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Speaker 1: So tired. So sorry, I've been I've been packing. Oh day,

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Speaker 1: I'm going on a big trip. I'll show you the bag.

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Speaker 1: This is all my luggage for the trip.

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Speaker 2: That's all your luggage.

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Speaker 1: That this is my whole luggage for the whole trip.

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Speaker 2: So you know, we're just listening. What Hayes is holding

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Speaker 2: up is it bag with nineteen dollars in ones and

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Speaker 2: what appears to be almost a roll and a half

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Speaker 2: of quarters.

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Speaker 1: There's some there's some copper in there.

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Speaker 2: They're loose as hell, and there's yeah, there's some pennies

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Speaker 2: as well, or if they are even pennies, they may

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Speaker 2: just be copper slugs.

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Speaker 1: Because you know where my my trip is that I'm

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Speaker 1: going to the next level.

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Speaker 2: That's right, people are we are taking it to the moon.

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Speaker 2: We are entrepreneurs. Hey is basically that this bag of

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Speaker 2: money represents his entire crypto purchasing fund.

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Speaker 1: Yes, we are going to the moon, my friends.

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Speaker 2: We're buying orchid, We're buying bond, we are buying every avo.

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Speaker 1: I mean yes. Thanksgiving Coin. Thanksgiving Coin is the new

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Speaker 1: crypto asset that is a must have. It is like

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Speaker 1: all other kinds of crypto, but it smells bad.

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Speaker 2: Yes, that that is one of the ones that I

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Speaker 2: really love. And when you if you buy enough of it,

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Speaker 2: your whole computer smells bad, and later your whole office

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Speaker 2: and house, like if you're getting really rich I'm doing.

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Speaker 2: Garbage coin is just it is. You buy it and

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Speaker 2: then you actually put it straight into the trash on

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Speaker 2: your computer screen, and then you drag it over to

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Speaker 2: the track, drag it into the trash and delete it

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Speaker 2: and it leaves a virus, which is like sick because

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Speaker 2: I get to see all these porno windows that I

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Speaker 2: never would have searched for, and they just open themselves infinitely,

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Speaker 2: and it's better than what I would have been doing,

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Speaker 2: which is probably work.

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Speaker 1: It's stuff you can't find in those windows. It's not

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Speaker 1: like you're able to like search for that stuff. I would.

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Speaker 2: I don't have the creativity. My mind wouldn't allow me

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Speaker 2: to search those terms.

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Speaker 1: And it was behind your regular browser the whole time.

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Speaker 1: So when you click out of it and your boss

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Speaker 1: is there, they can see that like someone has been

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Speaker 1: inside your computer secretly behind the window the whole entire time.

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Speaker 2: They were watching you, and they were recording you, and

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Speaker 2: now you have your information and they have your master

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Speaker 2: email list and can send it to everyone you know

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Speaker 2: at any time. And the way to make the video

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Speaker 2: stop is just simply to type thanks. Hey.

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Speaker 1: Welcome to Hollywood Handbook and Incider's Guide to kicking butt.

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Speaker 2: And dropping names in the reg in the hallways. This

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Speaker 2: industry we call shows big one up.

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Speaker 1: What up?

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Speaker 2: And it's a big Hollywood day for us.

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Speaker 1: We got big good.

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Speaker 2: Friend, and what a big announcement. He's got a go

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Speaker 2: ahead because it's time for the show. Tom.

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Speaker 1: And I hear Tom. There's one of these guys who

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Speaker 1: is Tom Nook And this is from this baby yes game,

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Speaker 1: but now I'm hearing there's also Tom book.

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Speaker 3: Yeah, yeah, yeah, Hey everybody, it's Tom Sharpling here back

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Speaker 3: third Boy and back in the hot seat.

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Speaker 2: It's been a little while there's been some submissions for

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Speaker 2: third Boy, so people think Matt Appadaca should be the

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Speaker 2: third boy that has been floated out there by the

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Speaker 2: Dear Wolf reddit.

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Speaker 3: Like like like like, modest Mouse said, right, float off, one.

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Speaker 1: Float on, That's what I say, Hey buddy. When ever

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Speaker 1: it's some big guy trying to bully me, Hey buddy,

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Speaker 1: why don't you float on? That's modest Mouse and float

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Speaker 1: on fload on, he drove.

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Speaker 2: Off a sometime live. Okay, too much?

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Speaker 1: Did I see?

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Speaker 3: I think my third boy status is pretty much, uh,

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Speaker 3: pretty much a lock at this point.

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Speaker 2: Well you just left it all ocean breathe salty h G.

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Speaker 3: Yeah, I love it.

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Speaker 1: Tom Mules, Tom book.

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Speaker 2: Tom book, Yeah, talk a book about the book?

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Speaker 1: You want to see? Tom? How excited I am?

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Speaker 3: I do?

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Speaker 1: I made all this space.

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Speaker 3: Oh my goodness, look at that. You are ready for that?

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Speaker 2: So many copies he's gonna need.

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Speaker 1: You can see I have two completely empty bookshelves behind me,

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Speaker 1: and this entire room is empty. In case four, in

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Speaker 1: case there's another book.

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Speaker 3: Yes, let's start loading it up. Let's start loading it up.

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Speaker 2: I've been ordering it. I've been ordering it off a

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Speaker 2: sirie and you'll see my entire space is empty as well.

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Speaker 2: And I've been doing just if you recall when Blake

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Speaker 2: Shelton went on Jimmy Fallon program and played the Lumineer's

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Speaker 2: song Dressed as a Chicken, and it sounded a little

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Speaker 2: like this, You know what I mean.

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Speaker 3: Yeah, it's Tom's steam, right, And that's.

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Speaker 2: What I've been doing. I've been getting I go hey, Siri,

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Speaker 2: and and hopefully they'll all show up on time. And

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Speaker 2: when I say book, they know what I mean, Tom's book.

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Speaker 2: Take a book about your book, A little book.

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Speaker 3: Well, the thing about this book is it's, uh, it's

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Speaker 3: kind of not like any other book. It's uh. You

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Speaker 3: might think you know books, but with this book, I'm

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Speaker 3: so prepared to just look in the face and just

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Speaker 3: say you don't know jack about books.

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Speaker 1: First of all, this one doesn't say book on it,

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Speaker 1: uh huh on the front.

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Speaker 3: No, And that's the kind of I just assume people

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Speaker 3: can kind of roll with it. It's twenty twenty one.

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Speaker 1: Yeah.

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Speaker 2: Yeah, it's one of those like say it without saying

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Speaker 2: it things.

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Speaker 3: It is one of those saying.

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Speaker 2: Tell me you're without telling me you're a book.

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Speaker 1: Drop this, drop the information off and let the audience

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Speaker 1: pick it up.

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Speaker 2: Yes, drop the book, just Tom, it's cleaner.

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Speaker 3: I know this book. I did the writing on this book,

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Speaker 3: but it really is.

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Speaker 1: Ultimately the writing on this book.

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Speaker 3: It's a conversation. This book was a conversation between me

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Speaker 3: and the reader.

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Speaker 1: I mean it was.

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Speaker 2: It was a free flowing conversation that occasionally touched on

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Speaker 2: mature subjects.

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Speaker 3: Yes, and it was brought to you by Subway, Eat

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Speaker 3: Fresh m hm, the Fresh Line. I love Kendrick Parakeets.

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Speaker 3: Kendrick Parakeets, the top five, top five all time, gotta

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Speaker 3: be top five Power forwards.

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Speaker 2: I loved seeing that you did this book, and I

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Speaker 2: love to watch my friends succeed. It's, as I always say,

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Speaker 2: it's not a zero sum game. It's a some sum game.

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Speaker 2: And we're all getting some sum out of this.

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Speaker 1: And you.

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Speaker 2: Wrote the book and congratulates you, and that's huge, and

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Speaker 2: it's a really big news for Tom and it's maybe

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Speaker 2: even bigger news for us. For for Hazy, how how

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Speaker 2: is that? And for Sean thank you for mentioning that.

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Speaker 2: Just I mean, it's a huge opportunity. I mean, you know,

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Speaker 2: it's a big tent four quadrant, like the potential here

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Speaker 2: back end, et cetera, to be writing and directing like

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Speaker 2: for us, like a feature film, you know.

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Speaker 3: But wait, no, I don't. But it's a movie. It's

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Speaker 3: my book.

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Speaker 1: Movie make a movie.

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Speaker 3: No, it's a it's not a movie.

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Speaker 2: It's it's your but it's your book.

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Speaker 1: Yeah, it's our movie, my movie, but it's our movie.

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Speaker 3: I'm so lost right now, what do you? How is

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Speaker 3: my book your movie?

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Speaker 1: Do you see how I have no possessions in here anymore.

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Speaker 1: We recently did a pro version episode with a A

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Speaker 1: one mister manzukis where some of my possessions I like

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Speaker 1: showed on camera in that episode. That raised the value

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Speaker 1: of them significantly. Yes, I was able to sell off

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Speaker 1: everything I owned that I showed in that episode.

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Speaker 2: Along with an authenticated USB port you know stick that

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Speaker 2: allows people to watch mister Manzuka's comment on the possessions. Yeah,

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Speaker 2: so the people know that it is of extreme value.

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Speaker 1: That made me sufficiently liquid, actually soaking wet enough to

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Speaker 1: purchase book movie.

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Speaker 3: Well, I mean the book isn't that expensive. I mean

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Speaker 3: it's a twenty something dollars for the book. I don't

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Speaker 3: know why you'd have to sell all your stuff to

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Speaker 3: just do you have to?

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Speaker 1: Yeah, Sean can expect. Sean knows the kind of like

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Speaker 1: the how the IP, Yeah, we did.

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Speaker 3: Which want to cats?

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Speaker 2: We didn't which want to cats?

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Speaker 3: Didn't know what an overall deal was? Which one of

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Speaker 3: you was a holding deal?

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Speaker 1: And that was a previous host of the show who

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Speaker 1: is no longer.

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Speaker 2: He's been slain. Yeah, and Risen in his place is

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Speaker 2: the man you see before you So much the stronger

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Speaker 2: for his journey.

