WEBVTT - F the Critics, Go See “Him” 

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<v Speaker 1>Hey there, folks.

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<v Speaker 2>It is Tuesday, September the twenty third, and we just

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<v Speaker 2>came from a theater seeing what is described as maybe

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<v Speaker 2>the worst reviewed movie of the year.

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<v Speaker 1>Just how badly is it reviewed?

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<v Speaker 3>Ropes Well Him has gotten one half star out of

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<v Speaker 3>four from a major Roger Ebert dot com New York

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<v Speaker 3>Times did not like it in Indie Wire.

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<v Speaker 4>Whooh, they panned it as well.

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<v Speaker 1>When you say they panned it, what do you mean?

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<v Speaker 3>How's this for a line in a movie review? Putrid

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<v Speaker 3>and hollow? Justin Tipping's brain dead football horror film, which

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<v Speaker 3>somehow managed to secure the backing of producer Jordan Peel,

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<v Speaker 3>is incomprehensibly bad.

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<v Speaker 1>And we would like to tell you we fucking loved it.

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<v Speaker 1>And with that, welcome to this episode of Amy and TJ. Robes.

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<v Speaker 1>We were scratching our haggs. We were a little confused.

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<v Speaker 1>Some of the reviews, they can be bad. Some of

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<v Speaker 1>the reviews we heard for this one seemed.

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<v Speaker 3>Mean, Yes, hi, how about this a rock brained football

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<v Speaker 3>horror movie that's as subtle as being sacked by a

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<v Speaker 3>three hundred pound defensive lineman and somehow only half as

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<v Speaker 3>much fun.

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<v Speaker 1>Oh my goodness, that seems mean. That doesn't seem to

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<v Speaker 1>be a critique of the lighting, of the music, of

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<v Speaker 1>the acting, of the writing. That seems like they were

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<v Speaker 1>taking shots at this movie that has a rating on

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<v Speaker 1>Rotten Tomatoes.

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<v Speaker 4>Nine percent once in nine.

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<v Speaker 1>I think it's on the rise if it's twenty nine,

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<v Speaker 1>because I think it was lower. At one point, we

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<v Speaker 1>have been seeing previews robes. We go to horror movies.

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<v Speaker 1>The only thing we see at theater is pretty much

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<v Speaker 1>a horror movies, so we see previews for upcoming horror movies.

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<v Speaker 1>We've been seeing about this one for a while. It

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<v Speaker 1>was intriguing. We were curious, but it wasn't one we

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<v Speaker 1>plan to run out and see at theaters until we're like,

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<v Speaker 1>how was everybody hating on this movie so much?

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<v Speaker 3>Yeah, until the bad reviews, and then we knew we

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<v Speaker 3>had to see it, And the truth is it's not.

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<v Speaker 1>Look.

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<v Speaker 4>I appreciated how different it was.

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<v Speaker 3>For me. It was the best way I could describe

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<v Speaker 3>it was a football story meets midsummer That's what it

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<v Speaker 3>felt like to me. So, yes, it was bizarre and

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<v Speaker 3>you didn't know if what you were watching were hallucinations

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<v Speaker 3>or some sort of demonic presence, or if it was

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<v Speaker 3>maybe a fever dream from a concussion. You know, you

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<v Speaker 3>weren't really sure, but that was intriguing and certainly entertaining.

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<v Speaker 4>I laughed. I was shocked.

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<v Speaker 3>There weren't the typical jump scares. It wasn't terrifying or scary.

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<v Speaker 4>Necessary horror thriller, kind of a cur correct.

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<v Speaker 3>And there was some certainly some body horror in there,

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<v Speaker 3>but you suffered through. You know, I hate that's not

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<v Speaker 3>your favorite genre.

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<v Speaker 1>I hate tho was the movie's substance.

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<v Speaker 3>I'm and there were some folks who made comparisons to it,

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<v Speaker 3>but saying it wasn't anywhere near as good. But there

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<v Speaker 3>was you know, when you've got the audio of the

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<v Speaker 3>sound effects that go along with just even a simple

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<v Speaker 3>injection can be disgusting. So they the sound effects were

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<v Speaker 3>definitely a lot like a horror genre, I mean horror,

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<v Speaker 3>a body horror genre.

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<v Speaker 1>Okay, And it's hard for us to say now because

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<v Speaker 1>we how could you go back? But there is no

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<v Speaker 1>way that even if we had not heard any of

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<v Speaker 1>the reviews, which would naturally set low expectations, dearest, if

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<v Speaker 1>we had seen this movie without seeing a single review,

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<v Speaker 1>we would have enjoyed, Yes, this movie. We wouldn't have

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<v Speaker 1>walked out complaining. We walked out. The three of us

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<v Speaker 1>met you and Sabine. We were arguing, like what was that?

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<v Speaker 1>What did that mean? We immediately started talking about it.

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<v Speaker 1>To me, that makes a good movie.

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<v Speaker 4>That makes art because it starts you question, wait, what

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<v Speaker 4>did I just see?

