker 2: my hands. I love that though.

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Speaker 3: When you go on like a vacation and the guy

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Speaker 3: that works like at the restaurant is like Mike with

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Speaker 3: Jackson at.

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Speaker 2: Night, that's the best shit. That's my man right there.

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Speaker 2: That's what I was telling the PR people. I was like, Yo,

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Speaker 2: the way they do Michael Jackson and Elvis, Like, if

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Speaker 2: you need me to do Paul Wall, I do Paul Wall.

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Speaker 2: You just gotta pay for my grill. Oh my, but

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Speaker 2: all music and Leon Thomas. We left out the Folks

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Speaker 2: EP album. I don't know whatever it was called that

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Speaker 2: Leon just put out on October twenty fourth. Did you

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Speaker 2: listen to Folks? Yeah? Leon has not fucking missed in

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Speaker 2: three projects straight. That came out last week, right October

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Speaker 2: twenty fourth. Yeah, my muse incredible. Like I didn't think

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Speaker 2: he could even top the not Fair record off the

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Speaker 2: deluxe of mut and listen, Man, I can't say him.

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Speaker 2: I think he's going to clean up. But Folder deserves

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Speaker 2: all the credit period.

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Speaker 3: Yeah, now I know Dixon wrote that. Yeah, I like

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Speaker 3: to see that one.

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Speaker 2: I think for that that deluxe because Folder was on

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Speaker 2: the deluxe, right damars of Carolini's album.

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Speaker 5: I don't even think of No. I think she just

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Speaker 5: dropped bold. It was just a single.

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Speaker 2: I think it was records on the Delugue as a

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Speaker 2: feature outside of just producing. Yeah, they've been working for

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Speaker 2: a while now and everything that Kaylnie and Dixon do together.

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Speaker 3: Yeah, I love seeing Kayline get like have this moment though,

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Speaker 3: but me too, He's been dope for so many years.

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Speaker 3: Like it's just good to see Kaylannie like finally being

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Speaker 3: spoken about, like everywhere, like everybody's in tune with everybody's

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Speaker 3: listening to her.

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Speaker 5: When I was at one music fest, Kaylanie performed and

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Speaker 5: I was, of course like in heaven. But I've been

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Speaker 5: a Klannie fan. I hate being those people. That's like

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Speaker 5: I've been a Kiani for so I've been a Kailnnie

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Speaker 5: fan for over ten years. So when I was she

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Speaker 5: was performing older songs that I'm screaming to the top

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Speaker 5: of my lungs and I'm looking around and I have

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Speaker 5: a video where my drunk ass is like, I'm.

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Speaker 2: Like, y'all folded fans.

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Speaker 6: These ain't Kailinni fans, these folded fans.

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Speaker 5: But at the same time, I'm happy that there are

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Speaker 5: people that are now they get to discover Kailanie's beautiful catalog.

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Speaker 5: They he's had for years and they're reading like they're

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Speaker 5: just they're hearing songs that I love for the first

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Speaker 5: time and like that's like beautiful. I'm happy she's getting

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Speaker 5: this moment.

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Speaker 2: So as a kay Lonnie fan for ten years as well.

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Speaker 2: I think we forget that she was like sixteen when

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Speaker 2: she came out. Yeah, like she's just coming into her

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Speaker 2: own now as an artist. She came out when she

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Speaker 2: was a child. Like, we definitely didn't get the best

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Speaker 2: of her music in the beginning because she was still

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Speaker 2: she was a kid. Yeah, and we still thought it

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Speaker 2: was amazing. So I think we'll get better music from

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Speaker 2: kay Lonnie in the second half of her career that

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Speaker 2: we did on the first, because everything she's been doing

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Speaker 2: has been incredible. Yeah. I saw this. The Billboard Hot

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Speaker 2: one hundred tweaks its rules along with the Grammys. Everything

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Speaker 2: is scrambling.

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Speaker 5: Yeah, we waited to talk about this till you guy

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Speaker 5: here because we knew you wanted to nerd out.

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Speaker 2: I mean, there's not much nerding out that I want

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Speaker 2: to do on this. I mean, we can give a

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Speaker 2: quick rundown effective this week. If a song drops below

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Speaker 2: number five after seventy eight weeks, it's removed. A song

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Speaker 2: drops below number ten after fifty two weeks, it's removed,

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Speaker 2: and so on and so forth. I think this, along

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Speaker 2: with what's going on with Spotify, what's going on with radio,

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Speaker 2: which guys don't believe me about everyone is scrambling to

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Speaker 2: change everything because everything is about to change. Spots have

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Speaker 2: ruined everything, everything needs to switch up, and Billboard labels DSPs.

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Speaker 2: Everyone is getting ahead of everything changing. We're changing rules, Okay,

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Speaker 2: changing rules. I'm with Are they changing the way artists

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Speaker 2: are paid out that going to remain in the same exactly.

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Speaker 5: I'm with you on the everybody scrambling. I also think

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Speaker 5: that Billboard, I think that this makes things a little

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Speaker 5: bit fair. And I think the reason why Billboard did

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Speaker 5: this is I don't think that's that big of a conspiracy.

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Speaker 5: There are some songs that are so well loved that

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Speaker 5: they will stay on the charts for years if you

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Speaker 5: and it doesn't make room for other artists to enter

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Speaker 5: into those smaller spots.

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Speaker 2: Especially if an icon dies and your song can't get

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Speaker 2: an Everyone cool, I'm fine, I'm I get it. I'm

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Speaker 2: not okay, No, I'm not okay, no. I hear you.

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Speaker 2: And I think this does make things much more fair.

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Speaker 2: But I think with all the rules changing that there's

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Speaker 2: a specific reason for it, this being one of them

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Speaker 2: that I agree with, like even but again, like I

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Speaker 2: think Teddy Swims lose control deserved to be on the

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Speaker 2: Billboard as long as it was, it's an incredible record,

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Speaker 2: and it kept streaming fairly.

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Speaker 5: Like yes, but I mean, but we get it, Like

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Speaker 5: you know what I'm saying, Like because okay, so if

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Speaker 5: the Billboard was getting you, if you were being paid

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Speaker 5: every week for being on Billboard, then that makes sense

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Speaker 5: because then you're taking food out of the out of

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Speaker 5: their mouths.

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Speaker 6: But if it's just like, Okay, we get it.

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Speaker 5: You've been number one for such and such many weeks

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Speaker 5: after two hundred weeks, Like it's fine, Okay, you were

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Speaker 5: on the charts for two hundred weeks. Kick him the

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Speaker 5: fuck off and let somebody else come on, Like it's

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Speaker 5: that's insane.

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Speaker 2: I don't know. I mean to me again, if you're

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Speaker 2: taking away any and I don't even want to say bots,

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Speaker 2: because when it was CDs, let's not act like even

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Speaker 2: you def jam cash money. Everyone is admitted they were

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Speaker 2: buying hundreds of thousands of CDs to make sure they

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Speaker 2: got to number one, Like this isn't a new thing,

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Speaker 2: it's just now it's it's bots because it's tech. Yeah,

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Speaker 2: I do think if it's fair, why shouldn't the one

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Speaker 2: that's streaming the most stay there. I don't think that's

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Speaker 2: a bad thing. Like as much as as annoying as

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Speaker 2: it was that the Spurs were in the fucking finals

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Speaker 2: every year, or the Patriots were in the super Bowl

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Speaker 2: every year, or the Kansas City Chiefs have been there, Like,

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Speaker 2: we got to do what the NBA did and block

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Speaker 2: the Chris Paul deal because that's fucked up. Like, if

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Speaker 2: this is how the system is set up, why what's

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Speaker 2: wrong with that? They're fairly doing it. I'd be pissed

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Speaker 2: if they told Tom Brady, yo, you're too good, no

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Speaker 2: more super Bowls for you, bro. But you're not fucked

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Speaker 2: up that complete.

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Speaker 5: That's completely different because a Super Bowl is such a

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Speaker 5: huge moment.

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Speaker 6: They're not saying the.

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Speaker 5: Number one record on Billboard, they're not removing number ones.

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Speaker 5: That's not the rule. That's not the rule. The rule

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Speaker 5: is the motherfuckers that's over there, sitting at ninety seven

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Speaker 5: for five years. They can go, like you see what

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Speaker 5: I'm saying, Like that's if they're not taking people from

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Speaker 5: number one or number two, or number three or number

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Speaker 5: four or number five.

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Speaker 2: Okay, but I'm saying too all right, let me let

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Speaker 2: me not say, but.

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Speaker 3: Do you want to be the artist that enters the

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Speaker 3: Billboard because they remove somebody that was just like stagnant,

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Speaker 3: like oh I got in because they took HOI off.

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Speaker 5: Yeah, music, I'm no no, because it's because no, no,

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Speaker 5: it's not about you making bad music has nothing to

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Speaker 5: do with that, because we all know when Taylor Swift

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Speaker 5: releases a fucking album, she knocks like ten people off

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Speaker 5: because her entire album is going to go to slots

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Speaker 5: number one through ten. That doesn't and it's gonna stay

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Speaker 5: there for a while. So the people who are inchin

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Speaker 5: in it engine in you said.

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Speaker 2: What it's good music? No, I know, I hear what

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Speaker 2: you're saying as fucked up. And I won't use the

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Speaker 2: Tom Brady thing because again it's not the number one,

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Speaker 2: but like, okay, that'd be like Mike Rabel, you can't

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Speaker 2: go to the super Bowl this year, like you're not

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Speaker 2: the best player, but you're in five super Bowls and

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Speaker 2: you play really well. Robert Rory can't get a ring

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Speaker 2: and just stay at number seventy eight on the Billboard charts.

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Speaker 2: Like if I'm there for a one hundred weeks, yeh,

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Speaker 2: that's a stat for me. That's cool that I stayed

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Speaker 2: in the Billboard Hot one hundred. That's a stat for

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Speaker 2: an artist. But do you just because you're not number one?

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Speaker 2: The hot one hundred is like a thing for an artist, Ysluly.

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Speaker 5: But it's not like he hit the hot one hundred,

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Speaker 5: like oh my god, it's not like he's climbing right

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Speaker 5: Like for example, we just spoke about Folded. Shoutouts of Folded.

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Speaker 5: It just hit number seven on the Billboard charts. Right,

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Speaker 5: Folded is climbing. It's been there for a little while,

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Speaker 5: but it's climbing.

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Speaker 3: The record's no number one.

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Speaker 6: No, it didn't go number one.

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Speaker 5: I think y'all like misunders, like records don't be going

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Speaker 5: number one.

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Speaker 6: I feel like me and you have this issue.

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Speaker 5: A lot record, a lot of the records that we

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Speaker 5: love don't go number one.

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Speaker 2: Teddy Swims Losing Control just left the top ten, and

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Speaker 2: I believe that came out two years ago.

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Speaker 7: Wow, through the Taylor Swift thing, through everything I thought

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Speaker 7: Folded with number one, No no.

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Speaker 2: And I mean I get it. You have to adjust

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Speaker 2: because of streaming because that can keep things weekly outside

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Speaker 2: of album sales, and like there wasn't so.

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Speaker 5: We all know the bigger the artists, and the bigger

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Speaker 5: the label and the more money that is behind them,

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Speaker 5: you can get playlisted. If playlisted is going to keep

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Speaker 5: you on the Billboard charts longer, that doesn't mean that

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Speaker 5: you have a better song, or it means that you

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Speaker 5: have access to more money and more funding. So it's

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Speaker 5: not make better music, it's they're gonna make sure that

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Speaker 5: Taylor Swift or is Taylor Swift or Drake or Kendrick

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Speaker 5: or all of these people are on all of these

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Speaker 5: fucking playlists. So yes, their songs are going to stay

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Speaker 5: longer because people who are discovering them or listening to

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Speaker 5: them sometimes against their will.