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Speaker 1: I so do you ever think about it? So think

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Speaker 1: about this. There's a uh at one time, there is

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Speaker 1: a ship and the ship talks about this and one

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Speaker 1: of the pieces fell off. They say, oh, time to

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Speaker 1: put in new pieces, new ship piece please. Okay, Now

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Speaker 1: this other piece that fall off, and we put a

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Speaker 1: new pieces in for this now as well, two pieces.

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Speaker 1: And now suddenly every different pieces of the ship falls

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Speaker 1: off and it's been replaced with these different pieces.

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Speaker 2: Now is the new ones?

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Speaker 3: Okay?

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Speaker 1: Is this the same ships? Or has it simply become

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Speaker 1: a new ships? This is like me, except with a

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Speaker 1: lot of my skin is falling off at different time

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Speaker 1: of day.

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Speaker 2: I wake up and so much the bed is basically

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Speaker 2: skin central.

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Speaker 3: That's just a pile of skin and so a.

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Speaker 2: Lot of skin. And I'll say also that parts of

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Speaker 2: my face and parts of my arm are in the

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Speaker 2: bed or under the bed, and we clean them up

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Speaker 2: and lo and behold now new skin, armface? Am I

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Speaker 2: the same man I was?

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Speaker 1: So I've become basically two or three different guys since

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Speaker 1: that holding deal.

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Speaker 2: And the time it takes, yes, you know, every seven months,

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Speaker 2: every cell in your body has been completely replaced with

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Speaker 2: a new ship piece.

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Speaker 3: Sure, sure, No, so what you're saying this is.

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Speaker 2: Why your taste changes, Tom, Have you ever noticed You'll

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Speaker 2: be like, Oh, I love peanut sauce and I can't

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Speaker 2: get enough of it, and then seven months later you go,

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Speaker 2: this makes me sick. The sight of peanut sauce makes

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Speaker 2: me want to vomit, but I can't drinking vinegar.

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Speaker 1: You take out your sniff for the night and you

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Speaker 1: have it filled up with peanut sauce, and like you

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Speaker 1: smell it and I don't want to drink those dire.

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Speaker 2: Who am I this man whose entire identity was mister

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Speaker 2: sniffer of peanut sauce and now I've become just the

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Speaker 2: vinegar guy?

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Speaker 3: Or all right, how what does this have to do

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Speaker 3: with you?

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Speaker 1: And I was going to I was just mister I P.

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Speaker 2: Have you got any calls recently from representatives saying that

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Speaker 2: a big, powerful company has purchased the film rights to

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Speaker 2: your book?

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Speaker 3: No? I have not.

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Speaker 2: Oh, okay, well you may want to check your phone.

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Speaker 2: It should be coming through soon.

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Speaker 3: But I mean I get a I get a fair

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Speaker 3: amount of spam risk.

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Speaker 2: That's us. Our production company is called spam Risk and

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Speaker 2: we are. And and by the way, whereas prevalent as spam,

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Speaker 2: whereas resilient, we're as universal, adaptable, we're as delicious, and

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Speaker 2: we are going to take over this industry and project

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Speaker 2: one for spam rest productions. It's tom book whatever this book.

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Speaker 3: The book is called tombook. It's not called tom book.

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Speaker 2: I've noticed this. I've noticed that. That was frustrating. Yeah,

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Speaker 2: and I don't know how far in, how deep in

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Speaker 2: you are in terms of the name. If you could

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Speaker 2: call it tombook, it.

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Speaker 1: Would Can I just say? What? So what is the

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Speaker 1: name of this book?

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Speaker 3: It's called it never ends?

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Speaker 1: You can see why this from a movie perspective, is not.

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Speaker 2: We can't say we cannot have it say that, so

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Speaker 2: you that's very that will make people really not want

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Speaker 2: to come in.

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Speaker 1: First of all, we'll get out again, Bloomers sued off.

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Speaker 2: Absolutely, We'll get sued into the freaking stone age by

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Speaker 2: uh and rightly so, by people who said, oh, I

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Speaker 2: thought this was the last movie ticket I ever have

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Speaker 2: to buy because it never ends, and some people actually saying, well,

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Speaker 2: I'm not even gonna buy a ticket because I have

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Speaker 2: I have a doctor's appointment next month.

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Speaker 1: So we end up having to furiously be making new

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Speaker 1: movie before the first before it ends, right, and people

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Speaker 1: are like.

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Speaker 2: It's diminishing returns. Yes, the first movie will be so good,

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Speaker 2: but are we gonna be able to get all of

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Speaker 2: those actors back or even the same camera.

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Speaker 3: I'm this is very frustrating already. This is just I

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Speaker 3: don't like where this is going already.

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Speaker 2: Well, it is always a little painful to adjust when

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Speaker 2: you get a creative note that kind of rocks into

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Speaker 2: your core and makes you look at some of the

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Speaker 2: decisions you made that could have been handled better. But

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Speaker 2: tom Book is a project I care about so much.

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Speaker 2: I care about it enough to upset you with the

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Speaker 2: note tom booked the movie.

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Speaker 3: So you'd rather a movie not be called it never ends.

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Speaker 3: You'd rather a movie have the word book in the

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Speaker 3: title of that's a better that's all.

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Speaker 2: And coming soon if you're up to it tom Book two.

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Speaker 1: Mm hmm.

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Speaker 3: I don't. I'm so fluxed right now by all of

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Speaker 3: this Tom Book. I'm just so goddamn flummoxed. I don't know.

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Speaker 3: I thought it was coming on to talk about my book,

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Speaker 3: and now you're saying something we've said.

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Speaker 2: We said tom Book constantly and actually the Flummox is

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Speaker 2: like a sort of the Lorax type character who we're

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Speaker 2: thinking about incorporating into the book.

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Speaker 3: That's okay, it's the part where we.

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Speaker 2: Go where we go, Yeah, where we go inside out,

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Speaker 2: you know, and get and see all your different emotions.

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Speaker 2: And there's a Flummox character.

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Speaker 1: Like an internal great kazoo, but who's like bigger than

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Speaker 1: the inside out people. Is actually like taking up a

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Speaker 1: lot of space in there and kind of like when

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Speaker 1: he moves around, it's uncomfortable.

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Speaker 2: For he's got like a really good body.

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Speaker 1: Yeah, Tom, book, what I do want you to talk

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Speaker 1: about this a little bit?

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Speaker 2: Talk about Please tell me what you think it is?

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Speaker 2: Talk about talk about about your book a little book?

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Speaker 3: Wait? Who who do you want? You want me to

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Speaker 3: talk about?

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Speaker 1: What?

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Speaker 3: I think my own.

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Speaker 2: Boobsolutely that's gonna You just said.

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Speaker 3: About my life and it's got funny stories in it

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Speaker 3: and it's it's okay. Well I am saying I think

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Speaker 3: there's funny stories in it. I don't know what the

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Speaker 3: brain trust over it, Spam Risk Productions might think. I

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Speaker 3: can only speak for myself with this. I wrote a

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Speaker 3: book and it's it's got funny stories and I'm happy

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Speaker 3: with it. And apparently now.

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Speaker 2: And you hope everyone see the movie.

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Speaker 3: Apparently now it's well, I didn't sign anything.

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Speaker 2: Mm hmm.

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Speaker 3: You don't have rights to my to my book.

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Speaker 2: We do. So there's a publishing company and there's you

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Speaker 2: know there there are other obviously entities involved, big corporate entities,

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Speaker 2: and this you know, money talks in this town and

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Speaker 2: that's what makes it move around, and it's going to

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Speaker 2: be good for everybody, especially Deadpool.

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Speaker 3: Wait what how is hmm? It's not a superhero book.

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Speaker 2: I know, I know, I know.

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Speaker 1: It's a Yes, it's sort of an anti super anti hero.

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Speaker 1: Is this for this guy? Yeah?

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Speaker 2: Wait a minute, this guy's saving the day. This is

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Speaker 2: who you know, the fate of the world is in

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Speaker 2: his I don't know if I trust him, But isn't

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Speaker 2: that sort of the tension that you want to create.

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Speaker 2: It's at a while before Deadpool three off the ground,

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Speaker 2: but I think we're gonna miss him in between now

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Speaker 2: and then.

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Speaker 1: This book addresses mental health, mental illness, and I think about, like, Okay,

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Speaker 1: who is both mental and extremely ill. Oh, it's my

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Speaker 1: friend Deadpool. M M.

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Speaker 2: So Deadpool is going to be more prevalent in the film.

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Speaker 2: Of course, it's not too late maybe to have a

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Speaker 2: forward by Deadpool at the beginning of the book where

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Speaker 2: he says, like, take it from this douche nozzle, like, yeah, uh,

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Speaker 2: it's pretty bad ass, you know, kick Francis in the butt.

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Speaker 1: He talks about the reader. He's like, hey, I can

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Speaker 1: see it. I'm inside the book. I can see up

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00:19:44,760 --> 00:19:50,120
Speaker 1: your nose mm hmm, and oh like, oh, you're putting

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Speaker 1: me like right next to your junk.

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Speaker 2: Oh, I love holding me against your junk. Sick. Oh,

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00:19:55,720 --> 00:19:57,960
Speaker 2: don't pick me up that high. Now I'm closer to

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Speaker 2: the freaking bats in the cave.

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Speaker 1: And the reader is gonna we're gonna have them on

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Speaker 1: a string when they think that Deadpool is really in

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00:20:06,600 --> 00:20:09,080
Speaker 1: the book, but he says that he's closely drunk. They're

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00:20:09,119 --> 00:20:12,600
Speaker 1: gonna be like, they're gonna lift the book all over

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Speaker 1: and then we need that.

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Speaker 3: Yeah, so you're actually you actually want to go back

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Speaker 3: and change the It's not it's bad enough that you're

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Speaker 3: talking about some movie Tom Book.

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Speaker 2: The movie got some movie tom Book?

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Speaker 3: The movie, Well, tom Book, the movie. You want to

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Speaker 3: go back and put a forward by Deadpool in the

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Speaker 3: book that exists already.