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<v Speaker 3>And what do you think that meant? And didn't you

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<v Speaker 3>like this? And that was weird? But what do you

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<v Speaker 3>think that was? That? I think is all something I

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<v Speaker 3>appreciate when I walk out of a movie, that you're

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<v Speaker 3>having a shared experience. You watched it individually, but now

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<v Speaker 3>you want to talk about it and discuss it and

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<v Speaker 3>figure out what actually happened. It was never boring, and

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<v Speaker 3>a lot of people, a lot of people, a lot

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<v Speaker 3>of critics, and a lot of folks just who every

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<v Speaker 3>day Joe's who write audience reviews for Rotten Tomatoes. A

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<v Speaker 3>lot of people said it was boring, boring, yes, wow,

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<v Speaker 3>and too long? It was only an hour and thirty six, Yes, yes,

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<v Speaker 3>but yes, this was I love this one. Him is

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<v Speaker 3>a single idea stretched out for half the length of

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<v Speaker 3>an NFL broadcast. Spoiler alert, half of an eternity is

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<v Speaker 3>still an eternity, you know.

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<v Speaker 1>I found I saw why was everybody trying to be

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<v Speaker 1>cute in their writing. They were trying to, in some

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<v Speaker 1>way take advantage of a football moving a football theme

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<v Speaker 1>to make all these clever little cracks and be snarky.

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<v Speaker 1>You can do your thing and you can be a critic.

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<v Speaker 1>That is fine, but there was a meanness to a

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<v Speaker 1>lot of this stuff.

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<v Speaker 3>Yes, the critics consensus, so they kind of just sum

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<v Speaker 3>up all of the different critiques.

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<v Speaker 4>On Rotten Tomatoes said this fumbling the ball well before

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<v Speaker 4>the red zone.

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<v Speaker 3>Tim has style to spare, but botches it's promising, conceit

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<v Speaker 3>with rookie execution, Christ cold with puns.

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<v Speaker 1>Look filled with puns. Maybe people took took advantage look

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<v Speaker 1>and we have to give The reason I think we're

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<v Speaker 1>doing this is because Marlon Wayans put out a statement.

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<v Speaker 1>He put out something on Instagram acknowledging how bad the

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<v Speaker 1>reviews were. His statement I thought was classy. I think

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<v Speaker 1>you gave me a heads up about that he had

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<v Speaker 1>put something out, so I thought he was taking him

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<v Speaker 1>on in some way. I thought he was respectful and

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<v Speaker 1>classy in the way he addressed it.

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<v Speaker 4>I think so too. He said he respects the critics.

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<v Speaker 4>He said their job is to critique. He respects their work.

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<v Speaker 4>He said it.

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<v Speaker 3>Shapes our industry, but an opinion does not always mean

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<v Speaker 3>it's everyone's opinion. Some movies are ahead of the curve.

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<v Speaker 3>And then he went on to say innovation is not

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<v Speaker 3>always embraced, and art is to be interpreted and it's subjective.

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<v Speaker 3>He says, I've had a career of making classic movies

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<v Speaker 3>that weren't critically received, and those movies went on to

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<v Speaker 3>be classics. So don't take anyone's opinion, just go see

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<v Speaker 3>for yourself. Love to all him in theaters, and that

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<v Speaker 3>is what made us want to go see the movie.

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<v Speaker 1>His statement was, I was leaning towards like, how can

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<v Speaker 1>a movie be reviewed so poorly? And it's not just

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<v Speaker 1>that people say it's not good or drags, or it's

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<v Speaker 1>poor rioting, or can't believe how it was shot or

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<v Speaker 1>the acting performance. So this was just everybody took a shot.

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<v Speaker 1>It seemed like people were dying to take a shot. Look,

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<v Speaker 1>the director is one thing. What is his name again?

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<v Speaker 1>Robes the direct tipping justin tipping.

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<v Speaker 4>Justin tipping, okay, But a lot of.

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<v Speaker 1>What's been used to promote the movie is the name

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<v Speaker 1>of Jordan Peele?

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<v Speaker 4>Correct?

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<v Speaker 1>Jordan Peele is the seen as a hit maker, if

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<v Speaker 1>you will, in this genre in particular, so his name

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<v Speaker 1>is attached to it. I don't know what the expectation

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<v Speaker 1>given that Jordan Peele's name was attached. I was like, oh, okay,

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<v Speaker 1>this kind of this idea from some of his previous movies.

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<v Speaker 1>I'm like, Okay, I don't exactly know what I'm saying,

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<v Speaker 1>but I'm going on some kind of a trip.

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<v Speaker 3>I feel like he's right now, kind of the Black

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<v Speaker 3>and Night Shyamalan. He's had some really big hits. He's

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<v Speaker 3>got a very creative and people will go to see

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<v Speaker 3>a movie with his name on it. But there are

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<v Speaker 3>a lot of very high expectations associated with a name

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<v Speaker 3>like his, and same with Shyamalan. And I do think

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<v Speaker 3>that they end up being perhaps their own worst enemy

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<v Speaker 3>in the fact that people have these expectations and if

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<v Speaker 3>something didn't feel like their last movie or they didn't

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<v Speaker 3>think it was good enough, it's almost easy to take

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<v Speaker 3>a shot at them because they've had such success.

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<v Speaker 1>And I ask, is it highbrow expectations?

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<v Speaker 4>Perhaps, like you have.