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Speaker 6: Are you seeing what I'm saying?

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Speaker 5: Whereas you might have a small artist that's right there,

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Speaker 5: right there, it's okay to take Taylor's song off, that's

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Speaker 5: been on that bitch for one hundred. It's been okay

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Speaker 5: to take Teddy Swims off or Benson Boons, it's okay.

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Speaker 2: It's a socialism.

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Speaker 6: They hit.

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Speaker 5: No, it's not because you hit number one or you

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Speaker 5: hit where you were gonna hit.

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Speaker 6: You hit your peak, un dropped down.

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Speaker 5: You'd done drop down, and now it's time for other

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Speaker 5: people to get the chance.

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Speaker 6: You have the accolade.

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Speaker 5: Nobody's taking that accolae from you, No nothing, they sign

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Speaker 5: up for seventy eight weeks, Brod, y'all fucking long, seventy

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Speaker 5: eight weeks is.

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Speaker 2: If it's fair, it's fine with me. Again, I think

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Speaker 2: they're scrambling to change the rules and everything, because I'm

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Speaker 2: not saying anything specific to Kendrick or Drake as far

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Speaker 2: as bots, but I think the bot thing has gotten

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Speaker 2: so far out of control for every single artist signed

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Speaker 2: to a major that everyone is changing the rules in

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Speaker 2: the midst of them being caught doing it. Yeah, this

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Speaker 2: is cool, but it's not like it's an asterisk on

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Speaker 2: Roger merrisit in sixty one home runs because he had

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Speaker 2: an extra few games, Like we're putting at so Taylor

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Speaker 2: still gets the accolade, but someone else's name gets to

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Speaker 2: be put there, Like this is a participation trophy to me,

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Speaker 2: Like this is the real world. If it's fair, she

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Speaker 2: should stay there.

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Speaker 5: If it's fair, it's never gonna be fair, so why

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Speaker 5: are we talking about If it's never gonna be.

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Speaker 2: They're trying to make it fair now. It's going to

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Speaker 2: take a while. Of course, the face.

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Speaker 5: Artists on major and with money will always have access

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Speaker 5: to more resources.

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Speaker 6: It's never going to be completely fair.

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Speaker 5: The music industry will never be fair, but this makes

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Speaker 5: it a little bit more fair.

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Speaker 3: They're trying to make it look like they trying to

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Speaker 3: make it fair. Okay, let's make it fair. But I

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Speaker 3: don't think much is going to change as a result

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Speaker 3: of this. I don't honestly, Yeah, I don't think much

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Speaker 3: is going to change. Just being honest with I.

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Speaker 6: Think we'll see. We'll see.

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Speaker 5: Maybe you know a couple of new songs hit that

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Speaker 5: that top one hundred that deserve to be there, but

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Speaker 5: they might not have access.

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Speaker 2: But I mean, listen, if you have, If you're in

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Speaker 2: the top ten for a year, that's crazy. That's why

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Speaker 2: I was saying after Teddy Swims was there for almost

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Speaker 2: two years, like, yeah, if you dropped to number eleven

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Speaker 2: after a year, cool, we should be removed. But like,

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Speaker 2: I don't know, that's still fucked up. Like if my

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Speaker 2: shit is streaming fairly that way, why are you taking

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Speaker 2: me off my Yeah, yeah, this is capitalism versus socialism.

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Speaker 6: I don't even think that, honestly. I don't even think

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Speaker 6: the people who I think.

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Speaker 5: Once you've been on Spotify for it, I mean, you've

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Speaker 5: been on the Billboard charts for a year. I don't

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Speaker 5: even think them artists is really like, hey, you took

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Speaker 5: me down, like I really wanted it to be a

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Speaker 5: year in three months, Like, I don't think they give

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Speaker 5: a fuck.

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Speaker 6: I was on there for a year. I had that

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Speaker 6: talking point.

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Speaker 3: I mean, if you any and if you like me,

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Speaker 3: I don't give a fuck where they at on the charts.

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Speaker 3: That I don't even check for that type of ship.

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Speaker 3: If the music is good, I'm listening.

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Speaker 6: Well, the artist cares because the artists and the money.

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Speaker 3: Yeah, like the artists obviously care, but I mean fans,

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Speaker 3: I mean I don't. We don't give a fuck about it. Well,

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Speaker 3: let me say I don't give a fuck about any

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Speaker 3: of this ship.

400
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Speaker 2: Okay, then what does that do to the Billboard Awards?

401
00:18:23,600 --> 00:18:26,239
Speaker 2: You watched that? No, I've always said it was one

402
00:18:26,240 --> 00:18:28,679
Speaker 2: of the most pointless award shows because you can just

403
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Speaker 2: go on the internet and see who wins. Like it's

404
00:18:30,359 --> 00:18:36,560
Speaker 2: not like I can literally just check every week and

405
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Speaker 2: who's gonna win. But also I think, yeah, this only

406
00:18:40,520 --> 00:18:44,720
Speaker 2: really affects artists and stand accounts that are doing ship,

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Speaker 2: like who is on Vogue for the first time, like

408
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Speaker 2: this is all kind of weird to me because it's

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Speaker 2: not and.

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Speaker 3: This this is effective as of right now. Yeah, all right,

411
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Speaker 3: well pay close attention in the next year and see

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Speaker 3: see if we notice any change.

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Speaker 2: I caught the less tailor. I caught the meltdown to

414
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Speaker 2: some degree over the last week. I'm not sure if

415
00:19:07,640 --> 00:19:09,720
Speaker 2: you guys touched fully upon it of the no rap

416
00:19:09,760 --> 00:19:11,880
Speaker 2: songs or in the top forty billboard top one hundred

417
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Speaker 2: for the first time since nineteen ninety, but there is

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Speaker 2: one in the top fifty.

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Speaker 3: They just think, you know, they cut it at forty

420
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Speaker 3: just because it reads better. Okay, there's a rap song

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Speaker 3: number fifty. I think we should be removed. I think

422
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Speaker 3: it's big extra plug. I think he's number fifty.

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Speaker 2: How long has it been there, because I think it

424
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Speaker 2: should gt the fuck out of there.

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Speaker 3: Well, I don't know. I don't know how many weeks

426
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Speaker 3: he's been here, but I think he is number fifty.

427
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Speaker 2: I don't know. I don't have like the same meltdown

428
00:19:34,560 --> 00:19:38,080
Speaker 2: that I saw all of our media appeers have, Like

429
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Speaker 2: I don't think this matters that much.

430
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Speaker 3: Oh no, it matters to the artist, it matters to us.

431
00:19:43,920 --> 00:19:46,720
Speaker 3: We didn't we don't give a fuck. So the artist

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Speaker 3: to rappers just definitely matters one.

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Speaker 2: But you're saying on like the superstar side or or

434
00:19:56,040 --> 00:20:00,840
Speaker 2: what like, Yeah, yeah, labels are not.

435
00:20:00,920 --> 00:20:03,200
Speaker 3: They're not because this is all just labels not putting

436
00:20:03,240 --> 00:20:05,959
Speaker 3: money behind rap songs.

437
00:20:06,160 --> 00:20:06,879
Speaker 2: That's all it is.

438
00:20:06,920 --> 00:20:08,879
Speaker 3: It's not like people then put out good rap songs.

439
00:20:09,280 --> 00:20:11,280
Speaker 3: The labels they're not putting the money behind these rap

440
00:20:11,320 --> 00:20:13,960
Speaker 3: songs that they once were. So what does that mean

441
00:20:14,000 --> 00:20:16,359
Speaker 3: for rappers? What does that mean between them and their labels?

442
00:20:16,400 --> 00:20:19,879
Speaker 3: Are labels willing to put money behind them but still

443
00:20:20,000 --> 00:20:22,239
Speaker 3: or at all? How much are they putting behind it?

444
00:20:22,320 --> 00:20:22,480
Speaker 2: Like?

445
00:20:23,520 --> 00:20:26,480
Speaker 3: So, yeah, the rappers care one thousand percent because this

446
00:20:26,520 --> 00:20:28,840
Speaker 3: is directly affects them in their business.

447
00:20:28,480 --> 00:20:31,040
Speaker 2: With the labels, and they should care if they're getting

448
00:20:31,080 --> 00:20:32,919
Speaker 2: removed after.

449
00:20:33,280 --> 00:20:36,359
Speaker 3: No, that's they do. The artists care, and us the fans,

450
00:20:36,359 --> 00:20:37,520
Speaker 3: we don't care. We don't look at this show.

451
00:20:37,600 --> 00:20:37,840
Speaker 2: NBA.

452
00:20:37,880 --> 00:20:41,040
Speaker 5: Young Boy is number forty three with shot Calling and

453
00:20:41,080 --> 00:20:43,600
Speaker 5: he's been on the charts for six weeks, So.

454
00:20:44,000 --> 00:20:45,720
Speaker 3: Good for young Big X the Plugs not on it.

455
00:20:45,800 --> 00:20:48,600
Speaker 6: Big X the Plug is number fifty okay with Hell

456
00:20:48,640 --> 00:20:49,000
Speaker 6: at Night.

457
00:20:50,080 --> 00:20:53,040
Speaker 2: Okay, I mean I don't know I just think rap

458
00:20:53,119 --> 00:20:54,520
Speaker 2: is in like a good place.

459
00:20:55,240 --> 00:20:58,440
Speaker 3: Oh the music, yeah, yeah, just about the business of it.

460
00:20:58,600 --> 00:21:01,320
Speaker 2: Like there's been years since nineteen ninety where it felt

461
00:21:01,359 --> 00:21:03,160
Speaker 2: really fucking bad and they were still in the top four.

462
00:21:03,320 --> 00:21:04,640
Speaker 3: Oh no, for sure, for sure.

463
00:21:04,640 --> 00:21:05,919
Speaker 2: But I mean, I guess, does that just proved that

464
00:21:05,960 --> 00:21:09,159
Speaker 2: Billboard doesn't mean much if the point is their labels

465
00:21:09,160 --> 00:21:11,840
Speaker 2: aren't putting money behind those records, which the money that

466
00:21:12,480 --> 00:21:14,399
Speaker 2: the label puts behind the artists is just gonna have

467
00:21:14,440 --> 00:21:16,680
Speaker 2: to owe back anyways. It's not like the labels giving

468
00:21:16,720 --> 00:21:20,000
Speaker 2: them a good gesture push. The money they'd have to

469
00:21:20,000 --> 00:21:22,000
Speaker 2: put up to get on Billboard, they have to o back,

470
00:21:22,080 --> 00:21:24,320
Speaker 2: They have to pay it way. So it's like, I

471
00:21:24,720 --> 00:21:27,240
Speaker 2: just I didn't look at this like it wasn't over

472
00:21:27,280 --> 00:21:27,800
Speaker 2: for hip hop.

473
00:21:28,520 --> 00:21:30,199
Speaker 3: No, no, no, it's definitely not.

474
00:21:30,200 --> 00:21:31,960
Speaker 2: A Well I understand a few years ago it was

475
00:21:32,000 --> 00:21:35,359
Speaker 2: the highest stream genre, which was a big w for

476
00:21:35,680 --> 00:21:38,800
Speaker 2: hip hop, But I don't know. It goes back to

477
00:21:38,880 --> 00:21:40,919
Speaker 2: the superstar thing for me too. Yes, labels are not

478
00:21:40,960 --> 00:21:44,320
Speaker 2: investing as much in rap, but there's also no superstars.