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Speaker 2: I think it'll justify how much screen time he's getting,

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Speaker 2: which has been you know, a conversation we've been having

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Speaker 2: and everybody you know these it's the notes process we're

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Speaker 2: kicking around. We've got a script we love, but I

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Speaker 2: want to love it you have, Yeah, we've got a

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Speaker 2: script pool. I mean, if you want to get a

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Speaker 2: star attached, you know, you do have to send out

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Speaker 2: a script. I mean, Pete Holmes isn't gonna sign on

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Speaker 2: for just some random no you know, so well, you know,

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00:21:04,600 --> 00:21:06,679
Speaker 2: we want someone to play you. Like you said, the

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00:21:06,680 --> 00:21:09,960
Speaker 2: stories are pretty funny, So who's funny? Who's a comic?

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Speaker 4: Right?

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Speaker 2: And I think playing me, well, you may get your wish,

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Speaker 2: you know, because the script as it stands has very

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Speaker 2: little deadpool. And he's had already some input. He did say,

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Speaker 2: and this I think is smart. But if you want

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Speaker 2: to talk about this, I guess there's this whole part

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Speaker 2: of the book where you're starting like a radio show thing.

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Speaker 3: Yes, well that's what happened in my life. So yeah,

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Speaker 3: that is a part of the book.

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Speaker 2: Why is that great? Great? But for a radio show,

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Speaker 2: like I don't know if we want to do that

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Speaker 2: in a movie. But Peter was thinking maybe instead of

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Speaker 2: a radio show, you could be hammering some nympho chick.

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Speaker 3: No, no, it's didn't It didn't happen. It's not in

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Speaker 3: the book, it's not going to be, and it's not

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Speaker 3: in Tom book, and it won't be in Tom Book.

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Speaker 3: The movie. There was no Nympho chick anywhere in any

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00:22:03,800 --> 00:22:04,119
Speaker 3: of this.

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00:22:04,560 --> 00:22:07,200
Speaker 2: I don't yeah, I mean, I don't know if I

380
00:22:07,200 --> 00:22:08,800
Speaker 2: can get one of them to read the book either.

381
00:22:08,920 --> 00:22:12,560
Speaker 2: So it's it already was like just just something we

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00:22:12,560 --> 00:22:13,560
Speaker 2: wanted to float out there.

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Speaker 3: So Pete is attached to this already.

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Speaker 2: He's circling it. But there's you know, uh a lot

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00:22:22,640 --> 00:22:25,320
Speaker 2: of uh pretty girls at the ball that Pete could

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Speaker 2: take home, and we're just fingers crossed that we kind

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Speaker 2: of get get the nod at the end of the night.

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Speaker 1: So I'm looking at this and this is like sometimes

389
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Speaker 1: I'm reading it like I'm trying to figure out, like

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00:22:40,880 --> 00:22:43,160
Speaker 1: I see the movie in my head right, And sometimes

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00:22:43,240 --> 00:22:44,960
Speaker 1: it's like so clear, I'm like saying, you're watching a

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Speaker 1: movie in my podcast.

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Speaker 2: I feel that way too. I remember we were watching

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Speaker 2: the movie together when we were driving the other day.

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00:22:51,440 --> 00:22:55,760
Speaker 1: Yes, reading reading the book while we were driving, Yes,

396
00:22:56,160 --> 00:22:58,280
Speaker 1: and but it's like watching a movie and my popcorn

397
00:22:58,640 --> 00:23:03,120
Speaker 1: on what You're fine reading a book and uh eating

398
00:23:03,160 --> 00:23:05,760
Speaker 1: popcorn and driver it popcorn.

399
00:23:05,800 --> 00:23:06,040
Speaker 2: Yeah.

400
00:23:06,520 --> 00:23:11,520
Speaker 1: And other times I'm like, what is actually happening here? Like, uh,

401
00:23:11,840 --> 00:23:13,760
Speaker 1: your you know, it's like your first book, so like

402
00:23:13,800 --> 00:23:17,160
Speaker 1: the visual storytelling element is maybe not like one hundred

403
00:23:17,160 --> 00:23:21,840
Speaker 1: percent crafted yet. But I was having trouble there was

404
00:23:21,920 --> 00:23:25,920
Speaker 1: there weren't a lot of updates on like your basically

405
00:23:26,040 --> 00:23:29,359
Speaker 1: nudity level. Yes, at different points in the book.

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00:23:29,520 --> 00:23:33,320
Speaker 2: It's not it's not mentioned. And we actually because obviously

407
00:23:33,640 --> 00:23:36,719
Speaker 2: for Pete to sign on, I think we can get

408
00:23:36,760 --> 00:23:38,639
Speaker 2: him to do full frontal, but for him to go

409
00:23:38,720 --> 00:23:43,800
Speaker 2: full backle, we're gonna we're gonna need to really justify

410
00:23:43,840 --> 00:23:48,040
Speaker 2: it in the storytelling. And so if you could even

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00:23:48,160 --> 00:23:50,440
Speaker 2: just go into the margins of some copies of your

412
00:23:50,440 --> 00:23:54,600
Speaker 2: book and write that you had your ass cheeks out.

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Speaker 3: No, I'm not gonna go and put nudes into the book.

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00:24:01,840 --> 00:24:05,440
Speaker 3: So that Pete Holmes he wants to do nude scenes,

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Speaker 3: he wants to.

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Speaker 2: Do full frontal. Full backle is more of a conversation,

417
00:24:09,800 --> 00:24:13,000
Speaker 2: and I guess he gots more really conversation than full

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Speaker 2: frontal for.

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Speaker 1: Him with Pete.

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00:24:15,880 --> 00:24:20,399
Speaker 2: Yeah, so it's just anywhere you just write I'm nude.

421
00:24:21,520 --> 00:24:25,600
Speaker 2: Just this, it's like a scene whatever you're with your batter,

422
00:24:25,640 --> 00:24:27,600
Speaker 2: you're at the doctor or something. You say like and

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00:24:27,680 --> 00:24:28,680
Speaker 2: my but cheeks were out.

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00:24:29,000 --> 00:24:29,760
Speaker 1: How again, do you.

425
00:24:29,720 --> 00:24:33,000
Speaker 3: Have the rights to this? H How did you I

426
00:24:33,040 --> 00:24:37,520
Speaker 3: didn't sign a goddamn thing about this to get to

427
00:24:37,560 --> 00:24:39,239
Speaker 3: grant you any control over this.

428
00:24:39,520 --> 00:24:43,479
Speaker 2: Well, have you signed anything in the past few weeks?

429
00:24:43,760 --> 00:24:44,760
Speaker 2: Did you mean anything at all?

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00:24:44,800 --> 00:24:45,720
Speaker 1: Book? For example?

431
00:24:45,960 --> 00:24:48,040
Speaker 3: Yes, I've signed I've signed a bunch of books.

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00:24:48,080 --> 00:24:51,240
Speaker 2: Yes, book as a contract, but it's some of those

433
00:24:51,240 --> 00:24:54,920
Speaker 2: books are contracts. Yeah, that's fine. We we didn't we

434
00:24:55,040 --> 00:24:57,320
Speaker 2: put our we you know, it's a contract for us

435
00:24:57,359 --> 00:24:58,720
Speaker 2: to have the rights of the movie. So we put

436
00:24:58,760 --> 00:25:01,440
Speaker 2: it inside the bookbind all right, because we thought that

437
00:25:01,560 --> 00:25:03,159
Speaker 2: was kind of a cute, funny way it is.

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00:25:03,320 --> 00:25:05,760
Speaker 3: There was one weird book that I signed, one that

439
00:25:05,960 --> 00:25:08,840
Speaker 3: just didn't seem right. I thought it was defective.

440
00:25:09,720 --> 00:25:10,399
Speaker 2: Title changed.

441
00:25:11,720 --> 00:25:15,480
Speaker 3: Yeah, yeah, so that was a contract.

442
00:25:15,960 --> 00:25:17,560
Speaker 2: Yeah, that's contract.

443
00:25:18,119 --> 00:25:21,639
Speaker 3: That doesn't make you, guys, feel sleezy at all, doesn't

444
00:25:21,640 --> 00:25:24,920
Speaker 3: make you feel underhanded. That's how that's the way you

445
00:25:25,080 --> 00:25:25,680
Speaker 3: do business.

446
00:25:25,960 --> 00:25:32,760
Speaker 1: Hmmm. I guess being sleezy makes me feel good. Yep,

447
00:25:33,720 --> 00:25:35,200
Speaker 1: I guess I'm kind of like Deadpool and that I

448
00:25:35,359 --> 00:25:37,200
Speaker 1: love to be a little messed up and sleezy.

449
00:25:37,920 --> 00:25:39,080
Speaker 2: Yeah, then I'm so bad.

450
00:25:39,119 --> 00:25:42,360
Speaker 1: It's good. And Deadpool was of course in the contract

451
00:25:42,400 --> 00:25:45,520
Speaker 1: as well. Deadpool was talking about how the pen was

452
00:25:45,640 --> 00:25:49,800
Speaker 1: hurting him when you were signing it. Yeah, because it's

453
00:25:49,920 --> 00:25:54,600
Speaker 1: very weird that you didn't notice that. And he said

454
00:25:55,560 --> 00:25:58,000
Speaker 1: that the date was sixty nine, sixty nine.

455
00:25:59,359 --> 00:26:02,600
Speaker 2: He said, nice signature, douche Rod and uh, you know

456
00:26:03,040 --> 00:26:05,720
Speaker 2: he you know, he said some other cool stuff.

457
00:26:05,920 --> 00:26:08,440
Speaker 3: This is all coming back. When I opened that one

458
00:26:08,560 --> 00:26:12,920
Speaker 3: book to sign the in I noticed it did say

459
00:26:12,960 --> 00:26:16,080
Speaker 3: something about Taco Tuesday in it, and then I went

460
00:26:16,720 --> 00:26:18,600
Speaker 3: and I was like, where'd that go? And it was

461
00:26:18,680 --> 00:26:19,320
Speaker 3: gone already.