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<v Speaker 1>To have some kind of an elevated horror experience. Correct, okay,

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<v Speaker 1>and we are. I will put our credentials up. We

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<v Speaker 1>are horror movie aficionado's. We love horror movies and some

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<v Speaker 1>of them are outstanding and excellent that are not award winning,

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<v Speaker 1>but our wonderful experiences to have. This was a this

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<v Speaker 1>we aren't from start to finish. I think I told

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<v Speaker 1>you a third or a half in the movie in

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<v Speaker 1>I still didn't know exactly what was happening.

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<v Speaker 4>And I appreciated that.

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<v Speaker 3>Yes, And I think a lot of people didn't. They

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<v Speaker 3>somehow they wanted They thought it was too subtle, too obscure,

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<v Speaker 3>too confusing. You know, I actually wanted to read this

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<v Speaker 3>review by Robert Daniels in rogeriber dot com, but just

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<v Speaker 3>from where he started, and I did read one of

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<v Speaker 3>his lines towards the end of it, But he said,

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<v Speaker 3>I can't believe I left the house to see him.

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<v Speaker 3>I can't believe I took the train for over an

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<v Speaker 3>hour from the North side of Chicago to downtown to

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<v Speaker 3>see this movie. I can't believe I stood in line

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<v Speaker 3>to buy a soda and popcorn at the theater to

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<v Speaker 3>see him. And I especially can't believe that I sat

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<v Speaker 3>through the entirety of this thematically lost movie, allowed it

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<v Speaker 3>to live in my head on my trip back home,

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<v Speaker 3>and that I'm currently sitting on my couch writing about it.

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<v Speaker 3>And so he went on to say other horrible things,

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<v Speaker 3>but then he said, the dialogue is dreadful. The performances

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<v Speaker 3>are wooden, particularly Julia Fox as Isaiah's wife. And then

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<v Speaker 3>he refers to the young man who played Cam. He's

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<v Speaker 3>the lead stick stiff excuse me? He called him stiff

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<v Speaker 3>tyreek with I just couldn't disagree more because I thought

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<v Speaker 3>the acting was so remarkable. I thought the writing was great.

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<v Speaker 3>It was comedic right when I needed it to be,

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<v Speaker 3>needed it to be.

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<v Speaker 1>Yes, I think, look, we are not movie critics, and

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<v Speaker 1>we're trying to end us. What Marlon did, he respected,

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<v Speaker 1>this is what you do. You critique. Now, if you

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<v Speaker 1>have a criticism, why does it have to be Why

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<v Speaker 1>did you have me waste my time on the couch? Again,

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<v Speaker 1>I get maybe they're trying to be snarky, maybe trying

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<v Speaker 1>to be funny. Is that what it is? But it

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<v Speaker 1>comes across as mean and unnecessary, like this is someone's art,

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<v Speaker 1>this is someone you know how hard it is to

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<v Speaker 1>get a movie on the big screen. Of course we do,

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<v Speaker 1>but this is years in the making. Everybody bust their

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<v Speaker 1>ass to make this special and when you do, just say,

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<v Speaker 1>you waste it my time getting on the train. Why

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<v Speaker 1>am I even breathing? Yeah, that's just it. Just see me.

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<v Speaker 1>I'm sorry. It maybe just it's tongue in cheek and

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<v Speaker 1>I'm not taking it the right way. But Marlon, can

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<v Speaker 1>we not say enough about Marlon Wayans who was so

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<v Speaker 1>convincing and impressive in this When we come back, folks,

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<v Speaker 1>we will tell you what we really think about the

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<v Speaker 1>performances of three of the top stars of this movie.

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<v Speaker 1>And all right, folks, we continue now with our difference

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<v Speaker 1>of opinion. With a lot of reviews out there for

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<v Speaker 1>the new movie Him, which was good enough to get

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<v Speaker 1>number two at the box office at thirteen or fifteen

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<v Speaker 1>million last.

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<v Speaker 4>Weeknd thirteen point five to thirteen.

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<v Speaker 1>Point five, a respectable number came in second at the

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<v Speaker 1>box office, only cost twenty seven million to make, so

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<v Speaker 1>not the biggest scare in the world. Looks like they

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<v Speaker 1>could make their money back back and do Okay, now,

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<v Speaker 1>this is one do you think robes because of the

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<v Speaker 1>attention it's gotten so much negative attention in the way

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<v Speaker 1>he has addressed it, This could possibly do them some good.

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<v Speaker 1>They could possibly pick up some new audience because of

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<v Speaker 1>how bad thing has been reviewed.

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<v Speaker 3>It can peque interest to see just how bad they

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<v Speaker 3>Someone else might think it is based on some of

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<v Speaker 3>these reviews, but I also think they're being compared to. Look,

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<v Speaker 3>a lot of folks have been writing that horror movies,

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<v Speaker 3>and we've talked about this, have been on a massive

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<v Speaker 3>hot street. They have done just gangbusters at the box office,

0:11:20.840 --> 0:11:22.720
<v Speaker 3>and we've been excited because we feel like finally people

0:11:22.760 --> 0:11:25.800
<v Speaker 3>are catching on to the genre that we love most.

0:11:25.880 --> 0:11:32.520
<v Speaker 1>They've been huge, Sinners, Weapons, Final Destination, Conjuring big somewhere.