479
00:21:44,320 --> 00:21:46,640
Speaker 2: And I'm not saying that a label putting a bunch

480
00:21:46,640 --> 00:21:49,280
Speaker 2: of money into an artist is going to make them superstar. No,

481
00:21:49,320 --> 00:21:55,720
Speaker 2: it just isn't superstars. But like if Travis drops tomorrow, yeah,

482
00:21:55,880 --> 00:21:59,200
Speaker 2: top twenty will be a whole Travis album scattered throughout

483
00:21:59,200 --> 00:22:02,840
Speaker 2: the top twenty on on Billboard. So no one's dropping,

484
00:22:03,080 --> 00:22:05,760
Speaker 2: Like yeah, that's of that stature. But I mean, I

485
00:22:05,800 --> 00:22:07,280
Speaker 2: think shout out to a big X, the plug and

486
00:22:07,320 --> 00:22:10,000
Speaker 2: a young boy that they're up there. I think that

487
00:22:10,040 --> 00:22:13,240
Speaker 2: whole uh just drop singles thing is kind of backfired

488
00:22:13,240 --> 00:22:16,359
Speaker 2: on the labels a bit because we see what the

489
00:22:16,440 --> 00:22:18,880
Speaker 2: albums do for the charts that matter to the labels

490
00:22:18,880 --> 00:22:22,320
Speaker 2: and the artists. Like that's why they're changing the rules

491
00:22:22,320 --> 00:22:25,920
Speaker 2: because Taylor's fucking there do the whole thing. When Drake

492
00:22:26,000 --> 00:22:29,840
Speaker 2: dropped for all the Dogs, wasn't at fucking every record.

493
00:22:30,040 --> 00:22:32,359
Speaker 2: When gn X came out, every fucking record was in

494
00:22:32,400 --> 00:22:34,800
Speaker 2: the top ten. Like, I think the labels kind of

495
00:22:34,800 --> 00:22:36,720
Speaker 2: played themselves a bit of like, Yo, we shouldn't do

496
00:22:36,760 --> 00:22:40,160
Speaker 2: this fucking album thing. Let's just CARDI just do one song,

497
00:22:40,680 --> 00:22:44,240
Speaker 2: like you know, like the Mike Karen strategy. No dispect

498
00:22:44,240 --> 00:22:46,840
Speaker 2: to Mike Karen, Like I just think that strategy they're

499
00:22:46,880 --> 00:22:50,480
Speaker 2: seeing the result of it. It didn't work in Billboard

500
00:22:50,640 --> 00:22:52,480
Speaker 2: and streaming the way you guys thought it would. When

501
00:22:52,480 --> 00:22:54,720
Speaker 2: it comes to charts, if you care about the charts,

502
00:22:54,760 --> 00:22:57,679
Speaker 2: they could not care. I don't know. But albums are

503
00:22:57,680 --> 00:22:59,640
Speaker 2: the ones that are sticking to the point. They got

504
00:22:59,680 --> 00:23:00,600
Speaker 2: to change the fucking rules.

505
00:23:00,760 --> 00:23:03,720
Speaker 3: Just continue to make good music. Fuck the charge for

506
00:23:03,880 --> 00:23:05,960
Speaker 3: all that. I mean, I understand that it's important to

507
00:23:06,000 --> 00:23:10,080
Speaker 3: their business, but like good, good music, great music that

508
00:23:10,240 --> 00:23:13,640
Speaker 3: always pierces through that, that's what stands to test the time.

509
00:23:14,200 --> 00:23:15,919
Speaker 3: I don't know what some of my favorite songs and

510
00:23:15,920 --> 00:23:17,679
Speaker 3: favorite albums landed on the charge. I know that I

511
00:23:17,720 --> 00:23:19,920
Speaker 3: love this fucking album, so I mean.

512
00:23:20,119 --> 00:23:22,600
Speaker 5: Yeah, and I want to clarify. I'm sorry Folded is

513
00:23:22,600 --> 00:23:23,960
Speaker 5: at fourteen, not number seven.

514
00:23:24,320 --> 00:23:25,040
Speaker 6: That was my mistake.

515
00:23:25,440 --> 00:23:28,200
Speaker 2: Fourteen is still yeah crazy, that's its peak so far.

516
00:23:28,320 --> 00:23:30,240
Speaker 3: Thank you for that, baby, dude. They would have killed

517
00:23:30,240 --> 00:23:31,159
Speaker 3: you for that. You know, they would have got you.

518
00:23:31,200 --> 00:23:31,879
Speaker 2: Yeah, the would kill me.

519
00:23:31,960 --> 00:23:33,720
Speaker 1: So I just don't want them to kill to do

520
00:23:33,760 --> 00:23:36,240
Speaker 1: my research produce her journalist.

521
00:23:44,040 --> 00:23:46,840
Speaker 6: You have voice, most Josh.

522
00:23:46,440 --> 00:23:50,800
Speaker 3: You've got mail sponsored by boost Mobile, unlimited talk texts,

523
00:23:50,800 --> 00:23:52,560
Speaker 3: and that five dollars that month.

524
00:23:53,680 --> 00:23:59,720
Speaker 8: You have to stop, guys. So also, I really appreciate

525
00:23:59,760 --> 00:24:03,440
Speaker 8: the past I feel like you guys should add Amsterdam

526
00:24:03,520 --> 00:24:04,120
Speaker 8: on your tour.

527
00:24:04,200 --> 00:24:07,320
Speaker 3: Dates have to appreciate that.

528
00:24:07,720 --> 00:24:10,160
Speaker 8: I'll bring a few of my homies that also listen

529
00:24:10,200 --> 00:24:15,120
Speaker 8: to you. So you're welcome more than welcome.

530
00:24:15,280 --> 00:24:16,040
Speaker 2: Thank you, Joseph.

531
00:24:17,560 --> 00:24:21,080
Speaker 8: So this is kind of more towards the mirrors. I

532
00:24:21,119 --> 00:24:23,399
Speaker 8: would like to hear the view of the guys as well,

533
00:24:23,440 --> 00:24:27,359
Speaker 8: but you know, I feel like the Maras probably has

534
00:24:27,400 --> 00:24:31,960
Speaker 8: some experience in this as well. So I've been single

535
00:24:32,000 --> 00:24:36,360
Speaker 8: for three years. I did some healing after the relationship,

536
00:24:36,560 --> 00:24:40,200
Speaker 8: which was needed, and now I'm putting myself out there

537
00:24:40,240 --> 00:24:44,320
Speaker 8: again since I think a year, which is good. But

538
00:24:44,480 --> 00:24:46,439
Speaker 8: I just cannot get over the fact that there's so

539
00:24:46,480 --> 00:24:49,440
Speaker 8: many losers in the world and everybody just makes me

540
00:24:49,520 --> 00:24:53,119
Speaker 8: cringe so much, and I don't know what to do

541
00:24:53,160 --> 00:24:57,399
Speaker 8: about it. It's just it's just crazy. I've been on

542
00:24:57,520 --> 00:25:01,399
Speaker 8: many dates and I just see the flaws all the

543
00:25:01,480 --> 00:25:04,160
Speaker 8: time and I'm just like, oh, just make me itchy.

544
00:25:05,240 --> 00:25:06,600
Speaker 8: So I don't know what to do about it. I

545
00:25:06,640 --> 00:25:09,760
Speaker 8: would like to know if you have tip for me

546
00:25:10,160 --> 00:25:14,520
Speaker 8: or it's just why are there so many losers out here?

547
00:25:15,119 --> 00:25:18,159
Speaker 8: Find a sign man who was like cool, I'm not

548
00:25:18,280 --> 00:25:21,280
Speaker 8: so cringing, help me, Okay, thank you.

549
00:25:22,160 --> 00:25:25,200
Speaker 2: I think this is a great question for Demerius because

550
00:25:25,240 --> 00:25:27,840
Speaker 2: she was somebody on the block forever and now is

551
00:25:27,880 --> 00:25:31,800
Speaker 2: in a happy relationship with a new person. Teach us

552
00:25:31,880 --> 00:25:35,000
Speaker 2: how you get back out there when it's icky out there.

553
00:25:37,600 --> 00:25:41,000
Speaker 5: I just feel like outside of my relationship, I've always

554
00:25:41,040 --> 00:25:43,840
Speaker 5: just felt like this. I feel like everything happens when

555
00:25:43,840 --> 00:25:46,080
Speaker 5: it's supposed to do. That's with jobs, that's what relationships,

556
00:25:46,119 --> 00:25:49,000
Speaker 5: that's with friends, that's with life. If something isn't coming

557
00:25:49,000 --> 00:25:51,400
Speaker 5: to you, it's just not either you aren't mentally ready

558
00:25:51,480 --> 00:25:53,200
Speaker 5: for it, it's not the time and your life for it,

559
00:25:54,480 --> 00:25:57,600
Speaker 5: and higher powers want you to focus on something else.

560
00:25:57,800 --> 00:26:00,399
Speaker 2: That's the worst advice to give someone when like BRO

561
00:26:00,560 --> 00:26:02,680
Speaker 2: can't find a job, like yo, just the time will come,

562
00:26:02,760 --> 00:26:06,680
Speaker 2: Like I need the higher power, but you you saying

563
00:26:06,720 --> 00:26:08,280
Speaker 2: I need it, and I agree with you. I can't

564
00:26:08,320 --> 00:26:10,560
Speaker 2: always a bad advice to someone that's going through something.

565
00:26:10,600 --> 00:26:12,520
Speaker 5: But it's not bad advice because it's the truth. It's

566
00:26:12,520 --> 00:26:14,280
Speaker 5: just not what you want to hear. Nobody ever wants

567
00:26:14,280 --> 00:26:16,280
Speaker 5: to hear good advice. They want to hear a magical

568
00:26:16,320 --> 00:26:17,280
Speaker 5: solution to their problem.

569
00:26:17,440 --> 00:26:21,720
Speaker 2: Well, maybe a different approach that you took that made

570
00:26:21,720 --> 00:26:25,320
Speaker 2: the timing right when you met the person you're with now,

571
00:26:25,440 --> 00:26:27,400
Speaker 2: I don't want to talk about that, Okay, fair enough. Yeah.

572
00:26:29,240 --> 00:26:32,040
Speaker 2: I think getting back out there, unfortunately, is a volume game.

573
00:26:32,880 --> 00:26:35,040
Speaker 2: I think you have to go out and date and

574
00:26:35,400 --> 00:26:38,560
Speaker 2: see the X and just see what's out there. If

575
00:26:38,560 --> 00:26:40,680
Speaker 2: you go on two dates and it's like it's gross,

576
00:26:41,240 --> 00:26:42,959
Speaker 2: you're not going to really solve anything unless you keep

577
00:26:42,960 --> 00:26:43,920
Speaker 2: getting back out there.

578
00:26:44,080 --> 00:26:46,720
Speaker 6: Also, don't the aches.

579
00:26:46,760 --> 00:26:47,080
Speaker 2: Sometimes.

580
00:26:47,119 --> 00:26:50,680
Speaker 5: I feel like sometimes we overthink aches, Like sometimes we're

581
00:26:50,720 --> 00:26:53,560
Speaker 5: just you got to have a little bit more patience

582
00:26:54,080 --> 00:26:55,000
Speaker 5: or some things.