462
00:26:20,119 --> 00:26:22,280
Speaker 2: Yeah, he had moved on with it, Yeah, he and

463
00:26:22,440 --> 00:26:24,600
Speaker 2: he had probably brought it over to the Chimmy Chongos

464
00:26:24,600 --> 00:26:24,840
Speaker 2: as well.

465
00:26:24,920 --> 00:26:28,680
Speaker 1: Jimmy chas Yeah, Jimmy chungas well.

466
00:26:28,760 --> 00:26:32,399
Speaker 3: I don't I don't like the sound of any of this, guys.

467
00:26:32,880 --> 00:26:34,400
Speaker 2: Well you know it's.

468
00:26:35,800 --> 00:26:36,000
Speaker 1: Yeah.

469
00:26:36,119 --> 00:26:38,440
Speaker 2: Francis was not a fan of Deadpool either, and we

470
00:26:38,520 --> 00:26:40,760
Speaker 2: see where that got him. So I'd say it may

471
00:26:40,840 --> 00:26:41,600
Speaker 2: be time to get.

472
00:26:41,480 --> 00:26:42,200
Speaker 1: On board.

473
00:26:47,720 --> 00:26:52,200
Speaker 2: The funny TikTok portion of the book. They probably gonna

474
00:26:52,359 --> 00:26:54,520
Speaker 2: kind of zip through your whole childhood because there's he

475
00:26:54,640 --> 00:26:56,639
Speaker 2: feels like there's a lot of the chapters I skimmed him,

476
00:26:56,640 --> 00:26:58,040
Speaker 2: but a lot of the chapters are about like you

477
00:26:58,160 --> 00:26:59,920
Speaker 2: being a kid and all this stuff, and I go, kids,

478
00:27:00,119 --> 00:27:01,240
Speaker 2: now they're on TikTok.

479
00:27:01,800 --> 00:27:05,480
Speaker 3: Yeah, yeah, but I was not a kid that I

480
00:27:05,560 --> 00:27:07,880
Speaker 3: didn't have TikTok when I was a kid.

481
00:27:09,720 --> 00:27:11,879
Speaker 2: Right, which is why we're making it better for a

482
00:27:11,960 --> 00:27:18,320
Speaker 2: talk about the movie. But what I'm wondering from you is,

483
00:27:20,760 --> 00:27:24,000
Speaker 2: can you start an account or get a kid to

484
00:27:24,080 --> 00:27:27,399
Speaker 2: start an account just for some sort of marketing purposes

485
00:27:27,800 --> 00:27:30,320
Speaker 2: and get a couple of million followers and then kind

486
00:27:30,359 --> 00:27:34,280
Speaker 2: of find like a funny way to present some of

487
00:27:34,320 --> 00:27:37,920
Speaker 2: these stories that are like a little dark over, like

488
00:27:38,040 --> 00:27:41,879
Speaker 2: a like an Olivia Rodrigo song or something.

489
00:27:42,119 --> 00:27:45,960
Speaker 1: Yeah, and like again, it's like your first book and stuff,

490
00:27:45,960 --> 00:27:48,240
Speaker 1: and this stuff will be figured out in future books.

491
00:27:48,280 --> 00:27:52,320
Speaker 1: But like, people don't want to see a kid who

492
00:27:52,800 --> 00:27:56,360
Speaker 1: like his hobby is like catching pennies in his mouth

493
00:27:56,400 --> 00:27:59,399
Speaker 1: when they fall off the boardwalk or whatever, with you

494
00:27:59,600 --> 00:28:01,640
Speaker 1: like this kind of stuff you did when you're.

495
00:28:01,520 --> 00:28:05,880
Speaker 3: Not that's a misrepresentation of so much of But it's

496
00:28:05,920 --> 00:28:06,840
Speaker 3: the kind of thing.

497
00:28:07,119 --> 00:28:10,280
Speaker 2: It's this sort of thing that you're into that maybe

498
00:28:10,480 --> 00:28:13,640
Speaker 2: is interesting, but it's not good for a movie.

499
00:28:14,200 --> 00:28:16,040
Speaker 3: And then what would be good for a movie?

500
00:28:16,160 --> 00:28:20,200
Speaker 2: Then, well, I mean as good a time as any

501
00:28:20,240 --> 00:28:22,400
Speaker 2: I guess to talk about. The Dodo in your pants scene.

502
00:28:24,119 --> 00:28:28,240
Speaker 3: Is not in It did not happen, and please, okay,

503
00:28:28,280 --> 00:28:31,639
Speaker 3: tell me about the Dodo in my pants scene.

504
00:28:32,480 --> 00:28:35,760
Speaker 2: Well, what we're getting from from Pete, of course, won't

505
00:28:35,760 --> 00:28:39,240
Speaker 2: play the child version of you. He'll play the teenage

506
00:28:39,320 --> 00:28:41,440
Speaker 2: version of you, because he does look young. But but

507
00:28:42,200 --> 00:28:43,840
Speaker 2: we are going to get an actual child for this.

508
00:28:44,080 --> 00:28:49,360
Speaker 3: And basically, sure you don't want to get Pete oversized bonnet,

509
00:28:49,760 --> 00:28:54,440
Speaker 3: uh huge lollipop. Maybe you don't want to just go

510
00:28:54,560 --> 00:28:57,840
Speaker 3: all the way with it. Just have him play a

511
00:28:58,000 --> 00:29:00,880
Speaker 3: kid licking a giant lolly pop. But it'll say it's

512
00:29:00,880 --> 00:29:08,120
Speaker 3: a small lollipop because he's a little kid, so big

513
00:29:08,280 --> 00:29:09,120
Speaker 3: because I'm little.

514
00:29:11,160 --> 00:29:13,360
Speaker 2: This is the kind of collaboration I was hoping we'd

515
00:29:13,400 --> 00:29:15,920
Speaker 2: be doing on this. That's actually that is a workaround

516
00:29:16,000 --> 00:29:20,280
Speaker 2: that I think the idea solve some casting problems. The

517
00:29:20,440 --> 00:29:24,840
Speaker 2: lollipop is funny. How does that get us to the

518
00:29:25,080 --> 00:29:29,640
Speaker 2: doo inside your pants? Which the scene from the studio

519
00:29:29,720 --> 00:29:32,040
Speaker 2: and everyone we're hearing the scenes just too short right now,

520
00:29:32,080 --> 00:29:33,360
Speaker 2: it's only about half the movie.

521
00:29:34,920 --> 00:29:39,200
Speaker 3: Half the movie. Mm hmm, well, look, this is gonna

522
00:29:39,240 --> 00:29:43,320
Speaker 3: paint something. Does he enter a chili eating contest?

523
00:29:45,120 --> 00:29:50,080
Speaker 1: Wow? Kind of nasty, it's kind of gross.

524
00:29:50,280 --> 00:29:54,400
Speaker 2: That's kind of making me throw up. It's not a

525
00:29:54,600 --> 00:29:55,320
Speaker 2: gross movie.

526
00:29:55,520 --> 00:30:01,120
Speaker 1: It's just kind of like it's just kind of like

527
00:30:01,200 --> 00:30:02,000
Speaker 1: a sick idea.

528
00:30:02,120 --> 00:30:04,720
Speaker 2: That's great, Let's move let's move away from Let's move

529
00:30:04,760 --> 00:30:06,240
Speaker 2: away from the chilling of it, because it's kind of

530
00:30:06,240 --> 00:30:08,360
Speaker 2: grossing me out to think about. Now, do you want

531
00:30:08,400 --> 00:30:11,360
Speaker 2: to just talk about the name? Obviously Tom doesn't really

532
00:30:11,560 --> 00:30:15,120
Speaker 2: work for us. Yes, what do you think about just

533
00:30:15,280 --> 00:30:25,000
Speaker 2: first reaction? Donald Trump, Donald Trump Trump, spell it.

534
00:30:26,520 --> 00:30:27,880
Speaker 1: T R O M M P.

535
00:30:29,520 --> 00:30:31,840
Speaker 3: Donald Trump Trump.

536
00:30:32,640 --> 00:30:37,600
Speaker 2: Trump Donald Trump instead of Tom. Yeah, which we've already

537
00:30:37,600 --> 00:30:39,840
Speaker 2: got one of those Tom Everett Scott and he's you know,

538
00:30:40,320 --> 00:30:42,200
Speaker 2: holding up in Hollywood very well, thank you.

539
00:30:43,440 --> 00:30:46,080
Speaker 1: Yeah, well you kind of did that already.

540
00:30:46,520 --> 00:30:49,080
Speaker 2: We don't want to confuse the audience. But what do

541
00:30:49,120 --> 00:30:51,520
Speaker 2: you think about you? You'll be played by Pete Holmes

542
00:30:51,920 --> 00:30:54,320
Speaker 2: through your entire life, all ages. He could pull it

543
00:30:54,400 --> 00:30:58,040
Speaker 2: off instead of doing radio show, your hammer and some nimpho,

544
00:30:58,160 --> 00:31:00,680
Speaker 2: your full front lamb, full backle if we can justify

545
00:31:00,800 --> 00:31:04,880
Speaker 2: it and you're Donald Trump, so.

546
00:31:06,520 --> 00:31:10,360
Speaker 1: And dead Pools, Deadpools there all samples there, Yeah, Deadpools there.

547
00:31:11,080 --> 00:31:11,720
Speaker 2: I don't like it.

548
00:31:11,840 --> 00:31:16,640
Speaker 1: He pointing at the crowd. He's saying like, uh oh

549
00:31:16,880 --> 00:31:19,640
Speaker 1: this day, uh, this one's this one's not going to

550
00:31:19,720 --> 00:31:22,840
Speaker 1: work out like that. He like, he's like talking. He's

551
00:31:22,920 --> 00:31:26,200
Speaker 1: talking about people inside the movie.

552
00:31:26,600 --> 00:31:28,600
Speaker 2: He goes like, hey, buddy, you should have spread sprung

553
00:31:28,680 --> 00:31:30,920
Speaker 2: for the large soda. She's thinking, you're a cheap skate,

554
00:31:32,880 --> 00:31:35,040
Speaker 2: pointing at the you know, hopefully somebody's sitting there.