0:11:32.559 --> 0:11:36.880
<v Speaker 3>They have basically been booying up a you know, a

0:11:36.960 --> 0:11:40.000
<v Speaker 3>lagging box office. And we've got more coming too, because

0:11:40.400 --> 0:11:44.040
<v Speaker 3>there's a whole bunch of new movies coming out. People

0:11:44.080 --> 0:11:47.920
<v Speaker 3>have recognized that horror movies are now.

0:11:48.840 --> 0:11:49.640
<v Speaker 4>Kind of you like.

0:11:49.760 --> 0:11:51.760
<v Speaker 3>It used to just be a niche where only a

0:11:51.800 --> 0:11:54.280
<v Speaker 3>certain type of person or a moviegoer would want to

0:11:54.320 --> 0:11:57.160
<v Speaker 3>see it, and now it seems like it's caught on

0:11:57.400 --> 0:12:02.559
<v Speaker 3>and so yes, people are looking into making big franchise

0:12:02.640 --> 0:12:03.320
<v Speaker 3>horror movies.

0:12:03.360 --> 0:12:04.840
<v Speaker 4>And they've been doing them well.

0:12:04.720 --> 0:12:08.480
<v Speaker 1>Well, they heightened expectations. Now, yes, right, I thought this

0:12:08.520 --> 0:12:11.000
<v Speaker 1>one was in line. The way it looked, the way

0:12:11.040 --> 0:12:12.679
<v Speaker 1>it was shot, the way I mean it was a

0:12:12.720 --> 0:12:16.040
<v Speaker 1>beautiful movie at the production value at all that was

0:12:16.120 --> 0:12:16.760
<v Speaker 1>in line.

0:12:16.840 --> 0:12:17.880
<v Speaker 4>It was remarkable.

0:12:17.920 --> 0:12:20.720
<v Speaker 3>So I don't know if maybe perhaps they're being compared

0:12:20.720 --> 0:12:22.720
<v Speaker 3>to or this movie is being compared to the ones

0:12:22.760 --> 0:12:25.400
<v Speaker 3>that came before it, and they set up these certain expectations,

0:12:25.440 --> 0:12:28.319
<v Speaker 3>not just Jordan Peel's former movies, but these other movies

0:12:28.360 --> 0:12:31.960
<v Speaker 3>we just mentioned, also coming down the Pike, One Battle

0:12:31.960 --> 0:12:35.640
<v Speaker 3>after Another, Strangers Chapter two, Black Phone two. We just

0:12:35.679 --> 0:12:38.559
<v Speaker 3>saw the trailer for that in this theater. So this

0:12:38.640 --> 0:12:42.160
<v Speaker 3>has been hyped up. And sometimes when people have high expectations,

0:12:42.440 --> 0:12:45.000
<v Speaker 3>the hype is so at such a certain level that

0:12:45.120 --> 0:12:48.559
<v Speaker 3>maybe unfortunately it became a victim to that as well,

0:12:48.679 --> 0:12:51.440
<v Speaker 3>what's come before it and what's coming after it, and

0:12:51.520 --> 0:12:54.439
<v Speaker 3>people just might have had unrealistic expectations of what they

0:12:54.440 --> 0:12:55.880
<v Speaker 3>thought it should be or could be.

0:12:56.000 --> 0:13:00.360
<v Speaker 1>But are we lay people compared to professional critics who

0:13:00.400 --> 0:13:03.600
<v Speaker 1>I actually don't know what their training is. But are

0:13:03.640 --> 0:13:06.920
<v Speaker 1>we lay people and they see something or excuse me,

0:13:07.000 --> 0:13:09.480
<v Speaker 1>are they just looking through a different lens than we are.

0:13:09.520 --> 0:13:12.280
<v Speaker 1>We are simply fans. We are not trying to critique

0:13:12.320 --> 0:13:15.360
<v Speaker 1>it as we're watching. Our critique is our experience in

0:13:15.400 --> 0:13:17.160
<v Speaker 1>the theater, and our experience was a good one.

0:13:17.240 --> 0:13:17.920
<v Speaker 4>It was a good one.

0:13:17.960 --> 0:13:20.760
<v Speaker 3>And I think for me, my critique or the way

0:13:20.800 --> 0:13:22.920
<v Speaker 3>I view it is was I entertained.

0:13:23.160 --> 0:13:25.600
<v Speaker 4>Was the acting good? Was the script good?

0:13:26.280 --> 0:13:28.760
<v Speaker 3>Was it able to make me feel things, whether it

0:13:28.840 --> 0:13:31.640
<v Speaker 3>be laughter, fear, horror, shocked, all.

0:13:31.760 --> 0:13:34.120
<v Speaker 4>And it did all of those things and confusion.

0:13:33.679 --> 0:13:37.160
<v Speaker 3>Even sometimes because I like to be I was on

0:13:37.200 --> 0:13:39.680
<v Speaker 3>the edge of my seat, not because I was scared,

0:13:39.679 --> 0:13:42.920
<v Speaker 3>but because I was intensely watching to see what was

0:13:42.960 --> 0:13:45.480
<v Speaker 3>coming next and how this was all going to be explained.

0:13:46.120 --> 0:13:47.559
<v Speaker 4>And that's a thriller.

0:13:47.600 --> 0:13:48.600
<v Speaker 1>Those mist thriller.