583
00:26:55,200 --> 00:26:56,639
Speaker 3: There's a little bit now.

584
00:26:56,680 --> 00:27:00,359
Speaker 5: If something really makes you feel uncomfortable inside, body has

585
00:27:00,359 --> 00:27:04,240
Speaker 5: a better fourth quarter than baby, I'm sorry not enjoy it.

586
00:27:05,400 --> 00:27:05,800
Speaker 2: I'm sorry.

587
00:27:05,960 --> 00:27:07,560
Speaker 5: There's gonna be some things that make you feel If

588
00:27:07,600 --> 00:27:09,680
Speaker 5: something makes you feel uncomfortable inside, get the fuck out

589
00:27:09,680 --> 00:27:12,159
Speaker 5: of there, right Like listen to listen to your body

590
00:27:12,160 --> 00:27:15,200
Speaker 5: and your intuition telling you things. But sometimes people are

591
00:27:15,240 --> 00:27:17,240
Speaker 5: just doing things that you aren't used to, or they

592
00:27:17,320 --> 00:27:19,520
Speaker 5: might live a different lifestyle than you're used to, or

593
00:27:19,560 --> 00:27:21,600
Speaker 5: they might have a different lingo that you're not used to.

594
00:27:22,000 --> 00:27:24,639
Speaker 5: If you really really want to find love, I'm never

595
00:27:24,760 --> 00:27:26,440
Speaker 5: saying settle, but.

596
00:27:26,640 --> 00:27:28,240
Speaker 6: Just be a little bit more open.

597
00:27:29,280 --> 00:27:31,280
Speaker 5: Be strict with your boundaries, but when it comes to

598
00:27:31,320 --> 00:27:34,399
Speaker 5: their personality, be a little bit more open and willing

599
00:27:34,440 --> 00:27:37,600
Speaker 5: to try new things. Same thing with food, with jobs,

600
00:27:37,640 --> 00:27:40,199
Speaker 5: with anything. Like, you can't keep doing or dating the

601
00:27:40,200 --> 00:27:43,280
Speaker 5: same thing that you always have because that obviously hasn't

602
00:27:43,320 --> 00:27:46,200
Speaker 5: worked out for you, right that mixed with Also, sometimes

603
00:27:46,240 --> 00:27:47,199
Speaker 5: the timing is just not right.

604
00:27:47,240 --> 00:27:49,800
Speaker 1: You gotta be patient. Yeah, which somebody wants to hear that,

605
00:27:49,880 --> 00:27:52,000
Speaker 1: but that's true. Sometimes you have the wrong mix. You

606
00:27:52,000 --> 00:27:54,320
Speaker 1: should have some mix with the last guy that you

607
00:27:54,359 --> 00:27:54,879
Speaker 1: think you like.

608
00:27:55,240 --> 00:27:57,120
Speaker 2: Why do you think the word settle gets such a

609
00:27:57,480 --> 00:28:01,280
Speaker 2: negative connotation? Like why why do you think that word settle?

610
00:28:01,280 --> 00:28:02,320
Speaker 6: They usually aren't happy?

611
00:28:03,520 --> 00:28:05,679
Speaker 2: But is that the is that the actual definition of

612
00:28:05,720 --> 00:28:08,639
Speaker 2: that word or we made it that? Like, sometimes you

613
00:28:08,680 --> 00:28:10,320
Speaker 2: have to settle on certain things to be in a

614
00:28:10,320 --> 00:28:13,240
Speaker 2: happy relationship, Like you're not going you're not going to

615
00:28:13,280 --> 00:28:14,800
Speaker 2: love everything about somebody.

616
00:28:14,840 --> 00:28:18,639
Speaker 5: You have to settle on that compromising. Settling and compromising

617
00:28:18,680 --> 00:28:19,919
Speaker 5: are two totally different things.

618
00:28:20,640 --> 00:28:22,720
Speaker 3: Yeah, settling is more like all right, well, I guess

619
00:28:22,720 --> 00:28:26,760
Speaker 3: this is it. Imagine you with your girl and you

620
00:28:26,800 --> 00:28:28,640
Speaker 3: come home with she was like, well, guess this is it?

621
00:28:30,400 --> 00:28:33,520
Speaker 3: What like we don't have to do this, like we

622
00:28:33,600 --> 00:28:36,040
Speaker 3: can go out separate ways. If that's the energy. If

623
00:28:36,080 --> 00:28:36,960
Speaker 3: it's like, oh well this.

624
00:28:36,920 --> 00:28:40,680
Speaker 2: Is can you settle for something you love? Like I'll

625
00:28:40,720 --> 00:28:43,479
Speaker 2: settle for this because I love this and what this

626
00:28:43,720 --> 00:28:46,760
Speaker 2: is over going back outside and trying to find something.

627
00:28:46,560 --> 00:28:51,680
Speaker 3: That's unproven, not settle. I choose this, Okay. Settler is like,

628
00:28:52,440 --> 00:28:54,520
Speaker 3: but if there's something else that comes along that I

629
00:28:54,520 --> 00:28:57,440
Speaker 3: feel like is better than this, I'm out. That's the

630
00:28:57,600 --> 00:29:01,040
Speaker 3: that's the energy that's settling has like yeah, and I'll

631
00:29:01,080 --> 00:29:03,200
Speaker 3: take this for now that that isn't sure, like yeah,

632
00:29:03,280 --> 00:29:06,120
Speaker 3: like you wouldn't you wouldn't prefer this and and is.

633
00:29:06,120 --> 00:29:08,360
Speaker 2: Not what I would usually be doing like you would.

634
00:29:08,520 --> 00:29:10,440
Speaker 3: This isn't what you As soon as something that comes

635
00:29:10,440 --> 00:29:12,880
Speaker 3: along that you deemed to be what you you know,

636
00:29:13,000 --> 00:29:16,840
Speaker 3: think is your ideal situation person whatever, you're out of it,

637
00:29:17,000 --> 00:29:18,840
Speaker 3: like you're you're you're out of that situation that you

638
00:29:18,880 --> 00:29:21,080
Speaker 3: were currently in and it happens.

639
00:29:20,720 --> 00:29:23,240
Speaker 2: And then settle in again. This is just the Western dictionary.

640
00:29:24,040 --> 00:29:25,960
Speaker 3: It never hits you out like months after you stop

641
00:29:26,040 --> 00:29:28,520
Speaker 3: dating somebody that they lied to you and your fad

642
00:29:28,600 --> 00:29:29,959
Speaker 3: told you some ship like you will never that you

643
00:29:29,960 --> 00:29:32,120
Speaker 3: don't ever just hit you randomly for sure, you being

644
00:29:32,160 --> 00:29:34,160
Speaker 3: talk like that bitch was lying some.

645
00:29:34,160 --> 00:29:37,720
Speaker 2: Ship that you never even thought was lied, like the

646
00:29:37,760 --> 00:29:40,480
Speaker 2: way deja hit you. Sometimes it's something in your brain

647
00:29:40,600 --> 00:29:43,080
Speaker 2: like wait, hold on, that didn't you're not even thinking

648
00:29:43,080 --> 00:29:45,400
Speaker 2: about it. Didn't even make sense.

649
00:29:45,480 --> 00:29:48,280
Speaker 5: What was add in life where that worked? Like what

650
00:29:48,480 --> 00:29:51,320
Speaker 5: he told me because you had to. I feel like

651
00:29:51,360 --> 00:29:54,120
Speaker 5: that might be a man thing because women. But I'll

652
00:29:54,120 --> 00:29:55,760
Speaker 5: be thinking you lying from the jump, so I don't

653
00:29:55,840 --> 00:29:58,160
Speaker 5: I never have that come to Jesus moment because I

654
00:29:58,200 --> 00:29:59,280
Speaker 5: was thinking that from the very beginning.

655
00:29:59,480 --> 00:30:02,040
Speaker 3: It be at the most random I think I was

656
00:30:02,120 --> 00:30:05,600
Speaker 3: on like ordering some shit on fucking Prime or something

657
00:30:05,680 --> 00:30:05,920
Speaker 3: like that.

658
00:30:06,720 --> 00:30:08,360
Speaker 2: Is that the checkout? And I was like, well, hold up.

659
00:30:08,400 --> 00:30:12,800
Speaker 2: She told me what sparked it.

660
00:30:13,040 --> 00:30:15,000
Speaker 3: I have no idea, but it just hit me, and

661
00:30:15,000 --> 00:30:17,280
Speaker 3: I was just like I had to laugh, like that's.

662
00:30:17,160 --> 00:30:18,320
Speaker 2: Crazy that that worked on me.

663
00:30:18,400 --> 00:30:18,880
Speaker 3: Like, but.

664
00:30:20,360 --> 00:30:23,960
Speaker 2: Resolve or reach an agreement about an argument or problem,

665
00:30:24,480 --> 00:30:28,040
Speaker 2: I guess not there a place to stay. Hey, Sometimes

666
00:30:28,080 --> 00:30:32,240
Speaker 2: you gotta say hey, something squatting, something settling.

667
00:30:32,400 --> 00:30:35,520
Speaker 3: Sometimes you gotta settle, like listen, man, some snaps ain't hitting,

668
00:30:36,320 --> 00:30:37,160
Speaker 3: he treats me.

669
00:30:37,200 --> 00:30:38,720
Speaker 2: I I'm just gonna settle here.

670
00:30:39,080 --> 00:30:42,520
Speaker 7: So in that and that way, settle is a positive thing. Yeah,

671
00:30:42,600 --> 00:30:45,920
Speaker 7: it can be settle for shelter. That's I choose shelter

672
00:30:46,480 --> 00:30:50,719
Speaker 7: over the park, bitch at night. I choose this man's

673
00:30:51,040 --> 00:30:53,280
Speaker 7: warm home instead of the subway.

674
00:30:53,440 --> 00:30:57,120
Speaker 2: Yeah. And then the third definition, which ironically for this month,

675
00:30:57,120 --> 00:31:00,680
Speaker 2: makes a lot of sense, colonize. Mmm, no, getting somewhere.

676
00:31:00,920 --> 00:31:03,160
Speaker 2: You see, we we were the settler. Yeah, that's it,

677
00:31:03,200 --> 00:31:05,240
Speaker 2: that's what we gotta Just that first word is very

678
00:31:05,800 --> 00:31:09,400
Speaker 2: the conquers, rapist, slave on it. We came here and

679
00:31:09,400 --> 00:31:12,160
Speaker 2: settled to settle, brought the ships to the dock, and

680
00:31:12,240 --> 00:31:15,880
Speaker 2: sun settled. Settle down. Everybody settled down. Everyone settled down.

681
00:31:16,320 --> 00:31:19,720
Speaker 2: Take this blanket, yeah, settle in. Yeah.

682
00:31:19,800 --> 00:31:22,200
Speaker 3: Yeah, that's all that's all you gotta do. Hopefully, Josephine,

683
00:31:22,240 --> 00:31:22,800
Speaker 3: we helped you with that.

684
00:31:22,800 --> 00:31:25,400
Speaker 2: I don't think we did. Baby, Get get back out there.

685
00:31:25,560 --> 00:31:27,520
Speaker 2: I do think volume game. Even if you've had some

686
00:31:27,600 --> 00:31:29,440
Speaker 2: bad dates, that doesn't mean the next person you meet

687
00:31:29,520 --> 00:31:31,160
Speaker 2: is going to be as bad. You have to get

688
00:31:31,200 --> 00:31:33,840
Speaker 2: back out there, even if it sucks, like sit through

689
00:31:33,840 --> 00:31:35,960
Speaker 2: a fucking Caesar salad and then just don't speak to them.