555
00:31:35,360 --> 00:31:35,720
Speaker 1: We can't.

556
00:31:35,920 --> 00:31:36,240
Speaker 2: He can't.

557
00:31:36,280 --> 00:31:38,400
Speaker 1: Okay, this guy didn't wash his hands in the bathroom

558
00:31:38,560 --> 00:31:42,920
Speaker 1: and right into the popcorn. It goes mm hmmm, that

559
00:31:43,080 --> 00:31:44,640
Speaker 1: kind of thing. I don't.

560
00:31:44,720 --> 00:31:47,000
Speaker 3: I don't like where any of this is going.

561
00:31:47,440 --> 00:31:51,000
Speaker 2: Junior, when you buy him, that's your man's grandpa. Yeah,

562
00:31:52,280 --> 00:31:57,680
Speaker 2: old guy, Candy, you want to talk cars, I mean,

563
00:31:57,720 --> 00:31:59,400
Speaker 2: you feel like you're bummed. You want to talk about cars.

564
00:31:59,440 --> 00:32:02,440
Speaker 2: You want to sex up obviously, Yeah, you don't mention

565
00:32:02,640 --> 00:32:05,080
Speaker 2: the cars that you're driving in the book much, if

566
00:32:05,160 --> 00:32:12,280
Speaker 2: at all. There's no suicide doors on the Lambeau. There's

567
00:32:12,560 --> 00:32:19,080
Speaker 2: no sick ass Ferrari. You know, there's no there's not

568
00:32:19,160 --> 00:32:21,960
Speaker 2: even a Bugatti. As I'm looking back and just even

569
00:32:22,000 --> 00:32:25,080
Speaker 2: flipping through the pages, I'm not seeing that, and I'm

570
00:32:25,120 --> 00:32:29,760
Speaker 2: going like, well, why would I watch this? Right?

571
00:32:31,600 --> 00:32:34,040
Speaker 3: Yeah, there's no cars in the book. That's it's not

572
00:32:34,160 --> 00:32:39,320
Speaker 3: a book about cars, especially high end cars. I was

573
00:32:39,440 --> 00:32:47,480
Speaker 3: a child. I didn't have access to Bugattis and Lambos.

574
00:32:49,240 --> 00:32:51,520
Speaker 1: Okay, And this is the kind of thing where like

575
00:32:53,000 --> 00:32:57,040
Speaker 1: the kind of stuff that doesn't sell. Yeah, of like

576
00:32:57,200 --> 00:32:58,400
Speaker 1: you going to the.

577
00:32:58,440 --> 00:33:03,320
Speaker 3: Boardwalk and like eating or whatever, you're stooping.

578
00:33:07,000 --> 00:33:11,800
Speaker 1: Tidepool, selling your like gross tidepool craw dads on the boardwalk.

579
00:33:12,040 --> 00:33:14,920
Speaker 2: That's saying fangs with a water moncasin or that.

580
00:33:15,080 --> 00:33:17,080
Speaker 3: Moment in my life where I would just scoop those

581
00:33:17,200 --> 00:33:20,280
Speaker 3: craw dads out of the tidepool and sell them on

582
00:33:20,360 --> 00:33:21,040
Speaker 3: the boardwalk.

583
00:33:21,440 --> 00:33:24,480
Speaker 1: Yea. And people are passing by like what is with

584
00:33:24,640 --> 00:33:30,520
Speaker 1: this boy? And yeah, craw dads what they want to

585
00:33:30,560 --> 00:33:35,480
Speaker 1: see as a little kid that drives very high end cars. Yeah,

586
00:33:37,200 --> 00:33:41,480
Speaker 1: and it's that kind of you even said Hi to

587
00:33:41,560 --> 00:33:42,280
Speaker 1: Kevin this whole time.

588
00:33:42,320 --> 00:33:44,320
Speaker 2: By the way, Kevin, that's something I was curious about.

589
00:33:44,400 --> 00:33:47,120
Speaker 2: Kevin's been here and taking notes for the for the

590
00:33:47,200 --> 00:33:47,920
Speaker 2: studio meeting.

591
00:33:48,920 --> 00:33:52,440
Speaker 3: Hi Kevin, Hey, Tom, great to see you. It's it's

592
00:33:52,480 --> 00:33:54,280
Speaker 3: great to see you too. Are you a part of

593
00:33:54,360 --> 00:33:54,720
Speaker 3: all of this?

594
00:33:55,760 --> 00:33:59,520
Speaker 1: I am, I'm the scribe Kevin. What was your favorite

595
00:33:59,520 --> 00:34:00,000
Speaker 1: part of the book?

596
00:34:00,960 --> 00:34:05,200
Speaker 4: Mine was when Deadpool or and Pete Holmes will spike

597
00:34:05,240 --> 00:34:08,720
Speaker 4: the camera and go, can we please normalize being shy?

598
00:34:11,880 --> 00:34:14,440
Speaker 3: Well, that actually wouldn't be a bad scene, to be honest,

599
00:34:15,280 --> 00:34:18,600
Speaker 3: I don't mind that. I don't love it, but I

600
00:34:18,680 --> 00:34:19,400
Speaker 3: don't mind it.

601
00:34:22,680 --> 00:34:26,719
Speaker 1: They said it's actually selfish to like ask people how

602
00:34:26,760 --> 00:34:27,239
Speaker 1: they're doing.

603
00:34:28,160 --> 00:34:31,960
Speaker 2: Mm hmmm. You actually don't have a right to my

604
00:34:32,200 --> 00:34:35,360
Speaker 2: internal experience. And if I volunteer it, that's my choice.

605
00:34:35,680 --> 00:34:35,839
Speaker 1: Yeah.

606
00:34:35,880 --> 00:34:36,120
Speaker 3: Sure.

607
00:34:38,239 --> 00:34:42,520
Speaker 1: Last and Deadpool says, my toxic trait is actually doing

608
00:34:43,320 --> 00:34:45,960
Speaker 1: nice things for other people. What you are supposed to

609
00:34:46,080 --> 00:34:51,400
Speaker 1: do is be a complete piece of shit to everyone

610
00:34:51,480 --> 00:34:56,200
Speaker 1: you've ever met, because that is actually very toxic to

611
00:34:56,320 --> 00:34:57,400
Speaker 1: do a niceness.

612
00:34:58,800 --> 00:35:03,000
Speaker 2: Yeah, no, it's true. And and and it's called self

613
00:35:03,080 --> 00:35:08,480
Speaker 2: care yep to talk to me what's happening for you, Tom,

614
00:35:08,520 --> 00:35:10,200
Speaker 2: because you really seem to have shut down, and I

615
00:35:10,440 --> 00:35:13,640
Speaker 2: still want this to be a collaboration. I was so

616
00:35:13,760 --> 00:35:15,239
Speaker 2: excited for us to talk.

617
00:35:15,800 --> 00:35:18,239
Speaker 3: Well, just think about it, and think about it from

618
00:35:18,280 --> 00:35:23,120
Speaker 3: my perspective. I came on the show, favorite podcast.

619
00:35:23,200 --> 00:35:26,839
Speaker 1: I came on, and for anyone who's just listening, by

620
00:35:26,880 --> 00:35:29,719
Speaker 1: the way, Tom is, from what I can see, not

621
00:35:29,840 --> 00:35:32,800
Speaker 1: at all nude. Tom. Of course, I'm not going to

622
00:35:32,840 --> 00:35:33,480
Speaker 1: tell you himself.

623
00:35:34,080 --> 00:35:39,480
Speaker 3: No I'm not. I'm fully clothed. I come on to

624
00:35:39,640 --> 00:35:42,640
Speaker 3: talk about my book. I've been on the show. How

625
00:35:42,680 --> 00:35:47,440
Speaker 3: many times have I been on the show? Fifteen times

626
00:35:47,520 --> 00:35:48,080
Speaker 3: at this point.

627
00:35:48,600 --> 00:35:50,200
Speaker 1: No, it's one big time.

628
00:35:50,760 --> 00:35:54,320
Speaker 2: Yeah to me, there's just one episode with Tom and

629
00:35:54,520 --> 00:35:57,600
Speaker 2: it continues always sure, it never ends.

630
00:35:58,080 --> 00:36:00,960
Speaker 3: You could say, right, you could say, but I come on,

631
00:36:01,080 --> 00:36:02,919
Speaker 3: thank you for the laugh on that, Kevin.

632
00:36:03,360 --> 00:36:08,200
Speaker 1: I come on, Kevin, laugh harder than that place them

633
00:36:08,280 --> 00:36:10,080
Speaker 1: do a big do a much bigger one.

634
00:36:16,040 --> 00:36:17,120
Speaker 2: Well, I feel sick again.

635
00:36:18,360 --> 00:36:21,279
Speaker 3: Yeah, I didn't enjoy that. I come on to talk

636
00:36:21,280 --> 00:36:26,520
Speaker 3: about the book and then I get completely sideswipe and

637
00:36:26,640 --> 00:36:31,040
Speaker 3: I didn't get completely nude. I'm I come on to

638
00:36:31,080 --> 00:36:32,880
Speaker 3: talk about the book, and now I find out you

639
00:36:32,960 --> 00:36:38,000
Speaker 3: guys have you set up some shell corporation called Spam

640
00:36:38,239 --> 00:36:42,680
Speaker 3: Risk Productions. You got me to sign a weird copy

641
00:36:42,680 --> 00:36:45,359
Speaker 3: of the book that was actually a contract. You own

642
00:36:45,600 --> 00:36:49,200
Speaker 3: the rights to the book now and you've turned my

643
00:36:49,280 --> 00:36:54,160
Speaker 3: book into a vehicle literally and figure Pete Holmes is

644
00:36:54,160 --> 00:36:56,920
Speaker 3: going to play me at all ages Deadpools in it,

645
00:36:57,560 --> 00:37:00,880
Speaker 3: and there's going to be what's see seems like massive

646
00:37:00,920 --> 00:37:05,200
Speaker 3: amounts of full frontal and back all nudity throughout the book.

647
00:37:05,800 --> 00:37:09,560
Speaker 3: And it seems like it seems like it's about uh,

648
00:37:10,160 --> 00:37:11,560
Speaker 3: high end sports cars.