0:13:48.960 --> 0:13:52.880
<v Speaker 3>It was a thriller with a body horror and there

0:13:52.920 --> 0:13:55.400
<v Speaker 3>was gore, So I mean it really was a thriller horror,

0:13:55.400 --> 0:13:58.440
<v Speaker 3>but probably more thriller than horror because you're trying to

0:13:58.480 --> 0:14:00.880
<v Speaker 3>figure out what is happening, what's going on.

0:14:01.320 --> 0:14:04.520
<v Speaker 1>There is a scene when things finally turn, when he's

0:14:04.520 --> 0:14:08.280
<v Speaker 1>in a practice and there is a there are consequences

0:14:08.280 --> 0:14:12.280
<v Speaker 1>for him missing a pass right, and the consequences are

0:14:12.320 --> 0:14:16.120
<v Speaker 1>not on him, It's on somebody else that intensity. I

0:14:16.160 --> 0:14:17.360
<v Speaker 1>was like, Oh, where's this movie going?

0:14:17.400 --> 0:14:17.480
<v Speaker 3>Oh?

0:14:17.520 --> 0:14:18.400
<v Speaker 1>You saw that happened.

0:14:18.480 --> 0:14:21.040
<v Speaker 4>I had my hand over my eyes. I did not

0:14:21.240 --> 0:14:21.840
<v Speaker 4>want to look.

0:14:21.960 --> 0:14:26.600
<v Speaker 3>I was definitely not wanting to see some of what

0:14:26.640 --> 0:14:29.480
<v Speaker 3>was happening to this poor fella who happily get to

0:14:29.560 --> 0:14:33.040
<v Speaker 3>leave volunteer whatever reason. I have no idea to be tortured,

0:14:33.440 --> 0:14:36.560
<v Speaker 3>but it was. I just thought it was never boring.

0:14:36.600 --> 0:14:38.640
<v Speaker 3>It was never so. So that's why I'm confused by

0:14:38.640 --> 0:14:41.760
<v Speaker 3>what a lot of these critics are saying. And even so,

0:14:42.000 --> 0:14:44.320
<v Speaker 3>they have some regular joes, you know, who write in

0:14:44.360 --> 0:14:46.400
<v Speaker 3>and I always like those actually more than the critics,

0:14:46.880 --> 0:14:49.040
<v Speaker 3>because I feel like they're kind of every man like

0:14:49.200 --> 0:14:52.360
<v Speaker 3>us going in to see these movies. So a couple

0:14:52.360 --> 0:14:54.400
<v Speaker 3>of them and this was Wow. I want to get

0:14:54.440 --> 0:14:57.560
<v Speaker 3>your take on it. Horrifying and shocking were taglines I

0:14:57.640 --> 0:15:01.000
<v Speaker 3>read about this movie. Unfortunately, there some truth to it.

0:15:01.400 --> 0:15:06.760
<v Speaker 3>This was horrifying, horrifyingly bad, and shockingly boring. Even the

0:15:06.840 --> 0:15:10.640
<v Speaker 3>slasher scenes were bad and uninspired. None of the scenes

0:15:10.640 --> 0:15:13.960
<v Speaker 3>were scary at all, while it is obvious that was

0:15:14.000 --> 0:15:17.480
<v Speaker 3>the intention only. The cinematography was good but did not

0:15:17.640 --> 0:15:20.040
<v Speaker 3>save the film. During the film, you keep wondering if

0:15:20.040 --> 0:15:22.760
<v Speaker 3>everything that happens is real or is just playing in

0:15:22.800 --> 0:15:26.200
<v Speaker 3>his head. And then I realized I just don't care.

0:15:28.000 --> 0:15:30.240
<v Speaker 3>Damn Wow, Okay, it's tough, right.

0:15:30.280 --> 0:15:32.240
<v Speaker 1>People have their opinions, and again.

0:15:32.080 --> 0:15:34.840
<v Speaker 3>They okay, he said this was not worthy of my time.

0:15:34.920 --> 0:15:37.040
<v Speaker 3>One of the worst movies I have seen this year.

0:15:37.480 --> 0:15:38.760
<v Speaker 1>Let's not do that.

0:15:39.480 --> 0:15:42.520
<v Speaker 4>I actually am fascinated people in such a time.

0:15:42.760 --> 0:15:47.400
<v Speaker 1>That's person that's mean, that's emotional, almost not worth And again,

0:15:47.520 --> 0:15:49.640
<v Speaker 1>maybe I haven't read enough movie reviews and this is

0:15:49.640 --> 0:15:51.200
<v Speaker 1>how they talk sometimes and it's time you have to

0:15:51.240 --> 0:15:52.920
<v Speaker 1>be to get attention. He had to be done. I

0:15:52.960 --> 0:15:55.280
<v Speaker 1>don't know, or maybe that's how he genuinely feels. It

0:15:55.280 --> 0:15:55.800
<v Speaker 1>just seems hard.

0:15:56.000 --> 0:15:56.680
<v Speaker 4>How about this one?

0:15:56.720 --> 0:16:00.800
<v Speaker 3>This one I don't even get cheap visuals cheap okay, disagree?