690
00:31:36,560 --> 00:31:41,120
Speaker 5: Just go out with their friends, have fun, find something

691
00:31:41,240 --> 00:31:44,560
Speaker 5: that's a hobby and meet. Be open to meeting people

692
00:31:44,600 --> 00:31:46,800
Speaker 5: in this space that they're at. If something falls in

693
00:31:46,840 --> 00:31:48,840
Speaker 5: your lap, something falls in your lap, you can date,

694
00:31:48,880 --> 00:31:51,360
Speaker 5: but like, don't don't the volume game.

695
00:31:51,400 --> 00:31:54,000
Speaker 2: Doesn't. Not like saying serial date, like swipe right and

696
00:31:54,080 --> 00:31:56,920
Speaker 2: go on a date every fucking night. I'm saying be

697
00:31:57,040 --> 00:32:00,280
Speaker 2: open after having bad dates to still dating. Yeah what

698
00:32:00,320 --> 00:32:02,480
Speaker 2: I'm saying. That's all I'm saying. I'm not saying date

699
00:32:02,520 --> 00:32:04,680
Speaker 2: every night. Do we have another one?

700
00:32:04,800 --> 00:32:05,920
Speaker 3: Or all?

701
00:32:06,000 --> 00:32:08,920
Speaker 2: Right? Well this was fun? Yes, this was great. This

702
00:32:09,080 --> 00:32:11,360
Speaker 2: was a great post election day.

703
00:32:11,880 --> 00:32:14,360
Speaker 3: I'm in the Patreon great post election day?

704
00:32:14,880 --> 00:32:15,080
Speaker 2: Mall?

705
00:32:15,120 --> 00:32:17,120
Speaker 6: Did I mean Rory? Did you watch our ship?

706
00:32:17,160 --> 00:32:17,360
Speaker 2: Mal?

707
00:32:17,520 --> 00:32:18,880
Speaker 6: Did you watch our log?

708
00:32:19,760 --> 00:32:19,920
Speaker 2: No?

709
00:32:20,000 --> 00:32:21,200
Speaker 3: But I'm man good things about it.

710
00:32:22,280 --> 00:32:25,520
Speaker 2: I haven't watched it yet. No, I do want to

711
00:32:25,520 --> 00:32:25,760
Speaker 2: watch it.

712
00:32:25,840 --> 00:32:27,600
Speaker 5: You know, whenever I work hard on some ship, I

713
00:32:27,680 --> 00:32:30,240
Speaker 5: need by an office to watch it because I edited.

714
00:32:30,320 --> 00:32:32,080
Speaker 2: No, I'm really it's one way to do to watch.

715
00:32:32,240 --> 00:32:33,480
Speaker 6: Everybody watch it?

716
00:32:34,480 --> 00:32:35,240
Speaker 2: Oh you edited it?

717
00:32:35,320 --> 00:32:38,800
Speaker 3: Yeah, I'm not watching that ship. It's gonna be probably mad.

718
00:32:38,880 --> 00:32:40,240
Speaker 3: Jump cuts that's off now.

719
00:32:40,280 --> 00:32:45,480
Speaker 2: The first one she did, he got closed captions on

720
00:32:45,520 --> 00:32:48,280
Speaker 2: the fucking closed captions. I'll just play.

721
00:32:48,440 --> 00:32:50,160
Speaker 3: I'm gonna check it out though, because I being good things.

722
00:32:50,160 --> 00:32:52,640
Speaker 3: People seem to like it, and somebody was telling them, yo,

723
00:32:52,680 --> 00:32:53,479
Speaker 3: we need to do that more.

724
00:32:53,600 --> 00:32:58,880
Speaker 2: That ship. Shut up. No, it's like good. The listeners

725
00:32:58,880 --> 00:33:02,040
Speaker 2: tell you what good. I respect that, Y'a'm gonna watch

726
00:33:02,040 --> 00:33:04,280
Speaker 2: it though. We have fun though. We gotta do one now.

727
00:33:05,280 --> 00:33:07,760
Speaker 2: You're not gonna do what I want. We gotta on

728
00:33:07,800 --> 00:33:10,200
Speaker 2: the wall for just you and Peach for a blog.

729
00:33:10,680 --> 00:33:14,680
Speaker 3: Oh like, maybe that's it. He's not gonna make their

730
00:33:14,760 --> 00:33:17,040
Speaker 3: waves me and Peach. You don't want me and Peach

731
00:33:17,080 --> 00:33:19,480
Speaker 3: to go somewhere and just kick it over a beer. No,

732
00:33:19,520 --> 00:33:21,360
Speaker 3: like you let me and Pach go kick it over beers.

733
00:33:22,280 --> 00:33:23,920
Speaker 3: And it's not gonna make this. It's not volunteer.

734
00:33:24,080 --> 00:33:28,440
Speaker 2: It's not gonna leave the editing floor. It's not gonna leave. Man.

735
00:33:28,960 --> 00:33:31,760
Speaker 2: Let's even like Trump. Let's suck there we go. You

736
00:33:31,840 --> 00:33:32,760
Speaker 2: gotta sit down and talk.

737
00:33:32,880 --> 00:33:35,320
Speaker 3: You don't like somebody sit right here and let's figure

738
00:33:35,360 --> 00:33:36,200
Speaker 3: out why we don't like it.

739
00:33:36,280 --> 00:33:38,200
Speaker 5: They did some cancel little ship in our one vlog,

740
00:33:38,280 --> 00:33:39,320
Speaker 5: I thought about cutting it out.

741
00:33:39,320 --> 00:33:40,160
Speaker 6: I'm like, I can't.

742
00:33:40,240 --> 00:33:46,840
Speaker 2: For me and Peach, I'm gonna come. Wait, that's canceling.

743
00:33:46,360 --> 00:33:49,560
Speaker 5: Because we were president, they were I said they. Peach

744
00:33:49,600 --> 00:33:51,520
Speaker 5: asked me would rather be blind or deaf? And I

745
00:33:51,600 --> 00:33:55,360
Speaker 5: was like deaf. I need to see. And then I said, oh,

746
00:33:55,360 --> 00:33:58,040
Speaker 5: but damn if death can't talk me through it, so.

747
00:33:57,920 --> 00:34:01,600
Speaker 2: That then gloom. Oh I get I get the joke now,

748
00:34:02,520 --> 00:34:08,239
Speaker 2: mosy croom, I not get it. I get the joke now.

749
00:34:10,040 --> 00:34:12,800
Speaker 2: All right. I'm sorry, baby, you're offending Josh. I'm sorry

750
00:34:13,160 --> 00:34:16,239
Speaker 2: defending Josh stopping josson snapping right.

751
00:34:16,320 --> 00:34:20,319
Speaker 3: Is fucking teething over there? Teething ceething, not teething, say

752
00:34:20,400 --> 00:34:23,480
Speaker 3: TV seething ceething? Why do I say teether? What's TeV?

753
00:34:23,920 --> 00:34:29,239
Speaker 2: Baby? Josh? I got some frozen freezing for you from

754
00:34:29,239 --> 00:34:32,600
Speaker 2: from Amar the two toys, you know, the toys with

755
00:34:32,680 --> 00:34:34,839
Speaker 2: the little bums.

756
00:34:34,600 --> 00:34:36,200
Speaker 3: On it because of the gums, the gums it so

757
00:34:36,239 --> 00:34:36,759
Speaker 3: you gotta get it.

758
00:34:38,480 --> 00:34:44,360
Speaker 2: Oh my god, oh my democrats are teething.

759
00:34:45,040 --> 00:34:48,279
Speaker 9: Be safely blessed that nigga. He's just gender. My my,

760
00:34:48,600 --> 00:34:51,680
Speaker 9: I'm not gender. I'm just a gender. I said gender

761
00:34:51,760 --> 00:34:55,040
Speaker 9: or ginger. Oh well he is gender. We don't know

762
00:34:55,040 --> 00:35:04,719
Speaker 9: his gender. We don't know Josson's gender. No, you circumside, yes,

763
00:35:04,719 --> 00:35:06,920
Speaker 9: I circumsized. I'm circumcised.

764
00:35:07,120 --> 00:35:11,840
Speaker 2: Okay, you certain side. He's Irish. I think that's Irish Catholic.

765
00:35:12,400 --> 00:35:19,400
Speaker 2: Oh yeah, yeah. They colored horsek it off and then

766
00:35:19,400 --> 00:35:31,200
Speaker 2: they touch it. Irish Catholics. You see you remember that man.

767
00:35:31,560 --> 00:35:34,279
Speaker 2: You remember that priest and I'm lying he was he.

768
00:35:34,400 --> 00:35:36,480
Speaker 1: Was circumcizing the people one and he was putting his

769
00:35:36,560 --> 00:35:37,399
Speaker 1: mouth on them kids.

770
00:35:37,440 --> 00:35:39,600
Speaker 2: You remember that. It's on you too. It was on

771
00:35:39,760 --> 00:35:42,160
Speaker 2: you too. He was putting his mouth on Yeah, there

772
00:35:42,239 --> 00:35:46,040
Speaker 2: was that one. Uh ship. He was like Filipino. It

773
00:35:46,120 --> 00:35:48,319
Speaker 2: was like a Buddhist priestyle that was grabbing the kids

774
00:35:48,360 --> 00:35:48,959
Speaker 2: tongues and ship.

775
00:35:49,360 --> 00:35:49,560
Speaker 3: You know.

776
00:35:49,640 --> 00:35:52,000
Speaker 1: He said, oh no that was the that was the dolly,

777
00:35:52,239 --> 00:35:54,000
Speaker 1: that was the dolly Lama. Yeah, he was grabbing the

778
00:35:54,080 --> 00:35:56,279
Speaker 1: kids tomb but one on was like biting on them.

779
00:35:56,640 --> 00:35:57,520
Speaker 3: Oh yeah, I didn't see that.

780
00:35:57,800 --> 00:36:00,960
Speaker 2: Yeah, I mean that wasn't in my parent You Irish, right,

781
00:36:01,080 --> 00:36:04,160
Speaker 2: I mean you're Catholic, Irish was raised Irish Catholic. Yeah,

782
00:36:04,280 --> 00:36:07,839
Speaker 2: they do some weird things over at that church. See,

783
00:36:07,840 --> 00:36:10,279
Speaker 2: it ain't like the black church, somebody testified in the

784
00:36:10,320 --> 00:36:13,640
Speaker 2: middle of the pastor they're back here fucking with these kids.

785
00:36:15,880 --> 00:36:18,279
Speaker 1: That's what happened at the black church. You you might

786
00:36:18,360 --> 00:36:21,120
Speaker 1: get touched one or two times, but somebody gonna tell.

787
00:36:21,000 --> 00:36:23,640
Speaker 2: On his asad. Wait, they a't gonna let it go on.

788
00:36:23,880 --> 00:36:26,520
Speaker 1: But then you gotta be on all that medications because

789
00:36:26,520 --> 00:36:28,600
Speaker 1: you know they don't put black kids on all that medication.

790
00:36:29,000 --> 00:36:31,839
Speaker 2: We curt that ship right there and there. Yeah, that's

791
00:36:31,840 --> 00:36:35,040
Speaker 2: why you keep blinking your eye. Who touches you? Don't

792
00:36:35,080 --> 00:36:38,239
Speaker 2: listen to the show. I don't listen to the show.