649
00:37:11,640 --> 00:37:14,600
Speaker 2: Now part of it will be. But yeah, this is

650
00:37:14,680 --> 00:37:18,879
Speaker 2: the thing, like you're you're sort of saying, you're saying

651
00:37:18,920 --> 00:37:20,600
Speaker 2: all the facts of a movie that sound really good

652
00:37:20,600 --> 00:37:22,560
Speaker 2: as if they're bad, which anyone can do that.

653
00:37:23,520 --> 00:37:25,439
Speaker 1: I can do that. What's a movie you like? Tom?

654
00:37:26,520 --> 00:37:26,640
Speaker 4: Uh?

655
00:37:26,840 --> 00:37:27,080
Speaker 2: Movie?

656
00:37:27,120 --> 00:37:29,520
Speaker 3: I like ET the Extraterrestrial.

657
00:37:29,680 --> 00:37:31,880
Speaker 2: Yeah, so you're talking about this movie where this weird

658
00:37:32,160 --> 00:37:35,640
Speaker 2: gross alien is like trying to eat candy and like

659
00:37:35,880 --> 00:37:39,279
Speaker 2: touching kids, you know what I mean?

660
00:37:39,400 --> 00:37:42,560
Speaker 1: That's like, that's pretty just yeah, yeah, pretty easy, pretty

661
00:37:42,560 --> 00:37:43,480
Speaker 1: easy to be a critic.

662
00:37:44,080 --> 00:37:48,200
Speaker 2: Yeah, but what but what you're not doing is submitting

663
00:37:48,320 --> 00:37:50,120
Speaker 2: ideas for what you think would make a great movie.

664
00:37:50,160 --> 00:37:52,120
Speaker 2: I mean, I'm insulted because you said, try to think

665
00:37:52,120 --> 00:37:54,160
Speaker 2: about it from my perspective. Well, that's all I do

666
00:37:55,080 --> 00:37:57,040
Speaker 2: fifteen hours a day is I try to get into

667
00:37:57,120 --> 00:37:59,839
Speaker 2: your shoes think about your perspective. Okay, now I'm Pete

668
00:37:59,840 --> 00:38:02,799
Speaker 2: home almost my best friend is Deadpool. I'm going one

669
00:38:02,960 --> 00:38:06,520
Speaker 2: twenty eight on the fucking four h five in my Bugotti.

670
00:38:07,600 --> 00:38:10,600
Speaker 2: I got this nypho in the front seat, and I'm

671
00:38:10,640 --> 00:38:13,359
Speaker 2: looking for anywhere to pull off the highway because she's

672
00:38:13,680 --> 00:38:17,640
Speaker 2: got to have what I'm packing downstairs. I'm completely nude,

673
00:38:18,120 --> 00:38:21,160
Speaker 2: but obviously I'm seated, so you're not gonna be able

674
00:38:21,160 --> 00:38:23,279
Speaker 2: to see my back unless we somehow justify it in

675
00:38:23,400 --> 00:38:24,160
Speaker 2: the story.

676
00:38:25,080 --> 00:38:30,680
Speaker 1: And glass bottom bugotti seat. That's camera and we did

677
00:38:30,719 --> 00:38:32,440
Speaker 1: it low angle camera experience.

678
00:38:32,719 --> 00:38:35,040
Speaker 2: But we wouldn't have gotten there unless I put myself

679
00:38:35,080 --> 00:38:36,920
Speaker 2: in your shoes. Start thinking about it from your perspective.

680
00:38:37,160 --> 00:38:39,680
Speaker 1: So if there's how I want movie ends with like

681
00:38:39,760 --> 00:38:43,240
Speaker 1: a crane shot, that's like going like way way.

682
00:38:43,239 --> 00:38:45,960
Speaker 2: Up pulling out, Yeah, Instead.

683
00:38:45,640 --> 00:38:51,560
Speaker 1: We go down under the seat glass bott seat.

684
00:38:52,440 --> 00:38:58,360
Speaker 3: Yeah, so then we be staring at Pete Holmes's anus

685
00:38:59,000 --> 00:38:59,920
Speaker 3: weird figure.

686
00:38:59,680 --> 00:39:02,320
Speaker 2: We get out the way in we actually meet the Flummax.

687
00:39:02,360 --> 00:39:04,560
Speaker 2: In there, the Flax lives in a venus.

688
00:39:05,239 --> 00:39:09,640
Speaker 3: The Flumex, which is a thing that I think you

689
00:39:09,880 --> 00:39:12,799
Speaker 3: made up. When I use the word flumming, I still

690
00:39:13,000 --> 00:39:15,200
Speaker 3: you're gonna deny it. I'm gonna say you made it

691
00:39:15,320 --> 00:39:19,279
Speaker 3: up on the spot. But now apparently that's in the story. Now,

692
00:39:19,800 --> 00:39:23,600
Speaker 3: as as what an animated character that lives in Pete

693
00:39:23,600 --> 00:39:25,120
Speaker 3: Holmes's anus, we're.

694
00:39:25,000 --> 00:39:26,000
Speaker 2: Trying to do it practically.

695
00:39:26,680 --> 00:39:30,719
Speaker 1: Yeah, it's felt. It's a lot of film. Can I

696
00:39:30,800 --> 00:39:32,879
Speaker 1: pitch something that I've been working on? Oh?

697
00:39:33,120 --> 00:39:35,400
Speaker 2: Yeah, I guess. I mean Tom's not pitching anything.

698
00:39:35,600 --> 00:39:39,359
Speaker 4: Someone at Apple owes me a huge favor, So I can.

699
00:39:39,840 --> 00:39:44,640
Speaker 4: I secured a commercial for Tom book the movie. It

700
00:39:44,760 --> 00:39:48,560
Speaker 4: does have to run during a promo for ted Lasso, though,

701
00:39:48,680 --> 00:39:55,160
Speaker 4: So if we're okay with that, I have everyone's signatures.

702
00:39:56,920 --> 00:40:00,959
Speaker 2: Sure, So now this is so the commerce runs during

703
00:40:01,040 --> 00:40:01,920
Speaker 2: another commercial.

704
00:40:02,680 --> 00:40:04,960
Speaker 4: Yeah, I need to like figure out a way to like.

705
00:40:06,520 --> 00:40:07,239
Speaker 1: Him watching it.

706
00:40:07,360 --> 00:40:09,319
Speaker 2: It's like, so ted Lasso goes like, let's look at

707
00:40:09,360 --> 00:40:10,040
Speaker 2: some game.

708
00:40:09,920 --> 00:40:12,440
Speaker 1: Film from the soccer exercise.

709
00:40:12,640 --> 00:40:15,360
Speaker 2: Yeah, and then a game.

710
00:40:17,120 --> 00:40:17,520
Speaker 1: Mm hmm.

711
00:40:18,480 --> 00:40:21,640
Speaker 3: I'm a football coach. That plays a different that coaches

712
00:40:21,680 --> 00:40:22,440
Speaker 3: a different sport.

713
00:40:22,600 --> 00:40:27,319
Speaker 1: Now, Kevin, what did you do for them?

714
00:40:27,440 --> 00:40:27,920
Speaker 2: Like? What? What?

715
00:40:28,880 --> 00:40:29,080
Speaker 4: Yeah?

716
00:40:29,120 --> 00:40:29,520
Speaker 2: Why does that?

717
00:40:30,640 --> 00:40:32,279
Speaker 1: I don't know if I should admit that you lied

718
00:40:32,320 --> 00:40:33,320
Speaker 1: in court for them.

719
00:40:35,920 --> 00:40:38,000
Speaker 2: For your sen You never saw Mike Daisy at the

720
00:40:38,040 --> 00:40:43,520
Speaker 2: factory Mike who wow?

721
00:40:44,200 --> 00:40:44,399
Speaker 3: Wow?

722
00:40:44,520 --> 00:40:46,000
Speaker 2: That was impressive him.

723
00:40:46,200 --> 00:40:47,080
Speaker 1: Yeah, it was really good.

724
00:40:48,640 --> 00:40:50,840
Speaker 2: But Tom, I want you to feel comfortable with it.

725
00:40:51,160 --> 00:40:53,120
Speaker 2: I don't think we can lose what we have. But

726
00:40:53,160 --> 00:40:55,160
Speaker 2: if there are scenes you want us to add that

727
00:40:55,280 --> 00:40:58,600
Speaker 2: you feel, tell your story more thoroughly, Like is there

728
00:40:58,719 --> 00:41:00,160
Speaker 2: something he wants.

729
00:41:00,080 --> 00:41:04,680
Speaker 1: To be in it? He wants to be in the movie, Tom,

730
00:41:04,800 --> 00:41:06,280
Speaker 1: d This is that what this is about?

731
00:41:06,320 --> 00:41:06,520
Speaker 3: Tom?

732
00:41:07,080 --> 00:41:09,080
Speaker 1: Just tell us you want to be in the movie.

733
00:41:09,360 --> 00:41:11,160
Speaker 1: We will find a place for you.

734
00:41:11,960 --> 00:41:17,320
Speaker 3: I don't want to be in the movie, Dad, I'm great?

735
00:41:18,239 --> 00:41:18,960
Speaker 3: So what am I just?

736
00:41:19,080 --> 00:41:19,120
Speaker 4: Like?

737
00:41:20,680 --> 00:41:20,719
Speaker 2: What?

738
00:41:20,960 --> 00:41:22,600
Speaker 3: Give me some sample dialogue?

739
00:41:23,920 --> 00:41:26,640
Speaker 1: Well, you're you're the Nympho's dad, and you are of

740
00:41:26,719 --> 00:41:31,160
Speaker 1: course the valet at the at the country at the

741
00:41:31,760 --> 00:41:37,759
Speaker 1: country club, and you, played by Pete Holmes, are like

742
00:41:38,600 --> 00:41:41,680
Speaker 1: pull pull up in the in the Gotti. Yeah, don't

743
00:41:42,840 --> 00:41:48,200
Speaker 1: overhand whips his keys at you, like basically full that's

744
00:41:48,239 --> 00:41:50,120
Speaker 1: a full pitching motion.