0:16:01.160 --> 0:16:05.800
<v Speaker 3>A wandering plot I didn't think it was wandering, and

0:16:05.880 --> 0:16:10.040
<v Speaker 3>a disappointing amount of gore. Despite a promising premise with

0:16:10.080 --> 0:16:14.040
<v Speaker 3>a likable protagonist, the execution was fumbled but on bomp.

0:16:14.480 --> 0:16:18.200
<v Speaker 3>Several main plot points are carried by shaky cams and

0:16:18.360 --> 0:16:22.720
<v Speaker 3>strange montage shots that make very little sense. This movie

0:16:22.800 --> 0:16:26.080
<v Speaker 3>almost seemed almost afraid of leaning into the gore and

0:16:26.120 --> 0:16:29.640
<v Speaker 3>the actual scares, which for a movie about football and

0:16:29.760 --> 0:16:33.280
<v Speaker 3>inherently violent sports, seems like a poor choice, very disappointing.

0:16:33.280 --> 0:16:38.880
<v Speaker 3>From Jordan Peele, cheap visuals.

0:16:38.440 --> 0:16:40.320
<v Speaker 1>A disappointing amount.

0:16:40.160 --> 0:16:41.280
<v Speaker 4>Meaning too much gore.

0:16:41.880 --> 0:16:44.400
<v Speaker 1>I think, oh, okay, so I took that weight. There

0:16:44.440 --> 0:16:47.320
<v Speaker 1>wasn't enough. You're saying that they think it too much.

0:16:47.400 --> 0:16:50.160
<v Speaker 3>Well, you know what, maybe the movie seemed almost afraid

0:16:50.280 --> 0:16:51.880
<v Speaker 3>of leaning into the gore.

0:16:52.000 --> 0:16:54.480
<v Speaker 1>Oh so they're saying is not gory enough?

0:16:54.560 --> 0:16:57.120
<v Speaker 4>Yes, and they wanted more scares, more gore.

0:16:57.880 --> 0:17:00.280
<v Speaker 1>But see, they sound like they went into it with

0:17:00.320 --> 0:17:01.440
<v Speaker 1>too many expectations.

0:17:01.480 --> 0:17:03.600
<v Speaker 3>I think everyone did. I think that's part of the problem.

0:17:03.600 --> 0:17:05.359
<v Speaker 3>But she visuals, I don't get that at all. I

0:17:05.359 --> 0:17:10.600
<v Speaker 3>thought it was absolutely well shot and compelling in terms

0:17:10.600 --> 0:17:11.920
<v Speaker 3>of the visuals.

0:17:11.680 --> 0:17:13.400
<v Speaker 1>And the compound they were at was more.

0:17:13.440 --> 0:17:15.879
<v Speaker 4>Music was great, The acting was great.

0:17:16.320 --> 0:17:21.560
<v Speaker 3>You know, it's it's interesting, the original really awful. Preview

0:17:21.600 --> 0:17:24.640
<v Speaker 3>by Robert Daniels at Robert Roger Ebert dot com when

0:17:24.640 --> 0:17:27.200
<v Speaker 3>he said that Julia Fox was Wooden.

0:17:27.880 --> 0:17:30.359
<v Speaker 4>I actually thought she was a steam seal, a scene

0:17:30.480 --> 0:17:32.720
<v Speaker 4>steeler in a lot of moments because she was playing

0:17:32.800 --> 0:17:34.720
<v Speaker 4>this over the top person.

0:17:34.560 --> 0:17:37.679
<v Speaker 3>Yes, like this influencer who was married to you know,

0:17:37.840 --> 0:17:41.520
<v Speaker 3>the go to the big quarterback. And she was this,

0:17:41.880 --> 0:17:46.639
<v Speaker 3>you know, full lipped woman who played her role perfectly.

0:17:46.960 --> 0:17:50.560
<v Speaker 1>You and I after her first scene, we turned to

0:17:50.600 --> 0:17:54.159
<v Speaker 1>each other. Both leaned over immediately, just naturally to each other, like,

0:17:54.200 --> 0:17:56.960
<v Speaker 1>oh my gosh, she's awesome, right we love. I loved

0:17:57.200 --> 0:17:59.520
<v Speaker 1>the first appearance she made, like, oh my gosh, she's great.

0:17:59.520 --> 0:18:02.200
<v Speaker 1>I'm glass he's in there. And to hear somebody hated

0:18:02.400 --> 0:18:06.520
<v Speaker 1>look to Marlin's point, a critics' opinion doesn't mean it's

0:18:06.560 --> 0:18:09.159
<v Speaker 1>everybody else's. They have the right to their opinion. They

0:18:09.160 --> 0:18:13.160
<v Speaker 1>can write as snarky and comedically as they want, and

0:18:13.320 --> 0:18:16.119
<v Speaker 1>even if I find it mean at times, it's their

0:18:16.240 --> 0:18:18.320
<v Speaker 1>job and you have to respect what they do. Just

0:18:18.600 --> 0:18:22.399
<v Speaker 1>completely disagree, sweetheart, I am serious. I was nervous about

0:18:22.440 --> 0:18:24.840
<v Speaker 1>going in because we had already committed to say to

0:18:24.880 --> 0:18:26.520
<v Speaker 1>telling the audience, hey, we're going to do a review.