793
00:36:38,280 --> 00:36:40,880
Speaker 2: You've been touched? Yeah, why is it every time we

794
00:36:40,920 --> 00:36:45,399
Speaker 2: get a comedian on here there? I knew because eye.

795
00:36:47,200 --> 00:36:51,080
Speaker 2: I knew because he was blinking out you know. That's

796
00:36:51,080 --> 00:36:53,759
Speaker 2: a that's help. That's a y'all don't know. That's a

797
00:36:53,880 --> 00:36:56,239
Speaker 2: sign that he needs some help. I thought I had

798
00:36:56,239 --> 00:36:57,040
Speaker 2: a nice eyelashes.

799
00:36:57,360 --> 00:36:59,959
Speaker 1: No, but they be blinking like that. That means somebody

800
00:37:00,360 --> 00:37:02,600
Speaker 1: somebody messed up his equal liberty.

801
00:37:03,760 --> 00:37:07,480
Speaker 2: Take off. Knock that ship right, I mean they're dead now.

802
00:37:08,000 --> 00:37:10,759
Speaker 2: Who touched you? You want to tell his government name? No,

803
00:37:10,960 --> 00:37:13,680
Speaker 2: who was her government name? It was her. It was

804
00:37:13,719 --> 00:37:15,879
Speaker 2: a man and a woman, it was a wild dick

805
00:37:16,840 --> 00:37:20,440
Speaker 2: at the same time. No, it's different at the church. No,

806
00:37:20,560 --> 00:37:23,120
Speaker 2: I was never at the church, but they was affiliated

807
00:37:23,160 --> 00:37:26,200
Speaker 2: for sure. Was the black and white? They was white both.

808
00:37:27,680 --> 00:37:30,040
Speaker 2: Was he a priest? No, they weren't like part of

809
00:37:30,080 --> 00:37:32,960
Speaker 2: the church. They was in your neighborhood. Yeah. Did you

810
00:37:33,040 --> 00:37:35,160
Speaker 2: tell anybody years later?

811
00:37:36,880 --> 00:37:36,920
Speaker 9: No?

812
00:37:37,040 --> 00:37:38,360
Speaker 2: No, Now we talked about on the podel. It's all

813
00:37:38,440 --> 00:37:43,160
Speaker 2: it's like a running joke. They just climbed, uh six,

814
00:37:43,360 --> 00:37:45,120
Speaker 2: and it is gonna not be a joke at six

815
00:37:45,239 --> 00:37:47,800
Speaker 2: and nine. I want to say six and nine. Yeah, okay,

816
00:37:47,840 --> 00:37:49,440
Speaker 2: it could be wrong. Did you tell how long? Did

817
00:37:49,440 --> 00:37:50,160
Speaker 2: it go on for a while?

818
00:37:50,400 --> 00:37:50,440
Speaker 8: No?

819
00:37:50,520 --> 00:37:51,960
Speaker 2: I was just it was one and done. I wasn't

820
00:37:52,000 --> 00:37:54,640
Speaker 2: that good. So were you had a sucker dick?

821
00:37:54,920 --> 00:37:54,960
Speaker 4: No?

822
00:37:55,080 --> 00:37:57,160
Speaker 2: I didn't do that, thank you. Okay, thank god I

823
00:37:57,280 --> 00:38:01,600
Speaker 2: held out. But he may have batted my ship around.

824
00:38:04,080 --> 00:38:05,960
Speaker 2: I'm just trying to get to the bottom up. I'm

825
00:38:06,000 --> 00:38:09,200
Speaker 2: trying to see why he'd be blinking. Miss Patter is

826
00:38:09,280 --> 00:38:13,040
Speaker 2: genuinely concerned. She's not letting him so she just had

827
00:38:13,120 --> 00:38:19,399
Speaker 2: another question because I could tell he got child less stationized.

828
00:38:20,680 --> 00:38:24,000
Speaker 2: Finally something everyone thinks this is me, Miss pat Finally

829
00:38:24,040 --> 00:38:24,680
Speaker 2: I'm being seen.

830
00:38:25,560 --> 00:38:28,440
Speaker 1: I appreciate you because at one point when I couldn't

831
00:38:28,440 --> 00:38:29,600
Speaker 1: talk about I'm beat too.

832
00:38:29,920 --> 00:38:33,080
Speaker 2: So so so they just so what they do? You

833
00:38:33,239 --> 00:38:35,759
Speaker 2: just suck. I mean, I'm not gonna like getting the

834
00:38:35,800 --> 00:38:38,319
Speaker 2: full details. I will say though, once I started talking

835
00:38:38,320 --> 00:38:42,080
Speaker 2: about on the show felt bad. Yeah, for sure. I

836
00:38:42,200 --> 00:38:45,960
Speaker 2: picked my my pops up in Stadding Island, New York,

837
00:38:46,560 --> 00:38:48,200
Speaker 2: and he had caught up on some episodes. He was like,

838
00:38:48,239 --> 00:38:55,600
Speaker 2: he was touched. Look at so did the lady trying

839
00:38:55,640 --> 00:38:58,600
Speaker 2: to tell you this? Did the lady make you suck

840
00:38:58,640 --> 00:39:03,359
Speaker 2: a teendy because she did too? Yeah, and I thought

841
00:39:03,360 --> 00:39:05,600
Speaker 2: it was cool, but I felt uncomfortable. Oh my god,

842
00:39:06,040 --> 00:39:12,839
Speaker 2: you didn't need it. I didn't. I'm sorry you might

843
00:39:12,880 --> 00:39:16,399
Speaker 2: have to blee. Sorry, I'm fine, keeping on. By the way,

844
00:39:17,560 --> 00:39:19,840
Speaker 2: this is This is better than when I went to therapy.

845
00:39:20,640 --> 00:39:24,720
Speaker 2: This is better. She's genuinely no. I know she cared,

846
00:39:24,840 --> 00:39:27,640
Speaker 2: but I was touched. So I'm just asking.

847
00:39:27,760 --> 00:39:30,080
Speaker 1: I mean, and you know the great part about when,

848
00:39:30,239 --> 00:39:31,759
Speaker 1: no matter what you've been through in life, when you

849
00:39:31,840 --> 00:39:34,279
Speaker 1: can laugh about it, that means you have control of it.

850
00:39:34,560 --> 00:39:36,880
Speaker 1: And I'm not trying to be a mean person, but

851
00:39:37,000 --> 00:39:39,680
Speaker 1: I could tell something had happened to him because he

852
00:39:40,120 --> 00:39:41,239
Speaker 1: don't have no controls of it.

853
00:39:41,400 --> 00:39:41,759
Speaker 8: I lead.

854
00:39:42,200 --> 00:39:46,360
Speaker 2: So I'm like, what is going on with him? You

855
00:39:46,400 --> 00:39:48,360
Speaker 2: don't understand. I've been the years, thy, this is the

856
00:39:48,400 --> 00:39:52,319
Speaker 2: best I felt. Yes, So she was like, oh all right,

857
00:39:52,800 --> 00:39:54,719
Speaker 2: I said it, yeah, because I was like, I think

858
00:39:54,800 --> 00:39:59,400
Speaker 2: he's been molisted. That's what I said to myself, and

859
00:39:59,520 --> 00:40:01,799
Speaker 2: that's why ask you, you know, But yeah, I mean,

860
00:40:01,840 --> 00:40:02,480
Speaker 2: you over it now?

861
00:40:02,520 --> 00:40:05,240
Speaker 1: I'm over Oh yeah, I mean my my mama. Barfriend

862
00:40:05,320 --> 00:40:08,120
Speaker 1: melissed me. I can't ride in el caminos. Thank god,

863
00:40:08,160 --> 00:40:12,799
Speaker 1: they don't make them no more. I went to, you're

864
00:40:12,840 --> 00:40:15,920
Speaker 1: so fucking stupid laughing at everything.

865
00:40:16,960 --> 00:40:18,279
Speaker 2: No, but this is what they do to me. We

866
00:40:18,400 --> 00:40:20,960
Speaker 2: have I g clips of him laughing and me being touched,

867
00:40:21,280 --> 00:40:23,399
Speaker 2: like the fact that you just add to make.

868
00:40:23,400 --> 00:40:30,440
Speaker 1: Him laughing laughing together. Yes, I can't ride it. I'm

869
00:40:30,480 --> 00:40:35,680
Speaker 1: fucking spooky to me. You ever been molested in the

870
00:40:36,000 --> 00:40:43,719
Speaker 1: one seed? That been taking out of one seat? We

871
00:40:43,880 --> 00:40:47,520
Speaker 1: can't go nowhere? God lay that I should have known.

872
00:40:47,640 --> 00:40:48,520
Speaker 2: I had no choice.

873
00:40:56,040 --> 00:40:59,240
Speaker 1: Yeah, most kids getting molested in a pick up drunk

874
00:40:59,320 --> 00:41:04,279
Speaker 1: or two seats Jesus, But I'm glad you're talking about it.

875
00:41:04,520 --> 00:41:08,160
Speaker 2: Oh, yeah, happened to you. Yeah, I'm glad you didn't

876
00:41:08,200 --> 00:41:10,880
Speaker 2: turn the other way. I've been talking about it for

877
00:41:11,040 --> 00:41:13,520
Speaker 2: years and I ended up just a few years ago

878
00:41:13,600 --> 00:41:16,000
Speaker 2: and going into couples therapy, and you know, in therapy,

879
00:41:16,080 --> 00:41:19,480
Speaker 2: that's like the first fucking question who was touched? I

880
00:41:19,600 --> 00:41:21,759
Speaker 2: was like, I'm trying to talk about this crazy bitch.

881
00:41:22,480 --> 00:41:25,680
Speaker 2: I'm oping that, Like I don't care about what happened,

882
00:41:25,719 --> 00:41:27,839
Speaker 2: then can we please talk about what's going on now?

883
00:41:27,920 --> 00:41:30,600
Speaker 2: So No, I'm happy I can laugh about it. Do

884
00:41:30,719 --> 00:41:33,800
Speaker 2: that affect your relationships? Yeah? Do you ever do?

885
00:41:34,000 --> 00:41:37,120
Speaker 1: Do you ever in a sexual move and then somehow

886
00:41:37,160 --> 00:41:39,759
Speaker 1: that older lady titty popping your head and you can't

887
00:41:39,840 --> 00:41:40,839
Speaker 1: finish sunking the TV?

888
00:41:42,320 --> 00:41:46,240
Speaker 2: Uh? Maybe it wasn't an attractive titty. For the flashes

889
00:41:46,280 --> 00:41:49,920
Speaker 2: that I have during the entire thing was a lot

890
00:41:49,960 --> 00:41:53,920
Speaker 2: of this was it a loan titty? They were?

891
00:41:54,080 --> 00:41:54,200
Speaker 1: Oh?

892
00:41:54,440 --> 00:41:54,600
Speaker 3: Was she?

893
00:41:56,080 --> 00:41:56,759
Speaker 2: I was like nine.

894
00:41:57,120 --> 00:42:00,960
Speaker 1: I would guess if a titty was she had to

895
00:42:01,040 --> 00:42:03,359
Speaker 1: be in her forties. Forties for sure, Yeah, because thirty

896
00:42:03,440 --> 00:42:04,400
Speaker 1: two is still hold up.