745
00:41:51,400 --> 00:41:52,200
Speaker 3: Like overhand.

746
00:41:52,640 --> 00:41:56,799
Speaker 2: Yeah, just like oh yeah, like a whole wind up

747
00:41:57,040 --> 00:42:00,640
Speaker 2: like just like cranked his arms up and just and yeah,

748
00:42:00,880 --> 00:42:06,240
Speaker 2: kicks his leg out, can throw the catfish hunter style.

749
00:42:06,920 --> 00:42:10,680
Speaker 1: Mm hmm. You're wearing shorts, You're you're watching pull up

750
00:42:10,880 --> 00:42:11,680
Speaker 1: with your daughter.

751
00:42:12,440 --> 00:42:12,759
Speaker 2: M hm.

752
00:42:13,160 --> 00:42:13,880
Speaker 1: He's nude.

753
00:42:14,640 --> 00:42:15,120
Speaker 2: Mm hmmm.

754
00:42:15,400 --> 00:42:16,960
Speaker 3: I'm in shorts. He's nude.

755
00:42:17,239 --> 00:42:20,320
Speaker 1: Yes, see again, And this is like see how it helps,

756
00:42:20,680 --> 00:42:22,000
Speaker 1: see how it helps to actually like.

757
00:42:22,120 --> 00:42:24,000
Speaker 2: Visualize the scene so you can see it.

758
00:42:24,120 --> 00:42:29,120
Speaker 1: Yeah, and yes, he is throwing a four seam fastball

759
00:42:29,440 --> 00:42:33,680
Speaker 1: of his of his keys at you. Mm hm. And

760
00:42:33,880 --> 00:42:34,480
Speaker 1: you say.

761
00:42:37,840 --> 00:42:46,359
Speaker 3: Nice keys, nice keys. I say nice keys. And then

762
00:42:46,480 --> 00:42:51,120
Speaker 3: what happens next? The flummox takes the crap on my head?

763
00:42:51,360 --> 00:42:52,200
Speaker 3: What what's next?

764
00:42:53,120 --> 00:42:53,160
Speaker 1: What?

765
00:42:53,400 --> 00:42:55,359
Speaker 3: What indignity? Am I going to suffer now.

766
00:42:55,239 --> 00:42:59,399
Speaker 1: Again with all this this stuff about like pooping, and like, yeah,

767
00:42:59,719 --> 00:43:00,880
Speaker 1: you brought it up.

768
00:43:01,000 --> 00:43:03,799
Speaker 2: You said that was a scene, that was a scene

769
00:43:03,840 --> 00:43:05,120
Speaker 2: I believe was in your book.

770
00:43:05,320 --> 00:43:08,080
Speaker 3: That we there's no scene in the book that has

771
00:43:08,160 --> 00:43:10,120
Speaker 3: to do with crapping your pants.

772
00:43:11,520 --> 00:43:16,520
Speaker 2: Okay, I agreed to disagree on that. It just you know,

773
00:43:17,560 --> 00:43:19,480
Speaker 2: I'm not here to fight a battle about the book.

774
00:43:19,480 --> 00:43:20,759
Speaker 2: The fact is we're going to take it out of

775
00:43:20,800 --> 00:43:22,719
Speaker 2: the movie. It was half the movie. It was your

776
00:43:22,760 --> 00:43:25,480
Speaker 2: whole childhood. We thought it was going to be more relatable,

777
00:43:25,560 --> 00:43:29,600
Speaker 2: more engaging, a little more vulnerable than trying to eat

778
00:43:30,239 --> 00:43:33,440
Speaker 2: more pennies than the crawfish can or whatever the thing was.

779
00:43:35,560 --> 00:43:38,160
Speaker 3: Can I ask a question? And God helped me for

780
00:43:38,280 --> 00:43:39,120
Speaker 3: asking this question?

781
00:43:39,239 --> 00:43:39,399
Speaker 2: Yes?

782
00:43:39,960 --> 00:43:42,520
Speaker 3: Who who do you picture doing the voice of the.

783
00:43:42,600 --> 00:43:51,800
Speaker 1: Flummex Leila Ali? Yeah? Okay, Kevin, what's your second favorite

784
00:43:51,800 --> 00:43:52,120
Speaker 1: part of the.

785
00:43:52,080 --> 00:43:55,560
Speaker 4: Book When Robert Downey Junior makes a cameo.

786
00:43:56,040 --> 00:43:59,600
Speaker 2: Yeah, not in the book.

787
00:43:59,719 --> 00:44:02,399
Speaker 3: There's no Robert Danny Junior is not in the book

788
00:44:02,440 --> 00:44:02,759
Speaker 3: at all.

789
00:44:03,280 --> 00:44:09,319
Speaker 1: He finds out that you're gonna be that you're Spider Man.

790
00:44:09,480 --> 00:44:13,839
Speaker 1: You're doing like Spider Man stuff and your spare time,

791
00:44:13,960 --> 00:44:15,719
Speaker 1: and he's like, look, kid, you have to keep the

792
00:44:15,760 --> 00:44:17,600
Speaker 1: secret for me. Then it turns out it was a

793
00:44:17,640 --> 00:44:21,800
Speaker 1: different kid at school, wasn't you at all? No, it

794
00:44:21,920 --> 00:44:22,520
Speaker 1: was a mistake.

795
00:44:24,680 --> 00:44:26,319
Speaker 3: Sure, So he shows up.

796
00:44:28,360 --> 00:44:31,520
Speaker 1: You go to the same school as as Spider Man's

797
00:44:31,760 --> 00:44:35,400
Speaker 1: canonically the Tom Holland Spider Man gotcha?

798
00:44:35,520 --> 00:44:38,760
Speaker 3: Okay, So I go to the same school in Zendaya

799
00:44:39,960 --> 00:44:43,160
Speaker 3: and he he gets the he goes to the wrong

800
00:44:43,280 --> 00:44:44,000
Speaker 3: kid's house.

801
00:44:44,480 --> 00:44:45,160
Speaker 1: Yeah, he goes.

802
00:44:45,320 --> 00:44:47,200
Speaker 2: He shows up and he goes, yeah, in our DJ

803
00:44:48,160 --> 00:44:50,840
Speaker 2: he's in there, and he goes, hey, look, kid, you

804
00:44:50,880 --> 00:44:51,160
Speaker 2: don't have.

805
00:44:51,120 --> 00:44:55,719
Speaker 1: To get the secret for me. And then I'm oh,

806
00:44:55,800 --> 00:44:57,279
Speaker 1: so what, you're just like a normal high school kid.

807
00:44:57,280 --> 00:45:00,360
Speaker 1: You're just like doing like you're just trying to be

808
00:45:00,520 --> 00:45:01,920
Speaker 1: like just a normal high school kid.

809
00:45:02,120 --> 00:45:04,240
Speaker 2: Okay, okay, disregard everything.

810
00:45:04,400 --> 00:45:04,600
Speaker 1: Yeah.

811
00:45:06,920 --> 00:45:09,520
Speaker 3: So then I tell him I'm not Spider Man.

812
00:45:10,480 --> 00:45:13,279
Speaker 2: You go like, yeah, you would do it more like

813
00:45:14,320 --> 00:45:20,200
Speaker 2: like stran So I'm more of like a going into

814
00:45:20,200 --> 00:45:21,200
Speaker 2: your mouth and you're like.

815
00:45:22,760 --> 00:45:26,879
Speaker 1: Some kind of chewing on this, like hanging snotstrand Yeah.

816
00:45:27,000 --> 00:45:30,120
Speaker 2: Yeah, interesting diet. You've got their kid.

817
00:45:30,800 --> 00:45:35,560
Speaker 3: Yeah, look, I'm not spin mister Stark, I'm not Spider Man.

818
00:45:35,880 --> 00:45:38,640
Speaker 2: Yeah, he's riffing at this point, he's riffing so we

819
00:45:38,719 --> 00:45:42,760
Speaker 2: can't even hear you. He's just grabbing stuff off the shelves,

820
00:45:42,840 --> 00:45:44,920
Speaker 2: like set dressing stuff, and he's just going.

821
00:45:46,480 --> 00:45:49,400
Speaker 3: He's like doing like hello, anybody there, like picking a

822
00:45:49,440 --> 00:45:52,640
Speaker 3: thing and making a phone and soccer whatever.

823
00:45:53,880 --> 00:46:00,520
Speaker 1: Yeah, and then he's like, oh, Citizen Kane, he's our Robin,

824
00:46:00,600 --> 00:46:03,120
Speaker 1: he's our generation's Robin. That's just what he is.

825
00:46:04,040 --> 00:46:07,200
Speaker 3: So so in this sea, this pivotal scene, I go

826
00:46:07,280 --> 00:46:10,000
Speaker 3: into my bedroom from high school because I go to

827
00:46:10,000 --> 00:46:13,680
Speaker 3: the same school as Spider Man. Robert Danny Jr. As

828
00:46:14,239 --> 00:46:19,120
Speaker 3: Iron Man. Tony Stark is there basically doing riffing with

829
00:46:19,239 --> 00:46:21,640
Speaker 3: different props around my room, where he'd be just like

830
00:46:21,800 --> 00:46:24,360
Speaker 3: is he doing like applause meter with this hand?

831
00:46:24,480 --> 00:46:27,120
Speaker 2: And yeah, he's doing the laws and he's been told,

832
00:46:27,320 --> 00:46:31,200
Speaker 2: you know, the the whatever they've been told, like props,

833
00:46:31,200 --> 00:46:32,919
Speaker 2: has been told to have a lot of knickknacks around

834
00:46:32,960 --> 00:46:34,719
Speaker 2: and stuff so that he can just go because we're

835
00:46:34,760 --> 00:46:34,960
Speaker 2: going to.

836
00:46:35,000 --> 00:46:36,200
Speaker 1: Get a lot of raw footage.