0:18:26.600 --> 0:18:28.600
<v Speaker 1>I was scared, like, oh shit, what if this is

0:18:29.080 --> 0:18:31.920
<v Speaker 1>like we actually don't like it. We are being as

0:18:32.040 --> 0:18:34.680
<v Speaker 1>genuine as we can be about this movie. I am

0:18:34.840 --> 0:18:36.159
<v Speaker 1>shocked at how bad the reviews are.

0:18:36.200 --> 0:18:38.000
<v Speaker 3>We would never be mean, and I was prepared to

0:18:38.040 --> 0:18:40.000
<v Speaker 3>not like it as well and just say, hey, I

0:18:40.359 --> 0:18:43.240
<v Speaker 3>think we didn't have to say things so harshly. But yeah,

0:18:43.240 --> 0:18:45.679
<v Speaker 3>there were some major problems with this film. I didn't

0:18:45.800 --> 0:18:47.600
<v Speaker 3>I was prepared to be able to say that too.

0:18:47.640 --> 0:18:50.399
<v Speaker 3>I didn't know what to think. So again, I do

0:18:50.440 --> 0:18:52.760
<v Speaker 3>think when you go in with low expectations, I was

0:18:53.240 --> 0:18:54.240
<v Speaker 3>pleasantly surprised.

0:18:54.240 --> 0:18:55.840
<v Speaker 4>We kept looking at each other waiting for it to

0:18:55.880 --> 0:18:56.280
<v Speaker 4>get bad.

0:18:56.359 --> 0:18:58.840
<v Speaker 3>I was like, this is good and I actually saw

0:18:58.840 --> 0:19:02.200
<v Speaker 3>you genuinely enjoy it, just from like a guy football

0:19:02.280 --> 0:19:02.840
<v Speaker 3>kind of a thing.

0:19:03.000 --> 0:19:05.359
<v Speaker 1>Oh it was again, I think that was I think

0:19:05.440 --> 0:19:06.919
<v Speaker 1>you said it before we even got out of the

0:19:06.920 --> 0:19:09.320
<v Speaker 1>theater football meets Midsummer.

0:19:09.600 --> 0:19:11.080
<v Speaker 4>Yes, that's what it felt like to me.

0:19:11.240 --> 0:19:13.200
<v Speaker 1>It was a trippy little thing. You have more reviews

0:19:13.320 --> 0:19:13.640
<v Speaker 1>so well.

0:19:13.680 --> 0:19:16.960
<v Speaker 3>Someone else described it as I wait, what do they say?

0:19:17.000 --> 0:19:20.880
<v Speaker 3>It was Friday Night Lights meets Nosferatu, which I thought

0:19:20.920 --> 0:19:21.640
<v Speaker 3>was kind of funny too.

0:19:21.640 --> 0:19:24.440
<v Speaker 4>I was like, that's another way to put it, and.

0:19:24.440 --> 0:19:27.159
<v Speaker 1>I like the kid Tarik Withers. Yes, we looked and

0:19:27.200 --> 0:19:29.040
<v Speaker 1>we saw we reconnize what is he from? Ware's he from?

0:19:29.160 --> 0:19:32.360
<v Speaker 1>He was the guy who played the in the recent

0:19:33.320 --> 0:19:35.720
<v Speaker 1>reimagining of I Know What You Did Last Summer. So

0:19:35.760 --> 0:19:36.760
<v Speaker 1>he was in another movie.

0:19:37.040 --> 0:19:39.879
<v Speaker 3>It was the Ryan Felippe of the New of the

0:19:39.920 --> 0:19:40.640
<v Speaker 3>New franchise.

0:19:40.680 --> 0:19:43.239
<v Speaker 1>It was and he I thought he was solid and

0:19:43.359 --> 0:19:46.840
<v Speaker 1>unlike his feel, his look at motion at times, his

0:19:46.960 --> 0:19:49.240
<v Speaker 1>toughen it at times, his vulnerability. He was a kid

0:19:49.240 --> 0:19:51.679
<v Speaker 1>at times, a man a time. I loved it. I

0:19:51.960 --> 0:19:55.439
<v Speaker 1>look and you know look full disclosure. We have a

0:19:55.480 --> 0:19:58.320
<v Speaker 1>special place in our heart for Marlon Wayans. We just

0:19:58.440 --> 0:20:00.000
<v Speaker 1>do best I've ever seen him in a movie.

0:20:00.480 --> 0:20:03.919
<v Speaker 3>I thought he was remarkable, as in you know, people

0:20:03.960 --> 0:20:07.120
<v Speaker 3>talked about Sinners and the acting performances in that movie.

0:20:07.240 --> 0:20:09.239
<v Speaker 3>I thought he was on par with that. That's how

0:20:09.280 --> 0:20:11.000
<v Speaker 3>good he was. And it was such a departure from

0:20:11.040 --> 0:20:13.359
<v Speaker 3>anything else I've ever seen him in. I thought he

0:20:13.440 --> 0:20:15.639
<v Speaker 3>was phenomenal. And by the way, in some of these reviews,

0:20:15.680 --> 0:20:18.480
<v Speaker 3>even though they didn't like the movie, they did point

0:20:18.520 --> 0:20:22.240
<v Speaker 3>out the acting chops of Marlon White that he was yes,

0:20:22.320 --> 0:20:25.720
<v Speaker 3>and several other outlets did point out variety some of

0:20:25.760 --> 0:20:28.720
<v Speaker 3>the other they were lukewarm on the movie itself. They

0:20:28.720 --> 0:20:30.439
<v Speaker 3>weren't as harsh as some of these other ones, but

0:20:30.480 --> 0:20:33.880
<v Speaker 3>they did give nods to the acting. And so when

0:20:33.920 --> 0:20:36.480
<v Speaker 3>I do see other people talk about the wooden stiffness,

0:20:36.480 --> 0:20:38.800
<v Speaker 3>I'm like, what did you see the same movie I did,

0:20:38.880 --> 0:20:41.120
<v Speaker 3>because I just thought it was We see a lot

0:20:41.119 --> 0:20:41.720
<v Speaker 3>of bad acting.