897
00:42:04,600 --> 00:42:08,239
Speaker 2: I mean then there was one time with a babysitter,

898
00:42:08,360 --> 00:42:10,719
Speaker 2: but like I was an active artistan it would be

899
00:42:10,840 --> 00:42:15,240
Speaker 2: technically molestation. H but I was fine with the babysitter

900
00:42:15,480 --> 00:42:19,120
Speaker 2: was white. Yes she was white. Yeah, family member too,

901
00:42:19,440 --> 00:42:21,880
Speaker 2: but not like a director. You fuck your cousin. No,

902
00:42:22,000 --> 00:42:24,080
Speaker 2: I'm not fucked your cousin. You said it was a

903
00:42:24,120 --> 00:42:27,720
Speaker 2: family member, but like you know, like family, neighborhood family,

904
00:42:28,560 --> 00:42:32,200
Speaker 2: my blood friend of the family from Queen's. Oh, I

905
00:42:32,239 --> 00:42:34,040
Speaker 2: didn't know they get down like that up here. Oh

906
00:42:34,120 --> 00:42:39,680
Speaker 2: for sure, that's not like some Alabama shit. To get it.

907
00:42:42,120 --> 00:42:44,840
Speaker 2: I'm sorry. Maybe I thought it was Alabama because you're white.

908
00:42:45,160 --> 00:42:48,840
Speaker 2: I had no idea it was. She think Rory is

909
00:42:48,920 --> 00:42:53,080
Speaker 2: like red white niggas from New York, from the hood, like.

910
00:42:55,040 --> 00:42:57,520
Speaker 1: You know, he told my cousins and loan titties and

911
00:42:58,640 --> 00:43:01,840
Speaker 1: you know, yeah that long titties and family friends.

912
00:43:02,880 --> 00:43:05,400
Speaker 2: No, I'm just saying, I just it sounded like the

913
00:43:05,560 --> 00:43:08,560
Speaker 2: South Ship. No, not at all, but somebody would considered

914
00:43:08,600 --> 00:43:11,520
Speaker 2: like family friend type shit. But she she was. Have

915
00:43:11,640 --> 00:43:13,680
Speaker 2: you seen her? No, I haven't seen her in a

916
00:43:13,760 --> 00:43:17,239
Speaker 2: long long time. Okay. I didn't even consider that me

917
00:43:17,360 --> 00:43:19,319
Speaker 2: losing my virginity because I didn't say to me losing

918
00:43:19,320 --> 00:43:21,560
Speaker 2: my virginity when I was fourteen, because I was probably

919
00:43:21,960 --> 00:43:25,040
Speaker 2: who you lost it with Uh, no, wonder you like

920
00:43:25,120 --> 00:43:28,400
Speaker 2: black pussy. It's so much white pussy they took, you know,

921
00:43:28,680 --> 00:43:30,680
Speaker 2: I've never even gone down that pass. Now, yeah, well

922
00:43:30,719 --> 00:43:33,040
Speaker 2: they all forced it on you, so it turned you off.

923
00:43:33,160 --> 00:43:34,520
Speaker 2: And now that I think about it, like when I

924
00:43:34,560 --> 00:43:36,839
Speaker 2: was growing up, the nicest people to me were black women.

925
00:43:37,040 --> 00:43:39,000
Speaker 2: He's actually more therapies than I think I've ever gotten.

926
00:43:39,000 --> 00:43:41,480
Speaker 2: I've never even put those two and you can write

927
00:43:41,520 --> 00:43:48,359
Speaker 2: me a check, you keep you. I never even put

928
00:43:48,360 --> 00:43:49,000
Speaker 2: too and two together.

929
00:43:49,040 --> 00:43:51,919
Speaker 1: Then, yeah, so that's probably why you attracted to black

930
00:43:52,000 --> 00:43:55,200
Speaker 1: people and black women because every time.

931
00:43:55,040 --> 00:43:58,000
Speaker 2: There was black people around when I was, I mean,

932
00:43:58,040 --> 00:44:00,480
Speaker 2: you didn't tell them about it was like, yo, you

933
00:44:00,520 --> 00:44:05,160
Speaker 2: know what the what they but black people didn't last

934
00:44:05,239 --> 00:44:09,000
Speaker 2: you know, I was, I think mentally sentence to say

935
00:44:10,200 --> 00:44:12,200
Speaker 2: it's a crazy sentence to say, I'm just.

936
00:44:14,120 --> 00:44:16,919
Speaker 1: So that's why you were That's why you like black

937
00:44:17,000 --> 00:44:20,600
Speaker 1: women because white women threw it on you. So you

938
00:44:20,680 --> 00:44:23,719
Speaker 1: were like you took Yeah, they took your dick, so

939
00:44:23,960 --> 00:44:27,960
Speaker 1: you don't want no part of them. Hmm, yeah, I

940
00:44:28,080 --> 00:44:30,319
Speaker 1: never even put it's funny, but she makes a good point. Yeah,

941
00:44:30,560 --> 00:44:32,960
Speaker 1: I'm not even joking around. That might be the most

942
00:44:33,040 --> 00:44:33,520
Speaker 1: fair point.

943
00:44:33,680 --> 00:44:35,840
Speaker 2: Yeah, I never thought about it. Maybe they was right.

944
00:44:35,880 --> 00:44:38,320
Speaker 3: I do have a fetish, maybe a fetish with what

945
00:44:38,719 --> 00:44:42,359
Speaker 3: that's always been that weird jokes women, which I don't.

946
00:44:42,680 --> 00:44:44,279
Speaker 3: They say that he fetish off as black women.

947
00:44:44,360 --> 00:44:47,000
Speaker 2: But every time I brought up, like how black women

948
00:44:47,080 --> 00:44:48,760
Speaker 2: took care of me as a kid, like it's always

949
00:44:48,760 --> 00:44:51,360
Speaker 2: it's never been a sexual that they took care of you.

950
00:44:51,440 --> 00:44:54,640
Speaker 2: You had a nanny. No, I've lived with a Jamaican

951
00:44:54,680 --> 00:44:56,600
Speaker 2: family when I was fucking homeless.

952
00:44:56,239 --> 00:44:59,040
Speaker 1: Like oh okay, oh you oh you, oh you want

953
00:44:59,080 --> 00:45:08,600
Speaker 1: them eminems. You ain't no Baron Trump, you are imminean

954
00:45:09,600 --> 00:45:10,759
Speaker 1: for my.

955
00:45:10,760 --> 00:45:12,560
Speaker 2: Ship got battered around. I had to get out the house.

956
00:45:15,120 --> 00:45:21,200
Speaker 2: I had to run away. Bless you. I'm glad you're

957
00:45:21,239 --> 00:45:24,600
Speaker 2: doing good. Really, I'm glad you're doing good. My eyes

958
00:45:24,640 --> 00:45:26,960
Speaker 2: are still bad, not off, I am. It's slowed down

959
00:45:27,040 --> 00:45:29,680
Speaker 2: since we got that out. Yeah, I feel better than

960
00:45:30,320 --> 00:45:32,839
Speaker 2: I feel like I've been since I slowed down. Yeah,

961
00:45:34,520 --> 00:45:36,120
Speaker 2: I thought he had to rex earlier.

962
00:45:36,680 --> 00:45:39,839
Speaker 1: I said fuck from with his eyes, but I could

963
00:45:39,920 --> 00:45:42,720
Speaker 1: tell that was traumble behind is it's.

964
00:45:42,640 --> 00:45:47,400
Speaker 2: Prupal yeahs fucking crazy. You weren't you weren't one of

965
00:45:47,440 --> 00:45:48,040
Speaker 2: the lucky ones.

966
00:45:48,640 --> 00:45:51,919
Speaker 3: Oh my god, what you mean lucky ones? That means

967
00:45:51,920 --> 00:45:53,839
Speaker 3: the only one of the couch that has been a lesson. Yes,

968
00:45:53,920 --> 00:45:58,160
Speaker 3: you haven't got to the top. Oh okay, but I

969
00:45:58,200 --> 00:46:01,160
Speaker 3: did read your story about it ain't fun? Well no,

970
00:46:01,239 --> 00:46:03,920
Speaker 3: I mean, you know, we're laughing about it, and that's

971
00:46:03,960 --> 00:46:05,840
Speaker 3: that's great that we but no, it's nothing fun about that.

972
00:46:05,960 --> 00:46:09,799
Speaker 3: But that is the greatest read I think Rory has

973
00:46:09,800 --> 00:46:11,520
Speaker 3: ever gotten in his life. I don't know how you

974
00:46:12,120 --> 00:46:14,120
Speaker 3: figured all of that out just by blinking his eyes.

975
00:46:14,200 --> 00:46:16,120
Speaker 2: But I'm a black mama. We know ship.

976
00:46:16,480 --> 00:46:18,279
Speaker 1: You know how you bring a Walmer home with your MoMA, Like, hey,

977
00:46:18,360 --> 00:46:20,239
Speaker 1: let me tell you that's a whole red dw out

978
00:46:20,280 --> 00:46:23,960
Speaker 1: my house a black mama. Can that bitch got an

979
00:46:24,040 --> 00:46:26,040
Speaker 1: STD We can tell you right out that, we can

980
00:46:26,160 --> 00:46:27,680
Speaker 1: tell you read out the fucking map.

981
00:46:28,080 --> 00:46:29,279
Speaker 2: You ain't gotten it red there.

982
00:46:29,440 --> 00:46:32,520
Speaker 3: Yeah, I think I think that is something that I

983
00:46:32,600 --> 00:46:35,359
Speaker 3: think protecting me growing up is that having a strong

984
00:46:35,440 --> 00:46:37,520
Speaker 3: black mom. Yeah, definitely what I'm.

985
00:46:37,360 --> 00:46:41,880
Speaker 2: Saying, because my mother was white. That's why I like,

986
00:46:41,920 --> 00:46:43,759
Speaker 2: you've never loved a great woman.

987
00:46:45,000 --> 00:46:47,880
Speaker 1: Not trying to Well, let me say this, we're culturally different,

988
00:46:48,080 --> 00:46:50,399
Speaker 1: so in a way, when you're white, I think it's

989
00:46:50,480 --> 00:46:52,840
Speaker 1: more free, you know, like you don't have to have

990
00:46:52,960 --> 00:46:53,359
Speaker 1: that talk.

991
00:46:53,719 --> 00:46:55,680
Speaker 2: Nobody told you, don't you go out there more fucking door.

992
00:46:55,840 --> 00:46:58,400
Speaker 2: When you go out that door, you make black black kids.

993
00:46:58,239 --> 00:46:59,600
Speaker 1: Go out the door, and they say, make sure your

994
00:46:59,680 --> 00:47:01,400
Speaker 1: draws clean in case you get hit by a car.

995
00:47:01,880 --> 00:47:04,440
Speaker 1: He always was told that, I don't know why clean underway,

996
00:47:04,440 --> 00:47:05,920
Speaker 1: it's important if a nigga don't to.

997
00:47:05,960 --> 00:47:08,920
Speaker 2: Draw you thirty miles down the street, my leg is shotted.

998
00:47:09,000 --> 00:47:11,040
Speaker 2: But yeah, so.

999
00:47:13,040 --> 00:47:17,520
Speaker 1: With black parents always had to have a conversation with

1000
00:47:17,680 --> 00:47:20,320
Speaker 1: their child, and white parents have never had to have

1001
00:47:20,440 --> 00:47:24,319
Speaker 1: those conversations with the police with don't do this, don't

1002
00:47:24,400 --> 00:47:26,879
Speaker 1: do this, look over your shoulder, pay attention. So it's

1003
00:47:26,920 --> 00:47:28,960
Speaker 1: just different. It doesn't make your mama weak. It's just

1004
00:47:29,040 --> 00:47:32,160
Speaker 1: the things that you that that y'all had to endure,

1005
00:47:32,920 --> 00:47:35,520
Speaker 1: that we had to endure that y'all didn't have to endure.