837
00:46:37,600 --> 00:46:41,319
Speaker 3: Sure, so he'll do things like he'll pick up He'll

838
00:46:41,440 --> 00:46:46,680
Speaker 3: he'll just pick up like a like a mouse from

839
00:46:46,760 --> 00:46:49,080
Speaker 3: my computer and just be kind of like a who

840
00:46:49,640 --> 00:46:52,440
Speaker 3: it's a mouse mouse trap?

841
00:46:53,480 --> 00:46:58,120
Speaker 2: Mm hmmm. Like that he that he would do better, Yeah,

842
00:46:58,360 --> 00:47:01,319
Speaker 2: he would. It's not real and he's going to get

843
00:47:01,360 --> 00:47:04,400
Speaker 2: it character like he's going to probably do characters.

844
00:47:04,920 --> 00:47:05,120
Speaker 3: Yeah.

845
00:47:06,680 --> 00:47:09,000
Speaker 1: And of course this is like a parallel universe version

846
00:47:09,000 --> 00:47:12,080
Speaker 1: because I think he like he's not in the regular

847
00:47:12,160 --> 00:47:15,240
Speaker 1: movies anymore. So this is like a different Tony Stark

848
00:47:15,520 --> 00:47:18,280
Speaker 1: than in our version. His name is is Tony Stark naked.

849
00:47:18,320 --> 00:47:22,239
Speaker 2: He's naked, he's going he's nude, and we're seeing it

850
00:47:22,440 --> 00:47:23,399
Speaker 2: from the back as well.

851
00:47:23,920 --> 00:47:28,200
Speaker 3: Okay, and and and Robert Downey Jr. Is playing.

852
00:47:30,160 --> 00:47:35,680
Speaker 1: This this is yeah, he said, Roger, did you say

853
00:47:35,760 --> 00:47:41,080
Speaker 1: Roger Robert? Okay? Then no, no, no, no, no no no.

854
00:47:41,560 --> 00:47:43,440
Speaker 3: So it's Roger Downey Jr.

855
00:47:43,760 --> 00:47:48,120
Speaker 2: Roger Downey Jr. Is playing this role. And yeah, he's

856
00:47:48,160 --> 00:47:50,920
Speaker 2: actually to me, he's the funnier of the two Downey juniors.

857
00:47:51,200 --> 00:47:55,440
Speaker 2: He's he's really good and he was just his schedule

858
00:47:55,600 --> 00:47:59,280
Speaker 2: was easier to line up for us. He's available basically forever.

859
00:48:00,280 --> 00:48:05,520
Speaker 3: Sure, So he's going through my room, Annie, am I

860
00:48:05,600 --> 00:48:09,320
Speaker 3: want to get back? What's going to Captain? I cannot

861
00:48:09,760 --> 00:48:13,439
Speaker 3: do it anymore. We cannot take the stress the ship

862
00:48:13,560 --> 00:48:15,880
Speaker 3: kind of. I'm a I'm damn it, Jim, I'm a doctor.

863
00:48:15,920 --> 00:48:20,000
Speaker 3: He's doing like every one of these things. Roger down.

864
00:48:22,360 --> 00:48:25,120
Speaker 2: Yeah, Roger Downey Junior is going through the whole thing.

865
00:48:26,800 --> 00:48:31,760
Speaker 2: He's doing some offensive stuff as well. Okay, some accents.

866
00:48:33,640 --> 00:48:36,080
Speaker 2: You know, we can cut around it unless we decided

867
00:48:36,080 --> 00:48:41,839
Speaker 2: it works for the picture. But yeah, I gotta say,

868
00:48:41,920 --> 00:48:43,960
Speaker 2: I don't want to overlook the fact that your name

869
00:48:44,040 --> 00:48:45,799
Speaker 2: is Donald Trump in the movie as well.

870
00:48:46,520 --> 00:48:50,960
Speaker 3: I forgot. I completely forgot. So he's like, Donald Trump Trump,

871
00:48:51,840 --> 00:48:56,759
Speaker 3: you are spider Man. Is that what's happening? Yes, So

872
00:48:56,960 --> 00:48:59,799
Speaker 3: I'm walking in the room in shorts. You said he's

873
00:49:00,080 --> 00:49:04,600
Speaker 3: fully nude, Roger Danny Junior's fully nude. And I say,

874
00:49:06,640 --> 00:49:09,560
Speaker 3: Tony Stark, what are you Tony Stark? What are you

875
00:49:09,800 --> 00:49:10,560
Speaker 3: doing in here?

876
00:49:10,840 --> 00:49:11,040
Speaker 1: Yeah?

877
00:49:11,920 --> 00:49:17,000
Speaker 3: And he goes, oh, he's doing twilet thorpe one, two, three,

878
00:49:17,160 --> 00:49:21,880
Speaker 3: four ones. He's just doing dance things. And then fussy fussy,

879
00:49:22,520 --> 00:49:24,200
Speaker 3: and then I got.

880
00:49:23,880 --> 00:49:27,200
Speaker 2: Quick Julia Child impression in the kitchen. Baby, he's working

881
00:49:27,680 --> 00:49:28,240
Speaker 2: at the house.

882
00:49:29,000 --> 00:49:39,520
Speaker 3: Then he says, Donald Trump, you are spider Man. And

883
00:49:39,600 --> 00:49:42,840
Speaker 3: since I'm like a mouth breather, I'm going I'm nuts

884
00:49:43,120 --> 00:49:50,239
Speaker 3: yer man, mister Stark, that's mm hmm, and that could

885
00:49:50,239 --> 00:49:53,960
Speaker 3: be good. Yeah, let's do it.

886
00:49:54,560 --> 00:49:56,600
Speaker 2: Okay, great, that's Kevin's second favorite scene.

887
00:49:57,440 --> 00:50:00,440
Speaker 3: Yeah. I kind of get it now, I see I

888
00:50:00,520 --> 00:50:01,800
Speaker 3: see what my book is missing.

889
00:50:03,320 --> 00:50:05,520
Speaker 1: And then there's like you have to particilarly you go

890
00:50:05,719 --> 00:50:08,160
Speaker 1: the scene after that as you like pretend you get

891
00:50:08,239 --> 00:50:09,520
Speaker 1: kind of caught up in this thing where you have

892
00:50:09,600 --> 00:50:12,200
Speaker 1: to pretend to be Spider Man and you basically get

893
00:50:12,280 --> 00:50:16,560
Speaker 1: like hurled into the side of a building. Uh m hm.

894
00:50:17,560 --> 00:50:19,040
Speaker 3: And do I slide down?

895
00:50:19,120 --> 00:50:19,279
Speaker 1: Yeah?

896
00:50:19,320 --> 00:50:22,719
Speaker 2: You slow slide all the glass building. So we're inside

897
00:50:22,760 --> 00:50:25,480
Speaker 2: and we're following you like, well.

898
00:50:25,360 --> 00:50:28,399
Speaker 3: The same camera that goes the same camera that goes

899
00:50:28,520 --> 00:50:30,759
Speaker 3: up Pete's and yes, I guess we could use for

900
00:50:30,880 --> 00:50:31,440
Speaker 3: that shot.

901
00:50:31,560 --> 00:50:34,399
Speaker 2: Yeah, so you're the plos could actually see you doing

902
00:50:34,480 --> 00:50:36,200
Speaker 2: this and going that's gotta hurt.

903
00:50:36,480 --> 00:50:40,200
Speaker 1: You know. Yeah, you're sliding down this glass building. Yeah,

904
00:50:40,440 --> 00:50:42,600
Speaker 1: and as you're sliding, you get kind of like turned

905
00:50:42,680 --> 00:50:45,640
Speaker 1: over and then the friction of the glasses is pulling

906
00:50:45,719 --> 00:50:46,480
Speaker 1: your shorts off.

907
00:50:47,040 --> 00:50:49,719
Speaker 3: Of course I get turned upside down. Yeah, so that

908
00:50:49,840 --> 00:50:58,560
Speaker 3: I'm nude. Why wouldn't I be nude for the the

909
00:50:59,520 --> 00:51:01,360
Speaker 3: Spider Man training sequence?

910
00:51:01,560 --> 00:51:04,879
Speaker 2: The spam risk signature. You know, it's like all these

911
00:51:04,960 --> 00:51:07,239
Speaker 2: movies where these people walk on screen and you go,

912
00:51:07,400 --> 00:51:09,360
Speaker 2: like one of those shorts coming off, and half the

913
00:51:09,440 --> 00:51:11,600
Speaker 2: time they don't. But you know when you see one

914
00:51:11,640 --> 00:51:16,399
Speaker 2: of our flicks, at some point a window is gonna

915
00:51:16,400 --> 00:51:17,319
Speaker 2: pull the shorts off.

916
00:51:18,640 --> 00:51:20,759
Speaker 3: Sure, so a window does it?

917
00:51:21,239 --> 00:51:24,120
Speaker 2: Basically, Yeah, that's friction, but yeah.

918
00:51:24,120 --> 00:51:27,560
Speaker 3: But that's the signature. That's the signature move for your company.

919
00:51:27,640 --> 00:51:29,760
Speaker 2: We try to get you pushed up against the glass somehow.

920
00:51:29,880 --> 00:51:31,200
Speaker 2: Yeah mm hmm.

921
00:51:32,880 --> 00:51:37,200
Speaker 3: Now like I said, uh yeah, let's do it all right.

922
00:51:37,360 --> 00:51:38,359
Speaker 1: Bye bye.

923
00:51:41,719 --> 00:51:44,840
Speaker 4: This week on the Patreon Carlinisan discuss the Olympics, The

924
00:51:44,920 --> 00:51:47,880
Speaker 4: Boys we haven't recorded yet, don't worry, it'll be a

925
00:51:47,920 --> 00:51:50,840
Speaker 4: really good one, and the flager Ones are mostly talking

926
00:51:51,040 --> 00:51:55,280
Speaker 4: all things basketball. Check out these bonus podcasts and videos

927
00:51:55,400 --> 00:51:59,040
Speaker 4: of the full episodes, including today's with Tom at patreon

928
00:51:59,160 --> 00:51:59,600
Speaker 4: dot com.

929
00:52:00,040 --> 00:52:03,040
Speaker 1: Ash the Flag at Once Hollywood, Hamburg,