0:20:41.760 --> 0:20:42.800
<v Speaker 4>We watch a lot.

0:20:42.600 --> 0:20:47.760
<v Speaker 3>Of silly horror movies campy, and they're not even intentionally campy.

0:20:47.880 --> 0:20:50.040
<v Speaker 3>Some of them are just campy and they were trying

0:20:50.080 --> 0:20:51.680
<v Speaker 3>to be good, and we still enjoy those.

0:20:51.880 --> 0:20:53.680
<v Speaker 4>But I would never say that the acting is good.

0:20:53.760 --> 0:20:55.560
<v Speaker 3>The whole point is sometimes we like to watch movies

0:20:55.600 --> 0:20:58.400
<v Speaker 3>with bad acting, but because it's just fun.

0:20:58.800 --> 0:21:00.959
<v Speaker 4>But this acting was stellar.

0:21:01.600 --> 0:21:09.359
<v Speaker 1>Stellar, love and credit, and we commend Marlon Wayns for

0:21:09.400 --> 0:21:12.840
<v Speaker 1>what he did for being able to speak about it.

0:21:12.920 --> 0:21:15.280
<v Speaker 1>This is his art, you know. He put a lot

0:21:15.280 --> 0:21:18.560
<v Speaker 1>into this role, and he knows what's being said about

0:21:18.560 --> 0:21:21.120
<v Speaker 1>it and to just say, you know what, I respect

0:21:21.280 --> 0:21:23.160
<v Speaker 1>you won't do your thing, but it doesn't mean it's

0:21:23.160 --> 0:21:26.960
<v Speaker 1>everybody's opinion. Go see it, and for whatever reason, maybe

0:21:26.960 --> 0:21:28.800
<v Speaker 1>that works, sweetheart. I'm not sure if we would have

0:21:28.800 --> 0:21:30.920
<v Speaker 1>seen this movie had he not put out that Instagram.

0:21:31.040 --> 0:21:31.200
<v Speaker 3>Yeh.

0:21:31.560 --> 0:21:33.400
<v Speaker 4>So kudos to Marlon Wayans.

0:21:33.440 --> 0:21:39.200
<v Speaker 3>We've always loved him and certainly really respect his acting

0:21:39.240 --> 0:21:43.600
<v Speaker 3>capabilities from this movie. And like he said, art is subjective,

0:21:43.680 --> 0:21:45.320
<v Speaker 3>and so hey, if it gets you talking, if it

0:21:45.359 --> 0:21:48.119
<v Speaker 3>gets you feeling something, even if you're annoyed that you

0:21:48.160 --> 0:21:51.800
<v Speaker 3>saw it, Hey you felt something, you experienced something. But

0:21:51.880 --> 0:21:53.560
<v Speaker 3>if you haven't seen it and you can handle a

0:21:53.560 --> 0:21:56.560
<v Speaker 3>little bit of gore and you love a thriller, we

0:21:56.680 --> 0:21:58.560
<v Speaker 3>highly recommend this film.

0:21:59.080 --> 0:22:05.080
<v Speaker 1>You will not be board. That is our recommendation. But folks,

0:22:05.119 --> 0:22:08.200
<v Speaker 1>we always appreciate. Again, we didn't expect this, but uh,

0:22:08.560 --> 0:22:11.000
<v Speaker 1>movie review what it's just full and ever what are

0:22:11.040 --> 0:22:11.439
<v Speaker 1>we gonna be?

0:22:11.840 --> 0:22:13.000
<v Speaker 4>Oh, well, definitely thumbs up.

0:22:13.119 --> 0:22:14.800
<v Speaker 1>We're gonna thought, well, we should come up with a

0:22:14.800 --> 0:22:16.560
<v Speaker 1>grading system sometimes we should if.

0:22:16.440 --> 0:22:18.560
<v Speaker 3>We if we do enough of these, we we could

0:22:18.560 --> 0:22:20.600
<v Speaker 3>come up with our own system. But this is definitely

0:22:20.680 --> 0:22:22.119
<v Speaker 3>a you should go see it.

0:22:22.280 --> 0:22:24.840
<v Speaker 1>We would recommend this for sure. Folks, We always appreciate

0:22:24.920 --> 0:22:26.639
<v Speaker 1>you hanging with us and listening to us. For my

0:22:26.720 --> 0:22:29.600
<v Speaker 1>dear Amy Robot, I'm t J. Holmes. We'll see y'all soon,

0:22:29.600 --> 0:22:34.240
<v Speaker 1>and yes, go see him