1006
00:47:35,719 --> 00:47:38,280
Speaker 2: So your life was a little more like a flyer,

1007
00:47:38,840 --> 00:47:40,400
Speaker 2: do what I want to do. Where he was with

1008
00:47:40,480 --> 00:47:40,719
Speaker 2: his mother.

1009
00:47:40,800 --> 00:47:42,560
Speaker 1: So let me talk to you, little little john. You

1010
00:47:42,640 --> 00:47:44,200
Speaker 1: take your ass out of the know you look both way.

1011
00:47:44,400 --> 00:47:46,600
Speaker 1: Did anybody touch your drawers? You tell me because I'm

1012
00:47:46,600 --> 00:47:48,640
Speaker 1: gonna killer nigga for sucking on you. So that's what

1013
00:47:48,719 --> 00:47:51,359
Speaker 1: a black parents tell me. Anybody touch you, I kill them.

1014
00:47:52,000 --> 00:47:54,040
Speaker 1: And I when I first got married to my husband,

1015
00:47:54,120 --> 00:47:55,880
Speaker 1: used to tell my daughter because that's it's not his daddy.

1016
00:47:55,880 --> 00:47:57,359
Speaker 1: I said, let me tell you something. If this man

1017
00:47:57,440 --> 00:47:59,000
Speaker 1: ever touched you, I want you all to know that

1018
00:47:59,080 --> 00:48:00,880
Speaker 1: I would love I love of y'all way more than

1019
00:48:00,920 --> 00:48:02,840
Speaker 1: I love him. I kill his ass because I had

1020
00:48:02,880 --> 00:48:05,640
Speaker 1: been molessed, and every day I gave my kids a

1021
00:48:05,760 --> 00:48:08,919
Speaker 1: child molest station story on the way to school. I said,

1022
00:48:08,960 --> 00:48:11,640
Speaker 1: if he touched you, I would kill him. To finally,

1023
00:48:11,719 --> 00:48:13,759
Speaker 1: my daughters in the eighth grade, she said, Mama, the

1024
00:48:13,880 --> 00:48:15,000
Speaker 1: man ain't gonna touch me.

1025
00:48:15,320 --> 00:48:16,440
Speaker 2: It's been five years.

1026
00:48:16,760 --> 00:48:19,640
Speaker 1: And I stopped asking, but I had to let her know,

1027
00:48:20,440 --> 00:48:23,000
Speaker 1: you know, anybody touch you, especially out of moved his

1028
00:48:23,120 --> 00:48:25,600
Speaker 1: man into moved up to the house with this man.

1029
00:48:25,880 --> 00:48:28,600
Speaker 1: I know him, but you don't really never know a person.

1030
00:48:29,160 --> 00:48:30,800
Speaker 1: So that's the talk I had to have with my

1031
00:48:30,920 --> 00:48:34,080
Speaker 1: kids and my son. Mean, because people digging buddhies, so

1032
00:48:34,239 --> 00:48:36,000
Speaker 1: I had to make sure nobody was gonna be digging

1033
00:48:36,000 --> 00:48:36,680
Speaker 1: in my sons.

1034
00:48:36,960 --> 00:48:40,239
Speaker 3: Yeah, that is something that I like getting older having

1035
00:48:40,320 --> 00:48:43,239
Speaker 3: talks with women like I never realized how many women

1036
00:48:43,320 --> 00:48:45,040
Speaker 3: actually experienced that in their home.

1037
00:48:45,360 --> 00:48:47,279
Speaker 2: Yes, and I don't think that's at all.

1038
00:48:48,760 --> 00:48:50,840
Speaker 1: Well, you know what I'm saying is I think I

1039
00:48:50,960 --> 00:48:55,759
Speaker 1: think with black families we have the conversations more where

1040
00:48:55,960 --> 00:48:57,480
Speaker 1: you know, we used to set the kids down and

1041
00:48:57,560 --> 00:49:00,279
Speaker 1: say whatever where you know a lot of time with

1042
00:49:00,440 --> 00:49:00,959
Speaker 1: white people.

1043
00:49:01,400 --> 00:49:04,000
Speaker 2: Yeah, I ain't like it don't exist, to it exist? Yeah,

1044
00:49:04,120 --> 00:49:05,960
Speaker 2: I mean I can only speak from my family. The

1045
00:49:06,040 --> 00:49:08,040
Speaker 2: more I learned, once I started having those conversations with

1046
00:49:08,080 --> 00:49:09,800
Speaker 2: my mom and what she went through, I was like,

1047
00:49:09,920 --> 00:49:13,359
Speaker 2: we allowed him around. Yes, so I see what you said.

1048
00:49:13,360 --> 00:49:15,239
Speaker 2: I'm not gonna I'm not speaking for all whites, but

1049
00:49:15,239 --> 00:49:17,000
Speaker 2: I can speak from my family that regard. Once I

1050
00:49:17,160 --> 00:49:18,839
Speaker 2: learned more, I was like, why you let him? Well,

1051
00:49:18,880 --> 00:49:21,400
Speaker 2: see he was there every holiday and we did that.

1052
00:49:21,800 --> 00:49:24,160
Speaker 1: But the thing was, Okay, so when you have a

1053
00:49:24,280 --> 00:49:26,800
Speaker 1: child mo leicster in the family and your uncle is

1054
00:49:26,800 --> 00:49:28,719
Speaker 1: a child and lesser, they say, so the black fello

1055
00:49:28,760 --> 00:49:31,080
Speaker 1: will tell you look him. Your uncle be touching kids.

1056
00:49:31,120 --> 00:49:32,719
Speaker 1: So don't go over that fucking with that nigga. Okay,

1057
00:49:32,760 --> 00:49:35,719
Speaker 1: stay away from Uncle John or uncle whatever we tell

1058
00:49:35,800 --> 00:49:38,040
Speaker 1: We told that before we go to the barbecue. Can't

1059
00:49:38,080 --> 00:49:40,560
Speaker 1: he come to the barbecue? Yes, but everybody gonna be

1060
00:49:40,600 --> 00:49:43,320
Speaker 1: watching his head. Everybody know what he do and we

1061
00:49:43,480 --> 00:49:45,719
Speaker 1: gonna tell them, kid, if he touched you, we're gonna

1062
00:49:45,800 --> 00:49:48,680
Speaker 1: kill him. So all the kids know him child mo Leicester,

1063
00:49:49,040 --> 00:49:52,160
Speaker 1: Chester Chester molest Chester molester. So we stayed away from

1064
00:49:52,239 --> 00:49:53,600
Speaker 1: We put that on a house on our block.

1065
00:49:54,160 --> 00:49:56,279
Speaker 2: I have no idea to this day. He never touched

1066
00:49:56,280 --> 00:49:58,480
Speaker 2: anybody in the nigga. It was just a house that

1067
00:49:58,560 --> 00:50:00,920
Speaker 2: was everyone will say chess to Molesta lives there. Yeah,

1068
00:50:00,960 --> 00:50:02,120
Speaker 2: I don't know. It was just like a kid thing.

1069
00:50:02,960 --> 00:50:04,960
Speaker 2: Where is Chester the molester? I didn't know that was

1070
00:50:04,960 --> 00:50:05,640
Speaker 2: a universal thing.

1071
00:50:05,760 --> 00:50:08,400
Speaker 1: Yeah, yes, So that that I think that's the culture

1072
00:50:08,480 --> 00:50:11,760
Speaker 1: different is that African black people say it out loud

1073
00:50:12,120 --> 00:50:12,600
Speaker 1: and other.

1074
00:50:13,080 --> 00:50:15,160
Speaker 2: Everybody's getting touched. So I mean, I think I don't

1075
00:50:15,160 --> 00:50:15,960
Speaker 2: know if every.

1076
00:50:17,600 --> 00:50:21,160
Speaker 1: I think everytation is in there, every race. Like I

1077
00:50:21,320 --> 00:50:23,440
Speaker 1: was just talking about that movie on what's the name

1078
00:50:23,440 --> 00:50:26,920
Speaker 1: of that movie aduted in plain Sight. You've seen that

1079
00:50:27,560 --> 00:50:30,120
Speaker 1: that was the craziest ship. That man slept with the

1080
00:50:30,160 --> 00:50:32,960
Speaker 1: whole family kept kidnapping the daughter. You couldn't have that

1081
00:50:33,120 --> 00:50:35,319
Speaker 1: chance in no black household. It'd have been fucked as

1082
00:50:35,360 --> 00:50:37,880
Speaker 1: soon as he sucked the daddy pinions. Everybody would have

1083
00:50:38,000 --> 00:50:40,680
Speaker 1: killed him. You don't get those kind of chances.

1084
00:50:42,520 --> 00:50:45,120
Speaker 2: Yeah, that was the crazy Outside of that being the

1085
00:50:45,160 --> 00:50:48,360
Speaker 2: sickest part of the entire premise, the fact that Homie

1086
00:50:48,880 --> 00:50:51,640
Speaker 2: got on that camera and was like, he sucked my

1087
00:50:51,719 --> 00:50:58,360
Speaker 2: dick too. That was like the last episode. I was

1088
00:50:58,400 --> 00:51:03,799
Speaker 2: like you on this whole whole series. It was like, listen,

1089
00:51:03,960 --> 00:51:10,959
Speaker 2: I was sitting there watching that on me too. I said,

1090
00:51:11,360 --> 00:51:12,720
Speaker 2: how I couldn't resist.

1091
00:51:13,400 --> 00:51:16,600
Speaker 1: It's about this stupid in rural towns, it's gotta be

1092
00:51:16,680 --> 00:51:19,080
Speaker 1: the craziest shit ever. But those are the things that

1093
00:51:19,360 --> 00:51:22,040
Speaker 1: even though those neighbors knew it or they or some

1094
00:51:22,160 --> 00:51:24,919
Speaker 1: of the neighbors suspected it, nobody saying it out loud.

1095
00:51:25,080 --> 00:51:27,680
Speaker 1: Nobody went over there and had a talk with that family.

1096
00:51:28,080 --> 00:51:30,480
Speaker 1: In all neighborhoods, they would have knocked on the door

1097
00:51:30,480 --> 00:51:31,799
Speaker 1: and had a talk with the mom.

1098
00:51:32,000 --> 00:51:34,160
Speaker 2: Hey he be touching key or he been the privilege.

1099
00:51:35,120 --> 00:51:38,000
Speaker 1: And I think it's now, I think it's more prominent

1100
00:51:38,160 --> 00:51:41,920
Speaker 1: now in all communities because they have that that that

1101
00:51:42,800 --> 00:51:46,239
Speaker 1: predator watch you know you have you know, when I

1102
00:51:46,360 --> 00:51:49,640
Speaker 1: was living in playing for Indiana, every time somebody moved

1103
00:51:49,680 --> 00:51:52,600
Speaker 1: into a neighborhood that had been the jail for molestation

1104
00:51:52,719 --> 00:51:55,799
Speaker 1: of rape, you had the race, so you would get

1105
00:51:55,840 --> 00:51:58,480
Speaker 1: an email a child unlesson just moved three D three

1106
00:51:58,560 --> 00:52:01,239
Speaker 1: those down. But back in those days you didn't have it,

1107
00:52:01,320 --> 00:52:03,640
Speaker 1: so people didn't talk about it, but the black community

1108
00:52:03,800 --> 00:52:04,960
Speaker 1: always talked about it.